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1
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Ben: I GREW UP IN THE NORTHWEST
SECTION OF BALTIMORE.
2
00:00:45,313 --> 00:00:47,315
IT WAS ALL JEWISH.
3
00:00:47,315 --> 00:00:49,883
IN FACT, I DIDN'T EVEN THINK
OF IT IN THOSE TERMS.
4
00:00:49,883 --> 00:00:52,520
I JUST ASSUMED
EVERYONE WAS JEWISH.
5
00:00:52,520 --> 00:00:53,387
Teacher: ABRAMS.
6
00:00:53,387 --> 00:00:56,557
Ben: THE WHOLE WORLD
WAS JEWISH.
7
00:00:56,557 --> 00:00:58,159
ACKERMAN.
8
00:00:58,159 --> 00:01:01,195
I REMEMBER WHEN I WAS
IN THE SECOND GRADE
9
00:01:01,195 --> 00:01:02,763
THE FIRST CLUE THAT
SOME PEOPLE WERE DIFFERENT
10
00:01:02,763 --> 00:01:03,764
OCCURRED TO ME THEN.
11
00:01:03,764 --> 00:01:06,867
COHEN.
12
00:01:06,867 --> 00:01:08,469
COHEN.
13
00:01:10,070 --> 00:01:13,107
COHEN.
14
00:01:13,107 --> 00:01:14,475
DER.
15
00:01:14,475 --> 00:01:17,945
Ben: I EVEN THOUGHT
PING DER WAS JEWISH.
16
00:01:17,945 --> 00:01:20,314
THE "PING" PART
DIDN'T SOUND JEWISH,
17
00:01:20,314 --> 00:01:22,850
BUT I JUST ASSUMED
IT WAS A NICKNAME.
18
00:01:22,850 --> 00:01:24,552
HER BROTHER'S NAME
WAS MINHUEY,
19
00:01:24,552 --> 00:01:27,388
AND THAT DEFINITELY
SOUNDED JEWISH.
20
00:01:27,388 --> 00:01:30,158
I BEGAN TO SENSE THERE WAS
A WORLD BEYOND WHAT I KNEW
21
00:01:30,158 --> 00:01:33,894
WHEN I HAD LUNCH
AT BUTCH JOHNSON'S HOUSE.
22
00:01:33,894 --> 00:01:35,062
IS THERE SOMETHING
WRONG, BEN?
23
00:01:35,062 --> 00:01:37,398
NO, THIS IS FINE.
24
00:01:37,398 --> 00:01:39,700
I JUST NEVER HAD
RAW BREAD BEFORE.
25
00:01:39,700 --> 00:01:40,768
Mrs. Johnson: WHAT?
26
00:01:40,768 --> 00:01:41,835
WE ALWAYS COOK IT.
27
00:01:41,835 --> 00:01:43,304
YOU KNOW, TOAST IT.
28
00:01:43,304 --> 00:01:44,438
OH, I CAN DO THAT.
29
00:01:44,438 --> 00:01:46,207
NO, THERE'S
TOO MUCH WHITE HERE.
30
00:01:46,207 --> 00:01:47,975
THE MILK IS WHITE,
THE BREAD IS WHITE.
31
00:01:47,975 --> 00:01:49,443
IT'S ALL
WHITE STUFF.
32
00:01:49,443 --> 00:01:51,212
WELL, WHAT DO
YOU NORMALLY HAVE?
33
00:01:51,212 --> 00:01:52,580
NOT THIS.
34
00:01:52,580 --> 00:01:54,715
Ada: WHAT
WAS ON THE BREAD?
35
00:01:54,715 --> 00:01:57,485
LUNCHEON MEAT.
I'VE NEVER HEARD OF IT.
36
00:01:57,485 --> 00:02:01,255
NOT BOLOGNA?
NOT SALAMI?
37
00:02:01,255 --> 00:02:02,256
NO. LUNCHEON MEAT
38
00:02:02,256 --> 00:02:05,058
WITH MAYONNAISE
AND MILK.
39
00:02:05,058 --> 00:02:06,894
EVERYTHING WAS WHITE.
40
00:02:06,894 --> 00:02:09,463
WELL, THEY MUST
NOT BE JEWISH.
41
00:02:09,463 --> 00:02:12,200
THEY'RE
THE OTHER KIND.
42
00:02:12,200 --> 00:02:14,735
Ben: A COUPLE OF YEARS
LATER, I BEGAN TO REALIZE
43
00:02:14,735 --> 00:02:18,539
THAT "THE OTHER KIND"
WAS ABOUT 99% OF THE WORLD.
44
00:02:18,539 --> 00:02:21,542
I WENT TO SCHOOL THINKING
EVERYONE WAS JEWISH.
45
00:02:21,542 --> 00:02:25,279
NOW I KNOW ALMOST
NO ONE IS JEWISH.
46
00:02:25,279 --> 00:02:27,548
THE OTHER KIND.
47
00:02:27,548 --> 00:02:29,817
I WAS REMINDED
OF THAT REVELATION
48
00:02:29,817 --> 00:02:32,019
THE SUMMER MURRAY,
SHELDON, AND MYSELF
49
00:02:32,019 --> 00:02:34,355
WENT TO THE TURKEY HILLS
SWIM CLUB.
50
00:02:37,291 --> 00:02:39,527
SHE'S GOT TO BE
THE MOST BEAUTIFUL GIRL
51
00:02:39,527 --> 00:02:42,296
ON THE FACE OF THE EARTH.
52
00:02:42,296 --> 00:02:43,931
LOOK AT
THOSE CIGARETTES.
53
00:02:43,931 --> 00:02:45,199
SO SEXY.
54
00:02:45,199 --> 00:02:46,400
SO SEXY.
55
00:02:46,400 --> 00:02:48,135
* I GOT STEAM HEAT *
56
00:02:48,135 --> 00:02:49,903
SHE'S GOT TO BE WILD.
57
00:02:49,903 --> 00:02:53,040
IF SHE'S DOING THAT
WITH A PACK OF CIGARETTES,
58
00:02:53,040 --> 00:02:54,242
SHE'S GOT TO BE WILD.
59
00:02:54,242 --> 00:02:55,443
* I NEED YOUR LOVE *
60
00:02:55,443 --> 00:02:58,246
* TO KEEP AWAY THE COLD *
61
00:02:59,980 --> 00:03:03,251
* THEY TOLD ME TO SHOVEL
MORE COAL IN THE BOILER *
62
00:03:03,251 --> 00:03:06,687
* THEY TOLD ME TO SHOVEL
MORE COAL IN THE BOILER *
63
00:03:06,687 --> 00:03:08,856
* THEY TOLD ME
TO SHOVEL MORE COAL *
64
00:03:08,856 --> 00:03:09,923
* IN THE BOILER *
65
00:03:09,923 --> 00:03:11,659
* BUT THAT DON'T DO ME-- *
66
00:03:11,659 --> 00:03:12,860
Ben: HOW DID THEY COME
UP WITH THAT ORDER?
67
00:03:12,860 --> 00:03:13,861
Sheldon: WHAT?
68
00:03:13,861 --> 00:03:15,563
THAT, UH, THAT THE JEWS
SHOULD BE FIRST.
69
00:03:15,563 --> 00:03:18,832
YEAH, I WOULD HAVE THOUGHT
IT'D BE DOGS, COLOREDS,
70
00:03:18,832 --> 00:03:20,268
THEN JEWS.
71
00:03:20,268 --> 00:03:21,335
IT MUST HAVE BEEN
SOME MEETING
72
00:03:21,335 --> 00:03:22,336
TO COME UP WITH THAT,
73
00:03:22,336 --> 00:03:23,471
'CAUSE SOME GUY,
YOU KNOW,
74
00:03:23,471 --> 00:03:25,339
HE HAD TO SAY,
"I HAVE TO TELL YOU,
75
00:03:25,339 --> 00:03:27,341
THE JEWS BOTHER ME MORE
THAN THE DOGS."
76
00:03:27,341 --> 00:03:29,009
SO NOW A DOG GOES THERE.
77
00:03:29,009 --> 00:03:30,444
DOES HE READ THE SIGN
AND LEAVE?
78
00:03:30,444 --> 00:03:32,413
Murray: I DEFINITELY WOULD
HAVE PUT THE DOGS FIRST.
79
00:03:32,413 --> 00:03:34,815
A DOG CAN TAKE A PISS.
YOU'RE WALKIN' BAREFOOT.
80
00:03:34,815 --> 00:03:36,884
ON THE OTHER HAND,
81
00:03:36,884 --> 00:03:38,786
A JEW IS NOT GONNA LIFT
HIS LEG AND PEE ON THE WALL.
82
00:03:38,786 --> 00:03:41,088
YOU KNOW, I'VE NEVER
SEEN A COLORED PERSON
83
00:03:41,088 --> 00:03:44,124
SWIM OR SUNBATHE,
PERIOD. DID YOU?
84
00:03:44,124 --> 00:03:46,494
NOW THAT YOU MENTION IT,
85
00:03:46,494 --> 00:03:48,128
I DON'T THINK I HAVE.
86
00:03:48,128 --> 00:03:49,830
'CAUSE I'M THINKIN'
ATLANTIC CITY.
87
00:03:49,830 --> 00:03:51,899
THAT'S A LOT OF PEOPLE
ON THAT BEACH.
88
00:03:51,899 --> 00:03:54,034
NEVER SEEN A COLORED
PERSON ON THE BEACH.
89
00:03:54,034 --> 00:03:56,504
SO THIS IS DEFINITELY DIRECTED
MORE AT THE JEWS, THEN.
90
00:03:56,504 --> 00:03:59,440
Announcer: THE SCHOOL
YEAR BEGINS IN ONE WEEK,
91
00:03:59,440 --> 00:04:01,542
AND ALL PUBLIC SCHOOLS
WILL IMPLEMENT
92
00:04:01,542 --> 00:04:03,243
THE NEW INTEGRATION LAW.
93
00:04:03,243 --> 00:04:05,279
BALTIMORE CITY SCHOOL
DISTRICT OFFICIALS
94
00:04:05,279 --> 00:04:07,247
DO NOT ANTICIPATE
ANY PROBLEMS
95
00:04:07,247 --> 00:04:09,317
IMPLEMENTING
THE NEW LAW.
96
00:04:13,854 --> 00:04:17,491
Ben: SUMMER FADED AWAY.
97
00:04:17,491 --> 00:04:19,527
THE SUMMER FADED AWAY
AND WHAT?
98
00:04:19,527 --> 00:04:21,495
THE END OF SUMMER.
99
00:04:21,495 --> 00:04:23,964
IT'S A COMPOSITION OF
WHAT YOU DID LAST SUMMER.
100
00:04:23,964 --> 00:04:25,333
IT'S HARD TO READ.
101
00:04:25,333 --> 00:04:28,336
HARD TO READ.
WHAT'S THAT WORD?
102
00:04:28,336 --> 00:04:32,205
MMM...JEWISH.
103
00:04:32,205 --> 00:04:34,174
JEWISH, I THINK.
104
00:04:34,174 --> 00:04:35,509
Van: JEWISH?
105
00:04:45,085 --> 00:04:49,390
BE BACK IN
A LITTLE WHILE.
106
00:05:31,499 --> 00:05:33,767
Morris: LIKE CLOCKWORK,
IF IT'S ROSH HASHANAH,
107
00:05:33,767 --> 00:05:35,769
NATE AND CHARLIE
MUST PAY A VISIT.
108
00:05:35,769 --> 00:05:38,071
WHAT CAN I SAY?
IT'S TRADITION.
109
00:05:38,071 --> 00:05:39,206
THE CANTOR SINGS,
110
00:05:39,206 --> 00:05:40,741
THAT'S OUR CUE
TO SEE THE NEW CADDY.
111
00:05:40,741 --> 00:05:43,143
PRETTY.
PRETTY IN GREEN.
112
00:05:43,143 --> 00:05:44,578
THEY'RE CALLING IT
"MIST GREEN."
113
00:05:44,578 --> 00:05:46,246
IS THAT WHAT
THEY'RE CALLING IT?
114
00:05:46,246 --> 00:05:47,347
I THOUGHT YOU WERE GOING
115
00:05:47,347 --> 00:05:48,449
TO TAKE A LOOK
AT THE CONVERTIBLE.
116
00:05:48,449 --> 00:05:50,918
AH, ADA KEEPS
TALKING 4 DOORS,
117
00:05:50,918 --> 00:05:51,919
CONVENIENCE.
118
00:05:51,919 --> 00:05:54,622
CARL ZEITSOFF WAS IN.
119
00:05:54,622 --> 00:05:56,924
I TOLD HIM YOU WERE COMING
TO SEE THE NEW CADDIES.
120
00:05:56,924 --> 00:05:58,626
6-9-9.
121
00:05:58,626 --> 00:06:00,293
HE ALWAYS BETS
THE SAME NUMBER.
122
00:06:00,293 --> 00:06:02,430
FOR 10 YEARS NOW IT
IS THE SAME NUMBER.
123
00:06:02,430 --> 00:06:03,664
IT WOULD HAVE BEEN A SHOCK
124
00:06:03,664 --> 00:06:05,399
IF THERE WAS ANOTHER NUMBER
ON THIS PAPER.
125
00:06:05,399 --> 00:06:06,834
IS THERE ANY PRICE
INCREASE THIS YEAR?
126
00:06:06,834 --> 00:06:08,769
LET'S GO BACK AND
LOOK AT THE PAPERWORK.
127
00:06:08,769 --> 00:06:10,771
I HAVEN'T HAD A CHANCE
TO LOOK IT OVER.
128
00:06:10,771 --> 00:06:13,907
IT JUST LITERALLY CAME IN.
129
00:06:17,310 --> 00:06:18,712
GET A HAIRCUT.
130
00:06:18,712 --> 00:06:19,980
I'M LETTING IT GROW
LIKE SAMSON'S,
131
00:06:19,980 --> 00:06:21,014
SEE HOW STRONG I GET.
132
00:06:21,014 --> 00:06:23,917
HOW ARE THE COLOREDS
DOING IN SCHOOL?
133
00:06:23,917 --> 00:06:25,719
THEY'RE DOIN' GOOD.
DOIN' GOOD.
134
00:06:25,719 --> 00:06:27,254
THEY'RE GETTING BETTER
GRADES THAN I AM.
135
00:06:27,254 --> 00:06:29,222
GIRL'S PRETTY ATTRACTIVE.
136
00:06:29,222 --> 00:06:31,224
WHAT?
137
00:06:31,224 --> 00:06:32,993
UH, SHE'S ATTRACTIVE.
138
00:06:32,993 --> 00:06:35,228
JUST KILL ME NOW.
139
00:06:35,228 --> 00:06:37,130
JUST KILL ME NOW!
140
00:06:37,130 --> 00:06:38,499
WHAT ARE YOU
TALKING ABOUT?
141
00:06:38,499 --> 00:06:40,100
WHAT DO YOU MEAN
"SHE'S ATTRACTIVE"?
142
00:06:40,100 --> 00:06:41,401
PRETTY.
143
00:06:41,401 --> 00:06:43,537
OH, MY GOD!
144
00:06:43,537 --> 00:06:44,905
WHAT? I SAID
SHE WAS ATTRACTIVE.
145
00:06:44,905 --> 00:06:46,406
THAT DOESN'T MEAN
THAT I'M NECESSARILY
146
00:06:46,406 --> 00:06:47,508
ATTRACTED TO HER.
147
00:06:47,508 --> 00:06:49,710
SHE-SHE'S ATTRACTIVE!
148
00:06:49,710 --> 00:06:52,613
BY THE WAY, WHERE'S
THE JAWBONE OF THE ASS?
149
00:06:52,613 --> 00:06:53,614
WHAT?
WHAT?
150
00:06:53,614 --> 00:06:55,549
THE--THE JAWBONE
OF THE ASS.
151
00:06:55,549 --> 00:06:56,550
WHERE IS IT?
152
00:06:56,550 --> 00:06:57,785
Rose: IS HE CRAZY?
153
00:06:57,785 --> 00:06:59,419
WHAT KIND OF A TALK
IS THIS?
154
00:06:59,419 --> 00:07:02,022
YOUR ASS DOES
NOT HAVE A JAWBONE.
155
00:07:02,022 --> 00:07:03,691
WELL, SAMSON
FOUGHT THE PHILISTINES
156
00:07:03,691 --> 00:07:05,325
WITH A JAWBONE OF AN ASS.
157
00:07:05,325 --> 00:07:06,994
NOT YOUR ASS.
AN ANIMAL.
158
00:07:06,994 --> 00:07:09,129
THERE'S AN ANIMAL
CALLED AN ASS?
159
00:07:09,129 --> 00:07:10,798
SUCH
A MOUTH HERE.
160
00:07:10,798 --> 00:07:13,967
Ben: LOOK, HEY, I LOVE,
UH, SAMSON AND DELILAH.
161
00:07:13,967 --> 00:07:16,069
I--I--I HOPE THEY BRING
THAT MOVIE BACK.
162
00:07:16,069 --> 00:07:19,439
"HE SLEW HUNDREDS WITH
THE JAWBONE OF AN ASS."
163
00:07:19,439 --> 00:07:21,274
DO YOU BELIEVE
THIS STUFF?
164
00:07:21,274 --> 00:07:22,943
I--I DON'T KNOW.
165
00:07:22,943 --> 00:07:24,244
WHAT DO YOU MEAN
YOU DON'T KNOW?
166
00:07:24,244 --> 00:07:25,245
IT'S IN THE BIBLE.
167
00:07:25,245 --> 00:07:26,514
OH, SO THAT MAKES IT TRUE?
168
00:07:26,514 --> 00:07:27,881
IT'S IN THE BIBLE!
169
00:07:27,881 --> 00:07:29,016
A STORY.
170
00:07:29,016 --> 00:07:29,950
YEAH, A TRUE STORY?
171
00:07:29,950 --> 00:07:32,686
IT'S NOT THE QUESTION
IF IT'S TRUE.
172
00:07:32,686 --> 00:07:34,187
IF IT'S IN THE BIBLE,
173
00:07:34,187 --> 00:07:35,556
IT'S FOR A REASON.
174
00:07:35,556 --> 00:07:36,657
WHAT REASON?
175
00:07:36,657 --> 00:07:38,058
A GOOD REASON.
176
00:07:38,058 --> 00:07:39,660
THAT'S THE REASON?
177
00:07:39,660 --> 00:07:41,962
IT'S THERE.
HE HAD LONG HAIR.
178
00:07:41,962 --> 00:07:43,230
HE WAS STRONG.
179
00:07:43,230 --> 00:07:45,165
HE KNOCKED
THE BUILDING DOWN.
180
00:07:45,165 --> 00:07:47,167
IT KILLED THE GOYIM.
181
00:07:47,167 --> 00:07:47,968
FINISH OF THE STORY.
182
00:07:47,968 --> 00:07:50,403
THERE WEREN'T
GENTILES YET.
183
00:07:50,403 --> 00:07:51,471
PAGANS.
184
00:07:51,471 --> 00:07:54,307
PAGANS, SCHMAGANS,
GENTILES.
185
00:07:54,307 --> 00:07:56,409
SOMETHING,
BUT NOT JEWISH.
186
00:07:56,409 --> 00:07:57,477
YEAH, WE KNOW, BUBBE.
187
00:07:57,477 --> 00:07:58,979
IF THEY'RE NOT JEWISH,
THEY'RE...
188
00:07:58,979 --> 00:08:00,948
Ben and Van:
"THE OTHER KIND."
189
00:08:00,948 --> 00:08:03,083
Ada: WOULD YOU GO
MAKE YOURSELVES BUSY?
190
00:08:03,083 --> 00:08:05,519
YOUR FATHER'S NOT GOING TO
BE HOME FOR ALMOST AN HOUR.
191
00:08:05,519 --> 00:08:07,788
GO WATCH TELEVISION
OR SOMETHING.
192
00:08:25,539 --> 00:08:27,775
Nate: THEY CALL IT
"MIST GREEN."
193
00:08:27,775 --> 00:08:29,643
Pete: AH, I THINK
IT'S "GREEN MIST."
194
00:08:29,643 --> 00:08:31,211
Nate: HEY, PETE,
TELL LOUIE TO PARK THE CAR
195
00:08:31,211 --> 00:08:32,179
AROUND THE BACK.
196
00:08:32,179 --> 00:08:33,413
WE'LL BE COMING OUT AGAIN
FOR DINNER.
197
00:08:33,413 --> 00:08:34,548
Pete: YOU GOT IT.
198
00:08:34,548 --> 00:08:35,916
Louie: DO ADA
AND THE BOYS LIKE IT?
199
00:08:35,916 --> 00:08:37,851
YEAH, EXCEPT FOR BENNY.
HE LIKES THE CONVERTIBLE.
200
00:08:44,057 --> 00:08:45,859
Audience: OHH!
201
00:08:45,859 --> 00:08:49,029
WHOA!
202
00:08:49,730 --> 00:08:51,164
CAN I HELP YOU?
203
00:08:51,164 --> 00:08:52,566
YEAH,
I'M HERE TO SEE
204
00:08:52,566 --> 00:08:54,534
THE--THE--THE--
THE--THE--THE--
205
00:08:54,534 --> 00:08:56,069
THE--THE--THE--
THE PHYSICIAN.
206
00:08:56,069 --> 00:08:57,938
Nurse: AND WHAT'S
YOUR CONDITION?
207
00:08:57,938 --> 00:08:59,673
Louie: SO WHAT'S
THE THOUGHT?
208
00:08:59,673 --> 00:09:00,841
Nate: I DON'T KNOW.
209
00:09:00,841 --> 00:09:02,976
BUT BURLESQUE IS
FINISHED, THAT I KNOW.
210
00:09:02,976 --> 00:09:04,678
YEAH, TELEVISION
PUTS US IN THE SHIT HOUSE.
211
00:09:04,678 --> 00:09:06,446
HOW MANY TIMES CAN YOU
WATCH MILTON BERLE
212
00:09:06,446 --> 00:09:07,447
DRESS AS A WOMAN?
213
00:09:07,447 --> 00:09:09,182
THERE'S A LOT
OF GOOD SHOWS.
214
00:09:09,182 --> 00:09:10,751
DID YOU SEE MARTY?
215
00:09:10,751 --> 00:09:11,985
"WHAT DO YOU WANT
TO DO TONIGHT, MARTY?"
216
00:09:11,985 --> 00:09:13,721
"I DON'T KNOW.
WHAT DO YOU WANT TO DO?"
217
00:09:13,721 --> 00:09:16,123
WHAT THE HELL ARE YOU
TALKING ABOUT, LOUIE?
218
00:09:16,123 --> 00:09:18,592
MARTY. UH,
GUY CAN'T GET A DATE.
219
00:09:18,592 --> 00:09:19,627
HE'S SHY. HE'S A BUTCHER.
220
00:09:19,627 --> 00:09:20,628
DO I CARE?
221
00:09:20,628 --> 00:09:21,829
WELL, I THOUGHT
YOU SAW IT.
222
00:09:21,829 --> 00:09:24,732
"MA, I'M AN UGLY MAN.
I'M A BUTCHER.
223
00:09:24,732 --> 00:09:26,133
NOBODY WANTS ME."
224
00:09:26,133 --> 00:09:28,936
DON'T YOU UNDERSTAND THE
PROBLEM I'VE GOT GOING HERE?
225
00:09:28,936 --> 00:09:30,437
I HAVE TO DECLARE
TO THE I.R.S.
226
00:09:30,437 --> 00:09:32,372
THAT I'M MAKING MORE MONEY
WITH THIS BURLESQUE HOUSE
227
00:09:32,372 --> 00:09:33,406
THAN I'M ACTUALLY MAKING
228
00:09:33,406 --> 00:09:35,008
JUST TO KEEP THEM OFF
MY ASS,
229
00:09:35,008 --> 00:09:36,143
OR THEY'RE GOING
TO START LOOKING
230
00:09:36,143 --> 00:09:37,845
AT WHAT ELSE I'M DOING
FOR A LIVING.
231
00:09:37,845 --> 00:09:39,179
NOW LAST TIME I LOOKED,
232
00:09:39,179 --> 00:09:41,715
RUNNING A NUMBERS RACKET
WAS ILLEGAL.
233
00:09:41,715 --> 00:09:42,916
GOD FORBID THEY SHOULD
LOOK IN THE AUDIENCE,
234
00:09:42,916 --> 00:09:44,752
SEE HOW MANY PEOPLE
WE HAVE. GOD FORBID!
235
00:09:44,752 --> 00:09:46,219
Nate:
ALL RIGHT, TO BE A REALIST,
236
00:09:46,219 --> 00:09:48,889
WE'VE GOT MAYBE 2 YEARS
IN THIS JOINT, TOPS.
237
00:09:48,889 --> 00:09:51,124
SO WHERE ARE THEY FR--
238
00:09:51,124 --> 00:09:52,492
WHERE ARE YOU FROM?
239
00:09:53,593 --> 00:09:55,428
DON'T GET PERSONAL.
240
00:09:55,428 --> 00:09:57,497
LET ME LISTEN
TO YOUR HEART.
241
00:09:57,497 --> 00:09:58,766
UH, UH, BA-BOOM!
242
00:09:58,766 --> 00:09:59,867
Audience: BA-BOOM!
243
00:09:59,867 --> 00:10:01,702
BA-BOOM!
BA-BOOM!
244
00:10:01,702 --> 00:10:03,103
BA-BOOM!
BA-BOOM!
245
00:10:03,103 --> 00:10:05,572
Nate: THE NEW CADDY
THIS YEAR COSTS MORE.
246
00:10:05,572 --> 00:10:07,307
NEXT YEAR, MORE STILL.
247
00:10:07,307 --> 00:10:09,677
SAME DOLLARS FROM
OUR TAKE ON THE NUMBERS
248
00:10:09,677 --> 00:10:10,978
IS NOT GOOD BUSINESS.
249
00:10:10,978 --> 00:10:12,913
I WANT EVERYBODY TO PUT
ON THEIR THINKING CAPS
250
00:10:12,913 --> 00:10:14,848
AND TRY TO FIGURE OUT HOW
WE CAN RAISE THE REVENUE
251
00:10:14,848 --> 00:10:17,050
ON THE NUMBERS.
I THINK WE CAN DO BETTER.
252
00:10:17,050 --> 00:10:19,519
MEANWHILE, I'VE GOT
EVERYBODY WAITING FOR ME
253
00:10:19,519 --> 00:10:20,520
ON A ROSH HASHANAH DINNER.
254
00:10:20,520 --> 00:10:21,889
Pete: I GOT AN IDEA.
255
00:10:21,889 --> 00:10:23,023
I SAID PUT ON
YOUR THINKING CAPS.
256
00:10:23,023 --> 00:10:24,624
WE DON'T NEED AN ANSWER
RIGHT AWAY.
257
00:10:24,624 --> 00:10:26,359
NO, NATE,
I GOT SOMETHING GOOD.
258
00:10:26,359 --> 00:10:28,028
ALL RIGHT.
MAKE IT QUICK.
259
00:10:28,028 --> 00:10:30,798
WE INTRODUCE A FOURTH DIGIT
AS A BONUS NUMBER.
260
00:10:30,798 --> 00:10:32,032
DOUBLE THE POT.
261
00:10:32,032 --> 00:10:33,500
WELL, HOW DO YOU PAY
FOR THIS BONUS NUMBER?
262
00:10:33,500 --> 00:10:35,202
IT'S 10% OF THE ORIGINAL BET.
263
00:10:35,202 --> 00:10:38,672
SO IF IT'S 50 CENTS,
IT'S AN ADDITIONAL 5 CENTS.
264
00:10:38,672 --> 00:10:40,140
60 CENTS, 6 CENTS.
265
00:10:40,140 --> 00:10:43,677
70 CENTS, 7 CENTS.
A BUCK, 10 CENTS.
266
00:10:51,251 --> 00:10:54,988
IF YOU SUSPECT A PERSON
IS A COMMUNIST OR A SOCIALIST,
267
00:10:54,988 --> 00:10:57,657
WHAT DOES THAT MEAN
IN AND OF ITSELF?
268
00:10:57,657 --> 00:10:58,826
IF YOU SAY
YOU'RE A COMMUNIST
269
00:10:58,826 --> 00:11:00,360
AND WANT TO BLOW UP
A BUILDING
270
00:11:00,360 --> 00:11:01,829
OR SELL SECRETS
TO A SPY,
271
00:11:01,829 --> 00:11:03,496
THAT'S A DIFFERENT
SITUATION.
272
00:11:03,496 --> 00:11:04,765
BUT IF YOU BELIEVE IN
273
00:11:04,765 --> 00:11:05,933
A DIFFERENT
ECONOMIC SYSTEM,
274
00:11:05,933 --> 00:11:08,435
THAT SHOULD HAVE
NO EFFECT, PERIOD.
275
00:11:08,435 --> 00:11:09,737
COME ON.
I CAN'T WRITE THAT.
276
00:11:09,737 --> 00:11:11,671
I COULD WRITE THAT.
YOU JUST COULDN'T READ IT.
277
00:11:11,671 --> 00:11:12,973
SUCH A SLOPPY WRITER.
278
00:11:12,973 --> 00:11:14,441
IT WON'T LOOK GOOD IF
YOU'RE GONNA GET OLDER.
279
00:11:14,441 --> 00:11:15,843
I HAVE NO IDEA WHAT THIS
HAS TO DO WITH McCARTHY,
280
00:11:15,843 --> 00:11:16,877
BUT THANKS.
281
00:11:16,877 --> 00:11:17,978
THE BIG PROBLEM
WITH McCARTHY
282
00:11:17,978 --> 00:11:20,380
IS HE PUSHES
HIS IDEALS AND BELIEFS
283
00:11:20,380 --> 00:11:23,150
WITH INTIMIDATION AND
THAT IS VERY DANGEROUS.
284
00:11:23,150 --> 00:11:25,185
I DON'T KNOW WHAT
TO WEAR FOR HALLOWEEN.
285
00:11:25,185 --> 00:11:26,754
WHY DO YOU--
286
00:11:26,754 --> 00:11:27,921
YOU'RE ALWAYS
CHANGING THE SUBJECT.
287
00:11:27,921 --> 00:11:29,122
WHY DO YOU ALWAYS
GO OFF ON A TANGENT?
288
00:11:29,122 --> 00:11:31,524
WELL, I'M THINKIN'
McCARTHY, WITCH HUNTS,
289
00:11:31,524 --> 00:11:33,593
WITCHES, GOBLINS,
HALLOWEEN.
290
00:11:33,593 --> 00:11:34,594
WHAT DO I WEAR?
291
00:11:34,594 --> 00:11:35,929
GO AS A PIRATE.
292
00:11:35,929 --> 00:11:37,164
Nate: THERE YOU GO.
293
00:11:37,164 --> 00:11:38,665
YOUR GRANDMOTHER
HAS THE PERFECT SOLUTION.
294
00:11:38,665 --> 00:11:39,733
LECHAYIM.
295
00:11:39,733 --> 00:11:41,034
Family: LECHAYIM.
296
00:11:41,034 --> 00:11:43,470
Group: "YEA, THOUGH
I WALK THROUGH THE VALLEY
297
00:11:43,470 --> 00:11:45,005
"OF THE SHADOW OF DEATH,
298
00:11:45,005 --> 00:11:47,674
"I WILL FEAR NO EVIL,
299
00:11:47,674 --> 00:11:49,709
"FOR THOU ART WITH ME.
300
00:11:49,709 --> 00:11:53,947
"THY ROD AND THY STAFF,
THEY COMFORT ME.
301
00:11:53,947 --> 00:11:57,617
"THOU PREPAREST
A TABLE BEFORE ME
302
00:11:57,617 --> 00:12:00,187
"IN THE PRESENCE
OF MINE ENEMIES.
303
00:12:00,187 --> 00:12:03,590
THOU ANOINTEST MY HEAD
WITH OIL--"
304
00:12:03,590 --> 00:12:05,425
Sheldon:
YOU STUCK ON SYLVIA?
305
00:12:05,425 --> 00:12:08,628
I SAW YOU EYEING HER
DURING THE 23rd PSALM.
306
00:12:08,628 --> 00:12:10,197
Ben: I WAS
WATCHING HER PRAY.
307
00:12:10,197 --> 00:12:12,365
Sheldon: UH-HUH.
308
00:12:12,365 --> 00:12:14,101
SHE WAS REALLY INTO IT.
309
00:12:14,101 --> 00:12:16,003
I MEAN, LIKE,
HER HEAD WAS BOWED.
310
00:12:16,003 --> 00:12:17,070
HER EYES WERE CLOSED.
311
00:12:17,070 --> 00:12:20,107
SHE WAS REALLY PRAYING.
312
00:12:20,107 --> 00:12:22,575
WOULD YOU EVER THINK
OF TAKING HER OUT?
313
00:12:22,575 --> 00:12:23,576
ARE YOU KIDDING ME?
314
00:12:23,576 --> 00:12:24,677
NOT IN PUBLIC.
315
00:12:24,677 --> 00:12:26,346
YOU KNOW, ON THE SLY
OR SOMETHING.
316
00:12:26,346 --> 00:12:29,182
LOOK, SHELDON,
I WAS WATCHING HER PRAY.
317
00:12:29,182 --> 00:12:31,484
I WAS WONDERING
WHAT SHE WAS THINKING.
318
00:12:31,484 --> 00:12:33,286
I WAS CURIOUS.
319
00:12:33,286 --> 00:12:35,422
YOU KNOW, COLORED GIRLS
ARE GREAT WITH SEX.
320
00:12:35,422 --> 00:12:36,423
THAT SO?
321
00:12:36,423 --> 00:12:37,757
PROVEN FACT.
322
00:12:37,757 --> 00:12:38,926
YEAH? WHERE DO YOU
GET YOUR FACTS?
323
00:12:38,926 --> 00:12:40,360
WELL, I ACCUMULATE
THIS INFORMATION.
324
00:12:40,360 --> 00:12:43,964
FOR ONE, COLORED GUYS
GOT HUGE SCHLONGS.
325
00:12:43,964 --> 00:12:46,666
TWICE THE SIZE
OF A WHITE GUY'S.
326
00:12:46,666 --> 00:12:48,335
WHERE DO YOU COME UP
WITH THIS STUFF?
327
00:12:48,335 --> 00:12:50,737
ALL RIGHT, NOW, UNLESS
YOU HAVEN'T NOTICED,
328
00:12:50,737 --> 00:12:53,006
WE GOT A COLORED GUY
IN OUR CLASS.
329
00:12:53,006 --> 00:12:54,174
WILBERT MOSLEY.
330
00:12:54,174 --> 00:12:55,976
I'M TAKING A SHOWER
WITH HIM.
331
00:12:55,976 --> 00:12:57,945
MINE'S ALL SHRIVELED
UP FROM THE WATER.
332
00:12:57,945 --> 00:12:59,980
I GOT MAYBE AN INCH.
333
00:12:59,980 --> 00:13:02,615
HIS...IS HALFWAY DOWN
TO HIS KNEES,
334
00:13:02,615 --> 00:13:03,616
I SWEAR TO GOD.
335
00:13:03,616 --> 00:13:04,952
OH, GIVE ME A BREAK!
336
00:13:04,952 --> 00:13:06,153
I SWEAR TO GOD,
HIS KNEES.
337
00:13:06,153 --> 00:13:08,488
IT WAS GIVING ME
AN INFERIORITY COMPLEX.
338
00:13:08,488 --> 00:13:10,623
SO I'M THINKING THAT
THIS CIRCUMCISION THING
339
00:13:10,623 --> 00:13:12,325
THAT WE HAVE DONE, IT'S
NOT JUST ABOUT CLIPPING
340
00:13:12,325 --> 00:13:14,061
SOME INNOCENT
LITTLE FORESKIN.
341
00:13:14,061 --> 00:13:15,829
IT'S ABOUT
STUNTING ITS GROWTH.
342
00:13:15,829 --> 00:13:16,864
YOU GOT TO BE KIDDING.
343
00:13:16,864 --> 00:13:18,098
I'M TALKING ABOUT
344
00:13:18,098 --> 00:13:19,266
WILBERT MOSLEY'S
SCHLONG HERE.
345
00:13:19,266 --> 00:13:20,067
HUMONGOUS.
346
00:13:20,067 --> 00:13:21,568
HE DIDN'T
BELIEVE ME.
