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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:24,100 --> 00:00:26,066 I THOUGHT THEY SAID THE THIRD FLOOR. 2 00:00:26,100 --> 00:00:28,433 THIS IS THE THIRD FLOOR. 3 00:00:29,433 --> 00:00:31,433 GETS STEEPER ALL THE TIME. 4 00:00:33,766 --> 00:00:35,066 OKAY... 5 00:00:36,433 --> 00:00:39,100 HEY, MORNIN', ANDY. 6 00:00:39,133 --> 00:00:41,533 JERRY LEWIS STANDING GUARD IN THE HALL. 7 00:00:41,566 --> 00:00:43,366 WE GOT ROOMMATES. UH, BOTH WERE STRANGLED. 8 00:00:43,400 --> 00:00:44,866 IT LOOKS LIKE THEY WERE RAPED. 9 00:00:44,900 --> 00:00:46,633 THIS IS, UH, MR. LIPMAN. 10 00:00:46,666 --> 00:00:49,966 MR. LIPMAN, THE SUPER, DETECTIVE SIPOWICZ. 11 00:00:50,000 --> 00:00:51,100 HOW'S IT GOING? 12 00:00:51,133 --> 00:00:53,466 YEAH, I LET MYSELF IN WITH MY OWN KEY. 13 00:00:53,500 --> 00:00:54,966 THE DOG HAD BEEN BARKING, 14 00:00:55,000 --> 00:00:56,800 BUT I DIDN'T HEAR IT BECAUSE I'M DOWN ON THE FIRST FLOOR. 15 00:00:56,833 --> 00:01:00,066 BUT I GOT A COMPLAINT AROUND 4:00 THIS MORNING. 16 00:01:00,100 --> 00:01:01,933 A TENANT UP HERE, 17 00:01:01,966 --> 00:01:04,333 SHE PHONED AND SAID THE DOG HAD BEEN BARKING AND HOWLING FOR A LONG TIME. 18 00:01:04,366 --> 00:01:07,800 EVENTUALLY, MR. LIPMAN HERE COMES UPSTAIRS AND FINDS THE BODIES. 19 00:01:07,833 --> 00:01:11,400 SO I CALLED UP HERE AND I DIDN'T GET NO ANSWER, 20 00:01:11,433 --> 00:01:14,766 SO I FIGURED THE GIRLS HAD GONE OUT AND THEY LEFT THE DOG. 21 00:01:14,800 --> 00:01:17,500 ON THE BASIS OF THAT, WHAT WITH THE POSSIBILITY OF BITING, 22 00:01:17,533 --> 00:01:19,533 I WASN'T ABOUT TO LET MYSELF IN, 23 00:01:19,566 --> 00:01:21,600 AND THEN DO WHAT WITH THE DOG? 24 00:01:21,633 --> 00:01:23,000 OK, THANKS VERY MUCH. 25 00:01:23,033 --> 00:01:26,133 SO I WENT BACK TO SLEEP AND ANOTHER TENANT CALLED, 26 00:01:26,166 --> 00:01:28,533 AND HE SAID THE DOGS WERE DRIVING HIM CRAZY, 27 00:01:28,566 --> 00:01:31,033 AND HE WENT AND BANGED ON THE GIRLS' DOOR AND DIDN'T GET NO ANSWER. 28 00:01:31,066 --> 00:01:33,000 IS THAT WHEN YOU COME UP AND FOUND THEM? 29 00:01:33,033 --> 00:01:35,033 YEAH, I LET MYSELF IN, THIS IS WHAT I FOUND. 30 00:01:35,066 --> 00:01:36,533 THIS ONE RIGHT HERE, ANDY, 31 00:01:36,566 --> 00:01:38,600 THIS IS, UH, ISHANA. SHE'S BEEN LIVING HERE 5 MONTHS. 32 00:01:38,633 --> 00:01:41,666 MR. LIPMAN SAYS THAT, UH, CARLY BACK HERE, 33 00:01:41,700 --> 00:01:43,466 BEEN HERE 14 MONTHS. 34 00:01:43,500 --> 00:01:45,000 NEITHER ONE OF THEM HAVE BEEN NO TROUBLE. 35 00:01:45,033 --> 00:01:47,666 BUT HE DID NOTICE A PRETTY MUCH LARGE NUMBER OF MEN 36 00:01:47,700 --> 00:01:49,266 COMING AND GOING, 37 00:01:49,300 --> 00:01:51,466 WHICH HE COULDN'T SAY SPECIFICALLY 38 00:01:51,500 --> 00:01:52,866 HOW THE GIRLS MADE THEIR LIVING, 39 00:01:52,900 --> 00:01:54,766 ALTHOUGH HE THOUGHT THEY WERE OFFICE WORKERS. 40 00:01:54,800 --> 00:01:57,133 UH, TEMPORARY OFFICE WORKERS IS WHAT THEY TOLD ME. 41 00:01:57,166 --> 00:02:02,133 ALTHOUGH ONE OF THE OTHER TENANTS TOLD HIM THAT HE DID SEE CARLY AND ISHANA 42 00:02:02,166 --> 00:02:04,300 WORKING OVER AT THE TATTLER, A STRIP CLUB. 43 00:02:04,333 --> 00:02:05,733 I SEE. 44 00:02:05,766 --> 00:02:07,566 MR. LIPMAN ALSO DIDN'T KNOW THE NAMES OF ANY OF THE MEN 45 00:02:07,600 --> 00:02:09,600 THAT CAME AND WENT OUT OF THE APARTMENT. 46 00:02:09,633 --> 00:02:11,500 OK, THEN, THANKS A LOT. 47 00:02:11,533 --> 00:02:13,933 Lipman: UH, AS FAR AS THE DOG GOES, 48 00:02:13,966 --> 00:02:15,333 WITH ALL MY UPSETS 49 00:02:15,366 --> 00:02:17,933 WITH WHAT I DISCOVERED IN HERE, I LEFT THE DOOR OPEN, 50 00:02:17,966 --> 00:02:19,033 THE DOG RAN OUT. 51 00:02:19,066 --> 00:02:20,333 THE ONLY WITNESS. 52 00:02:20,366 --> 00:02:21,600 WELL, YEAH, WELL, NOW, 53 00:02:21,633 --> 00:02:24,533 THAT'S WHAT I WAS SAYING TO YOUR PARTNER. 54 00:02:24,566 --> 00:02:27,400 NOW, I DON'T KNOW WHAT USE THE DOG MIGHT BE TO YOU 55 00:02:27,433 --> 00:02:30,466 AS FAR AS SOME SORT OF GROWLING IDENTIFICATION IF YOU CAPTURE A SUSPECT, 56 00:02:30,500 --> 00:02:32,633 BUT ONCE HE WAS IN THE HALL, 57 00:02:32,666 --> 00:02:35,133 SOME TENANT MUST HAVE LET HIM OUT THE FRONT DOOR OF THE BUILDING 58 00:02:35,166 --> 00:02:37,133 WHILE I WAS OCCUPIED UP HERE, 59 00:02:37,166 --> 00:02:39,400 SOMEONE PISSED OFF AT THE BARKING. 60 00:02:39,433 --> 00:02:40,833 OK, THEN. 61 00:02:40,866 --> 00:02:43,366 ANYTHING ELSE YOU WANT TO ASK MR. LIPMAN HERE, ANDY? 62 00:02:43,400 --> 00:02:45,466 NO, THAT COMPLETELY COVERS IT. 63 00:02:45,500 --> 00:02:46,833 ANYWAYS, I STILL GOT YOUR CARD. 64 00:02:46,866 --> 00:02:49,833 ANY FURTHER THOUGHTS, YOU RING HIM UP. 65 00:04:06,566 --> 00:04:08,866 MEDAVOY, REMEMBER ME? 66 00:04:08,900 --> 00:04:09,433 SHEEDY? 67 00:04:09,466 --> 00:04:10,566 YEAH. 68 00:04:10,600 --> 00:04:12,000 HOW'S IT GOING? 69 00:04:12,033 --> 00:04:13,133 HOW LONG YOU BEEN OUT? 70 00:04:13,166 --> 00:04:14,600 3 MONTHS. LISTEN, I GOT TO TALK TO YOU. 71 00:04:14,633 --> 00:04:16,100 I GOT A SITUATION. 72 00:04:16,133 --> 00:04:17,533 YEAH? WHAT KIND OF SITUATION? 73 00:04:17,566 --> 00:04:19,200 THE THING IS, I'M AFRAID I COULD GET NAMED IN THIS, 74 00:04:19,233 --> 00:04:21,066 AND I CAN'T DO NO MORE TIME. I'D GO NUTS. 75 00:04:21,100 --> 00:04:22,300 YEAH? ALL RIGHT, UH, 76 00:04:22,333 --> 00:04:25,333 COME ON OVER HERE. TELL ME ABOUT THIS SITUATION. 77 00:04:25,366 --> 00:04:28,700 THERE'S THIS GUY I USED TO KNOW‐‐ARCHIE. 78 00:04:29,733 --> 00:04:32,466 SO, UH, WHAT ABOUT THIS ARCHIE? 79 00:04:32,500 --> 00:04:34,333 HE ASKED ME TO DO SOMETHING. 80 00:04:34,366 --> 00:04:36,766 HE ASKED ME TO TRY TO FIND SOMEBODY TO DO A JOB FOR HIM, 81 00:04:36,800 --> 00:04:39,333 AND I SAID I'D PUT OUT A FEELER, THEN I GOT WORRIED. 82 00:04:39,366 --> 00:04:41,400 HE COULD GET CAUGHT, AND MY NAME COULD GET MIXED UP IN IT. 83 00:04:41,433 --> 00:04:42,600 WHAT'S HE WANT DONE? 84 00:04:42,633 --> 00:04:45,366 ARCHIE WANTS SOME GUY WHACKED. 85 00:04:48,166 --> 00:04:49,833 WHO'S THE GUY? 86 00:04:49,866 --> 00:04:52,866 ARCHIE'S GIRLFRIEND'S EX‐HUSBAND‐TO‐BE, FELLA NAMED CARMINE. 87 00:04:52,900 --> 00:04:55,266 THEY'RE SEPARATED, AND ARCHIE'S HANGING OUT WITH HER NOW. 88 00:04:55,300 --> 00:04:56,766 "EX‐HUSBAND‐TO‐BE," 89 00:04:56,800 --> 00:04:59,466 THAT WOULD MAKE CARMINE THE CURRENT HUSBAND. 90 00:04:59,500 --> 00:05:01,000 TECHNICALLY, YEAH. 91 00:05:01,033 --> 00:05:03,766 ANYWAY, ARCHIE, WHO IS HANGING OUT WITH CARMINE'S WIFE, 92 00:05:03,800 --> 00:05:06,400 FEELS PROSPECTIVELY THAT HE'S IN DANGER FROM THIS GUY, 93 00:05:06,433 --> 00:05:10,033 AND HE WANTS DONE WHAT HE THINKS EVENTUALLY CARMINE'S GONNA DO TO HIM. 94 00:05:10,066 --> 00:05:11,966 WHICH IS CROAK HIM FOR SLEEPING WITH HIS WIFE. 95 00:05:12,000 --> 00:05:14,100 IF ARCHIE'S YOUR FRIEND, WHY YOU TELLING THIS? 96 00:05:14,133 --> 00:05:15,866 YOU ALREADY ASKED SOMEBODY TO DO THE HIT? 97 00:05:15,900 --> 00:05:19,866 YEAH. YEAH, I ASKED SOMEBODY IF THEY WANTED THE CONTRACT, 98 00:05:19,900 --> 00:05:21,933 AND ARCHIE AND HIM COULDN'T GET TOGETHER ON A PRICE, 99 00:05:21,966 --> 00:05:23,400 AND THEN I GOT WORRIED. 100 00:05:23,433 --> 00:05:25,400 THIS GUY I TALKED TO MIGHT COME FORWARD AND NAME ME. 101 00:05:25,433 --> 00:05:27,400 I SHOULD HAVE STAYED OUT OF THIS. 102 00:05:27,433 --> 00:05:28,466 I'M GLAD YOU FIGURED THAT OUT. 103 00:05:28,500 --> 00:05:30,466 ALL RIGHT, THE WAY WE PROCEED, UH, 104 00:05:30,500 --> 00:05:34,600 WE'D SET UP A MEETING WITH YOU BRINGING A NEW HIT MAN TO MEET WITH ARCHIE, 105 00:05:34,633 --> 00:05:37,600 A GUY WHO'D BE WILLING TO MAKE THE CONTRACT AT A LOWER PRICE. 106 00:05:37,633 --> 00:05:39,900 AND THE HIT MAN WOULD BE A COP? YEAH. 107 00:05:39,933 --> 00:05:42,066 IN FACT, UH, I COULD PLAY THE HIT MAN MYSELF. 108 00:05:42,100 --> 00:05:44,100 MEDAVOY, I GOTTA SPEAK UP HERE 109 00:05:44,133 --> 00:05:45,733 'CAUSE IT'S MY ASS ON THE LINE. 110 00:05:45,766 --> 00:05:48,533 AND IT'S A WHOLE LOOK AND STYLE, AND I LOOK AT YOU AND... 111 00:05:48,566 --> 00:05:50,200 I DON'T SEE IT. 112 00:05:50,233 --> 00:05:51,600 WHAT, 'CAUSE I GOT RED HAIR? 113 00:05:51,633 --> 00:05:53,400 IT'S NOT THE HAIR. 114 00:05:53,433 --> 00:05:54,666 THERE'S RED‐HAIRED HIT MEN. 115 00:05:54,700 --> 00:05:56,533 GREG, WE'RE GETTING AHEAD OF OURSELVES HERE. 116 00:05:56,566 --> 00:05:58,133 WE GOT TO RUN IT BY THE BOSS. 117 00:05:58,166 --> 00:06:01,366 YEAH, WE'LL TALK TO HIM. 118 00:06:03,633 --> 00:06:06,066 I NO MEAN TO DO IT. 119 00:06:06,100 --> 00:06:08,266 YOU DIDN'T MEAN TO? YOU DIDN'T MEAN TO TAKE IT? 120 00:06:08,300 --> 00:06:09,866 I DON'T UNDERSTAND. 