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These are the user uploaded subtitles that are being translated: 1 00:00:01,000 --> 00:00:07,074 Advertise your product or brand here contact www.OpenSubtitles.org today 2 00:00:31,114 --> 00:00:34,117 CAPTIONING MADE POSSIBLE BY WARNER BROS. 3 00:00:39,122 --> 00:00:41,123 [TAPE PLAYER CLICKS ON] 4 00:00:41,124 --> 00:00:42,623 Dorothy: WHEN THE EDITOR OF PLAYBOY 5 00:00:42,624 --> 00:00:44,126 TOLD ME I'D WON "PLAYMATE OF THE YEAR," 6 00:00:44,127 --> 00:00:46,127 THE FIRST THING OUT OF MY MOUTH WAS, "ARE YOU SURE?" 7 00:00:46,128 --> 00:00:47,128 [TAPE PLAYER FAST-FORWARDED] 8 00:00:47,129 --> 00:00:48,629 Interviewer: DID YOUR BROTHER 9 00:00:48,630 --> 00:00:49,630 MIND YOU BEING IN THE MAGAZINE? 10 00:00:49,631 --> 00:00:51,634 I THINK, UH, MY BROTHER WAS A LITTLE SHY 11 00:00:52,135 --> 00:00:53,136 BECAUSE HE HAS FRIENDS 12 00:00:53,636 --> 00:00:55,638 WHO ARE 18 YEARS OLD, 17 YEARS OLD, WHO SAID, 13 00:00:55,639 --> 00:00:59,141 YOU KNOW,"HEY, YOUR SISTER'S IN PLAYBOY." 14 00:00:59,142 --> 00:01:00,642 BUT HIS FRIENDS... 15 00:01:00,643 --> 00:01:03,145 WELL, I REMEMBER WHEN I CAME HOME TO VISIT THE FAMILY 16 00:01:03,146 --> 00:01:05,647 AND THEY CAME OVER AND THEY SAID, 17 00:01:05,648 --> 00:01:07,648 "I COULDN'T BELIEVE IT. WE SAW YOU IN PLAYBOY," 18 00:01:07,649 --> 00:01:08,651 AND THEY SAID, "HOW'D YOU GET IN?" 19 00:01:08,652 --> 00:01:11,153 AND, "IT'S SO WONDERFUL." 20 00:01:11,654 --> 00:01:13,155 AND THEN HE STARTED THINKING THAT, YOU KNOW, THAT... 21 00:01:13,156 --> 00:01:16,158 THAT IS PRETTY NEAT. YOU KNOW, MY SISTER... 22 00:01:16,159 --> 00:01:17,658 [TAPE PLAYER FAST-FORWARDED] 23 00:01:17,659 --> 00:01:20,162 PLAYBOY'S MOTTO IS "THE GIRL NEXT DOOR." 24 00:01:20,163 --> 00:01:22,164 THEY LOOK FOR GIRLS 25 00:01:22,165 --> 00:01:24,167 THAT ARE WHOLESOME AND FRESH AND YOUNG AND NAIVE, 26 00:01:24,168 --> 00:01:26,168 THEY LOOK FOR ALL OF THAT. 27 00:01:26,169 --> 00:01:28,670 SO MOST OF THOSE GIRLS DO, UH, 28 00:01:28,671 --> 00:01:30,172 HAVE THAT TYPE OF BACKGROUND. 29 00:01:30,173 --> 00:01:31,672 [TAPE PLAYER FAST-FORWARDED] 30 00:01:31,673 --> 00:01:34,176 IT TOOK ME 5 MONTHS TO SHOOT MY PLAYMATE-OF-THE-YEAR LAYOUT. 31 00:01:34,177 --> 00:01:37,679 I SHOT OVER 20,000 PICTURES. IT'S PERFECTION. 32 00:01:37,680 --> 00:01:40,683 THEY DON'T GO FOR JUST, UH, GREAT NUDE SHOTS. 33 00:01:40,684 --> 00:01:43,185 THEY GO FOR ART. PERFECT ART. 34 00:01:43,186 --> 00:01:45,187 AND I'M PROUD OF THAT. 35 00:01:45,188 --> 00:01:48,690 AND, UM, UM, I'M HAPPY TO SHARE THAT 36 00:01:48,691 --> 00:01:50,192 WITH SOMEBODY WHO CAN APPRECIATE IT. 37 00:01:50,193 --> 00:01:51,192 [TAPE PLAYER FAST-FORWARDED] 38 00:01:51,193 --> 00:01:52,693 Interviewer: WOULD YOU LIKE TO BE JUST LIKE YOUR SISTER 39 00:01:52,694 --> 00:01:53,696 WHEN YOU GROW UP? 40 00:01:53,697 --> 00:01:54,696 Sister: YEAH. 41 00:01:54,697 --> 00:01:55,696 Interviewer: WHY? 42 00:01:55,697 --> 00:01:57,698 Sister: BECAUSE I'M PROUD OF HER. 43 00:01:57,699 --> 00:01:58,701 [TAPE PLAYER STOPS] 44 00:02:32,235 --> 00:02:33,736 [CAMERA SHUTTER CLICKS] 45 00:02:44,747 --> 00:02:46,248 [CAMERA SHUTTER CLICKS] 46 00:02:49,252 --> 00:02:50,753 [CAMERA SHUTTER CLICKS] 47 00:02:57,760 --> 00:02:59,280 [CAMERA SHUTTER CLICKS, CLICKS, CLICKS] 48 00:03:03,266 --> 00:03:05,268 [CLICK, CLICK, CLICK, CLICK] 49 00:04:11,300 --> 00:04:13,301 HI. HOW ARE YOU? 50 00:04:13,302 --> 00:04:15,804 HELLO. 51 00:04:15,805 --> 00:04:16,806 PAUL SNIDER. 52 00:04:18,307 --> 00:04:20,308 YEAH, I'M PAUL SNIDER. 53 00:04:20,309 --> 00:04:22,311 HOW ARE YOU DOING? 54 00:04:23,312 --> 00:04:25,313 SNIDER. 55 00:04:25,314 --> 00:04:27,315 PAUL. 56 00:04:27,316 --> 00:04:29,318 HELLO. 57 00:04:31,320 --> 00:04:33,321 HA, HA, YEAH. 58 00:04:33,322 --> 00:04:35,324 PAUL SNIDER. 59 00:04:37,326 --> 00:04:39,327 AH, FUCK YOU. 60 00:04:39,328 --> 00:04:41,329 FUCK YOU ALL, BASTARDS. 61 00:04:41,330 --> 00:04:43,832 HE SEEMED A LITTLE PISSED OFF AT SOMETHING. 62 00:04:43,833 --> 00:04:45,834 WHAT, I DON'T KNOW. 63 00:04:45,835 --> 00:04:48,335 BUT NOT A BAD GUY. HE'S A GOOD TIPPER. 64 00:04:48,336 --> 00:04:50,839 Interviewer: HOW'D HE MAKE HIS MONEY? 65 00:04:50,840 --> 00:04:52,841 ALL SORTS OF WAYS. 66 00:04:52,842 --> 00:04:54,844 HE DID SOMETHING FOR ME HERE AT THE CLUB, 67 00:04:54,845 --> 00:04:56,845 A COCKAMAMIE IDEA. 68 00:04:56,846 --> 00:05:00,348 HE WAS ALWAYS PROMOTING SOME COCKAMAMIE IDEA. 69 00:05:00,349 --> 00:05:02,350 WHAT KIND OF IDEA WAS THIS? 70 00:05:02,351 --> 00:05:04,351 A WET T-SHIRT CONTEST USING ALL-LOCAL TALENT. 71 00:05:04,352 --> 00:05:05,354 ALL RIGHT, MILLY. 72 00:05:05,855 --> 00:05:07,355 OH, MILLY! 73 00:05:07,356 --> 00:05:09,356 THERE SHE GOES. ALL RIGHT, MILLY! 74 00:05:09,357 --> 00:05:11,358 COME ON OUT. REALLY SHOW THEM WHAT YOU'VE GOT! 75 00:05:11,359 --> 00:05:13,862 MILLY IS VANCOUVER'S OWN DOLLY PARTON. 76 00:05:13,863 --> 00:05:15,363 THANK YOU, SWEETHEART. 77 00:05:15,364 --> 00:05:18,367 AND HERE COMES NUMBER FOUR. IT'S LOVELY PAT. 78 00:05:18,368 --> 00:05:19,868 ALL RIGHT. 79 00:05:19,869 --> 00:05:21,869 JUST STEP RIGHT UP ON THE RUNWAY. 80 00:05:21,870 --> 00:05:22,872 THERE SHE GOES. 81 00:05:22,873 --> 00:05:24,873 WATCH HER GO. WHOA! 82 00:05:24,874 --> 00:05:26,876 WE'RE ALL GETTING WET. LOOK AT THAT HEAD GO. 83 00:05:27,376 --> 00:05:30,879 LOOK AT THAT HEAD GO! THERE SHE IS. 84 00:05:30,880 --> 00:05:32,380 WHOA, BABY. 85 00:05:32,381 --> 00:05:33,882 ALL RIGHT. 86 00:05:33,883 --> 00:05:34,884 WHOA! 87 00:05:35,885 --> 00:05:37,486 NOT MUCH DIFFERENCE, IS THERE, GUYS, HUH? 88 00:05:37,887 --> 00:05:38,888 GOOD SPORT. 89 00:05:39,388 --> 00:05:40,389 COME ON, GIVE HER A NICE ROUND OF APPLAUSE. 90 00:05:40,390 --> 00:05:43,391 ALL RIGHT, HERE COMES JERI. 91 00:05:43,392 --> 00:05:44,792 ALL RIGHT, LET'S GET ANOTHER ONE IN. 92 00:05:44,894 --> 00:05:45,893 COME ON, THERE, GET IN THERE. 93 00:05:45,894 --> 00:05:47,394 WE'VE GOT 2, 2 JUST LIKE THAT. 94 00:05:47,395 --> 00:05:49,898 NOW GIVE ME 3. COME ON, MILLY, GET IN THERE. 95 00:05:49,899 --> 00:05:51,900 3 FOR THE PRICE OF ONE. 96 00:05:51,901 --> 00:05:54,904 PAUL CLEARED ALMOST $900 FOR HIMSELF. 97 00:05:55,404 --> 00:05:57,405 PRETTY GOOD, I THOUGHT. 98 00:05:57,406 --> 00:05:58,907 YOU SHOULD HAVE RAISED YOUR MINIMUM. 99 00:05:58,908 --> 00:06:00,409 YOU SHOULD HAVE ADVERTISED. 100 00:06:00,410 --> 00:06:02,410 YOU BLEW IT, MAN. 101 00:06:02,411 --> 00:06:05,914 YOU BLEW IT BECAUSE YOU'RE TOO CHEAP. 102 00:06:05,915 --> 00:06:07,416 TOMORROW, MAC. 103 00:06:09,418 --> 00:06:11,418 HE WASN'T ALWAYS EASY TO TAKE. 104 00:06:11,419 --> 00:06:13,420 Interviewer: HOW ELSE DID HE MAKE HIS MONEY? 105 00:06:13,421 --> 00:06:15,424 OH, JESUS. HE'D TRY ANYTHING. 106 00:06:15,425 --> 00:06:16,925 HE PIMPED... 107 00:06:16,926 --> 00:06:18,426 DID YOU SAY PIMPED? 108 00:06:18,427 --> 00:06:21,429 DID I SAY THAT? DID I SAY PIMPED? 109 00:06:21,430 --> 00:06:23,431 YEAH, I GUESS I DID. 110 00:06:23,432 --> 00:06:25,934 WITH A COUPLE OF GIRLS, AT LEAST THAT'S WHAT I HEARD. 111 00:06:25,935 --> 00:06:26,935 OH, YEAH, 112 00:06:26,936 --> 00:06:29,436 HE HAD SOMETHING TO DO WITH THOSE BIG AUTO SHOWS. 113 00:06:29,437 --> 00:06:31,940 HE SUPPLIED THEM WITH HOSTESSES, MODELS, SOMETHING. 114 00:06:31,941 --> 00:06:33,441 HAD THE HOTS FOR CARS, 115 00:06:33,442 --> 00:06:36,444 CARS AND GIRLS, GIRLS AND CARS! 116 00:06:36,445 --> 00:06:37,946 YET ONE THING ABOUT THAT LITTLE COCKER, 117 00:06:37,947 --> 00:06:40,448 HE COULD REMEMBER EVERYBODY'S NAME 118 00:06:40,449 --> 00:06:42,951 IF HE JUST MET 'EM OR MET 'EM 5 YEARS AGO. 119 00:06:42,952 --> 00:06:44,954 HE ALWAYS REMEMBERED THE NAME. 120 00:06:44,955 --> 00:06:48,456 NOW, I ADMIRE THAT. IT'S A REAL GIFT. 121 00:06:48,457 --> 00:06:49,958 A REAL GIFT. 122 00:07:00,586 --> 00:07:02,588 Paul: THEY SEEM LIKE REALLY NICE GUYS. 123 00:07:03,089 --> 00:07:05,090 AL IS FROM RACINE. FORD. 124 00:07:05,091 --> 00:07:07,093 AND HARRY AND BOB ARE FROM SEATTLE. 125 00:07:07,593 --> 00:07:09,594 OLDSMOBILE. 126 00:07:09,595 --> 00:07:11,096 I FEEL FUNNY. 127 00:07:11,097 --> 00:07:13,598 IT'S JUST DINNER AND SOME LAUGHS. 128 00:07:13,599 --> 00:07:15,100 THAT'S IT? 129 00:07:15,101 --> 00:07:16,600 I'LL TALK TO THEM AGAIN. 130 00:07:16,601 --> 00:07:18,103 THEY'RE REALLY NICE GUYS. 131 00:07:18,104 --> 00:07:19,605 THEY'LL TELL ME STRAIGHT. 132 00:07:19,606 --> 00:07:21,606 IF THEY EXPECT MORE... 133 00:07:21,607 --> 00:07:23,608 SOME GUYS WOULD... 134 00:07:23,609 --> 00:07:26,111 IF THEY EXPECT MORE, THEN IT'S OFF, OK? 135 00:07:26,112 --> 00:07:28,113 IT'S OFF. 136 00:07:28,114 --> 00:07:30,615 I AM NOT FUCKING FOR MONEY, PAUL. 137 00:07:30,616 --> 00:07:32,617 SHE'S NOT, BUT I AM. 138 00:07:32,618 --> 00:07:35,620 HA HA HA HA! 139 00:07:35,621 --> 00:07:38,623 LOOK, LET ME TALK TO THEM AGAIN 140 00:07:38,624 --> 00:07:41,126 TO GET IT STRAIGHTENED OUT. 141 00:07:41,127 --> 00:07:44,630 Man: HE'S A CHEAP HUSTLER. HE EVEN LOOKS PIMPISH. 142 00:07:45,131 --> 00:07:47,133 WHY SHE WANTS TO MARRY HIM? 143 00:07:47,633 --> 00:07:49,633 SOME KIND OF LOYALTY, I GUESS. 144 00:07:49,634 --> 00:07:51,635 GET SOME OF OUR PEOPLE TO CALL VANCOUVER, 145 00:07:51,636 --> 00:07:53,637 CHECK HIM OUT, SEE IF THERE'S ANYTHING. 146 00:07:53,638 --> 00:07:55,639 LAST NAME SNIDER, S-N-I-D-E-R. 147 00:07:55,640 --> 00:07:57,142 FIRST GIVEN, PAUL, SECOND GIVEN, LESLIE. 148 00:07:57,143 --> 00:07:58,144 YEAH, I KNOW HIM. 149 00:07:58,644 --> 00:08:00,646 SMALL-TIMER. KIND OF A JOKE, REALLY. 150 00:08:01,147 --> 00:08:02,648 ALWAYS TRYING SOMETHING. ALWAYS IN TROUBLE. 151 00:08:02,649 --> 00:08:04,650 THE LOAN SHARKS, MOSTLY. 152 00:08:07,653 --> 00:08:09,654 JEEZ, THIS ISN'T FUNNY, MAN! 153 00:08:09,655 --> 00:08:12,658 I... I... I'M GETTING S-SICK. 154 00:08:13,159 --> 00:08:15,161 LET ME UP. I'M GETTING SICK. 155 00:08:27,673 --> 00:08:29,674 LOOK AT MY SUIT. 156 00:08:29,675 --> 00:08:32,177 THAT'S A $400 SUIT. 157 00:08:32,678 --> 00:08:34,680 THAT WASN'T FUNNY, MAN. 158 00:08:35,181 --> 00:08:37,183 I MEAN, LET'S BE CIVILIZED, HUH, MAN? 159 00:08:37,683 --> 00:08:39,184 OH, SHIT! 160 00:08:40,186 --> 00:08:43,188 THAT WAS DANGEROUS, VERY DANGEROUS. 161 00:08:43,189 --> 00:08:45,190 AND HUMILIATING. 162 00:08:45,191 --> 00:08:46,692 PLEASE, SNIDER! 163 00:08:48,194 --> 00:08:49,694 DO YOURSELF A FAVOR. 164 00:08:49,695 --> 00:08:51,196 DON'T SAY ANY MORE, PLEASE. 165 00:08:51,197 --> 00:08:55,201 7 POINTS IS TOO MUCH, MAN. 166 00:08:56,702 --> 00:08:59,204 YOU SHOULDN'T HUMILIATE ME, CHARLIE. 167 00:09:00,706 --> 00:09:03,208 HERE WE GO AGAIN. 168 00:09:04,210 --> 00:09:06,710 CHARLIE. COME ON, CHARLIE. PLEASE, CHARLIE. 169 00:09:06,711 --> 00:09:07,713 PLEASE, CHARLIE. 170 00:09:08,214 --> 00:09:11,216 CHARLIE, YOU BASTARD! 171 00:09:11,217 --> 00:09:14,719 YOU SMART BASTARDS, EVERYBODY KISSING YOUR ASS. 172 00:09:14,720 --> 00:09:17,222 EVERYBODY DOWN ON THEIR FUCKING KNEES! 173 00:09:17,223 --> 00:09:18,724 WELL... 174 00:09:19,725 --> 00:09:23,228 NOT ME. I DON'T KISS ASS FOR NOBODY. 175 00:09:23,229 --> 00:09:25,230 YOU'RE NOT GONNA FORGET ME. 176 00:09:25,231 --> 00:09:28,733 YOU ROTTEN FUCKERS, YOU TRIED TO KILL ME. 177 00:09:28,734 --> 00:09:30,734 [CAMERA SHUTTER CLICKS] I FOUND HER, YOU DIDN'T. 178 00:09:30,735 --> 00:09:31,737 [CAMERA SHUTTER CLICKS] 179 00:09:31,738 --> 00:09:33,271 I FOUND HER. 180 00:09:33,272 --> 00:09:35,741 I WAS WORKING IN THIS DAIRY QUEEN PART-TIME 181 00:09:35,742 --> 00:09:37,742 WHILE I WENT TO HIGH SCHOOL, 182 00:09:37,743 --> 00:09:39,743 AND ONE DAY THIS GENTLEMAN WALKED IN 183 00:09:39,744 --> 00:09:41,246 WITH THIS GORGEOUS BLONDE. 184 00:09:41,247 --> 00:09:42,747 SHE HAD A FUR COAT ON. 185 00:09:42,748 --> 00:09:44,249 THEY BOTH HAD FUR COATS ON. 186 00:09:44,250 --> 00:09:46,251 AND I HAD THIS PONYTAIL 187 00:09:46,252 --> 00:09:48,753 AND THIS LITTLE SMOCK ON. 188 00:09:48,754 --> 00:09:50,754 AND I SAID, "CAN I HELP YOU?" 189 00:09:50,755 --> 00:09:53,258 AND HE SAID, "WELL, WHAT'S YOUR NAME?" 190 00:09:53,259 --> 00:09:56,761 HA. WELL, WHAT'S YOUR NAME? 191 00:09:56,762 --> 00:09:58,763 DOROTHY. CAN I HELP YOU? 192 00:09:58,764 --> 00:10:00,265 YOU'RE BEAUTIFUL. 193 00:10:00,266 --> 00:10:01,767 ME? 194 00:10:02,268 --> 00:10:03,767 MAY I TAKE YOUR ORDER NOW? 195 00:10:03,768 --> 00:10:06,271 I'LL HAVE SOMETHING SWEET, SOFT, AND WHITE. 196 00:10:06,272 --> 00:10:07,773 YOU. 197 00:10:08,274 --> 00:10:10,775 WILL YOU PLEASE TAKE THEIR ORDER? 198 00:10:10,776 --> 00:10:12,777 JESUS, PAUL! 199 00:10:12,778 --> 00:10:15,780 SHE'S REALLY BEAUTIFUL. 200 00:10:15,781 --> 00:10:17,282 SHE'S A BABY. 201 00:10:17,283 --> 00:10:18,782 GET THEM WHILE THEY'RE YOUNG, RIGHT? 202 00:10:18,783 --> 00:10:20,285 I'LL HAVE A BANANA SPLIT... 203 00:10:39,305 --> 00:10:41,807 GOD, I DIDN'T GO OUT WITH BOYS VERY MUCH. 204 00:10:41,808 --> 00:10:43,808 I WAS VERY STRAIGHT. 205 00:10:43,809 --> 00:10:47,312 UH, I COULDN'T TALK TO PEOPLE EASILY. 206 00:10:47,313 --> 00:10:49,815 [ROD STEWART'S DO YA THINK I'M SEXY? PLAYS] 207 00:10:56,822 --> 00:10:58,824 SO, WHEN DO YOU GET OUT OF SCHOOL? 208 00:11:00,326 --> 00:11:02,328 JUNE, I HOPE. 209 00:11:07,833 --> 00:11:09,334 DO YOU LIKE THE CAR? 210 00:11:11,837 --> 00:11:14,839 WELL, ONE DAY YOU'LL HAVE A BETTER ONE. 211 00:11:14,840 --> 00:11:16,841 A MERCEDES, MAYBE. 212 00:11:16,842 --> 00:11:18,343 THEY'RE HOT. 213 00:11:18,344 --> 00:11:22,347 ? IF YOU WANT MY BODY AND YOU THINK I'M SEXY ? 214 00:11:22,348 --> 00:11:24,349 I'M GONNA GET IT FOR YOU. 215 00:11:24,350 --> 00:11:26,851 ? COME ON, SUGAR, LET ME KNOW ? 216 00:11:26,852 --> 00:11:29,354 ? IF YOU REALLY NEED ME ? 217 00:11:29,355 --> 00:11:31,357 ? JUST REACH OUT AND TOUCH ME ? 218 00:11:31,358 --> 00:11:34,359 ? COME ON, HONEY, TELL ME SO ? 219 00:11:34,360 --> 00:11:35,861 ? TELL ME SO, BABE ? 220 00:12:05,391 --> 00:12:06,390 EXCUSE ME, SIR. 221 00:12:06,391 --> 00:12:08,394 THE MANAGEMENT HAS ASKED ME TO SPEAK TO YOU. 222 00:12:08,395 --> 00:12:09,894 YOUR FLY IS OPEN, 223 00:12:09,895 --> 00:12:12,397 AND THE WHOLE RESTAURANT CAN SEE YOUR DONG. 224 00:12:15,901 --> 00:12:18,403 SOMEONE WAITING ON ME. 225 00:12:18,404 --> 00:12:20,406 THAT'S NEW. 226 00:12:22,408 --> 00:12:24,909 IT'S VERY NICE HERE. 227 00:12:24,910 --> 00:12:26,912 IF YOU LIKE ITALIAN FOOD, 228 00:12:27,413 --> 00:12:29,915 I KNOW A REAL KNOCKOUT PLACE. 229 00:12:31,417 --> 00:12:33,919 I'LL TAKE YOU TOMORROW NIGHT. 230 00:12:36,422 --> 00:12:38,923 I LIKE PIZZA. 231 00:12:38,924 --> 00:12:41,926 WELL, THIS IS NORTHERN ITALIAN, 3 STARS. 232 00:12:41,927 --> 00:12:44,429 I KNOW THE MAITRE D'. 233 00:12:44,430 --> 00:12:46,432 OH. 234 00:12:53,939 --> 00:12:56,441 IS THERE SOMETHING WRONG WITH ME? I PROBABLY 235 00:12:56,442 --> 00:12:58,944 HAVE A PIECE OF LETTUCE ON MY NOSE OR SOMETHING. 236 00:12:58,945 --> 00:13:00,946 NO, NO, NO, NO. 237 00:13:01,447 --> 00:13:02,448 IT'S JUST THE LIGHT. 238 00:13:02,948 --> 00:13:04,948 THE WAY THE LIGHT CATCHES YOUR EYES. 239 00:13:04,949 --> 00:13:06,952 OH. YOU'RE AN EXPERT, AREN'T YOU? 240 00:13:06,953 --> 00:13:08,954 EXPERT AT WHAT? 241 00:13:10,956 --> 00:13:11,957 OH. 242 00:13:12,458 --> 00:13:15,460 I FOUND THIS IN THE COLESLAW 243 00:13:15,461 --> 00:13:17,462 AT THE SALAD BAR. 244 00:13:17,463 --> 00:13:19,965 IT'S GOT YOUR NAME IS ON IT. 245 00:13:22,468 --> 00:13:23,969 IT'S NOT THE MERCEDES. 246 00:13:24,470 --> 00:13:25,971 IS THIS A JOKE? 247 00:13:33,979 --> 00:13:36,481 IT'S A REAL TOPAZ, 248 00:13:36,982 --> 00:13:38,483 2 CARATS. 249 00:13:38,484 --> 00:13:40,486 IT'S BEAUTIFUL. 250 00:13:41,720 --> 00:13:44,706 WELL, HERE'S THIS TEENAGER IN A TOWN IN CANADA 251 00:13:44,707 --> 00:13:47,209 WORKING IN A TASTY FREEZE OR A DAIRY QUEEN, 252 00:13:47,210 --> 00:13:48,710 ET CETERA, WHATEVER, 253 00:13:48,711 --> 00:13:51,713 AND THIS, UH... 254 00:13:51,714 --> 00:13:54,716 STREET-WISE GUY... 255 00:13:54,717 --> 00:13:56,718 YEAH, I SUPPOSE INITIALLY, 256 00:13:56,719 --> 00:13:59,722 HE WOULD HAVE SOME FLASHY APPEAL FOR HER, YEAH. 257 00:13:59,723 --> 00:14:02,724 ? HERE COMES THE SUN ? 258 00:14:02,725 --> 00:14:04,726 ? LA DA DEE DEE ? 259 00:14:04,727 --> 00:14:06,728 ? HERE COMES THE SUN ? 260 00:14:06,729 --> 00:14:08,229 [PLAYS GUITAR OFF-KEY] 261 00:14:08,230 --> 00:14:09,731 I ALWAYS SCREW THAT UP. 262 00:14:09,732 --> 00:14:13,234 ? SUN AND I SAY ? 263 00:14:13,235 --> 00:14:15,737 ? IT'S ALL RIGHT ? 264 00:14:15,738 --> 00:14:20,242 ? IT'S ALL RIGHT ? 265 00:14:22,244 --> 00:14:24,746 ? IT'S ALL RIGHT ? 266 00:14:26,248 --> 00:14:28,249 WELL, THAT'S ENOUGH OF THAT. 267 00:14:28,250 --> 00:14:31,753 I DON'T THINK I'M ANY THREAT TO PAUL McCARTNEY, DO YOU? 268 00:14:31,754 --> 00:14:34,256 THIS IS PRETTY. 