347
00:13:21,568 --> 00:13:23,103
SEE THAT GIRL?
348
00:13:23,103 --> 00:13:25,372
WILBERT COULD TAP HER
FROM HERE.
349
00:13:25,372 --> 00:13:26,974
I THINK HE'S GOT
TO TIE IT TO HIS LEG
350
00:13:26,974 --> 00:13:27,975
WHEN IT'S NOT IN USE.
351
00:13:27,975 --> 00:13:29,242
GOOD GUY. SMART AS SHIT.
352
00:13:29,242 --> 00:13:30,878
LETS ME CHEAT OFF HIM
IN MATH SOMETIMES.
353
00:13:30,878 --> 00:13:33,213
BEN IS TAKEN WITH SYLVIA.
354
00:13:33,213 --> 00:13:34,547
SHELDON, WOULD YOU
GIVE IT A REST?
355
00:13:34,547 --> 00:13:35,983
MY PARENTS WOULD DIE.
356
00:13:35,983 --> 00:13:37,384
YOUR PARENTS?!
357
00:13:37,384 --> 00:13:38,618
HER FATHER'S ONE
OF THE BIGGEST DOCTORS
358
00:13:38,618 --> 00:13:41,121
AT PROVIDENT HOSPITAL.
WEALTHY.
359
00:13:41,121 --> 00:13:42,422
YOU'RE WAY
TOO LOW-CLASS.
360
00:13:42,422 --> 00:13:45,358
YOU TRY TO TAKE HER OUT,
HER FATHER WOULD FLIP.
361
00:13:45,358 --> 00:13:47,027
PLUS YOU'RE JEWISH.
362
00:13:47,027 --> 00:13:49,462
GIVE IT 45 MINUTES.
363
00:13:49,462 --> 00:13:51,764
YOU GOT TO TAKE A SHOWER
WITH WILBERT.
364
00:13:51,764 --> 00:13:54,134
YOU WILL BE AMAZED.
365
00:13:54,134 --> 00:13:56,503
YOU GOT TO BE KIDDING.
366
00:13:56,503 --> 00:13:57,971
* SHA-BOOM SHA-BOOM *
367
00:13:57,971 --> 00:13:59,940
* YADDIDY YADDIDY
YADDIDY *
368
00:13:59,940 --> 00:14:01,608
* SHA-BOOM *
* SHA-BOOM *
369
00:14:01,608 --> 00:14:02,709
* SHA-BOOM *
370
00:14:02,709 --> 00:14:04,544
* YADIDDY YADIDDY
YADIDDY *
371
00:14:04,544 --> 00:14:06,046
* SHA-BOOM SHA-BOOM *
372
00:14:06,046 --> 00:14:09,582
SEE YOU LATER, MOM.
373
00:14:11,718 --> 00:14:14,087
BEN'S STILL UPSTAIRS.
374
00:14:14,087 --> 00:14:15,956
YOU'RE NOT
GETTING DRESSED?
375
00:14:15,956 --> 00:14:17,090
YEAH, I AM.
I'M A BEATNIK.
376
00:14:17,090 --> 00:14:18,892
THAT'S SOME OUTFIT.
377
00:14:27,867 --> 00:14:29,169
HEY, BEN, LET'S GO!
378
00:14:29,169 --> 00:14:32,605
HEY, YOU'RE GOING
TO GO AS REINDEERS?
379
00:14:32,605 --> 00:14:34,641
WE'RE VIKINGS.
380
00:14:34,641 --> 00:14:37,377
VIKINGS?!
THEY'RE FROM HERE?
381
00:14:39,446 --> 00:14:41,048
Sheldon and Murray:
OH, MY GOD!
382
00:14:41,048 --> 00:14:44,717
OH, MY GOD! ADA!
OH, MY GOD!
383
00:14:44,717 --> 00:14:46,853
Rose: OH, MY GOD! OH!
384
00:14:46,853 --> 00:14:50,623
HAVE YOU
LOST YOUR MIND?!
385
00:14:50,623 --> 00:14:53,593
HAVE YOU COMPLETELY
LOST YOUR MIND?!
386
00:14:53,593 --> 00:14:55,428
WHAT ARE YOU TALKING
ABOUT? IT'S HALLOWEEN.
387
00:14:55,428 --> 00:14:57,664
OH, THERE IS SOMETHING
WRONG WITH THIS BOY.
388
00:14:57,664 --> 00:14:58,999
HE'S A LUNATIC!
389
00:14:58,999 --> 00:15:01,134
BUBBE, THE WAR
WAS OVER FOREVER AGO.
390
00:15:01,134 --> 00:15:02,902
OH, I CAN'T BREATHE.
391
00:15:02,902 --> 00:15:05,005
WHERE DO YOU THINK
YOU'RE GOING?
392
00:15:05,005 --> 00:15:07,074
TO A PARTY.
IT'S HALLOWEEN.
393
00:15:07,074 --> 00:15:08,608
YOU ARE NOT
LEAVING THIS HOUSE
394
00:15:08,608 --> 00:15:10,110
DRESSED
AS ADOLF HITLER.
395
00:15:10,110 --> 00:15:12,379
IT'S HALLOWEEN.
THAT'S THE JOKE.
396
00:15:12,379 --> 00:15:14,014
COULDN'T YOU HAVE
GONE AS A PIRATE?
397
00:15:14,014 --> 00:15:15,815
OR A REINDEER, HUH?
398
00:15:15,815 --> 00:15:17,150
I CAN'T--
399
00:15:17,150 --> 00:15:18,451
EITHER TAKE THAT OFF OR
I'M CALLING YOUR FATHER.
400
00:15:18,451 --> 00:15:20,553
YOU ARE NOT GOING OUT
OF THIS HOUSE, PERIOD.
401
00:15:20,553 --> 00:15:23,223
MOM, IT TOOK ME FOREVER TO
GET THIS COSTUME TOGETHER.
402
00:15:23,223 --> 00:15:25,925
I HAD TO GO ALL THE WAY DOWN
TO SUNNY SURPLUS DOWNTOWN
403
00:15:25,925 --> 00:15:27,160
JUST TO GET BOOTS
LIKE THESE.
404
00:15:27,160 --> 00:15:30,297
OHH! ADOLF HITLER
IS IN THE HALLWAY.
405
00:15:30,297 --> 00:15:31,331
I'M CALLING
YOUR FATHER NOW.
406
00:15:31,331 --> 00:15:32,565
YOU ARE
NOT GOING OUT.
407
00:15:32,565 --> 00:15:35,235
WHAT DO YOU GUYS
THINK?
408
00:15:36,769 --> 00:15:38,538
IT MIGHT BE
A TAD TOO MUCH.
409
00:15:38,538 --> 00:15:41,274
* NAUGHTY NAUGHTY
NAUGHTY NIGHT *
410
00:15:41,274 --> 00:15:42,809
* WE'LL BE IN-- *
411
00:15:42,809 --> 00:15:45,712
Nate: IF WE GOT THIS NEW SYSTEM
WORKED OUT WITH THE NUMBERS,
412
00:15:45,712 --> 00:15:46,779
WE SHOULD START.
413
00:15:46,779 --> 00:15:48,115
WE SHOULD GO WITH IT.
414
00:15:48,115 --> 00:15:50,650
IT'S THE END OF OCTOBER.
WE SHOULD GO WITH IT...
415
00:15:50,650 --> 00:15:52,452
SECOND WEEK IN NOVEMBER.
416
00:15:52,452 --> 00:15:53,520
ALL RIGHT, LET ME TAKE
A LOOK AT THE CALENDAR,
417
00:15:53,520 --> 00:15:54,854
SEE IF WE CAN
NAIL DOWN A DATE.
418
00:15:56,956 --> 00:15:58,025
GAIETY.
419
00:15:58,025 --> 00:16:01,394
PETE, PUT NATE
ON THE PHONE.
420
00:16:04,797 --> 00:16:06,433
YEAH?
421
00:16:09,136 --> 00:16:11,438
WHAT DO YOU MEAN
HE LOOKS LIKE ADOLF HITLER?
422
00:16:12,605 --> 00:16:15,608
HE CAN STAY IN THE HOUSE
ALL NIGHT LONG!
423
00:16:15,608 --> 00:16:17,544
HE'S NOT GOING OUT
DRESSED AS ADOLF HITLER.
424
00:16:17,544 --> 00:16:19,212
YOUR FATHER SAYS
YOU'RE DEFINITELY
425
00:16:19,212 --> 00:16:20,847
NOT GOING OUT
DRESSED THAT WAY.
426
00:16:20,847 --> 00:16:22,382
AND I'M NOT CHANGING.
427
00:16:22,382 --> 00:16:26,119
HE SAYS
HE'S NOT CHANGING!
428
00:16:26,119 --> 00:16:27,820
I--I WANT TO TALK TO HITLER.
429
00:16:27,820 --> 00:16:29,956
Ada: HE HAS A
SWASTIKA ON HIS ARM
430
00:16:29,956 --> 00:16:32,092
AND BIG BLACK BOOTS.
431
00:16:32,092 --> 00:16:34,094
HE'S WEARING BOOTS.
BIG BLACK BOOTS.
432
00:16:34,094 --> 00:16:35,095
HE CAME DOWN
THE STAIRS
433
00:16:35,095 --> 00:16:36,963
WITH SWASTIKAS
ALL OVER HIM.
434
00:16:36,963 --> 00:16:38,698
WELL, PUT THE FUHRER
ON THE PHONE.
435
00:16:40,167 --> 00:16:42,169
YOUR FATHER WANTS
TO TALK TO YOU.
436
00:16:48,408 --> 00:16:50,077
JA?
437
00:16:51,711 --> 00:16:54,581
YEAH.
438
00:16:54,581 --> 00:16:56,049
SORRY.
439
00:16:56,049 --> 00:16:58,718
Ben: UH-HUH.
440
00:16:58,718 --> 00:17:00,787
YEAH.
441
00:17:00,787 --> 00:17:02,589
OK.
442
00:17:12,899 --> 00:17:15,935
YOU GUYS CAN GO
WITHOUT ME.
443
00:17:15,935 --> 00:17:18,037
YOU SURE?
444
00:17:18,037 --> 00:17:20,707
YEAH, I'M--I'M
HAVING HALLOWEEN HERE.
445
00:17:20,707 --> 00:17:23,376
I DON'T KNOW WHAT'S
WRONG WITH BOYS TODAY.
446
00:17:23,376 --> 00:17:25,145
THEY HAVE NO SENSE
OF HISTORY.
447
00:17:25,145 --> 00:17:27,514
WELL, LOOK, THE WAR ENDED
WHEN HE WAS 7 YEARS OLD.
448
00:17:27,514 --> 00:17:30,483
IT'S NOW 9 YEARS LATER.
TO A KID, THAT'S A LIFETIME.
449
00:17:30,483 --> 00:17:32,319
TO US, IT'S A BLINK
OF AN EYE.
450
00:17:32,319 --> 00:17:33,820
YEAH, BUT WHY DOES
MY KID HAVE TO DRESS UP
451
00:17:33,820 --> 00:17:34,921
LIKE, UH, HITLER?
452
00:17:34,921 --> 00:17:36,022
HE'S NOT GOING
TRICK!
453
00:17:36,022 --> 00:17:36,923
OH, NO! HE'S NOT
LEAVING THE HOUSE.
454
00:17:36,923 --> 00:17:38,057
WHAT'S HE GONNA DO?
455
00:17:38,057 --> 00:17:39,426
TRICK-OR-TREAT.
IT'S HITLER'S HERE.
456
00:17:39,426 --> 00:17:40,893
Charlie: THAT WOULD LOOK
GREAT IN OUR NEIGHBORHOOD.
457
00:17:40,893 --> 00:17:41,894
Nate: HE WON'T
GET ANY CANDY.
458
00:17:41,894 --> 00:17:43,696
OH, YEAH. THAT'S GOOD.
459
00:17:43,696 --> 00:17:45,632
Yussel: YOU REALIZE
WE HAVE TO CROSS FALLS ROAD
460
00:17:45,632 --> 00:17:46,666
TO GET TO THIS PARTY?
461
00:17:46,666 --> 00:17:47,767
Van: YEAH, SO?
462
00:17:47,767 --> 00:17:49,436
Alan: GENTILE TURF.
463
00:17:49,436 --> 00:17:51,003
Van: NICK CAMPBELL SAID
464
00:17:51,003 --> 00:17:52,472
THIS IS GOING
TO BE A HIP PARTY.
465
00:17:52,472 --> 00:17:55,808
Yussel: I DON'T KNOW.
ACROSS FALLS ROAD.
466
00:17:55,808 --> 00:17:59,279
OHHH, BOY!
467
00:17:59,279 --> 00:18:02,048
GET READY, FOLKS!
JEWS ARE A-COMING!
468
00:18:02,048 --> 00:18:04,217
* TELL ME
THAT YOU LOVE ME *
469
00:18:04,217 --> 00:18:06,553
* TELL ME THAT
YOU'RE MINE *
470
00:18:06,553 --> 00:18:10,223
* YOU'RE THE LONELY
DOG TONIGHT *
471
00:18:10,223 --> 00:18:13,226
* YOU'RE THE LONELY
DOG TONIGHT *
472
00:18:19,799 --> 00:18:22,735
* TAKE MY HAND *
473
00:18:22,735 --> 00:18:25,805
* I'M A STRANGER *
474
00:18:25,805 --> 00:18:28,841
* IN PARADISE *
475
00:18:28,841 --> 00:18:30,810
* OH, LOST *
476
00:18:30,810 --> 00:18:34,947
* IN A WONDERLAND *
477
00:18:34,947 --> 00:18:38,818
* A STRANGER IN PARADISE *
478
00:18:41,120 --> 00:18:42,822
SO WHERE DO YOU LIVE?
479
00:18:42,822 --> 00:18:43,956
FOREST PARK.
480
00:18:43,956 --> 00:18:45,225
FOREST PARK?
481
00:18:45,225 --> 00:18:47,194
OFF, UH,
LIBERTY HEIGHTS.
482
00:18:47,194 --> 00:18:49,128
THAT'S--THAT'S
JEWISH, ISN'T IT?
483
00:18:49,128 --> 00:18:51,664
DAMN NEAR, YEAH.
484
00:18:52,465 --> 00:18:53,900
A LOT OF JEWS.
SEEMS, UH...
485
00:18:53,900 --> 00:18:57,337
SEEMS MORE IS MOVING IN,
TOO. YOU KNOW, IT'S...
486
00:18:57,337 --> 00:18:59,172
IT'S GETTING THAT WAY.
487
00:18:59,172 --> 00:19:01,374
[SID CAESAR DOING
GERMAN IMPRESSION]
488
00:19:18,124 --> 00:19:21,561
HALT!
JA.
489
00:19:21,561 --> 00:19:25,298
DU HAST GESPRITZT
ON THE GENERAL?
490
00:19:27,500 --> 00:19:30,637
I--I GO TO THE UNIVERSITY
OF BALTIMORE.
491
00:19:30,637 --> 00:19:32,239
THAT'S NICE.
492
00:19:32,239 --> 00:19:35,575
MY MAJOR IS,
UH, ECONOMICS.
493
00:19:35,575 --> 00:19:37,644
IT'S SORT OF
A SET SUBJECT.
494
00:19:37,644 --> 00:19:40,680
NOT MUCH ROOM FOR
EXPRESSIONISM, YOU KNOW?
495
00:19:40,680 --> 00:19:42,615
Mary: YEAH, RIGHT.
496
00:19:42,615 --> 00:19:44,884
Yussel: I DON'T GET
TO TALK TO PEOPLE MUCH.
497
00:19:44,884 --> 00:19:47,019
DO YOU KNOW EVERYONE HERE?
IS--ARE THESE ARE--
498
00:19:47,019 --> 00:19:48,288
THESE ARE ALL
YOUR FRIENDS, YEAH?
499
00:19:48,288 --> 00:19:50,257
YES, WE ALL GO
TO SCHOOL TOGETHER.
500
00:19:50,257 --> 00:19:52,024
OH.
PRETTY MUCH.
501
00:19:52,024 --> 00:19:53,226
NICE PEOPLE.
502
00:20:01,234 --> 00:20:02,369
EXCUSE ME.
503
00:20:02,369 --> 00:20:05,672
* WHEN YOU DON'T
CARE FOR ME *
504
00:20:09,008 --> 00:20:11,278
* SO WHY SHOULD I PRETEND *
505
00:20:11,278 --> 00:20:13,145
OH, MY GOD!
506
00:20:13,145 --> 00:20:16,283
* I'LL LOSE IN THE END *
507
00:20:16,283 --> 00:20:20,753
* I'M A FOOL TO CARE *
508
00:20:21,554 --> 00:20:22,955
SAY, DOES THAT MAGIC WAND
509
00:20:22,955 --> 00:20:24,924
MAKE ANY WISH COME TRUE?
510
00:20:24,924 --> 00:20:27,026
OH, IT HASN'T
WORKED YET.
511
00:20:27,026 --> 00:20:29,629
WELL, WHAT ARE YOU
WISHING FOR?
512
00:20:29,629 --> 00:20:32,499
WELL, THAT'S TOO
PERSONAL A QUESTION.
513
00:20:33,800 --> 00:20:36,403
REALLY? I DIDN'T MEAN
TO BE TOO PERSONAL. SORRY.
514
00:20:36,403 --> 00:20:38,705
WHY? ARE YOU AFRAID
OF BEING TOO INTIMATE?
515
00:20:38,705 --> 00:20:41,908
OR DO YOU PREFER
SMALL TALK?
516
00:20:43,976 --> 00:20:47,046
YOU KNOW...KINDA GOT ME
OFF-GUARD, BUT I--
517
00:20:47,046 --> 00:20:49,516
SHOULD I BE
MORE PREDICTABLE?
518
00:20:49,516 --> 00:20:54,754
I'D LIKE YOU TO BE
WHATEVER YOUR HEART DESIRES.
519
00:20:54,754 --> 00:20:57,524
CLOSE YOUR EYES.
520
00:20:57,524 --> 00:20:59,258
OK.
521
00:20:59,258 --> 00:21:02,529
MAKE A WISH.
522
00:21:02,529 --> 00:21:04,464
OK.
523
00:21:04,464 --> 00:21:08,167
* SO WHY SHOULD I PRETEND *
524
00:21:08,167 --> 00:21:10,303
* I'LL LOSE IN THE END *
525
00:21:10,303 --> 00:21:11,338
WAS THAT IT?
526
00:21:11,338 --> 00:21:13,039
* I'M A FOOL TO CARE *
527
00:21:13,039 --> 00:21:15,708
HOW YOU DOIN'? HA HA.
528
00:21:17,143 --> 00:21:18,478
[SHAKE, RATTLE, AND ROLL
PLAYING]
Ted: YOU DIDN'T KNOW?
529
00:21:18,478 --> 00:21:21,514
OK, SHE'S YOUR GIRL.
I'M VERY SORRY.
530
00:21:21,514 --> 00:21:22,815
I--I DIDN'T KNOW.
531
00:21:22,815 --> 00:21:24,484
THERE ISN'T A GUY AROUND
HERE WHO DOESN'T KNOW
532
00:21:24,484 --> 00:21:25,585
THAT I GO WITH MARY.
533
00:21:25,585 --> 00:21:27,554
WELL, HERE I AM.
YOU FOUND ONE, OK?
534
00:21:27,554 --> 00:21:28,755
NO HARD FEELINGS.
535
00:21:28,755 --> 00:21:29,956
HEY, WAIT A MINUTE,
SMART GUY.
536
00:21:29,956 --> 00:21:30,923
HEY!
537
00:21:30,923 --> 00:21:32,258
* WELL, YOU NEVER
DO NOTHIN' *
538
00:21:32,258 --> 00:21:34,361
* TO SAVE
YOUR TROUBLED SOUL *
539
00:21:34,361 --> 00:21:35,462
WHERE YOU FROM?
540
00:21:35,462 --> 00:21:38,097
FROM
FOREST PARK.
541
00:21:38,097 --> 00:21:41,033
JEWISH?
542
00:21:41,033 --> 00:21:43,069
WHAT'S YOUR POINT?
543
00:21:43,069 --> 00:21:44,437
IT'S JUST A QUESTION.
544
00:21:44,437 --> 00:21:45,872
DO YOU HAVE A POINT?
545
00:21:45,872 --> 00:21:47,039
IT'S JUST A QUESTION.
546
00:21:47,039 --> 00:21:48,975
I'M NOT HERE TO ANSWER
YOUR STUPID QUESTIONS.
547
00:21:48,975 --> 00:21:50,810
HEY!
548
00:21:50,810 --> 00:21:52,879
TED! STOP IT!
TED, IT WAS NOTHING.
549
00:21:52,879 --> 00:21:54,981
LOOK, I'M JUST ASKING
IF HE WAS JEWISH.
550
00:21:54,981 --> 00:21:55,982
IT'S NO BIG DEAL.
551
00:21:55,982 --> 00:21:57,283
FUCK YOU, TAB HUNTER.
552
00:21:57,283 --> 00:21:58,785
* SHAKE, RATTLE,
AND ROLL *
553
00:21:58,785 --> 00:22:00,787
* I SAID SHAKE,
RATTLE, AND ROLL *
554
00:22:00,787 --> 00:22:01,854
STOP IT, TED!
555
00:22:01,854 --> 00:22:02,922
STOP IT!
556
00:22:02,922 --> 00:22:05,191
HEY! NOT INSIDE.
OUTSIDE. OUTSIDE.
557
00:22:05,191 --> 00:22:06,258
OK.
YEAH?
558
00:22:06,258 --> 00:22:07,527
YEAH.
FINE. OUTSIDE.
559
00:22:07,527 --> 00:22:08,861
YEAH, LET'S GO.
560
00:22:10,663 --> 00:22:12,465
WON'T EVEN SAY
HE'S JEWISH.
561
00:22:12,465 --> 00:22:14,467
OH, SHIT.
* GO *
562
00:22:15,435 --> 00:22:16,536
HEY, GIVE ME A BEER.
563
00:22:16,536 --> 00:22:19,372
GET ME ONE, TOO.
564
00:22:19,372 --> 00:22:20,607
* GO *
565
00:22:22,274 --> 00:22:23,476
* GO *
566
00:22:24,877 --> 00:22:25,878
* GO *
567
00:22:28,214 --> 00:22:30,349
VAN?
568
00:22:30,349 --> 00:22:32,084
VAN?!
569
00:22:32,084 --> 00:22:33,453
NOT NOW.
570
00:22:33,453 --> 00:22:35,154
VAN, WE GOT TROUBLE.
571
00:22:35,154 --> 00:22:36,155
WHAT?
572
00:22:36,155 --> 00:22:37,757
IT'S YUSSEL.
573
00:22:39,025 --> 00:22:40,326
I'M SORRY. EXCUSE ME.
I'LL BE RIGHT BACK.
574
00:22:40,326 --> 00:22:41,528
LET'S GO. COME ON.
575
00:22:41,528 --> 00:22:43,630
I'M GONNA KILL YOU GUYS,
I'M TELLIN' YOU.
576
00:22:44,964 --> 00:22:47,066
[SHAKE, RATTLE, AND ROLL
PLAYING]
577
00:22:50,102 --> 00:22:51,438
OK, LISTEN UP.
578
00:22:51,438 --> 00:22:53,906
THIS IS BETWEEN US,
ALL RIGHT?
579
00:22:53,906 --> 00:22:55,842
NOBODY INTERFERES.
580
00:22:55,842 --> 00:22:56,843
HOLD ON. HEY, HEY,
HOLD ON A SECOND.
581
00:22:56,843 --> 00:22:57,877
ALL RIGHT, HOLD ON!
HOLD ON!
582
00:22:57,877 --> 00:22:58,911
COME HERE.
WHAT ARE YOU DOING?
583
00:22:58,911 --> 00:23:01,013
WHAT ARE YOU DOING?
COME HERE.
584
00:23:03,583 --> 00:23:05,151
WHAT DID I TELL YOU?
585
00:23:05,151 --> 00:23:07,053
WHAT DID I TELL YOU?
WHAT?
586
00:23:07,053 --> 00:23:09,922
I TOLD YOU THAT CROSSING
FALLS ROAD WAS A BIG MISTAKE!
587
00:23:09,922 --> 00:23:11,123
ALL RIGHT, SO I'LL
GET YOU OUT OF THIS.
588
00:23:11,123 --> 00:23:12,358
I TOLD YOU!
STOP IT!
589
00:23:12,358 --> 00:23:13,259
I'LL GET YOU OUT OF THIS.
WILL YOU RELAX?
590
00:23:13,259 --> 00:23:14,594
STOP. WHAT ARE YOU DOING?
591
00:23:14,594 --> 00:23:15,828
STOP--STOP ACTING LIKE THIS.
592
00:23:15,828 --> 00:23:17,797
I'M GOING TO BURY
THIS BLOND BASTARD,
593
00:23:17,797 --> 00:23:19,866
AND THEN WE'RE GONNA
GET OUT OF HERE.
594
00:23:19,866 --> 00:23:21,901
Crowd: OHH.
595
00:23:23,570 --> 00:23:25,371
COME ON. I'M JUST
GONNA SLAP YOU.
596
00:23:25,371 --> 00:23:27,507
COME ON. COME ON.
I'M JUST GONNA SLAP.
597
00:23:27,507 --> 00:23:28,608
COME ON, LET'S GO.
598
00:23:28,608 --> 00:23:30,076
ALL RIGHT, COME ON!
599
00:23:42,755 --> 00:23:43,556
UNH!
600
00:23:43,556 --> 00:23:46,559
UNH! UNH!
601
00:23:49,095 --> 00:23:50,196
COME ON, GET UP.
602
00:23:50,196 --> 00:23:51,964
Ted: YOU KNOW,
IT'S A REALLY SIMPLE QUESTION.
603
00:23:51,964 --> 00:23:54,601
ARE YOU JEWISH?
604
00:23:57,837 --> 00:23:59,171
OOH!
605
00:23:59,171 --> 00:24:02,008
UNH!
606
00:24:02,008 --> 00:24:03,409
GET UP! GET UP!
607
00:24:03,409 --> 00:24:05,011
Man: COME ON, MAN.
608
00:24:05,011 --> 00:24:07,980
Ted: ALL YOU HAVE TO DO
IS SAY IT AND IT'S OVER.
609
00:24:09,348 --> 00:24:11,050
IT'S REALLY
A SIMPLE QUESTION:
610
00:24:11,050 --> 00:24:12,485
ARE YOU JEWISH?
611
00:24:13,753 --> 00:24:16,055
SAY IT,
IT'S OVER, OK?
612
00:24:20,126 --> 00:24:21,127
UNH!
613
00:24:22,662 --> 00:24:24,664
THAT'S ENOUGH, TED.
614
00:24:24,664 --> 00:24:25,865
HIT HIM IN THE STOMACH!
615
00:24:27,199 --> 00:24:28,701
Ted: SAY IT
AND IT'S OVER.
616
00:24:28,701 --> 00:24:31,070
SAY IT.
SAY IT AND IT'S OVER.
617
00:24:42,281 --> 00:24:44,751
* AND THE ROCK ISLAND LINE,
SHE'S A MIGHTY GOOD ROAD *
618
00:24:44,751 --> 00:24:46,653
* THE ROCK ISLAND LINE
IS THE ROAD TO RUN *
619
00:24:46,653 --> 00:24:47,687
* YEAH, THE ROCK ISLAND LINE *
620
00:24:47,687 --> 00:24:49,288
* SHE'S A MIGHTY GOOD ROAD *
621
00:24:49,288 --> 00:24:50,857
* YOU GOTTA RIDE, YOU GOTTA
RIDE, YOU GOTTA RIDE *
622
00:24:50,857 --> 00:24:51,891
* GET YOUR TICKET
AT THE STATION *
623
00:24:51,891 --> 00:24:52,992
* ON THE ROCK ISLAND LINE *
624
00:24:52,992 --> 00:24:55,194
[SINGER IMITATES
TRAIN WHISTLE]
625
00:24:55,194 --> 00:24:57,764
* A, B, C, W, H, Y, Z *
626
00:24:57,764 --> 00:25:00,332
* CAT'S ON THE COVER,
BUT HE DON'T SEE ME *
627
00:25:00,332 --> 00:25:03,670
* NOW THE ROCK ISLAND LINE,
SHE'S A MIGHTY GOOD ROAD *
628
00:25:03,670 --> 00:25:05,437
* THE ROCK ISLAND LINE
IS THE ROAD TO RIDE *
629
00:25:05,437 --> 00:25:07,306
* YEAH, THE ROCK ISLAND LINE
IS A MIGHTY GOOD ROAD *
630
00:25:07,306 --> 00:25:08,941
* IF YOU WANT TO RIDE IT,
GOTTA RIDE IT *
631
00:25:08,941 --> 00:25:10,376
* GET YOUR TICKET
AT THE STATION *
632
00:25:10,376 --> 00:25:11,711
* FOR THE ROCK ISLAND LINE *
633
00:25:11,711 --> 00:25:13,946
* ROCK ISLAND LINE
IS A MIGHTY GOOD ROAD *
634
00:25:13,946 --> 00:25:15,514
* ROCK ISLAND ROAD,
THE ROAD TO RIDE *
635
00:25:15,514 --> 00:25:16,549
* YEAH, THE ROCK ISLAND LINE *
636
00:25:16,549 --> 00:25:18,651
* IT'S A MIGHTY GOOD ROAD *
637
00:25:18,651 --> 00:25:21,921
* GO A-RIDIN'
ON THE ROCK ISLAND LINE *
638
00:25:24,256 --> 00:25:25,792
JESUS CHRIST!
639
00:25:27,960 --> 00:25:29,295
WHAT KIND
OF PARTY IS THIS?
640
00:25:29,295 --> 00:25:31,263
LET'S GO.
COME ON, SLUGGER.
641
00:25:31,263 --> 00:25:32,331
LET'S GO.
642
00:25:32,331 --> 00:25:33,766
NO, I'M OK. I'M OK,
643
00:25:33,766 --> 00:25:34,767
'CAUSE I HAD HIM SET UP,
BELIEVE ME.
644
00:25:34,767 --> 00:25:36,268
YEAH,
SOME GREAT STRATEGY.
645
00:25:38,537 --> 00:25:41,140
Girl: TREY, HEY!
646
00:25:41,140 --> 00:25:42,208
TREY, ARE YOU ALL RIGHT?
647
00:25:43,242 --> 00:25:44,410
Ted: YOU OK?
648
00:25:44,410 --> 00:25:47,079
OH, YEAH, I'M GOOD.
649
00:25:47,079 --> 00:25:48,414
THE NIGHT IS YOUNG.
650
00:25:48,414 --> 00:25:49,448
HE WAS GETTING WINDED.
651
00:25:49,448 --> 00:25:50,449
THAT'S WHAT
I WAS WAITING FOR.
652
00:25:50,449 --> 00:25:52,284
WHERE'S THAT GIRL?
653
00:25:52,284 --> 00:25:53,319
WHAT? FORGET THAT GIRL.
654
00:25:53,319 --> 00:25:54,286
LET'S GET
THE HELL OUT OF HERE
655
00:25:54,286 --> 00:25:55,454
WHILE THE GOING IS GOOD.
656
00:25:55,454 --> 00:25:56,455
Yussel: WHAT GIRL?
WHAT THE HELL GIRL?
657
00:25:56,455 --> 00:25:57,389
Alan: WAIT A MINUTE.
HOLD ON.
658
00:25:57,389 --> 00:25:58,424
VAN, WHAT ARE YOU DOING?
659
00:25:58,424 --> 00:25:59,759
LET'S GO.
660
00:25:59,759 --> 00:26:01,828
Alan: LET'S GO!
661
00:26:01,828 --> 00:26:04,664
YOU MISSED A LITTLE
FISTICUFFS BACK THERE.
662
00:26:04,664 --> 00:26:07,700
THIS IS
VERY UNFORTUNATE.
663
00:26:07,700 --> 00:26:09,836
YOU KNOW,
IT'S OBVIOUS
664
00:26:09,836 --> 00:26:13,105
THE SMILING PUMPKINS
DISTRACTED ME.
665
00:26:13,105 --> 00:26:16,108
Alan: VAN!
666
00:26:17,476 --> 00:26:19,078
HEY, CINDERELLA.
667
00:26:19,078 --> 00:26:22,581
Alan: OK, LET'S GO,
LET'S GO. NOW.
668
00:26:22,581 --> 00:26:24,416
Yussel: GOT TO
GET OUT OF HERE!
669
00:26:24,416 --> 00:26:26,686
DOES THIS THING OPEN?
670
00:26:26,686 --> 00:26:28,187
VAN, WHAT ARE YOU DOING?
LET'S GO.
671
00:26:28,187 --> 00:26:29,055
CAN I SEE YOU SOMETIME?
672
00:26:29,055 --> 00:26:30,857
COME ON! LET'S GO. NOW.
COME ON!
673
00:26:30,857 --> 00:26:33,325
YOU KNOW THAT--WILL
YOU GUYS GIVE ME A BREAK
674
00:26:33,325 --> 00:26:34,493
FOR A MINUTE, PLEASE.
675
00:26:34,493 --> 00:26:36,328
WAIT! HEY, WAIT A MINUTE.
676
00:26:36,328 --> 00:26:39,198
CINDERELLA?
677
00:26:39,198 --> 00:26:41,634
I'M GONNA KILL YOU!
678
00:26:43,569 --> 00:26:44,737
YOU GOT ANY BEER
LEFT, TED?
679
00:26:44,737 --> 00:26:45,938
OH, I KNOW THEY HAVE
SOME HARD LIQUOR.
680
00:26:45,938 --> 00:26:47,940
LET'S SEE WHAT WE CAN,
UH, DIG UP.
681
00:26:51,577 --> 00:26:54,046
OH, OK.
682
00:26:58,951 --> 00:27:01,754
OH, UH, SORRY I'M LATE
FOR THE BALL, SWEETHEART.
683
00:27:01,754 --> 00:27:03,956
WELL, THAT'S
A FIRST FOR YOU.
684
00:27:10,897 --> 00:27:12,564
LITTLE CUT THERE.
685
00:27:12,564 --> 00:27:14,200
YEAH. TRIED TO PARK.
686
00:27:21,708 --> 00:27:24,977
I DIDN'T EVEN GET HER NAME.
687
00:27:37,924 --> 00:27:40,192
* OH, LIFE WOULD BE
A DREAM *
688
00:27:40,192 --> 00:27:43,529
* IF I COULD TAKE YOU
UP IN PARADISE UP ABOVE *
689
00:27:43,529 --> 00:27:46,598
A HORSE IN WASHINGTON?
PLEASE!
690
00:27:46,598 --> 00:27:47,599
THERE'S VALIDATION.
691
00:27:47,599 --> 00:27:48,801
IMPOSSIBLE, LENNY.
692
00:27:48,801 --> 00:27:50,803
THE STORY'S
ALL OVER THE PLACE.
693
00:27:50,803 --> 00:27:53,272
THIS GUY TALKED HIS DATE
INTO BLOWING A HORSE.
694
00:27:53,272 --> 00:27:54,807
HOW DO YOU TALK A GIRL
INTO BLOWING A HORSE, HUH?
695
00:27:54,807 --> 00:27:55,808
GIVE ME A BREAK!
696
00:27:55,808 --> 00:27:56,809
DON'T BELIEVE IT, THEN.
697
00:27:56,809 --> 00:27:58,244
GET BACK TO LOGIC, TURK.
698
00:27:58,244 --> 00:28:00,112
WHERE YOU GONNA FIND
A HORSE IN WASHINGTON
699
00:28:00,112 --> 00:28:01,313
UNLESS IT'S A POLICE HORSE?
700
00:28:01,313 --> 00:28:03,415
YEAH, AND WHERE'S THE COP?
701
00:28:03,415 --> 00:28:04,416
Murray: EXACTLY.
702
00:28:08,855 --> 00:28:11,057
NICE FEATHERS, BOYS.
WHERE'S BEN?
703
00:28:11,057 --> 00:28:12,258
OH, HE'S AT HOME
CELEBRATING.
704
00:28:12,258 --> 00:28:14,626
YEAH? I KNEW THEY
WOULDN'T LET HIM OUT.
705
00:28:14,626 --> 00:28:15,694
YOU GOT
ONE STUBBORN BROTHER.
706
00:28:15,694 --> 00:28:16,996
YEAH, TELL ME
ABOUT IT.
