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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,543 --> 00:00:03,504 (June) I'VE ALWAYS 2 00:00:01,543 --> 00:00:03,504 BEEN A DRIVEN PERSON. 3 00:00:03,545 --> 00:00:05,506 IN HIGH SCHOOL, 4 00:00:03,545 --> 00:00:05,506 I GOT STRAIGHT "A's," 5 00:00:05,547 --> 00:00:06,966 FOUNDED SEVERAL ACADEMIC CLUBS, 6 00:00:07,007 --> 00:00:09,009 AND WAS PRESIDENT 7 00:00:07,007 --> 00:00:09,009 OF THE DEBATE TEAM. 8 00:00:10,093 --> 00:00:13,054 I WAS ALSO THE SCHOOL MASCOT. 9 00:00:13,096 --> 00:00:17,476 NEEDLESS TO SAY, I WAS NEVER 10 00:00:13,096 --> 00:00:17,476 ONE OF THE COOL KIDS. 11 00:00:19,979 --> 00:00:21,355 ♪♪♪ 12 00:00:21,396 --> 00:00:22,773 (man) YEAH! 13 00:00:22,815 --> 00:00:24,274 JUNE! OVER HERE! 14 00:00:24,316 --> 00:00:26,067 UNTIL NOW. 15 00:00:26,109 --> 00:00:28,654 I SAVED YOU A SEAT! SCOOT OVER. 16 00:00:28,696 --> 00:00:30,113 SOMEHOW I'VE BECOME FRIENDS 17 00:00:30,155 --> 00:00:32,867 WITH THE COOLEST GIRL 18 00:00:30,155 --> 00:00:32,867 IN THE WORLD. 19 00:00:32,908 --> 00:00:33,868 DRINK IT, YOU SLUT. 20 00:00:33,909 --> 00:00:36,453 WHOO-HOO! I'M A SLUT! 21 00:00:36,495 --> 00:00:39,080 BOTTOMS UP, WHORE! 22 00:00:39,122 --> 00:00:40,123 YOU'RE SAYING 23 00:00:39,122 --> 00:00:40,123 SOMETHING NEGATIVE, 24 00:00:40,165 --> 00:00:42,292 BUT IT SOUNDS POSITIVE. 25 00:00:40,165 --> 00:00:42,292 I LOVE IT! 26 00:00:42,334 --> 00:00:44,712 I FOUND IT... 27 00:00:44,753 --> 00:00:46,087 MY PLACE IN THE SUN. 28 00:00:46,129 --> 00:00:48,256 CAN WE GET ANOTHER ROUND, 29 00:00:46,129 --> 00:00:48,256 PLEASE? 30 00:00:48,298 --> 00:00:49,884 (groans) 31 00:00:49,925 --> 00:00:51,677 WHAT HAPPENED? 32 00:00:51,719 --> 00:00:54,471 WE NEED TO PUMP YOUR STOMACH. 33 00:00:51,719 --> 00:00:54,471 YOU HAVE ALCOHOL POISONING. 34 00:00:54,513 --> 00:00:56,473 (groans) 35 00:00:54,513 --> 00:00:56,473 IT'S BIGGER THAN IT LOOKS. 36 00:00:56,515 --> 00:00:57,516 (grunts) 37 00:00:57,558 --> 00:00:59,100 LIKE, BY A LOT. 38 00:00:59,142 --> 00:01:01,102 (groans) 39 00:01:01,144 --> 00:01:03,689 (Katie Hampton) ♪ I'M NOT 40 00:01:01,144 --> 00:01:03,689 PERFECT, I'M NO SNITCH ♪ 41 00:01:03,731 --> 00:01:05,148 ♪ BUT I CAN TELL YOU ♪ 42 00:01:05,190 --> 00:01:07,108 (whispers) ♪ SHE'S A... ♪ 43 00:01:05,190 --> 00:01:07,108 (buzzer) 44 00:01:07,150 --> 00:01:09,737 ♪ BA-DA-DA-DA-DA-BA, BA-DA-BA ♪ 45 00:01:09,778 --> 00:01:13,407 ♪ BA-DA-DA-DA-DA-BA, BA-DA-BA ♪ 46 00:01:13,448 --> 00:01:15,743 COULDN'T HANG WITH CHLOE, HUH? 47 00:01:15,784 --> 00:01:20,121 NO, I WAS--HUH. 48 00:01:15,784 --> 00:01:20,121 I WAS--I WAS HANGING. 49 00:01:20,163 --> 00:01:23,625 THIS IS PROBABLY FROM THAT, UM, 50 00:01:20,163 --> 00:01:23,625 RAW HAMBURGER THAT I SLEPT-ATE. 51 00:01:23,667 --> 00:01:27,128 PLEASE. I USED TO BE 52 00:01:23,667 --> 00:01:27,128 CHLOE'S ROOMMATE, TOO, REMEMBER? 53 00:01:27,170 --> 00:01:28,296 LOOK. 54 00:01:28,338 --> 00:01:30,925 FASHION WEEK '09, 55 00:01:28,338 --> 00:01:30,925 VERSACE AFTER-PARTY. 56 00:01:30,966 --> 00:01:32,551 BLEW OUT MY LARYNX. 57 00:01:32,593 --> 00:01:34,344 FROM TOO MUCH "WHOO-HOO"ing? 58 00:01:34,386 --> 00:01:38,139 YEAH, JUNE-- 59 00:01:34,386 --> 00:01:38,139 FROM TOO MUCH "WHOO-HOO"ing. 60 00:01:38,181 --> 00:01:41,936 I DON'T UNDERSTAND. I DRANK 61 00:01:38,181 --> 00:01:41,936 THE SAME AMOUNT THAT CHLOE DID. 62 00:01:41,977 --> 00:01:45,188 CHLOE'S ABILITY TO 63 00:01:41,977 --> 00:01:45,188 PROCESS ALCOHOL IS LEGENDARY, 64 00:01:45,230 --> 00:01:47,148 BUT YOU, 65 00:01:45,230 --> 00:01:47,148 MY SMALL-LIVERED FRIEND, 66 00:01:47,190 --> 00:01:48,943 CAN'T DRINK 67 00:01:47,190 --> 00:01:48,943 FOR THE NEXT SIX MONTHS, 68 00:01:48,984 --> 00:01:52,404 WHICH MEANS YOU ARE OUT 69 00:01:48,984 --> 00:01:52,404 OF CHLOE'S SOCIAL LIFE. 70 00:01:52,446 --> 00:01:55,198 I HOPE YOU LIKE PAJAMA PANTS 71 00:01:52,446 --> 00:01:55,198 AND POLICE PROCEDURALS. 72 00:01:55,240 --> 00:01:58,159 I CAN STILL HANG 73 00:01:55,240 --> 00:01:58,159 WITH CHLOE. OKAY? 74 00:01:58,201 --> 00:02:02,163 THIS IS MY MOMENT IN... 75 00:02:02,205 --> 00:02:03,582 IN THE SUN... 76 00:02:03,624 --> 00:02:04,875 (gagging) 77 00:02:04,917 --> 00:02:06,167 YEP. 78 00:02:06,209 --> 00:02:08,253 ONCE YOU'VE FELT THE SUN 79 00:02:06,209 --> 00:02:08,253 ON YOUR SKIN, 80 00:02:08,295 --> 00:02:10,881 THE SHADE CAN FEEL 81 00:02:08,295 --> 00:02:10,881 ESPECIALLY COLD. 82 00:02:13,300 --> 00:02:17,471 DIE, DIE, DIE, DIE, DIE, 83 00:02:13,300 --> 00:02:17,471 DIE, DIE, DIE, DIE, DIE, 84 00:02:13,300 --> 00:02:17,471 (laughs) 85 00:02:17,512 --> 00:02:19,556 OH. HEY! 86 00:02:19,598 --> 00:02:22,851 WHAT ARE YOU GUYS DOING HERE? 87 00:02:19,598 --> 00:02:22,851 YOU DIDN'T HAVE TO COME GET ME. 88 00:02:22,893 --> 00:02:26,021 ARE YOU KIDDING? 89 00:02:22,893 --> 00:02:26,021 AFTER THAT ACE MOVE YOU PULLED? 90 00:02:26,063 --> 00:02:28,189 IT'S LIKE YOU KNEW 91 00:02:26,063 --> 00:02:28,189 THE PARTY WAS GONNA SUCK, 92 00:02:28,231 --> 00:02:29,441 SO YOU FAKED A SEIZURE. 93 00:02:29,483 --> 00:02:31,568 SUPER BELIEVABLE, 94 00:02:29,483 --> 00:02:31,568 FOAM AND EVERYTHING. 95 00:02:31,610 --> 00:02:33,194 LOOK AT YOU, 96 00:02:31,610 --> 00:02:33,194 COMMITTING TO THE BIT. 97 00:02:33,236 --> 00:02:34,237 THAT'S AMAZING. 98 00:02:34,279 --> 00:02:36,239 YOU KNOW, I ONCE FAKED 99 00:02:34,279 --> 00:02:36,239 BEING CHASED BY A BUMBLEBEE 100 00:02:36,281 --> 00:02:38,199 TO AVOID TALKING 101 00:02:36,281 --> 00:02:38,199 TO MY OLD AGENT. 102 00:02:38,241 --> 00:02:41,870 YEAH, WELL, THAT'S HOW I ROLL, 103 00:02:38,241 --> 00:02:41,870 YOU KNOW? HEH. 104 00:02:41,912 --> 00:02:44,790 WHEN STUFF SUCKS, I JUST 105 00:02:41,912 --> 00:02:44,790 PRETEND THAT MY BODY IS... 106 00:02:44,832 --> 00:02:46,207 (monotone voice) 107 00:02:44,832 --> 00:02:46,207 SHUTTING DOWN. 108 00:02:46,249 --> 00:02:47,126 (cell phone alert chimes) 109 00:02:47,167 --> 00:02:48,209 SWEET. 110 00:02:48,251 --> 00:02:49,210 WE'RE STARTING 111 00:02:48,251 --> 00:02:49,210 NEW YORK REHEARSALS 112 00:02:49,252 --> 00:02:50,211 FOR "DANCING WITH THE STARS." 113 00:02:50,253 --> 00:02:51,212 LUTHER GOT FIRST PICK 114 00:02:50,253 --> 00:02:51,212 OF DRESSING ROOMS. 