269 00:14:35,257 --> 00:14:37,258 I MADE IT, 270 00:14:37,259 --> 00:14:39,260 TRIED TO SELL THEM. 271 00:14:39,261 --> 00:14:42,263 MUST HAVE BEEN HARD TO DO. 272 00:14:42,264 --> 00:14:44,266 [ROMANTIC MUSIC PLAYS] 273 00:14:47,770 --> 00:14:52,273 SOMETHING LIKE THIS MUST BE REALLY HARD TO DO. 274 00:14:52,274 --> 00:14:54,776 IT'S SO PRETTY. 275 00:14:54,777 --> 00:14:56,779 I'M A LITTLE HIGH. 276 00:14:59,782 --> 00:15:01,783 YOUR HAND IS SHAKING. 277 00:15:01,784 --> 00:15:03,786 OH, AND BIG. 278 00:15:05,287 --> 00:15:07,288 I HAVE THE BIGGEST HANDS. 279 00:15:07,289 --> 00:15:09,791 I NEVER WANTED TO HOLD HANDS WITH ANY BOYS, 280 00:15:09,792 --> 00:15:12,795 'CAUSE MY HANDS WERE ALWAYS BIGGER THAN HIS. 281 00:15:20,803 --> 00:15:22,805 I DON'T THINK I'M ANY GOOD, 282 00:15:23,305 --> 00:15:25,307 YOU KNOW WHAT I MEAN? 283 00:15:27,309 --> 00:15:29,811 I HAVE A FEELING I'M NO GOOD. 284 00:15:32,815 --> 00:15:34,315 I'M THE FIRST? 285 00:15:34,316 --> 00:15:37,819 WELL, THERE WAS THIS FOOTBALL PLAYER. 286 00:15:37,820 --> 00:15:39,321 WHAT ELSE? 287 00:15:40,823 --> 00:15:42,824 OH, IT WAS PLAIN AWFUL. 288 00:15:42,825 --> 00:15:44,325 HE WAS SO ROUGH, 289 00:15:44,326 --> 00:15:46,327 AND IT WAS ALL OVER SO FAST. 290 00:15:46,328 --> 00:15:49,330 WHAM-BAM-THANK-YOU- MA'AM, TYPE. HA. 291 00:15:49,331 --> 00:15:50,832 I'M NOT REALLY SURE IT HAPPENED AT ALL, 292 00:15:50,833 --> 00:15:52,333 BUT I... I GUESS IT DID, 293 00:15:52,334 --> 00:15:54,336 'CAUSE HE TOLD EVERYBODY AT SCHOOL 294 00:15:54,337 --> 00:15:56,338 I WAS A LOUSY... 295 00:16:40,382 --> 00:16:43,551 [ROD STEWART'S DO YA THINK I'M SEXY? PLAYS] 296 00:16:52,561 --> 00:16:54,562 HI. 297 00:16:54,563 --> 00:16:57,064 HOW ARE YOU? 298 00:16:57,065 --> 00:16:58,566 HELLO. 299 00:17:00,068 --> 00:17:01,569 HELLO. 300 00:17:01,570 --> 00:17:03,571 THAT'S IT, YEAH. 301 00:17:03,572 --> 00:17:05,574 ALL RIGHT. 302 00:17:07,576 --> 00:17:09,076 HELLO. 303 00:17:09,077 --> 00:17:11,579 HA HA. OH, MY, DON'T WE... 304 00:17:11,580 --> 00:17:14,081 HA HA... LOOK SHARP? 305 00:17:14,082 --> 00:17:15,583 COME IN. 306 00:17:18,086 --> 00:17:19,587 SHE'S NOT READY YET. 307 00:17:19,588 --> 00:17:20,588 POUR VOUS. 308 00:17:20,589 --> 00:17:23,090 OH, THEY'RE BEAUTIFUL. 309 00:17:23,091 --> 00:17:25,593 I BETTER PUT THEM IN WATER RIGHT AWAY. 310 00:17:25,594 --> 00:17:28,096 SHE AND EILEEN HAVE BEEN UPSTAIRS GETTING READY 311 00:17:28,097 --> 00:17:29,597 SINCE THIS MORNING. 312 00:17:29,598 --> 00:17:31,600 YOU'D THINK IT WAS A CORONATION 313 00:17:31,601 --> 00:17:34,102 INSTEAD OF A HIGH SCHOOL PROM. 314 00:17:35,604 --> 00:17:37,105 HIYA, GEORGE. 315 00:17:39,608 --> 00:17:41,609 GOIN' BOWLIN'? 316 00:17:41,610 --> 00:17:45,613 OH, LORD, HE LOOKS LIKE A TANGO DANCER. 317 00:17:45,614 --> 00:17:46,615 HE'S A FRIEND OF MINE. 318 00:17:46,616 --> 00:17:48,115 WHO? 319 00:17:48,116 --> 00:17:50,117 TELLY SAVALAS. KOJAK. 320 00:17:50,118 --> 00:17:52,119 BULLSHIT. 321 00:17:52,120 --> 00:17:54,121 IS THIS TOO MUCH LIPSTICK? 322 00:17:54,122 --> 00:17:55,623 HE SAID NOT TO USE TOO MUCH. 323 00:17:55,624 --> 00:17:57,123 DOES IT LOOK ALL RIGHT? 324 00:17:57,124 --> 00:17:58,626 IS THIS TOO MUCH EYE SHADOW? 325 00:17:58,627 --> 00:18:00,629 DOES IT LOOK ALL RIGHT? 326 00:18:02,130 --> 00:18:05,132 I THOUGHT I HAD A VASE BUT... 327 00:18:05,133 --> 00:18:06,134 GET YOUR FEET OFF. 328 00:18:06,135 --> 00:18:07,635 YES, MA'AM. 329 00:18:09,137 --> 00:18:13,140 THAT WAS A PRETTY EXPENSIVE DRESS YOU BOUGHT DOROTHY. 330 00:18:13,141 --> 00:18:15,643 OH, IT SEEMED RIGHT FOR HER. 331 00:18:15,644 --> 00:18:18,145 SHE'S ALMOST READY. 332 00:18:18,146 --> 00:18:20,148 YOU SHOULD SEE HER. 333 00:18:21,149 --> 00:18:22,650 SMELL, MOM. 334 00:18:22,651 --> 00:18:23,651 OOH. 335 00:18:23,652 --> 00:18:25,152 SMELL ME, GEORGE. 336 00:18:25,153 --> 00:18:26,154 GET OUT OF HERE. 337 00:18:26,155 --> 00:18:27,655 COME ON. 338 00:18:27,656 --> 00:18:28,656 AW. 339 00:18:28,657 --> 00:18:31,659 SMELL IT, PAUL. REAL DEEP. 340 00:18:31,660 --> 00:18:33,160 MMM! 341 00:18:33,161 --> 00:18:34,662 THAT'S WHAT SHE SMELLS LIKE. 342 00:18:34,663 --> 00:18:36,164 IT'S CALLED TOILET WATER. 343 00:18:36,165 --> 00:18:38,666 WAIT! HOLD ON A SECOND. 344 00:18:40,669 --> 00:18:42,670 THE ORCHID IS FOR DOROTHY, 345 00:18:42,671 --> 00:18:44,172 AND THE GARDENIA'S FOR YOU. 346 00:18:44,173 --> 00:18:45,673 THANK YOU. 347 00:18:45,674 --> 00:18:47,676 HE'S HERE! WE BOTH GOT A PRESENT! 348 00:18:47,677 --> 00:18:50,177 THEY LIKE THE WAY YOU SMELL. 349 00:18:50,178 --> 00:18:52,680 THAT EILEEN IS A KNOCKOUT. 350 00:18:58,186 --> 00:19:00,688 ALL THE LADIES IN THIS HOUSE ARE KNOCKOUTS. 351 00:19:00,689 --> 00:19:01,690 BULLSHIT AGAIN. 352 00:19:02,190 --> 00:19:03,191 GEORGE. 353 00:19:04,693 --> 00:19:06,194 Eileen: ARE YOU READY? HERE WE GO. Dorothy: YES. 354 00:19:06,195 --> 00:19:08,195 HERE SHE COMES, EVERYBODY. 355 00:19:08,196 --> 00:19:10,197 SHE LOOKS LIKE A MOVIE STAR! 356 00:19:10,198 --> 00:19:13,201 [PLAYS KAZOO] 357 00:19:18,707 --> 00:19:20,207 AHH! 358 00:19:20,208 --> 00:19:21,709 DOESN'T SHE LOOK BEAUTIFUL? 359 00:19:21,710 --> 00:19:22,710 TERRIFIC. 360 00:19:22,711 --> 00:19:24,211 YOU LOOK LOVELY. 361 00:19:24,212 --> 00:19:25,713 CAN WE TAKE A PICTURE, MOM? 362 00:19:25,714 --> 00:19:27,213 I HAVE A CAMERA IN THE CAR. 363 00:19:27,214 --> 00:19:28,214 I'LL BE RIGHT BACK. 364 00:19:28,215 --> 00:19:29,217 CAN I TAKE THE PICTURE, 365 00:19:29,218 --> 00:19:30,218 PAUL? SURE. 366 00:19:33,221 --> 00:19:36,223 ? DON'T GO CHANGIN' ? 367 00:19:36,224 --> 00:19:39,727 ? TO TRY AND PLEASE ME ? 368 00:19:39,728 --> 00:19:44,232 ? YOU NEVER LET ME DOWN BEFORE ? 369 00:19:44,733 --> 00:19:47,234 ? MM-MM ? 370 00:19:47,235 --> 00:19:50,237 ? DON'T IMAGINE ? 371 00:19:50,238 --> 00:19:53,240 ? YOU'RE TOO FAMILIAR ? 372 00:19:53,241 --> 00:19:59,246 ? AND I DON'T SEE YOU ANYMORE ? 373 00:19:59,247 --> 00:20:04,251 ? I WOULD NOT LEAVE YOU ? 374 00:20:04,252 --> 00:20:07,755 ? IN TIMES OF TROUBLE ? 375 00:20:07,756 --> 00:20:12,259 ? WE NEVER COULD HAVE COME THIS FAR ? 376 00:20:12,260 --> 00:20:14,261 ? MM-MM ? 377 00:20:14,262 --> 00:20:17,765 ? I TOOK THE GOOD TIMES ? 378 00:20:17,766 --> 00:20:19,768 ? I'LL TAKE THE BAD TIMES... ? 379 00:20:19,769 --> 00:20:21,769 HI, DOROTHY. 380 00:20:21,770 --> 00:20:23,270 HOW ARE YOU? 381 00:20:23,271 --> 00:20:24,772 OH, HI. 382 00:20:24,773 --> 00:20:26,774 THAT'S HIM. 383 00:20:26,775 --> 00:20:28,275 WHO? 384 00:20:28,276 --> 00:20:31,279 THE BIGMOUTH. THE FOOTBALL PLAYER. 385 00:20:32,781 --> 00:20:34,282 YEAH, THAT'S HIM, ALL RIGHT. 386 00:20:34,783 --> 00:20:35,784 A JOCK. 387 00:20:36,284 --> 00:20:37,285 HOW'D YOU KNOW? 388 00:20:37,786 --> 00:20:40,789 JUST BY THE SMART-ASS WAY HE SAID YOUR NAME. 389 00:20:40,790 --> 00:20:44,292 DOES HE THINK I'M STUPID NOT TO PICK UP ON THAT? 390 00:20:46,795 --> 00:20:49,297 OH, NOW, DON'T START ANY TROUBLE, PLEASE? 391 00:20:49,298 --> 00:20:52,299 HA HA. IT WON'T BE ANY TROUBLE. 392 00:20:52,300 --> 00:20:58,806 ? ...ALTHOUGH I MIGHT NOT SEEM TO CARE ? 393 00:20:58,807 --> 00:21:02,309 ? I DON'T WANT CLEVER ? 394 00:21:02,310 --> 00:21:05,312 ? CONVERSATION ? 395 00:21:05,313 --> 00:21:07,815 JESUS CHRIST! WHO DID THAT? 396 00:21:09,317 --> 00:21:10,818 EXCUSE US. 397 00:21:10,819 --> 00:21:12,320 VERY FUNNY. BIG JOKE, EH? 398 00:21:14,823 --> 00:21:16,825 YOU HURT HIM, PAUL, DIDN'T YOU? 399 00:21:16,826 --> 00:21:19,827 HA. NOT ENOUGH, THE PRICK. 400 00:21:19,828 --> 00:21:25,333 ? I WANT YOU JUST THE WAY YOU ARE ? 401 00:21:43,635 --> 00:21:45,136 I'M VERY ROMANTIC, 402 00:21:45,137 --> 00:21:47,138 AND I LIKE LITTLE SURPRISES 403 00:21:47,139 --> 00:21:49,641 AND, YOU KNOW, LITTLE GESTURES LIKE FLOWERS 404 00:21:49,642 --> 00:21:52,143 OR A CALL WHEN YOU DON'T EXPECT IT, 405 00:21:52,144 --> 00:21:53,645 AND, YOU KNOW, THINGS LIKE THAT. 406 00:21:53,646 --> 00:21:56,147 NOT... NOT SEXUAL THINGS. 407 00:21:56,148 --> 00:21:57,649 Interviewer: WELL, WOULD IT SURPRISE YOU 408 00:21:57,650 --> 00:21:58,649 IF I ASKED YOU 409 00:21:58,650 --> 00:22:00,652 TO TAKE OFF YOUR CLOTHES RIGHT NOW? 410 00:22:00,653 --> 00:22:02,153 WOULD YOU DO IT? 411 00:22:02,154 --> 00:22:03,654 NO. 412 00:22:03,655 --> 00:22:05,656 WELL, WHY NOT? 413 00:22:05,657 --> 00:22:08,159 THAT'S... 414 00:22:08,160 --> 00:22:10,662 THAT'S NOT ROMANTIC. THAT'S... 415 00:22:14,166 --> 00:22:16,668 Dorothy: IT TOOK ME FIVE 5 TO SHOOT MY PLAYMATE LAYOUT. 416 00:22:16,669 --> 00:22:18,669 I SHOT OVER 20,000 PICTURES. 417 00:22:18,670 --> 00:22:19,670 Paul: SIT UP, 418 00:22:19,671 --> 00:22:21,172 PUT YOUR KNEES TOGETHER AND HUG 'EM. 419 00:22:21,173 --> 00:22:22,174 Dorothy: LIKE THIS? 420 00:22:22,175 --> 00:22:23,175 LIKE THAT. 421 00:22:24,676 --> 00:22:26,678 THAT'S NICE. 422 00:22:34,186 --> 00:22:36,688 HOW ABOUT OPENING THE SHIRT A LITTLE? 423 00:22:39,191 --> 00:22:40,691 I CAN'T. 424 00:22:40,692 --> 00:22:42,693 OH, YES, YOU CAN. 425 00:22:42,694 --> 00:22:44,696 IT'S FUN. 426 00:22:50,702 --> 00:22:52,203 OK. 427 00:22:52,204 --> 00:22:53,705 OK. 428 00:23:09,221 --> 00:23:11,223 WHAT ARE YOU DOING? 429 00:23:13,725 --> 00:23:14,726 PAUL. 430 00:23:16,228 --> 00:23:18,230 WET YOUR LIPS AND OPEN YOUR MOUTH. 431 00:23:18,231 --> 00:23:19,730 WHAT? 432 00:23:19,731 --> 00:23:22,733 YOU KNOW, LIKE YOU DID LAST NIGHT. 433 00:23:22,734 --> 00:23:24,235 PAUL. 434 00:23:28,740 --> 00:23:31,242 I CAN DO THAT. 435 00:23:43,255 --> 00:23:45,257 DOROTHY? 436 00:24:36,308 --> 00:24:38,810 Radio DJ: DOROTHY STRATTEN, PLAYBOY CENTERFOLD. 437 00:24:38,811 --> 00:24:40,311 YOU'RE ON STREET TALK. 438 00:24:40,312 --> 00:24:41,813 HI, MISS STRATTEN, MY NAME IS GEORGE. 439 00:24:41,814 --> 00:24:43,814 HI, GEORGE. 440 00:24:43,815 --> 00:24:45,817 LISTEN, WE WERE SITTING AROUND THE GARAGE, 441 00:24:46,318 --> 00:24:47,319 AND WE HAD THIS QUESTION... UH, WHAT'S IT LIKE 442 00:24:47,819 --> 00:24:48,820 TO POSE, UH, NUDE? I MEAN, HOW'S IT FEEL? 443 00:24:48,821 --> 00:24:51,822 IT FEELS A LITTLE CHILLY SOMETIMES. 444 00:24:51,823 --> 00:24:53,824 SCORE ONE FOR DOROTHY. 445 00:24:53,825 --> 00:24:56,327 WE'RE TALKING WITH DOROTHY STRATTEN. 446 00:24:58,330 --> 00:25:00,332 OH, GOD, I LOOK FAT IN THAT ONE. 447 00:25:04,336 --> 00:25:07,839 OH, JEEZ. I HOPE MY MOTHER NEVER SEES THESE. 448 00:25:08,340 --> 00:25:09,841 OH, GOD, MY MOTHER. WHAT TIME IS IT? 449 00:25:10,342 --> 00:25:11,843 4:30. 450 00:25:17,849 --> 00:25:19,851 HI, MOM? 451 00:25:21,353 --> 00:25:23,355 YES, I KNOW. 452 00:25:24,856 --> 00:25:26,857 I'M SORRY. 453 00:25:26,858 --> 00:25:29,360 GIVE ME A CHANCE TO EXPLAIN, MOM. 454 00:25:30,862 --> 00:25:32,863 IT GOT SO LATE, 455 00:25:32,864 --> 00:25:33,865 I THOUGHT YOU'D BE SLEEPING. 456 00:25:33,866 --> 00:25:35,733 I DIDN'T WANT TO WAKE YOU. 457 00:25:36,835 --> 00:25:40,839 I'M STAYING OVER AT NANCY'S HOUSE. 458 00:25:41,339 --> 00:25:43,841 NO, I'M NOT WITH HIM. 459 00:25:43,842 --> 00:25:46,342 Man: WELL, HE SHOWED ME SOME POLAROIDS, 460 00:25:46,343 --> 00:25:47,845 AND WANTED ME TO DO SOME TEST SHOTS. 461 00:25:47,846 --> 00:25:50,347 AND WE, UH, WE MADE A DEAL. 462 00:25:50,348 --> 00:25:52,350 IF SHE GOT ACCEPTED, I'D GET $1,000. 463 00:25:52,851 --> 00:25:53,850 OTHERWISE, NOTHING. 464 00:25:53,851 --> 00:25:55,353 THAT'S THE USUAL FINDER'S FEE 465 00:25:55,354 --> 00:25:58,355 THAT PLAYBOY PAYS... A THOUSAND. 466 00:25:58,356 --> 00:25:59,857 HE REALLY BELIEVED IN THIS GIRL, 467 00:25:59,858 --> 00:26:02,360 OR ELSE HE JUST WANTED TO SCREW HER. 468 00:26:02,361 --> 00:26:05,863 I'M STILL NOT SURE WHICH, MAYBE BOTH. 469 00:26:05,864 --> 00:26:07,865 ANYWAY, HE CONVINCED ME. 470 00:26:07,866 --> 00:26:09,867 OH, THERE YOU GO. 471 00:26:09,868 --> 00:26:11,869 OK, EYES TO ME. 472 00:26:11,870 --> 00:26:14,372 THROW YOUR HEAD BACK. 473 00:26:15,874 --> 00:26:17,875 THAT'S IT. 474 00:26:17,876 --> 00:26:19,877 SORRY. 475 00:26:19,878 --> 00:26:21,378 FORGET IT, DOROTHY. 476 00:26:21,379 --> 00:26:23,381 YOU LOOKED BETTER THE OTHER WAY. 477 00:26:23,382 --> 00:26:25,382 YOU'RE HOLDING THAT SCARF 478 00:26:25,383 --> 00:26:28,385 LIKE IT WAS A SECURITY BLANKET. 479 00:26:28,386 --> 00:26:29,887 HERE, COME ON, JUST RELAX. 480 00:26:29,888 --> 00:26:30,888 YEAH. 481 00:26:30,889 --> 00:26:31,890 ARCH YOUR BACK. 482 00:26:32,390 --> 00:26:33,389 TUCK IN THE TUMMY. 483 00:26:33,390 --> 00:26:35,393 I THINK WERE GONNA LIKE THAT THAT MUCH BETTER. 484 00:26:35,394 --> 00:26:37,394 EXCUSE ME. 485 00:26:37,395 --> 00:26:38,396 SORRY. 486 00:26:41,900 --> 00:26:42,901 THAT'S IT. GOOD GIRL. 487 00:26:42,902 --> 00:26:46,404 THAT'S PERFECT. 488 00:26:46,905 --> 00:26:47,405 RIGHT THERE! 489 00:26:47,906 --> 00:26:48,907 LOOK OVER HERE, DOROTHY, 490 00:26:48,908 --> 00:26:50,407 AND OPEN YOUR MOUTH. 491 00:26:50,408 --> 00:26:52,410 WHAT STOP ARE YOU USING? 492 00:26:52,911 --> 00:26:54,913 COULD I TALK TO YOU FOR A MINUTE? 493 00:27:05,423 --> 00:27:06,924 LISTEN, DOROTHY, I'M GONNA WAIT IN THE DRESSING ROOM. 494 00:27:07,425 --> 00:27:08,926 TOO MANY DIRECTORS. 495 00:27:09,427 --> 00:27:10,428 OK. 496 00:27:17,936 --> 00:27:19,437 NOW MAYBE WE CAN GET SOME WORK DONE. 497 00:27:19,438 --> 00:27:21,438 THAT'S GOOD. 498 00:27:21,439 --> 00:27:22,439 ALL RIGHT. 499 00:27:22,440 --> 00:27:23,440 ALL RIGHT, 500 00:27:23,441 --> 00:27:24,942 NOW THROW YOUR HEAD BACK A LITTLE BIT 501 00:27:24,943 --> 00:27:25,944 AND GIVE ME A SMILE. 502 00:27:25,945 --> 00:27:28,946 OK, THAT'S GOOD. 503 00:27:28,947 --> 00:27:31,949 OK, NOW GIVE ME A LITTLE POUT. 504 00:27:31,950 --> 00:27:34,451 THAT A GIRL. THAT'S GOOD. 505 00:27:34,452 --> 00:27:37,454 OK, NOW, RELAX THE HANDS AGAIN. 506 00:27:37,455 --> 00:27:38,956 NOW, THINK ABOUT AN ANIMAL. 507 00:27:38,957 --> 00:27:39,957 OK. 508 00:27:39,958 --> 00:27:42,459 YEAH, MAKE IT A WILD ANIMAL. 509 00:27:42,460 --> 00:27:44,462 IT'S STARTING TO GET HOT IN HERE! 510 00:27:44,963 --> 00:27:45,962 THAT'S THE WAY. 511 00:27:45,963 --> 00:27:47,463 THAT'S THE WAY. ALL RIGHT. 512 00:27:47,464 --> 00:27:48,464 YES, ALL RIGHT. 513 00:27:48,465 --> 00:27:50,306 NOW, THE LITTLE GIRL IS STARTING TO LEARN HERE. 514 00:27:50,468 --> 00:27:52,469 LET'S GO. NICE. 515 00:27:52,470 --> 00:27:54,230 OH, THAT'S GOOD. NOW, HOLD THAT, THAT'S NICE. 516 00:27:54,472 --> 00:27:55,973 HA HA. YES, YES. 517 00:27:55,974 --> 00:27:57,475 LITTLE GIRL IS GROWING UP. 518 00:27:57,476 --> 00:27:59,977 ALL RIGHT, HERE WE GO. 519 00:27:59,978 --> 00:28:01,479 OH, THAT'S NICE. THAT'S NICE. HOLD THAT. 520 00:28:01,480 --> 00:28:02,479 HOLD THAT. 521 00:28:02,480 --> 00:28:03,981 OH, YES, YES, YES! 522 00:28:03,982 --> 00:28:05,983 YES, YES, YES, YES. 523 00:28:05,984 --> 00:28:07,485 Woman: SHE'S LIKE A BIG, SWEET KID. 524 00:28:07,986 --> 00:28:08,486 POLITE, TOO. 525 00:28:08,987 --> 00:28:09,487 NO SCARS. 526 00:28:09,988 --> 00:28:12,990 MAYBE HAVE TO DO SOMETHING WITH HER HAIR. 527 00:28:12,991 --> 00:28:14,993 NOT OVERWEIGHT. I LIKE HER A LOT. 528 00:28:14,994 --> 00:28:15,993 HOW OLD? 529 00:28:15,994 --> 00:28:17,494 18, I THINK. 530 00:28:17,495 --> 00:28:18,494 Photographer: NOW, 531 00:28:18,495 --> 00:28:19,497 HERE'S WHAT THE SON OF A BITCH DID. 532 00:28:19,498 --> 00:28:21,498 NOW, I WORKED MY ASS OFF. 533 00:28:21,499 --> 00:28:23,000 THEN HE TURNS AROUND 534 00:28:23,001 --> 00:28:24,401 AND HE GOES TO ANOTHER PHOTOGRAPHER, 535 00:28:24,502 --> 00:28:26,504 AND HE USES MY STUFF TO CONVINCE THE OTHER GUY 536 00:28:26,505 --> 00:28:28,005 THAT THE GIRL IS GOOD. 537 00:28:28,006 --> 00:28:30,008 THEN HE SENDS THE OTHER GUY'S TEST 538 00:28:30,009 --> 00:28:31,008 INTO PLAYBOY 539 00:28:31,009 --> 00:28:32,510 AND SCREWS ME OUT OF THE FINDER'S FEE... 540 00:28:32,511 --> 00:28:33,510 A 1,000 BUCKS. 541 00:28:33,511 --> 00:28:35,946 HA HA HA. I MEAN, THE GUY IS A BASTARD. 542 00:28:35,947 --> 00:28:38,715 THEY'LL FLY HER TO L.A. FIRST-CLASS, 543 00:28:38,716 --> 00:28:40,716 TAKE SOME MORE TEST SHOTS OF HER, 544 00:28:40,717 --> 00:28:42,219 AND THEN THEY'LL DECIDE 545 00:28:42,220 --> 00:28:43,721 IF THEY WANT TO USE HER IN THE MAGAZINE OR NOT. 546 00:28:43,722 --> 00:28:46,223 THAT'S REALLY ALL THERE IS TO IT. 547 00:28:46,224 --> 00:28:47,724 THAT'S ALL, HUH? 548 00:28:47,725 --> 00:28:49,726 BUT WE DO NEED YOUR CONSENT 549 00:28:49,727 --> 00:28:51,228 BECAUSE OF HER AGE. 550 00:28:51,229 --> 00:28:53,230 AND IF I DON'T SIGN? 551 00:28:53,231 --> 00:28:56,233 THEN WE BOTH JUMP OUT A WINDOW. 