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1
00:00:28,878 --> 00:00:30,855
I KNOW EXACTLY
WHAT HAPPENED
2
00:00:30,888 --> 00:00:32,302
’CAUSE IT ALMOST GOT
MY LEG BLOWN OFF.
3
00:00:32,302 --> 00:00:34,044
TELL ME, BRIEFLY,
EXACTLY WHAT HAPPENED.
4
00:00:34,078 --> 00:00:36,689
THOSE TWO FOOL TEENAGERS
COME RUNNING PAST ME,
5
00:00:36,722 --> 00:00:39,237
THEN TURN AND ALMOST SHOOT
DIRECTLY AT MY LEG.
6
00:00:39,271 --> 00:00:42,319
YOU KNOCKED YOUR LEG
AGAINST THIS CORNER HERE.
7
00:00:42,352 --> 00:00:44,896
YOU WOULD LIE
IN CHURCH ON SUNDAY.
8
00:00:44,929 --> 00:00:46,506
NOW THAT WAS
AN EXECUTION.
9
00:00:46,539 --> 00:00:48,114
HE KNEW THAT
MAN, AND HE WAS
WAITING FOR HIM.
10
00:00:48,148 --> 00:00:49,887
HE SHOT HIM DOWN
AND FINISHED
HIM OFF.
11
00:00:49,921 --> 00:00:52,066
BOTH THOSE MEN WERE
POLICE OFFICERS, MR. LEWIS.
12
00:00:52,100 --> 00:00:53,274
DON’T CHANGE
NOTHING.
13
00:00:53,307 --> 00:00:54,912
WE GOT 2 COPS DOWN.
14
00:00:54,946 --> 00:00:57,160
SZYMANSKI’S OFF DUTY,
GETS SHOT IN THE SHOULDER
15
00:00:57,193 --> 00:00:58,766
COMING OUT OF
THAT DRY CLEANER,
16
00:00:58,799 --> 00:01:01,481
SHOOTS THE OTHER GUY,
WHO’S A STREET CRIME
PLAINCLOTHESMAN
17
00:01:01,514 --> 00:01:03,155
IN THE MIDDLE OF A FOOT
PURSUIT WITH HIS PARTNER.
18
00:01:03,190 --> 00:01:04,829
WHO WERE THE
PLAINCLOTHESMEN
CHASING?
19
00:01:04,862 --> 00:01:06,806
2 KIDS WITH A GUN.
THEY PULLED A HOLDUP
3 BLOCKS DOWN.
20
00:01:06,839 --> 00:01:07,811
THEY GOT AWAY.
21
00:01:07,844 --> 00:01:09,186
THE KIDS SHOT SZYMANSKI
22
00:01:09,220 --> 00:01:10,459
OR THE PLAINCLOTHESMEN DID?
23
00:01:10,492 --> 00:01:12,802
THE PLAINCLOTHESMAN
THAT ISN’T WOUNDED
24
00:01:12,836 --> 00:01:15,384
SAID HE NOR HIS PARTNER
EVER THREW A SHOT,
25
00:01:15,417 --> 00:01:17,661
AND THE KIDS THEY WERE
CHASING NEVER TURNED AROUND.
26
00:01:17,694 --> 00:01:19,437
WHAT’S THE WOUNDED
PLAINCLOTHESMAN’S NAME?
27
00:01:19,471 --> 00:01:21,647
HUDSON, AND HIS PARTNER’S
NAME’S DONALDSON.
28
00:01:23,256 --> 00:01:24,796
THIS COULD BE
SOME JACKPOT.
29
00:01:24,829 --> 00:01:27,108
LISTEN, DON’T PUSH HIM,
BUT SEE CAN HE TELL
YOU ANYTHING.
30
00:01:31,964 --> 00:01:33,574
I’M ON FOOT POST.
31
00:01:33,607 --> 00:01:35,350
I WAS ACTUALLY
DOWN A WAYS.
32
00:01:35,384 --> 00:01:37,661
THEY’LL STILL PROBABLY
WANT TO TALK TO YOU.
33
00:01:37,694 --> 00:01:40,174
SURE. IT’S JUST THAT
I DIDN’T SEE MUCH.
34
00:01:40,207 --> 00:01:43,691
YEAH. WELL, THEY JUST WANT
TO TOUCH ALL THE BASES.
35
00:01:43,724 --> 00:01:44,862
IT’S ANDY SIPOWICZ,
SZYMANSKI.
36
00:01:44,896 --> 00:01:46,002
WHAT HAPPENED HERE?
37
00:01:46,035 --> 00:01:47,511
THIS WAS NOT RACIAL.
38
00:01:47,544 --> 00:01:49,151
DON’T TELL ME
WHAT IT WASN’T.
39
00:01:49,184 --> 00:01:50,592
I DIDN’T KNOW
HE WAS A COP.
40
00:01:50,626 --> 00:01:51,931
HE SHOT ME AND I DIDN’T
KNOW WHO HE WAS.
41
00:01:51,964 --> 00:01:53,406
YOU’RE SURE
HE SHOT FIRST?
42
00:01:53,441 --> 00:01:55,551
I’M SHOT. I SEE HIM
POINTING HIS GUN AT ME.
43
00:01:55,584 --> 00:01:56,622
I RETURNED FIRE.
44
00:01:56,656 --> 00:01:58,196
HIS PARTNER SAYS NEITHER
OF THEM TWO SHOT.
45
00:01:58,230 --> 00:01:59,370
I’D JUST BEEN SHOT.
46
00:01:59,403 --> 00:02:00,776
THE GUY I SHOT WAS
POINTING HIS GUN AT ME.
47
00:02:00,809 --> 00:02:02,786
WHAT THE HELL
WAS I SUPPOSED TO DO?
48
00:02:02,819 --> 00:02:04,596
ALL RIGHT, CALM DOWN,
SZYMANSKI. LOWER YOUR VOICE.
49
00:02:04,629 --> 00:02:06,739
IF IT WASN’T HIM,
WHO THE HELL WAS IT?
50
00:02:06,772 --> 00:02:07,811
THE KID
WAS ON FOOT POST.
51
00:02:07,844 --> 00:02:09,587
HE’S WORTH
A CONVERSATION.
52
00:02:09,621 --> 00:02:11,831
SAYS HE DIDN’T SEE
ANYTHING, TWICE.
53
00:02:11,864 --> 00:02:14,546
GET YOURSELF LOOKED AT.
WE’LL TALK MORE
AT THE HOUSE.
54
00:02:14,579 --> 00:02:16,186
THAT GUY SWEARS
THE KIDS DID THE ROBBERY
55
00:02:16,219 --> 00:02:17,325
LIVE IN
THE BARUCH PROJECTS.
56
00:02:17,359 --> 00:02:19,871
THEM AND 10,000
OTHER PEOPLE.
57
00:02:19,904 --> 00:02:22,518
HE SAYS HE’D KNOW ’EM
IF HE SAW ’EM AGAIN.
58
00:02:22,552 --> 00:02:23,423
ANYWAYS, WE’LL
RIDE HIM OVER
59
00:02:23,456 --> 00:02:24,428
AND SEE WHAT
HE COMES UP WITH.
60
00:02:24,461 --> 00:02:25,734
YEAH, WE’LL GO CANVASS.
61
00:02:25,767 --> 00:02:27,174
HEY, ANDY.
62
00:02:27,208 --> 00:02:28,882
POSSIBLE COMPLICATION.
63
00:02:28,916 --> 00:02:30,792
OUR BOSS HAS IT IN
FOR THIS SZYMANSKI.
64
00:02:30,826 --> 00:02:34,310
OVER WHAT? WHAT’S THE BOSS
PISSED OFF ABOUT?
65
00:02:34,344 --> 00:02:37,727
GETTING STOPPED
FOR A BUSTED TAILLIGHT
2 YEARS AGO
66
00:02:37,761 --> 00:02:39,972
AND THE DEATH OF
MARTIN LUTHER KING.
67
00:04:02,617 --> 00:04:04,025
WHAT DO YOU KNOW
ABOUT IT?
68
00:04:04,058 --> 00:04:06,068
MY DETECTIVES HAVEN’T
GOT BACK YET.
69
00:04:06,102 --> 00:04:07,709
YOU KNOW IT’S SZYMANSKI.
70
00:04:07,743 --> 00:04:11,763
YEAH. I KNOW SZYMANSKI’S
ONE OF THE COPS INVOLVED.
71
00:04:11,796 --> 00:04:13,304
BEING HE IS, WOULD YOU
BE MORE COMFORTABLE
72
00:04:13,338 --> 00:04:14,745
I.A.B. COMING IN FRONT
ON THIS ONE?
73
00:04:14,778 --> 00:04:15,984
NO.
74
00:04:16,018 --> 00:04:18,095
I’M SAYING WITH YOUR
HISTORY WITH THIS GUY.
75
00:04:18,128 --> 00:04:20,841
AND I’M SAYING I’M COMFORTABLE
RUNNING THE INVESTIGATION.
76
00:04:22,971 --> 00:04:24,445
YOU CHECK WITH
THE HOSPITAL?
77
00:04:24,445 --> 00:04:25,860
SZYMANSKI’S BEEN TREATED
AND RELEASED.
78
00:04:25,893 --> 00:04:27,601
ANDY AND THE CRIME GUYS
ARE BRINGING IN HIM
79
00:04:27,634 --> 00:04:29,611
AND THE PARTNER OF THE
PLAINCLOTHES COP HE SHOT.
80
00:04:29,644 --> 00:04:32,593
THE PLAINCLOTHES SZYMANSKI
SHOT CAN’T GIVE US ANYTHING?
81
00:04:32,626 --> 00:04:34,703
NO. HE’S JUST HANGING ON.
82
00:04:37,886 --> 00:04:39,729
IF IT IS RACIAL,
THIS IS A DISASTER.
83
00:04:41,403 --> 00:04:43,547
SZYMANSKI PUT 5 IN HIM.
84
00:04:43,581 --> 00:04:46,395
THERE’S NO WAY
TO PRETTY THAT UP.
85
00:04:46,428 --> 00:04:49,142
NOT THAT ANYONE
WOULD WANT TO.
86
00:04:49,176 --> 00:04:52,525
I’LL KEEP YOU UP TO SPEED.
87
00:04:52,558 --> 00:04:54,904
LIKE I SAID, ANYTIME
YOU’RE MORE COMFORTABLE
88
00:04:54,938 --> 00:04:57,417
US GETTING IN FRONT,
THAT’S ALL RIGHT, TOO.
89
00:04:57,450 --> 00:04:59,393
YEAH.
90
00:04:59,427 --> 00:05:00,767
I’M GONNA HANDLE IT.
91
00:05:09,109 --> 00:05:10,648
JUST GIVE US A SECOND.
92
00:05:10,683 --> 00:05:11,688
SURE.
93
00:05:11,721 --> 00:05:13,196
JUST GOTTA TALK
TO OUR BOSS.
94
00:05:13,229 --> 00:05:14,837
NO PROBLEM.
95
00:05:16,378 --> 00:05:17,517
HOW’S IT GOING?
96
00:05:17,550 --> 00:05:18,689
THE BETTER FOR SEEING YOU.
97
00:05:22,844 --> 00:05:24,820
THAT’S THE RAT SQUAD.
98
00:05:24,854 --> 00:05:27,935
YEAH, THEY’D SOMETIMES
HAVE TO DO WITH US
OVER IN NARCOTICS.
99
00:05:27,969 --> 00:05:29,979
DON’T BREAK BALLS.