707
00:28:16,996 --> 00:28:17,797
Sheldon: DID YOU HEAR
ABOUT THE SINATRA THING?
708
00:28:17,797 --> 00:28:19,065
NO, WHAT?
709
00:28:19,065 --> 00:28:20,366
WE'RE GOING TO THE UPTOWN
TO SEE THE MOVIE,
710
00:28:20,366 --> 00:28:21,267
READY TO GET OUT OF THE CAR,
711
00:28:21,267 --> 00:28:23,335
HE SAYS, "CAN'T
GET OUT OF THE CAR
712
00:28:23,335 --> 00:28:24,170
UNTIL SINATRA FINISHES."
713
00:28:24,170 --> 00:28:25,637
I TRIED TO GET OUT
OF THE CAR.
714
00:28:25,637 --> 00:28:26,705
HE GRABS ME
BY MY SHIRT AND YELLS,
715
00:28:26,705 --> 00:28:28,407
"NO ONE WALKS OUT
ON SINATRA."
716
00:28:28,407 --> 00:28:30,376
SO WE HAD TO SIT THERE
AND LISTEN TO THE SONG.
717
00:28:30,376 --> 00:28:31,377
THEN WE COULD GO.
718
00:28:31,377 --> 00:28:32,779
LIKE I DON'T KNOW
ABOUT HIM AND SINATRA.
719
00:28:32,779 --> 00:28:34,180
Murray: WE WERE LATE
FOR THE MOVIE THEN.
720
00:28:34,180 --> 00:28:35,782
I DIDN'T EVEN UNDERSTAND
THE PLOT UNTIL,
721
00:28:35,782 --> 00:28:36,783
LIKE, 2 HOURS INTO IT.
722
00:28:36,783 --> 00:28:37,784
THAT'S IMPOSSIBLE.
723
00:28:37,784 --> 00:28:38,785
YEAH, IT IS.
724
00:28:38,785 --> 00:28:41,453
Lenny:
YOU THINK ABOUT IT.
725
00:28:41,453 --> 00:28:43,255
WHY SPEND A NIGHT WITH
JUST ANY KIND OF HORSE
726
00:28:43,255 --> 00:28:44,824
WHEN YOU COULD HAVE
A HORSE WITH MONEY,
727
00:28:44,824 --> 00:28:46,225
LIKE FRANCIS
THE TALKING MULE.
728
00:28:46,225 --> 00:28:47,459
Sheldon: HE'S NOT
A HORSE, HE'S A MULE.
729
00:28:47,459 --> 00:28:48,460
HE'S A MULE, LENNY!
730
00:28:48,460 --> 00:28:50,462
IT'S A WHOLE
ANOTHER THING.
731
00:28:50,462 --> 00:28:51,864
IT'S NOT AS BIG A FEAT IF
YOU BLOW A MULE, I MEAN--
732
00:28:51,864 --> 00:28:53,199
WONDER WHAT'S BIGGER,
A MULE OR A HORSE?
733
00:28:53,199 --> 00:28:55,634
I'D HAVE TO SAY A HORSE,
BECAUSE MULES ARE, UH...
734
00:28:55,634 --> 00:28:57,069
INCAPABLE OF REPRODUCING.
735
00:28:57,069 --> 00:28:59,071
HOW DO THEY
REPRODUCE?
736
00:28:59,071 --> 00:29:01,373
THEY'RE INCAPABLE
OF REPRODUCING.
737
00:29:01,373 --> 00:29:02,374
THEY DON'T REPRODUCE.
738
00:29:02,374 --> 00:29:03,409
DO THEY HAVE SPERM?
739
00:29:03,409 --> 00:29:05,544
HOW DO THEY--HOW DO
THEY MAKE MORE MULES?
740
00:29:05,544 --> 00:29:07,814
THEY BREED HORSES
AND DONKEYS.
741
00:29:11,884 --> 00:29:13,352
HOW COULD YOU
NOT GET HER NAME?
742
00:29:13,352 --> 00:29:14,720
I WAS FLUMMOXED.
743
00:29:14,720 --> 00:29:16,823
I WAS
COMPLETELY FLUMMOXED.
744
00:29:16,823 --> 00:29:17,824
SHE--SHE DID THE THING
WITH THE WAND
745
00:29:17,824 --> 00:29:18,825
AND I WAS GOING--
746
00:29:18,825 --> 00:29:20,092
GOOD LUCK
FINDING HER.
747
00:29:20,092 --> 00:29:22,094
I GOT THIS BAD CASE
OF BLUE BALLS RIGHT NOW.
748
00:29:22,094 --> 00:29:23,930
I'M THINKIN' ABOUT HER
SO MUCH. I LOVE THIS GIRL.
749
00:29:23,930 --> 00:29:24,931
WELL, YOU'RE GOING
TO BE IN LOVE ALONE.
750
00:29:24,931 --> 00:29:26,265
SHE'S HISTORY.
751
00:29:26,265 --> 00:29:29,135
AND I TELL YOU, I'M NOT
GOING BACK OVER THERE...
752
00:29:29,135 --> 00:29:31,403
WITH THAT--THAT TAB HUNTER.
753
00:29:31,403 --> 00:29:32,771
THAT SON OF A BITCH.
754
00:29:32,771 --> 00:29:34,941
* OH, OH, OH, PLEASE *
755
00:29:34,941 --> 00:29:36,943
* BE MINE, OH, OH, PLEASE *
756
00:29:36,943 --> 00:29:37,944
Van: HE WANTED TO KNOW.
757
00:29:37,944 --> 00:29:39,145
Yussel: LET ME ASK.
758
00:29:39,145 --> 00:29:40,446
WHEN WAS THE LAST TIME
YOU WANTED TO KNOW
759
00:29:40,446 --> 00:29:41,881
IF SOMEONE WAS CATHOLIC?
760
00:29:41,881 --> 00:29:44,050
OR EPISCOPALIAN
OR PROTESTANT, METHODIST,
761
00:29:44,050 --> 00:29:45,051
WHO GIVES A SHIT?
762
00:29:45,051 --> 00:29:46,052
WHAT'S THE
DIFFERENCE BETWEEN
763
00:29:46,052 --> 00:29:47,253
ALL THOSE GROUPS?
NOTHING.
764
00:29:47,253 --> 00:29:49,655
THEY--THEY
ALL PRAY TO CHRIST.
765
00:29:49,655 --> 00:29:51,924
YOU KNOW,
IT'S PERFECTLY FINE
766
00:29:51,924 --> 00:29:53,392
TO HAVE A JEW
HANGING OVER THE BED.
767
00:29:53,392 --> 00:29:55,627
JUST DON'T HAVE THAT JEW
COME THROUGH THE FRONT DOOR.
768
00:29:55,627 --> 00:29:56,829
A DEAD JEW IS OK.
769
00:29:56,829 --> 00:29:58,164
I THINK THAT'S
THE OPERATIVE WORD.
770
00:29:58,164 --> 00:30:01,233
GO--GO FIGURE.
THEY ALL PRAY TO A JEW.
771
00:30:01,233 --> 00:30:03,836
SO IN A WAY, THEY'RE
ALL REFORMED JEWS AT HEART.
772
00:30:03,836 --> 00:30:05,371
I GOTTA FIND THIS GIRL.
773
00:30:05,371 --> 00:30:06,839
I GOTTA FIND HER.
774
00:30:06,839 --> 00:30:08,040
WELL, YOU'RE GOING
TO HAVE TO PRAY TO GOD.
775
00:30:08,040 --> 00:30:09,675
A GENTILE GOD,
MIND YOU.
776
00:30:09,675 --> 00:30:11,510
Group: THE LORD
IS MY SHEPHERD;
777
00:30:11,510 --> 00:30:13,779
I SHALL NOT WANT.
778
00:30:13,779 --> 00:30:18,284
HE MAKETH ME TO LIE DOWN
IN GREEN PASTURES.
779
00:30:18,284 --> 00:30:21,954
HE LEADETH ME BESIDE
THE STILL WATERS;
780
00:30:21,954 --> 00:30:24,924
HE RESTORETH MY SOUL.
781
00:30:24,924 --> 00:30:28,560
HE LEADETH ME IN THE PATH
OF RIGHTEOUSNESS...
782
00:30:28,560 --> 00:30:31,097
FOR HIS NAME'S SAKE.
783
00:30:31,097 --> 00:30:34,033
YEA, THOUGH I WALK
THROUGH THE VALLEY
784
00:30:34,033 --> 00:30:35,667
OF THE SHADOW OF DEATH,
785
00:30:35,667 --> 00:30:38,404
I WILL FEAR NO EVIL...
786
00:30:38,404 --> 00:30:40,472
FOR THOU ART WITH ME.
787
00:30:40,472 --> 00:30:44,310
THY ROD AND THY STAFF,
THEY COMFORT ME.
788
00:30:44,310 --> 00:30:48,347
THOU PREPAREST
A TABLE BEFORE ME
789
00:30:48,347 --> 00:30:50,716
IN THE PRESENCE
OF MINE ENEMIES.
790
00:30:50,716 --> 00:30:53,920
THOU ANOINTEST MY HEAD
WITH OIL.
791
00:30:53,920 --> 00:30:57,890
MY CUP RUNNETH OVER.
792
00:31:08,234 --> 00:31:11,003
GOODNESS AND MERCY
SHALL FOLLOW ME
793
00:31:11,003 --> 00:31:13,572
ALL THE DAYS OF MY LIFE.
794
00:31:13,572 --> 00:31:18,577
AND I WILL DWELL IN THE HOUSE
OF THE LORD FOREVER.
795
00:31:18,577 --> 00:31:20,646
AMEN.
796
00:31:20,646 --> 00:31:22,548
HEY, NICK, NICK.
797
00:31:22,548 --> 00:31:25,217
YOU GUYS GOT INTO A REAL
BROUHAHA THIS WEEKEND.
798
00:31:25,217 --> 00:31:26,986
YOU ALREADY HEARD
ABOUT THAT, HUH?
799
00:31:26,986 --> 00:31:28,887
I HAD A POLICE OFFICER
AT MY DOOR THIS MORNING.
800
00:31:28,887 --> 00:31:30,722
WHY? THAT FIGHT
WAS NO BIG DEAL.
801
00:31:30,722 --> 00:31:32,824
NO, NO, ABOUT
THE CAR CRASH.
802
00:31:32,824 --> 00:31:34,893
YEAH, WHY'S A COP
COME AND SEE YOU?
803
00:31:34,893 --> 00:31:36,495
ABOUT YOU GUYS.
804
00:31:36,495 --> 00:31:37,829
US
805
00:31:37,829 --> 00:31:38,897
THE COP SAID HE HEARD
806
00:31:38,897 --> 00:31:40,132
YOU GUYS SAW
WHAT HAPPENED,
807
00:31:40,132 --> 00:31:41,533
THAT YOU WERE EYEWITNESSES
TO THE ACCIDENT.
808
00:31:41,533 --> 00:31:43,602
YEAH, WELL, THERE WERE
A LOT OF PEOPLE WHO SAW THAT.
809
00:31:43,602 --> 00:31:45,437
I MEAN, WHY DO THEY
NEED US TO BE WITNESSES?
810
00:31:45,437 --> 00:31:46,872
I DON'T KNOW.
811
00:31:46,872 --> 00:31:48,140
THE GUYS MUST
BE GOOFING WITH US,
812
00:31:48,140 --> 00:31:50,009
'CAUSE, YOU KNOW,
A LOT OF PEOPLE SAW THIS.
813
00:31:50,009 --> 00:31:51,010
I DON'T KNOW WHAT--
THEY DON'T NEED US.
814
00:31:51,010 --> 00:31:52,511
YOU GOT ME.
815
00:31:52,511 --> 00:31:54,380
ALL I KNOW IS THE COP
SAID TREY TRAVELSTEAD
816
00:31:54,380 --> 00:31:56,082
WAS DRIVING RECKLESSLY,
SMASHING PUMPKINS
817
00:31:56,082 --> 00:31:57,216
AND RUNNING THEM OVER.
818
00:31:57,216 --> 00:31:58,784
HE THEN RAN THROUGH
THE PATIO AREA,
819
00:31:58,784 --> 00:32:01,720
AND THERE WERE 3 GUYS FROM
ANOTHER SECTION OF TOWN.
820
00:32:01,720 --> 00:32:02,989
I KNEW THE NAMES.
821
00:32:02,989 --> 00:32:04,523
WHAT, YOU GAVE
THE COPS OUR NAMES?
822
00:32:04,523 --> 00:32:07,159
YEAH. I DIDN'T THINK
IT WAS A BIG DEAL.
823
00:32:07,159 --> 00:32:09,295
THAT'S TERRIFIC,
YOU KNOW. COME HERE.
824
00:32:11,030 --> 00:32:13,165
LISTEN, THERE
WAS THIS GIRL THERE.
825
00:32:13,165 --> 00:32:14,300
I--I FLIPPED OUT
ON HER.
826
00:32:14,300 --> 00:32:15,867
I MEAN,
SHE WAS INCREDIBLE.
827
00:32:15,867 --> 00:32:17,103
WHAT'S HER NAME?
828
00:32:17,103 --> 00:32:18,337
I DON'T KNOW. I--
829
00:32:18,337 --> 00:32:19,972
I KNOW YOU KNOW
A LOT OF THESE PEOPLE.
830
00:32:19,972 --> 00:32:21,607
MAYBE YOU COULD ASK
AROUND FOR ME?
831
00:32:21,607 --> 00:32:23,209
WHAT DOES SHE
LOOK LIKE?
832
00:32:23,209 --> 00:32:25,244
SHE'S GORGEOUS. BLONDE.
833
00:32:25,244 --> 00:32:26,445
SHE LOOKED LIKE,
UH, CINDERELLA.
834
00:32:27,379 --> 00:32:28,580
REALLY, SHE DRESSED
LIKE CINDERELLA.
835
00:32:28,580 --> 00:32:29,515
SHE WAS, LIKE,
836
00:32:29,515 --> 00:32:31,150
SHE HAD A MAGIC WAND
AND EVERYTHING.
837
00:32:31,150 --> 00:32:32,951
CINDERELLA DIDN'T
HAVE A MAGIC WAND.
838
00:32:32,951 --> 00:32:34,386
IT'S NOT IMPORTANT
839
00:32:34,386 --> 00:32:35,587
IF CINDERELLA
HAD A MAGIC WAND.
840
00:32:35,587 --> 00:32:37,256
THIS GIRL
HAD A MAGIC WAND, OK?
841
00:32:37,256 --> 00:32:38,957
I NEED YOUR HELP
TO FIND THIS GIRL
842
00:32:38,957 --> 00:32:40,326
WITH THE MAGIC WAND,
ALL RIGHT?
843
00:32:40,326 --> 00:32:42,261
SHE'S GORGEOUS, BLONDE,
844
00:32:42,261 --> 00:32:44,030
AND CARRIES
A MAGIC WAND.
845
00:33:42,121 --> 00:33:44,823
I'M BEN. I'M
IN YOUR HOMEROOM.
846
00:33:44,823 --> 00:33:46,458
I KNOW.
847
00:33:50,996 --> 00:33:52,364
WHERE YOU GOING?
848
00:33:52,364 --> 00:33:54,066
I THOUGHT YOU LIVED
AROUND SCHOOL.
849
00:33:54,066 --> 00:33:55,334
UH, DOWNTOWN.
850
00:33:55,334 --> 00:33:58,437
I'M GOING--I'M GOING
DOWNTOWN. YEAH.
851
00:34:01,140 --> 00:34:03,109
CAN I--CAN I ASK YOU
A QUESTION?
852
00:34:03,109 --> 00:34:05,043
Sylvia: I GUESS.
853
00:34:05,043 --> 00:34:08,647
UH...I ALWAYS WATCH YOU
SAY THE 23rd PSALM,
854
00:34:08,647 --> 00:34:10,616
AND--AND YOU SEEM SO...
855
00:34:10,616 --> 00:34:12,651
YOU SEEM SO ABSORBED.
856
00:34:12,651 --> 00:34:14,186
WHY?
857
00:34:14,186 --> 00:34:15,754
WHY DO YOU ASK?
858
00:34:15,754 --> 00:34:18,824
WELL, I'VE NEVER SEEN SOMEONE
SO REVERENTIAL, I GUESS.
859
00:34:18,824 --> 00:34:21,993
FOR ME, IT'S JUST A MOMENT
TO MYSELF, THAT'S ALL.
860
00:34:21,993 --> 00:34:24,430
THE BIG QUESTION IS YOU.
861
00:34:24,430 --> 00:34:25,897
ME
862
00:34:25,897 --> 00:34:28,300
YEAH, YOU'RE JEWISH. SO,
863
00:34:28,300 --> 00:34:30,169
WHAT'S THE 23rd PSALM
ABOUT FOR YOU?
864
00:34:30,169 --> 00:34:33,839
I NEVER REALLY THOUGHT
OF IT AS RELIGIOUS.
865
00:34:33,839 --> 00:34:35,607
IT'S JUST SOMETHING
I'VE BEEN SAYING EVERY DAY
866
00:34:35,607 --> 00:34:37,042
SINCE FIRST GRADE.
867
00:34:37,042 --> 00:34:39,077
AND?
868
00:34:39,077 --> 00:34:41,347
WELL, I ALWAYS THOUGHT
OF THE 23rd PSALM
869
00:34:41,347 --> 00:34:43,882
LIKE, UH...
THE NATIONAL ANTHEM.
870
00:34:43,882 --> 00:34:46,418
IT'S JUST SOMETHING YOU SAY
BEFORE THE GAME STARTS.
871
00:34:46,418 --> 00:34:50,055
HE MAKETH ME TO LIE DOWN
IN GREEN PASTURES.
872
00:34:50,055 --> 00:34:52,158
WHAT DOES THAT MEAN
TO YOU?
873
00:34:52,158 --> 00:34:53,159
HONESTLY?
874
00:34:53,159 --> 00:34:54,160
YEAH.
875
00:34:54,160 --> 00:34:55,727
NO IDEA.
876
00:34:55,727 --> 00:34:56,728
HA HA. NO IDEA?
877
00:34:56,728 --> 00:34:58,364
NO I-NO IDEA.
878
00:34:58,364 --> 00:35:00,566
I MEAN, NOBODY'S
MAKING ME LIE DOWN.
879
00:35:00,566 --> 00:35:03,669
I DON'T KNOW WHERE THESE
GREEN PASTURES ARE.
880
00:35:05,471 --> 00:35:08,540
HAS ANYONE EVER ANOINTED
YOUR HEAD WITH OIL?
881
00:35:08,540 --> 00:35:10,242
NO.
NO.
882
00:35:10,242 --> 00:35:12,244
HAS YOUR CUP
EVER RUNNETH OVER?
883
00:35:12,244 --> 00:35:14,446
NO, IT HASN'T.
884
00:35:28,860 --> 00:35:30,596
I'M GOING
DOWNTOWN.
885
00:35:36,067 --> 00:35:37,536
THIS IS MY STOP.
886
00:35:37,536 --> 00:35:40,172
I--I THOUGHT
YOU LIVED DOWNTOWN.
887
00:35:40,172 --> 00:35:42,874
OH, IS THAT WHERE
I'M SUPPOSED TO LIVE?
888
00:35:44,876 --> 00:35:47,346
YEAH. WAIT!
889
00:35:52,518 --> 00:35:55,221
SYLVIA, WAIT.
CAN I WALK WITH YOU?
890
00:35:55,221 --> 00:35:57,889
UH, CAN I WALK WITH YOU?
891
00:36:06,598 --> 00:36:09,568
Sylvia: I DON'T KNOW IF
THIS IS SUCH A GOOD IDEA.
892
00:36:09,568 --> 00:36:12,170
WE'RE GETTING CLOSE
TO MY HOUSE.
893
00:36:12,170 --> 00:36:14,005
AND MY FATHER COMES HOME
IN THE AFTERNOON
894
00:36:14,005 --> 00:36:15,106
ON OCCASION.
895
00:36:15,106 --> 00:36:16,708
HE WOULD NOT
BE THRILLED TO SEE ME
896
00:36:16,708 --> 00:36:18,777
WALKING HOME
WITH A WHITE BOY.
897
00:36:18,777 --> 00:36:20,612
I UNDERSTAND.
898
00:36:20,612 --> 00:36:22,248
I'M SORRY.
899
00:36:34,926 --> 00:36:36,495
YOU KNOW WHAT?
WAIT HERE.
900
00:36:36,495 --> 00:36:37,996
I'LL GET MY MOTHER'S CAR
AND PICK YOU UP.
901
00:36:37,996 --> 00:36:41,667
BUT WHEN I DO, GET IN FAST
AND GET ON THE FLOOR, OK?
902
00:36:48,374 --> 00:36:49,708
Nate: HEY.
Pete: WHAT?
903
00:36:49,708 --> 00:36:51,176
I JUST GOT OFF THE PHONE
WITH 5 OR 6 OF OUR GUYS.
904
00:36:51,176 --> 00:36:52,210
I'M GETTING
GREAT FEEDBACK
905
00:36:52,210 --> 00:36:53,211
ON THE BONUS BET.
906
00:36:53,211 --> 00:36:54,212
GOOD.
YEAH.
907
00:36:54,212 --> 00:36:56,214
MR. KURTZMAN?
908
00:36:56,214 --> 00:36:58,750
MY COSTUME
DIDN'T ARRIVE HERE.
909
00:36:58,750 --> 00:36:59,585
WHAT SHOULD I DO?
910
00:36:59,585 --> 00:37:01,353
DID YOU CALL
THE SUPPLIERS?
911
00:37:01,353 --> 00:37:02,554
YES, I DID, AND THEY
SAID IT SHOULD BE HERE.
912
00:37:02,554 --> 00:37:04,990
BUT IT'S NOT!
SO I THINK THAT IT'S LOST.
913
00:37:04,990 --> 00:37:07,593
WELL, I GUESS YOU'LL
JUST GONNA HAVE TO MAKE DUE
914
00:37:07,593 --> 00:37:08,660
WITH WHAT'S IN STORAGE, THEN.
915
00:37:08,660 --> 00:37:11,563
NO, I ONLY WEAR
MY OWN OUTFITS,
916
00:37:11,563 --> 00:37:13,231
AND THEY'RE
VERY EXPENSIVE.
917
00:37:13,231 --> 00:37:14,900
WELL, WHAT CAN I
TELL YOU, HONEY?
918
00:37:14,900 --> 00:37:18,804
I'M NOT WEARING
ANYBODY ELSE'S COSTUME
919
00:37:18,804 --> 00:37:20,539
ON MY BODY.
920
00:37:27,313 --> 00:37:29,047
DO I NEED THIS?
921
00:37:31,583 --> 00:37:32,951
GET IN.
922
00:37:32,951 --> 00:37:33,985
HURRY UP.
923
00:37:33,985 --> 00:37:35,687
COME ON.
924
00:37:37,989 --> 00:37:39,891
GET ON THE FLOOR.
925
00:37:39,891 --> 00:37:40,892
WHAT?
926
00:37:40,892 --> 00:37:42,994
GET ON THE FLOOR!
927
00:37:42,994 --> 00:37:44,596
IS THIS REALLY NECESSARY?
928
00:37:44,596 --> 00:37:45,764
YEAH.
929
00:37:50,969 --> 00:37:53,539
* YES, SHE'S A KIND OF *
930
00:37:53,539 --> 00:37:55,874
* FRIEND INDEED *
931
00:37:55,874 --> 00:37:57,876
* I GOT A WOMAN *
932
00:37:57,876 --> 00:38:00,312
* WAY UPTOWN *
933
00:38:00,312 --> 00:38:02,280
* THAT'S GOOD TO ME *
934
00:38:02,280 --> 00:38:04,015
* OH, YEAH *
935
00:38:04,015 --> 00:38:05,083
* OH, YEAH *
936
00:38:05,083 --> 00:38:06,251
HE'S REALLY GOOD.
937
00:38:06,251 --> 00:38:08,587
HA. YEAH. YOU NEVER
HEARD HIM BEFORE?
938
00:38:08,587 --> 00:38:10,221
NAH. NO, NO,
I ONLY LISTEN
939
00:38:10,221 --> 00:38:11,723
TO THE REGULAR RADIO.
940
00:38:11,723 --> 00:38:13,659
YOU LISTEN TO REGULAR RADIO?
941
00:38:13,659 --> 00:38:16,294
WHAT IS THIS?
WHAT AM I LISTENING TO?
942
00:38:17,429 --> 00:38:19,297
THE--THE OTHER KIND OF--
943
00:38:19,297 --> 00:38:20,332
THE OTHER RADIO.
944
00:38:22,334 --> 00:38:25,337
OK.
945
00:38:25,337 --> 00:38:27,305
THERE'S A PLACE NEAR THE ZOO.
946
00:38:27,305 --> 00:38:29,941
NO ONE WILL SEE US THERE.
947
00:38:29,941 --> 00:38:31,510
HUH?
948
00:38:31,510 --> 00:38:33,712
THE ZOO. I THINK
WE SHOULD GO TO THE ZOO.
949
00:38:33,712 --> 00:38:35,313
OH, YEAH. GREAT.
GOOD. THE ZOO.
950
00:38:35,313 --> 00:38:37,048
* I GOT A WOMAN *
951
00:38:37,048 --> 00:38:39,385
* WAY UP A-TOWN *
952
00:38:39,385 --> 00:38:41,286
* THAT'S GOOD TO ME *
953
00:38:41,286 --> 00:38:42,754
* OH, YEAH *
954
00:38:42,754 --> 00:38:45,290
Ben: DOES YOUR DAD
KNOW CAB CALLOWAY?
955
00:38:45,290 --> 00:38:47,493
WHY WOULD YOU ASK THAT?
956
00:38:47,493 --> 00:38:49,428
WELL, HE WENT
TO DOUGLASS HIGH.
957
00:38:49,428 --> 00:38:50,929
YOU KNOW,
THE NEGRO SCHOOL.
958
00:38:50,929 --> 00:38:53,399
NO, HE DOESN'T.
959
00:38:53,399 --> 00:38:55,233
WHAT ABOUT, UH,
BILLIE HOLIDAY?
960
00:38:55,233 --> 00:38:57,268
WHAT, JUST BECAUSE
WE'RE NEGROES,
961
00:38:57,268 --> 00:38:59,905
WE ARE SUPPOSED TO KNOW
ALL THE NEGROES?
962
00:38:59,905 --> 00:39:00,972
I DON'T KNOW. MAYBE.
963
00:39:00,972 --> 00:39:03,442
OH, DO YOU KNOW
ALBERT EINSTEIN, THEN?
964
00:39:03,442 --> 00:39:05,644
UH, NO, BUT, UH...
965
00:39:05,644 --> 00:39:08,480
I THINK MY FAMILY KNOWS
SOME OF THE EINSTEINS.
966
00:39:10,248 --> 00:39:11,249
ARE YOU SERIOUS?
967
00:39:30,669 --> 00:39:35,841
* YOU MUST HAVE BROUGHT
THE BAD WEATHER WITH YOU *
968
00:39:35,841 --> 00:39:40,546
* THE SKY'S THE COLOR OF LEAD *
969
00:39:40,546 --> 00:39:43,214
* ALL YOU LEFT ME IS A FETISH *
970
00:39:43,214 --> 00:39:45,917
DO YOU THINK SHE COULD FIND
ONE OUTFIT TO PUT ON?
971
00:39:45,917 --> 00:39:47,919
HEY, SHE'S GOT
SOME KIND OF GERM THING.
972
00:39:47,919 --> 00:39:49,888
SHE DOESN'T LIKE TO WEAR
ANYBODY ELSE'S STUFF.
973
00:39:49,888 --> 00:39:54,660
* IT'S ALWAYS ME
WHENEVER THERE'S TROUBLE *
974
00:39:54,660 --> 00:39:58,997
* OUR WORLD
DOES NOTHING BUT TURN *
975
00:39:58,997 --> 00:40:03,935
* AND THE RING,
IT FELL OFF MY FINGER *
976
00:40:03,935 --> 00:40:05,370
THIS IS VERY UNIQUE.
977
00:40:05,370 --> 00:40:07,539
OH, YEAH.
I'VE GOT A STRIPPER
978
00:40:07,539 --> 00:40:08,874
WHO'S DRESSED LIKE
MY COUSIN MARCIA.
979
00:40:09,908 --> 00:40:14,946
* BUT IT'S OVER,
IT'S OVER, IT'S OVER *
980
00:40:16,414 --> 00:40:19,417
THIS IS NUTS. THE ODDS
ON FINDING THIS GIRL
981
00:40:19,417 --> 00:40:20,719
ARE, LIKE,
ONE IN A MILLION.
982
00:40:20,719 --> 00:40:23,388
TRUST ME, OK? I JUST,
I HAVE A FEELING SHE--
983
00:40:23,388 --> 00:40:24,856
SHE'S THERE.
984
00:40:24,856 --> 00:40:27,593
NOT ONLY DO WE HAVE TO FIND
THE RIGHT NEIGHBORHOOD,
985
00:40:27,593 --> 00:40:30,996
BUT SHE HAS TO BE
COINCIDENTALLY WALKING AROUND
986
00:40:30,996 --> 00:40:32,197
AT THIS EXACT TIME.
987
00:40:32,197 --> 00:40:33,398
THE THING
I DON'T UNDERSTAND
988
00:40:33,398 --> 00:40:35,133
IS NICK CAMPBELL
IS CHECKING HER OUT.
989
00:40:35,133 --> 00:40:36,167
YOU CAN'T
GIVE HIM TIME?
990
00:40:36,167 --> 00:40:37,435
NO, I CAN'T.
I CAN'T WAIT.
991
00:40:37,435 --> 00:40:39,471
I CAN'T WAIT. SHE'S
ON MY MIND ALL THE TIME.
992
00:40:39,471 --> 00:40:40,939
WHAT ARE WE
SUPPOSED TO DO?
993
00:40:40,939 --> 00:40:44,042
JUST LOOK FOR THE GLOW
OF THE GIRL'S TIARA?
994
00:40:44,042 --> 00:40:47,312
OH, I THINK I SEE SOMEBODY
WITH A MAGIC WAND.
995
00:40:47,312 --> 00:40:48,814
IF YOU GUYS
WOULD STOP TALKING
996
00:40:48,814 --> 00:40:50,782
AND LOOK AROUND,
LOOK AROUND, PLEASE.
997
00:40:50,782 --> 00:40:53,018
SHE'S GONNA BE THE ONE PERSON
WALKING AROUND?
998
00:40:53,018 --> 00:40:58,089
* I'VE ALREADY GONE
TO THE PLACE I'M GOING *
999
00:40:58,089 --> 00:41:00,425
* THERE'S NO PLACE
LEFT TO FALL *
1000
00:41:00,425 --> 00:41:02,694
I HOPE SHE DOESN'T
HURT HERSELF.
1001
00:41:02,694 --> 00:41:04,462
* AND THERE'S SOMETHING
TO BE SEEN *
1002
00:41:04,462 --> 00:41:06,164
COME ON! WHOO!
1003
00:41:06,164 --> 00:41:09,501
Yussel: WHERE THE HELL ARE WE
RIGHT NOW
1004
00:41:09,501 --> 00:41:11,503
Van: UH,
I DON'T KNOW.
1005
00:41:11,503 --> 00:41:13,238
WE MUST'VE
LEFT THE AREA.
1006
00:41:13,238 --> 00:41:14,606
GREAT.
I'M SORRY.
1007
00:41:14,606 --> 00:41:16,908
I HAVE OTHER THINGS
ON MY MIND. JESUS.
1008
00:41:16,908 --> 00:41:18,176
Alan: MEANWHILE,
THIS NEIGHBORHOOD
1009
00:41:18,176 --> 00:41:19,344
IS MAKING ME
NERVOUS, OK?
1010
00:41:19,344 --> 00:41:20,445
I'VE SEEN 3 GUYS
1011
00:41:20,445 --> 00:41:21,647
WALKING AROUND
WITH TOOLS.
1012
00:41:21,647 --> 00:41:23,048
ALL RIGHT. I'M GONNA
GET US OUT OF HERE.
1013
00:41:23,048 --> 00:41:26,417
YOU KNOW, THERE'S NO
SUCH THING AS A DREAM GIRL.
1014
00:41:26,417 --> 00:41:27,753
DO YOU THINK
THAT MY FATHER
1015
00:41:27,753 --> 00:41:31,356
THOUGHT THAT MY MOTHER
WAS A DREAM GIRL?
1016
00:41:31,356 --> 00:41:32,591
NO, NO WAY.
1017
00:41:32,591 --> 00:41:34,960
LET ME
TELL YOU SOMETHING.
1018
00:41:34,960 --> 00:41:37,162
ALL RIGHT? THIS GIRL,
I'M--I'M OBSESSED.
1019
00:41:37,162 --> 00:41:39,865
IT'S--THIS IS MEANT
TO BE. PREORDAINED.
1020
00:41:39,865 --> 00:41:42,100
DREAM GIRLS
WERE INVENTED BY GOD
1021
00:41:42,100 --> 00:41:44,035
TO TEASE THE APPARATUS.
THAT'S ALL.
1022
00:41:44,035 --> 00:41:46,237
ALL RIGHT.
YOU SETTLE FOR LESS.
1023
00:41:46,237 --> 00:41:47,238
THAT'S NOT THE POINT.
1024
00:41:47,238 --> 00:41:48,239
YEAH, WHAT'S THE POINT?
1025
00:41:48,239 --> 00:41:49,575
DREAM GIRLS.
1026
00:41:49,575 --> 00:41:50,709
I'D RATHER NOT BE
IN THIS CAR
1027
00:41:50,709 --> 00:41:51,710
DRIVING AROUND
1028
00:41:51,710 --> 00:41:52,778
LOOKING FOR
MY DREAM GIRL
1029
00:41:52,778 --> 00:41:53,845
WHICH
I HAD TO LEAVE
1030
00:41:53,845 --> 00:41:55,647
BECAUSE YOU
WERE OUT FIGHTING!
1031
00:41:55,647 --> 00:41:58,283
DO ME A FAVOR.
LOSE MY NUMBER,
1032
00:41:58,283 --> 00:41:59,484
BECAUSE I DON'T KNOW
IF I WANT
1033
00:41:59,484 --> 00:42:01,653
TO CONTINUE
THIS RELATIONSHIP.
1034
00:42:01,653 --> 00:42:06,191
* AND IT'S OVER,
IT'S OVER, IT'S OVER *
1035
00:42:07,425 --> 00:42:09,127
COME ON, BABY,
COME ON! COME ON!
1036
00:42:09,127 --> 00:42:11,196
I THINK SHE'S GOING
TO GO TOO FAR.
1037
00:42:11,196 --> 00:42:12,664
WE'RE GOING TO JAIL.
1038
00:42:12,664 --> 00:42:14,232
DAMN GOOD ACT.
1039
00:42:14,232 --> 00:42:17,268
* NO ONE CARES
WHAT IT'S ALL FOR *
1040
00:42:17,268 --> 00:42:19,805
* YOU'LL BE MARRIED
IN THE CLOTHES *
1041
00:42:19,805 --> 00:42:22,307
* THAT YOU NEVER WORE *
YEAH?
1042
00:42:22,307 --> 00:42:23,474
PHIL, HEY.
1043
00:42:23,474 --> 00:42:25,944
SOME SHOW.
BEST IN YEARS.
1044
00:42:25,944 --> 00:42:27,813
LISTEN, IF SHE
STARTS SHOWING BREASTS
1045
00:42:27,813 --> 00:42:29,948
WITHOUT TASSELS,
KILL THE SPOT.
1046
00:42:29,948 --> 00:42:31,249
NATE.
1047
00:42:31,249 --> 00:42:33,785
NO NIPPLES. IF SHE TAKES OFF
HER UNDERWEAR, KILL THE SPOT.
1048
00:42:33,785 --> 00:42:36,254
NATE, NO.
NATE, BUT--
1049
00:42:36,254 --> 00:42:37,255
NO BUTS.
1050
00:42:37,255 --> 00:42:40,191
* NO ONE CARES
WHAT IT'S ALL FOR *
1051
00:42:40,191 --> 00:42:41,627
THIS IS SOME ACT.
1052
00:42:41,627 --> 00:42:44,329
YEAH, FOR 23 PEOPLE.
