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[♪]
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[♪]
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♪ "L" IS FOR THE WAYYOU LOOK AT ME ♪
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♪ "O" IS FOR THE ONLY ONEI SEE ♪
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♪ "L" IS FOR THE WAYYOU LOOK AT ME ♪♪ "V" ISVERY, VERY EXTRAORDINARY ♪
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♪ "O♪ "E" IS EVEN MOREONETHAN ANYONE THAT YOU ADORE CAN ♪
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♪ LOVE IS ALLTHAT I CAN GIVE TO YOU ♪
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♪ LOVE IS MORE THANJUST A GAME FOR TWO ♪
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♪ TWO IN LOVE CAN MAKE IT ♪
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♪ TAKE MY HEARTAND PLEASE DON'T BREAK IT ♪
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♪ LOVE WAS MADE FOR ME AND YOU ♪
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[♪]
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[♪]
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♪ "L" IS FOR THE WAYYOU LOOK AT ME ♪
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♪ "O" IS FOR THE ONLY ONE... ♪
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I DON'T WANNAGO BACK TO NEW YORK.
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♪ "O" IS FOR THE ONIT'S GONE BYTOO FAST.
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MAYBE I DON'T.NAGO BACK TO NEW YORK.
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MAYBE I STAY HERE AND PAINT.
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NO, NO, NO,WE HAVE A PLAN, REMEMBER?
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IT JUST FEELS LIKE GOODBYE.
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NO, NO GOODBYES.
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LOOK, IT'LL JUST BEA FEW MONTHS.
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YOU HAVE TO FINISH SCHOOL.
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LOOK, IT'LL JUST BEI HAVE TO FINISH WORK.
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HAVE YOU TOLD YOUR FATHERYOU'RE QUITTING?
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I WILL.
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HEY, WE'LL BE BACK TOGETHERBY VALENTINE'S DAY.
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TOP OFTHE EMPIRE STATE BUILDING?
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DOESN'T SOUNDQUITE AS ROMANTIC
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AS THE TOP OFTHE EIFFEL TOWER,
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BUT IT WILL HAVE TO DO.
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WE'LL LOCK ITON THE BRIDGE,
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AND OUR LOVEWILL LAST FOREVER.
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FOREVER?
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FOREVER.
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[SIGHS] FOREVER...
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OKAY.
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WITH THIS LOCK, I THEE--
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WHOA!
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YOU DID THAT ON PURPOSE.
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NO, NO, NO,THAT WAS YOUR FAULT.
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YOU-YOU GRABBED FOR IT.
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[♪]
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THANK YOU.
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GOOD MORNING, MAGGIE.
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MORNING, LINDSEY.
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FIRST CUP OF COFFEE?
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THIRD.
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HOW ARE WE DOINGWITH THE VALENTINE ISSUE?
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YOU JUST NEEDTO PICK A COVER.
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NOT THE CUPID.
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THE LAST THINGI WANT TO THINK ABOUT
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IS A CHUBBY TODDLERCOMING AT ME WITH A WEAPON.
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HMM, SUCH A ROMANTIC.
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NOT THAT ONE.
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SPEAKING OF WHICH,MANTIC.
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TRENT GREER'SIN YOUR OFFICE.
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WHAT?
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SORRY, HE'S A REALLYHARD GUY TO SAY NO TO.
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WHAT'S HE DOING HERE?
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WHO CARES?HE'S GORGEOUS.
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NOW, DO SOMETHINGWITH YOUR HAIR.
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WHAT'S WRONGWITH MY HAIR?
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YOU COULD TRY WEARING ITDOWN SOMETIMES.
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[SIGHS] DON'T YOU HAVESOMETHING TO DO?
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[LAUGHS]
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TRENT...
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HEY...
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WHAT A SURPRISE.T...
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OH, YEAH? GOOD OR BAD?
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GOOD. GOOD...
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GOOD. GOOD...
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UM, ACTUALLY, I WANTEDTO CATCH YOU BEFORE YOU LEFT,
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BECAUSE YOUR ASSISTANT SAID
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THAT YOU'RE GOINGTO PARIS TOMORROW
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WITH YOUR DAUGHTER.
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OH, DID SHE TELL YOU
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WHAT I HADFOR BREAKFAST AS WELL?
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OH, DID SHE TEFRENCH TOAST?
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GOD, I CAN'T BELIEVEYOU'RE OLD ENOUGH
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TO HAVE A DAUGHTER OLD ENOUGH
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TO BE IN COLLEGE.
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I AM ALSO OLD ENOUGH TO KNOWWHEN I'M BEING BUTTERED UP.
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ALL RIGHT.
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OKAY, HERE IT IS.
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I REALLY WANT TO TAKE YOU OUT.
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OH.
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YEAH, AND I WANTI REATO BUY YOUR MAGAZINE.OUT.
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OH.
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OKAY, NOW, WAS THATA "YES/YES,"
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A "YES/NO," OR A "NO/YES"?
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YES.
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AND NO.
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I-I DON'T KNOW...
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LET ME TELL YOUTHIS, LINDSEY,
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YOU'VE DONEAN INCREDIBLE JOB WITH POV.
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IT IS-IT IS A UNIQUE MAGAZINE,
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YOU'VE DONE IT YOURSELF,ON A LIMITED BUDGET--
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THANK YOU?
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00:05:07,177 --> 00:05:08,261
THE PROBLEM IS,THE READERSHIP'S MAXED OUT,
102
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AND IT DOES NOTHAVE TO BE LIKE THAT,
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AND I CAN HELP YOUTAKE IT TO THE NEXT LEVEL.
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YOU WANT TO BUY ME OUT.
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I WANT YOU TO STAY ONTO CONSULT.
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SO I'D BE WORKING FOR YOU.
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I WANT YOU TO STAY ONTO CONSULWITH ME.
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YOU KNOW, TRENT,THE THING IS,KING FOR YOU.
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I'VE KIND OF BECOMEUSED TO BEING MY OWN BOSS.
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I DO GET THAT.
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I'VE KIND OF BECOMEUSED TO BEING BELIEVE ME..
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WHEN I OPENED MY FIRSTPUBLISHING HOUSE,THAT.
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THE LAST THING ON MY MINDWAS SELLING IT,
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BUT I DID.
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I DID, AND I BUILT SOMETHINGBIGGER AND BETTER
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THAN I EVER IMAGINED.
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SO, DO ME A FAVOR.
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WHILE YOU'RE TRAVELING,
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JUST THINK ABOUT IT.
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AND THE OTHER "IT," TOO.
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I WILL.
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AND I WILL.
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GREAT..
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AND, ONE OTHER THING,
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UM, I'M ACTUALLY GOINGTO BE IN LONDON NEXT WEEK,
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AND IT'S A SHORT FLIGHTTO PARIS.
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I'D LOVE THE CHANCETO SHOW YOU OUR PARIS OFFICE.
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WOW, YOU MUST REALLY WANTMY MAGAZINE.
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I'D LOVE THE CHANCETO SHOH, YEAH, THAT TOO.FICE.
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TELL ME HE'S NOTTHE BEST-LOOKING GUY
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YOU'VE EVER SEEN.
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[SIGHS] LOOKS HAVENOTHING TO DO WITH IT.
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WHAT'S WRONG?
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HE WANTS TO BUYTHE MAGAZINE.
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SERIOUSLY?
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HE WANTS TO BUYTHE MAGAZINE.WHAT DID YOU SAY?
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I WANTED TO SAY "NO,"BUT SOMEHOW I DIDN'T?
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HMM, I'M PRETTY SUREHE HAS THAT EFFECT
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ON EVERYONE.
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WOULD IT BESO BAD TO SELL?
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I'M SAYING GOODBYETO MY DAUGHTER,ON EVERYONE.
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I DON'T WANT TO SAY GOODBYETO MY BUSINESS, TOO.
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I KNOW, IT'S JUST...
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HE'S JUST SO GORGEOUS.
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[LAUGHS] MAGGIE, THAT'SALL YOU CAN THINK ABOUT.
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LET'S FINISH UPTHIS LAYOUT.
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THAT'S GREAT.
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REALLY GREAT.
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YOU PACKED YET?
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TONIGHT.REAT.
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THROW IN SOMETHING SEXY.
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[CHUCKLES] WHY?
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YOU'RE GOINGTO PARIS, GIRL,
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NOT NEW JERSEY.
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[SIGHS] ALL RIGHT.
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THIS LOOKS GOOD, JERSEY.
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EXCEPT MOVE THE GAUCHER[SIGHS] ATO THE CENTER,
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AND INCREASE IT TO 5X7.SEY.
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OH, AND ALSO,INCREASE THE OPACITY
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SO WE'RE SEEING THE TITLES.
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YEAH, LIKE THAT.
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[ZIPPING SUITCASE]
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HI, MOM!
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'LEX? YOU'RE EARLY!
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YEAH, I CAUGHT A RIDEWITH A GUY FROM SCHOOL!
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WHAT GUY?
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UH, SOME GUY WHO'S NAME I FOUNDON THE RIDE BOARD IN MY DORM.
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YOU DROVEALL THE WAY FROM CONNECTICUT
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WITH A TOTAL STRANGER?
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AND TWO OTHER FRIENDS.
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SO THE THREE OF YOU DROVEFROM CONNECTICUT
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WITH A TOTALSTRANGER.
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MOM, YOU AREHELICOPTERING AGAIN.
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WITH A TOTALSTRANGER.YOU'RE RIGHT.
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ENGINE'S OFF.
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[SQUEALS IN DELIGHT]
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HEY! I REMEMBER THAT.
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IT USED TO BE IN THE HALLWAY.
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YEAH, WE HAVE BETTER TASTE NOW.
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IT USED NO, WE DON'T.HALLWAY.
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YOU SHOULD PUT IT UP AGAIN.
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IT'S TOO BIG.
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YOU WERE SO GOOD.WHY DID YOU STOP?
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HMM, I GUESSMY FINE ARTS DEGREE
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TAUGHT ME THE FINE ARTOF UNEMPLOYMENT.
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HMM, I GUESSMY F[CHUCKLES]EGREE
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MAYBE YOU'LL START AGAIN.
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NO, IT'S YOUR TURN, KIDDO.MY FYOU HUNGRY?GREE
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[TOGETHER]: PASTA?MAYBEALFREDO SAUCE?AGAIN.
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EXTRA CHEESE!
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I CAN'T WAIT FOR YOUTO MEET HUGO.
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ME EITHER.
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HE IS THE BEST TEACHER.
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BUT HE'S A LITTLE BITOF A MEDDLER,
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SO DON'T TELL HIM TOO MUCHABOUT YOUR SOCIAL LIFE.
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NOT THAT YOU'LL HAVE ONE,
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BECAUSE YOU'LL BETOO BUSY STUDYING.
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UH-HUH, RIGHT...
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TEN LETTER WORDFOR "SOULMATE"?
200
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"DELUSIONAL?"
201
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YOU'RE TERRIBLE.
202
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OR REALISTIC.
203
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WHY SHOULD THERE BEONLY ONE PERSON FOR EVERYONE?
204
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BUT WHAT IFTHERE IS?
205
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HONEY, REMEMBERWHEN I HAD TO TELL YOU
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THERE WAS NO TOOTH FAIRY?
207
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WELL, BRACE YOURSELF.
208
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OKAY, JUST BECAUSE YOU WERERIGHT ABOUT THE TOOTH FAIRY
209
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DOESN'T MEANYOU'RE RIGHT ABOUT THIS.
210
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[CELL PHONE RINGS]
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IT'S DAD.
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SEE? PROOF POSITIVE.
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HI, DAD.
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YES, I'LL BE CAREFUL.
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YES, I HAVE MY PASSPORT.
216
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OKAY, UM... SAY HI TO JANE.
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OKAY, LOVE YOU, TOO.
218
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YEAH, BYE.
219
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OKAY,WHO'S JANE?TOO.
220
00:09:18,972 --> 00:09:20,181
UM...
221
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DAD AND MARCIE SEPARATED,
222
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SO IT LOOKS LIKE HE'S HEADINGFOR NUMBER THREE.
223
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OH, I'M SORRY TO HEAR THAT.
224
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AND YOU SHOULDN'T REFERTO YOUR DAD'S WIVES
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AS NUMBERS.
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AT LEAST YOU'RESTILL NUMBER ONE.
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[UNENTHUSIASTICALLY] YAY.
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YOU KNOW WHATI LOOK FORWARD TO?
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THE DAY THAT I GET TO TELL DAD
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THAT YOU ARE SEEINGSOMEONE ELSE.
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I'M MORE CONCERNED WITH WORK,YOU KNOW THAT.
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YES, THAT'S WHATYOU ALWAYS SAY.
233
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ACTUALLY,
234
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SOMEONE WANTS TO BUY POV.
235
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ACTUALLY, NOT JUST SOMEONE.
236
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TRENT GREER.
237
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THE PUBLISHING GUY?
238
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YEAH.
239
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THETHAT'S GREAT.UY?
240
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IT WOULD BE,YEAH.IF I WAS SELLING.
241
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WOULD THAT BE SUCH A BAD THING?
242
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IT'S WHAT I DO EVERY DAY.
243
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IT'S... WHO I AM.
244
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WHY WOULD I SELL MY LIFE?
245
00:10:01,347 --> 00:10:04,058
WHAT LIFE?YOU WORK ALL THE TIME, AND...
246
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I MEAN,I LOVE THE MAGAZINE, BUT...
247
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WHAT LIIT'S KIND OFTHE ONLY RELATIONSHIP YOU HAVE.
248
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I HAVE YOU.
249
00:10:13,692 --> 00:10:14,527
OKAY...
250
00:10:14,527 --> 00:10:16,195
WHEN'S THE LAST TIMEYOU WENT OUT?
251
00:10:16,195 --> 00:10:17,321
AND NOT FOR SOMETHINGBUSINESS-Y.
252
00:10:17,363 --> 00:10:19,698
NOT THAT LONG AGO.
253
00:10:19,698 --> 00:10:20,699
I DON'T THINK.
254
00:10:20,699 --> 00:10:21,659
[SCOFFS]
255
00:10:21,701 --> 00:10:25,163
CAN YOU BELIEVEYOU'RE ABOUT TO GO TO PARIS
256
00:10:25,204 --> 00:10:26,039
FOR THREE MONTHS?
257
00:10:26,039 --> 00:10:27,832
MM-HMM, NICE PIVOT.
258
00:10:27,832 --> 00:10:30,501
HELICOPTERS PIVOT, RIGHT?
259
00:10:30,543 --> 00:10:32,796
MMAND I CAN'T WAIT.
260
00:10:33,880 --> 00:10:34,881
[TOGETHER]: DONE!
261
00:10:34,881 --> 00:10:35,965
[LAUGHING]
262
00:10:37,676 --> 00:10:41,637
[♪]
263
00:11:11,417 --> 00:11:12,961
PLACE DE LA CONCORDE!
264
00:11:13,002 --> 00:11:14,629
[SQUEALS IN EXCITEMENT]
265
00:11:14,629 --> 00:11:16,756
WAIT TILL YOU SEE ITWITH ALL THE LIGHTS.
266
00:11:20,885 --> 00:11:22,095
MOM, LOOK, IT'S[SQUEALS ITHE EIFFEL TOWER!
267
00:11:22,095 --> 00:11:23,054
WE HAVE TO GO.
268
00:11:23,096 --> 00:11:24,180
WE WILL.
269
00:11:25,348 --> 00:11:26,390
HAVE YOU EVERBEEN TO THE TOP?
270
00:11:27,308 --> 00:11:28,685
JUST ONCE.
271
00:11:28,685 --> 00:11:31,020
I CAN'T BELIEVEYOU NEVER CAME BACK.
272
00:11:31,062 --> 00:11:32,105
WELL, I AM NOW.
273
00:11:32,105 --> 00:11:34,608
[♪]
274
00:11:53,042 --> 00:11:54,377
BIENVENUEWELL, I AM NOA PIERRE DU CALVET.
275
00:11:54,418 --> 00:11:55,545
THANK YOU.
276
00:11:55,587 --> 00:11:56,963
WOW.
277
00:11:56,963 --> 00:11:58,965
I GUESS THIS IS US.
278
00:11:58,965 --> 00:12:00,133
IT'S SO US!WOW.
279
00:12:00,133 --> 00:12:01,050
IT'S PERFECT!S THIS IS US.
280
00:12:01,050 --> 00:12:02,969
OF COURSE IT IS,IT'S SO US!WOHUGO PICKED IT.
281
00:12:02,969 --> 00:12:04,303
I LIKE HIM ALREADY. IS US.
282
00:12:04,303 --> 00:12:06,681
WELCOME TO PARIS.
283
00:12:08,057 --> 00:12:08,933
MERCI.
284
00:12:13,021 --> 00:12:14,481
[QUIETLY]I MEAN, REALLY?
285
00:12:14,523 --> 00:12:16,440
ALREADY?WE JUST LANDED.
286
00:12:22,280 --> 00:12:23,907
[♪]
287
00:12:23,948 --> 00:12:25,825
[GASPING IN AWE]
288
00:12:29,162 --> 00:12:30,121
BONJOUR.
289
00:12:30,163 --> 00:12:30,997
BONJOUR.
290
00:12:30,997 --> 00:12:32,040
BIENVENUE A L'HOTELPIERRE DU CALVET.
291
00:12:32,081 --> 00:12:33,291
MERCI, QUEL BEL HOTEL.
292
00:12:33,332 --> 00:12:34,167
MERCI.
293
00:12:34,208 --> 00:12:36,252
NOUS AVONS UNE RESERVATIONAU NOM DE WILSON,
294
00:12:36,294 --> 00:12:37,504
S'IL VOUS PLAIT?
295
00:12:37,546 --> 00:12:38,379
IMPRESSIVE.
296
00:12:38,422 --> 00:12:39,548
WHY IS YOUR FRENCHBETTER THAN MINE?
297
00:12:39,589 --> 00:12:41,758
MAYBE BECAUSE YOU STOPPEDIN THE 12TH GRADE?
298
00:12:41,800 --> 00:12:42,592
NOT TO WORRY.
299
00:12:42,634 --> 00:12:44,260
OUR STAFFSPEAKS ENGLISH.
300
00:12:44,260 --> 00:12:46,471
YES. YOUR FRIEND,MONSIEUR HUGO,
301
00:12:46,513 --> 00:12:48,598
OUR STAFFHAD YOU UPGRADED TO A SUITE.H.
302
00:12:48,640 --> 00:12:50,600
HOW NICE. THANK YOU.
303
00:12:50,642 --> 00:12:51,601
UNFORTUNATELY,
304
00:12:51,643 --> 00:12:52,977
IT WON'T BE READYFOR A FEW HOURS.
305
00:12:53,019 --> 00:12:56,189
OH, WE DON'T NEED A ROOM,WE'RE IN PARIS!
306
00:12:59,192 --> 00:13:01,611
PAS DE PROBLEME.
307
00:13:02,529 --> 00:13:03,572
HEY, WHERE TO FIRST?
308
00:13:03,572 --> 00:13:05,532
ARC DE TRIOMPHE,PLACE DE LA CONCORDE...
309
00:13:05,574 --> 00:13:06,700
THE LOUVRE?HEY, WHERE TO FIRST?
310
00:13:06,700 --> 00:13:08,452
OR WE COULD SAVE THE LOUVREFOR OUR LAST DAY TOGETHER?
311
00:13:08,452 --> 00:13:10,829
AH! CAN YOU PLEASENOT USE THE PHRASE
312
00:13:10,870 --> 00:13:12,038
OR WE COULD SAVE THE LOUVRE"LAST DAY TOGETHER"?Y TOGETHER?
313
00:13:12,080 --> 00:13:12,956
YOU'RE NOT ALLOWEDTO BE SAD YET.
314
00:13:12,956 --> 00:13:14,458
WE HAVE ALMOSTA WEEK LEFT.
315
00:13:14,458 --> 00:13:17,919
FOUR DAYS.YOU'RE NOT ALLOWED96 HOURS AND COUNTING.D YET.
316
00:13:17,961 --> 00:13:20,088
YEAH, WE CAN DOMOSTA LOT IN FOUR DAYS.
317
00:13:20,129 --> 00:13:22,966
WE SHOULD GO TOTHE "LOVE LOCKS" BRIDGE.
318
00:13:22,966 --> 00:13:25,427
IT'S SUPPOSED TO BESO ROMANTIC.
319
00:13:25,469 --> 00:13:26,636
WE SHOULD GO TOIT'S JUST A BRIDGE.OCKS" BRIDGE.
320
00:13:26,678 --> 00:13:27,971
WITH LOCKS.
321
00:13:28,012 --> 00:13:29,055
YEAH, BUT THOSE LOCKS
322
00:13:29,055 --> 00:13:31,558
ARE PEOPLE PLEDGINGTHEIR LOVE FOR EACH OTHER.
323
00:13:31,558 --> 00:13:32,559
[LAUGHS] YEAH,
324
00:13:32,601 --> 00:13:33,560
AND HOW MANYOPLE PLEDGINGOF THOSE PEOPLEE FOR EACH OTHER.
325
00:13:33,602 --> 00:13:34,853
ARE STILLTOGETHER TODAY?
326
00:13:34,894 --> 00:13:37,188
ALL OF THEM,IN SOME WAY.
327
00:13:37,230 --> 00:13:39,399
[LAUGHS] YOU'RESUCH A ROMANTIC.
328
00:13:39,441 --> 00:13:40,233
YEAH, WELL,
329
00:13:40,275 --> 00:13:41,234
EVERYONE'S SUPPOSEDTO FALL IN LOVE
330
00:13:41,234 --> 00:13:42,444
IN PARIS, RIGHT?
331
00:13:42,444 --> 00:13:43,236
EVERYONE'S SUPPOSEDYEAH.TO FALL IN LOVE
332
00:13:43,236 --> 00:13:45,322
UNTIL THEY GO BACKTO THEIR REAL LIVES.ARIS, RIGHT?
333
00:13:49,242 --> 00:13:53,580
[♪]
334
00:14:00,920 --> 00:14:02,171
[KNOCKING ON DOOR]
335
00:14:02,213 --> 00:14:03,923
C'EST OUVERT!
336
00:14:04,883 --> 00:14:05,800
BONJOUR, RICARDO!
337
00:14:05,842 --> 00:14:06,801
PUT THE PAINT ANYWHERE,
338
00:14:06,843 --> 00:14:08,887
JUST DON'T MAKE A MESSLIKE THE LAST--
339
00:14:08,928 --> 00:14:10,179
CHARMING AS EVER.
340
00:14:10,222 --> 00:14:11,223
[CHUCKLING IN DELIGHT]
341
00:14:11,265 --> 00:14:12,766
-HUGO...-LINDSEY...
342
00:14:13,933 --> 00:14:14,768
MON COEUR.
343
00:14:14,768 --> 00:14:16,270
ALEXA!
344
00:14:17,979 --> 00:14:19,063
MY NEW PROTEGEE.
345
00:14:19,105 --> 00:14:20,023
OH, "PROTEGEE".
346
00:14:20,064 --> 00:14:21,775
NOW I CAN ONLYDISAPPOINT YOU.
347
00:14:21,816 --> 00:14:22,901
OH, WELL, YOU'LLONLY DISAPPOINT ME
348
00:14:22,942 --> 00:14:24,778
IF YOU STOP PAINTING,LIKE YOUR MOTHER.
349
00:14:24,778 --> 00:14:26,571
I JUST TOOK A LITTLETIME OFF, THAT'S ALL.
350
00:14:26,613 --> 00:14:27,406
IF YOU STOP PAINTING,LIKE YWHAT, 20 YEARS?
351
00:14:27,406 --> 00:14:28,740
I PAINTED MY APARTMENT.
352
00:14:28,740 --> 00:14:30,575
IF YOU STOP PAINTING,NAVAJO WHITE, ECRU TRIM.0 YEARS?
353
00:14:30,617 --> 00:14:31,951
I POH, ECRU, ECRU...NT.
354
00:14:31,951 --> 00:14:33,453
YOU HAVE LEARNEDNOTHING FROM ME, HUH?
355
00:14:33,495 --> 00:14:34,954
IT'S LIVABLE,AND NEUTRAL.
356
00:14:34,954 --> 00:14:35,789
NEUTRAL?
357
00:14:35,789 --> 00:14:37,541
NEUTRAL ISTHE COLOR OF THE CANVAS
358
00:14:37,582 --> 00:14:38,958
BEFORE YOUPUT ON THE PAINT.
359
00:14:39,000 --> 00:14:40,169
I COULDN'TAGREE MORE.
360
00:14:40,210 --> 00:14:42,421
AND THANK YOU FOR RECOMMENDINGME TO THE PROGRAM.
361
00:14:42,462 --> 00:14:43,297
OH, WELL,I PROMISE YOU
362
00:14:43,297 --> 00:14:44,673
YOU WILL LOVETHE UNIVERSITY,
363
00:14:44,714 --> 00:14:45,965
AND MY CLASSWILL BE YOUR FAVORITE.
364
00:14:46,007 --> 00:14:47,050
[LAUGHING]
365
00:14:47,050 --> 00:14:48,635
AND UNTIL YOU MOVEINTO THE DORMS,
366
00:14:48,635 --> 00:14:51,805
I HOPE THAT THE HOTELACCOMMODATIONS ARE GOOD?
367
00:14:51,805 --> 00:14:52,681
WE LOVE IT.
368
00:14:52,722 --> 00:14:53,765
AND THANK YOUFOR THE UPGRADE.
369
00:14:53,807 --> 00:14:54,683
WHO DID YOU BRIBE?
370
00:14:54,683 --> 00:14:56,310
WELL, I AM A FRIENDOF THE MANAGER.
371
00:14:56,310 --> 00:14:57,311
SAME OLD HUGO.IBE?
372
00:14:57,352 --> 00:14:58,395
WELL, I AM A FRIENDYOU KNOW HALF OF PARIS.AGER.
373
00:14:58,395 --> 00:15:00,355
WELL, HOW ELSESHALL I SELL MY WORK?
374
00:15:00,355 --> 00:15:01,315
WELL, I AM A FRIENDYOU KNOW HALF OFWOW.IS.AGER.
375
00:15:01,356 --> 00:15:03,066
WELL, HOW EIS IT POSSIBLESHALL I SELYOU'VE GOTTEN BETTER?
376
00:15:03,108 --> 00:15:04,401
WELL, I'M LIKE A FINE WINE.
377
00:15:04,443 --> 00:15:06,153
THIS IS AMAZING!
378
00:15:06,195 --> 00:15:08,155
HERE, COME,I'LL SHOW YOU.
379
00:15:09,531 --> 00:15:11,116
HOW ABOUT THIS ONE?
380
00:15:13,993 --> 00:15:16,455
THE LOVE LOCKS BRIDGE.
381
00:15:16,496 --> 00:15:18,290
IT'S BEAUTIFUL.
382
00:15:18,290 --> 00:15:19,499
WHY ISN'T IT FINISHED?
383
00:15:19,499 --> 00:15:21,085
WELL, ASK YOUR MOTHER.L.
384
00:15:22,043 --> 00:15:22,961
THIS IS YOURS?
385
00:15:23,002 --> 00:15:24,171
I CAN'T BELIEVEYOU KEPT IT.
386
00:15:24,213 --> 00:15:25,922
WELL, THIS COULD BEYOUR BEST WORK,
387
00:15:25,964 --> 00:15:26,840
IF YOU FINISHED.
388
00:15:26,840 --> 00:15:28,508
SOME THINGS ARE BETTER OFFLEFT UNFINISHED.
389
00:15:28,508 --> 00:15:30,385
WELL, MAYBE YOU'LL FINISH ITWHILE YOU'RE HERE.
390
00:15:30,427 --> 00:15:31,470
DON'T COUNT ON IT.
391
00:15:31,511 --> 00:15:33,722
WE'LL SEE.
392
00:15:33,763 --> 00:15:35,349
SO, YOU'RE STAYINGFOR MY SHOW?
393
00:15:35,349 --> 00:15:36,516
WE WOULDN'T MISS IT.