552 00:28:56,234 --> 00:28:58,236 NO, SERIOUSLY, IF YOU DON'T SIGN, 553 00:28:58,237 --> 00:29:01,239 THEN IT'S... ALL OFF. 554 00:29:03,741 --> 00:29:06,243 SHE WANTS TO GO. 555 00:29:06,244 --> 00:29:09,746 I'M SLOWLY BEGINNING TO GET THE IDEA 556 00:29:09,747 --> 00:29:11,748 THAT YOU WANT HER TO GO. 557 00:29:11,749 --> 00:29:14,251 THAT LEAVES ME, HER MOTHER. 558 00:29:18,256 --> 00:29:21,758 I KNOW THIS COULD BE A REAL OPPORTUNITY FOR US. 559 00:29:21,759 --> 00:29:23,760 IT COULD CHANGE OUR LIVES. 560 00:29:23,761 --> 00:29:25,762 WHAT IS THIS "US," "OUR"? 561 00:29:25,763 --> 00:29:28,265 I DON'T SEE ANY NAKED PICTURES OF YOU HERE, PAUL. 562 00:29:28,266 --> 00:29:29,466 I DON'T SEE ANY PICTURES OF YOU 563 00:29:29,767 --> 00:29:30,766 WITH YOUR PRIVATES HANGING OUT 564 00:29:30,767 --> 00:29:32,269 FOR THE WHOLE WORLD TO LOOK AT. 565 00:29:32,270 --> 00:29:34,272 LET'S GET THE CAMERA. I'M WILLING. 566 00:29:34,273 --> 00:29:36,774 OH, I BET YOU ARE. 567 00:29:38,776 --> 00:29:41,278 OH, I DON'T KNOW. 568 00:29:41,279 --> 00:29:43,281 SHE WOULDN'T EVEN WALK AROUND THE HOUSE 569 00:29:43,282 --> 00:29:45,782 IN A NIGHTGOWN BEFORE SHE MET YOU. 570 00:29:45,783 --> 00:29:47,785 DO YOU KNOW WHO READS PLAYBOY? 571 00:29:48,286 --> 00:29:49,287 NO, TELL ME. 572 00:29:49,787 --> 00:29:51,788 MOVIE PRODUCERS, DIRECTORS, 573 00:29:51,789 --> 00:29:53,790 AGENTS, TV PEOPLE. 574 00:29:53,791 --> 00:29:56,293 THE PEOPLE WHO PRODUCE CHARLIE'S ANGELS 575 00:29:56,294 --> 00:29:57,794 READ PLAYBOY. 576 00:29:57,795 --> 00:30:00,297 I HAVE THIS FEELING ABOUT DOROTHY, 577 00:30:00,298 --> 00:30:02,798 THIS HUNCH THAT SHE'S GONNA BE A BIG STAR 578 00:30:02,799 --> 00:30:05,302 IN THE MOVIES OR ON TV, I DON'T KNOW, 579 00:30:05,303 --> 00:30:06,804 BUT A REALLY BIG STAR. 580 00:30:07,305 --> 00:30:08,804 BUT SHE'S GONNA NEED HELP. 581 00:30:08,805 --> 00:30:09,807 YOU CAN'T DO IT ALONE. 582 00:30:09,808 --> 00:30:11,308 YOU NEED SOMEBODY. 583 00:30:11,309 --> 00:30:13,311 AND YOU'RE GONNA BE THAT SOMEBODY? 584 00:30:13,312 --> 00:30:15,312 I KNOW ALL THE TRICKS, 585 00:30:15,313 --> 00:30:17,314 I KNOW ALL THE CON GAMES. 586 00:30:17,315 --> 00:30:18,816 HEY, I KNOW ALL THE BULLSHITTING. 587 00:30:19,317 --> 00:30:21,319 THERE'S PLENTY OF THAT, BELIEVE ME. 588 00:30:21,819 --> 00:30:24,321 TOGETHER, WE COULD BE SOMEBODY. 589 00:30:24,822 --> 00:30:26,323 PEOPLE WOULD KNOW WHO WE ARE. 590 00:30:26,824 --> 00:30:27,823 PEOPLE WOULD KNOW OUR NAMES. 591 00:30:27,824 --> 00:30:30,327 PEOPLE WOULD TREAT US THAT SPECIAL WAY, 592 00:30:30,828 --> 00:30:32,329 THE WAY THEY TREAT STARS. 593 00:30:32,330 --> 00:30:33,330 PEOPLE WOULD... 594 00:30:33,331 --> 00:30:36,334 HELL, WE'D WALK INTO A RESTAURANT, PEOPLE... 595 00:30:41,339 --> 00:30:42,840 I DO LOVE HER. 596 00:30:43,341 --> 00:30:44,841 WHAT DID YOU SAY? 597 00:30:44,842 --> 00:30:46,343 I SAID I LOVE HER. 598 00:30:46,344 --> 00:30:49,847 FUNNY. I COULD HAVE SWORN YOU SAID, "I LOVE IT." 599 00:30:50,348 --> 00:30:52,850 YOU DON'T LIKE ME, DO YOU? 600 00:30:55,353 --> 00:30:57,355 I LOVE DOROTHY. 601 00:30:57,855 --> 00:30:58,856 THE ANSWER'S NO. 602 00:30:59,357 --> 00:31:00,358 WHY? 603 00:31:00,858 --> 00:31:01,859 GIVE ME A REASON. 604 00:31:02,360 --> 00:31:03,861 I DON'T HAVE TO GIVE YOU A REASON. 605 00:31:03,862 --> 00:31:05,362 I'M HER MOTHER. 606 00:31:05,863 --> 00:31:06,864 THAT'S THE REASON. 607 00:31:07,365 --> 00:31:08,866 THAT'S THE REASON. 608 00:31:09,367 --> 00:31:10,868 [LOUDSPEAKER] YOUR ATTENTION, PLEASE. 609 00:31:10,869 --> 00:31:14,872 WESTERN AIRLINES FLIGHT 468 NONSTOP FOR LOS ANGELES... 610 00:31:15,373 --> 00:31:16,874 I DON'T WANT TO GO. 611 00:31:17,375 --> 00:31:19,877 YOU'RE DYING TO GO. 612 00:31:20,378 --> 00:31:23,881 I WISH YOU WERE COMING WITH ME. 613 00:31:24,882 --> 00:31:26,882 EVERYBODY'S LOOKING AT US. DID YOU NOTICE? 614 00:31:26,883 --> 00:31:27,883 YEAH, A LITTLE. 615 00:31:27,884 --> 00:31:29,887 STRAIGHTEN UP, ANGEL. YOU'RE SLOUCHING. 616 00:31:29,888 --> 00:31:30,887 BETTER? 617 00:31:30,888 --> 00:31:31,889 MAKES YOU LOOK TALLER. 618 00:31:31,890 --> 00:31:34,391 MAKES YOU LOOK LIKE A QUEEN. 619 00:31:36,894 --> 00:31:38,895 Mom: I NEVER SIGNED IT. 620 00:31:38,896 --> 00:31:41,398 SOMEHOW IT GOT SIGNED, YES. 621 00:31:41,899 --> 00:31:44,401 BUT I DIDN'T SIGN IT. 622 00:31:44,902 --> 00:31:47,404 I CAN ONLY GUESS HOW. 623 00:31:49,407 --> 00:31:51,909 I NEVER WOULD HAVE SIGNED IT. 624 00:32:01,753 --> 00:32:03,253 HAVE YOU MET HIM YET? 625 00:32:03,254 --> 00:32:04,254 Dorothy: WHO? 626 00:32:04,255 --> 00:32:05,756 THE MAN. THE MAN. HEFNER. 627 00:32:05,757 --> 00:32:08,258 OH, PAUL, HE'S WONDERFUL, 628 00:32:08,259 --> 00:32:11,261 LIKE A FATHER OR SOMETHING. 629 00:32:11,262 --> 00:32:12,763 OH, EXCUSE ME. I'M SORRY. 630 00:32:12,764 --> 00:32:14,264 THAT'S OK. 631 00:32:14,265 --> 00:32:15,766 WHERE ARE YOU CALLING FROM? 632 00:32:15,767 --> 00:32:18,268 MR. HEFNER'S HOUSE. 633 00:32:18,269 --> 00:32:19,770 YOU MEAN THE MANSION? 634 00:32:19,771 --> 00:32:21,771 OH, PAUL, I WISH YOU COULD BE HERE. 635 00:32:21,772 --> 00:32:23,775 I WISH YOU COULD BE HERE WITH ME. 636 00:32:23,776 --> 00:32:25,275 YOU SHOULD SEE IT. 637 00:32:25,276 --> 00:32:27,276 I'VE NEVER SEEN SO MANY PRETTY GIRLS 638 00:32:27,277 --> 00:32:28,279 IN MY WHOLE LIFE. 639 00:32:28,780 --> 00:32:31,782 I SUDDENLY FEEL REALLY UGLY. 640 00:32:31,783 --> 00:32:33,283 IS JIMMY CAAN THERE? 641 00:32:33,284 --> 00:32:34,284 WHO? 642 00:32:34,285 --> 00:32:36,787 SONNY CORLEONE IN THE GODFATHER. 643 00:32:37,288 --> 00:32:38,289 I DIDN'T SEE IT. 644 00:32:38,790 --> 00:32:41,292 HE'S PROBABLY THERE. HE AND HEF ARE PALS. 645 00:32:41,293 --> 00:32:43,293 WHO DID YOU MEET? 646 00:32:43,294 --> 00:32:44,795 OH, SO MANY PEOPLE. 647 00:32:44,796 --> 00:32:46,296 LET ME THINK. 648 00:32:46,297 --> 00:32:48,799 I THINK HE'S A FAMOUS ATHLETE OR SOMETHING. 649 00:32:48,800 --> 00:32:50,801 NAME'S BILLY BOB, 650 00:32:50,802 --> 00:32:53,303 OR WILLY JOE, SOMETHING LIKE THAT. 651 00:32:53,304 --> 00:32:54,805 BATTON? BILLY JOE BATTON? 652 00:32:55,306 --> 00:32:57,306 HE SORT OF HALF SMILES ALL THE TIME. 653 00:32:57,307 --> 00:32:59,310 HA HA. WELL, WATCH OUT FOR THAT SMILE. 654 00:32:59,311 --> 00:33:01,812 HE'S A REAL COCKSMAN. 655 00:33:01,813 --> 00:33:03,814 GOT A BAD REPUTATION. 656 00:33:03,815 --> 00:33:05,315 IS TELLY THERE? 657 00:33:05,316 --> 00:33:06,817 DID YOU MEET TELLY? 658 00:33:07,318 --> 00:33:08,819 I DON'T THINK SO. I'M NOT SURE. 659 00:33:09,320 --> 00:33:11,320 OK, DOROTHY, WHEN YOU MEET PEOPLE, 660 00:33:11,321 --> 00:33:12,823 YOU SHOULD REALLY MAKE AN EFFORT 661 00:33:12,824 --> 00:33:14,323 TO TRY TO REMEMBER THEIR NAMES. 662 00:33:14,324 --> 00:33:15,826 IT MAKES A GOOD IMPRESSION. 663 00:33:15,827 --> 00:33:17,327 I'LL TRY FROM NOW ON. 664 00:33:17,328 --> 00:33:19,830 PAUL, EVERYTHING IS HAPPENING SO FAST. 665 00:33:20,331 --> 00:33:22,332 IT'S A LITTLE BANANAS. 666 00:33:22,333 --> 00:33:23,333 LET'S SEE, 667 00:33:23,334 --> 00:33:24,333 THEY'RE GOING TO SHOOT SOME MORE SHOTS 668 00:33:24,334 --> 00:33:26,837 OR WHATEVER THEY CALL THEM, AND THEY SAY 669 00:33:26,838 --> 00:33:29,338 I'M NOT GOING TO BE ANNIVERSARY PLAYMATE, 670 00:33:29,339 --> 00:33:31,342 BUT THEY DID SAY I'VE GOT A GOOD CHANCE, 671 00:33:31,343 --> 00:33:32,843 A VERY GOOD CHANCE 672 00:33:32,844 --> 00:33:34,343 OF BEING CENTERFOLD FOR AUGUST. 673 00:33:34,344 --> 00:33:37,348 MR. HEFNER WILL MAKE THE DECISION NEXT WEEK. 674 00:33:37,349 --> 00:33:40,851 ISN'T IT TERRIFIC? I AM SO EXCITED. 675 00:33:40,852 --> 00:33:41,853 WHAT'S HE LIKE? 676 00:33:42,353 --> 00:33:43,353 MR. HEFNER? 677 00:33:43,354 --> 00:33:44,855 OH, NICE, LIKE I SAID. 678 00:33:44,856 --> 00:33:46,356 BUT I GET THE FEELING 679 00:33:46,357 --> 00:33:47,597 THAT EVERYBODY TREMBLES A LITTLE 680 00:33:47,859 --> 00:33:48,860 WHEN THEY MENTION HIS NAME. 681 00:33:48,861 --> 00:33:52,362 YOU KNOW, "MR. HEFNER WANTS TO SEE YOU." 682 00:33:52,363 --> 00:33:53,864 WAS HE WEARING PAJAMAS? 683 00:33:53,865 --> 00:33:55,365 HOW'D YOU KNOW? 684 00:33:55,366 --> 00:33:57,868 I'VE BEEN WANTING TO HAVE THIS TALK 685 00:33:57,869 --> 00:33:58,870 WITH YOU FOR A WHILE, 686 00:33:59,370 --> 00:34:00,871 BUT I GUESS WE'VE BEEN KEEPING YOU PRETTY BUSY. 687 00:34:00,872 --> 00:34:01,872 I'LL SAY. 688 00:34:01,873 --> 00:34:03,873 COFFEE FOR MISS STRATTEN. YES, SIR. 689 00:34:03,874 --> 00:34:06,375 DOROTHY, IT'S GOING TO TAKE A COUPLE WEEKS OR SO 690 00:34:06,376 --> 00:34:09,380 TO COME TO A DECISION ON THIS THING, ET CETERA. 691 00:34:09,381 --> 00:34:11,882 OH, I UNDERSTAND. 692 00:34:11,883 --> 00:34:13,383 THANK YOU. 693 00:34:13,384 --> 00:34:14,885 HAVE A SEAT. 694 00:34:14,886 --> 00:34:18,389 IN THE MEANTIME, I IMAGINE YOU COULD USE SOME MONEY. 695 00:34:18,390 --> 00:34:19,389 YES, I COULD. 696 00:34:19,390 --> 00:34:20,891 I THOUGHT SO. 697 00:34:20,892 --> 00:34:23,893 ANYWAY, OUR PEOPLE THOUGHT WE COULD FIT YOU IN 698 00:34:23,894 --> 00:34:25,897 AS A BUNNY AT OUR CLUB IN CENTURY CITY. 699 00:34:25,898 --> 00:34:27,398 TIPS ARE PRETTY GOOD. 700 00:34:27,899 --> 00:34:29,399 THAT'LL BE JUST FINE. 701 00:34:29,400 --> 00:34:31,902 AND I'LL SEE IF I CAN'T GET THEM TO FIND YOU 702 00:34:31,903 --> 00:34:33,905 A LITTLE APARTMENT WHILE YOU'RE WAITING. 703 00:34:33,906 --> 00:34:35,906 NOT TOO EXPENSIVE. 704 00:34:35,907 --> 00:34:37,407 IN THE MEANTIME, 705 00:34:37,408 --> 00:34:38,909 YOU CAN STAY HERE, IF YOU'D LIKE, 706 00:34:38,910 --> 00:34:40,409 IN ONE OF THE GUEST ROOMS. 707 00:34:40,410 --> 00:34:42,011 WELL, I CAN LOOK FOR AN APARTMENT MYSELF. 708 00:34:42,413 --> 00:34:43,914 NO. WE'LL DO ALL THAT FOR YOU. 709 00:34:43,915 --> 00:34:44,914 ANYWAY, I HAVE A FEELING 710 00:34:44,915 --> 00:34:46,417 IT'S ALL VERY TEMPORARY, DOROTHY. 711 00:34:46,418 --> 00:34:47,417 I THINK 712 00:34:47,418 --> 00:34:48,919 THERE ARE VERY BIG THINGS AHEAD FOR YOU. 713 00:34:48,920 --> 00:34:49,921 I DON'T KNOW ABOUT THAT, 714 00:34:50,421 --> 00:34:51,621 BUT I'LL CERTAINLY TRY FOR YOU. 715 00:34:51,923 --> 00:34:52,924 I KNOW YOU WILL. 716 00:34:53,424 --> 00:34:55,426 WELL, THAT JUST LEAVES MY, UH, 717 00:34:55,927 --> 00:34:57,427 MY SPEECH. 718 00:34:57,428 --> 00:34:58,428 READY? 719 00:34:58,429 --> 00:34:59,429 YES, SIR. 720 00:34:59,430 --> 00:35:00,430 PLAYBOY 721 00:35:00,431 --> 00:35:02,431 IS A VERY SPECIAL MAGAZINE, DOROTHY. 722 00:35:02,432 --> 00:35:03,934 THERE'S NO OTHER MAGAZINE LIKE IT. 723 00:35:03,935 --> 00:35:05,434 ALL THE WRITERS, EDITORS, PHOTOGRAPHERS, 724 00:35:05,435 --> 00:35:06,937 ALL THE GIRLS, ET CETERA, 725 00:35:07,438 --> 00:35:09,940 WE ALL HAVE A VERY SPECIAL RELATIONSHIP. 726 00:35:09,941 --> 00:35:11,943 IT'S NOT LIKE ANY OTHER MAGAZINE. 727 00:35:11,944 --> 00:35:13,443 WE'RE ALL LIKE A... 728 00:35:13,444 --> 00:35:15,446 WELL, WE'RE JUST LIKE A FAMILY. 729 00:35:15,447 --> 00:35:16,446 A FAMILY. 730 00:35:16,447 --> 00:35:18,448 IT'S LIKE HAVING A FAMILY. 731 00:35:18,449 --> 00:35:19,448 [WHISPERING] The whole magazine 732 00:35:19,449 --> 00:35:20,451 is like having a family. 733 00:35:20,952 --> 00:35:21,951 THE WHOLE MAGAZINE 734 00:35:21,952 --> 00:35:23,454 IS LIKE HAVING A FAMILY. 735 00:35:23,455 --> 00:35:24,455 SEE? 736 00:35:24,956 --> 00:35:26,956 I KNOW A LOT OF PEOPLE SAY THAT'S A LOT OF BULL, 737 00:35:26,957 --> 00:35:28,457 BUT THAT'S HOW I THINK OF IT. 738 00:35:28,458 --> 00:35:30,461 THAT'S HOW WE ALL THINK OF IT. 739 00:35:30,462 --> 00:35:33,463 IT'S KIND OF A WORLD WITHIN A WORLD. 740 00:35:33,464 --> 00:35:34,965 IT'S A... 741 00:35:34,966 --> 00:35:37,467 WELL, IT'S A FAMILY. 742 00:35:37,468 --> 00:35:39,468 Dorothy: WASN'T THAT NEAT ABOUT THE JOB 743 00:35:39,469 --> 00:35:40,971 AND THE APARTMENT AND EVERYTHING? 744 00:35:40,972 --> 00:35:42,972 HEY, LISTEN, IT ALL SOUNDS TERRIFIC. 745 00:35:42,973 --> 00:35:44,473 AND, GOD, MEETING ALL THOSE PEOPLE. 746 00:35:44,474 --> 00:35:45,976 THEY'RE GOOD CONTACTS. IT CAN ONLY HELP. 747 00:35:45,977 --> 00:35:46,978 KNOW WHAT I MEAN? 748 00:35:46,979 --> 00:35:47,978 I THINK SO. 749 00:35:47,979 --> 00:35:49,980 I'LL CALL TOMORROW. 750 00:35:49,981 --> 00:35:50,981 I LOVE YOU. 751 00:35:50,982 --> 00:35:53,483 I LOVE YOU, TOO. BYE. 752 00:35:53,484 --> 00:35:54,485 THANKS, JOHNNY. 753 00:35:54,986 --> 00:35:57,487 THAT WAS SOME PHONE CALL. 754 00:35:57,488 --> 00:35:58,489 HOW'S THE KID DOING? 755 00:35:58,990 --> 00:36:00,990 SOUNDS LIKE IT'S GOING REALLY RIGHT. 756 00:36:00,991 --> 00:36:02,491 SHE WAS CALLING FROM HEF'S PLACE. 757 00:36:02,492 --> 00:36:04,995 JOHNNY, BE A PAL AND POUR ME ABOUT THAT MUCH SCOTCH. 758 00:36:04,996 --> 00:36:06,997 SHE'S IN THE MANSION? 759 00:36:06,998 --> 00:36:09,999 BILLY JOE BATTON IS MAKING A BIG PLAY FOR HER. 760 00:36:10,000 --> 00:36:11,500 BILLY JOE BATTON THE FOOTBALL PLAYER... 761 00:36:11,501 --> 00:36:13,003 MAKING A MOVE ON DOROTHY? 762 00:36:13,004 --> 00:36:14,003 AH, IT FIGURES. 763 00:36:14,004 --> 00:36:15,504 THAT'S THE KIND OF TOWN L.A. IS. 764 00:36:15,505 --> 00:36:17,508 JESUS CHRIST... I'D BE GOING OUTTA MY SKULL 765 00:36:17,509 --> 00:36:19,009 IF BILLY JOE BATTON 766 00:36:19,010 --> 00:36:20,511 WAS TRYING TO GET IN MY GIRL'S PANTS. 767 00:36:20,512 --> 00:36:22,012 AH... WHAT'S HER NAME? 768 00:36:22,513 --> 00:36:25,015 ? OFF RAMP, IT'S THE BEST ? 769 00:36:25,016 --> 00:36:26,516 ? TAKE ME OFF RAMP ? 770 00:36:26,517 --> 00:36:27,518 ? OFF RAMP ? 771 00:36:28,019 --> 00:36:29,020 ? YOU'RE MY BEST ? 772 00:36:29,021 --> 00:36:30,520 ? OFF RAMP ? 773 00:36:30,521 --> 00:36:32,523 ? DOO-DOO DOO-DOO DOO-DOO DOO-DOO ? 774 00:36:32,524 --> 00:36:35,025 ? DOO-DOO DOO-DOO DOO-DOO DOO-DOO ? 775 00:36:35,026 --> 00:36:37,027 ? OFF RAMP! ? 776 00:36:37,028 --> 00:36:38,027 I DON'T LIKE TO DO, LIKE, 777 00:36:38,028 --> 00:36:40,195 BLACK DUDES AND WHITE DUDES KIND OF STUFF, 778 00:36:40,196 --> 00:36:41,196 BUT THE THING I'VE NOTICED 779 00:36:41,197 --> 00:36:43,198 ABOUT BLACK DUDES AND WHITE DUDES 780 00:36:43,199 --> 00:36:46,703 IS THAT, LIKE, BLACK PEOPLE CHASTISE THEIR KIDS MORE. 781 00:36:46,704 --> 00:36:47,705 AND AS A RESULT, 782 00:36:48,205 --> 00:36:49,204 YOU DON'T SEE BLACK PEOPLE DOING CRAZY THINGS, 783 00:36:49,205 --> 00:36:51,206 LIKE SHOOTING THE PRESIDENT. THAT'S TRUE, 784 00:36:51,207 --> 00:36:52,207 'CAUSE IF A BROTHER WOULD HAVE SHOT THE PRESIDENT, 785 00:36:52,208 --> 00:36:53,710 AS THEY WERE LEADING HIM AWAY, IT'D BE LIKE, 786 00:36:53,711 --> 00:36:55,711 "LOOK, MAN, JUST DON'T TELL MY MAMA, MAN. 787 00:36:55,712 --> 00:36:57,715 MY MAMA GONNA KILL ME, MAN..." 788 00:36:57,716 --> 00:36:59,717 HERE SHE COMES. 789 00:37:02,720 --> 00:37:05,222 THAT'S ROOM 217 AND 218. 790 00:37:05,723 --> 00:37:06,723 219. 791 00:37:06,724 --> 00:37:08,225 AT THE BEVERLY HILTON. 792 00:37:08,226 --> 00:37:11,227 NO, I CAN'T, REALLY. 793 00:37:11,228 --> 00:37:14,731 OOPS. THAT'S NOT THE WAY WE'RE SUPPOSED TO DO THAT. 794 00:37:15,232 --> 00:37:18,234 THAT'S CALLED THE BUNNY DIP. 795 00:37:18,235 --> 00:37:21,738 Dorothy: PLAYBOY'S MOTTO IS "THE GIRL NEXT DOOR." 796 00:37:21,739 --> 00:37:22,740 THEY LOOK FOR GIRLS 797 00:37:22,741 --> 00:37:26,242 THAT ARE WHOLESOME AND FRESH AND YOUNG AND NAIVE. 798 00:37:26,243 --> 00:37:28,745 THEY LOOK FOR ALL OF THAT, SO MOST OF THOSE GIRLS 799 00:37:28,746 --> 00:37:33,249 DO, UH, HAVE THAT TYPE OF BACKGROUND. 800 00:37:33,250 --> 00:37:34,751 YOU KNOW, SNIDER, 801 00:37:34,752 --> 00:37:36,754 I HAVE THIS THEORY ABOUT YOU. 802 00:37:36,755 --> 00:37:38,254 OH, YOU DO, DO YOU? 803 00:37:38,255 --> 00:37:40,255 I THINK THE REASON WHY YOU'RE SO GOOD IN BED 804 00:37:40,256 --> 00:37:42,759 IS BECAUSE YOU JUST PLAIN TRY HARDER. 805 00:37:42,760 --> 00:37:45,262 I MEAN, BABY, YOU PUT IN AN 8-HOUR DAY 806 00:37:45,263 --> 00:37:46,763 IN 15 MINUTES. 807 00:37:46,764 --> 00:37:48,264 HA HA HA! 808 00:37:48,265 --> 00:37:49,766 Dorothy, on answering machine: HI, IT'S ME. 809 00:37:49,767 --> 00:37:50,768 I CALLED EARLIER, TOO, 810 00:37:51,268 --> 00:37:52,748 HOLD IT. BUT I DIDN'T LEAVE A MESSAGE. 811 00:37:52,770 --> 00:37:54,269 I JUST WANTED TO LET YOU KNOW 812 00:37:54,270 --> 00:37:55,270 THAT I HAD TO WORK LATE, 813 00:37:55,271 --> 00:37:56,773 BUT I'LL CALL AGAIN WHEN I GET HOME. 814 00:37:56,774 --> 00:37:58,776 OH, THANKS FOR THE FLOWERS. THEY'RE BEAUTIFUL. 815 00:37:58,777 --> 00:38:00,276 OOH, FLOWERS. 816 00:38:00,277 --> 00:38:01,276 THESE MACHINES MAKE ME SO NERVOUS. 817 00:38:01,277 --> 00:38:03,278 I ALWAYS FEEL LIKE IF I DON'T TALK FAST, 818 00:38:03,279 --> 00:38:04,781 MY 30 SECONDS WILL RUN OUT. 819 00:38:04,782 --> 00:38:06,281 YES, I THINK IT WOULD BE A TERRIFIC IDEA 820 00:38:06,282 --> 00:38:07,784 IF YOU TAKE EILEEN TO THE CARNIVAL. 