115 00:02:51,254 --> 00:02:52,213 NICE. 116 00:02:52,255 --> 00:02:53,882 IS THAT IMPORTANT? 117 00:02:53,924 --> 00:02:57,469 IS TH--IS-- 118 00:02:53,924 --> 00:02:57,469 CHLOE, CAN YOU... 119 00:02:57,511 --> 00:03:00,221 ACTORS ARE VERY SENSITIVE PEOPLE 120 00:02:57,511 --> 00:03:00,221 SO THEY NEED THE VALIDATION THAT 121 00:03:00,263 --> 00:03:03,224 COMES FROM KNOWING THAT EVERYONE 122 00:03:00,263 --> 00:03:03,224 ELSE'S DRESSING ROOM SUCKS. 123 00:03:03,266 --> 00:03:05,226 THANK YOU. 124 00:03:03,266 --> 00:03:05,226 SOUNDS DOUCHE-Y WHEN I SAY IT. 125 00:03:05,268 --> 00:03:07,938 WELL, ARE YOU READY TO GO HOME? 126 00:03:07,980 --> 00:03:10,649 YEAH. I AM. 127 00:03:10,691 --> 00:03:12,484 SAKE BOMB! 128 00:03:12,526 --> 00:03:14,903 ♪♪♪ 129 00:03:14,945 --> 00:03:17,238 SEA URCHIN CHASER! 130 00:03:17,280 --> 00:03:21,743 MMM! JUNE, YOU'RE NOT DOING YOUR 131 00:03:17,280 --> 00:03:21,743 SAKE BOMB WITH RAW FISH CHASER. 132 00:03:21,785 --> 00:03:23,328 I CAN'T HAVE ANY OF THIS. 133 00:03:23,370 --> 00:03:25,164 I MEAN, I THINK I STILL 134 00:03:23,370 --> 00:03:25,164 HAVE VOMIT IN MY HAIR 135 00:03:25,204 --> 00:03:26,247 FROM LAST NIGHT. 136 00:03:26,289 --> 00:03:28,458 YOU FREAKING MONSTER. 137 00:03:26,289 --> 00:03:28,458 I LOVE YOU. 138 00:03:28,500 --> 00:03:31,879 SO, UH... THIS PLACE IS COOL. 139 00:03:31,920 --> 00:03:33,463 ONE OF THE PERKS 140 00:03:31,920 --> 00:03:33,463 OF BEING A HEALTH INSPECTOR. 141 00:03:33,505 --> 00:03:36,257 I GIVE THEM AN "A" RATING 142 00:03:33,505 --> 00:03:36,257 EVEN THOUGH THEIR FISH IS OLD, 143 00:03:36,299 --> 00:03:37,676 AND THEY LET US EAT FOR FREE. 144 00:03:37,718 --> 00:03:40,303 THEY ALSO LET ME KEEP MY CANOE 145 00:03:37,718 --> 00:03:40,303 IN THEIR BASEMENT. 146 00:03:40,345 --> 00:03:42,681 SHITAGI NASHI. 147 00:03:42,723 --> 00:03:44,725 (crowd) SHITAGI NASHI! 148 00:03:44,766 --> 00:03:46,727 OKAY. 149 00:03:46,768 --> 00:03:49,855 MM. COME ON, JUNE. 150 00:03:46,768 --> 00:03:49,855 IT'S GETTING COLD. 151 00:03:49,897 --> 00:03:51,065 I GOT MY STOMACH PUMPED 152 00:03:51,106 --> 00:03:53,650 AND I HAD A TUBE 153 00:03:51,106 --> 00:03:53,650 DOWN MY THROAT LAST NIGHT. 154 00:03:53,692 --> 00:03:56,070 I GET PUMPED AND HAVE STUFF 155 00:03:53,692 --> 00:03:56,070 DOWN MY THROAT ALL THE TIME, 156 00:03:56,111 --> 00:03:57,278 AND IT DOESN'T STOP ME. 157 00:03:57,320 --> 00:04:00,281 ♪♪♪ 158 00:04:00,323 --> 00:04:01,491 SHITAGI NASHI. 159 00:04:01,533 --> 00:04:04,285 (giggles) OKAY. 160 00:04:04,327 --> 00:04:07,288 W-WHAT DOES THAT MEAN? WHY DO 161 00:04:04,327 --> 00:04:07,288 PEOPLE KEEP SAYING THAT TO YOU? 162 00:04:07,330 --> 00:04:08,289 UM, I DON'T KNOW. 163 00:04:08,331 --> 00:04:09,457 JAPANESE PEOPLE 164 00:04:08,331 --> 00:04:09,457 ALWAYS SAY THAT TO ME. 165 00:04:09,499 --> 00:04:10,959 I THINK IT JUST MEANS I'M TALL. 166 00:04:11,001 --> 00:04:13,461 OH, NO, 167 00:04:11,001 --> 00:04:13,461 IT MEANS "NO PANTIES." 168 00:04:13,503 --> 00:04:16,882 YOUR CATCHPHRASE 169 00:04:13,503 --> 00:04:16,882 FROM "TALL SLUT NO PANTIES." 170 00:04:16,924 --> 00:04:19,551 THE GRAPHIC NOVEL BASED ON YOU? 171 00:04:16,924 --> 00:04:19,551 IT'S HUGE IN JAPAN. 172 00:04:19,593 --> 00:04:20,802 HMM. 173 00:04:20,844 --> 00:04:24,305 CHLOE, YOU HAVE 174 00:04:20,844 --> 00:04:24,305 A GRAPHIC NOVEL BASED ON YOU? 175 00:04:24,347 --> 00:04:30,311 HUH. SO RAW FISH--DELICIOUS, 176 00:04:24,347 --> 00:04:30,311 RAW CHICKEN--SALMONELLA. 177 00:04:30,353 --> 00:04:31,479 IT'S CUCKOO-PANTS. 178 00:04:31,521 --> 00:04:34,149 JUNE, I CAN'T STAND IT ANYMORE. 179 00:04:34,191 --> 00:04:35,316 PASTOR JIN. 180 00:04:35,358 --> 00:04:37,736 OBVIOUSLY, THE MAN I'M WITH 181 00:04:35,358 --> 00:04:37,736 IS NOT MY HUSBAND. 182 00:04:37,778 --> 00:04:40,155 I SAW YOU NOTICE US 183 00:04:37,778 --> 00:04:40,155 WHEN YOU WALKED IN. 184 00:04:40,197 --> 00:04:44,325 NOTHING HAS HAPPENED YET. 185 00:04:40,197 --> 00:04:44,325 YES, I HAD MY HAND ON HIS LEG-- 186 00:04:44,367 --> 00:04:45,619 I DIDN'T SEE YOU. 187 00:04:50,624 --> 00:04:53,627 HAVE A GOOD SUSHI. 188 00:04:50,624 --> 00:04:53,627 ENJOY. OKAY. 189 00:04:50,624 --> 00:04:53,627 BYE. 190 00:04:53,668 --> 00:04:54,628 OKAY. 191 00:04:54,669 --> 00:04:55,587 OKAY. 192 00:04:55,629 --> 00:04:57,047 BYE. 193 00:04:57,089 --> 00:04:59,258 (horn honks) 194 00:05:01,260 --> 00:05:05,346 THIS DRESSING ROOM 195 00:05:01,260 --> 00:05:05,346 ONCE BELONGED TO MR. TOM POSTON 196 00:05:05,388 --> 00:05:06,556 WHEN HE WAS IN PREVIEWS 197 00:05:06,598 --> 00:05:09,184 FOR "A FUNNY THING HAPPENED 198 00:05:06,598 --> 00:05:09,184 ON THE WAY TO THE FORUM." 199 00:05:09,226 --> 00:05:10,852 YES. 200 00:05:10,894 --> 00:05:13,396 YES, THAT'S WHY IT FEELS 201 00:05:10,894 --> 00:05:13,396 SO COMFORTABLE TO ME. 202 00:05:13,438 --> 00:05:15,398 AS ALWAYS, LUTHER, PERFECT. 203 00:05:20,904 --> 00:05:23,240 (unzips bag) 204 00:05:20,904 --> 00:05:23,240 DEAN CAIN, YOU OLD HOOFER. 205 00:05:20,904 --> 00:05:23,240 HOW'S IT GOING? 206 00:05:23,282 --> 00:05:24,532 CAN'T COMPLAIN, JAMES. 207 00:05:24,574 --> 00:05:25,450 YEAH? 208 00:05:25,492 --> 00:05:27,452 REHEARSALS ARE GOING WELL. 209 00:05:27,494 --> 00:05:29,663 THINK I'M STARTING TO 210 00:05:27,494 --> 00:05:29,663 MASTER MY LATIN HIP MOVEMENT. 211 00:05:29,704 --> 00:05:32,958 (chuckles) YEAH, 212 00:05:29,704 --> 00:05:32,958 IT'S GONNA BE A GOOD SEASON. 213 00:05:33,000 --> 00:05:35,127 YES, IT IS. 214 00:05:36,253 --> 00:05:38,421 WELL, SEE YOU 215 00:05:36,253 --> 00:05:38,421 ON THE PLANKS, THEN. 216 00:05:41,675 --> 00:05:42,592 (door closes) 217 00:05:42,634 --> 00:05:44,303 WHAT WERE YOU THINKING?! 218 00:05:44,343 --> 00:05:46,471 THAT GHOSTS HAVE SEEN 219 00:05:44,343 --> 00:05:46,471 ALL MY PASSWORDS. 220 00:05:46,513 --> 00:05:48,890 DEAN CAIN'S DRESSING ROOM HAS 221 00:05:46,513 --> 00:05:48,890 AN EXTRA 1/3 OF A CEILING TILE. 222 00:05:48,932 --> 00:05:51,392 HIS ROOM IS 6 INCHES 223 00:05:48,932 --> 00:05:51,392 BIGGER THAN MINE--6! 224 00:05:51,434 --> 00:05:54,271 I NOTICED INSTANTLY! 225 00:05:51,434 --> 00:05:54,271 HOW COULD YOU NOT CATCH THIS? 226 00:05:54,313 --> 00:05:57,232 I-I DIDN'T LOOK UP. 227 00:05:54,313 --> 00:05:57,232 WHY DIDN'T I LOOK UP? 228 00:05:57,274 --> 00:05:59,693 WELL, IT'S TOO LATE NOW, LUTHER! 