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All language subtitles for Nothing.But.Trouble.1991.480p.WEBRip.x264-Zyuranger

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These are the user uploaded subtitles that are being translated: 1 00:00:03,100 --> 00:00:09,667 * OH, THE GOOD LIFE * 2 00:00:09,667 --> 00:00:11,000 * FULL OF FUN * 3 00:00:11,000 --> 00:00:14,933 * SEEMS TO BE THE IDEAL * 4 00:00:17,167 --> 00:00:20,500 * YES, THE GOOD LIFE * 5 00:00:20,500 --> 00:00:25,767 * LETS YOU HIDE ALL THE SADNESS YOU FEEL * 6 00:00:25,767 --> 00:00:26,933 MM-HMM. 7 00:00:28,433 --> 00:00:33,300 * YOU WON'T REALLY FALL IN LOVE * 8 00:00:33,300 --> 00:00:38,433 * FOR YOU CAN'T TAKE THE CHANCE * 9 00:00:38,433 --> 00:00:43,333 * SO BE HONEST WITH YOURSELF * 10 00:00:43,333 --> 00:00:47,767 * DON'T TRY TO FAKE ROMANCE * 11 00:00:47,767 --> 00:00:48,767 NO. 12 00:00:49,767 --> 00:00:52,433 * IT'S THE GOOD LIFE * 13 00:00:52,433 --> 00:00:57,700 * TO BE FREE AND EXPLORE THE UNKNOWN * 14 00:00:59,267 --> 00:01:03,500 * YES, AND THE HEARTACHES * 15 00:01:03,500 --> 00:01:08,500 * WHEN YOU LEARN YOU MUST FACE THEM ALONE * 16 00:01:08,500 --> 00:01:09,667 UH-HUH. 17 00:01:11,200 --> 00:01:16,833 * PLEASE REMEMBER I STILL WANT YOU * 18 00:01:16,833 --> 00:01:21,500 * AND IN CASE YOU WONDER WHY * 19 00:01:21,500 --> 00:01:25,167 * WELL, JUST WAKE UP, BABY * 20 00:01:25,167 --> 00:01:28,767 * AND KISS THE GOOD LIFE GOOD-BYE * 21 00:01:28,767 --> 00:01:30,500 THAT'S ALL YOU GOT TO DO. 22 00:01:51,067 --> 00:01:52,667 COME ALL THE WAY UP. 23 00:01:52,667 --> 00:01:54,167 ALL THE WAY. THANK YOU. 24 00:01:54,167 --> 00:01:57,067 * PLEASE REMEMBER * 25 00:01:57,067 --> 00:01:58,333 * I STILL LOVE YOU * 26 00:01:58,333 --> 00:02:00,233 20 MINUTES. HELLO, GOOD-BYE. 27 00:02:00,233 --> 00:02:01,300 OK. 28 00:02:01,300 --> 00:02:04,400 * AND IN CASE YOU WONDER WHY * 29 00:02:04,400 --> 00:02:08,400 * WELL, WAKE UP, BABY * 30 00:02:08,400 --> 00:02:10,400 * AND KISS THE GOOD LIFE GOOD-BYE * 31 00:02:10,400 --> 00:02:11,567 EVENING, MR. THORNE. 32 00:02:11,567 --> 00:02:12,567 EVENING, MIKE. 33 00:02:12,567 --> 00:02:14,733 110 BLOCKS IN UNDER 15 MINUTES. 34 00:02:14,733 --> 00:02:17,067 NOT BAD FOR A ONE-EYED RUSSIAN IMMIGRANT. 35 00:02:17,067 --> 00:02:18,300 SOMEBODY THROWING A PARTY? 36 00:02:18,300 --> 00:02:19,567 YOU ARE, SIR. 37 00:02:19,567 --> 00:02:20,733 OH, YEAH? AM I HAVING A GOOD TIME? 38 00:02:20,733 --> 00:02:22,233 WELL, MANHATTAN FINE WINES 39 00:02:22,233 --> 00:02:25,367 JUST DELIVERED 6 CASES OF SALON LES MESNIL. 40 00:02:25,367 --> 00:02:26,400 THAT'S PRETTY PRICEY STUFF. 41 00:02:26,400 --> 00:02:27,400 WHAT DID I PAY FOR IT? 42 00:02:27,400 --> 00:02:28,500 WHAT DO YOU CARE? 43 00:02:28,500 --> 00:02:30,533 YOU GOT MORE MONEY THAN YOU CAN EVEN LOOK AT. 44 00:02:30,533 --> 00:02:31,633 OH, I'D LIKE TO THANK YOU 45 00:02:31,633 --> 00:02:32,767 FOR THAT LITTLE TIP ON THE MARKET YOU GAVE ME. 46 00:02:32,767 --> 00:02:34,867 THE WIFE SAYS THE STOCK'S GONE UP 5 POINTS. 