394
00:15:36,516 --> 00:15:38,268
[♪]
395
00:15:43,857 --> 00:15:44,899
WHOA...
396
00:15:44,941 --> 00:15:46,443
[GASPING IN DELIGHT]
397
00:15:47,402 --> 00:15:49,363
I'M NEVER GOING TO BE ABLETO GO TO A DORM AFTER THIS.
398
00:15:49,404 --> 00:15:50,947
I'M NEVER GOING TO BE ABLETO GO BACK TO ANYTHING
399
00:15:50,989 --> 00:15:52,199
AFTER THIS.
400
00:15:53,533 --> 00:15:56,745
[♪]
401
00:15:57,997 --> 00:15:59,706
I THINKI'M ALREADY IN LOVE!
402
00:15:59,706 --> 00:16:01,583
[LAUGHING]
403
00:16:03,460 --> 00:16:04,419
I THINKI'M ALREADY INWHAT?!
404
00:16:05,379 --> 00:16:07,506
[♪]
405
00:16:24,481 --> 00:16:26,191
'LEX?
406
00:16:31,989 --> 00:16:33,908
'LEX?
407
00:16:35,575 --> 00:16:37,619
ALEXA?
408
00:16:47,671 --> 00:16:50,590
[ALEXA'S CELL PHONE RINGS]
409
00:16:58,265 --> 00:17:00,100
[SIGHS]
410
00:17:04,021 --> 00:17:06,690
I'VE ALWAYS WANTEDTO VISIT NEW YORK.
411
00:17:06,690 --> 00:17:08,567
I'VE ALWAYS WANTEDTO COME HERE.
412
00:17:08,567 --> 00:17:10,027
I'HOW LONGS WANTEDTOYOU ARE STAYING?
413
00:17:10,027 --> 00:17:12,029
FOR A SEMESTER,TEDAT THE SORBONNE.
414
00:17:12,029 --> 00:17:14,114
I'M THERE, TOO.S WANTEDTHIRD YEAR.E STAYING?
415
00:17:14,156 --> 00:17:15,365
FOR A SEMESTER,TEDAT OH, WHAT ARE YOU STUDYING?
416
00:17:15,407 --> 00:17:16,700
MATHEMATICS.YOU?
417
00:17:16,741 --> 00:17:17,742
ART.
418
00:17:17,784 --> 00:17:18,994
I LOVE ART.
419
00:17:19,036 --> 00:17:20,412
I LOVE MATH.
420
00:17:20,454 --> 00:17:21,621
REALLY?
421
00:17:21,621 --> 00:17:23,123
UH...
422
00:17:23,123 --> 00:17:26,794
I MEAN, I COULD.I COULD LOVE MATH.
423
00:17:26,794 --> 00:17:28,128
[LAUGHING]
424
00:17:28,170 --> 00:17:30,380
I MEAN, I COULD.I HAVE A DAY OFF TOMORROW.
425
00:17:30,422 --> 00:17:32,591
MAYBE I COULDSHOW YOU AROUND?
426
00:17:32,632 --> 00:17:33,550
OH, I'D LOVE THAT,
427
00:17:33,592 --> 00:17:34,802
BUT I'M GOING TO BE WITH MY MOM.
428
00:17:34,802 --> 00:17:37,512
SHE'S GOING THROUGHTHIS WHOLE EMPTY NEST THING.
429
00:17:37,554 --> 00:17:39,098
BUT I'M GOIEMPTY NEST?TH MY MOM.
430
00:17:39,139 --> 00:17:40,224
YOU MEAN, UM...
431
00:17:40,265 --> 00:17:41,683
COMME UN OISEAU?
432
00:17:41,725 --> 00:17:43,518
UH, LIKE A-A BIRD?
433
00:17:43,560 --> 00:17:48,648
UM, IT'S MORE LIKE A...LIKE A RAPTOR GUARDING AN EGG.
434
00:17:49,817 --> 00:17:51,651
I'M NOT SURE I UNDERSTAND.
435
00:17:51,651 --> 00:17:53,988
ME NEITHER, BUT...
436
00:17:53,988 --> 00:17:55,155
I LOVE HER.
437
00:17:55,155 --> 00:17:56,365
ME NE[LAUGHS]UT...
438
00:18:09,294 --> 00:18:11,088
[SIGHS HEAVILY]
439
00:18:11,130 --> 00:18:12,589
-EXCUSE ME.-YES?
440
00:18:12,589 --> 00:18:14,591
I SEEM TO HAVELOST MY DAUGHTER.
441
00:18:14,633 --> 00:18:16,260
-EXCUSE ME.[GASPS] OH, MY.
442
00:18:16,260 --> 00:18:18,428
WELL, HOW OLDIS THE CHILD?
443
00:18:18,470 --> 00:18:20,055
-EXCUSE MEACTUALLY...[GASPS] OH, 18.
444
00:18:20,055 --> 00:18:22,975
AH, WELL, NOT LOST THEN,JUST BEING 18.
445
00:18:22,975 --> 00:18:25,102
-EXCUSE MEACTUALLY...THAT'S WHAT I'M AFRAID OF.
446
00:18:25,144 --> 00:18:26,186
AH, WELL, NOT LOST THEN,JU[CHUCKLES]8.
447
00:18:26,228 --> 00:18:28,438
I DID SEE A YOUNG WOMANHEADING OUT TO THE COURTYARD
448
00:18:28,480 --> 00:18:30,190
WITH JEAN PAUL.
449
00:18:30,190 --> 00:18:32,192
JEAN PAUL?
450
00:18:32,192 --> 00:18:33,027
WITBELLHOP?AUL.
451
00:18:33,068 --> 00:18:34,528
YES, YES,I THINK HE DOES
452
00:18:34,528 --> 00:18:35,780
A LITTLE OF EVERYTHINGAROUND HERE.
453
00:18:35,821 --> 00:18:36,989
HE'S A LOVELY YOUNG MAN.
454
00:18:36,989 --> 00:18:38,573
-THANK YOU.-MM-HMM.
455
00:18:42,036 --> 00:18:43,871
HE'[LAUGHING TOGETHER]N.
456
00:18:43,871 --> 00:18:45,039
ALEXA?
457
00:18:45,039 --> 00:18:47,291
HI, MOM!
458
00:18:47,332 --> 00:18:48,709
THIS IS JEAN PAUL.
459
00:18:48,751 --> 00:18:49,584
MADAME,
460
00:18:49,627 --> 00:18:51,336
YOU NEED NOT TO WORRYABOUT YOUR NEST.
461
00:18:51,378 --> 00:18:53,172
MY WHAT?
462
00:18:53,213 --> 00:18:54,882
UH...
463
00:18:56,050 --> 00:18:58,385
ENJOY YOUR EVENING.
464
00:18:59,679 --> 00:19:01,180
AW, YOUSCARED HIM AWAY.
465
00:19:01,221 --> 00:19:02,598
PLEASE, IF HE SCARESTHAT EASILY,
466
00:19:02,640 --> 00:19:04,224
HE'S NOT FOR YOU.
467
00:19:04,224 --> 00:19:05,601
AND YOU KNOW THAT HOW?
468
00:19:05,643 --> 00:19:07,728
BECAUSE, SWEETIE,HE LIVES IN PARIS,
469
00:19:07,770 --> 00:19:09,313
AND CHANCES ARE,IF YOU START SOMETHING NOW,
470
00:19:09,354 --> 00:19:10,898
IT'LL ENDIN THREE MONTHS.
471
00:19:10,940 --> 00:19:13,233
END?IT HASN'T BEGUN.
472
00:19:13,275 --> 00:19:16,070
I KNOW YOU THINKI'M JUST YOUR MOM,
473
00:19:16,070 --> 00:19:17,738
BUT I WAS YOU ONCE.
474
00:19:17,738 --> 00:19:18,948
AND WHAT HAPPENS
475
00:19:18,989 --> 00:19:20,407
IF YOU FALL IN LOVEBUWITH JEAN PAUL?E.
476
00:19:20,449 --> 00:19:22,034
-I JUST MET HIM.-EXACTLY.
477
00:19:22,076 --> 00:19:24,244
THE SEMESTER WILL BE OVER,YOU'LL GO HOME,
478
00:19:24,286 --> 00:19:25,580
YOU'LL NEVER SEE HIM AGAIN,
479
00:19:25,621 --> 00:19:27,414
AND PARISWILL BE RUINED FOR YOU,
480
00:19:27,414 --> 00:19:29,499
AND ALL THIS EXCITEMENTYOU'RE FEELING RIGHT NOW,
481
00:19:29,499 --> 00:19:30,585
AND PIT'LL ALLWILL BE RUINBE RUINED, TOO,
482
00:19:30,585 --> 00:19:34,504
BECAUSE EVERYTHING WILLNTREMIND YOU OF HIM.HT NOW,
483
00:19:35,631 --> 00:19:37,382
AND PIT'LL ALLWILL BOKAY, LOOK,INED, TOO,
484
00:19:37,424 --> 00:19:39,093
I DON'T KNOW WHAT'S GOING ONWITH YOU RIGHT NOW,
485
00:19:39,134 --> 00:19:40,511
MAYBE IT'STHE JET LAG.
486
00:19:40,553 --> 00:19:42,930
UM, I'M GOING TO GOGET READY FOR DINNER,
487
00:19:42,972 --> 00:19:44,098
AND YOU SHOULDGO TO THE BAR,
488
00:19:44,098 --> 00:19:45,891
GET YOURSELFA NICE GLASS OF WINE,
489
00:19:45,891 --> 00:19:48,603
AND REMIND YOURSELF THAT...
490
00:19:48,603 --> 00:19:49,687
GET YOURSELFA NICE GLAI'M AN ADULT.
491
00:19:59,446 --> 00:20:01,866
[♪]
492
00:20:11,667 --> 00:20:12,543
EXCUSE ME,
493
00:20:12,543 --> 00:20:14,462
I'LL HAVE A GLASSOF WHITE WINE, PLEASE?
494
00:20:14,462 --> 00:20:16,589
UH, YEAH, WE ACTUALLYHAVE A VERY NICE--EXCUSE ME,
495
00:20:16,631 --> 00:20:17,965
[GASPS]
496
00:20:17,965 --> 00:20:19,925
LINDSEY?
497
00:20:19,967 --> 00:20:21,719
JACK?
498
00:20:24,805 --> 00:20:26,140
WHAT ARE YOU DOING HERE?
499
00:20:27,307 --> 00:20:29,477
I'M... POURING YOU A DRINK.
500
00:20:29,519 --> 00:20:31,771
YOU'RE THE BARTENDER?
501
00:20:31,812 --> 00:20:35,483
ACTUALLY... I OWN THE PLACE.
502
00:20:51,582 --> 00:20:54,460
HUGO DIDN'T MENTIONTHIS WAS YOUR HOTEL.
503
00:20:54,502 --> 00:20:55,294
YEAH, I GUESS THAT'S WHY
504
00:20:55,335 --> 00:20:56,671
HE JUST CALLED MEOUT OF THE BLUE.
505
00:20:56,671 --> 00:20:58,339
I DIDN'T RECOGNIZEYOUR LAST NAME.
506
00:20:58,339 --> 00:20:59,715
IT'S MY MARRIED NAME.
507
00:20:59,757 --> 00:21:01,008
I DIDN'T RECOGNIZEYOUOH, CONGRATULATIONS.
508
00:21:01,008 --> 00:21:02,009
WE'RE DIVORCED.
509
00:21:02,009 --> 00:21:04,053
I DIDN'T RECOGNIZEYCONDOLENCES.TULATIONS.
510
00:21:04,094 --> 00:21:06,138
THANK YOU, AND THANK YOU.
511
00:21:07,014 --> 00:21:09,016
SO, WHAT ARE YOU DOING HERE?
512
00:21:09,058 --> 00:21:11,268
DROPPING MY DAUGHTER OFFAT SCHOOL.
513
00:21:13,020 --> 00:21:14,314
YOU HAVE A DAUGHTER.
514
00:21:14,355 --> 00:21:15,230
ALEXA.
515
00:21:15,272 --> 00:21:16,899
SHE'S STUDYING ART.
516
00:21:16,899 --> 00:21:17,858
WOW.
517
00:21:17,900 --> 00:21:18,984
LIKE MOTHER, LIKE DAUGHTER.
518
00:21:20,194 --> 00:21:21,446
YOU HAVE KIDS?
519
00:21:21,487 --> 00:21:22,738
OH, NO, NO, NO.
520
00:21:22,780 --> 00:21:24,949
UM, IT'S JUST ME AND THE HOTEL.
521
00:21:26,033 --> 00:21:27,076
IT'S A NICE PLACE.
522
00:21:27,117 --> 00:21:28,328
YEAH. YEAH,IT, UH,
523
00:21:28,369 --> 00:21:29,579
IT'S BEEN A LITTLE WHILE.
524
00:21:29,620 --> 00:21:31,497
GOING ON 10 YEARS.
525
00:21:32,373 --> 00:21:33,248
YOU CUT YOUR HAIR.
526
00:21:33,291 --> 00:21:35,835
THAT'S BEEN GOING ONABOUT 20 YEARS.
527
00:21:35,876 --> 00:21:37,002
[CHUCKLES AWKWARDLY]
528
00:21:38,629 --> 00:21:40,047
YOU...
529
00:21:40,089 --> 00:21:42,216
YOU LOOK...
530
00:21:42,216 --> 00:21:43,759
OLDER?
531
00:21:45,177 --> 00:21:48,473
UH, I WAS GOING TO SAYBEAUTIFUL..
532
00:21:48,514 --> 00:21:49,765
OH.
533
00:21:50,766 --> 00:21:52,727
THANK YOU.
534
00:21:54,395 --> 00:21:55,563
OH, MY GOODNESS,
535
00:21:55,563 --> 00:21:58,065
YOU LOOK JUST LIKEYOUR MOTHER.
536
00:21:58,065 --> 00:21:59,900
ALEXA, THIS IS JACK.
537
00:21:59,900 --> 00:22:01,986
HE'S, UM...
538
00:22:03,904 --> 00:22:04,905
I'M AN OLD FRIEND.
539
00:22:04,905 --> 00:22:05,990
NICE TO MEET YOU.
540
00:22:07,408 --> 00:22:09,034
FUNNY THATYOU NEVER MENTIONED HIM.
541
00:22:09,076 --> 00:22:10,870
I'M SURE I DID.
542
00:22:10,911 --> 00:22:12,162
NO. YOU DIDN'T.
543
00:22:12,205 --> 00:22:15,583
WELL, IT WAS A LONG,LONG TIME AGO.
544
00:22:15,625 --> 00:22:18,419
WELL, YEAH, BUT IT FEELSLIKE IT WAS YESTERDAY.
545
00:22:18,419 --> 00:22:19,962
WELL, IT'S LATE.
546
00:22:20,004 --> 00:22:21,464
WELL, YEAH, BUT IT FEELSLIKE ITACTUALLY, IT'S 8:00.
547
00:22:21,506 --> 00:22:22,507
UH, IT'S LATEIN NEW YORK.
548
00:22:22,507 --> 00:22:24,091
WELL, UH, IT'S EARLIERIN NEW YORK--
549
00:22:24,091 --> 00:22:25,092
UH, IT'S LATEIN NEW YGREAT SEEING YOU!
550
00:22:25,134 --> 00:22:26,594
ALL RIGHT, WELL, YOU'LL BESEEING A LOT MORE OF ME,
551
00:22:26,636 --> 00:22:29,597
SINCE IF YOU WANT EXTRA TOWELS,I'M YOUR GUY!
552
00:22:29,597 --> 00:22:31,391
[CHUCKLES AWKWARDLY]
553
00:22:32,933 --> 00:22:34,685
SINCE IF YOU WANT EXTRA TOWELS,[SIGHING NERVOUSLY]
554
00:22:35,603 --> 00:22:37,062
WE HAVE TO MOVE HOTELS.
555
00:22:37,062 --> 00:22:38,773
WHY? I LIKE THIS HOTEL.
556
00:22:38,814 --> 00:22:39,732
YOU'LL ADJUST.E HOTELS.
557
00:22:39,774 --> 00:22:41,942
NO, I JUST UNPACKED.WE'RE NOT MOVING HOTELS.
558
00:22:41,942 --> 00:22:43,944
SO RE-PACK.
559
00:22:43,986 --> 00:22:45,405
WHO IS HE?
560
00:22:45,446 --> 00:22:46,447
JUST...
561
00:22:46,489 --> 00:22:48,366
SOMEONE I USED TO KNOWFROM THE SORBONNE.
562
00:22:48,408 --> 00:22:49,367
HE WAS FINISHING UPHIS DEGREE,
563
00:22:49,409 --> 00:22:51,744
HIS FATHER WASIN THE HOTEL BUSINESS HERE.
564
00:22:51,786 --> 00:22:52,953
AND...?
565
00:22:52,953 --> 00:22:54,079
AND... NOTHING.
566
00:22:54,079 --> 00:22:55,039
I WENT BACK TO COLLEGE,
567
00:22:55,080 --> 00:22:56,874
HE SAID HE WOULD FOLLOW ME,AND HE DIDN'T..
568
00:22:56,916 --> 00:22:58,042
AND THAT'S IT?
569
00:22:58,084 --> 00:22:59,460
[SIGHS HEAVILY]
570
00:22:59,460 --> 00:23:01,296
WE CALLED, WE WROTE.
571
00:23:01,337 --> 00:23:02,463
TIME PASSED,
572
00:23:02,463 --> 00:23:03,339
LIFE HAPPENED.
573
00:23:03,381 --> 00:23:05,466
I MET YOUR DAD,AND YOU KNOW THE REST.
574
00:23:05,466 --> 00:23:06,842
YOU WERE IN LOVE.
575
00:23:06,884 --> 00:23:08,136
MOM, THIS IS FATE!
576
00:23:08,178 --> 00:23:09,929
NO, THIS IS HUGO,MEDDLING,
577
00:23:09,970 --> 00:23:11,222
LIKE THE OLD DAYS.
578
00:23:11,222 --> 00:23:13,808
[GASPING IN DELIGHT]THE LOVE LOCKS!
579
00:23:13,849 --> 00:23:15,726
WOW, THERE ARE SO MANY NOW.
580
00:23:16,977 --> 00:23:19,647
AH! ALL THAT LOVE!
581
00:23:19,647 --> 00:23:21,774
IT'S BEAUTIFUL.
582
00:23:21,816 --> 00:23:23,943
THEY'RE ALL RUSTED. LOVE!
583
00:23:23,984 --> 00:23:25,278
WHICH MEANS THEY LASTED.
584
00:23:30,283 --> 00:23:33,286
[♪]
585
00:23:36,456 --> 00:23:38,874
[KEYPAD CLICKS TAPPING RAPIDLY]
586
00:23:39,834 --> 00:23:41,669
AH, THE SOUNDOF TEXTING
587
00:23:41,669 --> 00:23:42,920
IN THE MORNING.
588
00:23:45,215 --> 00:23:46,716
AH, THE SOUNDYOU'RE AWAKE.EXTING
589
00:23:46,757 --> 00:23:47,925
AND YOU'RE SMILING,
590
00:23:47,925 --> 00:23:49,510
WHICH MEANS IT MUST BE A BOY.
591
00:23:49,510 --> 00:23:51,179
AND YIT'S JP.ILING,
592
00:23:51,221 --> 00:23:53,181
WHICH MEANOH, "JP." BE A BOY.
593
00:23:53,223 --> 00:23:54,599
YESTERDAY, IT WAS "JEAN PAUL."
594
00:23:54,640 --> 00:23:56,267
THAT WAS YESTERDAY.
595
00:23:56,309 --> 00:23:57,268
[SIGHS DREAMILY]
596
00:23:57,310 --> 00:23:59,770
WOULD IT BE OKAY IF HE TOOK METO THE UNIVERSITY
597
00:23:59,812 --> 00:24:01,314
TO REGISTER FOR CLASSES?
598
00:24:02,607 --> 00:24:04,025
OH.
599
00:24:04,067 --> 00:24:05,026
I THOUGHT I WASGOING TO DO THAT.
600
00:24:05,068 --> 00:24:07,278
IT'S JUST,HE'S REGISTERING, TOO,
601
00:24:07,320 --> 00:24:09,322
AND HE CAN SHOW ME AROUND.
602
00:24:11,741 --> 00:24:13,243
-I'LL TELL HIM NO.-WAIT, WAIT, WAIT.
603
00:24:14,244 --> 00:24:15,120
TELL HIM YES.
604
00:24:16,246 --> 00:24:17,163
YOU SURE?
605
00:24:17,205 --> 00:24:19,832
YEAH, YOU SHOULD GO MEETSOME OTHER STUDENTS.
606
00:24:21,334 --> 00:24:23,711
[KEYPAD CLICKS TAPPING]
607
00:24:23,711 --> 00:24:25,005
I LOVE YOU, MOM.
608
00:24:25,005 --> 00:24:26,339
I LOVE YOU, TOO, LEX.
609
00:24:26,381 --> 00:24:27,215
I LOHAVE FUN.OM.
610
00:24:29,717 --> 00:24:31,177
AU REVOIR!
611
00:24:37,642 --> 00:24:40,270
MERCI.
612
00:24:43,564 --> 00:24:44,858
HEY!
613
00:24:44,900 --> 00:24:46,359
JUST SAW ALEXA RIDE OFF
614
00:24:46,401 --> 00:24:48,778
ON THE BACKOF JP'S SCOOTER.
615
00:24:48,819 --> 00:24:49,905
THEY LOOKED LIKETHEY WERE HAVING FUN--
616
00:24:49,905 --> 00:24:50,780
JACK!
617
00:24:50,821 --> 00:24:51,907
OH, CALM DOWN,IKEHE'S A GREAT DRIVER. FUN--
618
00:24:51,907 --> 00:24:53,324
LIKE YOU WERE?
619
00:24:54,200 --> 00:24:56,452
YOU'RE TALKING ABOUTTHAT ONE WRONG TURN I MADE?--
620
00:24:56,494 --> 00:24:58,538
UP THAT ONE-WAY STREET?
621
00:24:58,538 --> 00:24:59,747
YEAH, WE WENT... ONE WAY,
622
00:24:59,747 --> 00:25:02,167
AND THE TRAFFIC WAS ALL GOINGUP TTHE OTHER WAY.REET?
623
00:25:03,584 --> 00:25:05,503
HERE, I BROUGHT YOU
624
00:25:05,545 --> 00:25:07,463
YOUR CROSSWORD.
625
00:25:07,505 --> 00:25:09,507
OH. QUITE THE HOST.
626
00:25:09,549 --> 00:25:11,551
YEAH, THAT I AM.
627
00:25:11,551 --> 00:25:13,344
YOU MIND IF I JOIN YOU?
628
00:25:13,386 --> 00:25:14,429
YEATHANK YOU.AM.
629
00:25:15,721 --> 00:25:17,723
[CLEARS THROAT]
630
00:25:17,765 --> 00:25:19,309
[SIGHS NERVOUSLY]
631
00:25:22,103 --> 00:25:25,523
HEY, SO, UH, WHAT ARE YOUPAINTING THESE DAYS?
632
00:25:26,817 --> 00:25:27,943
MY NAILS?
633
00:25:29,527 --> 00:25:31,947
I'M NOT REALLYPAINTING ANYMORE.
634
00:25:31,947 --> 00:25:33,281
WHAT?
635
00:25:33,323 --> 00:25:34,657
I'M NOT REALLYWHY? THAT'S TERRIBLE.
636
00:25:34,699 --> 00:25:36,451
I HAVE AN ART MAGAZINE.
637
00:25:36,492 --> 00:25:37,452
IT'S ONLY IN NEW YORK,
638
00:25:37,452 --> 00:25:39,329
BUT WE HAVEA NICE LITTLE FOLLOWING.
639
00:25:39,370 --> 00:25:40,997
OH.
640
00:25:41,039 --> 00:25:41,957
WELL, THAT'S GREAT.
641
00:25:41,998 --> 00:25:42,958
YEAH, THANKS.
642
00:25:42,958 --> 00:25:45,293
IT'S NOT WHAT I PLANNED,BUT IT'S WORKED OUT WELL.
643
00:25:45,293 --> 00:25:47,670
YEAH, WELL,YEAH, LIFE IS WHAT HAPPENS
644
00:25:47,712 --> 00:25:49,464
WHEN YOU'RE MAKING PLANS.
645
00:25:49,464 --> 00:25:51,257
WE BOTH KNOW THAT.
646
00:25:55,470 --> 00:25:56,805
HOW'S YOUR FATHER?
647
00:25:56,847 --> 00:25:57,638
HE'S GOOD.
648
00:25:57,638 --> 00:25:59,808
HE, UH, HE TOOK OVERA HOTEL IN NICE.
649
00:25:59,808 --> 00:26:01,476
WITH MY NIECE.
650
00:26:01,476 --> 00:26:02,477
NICE.
651
00:26:02,477 --> 00:26:04,813
NIECE.
652
00:26:06,522 --> 00:26:09,650
LISTEN, I-I...
653
00:26:09,650 --> 00:26:11,778
I JUST WANTED TO SAYI'M SORRY ABOUT, UH...
654
00:26:11,820 --> 00:26:12,779
ABOUT EVERYTHING--
655
00:26:12,821 --> 00:26:13,654
IT'S OKAY--
656
00:26:13,697 --> 00:26:15,115
NO LISTEN, I-I JUSTWANT TO SAY,
657
00:26:15,156 --> 00:26:17,283
YOU KNOW MY FATHERWANTED ME TO STAY BEHIND,
658
00:26:17,325 --> 00:26:18,326
HELP RUN THE BUSINESS.
659
00:26:18,326 --> 00:26:19,535
I WAS GOINGTO COME AND VISIT,
660
00:26:19,577 --> 00:26:20,662
BUT THEN, YOU KNOW,
661
00:26:20,662 --> 00:26:21,830
A LOT OF TIMEHAD PASSED, AND--
662
00:26:21,830 --> 00:26:23,999
SERIOUSLY,IT'S OKAY.
663
00:26:24,833 --> 00:26:26,877
I DON'T EVEN KNOWIMEWHAT WE WERE THINKING.AND--
664
00:26:26,918 --> 00:26:29,921
WELL, WE WEREN'T THINKING,WE WERE IN LOVE.
665
00:26:29,963 --> 00:26:32,799
WE WERE YOUNG.
666
00:26:34,509 --> 00:26:36,177
ACTUALLY, I THINKTHE PROBLEM WAS
667
00:26:36,177 --> 00:26:39,139
YOU KNOCKING THAT LOCKOUT OF MY HANDS.
668
00:26:39,180 --> 00:26:40,265
OH! [CHUCKLING]
669
00:26:40,306 --> 00:26:42,851
OH, AS I RECALL,YOUR HANDS WERE A LITTLE SHAKY.
670
00:26:42,851 --> 00:26:45,103
YEAH, WELL, IT WASFREEZING OUTSIDE.
671
00:26:45,145 --> 00:26:46,187
[LAUGHING TOGETHER]
672
00:26:46,187 --> 00:26:47,188
IT'S OKAY,
673
00:26:47,230 --> 00:26:49,565
WE DIDN'T REALLY BELIEVEIN THAT LOCK STUFF ANYWAY.
674
00:26:51,192 --> 00:26:52,694
ACTUALLY,
675
00:26:52,736 --> 00:26:54,529
THEY CUT OFF ALL THE LOCKSOFF OF OUR BRIDGE.
676
00:26:54,529 --> 00:26:55,530
WHAT?
677
00:26:55,530 --> 00:26:56,447
THEY CUT OFF ALL THE LOCKSOFF OF OUR YEAH, IN FACT,
678
00:26:56,489 --> 00:26:57,658
THEY CUT THE LOCKSOFF OF ALL THE BRIDGES
679
00:26:57,699 --> 00:26:58,575
ALL OVER PARIS.
680
00:26:58,617 --> 00:27:00,285
I JUST SAW THEM LAST NIGHT.
681
00:27:00,326 --> 00:27:02,203
EXCEPT FOR PONT NEUF.