100
00:05:32,391 --> 00:05:33,899
THEY’RE BRINGING SZYMANSKI
101
00:05:33,932 --> 00:05:36,111
AND THE SHOT UNDERCOVER’S
PARTNER FROM BELLEVUE.
102
00:05:36,144 --> 00:05:38,287
THAT ROOKIE COP WAS
ALSO ON THE SCENE.
103
00:05:38,321 --> 00:05:39,660
FOR A GUY WITH
NOTHING TO TELL US
104
00:05:39,693 --> 00:05:41,102
HE WAS HANGING
AROUND PRETTY GOOD.
105
00:05:41,136 --> 00:05:42,675
SO, ANDY, YOU’LL TALK
TO THIS ROOKIE COP?
106
00:05:44,384 --> 00:05:47,166
NO. BEING SZYMANSKI’S
THE PRINCIPAL PLAYER,
107
00:05:47,199 --> 00:05:48,538
I THOUGHT I’D TALK
WITH SZYMANSKI.
108
00:05:48,572 --> 00:05:50,482
ALL RIGHT.
109
00:05:50,515 --> 00:05:51,653
SO I’LL TALK WITH
THIS ROOKIE COP BAKER?
110
00:05:51,687 --> 00:05:53,196
YEAH, GOOD.
111
00:05:53,229 --> 00:05:54,167
Danny:
LET ME GET HIM A SODA.
112
00:05:57,550 --> 00:05:58,857
SO WHEN SZYMANSKI
GETS HERE,
113
00:05:58,890 --> 00:06:01,168
YOU MIND IF I SIT IN
ON YOUR INTERVIEW?
114
00:06:01,202 --> 00:06:02,608
SIT IN MEANING WATCH?
115
00:06:02,642 --> 00:06:05,590
WELL, IF
I MEANT WATCH, ANDY,
I WOULD’VE SAID WATCH.
116
00:06:05,623 --> 00:06:09,040
SO SIT IN MEANS THAT
YOU MAY WANT TO BE
ASKING QUESTIONS?
117
00:06:09,074 --> 00:06:10,917
IF THE SPIRIT
MOVES ME, YEAH.
118
00:06:10,950 --> 00:06:12,759
YOU DO THE INTERVIEW.
119
00:06:12,793 --> 00:06:15,507
I DIDN’T SAY I WANTED
TO DO THE INTERVIEW.
120
00:06:15,540 --> 00:06:17,349
NO, YOU DO THE INTERVIEW.
121
00:06:17,382 --> 00:06:19,929
’CAUSE I AM NOT GONNA HAVE
SOMEONE SITTING OVER ME
122
00:06:19,962 --> 00:06:21,336
LIKE A GUILTY CONSCIENCE‐‐
123
00:06:21,369 --> 00:06:22,809
"DID YOU SCREW THIS GUY
TO THE WALL HARD ENOUGH
124
00:06:22,843 --> 00:06:25,657
OVER SHOOTING THAT INNOCENT
BLACK PLAINCLOTHESMAN?"
125
00:06:33,731 --> 00:06:35,238
SZYMANSKI,
126
00:06:35,271 --> 00:06:37,751
TALK TO ME HERE
IN THE COFFEE ROOM.
127
00:06:37,784 --> 00:06:38,756
TALK TO YOU?
128
00:06:38,789 --> 00:06:41,000
YEAH, TALK TO ME.
129
00:06:48,035 --> 00:06:49,677
HOW YOU DOING, DONALDSON?
130
00:06:51,519 --> 00:06:52,826
HOW YOU DOING?
131
00:06:55,171 --> 00:06:56,779
SORRY ABOUT
YOUR PARTNER.
132
00:06:56,813 --> 00:06:59,728
HE DID ME A SOLID ONCE
WHEN I WAS
FIRST COP ON THE SCENE.
133
00:06:59,761 --> 00:07:01,401
YEAH, THAT SOUNDS
LIKE HIM.
134
00:07:03,512 --> 00:07:06,293
SORRY ABOUT
YOUR PARTNER, TOO.
135
00:07:12,055 --> 00:07:14,769
JIMMY STUPEK STILL BREAKING
BALLS AT THE ACADEMY?
136
00:07:14,803 --> 00:07:16,376
MR. CLEAN?
137
00:07:16,410 --> 00:07:17,784
YEAH, HE’S
STILL TEACHING
MARTIAL ARTS.
138
00:07:17,818 --> 00:07:19,425
YOU GUYS CALLED HIM
MR. CLEAN?
139
00:07:19,458 --> 00:07:20,632
YEAH, THE SHAVED HEAD,
140
00:07:20,665 --> 00:07:22,139
LOOKS EXACTLY
LIKE THAT GENIE
141
00:07:22,173 --> 00:07:23,748
ON THE MR. CLEAN
BOTTLES.
142
00:07:23,781 --> 00:07:26,193
WHEN I WAS THERE
HE STILL HAD LIKE
A BOZO FRINGE.
143
00:07:26,226 --> 00:07:28,939
I GUESS HE WENT
TOTAL AFTER I LEFT.
144
00:07:28,973 --> 00:07:31,720
SO WHAT DO YOU GOT
FOR ME, NEIL?
145
00:07:31,754 --> 00:07:36,041
ON THE SHOOTING INCIDENT
I GOT NOTHING, YOU KNOW?
146
00:07:36,074 --> 00:07:38,253
JUST THAT IT’S
A HELL OF A THING.
147
00:07:38,286 --> 00:07:40,196
THE PLAINCLOTHES
COP DOWN.
148
00:07:40,230 --> 00:07:41,435
THE WHOLE THING.
149
00:07:41,468 --> 00:07:43,043
YOU KNOW,
THE OFF‐DUTY COP
150
00:07:43,076 --> 00:07:44,617
GOT ONE IN
THE SHOULDER ALSO.
151
00:07:44,651 --> 00:07:45,791
THAT SZYMANSKI?
152
00:07:49,174 --> 00:07:51,218
ALL RIGHT, WELL,
WHY DON’T YOU GIVE ME
153
00:07:51,251 --> 00:07:53,595
THE NOTHING‐YOU‐GOT‐
FOR‐ME IN DETAIL, NEIL,
154
00:07:53,629 --> 00:07:55,305
SO INSTEAD OF
SPENDING THE AFTERNOON
155
00:07:55,338 --> 00:07:57,315
WITH MY PAIN‐IN‐THE‐BALLS
DINOSAUR PARTNER
156
00:07:57,348 --> 00:08:00,664
PISSING IN MY EAR I GOT
INADEQUATE INFORMATION,
157
00:08:00,698 --> 00:08:02,943
I CAN SPEND IT HIM
PISSING IN MY EAR
I GOT TOO MUCH.
158
00:08:02,976 --> 00:08:04,450
THAT’S THAT SIPOWICZ.
159
00:08:04,483 --> 00:08:05,621
YEAH, HE’S
BREAKING ME IN.
160
00:08:05,655 --> 00:08:08,873
GIVING ME THE ADVANCED
COURSE IN ANXIETY.
161
00:08:08,906 --> 00:08:11,083
"ONE THING YOU WANT
TO AVOID, DANNY,
162
00:08:11,116 --> 00:08:13,261
"THE ONE THING YOU
WANT TO AVOID‐‐
163
00:08:13,295 --> 00:08:14,769
"DO NOT MAKE A MISTAKE
164
00:08:14,803 --> 00:08:16,676
"YOUR OPENING YEARS
ON THE JOB.
165
00:08:16,710 --> 00:08:18,420
"A MISTAKE COMING UP
WILL HAUNT YOU
166
00:08:18,453 --> 00:08:20,396
YOUR REMAINING CAREER."
167
00:08:20,430 --> 00:08:23,545
SO THAT’S GOT ME GOOD
AND RELAXED.
168
00:08:23,578 --> 00:08:25,321
YEAH, I KNOW
HOW THAT GOES.
169
00:08:25,355 --> 00:08:27,498
I DON’T THINK
YOU CAN DO THE JOB
170
00:08:27,531 --> 00:08:29,173
LOOKING OVER YOUR OWN
SHOULDER LIKE THAT.
171
00:08:29,206 --> 00:08:31,183
I DO WHAT I THINK
IS RIGHT,
172
00:08:31,216 --> 00:08:33,595
AND I’M NOT TYING
MYSELF UP AFTER
WITH SECOND‐GUESSING.
173
00:08:33,628 --> 00:08:35,505
YEAH, WELL.
174
00:08:35,538 --> 00:08:37,280
YEAH, WELL, WHAT?
175
00:08:37,315 --> 00:08:41,301
YEAH, WELL, IT’S EASY NOT
SECOND‐GUESSING YOURSELF
176
00:08:41,335 --> 00:08:43,478
IF YOU HAVEN’T DONE
ANYTHING WRONG...
177
00:08:43,511 --> 00:08:45,555
AND MAKING HYPOTHETICAL
STATEMENTS.
178
00:08:45,588 --> 00:08:48,336
YEAH, WELL,
THAT’S THE POINT.
179
00:08:48,370 --> 00:08:49,878
YEAH.
180
00:08:53,931 --> 00:08:57,884
ALTHOUGH IF I DID
WHATEVER I DID
181
00:08:57,918 --> 00:08:59,726
AND MY INTENTIONS
WERE RIGHT,
182
00:08:59,759 --> 00:09:02,004
BY ME NOT
SECOND‐GUESSING MYSELF
183
00:09:02,038 --> 00:09:03,344
OR COVERING THINGS UP,
184
00:09:03,378 --> 00:09:06,024
I GOT A CHANCE MY
INTENTIONS COMING OUT.
185
00:09:06,058 --> 00:09:08,503
THOSE ARE SEEN, AND NOT
JUST WHATEVER I DID.
186
00:09:08,536 --> 00:09:10,312
YEAH, WELL, WHAT IS IT
YOU’RE TRYING TO SAY?
187
00:09:10,345 --> 00:09:11,887
WHAT ARE YOU DRIVING AT?
188
00:09:11,920 --> 00:09:14,400
I’M TALKING
TO ANOTHER COP, NEIL.
189
00:09:14,433 --> 00:09:17,146
I’M NOT DRIVING
AT NOTHING.
190
00:09:17,179 --> 00:09:19,324
I’M SAYING IF ANOTHER
COP TOLD ME SOMETHING
191
00:09:19,357 --> 00:09:22,004
WHERE SOME INTENTION
OF HIS WENT WRONG,
192
00:09:22,038 --> 00:09:24,181
I’M MAKING DAMN SURE
HIS INTENTIONS
193
00:09:24,214 --> 00:09:27,129
CAST A GOOD STRONG LIGHT
ON WHATEVER IT IS
HE DID
194
00:09:27,163 --> 00:09:29,073
THAT DIDN’T HAVE
THE OUTCOME HE WANTED.
195
00:09:29,106 --> 00:09:31,384
I’M MAKING
DAMN SURE OF THAT.
196
00:09:31,417 --> 00:09:33,026
BUT FIRST I GOTTA KNOW
WHAT HAPPENED.
197
00:09:44,148 --> 00:09:46,861
WELL, MAYBE I GOT
SOMETHING TO SAY.
198
00:09:46,894 --> 00:09:49,206
Szymanski:
I HEAR A SHOT OUTSIDE.
199
00:09:49,239 --> 00:09:50,278
I DRAW MY GUN.
200
00:09:52,958 --> 00:09:56,409
MY FIRST STEP OUT,
A ROUND HITS ME
IN THE ARM.
201
00:09:56,442 --> 00:10:00,696
SOMEONE DRESSED
LIKE A BAD GUY IS
POINTING HIS GUN AT ME.
202
00:10:00,731 --> 00:10:02,807
I DEFENDED MYSELF.