47 00:02:34,867 --> 00:02:35,867 GOOD, MIKE. 48 00:02:35,867 --> 00:02:37,267 WANT SOME MORE ADVICE? SURE. 49 00:02:37,267 --> 00:02:38,600 SELL IT. 50 00:02:38,600 --> 00:02:40,100 HERE, READ MY NEWSLETTER. 51 00:02:40,100 --> 00:02:41,267 HAVE FUN. 52 00:02:41,267 --> 00:02:44,067 FUN IS ACTUALLY KNOWING WHO HALF YOUR GUESTS ARE. 53 00:02:44,067 --> 00:02:47,667 CAPTIONING MADE POSSIBLE BY WARNER BROS. 54 00:02:47,667 --> 00:02:49,200 * HEY, HEY * 55 00:02:49,200 --> 00:02:52,600 * WOMAN, KISS THE GOOD LIFE GOOD-BYE * 56 00:02:52,600 --> 00:02:53,767 GOOD EVENING. 57 00:02:58,767 --> 00:03:01,500 CHRIS, LOOK! IT'S US! 58 00:03:01,500 --> 00:03:04,467 GOOD EVENING, CHRIS. HI, CHRIS. 59 00:03:04,467 --> 00:03:06,067 I SAVE IT FOR YOU. 60 00:03:06,067 --> 00:03:08,500 THAT'S WHAT SHE SAYS TO ALL THE GUYS. 61 00:03:08,500 --> 00:03:10,167 I'LL GET THE NEXT ONE. GO AHEAD. 62 00:03:10,167 --> 00:03:11,167 CIGAR. 63 00:03:11,167 --> 00:03:13,533 CHRIS, WE'LL SEE YOU IN THE APARTMENT. 64 00:03:17,067 --> 00:03:18,167 [YIP YIP] 65 00:03:18,167 --> 00:03:21,167 [YIP YIP YIP] 66 00:03:21,167 --> 00:03:22,167 OOP! 67 00:03:22,167 --> 00:03:23,633 OH, I'M SORRY, SIR. 68 00:03:23,633 --> 00:03:25,467 HEY, LITTLE FELLA. WHAT'S YOUR NAME? 69 00:03:25,467 --> 00:03:27,067 GET DOWN! COME ON, GIRLS. 70 00:03:27,067 --> 00:03:28,533 GET OVER HERE. 71 00:03:28,533 --> 00:03:29,667 I'M SORRY. 72 00:03:29,667 --> 00:03:30,967 YOU OUGHTA GET CATS. 73 00:03:30,967 --> 00:03:32,067 THEY'RE A LOWER-MAINTENANCE PET. 74 00:03:33,967 --> 00:03:35,267 AH, HERE WE GO. 75 00:03:35,267 --> 00:03:37,833 COME ON, LET'S GO. COME ON, GIRLS. 76 00:03:37,833 --> 00:03:38,867 CHRIS! 77 00:03:38,867 --> 00:03:39,867 CHRIS! 78 00:03:43,300 --> 00:03:45,167 I HATE CROWDS. 79 00:03:47,067 --> 00:03:49,067 YOU NEW IN THE BUILDING? 80 00:03:52,067 --> 00:03:53,500 YOU ALL RIGHT? 81 00:03:53,500 --> 00:03:55,800 Y-YES. 82 00:03:55,800 --> 00:03:56,800 TAKE THIS. 83 00:04:01,067 --> 00:04:02,733 I-I'M SORRY. 84 00:04:02,733 --> 00:04:04,400 IT'S OK. 85 00:04:04,400 --> 00:04:06,767 I NEVER DO THIS. 86 00:04:06,767 --> 00:04:09,567 LISTEN, SOME PEOPLE ARE THROWING A PARTY 87 00:04:09,567 --> 00:04:10,567 UP AT MY APARTMENT. 88 00:04:10,567 --> 00:04:11,733 WHY DON'T YOU COME UP FOR A DRINK? 89 00:04:11,733 --> 00:04:12,867 IT WILL HELP YOU RELAX. 90 00:04:18,967 --> 00:04:20,467 WHAT'S THE MATTER? 91 00:04:20,467 --> 00:04:23,233 OH... THAT SON OF A BITCH! 92 00:04:23,233 --> 00:04:24,933 I DON'T BELIEVE THIS. 93 00:04:24,933 --> 00:04:25,933 THAT BASTARD! 94 00:04:25,933 --> 00:04:27,567 I CAN'T BELIEVE THIS! 95 00:04:27,567 --> 00:04:30,800 [YIP YIP YIP] 96 00:04:30,800 --> 00:04:33,067 I'LL BE IN THE PENTHOUSE IF YOU CHANGE YOUR MIND. 97 00:04:35,067 --> 00:04:37,067 THANKS FOR THE ESPRESSO MAKER... 