682
00:27:02,203 --> 00:27:03,664
YOU KNOW, THOSE BRIDGESDATE BACK TO NAPOLEON,
683
00:27:03,705 --> 00:27:04,581
AND ALL THE WEIGHTT NEUF.
684
00:27:04,623 --> 00:27:05,791
FROM ALL THE LOCKSON ALL THE RAILINGS
685
00:27:05,791 --> 00:27:07,918
WERE CAUSING THEMTO COLLAPSE,
686
00:27:07,959 --> 00:27:09,753
FROM ALL THE LOCKSAND IT WAS BECOMING A HAZARD.
687
00:27:09,753 --> 00:27:11,212
HUH.
688
00:27:11,212 --> 00:27:13,131
FROM ALL THE LOCKSAND ITHE HAZARD OF LOVE.ZARD.
689
00:27:14,215 --> 00:27:15,300
PONT NEUF IS THE LAST ONE,
690
00:27:15,341 --> 00:27:19,387
AND THEN ALL OF PARISWILL BE LOVE-LOCK-LESS.
691
00:27:19,387 --> 00:27:20,764
OH, MRS. DALTRY.
692
00:27:20,806 --> 00:27:22,515
I DON'T KNOWIF YOU'VE MET LINDSEY.
693
00:27:22,558 --> 00:27:23,559
NOT OFFICIALLY.
694
00:27:23,600 --> 00:27:24,810
I'M KATHRYN.
695
00:27:24,810 --> 00:27:25,686
KATHRYN, SO NICE TO MEET YOU.
696
00:27:25,686 --> 00:27:26,937
NICE TO MEET YOU,LINDSEY.I'M KATHRYN.
697
00:27:26,937 --> 00:27:28,980
I DIDN'T REALIZEKATYOU TWO WERE TOGETHER.YOU.
698
00:27:29,022 --> 00:27:30,899
NICE TO MEET YOU,LINDSEY.OH, WE'RE NOT.
699
00:27:30,899 --> 00:27:32,317
WELL, WE WERE--
700
00:27:32,358 --> 00:27:33,401
NICE TO MEET YOU,LINDSEY.OHWE'RE NOT.T.
701
00:27:34,485 --> 00:27:35,862
I SEE.
702
00:27:35,904 --> 00:27:37,197
WELL, I WON'T KEEP YOU TWO.
703
00:27:37,238 --> 00:27:38,114
ENJOY YOUR DAY.
704
00:27:38,156 --> 00:27:40,075
OH, NO, NO, NO, PLEASE,UH, MRS. DALTRY,
705
00:27:40,075 --> 00:27:41,326
I ACTUALLY, UH,
706
00:27:41,367 --> 00:27:42,202
OH, NO, NO, NO, PLEASE,I HAVE TO GO BACK TO WORK.
707
00:27:42,243 --> 00:27:43,244
THANK YOUFOR THE CROSSWORD.
708
00:27:43,244 --> 00:27:44,496
NOT A PROBLEM.
709
00:27:44,538 --> 00:27:47,373
AND... 2 DOWNIS "ARTICHOKE."
710
00:27:50,711 --> 00:27:51,587
PLEASE, KATHRYN,JOIN ME.
711
00:27:51,587 --> 00:27:53,755
THANK YOU.
712
00:27:55,090 --> 00:27:57,008
JACK'S TURNED THISINTO SUCH A CHARMING PLACE
713
00:27:57,050 --> 00:27:57,926
OVER THE YEARS.
714
00:27:57,968 --> 00:28:00,428
WHEN MY HUSBAND AND IFIRST STAYED HERE--
715
00:28:00,428 --> 00:28:01,304
MERCI.
716
00:28:01,346 --> 00:28:02,889
--IT WAS JUSTA HOLE IN THE WALL.
717
00:28:02,931 --> 00:28:04,224
OH, WHEN WAS THAT?
718
00:28:04,265 --> 00:28:06,226
OUR HONEYMOON, 40 YEARS AGO.
719
00:28:06,267 --> 00:28:07,268
WHOA.
720
00:28:07,310 --> 00:28:08,562
ARE YOU BACK TO CELEBRATE?
721
00:28:08,604 --> 00:28:09,980
NO. HE DIED.
722
00:28:09,980 --> 00:28:11,440
OH.
723
00:28:11,440 --> 00:28:12,858
I'M SO SORRY.
724
00:28:12,899 --> 00:28:14,943
IT'S BEEN TWO YEARS NOW.
725
00:28:15,736 --> 00:28:16,778
WE WOULD COME HERE
726
00:28:16,778 --> 00:28:18,279
EVERY ANNIVERSARY.
727
00:28:18,279 --> 00:28:20,699
THIS ISMY FIRST TIME BACK SINCE.
728
00:28:20,741 --> 00:28:22,493
I THOUGHT IF I COULD JUST,
729
00:28:22,534 --> 00:28:24,453
I DON'T KNOW,SEE EVERYTHING AGAIN,
730
00:28:24,495 --> 00:28:26,622
I COULD HOLD ON TO THE MEMORIES.
731
00:28:26,663 --> 00:28:28,289
THAT SOUNDS SILLY,I KNOW.
732
00:28:28,331 --> 00:28:30,250
IT DOESN'T SOUND SILLY AT ALL.
733
00:28:30,291 --> 00:28:32,293
IT SOUNDS LIKE YOU HADA WONDERFUL MARRIAGE.
734
00:28:32,335 --> 00:28:34,671
WE DID.
735
00:28:36,715 --> 00:28:38,384
YOU KNOW, I'M VISITINGA FRIEND TODAY,
736
00:28:38,425 --> 00:28:39,801
WHO HAS AN ART STUDIO.
737
00:28:39,843 --> 00:28:42,513
SORT OF AN ARTIST/MEDDLER.
738
00:28:42,554 --> 00:28:43,514
WOULD YOU CARE TO JOIN?
739
00:28:43,555 --> 00:28:45,306
WELL, I WOULDN'T WANTTO INTRUDE--
740
00:28:45,306 --> 00:28:48,560
OH, TRUST ME,HE IS "UN-INTRUDABLE."
741
00:28:48,602 --> 00:28:49,436
[CHUCKLES]
742
00:28:49,478 --> 00:28:50,479
SOUNDS INTRIGUING.
743
00:28:50,521 --> 00:28:51,522
I'D LOVE TO.
744
00:28:52,939 --> 00:28:53,982
[SQUEALING IN DELIGHT]
745
00:28:53,982 --> 00:28:55,651
I LOVE IT ALREADY!
746
00:28:55,651 --> 00:28:57,444
COME ON, I'LL[SQUEALISHOW YOU THE DORMS.
747
00:28:57,444 --> 00:28:59,195
YOU'RE IN THE BEST ONE.
748
00:28:59,237 --> 00:28:59,988
COME ON, I'LLOKAY.[SQUEALISHOW YOU THE DORMS.
749
00:29:00,030 --> 00:29:02,449
THE ART DEPARTMENTIS OVER THERE.
750
00:29:02,491 --> 00:29:04,993
AND THE MATH DEPARTMENT?
751
00:29:04,993 --> 00:29:06,328
JUST ACROSS THE WAY.
752
00:29:06,328 --> 00:29:08,830
WE CAN WAVE TO EACH OTHERTHROUGH THE WINDOWS!
753
00:29:08,872 --> 00:29:09,998
[LAUGHING]
754
00:29:10,040 --> 00:29:12,709
SO YOUR MOTHERWENT HERE?
755
00:29:12,751 --> 00:29:14,503
YEAH, A SEMESTER ABROAD,JUST LIKE ME,
756
00:29:14,545 --> 00:29:17,213
BUT I CANNOT BELIEVESHE NEVER CAME BACK!
757
00:29:17,255 --> 00:29:18,549
WELL, SHE'S HERENOW, THOUGH.
758
00:29:18,590 --> 00:29:20,467
YEAH, SHE IS.
759
00:29:20,509 --> 00:29:21,635
COME ON.
760
00:29:23,178 --> 00:29:25,389
[♪]
761
00:29:51,790 --> 00:29:53,083
[LAUGHS IN DELIGHT]
762
00:29:53,124 --> 00:29:54,210
LINDSEY! MON COEUR.
763
00:29:54,251 --> 00:29:56,337
HUGO BLANCHETT,THIS IS KATHRYN DALTRY.
764
00:29:57,671 --> 00:29:59,506
KATHRYN, THIS IS HUGO.
765
00:29:59,548 --> 00:30:01,049
AH, MON PLAISIR, MADAME.
766
00:30:01,049 --> 00:30:02,509
HOW DO YOU DO?
767
00:30:02,509 --> 00:30:03,802
YOUR WORK IS INCREDIBLE.
768
00:30:03,844 --> 00:30:05,304
OH, WELL, THANK YOU,HOTHANK YOU.O?
769
00:30:05,346 --> 00:30:07,389
HALF THE PEOPLE WHO COME HERETHINK THE OPPOSITE.
770
00:30:07,431 --> 00:30:10,100
WELL, IT'S THE OTHER HALFYOU SHOULD LISTEN TO.
771
00:30:10,141 --> 00:30:11,977
WELL, I WISHYOU WERE AN ART CRITIC.
772
00:30:12,018 --> 00:30:12,978
YOU'RE NOT, HUH?
773
00:30:13,019 --> 00:30:15,021
NO, JUST A TOURIST.
774
00:30:15,063 --> 00:30:16,565
OH, I DOUBT THAT.
775
00:30:17,858 --> 00:30:19,276
HOW YOU LIKE YOUR HOTEL?
776
00:30:19,276 --> 00:30:22,446
UH, YOU COULD HAVEMENTIONED IT'S JACK'S.
777
00:30:22,488 --> 00:30:23,989
WHAT WOULD BE THE FUN IN THAT?
778
00:30:24,030 --> 00:30:25,574
OH, YOU NEVER CHANGE.
779
00:30:25,574 --> 00:30:27,033
I HEAR HE'S SINGLE.
780
00:30:27,075 --> 00:30:28,160
STAY OUT OF IT, HUGO.
781
00:30:28,202 --> 00:30:29,203
[CHUCKLING]
782
00:30:29,245 --> 00:30:32,248
MADAME, HOW LONGARE YOU IN TOWN?
783
00:30:32,248 --> 00:30:34,333
JUST A FEW DAYS.
784
00:30:34,375 --> 00:30:35,501
MADAME, HOW LONGARE YOAH, YES...
785
00:30:35,542 --> 00:30:36,752
ENOUGH FOR METO PAINT YOU.
786
00:30:36,793 --> 00:30:38,754
WELL, NO--I COULDN'T...
787
00:30:38,754 --> 00:30:39,630
OH...
788
00:30:39,671 --> 00:30:40,756
GIVE MEONE REASON.
789
00:30:40,756 --> 00:30:42,591
WELL, I'M SURE I COULDGIVE YOU SEVERAL.
790
00:30:42,633 --> 00:30:43,592
HUGO, MAYBEANOTHER TIME--
791
00:30:43,592 --> 00:30:45,677
AH, AH, AH!HOW MANY TIMES I TOLD YOU,
792
00:30:45,719 --> 00:30:46,637
SEIZE THE MOMENT.
793
00:30:46,678 --> 00:30:48,139
THE MOMENT IS NOW,CARPE DIEM...
794
00:30:48,139 --> 00:30:49,098
AH?
795
00:30:49,098 --> 00:30:50,099
THE MOMENT IS NOW,CARPE DIEM...IT WOULD BE...
796
00:30:50,141 --> 00:30:51,057
AN HONOR.AH?
797
00:30:51,057 --> 00:30:52,768
JUST A QUICK SKETCH, HMM?
798
00:30:52,768 --> 00:30:53,685
S'IL VOUS PLAIT?AH?
799
00:30:53,727 --> 00:30:55,312
WELL, I SUPPOSEJUSTTHAT WOULD BE ALL RIGHT.
800
00:30:55,354 --> 00:30:57,022
YES. LINDSEY, GO GESSOTHE CANVAS, PLEASE?
801
00:30:57,022 --> 00:30:58,940
OH, I HAVEN'TDONE THAT IN--
802
00:30:58,940 --> 00:31:01,193
YES. LIN 20 YEARS, I KNOW.THE SHE WAS MY BEST STUDENT.
803
00:31:01,235 --> 00:31:02,611
HE'S PRONETO EXAGGERATION--
804
00:31:02,653 --> 00:31:04,446
WELL, WE'LL NEVER KNOW,'CAUSE YOU QUIT!
805
00:31:04,446 --> 00:31:06,365
IF YOU'VE FORGOTTEN,IT'S THE BRUSH, THE PAINT,
806
00:31:06,365 --> 00:31:07,533
IT'S ALL COMING BACKTO YOU NOW?
807
00:31:07,574 --> 00:31:08,867
IF YOU'VE FORGOTTEN,IT'S THE BRUSH, THEYES, MAESTRO.
808
00:31:10,036 --> 00:31:12,371
NOW...
809
00:31:15,957 --> 00:31:19,586
YOU HAVE A SADNESSIN YOUR EYES.
810
00:31:21,338 --> 00:31:23,090
AND A JOY.
811
00:31:23,132 --> 00:31:25,426
I'LL TRY TO CATCH BOTH.
812
00:31:26,385 --> 00:31:27,636
HMM?
813
00:31:33,475 --> 00:31:36,062
[♪]
814
00:31:51,160 --> 00:31:53,454
[KNOCK ON DOOR]
815
00:31:55,998 --> 00:31:57,041
COMING!
816
00:32:00,794 --> 00:32:01,795
WOW.
817
00:32:01,837 --> 00:32:04,256
THESE ARE FOR YOU.
818
00:32:04,298 --> 00:32:06,050
THANK YOU.
819
00:32:06,092 --> 00:32:07,009
YOU SHOULDN'T HAVE.
820
00:32:07,009 --> 00:32:07,927
I DIDN'T.
821
00:32:07,969 --> 00:32:11,263
THEY'RE FROM... "TRENT GREER"?
822
00:32:12,056 --> 00:32:13,015
THANK YOU.
823
00:32:13,015 --> 00:32:15,851
I THOUGHT YOU WEREALLERGIC TO ROSES.
824
00:32:15,851 --> 00:32:17,686
NOT ANYMORE.
825
00:32:20,356 --> 00:32:22,024
I THOUGHT YOU WEREARE YOU...C TO ROSES.
826
00:32:23,525 --> 00:32:25,194
WAITING FOR A TIP?
827
00:32:25,194 --> 00:32:26,570
[CHUCKLES]
828
00:32:26,612 --> 00:32:28,364
NO. NOPE, I'M GOOD.
829
00:32:28,364 --> 00:32:29,991
OKAY.
830
00:32:30,032 --> 00:32:31,325
WELL THEN, THANK YOU.
831
00:32:31,325 --> 00:32:32,534
YEAH, DON'T MENTION IT!
832
00:32:34,703 --> 00:32:35,872
[SNEEZING] THEN, THANK YOU.
833
00:32:43,670 --> 00:32:45,172
AH, LINDSEY,I WAS HOPING TO SEE YOU.
834
00:32:45,214 --> 00:32:47,133
WON'T YOU JOIN ME?
835
00:32:47,133 --> 00:32:49,510
HOW WAS YOUR SITTINGWITH HUGO?
836
00:32:49,551 --> 00:32:50,344
WON[SIGHS IN FRUSTRATION]
837
00:32:50,344 --> 00:32:51,428
HE'S VERY OPINIONATED.
838
00:32:51,428 --> 00:32:52,388
HE IS.WON[SIGHS IN FRUSTRATION]
839
00:32:52,388 --> 00:32:53,389
HE'S VERAND DEMANDING.
840
00:32:53,430 --> 00:32:54,390
THAT TOO.N[SIGHS IN FRUSTRATION]
841
00:32:54,431 --> 00:32:56,017
HE WOULDN'TSHOW ME THE SKETCH.
842
00:32:56,058 --> 00:32:56,934
AND HE WON'T,
843
00:32:56,976 --> 00:32:58,394
NOT UNTIL HE'S FINISHED.
844
00:32:58,394 --> 00:32:59,353
ARE YOU GOING BACK?
845
00:32:59,353 --> 00:33:00,396
NO, I DON'TNOT UNTIL HE'S FINITHINK SO,
846
00:33:00,396 --> 00:33:02,148
BUT THANK YOUAREFOR THE INTRODUCTION.
847
00:33:02,189 --> 00:33:04,775
[CHUCKLING] I MEAN, IF THINGSWERE DIFFERENT, PERHAPS, BUT...
848
00:33:06,402 --> 00:33:08,780
I DON'T THINKI SHOULD HAVE COME BACK HERE.
849
00:33:08,821 --> 00:33:09,822
HMM.
850
00:33:09,822 --> 00:33:10,990
I'VE HAD THOSE SAME THOUGHTS,
851
00:33:11,032 --> 00:33:12,199
AND IF IT WEREN'TFOR MY DAUGHTER,
852
00:33:12,199 --> 00:33:14,201
I PROBABLY WOULDN'T HAVE.
853
00:33:15,077 --> 00:33:18,122
AND IF IT WEREN'TYOU FELL IN LOVE IN PARIS.
854
00:33:19,957 --> 00:33:21,417
A LONG TIME AGO.
855
00:33:21,417 --> 00:33:22,960
AH...
856
00:33:23,669 --> 00:33:25,546
JAMES AND IHAD THE BEST TIMES HERE.
857
00:33:25,587 --> 00:33:27,548
JUST WALKINGAND TALKING,
858
00:33:27,589 --> 00:33:28,758
NOTHING OUT OF THE ORDINARY,
859
00:33:28,800 --> 00:33:31,427
YET SOMEHOW EXTRAORDINARY.
860
00:33:31,468 --> 00:33:34,513
YOU'RE VERY LUCKYTO HAVE HAD A LOVE LIKE THAT.
861
00:33:34,555 --> 00:33:36,640
YES, I AM.
862
00:33:38,350 --> 00:33:39,936
I KNOW WE'VE JUST MET,
863
00:33:39,977 --> 00:33:41,896
AND I AM NO EXPERT ON LOVE,
864
00:33:41,938 --> 00:33:43,314
BUT I CAN'T HELP BUT THINK
865
00:33:43,314 --> 00:33:45,482
HE'D WANT YOU TO BEHAPPY LIKE THAT AGAIN.
866
00:33:45,524 --> 00:33:47,443
BUTHAT'S EXACTLY WHAT HE'D WANT.
867
00:33:47,443 --> 00:33:49,236
AND IF ONLY I COULD.
868
00:33:52,782 --> 00:33:54,742
BUTHAT'[KNOCKING ON DOOR]D WANT.
869
00:33:56,660 --> 00:33:58,329
WHERE HAVE YOU BEEN?
870
00:34:00,873 --> 00:34:01,791
OH.
871
00:34:01,791 --> 00:34:03,334
UH, FOLDING TOWELS?
872
00:34:04,418 --> 00:34:06,087
[SIGHING]OH.I THOUGHT YOU WERE ALEXA.
873
00:34:06,087 --> 00:34:07,755
OH, SHE'S NOT BACK YET?
874
00:34:07,797 --> 00:34:09,716
[SIGHING]OH.IOR ANSWERING HER CELL.A.
875
00:34:09,757 --> 00:34:10,717
ALL RIGHT, WELL,
876
00:34:10,758 --> 00:34:11,801
I LEFT A MESSAGE WITH JP.
877
00:34:11,843 --> 00:34:13,010
THEY PROBABLY JUSTLOST TRACK OF TIME.
878
00:34:13,010 --> 00:34:15,137
HEY, HOW LONG HAVE YOU KNOWNTHIS JP KID?
879
00:34:15,179 --> 00:34:17,473
TUM, I DON'T KNOW,A COUPLE OF MONTHS.
880
00:34:17,473 --> 00:34:18,474
THAT'S IT?
881
00:34:18,474 --> 00:34:19,600
TUM, I DON'T KNOW,A COUPLE HE'S A GOOD KID.
882
00:34:19,600 --> 00:34:21,644
HE'S STUDYING MATHEMATICS.
883
00:34:21,686 --> 00:34:23,730
I MEAN, HOW DANGEROUSA COCAN HE BE?A GOOD KID.
884
00:34:26,899 --> 00:34:27,984
OKAY.
885
00:34:27,984 --> 00:34:30,361
YOU KNOW WHAT,GRAB YOUR COAT.
886
00:34:30,402 --> 00:34:33,823
WE'RE GOINGFOR A WALK.
887
00:34:35,783 --> 00:34:39,954
SO, IF YOU WERETWO YOUNG PEOPLE,
888
00:34:39,996 --> 00:34:41,581
AND YOU WERE IN LOVE,
889
00:34:41,623 --> 00:34:42,832
WHERE WOULD YOU GO?
890
00:34:42,832 --> 00:34:43,625
IN LOVE?
891
00:34:43,666 --> 00:34:44,959
THEY JUST MET YESTERDAY.
892
00:34:45,001 --> 00:34:45,835
HOW LONG DID IT TAKE US?
893
00:34:45,877 --> 00:34:47,003
OKAY, WELL,THAT WAS DIFFERENT.
894
00:34:47,044 --> 00:34:48,254
IF YOU SAY SO.
895
00:34:48,295 --> 00:34:50,089
THIS CAN ONLYEND ONE WAY.
896
00:34:50,131 --> 00:34:51,298
SO IF SOMETHING ENDS,
897
00:34:51,340 --> 00:34:52,717
IT SHOULD HAVENEVER STARTED?
898
00:34:52,717 --> 00:34:54,343
I JUST DON'T WANT THEMTO GO THROUGH
899
00:34:54,385 --> 00:34:56,846
IT SHOULD HAVENEVER STARTWHAT WE WENT THROUGH.
900
00:34:56,888 --> 00:34:58,472
WE WERE HAPPY.
901
00:34:58,514 --> 00:34:59,766
WE WERE.
902
00:34:59,766 --> 00:35:02,059
SO "TRENT GREER"OF GREER PUBLISHING,
903
00:35:02,101 --> 00:35:05,354
OFFICES IN NEW YORK,LONDON, AND PARIS. WERE.
904
00:35:05,354 --> 00:35:06,981
GOOGLE.
905
00:35:07,023 --> 00:35:08,650
YOU GOOGLED MY ROSES?
906
00:35:08,691 --> 00:35:10,442
I GOOGLEDYOUR ROSES.
907
00:35:10,484 --> 00:35:12,570
HOW COME HE DIDN'T KNOWYOU WERE ALLERGIC?
908
00:35:12,570 --> 00:35:15,782
HE'S... HE'S TRYINGTO BUY MY MAGAZINE.
909
00:35:15,823 --> 00:35:17,825
OH, SO THEY'REDN'T KNOWBUSINESS ROSES?IC?
910
00:35:17,825 --> 00:35:19,536
YEAH, BUSINESS ROSES.
911
00:35:19,536 --> 00:35:21,370
OH, SO THEY'REDN'T KNOWBUSINESOH...ES?IC?
912
00:35:21,370 --> 00:35:22,539
'KAY.
913
00:35:22,539 --> 00:35:23,831
YEAH.
914
00:35:24,582 --> 00:35:25,374
MADEMOISELLE.
915
00:35:25,374 --> 00:35:26,626
OH, MERCI.
916
00:35:30,963 --> 00:35:33,925
[LINDSEY]: REMEMBER THATPICNIC WE HAD HERE?MADEMOISELLE.
917
00:35:33,966 --> 00:35:36,553
[JACK]: YEAH, I REMEMBERA LOT OF ANTS.
918
00:35:36,553 --> 00:35:38,971
AND THAT LITTLE DOGWHO STOLE OUR SANDWICHES?
919
00:35:39,013 --> 00:35:40,389
[JACK]: YEAH, I REMEMBERA LOTAND A THUNDERSTORM.
920
00:35:40,431 --> 00:35:41,641
[CHUCKLING]
921
00:35:43,685 --> 00:35:45,937
SO, WHAT WASYOUR HUSBAND LIKE?
922
00:35:45,978 --> 00:35:46,979
MY EX?MY EX-HUSBAND?
923
00:35:47,021 --> 00:35:47,897
YOUR EX-HUSBAND,
924
00:35:47,897 --> 00:35:48,940
WHAT WASYOUR EX-HUSBAND LIKE?
925
00:35:48,981 --> 00:35:52,860
UM, PRETTY MUCH...THE OPPOSITE OF YOU.
926
00:35:52,902 --> 00:35:54,446
OUCH.
927
00:35:54,487 --> 00:35:55,738
NO, YOU KNOW, I THINK
928
00:35:55,780 --> 00:35:58,741
I JUST DIDN'T WANTTO BE REMINDED OF YOU.
929
00:35:58,741 --> 00:36:00,952
OR US.
930
00:36:00,993 --> 00:36:02,495
ANYWAY, IT DIDN'TLAST LONG.
931
00:36:02,495 --> 00:36:04,205
WELL, I'M SORRYABOUT THAT.
932
00:36:04,246 --> 00:36:05,665
ANYWAY, IT DIDN'TNO, IT'S FINE.
933
00:36:05,665 --> 00:36:07,584
IT'S ALMOSTAS OLD-NEWS AS US.
934
00:36:07,584 --> 00:36:10,086
PLUS, I GOT ALEXA OUT OF IT,SO I'M GRATEFUL FOR THAT.
935
00:36:10,086 --> 00:36:12,755
YEAH, YOU SHOULD BE.
936
00:36:13,798 --> 00:36:15,091
PLUS, I GOT ALEXA OUT OF IT,SOI'M GOING TO GO OUT ON A LIMB
937
00:36:15,091 --> 00:36:17,594
AND GUESSYOU NEVER SAID, "I DO"?
938
00:36:17,594 --> 00:36:19,303
I DID NOT.
939
00:36:19,345 --> 00:36:21,389
STILL DODGINGND GUESSTHE COMMITMENT THING, HUH?"?
940
00:36:21,431 --> 00:36:22,557
NO, I'M VERY MUCHCOMMITTED.
941
00:36:22,599 --> 00:36:24,767
I'M COMMITTED TO THE HOTEL.
942
00:36:24,767 --> 00:36:26,310
[CHUCKLING]
943
00:36:26,352 --> 00:36:27,604
YOU TWO SEEMVERY HAPPY TOGETHER.THE HOTEL.
944
00:36:27,645 --> 00:36:29,772
YEAH, WE HAVEA GREAT RELATIONSHIP.
945
00:36:29,814 --> 00:36:32,525
YOU KNOW, WE HAVEOUR UPS AND DOWNS,
946
00:36:32,567 --> 00:36:34,527
BUT, UH... ALL IN ALL,
947
00:36:34,569 --> 00:36:37,113
WE ARE PRETTY GOOD.
948
00:36:37,113 --> 00:36:39,782
[TANGO MUSIC PLAYS]
949
00:36:39,782 --> 00:36:42,702
[♪]
950
00:37:01,053 --> 00:37:02,430
VOILA.
951
00:37:02,472 --> 00:37:03,890
HOW DID YOU KNOWTHEY'D BE HERE?
952
00:37:03,931 --> 00:37:05,182
JP TEACHESTANGO LESSONS HERE
953
00:37:05,224 --> 00:37:06,100
ON MONDAYS.
954
00:37:06,142 --> 00:37:08,019
AH. WELL, YOU COULDHAVE JUST TOLD ME THAT.
955
00:37:08,019 --> 00:37:11,356
YEAH, I COULD HAVEJUST TOLD YOU THAT.
956
00:37:15,234 --> 00:37:17,194
AH. WELL, YOU COULDHAVE JUST TOLDMOM?THAT.
957
00:37:17,236 --> 00:37:18,530
ALEXA.
958
00:37:22,534 --> 00:37:23,993
THIS IS SOEMBARRASSING.
959
00:37:24,035 --> 00:37:25,202
YOU WEREN'TANSWERING YOUR PHONE.
960
00:37:25,245 --> 00:37:26,496
MY BATTERY'S DEAD.
961
00:37:26,496 --> 00:37:28,665
I'M SORRY, MADAME,WE LOST TRACK OF THE TIME.
962
00:37:28,665 --> 00:37:31,834
WHERE DID YOULEARN TO TANGO?