1053
00:42:44,329 --> 00:42:46,231
* THAT YOU NEVER WORE *
1054
00:42:46,231 --> 00:42:51,002
* SO KEEP YOUR SUITCASE
BEHIND THE DOOR *
1055
00:42:51,002 --> 00:42:57,776
* IT'S OVER. LET IT GO *
1056
00:42:59,645 --> 00:43:00,679
* LET IT GO *
1057
00:43:00,679 --> 00:43:03,749
All: MORE! MORE!
1058
00:43:07,686 --> 00:43:09,721
I WASN'T FINISHED YET.
1059
00:43:09,721 --> 00:43:10,989
OH, YEAH.
1060
00:43:10,989 --> 00:43:13,058
MORE!
1061
00:43:13,058 --> 00:43:14,960
THAT'S AS MUCH
AS YOU CAN SHOW.
1062
00:43:14,960 --> 00:43:16,662
I WASN'T GONNA SHOW
MORE THAN THAT.
1063
00:43:16,662 --> 00:43:18,563
I WAS JUST GONNA
GIVE IT A PROPER ENDING.
1064
00:43:18,563 --> 00:43:20,031
YEAH, WELL,
DO IT TOMORROW NIGHT.
1065
00:43:20,031 --> 00:43:21,967
WELL, MY COSTUME
SHOULD BE HERE BY THEN.
1066
00:43:21,967 --> 00:43:24,836
THIS IS YOUR COSTUME
FROM NOW ON.
1067
00:43:29,107 --> 00:43:30,308
YOU LIKE?
1068
00:43:30,308 --> 00:43:31,977
I LIKE.
1069
00:43:31,977 --> 00:43:33,812
YOU?
1070
00:43:35,747 --> 00:43:36,948
HE LIKES.
1071
00:43:36,948 --> 00:43:39,117
OK.
1072
00:43:41,987 --> 00:43:42,854
I LIKE.
1073
00:43:50,662 --> 00:43:51,863
UGH.
1074
00:43:51,863 --> 00:43:53,464
BEN, I DON'T WANT YOU
GOING OUT TONIGHT.
1075
00:43:53,464 --> 00:43:54,465
IT'S A SCHOOL NIGHT.
1076
00:43:54,465 --> 00:43:55,934
JUST GOING
ON THE PORCH, MOM.
1077
00:43:59,437 --> 00:44:01,272
COME ON, STOP FOOLING!
1078
00:44:01,272 --> 00:44:03,709
SO, WHAT'S THE NEWS?
1079
00:44:03,709 --> 00:44:05,376
WHAT'S THE BIG SECRET?
1080
00:44:06,511 --> 00:44:08,747
I WAS WITH SYLVIA.
1081
00:44:08,747 --> 00:44:12,383
NO. NO.
1082
00:44:12,383 --> 00:44:13,819
IN HER CAR.
1083
00:44:13,819 --> 00:44:15,653
OH, NO, HER CAR?
1084
00:44:15,653 --> 00:44:17,555
HER MOTHER'S CAR.
1085
00:44:17,555 --> 00:44:20,826
YOU GOT LAID.
BARE TIT?
1086
00:44:20,826 --> 00:44:22,527
DID YOU EVER HEAR
NEGRO MUSIC?
1087
00:44:22,527 --> 00:44:25,764
UH, I--I NEED DETAILS.
1088
00:44:25,764 --> 00:44:26,865
NO, IT WAS
NOTHING LIKE THAT.
1089
00:44:26,865 --> 00:44:28,399
THE MUSIC'S GREAT.
1090
00:44:28,399 --> 00:44:30,435
WHAT THE HELL
DID YOU DO?
1091
00:44:30,435 --> 00:44:31,737
WE TALKED.
1092
00:44:31,737 --> 00:44:33,571
TALKED? BULLSHIT.
1093
00:44:33,571 --> 00:44:36,641
NO, I MEAN,
WE TALKED.
1094
00:44:36,641 --> 00:44:38,643
I HEAR THEY GOT
REALLY SOFT SKIN.
1095
00:44:38,643 --> 00:44:39,878
I DIDN'T TOUCH HER.
1096
00:44:39,878 --> 00:44:42,781
YOU'RE NOT
GIVING ME DETAILS.
1097
00:44:42,781 --> 00:44:43,849
I'M GOING HOME.
1098
00:44:43,849 --> 00:44:46,117
NO, NO, NO, NO.
WE TALKED A LOT.
1099
00:44:46,117 --> 00:44:50,055
WE TALKED ABOUT
NEGRO SINGERS AND COMICS.
1100
00:44:50,055 --> 00:44:52,390
IT WAS GREAT.
IT WAS UNBELIEVABLE.
1101
00:44:53,624 --> 00:44:54,726
SHE BLEW YOU,
DIDN'T SHE?
1102
00:44:54,726 --> 00:44:56,461
NO.
1103
00:44:56,461 --> 00:44:58,663
I DON'T BELIEVE YOU.
1104
00:44:58,663 --> 00:44:59,898
THEN WHY WOULD
I TELL YOU
1105
00:44:59,898 --> 00:45:00,899
I WAS WITH HER?
1106
00:45:00,899 --> 00:45:02,768
I DON'T KNOW, BEN.
I MEAN,
1107
00:45:02,768 --> 00:45:03,969
YOU TALKED
TO THE COLORED GIRL
1108
00:45:03,969 --> 00:45:08,039
ABOUT COMEDY AND MUSIC.
THAT'S BULLSHIT.
1109
00:45:11,176 --> 00:45:13,344
Pete: ALL IN ALL,
THE TAKE IS UP 9%.
1110
00:45:13,344 --> 00:45:14,412
Nate: GOOD, GOOD.
1111
00:45:14,412 --> 00:45:16,081
WHERE DO YOU THINK
YOU'RE GOING? GET A CHAIR.
1112
00:45:16,081 --> 00:45:17,415
INTERESTING.
WE'RE EVEN GETTING
1113
00:45:17,415 --> 00:45:18,549
SOME WHITE BUSINESS.
1114
00:45:18,549 --> 00:45:20,651
INTEGRATION.
COLOREDS AND WHITES
1115
00:45:20,651 --> 00:45:21,820
BETTING NUMBERS
TOGETHER.
1116
00:45:21,820 --> 00:45:22,988
DOES THE HEART GOOD.
1117
00:45:22,988 --> 00:45:24,722
LOOK AT THIS.
GERMANTOWN, GOOD.
1118
00:45:24,722 --> 00:45:26,858
GREEKTOWN GOOD. EVEN
PIGTOWN HAS IMPROVED.
1119
00:45:26,858 --> 00:45:27,859
ALL WHITE AREAS,
1120
00:45:27,859 --> 00:45:28,860
AND THEY
ALL SHOW A BUMP.
1121
00:45:28,860 --> 00:45:30,661
NOT TO CAUSE
ANXIETY,
1122
00:45:30,661 --> 00:45:31,662
BUT I HEAR
THE STATE
1123
00:45:31,662 --> 00:45:32,663
IS THINKING
OF A LOTTERY.
1124
00:45:32,663 --> 00:45:33,799
OH, THAT'S OLD TALK.
1125
00:45:33,799 --> 00:45:34,833
LUKIE SAPERSTEIN'S
BEEN PUSHING THAT
1126
00:45:34,833 --> 00:45:35,934
SINCE THE END
OF THE WAR.
1127
00:45:35,934 --> 00:45:37,068
IT'S GATHERING STEAM
IN ANNAPOLIS.
1128
00:45:37,068 --> 00:45:38,336
THEY'RE LOOKING
FOR NEW REVENUE.
1129
00:45:38,336 --> 00:45:40,171
WHAT THEY SHOULD DO
IS LEGALIZE GAMBLING.
1130
00:45:40,171 --> 00:45:42,173
IT'S GOOD FOR BUSINESS.
VEGAS IS GOING THROUGH THE ROOF.
1131
00:45:42,173 --> 00:45:43,441
RIGHT, THEY'VE
ALREADY GOT SLOTS
1132
00:45:43,441 --> 00:45:44,442
IN ANNE ARUNDEL
COUNTY,
1133
00:45:44,442 --> 00:45:45,276
THEY SHOULD GO
ALL THE WAY.
1134
00:45:45,276 --> 00:45:46,577
THE FARCHADAT GOVERNMENT.
1135
00:45:46,577 --> 00:45:47,745
WHERE DO THEY
COME OFF THINKING
1136
00:45:47,745 --> 00:45:48,980
THAT THEY COULD RUN
A NUMBERS RACKET?
1137
00:45:48,980 --> 00:45:50,882
LOTTERY. IT'S
UNCONSTITUTIONAL.
1138
00:45:50,882 --> 00:45:52,517
THEY'RE MOVING INTO
PRIVATE ENTERPRISE.
1139
00:45:52,517 --> 00:45:53,618
THEY'RE TAKING
MONEY RIGHT OUT
1140
00:45:53,618 --> 00:45:54,752
OF THE MOUTH OF
THE ENTREPRENEUR.
1141
00:45:54,752 --> 00:45:55,753
IT'S NOT RIGHT.
1142
00:45:55,753 --> 00:45:56,922
IT SMACKS
OF SOCIALISM.
1143
00:45:56,922 --> 00:45:58,123
THE GOVERNMENT
DOESN'T KNOW FROM SHIT.
1144
00:45:58,123 --> 00:45:59,958
THEY INTEGRATE
THE GOLF COURSE IN '51
1145
00:45:59,958 --> 00:46:00,959
AND SCHOOLS IN '54.
1146
00:46:00,959 --> 00:46:02,060
WHERE'S
THEIR PRIORITIES?
1147
00:46:02,060 --> 00:46:03,161
THEY INTEGRATED
THE CRICKET FIELD
1148
00:46:03,161 --> 00:46:04,262
IN CLIFTON PARK
BACK IN '50.
1149
00:46:04,262 --> 00:46:05,463
YOU CAN'T FIND
A COLORED PERSON
1150
00:46:05,463 --> 00:46:06,331
WHO PLAYS CRICKET.
1151
00:46:06,331 --> 00:46:07,632
I BEG TO DIFFER.
THAT WAS PART OF
1152
00:46:07,632 --> 00:46:09,100
THE SEPARATE BUT
EQUAL RULING.
1153
00:46:09,100 --> 00:46:10,101
THE COLOREDS
COULD ONLY
1154
00:46:10,101 --> 00:46:11,269
PLAY CRICKET
ON TUESDAYS.
1155
00:46:11,269 --> 00:46:12,737
YOU CAN'T FIND
A COLORED PERSON
1156
00:46:12,737 --> 00:46:14,005
WHO WANTS
TO PLAY CRICKET
1157
00:46:14,005 --> 00:46:15,907
ON TUESDAY, WEDNESDAY,
OR KISS-MY-TUCHIS DAY.
1158
00:46:15,907 --> 00:46:17,108
FOR THAT MATTER,
YOU CAN'T FIND
1159
00:46:17,108 --> 00:46:18,309
A WHITE PERSON
WHO WANTS
1160
00:46:18,309 --> 00:46:19,110
TO PLAY CRICKET.
1161
00:46:19,110 --> 00:46:20,111
WHAT IS IT
WITH THAT GAME?
1162
00:46:20,111 --> 00:46:21,112
IT MAKES
NO SENSE.
1163
00:46:21,112 --> 00:46:22,747
HOW MANY PLAYERS
DO YOU NEED?
1164
00:46:22,747 --> 00:46:23,849
WHAT DO THEY
USE, A MALLET?
1165
00:46:23,849 --> 00:46:24,850
ISN'T THAT THE ONE
WITH THE HOOPS?
1166
00:46:24,850 --> 00:46:25,951
THAT'S CROQUET.
1167
00:46:25,951 --> 00:46:27,152
NAW, CROQUET IS
SOMETHING YOU EAT.
1168
00:46:27,152 --> 00:46:28,286
EVERYTHING IS
SOMETHING YOU EAT.
1169
00:46:28,286 --> 00:46:29,888
NO, I SAW IT
HERE IN THE MENU.
1170
00:46:29,888 --> 00:46:31,022
CHARLIE, YOU KEEP
AN EYE ON THIS.
1171
00:46:31,022 --> 00:46:33,758
JUST WHAT WE NEED.
A STATE LOTTERY.
1172
00:46:33,758 --> 00:46:36,094
Yussel: WHO, UH,
IS GONNA TESTIFY FIRST?
1173
00:46:36,094 --> 00:46:38,063
Van: IT'S, UH,
ALPHABETICAL, I GUESS.
1174
00:46:38,063 --> 00:46:39,364
YOU KNOW, I--I TELL YOU.
1175
00:46:39,364 --> 00:46:42,633
I STILL CANNOT BELIEVE
THAT WE HAVE TO TESTIFY.
1176
00:46:42,633 --> 00:46:43,969
TREY TRAVELSTEAD.
YOU KNOW,
1177
00:46:43,969 --> 00:46:45,303
THE GUY
MUST HAVE COME OVER
1178
00:46:45,303 --> 00:46:46,771
ON THE MAYFLOWER WITH
A BUNCH OF PILGRIMS.
1179
00:46:46,771 --> 00:46:48,773
YOU KNOW, THAT
WHOLE PILGRIM THING
1180
00:46:48,773 --> 00:46:51,142
MAKES ME VERY UNEASY,
VERY UNEASY.
1181
00:46:52,243 --> 00:46:54,479
ALAN, WHAT TIME
YOU GOT?
1182
00:46:54,479 --> 00:46:58,316
IT'S 12:30. WE HAVE
TO BE IN COURT AT 2:00.
1183
00:47:00,185 --> 00:47:02,153
LET ME ASK YOU GUYS
A STUPID QUESTION.
1184
00:47:02,153 --> 00:47:03,922
YOU KNOW
ALL THESE LAWYER SHOWS?
1185
00:47:03,922 --> 00:47:06,224
PERRY MASON AND--
1186
00:47:06,224 --> 00:47:08,059
THEY ALWAYS
SAY IN THE COURT,
1187
00:47:08,059 --> 00:47:09,327
"DO YOU SWEAR
TO TELL THE TRUTH,
1188
00:47:09,327 --> 00:47:11,062
"THE WHOLE TRUTH,
AND NOTHING BUT THE TRUTH,
1189
00:47:11,062 --> 00:47:12,230
SO HELP YOU, GOD?"
1190
00:47:12,230 --> 00:47:14,532
THE WITNESS
IS ALWAYS SAYING, "YEAH."
1191
00:47:14,532 --> 00:47:16,534
WHAT HAPPENS IF YOU SAY NO?
1192
00:47:16,534 --> 00:47:17,468
WHAT DO YOU MEAN,
SAY NO?
1193
00:47:17,468 --> 00:47:18,937
YOU SAY, "I'LL TELL YOU
WHAT I KNOW,
1194
00:47:18,937 --> 00:47:22,473
BUT I WON'T SWEAR TO GOD."
WHAT HAPPENS?
1195
00:47:22,473 --> 00:47:23,608
YOU GOT ME.
1196
00:47:23,608 --> 00:47:25,676
THAT'S INTERESTING.
I'LL ASK
1197
00:47:25,676 --> 00:47:26,677
ONE OF
THE LAW STUDENTS.
1198
00:47:26,677 --> 00:47:28,213
WELL, LET'S TRY IT TODAY.
1199
00:47:28,213 --> 00:47:29,881
Alan: WHO?
1200
00:47:29,881 --> 00:47:31,482
WHOEVER IS CALLED FIRST.
1201
00:47:31,482 --> 00:47:32,951
THAT'S GOOD BY ME.
1202
00:47:32,951 --> 00:47:33,952
THAT'S GOOD BY YOU?
1203
00:47:33,952 --> 00:47:34,953
YEAH, WHY NOT?
1204
00:47:34,953 --> 00:47:36,254
NO, THAT'S GOOD BY ME.
1205
00:47:36,254 --> 00:47:37,322
HE'S IN.
1206
00:47:37,322 --> 00:47:38,756
Assistant D.A.:
THE PROSECUTION CALLS
1207
00:47:38,756 --> 00:47:41,326
SYLVAN KURTZMAN
TO THE STAND.
1208
00:47:50,835 --> 00:47:52,337
PUT YOUR LEFT HAND
ON THIS BIBLE
1209
00:47:52,337 --> 00:47:53,905
AND RAISE
YOUR RIGHT HAND.
1210
00:47:53,905 --> 00:47:55,773
DO YOU SWEAR
TO TELL THE TRUTH,
1211
00:47:55,773 --> 00:47:56,841
THE WHOLE TRUTH,
AND NOTHING
1212
00:47:56,841 --> 00:47:57,808
BUT THE TRUTH,
SO HELP YOU, GOD?
1213
00:47:57,808 --> 00:47:59,978
NO.
1214
00:48:01,846 --> 00:48:02,847
WHAT?
1215
00:48:02,847 --> 00:48:04,282
NO.
1216
00:48:06,051 --> 00:48:07,385
WHAT'S GOING ON HERE?
1217
00:48:07,385 --> 00:48:09,988
COMMUNIST!
YOU'RE A COMMUNIST!
1218
00:48:09,988 --> 00:48:11,856
NOTHING BUT A COMMIE!
HE'S GODLESS,
1219
00:48:11,856 --> 00:48:13,524
I'M TELLING YOU,
GODLESS!
1220
00:48:13,524 --> 00:48:16,928
YOUR HONOR, HE'S A RED.
I'M TELLING YOU,
1221
00:48:16,928 --> 00:48:18,263
HE'S GODLESS!
1222
00:48:18,263 --> 00:48:19,264
ORDER!
1223
00:48:19,264 --> 00:48:22,633
YOUR HONOR,
HE'S GODLESS.
1224
00:48:22,633 --> 00:48:23,634
ORDER IN THE COURT!
1225
00:48:23,634 --> 00:48:24,635
PINKO!
1226
00:48:24,635 --> 00:48:25,636
ORDER! ORDER! ORDER!
1227
00:48:25,636 --> 00:48:26,871
YOU'RE A COMMUNIST.
1228
00:48:26,871 --> 00:48:31,342
ORDER! ORDER IN THE COURT!
ORDER!
1229
00:48:31,342 --> 00:48:33,378
ORDER.
1230
00:48:33,378 --> 00:48:35,180
I'D LIKE TO CALL
A 10-MINUTE RECESS.
1231
00:48:35,180 --> 00:48:37,748
COUNSELORS,
SEE ME IN CHAMBERS.
1232
00:48:37,748 --> 00:48:39,750
YOU MAY STEP DOWN.
1233
00:48:39,750 --> 00:48:41,386
THANK YOU, SIR.
1234
00:48:45,390 --> 00:48:47,725
THE GUY'S GOT
SOME SERIOUS BALLS.
1235
00:48:47,725 --> 00:48:49,160
GOT TO GIVE HIM CREDIT.
1236
00:48:49,160 --> 00:48:53,131
Redd Foxx: EVERY YEAR, 50
OR 60 NEGROS PASS FOR WHITE,
1237
00:48:53,131 --> 00:48:56,134
AND YOU CAN'T TELL THEM APART
'CAUSE THEY DON'T SMILE,
1238
00:48:56,134 --> 00:48:58,603
SO YOU CAN'T SEE THEIR GUMS.
1239
00:48:58,603 --> 00:49:01,206
SO, IF YOU'VE GOT A WHITE FRIEND
THAT TALKS LIKE THIS,
1240
00:49:01,206 --> 00:49:03,774
"HOW YOU FEEL, PHIL? HAVEN'T
SEEN YOU IN A LONG TIME, PAL."
1241
00:49:03,774 --> 00:49:07,378
YOU OPEN THAT SUCKER'S MOUTH UP,
HE MIGHT BE ONE OF THEM.
1242
00:49:11,449 --> 00:49:14,919
I DIDN'T GO TO COLLEGE MYSELF,
BUT I SAW A LOT OF PEOPLE GO.
1243
00:49:16,321 --> 00:49:18,256
NO, I DIDN'T--
I DIDN'T DIG SCHOOL.
1244
00:49:18,256 --> 00:49:20,258
I DIDN'T SEE HOW KNOWING
WHEN WASHINGTON
1245
00:49:20,258 --> 00:49:22,760
CROSSED THE DELAWARE WAS GOING
TO HELP ME IN A BRICK FIGHT.
1246
00:49:26,764 --> 00:49:30,935
THEY GOT NOTHING ABOUT
DUCKING BRICKS IN HISTORY.
1247
00:49:30,935 --> 00:49:33,971
I'VE NEVER HEARD
ANYTHING LIKE THIS.
1248
00:49:33,971 --> 00:49:36,841
IT'S GOOD,
ISN'T IT?
1249
00:49:36,841 --> 00:49:38,609
UNBELIEVABLE.
UNBELIEVABLE.
1250
00:49:38,609 --> 00:49:40,411
Redd Foxx: I DON'T CARE
WHAT COLOR YOU ARE,
1251
00:49:40,411 --> 00:49:42,013
WHEN YOU GO HOME
AND PULL THE LIGHT OUT,
1252
00:49:42,013 --> 00:49:44,115
IT BECOMES A QUESTION
OF WHO WASHED.
1253
00:49:49,120 --> 00:49:51,122
MR. KURTZMAN.
YOU COULD, IN FACT,
1254
00:49:51,122 --> 00:49:52,690
BE HELD IN CONTEMPT
OF COURT,
1255
00:49:52,690 --> 00:49:54,125
AND I MAY HAVE RULED SO.
1256
00:49:54,125 --> 00:49:56,461
BUT THE PROSECUTION
HAS DECIDED
1257
00:49:56,461 --> 00:49:58,129
NOT TO PURSUE
THIS ACTION.
1258
00:49:58,129 --> 00:49:59,964
SO, YOU MAY STEP DOWN.
1259
00:49:59,964 --> 00:50:01,399
THANK YOU.
1260
00:50:01,399 --> 00:50:03,668
THE COURT CALLS
ALAN ZUCKERMAN
1261
00:50:03,668 --> 00:50:04,669
TO THE STAND.
1262
00:50:12,877 --> 00:50:14,079
STATE YOUR FULL NAME.
1263
00:50:14,079 --> 00:50:15,480
ALAN JOSEPH ZUCKERMAN.
1264
00:50:15,480 --> 00:50:17,082
PLACE YOUR LEFT HAND
ON THIS BIBLE.
1265
00:50:17,082 --> 00:50:18,116
RAISE
YOUR RIGHT HAND.
1266
00:50:18,116 --> 00:50:19,317
DO YOU SWEAR
TO TELL THE TRUTH,
1267
00:50:19,317 --> 00:50:20,385
THE WHOLE TRUTH,
AND NOTHING
1268
00:50:20,385 --> 00:50:21,652
BUT THE TRUTH,
SO HELP YOU, GOD?
1269
00:50:21,652 --> 00:50:23,788
YES.
1270
00:50:23,788 --> 00:50:25,356
BE SEATED.
1271
00:50:25,356 --> 00:50:26,557
WHERE WERE YOU
ON THE NIGHT
1272
00:50:26,557 --> 00:50:28,959
OF OCTOBER 28, 1954?
1273
00:50:28,959 --> 00:50:31,296
UH, THAT WAS THE NIGHT
OF THE ACCIDENT?
1274
00:50:31,296 --> 00:50:33,831
OBJECTION. WE HAVE
NOT ESTABLISHED
1275
00:50:33,831 --> 00:50:35,366
THE NATURE
OF THE ACCIDENT
1276
00:50:35,366 --> 00:50:37,968
OR THAT AN ACCIDENT
DID, IN FACT, OCCUR.
1277
00:50:37,968 --> 00:50:41,772
OBJECTION SUSTAINED.
ANSWER THE QUESTION.
1278
00:50:41,772 --> 00:50:46,277
WELL, IF THAT WASN'T
THE NIGHT OF THE ACCIDENT,
1279
00:50:46,277 --> 00:50:48,713
UH, THEN I DON'T KNOW
WHERE I WAS.
1280
00:50:51,015 --> 00:50:52,417
YOU GOTTA GIVE ME
SOME KIND OF HINT.
1281
00:50:52,417 --> 00:50:55,186
WAS THAT, UM, HALLOWEEN?
1282
00:50:56,254 --> 00:51:00,125
VAN. HEY, UH, I,
UH, JUST WANTED
1283
00:51:00,125 --> 00:51:01,526
TO THANK YOU
FOR HELPING OUT.
1284
00:51:01,526 --> 00:51:03,394
IT WASN'T
REALLY ABOUT YOU.
1285
00:51:03,394 --> 00:51:05,396
LISTEN. IF THERE'S ANYTHING
I CAN DO FOR YOU,
1286
00:51:05,396 --> 00:51:08,966
DON'T HESITATE.
I CERTAINLY FEEL INDEBTED.
1287
00:51:08,966 --> 00:51:12,770
LOOK, UH, WE'D LIKE TO OFFER
AN APOLOGY TO YOUR FRIEND.
1288
00:51:12,770 --> 00:51:14,639
TED WAS OUT OF LINE.
1289
00:51:14,639 --> 00:51:16,707
Ted: I DIDN'T MEAN IT
THE WAY IT CAME ACROSS.
1290
00:51:16,707 --> 00:51:18,143
Yussel: FORGET ABOUT IT
BECAUSE IT'S OVER.
1291
00:51:18,143 --> 00:51:20,478
Van: YOU KNOW WHAT?
MAYBE YOU CAN HELP ME.
1292
00:51:20,478 --> 00:51:21,346
Trey: WHAT?
1293
00:51:21,346 --> 00:51:23,114
THERE WAS THIS GIRL
AT THE PARTY
1294
00:51:23,114 --> 00:51:25,850
WHO WAS A KNOCKOUT,
RIGHT, AND I--I--I--
1295
00:51:25,850 --> 00:51:28,386
I DON'T KNOW HER NAME, BUT
I'D REALLY LIKE TO FIND OUT.
1296
00:51:28,386 --> 00:51:30,855
SO, WHAT? WHAT DID
SHE LOOK LIKE?
1297
00:51:30,855 --> 00:51:32,957
SHE WAS BEAUTIFUL.
BLONDE.
1298
00:51:32,957 --> 00:51:34,992
SHE WAS WEARING THIS,
LIKE, PRINCESS
1299
00:51:34,992 --> 00:51:36,627
OR CINDERELLA
KIND OF COSTUME.
1300
00:51:36,627 --> 00:51:38,095
YOU, UH, YOU FOUND
HER ATTRACTIVE?
1301
00:51:38,095 --> 00:51:40,165
OH, UH, SHE--SHE
KNOCKED ME OUT.
1302
00:51:40,165 --> 00:51:41,699
SOUND FAMILIAR?
1303
00:51:41,699 --> 00:51:43,668
I GUESS.
1304
00:51:43,668 --> 00:51:45,970
WE'LL ASK AROUND.
GIVE ME YOUR NUMBER.
1305
00:51:45,970 --> 00:51:47,372
YEAH,
SURE THING.
1306
00:51:47,372 --> 00:51:51,008
BLONDE. HAD
A MAGIC WAND.
1307
00:51:51,008 --> 00:51:53,811
THANKS.
1308
00:51:53,811 --> 00:51:55,180
I'LL CALL.
1309
00:51:55,180 --> 00:51:57,114
GREAT.
1310
00:51:59,317 --> 00:52:00,418
WHAT ARE YOU DOING?
1311
00:52:00,418 --> 00:52:02,453
HE WAS TALKING
ABOUT DUBBIE,
1312
00:52:02,453 --> 00:52:03,921
YOUR GIRL
THE LAST TIME I ASKED.
1313
00:52:03,921 --> 00:52:05,590
HE SEEMS
LIKE A GOOD GUY.
1314
00:52:05,590 --> 00:52:08,359
WE'LL FIND HIM
ANOTHER GIRL.
1315
00:52:08,359 --> 00:52:09,360
THERE'S BOUND
TO BE ONE
1316
00:52:09,360 --> 00:52:10,495
THAT HE
WOULD LIKE.
1317
00:52:10,495 --> 00:52:12,230
WHAT ABOUT MAGGIE?
SHE'S TO DIE FOR.
1318
00:52:12,230 --> 00:52:15,200
YEAH, RIGHT. MAGGIE,
CAROLINE, MEGAN.
1319
00:52:15,200 --> 00:52:16,801
ONE OF THEM.
1320
00:52:22,607 --> 00:52:24,875
* WAY DOWN ON YOUR KNEES *
1321
00:52:27,378 --> 00:52:29,180
* YOU MAKE ME ROLL MY EYES *
1322
00:52:29,180 --> 00:52:31,649
* BABY, MAKE ME GRIT MY TEETH *
1323
00:52:33,684 --> 00:52:37,255
* I SAID,
SHAKE, RATTLE, AND ROLL *
1324
00:52:37,255 --> 00:52:40,358
* SHAKE, RATTLE, AND ROLL *
1325
00:52:40,358 --> 00:52:43,561
* SHAKE, RATTLE, AND ROLL *
1326
00:52:43,561 --> 00:52:46,197
* SHAKE, RATTLE, AND ROLL *
1327
00:52:46,197 --> 00:52:51,502
* WELL, YOU WON'T DO NOTHIN'
TO SAVE YOUR DOGGONE SOUL *
1328
00:52:51,502 --> 00:52:54,038
* SHAKE, RATTLE, AND ROLL *
1329
00:52:54,038 --> 00:52:55,606
Both: WHOO!
1330
00:52:57,074 --> 00:52:58,676
ONE BED, ONE RECORD.
1331
00:53:11,289 --> 00:53:16,694
* HIGH ON A SUNDAY
KIND OF LOVE *
1332
00:53:21,332 --> 00:53:26,271
* I'LL DO
MY SUNDAY SCHEMING *
1333
00:53:26,271 --> 00:53:30,308
* AND ALL
MY SUNDAY DREAMING *
1334
00:53:30,308 --> 00:53:34,144
* EVERY MINUTE,
EVERY HOUR *
1335
00:53:34,144 --> 00:53:37,548
* EVERY DAY *
1336
00:53:37,548 --> 00:53:41,085
* I'M HOPING TO DISCOVER *
1337
00:53:41,085 --> 00:53:43,888
I'M SORRY.
DID I DO THAT?
1338
00:53:43,888 --> 00:53:47,358
WELL, UM...
1339
00:53:47,358 --> 00:53:49,193
I'M SORRY.
1340
00:53:49,193 --> 00:53:54,565
UM, DOES IT HAPPEN
THAT EASILY?
1341
00:53:54,565 --> 00:53:57,167
NOT THAT
I KNOW OF. NO.
1342
00:53:57,167 --> 00:54:00,405
IT JUST GOES OFF
LIKE THAT?
1343
00:54:00,405 --> 00:54:04,642
WELL, I THINK, UH,
I'VE BEEN WORKED UP,
1344
00:54:04,642 --> 00:54:09,447
YOU KNOW, ALL ALONG,
AND, UH, YEAH.
1345
00:54:09,447 --> 00:54:10,848
WELL, YOU DON'T
LIKE THE RECORDS?
1346
00:54:10,848 --> 00:54:14,051
NO, NO, I, UH,
I LIKE THE RECORDS.
1347
00:54:14,051 --> 00:54:20,024
I JUST THINK IF IT'S, UM,
A LITTLE BIT PERCOLATING
1348
00:54:20,024 --> 00:54:23,561
FOR A LONG TIME,
IT, UH,
1349
00:54:23,561 --> 00:54:25,530
WELL, IT'S GOT
NO PLACE TO GO.
1350
00:54:25,530 --> 00:54:27,665
YOU HAVE TO USE
THE BATHROOM?
1351
00:54:27,665 --> 00:54:29,033
YEAH. YEAH.
1352
00:54:29,033 --> 00:54:32,136
IT'S RIGHT
OVER THERE.
1353
00:54:32,136 --> 00:54:34,339
OK, I'LL BE
RIGHT BACK.
1354
00:54:34,339 --> 00:54:37,442
OK.
OK.
1355
00:54:46,384 --> 00:54:50,321
* WHOA, WHOA, WHOA, WHOA *
1356
00:54:55,726 --> 00:54:57,294
SO, DO YOU THINK
MAYBE, UH,
1357
00:54:57,294 --> 00:54:58,863
WE COULD DO THIS
TOMORROW?
1358
00:54:58,863 --> 00:55:01,932
WELL, I HOPE SO.
IF MY MOM'S OUT.
1359
00:55:01,932 --> 00:55:04,301
SYLVIA?
1360
00:55:04,301 --> 00:55:06,637
OH, MY GOD.
IT'S MY FATHER.
1361
00:55:06,637 --> 00:55:08,138
WHAT DO YOU
WANT ME TO DO?
1362
00:55:08,138 --> 00:55:09,340
GET IN THE CLOSET.
1363
00:55:14,078 --> 00:55:16,180
WHAT ARE YOU DOING?
DON'T YOU HAVE HOMEWORK?
1364
00:55:16,180 --> 00:55:18,148
I WAS JUST
TAKING A BREAK.
1365
00:55:18,148 --> 00:55:19,384
YOUR MOTHER CALL?
1366
00:55:19,384 --> 00:55:21,619
NO, BUT SHE SAID
THIS MORNING
1367
00:55:21,619 --> 00:55:23,554
TO EXPECT HER
EARLY EVENING.
1368
00:55:23,554 --> 00:55:25,823
WELL, WHY DON'T YOU
GET BACK TO YOUR HOMEWORK?
1369
00:55:25,823 --> 00:55:27,124
OK.
1370
00:55:27,124 --> 00:55:28,693
* SWING TO MY BABY *
1371
00:55:28,693 --> 00:55:30,795
* INSTEAD OF ME *
1372
00:55:30,795 --> 00:55:32,363
* NOW I KNOW THAT IT'S *
1373
00:55:32,363 --> 00:55:34,365
WHAT'S GOING ON?
1374
00:55:36,901 --> 00:55:38,168
I HAVE A BOY OVER.
1375
00:55:38,168 --> 00:55:40,304
BUT IT WAS NOTHING.
WE WERE JUST
1376
00:55:40,304 --> 00:55:42,440
LISTENING TO
RECORDS. THAT'S IT.
1377
00:55:42,440 --> 00:55:44,442
AND WHERE IS HE?
1378
00:55:44,442 --> 00:55:47,612
HE'S IN THE CLOSET.
1379
00:55:47,612 --> 00:55:51,449
IF NOTHING WAS GOING ON,
WHY IS HE IN THE CLOSET?
1380
00:55:51,449 --> 00:55:54,652
BECAUSE HE'S WHITE.
1381
00:55:58,322 --> 00:56:00,157
SYLVIA, HOW COULD
YOU DO SUCH A THING?
1382
00:56:00,157 --> 00:56:02,226
WE DIDN'T DO ANYTHING.
1383
00:56:02,226 --> 00:56:03,394
WHAT'S HIS NAME?
1384
00:56:03,394 --> 00:56:05,496
BEN KURTZMAN.
1385
00:56:05,496 --> 00:56:08,065
MR. KURTZMAN?
1386
00:56:08,065 --> 00:56:09,099
YES, SIR.
1387
00:56:09,099 --> 00:56:10,601
MY DAUGHTER
IS NOT ALLOWED
1388
00:56:10,601 --> 00:56:11,802
TO BE INVOLVED
WITH A WHITE BOY.
1389
00:56:11,802 --> 00:56:13,438
IT'S NOT A RESPECTFUL
WAY TO ACT.
1390
00:56:13,438 --> 00:56:14,872
I WAS RESPECTFUL,
SIR.
1391
00:56:14,872 --> 00:56:16,507
YOU'RE IN
MY DAUGHTER'S BEDROOM.
1392
00:56:16,507 --> 00:56:17,942
YES, SIR.
1393
00:56:19,343 --> 00:56:21,111
MR. KURTZMAN?
1394
00:56:21,111 --> 00:56:22,312
YES, SIR?
1395
00:56:22,312 --> 00:56:24,248
WOULD YOU COME OUT
OF THE CLOSET, PLEASE?
1396
00:56:24,248 --> 00:56:25,716
YES, SIR.
1397
00:56:28,385 --> 00:56:30,020
NOW?
1398
00:56:33,223 --> 00:56:34,324
I DON'T EVER
WANT TO SEE YOU
1399
00:56:34,324 --> 00:56:35,493
WITH MY DAUGHTER
AGAIN.