203
00:10:02,841 --> 00:10:04,281
WHAT WOULD YOU DO?
204
00:10:04,314 --> 00:10:06,995
THE GUY DRESSED
AS A BAD GUY IS HUDSON.
205
00:10:07,028 --> 00:10:09,675
THE PLAINCLOTHES COP,
AS I FOUND OUT LATER.
206
00:10:09,708 --> 00:10:13,025
AND YOU BELIEVED IT WAS
HUDSON WHO HAD FIRED ON YOU.
207
00:10:13,058 --> 00:10:14,700
RIDING OVER HERE,
AFTER THE FACT,
208
00:10:14,734 --> 00:10:18,218
HIS PARTNER DONALDSON
TELLS ME HUDSON
DIDN’T FIRE...
209
00:10:18,251 --> 00:10:19,792
AND HE DIDN’T FIRE
EITHER.
210
00:10:19,826 --> 00:10:21,736
AND YOU SHOT HUDSON
5 TIMES.
211
00:10:23,276 --> 00:10:25,152
SOMEBODY FIRED ON ME,
LIEUTENANT,
212
00:10:25,185 --> 00:10:27,899
AND IT SURE AS HELL
LOOKED LIKE IT WAS HIM.
213
00:10:29,540 --> 00:10:31,718
WHAT WAS THIS,
214
00:10:31,752 --> 00:10:32,791
THE PHANTOM BULLET?
215
00:10:35,638 --> 00:10:37,245
ME AND HUDSON
216
00:10:37,279 --> 00:10:40,595
WERE ON OPPOSITE SIDES
OF THE STREET PURSUING
2 ROBBERY SUSPECTS.
217
00:10:40,629 --> 00:10:42,741
I’M LOOKING AHEAD OF ME
UP THE STREET.
218
00:10:42,774 --> 00:10:44,817
I HEAR THIS GUNSHOT
OVER ON HUDSON’S SIDE.
219
00:10:44,851 --> 00:10:46,290
I SEE THIS GUY.
220
00:10:46,324 --> 00:10:48,535
I DON’T KNOW WHO HE IS,
THIS SZYMANSKI.
221
00:10:48,569 --> 00:10:50,947
NOW, HE’S HOLDING A HANDGUN
AND HE SHOOTS HUDSON,
222
00:10:50,981 --> 00:10:52,791
CLOSE RANGE,
A BUNCH OF TIMES.
223
00:10:52,824 --> 00:10:55,168
NEITHER YOU OR HUDSON
ARE WEARING YOUR VESTS
AT THE TIME?
224
00:10:55,202 --> 00:10:57,078
MAN, YOU KNOW
HOW UNCOMFORTABLE
THOSE THINGS ARE.
225
00:10:57,112 --> 00:11:00,864
ALL RIGHT. SO YOU SEE
HUDSON GETTING SHOT
A BUNCH OF TIMES
226
00:11:00,897 --> 00:11:02,572
WHILE YOU’RE RUNNING
ACROSS THE STREET
TO HELP HIM?
227
00:11:02,605 --> 00:11:04,080
I’M RUNNING
ACROSS THE STREET.
228
00:11:04,113 --> 00:11:05,856
I’M SHOUTING,
"WE’RE COPS."
229
00:11:05,889 --> 00:11:07,697
CRAZY AS HE LOOKED,
230
00:11:07,731 --> 00:11:10,712
NEVER OCCURRED TO ME
THIS GUY STANDING OVER HUDSON,
231
00:11:10,747 --> 00:11:12,622
THIS SZYMANSKI,
WAS A COP, TOO.
232
00:11:12,655 --> 00:11:14,062
UNTIL HE
IDENTIFIED HIMSELF.
233
00:11:14,097 --> 00:11:15,738
YEAH. UNTIL HE
IDENTIFIED HIMSELF,
234
00:11:15,772 --> 00:11:17,447
IT NEVER OCCURRED TO ME.
235
00:11:17,480 --> 00:11:19,859
SO THE OTHER COPS’D
KNOW WHO YOU WERE,
236
00:11:19,892 --> 00:11:21,700
YOU AND YOUR PARTNER
IN PLAINCLOTHES,
237
00:11:21,735 --> 00:11:23,812
I’M ASSUMING
THAT THE BOTH OF YOU
238
00:11:23,846 --> 00:11:25,922
WERE WEARING
THE COLOR OF THE DAY.
239
00:11:34,297 --> 00:11:36,207
YOU WITH ME,
DONALDSON?
240
00:11:36,240 --> 00:11:38,049
COLOR OF THE DAY
FOR PLAINCLOTHES‐‐
241
00:11:38,082 --> 00:11:39,222
WERE YOU WEARING ’EM?
242
00:11:39,255 --> 00:11:41,332
NO, WE WERE NOT.
243
00:11:45,418 --> 00:11:46,793
NO, YOU WERE NOT.
244
00:11:46,826 --> 00:11:49,640
SIPOWICZ, YOU KNOW
AS WELL AS I DO
245
00:11:49,674 --> 00:11:53,292
PLAINCLOTHES DON’T WEAR
THE COLOR ALL THE TIME
SO THEY DON’T GET MADE.
246
00:11:53,325 --> 00:11:55,604
THEY PUT IT ON
WHEN TROUBLE JUMPS OFF.
247
00:11:55,637 --> 00:11:58,217
AND THIS THAT HAPPENED
IN THE STREET TODAY‐‐
248
00:11:58,250 --> 00:11:59,791
THAT DON’T COUNT
AS TROUBLE?
249
00:11:59,825 --> 00:12:01,466
IT JUMPED OFF TOO QUICK.
250
00:12:01,499 --> 00:12:03,208
THE TROUBLE
HAPPENED TOO FAST.
251
00:12:03,242 --> 00:12:06,591
NOW, WE WERE CHASING BAD GUYS.
WE COULDN’T GET THE COLORS ON.
252
00:12:07,765 --> 00:12:10,076
YOU UNDERSTAND
WHAT HAPPENED?
253
00:12:10,109 --> 00:12:11,147
YEAH, I DO.
254
00:12:13,091 --> 00:12:15,335
I’LL BE BACK WITH YOU
IN A MINUTE.
255
00:12:19,455 --> 00:12:20,594
WHEN THE TROUBLE STARTS,
256
00:12:20,628 --> 00:12:22,270
HIM AND
THE SHOT PLAINCLOTHES
257
00:12:22,303 --> 00:12:24,681
AREN’T WEARING
THE COLOR OF THE DAY.
258
00:12:24,715 --> 00:12:27,798
HOW WAS SZYMANSKI
SUPPOSED TO KNOW THAT
THESE GUYS ARE COPS?
259
00:12:27,831 --> 00:12:28,936
THIS BAKER, ANDY,
260
00:12:28,970 --> 00:12:30,446
HE SAYS NOW
HE THREW A SHOT
IN THE STREET.
261
00:12:30,446 --> 00:12:31,241
FROM WHERE?
262
00:12:31,276 --> 00:12:33,017
FROM THE OTHER SIDE
OF THESE PLAINCLOTHES,
263
00:12:33,051 --> 00:12:34,424
FROM WHERE SZYMANSKI WAS.
264
00:12:34,457 --> 00:12:37,037
HE SAYS HE THINKS
IT’S HIS BULLET
HIT SZYMANSKI.
265
00:12:37,071 --> 00:12:39,550
IF THE BAD GUYS
ARE UP THE STREET
THE OTHER DIRECTION,
266
00:12:39,583 --> 00:12:41,794
WHO IN THE HELL IS
THIS ROOKIE SHOOTING AT?
267
00:12:41,828 --> 00:12:44,374
WELL, HE DIDN’T KNOW
ABOUT THE BAD GUYS
UP THE STREET, THIS BAKER.
268
00:12:44,407 --> 00:12:47,188
HE THOUGHT THE PLAINCLOTHES
WERE THE BAD GUYS.
269
00:12:47,221 --> 00:12:50,605
GOTTA HELP SZYMANSKI, NO?
270
00:12:50,638 --> 00:12:52,213
REMAINS TO BE SEEN.
271
00:12:53,653 --> 00:12:56,065
HOW IS THIS SZYMANSKI
GETTIN’ JAMMED, ANDY?
272
00:12:56,099 --> 00:12:58,813
IF THESE PLAINCLOTHES
WEREN’T WEARING
COLOR OF THE DAY,
273
00:12:58,846 --> 00:13:00,387
THEY GOT WEAPONS DRAWN,
274
00:13:00,421 --> 00:13:02,598
AND SZYMANSKI GETS SHOT
FROM THEIR DIRECTION‐‐
275
00:13:02,632 --> 00:13:06,082
HEAT OF THE MOMENT,
SZYMANSKI’S GOTTA BELIEVE
THEY’RE THE GUYS WHO SHOT HIM.
276
00:13:06,115 --> 00:13:08,025
WHO’S GONNA HANG HIM
FOR THAT?
277
00:13:12,514 --> 00:13:13,486
MY OFFICE.
278
00:13:16,233 --> 00:13:17,773
REMAINS TO BE SEEN.
279
00:13:45,914 --> 00:13:47,991
I WANT BOTH THOSE
PLAINCLOTHES’ GUNS
CHECKED.
280
00:13:48,025 --> 00:13:49,800
SZYMANSKI INSISTS
THEY SHOT AT HIM.
281
00:13:49,833 --> 00:13:51,676
I WANT TO MAKE SURE
HE’S NOT RIGHT.
282
00:13:51,710 --> 00:13:53,217
PLAINCLOTHES
DIDN’T SHOOT AT HIM.
283
00:13:53,250 --> 00:13:55,060
AND HOW DO WE KNOW THAT?
284
00:13:55,094 --> 00:13:57,204
’CAUSE IT’S THE ONE MISTAKE
THEY DIDN’T MAKE.
285
00:13:57,237 --> 00:13:59,682
MY GUY THREW THE SHOT
HIT SZYMANSKI, BOSS‐‐
286
00:13:59,717 --> 00:14:01,357
THIS ROOKIE COP BAKER.
287
00:14:01,391 --> 00:14:02,765
AND HE ADMITS THAT?
288
00:14:02,798 --> 00:14:05,310
YEAH,
HE ADMITTED IT TO ME.
289
00:14:05,344 --> 00:14:07,924
HE THOUGHT THE PLAINCLOTHES
WERE THE BAD GUYS,
290
00:14:07,958 --> 00:14:10,269
THROWS A SHOT
THAT HITS SZYMANSKI INSTEAD.
291
00:14:10,302 --> 00:14:12,112
THIS BEING
BEHIND THE PLAINCLOTHES
292
00:14:12,145 --> 00:14:14,322
NOT WEARING
THE COLOR OF THE DAY,
293
00:14:14,355 --> 00:14:16,601
SO NEITHER THIS BAKER
NOR SZYMANSKI KNOW
THEY WERE COPS.
294
00:14:16,634 --> 00:14:18,309
I SEE.
295
00:14:18,342 --> 00:14:20,687
THESE GUYS RAN
THE TABLES, YOU KNOW.
296
00:14:20,721 --> 00:14:23,400
THEY WEREN’T EVEN
WEARING THEIR VESTS,
NEITHER OF THE PLAINCLOTHES.
297
00:14:23,434 --> 00:14:25,310
SO ARE WE GONNA TRY
298
00:14:25,344 --> 00:14:28,325
TO PUT HUDSON’S
GETTING SHOT 5 TIMES
AT CLOSE RANGE
299
00:14:28,359 --> 00:14:31,340
ON SOME MISTAKE
HE AND DONALDSON
MADE, TOO?