963
00:37:31,876 --> 00:37:33,211
MY GRANDFATHERIS FROM ARGENTINA,
964
00:37:33,211 --> 00:37:35,255
BUT AFTERHE AND MY GRANDMOTHER DIVORCE,
965
00:37:35,297 --> 00:37:36,172
MY GRANDFATHERIS HE MOVE HERE.A,
966
00:37:36,172 --> 00:37:38,383
OH, HE LOSTHIS DANCE PARTNER?
967
00:37:38,425 --> 00:37:39,717
HE LOST ALLHIS DANCE PARTNERS.
968
00:37:39,717 --> 00:37:41,844
THAT IS WHY HE ANDMY GRANDMOTHER DIVORCE.
969
00:37:41,844 --> 00:37:43,513
HE LOST ALLHIS DANCE P[LAUGHING]
970
00:37:44,514 --> 00:37:45,848
THAT IS WHY HE ANDMY GRANDMOTHER DIAH-AH-AH...
971
00:37:45,890 --> 00:37:46,974
AW, YES...
972
00:37:47,016 --> 00:37:48,268
-OH, NO.-YES.
973
00:37:48,310 --> 00:37:49,602
-OH, NO, NO, NO---YES. COME ON...
974
00:37:49,602 --> 00:37:50,770
NO, JACK,I DON'T REMEMBER--
975
00:37:50,812 --> 00:37:51,688
-OH, NO, NO, NO---YES. CYOU REMEMBER.
976
00:37:51,688 --> 00:37:52,605
I DON'T--
977
00:37:52,647 --> 00:37:53,648
YEAH, JUST FEEL IT.
978
00:37:53,690 --> 00:37:54,649
FEELING IT?
979
00:37:54,649 --> 00:37:55,817
THERE YOU GO.SPIN AROUND.
980
00:37:55,858 --> 00:37:57,777
FEELING IT?DO YOU LIKE IT?
981
00:37:57,819 --> 00:37:58,611
WAIT A MINUTE,WAIT, HERE IT--
982
00:37:58,611 --> 00:38:00,363
OH! OH, NO...OKAY, WHOA.
983
00:38:00,363 --> 00:38:02,699
WAIT A MINUTE,EASY, NOW. EASY.WAIT, HERE IT--
984
00:38:02,699 --> 00:38:03,700
OH! OH, NO...OKAY...OKAY, WHOA.
985
00:38:03,741 --> 00:38:05,076
YES, I LIKE IT.EASY, NOW. EASY.I LIKE IT. IT--
986
00:38:05,117 --> 00:38:07,287
OH...
987
00:38:07,329 --> 00:38:10,039
HERE WE GO.
988
00:38:10,039 --> 00:38:11,708
[♪]
989
00:38:11,749 --> 00:38:13,376
AH, YES.
990
00:38:13,418 --> 00:38:15,044
AND THEN, GIVE ITTO ME ONE MORE TIME.
991
00:38:15,086 --> 00:38:17,630
[LAUGHING]
992
00:38:20,091 --> 00:38:21,259
THANK YOU,MR. AND MRS. RAYCE,
993
00:38:21,301 --> 00:38:22,385
HAVE A GREAT NIGHT.
994
00:38:22,385 --> 00:38:25,388
ALL RIGHT, SO MY FOOTWORKMIGHT BE A LITTLE BIT OFF.
995
00:38:25,388 --> 00:38:26,806
[LAUGHING]A LITTLE?
996
00:38:26,848 --> 00:38:28,850
ALL RIGHT, SO MY FOOTWORKMIG[CHUCKLING TOGETHER]FF.
997
00:38:28,891 --> 00:38:29,976
JACK...
998
00:38:30,017 --> 00:38:31,436
THERE YOU ARE.
999
00:38:31,478 --> 00:38:33,730
YOU PROMISEDTO TAKE ME TO DINNER.
1000
00:38:33,771 --> 00:38:35,022
OH, WAS THAT TONIGHT?
1001
00:38:35,064 --> 00:38:37,484
NO, BUT I AM HERE.
1002
00:38:37,525 --> 00:38:38,443
[CHUCKLES FONDLY]
1003
00:38:38,485 --> 00:38:42,364
UM, LINDSEY AND ALEXA,THIS IS NICOLE.
1004
00:38:42,405 --> 00:38:43,448
HIS GIRLFRIEND.
1005
00:38:45,117 --> 00:38:47,077
SO NICE TO MEET YOU.
1006
00:38:47,077 --> 00:38:49,704
AND HOW ARE YOUENJOYING OUR CITY?
1007
00:38:49,746 --> 00:38:51,581
OH, YOU KNOW WHAT THEY SAY,
1008
00:38:51,581 --> 00:38:52,499
A BAD DAY IN PARIS
1009
00:38:52,540 --> 00:38:54,876
IS BETTER THAN A GOOD DAYANYWHERE ELSE.
1010
00:38:54,876 --> 00:38:56,002
[CHUCKLING AWKWARDLY]
1011
00:38:56,044 --> 00:38:58,130
IS BETTER THAN A GOOD DAYANYWHERE EHOW CHARMING.
1012
00:38:58,171 --> 00:38:59,464
COME ON, MOM,WE HAVE THAT THING.
1013
00:38:59,506 --> 00:39:01,174
RIGHT.WE HAVE A THING.
1014
00:39:05,512 --> 00:39:06,304
SO...
1015
00:39:06,346 --> 00:39:08,390
WHERE DO YOUWANT TO GO?
1016
00:39:08,431 --> 00:39:09,807
WHEREVER YOU WANT.
1017
00:39:09,807 --> 00:39:10,767
UM...
1018
00:39:10,808 --> 00:39:13,436
I WAS THINKINGWHEREVER YOU WANT.ITALIAN.
1019
00:39:13,436 --> 00:39:14,437
OKAY.
1020
00:39:14,479 --> 00:39:15,522
MM-HMM?
1021
00:39:21,944 --> 00:39:22,988
YOU OKAY?
1022
00:39:23,030 --> 00:39:24,072
OF COURSE, I'M OKAY.
1023
00:39:24,072 --> 00:39:26,241
WHY WOULDN'T IBE OKAY?
1024
00:39:26,283 --> 00:39:27,325
JUST CHECKING.RSE, I'M OKAY.
1025
00:39:28,618 --> 00:39:31,496
LOOK WHO'S WORRYINGABOUT WHO.
1026
00:39:32,289 --> 00:39:34,916
YOU GUYS JUST LOOKEDSO CUTE, DANCING.
1027
00:39:34,958 --> 00:39:36,543
YOU SAIDWE LOOKED TERRIBLE.
1028
00:39:36,584 --> 00:39:38,211
BUT YOU WERETERRIBLE TOGETHER.
1029
00:39:38,211 --> 00:39:41,131
YEAH, WELL,WE'RE NOT TOGETHER.
1030
00:39:41,131 --> 00:39:42,966
BUT YOU WERE[SIGHS SADLY]THER.
1031
00:39:45,135 --> 00:39:46,678
YEAH, WELL,WE'RE LOOK AT THAT.
1032
00:39:46,719 --> 00:39:48,430
THE CITY OF LIGHTS.
1033
00:39:48,471 --> 00:39:51,141
THE CITY OF LOVE.
1034
00:39:51,141 --> 00:39:52,976
LET'S JUST STICKWITH CITY OF LIGHTS.
1035
00:39:53,018 --> 00:39:54,186
[CHUCKLES]
1036
00:39:54,227 --> 00:39:56,104
AND THE BESTCHOCOLATE EVER?
1037
00:39:59,566 --> 00:40:01,151
OOH...
1038
00:40:01,151 --> 00:40:03,528
WELL, "WE'LL ALWAYSHAVE CHOCOLATE."
1039
00:40:06,489 --> 00:40:08,491
MM!MM-HMM, MM-HMM.
1040
00:40:09,952 --> 00:40:12,495
I HOPE IT DOESN'TGO BY TOO QUICKLY.
1041
00:40:12,495 --> 00:40:13,663
IT WILL.
1042
00:40:15,165 --> 00:40:16,959
[CHUCKLES FONDLY]
1043
00:40:22,297 --> 00:40:23,798
I HAVEOUR WHOLE DAY PLANNED.
1044
00:40:23,840 --> 00:40:25,092
I'D EXPECTNOTHING ELSE.
1045
00:40:25,133 --> 00:40:26,176
FIRST, WE'LL SEETHE RUE DU TERTRE.
1046
00:40:26,176 --> 00:40:27,802
THERE'S A SECRET LITTLECORNER I WANT TO SHOW YOU.
1047
00:40:27,845 --> 00:40:29,721
FIRST, WE'LL SEETHMAYBE WE SHOULD INVITE JACK.
1048
00:40:30,555 --> 00:40:31,723
NO, NO, NO, HE'S SEEN IT ALL.
1049
00:40:31,764 --> 00:40:34,809
YEAH, THAT'S RIGHT,I HAVE SEEN IT ALL.
1050
00:40:34,852 --> 00:40:36,603
HEY, UH, JEAN PAUL, YOU MIND
1051
00:40:36,644 --> 00:40:37,687
SAVING SOMEOF THESE PASTRIES
1052
00:40:37,687 --> 00:40:38,856
FOR SOME OFOUR OTHER GUESTS?
1053
00:40:38,856 --> 00:40:40,190
THANK YOU.
1054
00:40:44,027 --> 00:40:45,695
FOR SOME OFLADIES, HOW WAS YOUR EVENING??
1055
00:40:45,695 --> 00:40:46,822
GOOD.
1056
00:40:46,864 --> 00:40:48,031
AND DINNER WITH NICOLE?
1057
00:40:48,073 --> 00:40:49,366
OH, UH...
1058
00:40:49,407 --> 00:40:50,783
YOU KNOW, DINNER'S DINNER.
1059
00:40:50,783 --> 00:40:51,869
WOULD YOU LIKEANOTHER CROISSANT?
1060
00:40:51,910 --> 00:40:53,620
OH, NO, YOU WEREYOU GOING TO SAVE THOSEER.
1061
00:40:53,661 --> 00:40:54,788
FOR THE OTHER GUESTS.
1062
00:40:54,788 --> 00:40:56,164
YEAH.[CLEARS THROAT AWKWARDLY]
1063
00:40:56,164 --> 00:40:58,041
HEY, UM,FORYOU SHOULD KNOWTS.
1064
00:40:58,083 --> 00:41:00,377
THIS, UH, THING,[WITH, UH, NICOLE AND I,]
1065
00:41:00,418 --> 00:41:04,089
IT-IT'S NOTHING SERIOUS,IT'S JUST CASUAL.
1066
00:41:04,131 --> 00:41:05,215
OKAY.
1067
00:41:05,215 --> 00:41:07,550
YEAH, YOU KNOW, IT'S ONLYBEEN, LIKE, UH, A FEW WEEKS.
1068
00:41:07,550 --> 00:41:08,927
OKAY.
1069
00:41:10,763 --> 00:41:12,597
YETHAT'S ACTUALLY, UH,NLYBEEN, THAT'S NOT TRUE,WEEKS.
1070
00:41:12,639 --> 00:41:14,892
IT'S BEENA LITTLE LONGER THAN THAT.
1071
00:41:14,892 --> 00:41:16,601
CAS'.
1072
00:41:17,435 --> 00:41:19,062
YES. CASUAL.
1073
00:41:19,062 --> 00:41:22,024
BECAUSE YOU'RE COMMITTEDTO YOUR HOTEL.
1074
00:41:22,065 --> 00:41:23,901
YES... CORRECT.
1075
00:41:23,901 --> 00:41:25,277
[CHUCKLES AWKWARDLY]
1076
00:41:29,907 --> 00:41:32,159
SO, I THOUGHT WE'D STARTWITH THE RUE DU TERTRE,
1077
00:41:32,200 --> 00:41:33,786
AND THEN SEE THE LOUVRE.
1078
00:41:33,827 --> 00:41:34,703
MOM--
1079
00:41:34,745 --> 00:41:36,038
YOU ARE NOTGOING TO BELIEVE
1080
00:41:36,079 --> 00:41:37,247
HOW SMALLTHAT MONA LISA IS.
1081
00:41:37,247 --> 00:41:39,166
ARE WE NOT GOING TO TALKABOUT THIS WHOLE JACK THING?
1082
00:41:39,207 --> 00:41:40,125
HOW SMALLTNO. MONA LISA IS.
1083
00:41:40,167 --> 00:41:41,418
BECAUSE I'M HERE FOR YOU.
1084
00:41:41,459 --> 00:41:42,544
AND THAT'S THE ONLY REASON.
1085
00:41:42,544 --> 00:41:44,880
SPEAKINGOF WHICH, UM,
1086
00:41:44,922 --> 00:41:47,507
COULD YOU BE A LITTLE...AND LESS THERE FOR ME?ASON.
1087
00:41:51,845 --> 00:41:53,263
OKAY,MAYBE A LITTLE.
1088
00:41:53,263 --> 00:41:55,473
CAN I GET YOUANYTHING, LADIES?
1089
00:41:55,515 --> 00:41:57,100
JP, IF YOU'RE FREETOMORROW,
1090
00:41:57,100 --> 00:42:00,228
WE'D LIKE TO INVITE YOUTO AN ART SHOW.
1091
00:42:00,270 --> 00:42:01,396
I'M TOTALLY FREE.
1092
00:42:01,438 --> 00:42:03,106
I THOUGHT YOU MIGHT BE.
1093
00:42:04,024 --> 00:42:05,108
[CHUCKLES IN DELIGHT]
1094
00:42:08,070 --> 00:42:11,073
[♪]
1095
00:42:11,114 --> 00:42:13,366
IT'S JUST LIKEI PICTURED IT!
1096
00:42:13,366 --> 00:42:14,743
IT HASN'TCHANGED AT ALL.
1097
00:42:14,743 --> 00:42:15,953
IT'S JUST LIKEDID YOU COME HERE A LOT?
1098
00:42:15,953 --> 00:42:16,954
IT HASN'TCHALL THE TIME.
1099
00:42:16,954 --> 00:42:18,706
IT'S JUST LIKI USED TO COME HEREDID YOU COME AND PAINT.?
1100
00:42:18,747 --> 00:42:21,625
MAYBE ONE DAY,I'LL COME SET UP HERE, TOO.
1101
00:42:21,625 --> 00:42:23,794
EXCUSEZ-MOI, MONSIEUR?
1102
00:42:23,794 --> 00:42:27,172
MAYBEST-CE-QUE C'EST POSSIBLEI'LQUE-TU TE SOUVIENS DE MOI?
1103
00:42:27,214 --> 00:42:28,465
PINK EASEL?
1104
00:42:28,465 --> 00:42:29,967
I USED TO COME HERE
1105
00:42:30,008 --> 00:42:31,509
A LONG, LONG TIME AGO.
1106
00:42:31,551 --> 00:42:33,345
MAIS OUI...
1107
00:42:33,386 --> 00:42:35,723
THE PINK EASEL,I REMEMBER.
1108
00:42:35,764 --> 00:42:38,016
WITH A YOUNG ARTISTBEHIND IT,
1109
00:42:38,016 --> 00:42:41,519
SHE WANTED TO PAINTALL OF MONTMARTRE.
1110
00:42:41,562 --> 00:42:43,313
WITH A YOUNG ARTISTB[CHUCKLING FONDLY]
1111
00:42:43,355 --> 00:42:46,108
WE ARTISTS, WE AREJUST CHILDREN
1112
00:42:46,149 --> 00:42:50,403
WHO REFUSE TO LAY DOWNTHEIR CRAYONS, NON?
1113
00:42:51,822 --> 00:42:55,450
[♪]
1114
00:43:02,833 --> 00:43:04,417
KATHRYN!
1115
00:43:04,417 --> 00:43:06,504
I WASN'T SUREYOU'D COME BACK.
1116
00:43:06,504 --> 00:43:07,671
I WASN'T GOING TO,KATHRYN!
1117
00:43:07,671 --> 00:43:11,008
BUT SOMETHING LINDSEY SAIDMADE ME CHANGE MY MIND.ACK.
1118
00:43:11,008 --> 00:43:13,343
WELL, I AM CHARMINGI WAWHEN YOU GET TO KNOW ME.
1119
00:43:14,553 --> 00:43:16,471
WHATEVER SHE SAID,INDSEY SAIDI'M GLAD YOU'RE BACK.Y MIND.ACK.
1120
00:43:16,514 --> 00:43:17,973
I WAS WORKINGON YOUR PORTRAIT.
1121
00:43:18,015 --> 00:43:19,432
OH, MAY I HAVE A LOOK?
1122
00:43:19,475 --> 00:43:21,143
NO, NO, NO, NO, NO...
1123
00:43:21,184 --> 00:43:24,772
YOU, UH, CAN SEE ITAT THE SHOW.
1124
00:43:24,813 --> 00:43:26,857
YOU'RE PUTTING ITIN A SHOW?
1125
00:43:26,899 --> 00:43:28,066
YOU CAN'T BE SERIOUS.
1126
00:43:28,108 --> 00:43:29,192
TOMORROW.YOU COME, HMM?
1127
00:43:29,192 --> 00:43:31,319
ACTUALLY, I WAS PLANNINGON LEAVING TOMORROW.
1128
00:43:31,361 --> 00:43:32,404
SO SOON?
1129
00:43:32,446 --> 00:43:34,948
I REALLY ONLY CAMETO SEE IT ALL AGAIN.
1130
00:43:34,948 --> 00:43:36,825
OH, YOU'VESEEN IT ALL, HUH?
1131
00:43:36,867 --> 00:43:38,285
I REALLY ONLY CAMETO SEE IT ALL AGAIN.NON...
1132
00:43:39,077 --> 00:43:40,871
WELL, THERE IS ONE MORE PLACE.
1133
00:43:40,871 --> 00:43:42,790
YEAH?
1134
00:43:42,831 --> 00:43:44,291
PONT NEUF.
1135
00:43:44,332 --> 00:43:46,334
OH, PONT NEUF!
1136
00:43:46,376 --> 00:43:47,878
THE LAST LOVE LOCKS BRIDGE.
1137
00:43:47,878 --> 00:43:49,922
I HEARTHEY'RE CUTTING OFF THE LOCKS.
1138
00:43:49,963 --> 00:43:52,132
YES, TRAGIC.
1139
00:43:53,383 --> 00:43:55,761
15 YEARS AGO,
1140
00:43:55,803 --> 00:43:58,722
JAMES SURPRISED MEWITH AN ANTIQUE LOCK,
1141
00:43:58,722 --> 00:43:59,557
HEART-SHAPED,
1142
00:43:59,598 --> 00:44:01,809
INSCRIBEDMES SURPRISED MEWITH OUR NAMES.NTIQUE LOCK,
1143
00:44:01,850 --> 00:44:06,730
WE WERE LIKELY THE OLDESTCOUPLE ON THAT BRIDGE.
1144
00:44:06,730 --> 00:44:10,859
I THOUGHT I'D TRY TO FIND ITAND BRING IT BACK WITH ME.
1145
00:44:12,235 --> 00:44:14,363
WELL, THEN LET'S GO.
1146
00:44:14,405 --> 00:44:15,489
NOW?
1147
00:44:15,531 --> 00:44:16,615
YES, NOW.
1148
00:44:16,657 --> 00:44:18,075
WHAT BETTER TIME?
1149
00:44:18,075 --> 00:44:19,034
OH, BUT SURELY,
1150
00:44:19,076 --> 00:44:20,160
IT WOULD BEA FOOL'S ERRAND.
1151
00:44:20,202 --> 00:44:22,788
[CHUCKLES] THEN YOU HAVETHE RIGHT MAN FOR THE JOB.
1152
00:44:22,830 --> 00:44:23,831
[CHUCKLING]
1153
00:44:24,957 --> 00:44:28,085
YES, WE'LL GO,WE WILL FIND IT.
1154
00:44:28,085 --> 00:44:29,044
IT DOESN'T MATTER.
1155
00:44:29,086 --> 00:44:31,464
WELL, IT MATTERS TO YOU.
1156
00:44:31,505 --> 00:44:34,592
AND BESIDES, I HAVEA CONFESSION TO MAKE.
1157
00:44:34,633 --> 00:44:37,219
YOU HAVE A LOCKHANGING THERE, TOO?
1158
00:44:38,053 --> 00:44:39,513
THE LOVE OF MY LIFE.
1159
00:44:39,555 --> 00:44:41,264
BUT IT WAS NOT MEANT TO BE.
1160
00:44:41,307 --> 00:44:42,600
I'M SORRY.
1161
00:44:42,600 --> 00:44:44,560
YES, WELL,THE TIME WE HAD WAS SHORT,
1162
00:44:44,602 --> 00:44:46,144
BUT IT WAS MAGIC.
1163
00:44:47,438 --> 00:44:48,772
SO, HOW LONG
1164
00:44:48,772 --> 00:44:52,234
DID YOU AND YOUR JAMESHAVE TOGETHER?
1165
00:44:52,276 --> 00:44:54,027
MY WHOLE LIFE.
1166
00:44:54,069 --> 00:44:56,113
I ENVY YOU BOTH.
1167
00:44:56,113 --> 00:44:58,907
[♪]
1168
00:45:18,511 --> 00:45:20,804
MOM? WHAT IS IT?
1169
00:45:20,804 --> 00:45:21,972
NOTHING.
1170
00:45:25,809 --> 00:45:26,644
OH, HEY!
1171
00:45:26,644 --> 00:45:28,437
BONJOUR.
1172
00:45:28,479 --> 00:45:29,522
UH, MADAME?
1173
00:45:29,563 --> 00:45:30,856
I AM ON LUNCH BREAK,
1174
00:45:30,856 --> 00:45:33,066
MAY I TAKE YOUAND ALEXA TO THE CAFE?
1175
00:45:33,901 --> 00:45:34,777
I AM ON LUNAW...EAK,
1176
00:45:34,818 --> 00:45:36,987
THAT'S SO SWEET,BUT, UM,
1177
00:45:37,029 --> 00:45:38,656
MY MOM AND I HAVE PLANS.
1178
00:45:38,656 --> 00:45:39,657
THANK YOU, THOUGH.
1179
00:45:39,657 --> 00:45:40,991
MY MOM AND I HOF COURSE.
1180
00:45:40,991 --> 00:45:42,743
ANOTHER TIME.
1181
00:45:42,785 --> 00:45:44,119
YOU KNOW,YOU TWO SHOULD GO.COURSE.
1182
00:45:44,162 --> 00:45:45,120
NO.
1183
00:45:45,163 --> 00:45:46,079
YES.
1184
00:45:46,121 --> 00:45:47,498
I HAVE TO CALL MAGGIEAT THE OFFICE ANYWAY.
1185
00:45:47,540 --> 00:45:48,832
GO.
1186
00:45:48,832 --> 00:45:49,750
ARE YOU SURE?
1187
00:45:49,792 --> 00:45:50,959
YES, POSITIVE. GO!
1188
00:45:51,001 --> 00:45:51,752
OKAY, HERE.
1189
00:45:51,794 --> 00:45:52,836
AND MY PHONE'SCHARGED.
1190
00:45:52,836 --> 00:45:53,879
OKAY.
1191
00:45:53,921 --> 00:45:54,838
HOW WASAND MY PHONE'SSIGHTSEEING?CHARGED.
1192
00:45:54,880 --> 00:45:57,966
SIGHTSEEING WAS GREAT.
1193
00:45:59,468 --> 00:46:01,804
OH, WHAT HAVEYOU GOT HERE?
1194
00:46:01,845 --> 00:46:03,347
[CHUCKLING]OH, YEAH...
1195
00:46:03,347 --> 00:46:04,682
THE CAT GUY.
1196
00:46:04,723 --> 00:46:06,225
CAT GUY.
1197
00:46:07,476 --> 00:46:09,520
I... LEFT A COUPLE BIKESOUT THERE
1198
00:46:09,562 --> 00:46:13,399
IN CASE YOU WANTEDTO SHOW ALEXA THE OLD ROUTE.
1199
00:46:13,399 --> 00:46:14,858
OH.
1200
00:46:14,900 --> 00:46:16,652
THANKS, BUT SHE'SU WANTEDGONE OFF WITH JP.HE OLD ROUTE.
1201
00:46:17,861 --> 00:46:18,946
AGAIN?
1202
00:46:20,531 --> 00:46:22,991
I'M GONNA HAVE TO PUTTHAT GUY ON A DOUBLE SHIFT.
1203
00:46:22,991 --> 00:46:24,952
COME ON, GIVE ME A HAND.
1204
00:46:27,371 --> 00:46:28,789
I'M GONNA HAVE TO PUTTHANK YOU, JACK, A DOUBLE SHIFT.
1205
00:46:28,831 --> 00:46:30,749
THIS IS VERY THOUGHTFUL.
1206
00:46:30,791 --> 00:46:32,626
THAT'S ME,MONSIEUR THOUGHTFUL.
1207
00:46:32,626 --> 00:46:33,877
HELP ME TAKETHESE BIKE INSIDE
1208
00:46:33,877 --> 00:46:35,338
IN CASE YOU AND ALEXA WANTTO TAKE THEM OUT LATER--L.
1209
00:46:35,379 --> 00:46:38,382
OR... WE COULD GO.
1210
00:46:38,424 --> 00:46:39,592
NOW.
1211
00:46:41,635 --> 00:46:43,429
WE?
1212
00:46:43,471 --> 00:46:45,473
OUI.
1213
00:46:48,809 --> 00:46:49,810
ALL RIGHT, YOU KNOW WHAT,JUST GIVE ME A SEC,
1214
00:46:49,810 --> 00:46:51,687
I'VE GOT TO MAKEA QUICK PHONE CALL.
1215
00:46:55,691 --> 00:46:59,112
ALL RIGHT, YOU KNOW WHAT,JUST GIVE ME A[♪]C,
1216
00:47:10,539 --> 00:47:13,251
[♪]
1217
00:47:28,266 --> 00:47:30,518
ALL RIGHT, HERE WE GO.
1218
00:47:30,559 --> 00:47:32,561
RIGHT UP HERE.
1219
00:47:32,603 --> 00:47:33,980
WHAT DO YOU MEAN?
1220
00:47:34,022 --> 00:47:36,732
THE BIKES WILL BE FINE.
1221
00:47:36,774 --> 00:47:37,900
YOU SURE?
1222
00:47:37,942 --> 00:47:38,901
YEAH.
1223
00:47:38,943 --> 00:47:40,444
COME ON.
1224
00:47:40,486 --> 00:47:41,946
JACK,ISN'T IT CLOSED?
1225
00:47:41,946 --> 00:47:43,781
COME ON.
1226
00:47:53,249 --> 00:47:55,501
JACK,WHAT HAVE YOU GOTISN'T IT UP YOUR SLEEVE?
1227
00:47:58,963 --> 00:48:00,631
OH, YEAH.
1228
00:48:00,631 --> 00:48:02,675
YEAH.
1229
00:48:04,427 --> 00:48:07,346
[♪]OH, YEAH.
1230
00:48:09,473 --> 00:48:11,851
[SIGHING DEEPLY]
1231
00:48:11,893 --> 00:48:14,979
I WON'T EVEN ASKHOW YOU MADE THIS HAPPEN.
1232
00:48:15,021 --> 00:48:18,107
LET'S JUST SAY I HAVEFRIENDS IN LOW PLACES.
1233
00:48:18,107 --> 00:48:20,318
HMM, SONOTHING'S CHANGED.
1234
00:48:20,318 --> 00:48:21,903
LET'S JUST SAY I HAVEFRIENDS IN LONOPE.CES.
1235
00:48:23,404 --> 00:48:24,363
THE FIRST TIMEWE CAME HERE,
1236
00:48:24,405 --> 00:48:25,990
YOU THOUGHT "MONET"WAS A CHAMPAGNE.
1237
00:48:25,990 --> 00:48:27,741
IT ISN'T?
1238
00:48:27,783 --> 00:48:29,243
[CHUCKLES]
1239
00:48:29,243 --> 00:48:30,995
THANK YOU FORBRINGING ME HERE.