98 00:04:38,233 --> 00:04:39,733 AND THE BAG OF SHIT. 99 00:04:52,833 --> 00:04:54,067 [RING] 100 00:04:55,067 --> 00:04:56,067 [RING] 101 00:04:56,067 --> 00:04:57,567 HOWARD SUNTZ'S OFFICE. 102 00:04:57,567 --> 00:05:00,133 MIRIAM, THIS IS DIANE. LET ME TALK TO HOWARD. 103 00:05:00,133 --> 00:05:01,400 I'M SORRY, MS. LIGHTSON. 104 00:05:01,400 --> 00:05:02,700 HE LEFT EXPLICIT INSTRUCTIONS 105 00:05:02,700 --> 00:05:04,467 NOT TO BE DISTURBED. 106 00:05:04,467 --> 00:05:06,967 WHAT'S GOING ON WITH THIS LANDFILL DEAL? 107 00:05:06,967 --> 00:05:08,567 I'M ONLY HIS GODDAMN LAWYER. 108 00:05:08,567 --> 00:05:09,667 WHY DIDN'T I KNOW ABOUT IT? 109 00:05:09,667 --> 00:05:10,667 HE SAID HE'S DOING THE DEAL. 110 00:05:10,667 --> 00:05:12,300 YOUR SERVICES WON'T BE NEEDED, 111 00:05:12,300 --> 00:05:13,400 PROFESSIONALLY OR PERSONALLY. 112 00:05:13,400 --> 00:05:15,333 THIS IS NOT ABOUT OUR PERSONAL RELATIONSHIP. 113 00:05:15,333 --> 00:05:17,133 THIS IS BUSINESS. DO YOU UNDERSTAND? 114 00:05:17,133 --> 00:05:18,800 IT'S ABOUT MY PROFESSIONAL CREDENTIALS, 115 00:05:18,800 --> 00:05:20,800 MY--MY LAW FIRM'S TIME. 116 00:05:20,800 --> 00:05:22,800 WHY AM I TALKING TO YOU? YOU KNOW WHAT? 117 00:05:22,800 --> 00:05:24,800 YOU TELL HOWARD I'M COMING DOWN THERE. 118 00:05:31,633 --> 00:05:32,967 EXCUSE ME. 119 00:05:34,967 --> 00:05:35,967 OH! HI. 120 00:05:35,967 --> 00:05:37,300 HI. GLAD YOU COULD MAKE IT. 121 00:05:37,300 --> 00:05:38,733 THANKS. DIANE LIGHTSON 122 00:05:38,733 --> 00:05:40,200 I'M FROM THE FIRM OF MASUR AND GLENNET. 123 00:05:40,200 --> 00:05:41,067 CHRIS THORNE. 124 00:05:41,067 --> 00:05:42,200 I'M SORRY ABOUT THE COLD HANDS. 125 00:05:42,200 --> 00:05:43,733 DON'T WORRY ABOUT IT. 126 00:05:43,733 --> 00:05:44,733 THE LAW FIRM MASUR, GLENNET, 127 00:05:44,733 --> 00:05:46,200 WEESE, WEISS, WORPLE, WHIP ME? 128 00:05:46,200 --> 00:05:47,900 YEAH, THAT'S THE ONE. 129 00:05:47,900 --> 00:05:49,400 WHAT'S YOUR SPECIALTY? 130 00:05:49,400 --> 00:05:51,367 INVESTMENT SYNDICATION AND PUBLIC FLOTATION. 131 00:05:51,367 --> 00:05:52,933 IT'S GOT TO BE PAINFUL. 132 00:05:52,933 --> 00:05:54,333 WOULD YOU LIKE A DRINK? 133 00:05:54,333 --> 00:05:55,900 I'D LOVE ONE. 134 00:05:55,900 --> 00:05:56,900 SCOTCH? 135 00:05:56,900 --> 00:05:57,900 GREAT. 136 00:05:57,900 --> 00:05:59,067 ARE YOU OK? 137 00:05:59,067 --> 00:06:00,133 YEAH, FINE. 138 00:06:00,133 --> 00:06:02,667 ARE YOU GOING TO THE SUNTZ THING? 139 00:06:02,667 --> 00:06:04,067 ARE YOU KIDDING? 140 00:06:04,067 --> 00:06:06,833 NOT UNLESS SOMEBODY HOLDS A GUN TO MY HEAD. 141 00:06:06,833 --> 00:06:08,533 HE'S A FRAUD. HE'S A RIPOFF ARTIST. 142 00:06:08,533 --> 00:06:10,667 IT'S ALL ABOUT BUYING LAKES AND FILLING THEM WITH GARBAGE. 