121 00:06:09,900 --> 00:06:13,100 I GIVE IT. I NO MEAN TO GIVE IT. 122 00:06:13,133 --> 00:06:15,066 WELL, WHO'D YOU GIVE IT TO? 123 00:06:15,100 --> 00:06:18,500 HE COME TO PICK UP FOOD FOR THE POOR PEOPLE. 124 00:06:18,533 --> 00:06:20,466 I GIVE TO HIM CANS OF FOOD, 125 00:06:20,500 --> 00:06:23,200 BUT I NO MEAN TO GIVE THE NECKLACE. 126 00:06:23,233 --> 00:06:26,066 HE CAME COLLECTING, WHAT, FOOD DONATIONS, 127 00:06:26,100 --> 00:06:28,600 AND YOU GAVE HIM A DIAMOND NECKLACE? 128 00:06:28,633 --> 00:06:30,600 I GIVE HIM CANS OF FOOD, 129 00:06:30,633 --> 00:06:35,600 AND MRS. COX SAY INSIDE ONE OF THEM WAS THE NECKLACE. 130 00:06:35,633 --> 00:06:37,333 [SOBBING] 131 00:06:37,366 --> 00:06:40,700 SHE WAS HELPING ME WITH MY PAPERS. 132 00:06:40,733 --> 00:06:44,100 NOW SHE WANT TO SEND ME BACK TO GUATEMALA. 133 00:06:44,133 --> 00:06:46,166 [SIGHS] 134 00:06:47,966 --> 00:06:51,333 YOU HAD A CAN OF SOUP WITH A $13,000 NECKLACE INSIDE? 135 00:06:51,366 --> 00:06:54,800 IT WASN'T A CAN OF SOUP. IT ONLY LOOKED LIKE ONE. 136 00:06:54,833 --> 00:06:57,800 MY VALUABLES ARE HIDDEN IN FAKE BOOKS, 137 00:06:57,833 --> 00:06:59,733 A FAKE CAN OF SHAVING CREAM, AND WHATNOT. 138 00:06:59,766 --> 00:07:01,800 YOU CAN BUY THEM AT A LOCKSMITH'S. 139 00:07:01,833 --> 00:07:03,800 YEAH, I KNOW ALL ABOUT THEM, AND SO DO THIEVES. 140 00:07:03,833 --> 00:07:05,466 THEY'LL GO RIGHT TO THOSE CANS. 141 00:07:05,500 --> 00:07:08,833 ESTHER CLAIMS THAT SHE GAVE IT AWAY TO CHARITY‐‐ THE SEED OF HOPE‐‐ 142 00:07:08,866 --> 00:07:10,633 BUT I DON'T BELIEVE IT. 143 00:07:10,666 --> 00:07:11,900 YOU KNOW ANYTHING ABOUT THEM? 144 00:07:11,933 --> 00:07:14,600 YES, I BELIEVE I'VE MADE DONATIONS TO THEM. 145 00:07:14,633 --> 00:07:17,366 MRS. COX, WHY DON'T YOU WAIT HERE? 146 00:07:26,866 --> 00:07:28,966 JILL, CAN I TALK TO YOU A SEC? 147 00:07:32,300 --> 00:07:33,600 YEAH? 148 00:07:34,938 --> 00:07:36,871 YOU THINK SHE REALLY STOLE THIS NECKLACE? 149 00:07:36,905 --> 00:07:38,905 OH, I'M TENDING TO BLAME THE WOMAN, 150 00:07:38,938 --> 00:07:40,905 LEAVING SOMETHING THAT VALUABLE SITTING AROUND IN A CAN. 151 00:07:40,938 --> 00:07:42,771 IS THAT THE SAME STORY YOU HEARD? 152 00:07:42,805 --> 00:07:44,671 YEAH. SHE'S OUT TO GET THIS HOUSEKEEPER. 153 00:07:44,705 --> 00:07:46,238 AND I DON'T THINK SHE DESERVES IT. 154 00:07:46,271 --> 00:07:47,905 STAY WITH HER. I'LL SEE IF I CAN MAKE THIS RIGHT. 155 00:07:47,938 --> 00:07:49,138 OK. 156 00:07:52,605 --> 00:07:55,005 MRS. COX, WE'RE NOT SURE 157 00:07:55,038 --> 00:07:56,971 THERE'S BEEN ANY VIOLATION OF THE LAW HERE. 158 00:07:57,005 --> 00:07:58,638 NO VIOLATION? 159 00:07:58,671 --> 00:08:00,638 I WANT THAT NECKLACE, 160 00:08:00,671 --> 00:08:02,905 AND I WANT HER SENT BACK TO HER OWN COUNTRY. 161 00:08:02,938 --> 00:08:04,838 YOUR HOUSEKEEPER'S SAYING IT'S AN ACCIDENT. 162 00:08:04,871 --> 00:08:06,305 WHAT IF THAT'S TRUE? 163 00:08:06,338 --> 00:08:09,205 AN ACCIDENT? IF SHE DID GIVE IT AWAY, SHE KNEW THE MAN. 164 00:08:09,238 --> 00:08:10,871 WE'LL CHECK WITH SEED OF HOPE. 165 00:08:10,905 --> 00:08:12,905 IF WE GET THE NECKLACE BACK, WOULD YOU BE SATISFIED? 166 00:08:12,938 --> 00:08:15,705 THAT BE ENOUGH TO KEEP THINGS CLEAR WITH ESTHER AND THE I. N. S.? 167 00:08:15,738 --> 00:08:17,571 JUST GET MY NECKLACE BACK. 168 00:08:17,605 --> 00:08:21,338 FINE. WE'LL DO OUR BEST. 169 00:08:27,805 --> 00:08:29,771 YEAH, I THINK IT'S A GOOD PLAN. 170 00:08:29,805 --> 00:08:32,571 UM, PICK A PUBLIC PLACE, LIKE A BAR. 171 00:08:32,605 --> 00:08:34,105 SO WHO'S GOING TO BE THE HIT MAN? 172 00:08:34,138 --> 00:08:35,438 I THOUGHT ME. 173 00:08:35,471 --> 00:08:37,438 YEAH, WE COULD HAVE IT BE YOU, 174 00:08:37,471 --> 00:08:40,071 OR WE COULD LET JAMES DO IT. 175 00:08:40,105 --> 00:08:42,971 WELL, I‐‐I THOUGHT THE RIGHT CLOTHES, YOU KNOW, MAYBE A HAT... 176 00:08:43,005 --> 00:08:44,638 UH, NO, NO, LET ME TELL YOU. 177 00:08:44,671 --> 00:08:47,005 UM, LET JAMES BE THE HIT MAN. 178 00:08:47,038 --> 00:08:49,238 SO, UH, WHAT WOULD I BE, 179 00:08:49,271 --> 00:08:50,505 LIKE, UH, 180 00:08:50,538 --> 00:08:51,971 A BARFLY, OR... 181 00:08:52,005 --> 00:08:53,738 WE WANT EVERYTHING TO LOOK NORMAL. 182 00:08:53,771 --> 00:08:56,205 WHAT, I'M NOT NORMAL? 183 00:08:56,238 --> 00:08:58,638 UH, GREG, YOU MIGHT BE A LITTLE TOO NORMAL. 184 00:08:58,671 --> 00:09:01,705 MIGHT NOT BE PERSUASIVE AS A BARFLY. 185 00:09:01,738 --> 00:09:03,238 TAKE RUSSELL OR KIRKENDALL. 186 00:09:03,271 --> 00:09:05,738 YEAH, YEAH, LIKE I'M HAVING A DRINK WITH MY GIRLFRIEND. 187 00:09:07,005 --> 00:09:09,138 OK, GOOD. 188 00:09:15,271 --> 00:09:18,638 DETECTIVE, A MR. HARPER ASKING FOR YOU. 189 00:09:18,671 --> 00:09:21,338 COME ON IN, MR. HARPER. 190 00:09:22,538 --> 00:09:24,438 I WAS TOLD TO SEE A DETECTIVE SIPOWICZ. 191 00:09:24,471 --> 00:09:26,105 I'M DETECTIVE SIPOWICZ. 192 00:09:26,138 --> 00:09:27,905 COME ON, LET'S TALK IN THIS ROOM HERE. 193 00:09:27,938 --> 00:09:29,771 WELL, WHAT'S THIS ABOUT MY DAUGHTER? 194 00:09:29,805 --> 00:09:31,638 THEY WOULDN'T TELL ME WHAT IT IS OVER THE PHONE. 195 00:09:31,671 --> 00:09:33,605 WHY DON'T YOU SIT IN HERE, HMM? 196 00:09:33,638 --> 00:09:35,638 CAN I GET YOU SOMETHING TO DRINK? 197 00:09:35,671 --> 00:09:37,638 UH, NO, I'M‐‐I'M FINE. 198 00:09:37,671 --> 00:09:38,838 COFFEE? SODA? 199 00:09:38,871 --> 00:09:40,438 NOTHING. 200 00:09:40,471 --> 00:09:42,771 WELL, SOMETHING HAPPENED, MR. HARPER. 201 00:09:42,805 --> 00:09:45,205 YOUR DAUGHTER AND HER ROOMMATE'S APARTMENT GOT BROKEN INTO. 202 00:09:45,238 --> 00:09:47,571 WE THINK IT WAS SOMEBODY THAT KNEW THEM. 203 00:09:47,605 --> 00:09:50,571 UH, SHE EVER TALK TO YOU ABOUT ANYBODY BOTHERING THEM? 204 00:09:50,605 --> 00:09:53,038 I DON'T KNOW. WHY ARE YOU ASKING ME? 205 00:09:53,071 --> 00:09:55,971 I NEED YOU TO HELP ME HERE FOR A MINUTE. 206 00:09:56,005 --> 00:09:58,905 CAN YOU THINK OF ANYBODY THAT THEY KNOW 207 00:09:58,938 --> 00:10:01,238 THAT MIGHT HAVE SEEMED DANGEROUS? 208 00:10:01,271 --> 00:10:05,905 WELL, CARLY HAD THIS BOYFRIEND USED TO SMACK HER AROUND. 209 00:10:05,938 --> 00:10:08,738 ISHANA DIDN'T LIKE BEING IN THE APARTMENT WHEN HE WAS THERE. 210 00:10:08,771 --> 00:10:10,905 CARLY BROKE UP WITH HIM ABOUT A MONTH AGO, I THINK. 211 00:10:10,938 --> 00:10:12,571 YOU KNOW HIS NAME? 212 00:10:12,605 --> 00:10:14,038 YEAH, ROLF. 213 00:10:14,071 --> 00:10:15,638 I MET HIM ONCE. 214 00:10:15,671 --> 00:10:17,105 ROLF LUBIN. 215 00:10:17,138 --> 00:10:18,605 HE'S A MECHANIC. 216 00:10:18,638 --> 00:10:20,038 YOU KNOW WHERE WE CAN FIND HIM? 217 00:10:20,071 --> 00:10:21,105 NO. 218 00:10:21,138 --> 00:10:23,205 WHAT'S HAPPENED TO ISHANA? 219 00:10:25,605 --> 00:10:29,671 YOU GOT TO PREPARE YOURSELF FOR WHAT I'M GONNA TELL YOU. 220 00:10:29,705 --> 00:10:32,708 YOUR DAUGHTER AND CARLY WERE FOUND DEAD THIS MORNING. 221 00:10:32,741 --> 00:10:35,641 SOMEBODY STRANGLED THEM. 222 00:10:35,674 --> 00:10:37,941 NO! NO! 223 00:10:41,141 --> 00:10:42,441 OHH! 224 00:10:42,474 --> 00:10:44,441 WHO‐‐ 225 00:10:44,474 --> 00:10:46,208 WHO DID IT? 226 00:10:46,241 --> 00:10:47,708 WE DON'T KNOW. 227 00:10:47,741 --> 00:10:49,908 I'M SORRY. 228 00:10:49,941 --> 00:10:51,708 WAS SHE MAYBE... 229 00:10:51,741 --> 00:10:56,308 MIXED UP IN SOME THINGS THAT, UH, ORDINARILY SHE WOULDN'T HAVE BEEN? 230 00:10:56,341 --> 00:10:59,108 SHE WASN'T MIXED UP IN NOTHING. 231 00:10:59,141 --> 00:11:01,108 NOW, I RAISED HER ALONE, 232 00:11:01,141 --> 00:11:03,674 BUT I RAISED HER RIGHT. 233 00:11:03,708 --> 00:11:06,308 SHE WAS DOING OFFICE WORK, 234 00:11:06,341 --> 00:11:09,208 GOING OUT FOR SOME TEMP AGENCY. 235 00:11:09,241 --> 00:11:11,708 I CAN'T BELIEVE THIS HAS HAPPENED TO ISHANA. 236 00:11:11,741 --> 00:11:14,874 SHE WAS DOING SO GOOD. 237 00:11:16,008 --> 00:11:19,508 WHY DID IT HAPPEN TO HER? 238 00:11:19,541 --> 00:11:22,408 DEAR GOD, WHAT AM I GONNA DO? 239 00:11:26,074 --> 00:11:28,641 I WANT YOU TO GO HOME AND GET SOME REST NOW. 240 00:11:28,674 --> 00:11:32,574 AS SOON AS WE FIND SOMETHING OUT, I'LL CALL YOU MYSELF. 241 00:11:32,608 --> 00:11:35,641 I'LL GO ARRANGE FOR A CAR TO TAKE YOU HOME NOW. 242 00:11:35,674 --> 00:11:37,008 [SOBBING] 243 00:11:39,741 --> 00:11:42,174 ALL RIGHT, MR. HARPER? 244 00:11:42,208 --> 00:11:44,708 I APPRECIATE THE HELP. 245 00:11:44,741 --> 00:11:46,208 THANK YOU. 246 00:11:47,208 --> 00:11:49,074 I'M SORRY FOR YOUR LOSS. 247 00:11:50,474 --> 00:11:51,674 [MOANS] 248 00:11:57,908 --> 00:12:01,341 ALL RIGHT, THANKS FOR YOUR TIME. YEAH. 249 00:12:02,408 --> 00:12:03,841 JILL. YEAH? 250 00:12:03,874 --> 00:12:05,808 SEED OF HOPE HAD A VOLUNTEER 251 00:12:05,841 --> 00:12:08,374 SCHEDULED TO MAKE PICKUPS IN MRS. COX'S AREA YESTERDAY, 252 00:12:08,408 --> 00:12:10,108 BUT HE DIDN'T COME IN WITH ANYTHING. 