300
00:14:31,374 --> 00:14:33,350
NO, I DON’T THINK
ANDY’S SAYING THAT, BOSS.
301
00:14:33,384 --> 00:14:36,365
WELL, I THINK
WE CAN PUT THE 5 BULLETS
OFF SZYMANSKI BEING SHOT
302
00:14:36,399 --> 00:14:38,711
AND SEEING HUDSON
IN FRONT OF HIM
WITH A GUN
303
00:14:38,744 --> 00:14:40,620
AND DECIDING
TO TAKE CARE OF BUSINESS.
304
00:14:40,653 --> 00:14:42,630
HUDSON NOT BEING
CONSCIOUS JUST NOW
305
00:14:42,663 --> 00:14:44,439
TO TELL US
WHETHER OR NOT HE,
306
00:14:44,472 --> 00:14:46,449
UM, IDENTIFIED HIMSELF
AS A COP WHILE SZYMANSKI
307
00:14:46,482 --> 00:14:48,459
POURED ROUND AFTER ROUND
AFTER ROUND IN HIM.
308
00:14:48,492 --> 00:14:51,944
YEAH, WELL, MAYBE IF HE
WAS WEARING A VEST LIKE
HE WAS SUPPOSED TO DO,
309
00:14:51,978 --> 00:14:54,623
HUDSON’D BE CONSCIOUS NOW
SO HE COULD TELL US THAT.
310
00:14:54,656 --> 00:14:56,165
YOU HAD DONALDSON
SITTING IN FRONT OF YOU.
311
00:14:56,199 --> 00:14:58,175
DID YOU ASK HIM WHAT
SZYMANSKI LOOKED LIKE
312
00:14:58,209 --> 00:15:00,085
WHILE HE WAS PUTTING 5
IN HUDSON’S BELLY?
313
00:15:00,119 --> 00:15:03,034
NO, I DIDN’T ASK DONALDSON
WHAT SZYMANSKI LOOKED LIKE.
314
00:15:03,067 --> 00:15:06,449
I DIDN’T KNOW
THAT FACIAL EXPRESSIONS
WERE POSSIBLE FELONIES.
315
00:15:06,482 --> 00:15:07,924
5 BULLETS IS
A LOT OF BULLETS.
316
00:15:07,958 --> 00:15:10,202
I’M INTERESTED
IN SZYMANSKI’S MIND‐SET.
317
00:15:10,235 --> 00:15:13,250
HEY, BOSS, IF YOU STILL
NEED TO HURT SZYMANSKI,
318
00:15:13,284 --> 00:15:15,728
YOU BETTER DO IT
WITH A BLUNT INSTRUMENT,
319
00:15:15,761 --> 00:15:18,242
BECAUSE HE WAS RIGHT
IN THIS SHOOTING.
320
00:15:18,275 --> 00:15:19,314
[FRUSTRATED SIGH]
321
00:15:40,652 --> 00:15:42,329
[PUNCHING]
322
00:15:44,072 --> 00:15:46,986
IT’S OVER!
IT’S OVER! IT’S OVER!
323
00:15:47,020 --> 00:15:48,359
IT’S OVER.
324
00:15:52,279 --> 00:15:53,584
WHERE’S
THE FIRST‐AID KIT?
325
00:15:53,617 --> 00:15:55,327
CABINET IN MY OFFICE.
326
00:15:55,360 --> 00:15:57,570
DON’T YOU START
BEATING ON EACH OTHER,
YOU HEAR ME?
327
00:16:15,962 --> 00:16:17,237
WHAT DID YOU HEAR?
328
00:16:17,270 --> 00:16:18,875
HEY, I AIN’T
HEARD NOTHIN’.
329
00:16:18,909 --> 00:16:21,390
YOU DIDN’T
HEAR NOTHIN’,
AM I RIGHT?
330
00:16:21,424 --> 00:16:23,267
I GOT PROBLEMS
OF MY OWN.
331
00:16:39,847 --> 00:16:40,752
[LOCKS DOOR]
332
00:16:42,229 --> 00:16:43,467
[LOCKS DOOR]
333
00:16:44,772 --> 00:16:46,949
WHAT’S THE MATTER
WITH THE BOTH OF YOU?
334
00:16:50,735 --> 00:16:52,445
I’LL TRANSFER
THE HELL OUT,
335
00:16:52,479 --> 00:16:55,227
I’M TELLING THE BOTH OF YOU
RIGHT NOW.
336
00:16:55,260 --> 00:16:57,504
I’M NOT WORKING
WHERE THIS CRAP GOES ON.
337
00:16:59,714 --> 00:17:00,985
LOCK THIS.
338
00:17:16,432 --> 00:17:17,136
[LOCKS DOOR]
339
00:18:19,346 --> 00:18:20,289
HEY, SHANNON.
340
00:18:20,322 --> 00:18:21,556
YOU GOT A MINUTE?
341
00:18:21,589 --> 00:18:24,371
WHAT’S GOING ON?
342
00:18:24,404 --> 00:18:25,943
YOUR P. A. A. TOOK
A COLLAR IN THE 2‐7.
343
00:18:25,978 --> 00:18:27,218
OH, MAN.
344
00:18:27,251 --> 00:18:28,357
EVIDENTLY,
SHE SHOPLIFTED
345
00:18:28,391 --> 00:18:29,396
SOME PERFUME
AT RUTHERFORD’S,
346
00:18:29,429 --> 00:18:30,969
PLUS THERE WAS
SOME BACK‐AND‐FORTH
347
00:18:31,003 --> 00:18:32,644
WITH THE SECURITY BOSS
GRABBED HER UP.
348
00:18:32,677 --> 00:18:34,587
DOLORES DIDN’T SAY
SHE WAS A P. A. A.?
349
00:18:34,621 --> 00:18:37,167
COP THAT TOOK THE COMPLAINT,
TEDDY DELFINO,
350
00:18:37,201 --> 00:18:39,779
RECOGNIZED HER FROM
BEING OVER HERE RETURNING
SOME VOUCHERED PROPERTY.
351
00:18:39,812 --> 00:18:41,957
DID DELFINO
SAY WHAT KIND
OF BACK‐AND‐FORTH
352
00:18:41,991 --> 00:18:44,135
THERE WAS
WITH DOLORES AND THE
SECURITY SUPERVISOR?
353
00:18:44,169 --> 00:18:45,776
YEAH. TEDDY SAID
THE SUPERVISOR SAID
354
00:18:45,809 --> 00:18:48,457
SHE WAS OFFERING SEX
IF HE’D LET HER GO
FOR THE SHOPLIFTING.
355
00:18:48,491 --> 00:18:49,963
AND WHAT WAS
DOLORES’ STORY?
356
00:18:49,998 --> 00:18:53,917
THAT THE SUPERVISOR
TRIED TO GET OVER ON HER
IN HIS OFFICE.
357
00:18:53,950 --> 00:18:56,397
DELFINO’S AT HIS HOUSE
IF YOU WANT TO CALL HIM.
358
00:18:56,431 --> 00:18:58,340
YEAH. WE’LL, UH,
WE’LL CALL DELFINO NOW.
359
00:18:58,373 --> 00:19:00,350
OK. SHE SEEMS LIKE
A REALLY NICE GIRL.
360
00:19:00,383 --> 00:19:01,957
YEAH.
361
00:19:01,991 --> 00:19:02,962
[SIGHS]
362
00:19:02,996 --> 00:19:04,604
HER NOT REACHING OUT
IS BAD.
363
00:19:04,637 --> 00:19:07,987
IF WE MAKE THIS GO AWAY
AND SHE’S LOOKING
TO JAM HERSELF UP,
364
00:19:08,021 --> 00:19:09,629
WE DIDN’T DO HER
ANY FAVORS.
365
00:19:09,662 --> 00:19:11,772
MIGHT JUST PUSH HER
INTO SOMETHING WORSE.
366
00:19:14,118 --> 00:19:15,626
THE THINKER.
367
00:19:15,659 --> 00:19:17,903
DOES THIS HAPPEN OFTEN?
368
00:19:19,210 --> 00:19:20,784
WORLD WAR III.
369
00:19:20,817 --> 00:19:22,158
BETWEEN WHO?
370
00:19:22,192 --> 00:19:23,566
ANDY AND THE BOSS.
371
00:19:25,240 --> 00:19:26,547
ONE MINUTE
THEY’RE TALKING
LIKE GENTLEMEN
372
00:19:26,581 --> 00:19:27,652
ABOUT THE CASE‐‐
373
00:19:27,686 --> 00:19:29,428
SZYMANSKI SHOOTING
THE PLAINCLOTHES?
374
00:19:29,461 --> 00:19:30,734
NEXT THING,
THEY’RE BREAKING
EACH OTHER’S SHOES,
375
00:19:30,767 --> 00:19:32,376
NEXT THING, THEY’RE
IN THE BATHROOM
376
00:19:32,410 --> 00:19:33,481
HITTIN’ EACH OTHER
WITH HAYMAKERS.
377
00:19:37,099 --> 00:19:38,372
WAS HE HERE FOR IT?
378
00:19:38,406 --> 00:19:40,817
HE SAID HE’S GOT
HIS OWN PROBLEMS.
379
00:19:40,852 --> 00:19:42,761
AND NO ONE ELSE WAS HERE?
380
00:19:42,794 --> 00:19:45,374
THAT SZYMANSKI WAS
IN THE COFFEE ROOM.
THE DOOR WAS CLOSED.
381
00:19:47,116 --> 00:19:48,657
UM...
382
00:19:48,691 --> 00:19:51,169
GREG AND JAMES ARE STILL
AT THE PROJECTS, UM,
383
00:19:51,203 --> 00:19:54,352
LOOKING FOR THE TWO
THAT GOT IT STARTED.
384
00:19:54,385 --> 00:19:56,797
DID YOU GET ANYTHING
ON CANVASS?
385
00:19:56,831 --> 00:19:59,344
PLENTY. JUST NOTHING
THAT MADE ANY SENSE.
386
00:20:04,905 --> 00:20:06,279
ARE THEY ALL RIGHT
ALONE IN THERE?
387
00:20:06,312 --> 00:20:07,786
BEATS THE HELL
OUT OF ME.
388
00:20:10,801 --> 00:20:14,184
[DONALDSON SPEAKING
INAUDIBLY]
389
00:20:16,462 --> 00:20:18,305
WHO ARE YOU
TALKING TO?
390
00:20:19,377 --> 00:20:20,817
THE HOSPITAL.
391
00:20:31,605 --> 00:20:33,213
[SIGHS]
392
00:20:33,246 --> 00:20:35,792
WE GOTTA FIGURE
SOMETHING OUT.
393
00:20:38,706 --> 00:20:41,588
WE COULD KILL EACH OTHER,
I COULD GET A HEART ATTACK,
OR SO FORTH.
394
00:20:41,621 --> 00:20:44,033
HAVE YOU GOT CHEST PAIN?
395
00:20:44,067 --> 00:20:45,910
NO.
396
00:20:45,943 --> 00:20:47,484
YOU?
397
00:20:47,517 --> 00:20:51,470
BUT MY FATHER DIED
OF A HEART ATTACK
WHEN HE WAS 43.
398
00:20:51,504 --> 00:20:53,983
WHAT, DID HE HAVE
A BAD DIET?
399
00:20:55,524 --> 00:20:57,701
HE HAD HYPERTENSION.
400
00:20:57,735 --> 00:20:59,410
AND HE WAS A DRUNK.
401
00:21:07,116 --> 00:21:09,127
IT’S THE TONE
THAT SETS ME OFF.
402
00:21:09,160 --> 00:21:10,668
THAT LOOK.