821 00:38:07,785 --> 00:38:08,785 SHE'D LOVE IT. 822 00:38:08,786 --> 00:38:10,788 JUST DON'T LET HER EAT TOO MUCH JUNK FOOD. 823 00:38:10,789 --> 00:38:13,289 I LOVE YOU. BYE. WHEW, I MADE IT. 824 00:38:13,290 --> 00:38:15,792 THAT MUST BE NUMBER ONE. 825 00:38:15,793 --> 00:38:17,794 I BET YOU WAS SCARED AS HELL 826 00:38:17,795 --> 00:38:19,796 SHE WAS OUT LAST NIGHT 827 00:38:19,797 --> 00:38:21,798 DOIN' WHAT WE JUST DID. 828 00:38:21,799 --> 00:38:23,800 LOOK I GOT TO GET UP EARLY, 829 00:38:23,801 --> 00:38:26,804 SO WHY DON'T YOU GET THE FUCK OUTTA HERE? 830 00:38:43,320 --> 00:38:45,322 ? LET IT HANG OUT, BABY ? 831 00:38:47,324 --> 00:38:49,325 ? LET IT HANG OUT NOW ? 832 00:38:49,326 --> 00:38:51,328 ? NOW, NOW-NOW-NOW ? 833 00:38:51,829 --> 00:38:53,831 ? LET IT HANG OUT, BABY ? 834 00:38:55,332 --> 00:38:57,834 ? EVERYBODY WORK OUT ? 835 00:38:59,336 --> 00:39:01,338 ? SOOKIE, SOOKIE, SOOKIE, SOOKIE ? 836 00:39:01,339 --> 00:39:03,339 ? SOOKIE SOOKIE SOOO! ? 837 00:39:03,340 --> 00:39:06,343 ? LET IT HANG OUT, BABY ? 838 00:39:08,345 --> 00:39:09,266 ? DO THE BOOMERANG... ? 839 00:39:09,346 --> 00:39:10,847 WE GOT THE BEST ONE, SWEETHEART. 840 00:39:10,848 --> 00:39:12,849 WE GOT A MERCEDES. 841 00:39:12,850 --> 00:39:15,352 ? LET IT HANG OUT, BABY ? 842 00:39:15,853 --> 00:39:16,852 WHAT CAN I GET YOU? 843 00:39:16,853 --> 00:39:18,353 UH, 2 HOT DOGS, MUSTARD AND RELISH, 844 00:39:18,354 --> 00:39:20,355 2 ORANGE DRINKS, A BAG OF POTATO CHIPS, FRIES. 845 00:39:20,356 --> 00:39:21,358 AND 2 CARAMEL CORN. 846 00:39:21,359 --> 00:39:23,860 BUT NO JUNK FOOD. RIGHT? 847 00:39:23,861 --> 00:39:24,861 RIGHT. 848 00:39:24,862 --> 00:39:26,864 YOU KNOW, THAT HEALTH FOOD'LL KILL YOU. 849 00:39:29,867 --> 00:39:31,368 DON'T GO ON THE ROCKET AGAIN. 850 00:39:31,369 --> 00:39:33,369 THAT'S MY RIDE, SWEETHEART. 851 00:39:33,370 --> 00:39:34,871 EILEEN, STRAIGHTEN UP. 852 00:39:34,872 --> 00:39:36,373 YOU'RE SLOUCHING AGAIN. 853 00:39:36,374 --> 00:39:37,373 I KNOW... 854 00:39:37,374 --> 00:39:40,376 YOU WANT ME TO LOOK LIKE A CENTERFOLD. 855 00:39:40,377 --> 00:39:41,378 HONEST? YOU MEAN IT? 856 00:39:41,379 --> 00:39:42,879 AUGUST. 857 00:39:42,880 --> 00:39:46,382 OH, MR. HEFNER, THANK YOU. 858 00:39:46,383 --> 00:39:47,884 Woman: MISS STRATTON, WHAT ABOUT YOUR MOTHER? 859 00:39:47,885 --> 00:39:50,385 HOW DID SHE FEEL ABOUT YOUR PHOTOS IN PLAYBOY? 860 00:39:50,386 --> 00:39:52,889 I DON'T THINK SHE LIKED IT AT ALL AT FIRST, 861 00:39:53,390 --> 00:39:55,892 BUT THEN SHE STARTED GETTING CALLS FROM 862 00:39:55,893 --> 00:39:58,895 SEVERAL OF HER FRIENDS CONGRATULATING HER, 863 00:39:58,896 --> 00:40:00,396 AND SHE SAID TO ME, 864 00:40:00,397 --> 00:40:01,898 "I FEEL LIKE A MOVIE STAR." 865 00:40:01,899 --> 00:40:03,400 I MEAN, SHE WAS SO EXCITED. 866 00:40:03,901 --> 00:40:05,401 $10,000! 867 00:40:05,402 --> 00:40:07,404 THEY'RE GONNA GIVE ME $10,000 868 00:40:07,905 --> 00:40:09,406 FOR HAVING MY PICTURE TAKEN. 869 00:40:09,907 --> 00:40:10,908 FEELS GOOD, HUH? 870 00:40:10,909 --> 00:40:13,409 OH, YES. YES. 871 00:40:13,410 --> 00:40:16,913 DOROTHY, DO YOU REALLY LOVE ME? 872 00:40:16,914 --> 00:40:19,416 YES. YES, I DO. 873 00:40:19,917 --> 00:40:20,918 WELL, ALL RIGHT. 874 00:40:21,418 --> 00:40:22,499 HERE'S HOW IT LAYS OUT THEN. 875 00:40:22,920 --> 00:40:23,919 I'LL GRAB A PLANE BY WEDNESDAY, 876 00:40:23,920 --> 00:40:24,922 THURSDAY AT THE LATEST, 877 00:40:25,422 --> 00:40:26,421 AND I'LL BE THERE. 878 00:40:26,422 --> 00:40:27,424 WELL, I WOULDN'T HAVE THAT MUCH TIME 879 00:40:27,425 --> 00:40:28,925 TO SPEND WITH YOU. 880 00:40:28,926 --> 00:40:30,928 IT'S LIKE THEY'VE GOT ME RUNNING ALL DAY LONG. 881 00:40:31,428 --> 00:40:32,588 THEN WHEN WE GET SOME TIME, 882 00:40:32,930 --> 00:40:34,450 WE'LL JUST RUN OVER TO VEGAS AND DO IT. 883 00:40:34,932 --> 00:40:36,433 WE'LL JUST DO IT, RIGHT? 884 00:40:36,934 --> 00:40:38,434 DO IT? DO WHAT? 885 00:40:38,435 --> 00:40:40,436 HOW ABOUT GETTING MARRIED? 886 00:40:40,437 --> 00:40:42,939 WE'LL GET MARRIED, DOROTHY... 887 00:40:42,940 --> 00:40:45,441 MAKE IT PERMANENT, JUST LIKE THAT. 888 00:40:45,442 --> 00:40:49,446 WE'LL MAKE IT A PERMANENT TEAM... 889 00:40:49,947 --> 00:40:51,448 FOR LIFE. 890 00:40:52,950 --> 00:40:55,451 WE HAD EVERYTHING GOING FOR US, 891 00:40:55,452 --> 00:40:58,955 BUT YOU FUCKS WOULDN'T LET ME IN. 892 00:40:59,456 --> 00:41:01,458 BIG FUCKING DEAL. 893 00:41:01,959 --> 00:41:04,460 WELL, YOU CAN TAKE YOUR MAGAZINE, 894 00:41:04,461 --> 00:41:05,462 YOUR MANSION, AND YOUR MOVIES 895 00:41:05,463 --> 00:41:09,465 AND SHOVE THEM ALL UP YOUR ASS NOW. 896 00:41:09,466 --> 00:41:10,867 LIAR! 897 00:41:10,868 --> 00:41:12,468 I HAVE MISSED YOU. 898 00:41:12,469 --> 00:41:15,472 I HAVE MISSED YOU SO MUCH. 899 00:41:20,477 --> 00:41:22,979 GUESS WE SHOULD GO, HUH? 900 00:41:32,990 --> 00:41:36,993 SOMEBODY TOLD MR. HEFNER I WAS GOING TO PICK YOU UP. 901 00:41:36,994 --> 00:41:39,496 IT'S HIS PERSONAL CAR. 902 00:41:40,497 --> 00:41:41,998 A LITTLE EMBARRASSING, ISN'T IT? 903 00:41:41,999 --> 00:41:42,999 NO. 904 00:41:43,000 --> 00:41:46,002 ? ...TO THE GULF OF MEXICO ? 905 00:41:46,003 --> 00:41:48,504 ? TO LAKE CHARLES, LOUISIANA ? 906 00:41:48,505 --> 00:41:52,008 ? LITTLE BESSIE GIRL THAT I ONCE KNEW ? 907 00:41:53,010 --> 00:41:55,511 ? SHE TOLD ME JUST TO COME ON BY ? 908 00:41:55,512 --> 00:41:59,515 ? IF THERE'S ANYTHING THAT SHE COULD DO ? 909 00:41:59,516 --> 00:42:03,019 ? UP ON CRIPPLE CREEK, SHE SENDS ME ? 910 00:42:03,020 --> 00:42:06,522 ? IF I SPRING A LEAK, SHE MENDS ME ? 911 00:42:06,523 --> 00:42:09,525 ? I DON'T HAVE TO SPEAK, SHE DEFENDS ME ? 912 00:42:09,526 --> 00:42:14,531 ? A DRUNKARD'S DREAM IF I EVER DID SEE ONE ? 913 00:42:16,533 --> 00:42:19,035 ? GOOD-LUCK HAG, SHE STUNG ME ? 914 00:42:19,536 --> 00:42:21,538 ? TO THE RACE TRACK I DID GO... ? 915 00:42:21,539 --> 00:42:22,538 HI. 916 00:42:22,539 --> 00:42:23,539 HI. 917 00:42:23,540 --> 00:42:24,539 YOU'RE DOROTHY. 918 00:42:24,540 --> 00:42:25,540 WE MET THE OTHER NIGHT. 919 00:42:25,541 --> 00:42:27,544 OH, YES. THIS IS PAUL SNIDER. 920 00:42:28,045 --> 00:42:30,047 AND YOU ARE... I'M SORRY. I FORGOT. 921 00:42:30,547 --> 00:42:32,048 THAT'S OK. I'M... 922 00:42:32,049 --> 00:42:33,050 VINCE ROBERTS. 923 00:42:34,551 --> 00:42:35,552 I'M A BIG FAN. 924 00:42:36,053 --> 00:42:37,053 THANKS. 925 00:42:37,054 --> 00:42:38,555 HEY, LISTEN, THAT WAS MY FAVORITE TV SHOW. 926 00:42:38,556 --> 00:42:40,056 THANK YOU. 927 00:42:40,057 --> 00:42:42,058 CANCELED, HUH? 928 00:42:42,059 --> 00:42:43,059 YEAH. 929 00:42:43,060 --> 00:42:45,561 ANY CHANCE THEY'LL BRING IT BACK? 930 00:42:45,562 --> 00:42:46,563 I DON'T THINK SO. 931 00:42:46,564 --> 00:42:48,064 AH, TOO BAD. 932 00:42:48,065 --> 00:42:49,564 AREN'T MANY ACTORS AROUND LIKE YOU. 933 00:42:49,565 --> 00:42:51,067 THEY'RE ALL LIGHTWEIGHTS. 934 00:42:51,068 --> 00:42:53,070 WE NEED HEAVYWEIGHTS LIKE YOU. 935 00:42:53,071 --> 00:42:55,072 YOU BREAK MY HEART. 936 00:42:55,572 --> 00:42:59,575 JEEZ, IT'S BEEN A WHILE SINCE THAT SHOW WAS ON. 937 00:42:59,576 --> 00:43:01,077 WHAT IS IT, A YEAR NOW? 938 00:43:01,078 --> 00:43:02,578 3. 939 00:43:02,579 --> 00:43:05,081 IT'S BEEN 3 YEARS SINCE YOU WERE ON TV? 940 00:43:05,082 --> 00:43:06,082 YEAH. 941 00:43:06,083 --> 00:43:08,085 ISN'T THAT SOMETHING? 942 00:43:08,585 --> 00:43:09,586 BAD SCRIPTS, HUH? 943 00:43:09,587 --> 00:43:11,587 I GUESS SO. 944 00:43:11,588 --> 00:43:13,589 DOROTHY, THERE YOU ARE. 945 00:43:13,590 --> 00:43:15,091 EXCUSE ME. 946 00:43:15,092 --> 00:43:16,592 YEAH, YOU KNOW, 947 00:43:16,593 --> 00:43:18,394 GOOD WRITERS ARE REALLY HARD TO FIND OUT HERE. 948 00:43:18,595 --> 00:43:20,096 I'VE GOT A COUPLE OF PROJECTS IN MIND... 949 00:43:20,097 --> 00:43:23,098 I COULD USE A GOOD WRITER, AND I CAN'T FIND ANY. 950 00:43:23,099 --> 00:43:24,599 I MEAN, NOT A DECENT ONE, ANYWAY, 951 00:43:24,600 --> 00:43:25,600 AND WHEN YOU DO, 952 00:43:25,601 --> 00:43:28,104 THEY WON'T DO WHAT YOU TELL 'EM TO DO. 953 00:43:28,605 --> 00:43:31,607 YEAH. SOME WRITERS ARE LIKE THAT. 954 00:43:31,608 --> 00:43:33,109 WOULD YOU EXCUSE ME? I'M JUST GONNA... 955 00:43:33,110 --> 00:43:34,109 WELL, I FOR ONE 956 00:43:34,110 --> 00:43:35,112 HOPE YOU'RE BACK ON THE TUBE REAL SOON. 957 00:43:35,612 --> 00:43:37,113 THANKS. 958 00:43:37,114 --> 00:43:40,116 UM, ARE YOU WORKING ON ANYTHING NEW NOW? 959 00:43:40,117 --> 00:43:42,118 JUST READING. 960 00:43:42,119 --> 00:43:43,619 JUST READING. 961 00:43:43,620 --> 00:43:45,121 EXCUSE ME. 962 00:43:47,124 --> 00:43:48,625 SEE YA, VINCE. 963 00:43:57,134 --> 00:43:59,636 YOU SHOULD HAVE TALKED TO HIM. 964 00:44:00,637 --> 00:44:02,639 THERE'S HEF. STRAIGHTEN UP. 965 00:44:05,642 --> 00:44:06,643 HI, DOROTHY. 966 00:44:08,645 --> 00:44:11,147 LOOK AT HER. OH, WOW... 967 00:44:13,150 --> 00:44:14,150 ANYTIME. 968 00:44:14,151 --> 00:44:15,152 OK. 969 00:44:15,652 --> 00:44:17,652 I SEE YOU GOT HERE ALL RIGHT. 970 00:44:17,653 --> 00:44:19,656 MR. HEFNER, THIS IS PAUL SNIDER. 971 00:44:19,657 --> 00:44:21,657 PAUL, MR. HEFNER. 972 00:44:21,658 --> 00:44:25,161 IF A MAN HAS A RIGHT TO FIND GOD IN HIS OWN WAY, 973 00:44:25,662 --> 00:44:26,662 HE HAS A RIGHT 974 00:44:26,663 --> 00:44:28,663 TO GO TO THE DEVIL IN HIS OWN WAY. 975 00:44:28,664 --> 00:44:29,664 HERE'S ANOTHER ONE... 976 00:44:29,665 --> 00:44:32,168 DESCRIPTIONS OF MURDER WHICH WE CONSIDER A CRIME 977 00:44:32,169 --> 00:44:34,169 ARE ACCEPTABLE IN ART AND LITERATURE, 978 00:44:34,170 --> 00:44:36,673 BUT DESCRIPTIONS OF SEX ARE PROHIBITED. 979 00:44:37,174 --> 00:44:39,676 OUR SOCIETY HAS PUT HATE ABOVE LOVE, 980 00:44:40,177 --> 00:44:42,678 FAVORED KILLING OVER LIVING. 981 00:44:42,679 --> 00:44:44,180 RIGHT? 982 00:44:44,181 --> 00:44:46,682 PRETTY CLOSE, BUT I THINK 983 00:44:46,683 --> 00:44:49,185 I SAID "FAVORED DEATH OVER LIFE." 984 00:44:49,186 --> 00:44:51,687 WHAT? I DON'T UNDERSTAND. WHAT? 985 00:44:51,688 --> 00:44:53,690 HE'S QUOTING ME. OLD ONES AT THAT. 986 00:44:53,691 --> 00:44:55,691 THAT'S GREAT STUFF. 987 00:44:55,692 --> 00:44:58,194 FINE PIECE OF WORK. FINE... 988 00:44:58,195 --> 00:45:00,695 GOD, I FEEL HEF HERE AND I ARE OLD FRIENDS. 989 00:45:00,696 --> 00:45:03,698 YOU KNOW, I THINK WE EVEN HAVE SOME MUTUAL BUDDIES. 990 00:45:03,699 --> 00:45:05,201 IS, UH, TELLY AT THIS BASH? 991 00:45:05,202 --> 00:45:06,202 TELLY? 992 00:45:06,203 --> 00:45:07,203 SAVALAS. 993 00:45:07,204 --> 00:45:08,703 TELLY SAVALAS. HE'S AN OLD PAL. 994 00:45:08,704 --> 00:45:09,706 THOUGHT I MIGHT SEE HIM HERE. 995 00:45:09,707 --> 00:45:10,706 OH! 996 00:45:10,707 --> 00:45:13,209 HEY, BOBO. 997 00:45:13,210 --> 00:45:15,712 AH, BOBO. BOBO, I WANT YOU TO MEET DOROTHY STRATTEN. 998 00:45:15,713 --> 00:45:16,712 HI. HI. 999 00:45:16,713 --> 00:45:19,715 BOBO WELLER. 1000 00:45:19,716 --> 00:45:21,217 I STILL GOT YOUR CENTERFOLD 1001 00:45:21,218 --> 00:45:22,219 ON MY WALL. 1002 00:45:22,719 --> 00:45:24,220 OH, WOW. 1003 00:45:24,221 --> 00:45:26,223 YOUR FAVORITE BOOK IS THE HITE REPORT. 1004 00:45:26,224 --> 00:45:29,725 YOU LIKE ROD STEWART, LINDA RONSTADT, 1005 00:45:29,726 --> 00:45:31,727 AND BOZ SCAGGS, RIGHT? 1006 00:45:31,728 --> 00:45:33,229 OH, WOW. 1007 00:45:33,230 --> 00:45:36,732 I'D KNOW THAT BOD ANYWHERE. 1008 00:45:36,733 --> 00:45:38,234 WHAT'S YOUR NAME? SNIDER. 1009 00:45:38,235 --> 00:45:39,235 DOROTHY? 1010 00:45:39,236 --> 00:45:40,236 PAUL. 1011 00:45:40,237 --> 00:45:43,239 EXCUSE US A SECOND. DOROTHY... 1012 00:45:43,240 --> 00:45:44,241 WHAT DO YOU DO? 1013 00:45:44,242 --> 00:45:47,710 UH, I'M A PERSONAL MANAGER. 1014 00:45:47,711 --> 00:45:49,913 PHIL, SAY HELLO TO DOROTHY STRATTEN. 1015 00:45:50,414 --> 00:45:51,913 HE SAYS SAY HELLO, YOU SAY HELLO. 1016 00:45:51,914 --> 00:45:53,416 HELLO, DOROTHY STRATTEN. 1017 00:45:53,417 --> 00:45:54,417 I'M PHIL WASS. 1018 00:45:54,418 --> 00:45:55,919 HELLO. 1019 00:45:56,420 --> 00:45:58,422 PHIL PRODUCES MOVIES... SOMETIMES. 1020 00:45:58,423 --> 00:46:00,423 DOROTHY'S OUR MISS AUGUST. 1021 00:46:00,424 --> 00:46:01,704 WE'RE ALL VERY EXCITED ABOUT HER. 1022 00:46:01,925 --> 00:46:02,924 MAYBE IF YOU PLAY YOUR CARDS RIGHT, 1023 00:46:02,925 --> 00:46:04,427 WE MIGHT JUST LET YOU PRESENT HER 1024 00:46:04,428 --> 00:46:05,429 IN HER FILM DEBUT. 1025 00:46:05,430 --> 00:46:07,431 SHE'S A VERY FINE ACTRESS. 1026 00:46:07,931 --> 00:46:08,931 MR. HEFNER... 1027 00:46:08,932 --> 00:46:09,931 DON'T WORRY. HE DOESN'T KNOW A DAMN THING 1028 00:46:09,932 --> 00:46:10,934 ABOUT ACTING ANYWAY. 1029 00:46:11,435 --> 00:46:13,435 EXCUSE ME. I'LL LEAVE YOU 2 ALONE. 1030 00:46:13,436 --> 00:46:16,438 LISTEN, I AM DOING A FILM CALLED BALL BEARINGS. 1031 00:46:16,439 --> 00:46:17,939 MAYBE YOU'D LIKE TO DROP OVER THE OFFICE TOMORROW 1032 00:46:17,940 --> 00:46:18,942 AND MEET THE DIRECTOR. 1033 00:46:19,443 --> 00:46:20,944 WHAT HAVE I GOT TO LOSE? 1034 00:46:20,945 --> 00:46:22,946 YOU DON'T KNOW THE DIRECTOR. 1035 00:46:23,947 --> 00:46:26,949 EXCUSE ME FOR A MINUTE. YEAH, SURE. 1036 00:46:26,950 --> 00:46:27,951 IT'S NOT MUCH OF A PART... 1037 00:46:27,952 --> 00:46:29,452 SHE'LL TAKE IT. 1038 00:46:29,453 --> 00:46:30,953 HI. PAUL SNIDER HERE. 1039 00:46:30,954 --> 00:46:32,455 MISS STRATTEN, 1040 00:46:32,456 --> 00:46:34,958 I SAW YOUR MOVIE DEBUT IN BALL BEARINGS. 1041 00:46:34,959 --> 00:46:36,459 UH-OH. HA HA... 1042 00:46:36,460 --> 00:46:37,960 UH-OH IS RIGHT. 1043 00:46:37,961 --> 00:46:39,462 NO, I'M NOT THE FILM CRITIC, 1044 00:46:39,463 --> 00:46:41,964 BUT THAT WASN'T MUCH OF A PART. 1045 00:46:41,965 --> 00:46:43,967 WELL, I WASN'T MUCH OF AN ACTRESS, EITHER. 1046 00:46:43,968 --> 00:46:46,469 OH? ARE YOU BETTER NOW? 1047 00:46:46,470 --> 00:46:48,472 OH, GOD, I HOPE SO. I'M STUDYING. 1048 00:46:48,473 --> 00:46:49,472 THE CLASSICS? 1049 00:46:49,473 --> 00:46:51,975 NO. ACTING. I DON'T KNOW ANYTHING ABOUT MUSIC. 1050 00:46:55,979 --> 00:46:57,981 SORRY. I'M SO EMBARRASSED. 1051 00:47:00,484 --> 00:47:02,986 HEFNER DIDN'T LIKE IT WHEN I QUOTED HIM. 1052 00:47:02,987 --> 00:47:05,988 I SHOULDA KEPT MY MOUTH SHUT. 1053 00:47:05,989 --> 00:47:06,989 DAMN. 1054 00:47:06,990 --> 00:47:09,492 I THINK IT JUST SURPRISED HIM. 1055 00:47:09,493 --> 00:47:11,994 DUMB MOVE. 1056 00:47:11,995 --> 00:47:15,498 MAYBE YOU WERE A LITTLE NERVOUS. 1057 00:47:15,499 --> 00:47:16,499 OH... 1058 00:47:16,500 --> 00:47:19,503 LOOK AT THESE STUPID CLOTHES. 1059 00:47:22,506 --> 00:47:25,008 DUMB MOVE QUOTING HIM. 1060 00:47:32,015 --> 00:47:33,516 YOU KNOW, I WAS A LITTLE NERVOUS 1061 00:47:33,517 --> 00:47:34,878 THE FIRST NIGHT I WAS THERE, TOO... 1062 00:47:35,018 --> 00:47:37,520 JESUS, WILL YOU STOP SAYIN' THAT! 1063 00:47:43,026 --> 00:47:45,528 I MEAN, WHY THE HELL SHOULD I BE NERVOUS 1064 00:47:45,529 --> 00:47:47,531 AROUND HEFNER AND THAT CROWD? 1065 00:47:47,532 --> 00:47:49,532 BUNCH OF SMART ASSES... 1066 00:47:49,533 --> 00:47:53,035 WITH THEIR STUPID, FAGGY HAIRSTYLES, 1067 00:47:53,036 --> 00:47:54,537 SMUG BASTARDS. 1068 00:47:54,538 --> 00:47:56,037 AND THAT VINCE ROBERTS... 1069 00:47:56,038 --> 00:47:58,541 BOY, DOES HE WANT TO GET INTO YOUR PANTS. 1070 00:47:58,542 --> 00:48:01,043 HE'S NOT GOING TO. 1071 00:48:01,044 --> 00:48:03,046 HE'S ASKED YOU OUT, HASN'T HE? 1072 00:48:03,047 --> 00:48:04,046 YES. 1073 00:48:04,047 --> 00:48:05,548 WHAT'D YOU SAY? 1074 00:48:08,051 --> 00:48:10,553 I SAID I HAD A FELLA, 1075 00:48:10,554 --> 00:48:12,556 A STEADY FELLA. 1076 00:48:13,557 --> 00:48:14,558 YOU DID? 1077 00:48:20,564 --> 00:48:22,566 MAYBE YOU SHOULD. 1078 00:48:23,567 --> 00:48:25,067 SHOULD WHAT? 1079 00:48:25,068 --> 00:48:26,067 GO OUT WITH HIM. 1080 00:48:26,068 --> 00:48:28,071 HE SAID HE WAS READING SOME PROJECTS. 1081 00:48:28,072 --> 00:48:32,074 HO, I'M REALLY TIRED. LET'S GO TO BED. 1082 00:48:32,075 --> 00:48:34,075 DO YOU THINK HEFNER LIKED ME? 1083 00:48:34,076 --> 00:48:35,076 PAUL, COME ON... 1084 00:48:35,077 --> 00:48:36,579 I DON'T THINK HE LIKED ME. 1085 00:48:36,580 --> 00:48:38,081 IF HE JUST GOT TO KNOW ME... 1086 00:49:23,510 --> 00:49:24,509 LOOK, MR. HEFNER, 1087 00:49:24,510 --> 00:49:26,010 ARE YOU TRYING TO TELL ME 1088 00:49:26,011 --> 00:49:28,514 THAT YOU DON'T WANT ME TO MARRY PAUL? 1089 00:49:28,515 --> 00:49:30,014 YOU HAVE TO UNDERSTAND, DOROTHY, 1090 00:49:30,015 --> 00:49:31,015 THAT A THIRD PARTY 1091 00:49:31,016 --> 00:49:32,018 IS IN KIND OF A FUNNY POSITION, ET CETERA, 1092 00:49:32,519 --> 00:49:33,518 WHEN YOU'RE TRYING TO COUNSEL SOMEBODY 1093 00:49:33,519 --> 00:49:34,519 ABOUT MARRIAGE. 