229 00:05:57,274 --> 00:05:59,693 IT'S HAPPENED. 230 00:05:59,734 --> 00:06:02,403 YOU'VE MADE YOUR FIRST MISTAKE 231 00:05:59,734 --> 00:06:02,403 AS MY ASSISTANT. 232 00:06:02,445 --> 00:06:03,613 OHH. 233 00:06:03,655 --> 00:06:06,200 GOD, THIS DRESSING ROOM 234 00:06:03,655 --> 00:06:06,200 IS SUFFOCATING ME. 235 00:06:06,241 --> 00:06:08,493 I CAN PRACTICALLY 236 00:06:06,241 --> 00:06:08,493 TOUCH THE WALLS. 237 00:06:10,912 --> 00:06:12,371 (exhales sharply) 238 00:06:13,456 --> 00:06:17,418 WOW! OH, MY GOSH. 239 00:06:13,456 --> 00:06:17,418 THIS IS SO COOL. 240 00:06:17,460 --> 00:06:18,670 I CAN'T BELIEVE 241 00:06:17,460 --> 00:06:18,670 I'M FRIENDS WITH SOMEBODY 242 00:06:18,712 --> 00:06:22,049 THAT HAS A GRAPHIC NOVEL 243 00:06:18,712 --> 00:06:22,049 BASED ON THEM! HOW COOL IS THAT? 244 00:06:22,090 --> 00:06:23,342 HE GETS MY KNEES. 245 00:06:23,382 --> 00:06:25,886 I HAVE TRICKY KNEES, 246 00:06:23,382 --> 00:06:25,886 BUT HE GETS THEM. 247 00:06:25,927 --> 00:06:29,430 WOW. I'M FINALLY 248 00:06:25,927 --> 00:06:29,430 IN YOUR APARTMENT. 249 00:06:29,472 --> 00:06:31,933 ALL THOSE YEARS 250 00:06:29,472 --> 00:06:31,933 OF SITTING IN MY WINDOW, 251 00:06:31,975 --> 00:06:35,520 WONDERING WHAT WAS 252 00:06:31,975 --> 00:06:35,520 BEHIND THIS PILLAR... 253 00:06:35,562 --> 00:06:38,065 OH. JUST A TABLE 254 00:06:35,562 --> 00:06:38,065 WITH SOME BRIC-A-BRAC. 255 00:06:38,106 --> 00:06:40,441 HOLD ON. IS THAT... 256 00:06:40,483 --> 00:06:42,027 JUST A BANANA. 257 00:06:42,069 --> 00:06:43,362 (floorboard creaking) 258 00:06:43,402 --> 00:06:45,446 OH. THIS ISN'T GOOD. 259 00:06:45,488 --> 00:06:47,448 THIS ISN'T WHAT YOU WANT. 260 00:06:45,488 --> 00:06:47,448 HOPE IT'S NOT STRUCTURAL. 261 00:06:47,490 --> 00:06:48,742 THIS IS AMAZING. 262 00:06:48,783 --> 00:06:52,453 YOUR CHARACTER DRIVES AROUND ON 263 00:06:48,783 --> 00:06:52,453 A MOTORCYCLE THAT HAS A SIDECAR! 264 00:06:52,495 --> 00:06:54,748 (man) THE MINUTE 265 00:06:52,495 --> 00:06:54,748 SHE WALKED INTO THE CLUB, 266 00:06:54,789 --> 00:06:57,292 IT BECAME THE PLACE TO BE. 267 00:06:57,334 --> 00:06:59,878 EVERYONE WANTED TO BE HER, 268 00:06:57,334 --> 00:06:59,878 BE WITH HER, 269 00:06:59,920 --> 00:07:01,671 OR LICK HER MARSHMALLOW WIG. 270 00:07:01,713 --> 00:07:03,131 (bell dings) 271 00:07:03,173 --> 00:07:06,634 OH, I REMEMBER THAT NIGHT. 272 00:07:03,173 --> 00:07:06,634 I WORE A MARSHMALLOW WIG. 273 00:07:06,676 --> 00:07:08,136 HEY, ELI, HOW COME 274 00:07:06,676 --> 00:07:08,136 YOU DIDN'T TELL CHLOE 275 00:07:08,178 --> 00:07:09,346 ABOUT THESE NOVELS? 276 00:07:09,388 --> 00:07:10,347 I ASSUMED SHE KNEW. 277 00:07:10,389 --> 00:07:11,514 I WAS ALWAYS CALLING HER 278 00:07:10,389 --> 00:07:11,514 A TALL SLUT 279 00:07:11,556 --> 00:07:13,892 OR SUGGESTING IT WAS 280 00:07:11,556 --> 00:07:13,892 A NICE DAY FOR NO PANTIES. 281 00:07:13,934 --> 00:07:15,685 OH, I THOUGHT YOU WERE JUST 282 00:07:13,934 --> 00:07:15,685 BEING A PERVERT. 283 00:07:15,727 --> 00:07:16,770 UNDERSTANDABLE MISTAKE. 284 00:07:16,811 --> 00:07:18,188 HEY, DO YOU MIND 285 00:07:16,811 --> 00:07:18,188 IF I PEE IN YOUR TOILET? 286 00:07:18,230 --> 00:07:19,647 IT WOULD MEAN A LOT TO ME. 287 00:07:19,689 --> 00:07:21,482 SURE, PAL. 288 00:07:19,689 --> 00:07:21,482 "PATRICK KELLY." 289 00:07:21,524 --> 00:07:23,484 THAT'S THE GUY WHO WROTE THESE. 290 00:07:21,524 --> 00:07:23,484 DO YOU KNOW WHO THAT IS? 291 00:07:23,526 --> 00:07:27,197 UGH. JUNE, IF I HAD TIME 292 00:07:23,526 --> 00:07:27,197 TO WORRY ABOUT EVERY PERSON... 293 00:07:23,526 --> 00:07:27,197 (door opens and closes) 294 00:07:27,239 --> 00:07:29,950 WHO ADMIRED, IMITATED, 295 00:07:27,239 --> 00:07:29,950 OR STALKED ME, 296 00:07:29,991 --> 00:07:33,328 I WOULDN'T HAVE TIME TO BE 297 00:07:29,991 --> 00:07:33,328 MY FABULOUS SELF. 298 00:07:33,370 --> 00:07:35,914 NOW COME ON. THERE'S A PARTY 299 00:07:33,370 --> 00:07:35,914 AT THE MAYOR'S MANSION. 300 00:07:35,956 --> 00:07:38,208 LET'S GET SOMEBODY 301 00:07:35,956 --> 00:07:38,208 IMPEACHED. 302 00:07:38,250 --> 00:07:39,667 CHLOE, I CAN'T DRINK. 303 00:07:39,709 --> 00:07:42,921 OH, YOU'RE STILL DOING THAT? 304 00:07:39,709 --> 00:07:42,921 OH, WELL. DON'T WAIT UP. 305 00:07:42,963 --> 00:07:44,505 UH, NO, I MEAN, I CAN 306 00:07:42,963 --> 00:07:44,505 HANG OUT WITH YOU. 307 00:07:44,547 --> 00:07:46,300 IT'S JUST, 308 00:07:44,547 --> 00:07:46,300 I-I CAN'T DRINK ANYTHING. 309 00:07:46,341 --> 00:07:47,508 OH, NO, NO, NO. 310 00:07:47,550 --> 00:07:49,510 IF YOU ROLL WITH ME, 311 00:07:47,550 --> 00:07:49,510 YOU ROLL AS HARD AS ME. 312 00:07:49,552 --> 00:07:51,138 I DON'T WANT 313 00:07:49,552 --> 00:07:51,138 ANY JUDGMENTAL JUDYS 314 00:07:51,179 --> 00:07:53,681 OR SOBER SALLYS IN MY CREW. 315 00:07:53,723 --> 00:07:55,767 OKAY, WELL, 316 00:07:53,723 --> 00:07:55,767 THE GOOD NEWS IS, CHLOE, 317 00:07:55,809 --> 00:07:58,353 IS THAT IN SIX SHORT MONTHS, 318 00:07:58,395 --> 00:08:00,439 WE'LL BE ABLE TO PICK UP 319 00:07:58,395 --> 00:08:00,439 WHERE WE LEFT O-- 320 00:08:00,521 --> 00:08:01,815 (toilet flushes) 321 00:08:01,856 --> 00:08:04,692 (exhales deeply) 322 00:08:01,856 --> 00:08:04,692 NOW WE'RE REALLY FRIENDS. 323 00:08:04,734 --> 00:08:05,735 (door closes) 324 00:08:10,282 --> 00:08:11,325 (bells jingle) 325 00:08:11,366 --> 00:08:13,327 UH, JUNE? HI. 326 00:08:13,368 --> 00:08:15,329 HI. YOU'RE AT WORK. 327 00:08:15,370 --> 00:08:16,537 I'M SEEING 328 00:08:15,370 --> 00:08:16,537 IF ROBIN WAS EXAGGERATING 329 00:08:16,579 --> 00:08:17,580 ABOUT NOT BEING ABLE 330 00:08:16,579 --> 00:08:17,580 TO PARTY 331 00:08:17,622 --> 00:08:19,540 SIX MONTHS AFTER GETTING 332 00:08:17,622 --> 00:08:19,540 YOUR STOMACH PUMPED. 333 00:08:19,582 --> 00:08:24,545 OOH. THERE IS A GIRL ON HERE 334 00:08:19,582 --> 00:08:24,545 THAT WENT TO VEGAS THE NEXT DAY. 335 00:08:24,587 --> 00:08:27,132 CRAP, AND THERE'S A LINK 336 00:08:24,587 --> 00:08:27,132 TO HER MEMORIAL PAGE. 337 00:08:27,174 --> 00:08:28,842 OKAY, WHAT IS GOING ON 338 00:08:27,174 --> 00:08:28,842 WITH YOU? 339 00:08:27,174 --> 00:08:28,842 (sighs) 340 00:08:28,883 --> 00:08:31,761 YOU'RE IGNORING CUSTOMERS, 341 00:08:28,883 --> 00:08:31,761 THE MUFFIN DOME IS A DISASTER, 342 00:08:31,803 --> 00:08:33,221 AND YOU DIDN'T EVEN LAUGH 343 00:08:31,803 --> 00:08:33,221 AT THE NEW "DILBERT" 344 00:08:33,263 --> 00:08:35,015 I PUT 345 00:08:33,263 --> 00:08:35,015 ON THE COMMUNITY BOARD. 