143 00:06:10,667 --> 00:06:12,300 I DON'T KNOW WHAT SET YOU OFF IN THE ELEVATOR, 144 00:06:12,300 --> 00:06:14,067 BUT IF I WERE YOU, I'D STAY AWAY FROM THIS SUNTZ GUY. 145 00:06:14,067 --> 00:06:15,467 LET'S JUST SAY I HAVE A PERSONAL INTEREST 146 00:06:15,467 --> 00:06:17,200 IN THIS PARTICULAR DEAL, 147 00:06:17,200 --> 00:06:18,900 SO IF YOU'RE NOT GOING, CAN I BORROW YOUR CAR? 148 00:06:18,900 --> 00:06:19,900 WHOA, WHOA. 149 00:06:19,900 --> 00:06:21,167 I'M A GOOD DRIVER. 150 00:06:21,167 --> 00:06:22,533 I DIDN'T SAY I'M NOT GOING. 151 00:06:22,533 --> 00:06:23,700 I JUST SAID I'M NOT PLANNING ON GOING. 152 00:06:23,700 --> 00:06:26,267 I HAVE A LOW OPINION OF THE GUY, 153 00:06:26,267 --> 00:06:27,833 BUT IF IT'S THAT IMPORTANT TO YOU, 154 00:06:27,833 --> 00:06:30,200 MAYBE YOU KNOW SOMETHING I DON'T. 155 00:06:30,200 --> 00:06:31,200 MAYBE I SHOULD RECONSIDER. 156 00:06:31,200 --> 00:06:32,300 I REALLY LIKE TO DRIVE. 157 00:06:32,300 --> 00:06:33,300 I'LL DRIVE. 158 00:06:33,300 --> 00:06:34,367 I'M HAPPY TO DRIVE. 159 00:06:34,367 --> 00:06:36,567 NO, NO. IT'S MY CAR. I'LL DO THE DRIVING, OK? 160 00:06:36,567 --> 00:06:37,600 OK, GREAT. YOU DRIVE. 161 00:06:37,600 --> 00:06:39,500 WHO'S GOING FOR A DRIVE? ARE YOU, CHRIS? 162 00:06:39,500 --> 00:06:40,733 NO, NOT TONIGHT. 163 00:06:40,733 --> 00:06:42,833 WHEN? WHERE? WE LOVE TO DRIVE. 164 00:06:42,833 --> 00:06:44,333 ARE YOU GOING TO YOUR HOUSE 165 00:06:44,333 --> 00:06:45,333 IN THE HAMPTONS? 166 00:06:45,333 --> 00:06:47,067 THAT'S FANTASTIC. WHEN ARE WE LEAVING? 167 00:06:47,067 --> 00:06:48,700 VERY, VERY EARLY, MUCH TOO EARLY FOR YOU. 168 00:06:48,700 --> 00:06:51,733 HOW ABOUT NOON IN THE PARKING GARAGE? 169 00:06:51,733 --> 00:06:53,667 NOON IS BETTER. WE LOVE IT! 170 00:06:53,667 --> 00:06:54,667 FANTASTIC! 171 00:06:54,667 --> 00:06:55,667 GREAT. 172 00:06:55,667 --> 00:06:57,167 I'M SORRY ABOUT THAT. 173 00:06:57,167 --> 00:06:59,167 THAT'S FAUSTO AND RENALDA SQUIRINIZSU. 174 00:06:59,167 --> 00:07:01,400 I GIVE THEM INVESTMENT COUNSELING SOMETIMES. 175 00:07:01,400 --> 00:07:02,633 THEY'RE BRAZILLIONAIRES. 176 00:07:02,633 --> 00:07:04,900 THEY HAVE BREAKFAST AROUND 2:00 IN THE AFTERNOON. 177 00:07:04,900 --> 00:07:05,933 WE'LL NEVER SEE THEM AGAIN. 178 00:07:05,933 --> 00:07:07,200 GOOD. SO I'LL SEE YOU 179 00:07:07,200 --> 00:07:08,867 IN THE GARAGE AT NOON. 180 00:07:08,867 --> 00:07:09,867 DON'T BE LATE. 181 00:07:09,867 --> 00:07:11,067 I WON'T BE LATE. GOOD. 182 00:07:32,400 --> 00:07:34,400 OHHH. 183 00:07:37,733 --> 00:07:38,733 [BRAKES SCREECH] 184 00:07:38,733 --> 00:07:39,900 UGH. 185 00:07:52,067 --> 00:07:53,467 MORNING, MR. THORNE. 186 00:07:54,733 --> 00:07:55,733 MORNING, MIKE. 187 00:07:55,733 --> 00:07:57,900 FUN NIGHT, HUH? 188 00:07:57,900 --> 00:08:00,067 OH, GOD, I CAN'T DO THIS. 189 00:08:01,433 --> 00:08:03,467 LISTEN, DO ME A FAVOR, WILL YOU? 190 00:08:03,467 --> 00:08:04,467 YOU KNOW DIANE LIGHTSON? 191 00:08:04,467 --> 00:08:05,533 SHE JUST MOVED IN. 192 00:08:05,533 --> 00:08:06,800 YES, SIR. 23-B? 193 00:08:06,800 --> 00:08:09,300 YEAH. SHE'LL BE DOWN IN A COUPLE MINUTES. 