1400
00:56:35,493 --> 00:56:36,594
SIR, I JUST DON'T--
1401
00:56:36,594 --> 00:56:39,096
AT SCHOOL, YOU
WILL BE RESPECTFUL,
1402
00:56:39,096 --> 00:56:40,631
CORDIAL,
BUT NO ACTIVITIES
1403
00:56:40,631 --> 00:56:41,999
OUTSIDE
THE SCHOOL FACILITY.
1404
00:56:41,999 --> 00:56:42,833
IS THAT CLEAR?
1405
00:56:42,833 --> 00:56:44,502
YES, SIR.
I JUST DON'T THINK--
1406
00:56:44,502 --> 00:56:46,070
IT'S VERY CLEAR
TO MY DAUGHTER.
1407
00:56:46,070 --> 00:56:48,205
DON'T YOU AGREE,
SYLVIA?
1408
00:56:48,205 --> 00:56:50,107
YES.
1409
00:56:50,107 --> 00:56:53,110
NOW, MR. KURTZMAN,
WILL YOU PLEASE LEAVE?
1410
00:56:53,110 --> 00:56:55,245
HE NEEDS
A RIDE HOME.
1411
00:56:55,245 --> 00:56:57,582
I'LL DRIVE HIM.
1412
00:56:57,582 --> 00:57:00,785
SYLVIA, YOU WILL
REMAIN HERE.
1413
00:57:00,785 --> 00:57:05,590
* WITH A RISE
OUT OF BEING ALIVE *
1414
00:57:05,590 --> 00:57:08,325
* AND HERE
IS THE BEST PART *
1415
00:57:08,325 --> 00:57:11,295
* YOU HAVE A HEAD START *
1416
00:57:11,295 --> 00:57:17,134
* IF YOU ARE AMONG
THE VERY YOUNG AT HEART *
1417
00:57:19,504 --> 00:57:20,805
THIS IS YOUR HOUSE?
1418
00:57:20,805 --> 00:57:21,972
YES, SIR.
1419
00:57:21,972 --> 00:57:25,009
SHOULDN'T YOU
BE GETTING OUT?
1420
00:57:25,009 --> 00:57:27,011
IT'S SINATRA, SIR.
1421
00:57:27,011 --> 00:57:29,079
AND SO?
1422
00:57:29,079 --> 00:57:31,916
WELL, YOU DON'T WALK OUT
ON FRANK, SIR.
1423
00:57:31,916 --> 00:57:35,319
I MEAN, IT WOULD
BE TOO DISRESPECTFUL.
1424
00:57:35,319 --> 00:57:38,956
UH-HUH.
1425
00:57:38,956 --> 00:57:45,162
* AND IF YOU
SHOULD SURVIVE TO 105 *
1426
00:57:45,162 --> 00:57:46,163
* LOOK AT ALL-- *
1427
00:57:46,163 --> 00:57:47,197
I GOTTA GO.
1428
00:57:47,197 --> 00:57:50,835
* YOU'LL DERIVE
OUT OF BEING ALIVE *
1429
00:57:50,835 --> 00:57:53,571
* AND HERE
IS THE BEST PART *
1430
00:57:53,571 --> 00:57:56,741
* YOU HAVE A HEAD START *
1431
00:57:56,741 --> 00:58:02,647
* IF YOU ARE AMONG
THE VERY YOUNG AT HEART *
1432
00:58:02,647 --> 00:58:03,981
OK, IT'S OVER NOW.
1433
00:58:12,056 --> 00:58:14,792
GOOD NIGHT, SIR.
1434
00:58:24,334 --> 00:58:25,670
THIS IS IT, OK, 2
YEAH.
1435
00:58:25,670 --> 00:58:27,037
THE BONUS WAS 4.
OK, OK.
1436
00:58:27,037 --> 00:58:29,574
LISTEN TO ME. DO YOU KNOW
WHAT THAT MEANS ON $50?
1437
00:58:29,574 --> 00:58:30,575
OK.
THAT'S $100,000.
1438
00:58:30,575 --> 00:58:31,576
WE'RE SCREWED!
1439
00:58:31,576 --> 00:58:32,577
SCREWED IS NOT THE WORD.
1440
00:58:32,577 --> 00:58:33,578
YES, I KNOW.
1441
00:58:33,578 --> 00:58:35,212
WHO BETS $50 ON A NUMBER?
1442
00:58:35,212 --> 00:58:36,547
NOBODY BETS $50.
1443
00:58:36,547 --> 00:58:37,682
OH, GOD.
1444
00:58:37,682 --> 00:58:38,683
NOBODY BETS $50.
1445
00:58:38,683 --> 00:58:39,684
WHAT DO WE GOT
IN RESERVE?
1446
00:58:39,684 --> 00:58:40,685
WE HAVE
ANYTHING THERE?
1447
00:58:40,685 --> 00:58:41,752
WE HAVE MONEY
IN RESERVE,
1448
00:58:41,752 --> 00:58:43,020
BUT NOT ENOUGH
TO COVER THE BET.
1449
00:58:43,020 --> 00:58:44,655
YOU'VE GOT TO TELL HIM,
BUT HE'S AT DINNER.
1450
00:58:44,655 --> 00:58:47,157
I WILL CALL HIM,
ALL RIGHT?
1451
00:58:47,157 --> 00:58:48,693
SHE'S GONNA KILL ME.
1452
00:58:48,693 --> 00:58:49,960
IT'S RINGING.
1453
00:58:49,960 --> 00:58:52,630
THANKS, MA.
1454
00:58:52,630 --> 00:58:53,664
YEAH, WHAT'S UP?
1455
00:58:53,664 --> 00:58:56,433
YOU'RE NOT GONNA
BELIEVE THIS.
1456
00:58:56,433 --> 00:58:57,768
I'M SICK TO MY STOMACH.
1457
00:58:57,768 --> 00:58:59,103
I'M SICK TO MY STOMACH.
1458
00:58:59,103 --> 00:59:00,571
CHARLIE, WHAT?
1459
00:59:00,571 --> 00:59:03,440
SOMEBODY HIT THE NUMBER
AND THE BONUS.
1460
00:59:03,440 --> 00:59:05,509
YEAH?
1461
00:59:05,509 --> 00:59:08,913
YEAH. THE PAY-OUT
IS $100,000.
1462
00:59:08,913 --> 00:59:11,515
$100,000?
1463
00:59:11,515 --> 00:59:14,952
OH, MY GOD.
ARE YOU SURE?
1464
00:59:14,952 --> 00:59:17,454
I CHECKED IT
6 TIMES OVER.
1465
00:59:17,454 --> 00:59:18,923
JESUS.
1466
00:59:18,923 --> 00:59:20,024
WELL, WHAT ARE WE
GONNA DO, NATE?
1467
00:59:20,024 --> 00:59:21,458
WE DON'T HAVE
THAT KIND OF MONEY.
1468
00:59:21,458 --> 00:59:23,193
I'M COMING DOWN.
1469
00:59:26,864 --> 00:59:28,866
WHAT'S
HAPPENING?
1470
00:59:28,866 --> 00:59:35,606
UM, I'VE GOT TO GO.
WE'VE GOT PROBLEMS.
1471
01:00:11,642 --> 01:00:13,043
Charlie: HIS NAME
IS LITTLE MELVIN.
1472
01:00:13,043 --> 01:00:15,646
COLORED DRUG DEALER OVER
ON PENNSYLVANIA AVENUE.
1473
01:00:15,646 --> 01:00:17,882
SELLS REEFER.
STRICTLY SMALL TIME.
1474
01:00:17,882 --> 01:00:20,651
BETS $50 TO CELEBRATE
HIS MOTHER'S BIRTHDAY.
1475
01:00:20,651 --> 01:00:22,720
I CAN'T BELIEVE IT.
THIS WIPES ME OUT.
1476
01:00:22,720 --> 01:00:24,188
HE CALLED,
THIS LITTLE MELVIN.
1477
01:00:24,188 --> 01:00:26,556
HE'S COMING BY IN THE MORNING
TO PICK UP HIS HAUL.
1478
01:00:26,556 --> 01:00:27,792
YOU DIDN'T LET ON?
1479
01:00:27,792 --> 01:00:30,928
NO, NO. LISTEN, NATE,
I FEEL RESPONSIBLE.
1480
01:00:30,928 --> 01:00:32,129
THE BONUS WAS MY IDEA.
1481
01:00:32,129 --> 01:00:34,131
HEY, TO HELL WITH
THIS APOLOGY SHIT.
1482
01:00:34,131 --> 01:00:35,199
I BOUGHT THE IDEA.
1483
01:00:35,199 --> 01:00:37,534
NOBODY BETS $50
ON A NUMBER. NOBODY.
1484
01:00:37,534 --> 01:00:39,103
A NICKEL, A DIME,
A QUARTER, A BUCK.
1485
01:00:39,103 --> 01:00:41,605
5 TOPS. 50 NEVER.
IT'S UNHEARD OF.
1486
01:00:41,605 --> 01:00:43,173
Charlie: WHAT ARE
WE GONNA DO, NATE?
1487
01:00:43,173 --> 01:00:44,909
I DON'T KNOW.
BUT WE DON'T HAVE
1488
01:00:44,909 --> 01:00:46,677
A LOT OF TIME
TO FIND A SOLUTION.
1489
01:00:46,677 --> 01:00:51,782
SO HOW COME WE NEVER
TALK ABOUT WHAT DAD DOES?
1490
01:00:51,782 --> 01:00:55,920
BECAUSE IT'S ILLEGAL.
1491
01:00:55,920 --> 01:00:57,521
IT'S NOT THAT BAD.
1492
01:00:57,521 --> 01:01:00,691
IS EVERYTHING
GONNA BE ALL RIGHT?
1493
01:01:00,691 --> 01:01:03,393
YOUR FATHER
TAKES CARE OF HIMSELF.
1494
01:01:03,393 --> 01:01:08,098
Rose: WHY DON'T YOU TELL THEM
ABOUT PATTERSON PARK?
1495
01:01:08,098 --> 01:01:10,300
Van: WHAT ABOUT
PATTERSON PARK?
1496
01:01:13,103 --> 01:01:14,905
Rose: WHEN YOUR FATHER
WAS A TEENAGER,
1497
01:01:14,905 --> 01:01:16,573
HE WENT OVER
TO PATTERSON PARK.
1498
01:01:16,573 --> 01:01:18,976
Rose: WHY, I'LL NEVER KNOW.
1499
01:01:18,976 --> 01:01:21,678
HE SAW SOME GUYS
PLAYING BALL,
1500
01:01:21,678 --> 01:01:23,848
AND HE TRIED
TO GET INTO THE GAME.
1501
01:01:23,848 --> 01:01:27,084
ONE OF THE GUYS ASKED
IF YOUR FATHER WAS JEWISH.
1502
01:01:27,084 --> 01:01:30,554
HE SAID HE WAS.
ONE THING LED TO ANOTHER
1503
01:01:30,554 --> 01:01:32,757
AND YOUR FATHER
WAS BEATEN UP.
1504
01:01:32,757 --> 01:01:34,925
BLACK AND BLUE.
1505
01:01:37,594 --> 01:01:39,096
AFTER THAT,
HE WENT TO THE J.C.C.
1506
01:01:39,096 --> 01:01:41,265
EVERY DAY AFTER SCHOOL
TO LEARN TO BOX.
1507
01:01:41,265 --> 01:01:46,136
FOR 6 MONTHS, HE TRAINED.
EVERY DAY.
1508
01:01:46,136 --> 01:01:49,473
THEN HE WENT BACK
TO PATTERSON PARK.
1509
01:01:49,473 --> 01:01:53,010
GOT UP ON A CAR
AND YELLED,
1510
01:01:53,010 --> 01:01:55,579
"THERE'S A JEW
IN THE NEIGHBORHOOD.
1511
01:01:55,579 --> 01:02:01,451
ANYONE WHO DOESN'T
LIKE IT, STEP UP."
1512
01:02:01,451 --> 01:02:06,824
HE BEAT UP
7 GUYS THAT DAY.
1513
01:02:06,824 --> 01:02:09,026
YOUR FATHER
TAKES CARE OF HIMSELF.
1514
01:02:25,075 --> 01:02:29,246
All: THE LORD IS MY SHEPHERD;
I SHALL NOT WANT.
1515
01:02:29,246 --> 01:02:33,350
HE MAKETH ME TO LIE DOWN
IN GREEN PASTURES.
1516
01:02:33,350 --> 01:02:36,987
HE LEADETH ME
BESIDE THE STILL WATERS.
1517
01:02:36,987 --> 01:02:40,424
HE RESTORETH MY SOUL.
1518
01:02:40,424 --> 01:02:43,861
HE LEADETH ME IN THE PATHS
OF RIGHTEOUSNESS
1519
01:02:43,861 --> 01:02:45,729
FOR HIS NAME'S SAKE.
1520
01:02:45,729 --> 01:02:48,899
YEA, THOUGH I WALK
THROUGH THE VALLEY
1521
01:02:48,899 --> 01:02:50,500
OF THE SHADOW OF DEATH...
1522
01:03:02,779 --> 01:03:06,350
SURELY GOODNESS
AND MERCY SHALL FOLLOW...
1523
01:03:08,618 --> 01:03:12,556
AND I WILL DWELL IN
THE HOUSE OF THE LORD FOREVER.
1524
01:03:12,556 --> 01:03:14,224
AMEN.
1525
01:03:16,326 --> 01:03:17,594
MR. MELVIN.
1526
01:03:17,594 --> 01:03:19,296
YEAH, YEAH.
PETE.
1527
01:03:24,701 --> 01:03:27,137
I'M THINKING
OF GIVING YOU
1528
01:03:27,137 --> 01:03:29,506
THE SOUTHEAST
TERRITORY.
1529
01:03:29,506 --> 01:03:31,008
YOU TAKE OVER
THE NUMBERS.
1530
01:03:31,008 --> 01:03:32,409
LONG-TERM DOLLARS.
1531
01:03:32,409 --> 01:03:35,212
YOU TRYING TO JEW ME
OUT OF MY MONEY?
1532
01:03:35,212 --> 01:03:37,982
HEY, YOU WATCH
YOUR TONGUE!
1533
01:03:37,982 --> 01:03:40,217
I DON'T TAKE SHIT FROM
NO HEBE, YOU UNDERSTAND?
1534
01:03:40,217 --> 01:03:41,651
LISTEN, YOU
SPEAR-CHUCKING COON,
1535
01:03:41,651 --> 01:03:42,953
I'LL PUT MY FIST
DOWN YOUR THROAT.
1536
01:03:42,953 --> 01:03:44,521
YEAH, COME ON,
YOU HOOKNOSED KIKE!
1537
01:03:44,521 --> 01:03:46,690
LITTLE MELVIN DON'T
TAKE SHIT FROM NOBODY!
1538
01:03:46,690 --> 01:03:47,724
YOU'RE A DEAD MAN,
1539
01:03:47,724 --> 01:03:48,893
YOU BUSH-MONKEY
BURRHEAD!
1540
01:03:48,893 --> 01:03:50,327
LITTLE MELVIN
AIN'T SCARED OF NOBODY!
1541
01:03:50,327 --> 01:03:51,996
SIMMER DOWN, LOUIE!
BUSH MONKEY!
1542
01:03:51,996 --> 01:03:54,198
BACK HIM UP,
BACK HIM UP, NOW!
1543
01:03:55,900 --> 01:03:57,167
STOP IT!
1544
01:03:57,167 --> 01:03:59,369
NOW WE'VE ALL COME TOO
FAR TO STOOP TO THIS.
1545
01:03:59,369 --> 01:04:00,404
Louie: COME ON.
1546
01:04:00,404 --> 01:04:03,140
CHARLIE, YOU GIVE
LITTLE MELVIN HIS MONEY.
1547
01:04:03,140 --> 01:04:04,909
IF HE DOESN'T WANT
TO SEE THE BIG PICTURE,
1548
01:04:04,909 --> 01:04:06,110
THAT'S HIS PROBLEM.
1549
01:04:09,579 --> 01:04:11,248
WHAT'S MY PROBLEM?
1550
01:04:11,248 --> 01:04:12,983
NO, NO, NO, LOOK,
I--I APOLOGIZE.
1551
01:04:12,983 --> 01:04:14,084
YOU JUST MAKE
YOURSELF COMFORTABLE,
1552
01:04:14,084 --> 01:04:16,120
CHARLIE'S GONNA
GET YOUR MONEY.
1553
01:04:23,360 --> 01:04:27,597
EXACTLY HOW BIG A PICTURE
IS THIS HERE BIG PICTURE?
1554
01:04:31,168 --> 01:04:33,303
WELL,
THE SOUTHEAST TERRITORY
1555
01:04:33,303 --> 01:04:35,572
GENERATES JUST UNDER
10 GRAND A MONTH.
1556
01:04:35,572 --> 01:04:37,274
IN LESS THAN A YEAR,
YOU'VE GOT PAYBACK.
1557
01:04:37,274 --> 01:04:38,976
AFTER THAT,
IT'S KA-CHING, KA-CHING,
1558
01:04:38,976 --> 01:04:42,246
DAY IN, DAY OUT.
THAT'S WHAT I HAD IN MIND.
1559
01:04:44,114 --> 01:04:45,950
WEEK IN, WEEK OUT?
1560
01:04:45,950 --> 01:04:47,351
OH, IT'S YOUR CALL.
1561
01:04:47,351 --> 01:04:49,719
YOU EITHER GO FOR
THE SHORT-TERM MONEY
1562
01:04:49,719 --> 01:04:52,222
OR YOU GO
FOR THE LONG HAUL.
1563
01:04:55,725 --> 01:04:58,562
ALL MINE NOW
NO MIDDLE MAN?
1564
01:05:05,469 --> 01:05:08,872
WELL, WHY ARE YOU GIVING UP
THE TERRITORY, THEN?
1565
01:05:08,872 --> 01:05:11,141
LOOK,
THERE'S NO QUESTION
1566
01:05:11,141 --> 01:05:13,110
THAT 100,000
CUTS INTO MY CASH FLOW.
1567
01:05:13,110 --> 01:05:14,578
I CAN LIVE WITH THAT.
1568
01:05:14,578 --> 01:05:18,282
BUT THIS BURLESQUE,
IT'S TOO TIME-CONSUMING.
1569
01:05:18,282 --> 01:05:22,386
YOU GET A LITTLE OLDER,
YOUR PRIORITIES CHANGE.
1570
01:05:23,520 --> 01:05:24,521
WELL...
1571
01:05:50,280 --> 01:05:51,615
Nate: THAT WAS
A GOOD DECISION.
1572
01:05:51,615 --> 01:05:53,083
Little Melvin: YOU
JUST BETTER KEEP A LEASH
1573
01:05:53,083 --> 01:05:55,119
ON THE PILLSBURY
JEW-BOY OVER THERE.
1574
01:05:55,119 --> 01:05:56,953
WHERE THE MONEY?
1575
01:05:56,953 --> 01:05:58,555
BIGGER THINGS ON
THE HORIZON, SCRIBBLES.
1576
01:05:58,555 --> 01:06:00,457
Charlie: HOW CAN WE GIVE HIM
THE SOUTHEAST TERRITORY?
1577
01:06:00,457 --> 01:06:03,093
WE DON'T EVEN OWN IT.
IT'S WOP TERRITORY.
1578
01:06:03,093 --> 01:06:04,694
Nate: LOOK, LET'S WAIT
A COUPLE OF DAYS.
1579
01:06:04,694 --> 01:06:05,829
CALL LITTLE MELVIN,
1580
01:06:05,829 --> 01:06:07,031
YOU TELL HIM
THE SOUTHEAST TERRITORY
1581
01:06:07,031 --> 01:06:08,365
THING'S NOT
GONNA WORK OUT.
1582
01:06:08,365 --> 01:06:10,300
WE'RE GONNA HAVE TO PUT
A NEW DEAL ON THE TABLE.
1583
01:06:10,300 --> 01:06:12,236
OH, AND LET HIM
PICK THE MEETING SPOT.
1584
01:06:12,236 --> 01:06:14,038
MAKE HIM FEEL GOOD.
1585
01:06:18,008 --> 01:06:19,509
PHONE BOOK.
1586
01:06:29,253 --> 01:06:31,688
Teacher: ALL RIGHT,
STUDENTS, SETTLE DOWN.
1587
01:06:31,688 --> 01:06:33,290
BOOKS ON YOUR HEAD.
1588
01:06:36,393 --> 01:06:38,262
I SLIPPED 2 TICKETS
IN YOUR LOCKER.
1589
01:06:38,262 --> 01:06:40,064
THE ROYAL, FRIDAY NIGHT.
1590
01:06:40,064 --> 01:06:41,865
I THINK
YOU'LL LIKE THE ACTS.
1591
01:06:41,865 --> 01:06:43,533
FOR THE TWO OF US?
1592
01:06:43,533 --> 01:06:45,602
I MEAN, ISN'T THAT
A COLORED PLACE?
1593
01:06:45,602 --> 01:06:48,038
NO, BRING A FRIEND,
AND I'LL GO WITH A FRIEND.
1594
01:06:48,038 --> 01:06:49,673
WE WON'T SIT TOGETHER.
1595
01:06:49,673 --> 01:06:51,208
IS IT SAFE?
1596
01:06:51,208 --> 01:06:53,410
YEAH, DON'T WORRY.
1597
01:06:53,410 --> 01:06:55,412
HEY, DO YOU THINK
IF A BOMB FELL,
1598
01:06:55,412 --> 01:06:57,147
THIS BOOK
COULD SAVE MY LIFE?
1599
01:06:57,147 --> 01:06:58,515
I DON'T KNOW.
1600
01:06:58,515 --> 01:07:00,350
LAST YEAR WE HAD
TO LIE ON THE FLOOR.
1601
01:07:00,350 --> 01:07:02,586
IT'S A DIFFERENT
POSITION NOW.
1602
01:07:02,586 --> 01:07:04,488
ONE TIME IT WAS
THE ATOMIC BOMB.
1603
01:07:04,488 --> 01:07:06,290
ANOTHER TIME IT WAS
THE HYDROGEN BOMB.
1604
01:07:06,290 --> 01:07:08,024
AND THE HYDROGEN
COULD NEVER GET
1605
01:07:08,024 --> 01:07:09,126
THROUGH THIS BOOK.
1606
01:07:12,896 --> 01:07:14,631
COME TO THE ROYAL.
1607
01:07:14,631 --> 01:07:15,732
OK.
1608
01:07:18,435 --> 01:07:20,003
SYLVIA GOT ME
A COUPLE OF TICKETS
1609
01:07:20,003 --> 01:07:21,505
TO GO SEE JAMES BROWN
AT THE ROYAL.
1610
01:07:21,505 --> 01:07:22,506
WHO?
1611
01:07:22,506 --> 01:07:23,773
JAMES BROWN.
1612
01:07:23,773 --> 01:07:25,242
WHO'S HE?
1613
01:07:25,242 --> 01:07:26,743
HE'S A--HE'S A SINGER.
1614
01:07:26,743 --> 01:07:28,312
THE ROYAL.
ISN'T THAT...
1615
01:07:28,312 --> 01:07:29,613
A COLORED THEATER?
1616
01:07:29,613 --> 01:07:32,149
UH, THE PROBLEM IS I CAN
ONLY TAKE ONE OF YOU.
1617
01:07:32,149 --> 01:07:33,417
I DON'T WANT
TO MAKE THE DECISION,
1618
01:07:33,417 --> 01:07:35,619
SO YOU GUYS--YOU GUYS
CAN BATTLE THAT OUT.
1619
01:07:35,619 --> 01:07:37,821
YEAH, WELL, UH...
1620
01:07:37,821 --> 01:07:38,955
DOESN'T
REALLY MATTER.
1621
01:07:38,955 --> 01:07:39,989
SO SHE'S
TAKING A FRIEND,
1622
01:07:39,989 --> 01:07:41,458
AND I HAVE
TO CHOOSE A FRIEND.
1623
01:07:41,458 --> 01:07:43,293
I DON'T--I DON'T
WANT TO CHOOSE.
1624
01:07:43,293 --> 01:07:44,294
SHE'S TAKING
A FRIEND?
1625
01:07:44,294 --> 01:07:45,529
YEAH, SHE'S
TAKING A FRIEND.
1626
01:07:45,529 --> 01:07:46,730
A COLORED GIRL?
1627
01:07:46,730 --> 01:07:48,064
I ASSUME SO.
1628
01:07:48,064 --> 01:07:49,666
WELL, YOU THINK...
I'LL GO.
1629
01:07:49,666 --> 01:07:50,734
YOU WANT TO GO?
1630
01:07:50,734 --> 01:07:53,703
I WANT TO GO. YOU
THINK SHE'D PUT OUT?
1631
01:07:53,703 --> 01:07:55,272
I DON'T KNOW.
1632
01:07:55,272 --> 01:07:57,141
WELL, I'M REALLY INTO
JAMES BURN, YOU KNOW.
1633
01:07:57,141 --> 01:07:58,142
JAMES BROWN.
1634
01:07:58,142 --> 01:07:59,243
JAMES BROWN.
1635
01:07:59,243 --> 01:08:00,944
WE'RE GOING TO THE SHOW,
ALL RIGHT?
1636
01:08:00,944 --> 01:08:02,546
I'M GONNA SIT
WITH ONE OF YOU GUYS,
1637
01:08:02,546 --> 01:08:04,114
SHE'S GONNA SIT
WITH HER FRIEND.
1638
01:08:04,114 --> 01:08:05,315
WE'RE ALL GONNA GO HOME.
1639
01:08:05,315 --> 01:08:07,050
WELL, THERE'S PROBABLY
TIME FOR, LIKE...
1640
01:08:07,050 --> 01:08:08,051
A LITTLE
PUTTING OUT.
1641
01:08:08,051 --> 01:08:09,453
A LITTLE PUTTING OUT?
1642
01:08:09,453 --> 01:08:10,520
NO, IT'S NOT
THAT KIND OF THING.
1643
01:08:10,520 --> 01:08:11,588
WE'RE NOT EVEN
SITTING TOGETHER.
1644
01:08:11,588 --> 01:08:12,756
I'M SURE SHE'LL
WANT TO PUT OUT.
1645
01:08:12,756 --> 01:08:13,757
YOU'RE SURE OF THIS?
1646
01:08:13,757 --> 01:08:14,924
YEAH.
BEN...
1647
01:08:14,924 --> 01:08:16,193
I'LL TAKE CARE OF IT.
1648
01:08:16,193 --> 01:08:17,927
ALL COLORED GIRLS,
YOU KNOW.
1649
01:08:17,927 --> 01:08:19,863
WELL, IT'S NOT
THAT KIND OF THING.
1650
01:08:19,863 --> 01:08:24,501
WELL, YOU KNOW WHAT WOULD
MAKE IT THAT KIND OF THING?
1651
01:08:24,501 --> 01:08:27,070
A LITTLE SOMETHING
CALLED SPANISH FLY.
1652
01:08:27,070 --> 01:08:28,205
SPANISH FLY?
1653
01:08:28,205 --> 01:08:30,207
THEY WILL GO NUTS
FOR US.
1654
01:08:30,207 --> 01:08:31,475
YOU WANT ME TO GIVE
THEM SPANISH FLY?
1655
01:08:31,475 --> 01:08:32,976
WE'RE NOT EVEN
SITTING TOGETHER.
1656
01:08:32,976 --> 01:08:34,478
GUYS, THAT STUFF
IS DANGEROUS.
1657
01:08:34,478 --> 01:08:36,213
THERE WAS THIS GIRL OVER
IN HIGHLAND TOWN, RIGHT?
1658
01:08:36,213 --> 01:08:38,182
SHE RUBBED THAT
ALL OVER HER BODY.
1659
01:08:38,182 --> 01:08:39,683
YOU DON'T RUB--
1660
01:08:39,683 --> 01:08:40,517
IT'S A PILL.
1661
01:08:40,517 --> 01:08:41,951
IT'S A PILL.
YOU TAKE THE PILL.
1662
01:08:41,951 --> 01:08:42,952
WELL,
IN HIGHLAND TOWN
1663
01:08:42,952 --> 01:08:44,053
THEY RUB IT, OK?
1664
01:08:44,053 --> 01:08:45,355
ANYWAY, THE POINT
OF THE STORY IS,
1665
01:08:45,355 --> 01:08:46,923
SHE RUBS IT ALL OVER
HER BODY,
1666
01:08:46,923 --> 01:08:48,292
SHE GETS SO WILD,
1667
01:08:48,292 --> 01:08:50,594
SHE MOUNTS A STICK
SHIFT IN THE CAR.
1668
01:08:50,594 --> 01:08:53,897
SHE DIES. SHE DIES--
SHE DIED, SHELDON.
1669
01:08:53,897 --> 01:08:55,965
RIGHT. WELL, WHICH ONE
OF YOU IS IT GONNA BE?
1670
01:08:55,965 --> 01:08:56,966
ME.
MMM.
1671
01:08:56,966 --> 01:08:58,101
WE'LL FLIP A COIN.
1672
01:08:58,101 --> 01:08:59,102
HEADS.
1673
01:08:59,102 --> 01:09:00,337
TAILS.
1674
01:09:02,639 --> 01:09:04,908
Rose: SYLVAN.
1675
01:09:04,908 --> 01:09:06,109
YEAH, WHO IS IT?
1676
01:09:06,109 --> 01:09:08,445
TREY TRAVELSTEAD.
1677
01:09:08,445 --> 01:09:10,514
YOU KNOW A NAME
LIKE THIS?
1678
01:09:10,514 --> 01:09:11,615
YES.
1679
01:09:11,615 --> 01:09:12,882
OK.
1680
01:09:12,882 --> 01:09:14,083
Van: HELLO.
1681
01:09:14,083 --> 01:09:16,886
YES, I'LL ACCEPT.
1682
01:09:16,886 --> 01:09:20,056
TREY, HEY.
WHERE ARE YOU?
1683
01:09:20,056 --> 01:09:21,625
OH, YEAH?
I DIDN'T KNOW
1684
01:09:21,625 --> 01:09:24,127
YOU GO TO WASHINGTON
AND LEE?
1685
01:09:24,127 --> 01:09:27,231
YEAH, WHEN
1686
01:09:27,231 --> 01:09:29,098
OH, YEAH,
THAT SOUNDS LIKE FUN.
1687
01:09:29,098 --> 01:09:31,134
YEA--GET OFF
THE PHONE, BUBBE.
1688
01:09:31,134 --> 01:09:32,436
OFF THE PHONE.
1689
01:09:32,436 --> 01:09:33,403
OK.
1690
01:09:33,403 --> 01:09:34,571
HEY, YEAH, I'LL MEET
YOU AT YOUR HOUSE.
1691
01:09:34,571 --> 01:09:36,706
YEAH, GOOD. YEAH,
GIVE ME THE ADDRESS.
1692
01:09:36,706 --> 01:09:39,676
YEAH, WELL,
I HOPE SHE'S THERE.
1693
01:09:39,676 --> 01:09:40,677
MM-HMM.
1694
01:09:40,677 --> 01:09:43,347
ALL RIGHT, SEE YOU,
TREY. YEAH. BYE.
1695
01:09:46,316 --> 01:09:48,985
HOPE SHE'S THERE.
1696
01:09:48,985 --> 01:09:51,054
HOPE SHE'S THERE.
1697
01:09:51,054 --> 01:09:54,558
* YOUR MIND *
1698
01:09:54,558 --> 01:09:59,062
* I'D HAVE TO SAY *
1699
01:09:59,062 --> 01:10:02,432
* IT'S KIND
OF WONDERFUL *
1700
01:10:02,432 --> 01:10:04,634
THERE'S $40,000
THERE.
1701
01:10:04,634 --> 01:10:07,537
YOU ABOUT 60 GRAND
SHY, AIN'T YOU?
1702
01:10:07,537 --> 01:10:09,373
WELL, WE'VE
GOT A PROBLEM.
1703
01:10:09,373 --> 01:10:11,875
THAT'S JUST TO SHOW
OUR GOOD FAITH.
1704
01:10:11,875 --> 01:10:14,311
FIRST THE SOUTHEAST
TERRITORY DON'T WORK OUT.
1705
01:10:14,311 --> 01:10:15,512
THAT'S YOUR CALL.
1706
01:10:15,512 --> 01:10:17,314
NOW YOU COME UP
IN HERE WITH THIS SHIT?
1707
01:10:19,649 --> 01:10:21,451
YOU SOME TRICKY GUYS,
AIN'T YOU?
1708
01:10:21,451 --> 01:10:24,354
LOOK, I'VE GOT A CAR
THAT'S WORTH 3,600,
1709
01:10:24,354 --> 01:10:27,123
A HOME THAT'S WORTH
18,000 TO 20,000.
1710
01:10:27,123 --> 01:10:28,425
I'VE GOT NOTHING
TO HIDE.
1711
01:10:28,425 --> 01:10:29,593
I'M LETTING YOU
HOLD THE DEED,
1712
01:10:29,593 --> 01:10:32,662
AND EACH WEEK
YOU'LL GET 2,000.
1713
01:10:33,797 --> 01:10:35,299
I WON STRAIGHT UP!
1714
01:10:35,299 --> 01:10:36,666
THIS HERE'S SOME BULLSHIT!
1715
01:10:36,666 --> 01:10:37,934
I'LL REPORT YOU ALL TO
THE BETTER BUSINESS BUREAU,
1716
01:10:37,934 --> 01:10:38,935
THAT'S WHAT I OUGHT TO DO.
1717
01:10:38,935 --> 01:10:40,069
THAT'LL
WORK.
1718
01:10:40,069 --> 01:10:42,639
IT'S
THE BEST I CAN DO.
1719
01:10:42,639 --> 01:10:44,908
THIS ABOUT THE GROCERY BAG
TEST, AIN'T IT?
1720
01:10:44,908 --> 01:10:46,376
WHAT DOES THAT MEAN?
1721
01:10:46,376 --> 01:10:49,479
SKIN DARKER THAN THE BAG
IS LOW-CLASS.
1722
01:10:49,479 --> 01:10:51,581
MAN DON'T GET
THE RESPECT HE DESERVES.
1723
01:10:51,581 --> 01:10:53,417
YOU KNOW, THEY SAY
IF YOU WEAR
1724
01:10:53,417 --> 01:10:55,151
A HORSESHOE RING
IN THAT DIRECTION,
1725
01:10:55,151 --> 01:10:59,556
ALL THE GOOD LUCK
TENDS TO RUN OUT.
1726
01:11:02,492 --> 01:11:03,727
THAT'S JUST
THE WAY YOU SEE IT.
1727
01:11:03,727 --> 01:11:05,762
I SEE IT A WHOLE
DIFFERENT WAY.
1728
01:11:05,762 --> 01:11:07,964
IF THE WHITE MAN
GET LUCKY IN ONE DIRECTION,
1729
01:11:07,964 --> 01:11:10,867
THE COLORED MAN GET LUCK
THE WHOLE DIFFERENT WAY.
1730
01:11:10,867 --> 01:11:12,869
AND THAT IS A FACT.
1731
01:11:12,869 --> 01:11:17,574
* AND YOU'VE GOT
THOSE BABY EYES *
1732
01:11:17,574 --> 01:11:18,975
DID HE GO
FOR IT, NATE?
1733
01:11:18,975 --> 01:11:20,043
WE'LL SEE.
1734
01:11:20,043 --> 01:11:23,380
NICE CADDY. I AIN'T
SEEN THIS COLOR BEFORE.
1735
01:11:23,380 --> 01:11:26,015
DO YOU LIKE IT?
TAKE IT.
1736
01:11:26,015 --> 01:11:27,317
LOUIE,
CALL US A CAB.
1737
01:11:27,317 --> 01:11:30,286
I WANT MY MONEY,
AND I WANT ALL OF IT.
1738
01:11:30,286 --> 01:11:31,821
YOU CAN'T BUY ME OFF.
1739
01:11:31,821 --> 01:11:33,557
I'M DOING THE BEST
THAT I CAN.
1740
01:11:33,557 --> 01:11:34,791
NOW IF YOU'LL
EXCUSE ME,
1741
01:11:34,791 --> 01:11:36,393
I'M HAVING DINNER
WITH MY FAMILY.
1742
01:11:36,393 --> 01:11:38,161
IT'S FRIDAY EVENING.
LET'S GO.
1743
01:11:38,161 --> 01:11:39,963
I DON'T THINK
YOU TAKE ME SERIOUSLY.
1744
01:11:39,963 --> 01:11:44,267
A MAN IN MY POSITION
MAKES HIS PRESENCE FELT.