346 00:08:33,263 --> 00:08:35,015 (bells jingle) 347 00:08:35,056 --> 00:08:37,642 MARK, NOBODY LAUGHS 348 00:08:35,056 --> 00:08:37,642 AT THAT. 349 00:08:37,684 --> 00:08:39,811 THEY'RE DRAWING AN ANALOGY 350 00:08:37,684 --> 00:08:39,811 WHERE HE'S THE CAR 351 00:08:39,853 --> 00:08:42,605 AND COFFEE IS HIS GASOLINE. 352 00:08:42,647 --> 00:08:44,191 (indistinct conversations) 353 00:08:44,232 --> 00:08:47,027 OKAY, LOOK, ALL RIGHT, 354 00:08:44,232 --> 00:08:47,027 FOR THE FIRST TIME IN MY LIFE, 355 00:08:47,068 --> 00:08:50,197 I HAVE OLD CLUB STAMPS 356 00:08:47,068 --> 00:08:50,197 ON MY HAND, OKAY? 357 00:08:50,238 --> 00:08:52,199 THE OTHER DAY, 358 00:08:50,238 --> 00:08:52,199 I PUT ON A LEATHER JACKET, 359 00:08:52,240 --> 00:08:54,826 AND I WASN'T PRETENDING TO BE 360 00:08:52,240 --> 00:08:54,826 SANDY IN "GREASE." 361 00:08:54,868 --> 00:08:56,495 CHLOE'S GOT ME 362 00:08:54,868 --> 00:08:56,495 IN WITH THE IN CROWD, 363 00:08:56,536 --> 00:08:57,578 AND I... (chuckles) 364 00:08:57,620 --> 00:08:59,580 I-I REALLY DON'T WANT 365 00:08:57,620 --> 00:08:59,580 TO LET THAT GO. 366 00:08:59,622 --> 00:09:02,583 (bells jingle) 367 00:08:59,622 --> 00:09:02,583 INTERESTING GOALS. 368 00:09:02,625 --> 00:09:05,045 PRETTY DIFFERENT 369 00:09:02,625 --> 00:09:05,045 FROM WHEN YOU FIRST MOVED HERE. 370 00:09:05,086 --> 00:09:06,171 REMEMBER WHEN 371 00:09:05,086 --> 00:09:06,171 YOUR TOP PRIORITY 372 00:09:06,213 --> 00:09:07,839 WAS GETTING A JOB 373 00:09:06,213 --> 00:09:07,839 ON WALL STREET? 374 00:09:07,881 --> 00:09:09,466 I AM STILL TRYING TO GET 375 00:09:07,881 --> 00:09:09,466 A JOB ON WALL STREET. 376 00:09:09,508 --> 00:09:11,218 I AM SENDING MY RESUME OUT 377 00:09:09,508 --> 00:09:11,218 EVERY DAY, 378 00:09:11,259 --> 00:09:14,262 BUT NO ONE IS HIRING, 379 00:09:11,259 --> 00:09:14,262 SO IN THE MEANTIME, 380 00:09:14,304 --> 00:09:16,515 I'M JUST GONNA HANG OUT 381 00:09:14,304 --> 00:09:16,515 WITH CHLOE. 382 00:09:16,556 --> 00:09:17,765 I-I DON'T KNOW 383 00:09:16,556 --> 00:09:17,765 IF YOU KNOW THIS OR NOT, 384 00:09:17,807 --> 00:09:20,685 BUT I WASN'T REALLY THE MOST 385 00:09:17,807 --> 00:09:20,685 POPULAR GIRL IN HIGH SCHOOL. 386 00:09:20,727 --> 00:09:21,769 YOU KNOW, 387 00:09:20,727 --> 00:09:21,769 HANGING OUT WITH CHLOE 388 00:09:21,811 --> 00:09:23,646 IS JUST A WAY 389 00:09:21,811 --> 00:09:23,646 TO AVOID REALITY. 390 00:09:23,688 --> 00:09:24,898 ALL SHE DOES IS PARTY. 391 00:09:24,939 --> 00:09:26,607 (chuckles) IF YOU DON'T HAVE 392 00:09:24,939 --> 00:09:26,607 A WORKING LIVER, 393 00:09:26,649 --> 00:09:28,318 YOU HAVE NOTHING IN COMMON. 394 00:09:28,360 --> 00:09:29,610 (chuckles) THAT'S NOT TRUE. 395 00:09:29,652 --> 00:09:31,779 WE DEFINITELY HAVE A LOT 396 00:09:29,652 --> 00:09:31,779 IN COMMON. (chuckles) 397 00:09:31,821 --> 00:09:34,615 I MEAN, WE BOTH THINK 398 00:09:31,821 --> 00:09:34,615 THAT WE SAW 399 00:09:34,657 --> 00:09:37,618 "SLEEPING WITH THE ENEMY," 400 00:09:34,657 --> 00:09:37,618 BUT WE'RE NOT SURE. 401 00:09:37,660 --> 00:09:40,621 OH, I SAW THAT. 402 00:09:37,660 --> 00:09:40,621 WAIT. DID I? 403 00:09:40,663 --> 00:09:42,249 (door bells jingle) 404 00:09:43,375 --> 00:09:44,667 (horn honks in distance) 405 00:09:47,879 --> 00:09:51,508 (creaking) 406 00:09:52,675 --> 00:09:54,761 MAYBE IT IS STRUCTURAL. 407 00:09:56,679 --> 00:09:58,139 (creaks) 408 00:10:02,852 --> 00:10:04,645 OH, MY GOD. 409 00:10:04,687 --> 00:10:06,022 (elevator bell dings) 410 00:10:06,064 --> 00:10:07,441 YOU SHOULD FIRE LUTHER. 411 00:10:07,482 --> 00:10:08,733 (sighs) HE MADE A MISTAKE. 412 00:10:07,482 --> 00:10:08,733 IT HAPPENS. 413 00:10:08,775 --> 00:10:10,651 (sighs) HE SAID HE'S GONNA 414 00:10:08,775 --> 00:10:10,651 MAKE IT RIGHT. 415 00:10:10,693 --> 00:10:12,571 YOU SHOULD MAKE HIM CRY 416 00:10:10,693 --> 00:10:12,571 AND THEN KICK HIM 417 00:10:12,612 --> 00:10:14,155 AND THEN KISS HIM 418 00:10:12,612 --> 00:10:14,155 TO CONFUSE HIM 419 00:10:14,197 --> 00:10:15,574 AND THEN FIRE HIM. 420 00:10:15,615 --> 00:10:16,533 (keys jangle) 421 00:10:16,575 --> 00:10:17,617 (sighs) 422 00:10:16,575 --> 00:10:17,617 (door opens) 423 00:10:18,701 --> 00:10:20,328 SHITAGI NASHI. 424 00:10:18,701 --> 00:10:20,328 (keys clatter) 425 00:10:20,370 --> 00:10:21,662 YOU PRETENDED 426 00:10:20,370 --> 00:10:21,662 YOU HAVEN'T HEARD OF THEM, 427 00:10:21,704 --> 00:10:22,747 BUT I LOOKED 428 00:10:21,704 --> 00:10:22,747 UNDER THE FLOORBOARD 429 00:10:22,789 --> 00:10:26,543 AND SEE THAT YOU HAVE 430 00:10:22,789 --> 00:10:26,543 EVERY ISSUE. 431 00:10:27,794 --> 00:10:30,671 OH, UM, I JUST HAVE THOSE 432 00:10:30,713 --> 00:10:32,673 BECAUSE STALKERS SEND THEM 433 00:10:30,713 --> 00:10:32,673 TO ME. 434 00:10:32,715 --> 00:10:34,468 OH, REALLY? 435 00:10:32,715 --> 00:10:34,468 WELL, THEN YOU WON'T MIND 436 00:10:34,509 --> 00:10:36,677 IF I REMOVE THEM 437 00:10:34,509 --> 00:10:36,677 FROM THE PLASTIC COVER THEY-- 438 00:10:36,719 --> 00:10:37,678 NO! 439 00:10:37,720 --> 00:10:38,679 YOUR FINGER OILS! 440 00:10:38,721 --> 00:10:41,266 AHA! I KNEW IT! 441 00:10:41,308 --> 00:10:42,267 OKAY, FINE. 442 00:10:41,308 --> 00:10:42,267 I THINK THEY'RE COOL. 443 00:10:42,309 --> 00:10:43,768 LET'S NOT MAKE A BIG DEAL 444 00:10:42,309 --> 00:10:43,768 ABOUT IT. 445 00:10:43,810 --> 00:10:45,353 CHLOE, THERE'S NO NEED TO BE 446 00:10:43,810 --> 00:10:45,353 EMBARRASSED ABOUT BEING 447 00:10:45,395 --> 00:10:47,481 REPLICATED 448 00:10:45,395 --> 00:10:47,481 IN OTHER MEDIA FORMATS. 449 00:10:47,522 --> 00:10:48,689 I'VE GOT 450 00:10:47,522 --> 00:10:48,689 AN ENTIRE ROOM DEDICATED 451 00:10:48,731 --> 00:10:50,775 TO VARIOUS JAMES VAN DER BEEK 452 00:10:48,731 --> 00:10:50,775 ACTION FIGURES. 453 00:10:50,817 --> 00:10:52,569 HMM. 454 00:10:52,611 --> 00:10:56,406 WHO DO I WANT 455 00:10:52,611 --> 00:10:56,406 TO PLAY WITH TODAY? 