All language subtitles for 03 The Compositing Fundamentals

Hello

Now

Before we go jumping into

I wanted to go over a little bit of Fear

Because ultimately at the end of the day

Luke is a 20

Composite

Knowing the buttons doesn't really mean anything if you don't know why you're you

It's like a photographer who knows cameras really well

I can't take a good pic

So that's why I've come up with these 8 compositing fundamentals

That are going to inform us how to approach your shots

And what to look for as work and pay

And these fundamentals our universe

They can be applied in any program you can be using me

Flame fusion after effects

In Microsoft paint

Is a fundamental

The bedrock of any good composite

What happened in to a brief overview to go more to detail later in the class

I just wanted to Broad Strokes explained

What the compositing fundamentals

Sort first one

Is true

Your tracking is pretty straightforward basically if your camera has a movement in it

Subtitled by
-♪ online-courses.club ♪-
We compress knowledge for you!
https://t.me/joinchat/ailxpXoW3JVjYzQ1

The elements your reading into your shop

Must match that motion

Tracking is one of those things where if it's off

There's no way of ever

And there's a lot of different types of track

You can do it

Later this

Now levels is really just a catch-all term for colour correction colour matching colour balancing

Whatever you

It's matching colour to melody between different album

Match in the dark similar

Mr Shadows there highlights it's matching there were

Whether coolness it's matching how Green or magenta

Ultimately it just comes down to taking your elements

And making them feel like they live in the same

Groupon

Next up we have great

No green effects of footage to varying degrees

You gonna Dance film cameras you can digital cameras in digital cameras it's called noise but it's really the same thing it's kind of

Unwanted breaking up

Indoor cameras for reactor noise do

Digital cameras will reactivate leaving film

Digital cameras will react differently from other digital

Doesn't even matter if you have the exact same day

The green is going to be different and it's very important to match these you

Green Cape dress

Within the elements

Hope you're shot

You might be thinking well

What is some cases that may be true

It won't be very subtle when it's up on a 50 foot movie

And I'll leave it at

Moving

The next fundamental that go over is Edge detail

Edge detail is so important to compositing it's one of the main skills you can have as a composite

Edge details exactly what it sounds like it's maintain characteristics of your Edge as your

18 elements over each other

You have a deep Focus

Piece of furniture

When you merge that you need it's edges to be soft and worry

You have texted short footage of an actresses hair

Fluttering in the ear

You're going to need to maintain those tiny details for atomic really

Is where the art of keen and rotoscoping comes

This isn't just about getting the right sharpness of your edge because oftentimes

That's the easy part

The hard part is getting the colour of your eye

Match what's behind

Your background has such a huge influence on how you approach

Your edges

It's very important

The Taylor what you're doing

To your

Next

Bespoke

Focus can be very SIM

Explained

What is in Focus in your shot

Also needs to be in Focus in York

And on the opposite

What is blurry and be focused in Ayrshire

Needs to be blurry and be focused

What is the folk

Must not only be

The right size

Focus at all so Bastille

Based on a lens that you choose

There's so many different shapes

That defocused Alma

And there's also a lot of

Second exit as well

And this leads us to our next car

Lenses

Now when's affects and focus the overlap a little bit but they are to Diss

Category

Defocus is more is the Sharp

What is the fall off of my Focus career

And lens effects are the characteristics that imperfections in the lens

Poor synonym

Fergus and

Chromatic aberration

Vineyard

Leinster store

Close

Police

There's lots of little imperfections in the lens that creates these characteristics in our image

We're going to have to copy

In order for our Elim

If there's a giant j.j. Abrams ask when surveying your shot

Doesn't matter if you think they're cool

That's alenza

Any

How to put your village on

Now on to prospect

Millie when you're first starting out prospective is pretty difficult

To get a crash

A very quick and obvious example would be say you're in a skyscraper and you take a picture looking down at the

And you want to add more buildings to

The only other pictures that you have to use or taken from a ground

You can combine those

The angle was wrong and it's just not going to work

Matching the angle is just a 1 of understanding perspective there's also match in the compression

The Lamb

There is the field of view there so much too

Figure out

Perspective is one of those things that may be hard to identify when you're looking at

Because you can be looking at it and think something is wrong

Not really no

And also pretty good

What's 1 of 2

The perspective

The next one was talking about

The light

So whining seems like something that should be pretty straightforward

And in principle

It really is

If you're combining elements into a shower

Make sure that

The lighting is the same between them

And

That's it

Well that's what it seems like but a lot of the time

Were being asked to combine things with wildly different lighting conditions

And manipulating different lighting environments to match

Is very dear

Sometimes it's even impossible

This is a major Factor when you composite in CT elements

Madina Grill

Because it's another one of those things

If it's a little off

It may not immediately jump out to you as what's incorrect with your car

If your lighting is off

Unconscious part of the brain

Well now that's something

So it is very

And

What are the eight compositing fundamentals

If you go through these 8

Looking at your camp and they're all career

Odds are you have something that looks pretty good

What's required for your car

Because as you continue to get more complex

Your things

The weight and feeling of scale is animation

CG shader

There's a lot of other different things

Focus on

Shut up

Built on these composite in town

Some of them may be more or less important depending on your show

If you're looking at a shot that is

Deep Focus

Meaning that everything is Sharp and

No be focusable anyway

Well

Are Focus fundamental probably won't be

Is it is in a shop with very Sherwood

It's all contextual and depends on what the

Any one of these are

The Moron really

You're sure

If this was a little overwhelming it was a lot of information at

Don't worry we're gonna be looking at each other

Indeed

Enlighten

I just wanted to briefly go over them so we can keep them

Let's all I have right now what's happening

Start applying the

Thank you for listening and I'll catch you in