403
00:21:10,701 --> 00:21:13,650
"I GOT YOUR NUMBER.
I KNOW WHAT YOU ARE."
404
00:21:13,683 --> 00:21:15,358
THAT’S THE LOOK
THAT SETS YOU OFF?
405
00:21:15,391 --> 00:21:16,262
YEAH, THAT’S THE LOOK.
406
00:21:16,295 --> 00:21:17,904
I THOUGHT YOU
PATENTED THAT AT BIRTH.
407
00:21:17,937 --> 00:21:21,053
I GOT YOUR NUMBER.
I KNOW WHAT YOU ARE.
408
00:21:21,087 --> 00:21:24,202
YOU’RE A DRUNK.
YOU’RE A MESS.
YOU GOT RACE PREJUDICE.
409
00:21:24,235 --> 00:21:25,743
MAKE THAT MOVE
WITH YOUR THUMB
LIKE YOU DID FOR SORENSON,
410
00:21:25,777 --> 00:21:27,485
POINTING AT ME
IN MY OFFICE.
411
00:21:27,519 --> 00:21:29,227
THAT POINT
I’D LOST MY TEMPER.
412
00:21:29,260 --> 00:21:32,075
THAT’S WHAT GOT US
THROWING PUNCHES,
DOING THAT WITH YOUR THUMB.
413
00:21:32,108 --> 00:21:33,984
WE THREW PUNCHES
’CAUSE YOU CHASED
IN HERE AFTER ME.
414
00:21:34,017 --> 00:21:35,659
I DON’T TAKE THAT
OFF ANYBODY,
415
00:21:35,693 --> 00:21:37,937
THAT‐‐THAT
"WHAT DO YOU EXPECT?"
THUMB STUFF.
416
00:21:37,971 --> 00:21:39,645
LOOK, LOOK, LOOK.
417
00:21:41,153 --> 00:21:43,632
NO, YOU’RE RIGHT.
418
00:21:43,665 --> 00:21:45,542
I’VE WORKED TOO HARD.
419
00:21:45,575 --> 00:21:47,150
THEY’LL LAUNCH US
OUT OF HERE.
420
00:21:47,183 --> 00:21:50,265
ANY BIG FUTURE
YOU GOT AT ONE P. P.,
YOU CAN FORGET ABOUT IT.
421
00:21:50,298 --> 00:21:54,755
THAT’S THE KIND
OF SIDEWAYS CRACK
YOU NEVER MISS MAKING.
422
00:21:54,789 --> 00:21:56,027
YOU’RE NOT AMBITIOUS?
423
00:21:56,061 --> 00:21:57,569
WHAT’S WRONG
WITH BEING AMBITIOUS?
424
00:21:57,602 --> 00:21:59,210
[SIGHS]
425
00:21:59,243 --> 00:22:01,220
I WITHDRAW
THE SIDEWAYS CRACK,
426
00:22:01,253 --> 00:22:03,163
AND I WITHDRAW
MY THUMBS.
427
00:22:04,470 --> 00:22:06,514
I FEEL LIKE
I CAN READ YOUR MIND.
428
00:22:06,547 --> 00:22:08,624
I FEEL LIKE
I CAN READ YOUR MIND.
429
00:22:08,657 --> 00:22:10,969
ANY COP, ALL COLORS,
430
00:22:11,002 --> 00:22:14,318
I FEEL LIKE
I UNDERSTAND YOU THE BEST.
431
00:22:14,352 --> 00:22:17,702
NOW, HOW THE HELL
CAN THAT BE?
432
00:22:20,517 --> 00:22:21,589
THE KID’S ALL RIGHT.
433
00:22:23,632 --> 00:22:25,675
HE’S NOT GONNA
TAKE IT ANYPLACE.
434
00:22:25,709 --> 00:22:27,283
WHAT ABOUT
THE PLAINCLOTHES?
435
00:22:27,317 --> 00:22:28,455
YEAH.
436
00:22:28,489 --> 00:22:30,767
THAT MAY BE
A CONVERSATION.
437
00:22:47,920 --> 00:22:49,729
I’M ARTHUR FANCY.
438
00:22:49,762 --> 00:22:51,102
HOW DO YOU DO?
439
00:22:56,295 --> 00:22:58,171
ANYTHING OFF THE CANVASS?
440
00:22:58,204 --> 00:23:01,086
YEAH. LET’S TALK ABOUT
THE CANVASS, ANDY.
441
00:23:01,119 --> 00:23:03,799
NO, WE DIDN’T GET ANYTHING
OFF CANVASS.
442
00:23:03,832 --> 00:23:05,809
I TOLD THEM WHAT
WE FOUND OUT HERE,
443
00:23:05,842 --> 00:23:07,685
HOW THE SHOOTINGS
WENT DOWN.
444
00:23:09,360 --> 00:23:11,805
AS FAR AS ME AND HIM,
THINGS GOT...
445
00:23:11,839 --> 00:23:13,715
SOMEWHAT OUT OF HAND.
446
00:23:15,524 --> 00:23:19,209
UH, SHALL WE CALL DELFINO
ON THIS OTHER THING?
447
00:23:21,588 --> 00:23:23,832
OBVIOUSLY
YOUR CHIEF CONCERN’S
YOUR PARTNER.
448
00:23:23,865 --> 00:23:26,412
YEAH. THANK GOD
HE’S STABLE NOW.
449
00:23:26,445 --> 00:23:29,226
THE SHOT
THAT HIT SZYMANSKI
CAME FROM A UNIFORM COP,
450
00:23:29,259 --> 00:23:30,533
SO THAT CORROBORATES
YOUR ACCOUNT.
451
00:23:30,566 --> 00:23:33,548
WE ALSO NEED TO REPORT
YOUR NOT WEARING VESTS,
452
00:23:33,581 --> 00:23:36,797
WHICH’LL PROBABLY BE
A 10‐DAY RIP.
453
00:23:36,830 --> 00:23:40,146
COULD YOU PUT IN WE WORE
THE VESTS DURING INSPECTION,
LIEUTENANT,
454
00:23:40,181 --> 00:23:41,889
THEN TOOK THEM OFF
ONCE WE LEFT THE HOUSE?
455
00:23:41,923 --> 00:23:45,071
I’LL PUT IN YOUR BOSS
INSPECTED YOU FOR VESTS,
456
00:23:45,105 --> 00:23:45,875
WHETHER IT’S TRUE
OR NOT.
457
00:23:48,020 --> 00:23:50,331
THE TACTICAL ERROR,
NOT WEARING
THE COLOR OF THE DAY,
458
00:23:50,365 --> 00:23:54,787
YOU CAN GET OFF
WITH A SLAP LIKE
"WARNED AND ADMONISHED"
459
00:23:54,820 --> 00:23:57,546
OR PUT BACK IN UNIFORM,
WHICH AS YOU KNOW,
ISN’T OUR CALL.
460
00:23:57,579 --> 00:24:01,566
LOOK, LIEUTENANT,
I KNOW THIS ISN’T YOUR CALL,
461
00:24:01,599 --> 00:24:04,144
BUT AS FAR AS THIS
GETTING WRITTEN UP,
462
00:24:04,178 --> 00:24:06,456
I DID EXPLAIN
TO THAT DETECTIVE
463
00:24:06,490 --> 00:24:08,164
HOW QUICK THE TROUBLE
JUMPED OFF.
464
00:24:08,198 --> 00:24:09,672
WHY WE DIDN’T
GET THE COLOR ON.
465
00:24:09,706 --> 00:24:11,782
THEN THAT’S HOW
HE’LL WRITE IT UP.
466
00:24:11,816 --> 00:24:13,356
THAT DETECTIVE
DOESN’T LOOK
TO HURT COPS.
467
00:24:14,731 --> 00:24:15,970
OK.
468
00:24:16,004 --> 00:24:18,081
THIS WAS PERSONAL.
469
00:24:18,114 --> 00:24:19,622
YOU UNDERSTAND THAT?
470
00:24:21,632 --> 00:24:24,681
YEAH. I DON’T LOOK TO HURT
OTHER COPS EITHER, LIEUTENANT.
471
00:24:24,714 --> 00:24:26,958
ALL RIGHT.
472
00:24:26,992 --> 00:24:29,505
THINK THAT GOES FOR
THAT SZYMANSKI?
473
00:24:32,084 --> 00:24:34,228
GO BE WITH
YOUR PARTNER, DONALDSON.
474
00:24:34,261 --> 00:24:35,535
YES, SIR.
THANK YOU.
475
00:24:45,483 --> 00:24:48,464
THIS IS AS MUCH ME
AS HIM...
476
00:24:48,498 --> 00:24:51,146
THROWING MY THUMB
AT HIS NOSE.
477
00:24:51,179 --> 00:24:53,256
THAT’S WHAT SET IT OFF.
478
00:24:53,289 --> 00:24:55,066
THAT’S YOUR TAKE ON IT?
479
00:24:55,099 --> 00:24:57,612
I WASN’T TAKING
A POSITION, ANDY.
I WAS SUMMARIZING YOURS.
480
00:24:59,486 --> 00:25:01,632
NEXT TIME I’LL SAY,
"I HEAR YOU."
481
00:25:01,666 --> 00:25:03,976
SO LET ME GET
A STORY SET WITH THIS BAKER.
482
00:25:10,374 --> 00:25:13,356
HOW BAD’S IT GONNA BE
FOR ME?
483
00:25:13,389 --> 00:25:14,964
IT’S NOT GONNA BE BAD,
NEIL,
484
00:25:14,997 --> 00:25:17,176
AS LONG AS
WE’RE ON THE SAME PAGE.
485
00:25:17,209 --> 00:25:18,784
ALL RIGHT.
486
00:25:18,817 --> 00:25:20,861
I’M PUTTIN’ YOU TOLD ME
487
00:25:20,894 --> 00:25:22,501
AT THE SCENE
488
00:25:22,534 --> 00:25:24,646
YOU HAD SOMETHING FOR ME
ON THE INCIDENT.
489
00:25:24,681 --> 00:25:26,254
THAT I TOLD YOU THAT
AT THE SCENE.
490
00:25:26,288 --> 00:25:29,872
BUT YOU WANTED TO SAY
AT THE STATION HOUSE.
491
00:25:29,906 --> 00:25:32,251
I APPRECIATE
WHERE I THINK
YOU’RE GOING WITH THIS.
492
00:25:32,284 --> 00:25:33,892
UNDER THOSE
CIRCUMSTANCES,
493
00:25:33,926 --> 00:25:35,902
THINKING THOSE GUYS
WERE BAD GUYS,
494
00:25:35,936 --> 00:25:38,381
YOU THROWING THE SHOT
IS NO JACKPOT.
495
00:25:38,414 --> 00:25:41,229
YEAH. THE POTENTIAL JACKPOT’S
NOT COMING FORWARD RIGHT AWAY.
496
00:25:41,263 --> 00:25:43,071
BUT YOU DID, NEIL. OK?
497
00:25:43,105 --> 00:25:44,411
AT THE SCENE.
498
00:25:44,444 --> 00:25:46,187
YOU CAME FORWARD TO ME
499
00:25:46,221 --> 00:25:48,464
AS ONE OF
THE INVESTIGATING
DETECTIVES.
500
00:25:50,844 --> 00:25:52,552
I GOT A CONTRIBUTION
TO MAKE.
501
00:25:52,585 --> 00:25:54,193
I’M SURE YOU DO.
502
00:25:54,228 --> 00:25:56,841
WHEN I REALIZED
WHAT I DID...
503
00:25:56,874 --> 00:25:59,453
FOR VARIOUS PERSONAL
FAMILY REASONS...