1094 00:49:34,520 --> 00:49:36,523 YOU NEVER KNOW HOW IT'S GOING TO END UP. 1095 00:49:36,524 --> 00:49:38,023 IT'S NOT BECAUSE 1096 00:49:38,024 --> 00:49:40,526 I'M GOING TO BE A PLAYMATE, IS IT? 1097 00:49:40,527 --> 00:49:42,027 NO, NO. 1098 00:49:42,028 --> 00:49:43,028 OF COURSE NOT. 1099 00:49:43,029 --> 00:49:44,530 WELL, SOME OF THE OTHER GIRLS TOLD ME 1100 00:49:44,531 --> 00:49:46,032 THAT YOU DIDN'T LIKE THE PLAYMATES 1101 00:49:46,033 --> 00:49:47,032 TO BE MARRIED. 1102 00:49:47,033 --> 00:49:48,534 FRANKLY, WE THINK IT'S BETTER FOR THE IMAGE 1103 00:49:48,535 --> 00:49:49,534 IF THEY'RE NOT. 1104 00:49:49,535 --> 00:49:51,037 YOU UNDERSTAND THAT, DON'T YOU? 1105 00:49:51,038 --> 00:49:52,538 BUT SEVERAL HAVE BEEN. 1106 00:49:52,539 --> 00:49:53,538 JUST A MOMENT, SAM. 1107 00:49:53,539 --> 00:49:54,541 WHO? GIVE ME SOME NAMES. 1108 00:49:54,542 --> 00:49:55,541 CINDY WAS. 1109 00:49:55,542 --> 00:49:57,042 GINGER, I THINK. 1110 00:49:57,043 --> 00:49:58,544 THAT'S RIGHT. CINDY, GINGER... 1111 00:49:58,545 --> 00:49:59,546 LOOK, HE CAN'T JUST COME RIGHT OUT 1112 00:49:59,547 --> 00:50:01,046 AND SAY IT. 1113 00:50:01,047 --> 00:50:02,548 HE'S TRYING TO TELL YOU SOMETHING. 1114 00:50:02,549 --> 00:50:04,049 I KNOW HE IS, 1115 00:50:04,050 --> 00:50:06,052 AND I THINK I KNOW WHAT HE'S TRYING TO TELL ME, 1116 00:50:06,053 --> 00:50:09,054 BUT I DON'T THINK HE UNDERSTANDS. 1117 00:50:09,055 --> 00:50:11,557 WHAT'S WRONG WITH HIM? 1118 00:50:11,558 --> 00:50:13,559 WELL, HE'S... 1119 00:50:13,560 --> 00:50:15,562 HE'S GOT THE PERSONALITY OF A PIMP. 1120 00:50:17,063 --> 00:50:20,066 THAT WAS IMPROPER. I SHOULDN'T HAVE SAID THAT. 1121 00:50:20,067 --> 00:50:23,068 OHH, MR. HEFNER, 1122 00:50:23,069 --> 00:50:25,071 THAT'S JUST THE WAY HE USED TO DRESS. 1123 00:50:25,072 --> 00:50:28,074 HE DOESN'T DRESS LIKE THAT ANYMORE. 1124 00:50:34,030 --> 00:50:35,531 OH, GOD... 1125 00:50:35,532 --> 00:50:38,534 I AM SO CONFUSED. 1126 00:50:38,535 --> 00:50:42,037 I DON'T THINK ANYBODY UNDERSTANDS. 1127 00:50:42,038 --> 00:50:44,039 I OWE IT TO HIM. 1128 00:50:44,040 --> 00:50:45,040 MISS STRATTEN, 1129 00:50:45,041 --> 00:50:46,542 MAY I ASK YOU A PERSONAL QUESTION? 1130 00:50:46,543 --> 00:50:48,544 36-24-36. 1131 00:50:48,545 --> 00:50:50,044 NO. I HAVE THAT INFORMATION 1132 00:50:50,045 --> 00:50:51,045 IN THE PRESS RELEASE RIGHT HERE. 1133 00:50:51,046 --> 00:50:53,549 AS A MATTER OF FACT, I HAVE IT SEVERAL TIMES. 1134 00:50:53,550 --> 00:50:55,111 I JUST WANTED TO KNOW IF YOU'RE MARRIED. 1135 00:50:56,553 --> 00:50:57,553 YES. 1136 00:50:57,554 --> 00:50:59,053 I'VE BEEN MARRIED ABOUT 3 MONTHS. 1137 00:50:59,054 --> 00:51:00,054 I WONDER WHY YOU LOOKED AT MISS DAVIS 1138 00:51:00,055 --> 00:51:01,057 WHEN I ASKED YOU THAT. 1139 00:51:01,558 --> 00:51:02,558 NO REASON. 1140 00:51:02,559 --> 00:51:04,060 NO REASON? IS HE TRAVELING WITH YOU? 1141 00:51:04,061 --> 00:51:05,060 NO, HE'S NOT. 1142 00:51:05,061 --> 00:51:06,062 AND WHY IS THAT? 1143 00:51:06,563 --> 00:51:08,064 I'D LIKE MISS STRATTEN TO ANSWER ME... 1144 00:51:08,065 --> 00:51:09,064 IF SHE WOULD. 1145 00:51:09,065 --> 00:51:11,066 HE'S IN L.A. WORKING. 1146 00:51:11,067 --> 00:51:12,568 WHAT SORT OF WORK DOES HE DO? 1147 00:51:12,569 --> 00:51:13,568 HE'S DOING A SHOW. 1148 00:51:13,569 --> 00:51:15,069 I'M SORRY, I DIDN'T HEAR THAT. 1149 00:51:15,070 --> 00:51:16,790 COULD YOU REPEAT THAT AGAIN A LITTLE LOUDER? 1150 00:51:17,073 --> 00:51:20,076 HAL WANTS TO SOMEDAY BE THE FIRST BLACK PRESIDENT 1151 00:51:20,077 --> 00:51:21,577 OF THE UNITED STATES! 1152 00:51:21,578 --> 00:51:23,079 GIT ON DOWN NOW! 1153 00:51:23,580 --> 00:51:25,581 SHOW 'EM WHAT YOU CAN DO! 1154 00:51:25,582 --> 00:51:26,582 WHOO! 1155 00:51:26,583 --> 00:51:28,084 GIVE HIM A HAND! HAL DAFOE! 1156 00:51:28,085 --> 00:51:29,085 WHOA! 1157 00:51:29,586 --> 00:51:32,087 [VILLAGE PEOPLE PLAY YMCA] 1158 00:51:32,088 --> 00:51:35,090 THIS IS NUMBER 3. THIS IS MIKEY! 1159 00:51:35,091 --> 00:51:37,092 MIKEY... WHOA... 1160 00:51:37,093 --> 00:51:39,595 LOVES TO READ POETRY. 1161 00:51:39,596 --> 00:51:44,099 AND MIKE HOPES TO SOMEDAY MEET OLIVIA NEWTON-JOHN! 1162 00:51:44,100 --> 00:51:46,602 OH, STOP. STOP IT RIGHT THERE. 1163 00:51:46,603 --> 00:51:48,603 LADIES, STOP. I THINK I SEE SOMETHING. 1164 00:51:48,604 --> 00:51:51,107 MICHAEL, YOU SHOULD BE ASHAMED OF YOURSELF. 1165 00:51:52,108 --> 00:51:53,609 NO PADDING! 1166 00:51:54,611 --> 00:51:56,112 NOW, THAT'S THE RULES, BOYS! 1167 00:51:56,613 --> 00:51:57,614 NO PADDING! 1168 00:51:59,616 --> 00:52:02,117 NOW, YOU TURN AROUND, YOU BAD BOY. 1169 00:52:02,118 --> 00:52:03,619 NAUGHTY, NAUGHTY. 1170 00:52:03,620 --> 00:52:05,121 DON'T EVER DO THAT AGAIN! 1171 00:52:05,122 --> 00:52:07,122 HERE WE GO WITH NUMBER 5! 1172 00:52:07,123 --> 00:52:08,624 THIS IS DICK! 1173 00:52:08,625 --> 00:52:11,627 OH, LADIES, LET ME TELL YA, 1174 00:52:11,628 --> 00:52:13,129 DICK SPEAKS FLUENT FRENCH! 1175 00:52:13,130 --> 00:52:15,631 I FOUND OUT LAST NIGHT. 1176 00:52:15,632 --> 00:52:19,135 OH, DICKY, SHOW 'EM WHAT YOU GOT, BABY. 1177 00:52:19,636 --> 00:52:22,136 VOULEZ-VOUS COUCHER AVEC MOI, DICKY? 1178 00:52:22,137 --> 00:52:24,140 WHAT DO YOU THINK OF DICK'S DONG? 1179 00:52:25,642 --> 00:52:27,644 HEY, LADIES, WHAT DO YOU THINK 1180 00:52:28,144 --> 00:52:33,148 OF ALL OF OUR BEAUTIFUL, WELL-HUNG, YOUNG MEN? 1181 00:52:33,149 --> 00:52:34,650 OK, GUYS... 1182 00:52:34,651 --> 00:52:36,652 5, 6, 7, 8... 1183 00:52:36,653 --> 00:52:38,154 WHOOO! 1184 00:52:38,655 --> 00:52:42,157 ? ...GOT TO KNOW THIS ONE THING ? 1185 00:52:42,158 --> 00:52:43,659 ? NO MAN ? 1186 00:52:43,660 --> 00:52:45,161 ? DOES IT ALL BY HIMSELF ? 1187 00:52:45,162 --> 00:52:47,163 ? I SAID YOUNG MAN ? 1188 00:52:47,664 --> 00:52:49,165 ? PUT YOUR PRIDE ON THE SHELF ? 1189 00:52:49,166 --> 00:52:51,667 ? AND JUST GO THERE ? 1190 00:52:51,668 --> 00:52:54,170 ? TO THE YMCA... ? 1191 00:52:58,675 --> 00:53:02,177 COMES TO 874 BUCKS APIECE. 1192 00:53:02,178 --> 00:53:04,180 SORRY, PAUL. THOSE ARE THE FIGURES. 1193 00:53:06,683 --> 00:53:09,183 I DON'T UNDERSTAND. THIS PLACE WAS PACKED. 1194 00:53:09,184 --> 00:53:11,687 WELL, THEY WEREN'T EXACTLY A BUNCH OF BIG SPENDERS. 1195 00:53:11,688 --> 00:53:13,690 IT WAS NO SHRINERS CONVENTION. 1196 00:53:18,194 --> 00:53:19,695 ANY PROJECTS IN THE OFFING, 1197 00:53:19,696 --> 00:53:21,196 ANY NEW FILMS? 1198 00:53:21,197 --> 00:53:22,698 WELL, WHEN I GO BACK TO LOS ANGELES, 1199 00:53:22,699 --> 00:53:25,201 I START A MOVIE CALLED WEDNESDAY'S CHILD. 1200 00:53:25,202 --> 00:53:28,203 WHAT'S WEDNESDAY'S CHILD ABOUT? 1201 00:53:28,204 --> 00:53:30,204 WELL, YOU'RE GOING TO SPEND A LOT OF TIME 1202 00:53:30,205 --> 00:53:32,208 WATCHING ME GET TIED UP AND BEATEN. 1203 00:53:32,709 --> 00:53:34,710 IT'S NOT A CLASSIC. HA HA. 1204 00:53:34,711 --> 00:53:35,710 Man: SAL, WILL YOU 1205 00:53:35,711 --> 00:53:37,712 PUT THE PELLET IN HER MOUTH, PLEASE? 1206 00:53:37,713 --> 00:53:39,215 CAREFUL NOW. DON'T BITE IT. 1207 00:53:39,716 --> 00:53:41,215 THERE'S A CALL FOR YOU, DOROTHY. 1208 00:53:41,216 --> 00:53:42,718 NOT NOW, FOR CHRIST'S SAKE. 1209 00:53:42,719 --> 00:53:45,221 ALL RIGHT, PUT THE GUN BACK UP TO HER FACE. 1210 00:53:45,222 --> 00:53:46,722 HE SAYS HIS LINE, 1211 00:53:46,723 --> 00:53:49,225 YOU SHAKE YOU HEAD NO. HARDER! 1212 00:53:49,726 --> 00:53:51,728 AND THEN HE SLAPS YOU ACROSS THE FACE WITH THE GUN. 1213 00:53:53,730 --> 00:53:54,730 WHAT? 1214 00:53:54,731 --> 00:53:56,732 YOU BIT THE PELLET. 1215 00:53:56,733 --> 00:53:59,234 HA HA... GOD DAMN IT! 1216 00:53:59,235 --> 00:54:01,737 WHAT'S SO FUNNY? HA HA HA... 1217 00:54:01,738 --> 00:54:03,740 I'M SORRY. CLEAN HER UP, PLEASE. 1218 00:54:05,742 --> 00:54:07,743 OH, GOD. 1219 00:54:07,744 --> 00:54:09,746 SHOULD I TELL HIM TO CALL BACK? 1220 00:54:09,747 --> 00:54:12,247 HE'S CALLED 3 TIMES. 1221 00:54:12,248 --> 00:54:14,250 FUCKING BLOOD PELLETS. 1222 00:54:14,751 --> 00:54:15,751 JESUS... 1223 00:54:15,752 --> 00:54:17,251 LOOK, I'M SORRY TO BOTHER YOU, 1224 00:54:17,252 --> 00:54:18,254 BUT I FOUND IT. 1225 00:54:18,255 --> 00:54:19,755 IT'S BEAUTIFUL. 1226 00:54:19,756 --> 00:54:20,756 PAUL, LISTEN, 1227 00:54:20,757 --> 00:54:22,759 I DON'T THINK THIS IS A VERY GOOD TIME TO TALK. 1228 00:54:23,259 --> 00:54:24,459 I AM SITTING HERE FREAKING OUT. 1229 00:54:24,761 --> 00:54:27,261 IT'S A PAUL SNIDER/ DOROTHY STRATTEN CAR 1230 00:54:27,262 --> 00:54:28,764 IF EVER I'VE SEEN ONE. 1231 00:54:28,765 --> 00:54:30,765 BUT IT'S A LITTLE MORE THAN I FIGURED. 1232 00:54:30,766 --> 00:54:31,768 LOOK, I WAS WONDERING, 1233 00:54:31,769 --> 00:54:33,268 IS THERE ANY WAY 1234 00:54:33,269 --> 00:54:34,770 THAT YOU COULD GET TO THE BANK TODAY? 1235 00:54:34,771 --> 00:54:35,770 I'D LIKE TO SIGN THE PAPERS 1236 00:54:35,771 --> 00:54:37,772 BEFORE SOMEBODY ELSE GRABS IT. 1237 00:54:37,773 --> 00:54:39,776 WE'RE GONNA NEED ANOTHER 3,000. 1238 00:54:42,278 --> 00:54:43,779 ON YOUR LUNCH HOUR MAYBE? 1239 00:54:43,780 --> 00:54:45,782 WE'VE BEEN SPENDING A LOT OF MONEY LATELY. 1240 00:54:45,783 --> 00:54:47,282 MAYBE WE SHOULD WAIT. 1241 00:54:47,283 --> 00:54:48,282 THERE'S NOT A BETTER-LOOKING SET 1242 00:54:48,283 --> 00:54:50,284 OF WHEELS IN THIS WHOLE FRIGGIN' TOWN. 1243 00:54:50,285 --> 00:54:51,787 Director: DO YOU THINK IT MIGHT BE POSSIBLE 1244 00:54:51,788 --> 00:54:53,788 TO DRAG MISS STRATTEN OFF THE PHONE 1245 00:54:53,789 --> 00:54:54,791 FOR A FEW MINUTES? 1246 00:54:54,792 --> 00:54:56,292 HE'LL WAIT. 1247 00:54:56,793 --> 00:54:58,294 I'M GONNA GET A LICENSE PLATE 1248 00:54:58,295 --> 00:55:00,796 THAT SPELLS OUT "STAR 80." 1249 00:55:00,797 --> 00:55:03,298 IT'S FAN- FUCKING-TASTIC. 1250 00:55:03,299 --> 00:55:06,301 YOU KNOW... S-T-A-R 8-0? 1251 00:55:06,302 --> 00:55:07,302 THAT'S YOU. 1252 00:55:07,303 --> 00:55:09,305 STAR 80. 1253 00:55:09,806 --> 00:55:10,807 EVERYONE IN THIS TOWN 1254 00:55:10,808 --> 00:55:13,809 IS GOING TO KNOW WHO WE ARE. 1255 00:55:13,810 --> 00:55:15,812 CAN YOU GET TO THE BANK? 1256 00:55:17,814 --> 00:55:19,315 PLEASE? 1257 00:55:21,818 --> 00:55:24,319 OK. OK, I'LL GO TO THE BANK. 1258 00:55:24,320 --> 00:55:25,821 THAT'S MY QUEEN. 1259 00:55:25,822 --> 00:55:27,823 DAVID... DAVID... 1260 00:55:27,824 --> 00:55:29,323 WOULD YOU BRING HER IN HERE? 1261 00:55:29,324 --> 00:55:30,326 WHAT TIME DO YOU THINK WE'RE GONNA FINISH? 1262 00:55:30,327 --> 00:55:31,827 LATE. VERY LATE. 1263 00:55:31,828 --> 00:55:33,327 LATE. HE SAID VERY LATE. 1264 00:55:33,328 --> 00:55:34,830 IF YOU'RE NOT GONNA BE HOME, 1265 00:55:34,831 --> 00:55:35,830 I THOUGHT I'D LIKE TO DROP BY 1266 00:55:35,831 --> 00:55:36,833 THE MANSION FOR A WHILE. 1267 00:55:37,333 --> 00:55:38,332 CAN YOU GIVE HIM A CALL 1268 00:55:38,333 --> 00:55:39,333 AND FIX IT FOR ME, 1269 00:55:39,334 --> 00:55:40,336 LET HIM KNOW I'M COMING? 1270 00:55:40,837 --> 00:55:42,838 DOROTHY, IS THAT ALL RIGHT? 1271 00:55:42,839 --> 00:55:44,340 MM-HMM. 1272 00:55:44,841 --> 00:55:46,809 DAMN, I WISH HE WOULDN'T CALL ME HERE. 1273 00:55:46,810 --> 00:55:49,062 ALL RIGHT. 1274 00:55:54,567 --> 00:55:55,567 IT'S A SCI-FI. 1275 00:55:55,568 --> 00:55:58,570 SHE, UH, SHE PLAYS A ROBOT. 1276 00:55:58,571 --> 00:56:00,072 GET IN THERE, YOU MOTHER. 1277 00:56:00,073 --> 00:56:02,074 THEY OFFERED US 10,000. 1278 00:56:02,075 --> 00:56:05,077 WELL, I PUT A STOP TO THAT BUT FAST. 1279 00:56:05,078 --> 00:56:06,578 STARTIN' IT 1280 00:56:06,579 --> 00:56:09,581 RIGHT AFTER WE FINISH WEDNESDAY'S CHILD. 1281 00:56:09,582 --> 00:56:11,584 SHE IS SO BEAUTIFUL. 1282 00:56:12,085 --> 00:56:14,587 YOU CAN JUST TELL SHE'S MR. HEFNER'S FAVORITE. 1283 00:56:14,588 --> 00:56:16,588 SHE'S THE BEST. 1284 00:56:16,589 --> 00:56:18,590 THE BEST. 1285 00:56:18,591 --> 00:56:21,093 YOU'RE PRETTY GOOD- LOOKING YOURSELF, BOBO. 1286 00:56:21,594 --> 00:56:22,594 I'M ALL RIGHT. 1287 00:56:22,595 --> 00:56:24,597 HI, LONNI. 1288 00:56:28,601 --> 00:56:32,605 Billy Joel: ? BECAUSE YOU HAD TO BE A BIG SHOT, DIDN'T YA? ? 1289 00:56:32,606 --> 00:56:35,057 ? YOU HAD TO OPEN UP YOUR MOUTH ? 1290 00:56:35,558 --> 00:56:36,557 WHERE'S DOROTHY? 1291 00:56:36,558 --> 00:56:38,559 WORKING. SHE CALLED AND ASKED IF IT WAS OK 1292 00:56:38,560 --> 00:56:39,562 FOR HIM TO COME OVER. 1293 00:56:40,063 --> 00:56:42,565 I JUST COULDN'T SAY NO TO HER. 1294 00:56:44,567 --> 00:56:46,569 OH, HI, HEF. 1295 00:56:47,070 --> 00:56:48,570 HI, HEF. 1296 00:56:48,571 --> 00:56:52,074 ? YOU HAD TO HAVE A WHITE-HOT SPOTLIGHT ? 1297 00:56:52,075 --> 00:56:54,575 ? YOU HAD TO BE A BIG SHOT LAST NIGHT... ? 1298 00:56:54,576 --> 00:56:55,578 YOU KNOW, THAT REMINDS ME. 1299 00:56:55,579 --> 00:56:57,579 I GOT TO TALK TO HIM LATER. 1300 00:56:57,580 --> 00:57:00,082 I GOT AN IDEA FOR A POSTER WITH DOROTHY. 1301 00:57:00,083 --> 00:57:02,084 DAMN. 1302 00:57:02,085 --> 00:57:03,086 OH... 1303 00:57:06,089 --> 00:57:07,590 WANT TO GET SOMETHING TO EAT? 1304 00:57:07,591 --> 00:57:09,591 I'M ALWAYS HUNGRY. 1305 00:57:09,592 --> 00:57:12,595 DOES IT LOOK LIKE I'M GAINING WEIGHT? 1306 00:57:13,596 --> 00:57:18,100 WELL, I, UH, FIRST MET MR. SNIDER 1307 00:57:18,601 --> 00:57:20,602 AT THE PLAYBOY MANSION. 1308 00:57:20,603 --> 00:57:22,104 SNIDER, PAUL. HI. 1309 00:57:22,105 --> 00:57:23,605 MARTIN GEBBER. 1310 00:57:23,606 --> 00:57:25,608 WE WERE JUST GOING TO FEED OUR FACE. 1311 00:57:25,609 --> 00:57:27,109 WOULD YOU JOIN US? 1312 00:57:27,110 --> 00:57:28,110 SURE. 1313 00:57:28,111 --> 00:57:29,612 PRACTICE HERE, DR. GEBBER? 1314 00:57:30,113 --> 00:57:31,114 UH, GEB, PLEASE. 1315 00:57:31,614 --> 00:57:34,616 NO, NEWPORT BEACH, BUT I PLAN TO MOVE HERE. 1316 00:57:34,617 --> 00:57:36,118 INTERNIST? 1317 00:57:36,119 --> 00:57:37,619 PLASTIC SURGERY. 1318 00:57:37,620 --> 00:57:38,619 COSMETIC MOSTLY. 1319 00:57:38,620 --> 00:57:41,123 PAUL IS MARRIED TO DOROTHY STRATTEN. 1320 00:57:41,124 --> 00:57:42,624 HE ALSO MANAGES HER. 1321 00:57:42,625 --> 00:57:43,625 THE CHICKEN. 1322 00:57:43,626 --> 00:57:45,127 HE TOLD ME HE AND DOROTHY 1323 00:57:45,128 --> 00:57:47,130 WERE LOOKING FOR A NEW PLACE TO LIVE. 1324 00:57:47,131 --> 00:57:50,633 AND MAYBE SINCE I WAS MOVING MY PRACTICE TO L.A., 1325 00:57:51,134 --> 00:57:54,136 WE COULD FIND A PLACE TOGETHER, 1326 00:57:54,137 --> 00:57:55,637 SHARE EXPENSES. 1327 00:57:55,638 --> 00:57:58,140 WE MOVED IN IN OCTOBER, 1328 00:57:58,141 --> 00:57:59,640 AND I TOOK THE TOP HALF, 1329 00:57:59,641 --> 00:58:01,143 THEY LIVED ON THE FIRST FLOOR. 1330 00:58:01,144 --> 00:58:02,645 IT WAS RIGHT NEAR THE FREEWAY, 1331 00:58:02,646 --> 00:58:04,146 NOISY AS HELL. 1332 00:58:04,147 --> 00:58:05,148 BUT IT SUITED ME FINE. 1333 00:58:05,149 --> 00:58:07,149 IT HAD A YARD FOR KING, 1334 00:58:07,150 --> 00:58:09,151 A GARAGE FOR MY ROLLS-ROYCE. 1335 00:58:09,152 --> 00:58:12,154 THE ROLLS IS AN INVESTMENT FOR ME. 1336 00:58:12,155 --> 00:58:14,156 IT'S AN INVESTMENT. 1337 00:58:14,157 --> 00:58:18,160 I'M NOT INTO STATUS SYMBOLS LIKE MOST PEOPLE OUT HERE. 1338 00:58:18,161 --> 00:58:19,162 IT'S AN INVESTMENT, OK? 1339 00:58:19,662 --> 00:58:23,165 DOROTHY HAD ALREADY DONE THE CENTERFOLD, 1340 00:58:23,166 --> 00:58:24,666 MISS AUGUST. 1341 00:58:24,667 --> 00:58:28,671 SHE HAD ALREADY DONE PARTS IN FANTASY ISLAND 1342 00:58:29,172 --> 00:58:31,673 AND BUCK ROGERS. 1343 00:58:31,674 --> 00:58:33,175 THINGS WERE MOVING FAST FOR HER. 1344 00:58:33,676 --> 00:58:35,177 I BECAME VERY FOND OF HER. 1345 00:58:35,678 --> 00:58:38,180 SHE WAS HANDLING HER PUBLIC VISIBILITY VERY WELL. 1346 00:58:38,181 --> 00:58:39,680 SHE WAS MATURING VERY FAST FOR 19, 1347 00:58:39,681 --> 00:58:41,684 BUT TO ME, SHE WAS JUST A FRIEND. 1348 00:58:41,685 --> 00:58:43,185 UNDERSTAND? 1349 00:58:43,186 --> 00:58:44,186 A FRIEND. 1350 00:58:44,187 --> 00:58:46,071 I HAD A GAL... 1351 00:58:46,072 --> 00:58:47,572 ROBIN. 1352 00:58:47,573 --> 00:58:50,075 I STAYED WITH HER MOST OF THE TIME, 1353 00:58:50,076 --> 00:58:53,579 SO I DIDN'T SPEND MUCH TIME AT THE HOUSE. 1354 00:58:54,080 --> 00:58:56,080 BUT WE'D GET TOGETHER ONCE IN A WHILE... 1355 00:58:56,081 --> 00:58:59,085 SUNDAY AFTERNOON BARBECUE WITH A FEW FRIENDS. 1356 00:58:59,086 --> 00:59:00,085 PAUL, DID YOU 1357 00:59:00,086 --> 00:59:01,587 MAKE THIS CONTRAPTION YOURSELF? 1358 00:59:01,588 --> 00:59:02,587 12 OF THEM. 1359 00:59:02,588 --> 00:59:05,090 WHO ARE YOU SELLING THEM TO? 1360 00:59:05,091 --> 00:59:08,093 TO ANYBODY WHO WANTS TO BUY ONE. 1361 00:59:08,094 --> 00:59:10,594 SHE'S GOT NO REAL COMPETITION, YOU KNOW. 1362 00:59:10,595 --> 00:59:12,596 OH, WHAT ABOUT MISS DECEMBER? 1363 00:59:12,597 --> 00:59:13,597 VICKI SOMETHING? 1364 00:59:13,598 --> 00:59:15,599 NEXT TO DOROTHY? YOU'RE KIDDING. 1365 00:59:15,600 --> 00:59:16,600 WHERE DO YOU WANT ME TO PUT IT? 1366 00:59:16,601 --> 00:59:19,603 IN THE GARAGE, WITH ALL THE OTHER "NO SALES." 