194 00:08:09,300 --> 00:08:10,967 TELL HER I'M TOO TIRED, 195 00:08:10,967 --> 00:08:12,567 I'M SICK, I CAN'T DRIVE HER. 196 00:08:12,567 --> 00:08:14,300 GIVE HER THE CAR WITH MY COMPLIMENTS. 197 00:08:14,300 --> 00:08:15,300 CERTAINLY. 198 00:08:15,300 --> 00:08:17,267 I GOT TO GET SOME SLEEP. 199 00:08:24,133 --> 00:08:26,133 GIVE ME THE KEYS, MIKE. 200 00:08:36,567 --> 00:08:37,367 WOW! 201 00:08:37,367 --> 00:08:39,767 WHAT A BEAUTIFUL BEEMER. 202 00:08:39,767 --> 00:08:40,767 GOOD MORNING. 203 00:08:40,767 --> 00:08:44,600 THIS IS A VINTAGE WHAT, 733i? 204 00:08:44,600 --> 00:08:46,933 3.3 LITER? 205 00:08:46,933 --> 00:08:48,133 THAT'S RIGHT. 206 00:08:48,133 --> 00:08:49,133 HAD IT 2 YEARS, 207 00:08:49,133 --> 00:08:50,167 NEVER BEEN OUT OF MANHATTAN. 208 00:08:50,167 --> 00:08:51,767 REALLY? WELL, MAYBE I SHOULD DRIVE. 209 00:08:51,767 --> 00:08:52,767 I'LL DRIVE. 210 00:08:52,767 --> 00:08:54,767 LET ME GET THAT FOR YOU. 211 00:08:54,767 --> 00:08:55,767 THANK YOU. 212 00:08:58,300 --> 00:08:59,300 WOW... 213 00:08:59,300 --> 00:09:01,067 THIS IS REALLY CHERRY. 214 00:09:01,067 --> 00:09:02,733 MM-HMM. MAKE YOURSELF COMFY. 215 00:09:04,500 --> 00:09:05,833 THANK YOU, MIKE. 216 00:09:05,833 --> 00:09:07,667 HOPE YOU FEEL BETTER, SIR. 217 00:09:07,667 --> 00:09:09,533 I FEEL GREAT. FEEL FINE. 218 00:09:22,833 --> 00:09:24,667 WHAT THE FUCK... 219 00:09:24,667 --> 00:09:26,333 I DON'T BELIEVE THIS. 220 00:09:26,333 --> 00:09:27,833 I SHOULD HAVE KNOWN 221 00:09:27,833 --> 00:09:29,567 A BRAZILLIONAIRE NEVER FORGETS. 222 00:09:29,567 --> 00:09:32,067 THEY'RE NOT COMING WITH US, ARE THEY? 223 00:09:32,067 --> 00:09:33,167 LOOK AT THEM. 224 00:09:33,167 --> 00:09:35,233 I CAN'T SAY NO. 225 00:09:35,233 --> 00:09:37,500 CHRIS! 226 00:09:37,500 --> 00:09:38,500 CHRIS, DUDE! 227 00:09:38,500 --> 00:09:40,367 YOU DID NOT THINK WE'D BE UP SO EARLY. 228 00:09:40,367 --> 00:09:42,100 HAD NO IDEA. 229 00:09:42,100 --> 00:09:43,233 HI, CHRIS. 230 00:09:43,233 --> 00:09:45,167 [KISS KISS KISS KISS] 231 00:09:47,333 --> 00:09:49,867 CHRIS, WHERE ARE WE GOING? 232 00:09:49,867 --> 00:09:52,667 WE'RE GOING TO ATLANTIC CITY. 233 00:09:52,667 --> 00:09:53,833 GET IN THE TRUNK. 234 00:09:56,300 --> 00:09:58,833 GOOD. WE CAN SEE THE TAJ MAHAL. 235 00:09:58,833 --> 00:09:59,900 I LOVE IT. 236 00:09:59,900 --> 00:10:02,333 THEY CALL IT THE NINTH WONDER OF THE WORLD. 237 00:10:02,333 --> 00:10:05,000 WE HAVE THE FIFTH IN SOUTH AMERICA, IN RIO-- 238 00:10:05,000 --> 00:10:06,833 THE CHRIST OF CORCOVADO. 239 00:10:06,833 --> 00:10:08,333 HI, I'M RENALDA. 240 00:10:08,333 --> 00:10:09,667 [SPEAKING SPANISH] 241 00:10:09,667 --> 00:10:11,567 [SPEAKING SPANISH] 242 00:10:11,567 --> 00:10:12,700 THIS IS MY BROTHER FAUSTO. 243 00:10:12,700 --> 00:10:14,000 ENCANTADO. 