456 00:11:01,620 --> 00:11:02,954 (imitates swoosh) 457 00:11:02,996 --> 00:11:05,790 CHLOE, THIS IS A BIG DEAL... 458 00:11:02,996 --> 00:11:05,790 FOR US. 459 00:11:05,832 --> 00:11:08,084 I MEAN, IT MEANS THAT WE HAVE 460 00:11:05,832 --> 00:11:08,084 SOMETHING ELSE IN COMMON 461 00:11:08,126 --> 00:11:09,710 BESIDES LIKING TO PARTY. 462 00:11:09,752 --> 00:11:11,546 FOR EXAMPLE, 463 00:11:09,752 --> 00:11:11,546 YOU'RE NOT THE ONLY ONE 464 00:11:11,588 --> 00:11:13,714 WHO INSPIRED A COMIC BOOK. 465 00:11:13,756 --> 00:11:16,717 "THE ADVENTURES 466 00:11:13,756 --> 00:11:16,717 OF TRINA & SISSY"! 467 00:11:16,759 --> 00:11:19,720 YOU WERE FRIENDS WITH A LOT OF 468 00:11:16,759 --> 00:11:19,720 YOUR MOM'S FRIENDS, WEREN'T YOU? 469 00:11:19,762 --> 00:11:20,721 I MADE IT IN HIGH SCHOOL. 470 00:11:20,763 --> 00:11:22,182 I DIDN'T WANT 471 00:11:20,763 --> 00:11:22,182 TO SHOW YOU EARLIER, 472 00:11:22,223 --> 00:11:23,975 BECAUSE YOU DIDN'T SEEM 473 00:11:22,223 --> 00:11:23,975 SO IMPRESSED BY THE NOVELS, 474 00:11:24,017 --> 00:11:26,311 BUT NOW... (chuckles) 475 00:11:26,353 --> 00:11:27,728 IT'S ABOUT ME 476 00:11:26,353 --> 00:11:27,728 AND MY BEST FRIEND, 477 00:11:27,770 --> 00:11:30,773 WHO SPENT PROM NIGHT 478 00:11:27,770 --> 00:11:30,773 IN THE BAND ROOM, 479 00:11:30,815 --> 00:11:33,193 EATING ORANGES 480 00:11:30,815 --> 00:11:33,193 AND PLAYING FLUTE DUETS. 481 00:11:33,234 --> 00:11:34,735 (June) SOME SAY PROM 482 00:11:34,777 --> 00:11:36,237 IS THE MOST IMPORTANT NIGHT 483 00:11:34,777 --> 00:11:36,237 OF THE YEAR, 484 00:11:36,279 --> 00:11:38,323 BUT NOT TO TRINA AND SISSY. 485 00:11:38,365 --> 00:11:40,741 THEY HAD BIGGER PLANS 486 00:11:38,365 --> 00:11:40,741 THAN GETTING GROPED 487 00:11:40,783 --> 00:11:41,951 BY BASKETBALL PLAYERS 488 00:11:41,993 --> 00:11:44,454 AND NARROWLY MISSING 489 00:11:41,993 --> 00:11:44,454 TEEN PREGNANCY AND A... 490 00:11:44,496 --> 00:11:46,747 AAH! AAH! AAH! 491 00:11:46,789 --> 00:11:48,667 (pants) AAH! AAH! AAH! 492 00:11:46,789 --> 00:11:48,667 (blows air) 493 00:11:48,707 --> 00:11:50,835 OH. WHAT? (pants) OHH. 494 00:11:48,707 --> 00:11:50,835 THAT'S ALL RIGHT. THAT'S OKAY. 495 00:11:50,877 --> 00:11:53,672 THERE'S--THERE'S ANOTHER COPY, 496 00:11:50,877 --> 00:11:53,672 SO DON'T FEEL BAD. 497 00:11:53,712 --> 00:11:54,839 WAIT A MINUTE. 498 00:11:53,712 --> 00:11:54,839 THAT--THAT LOOKS FAMILIAR. 499 00:11:54,881 --> 00:11:56,841 DID--DID YOU SEND ME 500 00:11:54,881 --> 00:11:56,841 AN ISSUE 501 00:11:56,883 --> 00:11:59,260 WHERE TRINA AND SISSY BREAK 502 00:11:56,883 --> 00:11:59,260 INTO THE SET ON "DAWSON'S CREEK" 503 00:11:59,302 --> 00:12:01,762 AND FORCE ME TO BE 504 00:11:59,302 --> 00:12:01,762 THEIR ALGEBRA TEACHER? 505 00:12:01,804 --> 00:12:02,972 NO. 506 00:12:03,014 --> 00:12:05,266 OKAY, GOOD, 507 00:12:03,014 --> 00:12:05,266 'CAUSE THAT WAS CREEPY, MAN. 508 00:12:05,308 --> 00:12:06,809 I GAVE THAT TO THE FBI. 509 00:12:06,851 --> 00:12:08,603 LOOK, I THINK THE COMICS 510 00:12:06,851 --> 00:12:08,603 ARE COOL 511 00:12:08,645 --> 00:12:10,813 BECAUSE I LIKE LOOKING 512 00:12:08,645 --> 00:12:10,813 AT MYSELF. 513 00:12:10,855 --> 00:12:12,982 I THINK THEY'RE COOL 514 00:12:10,855 --> 00:12:12,982 THE WAY THAT MIRRORS ARE COOL. 515 00:12:13,024 --> 00:12:15,068 I'M NOT A COMIC BOOK NERD. 516 00:12:15,109 --> 00:12:16,777 CHLOE, BUT THERE IS 517 00:12:15,109 --> 00:12:16,777 A WHOLE OTHER SIDE OF YOU 518 00:12:16,819 --> 00:12:18,779 THAT YOU ARE HIDING 519 00:12:16,819 --> 00:12:18,779 FROM THE WORLD, 520 00:12:18,821 --> 00:12:20,948 AND THAT SIDE OF YOU 521 00:12:18,821 --> 00:12:20,948 MIGHT WANT TO HANG OUT WITH ME 522 00:12:20,990 --> 00:12:23,284 AND DO SOMETHING THAT DOESN'T 523 00:12:20,990 --> 00:12:23,284 RUPTURE MY STOMACH LINING. 524 00:12:23,326 --> 00:12:24,703 LIKE WHAT? 525 00:12:24,743 --> 00:12:26,787 WELL, IT'S ACTIVE, 526 00:12:24,743 --> 00:12:26,787 BUT IT'S NOT PHYSICAL. 527 00:12:26,829 --> 00:12:30,667 IT INVOLVES FASHION, 528 00:12:26,829 --> 00:12:30,667 AND YOU GET TO THROW THINGS. 529 00:12:30,709 --> 00:12:33,794 IT'S BOWLING, 530 00:12:30,709 --> 00:12:33,794 BUT BEFORE YOU SAY NO-- 531 00:12:33,836 --> 00:12:35,463 I'M IN. 532 00:12:33,836 --> 00:12:35,463 REALLY? 533 00:12:35,505 --> 00:12:37,756 YES. GO GET 534 00:12:35,505 --> 00:12:37,756 YOUR BALL, JUNE. 535 00:12:39,842 --> 00:12:41,219 (indistinct conversations) 536 00:12:41,261 --> 00:12:42,679 THIS IS NOT BOWLING. 537 00:12:42,721 --> 00:12:44,514 I KNOW. 538 00:12:42,721 --> 00:12:44,514 I WOULD NEVER GO BOWLING, 539 00:12:44,556 --> 00:12:46,641 BUT I WANTED TO GO OUT 540 00:12:44,556 --> 00:12:46,641 WITH PAULO TONIGHT. 541 00:12:46,683 --> 00:12:48,602 HE'S NUMBER THREE 542 00:12:46,683 --> 00:12:48,602 IN MY MAN ROTATION. 543 00:12:48,643 --> 00:12:52,188 HE'S POORER THAN NUMBER ONE 544 00:12:48,643 --> 00:12:52,188 BUT HOTTER THAN NUMBER SIX. 545 00:12:52,230 --> 00:12:53,898 ANYWAY, HE ALWAYS BRINGS 546 00:12:52,230 --> 00:12:53,898 HIS CREEPY ROOMMATE, 547 00:12:53,940 --> 00:12:55,400 SO I THOUGHT 548 00:12:53,940 --> 00:12:55,400 YOU COULD KEEP HIM BUSY. 549 00:12:55,442 --> 00:12:58,653 CIAO! COME ON, PAULO. 550 00:12:58,695 --> 00:13:00,821 ♪♪♪ 551 00:13:00,863 --> 00:13:03,324 HI. I'M JUNE. 552 00:13:03,366 --> 00:13:05,744 PATRICK. 553 00:13:05,784 --> 00:13:08,037 OH, MY. 554 00:13:08,079 --> 00:13:09,997 YOU ARE PATRICK KELLY! 555 00:13:10,039 --> 00:13:13,084 YOU ARE THE CREATOR 556 00:13:10,039 --> 00:13:13,084 OF "TALL SLUT NO PANTIES"! 557 00:13:13,126 --> 00:13:14,294 YOU KNOW MY WORK, 558 00:13:14,335 --> 00:13:16,837 BUT YOU'RE NOT JAPANESE 559 00:13:14,335 --> 00:13:16,837 OR MY MOTHER. 560 00:13:16,879 --> 00:13:20,007 (chuckles) NO, I'M JUNE. 561 00:13:16,879 --> 00:13:20,007 I'M CHLOE'S ROOMMATE. 562 00:13:20,049 --> 00:13:23,678 I SHOULD INTRODUCE YOU TO HER. 563 00:13:20,049 --> 00:13:23,678 SHE--SHE WOULD LOVE TO MEET YOU. 564 00:13:23,720 --> 00:13:26,097 (chuckles) NO WAY. UH... 565 00:13:26,139 --> 00:13:28,141 I PREFER TO LURK 566 00:13:26,139 --> 00:13:28,141 IN THE SHADOWS 567 00:13:28,182 --> 00:13:32,353 AND APPEAR CREEPY AND WEIRD, 568 00:13:28,182 --> 00:13:32,353 DO MY THING FROM AFAR. 569 00:13:32,395 --> 00:13:34,897 HERE WE ARE 570 00:13:32,395 --> 00:13:34,897 AT OUR UNDERWATER WEDDING. 