1367 00:59:19,604 --> 00:59:21,106 YOU SHOULD BUY ONE OF THOSE, NICK. 1368 00:59:21,107 --> 00:59:24,108 IF HEFNER HAS SENSE AT ALL, IT WILL BE DOROTHY. 1369 00:59:24,109 --> 00:59:26,112 THERE'S NOBODY ELSE IN THE SAME CLASS. 1370 00:59:26,113 --> 00:59:28,113 HAS TO BE. 1371 00:59:28,114 --> 00:59:31,116 THEN YOU CAN ALL VISIT US IN BEL AIR. 1372 00:59:31,117 --> 00:59:34,119 DO YOU HEAR THAT? WHAT? 1373 00:59:34,120 --> 00:59:35,121 YOU'RE MOVING TO BEL AIR. 1374 00:59:35,122 --> 00:59:37,622 OH, YEAH, SURE. WHEN? 1375 00:59:37,623 --> 00:59:39,625 WHEN YOU BECOME PLAYMATE OF THE YEAR. 1376 00:59:39,626 --> 00:59:41,126 GET OUT OF HERE. 1377 00:59:41,127 --> 00:59:43,628 NO, I'M WITH HIM. I THINK 1378 00:59:43,629 --> 00:59:46,131 YOU'RE GONNA BE PLAYMATE OF THE YEAR, TOO. 1379 00:59:46,132 --> 00:59:47,133 WHAT THE HELL IS THIS? 1380 00:59:47,633 --> 00:59:48,634 Woman: WHAT IS IT? 1381 00:59:49,135 --> 00:59:50,134 I KNOW WHAT THAT IS. 1382 00:59:50,135 --> 00:59:52,138 I SAW THAT IN A SHOP ON SANTA MONICA. 1383 00:59:52,139 --> 00:59:53,122 OH, MY GOD! 1384 00:59:55,091 --> 00:59:57,591 NOW, DON'T TELL US THAT'S FOR EXERCISE, PAUL. 1385 00:59:57,592 --> 00:59:59,595 I THINK I KNOW WHAT IT'S FOR. 1386 00:59:59,596 --> 01:00:00,595 Man: SO DO I. 1387 01:00:00,596 --> 01:00:02,598 WHAT IS IT? SOMEBODY TELL ME. WHAT? 1388 01:00:02,599 --> 01:00:03,598 WELL... 1389 01:00:03,599 --> 01:00:05,100 TELL HER. 1390 01:00:05,101 --> 01:00:07,603 ASK THE MAN WHO BUILT IT. 1391 01:00:08,604 --> 01:00:10,606 [WHISPERING] 1392 01:00:17,113 --> 01:00:19,115 I ONLY MADE IT AS A JOKE. 1393 01:00:37,133 --> 01:00:39,634 WHAT DID I DO WRONG? 1394 01:00:39,635 --> 01:00:42,137 I DID EVERYTHING YOU DID. 1395 01:00:42,138 --> 01:00:43,638 SOMEBODY TELL ME, HUH? 1396 01:00:43,639 --> 01:00:45,640 WHAT I DID WRONG? 1397 01:00:45,641 --> 01:00:48,143 YOU ROTTEN FUCKERS! 1398 01:00:48,144 --> 01:00:50,446 [MUSIC PLAYS] 1399 01:01:42,498 --> 01:01:43,498 OOH! 1400 01:01:43,499 --> 01:01:44,500 AH! 1401 01:02:13,529 --> 01:02:14,530 HI, ARAM. 1402 01:02:18,534 --> 01:02:20,534 WHO'S THE GIRL IN THE RED CAP? 1403 01:02:20,535 --> 01:02:22,037 AH. THAT'S DOROTHY STRATTEN. 1404 01:02:22,038 --> 01:02:24,040 WHY DON'T YOU PUT HER IN YOUR PICTURE, ARAM? 1405 01:02:24,041 --> 01:02:26,041 NO. HUH? 1406 01:02:26,042 --> 01:02:27,542 I NEED A REAL ACTRESS. 1407 01:02:27,543 --> 01:02:29,044 LET HER READ. YOU'LL SEE. 1408 01:02:29,045 --> 01:02:30,545 WHO HANDLES HER? 1409 01:02:30,546 --> 01:02:32,547 PETER ROSE, ROSE AND MATZ. 1410 01:02:32,548 --> 01:02:34,549 ONLY DEAL WITH PETER. 1411 01:02:34,550 --> 01:02:36,051 WHY? 1412 01:02:36,052 --> 01:02:37,553 I'LL TELL YOU ANOTHER TIME. 1413 01:02:37,554 --> 01:02:39,555 NICE TO SEE YOU, ARAM. 1414 01:02:48,564 --> 01:02:50,564 IT'LL BE A BIG PICTURE... 5-6 MILLION. 1415 01:02:50,565 --> 01:02:52,067 I HEAR HE'S GOT NEWMAN. 1416 01:02:52,068 --> 01:02:54,569 I WISH I KNEW SOME OF HIS PICTURES. 1417 01:02:54,570 --> 01:02:56,572 TIME STEP? DID YOU EVER SEE TIME STEP? 1418 01:02:56,573 --> 01:02:57,572 NO. 1419 01:02:57,573 --> 01:02:59,074 THE LAST CHASE? 1420 01:02:59,075 --> 01:03:01,577 NO. IF IT COMES UP, SHOULD I LIE? 1421 01:03:04,080 --> 01:03:05,580 NO, I DON'T THINK SO. 1422 01:03:05,581 --> 01:03:07,581 JUST BE YOURSELF, AND YOU'LL BE FINE. 1423 01:03:07,582 --> 01:03:09,585 YOU'VE GOT A QUALITY, DOROTHY. HEF SPOTTED IT, 1424 01:03:09,586 --> 01:03:12,087 AND I'M SURE ARAM WILL, TOO. 1425 01:03:12,088 --> 01:03:14,090 [LAUGHING] OH, PETER, THAT'S AGENT TALK. 1426 01:03:14,590 --> 01:03:16,091 THAT'S FRIEND TALK. 1427 01:03:18,594 --> 01:03:20,095 WELL, HERE WE ARE. 1428 01:03:21,097 --> 01:03:22,098 GULP. 1429 01:03:22,598 --> 01:03:23,198 I'LL WAIT HERE. 1430 01:03:23,599 --> 01:03:24,479 IT SHOULDN'T TAKE LONG. 1431 01:03:24,600 --> 01:03:25,600 OK. 1432 01:03:25,601 --> 01:03:29,104 TIME STEP AND THE LAST CHASE, RIGHT? 1433 01:03:29,105 --> 01:03:30,606 RIGHT. 1434 01:03:37,613 --> 01:03:40,615 A GIRL CAN'T JUST SIT BACK AND SAY, 1435 01:03:40,616 --> 01:03:43,118 WELL, NOW MY PHOTOS HAVE BEEN SEEN ALL OVER THE WORLD 1436 01:03:43,619 --> 01:03:44,619 IN PLAYBOY, 1437 01:03:44,620 --> 01:03:46,622 AND I'M SURE MANY PRODUCERS AND DIRECTORS 1438 01:03:46,623 --> 01:03:48,123 HAVE SEEN MY PICTURES, 1439 01:03:48,124 --> 01:03:50,126 AND IF THEY LIKE ME, THEY'LL CALL ME. 1440 01:03:50,127 --> 01:03:52,627 IT JUST DOESN'T WORK THAT WAY. 1441 01:03:52,628 --> 01:03:54,129 SO YOU STILL HAVE TO GO OUT THERE 1442 01:03:54,130 --> 01:03:55,131 AND SEEK OPPORTUNITY? 1443 01:03:55,132 --> 01:03:56,132 ABSOLUTELY. 1444 01:04:00,136 --> 01:04:03,639 DON'T BE NERVOUS. HE'S REALLY VERY NICE. 1445 01:04:04,140 --> 01:04:05,641 [KNOCKING ON DOOR] 1446 01:04:09,645 --> 01:04:10,645 HI. 1447 01:04:10,646 --> 01:04:11,646 HI. 1448 01:04:11,647 --> 01:04:13,148 I'M ARAM. 1449 01:04:13,149 --> 01:04:14,149 I'M DOROTHY. 1450 01:04:14,150 --> 01:04:15,650 YEAH, I KNOW. 1451 01:04:15,651 --> 01:04:17,152 UH... 1452 01:04:21,157 --> 01:04:22,658 YOU NERVOUS? 1453 01:04:23,659 --> 01:04:24,659 YES. 1454 01:04:24,660 --> 01:04:26,161 YEAH, SO AM I. 1455 01:04:30,166 --> 01:04:32,668 WELL, DO YOU KNOW ANYTHING ABOUT ME? 1456 01:04:33,169 --> 01:04:35,171 TIME STEP WAS WONDERFUL. 1457 01:04:36,672 --> 01:04:39,174 UH, THAT'S THE LAST CHASE. 1458 01:04:39,175 --> 01:04:41,676 YOU DIDN'T SEE TIME STEP, DID YOU? 1459 01:04:41,677 --> 01:04:44,179 NO, BUT I'M GOING TO. 1460 01:04:45,181 --> 01:04:48,683 WOULD YOU LIKE TO SEE SOME OF MY PICTURES? 1461 01:04:48,684 --> 01:04:50,686 NO. 1462 01:04:53,689 --> 01:04:55,190 SHOULD I READ FOR YOU? 1463 01:04:55,191 --> 01:04:57,193 UH... 1464 01:04:57,693 --> 01:04:59,194 NO. NO. 1465 01:05:05,234 --> 01:05:08,237 Dorothy: ARAM SAYS IT'S GOING TO BE A CLOSED SET 1466 01:05:08,238 --> 01:05:10,238 AND A VERY TIGHT SCHEDULE. 1467 01:05:10,239 --> 01:05:13,242 HE SAYS WE'LL BE WORKING REALLY LONG DAYS... 1468 01:05:13,743 --> 01:05:15,744 14, 16 HOURS. 1469 01:05:15,745 --> 01:05:17,246 I KNOW NEW YORK. 1470 01:05:17,747 --> 01:05:22,250 WE WOULDN'T HAVE THAT MUCH TIME TO SEE EACH OTHER. 1471 01:05:22,251 --> 01:05:26,255 I COULD REALLY HELP YOU THERE. 1472 01:05:30,760 --> 01:05:32,259 SOMETHING IS SCREWY, DOROTHY. 1473 01:05:32,260 --> 01:05:33,762 SOMETHING ELSE IS GOING ON HERE. 1474 01:05:33,763 --> 01:05:35,263 I CAN FEEL IT. 1475 01:05:35,264 --> 01:05:37,766 ARAM SAYS I'M GOING TO NEED 1476 01:05:37,767 --> 01:05:39,768 EVERY BIT OF CONCENTRATION. 1477 01:05:39,769 --> 01:05:41,269 HE DID, HUH? 1478 01:05:41,270 --> 01:05:43,772 ARAM SAYS THIS, AND ARAM SAYS THAT. 1479 01:05:43,773 --> 01:05:45,775 WILL YOU STOP WITH THE FUCKING ARAM! 1480 01:05:46,275 --> 01:05:48,777 ARAM IS A VERY NICE MAN. 1481 01:05:48,778 --> 01:05:51,279 OH, SHIT! THEY'RE ALL NICE TO YOU! 1482 01:05:51,280 --> 01:05:53,281 "EVERYBODY IS WONDERFUL. 1483 01:05:53,282 --> 01:05:54,783 MR. HEFNER IS WONDERFUL." 1484 01:05:54,784 --> 01:05:57,787 THE WHOLE FUCKING WORLD IS WONDERFUL TO YOU! 1485 01:05:57,788 --> 01:05:59,789 WELL, FUCK ARAM! 1486 01:06:05,795 --> 01:06:07,796 OR MAYBE YOU HAVE ALREADY. 1487 01:06:07,797 --> 01:06:09,297 OH, PAUL... 1488 01:06:09,298 --> 01:06:11,298 I MEAN, MAYBE THAT'S WHAT THIS IS ALL ABOUT, 1489 01:06:11,299 --> 01:06:13,302 HUH? MAYBE THAT'S WHAT HAS BEEN GOING ON 1490 01:06:13,803 --> 01:06:15,805 AT THOSE REHEARSALS UP AT HIS HOUSE. 1491 01:06:16,806 --> 01:06:18,306 DID YOU FUCK HIM? 1492 01:06:18,307 --> 01:06:20,309 IS THAT HOW YOU GOT THE PART? 1493 01:06:20,310 --> 01:06:23,311 THAT'S HOW IT'S DONE, OUT HERE, ISN'T IT? 1494 01:06:23,312 --> 01:06:25,314 [MUTTERING] 1495 01:06:28,317 --> 01:06:31,820 THAT'S REALLY UNFAIR. 1496 01:06:32,321 --> 01:06:33,322 Dorothy: IT MAY SOUND CORNY, 1497 01:06:33,323 --> 01:06:36,825 BUT I HAVE TO CONCENTRATE MY LOVE ON JUST ONE MAN. 1498 01:06:36,826 --> 01:06:37,986 [CAMERA CLICKS] I'M FAITHFUL. 1499 01:06:38,327 --> 01:06:39,328 [CAMERA SHUTTER CLICKS] 1500 01:06:42,331 --> 01:06:43,331 GOD, 1501 01:06:43,332 --> 01:06:46,335 I'M SUCH A JERK SOMETIMES. 1502 01:06:51,340 --> 01:06:53,842 I'M SORRY. 1503 01:06:53,843 --> 01:06:55,343 I'M SO SORRY. 1504 01:06:55,344 --> 01:06:57,846 I DO UNDERSTAND. 1505 01:06:59,348 --> 01:07:00,849 IT'S... 1506 01:07:00,850 --> 01:07:05,353 IT'S JUST THAT I LOVE YOU SO DAMN MUCH. 1507 01:07:05,354 --> 01:07:10,358 PAUL, LET'S GO BACK TO VANCOUVER. 1508 01:07:10,359 --> 01:07:12,361 I DON'T HAVE TO DO THIS MOVIE. 1509 01:07:12,362 --> 01:07:14,362 I'M AFRAID. 1510 01:07:14,363 --> 01:07:15,864 OF WHAT? 1511 01:07:15,865 --> 01:07:18,867 I DON'T KNOW. 1512 01:07:18,868 --> 01:07:21,369 IT WAS NICE IN VANCOUVER. 1513 01:07:21,370 --> 01:07:23,371 PLEASE, LET'S GO BACK. 1514 01:07:23,372 --> 01:07:25,374 ANGEL, WE CAN'T GO BACK. 1515 01:07:25,875 --> 01:07:27,877 WE'D LOSE ALL THE CONTACTS WE'VE MADE HERE. 1516 01:07:27,878 --> 01:07:30,379 PLEASE. 1517 01:07:34,383 --> 01:07:35,884 NO. 1518 01:07:37,386 --> 01:07:39,888 UH-UH. 1519 01:07:39,889 --> 01:07:44,392 BUT, I HAVE THIS TERRIFIC IDEA. 1520 01:07:44,393 --> 01:07:46,394 I'M YOUR MANAGER, RIGHT? 1521 01:07:46,395 --> 01:07:47,896 WELL, AS YOUR MANAGER, 1522 01:07:47,897 --> 01:07:49,899 I THINK YOU SHOULD GO TO NEW YORK 1523 01:07:49,900 --> 01:07:51,900 AND BECOME A BIG MOVIE STAR. 1524 01:07:51,901 --> 01:07:53,400 I'LL STAY HERE AND WORK 1525 01:07:53,401 --> 01:07:54,903 ON THE DOROTHY STRATTEN POSTER. 1526 01:07:54,904 --> 01:07:57,405 IT'S GONNA MAKE US A FORTUNE. 1527 01:07:57,406 --> 01:07:59,908 GOOD IDEA? 1528 01:07:59,909 --> 01:08:02,912 IT CAME TO ME JUST LIKE THAT. 1529 01:08:05,915 --> 01:08:07,416 HEY. 1530 01:08:09,919 --> 01:08:12,421 YOU'RE MY QUEEN. 1531 01:08:15,424 --> 01:08:18,927 I DON'T KNOW. HE SEEMED IN EXCEPTIONALLY GOOD SPIRITS 1532 01:08:18,928 --> 01:08:20,930 JUST BEFORE SHE LEFT, 1533 01:08:21,430 --> 01:08:23,432 HELPING HER WITH THIS AND THAT, 1534 01:08:23,433 --> 01:08:25,433 BEING REALLY ATTENTIVE. 1535 01:08:25,434 --> 01:08:26,935 GAVE HER A GOING-AWAY PARTY. 1536 01:08:26,936 --> 01:08:28,437 MUST HAVE COST A FORTUNE. 1537 01:08:28,438 --> 01:08:31,940 BORROWED MY ROLLS TO DRIVE HER TO THE AIRPORT. 1538 01:08:32,441 --> 01:08:35,443 SAID, "THE QUEEN HAS TO GO IN STYLE." 1539 01:08:35,444 --> 01:08:36,945 AND AFTER SHE LEFT, 1540 01:08:36,946 --> 01:08:38,948 HE CAME BACK HERE TO THE HOUSE. 1541 01:08:38,949 --> 01:08:39,949 AND THEN... 1542 01:08:41,450 --> 01:08:43,952 THEN HE DID THE DAMNEDEST THING. 1543 01:08:43,953 --> 01:08:47,455 I'M STILL NOT SURE WHY HE DID IT, 1544 01:08:47,456 --> 01:08:50,959 BUT HE BUILT A DOGHOUSE FOR KING. 1545 01:08:50,960 --> 01:08:52,460 A BEAUTIFUL DOGHOUSE. 1546 01:08:52,461 --> 01:08:54,963 CRAZIEST THING. 1547 01:08:54,964 --> 01:08:57,433 I DIDN'T THINK HE EVEN KNEW I HAD A DOG. 1548 01:08:57,434 --> 01:08:59,635 YEAH, MOVE, CAROLINE. 1549 01:09:00,135 --> 01:09:03,137 OK. YEAH, COME. GIVE ME MORE. 1550 01:09:03,138 --> 01:09:04,639 COME IN A LITTLE FURTHER. 1551 01:09:04,640 --> 01:09:06,139 YEAH, HOLD THAT, HOLD THAT. 1552 01:09:06,140 --> 01:09:07,642 YEAH, MARK IT. MARK IT. 1553 01:09:07,643 --> 01:09:09,645 TAKE A LOOK, GARY. 1554 01:09:11,647 --> 01:09:12,647 IS THAT OK? 1555 01:09:12,648 --> 01:09:13,649 THAT'S NICE. 1556 01:09:22,658 --> 01:09:24,159 YOU SHOULDN'T CHEW GUM. 1557 01:09:24,160 --> 01:09:25,660 IT'S GOT SUGAR IN IT. 1558 01:09:31,667 --> 01:09:32,667 [GIGGLES] 1559 01:09:32,668 --> 01:09:35,169 THANK YOU. 1560 01:09:35,170 --> 01:09:37,672 IT'S HIM. I KNOW IT. 1561 01:09:37,673 --> 01:09:39,172 I CAN TELL FROM THE WAY 1562 01:09:39,173 --> 01:09:40,675 SHE SAYS HIS NAME ON THE PHONE. 1563 01:09:40,676 --> 01:09:41,675 AND WHAT DOES SHE SAY? 1564 01:09:41,676 --> 01:09:43,178 NOT TOO MUCH. SHE ALWAYS SAYS 1565 01:09:43,679 --> 01:09:46,179 SHE'S BEEN WORKING ON ARAM'S FILM ALL DAY 1566 01:09:46,180 --> 01:09:47,682 AND DOESN'T FEEL LIKE TALKING. 1567 01:09:47,683 --> 01:09:49,184 WHY CAN'T YOU ACCEPT THAT? 1568 01:09:49,185 --> 01:09:50,685 SHE CALLS IT FILM. 1569 01:09:50,686 --> 01:09:52,187 CHRIST, SHE NEVER SAID "FILM" BEFORE. 1570 01:09:52,188 --> 01:09:54,689 SHE ALWAYS SAID MOVIE OR PICTURE, 1571 01:09:54,690 --> 01:09:56,191 BUT NEVER FILM. 1572 01:09:57,192 --> 01:10:00,194 I BET HE CALLS IT FILM. 1573 01:10:00,195 --> 01:10:01,696 THAT'S HARDLY SUFFICIENT CAUSE 1574 01:10:01,697 --> 01:10:03,198 TO PUT YOURSELF THROUGH ALL THIS. 1575 01:10:03,199 --> 01:10:06,200 HE'S FEEDING HER COKE. 1576 01:10:06,201 --> 01:10:09,203 PAUL, I KNOW YOU'RE UPSET, 1577 01:10:09,204 --> 01:10:10,705 BUT YOU SHOULDN'T EVEN SAY THAT. 1578 01:10:10,706 --> 01:10:12,708 AND KNOWING DOROTHY, I DOUBT IT. 1579 01:10:12,709 --> 01:10:13,708 YOU'RE WRONG. 1580 01:10:13,709 --> 01:10:15,709 YEAH? SHE KEPT SNIFFING LAST NIGHT... 1581 01:10:15,710 --> 01:10:16,712 [SNIFF SNIFF SNIFF] 1582 01:10:17,212 --> 01:10:19,714 THROUGH THE WHOLE CONVERSATION SHE KEPT SNIFFING. 1583 01:10:19,715 --> 01:10:21,716 MAYBE SHE'S GOT A COLD. 1584 01:10:21,717 --> 01:10:23,718 YEAH, THAT'S WHAT SHE SAID. 1585 01:10:23,719 --> 01:10:25,219 COLD, MY ASS! 1586 01:10:25,220 --> 01:10:27,220 PAUL, YOU'RE GONNA MAKE YOURSELF LOONY 1587 01:10:27,221 --> 01:10:28,723 IF YOU KEEP GOING LIKE THIS. 1588 01:10:29,224 --> 01:10:30,225 YOU GOT TO REALIZE, 1589 01:10:30,226 --> 01:10:32,727 DOROTHY IS EVERY MAN'S FANTASY. 1590 01:10:32,728 --> 01:10:34,227 EVERYBODY WHO SEES HER, 1591 01:10:34,228 --> 01:10:35,730 OR EVEN HER PICTURE IN A MAGAZINE, 1592 01:10:35,731 --> 01:10:37,231 FOR THAT MATTER, 1593 01:10:37,232 --> 01:10:38,733 IS GOING TO BE COMING AFTER HER. 1594 01:10:38,734 --> 01:10:40,736 AND THERE'S ALWAYS GONNA BE SOMEONE 1595 01:10:40,737 --> 01:10:45,239 WHO'S RICHER THAN YOU, MORE FAMOUS THAN YOU, 1596 01:10:45,240 --> 01:10:47,742 HAS A LONGER PENIS THAN YOU, 1597 01:10:47,743 --> 01:10:49,743 AND THERE'S NOTHING YOU CAN DO ABOUT IT. 1598 01:10:49,744 --> 01:10:51,244 SHE'S NOT HERSELF, MAN! 1599 01:10:51,245 --> 01:10:53,246 LOOK, I KNOW THESE GUYS, GEB. 1600 01:10:53,247 --> 01:10:54,749 THEY STICK A LITTLE COKE UP A GIRL'S NOSE, 1601 01:10:54,750 --> 01:10:55,749 THEY FIGURE SHE'LL DO ANYTHING. 1602 01:10:55,750 --> 01:10:58,754 JESUS, YOU HAVEN'T HEARD ONE WORD I'VE SAID. 1603 01:10:58,755 --> 01:11:02,758 LOOK, ALL YOU CAN DO IS LET HER KNOW YOU LOVE HER. 1604 01:11:03,258 --> 01:11:04,759 GET YOUR OWN FEET ON THE GROUND. 1605 01:11:04,760 --> 01:11:06,260 STOP COMPLAINING! 1606 01:11:06,261 --> 01:11:07,762 GO OUT AND GET YOURSELF A JOB, 1607 01:11:07,763 --> 01:11:08,764 GET SOMETHING GOING, 1608 01:11:09,264 --> 01:11:11,266 AND TRY TO MAKE HER PROUD OF YOU! 1609 01:11:12,768 --> 01:11:14,769 I KNOW IT. 1610 01:11:14,770 --> 01:11:16,772 YOU'RE RIGHT. 1611 01:11:18,774 --> 01:11:20,775 I CAN HANDLE THIS. 1612 01:11:20,776 --> 01:11:22,276 I CAN HANDLE IT. 1613 01:11:22,277 --> 01:11:24,779 WHAT KIND OF BUSINESS ARE YOU IN? 1614 01:11:24,780 --> 01:11:26,780 WELL, I WAS THINKING IN TERMS OF A HEALTH SPA. 1615 01:11:26,781 --> 01:11:29,785 YOU KNOW WHO DOROTHY STRATTEN IS, DON'T YOU? 1616 01:11:29,786 --> 01:11:30,785 I THINK SO. 1617 01:11:30,786 --> 01:11:31,787 WELL, THAT'S MY WIFE, 1618 01:11:32,287 --> 01:11:33,286 AND I'M HER PERSONAL MANAGER... 1619 01:11:33,287 --> 01:11:34,608 Paul: I WAS THINKING OF CALLING IT 1620 01:11:34,790 --> 01:11:35,789 "DOROTHY STRATTEN'S HEALTH SPA." 1621 01:11:35,790 --> 01:11:37,791 ALL MODERN EQUIPMENT... NAUTILUS, STEAM, SAUNA. 1622 01:11:37,792 --> 01:11:39,795 YOU KNOW, THEY'RE INTO THAT SORT OF THING OUT HERE. 1623 01:11:40,295 --> 01:11:41,796 YOU JUST GIVE THEM WHITE TEETH, A SUNTAN, 1624 01:11:41,797 --> 01:11:44,297 AND SOME MUSCLES, AND BANG! YOU'RE A HIT. 1625 01:11:44,298 --> 01:11:46,301 I SAW A HOT LOCATION ON SANTA MONICA. 1626 01:11:46,802 --> 01:11:47,801 THE REAL ESTATE WOMAN 1627 01:11:47,802 --> 01:11:49,805 SAID THE OWNER WANTS 2,500 A MONTH, 1628 01:11:50,305 --> 01:11:53,308 BUT SHE'S PRETTY SURE IT'LL COME DOWN. 1629 01:11:53,809 --> 01:11:54,810 WHAT DO YOU THINK? 1630 01:11:58,814 --> 01:12:01,316 SOMETHING WRONG, DOROTHY? 1631 01:12:02,818 --> 01:12:04,318 NO. 1632 01:12:04,319 --> 01:12:07,822 WELL, WHAT DO YOU THINK? 1633 01:12:08,824 --> 01:12:10,324 IT SOUNDS OK. 1634 01:12:10,325 --> 01:12:11,326 YOU DON'T LIKE IT. 1635 01:12:11,827 --> 01:12:13,227 I CAN TELL BY THE TONE OF YOUR VOICE 1636 01:12:13,328 --> 01:12:15,329 YOU DON'T LIKE IT. SHIT! 1637 01:12:15,330 --> 01:12:17,832 PAUL, DO YOU THINK WE COULD TALK TOMORROW? 1638 01:12:17,833 --> 01:12:20,335 I'M REALLY TIRED, I GUESS. 