253 00:12:10,141 --> 00:12:11,708 WELL, THAT DOESN'T SOUND RIGHT. 254 00:12:11,741 --> 00:12:13,774 MAYBE IT IS SOME KIND OF SCAM BETWEEN HIM AND THE HOUSEKEEPER. 255 00:12:13,808 --> 00:12:16,408 HIS NAME'S KEITH DRISCOLL. LET'S GET HOLD OF HIM. 256 00:12:16,441 --> 00:12:18,174 Sipowicz: MR. HARPER. 257 00:12:18,208 --> 00:12:20,808 I'LL HAVE HIM COME DOWN. THANKS. 258 00:12:32,141 --> 00:12:33,908 GET US THE MANAGER. 259 00:12:33,941 --> 00:12:35,908 THE LAST MONTH I'VE BEEN IN THESE JOINTS 260 00:12:35,941 --> 00:12:38,108 AS MUCH AS WHEN I DRANK. 261 00:12:38,141 --> 00:12:39,441 WHAT'D THE DENTIST SAY? 262 00:12:39,474 --> 00:12:41,374 Simone: I GOT ONE MOLAR THAT HE MIGHT NEED TO LIFT. 263 00:12:41,408 --> 00:12:43,841 HE PRESCRIBED ME COMING TO SOME RATHOLE STRIP CLUB 264 00:12:43,874 --> 00:12:45,508 TILL HE GETS THE X‐RAYS BACK. 265 00:12:45,541 --> 00:12:47,774 WHAT DO YOU THINK OF THAT JOB? 266 00:12:47,808 --> 00:12:49,208 POLE POLISHER. 267 00:12:49,241 --> 00:12:52,674 WHEN I WAS DRINKING, I THINK I APPLIED FOR THAT JOB. 268 00:12:55,708 --> 00:12:57,108 SO? 269 00:12:57,141 --> 00:12:59,174 SO, WE'RE LOOKING FOR WENDY SPENCE? SHE WORKING TODAY? 270 00:12:59,208 --> 00:13:01,708 YEAH, THAT'S HER. WHAT, SHE'S IN TROUBLE? 271 00:13:01,741 --> 00:13:05,174 YOU GOT A CARLY FELTON AND ISHANA HARPER EMPLOYED HERE, TOO? 272 00:13:05,208 --> 00:13:07,174 YEAH, YEAH. SO, WHAT'S GOING ON? 273 00:13:07,208 --> 00:13:09,641 YOU NOTICE ANY FRICTION BETWEEN THEM AND ANYBODY? 274 00:13:09,674 --> 00:13:11,808 ANY PISSED OFF BOYFRIENDS AND SO FORTH? 275 00:13:11,841 --> 00:13:14,908 NO, NO, NO. I DON'T WANT THAT KIND OF STUFF GOING ON IN HERE. 276 00:13:14,941 --> 00:13:16,508 THE TATTLER'S A CLASS ACT. 277 00:13:16,541 --> 00:13:18,174 YEAH, RIGHT. BRING HER OVER HERE. 278 00:13:18,208 --> 00:13:20,008 WENDY. 279 00:13:29,274 --> 00:13:31,141 WENDY SPENCE? I'M DETECTIVE SIMONE. 280 00:13:31,174 --> 00:13:32,908 THIS IS MY PARTNER DETECTIVE SIPOWICZ. 281 00:13:32,941 --> 00:13:34,241 WHAT'S GOING ON? 282 00:13:34,274 --> 00:13:36,174 WHERE WERE YOU LAST NIGHT? YOU WITH ANYBODY? 283 00:13:36,208 --> 00:13:38,108 MY BOYFRIEND. 284 00:13:38,141 --> 00:13:40,141 DO YOU WANT TO ASK MY ROOMMATES? THEY SAW US. 285 00:13:40,174 --> 00:13:41,508 WHAT'S YOUR BOYFRIEND'S NAME? 286 00:13:41,541 --> 00:13:42,974 ROLF LUBIN. 287 00:13:43,008 --> 00:13:45,008 HE WITH YOU ALL NIGHT? 288 00:13:45,041 --> 00:13:47,208 UNTIL HE HAD TO LEAVE FOR WORK AT AROUND 7:00, YEAH. 289 00:13:47,241 --> 00:13:48,874 AND BEFORE HE WAS YOUR BOYFRIEND, 290 00:13:48,908 --> 00:13:50,841 ROLF WENT OUT WITH CARLY FELTON, RIGHT? 291 00:13:50,874 --> 00:13:53,174 YEAH. WHAT IS GOING ON? 292 00:13:53,208 --> 00:13:55,841 HOW'D CARLY FEEL ABOUT YOU PICKING UP WITH HER BOYFRIEND? 293 00:13:55,874 --> 00:13:57,808 SHE DIDN'T CARE. THEY'D BROKEN UP. 294 00:13:57,841 --> 00:13:59,341 THEY WEREN'T IN LOVE OR NOTHING. 295 00:13:59,374 --> 00:14:01,808 CAN YOU HELP US WITH ANYBODY THAT CARLY OR ISHANA 296 00:14:01,841 --> 00:14:03,641 MIGHT OF HAD REASON TO BE AFRAID OF? 297 00:14:03,674 --> 00:14:04,974 THEY BEEN HURT? 298 00:14:05,008 --> 00:14:06,874 WENDY, I'M ASKING YOU, YOU GOT A NAME TO GIVE US? 299 00:14:06,908 --> 00:14:11,308 UM, A CREEP NAMED GARY HOGAN COMES IN HERE ALL THE TIME. 300 00:14:11,341 --> 00:14:12,808 HE HAS A THING FOR ISHANA. 301 00:14:12,841 --> 00:14:14,208 WHERE ARE WE GONNA FIND HIM? 302 00:14:14,241 --> 00:14:16,674 I KNOW HE'S GOT HIS OWN TRAVEL INSURANCE AGENCY. 303 00:14:16,708 --> 00:14:19,974 SOMEBODY DID SOMETHING TO CARLY AND ISHANA, DIDN'T THEY? 304 00:14:20,008 --> 00:14:22,241 YEAH, THEY KILLED THEM. 305 00:14:22,274 --> 00:14:24,674 OH, MY GOD! 306 00:14:24,708 --> 00:14:26,208 OH, MY GOD! 307 00:14:26,241 --> 00:14:27,708 OK, SHE'S UP. YOU DONE? 308 00:14:27,741 --> 00:14:29,708 YEAH, WE'RE ABOUT DONE. 309 00:14:29,741 --> 00:14:31,408 OK, GO AHEAD. 310 00:14:34,141 --> 00:14:35,574 WHY'S SHE CRYING? 311 00:14:35,608 --> 00:14:37,841 THAT CARLY AND ISHANA WORKED HERE, 312 00:14:37,874 --> 00:14:39,674 THEY'RE DEAD. FROM WHAT? 313 00:14:39,708 --> 00:14:41,174 FROM BEING MURDERED. 314 00:14:41,208 --> 00:14:42,708 MURDERED? OH, MY GOD! 315 00:14:42,741 --> 00:14:44,741 YEAH. I KNOW THAT'S A BIG SHOCK FOR YOU, 316 00:14:44,774 --> 00:14:46,674 THIS CLUB BEING SUCH A CLASS ACT. 317 00:15:27,341 --> 00:15:28,308 ROLF LUBIN? 318 00:15:28,341 --> 00:15:30,374 YEAH. 319 00:15:30,408 --> 00:15:32,641 I'M DETECTIVE SIMONE. DETECTIVE SIPOWICZ OVER HERE. 320 00:15:32,674 --> 00:15:34,574 WHAT DO YOU WANT? 321 00:15:34,608 --> 00:15:35,808 CAN WE TALK SOMEWHERE IN PRIVATE? 322 00:15:35,841 --> 00:15:37,374 NO. 323 00:15:37,408 --> 00:15:39,841 WHERE WERE YOU LAST NIGHT? 324 00:15:39,874 --> 00:15:41,674 WITH MY GIRLFRIEND. 325 00:15:41,708 --> 00:15:42,941 IS THAT CARLY FELTON? 326 00:15:44,274 --> 00:15:46,808 CARLY AND ME BEEN DONE FOR A MONTH. 327 00:15:46,841 --> 00:15:48,441 WHO'S YOUR GIRLFRIEND NOW? 328 00:15:48,474 --> 00:15:50,308 WENDY SPENCE. 329 00:15:50,341 --> 00:15:52,641 SHE WORKED TILL 10:00. I PICKED HER UP AT THE JOINT. 330 00:15:52,674 --> 00:15:53,941 WHICH WAS WHERE? 331 00:15:53,974 --> 00:15:55,208 THE TATTLER. 332 00:15:55,241 --> 00:15:56,241 A STRIP PLACE. 333 00:15:56,274 --> 00:15:57,241 WHERE CARLY WORKS? 334 00:15:57,274 --> 00:15:59,174 THAT'S HOW WE MET. 335 00:15:59,208 --> 00:16:01,174 IS CARLY TRYING TO SAY I DID SOMETHING? 336 00:16:01,208 --> 00:16:03,308 CARLY'S MUTE PRESENTLY, ROLF, 337 00:16:03,341 --> 00:16:04,956 'CAUSE SHE'S DEAD. 338 00:16:04,989 --> 00:16:06,422 WHOA. 339 00:16:06,456 --> 00:16:08,256 HER AND HER ROOMMATE. 340 00:16:08,289 --> 00:16:10,156 WHEN YOU USED TO GO OUT WITH CARLY, ROLF, 341 00:16:10,189 --> 00:16:11,156 YOU EVER HIT HER? 342 00:16:11,189 --> 00:16:13,422 I DON'T HAVE TO ANSWER THAT. 343 00:16:13,456 --> 00:16:16,089 AND I WASN'T WITH CARLY ANYMORE. 344 00:16:16,122 --> 00:16:17,422 SOMETIMES WE DON'T MAKE THE CLEAN BREAKS 345 00:16:17,456 --> 00:16:18,656 LIKE ANN LANDERS TELLS US TO. 346 00:16:18,689 --> 00:16:21,022 LOOK, I'M DONE WITH YOU GUYS. 347 00:16:21,056 --> 00:16:22,589 COME ON. WE'RE GOING TO THE STATION HOUSE. 348 00:16:24,322 --> 00:16:25,289 DROP THE WRENCH! 349 00:16:25,322 --> 00:16:26,256 DROP THAT WRENCH! 350 00:16:26,289 --> 00:16:28,022 I TOLD YOU I'M WITH WENDY NOW! 351 00:16:28,056 --> 00:16:30,289 I DIDN'T DO NOTHING TO CARLY. 352 00:16:30,322 --> 00:16:31,822 Sipowicz: THAT'S WHY YOU'RE BEING SO COOPERATIVE, HUH? 353 00:16:31,856 --> 00:16:33,122 Simone: PUT 'EM BEHIND YOU! 354 00:16:42,856 --> 00:16:44,622 Simone: HEY, BOSS. 355 00:16:44,656 --> 00:16:46,789 HEY, SO, UH, HOW'D IT GO 356 00:16:46,822 --> 00:16:48,822 WITH THE ONE D. O. A.'s EX‐BOYFRIEND? 357 00:16:48,856 --> 00:16:50,656 GOT HIM LOCKED UP DOWNSTAIRS. 358 00:16:50,689 --> 00:16:51,822 HE TOOK AFTER US WITH A WRENCH. 359 00:16:51,856 --> 00:16:53,189 YEAH, HE'S AN ASSHOLE, 360 00:16:53,222 --> 00:16:54,689 BUT HE DIDN'T DO THE HOMICIDE. 361 00:16:54,722 --> 00:16:55,789 ALIBI'S GOOD. 362 00:16:55,822 --> 00:16:57,556 STRIPPER TOLD US ABOUT A LOOKIE‐LOO 363 00:16:57,589 --> 00:16:59,156 THAT HAD A THING FOR ONE OF THE D. O. A. s 364 00:16:59,189 --> 00:17:00,256 WE GOT HIM COMING IN. 365 00:17:00,289 --> 00:17:01,622 WE'RE ALSO GETTING A DUMP ON THE PHONES 366 00:17:01,656 --> 00:17:02,689 OFF THE APARTMENT. 367 00:17:02,722 --> 00:17:03,622 HI. 368 00:17:03,656 --> 00:17:04,756 Simone: HOW'S IT GOING? 369 00:17:04,789 --> 00:17:05,956 Russell: IN HERE. 370 00:17:05,989 --> 00:17:08,356 SO YOU PICK ME UP AT MY APARTMENT, 371 00:17:08,389 --> 00:17:09,989 DON'T SAY NOTHING RIDING ALL THE WAY IN THE CAR. 372 00:17:10,022 --> 00:17:12,022 WAS THAT SUPPOSED TO MAKE ME FEEL NERVOUS OR SOMETHING? 373 00:17:12,056 --> 00:17:13,422 HAVE A SEAT, KEITH. 374 00:17:13,456 --> 00:17:15,822 THAT APARTMENT OF YOURS, 375 00:17:15,856 --> 00:17:17,422 YOU COULDN'T HAVE GOT ANY MORE GROCERIES IN THERE 376 00:17:17,456 --> 00:17:19,622 IF IT WAS A SUPERMARKET. 377 00:17:19,656 --> 00:17:20,956 LOOK, THEY'RE ALL DONATIONS TO CHARITY. 378 00:17:20,989 --> 00:17:22,289 I'M A VOLUNTEER. 379 00:17:22,322 --> 00:17:24,356 I PICK IT UP, BRING IT OVER TO SEED OF HOPE 380 00:17:24,389 --> 00:17:25,456 A COUPLE OF TIMES A WEEK. 381 00:17:25,489 --> 00:17:26,956 CALL SEED OF HOPE AND ASK THEM. 382 00:17:26,989 --> 00:17:28,822 THEY SAID YOU WERE SCHEDULED TO MAKE A DELIVERY YESTERDAY, 383 00:17:28,856 --> 00:17:30,156 BUT YOU DIDN'T BRING ANYTHING IN. 384 00:17:30,189 --> 00:17:32,456 I WASN'T FEELING WELL. 385 00:17:32,489 --> 00:17:33,956 I WAS GOING TO GO OVER THERE TODAY. 