1745
01:11:44,267 --> 01:11:45,769
GET YOUR HANDS OFF ME.
1746
01:12:10,259 --> 01:12:12,095
WHAT?
1747
01:12:12,095 --> 01:12:15,599
* CHA, CHA,
CHA-CHA-CHA *
1748
01:12:15,599 --> 01:12:19,102
* CHA, CHA,
CHA-CHA-CHA *
1749
01:12:19,102 --> 01:12:23,740
* EL COMPRENDE QUE
VIENE LA BASURA *
1750
01:12:23,740 --> 01:12:25,208
* EL COMPRENDE
QUE VIENE... *
1751
01:12:25,208 --> 01:12:27,010
DAD, CAN I TAKE
THE CADILLAC?
1752
01:12:27,010 --> 01:12:28,812
WHERE ARE YOU GOING?
1753
01:12:28,812 --> 01:12:29,746
OUT.
1754
01:12:29,746 --> 01:12:31,948
ALL RIGHT, BUT
DRIVE CAREFULLY.
1755
01:12:31,948 --> 01:12:33,483
THANKS.
1756
01:12:33,483 --> 01:12:35,118
NOT TOO LATE.
1757
01:12:35,118 --> 01:12:36,653
YEAH, MOM.
1758
01:12:36,653 --> 01:12:40,624
* AL BASURERO A LLEVARSE
LO QUE NO SE REBANO *
1759
01:12:40,624 --> 01:12:43,427
HI. UH, HERE TO SEE
TREY TRAVELSTEAD.
1760
01:12:53,803 --> 01:12:54,804
I THOUGHT
THAT YOU SAID
1761
01:12:54,804 --> 01:12:56,606
THAT HIS FAMILY
HAD MONEY.
1762
01:12:56,606 --> 01:12:58,475
THEY GOT A BUTLER,
DON'T THEY?
1763
01:12:58,475 --> 01:12:59,776
LOOK AT THESE RUGS.
1764
01:12:59,776 --> 01:13:02,345
THEY COULDN'T GET
WALL
1765
01:13:03,379 --> 01:13:05,281
OH, OH.
1766
01:13:05,281 --> 01:13:07,183
SQUEAKY FLOORS.
1767
01:13:07,183 --> 01:13:08,452
YOU KNOW,
WITH WALL-TO-WALL,
1768
01:13:08,452 --> 01:13:09,853
YOU DON'T HAVE THIS
KIND OF PROBLEM.
1769
01:13:09,853 --> 01:13:11,821
THESE ARE PIECE-
OF-SHIT THROW RUGS.
1770
01:13:11,821 --> 01:13:15,124
AH, LOOK
AT THIS PIECE OF CRAP.
1771
01:13:15,124 --> 01:13:16,726
LOOK AT THIS
PIECE OF CRAP.
1772
01:13:16,726 --> 01:13:18,361
THIS--YOU KNOW,
THIS HAS TO BE
1773
01:13:18,361 --> 01:13:22,265
80 YEARS OLD IF
IT'S A DAY, YOU KNOW?
1774
01:13:22,265 --> 01:13:23,933
THEY CAN'T SPRING
FOR A NEW ONE?
1775
01:13:23,933 --> 01:13:27,571
NO WONDER THEY HAVE MONEY.
THEY MUST SAVE EVERY NICKEL.
1776
01:13:27,571 --> 01:13:29,238
WELL, THEY MUST LIKE
THIS OLD STUFF.
1777
01:13:29,238 --> 01:13:30,674
IT--IT'S OLD,
IT'S VERY OLD.
1778
01:13:30,674 --> 01:13:33,610
WHEN'S THE LAST TIME
THEY MADE A PURCHASE
1779
01:13:33,610 --> 01:13:37,547
WHUP. FROM
BAD TO WORSE.
1780
01:13:37,547 --> 01:13:39,282
LOOK AT THIS.
1781
01:13:39,282 --> 01:13:40,550
LOOK AT THIS.
1782
01:13:40,550 --> 01:13:43,520
YOU KNOW, YOU KNOW
WHAT MY PARENTS JUST GOT?
1783
01:13:43,520 --> 01:13:45,254
A FORMICA TABLE.
1784
01:13:45,254 --> 01:13:46,456
DO YOU KNOW
THAT YOU CAN GET
1785
01:13:46,456 --> 01:13:47,924
ANYTHING ON THAT AND
IT CLEANS RIGHT UP?
1786
01:13:48,992 --> 01:13:49,793
NICE HAIR.
1787
01:13:49,793 --> 01:13:51,561
YOU GUYS
READY TO ROLL?
1788
01:13:51,561 --> 01:13:52,796
YEAH, YEAH.
1789
01:13:52,796 --> 01:13:55,398
I KNOW
WHAT I'M DOING.
1790
01:13:55,398 --> 01:13:56,633
YEAH, OK.
1791
01:14:09,312 --> 01:14:10,580
BEN...
YEAH?
1792
01:14:10,580 --> 01:14:12,849
YOU, UM, REALIZE
1793
01:14:12,849 --> 01:14:15,051
WE'RE THE ONLY WHITE
PEOPLE HERE, RIGHT?
1794
01:14:15,051 --> 01:14:16,586
REALLY?
1795
01:14:16,586 --> 01:14:19,455
LOOK, THERE'S SYLVIA
AND HER FRIEND.
1796
01:14:19,455 --> 01:14:20,590
SYLVIA!
1797
01:14:20,590 --> 01:14:21,591
DON'T DRAW
ATTENTION.
1798
01:14:21,591 --> 01:14:23,593
HEY.
HI.
1799
01:14:23,593 --> 01:14:25,294
WHAT'S YOUR NAME?
1800
01:14:25,294 --> 01:14:26,295
THIS IS GAIL.
1801
01:14:26,295 --> 01:14:27,564
HI, GAIL.
1802
01:14:28,965 --> 01:14:30,199
SHELDON.
1803
01:14:31,635 --> 01:14:32,936
* ROCK THIS JOINT *
1804
01:14:32,936 --> 01:14:36,472
* WE'RE GONNA ROCK
THIS JOINT TONIGHT *
1805
01:14:36,472 --> 01:14:38,107
Trey: LET ME ASK
YOU GUYS A QUESTION.
1806
01:14:38,107 --> 01:14:41,144
WE JUST FINISHED READING
DEATH OF A SALESMAN IN SCHOOL.
1807
01:14:41,144 --> 01:14:43,913
UH, IS THAT A PLAY ABOUT
A JEWISH FAMILY OR NOT?
1808
01:14:43,913 --> 01:14:45,148
I DON'T KNOW.
1809
01:14:45,148 --> 01:14:47,517
ARTHUR MILLER WROTE IT,
AND HE'S JEWISH.
1810
01:14:47,517 --> 01:14:50,019
I MEAN, WILLY LOMAN,
SALESMAN.
1811
01:14:50,019 --> 01:14:53,056
EXCEPT THE BOYS' NAMES.
WHAT IS IT
1812
01:14:53,056 --> 01:14:53,890
BIFF AND HAPPY.
1813
01:14:53,890 --> 01:14:55,725
THAT'S
A CRAZY NAME. BIFF.
1814
01:14:55,725 --> 01:14:58,595
BIFF. YEAH,
HE PROBABLY WANTED
1815
01:14:58,595 --> 01:15:00,429
TO AVOID THAT WHOLE
JEWISH THING.
1816
01:15:00,429 --> 01:15:01,731
Van: WHAT THING?
YOU KNOW...
1817
01:15:01,731 --> 01:15:03,066
WHAT
1818
01:15:03,066 --> 01:15:05,635
THEY'D SAY, "WHAT WAS
THAT PLAY THAT WE SAW?
1819
01:15:05,635 --> 01:15:07,704
"THAT JEWISH PLAY
THAT WE SAW. IT WAS GOOD.
1820
01:15:07,704 --> 01:15:09,639
ABOUT THE JEWISH FAMILY."
1821
01:15:09,639 --> 01:15:12,609
NOT A SALESMAN PLAY,
A JEWISH SALESMAN PLAY.
1822
01:15:12,609 --> 01:15:14,377
Trey: HE PROBABLY WANTED
TO MAKE IT MORE UNIVERSAL.
1823
01:15:14,377 --> 01:15:16,079
EXACTLY!
I WILL GRANT YOU THIS,
1824
01:15:16,079 --> 01:15:18,381
THERE ARE VERY FEW
JEWISH BALLPLAYERS.
1825
01:15:18,381 --> 01:15:19,683
TRUE. VERY, VERY TRUE.
1826
01:15:19,683 --> 01:15:21,985
YEAH. YOU'LL NEVER HEAR,
"GROUND BALL TO SHORT.
1827
01:15:21,985 --> 01:15:23,687
"FLO ZIEGFIELD
MOVES TO HIS RIGHT,
1828
01:15:23,687 --> 01:15:25,689
"SCOOPS IT TO LEONARD
BERNSTEIN AT SECOND,
1829
01:15:25,689 --> 01:15:28,692
WHO FIRES TO FIRST.
GEORGE GERSHWIN STRETCHES.
1830
01:15:28,692 --> 01:15:31,327
DOUBLE PLAY!"
THAT'S NOT GONNA HAPPEN.
1831
01:15:33,462 --> 01:15:35,231
Van: THIS IS, LIKE,
A MUCH LARGER PARTY
1832
01:15:35,231 --> 01:15:36,532
THAN THAT
HALLOWEEN THING.
1833
01:15:36,532 --> 01:15:38,935
Trey: OH, WE WERE JUST
SLUMMING AT THAT ONE.
1834
01:15:38,935 --> 01:15:40,837
Yussel:
THAT WAS SLUMMING?
1835
01:15:40,837 --> 01:15:42,572
LIKE, WHEN DO
WE SLUM AGAIN?
1836
01:15:42,572 --> 01:15:43,773
THIS IS NICE.
1837
01:15:45,274 --> 01:15:46,776
JEEZ, THIS IS
SOME FARM.
1838
01:15:46,776 --> 01:15:48,878
I BELIEVE IT'S A LAND
GRANT FROM A KING.
1839
01:15:48,878 --> 01:15:52,348
GRANT? KINGS DON'T
GRANT JEWS SHIT.
1840
01:15:52,348 --> 01:15:54,550
NOT NOW, OK?
NOT NOW.
1841
01:15:54,550 --> 01:15:56,319
THAT'S, UH,
MAGGIE RIDGLEY.
1842
01:15:56,319 --> 01:15:57,821
BYE.
BYE.
1843
01:15:59,422 --> 01:16:01,625
OH, I'D POP HER.
1844
01:16:01,625 --> 01:16:02,892
Trey: THAT'S
SALLY BRECKENRIDGE.
1845
01:16:02,892 --> 01:16:03,960
HER FATHER'S
WITH DuPONT.
1846
01:16:03,960 --> 01:16:06,462
I'D POP HER, TOO.
SHE WOULD SEE.
1847
01:16:06,462 --> 01:16:07,631
SHE WOULD KNOW.
1848
01:16:07,631 --> 01:16:08,898
YEAH, WELL, THE ONE
IN THE WHITE HAT,
1849
01:16:08,898 --> 01:16:10,366
THAT'S
ANNE WHITTIER.
1850
01:16:10,366 --> 01:16:11,400
THAT'S
YOUR BEST BET.
1851
01:16:11,400 --> 01:16:12,501
OH, YEAH?
1852
01:16:12,501 --> 01:16:13,637
VERY EASY.
1853
01:16:13,637 --> 01:16:14,904
FABULOUS.
1854
01:16:15,905 --> 01:16:17,907
I DON'T SEE HER. I DON'T
SEE THE LITTLE PRINCESS.
1855
01:16:17,907 --> 01:16:19,643
I'M GONNA GET
SOMETHING TO DRINK.
1856
01:16:19,643 --> 01:16:21,310
HEY.
WHAT IS IT?
1857
01:16:21,310 --> 01:16:25,649
DO ME A FAVOR--DON'T
CALL ME YUSSEL TONIGHT.
1858
01:16:25,649 --> 01:16:27,116
WHAT DO YOU WANT ME
TO CALL YOU?
1859
01:16:27,116 --> 01:16:29,185
YATES.
YATES.
1860
01:16:29,185 --> 01:16:32,789
WHOO. THE ROYAL SHOULD
BE JUMPING TONIGHT.
1861
01:16:32,789 --> 01:16:34,590
SURE ENOUGH.
1862
01:16:39,295 --> 01:16:42,598
WAIT A MINUTE. THAT LOOKS
LIKE KURTZMAN'S CAR.
1863
01:16:43,700 --> 01:16:44,734
HE GOT
THAT NICE CADDY
1864
01:16:44,734 --> 01:16:46,069
AND HE WON'T
GIVE UP THE CASH?
1865
01:16:46,069 --> 01:16:48,805
HE GOT YOU
ON THE LAYAWAY PLAN.
1866
01:16:48,805 --> 01:16:51,440
DON'T MAKE ME MOODY,
ALL RIGHT?
1867
01:16:51,440 --> 01:16:53,242
BELIEVE ME...
1868
01:16:53,242 --> 01:16:55,544
HE'D PAY THE WHITES
OFF ON THE SPOT.
1869
01:16:55,544 --> 01:16:58,782
DAMN NICE COLOR,
THOUGH, AIN'T IT?
1870
01:16:58,782 --> 01:17:00,583
MM-MMM-MMM.
1871
01:17:00,583 --> 01:17:02,251
YOU SHOULD HAVE
ASKED HIM FOR THE CAR.
1872
01:17:02,251 --> 01:17:03,987
OH, HE OFFERED.
1873
01:17:03,987 --> 01:17:06,555
THREW ME THE KEYS
AND EVERYTHING.
1874
01:17:06,555 --> 01:17:08,457
HELL, I SHOULD HAVE.
1875
01:17:08,457 --> 01:17:09,726
DAMN RIGHT.
1876
01:17:09,726 --> 01:17:11,861
LET ME FIND
THAT SON OF A BITCH,
1877
01:17:11,861 --> 01:17:13,763
TAKE HIM UP
ON THAT OFFER.
1878
01:17:15,464 --> 01:17:17,233
THE MAN TAKES
ADVANTAGE.
1879
01:17:17,233 --> 01:17:20,169
YEAH, WELL, I'M FINNING
TO TAKE THAT GODDAMN CAR.
1880
01:17:20,169 --> 01:17:22,338
HE GOT TO BE AROUND
HERE SOMEWHERE.
1881
01:17:22,338 --> 01:17:25,541
WHAT THE HELL HE DOING
DOWN HERE FOR ANYWAY?
1882
01:17:25,541 --> 01:17:26,743
I DON'T KNOW.
WHITE BOY LIKE THAT
1883
01:17:26,743 --> 01:17:28,778
STICK OUT LIKE
A SORE THUMB.
1884
01:17:42,992 --> 01:17:44,861
I'M PLEASED TO BE HERE
AT THE ROYAL THEATER
1885
01:17:44,861 --> 01:17:47,063
IN BEAUTIFUL
BALTIMORE, MARYLAND.
1886
01:17:50,666 --> 01:17:51,667
HOW YOU DOING?
1887
01:17:51,667 --> 01:17:52,702
HI.
1888
01:17:52,702 --> 01:17:54,103
ANY WHITES INSIDE?
1889
01:17:54,103 --> 01:17:55,304
SAW 2.
1890
01:17:55,304 --> 01:17:58,507
MMM, MMM. YOU MIND
IF I TAKE A LOOK?
1891
01:17:58,507 --> 01:18:00,109
I'LL BE RIGHT BACK.
1892
01:18:00,109 --> 01:18:00,977
GO AHEAD.
1893
01:18:00,977 --> 01:18:03,079
ALL RIGHT.
THANK YOU KINDLY.
1894
01:18:03,079 --> 01:18:05,014
STAY THERE.
1895
01:18:06,883 --> 01:18:08,551
I CAN'T GO
IN THE SHOW?
1896
01:18:08,551 --> 01:18:09,886
NO.
1897
01:18:09,886 --> 01:18:12,455
YOU'RE LOOKING
LOVELY THIS EVENING.
1898
01:18:12,455 --> 01:18:15,558
YOU LOOK LIKE A DOUBLE
SCOOP OF CHOCOLATE,
1899
01:18:15,558 --> 01:18:17,460
AND I GOT A SWEET TOOTH.
1900
01:18:17,460 --> 01:18:19,062
AND YOU STILL
CAN'T GO IN.
1901
01:18:19,062 --> 01:18:23,499
* WELL, MY BABY
PUT ME IN THAT *
1902
01:18:23,499 --> 01:18:25,668
* OH, THAT THING, YEAH *
1903
01:18:25,668 --> 01:18:26,970
* EVERYBODY *
1904
01:18:26,970 --> 01:18:30,173
* WE ARE HAVING,
WE'RE HAVING A PARTY *
1905
01:18:30,173 --> 01:18:34,210
* YEAH, WE'RE HAVING
A PARTY *
1906
01:18:34,210 --> 01:18:36,312
* AND WE'RE HAVING A PARTY *
1907
01:18:36,312 --> 01:18:39,248
* A ROCK AND ROLL
PARTY TONIGHT *
1908
01:18:40,383 --> 01:18:44,821
* WELL, I WENT DOWNTOWN
TO SEE AUNT MAUDE *
1909
01:18:44,821 --> 01:18:47,924
* SHE WENT OUT
WITHOUT HER CARD *
1910
01:18:47,924 --> 01:18:51,094
* HE GOT DRUNK,
OH, FORGET IT *
1911
01:18:51,094 --> 01:18:54,530
* DIDN'T EVEN KNOW
WHERE HE HAD BEEN *
1912
01:18:54,530 --> 01:18:56,199
* WE'RE HAVING A PARTY *
1913
01:18:56,199 --> 01:18:59,335
* A ROCK AND ROLL
PARTY TONIGHT *
1914
01:18:59,335 --> 01:19:00,937
* OHHH *
1915
01:19:00,937 --> 01:19:02,571
* I SAID JUMP,
JUMP, JUMP *
1916
01:19:02,571 --> 01:19:04,373
* PARTY ON, JUMP *
1917
01:19:04,373 --> 01:19:07,343
* JUMP, JUMP, JUMP,
PARTY ON, JUMP *
1918
01:19:07,343 --> 01:19:10,947
* HEY, JUMP, JUMP,
JUMP, PARTY ON, JUMP *
1919
01:19:10,947 --> 01:19:14,083
* JUMP, JUMP, JUMP
PARTY ON, JUMP *
1920
01:19:14,083 --> 01:19:16,119
* JUMP, JUMP, JUMP *
1921
01:19:16,119 --> 01:19:19,055
* ROCK AND ROLL PARTY
TONIGHT *
1922
01:19:19,055 --> 01:19:20,957
* YEAH! AAAAAAH!
1923
01:19:32,802 --> 01:19:35,905
* WELL, WE'RE HAVING
A PARTY *
1924
01:19:35,905 --> 01:19:38,975
* YEAH, WE'RE HAVING
A PARTY *
1925
01:19:38,975 --> 01:19:42,145
* AAAAH, WE'RE
HAVING A PARTY *
1926
01:19:42,145 --> 01:19:45,815
* YEAH, WE'RE
HAVING A PARTY *
1927
01:19:45,815 --> 01:19:48,117
* WE'RE HAVING A PARTY *
1928
01:19:48,117 --> 01:19:49,819
* A ROCK AND ROLL
PARTY TONIGHT *
1929
01:19:49,819 --> 01:19:51,720
YEAH, SO LET ME
ASK YOU, UM, YATES.
1930
01:19:51,720 --> 01:19:53,222
IT'S A VERY UNUSUAL NAME.
1931
01:19:53,222 --> 01:19:56,592
IT IS, IT IS. IT'S
SCANDINAVIAN, ACTUALLY.
1932
01:19:56,592 --> 01:19:57,994
MY MOM WAS BORN
IN NORWAY,
1933
01:19:57,994 --> 01:19:59,996
AND MY FATHER WAS
BORN IN DENMARK,
1934
01:19:59,996 --> 01:20:01,998
AND THEY MET
IN SWEDEN.
1935
01:20:01,998 --> 01:20:04,567
SO IT SORT OF COVERS
THE NORDIC SPECTRUM.
1936
01:20:04,567 --> 01:20:05,701
IT SURE DOES.
1937
01:20:05,701 --> 01:20:09,238
Trey: OH, THE SHIT
JUST HIT THE FAN.
1938
01:20:09,238 --> 01:20:11,007
THOUGHT SHE WAS GOING
TO PARIS TO SEE HER FATHER.
1939
01:20:11,007 --> 01:20:12,942
WELL, THAT'S
WHAT SHE TOLD ME.
1940
01:20:16,679 --> 01:20:20,149
* BLUE MOON *
1941
01:20:20,149 --> 01:20:21,450
* YOU SAW ME... *
1942
01:20:21,450 --> 01:20:22,751
WISH ME LUCK.
1943
01:20:22,751 --> 01:20:24,520
YOU'RE GONNA
NEED IT.
1944
01:20:25,688 --> 01:20:30,359
* WITHOUT A DREAM
IN MY HEART *
1945
01:20:30,359 --> 01:20:33,462
* WITHOUT A LOVE
OF MY OWN *
1946
01:20:33,462 --> 01:20:36,765
SO THIS IS PARIS.
1947
01:20:36,765 --> 01:20:38,067
OUI, MONSIEUR.
1948
01:20:38,067 --> 01:20:40,569
JUST COULDN'T
BRING MYSELF TO GO.
1949
01:20:40,569 --> 01:20:43,039
YEAH, WELL,
PARIS IS TOUGH.
1950
01:20:43,039 --> 01:20:45,074
PLEASE DON'T BE SNIDE.
1951
01:20:45,074 --> 01:20:46,342
IT'S MY FATHER.
1952
01:20:46,342 --> 01:20:48,311
I JUST CAN'T DEAL
WITH HIM RIGHT NOW.
1953
01:20:48,311 --> 01:20:50,880
WHO'S THAT GUY?
HE LOOKS FAMILIAR.
1954
01:20:50,880 --> 01:20:52,815
I SAW HIM WHEN
I CAME RIDING IN.
1955
01:20:52,815 --> 01:20:55,952
WELL,
THINK HALLOWEEN.
1956
01:20:55,952 --> 01:20:58,187
HE'S CRAZY FOR YOU.
1957
01:20:58,187 --> 01:21:00,823
OH, THE NIGHT
YOU STOOD ME UP
1958
01:21:00,823 --> 01:21:02,091
FOR MOST
OF THE EVENING.
1959
01:21:02,091 --> 01:21:04,460
I FLIRTED WITH HIM
FOR AMUSEMENT.
1960
01:21:04,460 --> 01:21:06,162
YOU KNOW WHAT? YOU,
UH, DID QUITE A JOB.
1961
01:21:06,162 --> 01:21:07,630
HE'S SALIVATING
FOR YOU.
1962
01:21:07,630 --> 01:21:09,999
HOW DO YOU KNOW?
1963
01:21:09,999 --> 01:21:11,200
WELL, I
BROUGHT HIM HERE.
1964
01:21:11,200 --> 01:21:13,702
DOES HE KNOW
THAT WE GO TOGETHER?
1965
01:21:13,702 --> 01:21:15,838
DIDN'T WANT
TO BREAK HIS HEART.
1966
01:21:15,838 --> 01:21:19,508
PLEASE, SPARE ME
YOUR SENSITIVE SIDE.
1967
01:21:19,508 --> 01:21:22,445
WELL, GO SAY HELLO.
I WON'T GET JEALOUS.
1968
01:21:22,445 --> 01:21:26,082
SCREW YOU.
1969
01:21:26,082 --> 01:21:30,987
* YOU SAW ME
STANDING ALONE *
1970
01:21:30,987 --> 01:21:36,625
* WITHOUT A DREAM
IN MY HEART *
1971
01:21:36,625 --> 01:21:39,128
* WITHOUT A LOVE
OF MY OWN *
1972
01:21:39,128 --> 01:21:42,298
I DON'T GET IT.
YOU LOVE HER
1973
01:21:42,298 --> 01:21:44,867
CAN'T LIVE WITHOUT HER?
NEVER WANT TO SEE HER AGAIN?
1974
01:21:44,867 --> 01:21:46,769
YEAH, WELL,
AIN'T IT ROMANTIC?
1975
01:21:46,769 --> 01:21:48,771
YOU'RE TOO MUCH.
1976
01:21:48,771 --> 01:21:49,905
SOME GUYS
WOULD DIE FOR HER.
1977
01:21:49,905 --> 01:21:51,507
YEAH,
I THINK I WILL.
1978
01:21:52,942 --> 01:21:55,244
* OOOOH-OOOH *
1979
01:21:55,244 --> 01:21:56,579
* OOOH-OOOH-OOOH *
1980
01:21:56,579 --> 01:21:58,781
HI.
HELLO, STRANGER.
1981
01:21:58,781 --> 01:22:00,249
YOU REMEMBERED.
1982
01:22:00,249 --> 01:22:03,219
CERTAINLY.
HOW COULD I FORGET?
1983
01:22:03,219 --> 01:22:06,389
WELL, UM...
1984
01:22:06,389 --> 01:22:08,524
COME ON, LET'S GET
SOMETHING TO DRINK.
1985
01:22:08,524 --> 01:22:09,658
OK.
1986
01:22:11,060 --> 01:22:13,129
SO WHERE ARE YOU COMING
ON A
1987
01:22:13,129 --> 01:22:14,297
IT'S UH, HEH HEH--
1988
01:22:14,297 --> 01:22:16,099
OH, MY GRANDFATHER
HAS A HORSE FARM...
1989
01:22:18,367 --> 01:22:20,869
DID I SAY JAMES BROWN
WAS MY COUSIN?
1990
01:22:20,869 --> 01:22:22,405
IS THAT RIGHT?
UH-HUH.
1991
01:22:22,405 --> 01:22:24,740
THEN HE SHOULD HAVE
LEFT YOU A FREE TICKET.
1992
01:22:24,740 --> 01:22:27,710
JUST STAY
RIGHT OUT HERE.
1993
01:22:32,581 --> 01:22:34,017
COUPLE
OF WHITE KIDS.
1994
01:22:34,017 --> 01:22:36,852
ONE OF THEM PROBABLY
KURTZMAN'S KID.
1995
01:22:36,852 --> 01:22:38,221
WHAT DO YOU WANT TO DO?
1996
01:22:42,558 --> 01:22:44,060
YOU SHOULD HAVE ASKED
FOR THE CAR.
1997
01:22:44,060 --> 01:22:46,729
DON'T MAKE ME
MOODY, ALL RIGHT?
1998
01:22:49,432 --> 01:22:50,733
HOLD ON, NOW.
1999
01:22:55,038 --> 01:22:56,705
WHAT IF I
TAKE HIS KID?
2000
01:22:59,975 --> 01:23:03,112
HE GOT MY MONEY.
I GOT HIS KID.
2001
01:23:05,581 --> 01:23:08,484
RIGHT ABOUT NOW
I'D LIKE TO DO A SONG
2002
01:23:08,484 --> 01:23:11,654
THAT I HOPE
TO RECORD REAL SOON.
2003
01:23:11,654 --> 01:23:14,157
HOPE TO MAKE IT
MY VERY FIRST RECORD.
2004
01:23:15,191 --> 01:23:16,659
FELLAS, ARE YOU READY?
2005
01:23:16,659 --> 01:23:17,660
Group: YEAH!
2006
01:23:17,660 --> 01:23:18,494
BUILDING,
IS YOU READY,
2007
01:23:18,494 --> 01:23:20,063
'CAUSE WE GONNA
TEAR YOU DOWN.
2008
01:23:24,933 --> 01:23:29,372
* PLEASE, PLEASE,
PLEASE, PLEASE *
2009
01:23:29,372 --> 01:23:32,275
* PLEASE, PLEASE,
DON'T GO *
2010
01:23:32,275 --> 01:23:36,312
* PLEASE, PLEASE,
PLEASE *
2011
01:23:36,312 --> 01:23:39,548
* PLEASE, PLEASE,
DON'T GO *
2012
01:23:39,548 --> 01:23:42,485
* DARLING,
PLEASE, DON'T... *
2013
01:23:42,485 --> 01:23:44,487
* DON'T *
2014
01:23:44,487 --> 01:23:49,425
* OH, YEAH, OHH,
I LOVE YOU SO *
2015
01:23:49,425 --> 01:23:52,861
* PLEASE, PLEASE,
DON'T GO *
2016
01:23:52,861 --> 01:23:56,165
* BABY,
YOU DID ME WRONG *
2017
01:23:56,165 --> 01:23:58,967
* BABE, YOU'VE
DONE ME WRONG *
2018
01:23:58,967 --> 01:24:02,905
* OHH, WHOA,
YOU DONE ME WRONG *
2019
01:24:02,905 --> 01:24:05,641
* GIRL, YOU'VE
DONE ME WRONG *
2020
01:24:05,641 --> 01:24:08,477
* GIRL, YOU DONE
DONE ME WRONG *
2021
01:24:08,477 --> 01:24:12,448
* OHHH *
* OHH, OH, YEAH *
2022
01:24:12,448 --> 01:24:15,918
* MY LOVE, AND
NOW YOU'RE GONE *
2023
01:24:15,918 --> 01:24:17,753
* PLEASE, PLEASE,
DON'T GO *
2024
01:24:17,753 --> 01:24:21,524
* PLEASE, PLEASE... *
2025
01:24:21,524 --> 01:24:24,393
* PLEASE, PLEASE,
PLEASE, PLEASE *
2026
01:24:24,393 --> 01:24:26,962
* PLEASE, PLEASE *
2027
01:24:26,962 --> 01:24:28,864
I--I LOVE YOU!
2028
01:24:28,864 --> 01:24:30,733
WHOO, WHOO!
2029
01:24:30,733 --> 01:24:32,635
* PLEASE, PLEASE *
2030
01:24:32,635 --> 01:24:35,604
* DARLING,
PLEASE, DON'T *
2031
01:24:35,604 --> 01:24:39,875
* OHH *
* OHH, OH, YEAH *
2032
01:24:39,875 --> 01:24:41,076
* OHHH... *
2033
01:24:46,115 --> 01:24:48,083
I'M--I'M SORRY.
2034
01:24:48,083 --> 01:24:49,852
I DIDN'T KNOW ABOUT
YOU AND TREY. I...
2035
01:24:49,852 --> 01:24:51,053
WHOO!
2036
01:24:51,053 --> 01:24:53,289
NO. TREY SHOULD'VE
SAID SOMETHING TO YOU,
2037
01:24:53,289 --> 01:24:54,390
BUT THAT'S TREY FOR YOU.
2038
01:24:54,390 --> 01:24:56,325
HE REALLY SHOULD'VE,
'CAUSE...
2039
01:24:56,325 --> 01:24:58,694
IT REALLY WOULD'VE
SAVED ME A LOT OF...
2040
01:24:58,694 --> 01:24:59,828
AGGRAVATION.
2041
01:25:04,200 --> 01:25:05,568
YOU KNOW, THAT NIGHT
2042
01:25:05,568 --> 01:25:06,969
WHEN I SAW YOU
IN THE BASEMENT,
2043
01:25:06,969 --> 01:25:08,571
I WAS...
2044
01:25:08,571 --> 01:25:09,738
SO...
2045
01:25:11,907 --> 01:25:13,576
BOY, I JUST...
2046
01:25:15,611 --> 01:25:17,813
IT WASN'T
A REAL MAGIC WAND.
2047
01:25:20,916 --> 01:25:22,518
GUESS NOT.
2048
01:25:50,279 --> 01:25:51,614
HOW ABOUT THAT,
THAT JAMES?
2049
01:25:51,614 --> 01:25:52,415
UH-HUH!
2050
01:25:52,415 --> 01:25:54,016
LOOK, I CAN DO IT!
COOL!
2051
01:25:54,016 --> 01:25:55,418
HA HA!
UH-HUH, YEAH!
2052
01:25:55,418 --> 01:25:57,986
Little Melvin: TEACH HIM
WHO HE DICKING WITH.
2053
01:25:57,986 --> 01:25:59,188
Scribbles: DAMN SKIPPY.
2054
01:25:59,188 --> 01:26:00,923
A MAN WIN BIG, AND
HE CAN'T GET HIS, TOO.
2055
01:26:00,923 --> 01:26:02,358
AND IT AIN'T KIDNAPPING.
2056
01:26:02,358 --> 01:26:04,493
IT'S MORE TIT FOR TAT.
2057
01:26:04,493 --> 01:26:07,029
YOU DO NOTHING
ON YOUR OWN.
2058
01:26:07,029 --> 01:26:08,264
YEAH.
2059
01:26:08,264 --> 01:26:09,865
THAT'S IT?
2060
01:26:09,865 --> 01:26:10,799
Sheldon:
I'VE NEVER SEEN
2061
01:26:10,799 --> 01:26:14,069
ANYTHING LIKE THAT
IN MY LIFE! WHOO!
2062
01:26:14,069 --> 01:26:16,405
OH, WAIT. CAREFUL.
2063
01:26:16,405 --> 01:26:17,640
I'M REALLY GLAD
YOU LIKED IT.
2064
01:26:17,640 --> 01:26:19,642
IT WAS WORTH IT.
WASN'T IT?
2065
01:26:19,642 --> 01:26:21,310
* PLEASE, PLEASE *
2066
01:26:21,310 --> 01:26:23,212
* PLEASE, PLEASE *
2067
01:26:23,212 --> 01:26:24,513
SYLVIA, WHERE
YOU PARKED?
2068
01:26:24,513 --> 01:26:26,849
JUST THROUGH THE ALLEY.
THERE'S A PARKING LOT.
2069
01:26:26,849 --> 01:26:27,850
WE'RE JUST UP HERE.
2070
01:26:27,850 --> 01:26:29,318
HOW ABOUT
WE GO, UH...
2071
01:26:29,318 --> 01:26:31,354
YOU KNOW, GET SOMEONE
TO BUY US A 6-PACK OF BEER
2072
01:26:31,354 --> 01:26:33,055
AND DRINK IT IN YOUR CAR
OR SOMETHING?
2073
01:26:33,055 --> 01:26:34,857
WHAT, DRINK IT
IN MY CAR?
2074
01:26:34,857 --> 01:26:37,192
YEAH. WE COULD JUST
SORTA SIT IN THE CAR.
2075
01:26:37,192 --> 01:26:38,727
I HAVE A CURFEW.
I CAN'T DO THAT.
2076
01:26:38,727 --> 01:26:41,096
JUST DRINK IT IN THE CAR.
WE DON'T HAVE TO GO ANYWHERE.
2077
01:26:41,096 --> 01:26:42,097
Gail: OH, PLEASE!
2078
01:26:42,097 --> 01:26:43,098
I DON'T THINK SO.
2079
01:26:43,098 --> 01:26:44,700
* PLEASE, PLEASE *
2080
01:26:44,700 --> 01:26:46,935
HOW Y'ALL DOING
THIS EVENING?
2081
01:26:47,870 --> 01:26:50,539
WHICH ONE OF Y'ALL'S
NATE KURTZMAN'S KID?
2082
01:26:50,539 --> 01:26:51,340
ME.
2083
01:26:51,340 --> 01:26:52,975
AH. THAT SO?
2084
01:26:55,411 --> 01:26:57,045
GET IN THE CAR.
2085
01:26:57,045 --> 01:26:59,548
Y'ALL TAKE A WALK.
2086
01:26:59,548 --> 01:27:00,616
NO.
2087
01:27:00,616 --> 01:27:02,818
YOU BETTER GET
YOUR ASS OUTTA HERE.
2088
01:27:02,818 --> 01:27:05,654
I--I'M--I'M NOT
LEAVING HIM HERE.
2089
01:27:06,955 --> 01:27:08,291
YOU CAN EITHER
GET IN THE CAR
2090
01:27:08,291 --> 01:27:09,625
OR GET OUT OF HERE.
2091
01:27:09,625 --> 01:27:11,093
I--I'M GETTING IN THE CAR.
2092
01:27:11,093 --> 01:27:12,094
THAT'S RIGHT.
2093
01:27:12,094 --> 01:27:14,330
EVERYBODY
GET IN THE CAR.
2094
01:27:30,045 --> 01:27:31,213
Little Melvin:
THEN WHAT, 3?
2095
01:27:31,213 --> 01:27:32,715
Ben: 304.
2096
01:27:39,254 --> 01:27:42,925
SHALOM.