504
00:26:00,927 --> 00:26:03,674
I GOT VERY AFRAID
I WOULD LOSE MY JOB.
505
00:26:03,708 --> 00:26:05,751
NEIL, YOU CHOSE
TO TELL ME.
506
00:26:05,785 --> 00:26:09,135
I LOOK TO HURT YOU
OVER AN HOUR
AND A HALF DELAY,
507
00:26:09,168 --> 00:26:11,815
TOOK NO SKIN OFF
ANYONE ELSE’S NOSE,
THEN I’M A BUM.
508
00:26:17,175 --> 00:26:18,951
GO ON OUT AND
TAKE CARE OF BUSINESS.
509
00:26:23,306 --> 00:26:25,148
THANKS.
510
00:26:26,756 --> 00:26:28,431
VERY MUCH.
511
00:26:36,471 --> 00:26:38,549
JUST CHECKING
IF THEY STARTED
CONSTRUCTION
512
00:26:38,582 --> 00:26:39,855
ON THE GALLOWS.
513
00:26:39,888 --> 00:26:42,333
YOU WON’T GET HUNG
OFF OUR REPORT.
514
00:26:43,908 --> 00:26:45,483
WHAT HAPPENED
TO YOUR LIP?
515
00:26:51,881 --> 00:26:55,265
A ROOKIE COP SHOT YOU
FROM THE SAME DIRECTION
516
00:26:55,298 --> 00:26:57,443
AS THE PLAINCLOTHES
WHO WERE COMING AT YOU.
517
00:26:57,476 --> 00:26:59,888
THE PLAINCLOTHES
HAVING THEIR WEAPONS
DRAWN,
518
00:26:59,921 --> 00:27:02,166
I MISTOOK THE SHOTS
COMING FROM THEM.
519
00:27:02,200 --> 00:27:03,707
WE ALSO FOUND OUT
THE PLAINCLOTHES
520
00:27:03,740 --> 00:27:05,348
WEREN’T WEARING
THE COLOR OF THE DAY.
521
00:27:05,382 --> 00:27:07,056
THERE YOU GO.
522
00:27:07,091 --> 00:27:08,498
THAT’S WHY I DID
WHAT I DID.
523
00:27:08,531 --> 00:27:09,503
YOU DIDN’T MENTION THAT.
524
00:27:09,536 --> 00:27:10,609
NO, I DIDN’T.
525
00:27:10,642 --> 00:27:12,450
WAS THAT ’CAUSE
YOU DIDN’T NOTICE?
526
00:27:12,484 --> 00:27:14,930
I DIDN’T NOTICE THAT THEY
WEREN’T WEARING SOMETHING?
527
00:27:14,963 --> 00:27:17,275
I ALSO DIDN’T NOTICE
THAT THEY WEREN’T
WEARING PINK TUTUS.
528
00:27:17,308 --> 00:27:18,582
SZYMANSKI, EVEN NOT
WEARING THE COLOR,
529
00:27:18,615 --> 00:27:20,122
IF THOSE PLAINCLOTHES
WERE WHITE,
530
00:27:20,156 --> 00:27:21,730
YOU WOULD’VE
THOUGHT TWICE.
531
00:27:21,764 --> 00:27:24,679
I WOULD’VE GIVEN THEM
A BETTER CHANCE
AT BEING ON THE JOB.
532
00:27:24,712 --> 00:27:26,689
OF COURSE, THEN
THEY WOULDN’T HAVE BEEN
AS GOOD AT FITTING IN.
533
00:27:26,722 --> 00:27:28,197
THE WEIGHT’S STILL
ON THEM, LIEUTENANT.
534
00:27:28,230 --> 00:27:29,368
THEY SHOULD’VE BEEN
WEARING THE COLOR.
535
00:27:29,402 --> 00:27:30,575
I DON’T DISAGREE.
536
00:27:32,015 --> 00:27:33,422
AS FAR AS YOU
PUTTING 5 IN HUDSON...
537
00:27:35,432 --> 00:27:39,385
LIEUTENANT, 5 YEARS AGO
I WAS WITH MY WIFE‐TO‐BE
OUT IN PARK SLOPE,
538
00:27:39,418 --> 00:27:41,395
AND I GOT JUMPED
AND BEATEN
BY 3 BLACK KIDS.
539
00:27:41,428 --> 00:27:44,277
ONCE THESE 3 BLACK KIDS
REALIZED I WAS A COP,
540
00:27:44,310 --> 00:27:46,185
THEY TOOK MY GUN
AND TRIED TO CUT OFF
MY TRIGGER FINGER
541
00:27:46,219 --> 00:27:47,458
WITH A PENKNIFE.
542
00:27:47,492 --> 00:27:48,865
AND WHAT I WAS
STANDING HERE THINKING‐‐
543
00:27:48,900 --> 00:27:51,445
2 YEARS AGO WHEN
I STOPPED YOU FOR
THAT BUSTED TAILLIGHT
544
00:27:51,478 --> 00:27:53,053
AND BROKE YOUR BALLS,
545
00:27:53,086 --> 00:27:55,231
WAS I LOOKING
TO GET BACK
AT THOSE 3 KIDS?
546
00:27:55,265 --> 00:27:57,173
AND IF I WAS,
547
00:27:57,206 --> 00:28:00,121
MAYBE THAT’S HOW
THIS BLACK PLAINCLOTHES
WOUND UP SHOT,
548
00:28:00,155 --> 00:28:02,669
’CAUSE PISSING YOU OFF
GOT ME TRANSFERRED
TO THIS PRECINCT
549
00:28:02,702 --> 00:28:05,515
AND DROPPING
MY DRY CLEANER
OVER ON HOUSTON
550
00:28:05,549 --> 00:28:07,358
AND PUTTING ME OUT
ON THE STREET TODAY
551
00:28:07,392 --> 00:28:08,732
TO SHOOT THAT
BLACK PLAINCLOTHES COP.
552
00:28:08,765 --> 00:28:10,742
OR MAYBE THAT’S WHAT
MADE ME PUT 5 INTO HIM
553
00:28:10,775 --> 00:28:13,053
WHEN MAYBE ONE
WOULD’VE BEEN ENOUGH.
554
00:28:13,086 --> 00:28:16,001
AND IF THAT’S TRUE,
WHAT DOES IT MEAN?
555
00:28:16,035 --> 00:28:17,910
I DON’T KNOW, SZYMANSKI.
556
00:28:17,944 --> 00:28:20,558
AND I DON’T THINK MARTENS
FROM I. A. B.’s GONNA KNOW
EITHER.
557
00:28:22,669 --> 00:28:24,812
AND IF IT’S ALL RIGHT
WITH YOU,
558
00:28:24,845 --> 00:28:27,458
I’M NOT GONNA GIVE HIM
A CHANCE TO DECIDE.
559
00:28:31,143 --> 00:28:32,684
THANK YOU.
560
00:28:54,459 --> 00:28:56,035
HOW’S IT GOING,
GERALD?
561
00:28:56,068 --> 00:28:58,045
DO‐‐DO WE KNOW
EACH OTHER?
562
00:28:58,078 --> 00:28:59,820
GERALD GRISWOLD,
RIGHT?
563
00:28:59,854 --> 00:29:01,226
WELL, WHAT’S IT ABOUT?
564
00:29:01,260 --> 00:29:03,304
WE APPRECIATE
YOU COMING IN.
565
00:29:03,337 --> 00:29:05,884
I’M JILL KIRKENDALL.
THIS IS DIANE RUSSELL.
566
00:29:07,290 --> 00:29:08,932
WHAT’S IT ABOUT?
567
00:29:08,965 --> 00:29:11,679
YOU DETAINED DOLORES MAYO
FOR SHOPLIFTING
568
00:29:11,713 --> 00:29:13,153
AT RUTHERFORD’S
EARLIER TODAY.
569
00:29:13,186 --> 00:29:16,068
SHE STOLE A $49
BOTTLE OF PERFUME.
570
00:29:16,101 --> 00:29:19,083
YOU KNOW, RUTHERFORD’S
IS IN THE 27th PRECINCT,
571
00:29:19,116 --> 00:29:20,724
JUST IN CASE
YOU’RE UNAWARE.
572
00:29:20,758 --> 00:29:22,734
WE KNOW WHERE
RUTHERFORD’S IS.
573
00:29:22,768 --> 00:29:25,749
DOLORES MAYO WORKS HERE
IN THE 15th PRECINCT,
GERALD.
574
00:29:25,783 --> 00:29:27,524
YOU’RE NOT TELLING ME
SHE’S A COP?
575
00:29:27,558 --> 00:29:30,607
NO. SHE WORKS
IN OUR SQUAD
AS A CIVILIAN AIDE.
576
00:29:30,641 --> 00:29:34,426
DOLORES IS A DECENT PERSON
WHO’S HAVING EMOTIONAL
PROBLEMS RIGHT NOW.
577
00:29:34,459 --> 00:29:36,939
WE’RE WONDERING
IF SOME ACCOMMODATION
CAN’T BE MADE
578
00:29:36,972 --> 00:29:38,298
SHORT OF PRESSING THESE
SHOPLIFTING CHARGES.
579
00:29:38,332 --> 00:29:39,905
I DON’T THINK SO.
580
00:29:39,940 --> 00:29:42,485
SHE WAS HOSTILE
AND BELLIGERENT.
581
00:29:42,519 --> 00:29:45,166
HAS SHE BEEN IN TROUBLE
BEFORE IN YOUR STORE?
582
00:29:45,199 --> 00:29:48,046
I’M TELLING YOU,
SHE WAS VERY HOSTILE
AND BELLIGERENT WITH ME.
583
00:29:48,080 --> 00:29:48,951
AND HOW WERE YOU
WITH HER?
584
00:29:48,985 --> 00:29:50,124
WHAT DO YOU MEAN,
HOW WAS I?
585
00:29:50,157 --> 00:29:51,765
HOW DID YOU ACT,
GERALD?
586
00:29:51,799 --> 00:29:53,473
OH, COME ON.
I COULD SEE THIS COMING.
587
00:29:53,507 --> 00:29:56,925
ALL RIGHT, LISTEN.
SHE WAS WILLING
TO TRADE SEX
588
00:29:56,958 --> 00:29:58,297
IF I LET THE CHARGES GO.
589
00:29:58,331 --> 00:30:00,174
SHE MADE THAT OFFER
IN SO MANY WORDS?
590
00:30:00,207 --> 00:30:02,955
IT WAS BODY LANGUAGE.
591
00:30:02,988 --> 00:30:05,601
OH. SHE OFFERED YOU SEX
WITH BODY LANGUAGE.
592
00:30:05,634 --> 00:30:07,779
YEAH.
593
00:30:07,812 --> 00:30:10,492
ANY CHANCE YOU WEREN’T
TRANSLATING RIGHT, GERALD?
594
00:30:10,525 --> 00:30:12,201
YOU CAN BULLY ME
ALL YOU WANT.
595
00:30:12,234 --> 00:30:14,143
I KNOW WHAT
SHE WAS OFFERING.
596
00:30:14,176 --> 00:30:16,689
AND THAT’S GONNA SHOW
ON THE VIDEOTAPE
FROM YOUR SECURITY OFFICE?
597
00:30:16,723 --> 00:30:19,604
NO. THE MACHINE WAS OFF.
598
00:30:19,638 --> 00:30:21,011
REALLY?
599
00:30:21,045 --> 00:30:22,754
HOW’D THAT HAPPEN?
600
00:30:22,787 --> 00:30:26,472
WE TOLD YOU
THIS GIRL IS HAVING
EMOTIONAL PROBLEMS.