1240
00:48:30,995 --> 00:48:32,246
YOU KNOW, IT WAS ALWAYSSO CROWDED BEFORE,KLES]
1241
00:48:32,288 --> 00:48:34,373
I NEVER REALLY SAW THESE.
1242
00:48:34,415 --> 00:48:36,084
IT'S ALL PARTOF THE PARIS EXPERIENCE.
1243
00:48:36,125 --> 00:48:36,960
HMM,
1244
00:48:37,001 --> 00:48:39,170
YOU DO THISFOR ALL YOUR GUESTS?
1245
00:48:39,170 --> 00:48:40,296
YEAH, OF COURSE.
1246
00:48:40,338 --> 00:48:41,630
LATER THIS AFTERNOON, I'LL BECLOSING DOWN THE LOUVRE
1247
00:48:41,672 --> 00:48:43,341
FOR A PING PONG TOURNAMENT.
1248
00:48:43,341 --> 00:48:44,175
NO, COME ON,
1249
00:48:44,217 --> 00:48:45,509
I'VE NEVER BROUGHTA GUEST BACK HERE.
1250
00:48:45,551 --> 00:48:47,846
I'VE NEVER BROUGHTANYONE BACK HERE.
1251
00:48:47,846 --> 00:48:49,347
I'M HONORED.
1252
00:48:51,682 --> 00:48:52,641
WHAT?
1253
00:48:53,852 --> 00:48:54,894
NOTHING.
1254
00:48:56,520 --> 00:48:59,732
JUST, LOOKING AT YOU, UH...
1255
00:48:59,774 --> 00:49:01,985
I WANTED TO SAY THREE WORDS.
1256
00:49:03,361 --> 00:49:05,154
WHAT THREE WORDS?
1257
00:49:07,656 --> 00:49:10,493
"OOH LA LA."
1258
00:49:14,580 --> 00:49:18,835
"LIFE IS THE ART OF DRAWINGWITHOUT AN ERASER."
1259
00:49:20,419 --> 00:49:21,379
WHO SAID THAT?
1260
00:49:21,420 --> 00:49:23,006
YOU DID.
1261
00:49:23,047 --> 00:49:24,173
WHAT? I MEAN...
1262
00:49:24,215 --> 00:49:25,216
IF I SAID THAT,
1263
00:49:25,216 --> 00:49:27,510
I WAS PROBABLY JUSTQUOTING HUGO OR SOMETHING.
1264
00:49:27,510 --> 00:49:30,554
YEAH, WELL,IT STAYED.
1265
00:49:30,554 --> 00:49:33,224
I MEAN, I'VE MADEBLY JUSTA FEW DECISIONSUGO OR SOMETHING.
1266
00:49:33,224 --> 00:49:34,851
I WISH I COULD ERASE.
1267
00:49:34,893 --> 00:49:37,561
WHO HASN'T HAD THOSE?
1268
00:49:39,981 --> 00:49:42,734
WHAT HAPPENED TO THOSETWO PEOPLE THAT WERE US?
1269
00:49:42,734 --> 00:49:45,069
LIFE, I GUESS.
1270
00:49:45,069 --> 00:49:47,906
I THOUGHT FOR SUREI'D BE MARRIED BY NOW,
1271
00:49:47,947 --> 00:49:51,575
WITH A COUPLE KIDS,A DOG, MAYBE TWO.
1272
00:49:51,575 --> 00:49:53,452
REALLY?
1273
00:49:53,494 --> 00:49:55,621
YEAH, ONE DAY, BUT...
1274
00:49:55,664 --> 00:49:57,791
"ONE DAY" NEVER HAPPENED.
1275
00:49:57,791 --> 00:49:58,708
YET.
1276
00:49:58,750 --> 00:49:59,751
"ONE DAY" NEVER HYOU KNOW, MAYBE
1277
00:49:59,751 --> 00:50:02,045
YOU'RE PLACING TOO MUCHEXPECTATION ON "ONE DAY."
1278
00:50:02,086 --> 00:50:03,922
"ONE DAY" NNAH. MM-MM.NOW, MAYBE
1279
00:50:03,922 --> 00:50:05,214
IT'S YOUR FAULT.
1280
00:50:05,256 --> 00:50:06,424
YOU'RE A HARD ACT TO FOLLOW.
1281
00:50:08,760 --> 00:50:14,599
OBVIOUSLY, NOT THAT HARD,BECAUSE YOU DIDN'T FOLLOW... ME.
1282
00:50:16,017 --> 00:50:19,062
WHERE'S THAT ERASERWHEN YOU NEED IT?
1283
00:50:23,608 --> 00:50:24,734
PARDON, MONSIEUR?
1284
00:50:26,820 --> 00:50:27,862
OH. YEAH, OKAY.
1285
00:50:27,904 --> 00:50:29,781
COME ON,WE GOTTA GO.
1286
00:50:29,781 --> 00:50:31,032
NO, THEY'RE...
1287
00:50:31,032 --> 00:50:33,952
THEY'RE GONNAWAX THE FLOORS.
1288
00:50:33,952 --> 00:50:35,328
NO, THCOME ON.
1289
00:50:38,623 --> 00:50:40,499
LINDSEY, COME ON!
1290
00:50:42,961 --> 00:50:44,295
YEAH, AND HAVE IT BY THEN.
1291
00:50:44,295 --> 00:50:45,463
WE SHOULD HAVETHE CONTRACTS SIGNED--
1292
00:50:45,463 --> 00:50:46,422
MERCI.
1293
00:50:46,422 --> 00:50:47,841
W--BY MONDAY.ETHE CONPERFECT.IGNED--
1294
00:50:47,882 --> 00:50:49,801
THAT IS GREAT.MOKAY.
1295
00:50:49,801 --> 00:50:52,762
[LINDSEY AND JACKLAUGHING AND CHATTING]
1296
00:50:52,804 --> 00:50:54,347
LINDSEY!
1297
00:50:55,431 --> 00:50:57,350
TRENT?
1298
00:50:57,391 --> 00:50:58,643
I WANTEDTO SURPRISE YOU.
1299
00:51:00,478 --> 00:51:02,731
WELL, YOU-YOU DID.
1300
00:51:02,772 --> 00:51:03,898
WHAT A SURPRISE.
1301
00:51:03,940 --> 00:51:04,983
YOUR ASSISTANT SAIDYOU WERE STAYING HERE,
1302
00:51:05,024 --> 00:51:06,067
AND I THOUGHTIT WOULD BE CONVENIENT.
1303
00:51:06,067 --> 00:51:08,402
[LINDSEY]: WOW...HOW-HOW GREAT.
1304
00:51:08,402 --> 00:51:09,613
AND I -YOU LOOK BEAUTIFUL.IT WOULD BE-THANK YOU..
1305
00:51:09,613 --> 00:51:11,573
[LINDSEY]: WOW...COME, LET'S HAVE A DRINK.
1306
00:51:11,615 --> 00:51:12,782
AND I -YOU LOOK BEAUTIFUL.IT WOULD BE-THANK YOGREAT, OKAY.
1307
00:51:13,742 --> 00:51:14,784
COME ON.
1308
00:51:18,162 --> 00:51:19,247
ALL RIGHT, WELL,
1309
00:51:19,247 --> 00:51:21,666
TAKE CARE OF HIS BAGS,I GUESS.
1310
00:51:21,708 --> 00:51:23,334
THROW THEMALL RIGHT, WELL,IN THE STREET?
1311
00:51:23,334 --> 00:51:25,253
[CHUCKLES] YEAH.
1312
00:51:25,294 --> 00:51:27,797
I'M KIDDING.THROW THEMBRING 'EM IN.LL,IN THE STREET?
1313
00:51:34,429 --> 00:51:36,556
RIGHT THIS WAY,JUST WATCH YOUR STEP.
1314
00:51:36,598 --> 00:51:37,516
THERE WE GO.
1315
00:51:37,557 --> 00:51:40,560
OOPS, SORRY, IT'S, UH,A LITTLE NARROW IN HERE.
1316
00:51:40,602 --> 00:51:42,604
AND WE'RE JUST BACK HERE.
1317
00:51:44,230 --> 00:51:45,524
HERE WE ARE.
1318
00:51:45,524 --> 00:51:47,316
GRAB THAT, THANKS.
1319
00:51:47,358 --> 00:51:48,985
OKAY...
1320
00:51:50,695 --> 00:51:52,822
VOILA, HUH?
1321
00:51:52,864 --> 00:51:54,240
[CHUCKLING]
1322
00:51:59,454 --> 00:52:00,622
HUH...
1323
00:52:00,664 --> 00:52:02,290
THIS IS COZY.
1324
00:52:02,331 --> 00:52:03,542
WHERE SHOULD I PUT THIS?
1325
00:52:03,542 --> 00:52:04,709
UH, THE HALLWAY?
1326
00:52:04,751 --> 00:52:05,835
CAN'T YOU FIND HIMA BETTER ROOM?
1327
00:52:05,877 --> 00:52:08,046
YEAH, UH, NO, SORRY,WE'RE ALL BOOKED UP.
1328
00:52:08,046 --> 00:52:09,172
VALENTINE'S DAY.
1329
00:52:09,213 --> 00:52:11,341
YEAH,THAT'S NOTORRY,WEFOR A WHILE YET.P.
1330
00:52:11,383 --> 00:52:14,469
AH, WELL, YOU KNOW PARIS,ANY EXCUSE TO CELEBRATE LOVE.
1331
00:52:15,845 --> 00:52:17,013
THANK YOU, SIR.
1332
00:52:18,139 --> 00:52:19,933
UM...[CLEARS THROAT]
1333
00:52:19,974 --> 00:52:21,393
ON THE CHANCE THATYOU'RE FREE TONIGHT,
1334
00:52:21,393 --> 00:52:24,020
I DID MAKE US RESERVATIONSFOR THE THREE OF US
1335
00:52:24,062 --> 00:52:25,271
AT THE ST. GERMAIN.
1336
00:52:25,314 --> 00:52:26,898
OH, MAN,I CAN'T MAKE IT.
1337
00:52:26,940 --> 00:52:29,318
I'M SO SORRY, I'M WORKINGTHE FRONT DESK TONIGHT.
1338
00:52:30,944 --> 00:52:32,904
I MEANT LINDSEYAND HER DAUGHTER.
1339
00:52:32,904 --> 00:52:33,905
OH...
1340
00:52:33,947 --> 00:52:36,408
DUH, OF COURSE, YOU DID.
1341
00:52:36,450 --> 00:52:37,951
I'M SORRY ABOUT THAT.
1342
00:52:37,951 --> 00:52:40,537
UM, ANYTHING ELSEI CAN HELP YOU WITH?
1343
00:52:40,579 --> 00:52:42,246
WE'RE GOOD,THANK YOU.SORRY ABOUT THAT.
1344
00:52:42,246 --> 00:52:43,498
UH, YOU KNOW WHAT,THAT'S FINE.
1345
00:52:43,540 --> 00:52:45,249
YOU'RE GONNA NEED ITIF YOU'RE GOING TO ST. GERMAIN,
1346
00:52:45,249 --> 00:52:48,211
AND IF I WERE YOU,I WOULD NOT ORDER THE FISH.
1347
00:52:49,588 --> 00:52:50,922
YOU'RE GONGREAT, THANK YOUIF YOU'RE GOINGVERY MUCH.RMAIN,
1348
00:52:50,964 --> 00:52:52,257
EXCUSE ME,
1349
00:52:52,299 --> 00:52:53,425
TIGHT FIT.
1350
00:52:53,425 --> 00:52:54,801
OKAY... [CHUCKLING]
1351
00:52:54,843 --> 00:52:55,885
THIS IS SOMETHING, HUH?
1352
00:52:55,885 --> 00:52:57,136
WOW, THIS ROOM IS SO SMALL--
1353
00:52:57,178 --> 00:52:59,097
I'M NOT EVEN SURE IT'S A ROOM.H?
1354
00:52:59,138 --> 00:53:00,265
YOU KNOW, I'VE BEENIN SMALLER.
1355
00:53:00,265 --> 00:53:01,224
REALLY?
1356
00:53:01,266 --> 00:53:02,267
NEVER.
1357
00:53:02,267 --> 00:53:03,727
[LAUGHING]
1358
00:53:04,644 --> 00:53:06,521
SO, I HOPE IT'SALL RIGHT THAT I'M HERE.
1359
00:53:06,563 --> 00:53:07,439
I JUST THOUGHT
1360
00:53:07,481 --> 00:53:08,690
IT WAS REALLYTHE PERFECT OPPORTUNITY
1361
00:53:08,690 --> 00:53:11,776
TO SHOW YOUOUR PARIS OFFICE.
1362
00:53:11,776 --> 00:53:13,820
IT WAS REALLYYOU ARE PERSISTENT.TUNITY
1363
00:53:13,862 --> 00:53:14,821
WELL...W YOU[CELL PHONE RINGS]
1364
00:53:14,863 --> 00:53:16,948
...MAYBE, UM,MAYBE AFTER DINNER?
1365
00:53:16,948 --> 00:53:17,824
HOLD ON ONE SECOND.
1366
00:53:17,866 --> 00:53:19,284
YUP. TRENT.
1367
00:53:19,326 --> 00:53:20,244
MM-HMM.
1368
00:53:20,285 --> 00:53:23,121
WELL, I MEAN, IT'S NOTA GREAT TIME, BUT, UH...
1369
00:53:23,121 --> 00:53:24,038
YOU KNOW, WE--
1370
00:53:24,038 --> 00:53:25,457
WELLYEAH, NO, IT'S OKAY.A GRSORRY, HOLD ON--H...
1371
00:53:25,457 --> 00:53:26,416
YOIT'S OKAY...
1372
00:53:26,458 --> 00:53:28,252
[CLEARS THROAT AWKWARDLY]MM-HMM. YUP, MM-HMM.
1373
00:53:29,294 --> 00:53:30,795
UH, WELL, YOU TELL THEM
1374
00:53:30,795 --> 00:53:33,465
WHEN I'M BACKIN THE STATES THAT...
1375
00:53:33,465 --> 00:53:38,845
[♪]
1376
00:53:52,984 --> 00:53:54,110
HUGO...
1377
00:53:54,153 --> 00:53:56,321
BONSOIR, NICHOLAS.
1378
00:53:56,321 --> 00:53:57,531
PLEASE...
1379
00:53:58,407 --> 00:53:59,449
BOMERCI. NICHOLAS.
1380
00:53:59,491 --> 00:54:00,742
WELL, I'M SORRY
1381
00:54:00,784 --> 00:54:02,661
THAT WE COULDN'T FIND YOUR LOCK.
1382
00:54:02,661 --> 00:54:03,787
HERE, LET ME.
1383
00:54:04,746 --> 00:54:05,497
THAT WE COUTHANK YOU. YOUR LOCK.
1384
00:54:05,539 --> 00:54:08,667
IT WAS GOOD OF YOUTO INDULGE ME.
1385
00:54:08,708 --> 00:54:10,585
I DON'T KNOWWHAT I WAS THINKING.
1386
00:54:10,585 --> 00:54:12,546
WELL, YOU WERETHINKING ABOUT LOVE,
1387
00:54:12,587 --> 00:54:14,923
WHICH DOES STRANGE THINGSTO EVERYONE. WAS THINKING.
1388
00:54:14,964 --> 00:54:17,134
SO MAYBE I GO BACKTO THE BRIDGE,
1389
00:54:17,134 --> 00:54:18,968
AND I TAKE A FLASHLIGHT
1390
00:54:19,010 --> 00:54:20,387
SO MAYBE I GO BACKTO THE BAND BOLT CUTTERS.
1391
00:54:20,429 --> 00:54:22,264
NO, IF YOU DO,YOU'LL BE ARRESTED.
1392
00:54:22,264 --> 00:54:24,099
WELL, IT WON'T BETHE FIRST TIME.
1393
00:54:24,141 --> 00:54:27,852
NO-OH, DEAR.O,YOU'-[LAUGHING]TED.
1394
00:54:28,853 --> 00:54:30,439
IT MAKES ME HAPPYWHEN YOU LAUGH.
1395
00:54:32,023 --> 00:54:33,400
IT'S BEEN A WHILE.
1396
00:54:33,442 --> 00:54:34,526
HOW LONG HAS IT BEEN
1397
00:54:34,568 --> 00:54:37,654
SINCE YOU'VE HAD A--A DECADENT, UH...
1398
00:54:37,696 --> 00:54:38,697
MEAL?
1399
00:54:38,697 --> 00:54:39,781
DESSERT.
1400
00:54:43,077 --> 00:54:44,203
NICHOLAS!
1401
00:54:44,203 --> 00:54:45,329
CHOCOLAT!
1402
00:54:45,370 --> 00:54:47,206
OUI, MONSIEUR.TOUT DE SUITE.
1403
00:54:47,206 --> 00:54:48,332
YOU WILL LOVE THIS.
1404
00:54:58,467 --> 00:55:00,719
I'M REALLY SORRY THATALEXA COULDN'T JOIN US.
1405
00:55:00,719 --> 00:55:01,636
MERCI.
1406
00:55:01,678 --> 00:55:03,055
WELL, SHE DIDN'TWANT TO INTRUDE,
1407
00:55:03,055 --> 00:55:04,223
AND ALSO,
1408
00:55:04,223 --> 00:55:06,516
SHE'S BUSY FALLING'TIN LOVE WITH SOMEONE
1409
00:55:06,516 --> 00:55:08,310
SHE'S ONLY KNOWNTWO DAYS.
1410
00:55:08,352 --> 00:55:11,563
WELL, WHO HASN'TALLING'TDONE THAT, RIGHT?SOMEONE
1411
00:55:11,605 --> 00:55:12,439
[CHUCKLES]
1412
00:55:12,481 --> 00:55:15,275
ARE YOU TRYINGTO SWEEP ME OFF MY FEET
1413
00:55:15,317 --> 00:55:16,401
SO YOU CAN GETMY MAGAZINE?
1414
00:55:16,443 --> 00:55:18,112
PLEASE TELL ME IT'S WORKING.
1415
00:55:18,153 --> 00:55:19,571
ONE FOOT'SOFF THE GROUND.
1416
00:55:19,571 --> 00:55:21,031
TO THE OTHER FOOT.
1417
00:55:21,073 --> 00:55:22,324
ONE FOOT'SOFF THE OH.UND.
1418
00:55:22,366 --> 00:55:23,908
YOU ARE GOOD.
1419
00:55:30,415 --> 00:55:32,667
LINDSEY, HOW ABOUTWE DON'T TALK BUSINESS TONIGHT?
1420
00:55:33,835 --> 00:55:36,130
OH. OH--OH, SO THIS WOULD BE A...
1421
00:55:36,171 --> 00:55:37,797
SOME MIGHTCALL IT A "DATE."
1422
00:55:37,839 --> 00:55:39,049
RIGHT,ONE OF THOSE.
1423
00:55:39,091 --> 00:55:39,967
OR NOT--
1424
00:55:40,009 --> 00:55:40,968
NO, NO, NO, WE COULD...
1425
00:55:41,010 --> 00:55:42,427
NO, WE COULDCALL IT A DATE, YEAH.
1426
00:55:42,427 --> 00:55:43,595
OKAY. GOOD.
1427
00:55:43,595 --> 00:55:46,223
I'M SORRY, I'M A LITTLE--I'M A LITTLE OUT OF PRACTICE.
1428
00:55:46,265 --> 00:55:48,350
ACTUALLY, I AM, TOO, SO...
1429
00:55:48,350 --> 00:55:50,602
WHY DO I FIND THATHARD TO BELIEVE?
1430
00:55:50,602 --> 00:55:51,937
ACTUALLY, I[CHUCKLES]SO...
1431
00:55:51,937 --> 00:55:53,105
IT'S TRUE.
1432
00:55:53,147 --> 00:55:56,608
I, UH... I WORK, LIKE, 24/7,
1433
00:55:56,650 --> 00:55:58,735
AND, REALLY,I AM TRYING TO CHANGE THAT.
1434
00:55:58,777 --> 00:56:00,946
STARTING ABOUT 30 SECONDS AGO.
1435
00:56:00,946 --> 00:56:03,157
[LAUGHING]
1436
00:56:04,116 --> 00:56:05,117
HOW AM I DOING?30 SECONDS AGO.
1437
00:56:05,117 --> 00:56:06,035
PRETTY GOOD.
1438
00:56:06,076 --> 00:56:07,119
-YOU THINK?-MM-HMM.
1439
00:56:07,119 --> 00:56:08,954
CAVIAR...
1440
00:56:08,954 --> 00:56:11,290
OH, LOOK AT THIS.
1441
00:56:11,331 --> 00:56:13,167
-VERY GOOD.-YEAH?
1442
00:56:24,636 --> 00:56:27,222
[CHUCKLING FONDLY]
1443
00:56:29,766 --> 00:56:32,144
[♪]
1444
00:56:50,454 --> 00:56:52,539
♪ COO-COO... ♪
1445
00:56:54,166 --> 00:56:56,335
YOU'RE ALWAYS WORKING.
1446
00:56:56,376 --> 00:56:57,294
OH, REALLY?
1447
00:56:57,336 --> 00:56:59,588
I ALWAYS FEEL LIKEI'M NOT WORKING ENOUGH.
1448
00:57:03,342 --> 00:57:04,426
I SEE SHE'S MORE
1449
00:57:04,468 --> 00:57:05,677
THAN JUST A HOTEL GUEST.
1450
00:57:05,677 --> 00:57:06,721
OH, THIS?
1451
00:57:06,762 --> 00:57:09,807
OH, COME ON, IT WASTHAN JUST A HA LIFETIME AGO.
1452
00:57:09,849 --> 00:57:11,350
YOU LOOK HAPPY.
1453
00:57:11,391 --> 00:57:14,353
YEAH, WELL, EVERYBODYLOOKS HAPPY IN SKETCHES.
1454
00:57:14,394 --> 00:57:16,605
BUT NOT EVERYONEDIGS UP OLD PICTURES.
1455
00:57:16,646 --> 00:57:19,608
ALL RIGHT, WELL, YOU KNOW,
1456
00:57:19,649 --> 00:57:20,860
MAYBE SEEING HER HERE
1457
00:57:20,901 --> 00:57:22,444
HAS STIRRED UPSOME OLD MEMORIES,
1458
00:57:22,486 --> 00:57:25,239
BUT I TOLD YOU,IT WAS A LIFETIME AGO.
1459
00:57:25,280 --> 00:57:27,241
WHEN IS SHE LEAVING?
1460
00:57:27,282 --> 00:57:29,785
UM... A COUPLE OF DAYS.
1461
00:57:29,827 --> 00:57:31,829
IS IT POSSIBLESHE COULD LEAVE SOONER?
1462
00:57:32,788 --> 00:57:33,873
[CHUCKLES]
1463
00:57:33,914 --> 00:57:35,540
COME ON, HER LIFEIS IN NEW YORK.
1464
00:57:36,751 --> 00:57:38,377
THAT'S GOOD,
1465
00:57:38,377 --> 00:57:40,087
BECAUSE...
1466
00:57:40,129 --> 00:57:42,965
I AM GOING TO MILANNEXT WEEKEND,
1467
00:57:43,007 --> 00:57:45,134
AND I WANT YOU TO COME WITH ME.
1468
00:57:46,761 --> 00:57:48,971
MILAN, WOW...
1469
00:57:49,013 --> 00:57:51,056
UH, I WISH I COULD, BUT...
1470
00:57:51,056 --> 00:57:52,057
THE HOTEL.
1471
00:57:52,057 --> 00:57:53,058
I CAN'T. WISH I COULD, BUT...
1472
00:57:53,100 --> 00:57:55,102
OF COURSE, YOU CAN,IT'S YOUR HOTEL.
1473
00:57:55,144 --> 00:57:56,896
[FRONT DESK BELL DINGS]
1474
00:57:56,896 --> 00:57:59,064
UH, COMING!
1475
00:57:59,106 --> 00:58:01,066
[FRONTI'M SORRY. DINGS]
1476
00:58:05,570 --> 00:58:07,114
[SIGHS HEAVILY]
1477
00:58:08,157 --> 00:58:09,366
ALL RIGHT,YOU ARE ALL SET.
1478
00:58:09,408 --> 00:58:11,577
HERE ARE YOUR KEYS,OWEN HAS YOUR BAGS,
1479
00:58:11,577 --> 00:58:13,328
AND ENJOY YOUR STAY.
1480
00:58:13,370 --> 00:58:14,580
MERCI, MONSIEUR.
1481
00:58:16,791 --> 00:58:18,083
HEY!
1482
00:58:18,083 --> 00:58:19,168
HOW WAS ST. GERMAIN?
1483
00:58:19,209 --> 00:58:20,252
WELL, YOU WERE RIGHT,
1484
00:58:20,252 --> 00:58:21,796
WE SHOULD NOTHAVE ORDERED THE FISH.
1485
00:58:21,837 --> 00:58:23,255
I TOLD YOU.
1486
00:58:23,255 --> 00:58:24,423
[CHUCKLING]
1487
00:58:24,423 --> 00:58:26,592
OH, TRENT, THIS ISI TMY DAUGHTER.
1488
00:58:26,592 --> 00:58:28,510
OH, IT IS NICETO MEET YOU, ALEXA.
1489
00:58:28,553 --> 00:58:29,804
YOU, TOO.
1490
00:58:29,845 --> 00:58:31,096
-AND YOU'VE ALREADY MET JP.-OF COURSE.
1491
00:58:31,138 --> 00:58:32,264
THANK YOU FOR THATGENEROUS TIP, SIR.
1492
00:58:32,264 --> 00:58:33,683
SO, WHAT HAVE YOU TWOBEEN UP TO TONIGHT?
1493
00:58:33,724 --> 00:58:35,225
OH, WE HADTHANK YOU FOR THATSO MUCH FUN.GENEROUS TIP, SIR.
1494
00:58:35,267 --> 00:58:36,101
WE HAD BREADAND CHEESE.
1495
00:58:36,101 --> 00:58:37,603
AND WE WALKEDALONG THE SEINE.
1496
00:58:37,645 --> 00:58:38,771
OH, DON'TFORGET THE ROCK.
1497
00:58:38,771 --> 00:58:40,272
OH, WE FOUND THIS ROCKTHAT'S SHAPED LIKE A HEART!
1498
00:58:40,272 --> 00:58:41,273
IT'S GOOD LUCK.
1499
00:58:41,273 --> 00:58:42,232
OH, WE FOUND THIS ROCKWHAT DID YOU GUYS DO?HEART!
1500
00:58:42,232 --> 00:58:44,401
WE HAD AN AMAZING DINNER,.
1501
00:58:44,401 --> 00:58:45,861
OH, WE FOUND THIS ROCKAND AN AMAZING DESSERT,ART!
1502
00:58:45,903 --> 00:58:48,781
AND THEN TRENT SHOWED MEHIS OFFICES HERE, WHICH ARE...
1503
00:58:48,781 --> 00:58:50,616
AMAZING?
1504
00:58:50,658 --> 00:58:51,784
[LAUGHING]
1505
00:58:51,784 --> 00:58:52,660
OH, HEY!
1506
00:58:52,702 --> 00:58:55,830
GUYS, HERE IS[LAUGMY GIRLFRIEND, NICOLE,
1507
00:58:55,871 --> 00:58:57,790
WHO IS ALSO AMAZING.
1508
00:58:57,832 --> 00:58:59,416
[CHUCKLING]
1509
00:58:59,458 --> 00:59:00,960
AH, PARTY IN THE LOBBY!
1510
00:59:01,001 --> 00:59:02,545
AH, AND THIS ISKATHRYN DALTRY.
1511
00:59:02,587 --> 00:59:03,463
HELLO.
1512
00:59:03,463 --> 00:59:05,255
YES, THE EXQUISITEKATHRYN DALTRY.
1513
00:59:05,297 --> 00:59:06,882
OH, HUGO,YOU ARE TOO KIND.
1514
00:59:06,924 --> 00:59:09,802
AH, WELL, NO ONE'S EVERACCUSED ME OF THAT BEFORE.
1515
00:59:09,844 --> 00:59:10,970
AGREED.