244 00:10:14,000 --> 00:10:15,900 CHRIS, PUT THIS TAPE ON. 245 00:10:15,900 --> 00:10:18,000 LET'S CHANKA. 246 00:10:20,400 --> 00:10:22,400 [LA CHANKA PLAYS] 247 00:10:42,000 --> 00:10:44,767 [FAUSTO] THIS IS NICE. 248 00:10:53,500 --> 00:10:56,267 [SPEAKING SPANISH] 249 00:10:56,267 --> 00:10:57,667 SO, HOW LONG HAVE YOU BEEN DIVORCED? 250 00:11:03,900 --> 00:11:04,900 4 YEARS. 251 00:11:04,900 --> 00:11:06,067 YOU STILL LOVE HER? 252 00:11:06,067 --> 00:11:07,867 NAH. 253 00:11:07,867 --> 00:11:09,867 BEEN OVER IT FOR... WEEKS. 254 00:11:12,733 --> 00:11:16,567 CHRIS, THIS ROAD IS SUCH A DULL PLACE. 255 00:11:16,567 --> 00:11:20,467 WE HAVE A NICE LITTLE SURPRISE PICNIC FOR YOU. 256 00:11:20,467 --> 00:11:21,467 CLEAN FOOD. 257 00:11:21,467 --> 00:11:23,333 LET'S TAKE THE CAR INTO THE COUNTRYSIDE 258 00:11:23,333 --> 00:11:24,333 FOR A WHILE. 259 00:11:24,333 --> 00:11:25,333 COUNTRYSIDE? 260 00:11:25,333 --> 00:11:27,733 THIS IS THE JERSEYVANIA TRIANGLE. 261 00:11:27,733 --> 00:11:29,300 WHOLE DAMN PLACE 262 00:11:29,300 --> 00:11:30,567 IS A MESS OF BURNT-OUT FACTORIES, 263 00:11:30,567 --> 00:11:31,900 JUNKYARDS, AND COAL FIELDS. 264 00:11:31,900 --> 00:11:33,400 BELIEVE ME, I KNOW. 265 00:11:33,400 --> 00:11:35,400 MY GRANDFATHER WAS IN COAL COMMODITIES. 266 00:11:35,400 --> 00:11:37,067 SO LET'S GO AND SEE THEM. 267 00:11:37,067 --> 00:11:38,500 NO, I DON'T WANT TO GET LOST. 268 00:11:38,500 --> 00:11:39,567 YOU WON'T GET LOST. 269 00:11:39,567 --> 00:11:40,700 LOOK AT ALL THAT FANCY EQUIPMENT YOU'VE GOT. 270 00:11:40,700 --> 00:11:41,700 TAKE THAT NEXT ROAD. 271 00:11:41,700 --> 00:11:43,333 LET'S SEE IF YOU CAN USE ALL THAT SHIT. 272 00:11:43,333 --> 00:11:45,500 I THINK WE SHOULD JUST KEEP GOING. 273 00:11:45,500 --> 00:11:46,733 I DON'T UNDERSTAND WHAT'S THE BIG DEAL. 274 00:11:46,733 --> 00:11:49,400 WE MADE A NICE LITTLE SURPRISE PICNIC FOR YOU, 275 00:11:49,400 --> 00:11:50,400 YOU INVITED US ON A DRIVE, 276 00:11:50,400 --> 00:11:53,067 AND YOU AREN'T DRIVING US WHERE WE WANT. 277 00:11:53,067 --> 00:11:54,067 DUDE, YOU COULD BE A BETTER HOST. 278 00:11:54,067 --> 00:11:56,667 OK, LISTEN. HOW ABOUT THIS? 279 00:11:56,667 --> 00:12:00,300 IF IT WON'T TAKE TOO LONG, ROAD 329, PARALLEL TO THE PIKE. 280 00:12:00,300 --> 00:12:01,333 IT CROSSES THE DELAWARE 281 00:12:01,333 --> 00:12:03,600 AND THEN IT CROSSES BACK HERE. 282 00:12:03,600 --> 00:12:05,700 THERE SHOULD BE BEAUTIFUL RIVER SCENERY, 283 00:12:05,700 --> 00:12:08,433 AND IT WON'T TAKE US TOO FAR OUT OF OUR WAY, OK? 284 00:12:08,433 --> 00:12:10,167 IT'S YOUR DIME, LADY. 285 00:12:10,167 --> 00:12:11,800 [SPEAKING SPANISH] 286 00:12:11,800 --> 00:12:13,567 OH, THIS IS WONDERFUL. 287 00:12:17,467 --> 00:12:19,967 Fausto: I HAVE 2 BIG MANGOES! 288 00:12:19,967 --> 00:12:21,467 DO YOU LIKE MANGOES? 289 00:12:21,467 --> 00:12:25,133 Renalda: OH, YES! HE HAS MANGOES, CHEESE. 