601
00:30:26,505 --> 00:30:28,482
SHE MAY OR MAY NOT
HAVE SHOPLIFTED
SOMETHING.
602
00:30:28,515 --> 00:30:30,726
THAT DOESN’T
GIVE YOU THE RIGHT
TO PREY ON HER.
603
00:30:30,759 --> 00:30:33,071
LOOK, DID SHE TELL YOU
SHE DID NOT COME IN THERE
WILLINGLY?
604
00:30:33,105 --> 00:30:36,824
DOLORES DIDN’T TURN OFF
THAT VIDEO CAMERA, GERALD.
THAT WAS YOU.
605
00:30:38,834 --> 00:30:41,211
SO YOU WANT TO TRY
EXPLAINING THAT
TO YOUR BOSS?
606
00:30:43,255 --> 00:30:46,505
THE SHOPLIFTING
CAN GO AWAY.
607
00:30:46,538 --> 00:30:49,553
BUT DON’T TELL ME
THAT GIRL DID NOT
COME ON TO ME.
608
00:30:57,459 --> 00:31:00,877
WELL, WHAT IF WE TALK
DOWNSTAIRS, DOLORES?
609
00:31:00,910 --> 00:31:01,950
FINE.
610
00:31:01,983 --> 00:31:02,920
THAT’S GREAT.
611
00:31:02,955 --> 00:31:04,897
HOW SOON CAN YOU GET IN?
612
00:31:04,931 --> 00:31:06,170
GOOD.
613
00:31:06,203 --> 00:31:07,208
OK.
614
00:31:09,051 --> 00:31:10,693
WHEN CAN SHE GET HERE?
615
00:31:10,726 --> 00:31:13,439
SHE WAS CALLING
FROM THE PAY PHONE
AROUND THE CORNER.
616
00:31:13,472 --> 00:31:15,986
WOULDN’T TALK TO US
IF WE MADE HER COME UP
TO THE SQUAD?
617
00:31:16,020 --> 00:31:17,996
GREG AND JAMES
AND THE BARUCH
HOUSING COPS
618
00:31:18,030 --> 00:31:20,910
GRABBED UP 2 KIDS
THEY LIKE FOR STARTING
ALL THIS NONSENSE.
619
00:31:20,945 --> 00:31:23,021
GREAT.
620
00:31:23,055 --> 00:31:26,103
SO, UM, WHERE ARE YOU
ON THAT JACKPOT WITH DOLORES?
621
00:31:26,136 --> 00:31:28,615
SHE’S COMING IN NOW.
622
00:31:28,648 --> 00:31:29,923
SHE’S COMING INTO WORK?
623
00:31:29,956 --> 00:31:32,266
NO. SHE’S COMING IN
TO TALK WITH US.
624
00:31:32,300 --> 00:31:35,381
THEN SHE NEEDS
TO TALK TO ME,
’CAUSE THIS AIN’T WORKING.
625
00:31:35,415 --> 00:31:38,631
YOU THINK THAT PART COULD
WAIT A DAY OR SO, BOSS?
626
00:31:38,665 --> 00:31:41,178
[TELEPHONE RINGS]
627
00:31:41,211 --> 00:31:44,998
YEAH, IT CAN WAIT.
628
00:31:45,031 --> 00:31:47,208
15th SQUAD.
629
00:31:47,241 --> 00:31:48,748
YEAH.
630
00:31:51,261 --> 00:31:53,038
SHE’S DOWNSTAIRS.
631
00:32:13,943 --> 00:32:15,681
WHY DON’T YOU SIT
IN THE CHAIR, DOLORES?
632
00:32:16,991 --> 00:32:18,363
YEAH, OK.
633
00:32:18,396 --> 00:32:21,813
THANKS FOR NOT
MAKING ME COME UPSTAIRS.
634
00:32:21,848 --> 00:32:23,824
UM...
635
00:32:23,858 --> 00:32:26,470
YOU NEED TO TALK
WITH LIEUTENANT FANCY
636
00:32:26,503 --> 00:32:28,313
ABOUT MISSING WORK.
637
00:32:28,346 --> 00:32:30,894
WELL, RIGHT ABOUT NOW
I DON’T THINK THAT’S
MY NUMBER‐ONE PROBLEM.
638
00:32:30,928 --> 00:32:33,205
THE HEAD OF SECURITY
AT RUTHERFORD’S
639
00:32:33,238 --> 00:32:34,777
IS DROPPING CHARGES.
640
00:32:34,812 --> 00:32:36,787
IS THAT RIGHT?
641
00:32:36,822 --> 00:32:38,630
THANKS.
642
00:32:38,663 --> 00:32:41,645
DOLORES, US REACHING OUT
FOR YOU LIKE THIS
643
00:32:41,678 --> 00:32:43,055
DOESN’T HAVE TO BE
A GOOD THING.
644
00:32:43,088 --> 00:32:44,660
IT WON’T BE A GOOD THING
645
00:32:44,693 --> 00:32:47,741
IF IT KEEPS YOU
FROM FACING UP
TO YOU HAVING A PROBLEM.
646
00:32:47,775 --> 00:32:50,156
I’M NOT A CAREER
KLEPTO, OK?
647
00:32:50,190 --> 00:32:52,938
A LOT OF THE KLEPTO
COLLARS I MADE, DOLORES,
648
00:32:52,971 --> 00:32:55,315
PEOPLE WERE TRYING
TO GET ATTENTION
649
00:32:55,348 --> 00:32:57,894
AND GET THEMSELVES
JAMMED UP
AT THE SAME TIME.
650
00:32:57,930 --> 00:33:00,406
I JUST SAID
THIS IS THE FIRST TIME
651
00:33:00,440 --> 00:33:02,250
I EVER STOLE ANYTHING
FROM A STORE.
652
00:33:02,283 --> 00:33:04,526
IT’S NOT THE FIRST TIME
YOU GOT YOURSELF JAMMED UP
653
00:33:04,560 --> 00:33:05,865
LOOKING FOR SOME ATTENTION.
654
00:33:05,900 --> 00:33:07,546
YOU DID THAT
IN THAT STRIP CLUB
JUST LAST WEEK.
655
00:33:07,580 --> 00:33:09,556
YOU’RE KINDA TALL
TO BE TALKING
LIKE DR. RUTH.
656
00:33:09,590 --> 00:33:13,076
DOLORES, YOU ARE
GETTING YOURSELF IN TROUBLE,
657
00:33:13,110 --> 00:33:15,320
AND IF YOU
DON’T GET SOME HELP,
658
00:33:15,353 --> 00:33:17,096
IT’S GONNA GET WORSE.
659
00:33:17,130 --> 00:33:20,545
LISTEN, DO I
HAVE A JOB OR NOT?
660
00:33:20,578 --> 00:33:23,626
BECAUSE THAT IS
WHAT I NEED TO FIND OUT
FROM THIS PLACE.
661
00:33:23,660 --> 00:33:24,431
DOLORES‐‐
662
00:33:24,465 --> 00:33:25,603
NO!
663
00:33:25,636 --> 00:33:26,475
I MEAN IT.
664
00:33:28,251 --> 00:33:29,790
WE DON’T KNOW
ABOUT THAT.
665
00:33:29,823 --> 00:33:31,800
YOU’LL HAVE TO TALK
TO THE LIEUTENANT
ABOUT THAT.
666
00:33:33,543 --> 00:33:35,753
OK.
667
00:33:35,786 --> 00:33:37,196
OK, THANKS.
668
00:33:38,535 --> 00:33:41,516
I’LL CALL HIM TOMORROW.
669
00:33:41,550 --> 00:33:43,160
OK.
670
00:33:43,193 --> 00:33:46,241
CAN I GO NOW?
671
00:33:46,275 --> 00:33:49,656
YOU WERE NEVER
IN CUSTODY, DOLORES.
672
00:33:49,690 --> 00:33:51,400
WE WERE TALKING TO YOU
AS FRIENDS.
673
00:33:53,610 --> 00:33:54,781
I KNOW.
674
00:34:08,885 --> 00:34:09,790
COME ON IN.
675
00:34:17,563 --> 00:34:19,806
OUR GUYS COLLARED
THE STREET THIEVES
676
00:34:19,840 --> 00:34:22,152
THE 2 PLAINCLOTHES
WERE CHASING
WHEN THE TROUBLE STARTED.
677
00:34:22,186 --> 00:34:24,531
WHAT ABOUT
MY PART OF IT?
678
00:34:24,565 --> 00:34:27,178
WE DIDN’T FIND ANY COPS
BEHAVING CULPABLY.
679
00:34:27,211 --> 00:34:28,585
INCLUDING SZYMANSKI?
680
00:34:28,618 --> 00:34:30,395
ESPECIALLY SZYMANSKI.
681
00:34:30,428 --> 00:34:34,077
SZYMANSKI TOOK A ROUND
FROM A ROOKIE COP NAMED BAKER
682
00:34:34,112 --> 00:34:37,160
WHO SAW THE PLAINCLOTHES
RUNNING AT HIM
WITH THEIR GUNS OUT
683
00:34:37,194 --> 00:34:39,773
AND MISTOOK ’EM FOR PERPS.
684
00:34:39,806 --> 00:34:41,783
WHY DIDN’T BAKER
REPORT THAT AT THE SCENE?
685
00:34:41,816 --> 00:34:44,531
DETECTIVE SORENSON
SAID BAKER DID TELL HIM,
AT THE SCENE,
686
00:34:44,565 --> 00:34:46,808
THAT HE HAD SOMETHING
FOR HIM,
687
00:34:46,841 --> 00:34:49,052
BUT HE WANTED TO GIVE HIM
THE DETAILS
AT THE STATION HOUSE.
688
00:34:49,086 --> 00:34:50,961
HOW IS IT
EVERYONE IN MANHATTAN
689
00:34:50,995 --> 00:34:52,971
TOOK THOSE PLAINCLOTHES
FOR BAD GUYS?
690
00:34:53,005 --> 00:34:55,217
WE’LL, THEY’RE SUPPOSED
TO LOOK LIKE BAD GUYS.
691
00:34:55,251 --> 00:34:58,232
THEY’RE ALSO
SUPPOSED TO WEAR
THE COLOR OF THE DAY.
692
00:34:58,266 --> 00:35:00,377
BOTH OF US KNOW
WEARING THE COLOR
AT ALL TIMES,
693
00:35:00,410 --> 00:35:03,089
TROUBLE OR NOT,
MAKES THE PLAINCLOTHES
AS COPS.
694
00:35:03,122 --> 00:35:05,536
DETECTIVE SIPOWICZ’S
INTERVIEW WITH DONALDSON
695
00:35:05,570 --> 00:35:08,047
ESTABLISHED
THE TROUBLE JUMPED OFF
IN SUCH A WAY
696
00:35:08,081 --> 00:35:10,661
THAT THE PLAINCLOTHES
HAD TO PRIORITIZE.
697
00:35:10,695 --> 00:35:14,313
IT WAS CHASE THE PERPS
OR STOP AND PUT THE COLOR ON.
698
00:35:14,346 --> 00:35:17,328
THE PLAINCLOTHES CHOSE
TO RISK THEIR OWN SAFETY
699
00:35:17,361 --> 00:35:21,816
BY CHASING THE PERPS
IN ORDER TO PROTECT
THE CITIZENS ON THE STREET.
700
00:35:21,850 --> 00:35:24,162
I ASSUME HUDSON
WASN’T WEARING
HIS BULLETPROOF VEST
701
00:35:24,195 --> 00:35:25,469
FOR SIMILAR
HEROIC REASONS?