386 00:17:33,989 --> 00:17:36,089 IF YOU WERE COLLECTING THAT FOOD TO KEEP FOR YOURSELF, 387 00:17:36,122 --> 00:17:37,422 THAT'S A CRIME, AND YOU CAN BE PROSECUTED. 388 00:17:37,456 --> 00:17:38,422 PROSECUTED? 389 00:17:38,456 --> 00:17:40,456 HERE, I'M DONATING MY TIME, 390 00:17:40,489 --> 00:17:42,422 LUGGING SACKS OF FOOD AROUND 391 00:17:42,456 --> 00:17:44,156 SO SEED OF HOPE DOESN'T HAVE TO GO AND GET IT THEMSELVES, 392 00:17:44,189 --> 00:17:45,656 AND YOU WANT TO PROSECUTE ME? 393 00:17:45,689 --> 00:17:47,489 WE'RE LOOKING FOR ONE CAN DIDN'T MAKE IT 394 00:17:47,522 --> 00:17:49,022 TO THE SEED OF HOPE FOOD BANK, 395 00:17:49,056 --> 00:17:50,456 AND IT WASN'T IN THAT HORDE OF GROCERIES IN YOUR APARTMENT. 396 00:17:50,489 --> 00:17:52,689 IF THERE'S SOMEPLACE ELSE IT COULD HAVE ENDED UP, 397 00:17:52,722 --> 00:17:54,022 YOU BETTER TELL US NOW. 398 00:17:54,056 --> 00:17:55,489 OTHERWISE, YOU'RE LOOKING AT GRAND THEFT. 399 00:17:55,522 --> 00:17:57,489 WHAT WAS IN THE CAN? 400 00:17:57,522 --> 00:17:58,922 NEVER MIND WHAT WAS IN THE CAN. 401 00:18:01,522 --> 00:18:04,389 LOOK, MAYBE I SKIM A LITTLE FROM THE DONATIONS, 402 00:18:04,422 --> 00:18:07,089 SELL A FEW OF THE GROCERIES TO COVER MY EXPENSES‐‐ 403 00:18:07,122 --> 00:18:10,122 GLAD TO KNOW THE SPIRIT OF VOLUNTEERISM IS ALIVE AND WELL. 404 00:18:10,156 --> 00:18:12,022 WHO'D YOU SELL TO YESTERDAY? 405 00:18:12,056 --> 00:18:13,822 TO A BODEGA. 406 00:18:13,856 --> 00:18:17,356 WELL, YOU'RE GOING TO HAVE TO TAKE US OVER THERE. 407 00:18:17,389 --> 00:18:20,022 THING IS I GOT A CHANCE TO PLAY GREG'S WIFE UNDERCOVER. 408 00:18:20,056 --> 00:18:21,889 YOU DON'T WANT TO MISS THAT. 409 00:18:21,922 --> 00:18:24,022 CAN YOU TAKE A UNIFORM? 410 00:18:24,056 --> 00:18:25,789 SURE. ABSOLUTELY. 411 00:18:25,822 --> 00:18:27,189 LET'S GO. 412 00:18:35,589 --> 00:18:37,222 UH, MY NAME'S GARY HOGAN. 413 00:18:37,256 --> 00:18:39,022 I WAS ASKED TO COME SEE A DETECTIVE. 414 00:18:39,056 --> 00:18:41,556 DETECTIVE SIPOWICZ, 415 00:18:41,589 --> 00:18:44,089 MR. HOGAN'S HERE. 416 00:18:44,122 --> 00:18:45,989 UH, COME ON AROUND HERE. 417 00:18:48,556 --> 00:18:49,822 SIT HERE. 418 00:18:49,856 --> 00:18:51,322 I'M DETECTIVE SIPOWICZ. 419 00:18:51,356 --> 00:18:52,622 THIS IS DETECTIVE SIMONE. 420 00:18:52,656 --> 00:18:54,156 HOW YOU DOING? 421 00:18:54,189 --> 00:18:57,756 UH, I GUESS THIS IS ABOUT ISHANA? 422 00:18:57,789 --> 00:18:59,389 I CAN'T BELIEVE IT. 423 00:18:59,422 --> 00:19:01,222 WHEN DID YOU SEE HER LAST, SIR? 424 00:19:01,256 --> 00:19:03,189 UH, I CAUGHT HER ACT YESTERDAY AFTERNOON. 425 00:19:03,222 --> 00:19:05,522 MM‐HMM. YOU EVER BEEN TO HER APARTMENT? 426 00:19:05,556 --> 00:19:07,122 A FEW TIMES. 427 00:19:07,156 --> 00:19:08,422 I TRIED TO HELP HER. 428 00:19:08,456 --> 00:19:11,589 I'D GIVE HER MONEY TO HELP HER WITH CLOTHES 429 00:19:11,622 --> 00:19:13,456 AND MODELING LESSONS AND LIKE THAT. 430 00:19:13,489 --> 00:19:14,522 YOU SLEEPING WITH HER? 431 00:19:14,556 --> 00:19:15,956 OH, SHE DIDN'T WANT THAT WITH ME. 432 00:19:15,989 --> 00:19:18,089 I UNDERSTAND. 433 00:19:18,122 --> 00:19:19,789 YOUNG, BEAUTIFUL GIRL LIKE THAT. 434 00:19:19,822 --> 00:19:21,156 I'M TOO OLD. 435 00:19:21,189 --> 00:19:22,689 WHAT DID YOU KNOW ABOUT HER? 436 00:19:22,722 --> 00:19:25,822 I KNOW SHE WORKED VERY HARD. 437 00:19:25,856 --> 00:19:27,822 SHE'D SAVED SEVERAL THOUSAND DOLLARS 438 00:19:27,856 --> 00:19:29,589 TO HELP GET HER CAREER GOING. 439 00:19:29,622 --> 00:19:30,756 SHE WAS GOING TO BE A SINGER 440 00:19:30,789 --> 00:19:32,622 OR A MODEL. 441 00:19:32,656 --> 00:19:33,656 SHE HAD BIG PLANS. 442 00:19:33,689 --> 00:19:35,156 THIS MONEY THAT YOU MENTIONED, 443 00:19:35,189 --> 00:19:36,889 WHERE WAS SHE KEEPING THAT, IN THE BANK? 444 00:19:36,922 --> 00:19:41,289 SHE HAD A SMALL SAFE IN HER CLOSET. I SAW IT. 445 00:19:41,322 --> 00:19:42,356 YOU'RE TALKING ABOUT A SAFE 446 00:19:42,389 --> 00:19:44,489 THAT WAS SMALL ENOUGH TO PICK UP? 447 00:19:44,522 --> 00:19:47,889 YEAH. YEAH, I MEAN, IF YOU MISSED IT, 448 00:19:47,922 --> 00:19:50,222 THE PEOPLE THAT KILLED THEM STOLE IT. 449 00:19:50,256 --> 00:19:52,222 DETECTIVE SIMONE, TELEPHONE SECURITY. 450 00:19:52,256 --> 00:19:54,422 EXCUSE ME. 451 00:19:54,456 --> 00:19:56,022 YEAH, SIMONE. 452 00:19:57,256 --> 00:19:59,322 Simone: OH, YEAH. GOOD, GOOD. 453 00:19:59,356 --> 00:20:01,256 LET ME HAVE THE LAST NUMBER FIRST, PLEASE. 454 00:20:02,256 --> 00:20:04,356 AFTER I FIRST SAW ISHANA, 455 00:20:04,389 --> 00:20:07,222 I HAD TO GO UP AND TALK TO HER. 456 00:20:07,256 --> 00:20:11,056 HER BODY WAS JUST SENSATIONAL. 457 00:20:11,089 --> 00:20:13,689 I'D NEVER SEEN SUCH PERFECT BREASTS. 458 00:20:13,722 --> 00:20:16,722 AND I GOT A FEELING YOU LOOKED AT A LARGE NUMBER. 459 00:20:16,756 --> 00:20:18,022 OH, YEAH, THOUSANDS. 460 00:20:18,056 --> 00:20:21,222 CARLY, HER ROOMMATE‐‐ WELL, THE OTHER VICTIM, 461 00:20:21,256 --> 00:20:26,656 SHE HAS LOVELY‐‐ WHAT I WOULD CALL‐‐ COCKER SPANIEL BREASTS. 462 00:20:26,689 --> 00:20:30,322 BUT ISHANA'S WERE ABSOLUTELY SPHERICAL. 463 00:20:30,356 --> 00:20:33,022 I MEAN, HAD TO BE RIGHT UP THERE AT THE TOP. 464 00:20:33,056 --> 00:20:34,256 ANDY. 465 00:20:34,289 --> 00:20:35,456 EXCUSE ME. 466 00:20:38,289 --> 00:20:39,622 I GOT THE PHONE DUMP. 467 00:20:39,656 --> 00:20:41,089 THE LAST CALL OUT OF THE GIRLS' APARTMENT 468 00:20:41,122 --> 00:20:42,822 WAS AT 2:13 THIS MORNING. 469 00:20:42,856 --> 00:20:44,422 THAT WAS CLOSE TO THE TIME OF THE MURDERS. 470 00:20:44,456 --> 00:20:45,956 IT'S A LOCAL NUMBER. 471 00:20:45,989 --> 00:20:47,256 Sipowicz: LET'S GO TO THAT PLACE. 472 00:20:47,289 --> 00:20:48,222 WHAT ABOUT THIS MUTT? 473 00:20:48,256 --> 00:20:51,256 LET'S CUT HIM LOOSE. 474 00:20:51,289 --> 00:20:53,256 ALL RIGHT, WE APPRECIATE WHAT YOU'VE TOLD US, MR. HOGAN. 475 00:20:53,289 --> 00:20:54,622 YOU CAN GO. 476 00:20:54,656 --> 00:20:56,656 BUT, UH, DON'T TAKE ANY TRIPS OR NOTHING. 477 00:20:56,689 --> 00:20:58,389 I WASN'T INTENDING ANY TRIPS. 478 00:20:58,422 --> 00:20:59,889 THEN DON'T ADJUST YOUR PLANS. 479 00:20:59,922 --> 00:21:01,456 NO. FINE. 480 00:21:12,689 --> 00:21:14,956 I SWEAR HE ASKED ME TO FIND A HIT MAN, DETECTIVE. 481 00:21:14,989 --> 00:21:16,356 I DIDN'T MAKE THIS STUFF UP. 482 00:21:16,389 --> 00:21:18,289 ARCHIE WANTS TO SNUFF CARMINE. 483 00:21:18,322 --> 00:21:20,656 DID IT EVER OCCUR TO YOU THAT YOUR PAL ARCHIE'S FULL OF CRAP? 484 00:21:20,689 --> 00:21:22,456 MAYBE IT MAKES HIM FEEL LIKE A BIG MAN 485 00:21:22,489 --> 00:21:23,689 SAYING HE WANTS A HIT MAN, 486 00:21:23,722 --> 00:21:25,222 AND WHEN HE GETS ONE, HE RUNS FOR COVER. 487 00:21:25,256 --> 00:21:26,222 NO GOOD? 488 00:21:26,256 --> 00:21:27,822 NO, ARCHIE NEVER SHOWED. 489 00:21:27,856 --> 00:21:29,522 MAYBE ARCHIE DIDN'T REALLY WANT A HIT MAN. 490 00:21:29,556 --> 00:21:32,556 MAYBE OUR FRIEND MR. SHEEDY HERE HAS IT IN FOR ARCHIE. 491 00:21:32,589 --> 00:21:34,489 MAYBE IT'S YOUR WIFE ARCHIE'S PUTTING IT TO, 492 00:21:34,522 --> 00:21:35,622 SO YOU WANT TO JAM HIM UP. 493 00:21:35,656 --> 00:21:36,689 I DON'T HAVE A WIFE. 494 00:21:36,722 --> 00:21:38,156 ARCHIE ASKED ME TO FIND SOMEONE 495 00:21:38,189 --> 00:21:39,189 TO RUB OUT THE PRESENT HUSBAND 496 00:21:39,222 --> 00:21:40,556 OF THE WOMAN HE'S INVOLVED WITH. 497 00:21:40,589 --> 00:21:42,956 YOU CAN BELIEVE THAT OR NOT. I DON'T GIVE A DAMN. 498 00:21:42,989 --> 00:21:44,889 I'M LEAVING, AND YOU'RE NOT GETTING MORE HELP FROM ME. 499 00:21:44,922 --> 00:21:46,822 Martinez: OH, PERISH THAT THOUGHT. 500 00:21:46,856 --> 00:21:48,289 WARN THE GUY ARCHIE'S PUTTING THE HORNS ON 501 00:21:48,322 --> 00:21:50,156 HE MAY BE THE OBJECT OF A CONTRACT 502 00:21:50,189 --> 00:21:51,356 AND LEAVE IT AT THAT. 503 00:21:51,389 --> 00:21:52,656 AND STOP CONFUSING US WITH SOCIAL SERVICES. 504 00:21:52,689 --> 00:21:54,489 AH, BEAUTIFUL. GREAT. 505 00:21:54,522 --> 00:21:56,456 YOU DON'T NEED TO HIT ME WITH A BUS. 506 00:22:11,856 --> 00:22:13,356 PRIMARILY SOUP. 507 00:22:13,389 --> 00:22:14,356 OK. 508 00:22:14,389 --> 00:22:15,622 I REMEMBER. 509 00:22:15,656 --> 00:22:16,689 HE DIDN'T WANT ANY ARTICHOKES OR ASPARAGUS. 510 00:22:16,722 --> 00:22:18,889 NO SARDINES OR YAMS. 511 00:22:18,922 --> 00:22:20,522 NOW, YAMS I THOUGHT HE WOULD HAVE BOUGHT‐‐ 512 00:22:20,556 --> 00:22:22,189 OK. OK. 513 00:22:23,189 --> 00:22:24,956 YOU RUN THIS STORE? 514 00:22:24,989 --> 00:22:26,356 WHAT'S THIS ABOUT? 515 00:22:26,389 --> 00:22:28,289 DID YOU BUY CANNED GOODS FROM THIS GUY YESTERDAY? 516 00:22:28,322 --> 00:22:29,422 I DON'T RECOGNIZE HIM. 517 00:22:29,456 --> 00:22:30,722 YEAH, YOU DO. 518 00:22:30,756 --> 00:22:32,056 I BROUGHT IN 3 BAGS OF CANNED STUFF YESTERDAY. 