IS MR. KURTZMAN THERE?
2097
01:27:42,925 --> 01:27:44,327
OH, HE JUST LEFT.
2098
01:27:44,327 --> 01:27:47,129
UH, WELL, WHEN
WILL HE BE BACK?
2099
01:27:47,129 --> 01:27:48,631
OH. GOT IT.
2100
01:27:50,966 --> 01:27:53,636
WENT DOWN TO THE GAIETY.
SHOULD BE THERE SOON.
2101
01:27:53,636 --> 01:27:55,203
IF MY FATHER
HAD THE MONEY,
2102
01:27:55,203 --> 01:27:57,440
HE'D GIVE IT
TO YOU.
2103
01:27:57,440 --> 01:27:59,908
2 BLACK, 2 WHITE.
2104
01:27:59,908 --> 01:28:01,209
Y'ALL DATING?
2105
01:28:01,209 --> 01:28:02,411
NO.
2106
01:28:02,411 --> 01:28:04,279
WE HAPPENED TO MEET.
BEN, SHELDON, AND I
2107
01:28:04,279 --> 01:28:05,548
GO TO
THE SAME SCHOOL.
2108
01:28:05,548 --> 01:28:07,215
I GO
TO DOUGLASS.
2109
01:28:07,215 --> 01:28:09,752
CAB CALLOWAY
WENT TO DOUGLASS.
2110
01:28:14,490 --> 01:28:16,459
SOMETHING GOING ON
BETWEEN YOU TWO?
2111
01:28:16,459 --> 01:28:18,260
NO. WE'RE
JUST FRIENDS.
2112
01:28:18,260 --> 01:28:19,695
FRIENDS?
2113
01:28:19,695 --> 01:28:21,730
WHITE GUY,
COLORED GIRL, FRIENDS?
2114
01:28:22,665 --> 01:28:24,400
I AIN'T NEVER HEARD
OF SUCH A THING.
2115
01:28:24,400 --> 01:28:25,868
NEW TO ME, TOO.
2116
01:28:27,903 --> 01:28:28,904
YOU PLUGGING HER?
2117
01:28:28,904 --> 01:28:30,439
NO.
2118
01:28:30,439 --> 01:28:32,240
WELL, WHY NOT?
SHE GOOD-LOOKING.
2119
01:28:32,240 --> 01:28:33,709
WE'RE JUST FRIENDS.
2120
01:28:33,709 --> 01:28:35,177
I AIN'T NEVER HAD
A WHITE FRIEND
2121
01:28:35,177 --> 01:28:36,679
IN MY ENTIRE LIFE.
2122
01:28:36,679 --> 01:28:38,914
NOW, I DONE WORK
FOR WHITE...
2123
01:28:38,914 --> 01:28:41,484
AND I BEEN MESSED OVER
BY WHITE...
2124
01:28:41,884 --> 01:28:43,686
BUT WE AIN'T NEVER
BEEN FRIENDS.
2125
01:28:43,686 --> 01:28:45,454
AND I DON'T GET
A CHANCE TO BE
2126
01:28:45,454 --> 01:28:47,322
IN THE BUSINESS WORLD
LIKE YOU JEWS NEITHER.
2127
01:28:47,322 --> 01:28:49,925
JEWS ARE A MINORITY,
TOO, YOU KNOW.
2128
01:28:49,925 --> 01:28:52,127
OH, THAT SO?
2129
01:28:52,127 --> 01:28:53,161
YEAH.
2130
01:28:53,161 --> 01:28:54,329
DID YOU KNOW
2131
01:28:54,329 --> 01:28:55,864
THAT THERE ARE
LESS JEWS IN THE WORLD
2132
01:28:55,864 --> 01:28:58,066
THAN NEGROES?
2133
01:28:58,066 --> 01:28:59,368
YEAH?
2134
01:28:59,368 --> 01:29:02,371
BUT YOU AIN'T GOT
THE SKIN THING.
2135
01:29:02,371 --> 01:29:03,739
SLAVES,
2136
01:29:03,739 --> 01:29:04,873
SLAVES.
2137
01:29:04,873 --> 01:29:07,009
JEWS WERE SLAVES.
2138
01:29:07,009 --> 01:29:08,611
BULLSHIT!
2139
01:29:08,611 --> 01:29:10,345
WHO BUILT THE PYRAMIDS?
2140
01:29:10,345 --> 01:29:12,815
HOW IN THE HELL
SHOULD I KNOW?
2141
01:29:12,815 --> 01:29:14,683
THE JEWS.
2142
01:29:16,018 --> 01:29:18,854
THE JEWS.
2143
01:29:18,854 --> 01:29:20,923
THE JEWS BUILT
THE PYRAMIDS?
2144
01:29:20,923 --> 01:29:22,290
I--I DIDN'T KNOW THAT.
2145
01:29:22,290 --> 01:29:24,292
PULLING THEM
BIG STONE, JEWS?
2146
01:29:24,292 --> 01:29:25,861
IT'S TRUE.
2147
01:29:27,029 --> 01:29:28,030
WHEN WAS THAT?
2148
01:29:29,331 --> 01:29:31,434
3,500 YEARS AGO.
SOMETHING LIKE THAT.
2149
01:29:31,434 --> 01:29:33,301
3,500 YEARS AGO?
2150
01:29:33,301 --> 01:29:34,503
DON'T YOU TELL ME
NO SLAVE THING
2151
01:29:34,503 --> 01:29:36,104
HAPPENED 3,500 YEARS AGO.
2152
01:29:36,104 --> 01:29:38,841
I'M TALKING ABOUT
MY GRANDDADDY WAS A SLAVE!
2153
01:29:38,841 --> 01:29:41,577
THOUSANDS OF YEARS AGO,
DINOSAURS ROAMED THE EARTH
2154
01:29:41,577 --> 01:29:43,779
AND STUFF WAS STILL
COMING UP OUT OF THE DIRT!
2155
01:29:43,779 --> 01:29:45,047
WHAT?
2156
01:29:46,181 --> 01:29:47,349
NOW, DON'T--NO, NO,
2157
01:29:47,349 --> 01:29:48,884
DON'T YOU MAKE FUN
OF MY SUFFERING NOW.
2158
01:29:57,125 --> 01:29:58,927
OH, COME ON!
2159
01:29:58,927 --> 01:29:59,928
VAN.
2160
01:30:01,830 --> 01:30:03,466
I'M, UH...
2161
01:30:03,466 --> 01:30:05,434
I'M GOING WITH DUBBIE.
YOU KNOW YOUR WAY BACK?
2162
01:30:05,434 --> 01:30:06,569
YEAH. YEAH.
WHAT YOU GONNA DO,
2163
01:30:06,569 --> 01:30:07,870
RIDE OFF
ON THE HORSE?
2164
01:30:07,870 --> 01:30:09,004
NO. UH...
2165
01:30:09,004 --> 01:30:12,240
WE'RE GONNA STAY HERE
TONIGHT WITH SOME FRIENDS.
2166
01:30:12,240 --> 01:30:13,709
WELL, THAT'S DEPRESSING.
2167
01:30:13,709 --> 01:30:15,177
LOOK, VAN, I'M SORRY
ABOUT ALL THIS.
2168
01:30:15,177 --> 01:30:16,912
I--I DIDN'T KNOW
SHE'D BE HERE.
2169
01:30:16,912 --> 01:30:18,614
I THOUGHT YOU MIGHT SPARK
TO SOMEONE ELSE.
2170
01:30:18,614 --> 01:30:20,516
OH, THAT'S ALL
RIGHT. I DON'T--
2171
01:30:20,516 --> 01:30:22,417
MAYBE NEXT TIME,
YOU KNOW.
2172
01:30:22,417 --> 01:30:23,619
I'VE GOT YOUR NUMBER,
2173
01:30:23,619 --> 01:30:25,220
I'LL LET YOU KNOW
ABOUT THE NEXT TO-DO.
2174
01:30:25,220 --> 01:30:26,288
THANKS.
I'M SORRY.
2175
01:30:26,288 --> 01:30:27,422
THAT'S ALL RIGHT.
THANKS, TREY.
2176
01:30:27,422 --> 01:30:29,224
ALL RIGHT. I'LL
SEE YOU LATER, PAL.
2177
01:30:29,224 --> 01:30:31,293
OH, HO HO!
2178
01:30:31,293 --> 01:30:33,361
LOOKS LIKE YUSSEL'S
DOING FINE.
2179
01:30:33,361 --> 01:30:35,464
MAYBE I OUGHT
TO DYE MY HAIR.
2180
01:30:35,464 --> 01:30:36,965
HA! MAYBE.
2181
01:30:36,965 --> 01:30:38,166
SEE YOU.
2182
01:30:50,078 --> 01:30:53,582
WELL, I'M GLAD YOU SEE IT
THAT WAY, MR. KURTZMAN.
2183
01:30:53,582 --> 01:30:56,018
YEAH, JUST A NEGOTIATION.
2184
01:30:56,018 --> 01:30:56,885
TIT FOR TAT.
2185
01:30:56,885 --> 01:30:58,921
[LOUIS ARMSTRONG
SINGS ON STEREO]
2186
01:30:58,921 --> 01:31:01,924
WELL, IT'S NICE DOING
BUSINESS WITH YOU, TOO.
2187
01:31:01,924 --> 01:31:03,158
NO, NO, NO.
2188
01:31:03,158 --> 01:31:06,194
I'LL CALL YOU BACK
ABOUT THE MEETING PLACE.
2189
01:31:06,194 --> 01:31:07,630
ALL RIGHT.
2190
01:31:09,532 --> 01:31:11,166
SCRIBBLES, GO ON OVER THERE,
UNTIE THAT ROPE,
2191
01:31:11,166 --> 01:31:12,334
LET THEM 3 KIDS OUT.
2192
01:31:12,334 --> 01:31:13,936
IT'S GONNA BE OVER
IN A MINUTE.
2193
01:31:23,712 --> 01:31:24,913
HELLO, CHILDREN.
2194
01:31:26,314 --> 01:31:28,083
ALL 3 OF YOU OUT.
2195
01:31:28,083 --> 01:31:30,218
KURTZMAN, YOU STAY.
2196
01:31:30,218 --> 01:31:32,921
COME ON NOW.
GET OUT, GIRL.
2197
01:31:32,921 --> 01:31:34,156
I'LL WAIT.
2198
01:31:34,156 --> 01:31:36,559
Scribbles: LET'S GO
TAKE A RIDE IN THE PONTIAC.
2199
01:31:39,361 --> 01:31:40,663
HOW OLD ARE YOU,
LITTLE GIRL?
2200
01:31:40,663 --> 01:31:42,731
Gail: HOW MUCH
DO YOU WEIGH?
2201
01:31:42,731 --> 01:31:45,568
OOH, THAT ONE'S
A SASSY ONE.
2202
01:31:47,736 --> 01:31:49,805
AIN'T YOU LOYAL?
2203
01:31:49,805 --> 01:31:51,940
I DON'T WANT ANYTHING
TO HAPPEN.
2204
01:31:51,940 --> 01:31:53,208
AIN'T NOTHING
GONNA HAPPEN,
2205
01:31:53,208 --> 01:31:54,777
HIS FATHER PAYS.
2206
01:31:55,878 --> 01:31:58,647
YOU SURE YOU'RE
NOT PLUGGING HER?
2207
01:31:58,647 --> 01:32:00,683
YEAH, I'M SURE.
2208
01:32:00,683 --> 01:32:02,517
YOU GOT TO FIND HER
GOOD-LOOKING.
2209
01:32:04,152 --> 01:32:05,721
I DO.
2210
01:32:06,755 --> 01:32:07,990
TOUCH HER TITTY.
2211
01:32:07,990 --> 01:32:09,124
WHAT?
2212
01:32:09,124 --> 01:32:09,992
NO.
2213
01:32:09,992 --> 01:32:11,794
GO ON NOW. TOUCH
HER TITTY, BOY.
2214
01:32:11,794 --> 01:32:12,995
NO.
2215
01:32:16,031 --> 01:32:18,300
THIS SAYS YES.
2216
01:32:19,501 --> 01:32:20,669
NO.
2217
01:32:20,669 --> 01:32:22,270
DON'T GIVE ME SHIT.
2218
01:32:22,270 --> 01:32:23,438
YOU TOUCH HER TITTY.
2219
01:32:23,438 --> 01:32:25,007
AIN'T LIKE
IT'S A NAKED TITTY.
2220
01:32:26,074 --> 01:32:27,075
NO.
2221
01:32:31,179 --> 01:32:33,315
THINK ABOUT IT.
2222
01:32:35,517 --> 01:32:37,519
THERE'S NOTHING
TO THINK ABOUT.
2223
01:32:37,519 --> 01:32:39,054
NO.
2224
01:32:40,422 --> 01:32:41,657
YOU KNOW, IF YOU
WANT YOUR MONEY,
2225
01:32:41,657 --> 01:32:43,458
I THINK YOU BETTER
CALL AGAIN.
2226
01:32:43,458 --> 01:32:46,328
I WAS GETTING
READY TO DO THAT.
2227
01:32:46,328 --> 01:32:49,264
I WAS JUST HAVING A MOMENT
OF ENTERTAINMENT.
2228
01:33:07,582 --> 01:33:09,051
THANK YOU.
2229
01:33:11,153 --> 01:33:12,420
BUT I'M NOT SURE
2230
01:33:12,420 --> 01:33:14,790
IT WOULD'VE BEEN
WORTH DYING FOR.
2231
01:33:18,260 --> 01:33:20,896
ANYTHING GOES WRONG,
I'LL NEVER FORGIVE MYSELF.
2232
01:33:20,896 --> 01:33:23,498
DAMN IT, NATE, COME ON.
HE'S NOT GONNA HURT HIM.
2233
01:33:23,498 --> 01:33:25,133
SH--I WAS STRAIGHT
WITH THIS GUY.
2234
01:33:25,133 --> 01:33:26,034
IT'LL BE ALL RIGHT.
2235
01:33:26,034 --> 01:33:27,636
IT'S NOT THE WAY
THIS GUY OPERATES.
2236
01:33:27,636 --> 01:33:31,774
* YOU GOT TO KICK,
HOLLER, AND SHOUT *
2237
01:33:31,774 --> 01:33:35,911
* I'M GONNA TELL YOU
WHAT IT'S ALL ABOUT *
2238
01:33:35,911 --> 01:33:39,815
* YOU GOT TO JUMP
REAL HIGH *
2239
01:33:39,815 --> 01:33:44,086
* YOU GOT TO KEEP
THAT FEELING ALIVE *
2240
01:33:44,086 --> 01:33:48,190
* YOU GOT TO STOMP,
WHISTLE, AND SCREAM *
2241
01:33:48,190 --> 01:33:53,261
* YOU GOT TO THINK
ABOUT LOOKING REAL NEAT *
2242
01:33:53,261 --> 01:33:56,699
* TELL ME THAT YOU LOVE ME,
TELL ME THAT YOU'RE MINE *
2243
01:33:56,699 --> 01:33:59,134
* OH, PUTTING ON
THE DOG... *
2244
01:34:06,608 --> 01:34:08,476
IT'S YOURS.
2245
01:34:08,476 --> 01:34:10,245
CAN'T TAKE THIS.
2246
01:34:10,245 --> 01:34:11,279
YOUR CAR.
2247
01:34:20,322 --> 01:34:21,924
LITTLE KURTZMAN.
2248
01:34:35,103 --> 01:34:36,571
YOU DIDN'T HAVE
TO GIVE HIM
2249
01:34:36,571 --> 01:34:37,840
THE ENTIRE NUMBERS BUSINESS.
2250
01:34:37,840 --> 01:34:41,443
YOU COULD'VE GONE 50-50.
OR KILL HIM.
2251
01:34:41,443 --> 01:34:43,045
YOU GOT TO LOVE
THE GUINEAS.
2252
01:34:43,045 --> 01:34:45,447
COLORED GUY STEALS
SOMETHING FROM THEM,
2253
01:34:45,447 --> 01:34:46,749
YA-BING!
THEY FIND HIM DEAD
2254
01:34:46,749 --> 01:34:48,884
ON HIS OWN DOORSTEP
2 DAYS LATER.
2255
01:34:48,884 --> 01:34:50,685
A SUBTLE
WARNING.
2256
01:34:50,685 --> 01:34:52,420
HEY, HE DIDN'T STEAL.
2257
01:34:52,420 --> 01:34:55,257
HE HIT THE NUMBER.
HE WON IT FAIR AND SQUARE.
2258
01:34:55,257 --> 01:34:56,324
IT'S HIS MONEY.
2259
01:35:02,364 --> 01:35:05,100
AND YOU?
2260
01:35:05,100 --> 01:35:06,902
YOU, UH...
2261
01:35:07,770 --> 01:35:09,371
WANT TO EXPLAIN THIS?
2262
01:35:09,371 --> 01:35:11,006
SHE'S IN MY CLASS.
2263
01:35:11,006 --> 01:35:12,875
SHE WAS COMING OUT
OF THE ROYAL
2264
01:35:12,875 --> 01:35:13,876
WHEN ALL THIS HAPPENED.
2265
01:35:13,876 --> 01:35:15,277
OH, YOU WENT
TO THE ROYAL.
2266
01:35:15,277 --> 01:35:17,412
YEAH.
WHY?
2267
01:35:17,412 --> 01:35:19,014
UH, JAMES BROWN.
2268
01:35:19,014 --> 01:35:21,049
HE'S--HE'S AMAZING.
2269
01:35:21,049 --> 01:35:23,451
IS THIS
THAT ROCK AND ROLL?
2270
01:35:23,451 --> 01:35:25,754
IT'S GREAT MUSIC.
2271
01:35:25,754 --> 01:35:27,923
WELL, MAYBE
YOU SHOULD
2272
01:35:27,923 --> 01:35:29,224
GET HER
IN THE CAR.
2273
01:35:29,224 --> 01:35:30,225
SYLVIA?
2274
01:35:30,225 --> 01:35:32,527
THIS IS MY DAD.
2275
01:35:32,527 --> 01:35:34,196
HELLO.
2276
01:35:37,365 --> 01:35:39,367
ALL RIGHT.
2277
01:35:39,367 --> 01:35:40,402
FRIGHTENING NIGHT,
HUH?
2278
01:35:40,402 --> 01:35:42,304
Sylvia: YEAH. SOMEWHAT.
2279
01:35:42,304 --> 01:35:44,006
NOW, DID YOU CALL
YOUR PARENTS?
2280
01:35:44,006 --> 01:35:45,173
NO. THEY THINK
I'M SLEEPING
2281
01:35:45,173 --> 01:35:46,809
UP AT GAIL'S HOUSE
TONIGHT.
2282
01:35:46,809 --> 01:35:49,177
OH. THAT SAVES
A COMPLICATED EXPLANATION.
2283
01:35:49,177 --> 01:35:51,379
I DON'T KNOW HOW
I'D TELL MY FATHER...
2284
01:35:56,651 --> 01:35:58,286
HELLO.
2285
01:35:58,286 --> 01:36:00,755
DUBBIE. HEY.
2286
01:36:00,755 --> 01:36:02,257
TREY?
2287
01:36:03,926 --> 01:36:06,128
WELL, HOW SERIOUS?
2288
01:36:06,128 --> 01:36:08,430
OH. WHEN DID HE
GO INTO SURGERY?
2289
01:36:10,765 --> 01:36:14,069
OK. YEAH. UH,
421 SPRINGDALE AVENUE.
2290
01:36:14,069 --> 01:36:15,804
IT'S RIGHT OFF
LIBERTY HEIGHTS.
2291
01:36:15,804 --> 01:36:18,040
YEAH. OK.
2292
01:36:21,944 --> 01:36:23,111
A FRIEND OF MINE
2293
01:36:23,111 --> 01:36:25,413
WAS JUST IN A REALLY BAD
CAR ACCIDENT.
2294
01:36:25,413 --> 01:36:26,849
HE'S IN VIRGINIA.
2295
01:36:26,849 --> 01:36:27,983
WHAT'S HE DOING THERE?
2296
01:36:27,983 --> 01:36:30,552
WELL, HE GOES TO
WASHINGTON AND LEE.
2297
01:36:30,552 --> 01:36:32,420
WEALTHY GOYIM?
2298
01:36:32,420 --> 01:36:34,256
HIS FATHER WORKS FOR
LAWRENCE AND WHEBBEE.
2299
01:36:34,256 --> 01:36:37,292
BIG LAW FIRM.
VERY CONNECTED.
2300
01:36:38,193 --> 01:36:39,227
IS HE GONNA BE
ALL RIGHT?
2301
01:36:39,227 --> 01:36:41,096
I DON'T KNOW.
UH...SHE SAID
2302
01:36:41,096 --> 01:36:43,298
THEY'RE WORRIED ABOUT HIM
BEING PARALYZED.
2303
01:36:43,298 --> 01:36:46,869
EH! HOW TERRIBLE.
2304
01:36:46,869 --> 01:36:49,271
BY THE WAY, WHAT'S
THE NAME DUBBIE?
2305
01:36:49,271 --> 01:36:50,873
I NEVER HEARD
SUCH A NAME.
2306
01:36:56,611 --> 01:36:57,612
HEY.
2307
01:36:57,612 --> 01:36:58,813
HI.
2308
01:37:00,082 --> 01:37:01,483
THANK YOU
FOR COMING.
2309
01:37:01,483 --> 01:37:02,317
SURE.
2310
01:37:02,317 --> 01:37:04,352
I DIDN'T WANT TO
DO THIS ALONE.
2311
01:37:04,352 --> 01:37:06,588
YOU KNOW, WE CAN
TAKE TURNS DRIVING
2312
01:37:06,588 --> 01:37:08,123
IN CASE YOU GET TIRED.
2313
01:37:15,297 --> 01:37:18,433
Woman: PEOPLE, MAY I HAVE
YOUR ATTENTION, PLEASE.
2314
01:37:18,433 --> 01:37:21,336
I NEED TO SEE
THE FOLLOWING STUDENTS:
2315
01:37:21,336 --> 01:37:24,039
ACKERMAN, BLUME,
2316
01:37:24,039 --> 01:37:27,109
D. COHEN, R. COHEN.
2317
01:37:27,109 --> 01:37:29,577
SO...WHERE YOU
GOING TO SCHOOL?
2318
01:37:29,577 --> 01:37:30,578
SPELMAN.
2319
01:37:30,578 --> 01:37:31,579
SPELMAN.
2320
01:37:31,579 --> 01:37:32,580
UH-HUH.
2321
01:37:32,580 --> 01:37:33,581
A NEGRO SCHOOL?
2322
01:37:33,581 --> 01:37:34,782
YUP.
2323
01:37:34,782 --> 01:37:36,384
WHY YOU GOING THERE?
I MEAN...
2324
01:37:36,384 --> 01:37:38,420
I MEAN YOU CAN GO
ANYWHERE NOW.
2325
01:37:38,420 --> 01:37:40,989
JUST BECAUSE WE CAN
DOESN'T MEAN WE HAVE TO.
2326
01:37:40,989 --> 01:37:42,290
AND MY MOTHER
WENT THERE,
2327
01:37:42,290 --> 01:37:44,659
HER MOTHER WENT THERE--
IT'S TRADITION.
2328
01:37:44,659 --> 01:37:46,028
OH. WELL, THERE'S
NO SUCH THING
2329
01:37:46,028 --> 01:37:47,229
FOR SYLVAN AND I.
2330
01:37:47,229 --> 01:37:49,431
WE'RE THE FIRST ONES
TO GO TO COLLEGE.
2331
01:37:49,431 --> 01:37:50,332
WHY?
2332
01:37:50,332 --> 01:37:51,766
OH, MY FAMILY
COULDN'T AFFORD IT.
2333
01:37:51,766 --> 01:37:53,835
MY DAD WENT TO WORK
WHEN HE WAS 14.
2334
01:37:53,835 --> 01:37:55,037
WOW.
2335
01:37:57,472 --> 01:37:58,473
DAMN.
2336
01:37:58,473 --> 01:37:59,341
TAKE A MULLIGAN.
2337
01:37:59,341 --> 01:38:02,177
HEAVY RUMORS
ABOUT LITTLE MELVIN.
2338
01:38:02,177 --> 01:38:03,045
YEAH?
2339
01:38:03,045 --> 01:38:04,712
YEAH. SEEMS
HE'S HAVING TROUBLE
2340
01:38:04,712 --> 01:38:05,914
RUNNING THE NUMBERS.
2341
01:38:05,914 --> 01:38:06,915
HOW SO?
2342
01:38:06,915 --> 01:38:08,850
CAN'T GET ORGANIZED.
2343
01:38:08,850 --> 01:38:10,452
HE'S RUNNING IT
INTO THE GROUND.
2344
01:38:12,887 --> 01:38:14,923
SO GOLF'S
NOT YOUR GAME.
2345
01:38:14,923 --> 01:38:18,060
I RAN INTO HIM
OVER AT, UH...GLOBUS.
2346
01:38:18,060 --> 01:38:20,228
I WAS HAVING LUNCH.
2347
01:38:20,228 --> 01:38:23,065
COMES OVER TO MY TABLE.
2348
01:38:23,065 --> 01:38:25,167
I DON'T THINK
IT WAS A COINCIDENCE.
2349
01:38:28,803 --> 01:38:30,872
BETTER.
2350
01:38:30,872 --> 01:38:32,407
PROBLEM HE'S GOT,
HE CAN'T WORK
2351
01:38:32,407 --> 01:38:33,775
WITH THE WHITE
NUMBERS RUNNERS,
2352
01:38:33,775 --> 01:38:34,977
AND THE WHITE SHOP OWNERS
2353
01:38:34,977 --> 01:38:36,744
CAN'T WORK
WITH THE BLACK RUNNERS.
2354
01:38:36,744 --> 01:38:38,013
THINK WE CAN
CUT A DEAL?
2355
01:38:38,013 --> 01:38:39,814
NAH. I THINK
HE HAS NO CHOICE.
2356
01:38:39,814 --> 01:38:42,317
OH. THAT WAS MY PLAN
ALL ALONG.
2357
01:38:43,485 --> 01:38:45,620
Van: SO YOU AND TREY
FIGHT A LOT?
2358
01:38:45,620 --> 01:38:47,022
Dubbie: YUP.
ALL THE TIME.
2359
01:38:47,022 --> 01:38:48,290
ABOUT WHAT?
EVERYTHING.
2360
01:38:48,290 --> 01:38:49,224
SUCH AS?
2361
01:38:49,224 --> 01:38:52,227
WELL, HE THINKS
I'M TOO POSSESSIVE,
2362
01:38:52,227 --> 01:38:54,729
I THINK HE DRINKS
WAY TOO MUCH,
2363
01:38:54,729 --> 01:38:56,464
AND HE THINKS
I'M TOO DEMANDING
2364
01:38:56,464 --> 01:38:58,033
CONCERNING SEX.
2365
01:38:59,301 --> 01:39:00,102
REALLY?
2366
01:39:00,102 --> 01:39:01,103
YEAH, REALLY.
2367
01:39:01,103 --> 01:39:03,671
I MEAN, I LOVE SEX,
2368
01:39:03,671 --> 01:39:04,973
BUT TREY
SEEMS TO THINK
2369
01:39:04,973 --> 01:39:07,275
I GET A LITTLE OUT
OF CONTROL SOMETIMES.
2370
01:39:09,711 --> 01:39:11,446
OUT OF CONTROL...
2371
01:39:17,319 --> 01:39:20,255
HI. WE'D LIKE TO SEE
TREY TRAVELSTEAD.
2372
01:39:20,255 --> 01:39:21,523
WE CAME DOWN
FROM BALTIMORE.
2373
01:39:21,523 --> 01:39:24,226
TRAVELSTEAD IS ON
THE...SECOND FLOOR.
2374
01:39:24,226 --> 01:39:25,994
ONLY ONE VISITOR
AT A TIME.
2375
01:39:25,994 --> 01:39:27,062
THANKS.
2376
01:39:27,062 --> 01:39:28,563
I CAN GO UPSTAIRS,
THOUGH, RIGHT?
2377
01:40:02,297 --> 01:40:04,099
HE'D LIKE TO SEE YOU.
2378
01:40:07,735 --> 01:40:10,405
Trey: I'M GLAD DUBBIE WAS
ABLE TO GET A HOLD OF YOU.
2379
01:40:10,405 --> 01:40:11,206
HEY.
2380
01:40:11,206 --> 01:40:13,708
THANKS FOR COMING DOWN.
2381
01:40:13,708 --> 01:40:14,909
YEAH, SURE.
2382
01:40:14,909 --> 01:40:16,978
WHAT'S THE WORD?
2383
01:40:16,978 --> 01:40:19,414
UM...IT'S WORSE
THAN IT LOOKS.
2384
01:40:21,216 --> 01:40:22,817
WILL YOU BE ABLE
TO WALK?
2385
01:40:22,817 --> 01:40:24,152
OH, SURE.
2386
01:40:24,152 --> 01:40:26,821
MAYBE A LITTLE LIMP,
BUT THAT COULD BE ROMANTIC.
2387
01:40:26,821 --> 01:40:28,723
YOU KNOW, MYSTERIOUS.
2388
01:40:28,723 --> 01:40:31,859
NEED WHATEVER I CAN
TO ADD TO THE MYSTIQUE.
2389
01:40:31,859 --> 01:40:35,063
DUBBIE LOOKED
A LITTLE DISTURBED.
2390
01:40:35,063 --> 01:40:36,298
YEAH. WELL...
2391
01:40:36,298 --> 01:40:38,666
YOU KNOW, IF YOU STILL
GOT A THING FOR HER,
2392
01:40:38,666 --> 01:40:40,568
THIS COULD BE YOUR CHANCE.
2393
01:40:40,568 --> 01:40:44,139
IT ISN'T GONNA WORK OUT
WITH THE TWO OF US.
2394
01:40:45,107 --> 01:40:46,841
WE'LL TALK ABOUT THIS
WHEN YOU GET BETTER.
2395
01:40:46,841 --> 01:40:48,276
IT'S OVER.
2396
01:40:51,846 --> 01:40:53,448
IT'S OVER,
IT'S OVER, IT'S OVER.
2397
01:41:03,991 --> 01:41:07,095
THIS COULD BE
YOUR CHANCE, VAN.
2398
01:41:07,095 --> 01:41:09,297
BUT SHE COMES
WITH A WARNING.
2399
01:41:10,798 --> 01:41:11,866
WHAT?
2400
01:41:11,866 --> 01:41:14,902
YOU GOT TO READ
THE FINE PRINT.
2401
01:41:14,902 --> 01:41:17,505
DANGEROUS.
HANDLE WITH CARE.
2402
01:41:23,278 --> 01:41:27,081
Singer: * I'M DRIVING *
2403
01:41:27,081 --> 01:41:31,719
* SO CLOSE TO YOU *
2404
01:41:31,719 --> 01:41:35,089
* WITH LOVE *
2405
01:41:35,089 --> 01:41:36,124
* OH... *
2406
01:41:36,124 --> 01:41:38,860
Little Melvin:
SO, GENTLEMEN...
2407
01:41:38,860 --> 01:41:40,128
WHERE DO WE BEGIN?
2408
01:41:40,128 --> 01:41:41,563
Nate: OK, HERE'S
THE SHORTHAND:
2409
01:41:41,563 --> 01:41:42,697
YOU SCREWED UP
THE BUSINESS,
2410
01:41:42,697 --> 01:41:44,532
IT'S FAILING,
YOU NEED HELP. SPEAK.
2411
01:41:46,734 --> 01:41:48,270
I'M THINKING.
2412
01:41:48,270 --> 01:41:50,338
THINKING, MIND YOU.
2413
01:41:50,338 --> 01:41:52,940
I'M BRINGING YOU BACK
INTO THE BUSINESS.
2414
01:41:52,940 --> 01:41:55,109
30% OF THE TAKE.
2415
01:41:56,478 --> 01:41:57,345
PASS.
2416
01:41:57,345 --> 01:41:59,814
30% IS BETTER
THAN NOTHING.
2417
01:41:59,814 --> 01:42:00,648
IN A SHORT TIME,
2418
01:42:00,648 --> 01:42:02,484
YOUR 100%
WON'T BE WORTH SHIT.
2419
01:42:02,484 --> 01:42:05,387
HOW'S THAT
FOR ARITHMETIC?
2420
01:42:05,387 --> 01:42:06,188
40%.
2421
01:42:06,188 --> 01:42:08,823
I'M INSULTED.
2422
01:42:08,823 --> 01:42:09,824
50.
2423
01:42:09,824 --> 01:42:12,260
80.
2424
01:42:12,260 --> 01:42:14,696
TAKE IT OR LEAVE IT.
2425
01:42:17,965 --> 01:42:19,567
DONE.
2426
01:42:23,137 --> 01:42:24,606
COUPLE OF OTHER THINGS.
2427
01:42:24,606 --> 01:42:26,874
I DON'T WANT YOU
COMING TO MY OFFICE.
2428
01:42:26,874 --> 01:42:28,210
I DON'T WANT TO SEE YOU,
2429
01:42:28,210 --> 01:42:31,145
I WANT NOTHING
TO DO WITH YOU.
2430
01:42:31,145 --> 01:42:32,847
I CAN LIVE WITH THAT.
2431
01:42:38,353 --> 01:42:40,588
YOU'RE NOT GONNA WAIT
FOR YOUR DRINKS?
2432
01:42:41,556 --> 01:42:43,391
TOO MUCH WORK
TO GET DONE.
2433
01:42:50,164 --> 01:42:52,066
Nate: LET'S GO, BOYS.
2434
01:42:52,066 --> 01:42:53,435
WE'RE BACK.
2435
01:42:53,435 --> 01:42:54,802
Louie:
MUSIC TO MY EARS!
2436
01:42:54,802 --> 01:42:56,170
YES, SIREE!
2437
01:42:56,170 --> 01:42:59,307
* WITH LOVE *
2438
01:42:59,307 --> 01:43:01,209
* OH... *
2439
01:43:02,910 --> 01:43:04,312
SCRIBBLES,
2440
01:43:04,312 --> 01:43:06,248
WHAT I PAY YOU
FOR, HUH?
2441
01:43:06,248 --> 01:43:07,515
I'M OVER HERE
NEGOTIATING.
2442
01:43:07,515 --> 01:43:09,584
NEGOTIATING BUSINESS
FOR YOU AND ME,
2443
01:43:09,584 --> 01:43:10,652
AND YOU SIT OVER
THERE EATING PIE.
2444
01:43:10,652 --> 01:43:12,019
YOU SIT OVER THERE
AND NEGOTIATE,
2445
01:43:12,019 --> 01:43:13,421
AND I SIT OVER HERE
OUT YOUR WAY.
2446
01:43:13,421 --> 01:43:14,589
I MEAN, I'M SITTING--
2447
01:43:14,589 --> 01:43:16,224
YOU'RE SITTING
OVER THERE ORDERING PIE
2448
01:43:16,224 --> 01:43:17,492
WHILE I'M LOSING
THE BUSINESS!
2449
01:43:17,492 --> 01:43:19,494
AND I DON'T SEE
AN OUNCE OF REMORSE.
2450
01:43:20,462 --> 01:43:22,196
DON'T MAKE ME MOODY,
YOU UNDERSTAND ME?
2451
01:43:22,196 --> 01:43:23,798
NOW GO AND SIT OUTSIDE.
2452
01:43:26,734 --> 01:43:29,804
Nat King Cole:
* AH, CHERIE *
2453
01:43:29,804 --> 01:43:34,276
* MY LOVE FOR YOU
IS TRES *
2454
01:43:34,276 --> 01:43:37,679
* TRES FORT *
2455
01:43:38,746 --> 01:43:41,916
* WISH MY FRENCH
WERE GOOD ENOUGH *
2456
01:43:41,916 --> 01:43:43,050
YOU SPEAK FRENCH?
2457
01:43:43,050 --> 01:43:44,919
UM. NO.
2458
01:43:44,919 --> 01:43:46,053
DO YOU?
2459
01:43:46,053 --> 01:43:48,189
YES. NOT AS WELL
2460
01:43:48,189 --> 01:43:49,391
AS MY FATHER'S
BOYFRIEND DOES,
2461
01:43:49,391 --> 01:43:52,294
BUT...THEN AGAIN,
HE IS FRENCH.
2462
01:43:55,763 --> 01:43:57,565
THAT'S A SECRET.