702
00:35:25,502 --> 00:35:27,512
HUDSON, BY NOT
WEARING HIS VEST,
703
00:35:27,545 --> 00:35:29,187
DIDN’T DAMAGE ANYONE
EXCEPT FOR HUDSON.
704
00:35:32,570 --> 00:35:34,447
LEAVING THE 5
THAT SZYMANSKI
PUT IN HIM.
705
00:35:34,480 --> 00:35:35,853
SZYMANSKI
HAD JUST BEEN WOUNDED.
706
00:35:35,886 --> 00:35:38,901
DISCHARGING 5 ROUNDS
UNDER THOSE CIRCUMSTANCES
707
00:35:38,935 --> 00:35:40,911
IN THE HEAT OF THE MOMENT
708
00:35:40,945 --> 00:35:42,655
DOESN’T STRIKE ME
AS SURPRISING.
709
00:35:51,800 --> 00:35:54,345
WHAT HAPPENED TO
THE SIDE OF YOUR FACE?
710
00:35:54,379 --> 00:35:55,886
I BUMPED INTO A DOOR.
711
00:36:10,157 --> 00:36:11,766
DOOR?
712
00:36:24,529 --> 00:36:26,372
GOOD NIGHT.
713
00:36:26,405 --> 00:36:27,813
YEAH, GOOD NIGHT, BOSS.
714
00:36:49,755 --> 00:36:52,569
I PUT THAT THIS BAKER
APPROACHED ME
AT THE CRIME SCENE.
715
00:36:52,603 --> 00:36:54,613
YEAH, THAT’S RIGHT.
716
00:36:54,646 --> 00:36:56,857
MAKES SURE
RUSSELL PUTS THAT.
717
00:36:56,890 --> 00:37:00,041
YOU KNOW, IT LOOKS LIKE
THIS PLAINCLOTHESMAN
DONALDSON IS STAND‐UP,
718
00:37:00,074 --> 00:37:02,854
NOT SEEING NOTHIN’
BETWEEN YOU AND THE BOSS.
719
00:37:02,887 --> 00:37:04,496
[SIGHS]
720
00:37:04,529 --> 00:37:06,874
I WAS NOT GONNA HURT
DONALDSON IN MY 5,
721
00:37:06,907 --> 00:37:08,214
OR HIS PARTNER NEITHER.
722
00:37:08,247 --> 00:37:09,721
NO, I WAS JUST SAYING‐‐
723
00:37:09,755 --> 00:37:13,005
NEVER FEEL YOU NEED TO HELP
ME DO RIGHT BY A COP, DANNY‐‐
724
00:37:13,039 --> 00:37:14,780
WHITE, BLACK, OR CHINESE.
725
00:37:14,814 --> 00:37:17,460
SO THAT WASN’T ANOTHER COP
YOU WERE HOOKIN’
AND GRAPPLIN’ WITH
726
00:37:17,493 --> 00:37:18,900
IN THE LOCKER ROOM.
727
00:37:18,934 --> 00:37:20,207
WE WEREN’T IN THERE
AS COPS.
728
00:37:20,241 --> 00:37:21,246
NO, AS IDIOTS.
729
00:37:21,280 --> 00:37:22,787
YOU THINK
IT’S THAT SIMPLE?
730
00:37:22,820 --> 00:37:24,596
HEY, ALL’S I’M SAYING...
731
00:37:24,629 --> 00:37:26,438
I’LL GET THE HELL OUT.
732
00:37:26,472 --> 00:37:30,358
TRANSFER TILL YOU
FIND A SQUAD GOT NO
RACIAL TENSIONS, DANNY,
733
00:37:30,392 --> 00:37:32,267
YOU BETTER KEEP
YOUR PERSONNEL FOLDER
HANDY.
734
00:37:32,302 --> 00:37:34,378
HOW ABOUT SETTLING FOR ONE
WHERE MY CO‐WORKERS
735
00:37:34,412 --> 00:37:36,288
AREN’T WHISTLING PUNCHES
PAST MY EARS?
736
00:37:36,322 --> 00:37:37,327
YOU’RE RIGHT ABOUT THAT.
737
00:37:37,360 --> 00:37:38,666
THAT’S THE IDIOT PART.
738
00:37:38,699 --> 00:37:39,804
I DON’T DISPUTE YOU
ON THAT.
739
00:37:39,839 --> 00:37:40,609
THAT’S ALL.
740
00:37:42,418 --> 00:37:44,729
I JUST DON’T LIKE
GETTING STIRRED UP.
741
00:37:44,763 --> 00:37:47,778
WELL, PLEASE ACCEPT
MY APOLOGIES.
742
00:38:07,711 --> 00:38:09,854
CAR TROUBLE?
743
00:38:10,674 --> 00:38:11,836
WHEN I SAID GOOD NIGHT,
744
00:38:11,870 --> 00:38:14,651
I MEANT TO INCLUDE YOU
IN THAT.
745
00:38:14,685 --> 00:38:17,464
BOY, THERE’S SEVERAL HOURS
OF TOSSING AND TURNING
746
00:38:17,498 --> 00:38:19,172
I DON’T HAVE TO
WORRY ABOUT.
747
00:38:19,207 --> 00:38:21,318
I MEANT TO INCLUDE YOU,
748
00:38:21,351 --> 00:38:24,064
AND AT THE LAST MINUTE...
749
00:38:24,097 --> 00:38:25,471
I DIDN’T.
750
00:38:25,504 --> 00:38:27,481
SO WHAT ARE WE GONNA DO,
751
00:38:27,514 --> 00:38:29,726
EVERY SHIFT
DRAW UP A LIST
752
00:38:29,760 --> 00:38:31,770
OF POSSIBLE
MISUNDERSTANDINGS
TO CLARIFY?
753
00:38:31,803 --> 00:38:34,751
NO, BUT I CAN SEE,
END OF THE SHIFT,
754
00:38:34,785 --> 00:38:37,531
MAKING SURE WE SAY
GOOD NIGHT OR SO FORTH.
755
00:38:37,564 --> 00:38:39,743
I GOT NO OBJECTION
TO THAT,
756
00:38:39,776 --> 00:38:41,116
SO THINGS
DON’T CARRY OVER.
757
00:38:46,476 --> 00:38:47,984
GOOD NIGHT.
758
00:38:48,017 --> 00:38:48,821
GOOD NIGHT.
759
00:38:55,354 --> 00:38:56,326
GOOD NIGHT.
760
00:38:56,359 --> 00:38:57,900
GOOD NIGHT.
761
00:38:57,933 --> 00:39:00,781
WHAT, ARE WE GONNA
SAY IT, LIKE,
8,000 TIMES?
762
00:39:02,523 --> 00:39:04,231
ALL RIGHT,
LET’S CUT IT OUT.
763
00:39:12,775 --> 00:39:14,785
[CHUCKLING]
764
00:39:17,196 --> 00:39:18,871
[SIGHS]
765
00:39:43,226 --> 00:39:44,968
[DOOR OPENS]
766
00:39:45,001 --> 00:39:46,509
[DOOR CLOSES]
767
00:39:54,214 --> 00:39:55,654
BABY’S SLEEPING.
768
00:39:57,732 --> 00:39:59,307
HOW’S IT GOING?
769
00:40:05,503 --> 00:40:07,045
ANDY, WHAT HAPPENED?
770
00:40:07,078 --> 00:40:09,222
NOTHING.
I WALKED INTO A DOOR.
771
00:40:10,797 --> 00:40:12,237
HOW’D IT GO AT RIKERS?
772
00:40:12,271 --> 00:40:15,287
THEY GETTING AN IDEA
WHO SHANKED SUAREZ?
773
00:40:20,780 --> 00:40:22,824
THEY GOT NO LEADS?
774
00:40:24,934 --> 00:40:29,290
SUAREZ WAS THE PUNK
OF A PRISONER
WHO LOST A FIGHT.
775
00:40:29,323 --> 00:40:32,673
THE PRISONER WHO WON
TOOK SUAREZ AS A TROPHY.
776
00:40:32,706 --> 00:40:35,688
AND THE ONE WHO LOST
MURDERED SUAREZ
777
00:40:35,721 --> 00:40:38,636
TO SHOW THE OTHER GUY
THE FIGHT WASN’T OVER.
778
00:40:38,669 --> 00:40:41,383
HE COPPED TO THIS,
OR THAT’S THE STORY
THAT’S CIRCULATING?
779
00:40:41,417 --> 00:40:45,034
THAT’S THE STORY
THE SNITCHES ARE TELLING.
780
00:40:45,067 --> 00:40:47,279
THERE WERE NO WITNESSES.
781
00:40:47,313 --> 00:40:49,825
NO ONE ELSE
WAS IN THE LAUNDRY ROOM.
782
00:41:10,428 --> 00:41:13,812
I KEEP THINKING
ABOUT SUAREZ CONFESSING
TO A HOMICIDE
783
00:41:13,845 --> 00:41:15,487
THAT HE DIDN’T COMMIT
784
00:41:15,520 --> 00:41:17,530
SO THAT OTHER PEOPLE
WOULD THINK
785
00:41:17,563 --> 00:41:19,018
THAT HE’D DEFENDED
HIS BROTHER’S MEMORY...
786
00:41:19,051 --> 00:41:22,604
WINDING UP
IN THAT HELLHOLE
AS A SEXUAL PAWN.
787
00:41:23,976 --> 00:41:27,126
AND I KEEP IMAGINING...
788
00:41:27,160 --> 00:41:30,141
WHAT HE MUST HAVE
THOUGHT THE WORLD WAS...
789
00:41:30,175 --> 00:41:31,783
AS THE SHANK WENT IN
790
00:41:31,816 --> 00:41:34,528
AND HE BLED TO DEATH ON
THAT LAUNDRY ROOM FLOOR.
791
00:41:37,176 --> 00:41:40,794
A GUY ON THE OUTSIDE
WANTS SOMETHING DONE IN PRISON,
792
00:41:40,828 --> 00:41:43,473
HE USES WHAT’S GOING ON
INSIDE.
793
00:41:44,848 --> 00:41:48,968
SAY A BAD GUY
ON THE OUTSIDE
WANTS SUAREZ DEAD.
794
00:41:49,001 --> 00:41:52,418
THAT TYPE’S ALWAYS GOT
FRIENDS LOCKED UP.
795
00:41:52,451 --> 00:41:55,233
FRIENDS INSIDE TELL HIM
796
00:41:55,266 --> 00:41:57,243
SOME PRISONER’S
CARRYING A TORCH
797
00:41:57,276 --> 00:42:00,291
OVER LOSING SUAREZ
FOR HIS BED PAL,
798
00:42:00,325 --> 00:42:02,535
OR HE WANTS TO GET EVEN
WITH ANOTHER PRISONER
799
00:42:02,568 --> 00:42:04,646
GAVE HIM AN ASS‐KICKING.
800
00:42:04,680 --> 00:42:07,661
MAYBE THE BAD GUY
ON THE OUTSIDE
801
00:42:07,695 --> 00:42:09,939
GETS WHAT HE WANTS DONE
802
00:42:09,973 --> 00:42:12,788
FINANCING THE OTHER PRISONER
GETTING HIS VENGEANCE.
803
00:42:16,204 --> 00:42:20,325
I’M NOT SAYING
THAT IS WHAT HAPPENED,
SYLVIA,
804
00:42:20,358 --> 00:42:22,368
BUT IT’S POSSIBLE.
805
00:42:33,725 --> 00:42:36,405
YOU FEEL LIKE
YOU OWE HIM JUSTICE.
806
00:42:36,438 --> 00:42:39,855
LET ME HELP YOU
TRY TO GET IT FOR HIM.
60520
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