519 00:22:32,089 --> 00:22:33,322 GO AHEAD. TELL HER. 520 00:22:33,356 --> 00:22:34,222 I DIDN'T KNOW IT WAS STOLEN. WERE THEY STOLEN? 521 00:22:34,256 --> 00:22:35,222 JUST SHOW ME THE CANS, 522 00:22:35,256 --> 00:22:36,789 AND YOU WON'T BE IN ANY TROUBLE. 523 00:22:39,856 --> 00:22:41,922 Driscoll: ALL RIGHT, ALL RIGHT. 524 00:22:49,289 --> 00:22:50,322 DETECTIVE. 525 00:22:52,522 --> 00:22:54,456 WHAT THE HELL'S GOING ON? 526 00:22:54,489 --> 00:22:56,156 NOTHING. 527 00:22:57,256 --> 00:22:58,722 THANKS FOR YOUR HELP. 528 00:22:58,756 --> 00:22:59,756 SO I'M OFF THE HOOK NOW, RIGHT? 529 00:22:59,789 --> 00:23:01,322 YEAH, YOU'RE OFF THE HOOK. 530 00:23:01,356 --> 00:23:02,289 THOSE ARE FAKE, RIGHT? 531 00:23:02,322 --> 00:23:03,389 YEAH. 532 00:23:03,422 --> 00:23:05,922 OTHERWISE, I GOT TO KILL MYSELF. 533 00:23:14,322 --> 00:23:15,356 LIEU. 534 00:23:15,389 --> 00:23:17,289 HEY. WHAT DID YOU GET? 535 00:23:17,322 --> 00:23:19,956 TALKED TO THE LAST PERSON THAT WAS ON THE GIRL'S PHONE RECORD. 536 00:23:19,989 --> 00:23:22,022 GOT A TAPE PLAYER? 537 00:23:22,056 --> 00:23:23,022 YEAH. 538 00:23:23,056 --> 00:23:24,422 GUY'S NAME IS TERRY REYNOLDS. 539 00:23:24,456 --> 00:23:27,156 REYNOLDS' WIFE, SHE TURNS THE PHONE RINGER OFF 540 00:23:27,189 --> 00:23:28,256 WHEN THEY GO TO BED. 541 00:23:28,289 --> 00:23:30,156 WHEN THEY WOKE UP THIS MORNING, 542 00:23:30,189 --> 00:23:31,656 THERE WAS THIS MESSAGE ON THEIR MACHINE FROM ONE OF HIS BUDDIES. 543 00:23:33,689 --> 00:23:35,589 IT'S STILL ON THE TAPE HERE. 544 00:23:35,622 --> 00:23:38,622 THIS GUY, HE SOUNDS SHOOK DOWN TO HIS SHOES. 545 00:23:38,656 --> 00:23:40,822 Voice on tape: TERRY. TERRY, YOU THERE? 546 00:23:40,856 --> 00:23:42,089 HEY, TERRY, PICK UP, MAN. 547 00:23:42,122 --> 00:23:43,156 IF YOU'RE THERE, PICK UP. IT'S TONY. 548 00:23:43,189 --> 00:23:45,622 I NEED TO TALK TO YOU, MAN. 549 00:23:45,656 --> 00:23:46,756 I'M JAMMED UP WITH SOMETHING HERE. 550 00:23:46,789 --> 00:23:48,522 SOMETHING BAD. THIS IS REAL BAD, TERRY. 551 00:23:48,556 --> 00:23:50,089 LOOK, I DON'T KNOW WHAT TO DO. 552 00:23:50,122 --> 00:23:51,189 I NEED TO TALK TO SOMEBODY, OK? 553 00:23:51,222 --> 00:23:52,422 I GOT TO FIGURE SOME WAY OUT OF THIS. 554 00:23:52,456 --> 00:23:54,622 COME ON, MAN. ANSWER THE PHONE, MAN. 555 00:23:54,656 --> 00:23:55,689 ANSWER THE PHONE. I KNOW YOU'RE HOME. 556 00:23:55,722 --> 00:23:58,022 DON'T LEAVE ME HANGING HERE. [BEEP] 557 00:23:58,056 --> 00:24:00,289 WHO IS THIS GUY? 558 00:24:00,322 --> 00:24:01,856 NAME'S TONY SLATER. 559 00:24:01,889 --> 00:24:04,622 HE WASN'T HOME WHEN WE STOPPED BY THE DUMP HE'S LIVING IN. 560 00:24:04,656 --> 00:24:05,822 WHAT'S B.C.I. GOT ON HIM? 561 00:24:05,856 --> 00:24:07,222 A COUPLE OF BUSTS FOR THEFT. 562 00:24:07,256 --> 00:24:08,789 HIS BUDDY THAT GOT THE PHONE MESSAGE 563 00:24:08,822 --> 00:24:12,422 SAID HE WORKS FOR A LIVING. STOCKROOM OR SOMETHING LIKE THAT. 564 00:24:12,456 --> 00:24:14,622 BIG STEP UP‐‐ THEFT TO DOUBLE HOMICIDE. 565 00:24:14,656 --> 00:24:15,822 YEAH. I THINK WE'RE GOING TO FIND 566 00:24:15,856 --> 00:24:17,922 ANOTHER GUY OR TWO CHEERING HIM ON. 567 00:24:17,956 --> 00:24:19,289 HE'S LIABLE TO SKIP. 568 00:24:19,322 --> 00:24:20,356 YEAH, WE'RE GOING BACK THERE NOW, 569 00:24:20,389 --> 00:24:22,489 SIT ON HIS PLACE, AND GRAB HIM UP. 570 00:24:51,722 --> 00:24:53,356 HEY, JAMES, LOOK AT THAT. 571 00:24:54,956 --> 00:24:57,956 LOOKS LIKE ARCHIE'S REALLY MOVED IN ON CARMINE'S WIFE. 572 00:24:59,622 --> 00:25:00,689 Woman: YES? 573 00:25:00,722 --> 00:25:01,722 YVETTE WINKLER? 574 00:25:01,756 --> 00:25:03,089 YEAH. WHY? 575 00:25:03,122 --> 00:25:04,856 WE'RE LOOKING FOR ARCHIE BELLOWS. HE HERE? 576 00:25:04,889 --> 00:25:07,722 WHY? WHAT DO YOU WANT? WHO ARE YOU? 577 00:25:07,756 --> 00:25:11,422 TAKE IT EASY. DETECTIVE MARTINEZ, DETECTIVE MEDAVOY. 578 00:25:11,456 --> 00:25:12,856 COPS, THANK GOD. 579 00:25:12,889 --> 00:25:14,589 YOU FINALLY FIGURED OUT ARCHIE'S IN REAL DANGER. 580 00:25:14,622 --> 00:25:16,256 SO ARCHIE'S LIVING HERE WITH YOU? 581 00:25:16,289 --> 00:25:18,389 YOU DON'T KNOW HOW MANY SLEEPLESS NIGHTS WE'VE HAD. 582 00:25:18,422 --> 00:25:20,456 IT'S ABOUT TIME THE AUTHORITIES FINALLY STEPPED IN. 583 00:25:20,489 --> 00:25:21,722 WHERE IS HE NOW, YVETTE? 584 00:25:21,756 --> 00:25:22,722 HE'LL BE BACK ANY MINUTE. 585 00:25:22,756 --> 00:25:23,722 HE'LL BE SO RELIEVED 586 00:25:23,756 --> 00:25:25,589 FINALLY GETTING SOME PROTECTION. 587 00:25:25,622 --> 00:25:27,056 YVETTE, WHAT'S GOING ON? 588 00:25:27,089 --> 00:25:28,222 IT'S OK. THEY'RE COPS. 589 00:25:36,556 --> 00:25:37,856 LISTEN, LISTEN. 590 00:25:37,889 --> 00:25:39,856 I'M A MARKED MAN. DID SHE TELL YOU WHAT'S GOING ON? 591 00:25:39,889 --> 00:25:41,289 OF COURSE I TOLD THEM. 592 00:25:41,322 --> 00:25:43,922 WHY DON'T WE TALK ABOUT THIS DOWN AT OUR STATION HOUSE? 593 00:25:43,956 --> 00:25:45,056 I'M NOT GOING ANYWHERE. 594 00:25:45,089 --> 00:25:46,256 COULD SOMEONE GO CHECK FOR SNIPERS? 595 00:25:46,289 --> 00:25:47,522 I THINK THERE'S A SNIPER UP THERE. PLEASE. 596 00:25:47,556 --> 00:25:48,889 WHY DON'T YOU COME WITH US? 597 00:25:48,922 --> 00:25:50,222 WE'LL GUARANTEE A SAFE TRIP. 598 00:25:50,256 --> 00:25:51,322 Yvette: HOW ABOUT A GUARANTEE FOR MY SAFETY? 599 00:25:51,356 --> 00:25:52,589 NO. I'M NOT GOING ANYWHERE. 600 00:25:52,622 --> 00:25:53,822 I'M NOT LEAVING YVETTE HERE UNPROTECTED, OK? 601 00:25:53,856 --> 00:25:55,056 Martinez: YVETTE CAN GO WITH US. 602 00:25:55,089 --> 00:25:57,089 I'M PUTTING ON MY SUNGLASSES AND MY SCARF. 603 00:25:57,122 --> 00:25:59,789 RIGHT. I'M GOING TO GET MY GLASSES, TOO, OK? 604 00:25:59,822 --> 00:26:00,889 GO GET YOUR GLASSES. THEN WE'LL GO. 605 00:26:02,622 --> 00:26:05,856 GUY'S PARANOID, HE PUTS HIS NAME ON A MAILBOX. 606 00:26:05,889 --> 00:26:08,322 CAN YOU BELIEVE HE'D HAVE A GUY WHACKED OVER THAT? 607 00:26:08,356 --> 00:26:10,089 I GUESS EVERYONE'S GOT THEIR MATCH OUT THERE. 608 00:26:19,022 --> 00:26:22,922 LOOK, ALL I WANT IS PROTECT MYSELF FROM A WOULD‐BE ASSASSIN. 609 00:26:22,956 --> 00:26:25,722 WELL, IT BEING THE WOULD‐BE ASSASSIN'S HOUSE YOU'RE SHACKED UP IN 610 00:26:25,756 --> 00:26:27,189 WITH THE WOULD‐BE ASSASSIN'S WIFE, 611 00:26:27,222 --> 00:26:29,589 I WOULDN'T BE COUNTING ON THE SYMPATHY VOTE FROM A JURY, 612 00:26:29,622 --> 00:26:32,189 YOU TAKING OUT A CONTRACT ON THE WOULD‐BE ASSASSIN'S LIFE. 613 00:26:32,222 --> 00:26:34,456 HE HIRED SOMEBODY FIRST. HE HAS A HIT OUT ON ME. 614 00:26:34,489 --> 00:26:35,522 SIT DOWN. 615 00:26:35,556 --> 00:26:37,289 I NEED SOMEBODY FOR SELF‐DEFENSE. 616 00:26:37,322 --> 00:26:39,189 HOW DO WE KNOW HE TOOK OUT A CONTRACT ON YOU? 617 00:26:39,222 --> 00:26:40,456 I HEARD IT ON THE STREET. 618 00:26:40,489 --> 00:26:43,422 A GUY WARNED ME. I'M DEAD MEAT. 619 00:26:43,456 --> 00:26:45,122 LISTEN CAREFULLY, ARCHIE. 620 00:26:45,156 --> 00:26:47,122 THE WHOLE REASON WE WENT TO THAT RESIDENCE 621 00:26:47,156 --> 00:26:48,589 WE PICKED YOU UP AT 622 00:26:48,622 --> 00:26:50,722 WAS THINKING YVETTE'S HUSBAND CARMINE STILL RESIDED THERE. 623 00:26:50,756 --> 00:26:52,556 NO, NO, NO. HE'S OUT. 624 00:26:52,589 --> 00:26:53,922 WHAT WE WERE GOING TO TELL CARMINE 625 00:26:53,956 --> 00:26:56,989 LOOK OVER BOTH HIS SHOULDERS IN CASE HALF A NUT JOB, 626 00:26:57,022 --> 00:26:58,322 LIKE YOURSELF, 627 00:26:58,356 --> 00:27:01,389 ENGAGES SOMEONE ON A PREEMPTIVE HOMICIDE MISSION. 628 00:27:01,422 --> 00:27:03,656 NOW, BEING AS WE'LL BE TALKING WITH HIM ANYWAY, 629 00:27:03,689 --> 00:27:05,689 WE'LL ALSO REMIND HIM NOT TO KILL YOU. 630 00:27:05,722 --> 00:27:07,556 CARMINE IS DANGEROUS SCUM. 631 00:27:07,589 --> 00:27:10,056 HE'S GOING TO DENY IT, 632 00:27:10,089 --> 00:27:11,356 AND IT'S ALL GOING TO FALL ON ME 633 00:27:11,389 --> 00:27:12,389 JUST 'CAUSE I WANT TO SURVIVE. 634 00:27:12,422 --> 00:27:13,522 SPEAKING CANDIDLY, ARCHIE, 635 00:27:13,556 --> 00:27:15,256 AT THIS POINT, WE WASH OUR HANDS. 636 00:27:15,289 --> 00:27:17,056 WE'RE INVOLVED WORKING NUMEROUS CRIMES 637 00:27:17,089 --> 00:27:19,389 THAT HAVE ALREADY ACTUALLY OCCURRED. 638 00:27:19,422 --> 00:27:21,756 WHERE IS MY FIANCéE? 639 00:27:22,822 --> 00:27:26,022 I'M TOLD YVETTE WAS HERE FOR SEVERAL MINUTES 640 00:27:26,056 --> 00:27:28,422 THEN FELT UNSAFE AND FLED. 641 00:27:28,456 --> 00:27:30,756 SHE HAS AN ACUTE SENSE OF DANGER. 642 00:27:30,789 --> 00:27:33,522 THAT'S PROBABLY WHAT BROUGHT YOU TOGETHER. 