2463
01:43:57,565 --> 01:43:59,434
WHAT, ARE
YOUR PARENTS DIVORCED?
2464
01:43:59,434 --> 01:44:02,737
MM. ABSOLUTELY NOT.
2465
01:44:02,737 --> 01:44:07,174
THEY HAVE...
AN UNDERSTANDING.
2466
01:44:07,174 --> 01:44:08,410
AH. BECAUSE
OF RELIGION?
2467
01:44:08,410 --> 01:44:10,645
RELIGION?
2468
01:44:10,645 --> 01:44:12,947
NO, NO.
NOTHING LIKE THAT.
2469
01:44:12,947 --> 01:44:16,684
IT'S JUST...MORE LIKE
A CONVENIENT ARRANGEMENT.
2470
01:44:19,421 --> 01:44:21,356
WELL, YOUR MOM
LIVES IN BALTIMORE.
2471
01:44:22,890 --> 01:44:25,893
LET'S TALK ABOUT SOMETHING
MORE PLEASANT.
2472
01:44:25,893 --> 01:44:27,795
YEAH. AHEM!
2473
01:44:29,831 --> 01:44:31,399
WHAT ABOUT TREY?
2474
01:44:33,535 --> 01:44:35,603
THAT WAS PLEASANT.
2475
01:44:35,603 --> 01:44:38,673
BUT ALL GOOD THINGS
MUST COME TO AN END,
2476
01:44:38,673 --> 01:44:41,208
FORTUNATELY OR
UNFORTUNATELY.
2477
01:44:41,208 --> 01:44:44,245
SEEMS LIKE A NICE GUY,
THOUGH, RIGHT?
2478
01:44:44,245 --> 01:44:45,747
THAT'S ONLY HALF OF IT.
2479
01:44:47,749 --> 01:44:49,050
ARE YOU TIRED?
2480
01:44:49,050 --> 01:44:50,585
OH, NO. I CAN DRIVE.
2481
01:44:54,221 --> 01:44:56,524
WE COULD STOP
AT A MOTEL.
2482
01:44:59,060 --> 01:45:01,128
SURE.
2483
01:45:01,128 --> 01:45:02,830
YEAH, WE--WE
COULD DO THAT.
2484
01:45:02,830 --> 01:45:04,732
AHEM! SURE.
2485
01:45:17,512 --> 01:45:20,882
Elvis Presley:
* BLUE MOON *
2486
01:45:20,882 --> 01:45:26,421
* YOU SAW ME
STANDING ALONE *
2487
01:45:26,421 --> 01:45:30,892
* WITHOUT A DREAM
IN MY HEART *
2488
01:45:31,893 --> 01:45:33,428
OH, JESUS.
2489
01:45:35,196 --> 01:45:36,398
SORRY.
2490
01:45:38,633 --> 01:45:40,635
YOU'RE SURE ABOUT THIS?
2491
01:45:42,804 --> 01:45:47,642
* YOU KNEW JUST WHAT
I WAS THERE FOR *
2492
01:45:47,642 --> 01:45:48,710
GOOD.
2493
01:45:48,710 --> 01:45:53,748
* YOU HEARD ME SAYING
A PRAYER FOR *
2494
01:45:53,748 --> 01:45:56,217
* SOMEONE I REALLY
COULD... *
2495
01:45:56,217 --> 01:45:57,985
HOW MUCH
DO YOU WANT ME?
2496
01:46:00,154 --> 01:46:01,923
OH. UH...
2497
01:46:03,357 --> 01:46:04,626
I, UH...
2498
01:46:04,626 --> 01:46:06,794
I HAVEN'T BEEN ABLE
TO GET YOU OFF MY MIND
2499
01:46:06,794 --> 01:46:08,963
SINCE THE MOMENT
I MET YOU.
2500
01:46:08,963 --> 01:46:10,164
HOW EXCITING.
2501
01:46:10,164 --> 01:46:11,666
UH-HUH.
2502
01:46:11,666 --> 01:46:13,468
FEEL LIKE I'VE, UH...
2503
01:46:13,468 --> 01:46:15,369
DIED AND GONE TO HEAVEN.
2504
01:46:15,369 --> 01:46:19,841
* WITHOUT A LOVE
OF MY OWN *
2505
01:46:23,144 --> 01:46:25,246
* BLUE MOON *
2506
01:46:25,246 --> 01:46:26,781
A TOAST.
2507
01:46:26,781 --> 01:46:32,153
* YOU SAW ME
STANDING ALONE *
2508
01:46:32,153 --> 01:46:33,287
OK.
2509
01:46:33,287 --> 01:46:36,958
* WITHOUT A DREAM
IN MY HEART *
2510
01:46:36,958 --> 01:46:37,759
OH.
2511
01:46:37,759 --> 01:46:39,661
* WITHOUT A LOVE OF... *
2512
01:46:39,661 --> 01:46:41,863
IT SEEMS TO BE
ALL GONE.
2513
01:46:41,863 --> 01:46:43,498
FEAR NOT.
2514
01:46:43,498 --> 01:46:45,332
I HAVE BACKUP.
2515
01:46:45,332 --> 01:46:46,901
I HAVE IT AROUND
HERE SOMEWHERE.
2516
01:46:46,901 --> 01:46:48,603
OH, WE CAN DO
WITHOUT THAT RIGHT NOW,
2517
01:46:48,603 --> 01:46:49,604
DON'T YOU THINK?
2518
01:46:49,604 --> 01:46:50,872
WELL, I'M JUST
SO DAMN HAPPY,
2519
01:46:50,872 --> 01:46:52,840
WE'VE GOT
TO HAVE A DRINK.
2520
01:46:55,142 --> 01:46:56,343
WHOA. YOU ALL RIGHT?
2521
01:46:56,343 --> 01:46:57,945
YEAH.
2522
01:46:57,945 --> 01:46:59,914
OH, SH--HA HA!
2523
01:46:59,914 --> 01:47:00,715
YOU ALL RIGHT?
2524
01:47:00,715 --> 01:47:02,850
YEAH?
2525
01:47:13,160 --> 01:47:14,729
IT REALLY WASN'T
THAT FUNNY.
2526
01:47:15,563 --> 01:47:18,165
OH, GOD, HA HA!
2527
01:47:18,165 --> 01:47:19,433
YOU ALL RIGHT?
2528
01:47:19,433 --> 01:47:20,902
I'M FINE.
2529
01:47:20,902 --> 01:47:22,670
OK. GEE.
2530
01:47:29,276 --> 01:47:30,311
ALL RIGHT,
WAIT A MINUTE.
2531
01:47:30,311 --> 01:47:32,113
HEY, REMOVE
YOUR HAND.
2532
01:47:33,581 --> 01:47:35,717
HEY, WHAT'S
THE MATTER? HEY.
2533
01:47:39,053 --> 01:47:40,187
WHAT'S WRONG?
2534
01:47:40,187 --> 01:47:41,188
I'M FINE.
2535
01:47:43,925 --> 01:47:45,593
NO, NO, NO.
WHAT'S WRONG?
2536
01:47:45,593 --> 01:47:47,394
MAKE LOVE TO ME.
2537
01:47:47,394 --> 01:47:48,395
WHAT? NO.
2538
01:47:48,395 --> 01:47:50,131
MAKE LOVE TO ME.
2539
01:47:50,131 --> 01:47:51,733
LISTEN, CALM DOWN, OK?
2540
01:47:55,436 --> 01:47:57,038
MAKE LOVE TO ME.
2541
01:48:00,374 --> 01:48:02,009
WHAT'S WRONG, DUBBIE?
2542
01:48:05,446 --> 01:48:07,248
I DON'T NEED
THIS CRAP.
2543
01:48:07,248 --> 01:48:08,315
SCREW YOU!
2544
01:48:08,315 --> 01:48:09,250
WHAT--WHAT ARE
YOU TALKING ABOUT?
2545
01:48:09,250 --> 01:48:10,251
COME HERE.
2546
01:48:10,251 --> 01:48:12,419
I'M FINE.
2547
01:48:12,419 --> 01:48:14,622
EVERYTHING
IS FINE.
2548
01:48:19,393 --> 01:48:21,763
DUBBIE, WHAT'S
GOING ON HERE?
2549
01:48:21,763 --> 01:48:23,598
I DON'T NEED
THIS CRAP.
2550
01:48:27,635 --> 01:48:29,136
I DON'T UNDERSTAND.
2551
01:48:31,105 --> 01:48:32,574
YOU DON'T UNDERSTAND?
2552
01:48:32,574 --> 01:48:34,041
I REALLY
DON'T UNDERSTAND
2553
01:48:34,041 --> 01:48:35,142
WHAT JUST HAPPENED.
2554
01:48:37,378 --> 01:48:39,046
I HAVE EVERYTHING!
2555
01:48:39,046 --> 01:48:40,514
EVERYTHING!
2556
01:48:40,514 --> 01:48:42,316
AND IT'S
JUST WONDERFUL!
2557
01:48:42,316 --> 01:48:45,820
I'M HAPPY.
I HAVE EVERYTHING.
2558
01:48:45,820 --> 01:48:48,756
HOW CAN YOU
NOT UNDERSTAND?
2559
01:49:25,026 --> 01:49:26,527
OH, JESUS.
2560
01:49:30,998 --> 01:49:32,600
OH, JESUS.
2561
01:49:35,870 --> 01:49:38,172
HOW DO YOU LIKE ME
SO FAR?
2562
01:49:50,985 --> 01:49:54,188
[TOM WAITS'
IT'S OVER PLAYING]
2563
01:49:56,924 --> 01:50:02,163
* YOU MUST'VE BROUGHT
THE BAD WEATHER WITH YOU *
2564
01:50:02,163 --> 01:50:07,001
* THE SKY'S
THE COLOR OF LEAD *
2565
01:50:07,001 --> 01:50:11,505
* ALL YOU LEFT ME
IS A FEATHER *
2566
01:50:11,505 --> 01:50:16,143
* ON AN UNMADE BED *
2567
01:50:16,143 --> 01:50:21,048
* IT'S ALWAYS ME
WHENEVER THERE'S TROUBLE *
2568
01:50:21,048 --> 01:50:26,287
* THE WORLD
DOES NOTHING BUT TURN *
2569
01:50:26,287 --> 01:50:30,124
* AND THE RING,
IT FELL OFF MY FINGER *
2570
01:50:30,124 --> 01:50:36,097
* I GUESS I'LL NEVER LEARN *
2571
01:50:36,097 --> 01:50:41,903
* BUT IT'S OVER,
IT'S OVER, IT'S OVER *
2572
01:50:41,903 --> 01:50:46,841
* I'M GETTING DRESSED
IN THE DARK *
2573
01:50:46,841 --> 01:50:51,779
* OUR STORY ENDS
BEFORE IT BEGINS *
2574
01:50:51,779 --> 01:50:55,917
* I ALWAYS CONFESS
TO EVERYONE'S SINS *
2575
01:50:55,917 --> 01:50:57,752
Nate: LEWD AND
LASCIVIOUS BEHAVIOR?
2576
01:50:57,752 --> 01:50:59,120
WHAT PART OF
ANNIE'S ACT WAS LEWD?
2577
01:50:59,120 --> 01:51:00,521
WHICH PART
WAS LASCIVIOUS?
2578
01:51:00,521 --> 01:51:02,523
NO BARE TIT, NO BUSH.
DON'T GET IT.
2579
01:51:02,523 --> 01:51:03,825
THIS ISN'T
ABOUT ANNIE'S ACT.
2580
01:51:03,825 --> 01:51:05,126
THIS IS
ABOUT LITTLE MELVIN.
2581
01:51:05,126 --> 01:51:06,160
WHAT?
2582
01:51:06,160 --> 01:51:08,362
YOU RUN NUMBERS OK,
THEY TURN THEIR BACKS.
2583
01:51:08,362 --> 01:51:10,597
BURLESQUE? IT'S
AN INSTITUTION ON THE BLOCK.
2584
01:51:10,597 --> 01:51:12,834
FINE, BUT NOT SO FINE
YOUR PARTNERSHIP
2585
01:51:12,834 --> 01:51:14,235
WITH A DRUG-DEALING
SCHVARTZER.
2586
01:51:14,235 --> 01:51:16,203
HEY, I'VE GOT NOTHING TO
DO WITH DRUGS, GODDAMN IT!
2587
01:51:16,203 --> 01:51:17,839
YOU'VE GOT
A PARTNER THAT DEALS,
2588
01:51:17,839 --> 01:51:20,141
A DRUG-DEALING SPADE.
WHAT THE HELL IS WRONG WITH YOU?
2589
01:51:20,141 --> 01:51:21,542
HOW AM I SUPPOSED
TO GET RID OF HIM, KILL HIM?
2590
01:51:21,542 --> 01:51:22,543
NO, IT'S
TOO LATE FOR THAT.
2591
01:51:22,543 --> 01:51:24,445
WHAT DOES THAT MEAN?
2592
01:51:24,445 --> 01:51:25,747
I CAN GET YOU
OFF THIS CHARGE.
2593
01:51:25,747 --> 01:51:26,781
NOTHIN' TO IT.
2594
01:51:26,781 --> 01:51:28,549
BUT NOT THE FBI.
2595
01:51:28,549 --> 01:51:30,117
WHAT ARE YOU
TALKING ABOUT?
2596
01:51:30,117 --> 01:51:31,618
I GOT IT
FROM A GOOD SOURCE.
2597
01:51:31,618 --> 01:51:33,888
THEY'RE GONNA CHARGE YOU WITH
A VIOLATION OF THE MANN ACT.
2598
01:51:33,888 --> 01:51:37,558
WHAT? WHA--WHAT KIND OF
A CRAZY CHARGE IS THAT?
2599
01:51:37,558 --> 01:51:38,625
WHAT IS THE MANN ACT?
2600
01:51:38,625 --> 01:51:39,994
TRANSPORTATION
ACROSS STATE LINES
2601
01:51:39,994 --> 01:51:41,896
FOR THE PURPOSE TO COMMIT
ILLEGAL SEXUAL ACTIVITY.
2602
01:51:41,896 --> 01:51:43,397
PROSTITUTION.
2603
01:51:43,397 --> 01:51:45,132
WHERE IN THE HELL DID THEY
COME UP WITH THAT KIND OF SHIT?
2604
01:51:45,132 --> 01:51:47,568
HOW MANY GIRLS DO YOU BRING
INTO THIS STATE FOR YOUR SHOWS?
2605
01:51:47,568 --> 01:51:49,070
WELL, WHO CAN COUNT?
2606
01:51:49,070 --> 01:51:52,439
ANY ONE OF THOSE GIRLS
INVOLVED IN PROSTITUTION?
2607
01:51:52,439 --> 01:51:53,841
WELL, WHO IN THE HELL KNOWS?
2608
01:51:53,841 --> 01:51:54,909
COULD BE...GOD ONLY KNOWS.
2609
01:51:54,909 --> 01:51:56,110
I DON'T KNOW WHAT THEY DO.
2610
01:51:56,110 --> 01:51:58,746
THEY GET ONE OF THEM
TO TESTIFY--ONE--
2611
01:51:58,746 --> 01:52:00,214
AND IT'S GOOD-BYE.
2612
01:52:01,282 --> 01:52:02,116
DO THEY?
2613
01:52:02,116 --> 01:52:04,218
THEY'VE OBVIOUSLY
GOT SOMEONE.
2614
01:52:08,622 --> 01:52:10,057
OVER THE YEARS,
IN MY BUSINESS,
2615
01:52:10,057 --> 01:52:13,227
YOU WATCH
ENOUGH SHOWS, YOU LEARN.
2616
01:52:15,496 --> 01:52:18,900
A GOOD PERFORMER KNOWS
WHEN TO GET OFF THE STAGE.
2617
01:52:22,569 --> 01:52:23,938
WHAT ARE YOU
THINKING ABOUT, NATE?
2618
01:52:26,673 --> 01:52:30,277
I DON'T KNOW.
I...I...
2619
01:52:30,277 --> 01:52:33,114
I DON'T KNOW YET.
2620
01:52:37,484 --> 01:52:40,888
Announcer:
SYLVIA MARKS.
2621
01:52:48,762 --> 01:52:51,432
MIRIAM GOLDSTEIN.
2622
01:52:52,599 --> 01:52:55,970
BEN KURTZMAN.
2623
01:52:58,205 --> 01:53:00,942
Ada: ALL RIGHT,
BOYS, STAND TOGETHER.
2624
01:53:00,942 --> 01:53:02,676
YOU LOOK LIKE A HOOD.
2625
01:53:02,676 --> 01:53:04,879
STAND UP,
STAND TOGETHER.
2626
01:53:04,879 --> 01:53:07,581
COME ON, PULL
YOURSELVES TOGETHER.
2627
01:53:07,581 --> 01:53:09,116
LIKE YOU
KNOW EACH OTHER.
2628
01:53:09,116 --> 01:53:10,952
WE ARE SO PROUD
OF YOU, SWEETHEART.
2629
01:53:10,952 --> 01:53:12,219
THANK YOU, DAD.
2630
01:53:12,219 --> 01:53:13,687
WHAT DO YOU SAY WE
GET SOMETHING TO EAT?
2631
01:53:13,687 --> 01:53:14,688
HUH, WANNA
GO OUT TO EAT?
2632
01:53:14,688 --> 01:53:15,689
SURE.
2633
01:53:15,689 --> 01:53:17,758
IT'S YOUR DAY.
YOU PICK IT.
2634
01:53:17,758 --> 01:53:18,993
OH, DON'T MAKE ME
DO THAT. HELP ME.
2635
01:53:18,993 --> 01:53:20,227
I'LL TELL YOU WHAT,
2636
01:53:20,227 --> 01:53:21,728
WHY DON'T WE TAKE A
DRIVE IN THE COUNTRY?
2637
01:53:21,728 --> 01:53:23,097
FIRST PLACE
WE GET TO, WE'LL STOP.
2638
01:53:23,097 --> 01:53:25,232
THAT'S WHERE WE'LL EAT.
WHAT DO YOU THINK, HONEY?
2639
01:53:25,232 --> 01:53:27,835
OK, SURE. WHATEVER.
YOU GUYS WORK IT OUT.
2640
01:53:27,835 --> 01:53:30,004
I'LL--I'LL BE RIGHT BACK.
2641
01:53:30,004 --> 01:53:31,005
SYLVIA, WHAT ARE YOU--
2642
01:53:31,005 --> 01:53:32,206
I'LL BE RIGHT BACK.
2643
01:53:32,206 --> 01:53:33,440
SYLVIA...
2644
01:53:39,613 --> 01:53:40,614
WAIT, WAIT,
WHERE ARE YOU GOING?
2645
01:53:40,614 --> 01:53:41,715
I'LL BE RIGHT BACK.
2646
01:53:41,715 --> 01:53:42,783
NO, I'M GONNA TAKE
ANOTHER PICTURE.
2647
01:53:42,783 --> 01:53:44,351
NO, IT'S OK.
I'LL BE RIGHT BACK.
2648
01:53:45,486 --> 01:53:46,487
SPELMAN.
2649
01:53:46,487 --> 01:53:49,056
UNIVERSITY
OF MARYLAND.
2650
01:53:57,598 --> 01:53:59,666
WE'LL KEEP IN TOUCH.
2651
01:53:59,666 --> 01:54:01,335
YEAH.
2652
01:54:04,271 --> 01:54:07,074
WHAT DO YOU THINK WOULD HAPPEN
IF I GAVE YOU A KISS RIGHT NOW?
2653
01:54:07,909 --> 01:54:09,776
I THINK
OUR PARENTS WOULD DIE.
2654
01:54:09,776 --> 01:54:12,779
YEAH...PROBABLY.
2655
01:54:12,779 --> 01:54:15,616
DEFINITELY.
2656
01:54:16,750 --> 01:54:18,652
TAKE CARE
OF YOURSELF, SYLVIA.
2657
01:54:18,652 --> 01:54:20,221
YOU, TOO, BEN.
2658
01:54:27,794 --> 01:54:30,898
OH, MY GOD.
2659
01:54:34,201 --> 01:54:35,236
SYLVIA.
2660
01:54:41,375 --> 01:54:42,376
NATE, TALK TO HIM.
2661
01:54:42,376 --> 01:54:44,111
WHAT WAS THAT?
2662
01:54:44,111 --> 01:54:46,213
I WAS SAYING
GOOD-BYE TO MY FRIEND.
2663
01:54:46,213 --> 01:54:47,548
YOU SAY GOOD-BYE
WITH A KISS?
2664
01:54:47,548 --> 01:54:48,549
YOU TALK
TO HIM NOW!
2665
01:54:48,549 --> 01:54:49,383
I'LL TALK
TO HIM.
2666
01:54:49,383 --> 01:54:51,252
DID YOU SEE
WHAT HE JUST DID?
2667
01:54:51,252 --> 01:54:52,819
WE DON'T WANT TO
CAUSE A SCENE.
2668
01:54:52,819 --> 01:54:53,921
I'M NOT CAUSING
A SCENE!
2669
01:54:53,921 --> 01:54:56,823
YOUR SON JUST
CAUSED A SCENE!
2670
01:54:56,823 --> 01:54:58,192
I'M NOT TAKING
ANY MORE PICTURES.
2671
01:54:58,192 --> 01:55:00,894
LET'S GO. LET'S GO!
2672
01:55:00,894 --> 01:55:02,129
I'M IN TROUBLE NOW?
2673
01:55:04,465 --> 01:55:07,768
NO, I'M NOT GOING TO
TAKE ANOTHER PICTURE!
2674
01:55:07,768 --> 01:55:09,470
Both: AAH!
2675
01:55:18,612 --> 01:55:21,348
Radio: IT'S 78 DEGREES
IN DOWNTOWN BALTIMORE.
2676
01:55:21,348 --> 01:55:25,686
YOU'RE LISTENING TO WCBM,
680 ON YOUR RADIO DIAL.
2677
01:55:25,686 --> 01:55:28,956
THIS IS THE JEWISH HOUR.
2678
01:56:26,880 --> 01:56:28,049
IT'S GOOD
TO GET A LITTLE SUN
2679
01:56:28,049 --> 01:56:31,252
ON THE LAST DAY
BEFORE COLLEGE STARTS.
2680
01:56:39,093 --> 01:56:41,295
[CARL PERKINS SINGING
HONEY, DON'T]
2681
01:56:48,435 --> 01:56:50,204
NOT BAD.
2682
01:56:50,204 --> 01:56:51,605
I HATE TO
GIVE UP MY CANE.
2683
01:56:51,605 --> 01:56:54,975
THE SYMPATHY WORKS
WONDERS WITH THE GIRLS.
2684
01:56:54,975 --> 01:56:55,976
YOU WANT SOME COFFEE?
2685
01:56:55,976 --> 01:56:57,044
YEAH.
2686
01:56:57,044 --> 01:56:58,045
COFFEE.
2687
01:56:58,045 --> 01:56:59,113
TALKED TO DUBBIE.
2688
01:56:59,113 --> 01:57:00,281
SHE'S TRANSFERRED
TO BENNINGTON.
2689
01:57:00,281 --> 01:57:02,516
YEAH. SHE'S
DOING ALL RIGHT?
2690
01:57:02,516 --> 01:57:07,354
SURE. YOU KNOW, SHE
TOLD ME ABOUT THE MOTEL.
2691
01:57:07,354 --> 01:57:08,689
SHE DID?
2692
01:57:14,027 --> 01:57:16,663
OH, COME ON,
SHE LOVES DRAMA.
2693
01:57:16,663 --> 01:57:17,964
THAT'S THE WAY IT IS
WITH THE THOROUGHBREDS.
2694
01:57:17,964 --> 01:57:19,333
A LITTLE
TOO HIGH-STRUNG.
2695
01:57:19,333 --> 01:57:21,502
TEND TO GET
SPOOKED EASILY.
2696
01:57:21,502 --> 01:57:24,171
HOPE IT DOESN'T TURN YOU
OFF TO THE BREED, BUDDY.
2697
01:57:24,171 --> 01:57:26,473
THAT WAS A CRAZY NIGHT,
I'LL TELL YOU.
2698
01:57:26,473 --> 01:57:28,175
I BET.
2699
01:57:28,175 --> 01:57:31,078
DID YOU FIND ANYTHING OUT
FROM YOUR FATHER?
2700
01:57:31,078 --> 01:57:34,081
YEAH, WELL, HERE'S
THE STORY ON THAT.
2701
01:57:34,081 --> 01:57:35,549
I GOT AN UNCLE. HE
WORKS UP AT JUSTICE,
2702
01:57:35,549 --> 01:57:38,452
AND...THEY'RE GONNA
PROSECUTE YOUR FATHER
2703
01:57:38,452 --> 01:57:40,387
ON THE MANN ACT AND
INCOME TAX EVASION.
2704
01:57:43,824 --> 01:57:44,825
THAT'S WHAT
HE EXPECTED.
2705
01:57:45,892 --> 01:57:47,361
IT'S A HELL
OF A THING. SORRY.
2706
01:57:47,361 --> 01:57:49,796
SORRY, SORRY, SORRY.
2707
01:57:50,364 --> 01:57:52,366
HE WASN'T PARTNERS
WITH THIS COLORED GUY.
2708
01:57:52,366 --> 01:57:55,302
HE WOULDN'T
BE INVOLVED WITH DRUGS.
2709
01:57:55,302 --> 01:57:56,470
THEY KNOW THAT.
2710
01:57:56,470 --> 01:57:58,372
THEY JUST LOVE
TO MAKE AN EXAMPLE.
2711
01:57:58,372 --> 01:58:00,341
LOVE TO GO AFTER THE
JEWS AND THE COLOREDS.
2712
01:58:00,341 --> 01:58:02,343
I'M SURE THEY STILL
HAVE AN ADRENALINE RUSH
2713
01:58:02,343 --> 01:58:03,810
FROM THE ROSENBERG
EXECUTIONS.
2714
01:58:03,810 --> 01:58:09,316
SO MY FATHER ASKED IF MAYBE
YOUR FATHER COULD HELP OUT.
2715
01:58:09,316 --> 01:58:12,519
YEAH, YEAH...WHAT?
2716
01:58:12,519 --> 01:58:13,754
JUST TO SEE IF THERE'S A WAY
2717
01:58:13,754 --> 01:58:15,489
THAT THEY CAN NOT
HAVE MY FATHER ARRESTED
2718
01:58:15,489 --> 01:58:18,125
UNTIL AFTER
THE ROSH HASHANAH SERVICES.
2719
01:58:18,125 --> 01:58:19,860
AND AFTER
HE SEES THE NEW CADILLAC.
2720
01:58:21,262 --> 01:58:23,197
WHAT, IS THAT PART OF
THE RELIGIOUS SERVICE?
2721
01:58:25,566 --> 01:58:26,400
IT IS WITH HIM.
2722
01:58:26,400 --> 01:58:28,602
I'LL SEE WHAT I CAN DO.
2723
01:58:40,013 --> 01:58:41,482
Scribbles:
THEM NEW SHOES?
2724
01:58:41,482 --> 01:58:42,916
Little Melvin: YEAH,
THREW MY OLD ONES AWAY.
2725
01:58:42,916 --> 01:58:44,151
WHY?
2726
01:58:44,151 --> 01:58:45,586
THEY'S BAD LUCK.
THAT'S WHY I GOT ARRESTED.
2727
01:58:45,586 --> 01:58:48,155
SO MY LAWYER'S SAYING
I'LL GET ABOUT 6 TO 8 MONTHS
2728
01:58:48,155 --> 01:58:49,156
ON THIS DEAL HERE.
2729
01:58:49,156 --> 01:58:50,157
THAT'S IT?
2730
01:58:50,157 --> 01:58:51,292
YEAH.
WHAT ABOUT KURTZMAN?
2731
01:58:51,292 --> 01:58:54,595
8 TO 10 YEARS...FEDERAL.
2732
01:58:54,595 --> 01:58:55,596
FED TIME?
2733
01:58:55,596 --> 01:58:56,630
MM-HMM.
2734
01:58:56,630 --> 01:58:57,531
MAN.
2735
01:58:57,531 --> 01:58:59,600
SINCE I'M GONNA BE
GONE, SCRIBBLES,
2736
01:58:59,600 --> 01:59:02,436
YOU NEED TO LOOK FOR
ANOTHER LINE OF WORK.
2737
01:59:02,436 --> 01:59:04,305
I'VE BEEN
THINKING ABOUT THAT.
2738
01:59:04,305 --> 01:59:05,439
I WANT TO
BECOME AN ANNOUNCER
2739
01:59:05,439 --> 01:59:07,040
FOR
THE BALTIMORE COLTS.
2740
01:59:07,040 --> 01:59:08,074
A COLORED ANNOUNCER?
2741
01:59:08,074 --> 01:59:09,343
MM-HMM! FIRST
ONE OF HIS KIND.
2742
01:59:09,343 --> 01:59:11,445
I SIT AT HOME AND I
PRACTICE IN THE MIRROR.
2743
01:59:11,445 --> 01:59:12,879
I GOT A COUPLE OF PLAYS.
YOU WANT TO HEAR?
2744
01:59:12,879 --> 01:59:14,381
SURE.
2745
01:59:14,381 --> 01:59:17,551
IT'S A BEAUTIFUL DAY HERE AT
BALTIMORE'S MEMORIAL STADIUM.
2746
01:59:17,551 --> 01:59:21,955
IT'S 76 DEGREES,
BIRDS CHIRPING AND SUCH...
2747
01:59:23,957 --> 01:59:25,826
IT'S HOT.
2748
01:59:25,826 --> 01:59:29,263
WE'RE GONNA SIT
AND WE'RE GONNA SWEAT.
2749
01:59:29,263 --> 01:59:31,164
INDIAN SUMMER.
2750
01:59:34,835 --> 01:59:36,002
WHERE'S DAD?
2751
01:59:36,002 --> 01:59:38,171
IN A MINUTE.
2752
01:59:38,171 --> 01:59:40,073
THEN HE WANTS
TO TALK TO YOU BOYS.
2753
01:59:40,073 --> 01:59:41,708
WHAT'S WRONG?
2754
01:59:41,708 --> 01:59:42,576
HE'LL TELL YOU.
2755
01:59:42,576 --> 01:59:43,544
WHAT DO YOU MEAN,
WHAT'S WRONG?
2756
01:59:43,544 --> 01:59:44,711
HE'S ABOUT
TO BE ARRESTED,
2757
01:59:44,711 --> 01:59:45,912
FOR CHRIST'S SAKE.
2758
01:59:45,912 --> 01:59:48,815
I KNOW THAT. I THOUGHT
MAYBE IT WAS SOMETHING ELSE.
2759
01:59:48,815 --> 01:59:50,384
WHAT ELSE
COULD IT BE?
2760
01:59:56,690 --> 02:00:00,561
Nate: I DON'T KNOW
HOW MUCH TO TELL YOU.
2761
02:00:00,561 --> 02:00:02,263
YOU WON'T SEE ME
FOR A WHILE,
2762
02:00:02,263 --> 02:00:04,298
BUT EVERYTHING
HAS BEEN TAKEN CARE OF.
2763
02:00:04,298 --> 02:00:06,233
THERE'S MONEY FOR
YOUR COLLEGE EDUCATIONS.
2764
02:00:06,233 --> 02:00:08,969
EVERYTHING IS PROVIDED.
2765
02:00:30,391 --> 02:00:35,929
Nate: I EXPECT YOU BOTH
TO GET YOUR DIPLOMAS,
2766
02:00:35,929 --> 02:00:38,131
TO BE RESPONSIBLE,
2767
02:00:38,131 --> 02:00:42,436
TO GIVE BACK
TO THE COMMUNITY.
2768
02:00:42,436 --> 02:00:44,871
I'LL MISS YOU.
2769
02:00:44,871 --> 02:00:47,541
IT WON'T BE TOO LONG.
2770
02:00:47,541 --> 02:00:52,879
WE'RE A FAMILY, AND NOTHING
CAN INTERFERE WITH THAT.
2771
02:00:56,450 --> 02:00:58,852
I'M PROUD OF YOU BOYS.
2772
02:01:03,957 --> 02:01:07,160
MY BOYS.
2773
02:01:07,160 --> 02:01:10,431
Rose:
IT'S TIME, NATE.
2774
02:01:10,431 --> 02:01:12,866
IT'S TIME
FOR SERVICES.
2775
02:02:13,594 --> 02:02:16,397
Ben: LIFE IS
MADE UP OF A FEW BIG MOMENTS
2776
02:02:16,397 --> 02:02:18,965
AND A LOT OF LITTLE ONES.
2777
02:02:18,965 --> 02:02:22,168
I STILL REMEMBER
THE FIRST TIME I KISSED SYLVIA
2778
02:02:22,168 --> 02:02:26,807
OR THE LAST TIME I HUGGED
MY FATHER BEFORE HE DIED.
2779
02:02:26,807 --> 02:02:29,376
AND I STILL REMEMBER
THAT WHITE BREAD SANDWICH
2780
02:02:29,376 --> 02:02:30,611
AND THAT BLONDE DANCING GIRL
2781
02:02:30,611 --> 02:02:34,114
WITH THE CIGARETTE PACK
ON HER THIGH.
2782
02:02:34,114 --> 02:02:36,216
BUT A LOT OF IMAGES FADE.
2783
02:02:36,216 --> 02:02:39,953
AND NO MATTER
HOW HARD I TRY,
2784
02:02:39,953 --> 02:02:42,689
I CAN'T GET THEM BACK.
2785
02:02:44,124 --> 02:02:45,492
I HAD A RELATIVE
WHO ONCE SAID
2786
02:02:45,492 --> 02:02:51,031
THAT "IF I KNEW THINGS
WOULD NO LONGER BE,
2787
02:02:51,031 --> 02:02:55,135
I WOULD HAVE TRIED
TO REMEMBER BETTER."
2788
02:03:10,451 --> 02:03:13,253
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2789
02:03:13,253 --> 02:03:16,657
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
2790
02:03:25,398 --> 02:03:32,606
* HAD I BEEN
THE TOAST OF PARIS *
2791
02:03:32,606 --> 02:03:39,613
* HAD I SAILED
DOWN THE NILE *
2792
02:03:39,613 --> 02:03:42,749
* ALL THE WONDERS
I COULD SEE *
2793
02:03:42,749 --> 02:03:46,653
* COULD FULFILL
MOST ANY DREAM *
2794
02:03:46,653 --> 02:03:53,994
* AND HOLD YOU
FOR A WHILE *
2795
02:03:53,994 --> 02:04:00,000
* BUT WHEN
LOVE WALKED IN *
2796
02:04:00,000 --> 02:04:01,968
* YOU COULD
PICK IT UP A LITTLE *
2797
02:04:01,968 --> 02:04:10,010
* THERE WAS NOTHING
I COULD DO *
2798
02:04:10,010 --> 02:04:18,218
* ONLY TO TRY
AND KEEP MY HEAD *
2799
02:04:45,546 --> 02:04:53,754
* THERE BECAUSE
AND LET YOU KNOW *
2800
02:04:53,754 --> 02:05:06,132
* I KNEW THE MOMENT
THAT YOUR LOVE WALKED IN *
2801
02:05:07,100 --> 02:05:09,703
Bill Haley:
* WHEN THE CHIPS ARE DOWN *
2802
02:05:09,703 --> 02:05:12,305
* I WANNA GET A TASTE
OF YOUR SWEET LIPS *
2803
02:05:12,305 --> 02:05:14,274
* SO DIM DIM THE LIGHTS *
2804
02:05:14,274 --> 02:05:16,176
* DIM DIM THE LIGHTS *
2805
02:05:16,176 --> 02:05:17,978
* DIM DIM THE LIGHTS *
2806
02:05:17,978 --> 02:05:22,248
Brenda Russell:
* YOUR MIND *
2807
02:05:22,248 --> 02:05:29,890
* I'D HAVE TO SAY
IT'S KIND OF WONDERFUL *
2808
02:05:29,890 --> 02:05:37,631
* AND YOU'VE GOT
THOSE BABY EYES *
2809
02:05:37,631 --> 02:05:49,743
* WHAT A DREAM,
YOU AND YOUR PALE BLUE EYES *
2810
02:06:16,737 --> 02:06:22,142
* I'M FALLING LOWER
AND LOWER AND LOWER *
2811
02:06:22,142 --> 02:06:28,782
* INTO THIS DESTINY OF LOVE *
191543
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