290 00:12:25,133 --> 00:12:27,833 OH, THIS IS GOING TO BE WONDERFUL! 291 00:12:27,833 --> 00:12:30,833 FAUSTO, I DON'T WANT TO STOP HERE. 292 00:12:30,833 --> 00:12:32,133 KEEP GOING. 293 00:12:32,133 --> 00:12:34,233 PULL OVER TO A VISTA. 294 00:12:39,867 --> 00:12:42,133 Renalda: OH, LOOK! A VILLAGE. 295 00:13:00,500 --> 00:13:01,500 MORNING. 296 00:13:01,500 --> 00:13:03,700 SELL PORK BELLIES, BUY GOLD. 297 00:13:06,067 --> 00:13:07,067 OH, JESUS! 298 00:13:07,067 --> 00:13:08,200 OH, CHRIS, LOOK OUT! 299 00:13:10,500 --> 00:13:12,500 WHAT IS THAT, A VENT PIPE? 300 00:13:12,500 --> 00:13:14,700 Fausto: WHAT DO YOU WANT TO DO, GET OUT AND KISS IT? 301 00:13:14,700 --> 00:13:18,400 Renalda: IT SMELLS. IT STINKS. GO, GO. 302 00:13:18,400 --> 00:13:19,700 NICE TOWN, HUH? 303 00:13:22,933 --> 00:13:25,933 EVEL KNIEVEL AND MR. CLEAN. 304 00:13:53,067 --> 00:13:54,867 Renalda: OH, THIS IS BETTER. 305 00:13:54,867 --> 00:13:55,867 PULL OVER. 306 00:13:55,867 --> 00:13:57,433 I LIKE IT HERE. I'M HUNGRY. 307 00:13:57,433 --> 00:13:58,933 LET'S EAT RIGHT NOW. 308 00:13:58,933 --> 00:14:01,700 LET'S OPEN THE WHOLE THING UP NOW. 309 00:14:01,700 --> 00:14:03,533 I DON'T SEE BUTTER. 310 00:14:03,533 --> 00:14:05,067 WHAT DO YOU MEAN? 311 00:14:05,067 --> 00:14:07,067 I DIDN'T FORGET THE BUTTER. 312 00:14:07,067 --> 00:14:09,867 ANTONIO THE BUTLER FORGOT THE BUTTER, 313 00:14:09,867 --> 00:14:10,867 NOT ME. 314 00:14:10,867 --> 00:14:13,367 CHRIS, DO YOU WANT A DRINK? 315 00:14:13,367 --> 00:14:14,367 NO. 316 00:14:14,367 --> 00:14:15,367 DIANA, SMILE! 317 00:14:15,367 --> 00:14:17,067 THIS IS A NICE ROAD. 318 00:14:17,067 --> 00:14:18,867 OH, YEAH. CHRIS, CHRIS, SMILE. 319 00:14:18,867 --> 00:14:19,867 I GOT YOU IN THE MIRROR. 320 00:14:19,867 --> 00:14:20,867 SMILE! 321 00:14:20,867 --> 00:14:22,133 OH, NO. A COP. 322 00:14:22,133 --> 00:14:24,900 WERE YOU SPEEDING? 323 00:14:24,900 --> 00:14:27,167 65. THAT'S THE NATIONAL SPEED LIMIT. 324 00:14:27,167 --> 00:14:29,500 WELL, NOT EVERYWHERE. IT SAID 50 BACK THERE. 325 00:14:29,500 --> 00:14:30,867 50? 326 00:14:30,867 --> 00:14:32,633 WHY DIDN'T YOU TELL ME? 327 00:14:32,633 --> 00:14:35,367 YOU DON'T HAVE TO STOP. 328 00:14:35,367 --> 00:14:36,500 WHAT? RIGHT. 329 00:14:36,500 --> 00:14:37,500 LET'S GET OUT THE GUNS 330 00:14:37,500 --> 00:14:38,500 AND BLOW OUT HIS FRONT TIRES. 331 00:14:38,500 --> 00:14:40,333 ARE YOU CRAZY? 332 00:14:40,333 --> 00:14:41,667 OF COURSE I'M GOING TO STOP. 333 00:14:41,667 --> 00:14:42,667 [SIREN] 334 00:14:42,667 --> 00:14:43,700 WHAT ARE YOU TALKING ABOUT, DUDE? 335 00:14:43,700 --> 00:14:45,633 THIS IS A PROVINCIAL COP, MAN. 336 00:14:45,633 --> 00:14:47,967 WITH THIS CAR, YOU COULD EASILY GET AWAY FROM HIM. 337 00:14:47,967 --> 00:14:50,133 LET'S SEE IF WE COULD DO 90. 338 00:14:50,133 --> 00:14:51,667 ARE YOU KIDDING? THIS BABY WILL DO 130. 339 00:14:51,667 --> 00:14:52,900 SO LET'S DO IT! 340 00:14:52,900 --> 00:14:54,200 GOOD. GO, CHRIS. 