643 00:27:34,622 --> 00:27:36,789 WHAT THE HELL YOU BUYING HIM A SODA FOR? 644 00:27:36,822 --> 00:27:38,022 MAN WANTED A SODA. 645 00:27:48,022 --> 00:27:49,856 WHAT DID YOU DO LAST NIGHT, TONY? 646 00:27:49,889 --> 00:27:51,222 I WAS HOME WATCHING TV. 647 00:27:54,022 --> 00:27:55,689 CAN I GET THAT SODA NOW? 648 00:27:57,956 --> 00:28:00,489 HOME WATCHING TV. 649 00:28:03,022 --> 00:28:06,389 HEY, CONCENTRATE ON BEING TRUTHFUL WITH YOUR ANSWERS, 650 00:28:06,422 --> 00:28:07,789 ALL RIGHT, TONY? 651 00:28:07,822 --> 00:28:08,989 'CAUSE WE GOT OTHER PEOPLE GIVING US INFORMATION. 652 00:28:09,022 --> 00:28:10,722 I TOLD THE TRUTH. I WAS HOME. 653 00:28:10,756 --> 00:28:11,856 GIVE ME THAT DAMN SODA! 654 00:28:11,889 --> 00:28:12,956 WHAT ARE YOU GIVING SODAS 655 00:28:12,989 --> 00:28:14,622 TO LYING SONS OF BITCHES FOR? 656 00:28:14,656 --> 00:28:15,756 I'M NOT LYING. 657 00:28:15,789 --> 00:28:17,189 YOU'RE JUST DIGGING A HOLE DEEPER 658 00:28:17,222 --> 00:28:18,256 WHERE WE'RE GOING TO BURY YOU. 659 00:28:18,289 --> 00:28:19,856 YOU ALREADY TOLD US WHERE YOU WERE, 660 00:28:19,889 --> 00:28:23,022 AND IT WASN'T HOME WATCHING NO MIDNIGHT MOVIES. 661 00:28:23,056 --> 00:28:26,089 WHAT ARE YOU‐‐ WHAT I TELL YOU? I DIDN'T TELL YOU NOTHING. 662 00:28:26,122 --> 00:28:28,156 Tony on tape: TERRY! TERRY, YOU THERE? 663 00:28:28,189 --> 00:28:29,456 HEY, TERRY, PICK UP, MAN. 664 00:28:29,489 --> 00:28:31,289 IF YOU THERE, PICK UP. IT'S TONY. 665 00:28:31,322 --> 00:28:32,522 I NEED TO TALK TO YOU, MAN. 666 00:28:32,556 --> 00:28:34,722 I'M JAMMED UP IN SOMETHING HERE. SOMETHING BAD. 667 00:28:34,756 --> 00:28:36,222 THIS IS REAL BAD, TERRY. 668 00:28:36,256 --> 00:28:38,389 I DON'T KNOW WHAT TO DO, AND I NEED TO TALK TO SOMEBODY. 669 00:28:38,422 --> 00:28:39,989 I GOT TO FIGURE SOME WAY OUT OF THIS. 670 00:28:40,022 --> 00:28:41,556 COME ON, MAN. ANSWER THE PHONE. 671 00:28:41,589 --> 00:28:43,422 ANSWER THE PHONE. LOOK, I KNOW YOU'RE HOME. 672 00:28:43,456 --> 00:28:46,489 DON'T LEAVE ME HANGING HERE. [BEEP] 673 00:28:46,522 --> 00:28:47,722 TH‐THAT'S NOT ME. 674 00:28:47,756 --> 00:28:51,389 THAT'S WHO YOU'RE GIVING THESE DAMN SODAS TO. 675 00:28:51,422 --> 00:28:54,622 YOUR BUDDY TERRY IDENTIFIED THAT AS YOUR VOICE, TONY. 676 00:28:54,656 --> 00:28:56,022 AND WE GOT THE RECORDS SHOWING 677 00:28:56,056 --> 00:28:57,622 A CALL FROM ISHANA AND CARLY'S APARTMENT 678 00:28:57,656 --> 00:29:00,856 TO TERRY REYNOLD'S NUMBER AT 2:13 THIS MORNING, 679 00:29:00,889 --> 00:29:02,722 WHEN THOSE 2 GIRLS DIED. 680 00:29:02,756 --> 00:29:05,122 SO NOW WE GOT YOU IN THE APARTMENT 681 00:29:05,156 --> 00:29:06,722 AT THE TIME OF THE MURDER. 682 00:29:06,756 --> 00:29:08,422 THEN WE GET THE GOOD STUFF FROM OUR LAB‐‐ 683 00:29:08,456 --> 00:29:10,856 YOUR FINGERPRINTS ALL OVER EVERYTHING. 684 00:29:10,889 --> 00:29:13,622 YOUR DNA IN THE JUICES YOU LEFT IN THOSE GIRLS. 685 00:29:13,656 --> 00:29:15,022 TOO BUSY RAPING AND MURDERING, TONY, 686 00:29:15,056 --> 00:29:16,456 YOU DON'T THINK ABOUT ALL THE SCIENCE 687 00:29:16,489 --> 00:29:17,689 WE GOT NOWADAYS. 688 00:29:17,722 --> 00:29:21,989 OK, OK, OK, I WAS OVER THERE LAST NIGHT. 689 00:29:22,022 --> 00:29:24,256 SO, SURE, I LEFT PRINTS AND EVERYTHING, OK? 690 00:29:24,289 --> 00:29:25,989 AND THAT ABOUT THE FLUIDS. 691 00:29:26,022 --> 00:29:28,522 OK, I HAD SEX ON ISHANA, 692 00:29:28,556 --> 00:29:30,689 BUT I DIDN'T RAPE HER, AND I LEFT. 693 00:29:30,722 --> 00:29:32,756 THAT WOULD EXPLAIN ALL THAT FROM THE SCIENCE ANGLE. 694 00:29:32,789 --> 00:29:34,756 TALKING TO THIS GUY LIKE A THINKING HUMAN BEING. 695 00:29:34,789 --> 00:29:37,689 WE MIGHT AS WELL BE HANGING UPSIDE DOWN SPITTING CHICLETS. 696 00:29:37,722 --> 00:29:40,122 "TERRY, I'M JAMMED UP IN SOMETHING BAD." 697 00:29:40,156 --> 00:29:42,789 WHAT'S THE ANGLE ON THAT, TONY? 698 00:29:42,822 --> 00:29:45,556 I CAN‐‐I CAN EXPLAIN. SEE, I WASN'T ALONE WITH THEM. 699 00:29:45,589 --> 00:29:46,922 NO. THERE WAS ANOTHER GUY, 700 00:29:46,956 --> 00:29:48,489 AND HE WAS TRYING TO RUN A CON ON THEM, 701 00:29:48,522 --> 00:29:49,789 TELLING THEM A BUNCH OF LIES 702 00:29:49,822 --> 00:29:51,322 ABOUT HOW HE WAS GOING TO PUT THEM IN A RAP VIDEO. 703 00:29:51,356 --> 00:29:54,456 SEE, ALL THE LIES, IT WAS MAKING ME FEEL BAD. 704 00:29:54,489 --> 00:29:56,556 THAT'S WHAT I WAS REFERRING TO ON THE PHONE. 705 00:29:56,589 --> 00:29:58,689 SEE, 'CAUSE I REALLY KNOW A RAP SINGER, 706 00:29:58,722 --> 00:30:01,356 AND I WAS TRYING TO HELP ISHANA AND CARLY GET IN HIS VIDEO. 707 00:30:01,389 --> 00:30:03,222 I TOLD THEM I'D BRING THEM OVER TO MEET HIM, 708 00:30:03,256 --> 00:30:05,256 BUT IT TURNED OUT THERE WASN'T ANY MONEY FOR THE VIDEO, 709 00:30:05,289 --> 00:30:06,489 SO HE WOULDN'T COME. 710 00:30:06,522 --> 00:30:08,256 SO I BROUGHT THIS FRIEND OF MINE ALONG, 711 00:30:08,289 --> 00:30:10,056 AND WE SAID HE WAS THE SINGER'S MANAGER‐‐ 712 00:30:10,089 --> 00:30:12,156 I'M GONNA POP YOUR EYEBALLS OUT WITH MY THUMBS! 713 00:30:12,189 --> 00:30:13,656 I'M FOLLOWING HIM, ANDY. 714 00:30:13,689 --> 00:30:17,256 SO AT THIS POINT, YOU'RE THINKING TO YOURSELF STILL, 715 00:30:17,289 --> 00:30:20,156 "I MIGHT BE ABLE TO GET LAID SOMEWHERE OUT OF THIS." 716 00:30:20,189 --> 00:30:22,722 THAT'S WHAT WAS ON MY MIND, 717 00:30:22,756 --> 00:30:25,022 BUT‐‐BUT WRIGHT KEPT MAKING ME NERVOUS... 718 00:30:25,056 --> 00:30:26,189 THE WAY HE WAS COMING ON. 719 00:30:26,222 --> 00:30:27,789 SEE, HE WAS PUSHING TOO HARD. 720 00:30:27,822 --> 00:30:29,556 WHAT'S THE REST OF WRIGHT'S NAME? 721 00:30:29,589 --> 00:30:30,656 JAMISON. 722 00:30:30,689 --> 00:30:32,256 WRIGHT LEAVE WHEN YOU LEFT? 723 00:30:32,289 --> 00:30:33,256 NO, HE STAYED. 724 00:30:33,289 --> 00:30:34,589 NO, NO, NO. 725 00:30:34,622 --> 00:30:36,156 BOTH OF YOU LEFT AT THE SAME TIME, 726 00:30:36,189 --> 00:30:38,989 AND YOU WERE CARRYING ISHANA'S SAFE WITH YOU. 727 00:30:39,022 --> 00:30:40,789 WHAT'S THIS TALK ABOUT A SAFE? WHO'S GIVING YOU THIS STUFF? 728 00:30:40,822 --> 00:30:41,989 WHO DO YOU THINK? 729 00:30:42,022 --> 00:30:43,522 IF IT'S WRIGHT, HE'S A STONE LIAR, MAN, 730 00:30:43,556 --> 00:30:45,056 I'LL TELL YOU THAT STRAIGHT UP! 731 00:30:45,089 --> 00:30:47,322 AT LEAST HE DIDN'T PEDDLE NO COCKAMAMIE STORY 732 00:30:47,356 --> 00:30:49,189 HOW HE HAD SEX AND THEN SPLIT 733 00:30:49,222 --> 00:30:50,456 AND THEN SOME MYSTERY MURDERER 734 00:30:50,489 --> 00:30:52,322 CAME SLIDING DOWN THE CHIMNEY. 735 00:30:52,356 --> 00:30:54,822 WE'LL BELIEVE THE STORY, TONY, IF IT FITS THE EVIDENCE. 736 00:30:54,856 --> 00:30:57,156 AND RIGHT NOW, YOUR STORY DON'T FIT DICK. 737 00:30:57,189 --> 00:30:58,489 Simone: SEE, TONY, I DON'T THINK YOU'RE AS BAD 738 00:30:58,522 --> 00:30:59,922 AS THIS WHOLE THING MAKES YOU LOOK, 739 00:30:59,956 --> 00:31:01,389 BECAUSE YOU DID MAKE THE PHONE CALL. 740 00:31:01,422 --> 00:31:02,722 HE DON'T ADMIT THAT WAS HIM. 741 00:31:02,756 --> 00:31:06,622 THAT CALL SHOWS CONCERN AND REMORSE... 742 00:31:06,656 --> 00:31:07,922 WHICH IS HOW REHABILITATION STARTS. 743 00:31:07,956 --> 00:31:09,789 YOU'RE GIVING THIS GUY A LOT OF CREDIT. 744 00:31:09,822 --> 00:31:12,056 JUST KEEP ON GOING DOWN THAT ROAD, TONY, 745 00:31:12,089 --> 00:31:13,756 THEN THE D. A. WON'T BE SEEING 746 00:31:13,789 --> 00:31:17,056 NO COLD‐BLOODED, MURDERING SEX FIEND NO MORE. 747 00:31:17,089 --> 00:31:18,689 WHAT HE'S LOOKING AT NOW... 748 00:31:18,722 --> 00:31:21,089 A RECLAMATION PROJECT. 749 00:31:22,756 --> 00:31:26,122 I‐‐I GOTTA THINK IF THAT'S HOW I WANT TO GO 'CAUSE... 750 00:31:26,156 --> 00:31:28,722 I‐‐I DIDN'T GET NO SLEEP, AND‐‐AND‐‐AND, YOU KNOW, 751 00:31:28,756 --> 00:31:29,956 THIS IS DRIVING ME CRAZY. 752 00:31:31,122 --> 00:31:32,122 SURE. 753 00:31:32,156 --> 00:31:33,422 TAKE SOME TIME. 754 00:31:36,589 --> 00:31:37,689 COME ON. 755 00:31:39,022 --> 00:31:40,022 TONY... 756 00:31:41,556 --> 00:31:43,089 DON'T TAKE TOO LONG. 757 00:31:53,222 --> 00:31:54,722 THERE YOU GO. 758 00:31:54,756 --> 00:31:58,356 CARMINE, WE GOT TO ASK YOU SOME PERSONAL QUESTIONS 759 00:31:58,389 --> 00:32:01,056 ABOUT THE POSSIBLE COMMISSION OF A CRIME. 760 00:32:01,089 --> 00:32:02,889 WHAT DO YOU WANT TO KNOW? 761 00:32:02,922 --> 00:32:05,056 YOUR WIFE'S LIVING WITH ANOTHER MAN, RIGHT? 762 00:32:05,089 --> 00:32:07,122 WHAT BUSINESS IS THAT OF YOURS? 763 00:32:07,156 --> 00:32:09,122 WE'RE ESTABLISHING THE SITUATION, SIR. 764 00:32:09,156 --> 00:32:10,989 WELL, YOU KNOW SHE IS, OR YOU WOULDN'T HAVE ASKED. 765 00:32:11,022 --> 00:32:14,256 SHE'S LIVING WITH A SON OF A BITCH NAMED ARCHIE BELLOWS, OK? 766 00:32:14,289 --> 00:32:16,789 BANGING HIM EVERY NIGHT IN MY BED. 767 00:32:16,822 --> 00:32:19,289 PROBABLY ALL DAY SATURDAY AND SUNDAY. 768 00:32:19,322 --> 00:32:20,622 IN MY HOUSE THAT I PAID FOR. 769 00:32:20,656 --> 00:32:22,589 OK? IS THAT WHAT YOU WANT TO KNOW? 770 00:32:22,622 --> 00:32:23,989 UNDERSTANDABLY, YOU'RE UPSET. 