1516
00:59:12,012 --> 00:59:14,389
AND THIS ISHUGO BLANCHETT THE ARTIST.
1517
00:59:14,432 --> 00:59:16,642
WELL, I'M MORE THAN THAT,BUT IT WILL DO FOR NOW.
1518
00:59:16,642 --> 00:59:18,310
HUGO, PLEASURE TO MEET YOU TRENTGREER.
1519
00:59:18,310 --> 00:59:19,353
BONJOUR, MR. GREER.
1520
00:59:19,394 --> 00:59:22,648
HUGO IS ALEXA'SPAINTING TEACHER.
1521
00:59:22,648 --> 00:59:24,191
YOURS TOO.
1522
00:59:24,233 --> 00:59:26,944
I DID NOT KNOWYOU PAINTED.
1523
00:59:28,237 --> 00:59:30,740
WELL, IT'S SAD TO SAY,SHE'S GIVEN IT UP.
1524
00:59:31,741 --> 00:59:32,825
HUGO TOOK METO PONT NEUF.
1525
00:59:32,825 --> 00:59:34,994
WE SEARCHED FOR HOURSFOR MY LOCK.
1526
00:59:34,994 --> 00:59:36,245
YOU HAVE A LOCKON THE BRIDGE?
1527
00:59:36,245 --> 00:59:38,414
MM-HMM, I THOUGHTI MIGHT FIND IT
1528
00:59:38,414 --> 00:59:40,249
BEFORE THE CITYVE A LOCKCUTS THEM OFF.E BRIDGE?
1529
00:59:40,290 --> 00:59:42,001
MM-HMM, I THOUGHTI MIGHT FIND ITCUTS THEM OFF?
1530
00:59:42,001 --> 00:59:44,086
YES, WELL, THEY HAVETHEIR REASONS, I SUPPOSE.
1531
00:59:44,128 --> 00:59:46,130
THAT'S AWFUL.
1532
00:59:46,171 --> 00:59:47,715
IT'S JUST A BRIDGE, SWEETIE.
1533
00:59:47,757 --> 00:59:49,509
YEAH, BUTALL THOSE PROMISES.
1534
00:59:49,509 --> 00:59:50,342
[KATHRYN]: I ADMIT,
1535
00:59:50,342 --> 00:59:51,844
I'M SENTIMENTALABOUT IT, TOO.
1536
00:59:51,844 --> 00:59:53,846
UH, INNKEEPER,
1537
00:59:53,888 --> 00:59:55,973
UH, UH, DRINKSNTIMENTALFOR ALL MY FRIENDS. TOO.
1538
00:59:55,973 --> 00:59:58,142
JUST PUT IT ON MY TAB.
1539
00:59:58,183 --> 00:59:59,519
HUGO, YOU DON'T, DRINKSNTIMENTALHAVE A TAB.ALL MY FRIENDS. TOO.
1540
00:59:59,519 --> 01:00:01,270
WELL, WHAT BETTER TIMETO START ONE.
1541
01:00:01,311 --> 01:00:02,688
[LAUGHING]
1542
01:00:05,358 --> 01:00:06,651
DID YOU DECIDE?
1543
01:00:06,692 --> 01:00:07,527
ABOUT WHAT?
1544
01:00:07,568 --> 01:00:08,653
THE MAGAZINE.
1545
01:00:08,694 --> 01:00:11,989
ACTUALLY, WE DIDN'TEVEN TALK ABOUT IT.
1546
01:00:12,031 --> 01:00:13,699
SO IT WAS A DATE?
1547
01:00:13,699 --> 01:00:15,326
KIND OF.
1548
01:00:15,368 --> 01:00:17,161
[GASPS]WHAT ABOUT JACK?
1549
01:00:17,202 --> 01:00:18,788
WHAT ABOUT HIM?
1550
01:00:18,788 --> 01:00:20,998
SO, I GET TO CALL DADAND TELL HIM
1551
01:00:21,040 --> 01:00:22,207
YOU'RE NOT JUSTSEEING SOMEBODY,WHAT ABOUT HIM?
1552
01:00:22,207 --> 01:00:23,543
BUT TWO SOMEBODIES.
1553
01:00:23,543 --> 01:00:24,877
I AM NOT!
1554
01:00:24,877 --> 01:00:26,712
AND DON'T YOU DARE.
1555
01:00:26,754 --> 01:00:27,630
I'M GONNA!
1556
01:00:30,049 --> 01:00:31,717
[♪]
1557
01:00:39,392 --> 01:00:42,478
ALEXA, MY COMPANY ISSPONSORING A CONCERT SERIES
1558
01:00:42,520 --> 01:00:44,397
AT LE ZENITH NEXT WEEKEND,
1559
01:00:44,397 --> 01:00:45,565
AND I THOUGHTI WOULD LEAVE TWO TICKETS
1560
01:00:45,606 --> 01:00:48,108
FOR YOU AND JPAT WILL CALL.
1561
01:00:48,150 --> 01:00:50,445
IF YOUR MOMIS OKAY WITH THAT.
1562
01:00:51,404 --> 01:00:52,530
YEAH.YEAH, THANK YOU.
1563
01:00:52,572 --> 01:00:53,489
THAT'S SO NICE.
1564
01:00:53,531 --> 01:00:55,283
GREAT. GREAT.UM, I HAVE TO RUN,
1565
01:00:55,325 --> 01:00:57,577
BUT, UM, YOU SUREYOU WON'T COME WITH ME?
1566
01:00:57,577 --> 01:01:00,788
THANKS, BUT WE'RE HELPING HUGOSET UP FOR HIS SHOW.
1567
01:01:00,830 --> 01:01:02,039
RIGHT, RIGHT,UM, YOU SUREWHAT TIME IS THAT?E WITH ME?
1568
01:01:02,081 --> 01:01:03,499
4:00 P.M.LES ARCHIVES.
1569
01:01:03,541 --> 01:01:05,167
-THE ARCHIVES?-THE ARCHIVES.
1570
01:01:05,210 --> 01:01:06,168
[CALL PHONE RINGING]OKAY.
1571
01:01:06,211 --> 01:01:07,253
I HAVE A 4:00EDITOR'S MEETING,
1572
01:01:07,253 --> 01:01:09,630
BUT I WILL, UH,I WILL MEET YOU THERE.
1573
01:01:09,672 --> 01:01:11,382
SOUNDS LIKE A PLAN.
1574
01:01:11,424 --> 01:01:12,925
TERRIFIC.
1575
01:01:13,884 --> 01:01:14,844
OKAY, I'M ON MY WAY.
1576
01:01:14,885 --> 01:01:16,262
UH, WOULD YOU MIND
1577
01:01:16,304 --> 01:01:17,597
TAKING THESETO HUGO FOR ME? THANKS.
1578
01:01:17,638 --> 01:01:18,806
WHAT IS IT?
1579
01:01:18,848 --> 01:01:21,434
UM, THEY'RE CROISSANTS.
1580
01:01:21,434 --> 01:01:23,018
I LOST A BET.
1581
01:01:36,532 --> 01:01:37,617
OH!
1582
01:01:37,617 --> 01:01:38,618
CROISSANTS!
1583
01:01:38,618 --> 01:01:40,328
-[CHUCKLING] FROM JACK.-AH, HE'S MAN OF HONOR.
1584
01:01:40,370 --> 01:01:41,787
I'M NOT EVENCRGOING TO ASK
1585
01:01:41,787 --> 01:01:42,747
WHAT THE BET WAS.
1586
01:01:42,788 --> 01:01:44,207
WELL, THERE'SA GOOD CHOICE.
1587
01:01:44,249 --> 01:01:45,291
HEY, WHERE ISEVERYTHING?
1588
01:01:45,333 --> 01:01:47,084
WELL, IT WENTTO THE GALLERY.
1589
01:01:47,127 --> 01:01:48,711
THEY'RE COMINGFOR THE LAST LOAD.
1590
01:01:48,753 --> 01:01:49,962
I THOUGHT WE WEREGOING TO HELP.
1591
01:01:49,962 --> 01:01:51,506
WELL, YOU ARE.
1592
01:01:52,298 --> 01:01:54,134
I THOYOU SEE, THIS COULDGOINBE YOUR BEST WORK.
1593
01:01:54,175 --> 01:01:55,093
HUGO...
1594
01:01:55,135 --> 01:01:56,469
THE FIRSTSTEP BACK IS,
1595
01:01:56,469 --> 01:01:58,596
YOU TAKE THE BRUSH.
1596
01:01:58,638 --> 01:01:59,680
THE FIRSTALEXA CAN FINISH IT.
1597
01:01:59,722 --> 01:02:01,516
NO, ALEXA HAS HER OWNLIFE TO PAINT,
1598
01:02:01,557 --> 01:02:02,558
YOU NEED TO FINISH YOURS.
1599
01:02:02,600 --> 01:02:04,644
WHAT IF I CAN'T?
1600
01:02:05,645 --> 01:02:06,604
OF COURSE YOU CAN.
1601
01:02:06,646 --> 01:02:09,607
NOW, WHILE YOU ARE HERE,ALLOW YOURSELF TO BE...
1602
01:02:09,649 --> 01:02:11,567
THE ARTIST.
1603
01:02:11,609 --> 01:02:12,652
HMM?
1604
01:02:13,653 --> 01:02:14,945
TAKE THE BRUSH.
1605
01:02:15,905 --> 01:02:17,615
HMM?
1606
01:02:20,118 --> 01:02:23,954
AND ALEXA AND I WILL BEPUTTING TOGETHER THE GALLERY
1607
01:02:23,996 --> 01:02:25,831
FOR A BRILLIANT SHOW...
1608
01:02:25,873 --> 01:02:27,958
RIGHT, NOW,THE MOST IMPORTANT THING
1609
01:02:27,958 --> 01:02:31,003
ABOUT HANGING A PAINTING
1610
01:02:31,046 --> 01:02:32,338
RIGHT, NOW,IS THE LIGHT.RTANT THING
1611
01:02:32,338 --> 01:02:33,714
AND, UH...
1612
01:02:33,756 --> 01:02:36,217
[TURNS CLASSICAL MUSIC]
1613
01:02:36,259 --> 01:02:39,179
...YOU CAN MAKEA REALLY BAD PAINTING
1614
01:02:39,179 --> 01:02:42,807
LOOK LIKE A MASTERPIECEWITH THE RIGHT LIGHT, HUH?
1615
01:02:44,892 --> 01:02:46,186
...YOU CAN MAKE[DOOR CLOSES] PAINTING
1616
01:02:46,186 --> 01:02:48,521
[♪]
1617
01:03:14,755 --> 01:03:17,842
[CHATTING]
1618
01:03:22,263 --> 01:03:24,432
OH, MY GOODNESS.
1619
01:03:25,725 --> 01:03:27,768
OH, WOW.
1620
01:03:29,187 --> 01:03:31,356
[♪]
1621
01:03:31,397 --> 01:03:34,359
ART, LIKE LOVE,HAS NO CURE,
1622
01:03:34,400 --> 01:03:37,028
BUT IF IT IS TRUE,IT WILL STAY WITH YOU.
1623
01:03:37,070 --> 01:03:38,238
HMM?
1624
01:03:38,238 --> 01:03:39,072
ARE YOU TRYING
1625
01:03:39,114 --> 01:03:39,948
TO SELL US A PAINTING, HUGO?
1626
01:03:39,990 --> 01:03:41,574
OF COURSE! OF COURSE!
1627
01:03:41,574 --> 01:03:42,909
BUT I MEAN EVERY WORD.
1628
01:03:42,909 --> 01:03:44,911
OF COURSE! OF COURSE![LAUGHS]
1629
01:03:46,997 --> 01:03:49,040
ONE DAY, YOU'LL BEHANGING YOUR WORK HERE.
1630
01:03:49,082 --> 01:03:50,666
MAYBE. ONE DAY.
1631
01:03:50,708 --> 01:03:52,793
WHEN THE SEMESTER'S OVER,YOU CAN COME TO NEW YORK?
1632
01:03:52,836 --> 01:03:54,004
I CAN APPLYTO GRAD SCHOOL.
1633
01:03:54,045 --> 01:03:55,130
WE CAN HAVE THE WHOLESUMMER TOGETHER,
1634
01:03:55,171 --> 01:03:56,422
AND I'LL SHOW YOUALL THE SIGHTS,
1635
01:03:56,464 --> 01:03:58,008
STARTING WITHTHE STATUE OF LIBERTY,
1636
01:03:58,049 --> 01:03:59,050
WHICH IS ACTUALLY--
1637
01:03:59,092 --> 01:03:59,926
--FRENCH.
1638
01:03:59,926 --> 01:04:02,512
[LAUGHING TOGETHER]
1639
01:04:05,598 --> 01:04:07,267
--FROH, EXCUSEZ-MOI.
1640
01:04:08,601 --> 01:04:09,560
KATHRYN!
1641
01:04:10,436 --> 01:04:12,188
OH, HUGO.
1642
01:04:12,230 --> 01:04:13,023
YOU MADE IT.
1643
01:04:13,064 --> 01:04:14,357
WELL, I REALIZEDIT WAS SOMETHING
1644
01:04:14,399 --> 01:04:16,401
I JUST DID NOTWANT TO MISS.
1645
01:04:16,401 --> 01:04:17,693
I'M SO HAPPY YOU CAME.
1646
01:04:17,693 --> 01:04:18,987
I JUST DID NOTCOME, I'LL SHOW YOU SOMETHING.
1647
01:04:19,029 --> 01:04:20,405
I'M SO HAPPOKAY. CAME.
1648
01:04:24,034 --> 01:04:24,993
OH...
1649
01:04:24,993 --> 01:04:26,452
YES?
1650
01:04:26,452 --> 01:04:27,537
OH, WOW.OH...
1651
01:04:28,454 --> 01:04:29,790
OH, DID I MAKE YOU CRY?
1652
01:04:29,790 --> 01:04:30,665
OH...
1653
01:04:30,665 --> 01:04:31,624
HMM?
1654
01:04:31,624 --> 01:04:32,918
[SIGHS, CHUCKLING]
1655
01:04:32,959 --> 01:04:34,795
YOU'VE MADE ME, UH...
1656
01:04:34,795 --> 01:04:37,338
YOU'VE MADE ME LOOKSO FULL OF LIFE, AND...
1657
01:04:37,380 --> 01:04:38,882
WELL, I PAINT WHAT I SEE.
1658
01:04:38,924 --> 01:04:41,134
IT'S JUST THAT, UM,...
1659
01:04:41,134 --> 01:04:43,678
IT'S JUST THATI'VE FELT SO SAD, AND...
1660
01:04:43,719 --> 01:04:44,679
WELL, LOOK,
1661
01:04:44,720 --> 01:04:45,972
YOU CAN SEE BOTH.
1662
01:04:46,014 --> 01:04:48,725
LIFE AND LOVE,IT'S COMPLICATED.
1663
01:04:48,767 --> 01:04:49,810
THAT'S WHATMAKES IT GREAT.
1664
01:04:49,810 --> 01:04:51,895
[SIGHS HEAVILY]
1665
01:04:53,146 --> 01:04:54,647
THAT'S WHATTHANK YOU, HUGO.
1666
01:04:54,647 --> 01:04:56,649
MON PLAISIR, MADAME.
1667
01:05:05,992 --> 01:05:06,993
OH, YEAH,THERE WE GO,
1668
01:05:06,993 --> 01:05:08,244
I SEE IT, YUP.
1669
01:05:08,244 --> 01:05:10,831
IT'S A HAMBURGERAND A SPATULA.
1670
01:05:10,831 --> 01:05:11,748
OH, NO, WAIT A MINUTE,
1671
01:05:11,748 --> 01:05:15,043
IT'S A GRILLED CHEESEAND A SPATULA.
1672
01:05:15,085 --> 01:05:16,336
OH, NO, WAIT YOU MUST BE HUNGRY.
1673
01:05:16,377 --> 01:05:17,253
[CHUCKLES]
1674
01:05:17,253 --> 01:05:19,840
IT'S SUPPOSED TO BETWO PEOPLE IN LOVE,
1675
01:05:19,840 --> 01:05:21,591
AT LEAST THAT'S[CHUCKLES]WHAT HUGO SAYS.
1676
01:05:21,591 --> 01:05:23,343
OH, YEAH, OKAY,I SEE IT NOW--
1677
01:05:23,343 --> 01:05:24,886
-REALLY?LEAST THAT'S[CHUCKLES]-NO.HAT HUGO SAYS.
1678
01:05:27,513 --> 01:05:29,140
I DIDN'T KNOWY,YOU WERE COMING.
1679
01:05:29,140 --> 01:05:31,101
YEAH, UH,HUGO INVITED ME.
1680
01:05:31,142 --> 01:05:32,102
I DIDN'T KNOWY,YOU WERE HUH.NG.
1681
01:05:33,228 --> 01:05:34,771
WHERE'S NICOLE?
1682
01:05:34,771 --> 01:05:36,439
UM, HE SAIDTHERE WASN'T ENOUGH ROOM
1683
01:05:36,481 --> 01:05:38,149
WHERE'S NFOR A PLUS-ONE.
1684
01:05:38,191 --> 01:05:40,068
[TSKS] HMM.
1685
01:05:40,110 --> 01:05:41,862
HE NEVER GIVES UP.
1686
01:05:41,903 --> 01:05:44,865
THERE'S SOMETHINGTO BE SAID ABOUT THAT.
1687
01:05:46,032 --> 01:05:47,408
WHERE'SYOUR PLUS-ONE?
1688
01:05:47,450 --> 01:05:49,369
HE HAD BUSINESS,HE'LL BE HERE LATER.
1689
01:05:49,369 --> 01:05:51,079
GREAT.
1690
01:05:52,372 --> 01:05:53,456
SO... PUBLISHING.
1691
01:05:53,498 --> 01:05:54,875
YUP.
1692
01:05:54,875 --> 01:05:56,627
YUP, PUBLISHING.
1693
01:05:56,668 --> 01:05:58,419
LET ME GUESSHOW YOU GUYS MET.YUP.
1694
01:05:58,419 --> 01:06:00,714
IT'S A QUAINTLITTLE BOOKSHOP IN SOHO.
1695
01:06:00,756 --> 01:06:02,758
YOU WALK IN,YOUR EYES MEET,T.YUP.
1696
01:06:02,758 --> 01:06:05,218
YOU BOTH REACHFOR THE SAME RENOIR BOOK--
1697
01:06:05,218 --> 01:06:06,052
YOU WALK IN,YOUR EYES MEET,T.YCLOSE.
1698
01:06:06,052 --> 01:06:08,388
EDITORS' CONVENTION,500 PEOPLE.
1699
01:06:08,388 --> 01:06:09,556
OH, HOT.
1700
01:06:09,598 --> 01:06:12,517
BE STILLMY BEATING HEART.
1701
01:06:12,559 --> 01:06:14,394
HOW DID YOUAND NICOLE MEET?
1702
01:06:14,435 --> 01:06:17,063
UM, SORT OF A SIMILARROMANTIC STORY.
1703
01:06:17,105 --> 01:06:18,398
WE WERE BOTHIN THE WAITING AREA
1704
01:06:18,398 --> 01:06:19,733
OF A DENTAL OFFICE.
1705
01:06:19,775 --> 01:06:21,943
WE WERE BOTHHMM! HMM.AITING AREA
1706
01:06:23,361 --> 01:06:24,780
YOU REMEMBER HOW WE MET?
1707
01:06:24,821 --> 01:06:26,740
ART HISTORY CLASS.
1708
01:06:26,740 --> 01:06:28,700
NO, ACTUALLY,WE MET BEFORE THAT.
1709
01:06:28,742 --> 01:06:29,743
REALLY?
1710
01:06:29,743 --> 01:06:30,661
YEAH.
1711
01:06:30,661 --> 01:06:32,245
YOU WERE PAINTINGON THE PONT DES ARTS BRIDGE.
1712
01:06:32,287 --> 01:06:35,749
I PEDALED PAST YOU,YOU SMILED, WAVED.
1713
01:06:35,749 --> 01:06:37,042
I DON'T REMEMBER THAT.
1714
01:06:37,083 --> 01:06:38,960
YEAH, THAT'S THE WHOLEREASON I ENROLLEDVED.
1715
01:06:39,002 --> 01:06:40,504
IN THAT ART HISTORY CLASS.
1716
01:06:40,504 --> 01:06:42,213
HOW COME YOU NEVERTOLD ME THAT?
1717
01:06:42,255 --> 01:06:44,591
IN THAT AWELL, I AM NOW.S.
1718
01:06:45,676 --> 01:06:47,052
MOM!
1719
01:06:47,093 --> 01:06:49,680
JP'S COMING TO NEW YORKFOR SUMMER BREAK!
1720
01:06:49,721 --> 01:06:50,972
WOW.
1721
01:06:51,014 --> 01:06:52,516
I KNOW, RIGHT?AND--
1722
01:06:52,558 --> 01:06:53,850
-THERE'S MORE?-LOTS MORE.
1723
01:06:53,892 --> 01:06:54,935
LOOK WHAT HE GAVE ME.
1724
01:06:54,976 --> 01:06:57,563
[MUTTERING] DON'T BE A RING...-IT'S GONNA BE A RING...
1725
01:06:57,604 --> 01:06:59,272
A LOCK.
1726
01:06:59,314 --> 01:07:00,941
WE'RE PUTTING ITON THE BRIDGE,
1727
01:07:00,982 --> 01:07:02,400
AND I DON'T CAREIF THEY CUT IT OFF,
1728
01:07:02,443 --> 01:07:03,944
OR MELT IT DOWN...
1729
01:07:03,985 --> 01:07:06,112
IT'S OURS.
1730
01:07:07,280 --> 01:07:08,782
[CLINKING GLASS FOR ATTENTION]
1731
01:07:08,782 --> 01:07:09,575
HELLO!
1732
01:07:09,575 --> 01:07:11,452
MESDAMES ET MESSIEURS!
1733
01:07:11,452 --> 01:07:12,911
THANK YOU!
1734
01:07:12,953 --> 01:07:15,706
THANK YOU ALLFOR JOINING ME HERE TODAY,
1735
01:07:15,747 --> 01:07:17,958
MY FRIENDS, MY COLLEAGUES.
1736
01:07:17,958 --> 01:07:20,335
WE HAVE SHAREDMANY MOMENTS TOGETHER,
1737
01:07:20,376 --> 01:07:23,422
SOME GOOD, SOME NOT SO GOOD...
1738
01:07:23,464 --> 01:07:24,881
[CHUCKLING]
1739
01:07:24,923 --> 01:07:28,802
BUT, AS THE GREATJOHN W. GARDNER SAID,
1740
01:07:28,844 --> 01:07:32,305
"LIFE IS THE ART OF DRAWINGWITHOUT THE ERASER."
1741
01:07:32,305 --> 01:07:34,265
[HUGO CHUCKLES]
1742
01:07:34,307 --> 01:07:38,061
"LIFMANY OF YOU HAVE ASKED MEWWHAT DEFINES MY ART...
1743
01:07:39,062 --> 01:07:40,939
WHAT A QUESTION.I CAN'T ANSWER.
1744
01:07:40,981 --> 01:07:45,068
ART IS NOT WHAT YOU SEE,
1745
01:07:45,068 --> 01:07:47,363
BUT WHAT YOU MAKE OTHERS SEE.
1746
01:07:47,404 --> 01:07:52,326
SO, EAT, DRINK, ENJOY THE WORK,
1747
01:07:52,368 --> 01:07:55,496
AND IF YOU FIND SOMETHINGYOU CAN'T LIVE WITHOUT,
1748
01:07:55,496 --> 01:07:56,455
DON'T!
1749
01:07:56,455 --> 01:08:00,376
AND IF YOU FIND SOMETHING[LAUGHTER AND APPLAUSE]
1750
01:08:01,460 --> 01:08:03,169
[LINDSEY'S CELL PHONE RINGS]
1751
01:08:03,211 --> 01:08:05,631
YOU, UH, SEE ANYTHING
1752
01:08:05,672 --> 01:08:06,757
YOU CAN'T LIVE WITHOUT?
1753
01:08:26,943 --> 01:08:28,570
[SIGHS]
1754
01:08:28,570 --> 01:08:29,863
HEY.
1755
01:08:31,156 --> 01:08:35,369
SO, UM, ARE YOUGOING TO TELL HER?
1756
01:08:35,369 --> 01:08:37,037
WHAT?
1757
01:08:37,037 --> 01:08:39,915
THAT YOU'RE STILLIN LOVE WITH HER.
1758
01:08:39,956 --> 01:08:41,542
I COULDN'T HELPBUT NOTICE.
1759
01:08:45,629 --> 01:08:47,756
NO.
1760
01:08:47,798 --> 01:08:50,384
I'M NOTGOING TO TELL HER.
1761
01:08:50,384 --> 01:08:52,135
JACK...
1762
01:08:52,177 --> 01:08:55,222
WE RARELY GET A SECOND CHANCE.
1763
01:08:55,222 --> 01:08:56,890
HER LIFE IS THERE,
1764
01:08:56,890 --> 01:08:58,058
MY LIFE IS HERE.
1765
01:08:58,058 --> 01:08:58,892
HER LIWHAT...HERE,
1766
01:08:58,892 --> 01:09:00,727
WHAT'S THE POINT?SHE'S LEAVING.
1767
01:09:00,727 --> 01:09:02,854
SO YOU'RE JUSTGOING TO BURY YOUR FEELINGS?
1768
01:09:02,896 --> 01:09:03,897
WHAT'S THE POINT?SHE'SYEAH.ING.
1769
01:09:03,939 --> 01:09:05,566
IT'S BEEN WORKING FOR ME SO FAR.
1770
01:09:05,566 --> 01:09:06,567
HAS IT?
1771
01:09:06,567 --> 01:09:09,361
BECAUSE IN ALL THE YEARSI'VE STAYED AT YOUR HOTEL,
1772
01:09:09,403 --> 01:09:10,904
YOU'VE BEEN ALONE.
1773
01:09:10,946 --> 01:09:12,406
OR WITH A DIFFERENT GIRL
1774
01:09:12,448 --> 01:09:15,242
THAT YOU DON'T SEEM TO CAREALL THAT MUCH ABOUT.
1775
01:09:15,242 --> 01:09:16,243
KATHRYN!
1776
01:09:16,243 --> 01:09:18,078
SOMEONE WANTSTO BUY YOUR PORTRAIT.
1777
01:09:18,119 --> 01:09:19,079
OH, DEAR.
1778
01:09:19,079 --> 01:09:20,414
HAVE THEY HADTOO MUCH CHAMPAGNE?
1779
01:09:20,456 --> 01:09:21,623
WELL, I TOLD THEMIT'S NOT FOR SALE,
1780
01:09:21,665 --> 01:09:22,916
BUT THEY WANTTO MEET YOU ANYWAY.
1781
01:09:22,916 --> 01:09:23,917
AW...
1782
01:09:23,959 --> 01:09:25,377
BUT THEY WANTPARDON, JACK.T YOU ANYWAY.
1783
01:09:38,390 --> 01:09:40,392
WELL, LOOKS LIKEMY PLUS-ONE
1784
01:09:40,434 --> 01:09:42,769
JUST TURNED INTOA MINUS-ONE.
1785
01:09:42,769 --> 01:09:44,230
WORK.
1786
01:09:44,271 --> 01:09:48,900
JUST TWELL, HERE'S TO THE PLUSESA MINUAND THE MINUSES.
1787
01:09:53,280 --> 01:09:55,949
WELL, HUGOSHOULD BE HAPPY.
1788
01:09:55,949 --> 01:09:57,618
YEAH, SOLD OUT.
1789
01:09:57,659 --> 01:09:59,745
I WISH I COULD DO THATAT THE HOTEL.
1790
01:09:59,745 --> 01:10:01,205
UH, YOU WERE SOLD OUT
1791
01:10:01,205 --> 01:10:03,082
I WISH I COULD THE NIGHTAT THE HOTEL.TRENT CHECKED IN.