571 00:13:34,939 --> 00:13:36,899 SHE'S THE MERMAID. 572 00:13:36,941 --> 00:13:38,943 SO WHEN PAULO GOES OUT 573 00:13:36,941 --> 00:13:38,943 WITH CHLOE, 574 00:13:38,985 --> 00:13:40,737 YOU JUST KINDA... 575 00:13:38,985 --> 00:13:40,737 YOU TAG ALONG 576 00:13:40,779 --> 00:13:42,447 AND YOU HANG OUT 577 00:13:40,779 --> 00:13:42,447 IN THE CORNER OR... 578 00:13:42,489 --> 00:13:43,740 YEAH. 579 00:13:43,782 --> 00:13:47,577 PATRICK, UM... 580 00:13:43,782 --> 00:13:47,577 THAT'S KINDA SAD. 581 00:13:47,619 --> 00:13:49,579 I MEAN, DO YOU REALLY WANT 582 00:13:47,619 --> 00:13:49,579 TO SPEND YOUR LIFE 583 00:13:49,621 --> 00:13:52,582 FOLLOWING THIS GIRL AROUND 584 00:13:49,621 --> 00:13:52,582 FROM BAR TO BAR? 585 00:13:52,624 --> 00:13:54,833 HOW IS THAT ANY DIFFERENT 586 00:13:52,624 --> 00:13:54,833 FROM WHAT YOU'RE DOING? 587 00:13:57,170 --> 00:13:59,922 YOU'RE RIGHT. 588 00:13:57,170 --> 00:13:59,922 WHAT THE HELL AM I DOING? 589 00:13:59,964 --> 00:14:03,092 I AM NOT 590 00:13:59,964 --> 00:14:03,092 A WOODCHUCK ANYMORE, 591 00:14:03,134 --> 00:14:04,885 AND NEITHER ARE YOU. 592 00:14:04,927 --> 00:14:06,887 I HAVE NO IDEA 593 00:14:04,927 --> 00:14:06,887 WHAT THAT MEANS. 594 00:14:06,929 --> 00:14:09,098 IT MEANS THAT WE GOTTA START 595 00:14:06,929 --> 00:14:09,098 LIVING OUR OWN LIVES 596 00:14:09,140 --> 00:14:10,891 AND STOP FOLLOWING AROUND 597 00:14:09,140 --> 00:14:10,891 SOME GIRL 598 00:14:10,933 --> 00:14:13,102 THAT DOESN'T EVEN KNOW 599 00:14:10,933 --> 00:14:13,102 THAT WE'RE HERE. 600 00:14:13,144 --> 00:14:15,396 THIS IS STUPID. 601 00:14:15,438 --> 00:14:16,897 (knock on door) 602 00:14:18,941 --> 00:14:21,194 HEY, BEEKER. 603 00:14:18,941 --> 00:14:21,194 YOU WANTED TO SEE ME? 604 00:14:21,235 --> 00:14:23,904 "BEEKER." (chuckles) 605 00:14:21,235 --> 00:14:23,904 I LOVE IT. 606 00:14:23,946 --> 00:14:25,615 UH, YEAH, COME ON IN. 607 00:14:25,657 --> 00:14:28,368 YEAH, I WANTED TO TALK 608 00:14:25,657 --> 00:14:28,368 DANCE BELTS. 609 00:14:28,409 --> 00:14:29,369 WHOA. 610 00:14:28,409 --> 00:14:29,369 (dart thuds) 611 00:14:29,410 --> 00:14:30,537 DID YOU DO ALL THIS? 612 00:14:30,578 --> 00:14:31,912 OH, THE REDEC? 613 00:14:30,578 --> 00:14:31,912 YEAH, UH, YOU KNOW, 614 00:14:31,954 --> 00:14:33,914 I JUST HAD LUTHER THROW 615 00:14:31,954 --> 00:14:33,914 SOME STUFF UP ON THE WALLS, 616 00:14:33,956 --> 00:14:35,916 YOU KNOW, 617 00:14:33,956 --> 00:14:35,916 RESTOCK THE FRIDGE. 618 00:14:35,958 --> 00:14:36,917 (chuckles) WOW. IT'S... 619 00:14:36,959 --> 00:14:38,919 (birds calling and chirping) 620 00:14:38,961 --> 00:14:40,296 WOW. 621 00:14:40,338 --> 00:14:43,383 OH. YOU LIKE IT? YOU KNOW WHAT? 622 00:14:40,338 --> 00:14:43,383 YOU SHOULD TAKE IT. 623 00:14:43,424 --> 00:14:45,926 REALLY? 624 00:14:43,424 --> 00:14:45,926 YEAH, IT'S, UH, 625 00:14:43,424 --> 00:14:45,926 IT'S A LITTLE TOO LUSH FOR ME. 626 00:14:45,968 --> 00:14:47,846 YOU KNOW, I-I WANT TO JUST KINDA 627 00:14:45,968 --> 00:14:47,846 GET BACK TO THE BASICS, 628 00:14:47,887 --> 00:14:49,305 FOCUS ON MY DANCING. 629 00:14:49,347 --> 00:14:51,558 HERE ARE THE KEYS. 630 00:14:49,347 --> 00:14:51,558 HERE'S THE MASTER REMOTE. 631 00:14:51,599 --> 00:14:53,601 COME ON, JAMES. YOU THINK 632 00:14:51,599 --> 00:14:53,601 I COULDN'T TELL INSTANTLY 633 00:14:53,643 --> 00:14:56,312 THAT MY DRESSING ROOM IS 634 00:14:53,643 --> 00:14:56,312 6 INCHES LARGER THAN YOURS? 635 00:14:56,354 --> 00:14:58,648 I CAN COUNT CEILING TILES, 636 00:14:56,354 --> 00:14:58,648 TOO, MY FRIEND. 637 00:14:58,690 --> 00:14:59,858 YOU WANT TO SNOW SOMEBODY, 638 00:14:59,899 --> 00:15:02,694 TAKE IT NEXT DOOR 639 00:14:59,899 --> 00:15:02,694 TO FRED SAVAGE. 640 00:15:03,862 --> 00:15:05,946 (chuckles) 641 00:15:05,988 --> 00:15:08,949 OHH. I'M SORRY, JAMES. 642 00:15:08,991 --> 00:15:11,828 I-I THOUGHT 643 00:15:08,991 --> 00:15:11,828 THIS WOULD FIX IT. 644 00:15:11,870 --> 00:15:12,829 YEAH, I KNOW YOU DID... 645 00:15:12,871 --> 00:15:14,622 (sighs) 646 00:15:14,664 --> 00:15:16,123 AND THAT'S THE PROBLEM. 647 00:15:16,165 --> 00:15:17,958 WHAT ARE YOU SAYING? 648 00:15:18,000 --> 00:15:20,420 I... I NEED TO THINK 649 00:15:18,000 --> 00:15:20,420 ABOUT SOME THINGS. 650 00:15:20,461 --> 00:15:23,590 I-I... (sighs) 651 00:15:20,461 --> 00:15:23,590 I NEED TO THINK ABOUT US. 652 00:15:23,631 --> 00:15:24,758 I SEE. 653 00:15:24,799 --> 00:15:26,801 WELL, THEN I NEED 654 00:15:24,799 --> 00:15:26,801 TO THINK ABOUT 655 00:15:26,843 --> 00:15:30,764 THE CONVERSATION I HAD WITH 656 00:15:26,843 --> 00:15:30,764 THE MISSES TIA AND TAMERA MOWRY. 657 00:15:30,805 --> 00:15:35,560 WHEN THE BLACK OLSEN TWINS CALL, 658 00:15:30,805 --> 00:15:35,560 YOU ANSWER. 659 00:15:35,602 --> 00:15:36,977 (thuds) 660 00:15:39,898 --> 00:15:41,232 (indistinct conversations) 661 00:15:41,274 --> 00:15:44,235 I JUST FEEL SO REFOCUSED, 662 00:15:41,274 --> 00:15:44,235 YOU KNOW? 663 00:15:44,277 --> 00:15:46,404 I MEAN, AS SOON AS PATRICK 664 00:15:44,277 --> 00:15:46,404 POINTED IT OUT TO ME, 665 00:15:46,446 --> 00:15:47,614 IT ALL BECAME CLEAR. 666 00:15:47,655 --> 00:15:49,824 I TOTALLY LOST TRACK 667 00:15:47,655 --> 00:15:49,824 OF WHAT I CAME HERE TO DO, 668 00:15:49,866 --> 00:15:51,618 SO I AM RECOMMITTING MYSELF 669 00:15:49,866 --> 00:15:51,618 TO MY GOALS. 670 00:15:51,659 --> 00:15:53,994 PATRICK? WHO'S PATRICK? 671 00:15:51,659 --> 00:15:53,994 I POINTED THAT STUFF OUT TO YOU. 672 00:15:54,036 --> 00:15:55,996 MARK, IT'S NOT A COMPETITION 673 00:15:54,036 --> 00:15:55,996 BETWEEN YOU AND PATRICK. 674 00:15:56,038 --> 00:15:57,206 WHO THE HELL IS PATRICK? 675 00:15:57,248 --> 00:15:59,417 BUT IF IT WERE, 676 00:15:57,248 --> 00:15:59,417 HE'D BE WINNING. (chuckles) 677 00:16:01,085 --> 00:16:02,503 OH, GOOD. 678 00:16:02,545 --> 00:16:05,673 YOU'RE JUST IN TIME FOR 679 00:16:02,545 --> 00:16:05,673 THE NEW ISSUE OF "NO PANTIES." 680 00:16:05,715 --> 00:16:06,883 OH. MY BAD. 681 00:16:06,925 --> 00:16:09,009 IT'S "STRONG BOWLING GIRL 682 00:16:06,925 --> 00:16:09,009 TALKS A LOT!" 683 00:16:09,051 --> 00:16:10,428 WHATEVER THE HELL THAT IS! 684 00:16:10,470 --> 00:16:12,012 IS THAT--IS THAT ME? 685 00:16:12,054 --> 00:16:16,893 YOU KNOW IT IS, YOU BITCH. 