1639 01:12:22,838 --> 01:12:24,840 YEAH, SURE. UH... 1640 01:12:25,340 --> 01:12:27,341 LISTEN... 1641 01:12:27,342 --> 01:12:29,844 I CALLED A COUPLE OF TIMES LAST NIGHT. 1642 01:12:29,845 --> 01:12:32,347 DID, UH, YOU GET ANY OF MY MESSAGES? 1643 01:12:32,848 --> 01:12:35,850 YES, I DID, BUT WE WORKED VERY LATE. 1644 01:12:35,851 --> 01:12:36,851 HOW LATE? 1645 01:12:36,852 --> 01:12:38,853 I DON'T REMEMBER EXACTLY. 1646 01:12:38,854 --> 01:12:40,354 I WAS WITH PEGGY. 1647 01:12:40,355 --> 01:12:41,856 PEGGY JOHNSON. 1648 01:12:41,857 --> 01:12:42,858 WHO'S PEGGY JOHNSON? 1649 01:12:43,358 --> 01:12:45,358 SHE'S AN ACTRESS. SHE'S IN THE FILM, TOO. 1650 01:12:45,359 --> 01:12:46,361 YOU'D LIKE HER. SHE'S REALLY NICE. 1651 01:12:46,362 --> 01:12:47,361 FILM. 1652 01:12:47,362 --> 01:12:48,863 ANYWAY, WE'VE BECOME FRIENDS, 1653 01:12:48,864 --> 01:12:50,865 AND IT GOT SO LATE 1654 01:12:50,866 --> 01:12:52,866 THAT I SPENT THE NIGHT AT HER APARTMENT. 1655 01:12:52,867 --> 01:12:54,369 I DIDN'T WANT TO WAKE YOU. 1656 01:12:54,370 --> 01:12:56,370 I THOUGHT YOU'D BE SLEEPING. 1657 01:12:56,371 --> 01:12:58,873 I'M STAYING AT NANCY'S HOUSE. 1658 01:12:59,374 --> 01:13:00,375 [CAMERA SHUTTER CLICKS] 1659 01:13:00,376 --> 01:13:03,377 I GUESS YOU DIDN'T WANT TO WAKE ME. 1660 01:13:03,378 --> 01:13:04,879 PAUL, I'M SORRY, I DIDN'T HEAR YOU. 1661 01:13:05,380 --> 01:13:07,381 NOTHING. IT WAS NOTHING. 1662 01:13:07,382 --> 01:13:11,385 SO, UH, HOW ARE THINGS GOING ON THE SET? 1663 01:13:11,386 --> 01:13:12,887 ARE YOU, UH, 1664 01:13:13,388 --> 01:13:15,890 GETTING ALONG ALL RIGHT WITH THE DIRECTOR? 1665 01:13:15,891 --> 01:13:17,893 BECAUSE I THINK IT'S IMPORTANT 1666 01:13:17,894 --> 01:13:20,394 THAT AN ACTRESS AND HER DIRECTOR 1667 01:13:20,395 --> 01:13:23,398 SHOULD HAVE A GOOD RELATIONSHIP. 1668 01:13:25,567 --> 01:13:27,569 THERE MUST BE SOMETHING YOU CAN DO, 1669 01:13:28,070 --> 01:13:30,072 FOR CHRIST'S SAKE. HE'S STEALING MY WIFE. 1670 01:13:30,073 --> 01:13:31,573 CAN'T WE SUE HIM? 1671 01:13:32,074 --> 01:13:33,573 CAN'T WE MAKE THE BASTARD PAY? 1672 01:13:33,574 --> 01:13:34,576 PAY FOR SOMETHING. 1673 01:13:34,577 --> 01:13:36,577 SUE? FOR WHAT? 1674 01:13:36,578 --> 01:13:38,079 FOR WHAT? 1675 01:13:38,080 --> 01:13:39,580 YOU'RE THE DETECTIVE. 1676 01:13:39,581 --> 01:13:41,082 YOU'RE SUPPOSED TO BE ABLE 1677 01:13:41,083 --> 01:13:42,584 TO TELL ME FOR WHAT. 1678 01:13:43,585 --> 01:13:45,586 ARE YOU HER MANAGER? 1679 01:13:45,587 --> 01:13:46,587 YES. 1680 01:13:46,588 --> 01:13:49,591 GOT ANY CONTRACTS, ANY PAPERS? 1681 01:13:53,595 --> 01:13:55,596 NO, BUT... 1682 01:13:55,597 --> 01:13:57,098 BUT IT WAS SOMETHING YOU BOTH TALKED ABOUT, RIGHT? 1683 01:13:57,099 --> 01:13:58,598 IT WAS UNDERSTOOD, RIGHT? 1684 01:13:58,599 --> 01:14:00,101 YES. IT WAS UNDERSTOOD. 1685 01:14:00,102 --> 01:14:02,602 YOU HAD A VERBAL CONTRACT, THEN, RIGHT? 1686 01:14:02,603 --> 01:14:04,123 THAT'S RIGHT, WE HAD A VERBAL CONTRACT. 1687 01:14:04,606 --> 01:14:05,607 WE'RE A TEAM. 1688 01:14:06,108 --> 01:14:07,109 I DISCOVERED HER. 1689 01:14:07,609 --> 01:14:09,110 YEAH, I KNOW. YOU SAID THAT. 1690 01:14:09,611 --> 01:14:11,112 WELL, MAYBE... 1691 01:14:11,613 --> 01:14:14,616 MAYBE WE CAN TRY SUING HIM FOR ENTICEMENT 1692 01:14:15,117 --> 01:14:18,119 TO BREACH HER MANAGEMENT CONTRACT WITH YOU. 1693 01:14:18,120 --> 01:14:19,620 YEAH, THAT'S IT. 1694 01:14:19,621 --> 01:14:21,122 NOT SO FAST. I'M NOT A LAWYER. 1695 01:14:21,623 --> 01:14:22,622 I'D HAVE TO CHECK WITH ONE. 1696 01:14:22,623 --> 01:14:25,126 I KNOW WE'D HAVE TO HAVE DOCUMENTATION. 1697 01:14:25,127 --> 01:14:28,129 I'D LIKE TO KILL THE SON OF A BITCH. 1698 01:14:28,130 --> 01:14:30,131 I CAN'T HELP YOU WITH THAT. 1699 01:14:30,132 --> 01:14:32,634 Dorothy: HE CALLED ME 5 TIMES LAST NIGHT. 1700 01:14:32,635 --> 01:14:34,635 I DIDN'T GET ANY SLEEP. 1701 01:14:34,636 --> 01:14:37,138 THAT'S WHY I KEPT MISSING MY MARK. 1702 01:14:37,139 --> 01:14:39,640 WE'LL GET IT AFTER LUNCH. 1703 01:14:39,641 --> 01:14:43,144 I DON'T KNOW WHY I FEEL THIS LOYALTY TO HIM. 1704 01:14:43,145 --> 01:14:45,646 HE'S FOOLING AROUND. I KNOW IT. 1705 01:14:45,647 --> 01:14:47,648 HE'S GOT OTHER WOMEN. 1706 01:14:47,649 --> 01:14:48,649 HE ALWAYS HAS. 1707 01:14:48,650 --> 01:14:51,152 AT ABOUT 3:00 IN THE MORNING, 1708 01:14:51,153 --> 01:14:53,153 EVERY FUCKING CREEP ON THE STRIP 1709 01:14:53,154 --> 01:14:54,654 SEEMS TO WIND UP AT OUR JOINT. 1710 01:14:54,655 --> 01:14:56,157 HE DIDN'T LOOK ANY DIFFERENT 1711 01:14:56,658 --> 01:14:58,159 FROM ANY OTHER SCHMUCK IN THIS TOWN, 1712 01:14:58,160 --> 01:14:59,161 BUT HE TALKED NICER. 1713 01:14:59,162 --> 01:15:01,662 HE SAID HE COULD GET ME IN PLAYBOY, 1714 01:15:01,663 --> 01:15:03,164 THAT HE KNEW HEF. 1715 01:15:03,165 --> 01:15:04,666 SAID HE COULD GET ME IN THE MOVIES. 1716 01:15:05,167 --> 01:15:08,670 HE HAD A BUSINESS CARD AND A MERCEDES 450 SL, 1717 01:15:09,171 --> 01:15:11,173 SO WHAT THE FUCK? 1718 01:15:14,176 --> 01:15:16,176 Aram: WHAT ABOUT THE HEALTH CLUB IDEA? 1719 01:15:16,177 --> 01:15:18,180 HE COULDN'T GET ANY BACKING FOR IT. 1720 01:15:18,680 --> 01:15:21,182 NO ONE WOULD GIVE HIM ANY MONEY. 1721 01:15:23,185 --> 01:15:24,686 WHAT? 1722 01:15:25,187 --> 01:15:27,689 SAY IT. 1723 01:15:28,190 --> 01:15:29,689 WELL, I JUST DON'T THINK 1724 01:15:29,690 --> 01:15:30,692 YOU SHOULD LEND YOUR NAME 1725 01:15:31,193 --> 01:15:33,193 TO SOMETHING LIKE THAT... A HEALTH CLUB... 1726 01:15:33,194 --> 01:15:34,696 WITH HIM OR ANYONE ELSE. 1727 01:15:37,699 --> 01:15:39,200 THE MORE HE FAILS, 1728 01:15:39,201 --> 01:15:41,702 THE MORE HE SEEMS TO HANG ON TO ME. 1729 01:15:41,703 --> 01:15:43,704 YEAH, THIS IS PAUL SNIDER. 1730 01:15:43,705 --> 01:15:44,706 I'VE BEEN TRYING TO GET THROUGH TO HEF... 1731 01:15:44,707 --> 01:15:46,207 [WHISPERING] Snider. 1732 01:15:46,208 --> 01:15:48,708 MR. HEFNER IS OUT OF TOWN. CAN I HELP YOU? 1733 01:15:48,709 --> 01:15:50,710 WHO IS THIS? WHO AM I TALKING TO? 1734 01:15:50,711 --> 01:15:52,213 I'M ROY, MR. HEFNER'S ASSISTANT. 1735 01:15:52,214 --> 01:15:55,716 OH. WELL, LISTEN, ROY, HERE'S WHAT IT IS. 1736 01:15:55,717 --> 01:15:56,718 I'D LIKE TO DROP BY THE MANSION TONIGHT 1737 01:15:57,219 --> 01:15:58,218 AND TALK TO HEF. 1738 01:15:58,219 --> 01:16:00,220 I'VE ALREADY TOLD YOU... YEAH, RIGHT. HE'S OUT OF TOWN. 1739 01:16:00,221 --> 01:16:03,723 OH, SHIT. I SHOULD'VE KNOWN YOU WERE BULLSHITTING ME. 1740 01:16:03,724 --> 01:16:05,226 THERE IS SOMEONE I'D LIKE HIM TO SEE. 1741 01:16:05,227 --> 01:16:07,229 WOULD YOU MAYBE LEAVE MY NAME AT THE GATE, ROY? 1742 01:16:07,729 --> 01:16:09,230 I'M VERY SORRY, I CAN'T DO THAT. 1743 01:16:09,231 --> 01:16:10,732 ONLY MR. HEFNER HIMSELF CAN DO THAT. 1744 01:16:11,233 --> 01:16:12,232 AW, SURE YOU CAN, ROY. 1745 01:16:12,233 --> 01:16:14,734 I KNOW IT'S DONE. IT'S DONE ALL THE TIME. 1746 01:16:14,735 --> 01:16:16,237 COME ON, GIVE IT A TRY. 1747 01:16:16,238 --> 01:16:17,737 HEY, WE'VE MET, HAVEN'T WE, ROY? 1748 01:16:17,738 --> 01:16:18,898 I WAS PROBABLY WITH DOROTHY... 1749 01:16:19,241 --> 01:16:19,922 DOROTHY STRATTEN? 1750 01:16:20,242 --> 01:16:21,243 I KNOW WHO YOU ARE, BUT I CAN'T HELP YOU. 1751 01:16:21,743 --> 01:16:23,064 I WILL LEAVE YOUR MESSAGE, THOUGH. 1752 01:16:23,245 --> 01:16:24,246 OK, SPORT, LEAVE THE MESSAGE. 1753 01:16:24,247 --> 01:16:25,746 I'LL CALL BACK LATER. 1754 01:16:25,747 --> 01:16:27,248 WHAT THE FUCK IS THIS? 1755 01:16:27,249 --> 01:16:29,251 I BET YOU DON'T EVEN KNOW HEFNER. 1756 01:16:29,252 --> 01:16:30,251 WHAT TIME 1757 01:16:30,252 --> 01:16:31,751 WOULD BE A GOOD TIME TO CALL BACK? 1758 01:16:31,752 --> 01:16:32,754 I REALLY COULDN'T TELL YOU. 1759 01:16:32,755 --> 01:16:35,756 NO. WELL, I DIDN'T THINK YOU COULD. 1760 01:16:35,757 --> 01:16:38,759 THANKS FOR ALL YOUR HELP, ROY. 1761 01:16:38,760 --> 01:16:40,261 YOU'RE WELCOME. 1762 01:16:41,763 --> 01:16:44,265 ARE WE OR AREN'T WE GOING? 1763 01:16:44,266 --> 01:16:45,267 THAT SON OF A BITCH 1764 01:16:45,767 --> 01:16:47,268 WAS THERE THE WHOLE TIME. 1765 01:16:52,157 --> 01:16:54,659 DO YOU WANT TO STAY WITH HIM? 1766 01:16:57,162 --> 01:17:01,165 DO YOU WANT TO LEAVE HIM? 1767 01:17:01,166 --> 01:17:03,168 WHAT DO YOU WANT TO DO? 1768 01:17:05,170 --> 01:17:08,171 I THINK YOU'RE GOING TO NEED SOME LEGAL HELP. 1769 01:17:08,172 --> 01:17:10,175 YOU SHOULD PROBABLY TALK TO A LAWYER. 1770 01:17:16,681 --> 01:17:19,684 DOROTHY, YOU JUST CAN'T LET HIM DO THIS TO YOU. 1771 01:17:19,685 --> 01:17:22,186 HE'S GOT TO GIVE YOU MORE FREEDOM. 1772 01:17:30,195 --> 01:17:32,196 YOU GOT TO UNDERSTAND, 1773 01:17:32,197 --> 01:17:33,698 YOU'RE JUST NOT THE SAME GIRL 1774 01:17:33,699 --> 01:17:36,200 YOU WERE IN VANCOUVER. 1775 01:17:36,201 --> 01:17:39,703 YOU'VE GROWN. YOU'VE MATURED. 1776 01:17:39,704 --> 01:17:43,207 I SEE IT HAPPENING RIGHT BEFORE MY EYES, 1777 01:17:43,208 --> 01:17:45,709 EVERY DAY. 1778 01:17:45,710 --> 01:17:48,212 YOU'RE UNIQUE, DOROTHY. 1779 01:17:48,713 --> 01:17:52,216 AND YOU HAVE A UNIQUE GIFT. 1780 01:17:52,217 --> 01:17:57,221 YOU'VE GROWN, AND HE STAYED THE SAME. 1781 01:17:57,222 --> 01:17:59,224 [CAMERA SHUTTER CLICKS] Dorothy: HOLLYWOOD HASN'T CHANGED MY VALUES 1782 01:17:59,225 --> 01:18:01,225 OR MY PERSONALITY, 1783 01:18:01,226 --> 01:18:04,228 BUT IT'S CERTAINLY MADE ME WISER. 1784 01:18:04,229 --> 01:18:08,233 I THINK I'VE GAINED 5 YEARS EXPERIENCE IN 18 MONTHS. 1785 01:18:09,734 --> 01:18:12,236 YOU'VE OUTGROWN HIM. 1786 01:18:12,237 --> 01:18:14,738 THIS IS A LITTLE ROUGH. 1787 01:18:14,739 --> 01:18:17,741 ARE YOU SURE YOU WANT TO HEAR IT? 1788 01:18:17,742 --> 01:18:18,742 OK. 1789 01:18:18,743 --> 01:18:21,744 "SHE'S PRACTICALLY MOVED OUT OF THE WYNDHAM. 1790 01:18:21,745 --> 01:18:23,247 "SHE USUALLY GOES THERE AFTER SHOOTING, 1791 01:18:23,248 --> 01:18:24,748 "PICKS UP MESSAGES, 1792 01:18:24,749 --> 01:18:27,251 "AND WALKS OVER TO THE PLAZA. 1793 01:18:27,252 --> 01:18:30,255 "HE'S IN SUITE 1210. 1794 01:18:30,755 --> 01:18:33,757 "THEY USUALLY EAT IN THE HOTEL. 1795 01:18:33,758 --> 01:18:35,760 "AND IN THE MORNING, SHE GOES BACK TO THE WYNDHAM 1796 01:18:36,261 --> 01:18:37,762 "WHERE SHE WAITS FOR THE STUDIO CAR 1797 01:18:37,763 --> 01:18:39,263 TO COME PICK HER UP." 1798 01:18:39,264 --> 01:18:41,265 SO YOU WERE RIGHT ALL ALONG. 1799 01:18:41,266 --> 01:18:43,267 IT IS HIM. 1800 01:18:43,268 --> 01:18:45,769 THEY'RE HIDING IT PRETTY GOOD. 1801 01:18:45,770 --> 01:18:48,272 YOU ALL RIGHT? 1802 01:18:48,273 --> 01:18:50,275 YEAH, SURE. 1803 01:18:50,775 --> 01:18:54,278 I JUST GOT TO TAKE A PISS. 1804 01:18:54,279 --> 01:18:57,781 IF WE JUST HAD SOMETHING... A LETTER, A TAPE, 1805 01:18:57,782 --> 01:19:00,284 ANYTHING WHERE SHE TALKS ABOUT THE MANAGEMENT THING, 1806 01:19:00,285 --> 01:19:02,786 I THINK WE MIGHT HAVE SOMETHING. 1807 01:19:02,787 --> 01:19:04,788 ON ENTICEMENT, I MEAN. 1808 01:19:04,789 --> 01:19:06,290 AH, FUCK BOTH OF THEM. 1809 01:19:06,291 --> 01:19:07,791 WHY DON'T WE JUST SAY, 1810 01:19:07,792 --> 01:19:10,294 "LOOK, YOU WANT HER, PAL? YOU CAN HAVE HER. 1811 01:19:10,295 --> 01:19:12,796 BUT YOU'RE GONNA HAVE TO PAY." 1812 01:19:12,797 --> 01:19:15,299 I KNOW HOW YOU FEEL, BUT I DON'T THINK SO. 1813 01:19:15,300 --> 01:19:17,301 HEY, MAYBE THERE'S SOMETHING 1814 01:19:17,302 --> 01:19:20,305 IN ALIENATION OF AFFECTIONS. 1815 01:19:21,806 --> 01:19:24,308 I DON'T THINK SO. 1816 01:19:30,315 --> 01:19:31,599 [WEAPON COCKS] 1817 01:19:34,603 --> 01:19:37,605 YEAH, IT WAS 379.95 NEW. 1818 01:19:37,606 --> 01:19:40,107 AND YOU CAN HAVE IT FOR 250...EVEN. 1819 01:19:40,108 --> 01:19:42,610 IT'S ONLY A YEAR OLD. 1820 01:19:42,611 --> 01:19:44,111 HA HA HA HA! 1821 01:19:44,112 --> 01:19:45,613 IT WAS ONLY FIRED ON SUNDAYS 1822 01:19:45,614 --> 01:19:47,175 BY A LITTLE OLD PSYCHOTIC SCHOOLTEACHER. 1823 01:19:47,616 --> 01:19:48,617 HOW DO YOU LOAD IT? 1824 01:19:48,618 --> 01:19:51,118 OH, EASY. IT TAKES ONE TO 5. 1825 01:19:51,119 --> 01:19:53,120 I'LL GIVE YOU ONE. 1826 01:19:53,121 --> 01:19:55,122 YOU PUT IT IN THE CHAMBER, 1827 01:19:55,123 --> 01:19:57,625 YOU PRESS THE BUTTON, 1828 01:19:58,126 --> 01:20:00,127 AND YOU COCK IT... 1829 01:20:00,128 --> 01:20:02,130 AND SHE'S READY TO GO. 1830 01:20:10,639 --> 01:20:12,140 LEFTY, HUH? 1831 01:20:15,644 --> 01:20:18,146 FEELS GOOD, DOESN'T IT? 1832 01:20:24,653 --> 01:20:27,155 WELL, WE GOT A SALE? 1833 01:20:42,671 --> 01:20:45,673 WE WAS ACTING REALLY WEIRD. 1834 01:20:45,674 --> 01:20:49,177 HE PASTED, PINNED, SCOTCH-TAPED, 1835 01:20:49,678 --> 01:20:52,179 GLUED PHOTOS OF HER, OF HIM, 1836 01:20:52,180 --> 01:20:55,182 OF HIM AND HER, OF HER AND HIM, 1837 01:20:55,183 --> 01:20:56,184 ALL OVER THE DOWNSTAIRS 1838 01:20:56,685 --> 01:20:59,186 LIKE SOME SORT OF BIZARRE SHRINE. 1839 01:20:59,187 --> 01:21:00,187 WEIRD. 1840 01:21:00,188 --> 01:21:01,689 FRANKLY... 1841 01:21:02,190 --> 01:21:05,193 I THOUGHT IT WAS A LITTLE LIKE A SOAP OPERA. 1842 01:21:06,194 --> 01:21:08,696 AND I OBVIOUSLY MISREAD HIM. 1843 01:21:08,697 --> 01:21:11,699 THAT'S PRETTY MUCH THE SAME PICTURE. 1844 01:21:11,700 --> 01:21:13,701 AW, LOOK. 1845 01:21:13,702 --> 01:21:15,703 THAT'S EILEEN. 1846 01:21:15,704 --> 01:21:17,204 WHAT A KID. 1847 01:21:17,205 --> 01:21:18,206 I WAS THINKING 1848 01:21:18,707 --> 01:21:19,706 OF BRINGING HER DOWN HERE FOR A VISIT 1849 01:21:19,707 --> 01:21:21,209 WHEN DOROTHY COMES BACK. 1850 01:21:21,210 --> 01:21:23,210 THAT'D BE FUN. 1851 01:21:23,211 --> 01:21:26,213 IT'S ROUGH. IT'S REALLY ROUGH. 1852 01:21:26,214 --> 01:21:27,715 I'M NOT SURE I CAN TAKE IT. 1853 01:21:27,716 --> 01:21:31,218 LISTEN, ROBIN, I WANT TO GET THESE TO KING. 1854 01:21:31,219 --> 01:21:33,221 DID YOU SEE THE PROM PICTURE? 1855 01:21:33,222 --> 01:21:35,222 DID I SHOW THAT TO YOU? 1856 01:21:35,223 --> 01:21:38,225 I BOUGHT HER THIS WHITE DRESS. 1857 01:21:38,226 --> 01:21:39,727 HERE IT IS. 1858 01:21:45,233 --> 01:21:47,235 I'VE NEVER FELT THIS WAY BEFORE. 1859 01:21:47,236 --> 01:21:49,237 SHE BROKE MY HEART. 1860 01:21:51,239 --> 01:21:53,240 NICE, HUH? 1861 01:21:53,241 --> 01:21:55,242 I'VE GOT A BETTER ONE. 1862 01:21:55,243 --> 01:21:57,243 PAUL, LOOK, WE REALLY GOT TO MOVE ALONG. 1863 01:21:57,244 --> 01:21:58,746 IT'S WHEN I'M HOLDING HER 1864 01:21:58,747 --> 01:22:00,749 AND WE WERE DANCING. IT'S REALLY NICE. 1865 01:22:00,750 --> 01:22:02,249 WAIT JUST A SECOND. 1866 01:22:02,250 --> 01:22:04,752 WE'LL BE BACK IN AN HOUR, ALL RIGHT? 1867 01:22:04,753 --> 01:22:05,753 OK, MAN. 1868 01:22:05,754 --> 01:22:07,755 OK, WE'LL CATCH YOU LATER. 1869 01:22:07,756 --> 01:22:09,257 TAKE IT EASY, OK? 1870 01:22:13,762 --> 01:22:15,763 WHOA! 1871 01:22:15,764 --> 01:22:18,265 MAN, I THOUGHT I'D CRACK UP 1872 01:22:18,266 --> 01:22:20,768 WHEN HE SAID, "SHE'S BROKEN MY HEART." 1873 01:22:20,769 --> 01:22:23,270 I DIDN'T THINK IT WAS FUNNY. 1874 01:22:23,271 --> 01:22:24,772 I CAN TAKE A BRAGGING SNIDER. 1875 01:22:24,773 --> 01:22:26,775 I CAN TAKE A CONNIVING SNIDER. 1876 01:22:26,776 --> 01:22:27,775 [WHISTLES] 1877 01:22:27,776 --> 01:22:28,776 KING! 1878 01:22:28,777 --> 01:22:30,277 YEAH! 1879 01:22:30,278 --> 01:22:34,282 I JUST CAN'T STOMACH A SENTIMENTAL SNIDER. 1880 01:22:34,783 --> 01:22:36,785 IT'S ABOUT THE ONLY TIME I'VE LIKED HIM. 1881 01:22:36,786 --> 01:22:38,285 GET OUTTA HERE. WHY? 1882 01:22:38,286 --> 01:22:39,787 I DON'T KNOW, REALLY. 1883 01:22:39,788 --> 01:22:42,289 THIS MACHO GUY LIKE THAT. 1884 01:22:42,290 --> 01:22:44,792 YOU DON'T SUPPOSE HE'D DO ANYTHING CRAZY, 1885 01:22:44,793 --> 01:22:45,793 DO YOU? 1886 01:22:45,794 --> 01:22:46,794 LIKE WHAT? 1887 01:22:46,795 --> 01:22:48,795 I DON'T KNOW. LIKE HURT HIMSELF? 1888 01:22:48,796 --> 01:22:50,799 NOT IF IT MEANS MUSSING HIS HAIR. 1889 01:22:52,300 --> 01:22:56,303 CAN'T WE TALK NOW? I'M GOIN' A LITTLE CRAZY. 1890 01:22:56,304 --> 01:22:58,806 Dorothy: I'LL SEE YOU WHEN I COME TO LOS ANGELES. 1891 01:22:58,807 --> 01:23:00,809 YOU CLOSED THE JOINT BANK ACCOUNT. 1892 01:23:00,810 --> 01:23:01,809 YES. 1893 01:23:01,810 --> 01:23:03,310 WHY? 1894 01:23:03,311 --> 01:23:05,312 I'LL SEND YOU SOME MONEY. 1895 01:23:05,313 --> 01:23:07,314 YOU DIDN'T ANSWER WHY? 1896 01:23:07,315 --> 01:23:08,816 I THOUGHT IT BEST. 1897 01:23:08,817 --> 01:23:09,817 FOR WHAT? 1898 01:23:09,818 --> 01:23:10,819 OUR SITUATION, PAUL. 1899 01:23:10,820 --> 01:23:12,319 I HAVE TO HANG UP NOW. 1900 01:23:12,320 --> 01:23:14,321 NO, PLEASE DON'T HANG UP. 1901 01:23:14,322 --> 01:23:17,324 JUST WHAT THE HELL IS OUR SITUATION? 1902 01:23:17,325 --> 01:23:19,827 JESUS, TELL ME SOMETHING, WILL YOU? 1903 01:23:19,828 --> 01:23:21,830 LOOK, IF YOU'VE HAD AN AFFAIR, 1904 01:23:21,831 --> 01:23:24,331 THAT'S OK WITH ME. I UNDERSTAND. 