1792
01:10:03,124 --> 01:10:05,667
OH... RIGHT,ABOUT THAT.UH, YOU WERE SOLD OUT
1793
01:10:05,709 --> 01:10:07,919
YOU GAVE HIMTHAT ROOM ON PURPOSE.
1794
01:10:07,919 --> 01:10:09,713
WHAT? NO.I WOULD NEVER...
1795
01:10:09,755 --> 01:10:10,964
YOU GAVE HIMTHAT ROOYES, YOU DID!
1796
01:10:10,964 --> 01:10:12,299
ALL RIGHT, I'M SORRY--
1797
01:10:12,299 --> 01:10:13,300
YOU GAVE HIMTHAT RNO, YOU'RE NOT.
1798
01:10:13,300 --> 01:10:15,219
HEY, YOU KNOW, THAT ROOMISN'T EVEN THAT SMALL.
1799
01:10:15,261 --> 01:10:16,303
YOU GAVE HIMTHAT IT WAS A CLOSET.
1800
01:10:16,345 --> 01:10:18,430
I'VE STAYED IN ROOMSWAY SMALLER THAN THAT.
1801
01:10:18,472 --> 01:10:20,057
-SERIOUSLY?-YEAH!
1802
01:10:20,099 --> 01:10:21,767
YOU REMEMBERMY DORM ROOM.
1803
01:10:21,808 --> 01:10:23,810
OH, YEAH,THAT WAS BAD.
1804
01:10:23,810 --> 01:10:24,561
[CHUCKLES]
1805
01:10:24,561 --> 01:10:25,854
OH, REMEMBERTHAT POSTER YOU HAD
1806
01:10:25,896 --> 01:10:27,481
OF THE DOGS[CHUCKLES]PLAYING POKER?
1807
01:10:27,523 --> 01:10:30,401
I STILL HAVE IT,I LOVE THAT POSTER.
1808
01:10:30,442 --> 01:10:32,987
[LAUGHING]THAT LITTLE BULLDOG?
1809
01:10:33,029 --> 01:10:36,240
THAT BULLDOG WHO'S HOLDINGTHE POCKET ACE
1810
01:10:36,240 --> 01:10:39,076
IN HIS LITTLE,UM... UH... HAND?
1811
01:10:39,118 --> 01:10:40,077
THAT BULLDOG WHO'S HOLDINGTHE POCKET ACEPAW?
1812
01:10:40,119 --> 01:10:41,828
FOOT? WHATEVER.
1813
01:10:41,870 --> 01:10:44,665
THAT DOGCAN HANDLE HIS CARDS.
1814
01:10:47,168 --> 01:10:49,336
OH, BOY...
1815
01:10:49,336 --> 01:10:52,006
HERE WE GO.
1816
01:10:54,758 --> 01:10:58,637
OH... YOU, ME, LOCKS,
1817
01:10:58,679 --> 01:11:00,347
AND A BRIDGE.
1818
01:11:00,389 --> 01:11:02,558
I FEEL LIKEWE'VE DONE THIS BEFORE.
1819
01:11:02,599 --> 01:11:06,520
TOO MANY LOCKS,NOT ENOUGH KEYS.
1820
01:11:06,520 --> 01:11:10,857
YOU KNOW, I DIDN'T DROPTHAT LOCK ON PURPOSE THAT DAY.
1821
01:11:10,900 --> 01:11:13,527
TOO MANY LOCKS,I WAS SCARED.NOT ENOUGH KEYS.
1822
01:11:13,569 --> 01:11:15,029
I KNOW.
1823
01:11:16,530 --> 01:11:17,614
[SIGHS HEAVILY]
1824
01:11:17,656 --> 01:11:20,367
I GUESS I COULD HAVE JUMPEDON A PLANE TO NEW YORK,
1825
01:11:20,409 --> 01:11:24,371
MADE SOME GRANDROMANTIC GESTURE.
1826
01:11:24,371 --> 01:11:26,874
I WAITED TOO LONG.
1827
01:11:26,874 --> 01:11:29,585
WE HAD OUR MOMENT,AND I LET IT SLIP AWAY.
1828
01:11:29,626 --> 01:11:32,088
WE BOTH DID.
1829
01:11:34,590 --> 01:11:37,009
I COULD GOTTEN A JOBAT A HOTEL IN NEW YORK.
1830
01:11:37,009 --> 01:11:39,053
I COULD HAVECOME HERE.
1831
01:11:39,053 --> 01:11:40,972
I COULD GOTTEN A JOBSO, WHAT STOPPED US?RK.
1832
01:11:44,308 --> 01:11:46,936
MAYBE THAT'S ALLWE WERE SUPPOSED TO BE.
1833
01:11:53,400 --> 01:11:55,903
THANK YOU FOR A NICE NIGHT.
1834
01:11:55,945 --> 01:11:57,154
HEY, YOU WOULDN'THAPPEN TO BE HUNGRY
1835
01:11:57,196 --> 01:11:58,405
BY ANY CHANCE?
1836
01:11:58,405 --> 01:11:59,323
STARVING.
1837
01:11:59,365 --> 01:12:00,992
AH. COME ON,FOLLOW ME.
1838
01:12:02,118 --> 01:12:05,162
HEY, YOU STILL THROWING PASTAUP ON THE CEILING?
1839
01:12:05,204 --> 01:12:06,747
OF COURSE. YOU?
1840
01:12:06,747 --> 01:12:07,999
THAT'S THE ONLY WAYTO KNOW IF IT'S DONE.
1841
01:12:08,040 --> 01:12:11,168
[CHUCKLES] NICE TO KNOWSOME THINGS NEVER CHANGE.
1842
01:12:11,210 --> 01:12:13,712
WELL, CHANGEIS GOOD, RIGHT?
1843
01:12:13,754 --> 01:12:14,713
[DOUBTFULLY] EH...
1844
01:12:14,755 --> 01:12:18,509
DOESN'T REALLY SOUNDLIKE A RINGING ENDORSEMENT.
1845
01:12:18,550 --> 01:12:19,468
[SIGHS HEAVILY]
1846
01:12:19,510 --> 01:12:20,928
I GUESS I'M SCARED.
1847
01:12:20,928 --> 01:12:22,764
OF WHAT?
1848
01:12:25,432 --> 01:12:27,476
LOSING CONTROL OF EVERYTHING.
1849
01:12:27,476 --> 01:12:29,771
YOU KNOW, I'M SAYING GOODBYETO ALEXA.
1850
01:12:29,771 --> 01:12:31,688
IF I SAY GOODBYELOSING TO MY BUSINESS,YTHING.
1851
01:12:31,731 --> 01:12:33,024
WHAT DO I HAVE LEFT?
1852
01:12:34,316 --> 01:12:35,317
YOURSELF?
1853
01:12:36,485 --> 01:12:39,071
OKAY, SO IF SOMEONEWANTED TO BUY YOUR HOTEL,
1854
01:12:39,113 --> 01:12:40,406
WOULD YOU SELL IT?
1855
01:12:40,447 --> 01:12:45,327
WELL... THAT WOULD DEPENDON HOW MUCH THEY WERE OFFERING.
1856
01:12:45,369 --> 01:12:48,247
YOU KNOW, I COULD ALWAYSSTART A NEW HOTEL.
1857
01:12:48,289 --> 01:12:49,791
SO MUCH FORTHAT COMMITMENT.
1858
01:12:49,791 --> 01:12:50,875
NO, COME ON.
1859
01:12:50,875 --> 01:12:52,877
LINDSEY, THESE AREORTHINGS, OKAY?MMITMENT.
1860
01:12:52,877 --> 01:12:55,880
THINGS... THINGSNO, COME ON.CAN BE REPLACED.
1861
01:12:55,922 --> 01:12:56,839
LINDSEY, THESE AREORTHINGS, OPEOPLE CAN'T.
1862
01:12:56,881 --> 01:13:00,426
YEAH, BUT WHAT IFTHAT THING IS WHO YOU ARE?
1863
01:13:00,467 --> 01:13:02,011
THIS ISN'T WHO YOU ARE.
1864
01:13:03,595 --> 01:13:05,139
YOU HARDLY KNOW MEANYMORE, JACK.
1865
01:13:05,139 --> 01:13:06,515
UH... I THINK I DO.
1866
01:13:06,557 --> 01:13:08,350
YOU HARDLY KNOW YOU'RE THAT GIRLANYMORE, JACK.ON THE BRIDGE
1867
01:13:08,392 --> 01:13:11,270
WITH HER PAINTBOXAND BIG DREAMS.
1868
01:13:12,229 --> 01:13:13,690
YEAH, WELL, ALL THAT'S LEFTOF THAT DREAM
1869
01:13:13,690 --> 01:13:16,442
IS A MAGAZINEABOUT OTHER PEOPLE'S ART.
1870
01:13:16,483 --> 01:13:18,986
YEAH, IT SOUNDS LIKE'S LEFTYOU'VE GOT TO LEARN TO LET GO.
1871
01:13:18,986 --> 01:13:20,029
ALL RIGHT?
1872
01:13:20,071 --> 01:13:21,030
IF YOU CAN'T LET GO,
1873
01:13:21,072 --> 01:13:22,740
THEN YOU'LL NEVER GETTO THE OTHER SIDE.
1874
01:13:22,782 --> 01:13:25,242
TRUST ME, I SHOULD KNOW.
1875
01:13:28,120 --> 01:13:31,749
[♪]
1876
01:13:34,126 --> 01:13:35,628
[LINDSEY AND JACK LAUGHING]
1877
01:13:40,382 --> 01:13:41,508
THIS IS NICE.
1878
01:13:41,508 --> 01:13:42,343
YEAH.
1879
01:13:42,343 --> 01:13:43,595
ANYTIME.
1880
01:13:46,013 --> 01:13:47,807
THERE YOU ARE.H.
1881
01:13:48,975 --> 01:13:49,976
OH.
1882
01:13:49,976 --> 01:13:51,518
HOW WAS YOUR MEETING?
1883
01:13:51,561 --> 01:13:52,645
IT WAS GOOD,IT WAS GOOD--OH.
1884
01:13:52,687 --> 01:13:54,063
I'M SORRY I MISSED THE SHOW,
1885
01:13:54,105 --> 01:13:55,940
AND I WAS HOPINGTO TAKE YOU TO DINNER,
1886
01:13:55,940 --> 01:13:57,900
BUT I SEE THATI'M A LITTLE LATE.
1887
01:13:57,942 --> 01:13:59,235
AND I WAS HOPINGOH, YEAH, THIS WAS...,
1888
01:13:59,235 --> 01:14:00,945
THIS WAS JUST KIND OFSPUR OF THE MOMENT.
1889
01:14:05,157 --> 01:14:06,450
AND I WAS HOPLISTEN, UH,OH, YEAH, THION THE BRIGHT SIDE,
1890
01:14:06,492 --> 01:14:08,119
I SWITCHED YOUTO ANOTHER ROOM.
1891
01:14:08,160 --> 01:14:10,747
OH, GOOD.UH, SMALLER, RIGHT?
1892
01:14:10,788 --> 01:14:12,206
[CHUCKLING] NO, NO, UH...
1893
01:14:12,206 --> 01:14:13,249
A SUITE,
1894
01:14:13,290 --> 01:14:14,834
COMPLIMENTS OF THE OWNER.
1895
01:14:14,876 --> 01:14:16,043
I APPRECIATE THAT,THANK YOU.
1896
01:14:16,085 --> 01:14:18,880
UM, JACK...IS THE BAR OPEN?
1897
01:14:18,880 --> 01:14:20,006
ABSOLUTELY.
1898
01:14:20,047 --> 01:14:21,841
AS SOON AS.I PUT ON AN APRON.
1899
01:14:21,883 --> 01:14:23,384
[CLEARS THROAT]
1900
01:14:23,384 --> 01:14:24,969
GREAT.
1901
01:14:27,054 --> 01:14:29,682
[CLEA[♪]THROAT]
1902
01:14:31,976 --> 01:14:33,185
WE CAN TURN POV
1903
01:14:33,227 --> 01:14:35,229
INTO SOMETHINGBIGGER AND BETTER,
1904
01:14:35,229 --> 01:14:37,565
AND ISN'T THAT WHAT YOU WANTEDWHEN YOU STARTED IT?
1905
01:14:37,565 --> 01:14:39,984
UH, I'M PRETTY SUREWHEN I STARTED,
1906
01:14:40,026 --> 01:14:41,736
ALL I WANTED WASTO PAY THE RENT.
1907
01:14:41,736 --> 01:14:43,738
THAT WON'T BEA PROBLEM ANYMORE.
1908
01:14:43,738 --> 01:14:44,656
AND MY STAFF?
1909
01:14:44,697 --> 01:14:46,365
I CAN TAKESOME OF THEM ON.
1910
01:14:46,365 --> 01:14:47,534
HOW ABOUT ALL OF THEM?
1911
01:14:47,575 --> 01:14:49,619
DO YOU HAVE AN OFFICE DOGYOU WANT US TAKE ON AS WELL?N.
1912
01:14:49,661 --> 01:14:52,914
NO, BUT THERE'S A PIGEONTHAT LIVES ON THE WINDOW LEDGE.
1913
01:14:52,914 --> 01:14:55,500
HMM. ALL RIGHT, PIGEON GETSA CORNER OFFICE,
1914
01:14:55,542 --> 01:14:57,334
BUT THAT'SAS FAR AS I GO.
1915
01:14:57,334 --> 01:15:00,588
DOES ANYONEEVER SAY NO TO YOU?
1916
01:15:00,588 --> 01:15:02,089
BUT THAT'SAS FAR AS MM...
1917
01:15:02,089 --> 01:15:03,966
DOES ANYONEEVER SAY NO TO YOU?THAT'S GREAT.
1918
01:15:03,966 --> 01:15:07,053
YOU, ACTUALLY,STILL HAVE NOT SAID YES.
1919
01:15:07,053 --> 01:15:09,096
NOW, LINDSEY,I GET IT.NO TO YOU?THAT'S GREAT.
1920
01:15:09,138 --> 01:15:12,183
I MEAN, THIS MAGAZINESTILL IS YOUR BABY. YES.
1921
01:15:12,224 --> 01:15:14,394
YEAH, WELL...
1922
01:15:14,394 --> 01:15:16,187
BABIES GROW UP, RIGHT?
1923
01:15:16,187 --> 01:15:19,106
THEY LEAVE THE NESTAND FLY AWAY,H, WELL...
1924
01:15:19,148 --> 01:15:20,107
AND MAYBE...GROW UP, RIGHT?
1925
01:15:20,149 --> 01:15:22,860
MAYBE IT'S TIME FOR METO SAY GOODBYE.
1926
01:15:22,902 --> 01:15:24,487
IS THAT A YES?
1927
01:15:25,780 --> 01:15:26,948
THAT'S...
1928
01:15:27,824 --> 01:15:29,241
THAT'S A YES.
1929
01:15:29,283 --> 01:15:30,201
I'M IN.
1930
01:15:30,242 --> 01:15:31,453
CONGRATULATIONS.
1931
01:15:31,494 --> 01:15:32,787
I AM SO THRILLED,THAT'S WONDERFUL.
1932
01:15:32,829 --> 01:15:34,664
THANK YOU.
1933
01:15:34,706 --> 01:15:36,123
SORRY, COULDN'T HELPBUT OVERHEAR.
1934
01:15:36,123 --> 01:15:37,124
CONGRATULATIONS.
1935
01:15:37,166 --> 01:15:38,585
THANK YOU.
1936
01:15:38,626 --> 01:15:40,127
WELL, THANK YOUVERY MUCH, JACK,
1937
01:15:40,169 --> 01:15:40,962
AND I SAY,
1938
01:15:40,962 --> 01:15:42,339
WE GO AND CELEBRATE.
1939
01:15:42,339 --> 01:15:43,214
NOW?
1940
01:15:43,214 --> 01:15:45,091
MM-HMM. TOPOF THE EIFFEL TOWER.
1941
01:15:45,132 --> 01:15:46,300
NOW?I MADE US A RESERVATION
1942
01:15:46,300 --> 01:15:47,802
ON THE CHANCEYOU WOULD SAY YES.
1943
01:15:47,844 --> 01:15:49,679
WELL, ONCE AGAIN,SORRY TO INTERRUPT,
1944
01:15:49,721 --> 01:15:51,723
BUT THE EIFFEL TOWERIS GONNA BE CLOSED.
1945
01:15:51,764 --> 01:15:52,849
NOT TONIGHTIT'S NOT.
1946
01:15:52,849 --> 01:15:55,101
AH, YOU MUST HAVE FRIENDSIN HIGH PLACES.
1947
01:15:55,101 --> 01:15:56,894
THANKFULLY I DO. TONIGHTSO...?IT'S NOT.
1948
01:15:58,145 --> 01:15:59,939
AH, YOU MUST HAVE FRIENDSYOU KNOW, IF YOU DON'T MIND,
1949
01:15:59,981 --> 01:16:01,816
I THINK I'LL GO FOR A WALK.
1950
01:16:01,858 --> 01:16:04,026
I'VE GOT A LOT TO THINK ABOUT.
1951
01:16:04,068 --> 01:16:05,362
SURE,THAT'S PROBABLY...
1952
01:16:05,403 --> 01:16:06,821
SURE.A GOOD IDEA.
1953
01:16:06,863 --> 01:16:08,656
GOODNIGHT.AND GOODNIGHT.
1954
01:16:08,656 --> 01:16:10,116
GOODNIGHT.
1955
01:16:21,336 --> 01:16:22,879
SORRY TO CALL YOUGHT.SO LATE.AND GOODNIGHT.
1956
01:16:22,920 --> 01:16:24,171
IS EVERYTHINGALL RIGHT?
1957
01:16:24,171 --> 01:16:25,840
WELL, I HOPE SO.
1958
01:16:25,840 --> 01:16:26,883
[CLEARS THROAT]
1959
01:16:29,386 --> 01:16:31,388
[GASPS]
1960
01:16:32,972 --> 01:16:35,099
YOU FOUND IT.
1961
01:16:35,141 --> 01:16:36,351
[SIGHS TEARFULLY]
1962
01:16:37,769 --> 01:16:38,811
OH...
1963
01:16:40,772 --> 01:16:44,442
[GASPS] I NEVER THOUGHTI'D SEE IT AGAIN.
1964
01:16:48,029 --> 01:16:49,071
THANK YOU.
1965
01:16:52,992 --> 01:16:54,994
[KEYPAD CLICKS TAPPING RAPIDLY]
1966
01:16:58,248 --> 01:17:00,708
OH, YOU'RE UP.
1967
01:17:00,708 --> 01:17:02,669
AND...
1968
01:17:02,710 --> 01:17:04,546
I WANT DETAILS.
1969
01:17:04,587 --> 01:17:08,216
STARTING WITH THE MOMENTI SAW YOU LEAVE THE GALLERY,
1970
01:17:08,216 --> 01:17:09,634
WITH JACK.
1971
01:17:09,676 --> 01:17:10,552
STARTING WITH THE MOMENTI SA[CHUCKLES] UH...GALLERY,
1972
01:17:10,552 --> 01:17:12,804
DO I INTERROGATE YOUWHEN YOU COME IN LATE?
1973
01:17:12,845 --> 01:17:14,806
STARTING WITH THE MOMENTI SAARE YOU KIDDING?GALLERY,
1974
01:17:16,974 --> 01:17:21,103
WE WALKED, WE TALKED, WE ATE,
1975
01:17:21,146 --> 01:17:23,981
TRENT SHOWED UP, AND...
1976
01:17:23,981 --> 01:17:26,526
I DECIDED TO SELL THE MAGAZINE.
1977
01:17:28,153 --> 01:17:29,404
TRENT SHOWHAT?P, AND...
1978
01:17:29,404 --> 01:17:30,488
MOM, ARE YOU SURE?
1979
01:17:33,325 --> 01:17:37,495
I'VE BEEN TRYING TO KEEPEVERYTHING THE SAME,
1980
01:17:37,537 --> 01:17:40,123
YOU, OUR LIFE.
1981
01:17:40,165 --> 01:17:42,917
BUT THINGS CHANGE.
1982
01:17:42,959 --> 01:17:45,670
THEY GROW UP,
1983
01:17:45,712 --> 01:17:47,880
AND THAT'S OKAY.
1984
01:17:52,594 --> 01:17:54,304
I'M PROUD OF YOU.
1985
01:17:54,346 --> 01:17:56,098
IT'S GOING TO BE GREAT.
1986
01:17:56,139 --> 01:17:57,182
I KNOW IT.
1987
01:17:57,224 --> 01:17:59,892
THANKS, SWEETIE.
1988
01:17:59,934 --> 01:18:00,935
WOW...
1989
01:18:00,935 --> 01:18:02,270
LOOK AT YOU.
1990
01:18:02,312 --> 01:18:05,190
A FEW DAYS AGO, YOU WEREIN THE LONELY APARTMENT,
1991
01:18:05,232 --> 01:18:07,442
HIDING ART IN THE CLOSET,
1992
01:18:07,484 --> 01:18:10,653
AND NOW YOU ARE IN PARIS,
1993
01:18:10,695 --> 01:18:12,280
WITH TWO MEN HALFIN LOVE WITH YOU.
1994
01:18:12,280 --> 01:18:14,116
[LAUGHS]NO ONE'S IN LOVE WITH ME,
1995
01:18:14,157 --> 01:18:15,158
NOT EVEN HALF IN LOVE WITH ME.
1996
01:18:16,118 --> 01:18:17,119
JACK IS.
1997
01:18:18,911 --> 01:18:20,913
[SCOFFS] THAT'S RIDICULOUS.
1998
01:18:20,955 --> 01:18:22,290
IS IT?
1999
01:18:22,332 --> 01:18:24,126
OH, YOU'VE BEEN IN PARISFOUR DAYS,
2000
01:18:24,167 --> 01:18:25,752
AND YOU'RE AN EXPERT ON LOVE?
2001
01:18:25,752 --> 01:18:28,005
I'M AN EXPERT ON YOU.
2002
01:18:39,891 --> 01:18:41,226
I WAS HOPINGAND YOU'RE AN EXPETO SEE YOU?
2003
01:18:41,268 --> 01:18:42,602
BEFORE I LEFT.
2004
01:18:42,644 --> 01:18:44,312
LOOK...
2005
01:18:44,354 --> 01:18:45,397
[GASPING]
2006
01:18:45,438 --> 01:18:46,814
YOU FOUND IT!
2007
01:18:46,856 --> 01:18:47,899
HUGO DID.
2008
01:18:47,941 --> 01:18:48,733
AFTER THE SHOW,
2009
01:18:48,775 --> 01:18:49,859
HE WENT BACKWITH A FLASHLIGHT
2010
01:18:49,901 --> 01:18:50,944
AND SEARCHED FOR HOURS.
2011
01:18:50,986 --> 01:18:52,320
I'M SO GLAD.
2012
01:18:54,031 --> 01:18:56,866
YOU KNOW, I THOUGHT I'D BE SADIF I SAW IT AGAIN,
2013
01:18:56,909 --> 01:18:59,286
BUT IT'S JUST THE OPPOSITE.
2014
01:18:59,327 --> 01:19:01,329
IT REMINDS ME OF HOW HAPPYJAMES AND I WERE
2015
01:19:01,329 --> 01:19:02,872
ON THAT BRIDGE.
2016
01:19:02,915 --> 01:19:03,873
IT REMINDS ME OF HOW HAPPYJAMES AI FOUND SOMETHING
2017
01:19:03,916 --> 01:19:05,167
I THOUGHT WAS LOST FOREVER.
2018
01:19:05,167 --> 01:19:06,459
HOPE.
2019
01:19:06,501 --> 01:19:07,835
HE WAS THE LOVE OF MY LIFE,
2020
01:19:07,835 --> 01:19:10,172
AND I KNOW HE'D WANT METO FIND LOVE AGAIN.
2021
01:19:10,172 --> 01:19:12,090
I'M SURE HE WOULD.
2022
01:19:12,090 --> 01:19:14,759
AND YOU SHOULD, TOO, MY DEAR.
2023
01:19:17,888 --> 01:19:21,141
IS HE WHAT YOU'RE LOOKING FOR?
2024
01:19:22,851 --> 01:19:24,227
OR IS HEJUST AN EXCUSE
2025
01:19:24,227 --> 01:19:25,728
TO AVOID WHAT'S REALLYIN YOUR HEART?
2026
01:19:25,770 --> 01:19:28,190
OR IS HEI'M NOT SURE WHAT YOU MEAN.SE
2027
01:19:28,190 --> 01:19:30,067
I THINK YOU DO.
2028
01:19:31,902 --> 01:19:34,863
IF YOU LOVED SOMEONE ENOUGHITO KEEP AWAY FROM PARIS,N.SE
2029
01:19:34,863 --> 01:19:37,574
THEN NOTHING SHOULDKEEP YOU FROM THAT LOVE.
2030
01:19:40,452 --> 01:19:42,245
OH, MY GOODNESS,LISTEN TO ME...
2031
01:19:42,287 --> 01:19:45,874
ONE RUSTED LOCK,AND I'M GIVING OUT ADVICE.
2032
01:19:45,916 --> 01:19:48,001
IT JUST GOES BY SO QUICKLY.
2033
01:19:48,877 --> 01:19:49,711
PARIS?
2034
01:19:49,711 --> 01:19:51,546
LIFE.
2035
01:19:55,175 --> 01:19:56,051
HI!
2036
01:19:56,093 --> 01:19:58,053
I JUST WANTEDTO SAY GOODBYE!
2037
01:19:58,053 --> 01:20:01,056
I HAVE A FEELING YOU'LL BESEEING A LOT MORE OF HER HERE.
2038
01:20:01,056 --> 01:20:02,182
YES, WELL, IT'S JUSTA TRAIN RIDE AWAY,
2039
01:20:02,182 --> 01:20:03,725
AND I DO LOVE THE TRAIN.
2040
01:20:03,725 --> 01:20:04,810
YES, WELL, IT'S JUST[GIGGLES]IDE AWAY,
2041
01:20:04,810 --> 01:20:06,812
WHEN I COME BACK, I'D LOVETO SEE ALL YOUR PAINTINGS.
2042
01:20:06,812 --> 01:20:08,063
I'LL GIVE YOUIT'S JUSTA PRIVATE SHOWING.AWAY,
2043
01:20:08,105 --> 01:20:08,897
WHEN I COME BACK, I'D LOVETO SEE ABRILLIANT.INTINGS.
2044
01:20:08,939 --> 01:20:09,898
AND WHEN DO YOU LEAVE?
2045
01:20:09,898 --> 01:20:11,358
TONIGHT.
2046
01:20:11,399 --> 01:20:12,776
WELL, YOU'LL HAVE TO LET MEKNOW HOW IT ALL TURNS OUT.
2047
01:20:12,818 --> 01:20:16,279
OH, I'M SURE HUGO WILL BEGIVING YOU EVERY LAST DETAIL.
2048
01:20:16,321 --> 01:20:17,865
I'M COUNTING ON IT.
2049
01:20:17,906 --> 01:20:19,324
[CHUCKLING]
2050
01:20:20,533 --> 01:20:22,745
I'M SO GLADWE'RE DOING THIS.
2051
01:20:22,786 --> 01:20:24,329
ONE LAST WALK.
2052
01:20:24,371 --> 01:20:26,039
DON'T SAY"ONE LAST WALK."
2053
01:20:26,081 --> 01:20:27,124
DID I SAY "LAST"?
2054
01:20:27,165 --> 01:20:30,127
I MEANT, "FIRST WALKOF THE LAST DAY."
2055
01:20:30,168 --> 01:20:31,795
YOU'VE COMEA LONG WAY, MOM.
2056
01:20:31,837 --> 01:20:33,421
WE'VE COME A LONG WAY.
2057
01:20:33,463 --> 01:20:35,590
OH, LOOK ATALL THIS LOVE!
2058
01:20:35,632 --> 01:20:36,717
I WONDER HOW MANYOF THESE PEOPLE
2059
01:20:36,759 --> 01:20:38,761
ARE ACTUALLYSTILL TOGETHER.
2060
01:20:38,761 --> 01:20:40,053
ALL OF THEM.