686 00:16:12,054 --> 00:16:16,893 YOU KILLED TALL SLUT NO PANTIES! 687 00:16:16,935 --> 00:16:17,936 (door closes) 688 00:16:21,940 --> 00:16:24,609 I HAD NO IDEA THAT PATRICK 689 00:16:21,940 --> 00:16:24,609 WAS GONNA WRITE ABOUT ME. 690 00:16:24,651 --> 00:16:26,026 YOUR BOOBS ARE JUST 691 00:16:24,651 --> 00:16:26,026 NORMAL BOOBS, 692 00:16:26,068 --> 00:16:27,445 AND YOU GO 693 00:16:26,068 --> 00:16:27,445 AROUND MANHATTAN BOWLING 694 00:16:27,487 --> 00:16:28,863 AND GIVING PEOPLE 695 00:16:27,487 --> 00:16:28,863 PEP TALKS. 696 00:16:28,905 --> 00:16:30,490 WHAT THE HELL KIND 697 00:16:28,905 --> 00:16:30,490 OF CHARACTER IS THAT?! 698 00:16:30,531 --> 00:16:32,867 ONCE AGAIN, I FIND MYSELF 699 00:16:30,531 --> 00:16:32,867 HAVING TO DEFEND BOWLING, 700 00:16:32,909 --> 00:16:35,286 AND I WON'T DO IT. 701 00:16:32,909 --> 00:16:35,286 IT DOESN'T NEED ME TO. 702 00:16:35,328 --> 00:16:37,037 YOU KNEW THIS WAS IMPORTANT 703 00:16:35,328 --> 00:16:37,037 TO ME, AND YOU RUINED IT. 704 00:16:37,079 --> 00:16:38,038 I DIDN'T MEAN TO. 705 00:16:38,080 --> 00:16:40,040 I MEAN, 706 00:16:38,080 --> 00:16:40,040 IT WILL NOT HAPPEN AGAIN. 707 00:16:40,082 --> 00:16:41,208 IN CASE 708 00:16:40,082 --> 00:16:41,208 YOU HAVEN'T NOTICED, 709 00:16:41,250 --> 00:16:43,461 I HAVE BEEN TRYING TO DO 710 00:16:41,250 --> 00:16:43,461 MY OWN THING NOW. 711 00:16:43,503 --> 00:16:45,045 I'M THE ONE THAT DOES 712 00:16:43,503 --> 00:16:45,045 MY OWN THING! 713 00:16:45,087 --> 00:16:47,715 I AM THE ONE WITH ALL 714 00:16:45,087 --> 00:16:47,715 THE THINGS! 715 00:16:45,087 --> 00:16:47,715 (keys jangle, door opens) 716 00:16:47,757 --> 00:16:49,509 CHLOE, I'M HAVING 717 00:16:47,757 --> 00:16:49,509 ISSUES WITH LUTHER, 718 00:16:49,550 --> 00:16:50,718 SO I HAVE TO PICK UP 719 00:16:49,550 --> 00:16:50,718 MY OWN BEAUTY SUPPLIES. 720 00:16:50,760 --> 00:16:51,886 DO YOU WANT TO COME? 721 00:16:51,928 --> 00:16:53,053 (door closes) 722 00:16:51,928 --> 00:16:53,053 I'M SORRY, JAMES. 723 00:16:53,095 --> 00:16:55,348 I CAN'T. I'VE GOT PLANS. 724 00:16:55,389 --> 00:16:57,892 I'M GOING BOWLING 725 00:16:55,389 --> 00:16:57,892 LIKE BORING PEOPLE. 726 00:16:57,934 --> 00:16:59,059 THIS IS WHAT 727 00:16:57,934 --> 00:16:59,059 YOU'VE REDUCED ME TO. 728 00:16:59,101 --> 00:17:00,227 I HOPE YOU'RE HAPPY. 729 00:17:00,269 --> 00:17:01,354 COME ON. YOU-- 730 00:17:01,395 --> 00:17:03,857 YOU ARE BEING SUCH 731 00:17:01,395 --> 00:17:03,857 A DRAMA QUEEN RIGHT NOW. 732 00:17:03,898 --> 00:17:05,984 OOPS. FORGOT ABOUT THESE. 733 00:17:06,025 --> 00:17:08,778 WHAT ARE YOU DOING? 734 00:17:06,025 --> 00:17:08,778 YOU'RE TALL SLUT NO PANTIES. 735 00:17:08,820 --> 00:17:11,322 NOT ANYMORE, JAMES. 736 00:17:08,820 --> 00:17:11,322 NOT ANYMORE. 737 00:17:11,364 --> 00:17:12,657 (sighs) 738 00:17:12,699 --> 00:17:13,867 I JUST HOPE I DON'T GET 739 00:17:12,699 --> 00:17:13,867 KNOCKED IN THE CROTCH 740 00:17:13,908 --> 00:17:15,451 BY SOME LADY BOWLER'S 741 00:17:13,908 --> 00:17:15,451 FUNCTIONAL PURSE. 742 00:17:15,493 --> 00:17:17,119 OHH. WHAT A BABY! 743 00:17:17,161 --> 00:17:20,080 THIS IS EXACTLY WHAT I DO NOT 744 00:17:17,161 --> 00:17:20,080 LIKE ABOUT COOL PEOPLE. 745 00:17:20,122 --> 00:17:22,082 THEY ARE SO 746 00:17:20,122 --> 00:17:22,082 INTO THEMSELVES! (sighs) 747 00:17:22,124 --> 00:17:23,584 DO I LIKE MYSELF BETTER 748 00:17:22,124 --> 00:17:23,584 UPSIDE DOWN? 749 00:17:23,626 --> 00:17:25,545 YOU KNOW, THAT GIRL HAS 750 00:17:23,626 --> 00:17:25,545 A LIFE THAT 751 00:17:25,586 --> 00:17:27,797 MOST PEOPLE WOULD KILL FOR, 752 00:17:25,586 --> 00:17:27,797 BUT YOU KNOW WHAT? 753 00:17:27,839 --> 00:17:29,883 SHE'S UPSET BECAUSE 754 00:17:27,839 --> 00:17:29,883 SHE'S NOT IN A COMIC BOOK. 755 00:17:29,924 --> 00:17:32,092 IT'S NOT ABOUT BEING 756 00:17:29,924 --> 00:17:32,092 IN A COMIC BOOK, JUNE. 757 00:17:32,134 --> 00:17:33,177 (spoon clatters) 758 00:17:32,134 --> 00:17:33,177 SEE, CHLOE'S 759 00:17:32,134 --> 00:17:33,177 THE "IT" GIRL NOW, 760 00:17:33,219 --> 00:17:35,095 BUT THAT ONLY LASTS 761 00:17:33,219 --> 00:17:35,095 SO LONG. 762 00:17:35,137 --> 00:17:36,806 DO YOU REMEMBER 763 00:17:35,137 --> 00:17:36,806 MUMMS VON TROYER? 764 00:17:36,848 --> 00:17:37,891 (glass clatters) 765 00:17:36,848 --> 00:17:37,891 WHO? 766 00:17:37,932 --> 00:17:38,766 MUMMS WAS THE "IT" GIRL 767 00:17:38,808 --> 00:17:40,393 WHEN CHLOE FIRST MOVED 768 00:17:38,808 --> 00:17:40,393 TO NEW YORK. 769 00:17:40,434 --> 00:17:43,270 NOW SHE'S DEAD 770 00:17:40,434 --> 00:17:43,270 OR LIVES ON A HORSE FARM 771 00:17:43,312 --> 00:17:44,564 OR MAKES ORGANIC BABY FOOD. 772 00:17:44,605 --> 00:17:45,732 I DON'T KNOW. WHO CARES? 773 00:17:45,773 --> 00:17:47,608 THE POINT IS, 774 00:17:45,773 --> 00:17:47,608 NOBODY REMEMBERS HER. 775 00:17:47,650 --> 00:17:49,109 THAT'S THE NATURE 776 00:17:47,650 --> 00:17:49,109 OF THE "IT" GIRL. 777 00:17:49,151 --> 00:17:50,570 IT'S FLEETING. 778 00:17:49,151 --> 00:17:50,570 CHLOE GETS THAT, 779 00:17:50,611 --> 00:17:53,113 BUT HAVING HER LIFE CHRONICLED 780 00:17:50,611 --> 00:17:53,113 IN A BOOK WAS A WAY TO FEEL LIKE 781 00:17:53,155 --> 00:17:54,532 SHE'D ALWAYS BE REMEMBERED. 782 00:17:55,658 --> 00:17:57,117 I GOTTA GO. 783 00:17:57,159 --> 00:17:58,995 AHH. 784 00:17:59,037 --> 00:18:00,997 YEAH. 785 00:18:01,039 --> 00:18:05,125 I UNDERSTAND MORE THAN ANYBODY 786 00:18:01,039 --> 00:18:05,125 HOW FLEETING FAME CAN BE. 787 00:18:05,167 --> 00:18:07,587 (sighs) IT PUTS A LOT 788 00:18:05,167 --> 00:18:07,587 OF PRESSURE ON YOU. 789 00:18:07,628 --> 00:18:10,423 SOMETIMES YOU TAKE IT OUT 790 00:18:07,628 --> 00:18:10,423 ON THOSE YOU LOVE THE MOST. 791 00:18:12,174 --> 00:18:14,719 WAIT A MINUTE. 792 00:18:12,174 --> 00:18:14,719 I JUST REALIZED SOMETHING. 793 00:18:14,761 --> 00:18:17,555 THAT'S WHAT'S HAPPENING 794 00:18:14,761 --> 00:18:17,555 WITH YOU AND CHLOE. 795 00:18:25,104 --> 00:18:26,146 (horn honks) 796 00:18:26,188 --> 00:18:27,648 (door opens) 797 00:18:29,275 --> 00:18:31,652 WHERE HAVE YOU BEEN? 798 00:18:29,275 --> 00:18:31,652 LETTING THE "DANCING WITH 799 00:18:29,275 --> 00:18:31,652 THE STARS" TAILOR 800 00:18:31,694 --> 00:18:34,655 KNOW YOUR MEASUREMENTS, IN CASE 801 00:18:31,694 --> 00:18:34,655 I'M NO LONGER IN YOUR EMPLOY. 