1905 01:23:24,332 --> 01:23:26,332 BUT THAT DOESN'T MEAN THAT WE SHOULD 1906 01:23:26,333 --> 01:23:28,836 THROW THE WHOLE MARRIAGE DOWN THE TOILET. 1907 01:23:28,837 --> 01:23:29,838 PLEASE, DOROTHY. 1908 01:23:29,839 --> 01:23:32,340 PLEASE TELL ME WHERE I STAND. 1909 01:23:34,342 --> 01:23:37,345 I HAVE TO HAVE MORE FREEDOM. 1910 01:23:37,846 --> 01:23:39,847 I WANT MORE FREEDOM. 1911 01:23:39,848 --> 01:23:42,850 DOROTHY, YOU CAN HAVE MORE FREEDOM, HONEST. 1912 01:23:42,851 --> 01:23:44,853 THAT'S NOT ENOUGH. 1913 01:23:47,856 --> 01:23:50,859 THINGS CHANGE. 1914 01:23:51,359 --> 01:23:53,861 I'M NOT THE SAME GIRL I WAS IN VANCOUVER. 1915 01:23:53,862 --> 01:23:56,364 NO, YOU SURE AIN'T. 1916 01:23:56,865 --> 01:23:58,865 SOUNDS LIKE YOU GOT A WRITER NOW. 1917 01:23:58,866 --> 01:24:00,368 I DON'T UNDERSTAND WHAT YOU'RE SAYING. 1918 01:24:00,869 --> 01:24:02,369 I MEAN, I HAVE A HUNCH 1919 01:24:02,370 --> 01:24:05,371 THAT YOU'RE SITTING ON ARAM'S KNEE RIGHT NOW, 1920 01:24:05,372 --> 01:24:08,376 AND HE'S MOVING YOUR MOUTH. HE'S PULLING THE STRINGS! 1921 01:24:08,377 --> 01:24:10,244 WE'LL TALK WHEN I COME IN. 1922 01:24:11,212 --> 01:24:13,714 YOU'RE LIVING WITH HIM. 1923 01:24:13,715 --> 01:24:17,718 I'M STAYING AT HIS HOUSE TEMPORARILY. 1924 01:24:17,719 --> 01:24:19,218 YOU'RE LIVING WITH HIM. 1925 01:24:19,219 --> 01:24:20,721 YOU'RE SLEEPING WITH HIM. 1926 01:24:20,722 --> 01:24:22,222 YOU'RE FUCKING HIM. 1927 01:24:22,223 --> 01:24:23,724 WHY DON'T YOU HAVE THE GUTS TO SAY IT? 1928 01:24:23,725 --> 01:24:24,726 YOU'RE DOING IT. 1929 01:24:25,226 --> 01:24:26,227 WHY CAN'T YOU SAY IT? 1930 01:24:26,228 --> 01:24:31,232 TAKE OFF THE GODDAMN GLASSES. 1931 01:24:36,738 --> 01:24:39,741 I'M BROKE. 1932 01:24:43,745 --> 01:24:46,747 PAUL, I'LL TAKE CARE OF YOU. YOU KNOW THAT. 1933 01:24:46,748 --> 01:24:49,751 EILEEN IS HERE, ISN'T SHE? 1934 01:24:51,753 --> 01:24:55,756 LISTEN, TOO MUCH HAS HAPPENED ALREADY. 1935 01:24:55,757 --> 01:24:59,259 I'LL CALL YOU IN A FEW DAYS. 1936 01:24:59,260 --> 01:25:00,761 MAYBE WE CAN TALK THEN. 1937 01:25:01,262 --> 01:25:04,264 ABOUT A DIVORCE? IS THAT WHAT YOU MEAN? 1938 01:25:04,265 --> 01:25:06,267 YES. 1939 01:25:06,768 --> 01:25:08,770 I COULD CHANGE. 1940 01:25:09,270 --> 01:25:11,272 JESUS, GIVE ME A CHANCE, WILL YOU? 1941 01:25:11,273 --> 01:25:12,773 I'LL CALL. 1942 01:25:14,776 --> 01:25:18,278 GOD DAMN IT, HE MUST BE HAVING YOU FOLLOWED. 1943 01:25:18,279 --> 01:25:19,278 SON OF A BITCH. 1944 01:25:19,279 --> 01:25:21,282 I DON'T WANT YOU TO SEE HIM ANYMORE. 1945 01:25:21,783 --> 01:25:24,285 THE WHOLE THING CAN BE HANDLED IN OTHER WAYS. 1946 01:25:25,787 --> 01:25:28,789 PROMISE ME YOU WON'T SEE HIM ANYMORE. 1947 01:25:28,790 --> 01:25:30,290 HE SEEMED SO SCARED. 1948 01:25:30,291 --> 01:25:33,294 HEY, SIS, COME ON IN! PLEASE? 1949 01:25:33,795 --> 01:25:36,297 DOROTHY, I WANT YOU TO PROMISE. 1950 01:25:37,298 --> 01:25:39,800 OK, I PROMISE. 1951 01:25:42,804 --> 01:25:44,304 HOW'S THE WATER? 1952 01:25:44,305 --> 01:25:45,305 IT'S WARM. 1953 01:25:45,306 --> 01:25:47,808 YEAH? 1954 01:25:48,810 --> 01:25:50,810 YOU'LL PROBABLY HAVE TO LEAD HER A LITTLE. 1955 01:25:50,811 --> 01:25:52,313 TRY AND GET HER TO TALK ABOUT ARAM. 1956 01:25:52,814 --> 01:25:54,315 JUICY STUFF IF YOU CAN. 1957 01:25:54,816 --> 01:25:55,815 EVEN BETTER YOU CAN GET HER 1958 01:25:55,816 --> 01:25:57,817 TO TALK ABOUT THE MANAGEMENT THING. 1959 01:25:57,818 --> 01:25:59,821 SHE'S GONNA COME BACK. I KNOW IT. 1960 01:25:59,822 --> 01:26:01,822 YEAH, SURE. 1961 01:26:01,823 --> 01:26:03,324 JUST IN CASE. 1962 01:26:05,827 --> 01:26:08,328 HE KEPT CHANGING HIS FUCKING MIND. 1963 01:26:08,329 --> 01:26:10,329 FIRST HE SAID I COULD HAVE SOME OF HER CLOTHES, 1964 01:26:10,330 --> 01:26:12,333 AND THEN HE SAID NO, SHE WAS COMING BACK TO HIM. 1965 01:26:12,334 --> 01:26:14,334 DIDN'T MEAN A SHIT TO ME. 1966 01:26:14,335 --> 01:26:16,336 MARKER. 1967 01:26:16,337 --> 01:26:18,338 DOROTHY? 1968 01:26:18,339 --> 01:26:19,340 SAM, I'M HERE. 1969 01:26:19,841 --> 01:26:21,841 WELL, I JUST HAVE A FEW ERRANDS TO RUN, 1970 01:26:21,842 --> 01:26:24,345 THEN I'LL BE BACK ABOUT 2:30. I PROMISED EILEEN 1971 01:26:24,346 --> 01:26:27,848 THAT WE'D BUY OUT RODEO DRIVE THIS AFTERNOON. 1972 01:26:28,349 --> 01:26:30,350 OH, WOW! IT'S YOU! 1973 01:26:30,351 --> 01:26:31,852 YOU'RE IN THE TV GUIDE. 1974 01:26:31,853 --> 01:26:33,353 I'M SORRY, ARAM. 1975 01:26:33,354 --> 01:26:36,355 EILEEN'S GOING A LITTLE BANANAS OVER SOMETHING. 1976 01:26:36,356 --> 01:26:37,858 I DIDN'T HEAR WHAT YOU SAID. 1977 01:26:37,859 --> 01:26:39,358 I SAID I WON'T BE HOME TILL LATE. 1978 01:26:39,359 --> 01:26:40,440 I'VE GOT TO STOP AT THE LAB. 1979 01:26:40,862 --> 01:26:42,362 LOOK, IT'S YOU! 1980 01:26:42,363 --> 01:26:43,864 JUST A SECOND. 1981 01:26:43,865 --> 01:26:45,867 TAKE IT BACK A LITTLE. 1982 01:26:48,369 --> 01:26:49,870 THERE, TRY IT THERE. 1983 01:26:50,872 --> 01:26:51,873 Paul: SHE SAID, 1984 01:26:52,373 --> 01:26:53,874 "I'LL ALWAYS TAKE CARE OF YOU." 1985 01:26:53,875 --> 01:26:56,878 YEAH. NOW, IF YOU CAN GET HER TO REPEAT THAT... 1986 01:26:56,879 --> 01:26:57,878 OK. 1987 01:26:57,879 --> 01:26:59,379 PUSH THE BUTTON DOWN, 1988 01:26:59,380 --> 01:27:01,381 WALK AROUND AND TALK. 1989 01:27:01,382 --> 01:27:03,884 IT'S GONNA BE A DIFFERENT SHIRT. 1990 01:27:03,885 --> 01:27:06,386 SO? 1991 01:27:06,387 --> 01:27:08,389 WELL, WHAT DO YOU WANT ME TO SAY? 1992 01:27:08,390 --> 01:27:10,391 ANYTHING. ANYTHING. 1993 01:27:11,392 --> 01:27:13,894 HI, I'M PAUL SNIDER. 1994 01:27:13,895 --> 01:27:15,897 PAUL SNIDER, HI. 1995 01:27:18,399 --> 01:27:20,401 MORE, MORE. 1996 01:27:21,903 --> 01:27:24,404 TESTING. 1, 2, 3, 4. 1997 01:27:24,405 --> 01:27:28,409 TESTING. 1, 2, 3, 4. 1998 01:27:29,911 --> 01:27:31,412 OK. 1999 01:27:33,414 --> 01:27:35,415 YOU KNOW, WE JUST NEED 2000 01:27:35,416 --> 01:27:36,917 TO STRAIGHTEN SOME THINGS OUT. 2001 01:27:36,918 --> 01:27:39,920 ONCE WE SEE EACH OTHER, IT'LL BE OK. 2002 01:27:39,921 --> 01:27:43,424 [STATIC] 2003 01:27:43,925 --> 01:27:44,925 DAMN. 2004 01:27:44,926 --> 01:27:46,927 DAMN THING DOESN'T WORK. 2005 01:27:46,928 --> 01:27:48,427 HELL, WE DON'T NEED IT ANYWAY. 2006 01:27:48,428 --> 01:27:49,930 ONCE WE SPEND SOME TIME TOGETHER, 2007 01:27:49,931 --> 01:27:51,432 EVERYTHING'S GOING TO BE FINE AGAIN. 2008 01:27:51,433 --> 01:27:52,432 I KNOW IT. 2009 01:27:52,433 --> 01:27:53,934 HE CALLED ME IN THE MORNING 2010 01:27:53,935 --> 01:27:55,937 AND SAID HE WAS GOING TO SEE HER THAT DAY. 2011 01:27:58,439 --> 01:28:00,441 IT SAYS THURSDAY AT 8 P.M. 2012 01:28:00,942 --> 01:28:02,443 CAN WE WATCH IT TOGETHER? 2013 01:28:02,944 --> 01:28:05,946 ABSOLUTELY. WE'VE GOT A DATE. 2014 01:28:05,947 --> 01:28:08,448 I'LL SEE YOU 2:30, OK? 2015 01:28:08,449 --> 01:28:11,952 HE STILL HAD SOME CRAZY IDEA 2016 01:28:11,953 --> 01:28:14,453 HE COULD PUT IT ALL BACK TOGETHER AGAIN. 2017 01:28:14,454 --> 01:28:16,957 HE VACUUMED THE RUG, HE POLISHED THE VINYL, 2018 01:28:16,958 --> 01:28:18,960 HE CLEANED THE WHOLE HOUSE. 2019 01:28:26,968 --> 01:28:30,470 Detective: SHE ARRIVED A LITTLE AFTER NOON. 2020 01:28:30,471 --> 01:28:33,474 THE PLAN WAS, I WAS TO CALL IN AN HOUR OR SO 2021 01:28:33,475 --> 01:28:35,475 TO SEE HOW IT WAS GOING. 2022 01:28:35,476 --> 01:28:37,978 UH, WE WORKED OUT A LITTLE CODE 2023 01:28:37,979 --> 01:28:41,481 SO SHE WOULDN'T KNOW HE WAS TALKING TO ME. 2024 01:28:41,482 --> 01:28:43,984 I TRIED TO GET THROUGH ON THE PHONE, BUT, UH... 2025 01:28:43,985 --> 01:28:47,154 YOU KNOW WHAT HAPPENED. 2026 01:28:50,158 --> 01:28:53,660 I'VE BEEN DRINKING. 2027 01:28:53,661 --> 01:28:56,663 I'M NERVOUS. 2028 01:28:56,664 --> 01:28:59,667 I AM, TOO. 2029 01:29:01,169 --> 01:29:04,172 LOOK AT MY HAND. 2030 01:29:06,674 --> 01:29:09,176 THIS IS A NEW SHIRT. 2031 01:29:10,678 --> 01:29:12,679 I MUST HAVE COMBED MY HAIR 2032 01:29:12,680 --> 01:29:15,182 A DOZEN TIMES. 2033 01:29:15,183 --> 01:29:17,185 I GUESS I HAD SOME CRAZY IDEA 2034 01:29:17,186 --> 01:29:18,685 I COULD WIN YOU BACK. 2035 01:29:18,686 --> 01:29:21,689 A REAL SCHMUCK, HUH? 2036 01:29:23,191 --> 01:29:25,692 THERE'S NO CHANCE, IS THERE? 2037 01:29:25,693 --> 01:29:28,195 WE HAVE SOME THINGS WE SHOULD TALK ABOUT. 2038 01:29:31,199 --> 01:29:33,201 I KNOW. 2039 01:29:35,703 --> 01:29:37,204 I LOVE YOU, DOROTHY. 2040 01:29:37,205 --> 01:29:39,206 I LOVE YOU SO MUCH. 2041 01:29:39,207 --> 01:29:42,709 I CAN GIVE YOU $7,000. 2042 01:29:42,710 --> 01:29:44,211 PLEASE COME BACK TO ME. 2043 01:29:45,713 --> 01:29:48,715 IT'S HALF OF EVERYTHING I HAVE. 2044 01:29:48,716 --> 01:29:51,218 LET'S MAKE IT LIKE IT WAS BEFORE. 2045 01:29:51,219 --> 01:29:52,219 PLEASE? 2046 01:29:52,220 --> 01:29:55,223 I HAVE SOME OF IT HERE WITH ME. 2047 01:29:58,226 --> 01:30:00,228 REMEMBER THE RING I GAVE YOU? 2048 01:30:01,229 --> 01:30:02,729 YES. 2049 01:30:02,730 --> 01:30:04,231 STILL HAVE IT? 2050 01:30:05,233 --> 01:30:06,734 YES. 2051 01:30:10,238 --> 01:30:11,238 I DON'T THINK 2052 01:30:11,239 --> 01:30:14,241 I WANT TO GO ON LIVING WITHOUT YOU. 2053 01:30:14,242 --> 01:30:16,243 I BOUGHT A GUN. 2054 01:30:16,244 --> 01:30:19,247 OH, PAUL. 2055 01:30:21,749 --> 01:30:23,250 THINGS WILL CHANGE FOR YOU. 2056 01:30:23,751 --> 01:30:24,751 NO! 2057 01:30:24,752 --> 01:30:26,253 WHAT? YOU MEAN MAYBE I'LL GROW UP 2058 01:30:26,254 --> 01:30:28,255 TO BE A BIG MOVIE DIRECTOR? 2059 01:30:28,256 --> 01:30:29,257 OR OWN A BIG MAGAZINE? 2060 01:30:29,258 --> 01:30:31,258 IS THAT WHAT YOU MEAN? 2061 01:30:31,259 --> 01:30:33,259 MAYBE THEN I COULD GET YOU BACK! 2062 01:30:33,260 --> 01:30:34,762 IS THAT WHAT YOU'RE SAYING? 2063 01:30:34,763 --> 01:30:35,762 SIT DOWN! 2064 01:30:35,763 --> 01:30:37,764 THOSE FUCKING BASTARDS! 2065 01:30:37,765 --> 01:30:39,266 I WANT TO LEAVE. 2066 01:30:39,267 --> 01:30:41,268 I'M SORRY. I'M SORRY. 2067 01:30:41,269 --> 01:30:43,770 PLEASE DON'T LEAVE. 2068 01:30:43,771 --> 01:30:45,272 I WANT TO SHOW YOU SOMETHING. 2069 01:30:45,773 --> 01:30:47,774 PLEASE STAY JUST A MINUTE. 2070 01:30:47,775 --> 01:30:50,778 I WON'T DO THAT AGAIN. 2071 01:30:53,281 --> 01:30:54,782 PLEASE. 2072 01:31:01,789 --> 01:31:06,293 I HAVE BEEN WORKING MY ASS OFF ON THESE. 2073 01:31:06,294 --> 01:31:09,797 GOD, I HOPE YOU LIKE THEM. 2074 01:31:17,805 --> 01:31:19,807 THEY'RE A LOT BETTER THAN THE FARRAH FAWCETT ONES, 2075 01:31:19,808 --> 01:31:21,308 AREN'T THEY? 2076 01:31:21,309 --> 01:31:25,812 SHE SOLD 5 MILLION OF THEM IN ONE YEAR. 2077 01:31:25,813 --> 01:31:28,315 WELL, WHICH ONE DO YOU THINK? 2078 01:31:33,321 --> 01:31:37,325 WE COULD AT LEAST STILL BE IN BUSINESS TOGETHER. 2079 01:31:38,326 --> 01:31:41,828 DON'T SHAKE YOUR FUCKIN' HEAD LIKE THAT AT ME! 2080 01:31:41,829 --> 01:31:45,332 IS IT TOO SMALL-TIME FOR THE BIG MOVIE STAR, HUH? 2081 01:31:45,333 --> 01:31:46,833 TOO TASTELESS, MAYBE? 2082 01:31:46,834 --> 01:31:47,834 I THINK... 2083 01:31:47,835 --> 01:31:50,337 OH HO HO! YOU THINK. 2084 01:31:50,838 --> 01:31:53,841 I THINK THAT WE SHOULD BREAK CLEANLY. 2085 01:31:54,342 --> 01:31:55,343 OH. 2086 01:31:55,843 --> 01:31:57,344 I WANT IT TO BE OVER. 2087 01:31:57,845 --> 01:32:00,848 HMM. IS THAT WHAT ARAM TOLD YOU TO SAY? 2088 01:32:01,349 --> 01:32:04,851 AND WHAT THE FUCK IS $7,000?! 2089 01:32:04,852 --> 01:32:06,853 YOU THINK I'M STUPID. 2090 01:32:06,854 --> 01:32:09,356 I MAY NOT BE A HEFNER OR AN ARAM, 2091 01:32:09,357 --> 01:32:11,358 BUT I'M NOT STUPID. 2092 01:32:11,359 --> 01:32:12,858 NOT JUST YET, YOU DON'T! 2093 01:32:12,859 --> 01:32:13,861 NOT UNTIL YOU TELL ME 2094 01:32:13,862 --> 01:32:16,363 WHERE THE REST OF THE MONEY IS. 2095 01:32:16,364 --> 01:32:19,366 WHO'S HOLDING IT FOR YOU? 2096 01:32:19,367 --> 01:32:21,368 TELL ME! 2097 01:32:21,369 --> 01:32:22,369 IT'S HALF. 2098 01:32:22,370 --> 01:32:24,838 LIAR! GET THE FUCK OUTTA HERE! 2099 01:32:24,839 --> 01:32:29,542 "I'LL ALWAYS TAKE CARE OF YOU, PAUL." 2100 01:32:29,543 --> 01:32:31,544 "I LOVE YOU, PAUL." 2101 01:32:31,545 --> 01:32:35,048 "I OWE YOU SO MUCH, PAUL." 2102 01:32:35,049 --> 01:32:37,550 LIAR! LIAR! 2103 01:32:37,551 --> 01:32:39,052 LIAR! 2104 01:32:39,053 --> 01:32:41,055 LIAR! 2105 01:32:43,057 --> 01:32:44,558 I DON'T THINK YOU'VE EVER KNOWN 2106 01:32:44,559 --> 01:32:46,059 HOW MUCH I LOVE YOU. 2107 01:32:46,060 --> 01:32:49,563 WELL, MAYBE NOW YOU WILL. 2108 01:33:02,076 --> 01:33:05,078 YOU THINK I'M FAKING, DON'T YOU? 2109 01:33:05,079 --> 01:33:07,581 YOU DON'T THINK I'D DO IT, DO YOU? 2110 01:33:10,584 --> 01:33:13,086 YOU THINK I'M A COWARD. 2111 01:33:36,610 --> 01:33:41,114 LET'S NOT HURT EACH OTHER ANYMORE, PLEASE. 2112 01:33:44,618 --> 01:33:46,620 OH, PLEASE. 2113 01:33:48,622 --> 01:33:52,626 TOO SMALL-TIME FOR YOU NOW, HUH? 2114 01:33:54,128 --> 01:33:56,629 YOU SLEPT WITH HIM LAST NIGHT... 2115 01:33:56,630 --> 01:33:58,632 DIDN'T YOU? 2116 01:34:00,134 --> 01:34:02,136 ANSWER ME. 2117 01:34:03,137 --> 01:34:04,138 DIDN'T YOU? 2118 01:34:05,639 --> 01:34:07,641 SURE YOU DID. 2119 01:34:08,142 --> 01:34:10,643 YOU FUCKED THE BIG DIRECTOR. 2120 01:34:10,644 --> 01:34:14,147 WELL, NOW ME. 2121 01:34:14,148 --> 01:34:16,148 I'LL GIVE YOU A CHANCE TO JUDGE, 2122 01:34:16,149 --> 01:34:18,652 A CHANCE TO SEE WHO THE REAL MAN IS! 2123 01:34:18,653 --> 01:34:20,653 AAH! 2124 01:34:20,654 --> 01:34:22,155 STOP IT, PAUL! 2125 01:34:22,656 --> 01:34:24,157 AAH! 2126 01:34:24,158 --> 01:34:26,160 [CRYING] 2127 01:35:38,232 --> 01:35:40,234 [CHUCKLES] 2128 01:35:41,235 --> 01:35:45,739 YOU'RE GONNA DO ME A BIG FAVOR, HUH? 2129 01:35:47,741 --> 01:35:49,743 OK. 2130 01:35:50,744 --> 01:35:52,745 THAT'S ME... 2131 01:35:52,746 --> 01:35:54,247 A CHARITY CASE. 2132 01:35:57,751 --> 01:36:02,756 NOW, TRY TO THINK OF DEAR ARAM IF YOU CAN. 2133 01:36:13,767 --> 01:36:15,268 THEY'RE KILLING ME. 2134 01:36:15,769 --> 01:36:17,771 THEY'RE TRYING TO KILL ME. 2135 01:36:24,778 --> 01:36:27,280 [CRYING] 2136 01:36:33,787 --> 01:36:37,791 THOSE BASTARDS! 2137 01:37:05,286 --> 01:37:06,287 [CAMERA SHUTTER CLICKS] 2138 01:37:07,788 --> 01:37:08,789 [CLICK] 2139 01:37:10,291 --> 01:37:11,792 [CLICK] 2140 01:37:17,298 --> 01:37:18,797 OPERATOR, CAN YOU CHECK ON A NUMBER FOR ME? 2141 01:37:18,798 --> 01:37:20,300 I THINK IT'S OUT OF ORDER. 2142 01:37:20,301 --> 01:37:22,302 WHAT'S THE NUMBER, SIR? 2143 01:37:22,303 --> 01:37:25,305 474-5051. 2144 01:37:25,306 --> 01:37:26,306 HOLD ON. 2145 01:37:26,307 --> 01:37:27,308 OK. 2146 01:37:29,310 --> 01:37:31,312 [TELEPHONE RINGS] 2147 01:37:32,313 --> 01:37:34,815 [TELEPHONE RINGS] 2148 01:37:36,317 --> 01:37:39,820 [RING] 2149 01:37:40,321 --> 01:37:41,322 CAN YOU HEAR ME? 2150 01:37:41,323 --> 01:37:43,323 [RING] 2151 01:37:43,324 --> 01:37:45,326 THEY DID THIS. 2152 01:37:59,840 --> 01:38:01,341 MY QUEEN. 2153 01:38:01,342 --> 01:38:03,344 HER NAME IS BILLIE JOAN WORTH. 2154 01:38:03,345 --> 01:38:04,844 SHE'S VERY SWEET. 2155 01:38:04,845 --> 01:38:07,347 I WAS THINKING SHE'S A MAYBE FOR NOVEMBER. 2156 01:38:07,348 --> 01:38:08,349 WHERE'S SHE FROM? 2157 01:38:08,350 --> 01:38:10,350 DAVENPORT, IOWA. 2158 01:38:10,351 --> 01:38:11,351 I LIKE HER. 2159 01:38:11,352 --> 01:38:12,351 TV: WELL, BILL, SHE'S A TECHNICIAN 2160 01:38:12,352 --> 01:38:13,354 FOR A PHARMACEUTICAL COMPANY 2161 01:38:13,355 --> 01:38:14,854 WHO LIKES ALL SPORTS, 2162 01:38:14,855 --> 01:38:16,356 READING, AND PHOTOGRAPHY. 2163 01:38:16,857 --> 01:38:18,858 YOU WANT SUGAR? 2164 01:38:18,859 --> 01:38:21,361 UH, A LITTLE, PLEASE. 2165 01:39:33,884 --> 01:39:35,385 [COCKS GUN] 2166 01:39:36,887 --> 01:39:39,890 YOU WON'T FORGET PAUL SNIDER. 2167 01:39:58,409 --> 01:40:00,411 NOW THAT PEOPLE RECOGNIZE YOU, 2168 01:40:00,412 --> 01:40:02,412 WHAT'S IT LIKE? 2169 01:40:02,413 --> 01:40:03,413 OH. 2170 01:40:03,414 --> 01:40:04,913 I'LL GO SHOPPING IN THE STORE, 2171 01:40:04,914 --> 01:40:06,416 AND I'LL SEE PEOPLE GOING, 2172 01:40:06,417 --> 01:40:08,417 "HEY, THAT'S DOROTHY STRATTEN." 2173 01:40:08,418 --> 01:40:10,919 OR, "HEY, CAN WE HAVE A PICTURE OF YOU? 2174 01:40:10,920 --> 01:40:12,422 CAN WE HAVE AN AUTOGRAPH?" 2175 01:40:12,423 --> 01:40:14,423 OR EVEN IN THE AIRPORT, YOU KNOW, 2176 01:40:14,424 --> 01:40:15,924 PEOPLE RUSHING UP TO ME 2177 01:40:15,925 --> 01:40:17,427 TO GET MY AUTOGRAPH OR SOMETHING. 2178 01:40:17,928 --> 01:40:19,930 THAT'S REALLY EXCITING FOR ME. 2179 01:40:29,089 --> 01:40:32,074 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2180 01:40:32,075 --> 01:40:35,078 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 2181 01:40:36,305 --> 01:40:42,400 Best watched using Open Subtitles MKV Player 146247