771 00:32:24,022 --> 00:32:26,422 THIS IS A DETECTIVE? 772 00:32:27,722 --> 00:32:29,256 WE'RE NOT TRYING TO EMBARRASS YOU. 773 00:32:29,289 --> 00:32:31,089 HIS POINT IS WE RECEIVED INFORMATION 774 00:32:31,122 --> 00:32:33,589 THAT YOU HIRED SOMEONE TO DO SOMETHING ABOUT THIS SITUATION. 775 00:32:33,622 --> 00:32:35,189 I HIRED SOMEBODY? TO DO WHAT? 776 00:32:35,222 --> 00:32:36,556 ELIMINATE YOUR PROBLEM. 777 00:32:36,589 --> 00:32:38,689 HOW AM I GOING TO ELIMINATE MY PROBLEM 778 00:32:38,722 --> 00:32:40,189 IF MY WIFE'S GOT HOT PANTS 779 00:32:40,222 --> 00:32:42,722 FOR A WORTHLESS PIECE OF CRAP LIKE ARCHIE BELLOWS? 780 00:32:42,756 --> 00:32:44,389 THE STORY WE GOT, CARMINE, 781 00:32:44,422 --> 00:32:46,722 IS THAT YOU WERE GOING TO ELIMINATE THE PROBLEM WITH A HIT MAN. 782 00:32:46,756 --> 00:32:48,322 A HIT MAN? 783 00:32:48,356 --> 00:32:50,789 THAT'S THE INFORMATION WE GOT. 784 00:32:50,822 --> 00:32:52,156 [LAUGHING] 785 00:32:52,189 --> 00:32:53,689 WHO GAVE IT TO YOU? 786 00:32:54,822 --> 00:32:55,956 WE CAN'T DIVULGE THAT. 787 00:32:55,989 --> 00:32:58,089 WELL, YOU DIDN'T HEAR IT FROM A HIT MAN, 788 00:32:58,122 --> 00:33:00,456 'CAUSE I DIDN'T HIRE NO HIT MAN. 789 00:33:00,489 --> 00:33:03,756 YOU HEARD IT FROM SOMEBODY DOESN'T KNOW HIS ASS FROM A HOLE IN THE GROUND. 790 00:33:03,789 --> 00:33:05,656 YOU DON'T KNOW NOTHING ABOUT A HIT MAN? 791 00:33:05,689 --> 00:33:08,122 THAT'S THE STUPIDEST THING I EVER HEARD OF. 792 00:33:08,156 --> 00:33:10,056 WHERE DO YOU GET INFORMATION LIKE THAT? 793 00:33:10,089 --> 00:33:11,789 SOMEONE TIPPED ARCHIE. 794 00:33:11,822 --> 00:33:14,322 ARCHIE MADE IT UP HIMSELF. 795 00:33:14,356 --> 00:33:15,356 WHY? 796 00:33:15,389 --> 00:33:17,356 'CAUSE HE'S A JERK‐OFF, 797 00:33:17,389 --> 00:33:19,222 AND MY NAME'S CARMINE. 798 00:33:19,256 --> 00:33:22,189 I GOT AN ITALIAN MOTHER NAMED ME CARMINE. 799 00:33:22,222 --> 00:33:23,756 SO THIS JERK'S WETTING HIS PANTS 800 00:33:23,789 --> 00:33:25,856 THINKING I TOOK A CONTRACT OUT ON HIM. 801 00:33:25,889 --> 00:33:28,222 WELL, I OUGHT TO DO IT, BUT I DIDN'T. 802 00:33:28,256 --> 00:33:29,256 YOU DIDN'T. 803 00:33:29,289 --> 00:33:30,622 YOU KNOW WHY I DIDN'T? 804 00:33:30,656 --> 00:33:34,056 'CAUSE I DON'T HAVE THE GUTS. 805 00:33:34,089 --> 00:33:35,589 I'M A WIMP. 806 00:33:35,622 --> 00:33:37,089 I'M NOTHING BUT A WIMP. 807 00:33:39,222 --> 00:33:41,489 WAIT HERE A MINUTE, CARMINE. 808 00:33:50,222 --> 00:33:52,656 I DON'T KNOW, MAN. WHAT DO YOU THINK? 809 00:33:52,689 --> 00:33:53,989 I DON'T KNOW EITHER. 810 00:33:54,022 --> 00:33:55,622 I WENT IN THERE THINKING HE TOOK OUT THE CONTRACT. 811 00:33:55,656 --> 00:33:56,722 NOW IT DON'T SEEM LIKE THAT. 812 00:33:56,756 --> 00:33:58,689 SO WHERE DOES THAT LEAVE ARCHIE? 813 00:33:58,722 --> 00:34:00,589 DEPENDS IF WE WANT TO ASK THE D.A. TO COLLAR ARCHIE 814 00:34:00,622 --> 00:34:03,756 FOR SOLICITING YOUR PAL SHEEDY TO KILL CARMINE. 815 00:34:03,789 --> 00:34:06,189 YEAH. YOU FEEL LIKE DOING THAT? 816 00:34:06,222 --> 00:34:07,722 AH. I THINK THEY'RE IN A POSITION NOW 817 00:34:07,756 --> 00:34:10,589 LIKE THE NUCLEAR POWERS DURING THE COLD WAR PERIOD. 818 00:34:10,622 --> 00:34:13,222 THEY GOT MUTUAL DETERRENCE WORKING. 819 00:34:13,256 --> 00:34:15,056 LET'S CUT 'EM ALL LOOSE. 820 00:34:15,089 --> 00:34:17,256 AND, UH, YOU TELL YOUR BUDDY SHEEDY, 821 00:34:17,289 --> 00:34:18,556 NEXT TIME HE'S LOOKING TO EARN, 822 00:34:18,589 --> 00:34:20,356 SIGN UP AT MANPOWER. 823 00:34:34,063 --> 00:34:35,529 IT'S US, TONY‐‐ 824 00:34:35,563 --> 00:34:38,129 ME AND YOUR GUARDIAN ANGEL. 825 00:34:40,296 --> 00:34:41,763 YOU DO SOME THINKING, TONY? 826 00:34:41,796 --> 00:34:43,763 YEAH. 827 00:34:43,796 --> 00:34:45,263 WHAT DO YOU THINK? 828 00:34:45,296 --> 00:34:46,663 I THINK I'M SCREWED. 829 00:34:47,663 --> 00:34:49,163 BUT I SWEAR, 830 00:34:49,196 --> 00:34:50,529 I DIDN'T RAPE OR KILL EITHER ONE OF THEM GIRLS, MAN, 831 00:34:50,563 --> 00:34:53,296 BUT THAT'S HOW IT'S GOING TO LOOK. 832 00:34:53,329 --> 00:34:55,263 WELL, YOU GOT THE FLOOR. 833 00:34:57,029 --> 00:34:58,963 YOU TELL US HOW IT REALLY WENT DOWN. 834 00:34:58,996 --> 00:35:02,829 I JUST WANTED TO GET LAID. 835 00:35:02,863 --> 00:35:04,496 WE TOOK 'EM TO DINNER, 836 00:35:04,529 --> 00:35:07,096 BUT I THINK WRIGHT BLEW OUR CHANCES, 837 00:35:07,129 --> 00:35:09,896 TRYING TO PLAY IT LIKE HE WAS THIS BIG TALENT MANAGER. 838 00:35:09,929 --> 00:35:11,163 THEY MUST HAVE SEEN THROUGH HIM, 839 00:35:11,196 --> 00:35:13,896 'CAUSE WE COULDN'T GET NOWHERE. 840 00:35:13,929 --> 00:35:15,563 AND THEN WRIGHT GOT THE IDEA 841 00:35:15,596 --> 00:35:17,596 THAT WE'D MAKE LIKE WE WAS TOO DRUNK TO GET HOME 842 00:35:17,629 --> 00:35:19,263 SO THEY'D LET US SLEEP ON THE FLOOR. 843 00:35:19,296 --> 00:35:22,363 SO AT THAT POINT, YOU INTENDED HARM TO NO ONE. 844 00:35:22,396 --> 00:35:23,963 SPEAKING FOR MYSELF, MAN, 845 00:35:23,996 --> 00:35:26,029 I JUST WANTED TO GET OVER ON ISHANA AND GET THE HELL OUT. 846 00:35:26,063 --> 00:35:28,329 YEAH, BUT WRIGHT HAD DIFFERENT PLANS? 847 00:35:29,796 --> 00:35:31,963 WRIGHT'S NOT A BAD GUY, MAN, 848 00:35:31,996 --> 00:35:34,329 BUT HE'D SEEN THEIR SAFE, 849 00:35:34,363 --> 00:35:35,763 AND HE WANTED TO STEAL IT. 850 00:35:35,796 --> 00:35:38,029 THEY GAVE US SOME BLANKETS, 851 00:35:38,063 --> 00:35:39,496 THEN CARLY WENT IN HER ROOM 852 00:35:39,529 --> 00:35:42,163 AND ISHANA WENT OUT TO WALK THE DOG. 853 00:35:42,196 --> 00:35:44,696 THAT'S WHEN WRIGHT CAME AND SAID 854 00:35:44,729 --> 00:35:46,996 HE WAS GOING TO BALL CARLY... 855 00:35:47,029 --> 00:35:48,429 AND WENT IN HER ROOM. 856 00:35:48,463 --> 00:35:52,563 THERE WAS SOME NOISE AND YELLING... 857 00:35:52,596 --> 00:35:54,696 BUT THEN HE CAME OUT AND SAID HE'D LAID HER, 858 00:35:54,729 --> 00:35:56,396 AND SHE WAS DEAD. 859 00:35:56,429 --> 00:35:57,996 I THOUGHT HE WAS KIDDING, 860 00:35:58,029 --> 00:36:00,163 BUT HE TOOK ME IN AND SHOWED HER TO ME. 861 00:36:00,196 --> 00:36:01,629 HE'D RAPED HER, 862 00:36:01,663 --> 00:36:05,096 AND HE SAID HE HAD TO KILL HER TO‐‐TO KEEP HER QUIET. 863 00:36:05,129 --> 00:36:08,629 THEN HE SAID WE HAD TO KILL ISHANA, TOO. 864 00:36:08,663 --> 00:36:10,629 BUT SHE WAS STILL OUT? 865 00:36:10,663 --> 00:36:11,629 YEAH... 866 00:36:11,663 --> 00:36:13,196 WITH THE DOG. 867 00:36:15,129 --> 00:36:17,563 OH. THEN WRIGHT WENT TO THE TOILET, 868 00:36:17,596 --> 00:36:19,296 AND THAT'S WHEN I CALLED TERRY, 869 00:36:19,329 --> 00:36:20,229 'CAUSE I DIDN'T KNOW WHAT TO DO. 870 00:36:20,263 --> 00:36:21,496 I DIDN'T WANT ISHANA TO GET KILLED, 871 00:36:21,529 --> 00:36:23,063 BUT I WAS AFRAID OF WRIGHT. 872 00:36:23,096 --> 00:36:26,429 HE'S CRAZY. HE SAID IF I DIDN'T KILL ISHANA, HE'D HAVE TO KILL ME 873 00:36:26,463 --> 00:36:29,996 'CAUSE IT'D ALL BE ON HIM, AND HE COULDN'T TRUST ME. 874 00:36:30,029 --> 00:36:31,329 BUT I DIDN'T KILL HER. 875 00:36:31,363 --> 00:36:32,896 SHE CAME BACK, 876 00:36:32,929 --> 00:36:34,996 AND SHE KNEW SOMETHING WAS WRONG, 877 00:36:35,029 --> 00:36:36,829 'CAUSE WE WEREN'T ACTING RIGHT. 878 00:36:36,863 --> 00:36:39,029 SHE WENT IN CARLY'S ROOM, AND SHE SAW HER, 879 00:36:39,063 --> 00:36:40,696 AND THEN SHE KNEW SHE WAS GOING TO DIE, TOO. 880 00:36:40,729 --> 00:36:42,529 AND WRIGHT HAD A HOLD OF HER, 881 00:36:42,563 --> 00:36:43,996 AND SHE WAS SAYING THAT WE COULD DO ANYTHING 882 00:36:44,029 --> 00:36:47,696 IF WE JUST LET HER LIVE. 883 00:36:47,729 --> 00:36:50,496 SHE'D BALL BOTH OF US AND NEVER TELL THE POLICE WE WAS THERE. 884 00:36:50,529 --> 00:36:52,029 OK, TONY, OK. 885 00:36:52,063 --> 00:36:53,563 WHAT DID YOU DO? 886 00:36:53,596 --> 00:36:56,363 SO I‐‐I‐‐I SAID OK. 887 00:36:56,396 --> 00:36:58,996 AND THAT'S WHEN SHE LAID ME. 888 00:36:59,029 --> 00:37:00,363 I DIDN'T RAPE HER. 889 00:37:00,396 --> 00:37:02,663 SHE‐‐SHE LET ME. 890 00:37:04,296 --> 00:37:07,096 THEN WRIGHT SAID WE GOT TO KILL HER ANYWAY. 891 00:37:07,129 --> 00:37:09,096 BUT I COULDN'T DO IT. 892 00:37:09,129 --> 00:37:10,363 SO HE DID IT. 893 00:37:10,396 --> 00:37:13,363 THE WHOLE THING WAS MAKING ME SICK. 894 00:37:13,396 --> 00:37:15,329 I MEAN, ISHANA WAS A NICE GIRL. 895 00:37:15,363 --> 00:37:17,563 BUT YOU GOTTA WATCH OUT FOR WRIGHT. 896 00:37:17,596 --> 00:37:21,696 I DIDN'T KNOW WHAT TO DO, MAN. 897 00:37:21,729 --> 00:37:24,163 YOU DIDN'T KNOW WHAT TO DO. 898 00:37:24,196 --> 00:37:25,963 YOU DIDN'T THINK ABOUT CALLING THE COPS 899 00:37:25,996 --> 00:37:28,129 INSTEAD OF CALLING YOUR BUDDY TERRY? 900 00:37:31,029 --> 00:37:32,529 NO. 901 00:37:32,563 --> 00:37:34,329 NO. 902 00:38:01,063 --> 00:38:03,529 [SOFTLY] HE'S IN THERE. 