802 00:18:34,697 --> 00:18:36,407 I TOLD THEM YOU LIKE 803 00:18:34,697 --> 00:18:36,407 A FESTIVE LINING, 804 00:18:36,449 --> 00:18:38,534 IF THE GARMENT ALLOWS IT. 805 00:18:38,576 --> 00:18:40,119 I WANT TO SHOW YOU SOMETHING. 806 00:18:46,292 --> 00:18:48,044 (thuds) 807 00:18:46,292 --> 00:18:48,044 I BROKE THROUGH THE WALL 808 00:18:48,086 --> 00:18:50,170 AND STOLE 809 00:18:48,086 --> 00:18:50,170 FRED SAVAGE'S DRESSING ROOM. 810 00:18:50,212 --> 00:18:51,255 (chuckles) 811 00:18:51,297 --> 00:18:53,591 MINE IS NOW 812 00:18:51,297 --> 00:18:53,591 BIGGER THAN DEAN CAIN'S. 813 00:18:53,633 --> 00:18:55,551 I GUESS NOW YOU HAVE 814 00:18:53,633 --> 00:18:55,551 EVERYTHING. 815 00:18:55,593 --> 00:18:58,178 ACTUALLY, I DID IT FOR YOU. 816 00:18:55,593 --> 00:18:58,178 (sighs) 817 00:18:58,220 --> 00:19:00,098 THIS IS YOUR SPACE. 818 00:19:00,139 --> 00:19:01,641 TRAINING FOR THE MIRROR BALL 819 00:19:00,139 --> 00:19:01,641 TROPHY IS STRESSFUL. 820 00:19:01,682 --> 00:19:03,350 I NEED TO BE ABLE TO TAKE 821 00:19:01,682 --> 00:19:03,350 THAT OUT ON SOMEBODY. 822 00:19:03,392 --> 00:19:06,520 I-I WANT THAT SOMEONE 823 00:19:03,392 --> 00:19:06,520 TO BE YOU. 824 00:19:08,064 --> 00:19:09,398 YOU'RE AN AMAZING ASSISTANT. 825 00:19:09,440 --> 00:19:10,858 SLASH FRIEND. 826 00:19:10,900 --> 00:19:12,860 SLASH FRIEND WHO I PAY. 827 00:19:12,902 --> 00:19:14,487 (chuckles and whispers) 828 00:19:12,902 --> 00:19:14,487 OKAY. 829 00:19:20,409 --> 00:19:23,203 UGH! PANTIES. 830 00:19:20,409 --> 00:19:23,203 I CAN'T GET COMFORTABLE. 831 00:19:23,245 --> 00:19:25,456 HOW DOES HILLARY CLINTON 832 00:19:23,245 --> 00:19:25,456 DO IT? 833 00:19:25,498 --> 00:19:27,458 HERE. 834 00:19:27,500 --> 00:19:29,002 WHAT IS IT? 835 00:19:29,043 --> 00:19:30,169 OPEN IT. 836 00:19:32,672 --> 00:19:34,048 IT'S A NEW ISSUE 837 00:19:32,672 --> 00:19:34,048 OF "TRINA & SISSY" 838 00:19:34,090 --> 00:19:37,217 WITH A SPECIAL GUEST STAR-- 839 00:19:34,090 --> 00:19:37,217 TALL SLUT NO PANTIES. 840 00:19:37,259 --> 00:19:38,928 YOU CRASH 841 00:19:37,259 --> 00:19:38,928 THE HIGH SCHOOL PROM. 842 00:19:38,970 --> 00:19:42,222 YOU KILL TRINA AND THEN USE 843 00:19:38,970 --> 00:19:42,222 TRINA'S CORPSE TO KILL SISSY, 844 00:19:42,264 --> 00:19:43,808 AND THEN YOU CORKSCREW 845 00:19:42,264 --> 00:19:43,808 INTO THE EARTH 846 00:19:43,850 --> 00:19:46,811 UNTIL YOU REACH 847 00:19:43,850 --> 00:19:46,811 ITS MOLTEN LAVA CORE. 848 00:19:46,853 --> 00:19:48,228 WHY DID YOU DO THIS? 849 00:19:48,270 --> 00:19:51,231 I KNOW HOW IT FEELS TO BE AFRAID 850 00:19:48,270 --> 00:19:51,231 YOU'RE GONNA BE FORGOTTEN. 851 00:19:51,273 --> 00:19:53,526 THAT'S WHY I WAS SO DESPERATE 852 00:19:51,273 --> 00:19:53,526 TO HANG OUT WITH YOU, 853 00:19:53,567 --> 00:19:56,029 BECAUSE I DIDN'T WANT YOU 854 00:19:53,567 --> 00:19:56,029 TO LEAVE ME BEHIND. (chuckles) 855 00:19:56,070 --> 00:19:57,030 WHAT ARE YOU TALKING ABOUT? 856 00:19:57,071 --> 00:19:58,489 I'M NOT AFRAID 857 00:19:57,071 --> 00:19:58,489 OF BEING FORGOTTEN. 858 00:19:58,531 --> 00:20:01,159 WELL, IN CASE YOU EVER ARE, 859 00:19:58,531 --> 00:20:01,159 YOU HAVE THIS. 860 00:20:01,200 --> 00:20:03,870 IT'S NOT HUGE IN JAPAN. 861 00:20:01,200 --> 00:20:03,870 NO ONE'S EVER GONNA READ IT, 862 00:20:03,911 --> 00:20:07,414 BUT YOU HAVE YOUR OWN COPY, 863 00:20:03,911 --> 00:20:07,414 AND I HAVE MINE, TOO. 864 00:20:07,456 --> 00:20:10,084 YOU CAN BURN IT 865 00:20:07,456 --> 00:20:10,084 IF YOU WANT TO. 866 00:20:10,126 --> 00:20:11,919 YOU GAVE ME 867 00:20:10,126 --> 00:20:11,919 SOME PRETTY FIERCE BOOBS. 868 00:20:11,961 --> 00:20:14,254 I TRACED CANDY CORN. 869 00:20:14,296 --> 00:20:18,258 "MUAHAHAHA! I WON! 870 00:20:14,296 --> 00:20:18,258 NOW TO THE EARTH'S CORE!" 871 00:20:18,300 --> 00:20:19,552 I GUESS I CAN KEEP IT. 872 00:20:19,593 --> 00:20:23,097 YOU KNOW, IF I EVER NEED 873 00:20:19,593 --> 00:20:23,097 TO WRAP A FISH OR SOMETHING. 874 00:20:23,139 --> 00:20:25,099 COOL. 875 00:20:25,141 --> 00:20:27,267 WHERE YOU GOING? 876 00:20:27,309 --> 00:20:28,519 TO BED. (sighs) 877 00:20:28,561 --> 00:20:30,479 I SPENT ALL NIGHT 878 00:20:28,561 --> 00:20:30,479 DRAWING IN THE RUBBER BANDS 879 00:20:30,521 --> 00:20:32,314 IN SISSY'S BRACES, SO... 880 00:20:32,356 --> 00:20:33,900 ABSOLUTELY NOT. 881 00:20:32,356 --> 00:20:33,900 WE'RE GOING OUT. 882 00:20:33,941 --> 00:20:35,484 CHLOE, I CAN'T PARTY. 883 00:20:35,526 --> 00:20:37,570 WE STILL DON'T HAVE 884 00:20:35,526 --> 00:20:37,570 ANYTHING IN COMMON. 885 00:20:37,611 --> 00:20:40,198 LOOK, WE DON'T HAVE TO HAVE 886 00:20:37,611 --> 00:20:40,198 ANYTHING IN COMMON, OKAY? 887 00:20:40,239 --> 00:20:42,992 WE'RE FRIENDS. WHATEVER. 888 00:20:45,578 --> 00:20:48,288 OHH! I CAN SEE. 889 00:20:48,330 --> 00:20:49,749 (snaps) 890 00:20:49,790 --> 00:20:51,959 (sighs) 891 00:20:49,790 --> 00:20:51,959 THAT IS SO MUCH BETTER. 892 00:20:52,001 --> 00:20:53,502 (high-pitched voice) MM! 893 00:20:52,001 --> 00:20:53,502 (door closes) 894 00:20:56,964 --> 00:20:58,382 (man) 895 00:20:56,964 --> 00:20:58,382 AND SO CHLOE AND JUNE WENT OUT 896 00:20:58,424 --> 00:21:00,176 INTO THE NIGHT TOGETHER. 897 00:21:00,218 --> 00:21:02,887 IT WAS... NOT FUN FOR JUNE. 898 00:21:02,929 --> 00:21:04,222 LOOK AT ME! 899 00:21:04,263 --> 00:21:06,933 DON'T LOOK AT HER! 900 00:21:06,974 --> 00:21:11,104 (retches) 901 00:21:06,974 --> 00:21:11,104 ARE YOU HAVING A FUN BIRTHDAY? 902 00:21:11,145 --> 00:21:12,312 (pounds on door) 903 00:21:12,354 --> 00:21:15,524 HEY! THE REST OF US NEED 904 00:21:12,354 --> 00:21:15,524 TO THROW UP, TOO, YOU KNOW? 905 00:21:15,566 --> 00:21:17,317 (horns honking) 906 00:21:15,566 --> 00:21:17,317 CHLOE, GET IN THE CAB! 907 00:21:17,359 --> 00:21:19,319 SHUT UP, GOBLIN! 908 00:21:17,359 --> 00:21:19,319 I DON'T KNOW YOU! 909 00:21:19,361 --> 00:21:20,320 CHLOE! 910 00:21:20,362 --> 00:21:21,321 (laughs) 911 00:21:21,363 --> 00:21:22,322 CHLOE! 912 00:21:22,364 --> 00:21:26,326 (screams) 913 00:21:26,368 --> 00:21:29,288 Captioned by 914 00:21:26,368 --> 00:21:29,288 Closed Captioning Services, Inc. 54324

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