2061
01:20:40,095 --> 01:20:41,471
ARE ACTUALLYIN SOME WAY. TOGETHER.
2062
01:20:43,724 --> 01:20:45,308
THAT'S NOT WHAT YOU SAIDLAST TIME.
2063
01:20:46,309 --> 01:20:50,147
WELL, MAYBE I'M LESSUN-ROMANTIC THAN I THOUGHT.
2064
01:20:50,939 --> 01:20:52,691
"LESS UN-ROMANTIC."
2065
01:20:52,733 --> 01:20:54,317
DOUBLE-NEGATIVE.
2066
01:20:54,317 --> 01:20:57,570
YOU DO REALIZE THAT MEANS...ROMANTIC.
2067
01:20:58,822 --> 01:21:01,950
YOU'RE SUPPOSEDTO FALL IN LOVE IN PARIS.
2068
01:21:01,992 --> 01:21:02,993
[GIGGLES]
2069
01:21:03,035 --> 01:21:04,953
OKAY, UH, LET'S HIT THE LOUVRE.
2070
01:21:04,953 --> 01:21:06,789
OR, UM...
2071
01:21:06,789 --> 01:21:07,873
WE'LL TAKE A SELFIE
2072
01:21:07,915 --> 01:21:08,916
AT THE CLOCK TOWERAT THE SORBONNE,
2073
01:21:08,957 --> 01:21:10,458
UNLESS YOU DID THATLAST TIME YOU WERE HERE.
2074
01:21:10,500 --> 01:21:11,627
"SELFIE?"
2075
01:21:11,669 --> 01:21:12,961
WE DIDN'T HAVESELFIES.
2076
01:21:13,003 --> 01:21:14,630
WE DIDN'T HAVE PHONES.
2077
01:21:14,630 --> 01:21:15,631
YOU'RE OLD.
2078
01:21:15,631 --> 01:21:16,674
W[LAUGHING]AVE PHONES.
2079
01:21:19,176 --> 01:21:22,220
DON'T WORRY,I'LL BE WITH HER EVERY DAY.
2080
01:21:22,262 --> 01:21:23,847
NOT HELPING, JP.
2081
01:21:23,889 --> 01:21:25,473
I JUST MEANI WILL LOOK AFTER HER.
2082
01:21:25,473 --> 01:21:27,100
THANK YOU.
2083
01:21:27,142 --> 01:21:28,435
THAT MEANS A LOT.
2084
01:21:29,436 --> 01:21:31,939
I'LL LEAVE YOU TWOTO SAY GOODBYE.
2085
01:21:34,567 --> 01:21:36,569
-BON VOYAGE.-A LA PROCHAINE.
2086
01:21:42,324 --> 01:21:43,992
I LIKE HIM.
2087
01:21:43,992 --> 01:21:45,327
I LOVE HIM.
2088
01:21:45,368 --> 01:21:46,494
I LII KNOW.
2089
01:21:46,536 --> 01:21:49,289
YOU'RE NOT GOINGTO TALK ME OUT OF IT?
2090
01:21:49,331 --> 01:21:51,124
I COULDN'T ANYWAY.
2091
01:21:51,166 --> 01:21:52,125
AND NO.
2092
01:21:53,001 --> 01:21:55,503
THIS WHOLE TRIP,IT'S BEEN...
2093
01:21:55,546 --> 01:21:56,547
SO MUCH FUN.
2094
01:21:56,589 --> 01:21:58,173
YOU SURE YOU DON'TWANT ME TO STAY
2095
01:21:58,173 --> 01:21:59,758
AND HELP YOUSET UP YOUR ROOM?
2096
01:21:59,800 --> 01:22:01,384
DID I HEAR A HELICOPTER?
2097
01:22:01,426 --> 01:22:03,136
I'LL MAKE YOUR BEDWITH HOSPITAL CORNERS.
2098
01:22:03,178 --> 01:22:05,931
I APPRECIATE THAT,BUT, UM...
2099
01:22:05,931 --> 01:22:08,350
IT'S TIME FOR METO MAKE MY OWN BED.
2100
01:22:08,350 --> 01:22:10,018
NOW, GO. YOU HAVE,JUST ENOUGH TIME
2101
01:22:10,018 --> 01:22:12,187
TO SAY BYE TO HUGOBEFORE YOUR FLIGHT.
2102
01:22:12,229 --> 01:22:13,271
I LOVE YOU.
2103
01:22:13,313 --> 01:22:15,148
I LOVE YOU, TOO, SWEETIE.
2104
01:22:16,942 --> 01:22:18,110
I'LL TALK TO YOUTOMORROW.
2105
01:22:18,151 --> 01:22:19,027
MOM...
2106
01:22:19,069 --> 01:22:20,445
DID I SAY TOMORROW?I MEANT THE NEXT DAY.
2107
01:22:23,156 --> 01:22:24,324
HI!
2108
01:22:30,080 --> 01:22:31,039
HUGO!
2109
01:22:31,081 --> 01:22:33,083
MM? GOOD!
2110
01:22:33,125 --> 01:22:35,127
I THOUGHT YOU SOLD OUT.
2111
01:22:35,168 --> 01:22:38,631
WELL, I ALWAYS KEEPA FEW OF MY FAVORITES,
2112
01:22:38,672 --> 01:22:40,090
YOU KNOW THAT.
2113
01:22:43,719 --> 01:22:44,720
YOUR BEST WORK.
2114
01:22:44,762 --> 01:22:46,639
SO FAR.
2115
01:22:46,680 --> 01:22:49,433
YOU REALLY DOALWAYS SAY THAT.
2116
01:22:49,475 --> 01:22:51,727
WELL, THIS TIME,IT MIGHT EVEN BE TRUE.
2117
01:22:51,769 --> 01:22:55,439
WHAT DO YOU THINK WILL HAPPENWHEN ALL THE LOCKS COME OFF?
2118
01:22:55,481 --> 01:22:57,232
[SIGHS] WELL, PEOPLEALWAYS FIND A WAY
2119
01:22:57,232 --> 01:22:59,192
TO SHOW LOVE.
2120
01:22:59,234 --> 01:23:03,238
[SIGHS] WELL, PEOPLEALWAYSYOU KNOW, MUSIC, ART.
2121
01:23:03,238 --> 01:23:05,949
MAYBE EVENTHE INELOQUENT WORDS
2122
01:23:05,991 --> 01:23:07,868
OF A SAPPY TEENAGER,
2123
01:23:07,868 --> 01:23:11,079
OR AN AGING ARTIST, OR...
2124
01:23:11,079 --> 01:23:14,332
OF A HOTEL OWNER.ER,
2125
01:23:14,375 --> 01:23:16,168
WANT ME TO SHIP IT TO YOU?
2126
01:23:16,209 --> 01:23:17,127
KEEP IT HERE.
2127
01:23:17,169 --> 01:23:18,336
GOOD, I WAS HOPINGYOU'D SAY THAT.
2128
01:23:18,336 --> 01:23:20,297
I HAVE A SPECIAL PLACE FOR IT.
2129
01:23:20,297 --> 01:23:22,883
GOOGOOD, THEN I'LL SEE ITYWHEN I COME BACK.
2130
01:23:22,925 --> 01:23:24,259
I'LL COUNT THE DAYS.ACE FOR IT.
2131
01:23:24,301 --> 01:23:25,469
ME TOO.
2132
01:23:25,511 --> 01:23:27,095
I'M GOINGTO MISS YOU, HUGO.
2133
01:23:27,095 --> 01:23:28,931
I KNOW.
2134
01:23:28,972 --> 01:23:30,098
TAKE CARE OF MY GIRL.
2135
01:23:30,098 --> 01:23:32,100
OH, SHE WILL DO FINE.
2136
01:23:32,100 --> 01:23:34,687
YOU DID.CARE OF MY GIRL.
2137
01:23:37,481 --> 01:23:38,899
THERE WE GO.
2138
01:23:38,941 --> 01:23:39,775
GREAT.
2139
01:23:39,775 --> 01:23:41,193
WELL, THANK YOU AGAINFOR THE UPGRADE.
2140
01:23:41,234 --> 01:23:42,486
DON'T MENTION IT.
2141
01:23:42,528 --> 01:23:44,613
AND I'LL BE SURETO RECOMMEND THE HOTEL
2142
01:23:44,613 --> 01:23:45,739
TO ALL MY ASSOCIATES.
2143
01:23:45,781 --> 01:23:47,533
AND I'AND WE WILL BE SURE TO PUTTO RECALL OF YOUR MAGAZINES
2144
01:23:47,575 --> 01:23:48,492
IN OUR LOBBY.
2145
01:23:48,534 --> 01:23:50,118
OH, YOU'LL NEEDA BIGGER LOBBY FOR THAT.
2146
01:23:50,118 --> 01:23:51,119
[CHUCKLING]
2147
01:23:51,161 --> 01:23:53,456
OH, YOU'LL NEEDHEY, GOOD LUCKA BIGGER LOBBY FWITH EVERYTHING.
2148
01:23:53,456 --> 01:23:55,165
YEAH, YOU TOO.
2149
01:23:56,292 --> 01:23:57,585
[CELL PHONE RINGS]OH.
2150
01:23:58,544 --> 01:23:59,337
YUP.
2151
01:23:59,378 --> 01:24:01,380
OH, HOLD ON ONE SEC.THERE SHE IS.
2152
01:24:01,422 --> 01:24:02,631
I'LL SEE YOUWHEN I'M BACK IN NEW YORK.
2153
01:24:02,631 --> 01:24:04,132
-GREAT.-BYE-BYE.
2154
01:24:04,132 --> 01:24:05,008
I'LL SEE YOU THEN.
2155
01:24:05,008 --> 01:24:06,051
BYE.
2156
01:24:08,387 --> 01:24:09,430
SO...I'LL SEE YOU THEN.
2157
01:24:10,681 --> 01:24:12,683
THIS IS IT, I GUESS.
2158
01:24:12,725 --> 01:24:14,477
YEAH, I GUESS, UH...
2159
01:24:14,477 --> 01:24:16,186
I GUESS IT IS.
2160
01:24:16,229 --> 01:24:18,146
UM, LINDSEY, I GOT YOUYA LITTLE SOMETHING.
2161
01:24:18,146 --> 01:24:19,189
BEFORE YOU GO.
2162
01:24:19,232 --> 01:24:21,066
UM, LINDSEY, I GOT YOUYYOU SHOULDN'T HAVE.
2163
01:24:22,568 --> 01:24:23,652
[GASPS]
2164
01:24:25,363 --> 01:24:27,448
I'VE BEEN HOLDINGONTO IT LONG ENOUGH,
2165
01:24:27,448 --> 01:24:29,325
AND NOW IT'S YOUR TURN.
2166
01:24:30,284 --> 01:24:31,202
I'VE BEEN HOLDINGYOU KEPT IT?NG ENOUGH,
2167
01:24:31,244 --> 01:24:34,079
I ALWAYS THOUGHT IT'D BEWORTH SOMETHING SOMEDAY.
2168
01:24:36,249 --> 01:24:38,041
UM...
2169
01:24:38,083 --> 01:24:41,504
LISTEN, LINDSEY...
2170
01:24:42,921 --> 01:24:44,548
I...
2171
01:24:44,590 --> 01:24:46,342
I JUST WANTED TO SAY THAT...
2172
01:24:46,342 --> 01:24:47,968
I'M...
2173
01:24:48,010 --> 01:24:48,844
I'M IN--
2174
01:24:48,844 --> 01:24:50,095
JACK!
2175
01:24:50,137 --> 01:24:51,764
IT'S STARTING TO SNOW.
2176
01:24:53,807 --> 01:24:55,768
I HEARD YOU WERE LEAVING.
2177
01:24:55,809 --> 01:24:56,560
YES.
2178
01:24:56,602 --> 01:24:59,688
DO COME BACKAND VISIT US SOMEDAY.
2179
01:24:59,688 --> 01:25:01,565
I WILL.
2180
01:25:05,361 --> 01:25:06,404
GOODBYE, JACK.
2181
01:25:07,363 --> 01:25:09,323
GOODBYE, LINDSEY.
2182
01:25:19,708 --> 01:25:22,670
[♪]
2183
01:25:53,951 --> 01:25:55,828
AND... I'M BACK.
2184
01:26:11,469 --> 01:26:12,428
[SIGHING]
2185
01:26:12,470 --> 01:26:16,599
FIVE-LETTER WORDFOR "VALENTINE..."
2186
01:26:16,599 --> 01:26:17,933
"CUPID."
2187
01:26:21,479 --> 01:26:23,731
[SIGHS]
2188
01:26:36,410 --> 01:26:41,749
NINE-LETTER WORDFOR "HEARTBREAK..."
2189
01:26:41,790 --> 01:26:43,792
"ARTICHOKE."
2190
01:26:48,506 --> 01:26:51,384
[♪]
2191
01:27:18,286 --> 01:27:19,829
YOU'RE BACK!
2192
01:27:19,829 --> 01:27:20,621
I'M BACK!
2193
01:27:20,621 --> 01:27:22,290
[LAUGHING IN DELIGHT]
2194
01:27:22,331 --> 01:27:24,375
AND I BROUGHT YOUCHOCOLATE AND PERFUME.
2195
01:27:24,417 --> 01:27:26,002
HMM, NOT A BOYFRIEND?
2196
01:27:26,002 --> 01:27:26,794
SORRY.
2197
01:27:26,836 --> 01:27:27,837
HI!
2198
01:27:27,837 --> 01:27:28,838
HOW'S ALEXA?
2199
01:27:28,838 --> 01:27:29,839
ARE YOU SAD?
2200
01:27:29,839 --> 01:27:32,383
ACTUALLY, I'M OKAY.
2201
01:27:32,425 --> 01:27:34,552
SO THERE'S A CUREFOR EMPTY NEST SYNDROME.
2202
01:27:34,593 --> 01:27:36,762
THERE'S NO CURE,BUT THERE IS SKYPE.
2203
01:27:36,805 --> 01:27:37,889
HEY, GUYS.
2204
01:27:37,931 --> 01:27:41,017
SO, YOU REALLYSAID YES TO TRENT.
2205
01:27:41,017 --> 01:27:42,560
I REALLY DID,
2206
01:27:42,601 --> 01:27:46,230
AND IF YOU WANT TO STAY ONWITH THE MAGAZINE, YOU CAN.
2207
01:27:46,272 --> 01:27:47,356
ARE YOU KIDDING ME?
2208
01:27:47,398 --> 01:27:48,357
I CAN'T BELIEVEI'M GOING TO BE WORKING
2209
01:27:48,357 --> 01:27:50,193
WITH THE HOTTEST GUYON THE PLANET.
2210
01:27:50,234 --> 01:27:52,736
BECAUSE THAT IS THE MOSTIMPORTANT THING.
2211
01:27:52,736 --> 01:27:54,906
I'M SURE I'LL GET TIREDOF LOOKING AT HIM,
2212
01:27:54,948 --> 01:27:56,074
BECAUSE THAT IS THE MOSTAFTER 10 OR 20 YEARS.NG.
2213
01:27:56,115 --> 01:27:57,450
[CHUCKLING]
2214
01:28:11,214 --> 01:28:12,256
HE'S HERE.
2215
01:28:12,298 --> 01:28:13,674
SEND HIM IN.
2216
01:28:21,307 --> 01:28:23,184
HEY...
2217
01:28:23,226 --> 01:28:24,853
HEY, YOU.
2218
01:28:24,894 --> 01:28:25,895
COME HERE.
2219
01:28:30,233 --> 01:28:31,400
WOW, SO...
2220
01:28:31,442 --> 01:28:32,694
YOU READY FOR ALL THIS?
2221
01:28:33,778 --> 01:28:34,779
ABOUT THAT...
2222
01:28:34,821 --> 01:28:37,156
WHAT, YOU DIDN'TCHANGE YOUR MIND, DID YOU?
2223
01:28:37,198 --> 01:28:39,242
NO, THE MAGAZINE'SSTILL YOURS,
2224
01:28:39,283 --> 01:28:40,869
TO MAKE BIGGER AND BETTER.
2225
01:28:40,910 --> 01:28:41,911
GREAT.
2226
01:28:41,911 --> 01:28:42,912
IT'S JUST...
2227
01:28:42,912 --> 01:28:44,748
GI'M NOT STAYING ON.
2228
01:28:44,748 --> 01:28:45,915
WHAT?IT'S JUST...
2229
01:28:45,957 --> 01:28:47,541
WHAT? WHY?WHAT HAPPENED?
2230
01:28:48,417 --> 01:28:50,128
PARIS, I GUESS.
2231
01:28:51,295 --> 01:28:52,797
THE TRUTH IS,
2232
01:28:52,839 --> 01:28:53,923
I STARTED AN ART MAGAZINE
2233
01:28:53,965 --> 01:28:57,927
BECAUSE I WASN'T BRAVE ENOUGHTO BE AN ARTIST.
2234
01:28:57,969 --> 01:28:59,095
WHOA...
2235
01:28:59,095 --> 01:29:02,807
I'VE NEVER REALLY ADMITTED THATOUT LOUD BEFORE. UM...
2236
01:29:02,849 --> 01:29:05,769
I... I WANT TO PAINT AGAIN.
2237
01:29:05,769 --> 01:29:09,105
AND I KNOW I MAY NOTBE GOOD ENOUGH.
2238
01:29:09,147 --> 01:29:10,649
MAYBE I'LL JUST END UPWITH A CAT
2239
01:29:10,690 --> 01:29:12,025
SKETCHING PEOPLE IN THE PARK,
2240
01:29:12,066 --> 01:29:15,111
BUT AT LEAST I'LL HAVE TRIED.
2241
01:29:15,111 --> 01:29:16,320
PAINT?
2242
01:29:16,362 --> 01:29:17,571
YEAH.
2243
01:29:17,614 --> 01:29:19,157
YOU'RE SURE ABOUT ALL THIS?
2244
01:29:19,198 --> 01:29:20,033
NO.
2245
01:29:20,074 --> 01:29:21,910
NO.
2246
01:29:21,951 --> 01:29:23,369
BUT I'M DOING IT ANYWAY.
2247
01:29:23,369 --> 01:29:25,329
SO I GET THE MAGAZINE, BUT...
2248
01:29:25,371 --> 01:29:26,497
BUT I'BUT NOT YOU.NYWAY.
2249
01:29:27,540 --> 01:29:29,626
I'M SORRY.
2250
01:29:30,960 --> 01:29:32,336
YEAH, ME TOO.
2251
01:29:33,922 --> 01:29:35,632
I GUESS SOMEONECAN SAY NO TO ME.
2252
01:29:35,674 --> 01:29:38,092
I DOUBT IT'LL EVERHAPPEN AGAIN.
2253
01:29:38,134 --> 01:29:39,803
YEAH.
2254
01:29:39,803 --> 01:29:41,262
OKAY. ALL RIGHT.
2255
01:29:41,304 --> 01:29:42,556
[CLEARING THROAT]
2256
01:29:42,597 --> 01:29:43,557
WOW.
2257
01:29:43,598 --> 01:29:47,644
UM, YOU SHOULD PROBABLYHAVE YOUR LAWYERS
2258
01:29:47,644 --> 01:29:50,104
CHECK THAT OUT,
2259
01:29:50,146 --> 01:29:52,148
UM, YOU SHOULD PROBABLYAND, UH...LAWYERS
2260
01:29:52,148 --> 01:29:54,483
THAT'LL BE THAT.
2261
01:29:57,946 --> 01:29:59,823
GOODBYE, LINDSEY.
2262
01:29:59,823 --> 01:30:00,907
GOODBYE.
2263
01:30:06,162 --> 01:30:08,039
[SIGHS] ALL RIGHT.
2264
01:30:25,181 --> 01:30:27,225
[♪]
2265
01:30:39,863 --> 01:30:41,197
[KEYING IN PHONE NUMBER]
2266
01:30:44,493 --> 01:30:47,787
HEY, NICOLE,CAN I COME SEE YOU?
2267
01:30:47,829 --> 01:30:50,039
WE NEED TO TALK.
2268
01:30:50,081 --> 01:30:52,291
ABOUT US.
2269
01:30:55,086 --> 01:30:57,213
TELL ME YOU'RE NOT ALONE ON VALENTINE'S DAY.
2270
01:30:57,213 --> 01:31:00,384
VALENTINE'S DAY...
2271
01:31:00,384 --> 01:31:01,426
IS THAT TODAY?
2272
01:31:02,469 --> 01:31:05,263
MOM, JP AND I PUT OUR LOCK ON THE BRIDGE TODAY.
2273
01:31:05,304 --> 01:31:06,890
IT WAS BEAUTIFUL,
2274
01:31:06,890 --> 01:31:09,393
AND I DON'T CARE IF THEY CUT IT OFF.
2275
01:31:09,393 --> 01:31:12,186
PEOPLE WILL ALWAYS FIND A WAYTO SHOW THEIR LOVE.
2276
01:31:14,356 --> 01:31:16,775
'LEX? UH,I'LL TALK TO YOU TOMORROW.
2277
01:31:16,816 --> 01:31:17,984
HAVE FUN WITH JP TONIGHT, OKAY?
2278
01:31:18,026 --> 01:31:19,819
HAPPY VALENTINES DAY.I LOVE YOU.
2279
01:31:19,861 --> 01:31:21,237
I LOVE YOU, TOO.
2280
01:31:30,789 --> 01:31:32,248
[RATTLING]
2281
01:31:32,248 --> 01:31:33,542
JACK?
2282
01:31:33,583 --> 01:31:34,668
HEY.
2283
01:31:34,709 --> 01:31:35,877
UH, HAPPY VALENTINE'S DAY.
2284
01:31:35,919 --> 01:31:37,504
WHAT ARE YOU DOING HERE?
2285
01:31:37,546 --> 01:31:38,422
THIS IS, UH...
2286
01:31:38,463 --> 01:31:40,549
THIS IS A GRAND ROMANTICGESTURE GONE AWRY.
2287
01:31:40,590 --> 01:31:41,425
IT'S FREEZING!
2288
01:31:41,466 --> 01:31:43,051
GET INSIDE!
2289
01:31:43,092 --> 01:31:44,678
OKAY... OKAY, YEAH...
2290
01:31:44,719 --> 01:31:45,679
OKAY, I GOT IT.
2291
01:31:45,720 --> 01:31:49,182
OKAY. OKAY...
2292
01:31:51,100 --> 01:31:52,519
[SHIVERING] I THOUGHT...
2293
01:31:52,519 --> 01:31:53,728
I THOUGHT YOU WEREGOING TO NOTICE ME
2294
01:31:53,770 --> 01:31:54,938
A LOT SOONER THAN THAT.HT...
2295
01:31:54,938 --> 01:31:55,980
[LAUGHING] WOW...
2296
01:31:56,022 --> 01:31:58,442
NO ONE DOES ROMANCEQUITE LIKE YOU.
2297
01:31:58,483 --> 01:32:00,819
NO ONE DOES ROMANCEQUITE LIKE US.
2298
01:32:02,111 --> 01:32:03,488
BUSINESS FLOWERS?
2299
01:32:03,488 --> 01:32:06,491
THESE ARE DEFINITELY NOTBUSINESS FLOWERS.
2300
01:32:08,117 --> 01:32:09,077
OKAY, I...BUSINESS FLOWERS?
2301
01:32:09,077 --> 01:32:11,955
I SHOULD HAVE COMETO FOLLOW YOU 20 YEARS AGO,
2302
01:32:11,996 --> 01:32:14,333
I SHOULD HAVE COME TO FOLLOW YOUOKAY, I...TWO DAYS AGO.OWERS?
2303
01:32:16,418 --> 01:32:18,962
BUT I'M HERE NOW.
2304
01:32:19,003 --> 01:32:21,506
AND I'M ASKINGFOR ANOTHER CHANCE.
2305
01:32:22,924 --> 01:32:26,094
I THINK SOMETHINGCAN BE ARRANGED.
2306
01:32:31,475 --> 01:32:34,478
[♪]
2307
01:32:41,318 --> 01:32:43,027
NOW, THAT'SYOUR BEST WORK.
2308
01:32:43,069 --> 01:32:44,654
HUGO... YOU ALWAYSSAY THAT.
2309
01:32:45,655 --> 01:32:46,865
HEY!
2310
01:32:46,906 --> 01:32:48,325
WE'RE HEADING BACK TO CAMPUS,DO YOU WANNA GRAB LUNCH FIRST?
2311
01:32:48,325 --> 01:32:49,326
OH, THANKS, SWEETIE,
2312
01:32:49,326 --> 01:32:50,619
BUT I THINK I'M GOING TO STAYAND FINISH THIS.
2313
01:32:50,660 --> 01:32:52,996
HAVE FUN.
2314
01:32:52,996 --> 01:32:54,164
BEAUTIFUL, MADAME.
2315
01:32:54,164 --> 01:32:55,832
THANK YOU, JP.
2316
01:32:55,832 --> 01:32:56,833
I'LL SEE YOU MONDAY?
2317
01:32:56,833 --> 01:32:58,377
TTANGO MONDAY.
2318
01:32:59,836 --> 01:33:01,505
[CHUCKLING FONDLY] MONDAY?
2319
01:33:01,505 --> 01:33:02,589
YOUNG LOVE.
2320
01:33:02,631 --> 01:33:04,466
NOTHING LIKE IT.
2321
01:33:04,466 --> 01:33:07,051
WELL, OLD LOVE'S NOT SO BAD.
2322
01:33:07,094 --> 01:33:09,388
HEY, WILL YOUNOTHING LIKE IT.CLOSE UP FOR ME?
2323
01:33:09,429 --> 01:33:11,640
I HAVE TO MEETKATHRYN FOR TEA.
2324
01:33:11,681 --> 01:33:12,682
TEA?
2325
01:33:12,724 --> 01:33:14,851
WELL, SHE'S HAVING TEA,I'M HAVING EVERYTHING BUT.
2326
01:33:14,893 --> 01:33:16,770
UH... ROUGE.
2327
01:33:16,770 --> 01:33:20,482
MORE REDON THE BRIDGE, HMM?
2328
01:33:20,524 --> 01:33:21,483
UH.SALUT.GE.
2329
01:33:21,525 --> 01:33:23,360
SALUT.
2330
01:33:23,360 --> 01:33:25,862
[♪]
2331
01:33:38,208 --> 01:33:39,876
THIS LOOKS FAMILIAR.
2332
01:33:39,876 --> 01:33:42,546
YES, IT DOES.
2333
01:33:45,840 --> 01:33:48,052
THIS LOOSHALL WE TRY THIS AGAIN?
2334
01:33:48,052 --> 01:33:51,721
YES, AND THIS TIME,I BROUGHT EXTRA LOCKS.
2335
01:33:51,721 --> 01:33:53,557
HOW MANY?
2336
01:33:53,557 --> 01:33:54,808
LOTS.
2337
01:33:54,849 --> 01:33:56,060
[CHUCKLES] GOOD.
2338
01:33:57,311 --> 01:34:01,148
ALL RIGHT,THIS IS IT.
2339
01:34:01,190 --> 01:34:02,649
ANY LAST WORDS?
2340
01:34:02,691 --> 01:34:06,028
JUST THOSE THREE.
2341
01:34:08,363 --> 01:34:10,074
"OOH LA LA"?
2342
01:34:10,115 --> 01:34:12,867
UH, NO.
2343
01:34:12,909 --> 01:34:15,829
I WAS THINKING...
2344
01:34:15,870 --> 01:34:18,582
"I LOVE YOU."
2345
01:34:21,418 --> 01:34:23,503
I LOVE YOU, TOO.
2346
01:34:32,304 --> 01:34:33,763
[LAUGHING]
2347
01:34:33,805 --> 01:34:37,017
WELL, IT MAY HAVETAKEN US A WHILE...
2348
01:34:37,059 --> 01:34:39,103
BUT WE GOT HERE.
2349
01:34:39,103 --> 01:34:40,604
WE DID.
2350
01:34:43,983 --> 01:34:48,237
[♪]
2351
01:35:01,625 --> 01:35:05,629
[♪]
145050
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