903 00:38:03,563 --> 00:38:04,896 I SAW HIM GO IN. 904 00:38:04,929 --> 00:38:06,296 ALL RIGHT, THANKS. 905 00:38:06,329 --> 00:38:08,329 [VOICES] 906 00:38:12,229 --> 00:38:14,563 MR. JAMISON, PLUMBER. PLUMBER OUT HERE. 907 00:38:14,596 --> 00:38:15,763 I GOT TO GET TO YOUR SINK. 908 00:38:15,796 --> 00:38:17,229 Jamison: SINK'S OK. 909 00:38:17,263 --> 00:38:19,229 NO, NO. IT'S BACKED UP NEXT DOOR. 910 00:38:19,263 --> 00:38:21,763 I GOT TO GET TO YOUR SINK TO FIX THE PROBLEM. 911 00:38:21,796 --> 00:38:24,096 [DOOR OPENING] 912 00:38:24,129 --> 00:38:25,896 GET YOUR HANDS UP IN THE AIR! 913 00:38:25,929 --> 00:38:27,529 GET 'EM UP! BACK OFF! BACK‐‐TURN AROUND! 914 00:38:27,563 --> 00:38:29,729 DON'T YOU MAKE NO SUDDEN MOVES. 915 00:38:29,763 --> 00:38:32,829 SEEING THOSE 2 DEAD GIRLS FIRST THING IN THE MORNING GOT ME KIND OF EDGY. 916 00:38:32,863 --> 00:38:34,629 WHAT GIRLS, MAN? WHAT YOU TALKING ABOUT? 917 00:38:34,663 --> 00:38:36,196 SHUT UP! Simone: ANDY. 918 00:38:39,863 --> 00:38:41,463 COULDN'T GET THOSE GIRLS' SAFE OPEN, HUH? 919 00:38:41,496 --> 00:38:44,063 I FOUND THAT SAFE IN A DUMPSTER, MAN. 920 00:38:44,096 --> 00:38:45,496 Sipowicz: IN A DUMPSTER, HUH? 921 00:38:45,529 --> 00:38:48,029 WHAT, AND YOU ONLY FOUND ONE SAFE IN THERE? 922 00:38:48,063 --> 00:38:49,696 OW! 923 00:38:49,729 --> 00:38:51,129 NO! 924 00:38:56,196 --> 00:38:58,163 A LOT OF TIMES, EXPLAIN THE SITUATION, 925 00:38:58,196 --> 00:39:01,029 AND THE FUNERAL HOME ADMINISTRATORS WILL MAKE ADJUSTMENTS. 926 00:39:01,063 --> 00:39:02,129 YEAH, RIGHT. 927 00:39:02,163 --> 00:39:05,063 MAYBE THE DOG WILL SHOW UP TOMORROW. 928 00:39:05,096 --> 00:39:08,229 ASK YOUR DAUGHTER'S SUPER TO BE ON THE LOOKOUT. 929 00:39:08,263 --> 00:39:10,296 HERE'S YOUR NECKLACE, MRS. COX. 930 00:39:10,329 --> 00:39:13,196 OHH, YES, THAT'S IT. 931 00:39:13,229 --> 00:39:15,596 OHH, I CAN'T TELL YOU HOW RELIEVED I AM. 932 00:39:15,629 --> 00:39:17,163 WELL, I EXPECT AT THIS POINT YOU REALIZE 933 00:39:17,196 --> 00:39:19,096 THAT'S NO WAY TO SAFEGUARD YOUR VALUABLES‐‐ 934 00:39:19,129 --> 00:39:20,896 IN A CABINET FULL OF CANNED GOODS. 935 00:39:20,929 --> 00:39:23,129 NO, I SUPPOSE YOU'RE RIGHT. 936 00:39:23,163 --> 00:39:25,596 AND ALSO THAT YOUR HOUSEKEEPER WASN'T REALLY AT FAULT. 937 00:39:25,629 --> 00:39:28,329 I GUESS NOW I COULD KEEP ESTHER ON. 938 00:39:28,363 --> 00:39:31,396 I'M JUST NOT SURE I'LL FEEL I CAN TRUST HER. 939 00:39:31,429 --> 00:39:32,863 WHY WOULD YOU WANT TO MAKE YOUR HOUSEKEEPER 940 00:39:32,896 --> 00:39:35,363 PAY FOR YOUR OWN THOUGHTLESSNESS AND POOR JUDGMENT? 941 00:39:35,396 --> 00:39:39,163 WELL, APPARENTLY YOU'RE CONFUSING MY THINKING OUT LOUD ABOUT ESTHER 942 00:39:39,196 --> 00:39:41,496 WITH A REQUEST FOR YOUR OPINION ON THE MATTER. 943 00:39:41,529 --> 00:39:43,396 IF ESTHER HAD BEEN INVOLVED, 944 00:39:43,429 --> 00:39:45,429 THAT CAN WOULDN'T HAVE BEEN ON A SHELF 945 00:39:45,463 --> 00:39:47,029 IN A CORNER BODEGA WHERE ANYBODY COULD WALK IN 946 00:39:47,063 --> 00:39:48,596 AND BUY IT FOR 79 CENTS. 947 00:39:48,629 --> 00:39:51,363 I'D LIKE MY OTHER SOUP CANS BACK. 948 00:39:51,396 --> 00:39:52,729 WHAT? 949 00:39:52,763 --> 00:39:54,996 DID YOU RECOVER THE OTHER SOUP CANS I DONATED? 950 00:39:55,029 --> 00:39:58,296 IF THEY WERE INAPPROPRIATELY RESOLD, I WANT THEM BACK. 951 00:39:58,329 --> 00:39:59,429 WE DIDN'T GET THEM. 952 00:39:59,463 --> 00:40:01,463 SIGN THIS RECEIPT FOR YOUR NECKLACE. 953 00:40:03,396 --> 00:40:05,196 INCIDENTALLY, MRS. COX, 954 00:40:05,229 --> 00:40:07,229 HAVE YOU BEEN MEETING YOUR SOCIAL SECURITY REQUIREMENTS 955 00:40:07,263 --> 00:40:08,696 ON ESTHER'S EMPLOYMENT? 956 00:40:08,729 --> 00:40:11,229 I DON'T SEE WHERE THAT'S YOUR CONCERN. 957 00:40:11,263 --> 00:40:13,596 IT WON'T BE, UNLESS I HEAR ESTHER'S LOST HER JOB. 958 00:40:13,629 --> 00:40:15,429 THEN IT'S GOING TO CONCERN ME LONG ENOUGH 959 00:40:15,463 --> 00:40:18,396 TO CONTACT THE IRS AND MAKE YOUR LIFE GOOD AND MISERABLE. 960 00:40:18,429 --> 00:40:19,829 WELL... 961 00:40:19,863 --> 00:40:21,529 I CAN TELL WHAT YOU THINK OF ME. 962 00:40:21,563 --> 00:40:23,196 YEAH? WAS THAT A TOUGH ONE? 963 00:40:33,196 --> 00:40:34,296 HI. 964 00:40:34,329 --> 00:40:35,496 HI. 965 00:40:35,529 --> 00:40:36,829 DID YOU WANT TO SEE THE DETECTIVES AGAIN? 966 00:40:36,863 --> 00:40:37,929 YEAH. 967 00:40:37,963 --> 00:40:40,663 MR. HOGAN, WASN'T IT? 968 00:40:40,696 --> 00:40:43,163 YEAH. YOU REMEMBER MY NAME, HUH? 969 00:40:43,196 --> 00:40:46,029 DETECTIVES SIMONE AND SIPOWICZ, MR. HOGAN'S HERE. 970 00:40:46,063 --> 00:40:47,396 WHAT CAN WE DO FOR YOU, HOGAN? 971 00:40:47,429 --> 00:40:49,229 THERE'S SOMETHING I THOUGHT OF. 972 00:40:49,263 --> 00:40:50,996 WE'RE IN PRETTY GOOD SHAPE ON THE INVESTIGATION. 973 00:40:51,029 --> 00:40:52,829 WELL, I THOUGHT I SHOULD TELL YOU, 974 00:40:52,863 --> 00:40:54,996 CARLY BROKE OFF WITH THIS BOYFRIEND. 975 00:40:55,029 --> 00:40:56,563 NOW, I DON'T KNOW IF IT MEANS ANYTHING, 976 00:40:56,596 --> 00:41:00,129 BUT I HEARD HE HAD A VIOLENT TEMPER‐‐ USED TO BEAT HER UP. 977 00:41:00,163 --> 00:41:01,829 YOU'RE TALKING ABOUT ROLF LUBIN, 978 00:41:01,863 --> 00:41:03,029 THE MAD MECHANIC. 979 00:41:03,063 --> 00:41:04,629 Y‐YOU ALREADY KNOW ABOUT HIM? 980 00:41:04,663 --> 00:41:06,229 WE GOT HIM LOCKED UP DOWNSTAIRS. 981 00:41:06,263 --> 00:41:08,563 HE DO THE MURDERS? 982 00:41:08,596 --> 00:41:10,063 NO. 983 00:41:10,096 --> 00:41:12,029 HE JUST TRIED TO BEAT OUR HEADS IN WITH A SOCKET WRENCH. 984 00:41:12,063 --> 00:41:14,329 A COUPLE OF OTHER SCUMBAGS RAPED AND KILLED THE GIRLS. 985 00:41:14,363 --> 00:41:15,629 OH, NO. 986 00:41:15,663 --> 00:41:18,996 I TRIED TO WARN ISHANA WHO SHE ASSOCIATED WITH, 987 00:41:19,029 --> 00:41:21,563 BUT YOUNG WOMEN, THEY DON'T WANT ANY ADVICE. 988 00:41:21,596 --> 00:41:22,996 I WISH I COULD HAVE DONE SOMETHING FOR HER. 989 00:41:23,029 --> 00:41:24,863 YOU STILL FEEL LIKE DOING SOMETHING? 990 00:41:24,896 --> 00:41:28,996 THE FATHER'S HAVING FINANCIAL DIFFICULTIES WITH THE FUNERAL EXPENSES. 991 00:41:29,029 --> 00:41:30,029 YEAH. WELL... 992 00:41:30,063 --> 00:41:31,363 I MIGHT HELP. 993 00:41:31,396 --> 00:41:33,529 I‐I'D BE WILLING TO CONTRIBUTE. 994 00:41:33,563 --> 00:41:34,763 WELL, WE GOT HIS PHONE NUMBER 995 00:41:34,796 --> 00:41:36,663 IF YOU, UH, WANT TO TALK TO HIM ABOUT IT. 996 00:41:39,063 --> 00:41:42,763 IS IT INAPPROPRIATE FOR ME TO ASK THAT YOUNG LADY'S NAME? 997 00:41:42,796 --> 00:41:44,263 COMPLETELY. 998 00:41:44,296 --> 00:41:47,063 BEING HONEST IS PART OF WHY I CAME BACK IN. 999 00:41:47,096 --> 00:41:49,996 HERE'S ISHANA'S FATHER'S PHONE NUMBER. 1000 00:41:50,029 --> 00:41:53,696 I, UH, GUESS I COULD JUST TELL HIM I WAS HER FRIEND, HUH? 1001 00:41:53,729 --> 00:41:55,529 WELL, THAT'S WHAT YOU WERE, RIGHT? 1002 00:41:55,563 --> 00:41:56,729 RIGHT. 1003 00:42:02,196 --> 00:42:03,463 ONLY FRIENDS. 1004 00:42:07,563 --> 00:42:10,729 YEAH. THE DIRTY PART WAS ALL IN YOUR MIND. 1005 00:42:24,529 --> 00:42:26,163 DID YOU LIKE IT? 1006 00:42:26,196 --> 00:42:27,796 YOU'VE BEEN HOLDING BACK. 1007 00:42:31,196 --> 00:42:33,463 YOU HAVEN'T SEEN ALL MY STEPS. 1008 00:42:38,129 --> 00:42:39,096 MMM. 1009 00:42:39,129 --> 00:42:41,363 DON'T ASK TO BORROW MONEY. 1010 00:42:41,396 --> 00:42:44,929 I THINK MAYBE WE WERE RIGHT, BOBBY. 1011 00:42:46,529 --> 00:42:48,496 ABOUT? 1012 00:42:48,529 --> 00:42:51,263 WHEN WE THOUGHT WE MADE A BABY. 1013 00:42:54,196 --> 00:42:55,163 MM‐HMM. 1014 00:42:55,196 --> 00:42:57,529 WELL, DON'T JUMP UP AND DOWN. 1015 00:42:57,563 --> 00:43:00,363 WELL, I DON'T CARRY A CALENDAR, BUT HOW LATE COULD YOU BE? 1016 00:43:00,396 --> 00:43:02,963 ONLY 4 DAYS, BUT I KNOW HOW I WORK. 1017 00:43:02,996 --> 00:43:05,929 I ALREADY FEEL DIFFERENT. 1018 00:43:07,796 --> 00:43:08,796 COME HERE. 1019 00:43:11,129 --> 00:43:13,196 IF YOU'RE RIGHT... 1020 00:43:13,229 --> 00:43:16,463 I COULDN'T BE ANY HAPPIER. 1021 00:43:19,829 --> 00:43:22,563 I MEAN, OBVIOUSLY WE SHOULDN'T BE OUT BUYING BABY CARRIAGES. 1022 00:43:22,596 --> 00:43:24,529 NO, WE SHOULD BE OUT THERE GETTING A MARRIAGE LICENSE. 1023 00:43:24,563 --> 00:43:26,863 THAT'S SOMETHING TO CONSIDER. 1024 00:43:30,063 --> 00:43:31,496 YOU, GINA, AND ABBY. 1025 00:43:31,529 --> 00:43:34,963 THINK IT'S SOMETHING IN THE STATION HOUSE WATER? 1026 00:43:34,996 --> 00:43:36,163 I DON'T KNOW HOW TO BREAK THIS TO YOU, 1027 00:43:36,196 --> 00:43:38,696 BUT THAT'S NOT HOW IT HAPPENS. YEAH? 1028 00:43:38,729 --> 00:43:41,029 WELL, THEN, 1029 00:43:41,063 --> 00:43:43,129 SHOW ME HOW IT'S DONE. 75582

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