341 00:14:54,200 --> 00:14:56,067 THORNE, FOR CHRIST'S SAKE, GO. 342 00:14:56,067 --> 00:14:57,633 GO, MAN. 343 00:14:57,633 --> 00:14:59,900 YOU WIMP CHICKEN, LET'S GO! 344 00:14:59,900 --> 00:15:01,433 HIT IT! PUSH IT! 345 00:15:01,433 --> 00:15:03,833 THIS IS A LITTLE GODDAMN HAMLET. 346 00:15:03,833 --> 00:15:04,833 CHRIS, GO! 347 00:15:04,833 --> 00:15:05,833 HERE WE GO. 348 00:15:09,633 --> 00:15:10,633 PUSH IT! 349 00:15:10,633 --> 00:15:13,367 I DON'T KNOW ABOUT THIS. I DON'T KNOW. 350 00:15:17,833 --> 00:15:19,700 GO, CHRIS. COME ON, CHRIS, GO. 351 00:15:19,700 --> 00:15:21,533 DON'T BE SCARED. PUSH IT! 352 00:15:21,533 --> 00:15:22,533 WE'RE WINNING! 353 00:15:22,533 --> 00:15:25,067 YOU HAVE A BMW. ACT LIKE IT. 354 00:15:29,467 --> 00:15:31,333 FASTER! 355 00:15:31,333 --> 00:15:34,267 NOW I THINK YOU MAY BE BREAKING THE LAW. 356 00:15:34,267 --> 00:15:35,433 FORGET THE LAW! 357 00:15:35,433 --> 00:15:36,833 OH, BUT IT IS SMOOTH, ISN'T IT? 358 00:15:48,533 --> 00:15:50,467 JEEZ. HE'S GOT A FAST CAR, TOO. 359 00:15:50,467 --> 00:15:52,067 OH, SH... 360 00:15:52,067 --> 00:15:53,600 CHRIS, CHRIS, MOVE IT. 361 00:15:53,600 --> 00:15:55,600 FOR CHRIST'S SAKES, MOVE IT, CHRIS. 362 00:15:55,600 --> 00:15:57,867 UH, MAYBE WE BETTER STOP. 363 00:15:57,867 --> 00:15:59,100 NO. 364 00:15:59,100 --> 00:16:01,733 NO, I THINK I CAN LOSE HIM. 365 00:16:01,733 --> 00:16:03,500 Cop: PULL YOUR VEHICLE OVER NOW, PLEASE. 366 00:16:03,500 --> 00:16:04,567 PULL OVER NOW. 367 00:16:14,233 --> 00:16:15,433 WHAT THE HELL IS THAT? 368 00:16:18,533 --> 00:16:20,467 DETOUR! 369 00:16:20,467 --> 00:16:21,900 CHRIS, WATCH OUT! 370 00:16:21,900 --> 00:16:23,433 HERE WE GO! 371 00:16:26,067 --> 00:16:27,067 WHOA! 372 00:16:36,167 --> 00:16:37,567 HE STILL WITH US? 373 00:16:37,567 --> 00:16:39,067 UH-OH. 374 00:16:43,767 --> 00:16:45,167 WHERE THE HELL ARE WE? 375 00:16:46,833 --> 00:16:48,067 GO TO THE LEFT! 376 00:16:50,467 --> 00:16:51,467 [HONK HONK] 377 00:16:51,467 --> 00:16:52,833 OH, SHIT! 378 00:16:54,400 --> 00:16:56,400 BE CAREFUL ON THIS SIDE! 379 00:16:56,400 --> 00:16:58,333 I'LL DO THE DRIVING, ALL RIGHT? 380 00:16:58,333 --> 00:16:59,467 JUST GET OVER! 381 00:17:03,600 --> 00:17:05,367 JUST GET TO THE RIGHT! 382 00:17:05,367 --> 00:17:07,800 BLAH BLAH GABBY GAB GAB. 383 00:17:07,800 --> 00:17:08,800 WILL YOU BE QUIET, FAUSTO? 384 00:17:08,800 --> 00:17:09,900 JUST LET ME DRIVE. 385 00:17:09,900 --> 00:17:10,900 [HONK] 386 00:17:12,567 --> 00:17:13,733 SIR, THIS IS A HEAVILY TRAVELED 387 00:17:13,733 --> 00:17:14,767 INDUSTRIAL ARTERY. 388 00:17:14,767 --> 00:17:17,067 THESE TRUCKS OWN THIS ROAD. 389 00:17:17,067 --> 00:17:19,933 OH, MAN. I JUST WANT TO GET TO ATLANTIC CITY. 390 00:17:20,933 --> 00:17:22,267 SIR... 391 00:17:22,267 --> 00:17:25,267 THESE SPEEDS ARE NOT ADVISABLE THROUGH HERE. 392 00:17:35,433 --> 00:17:36,700 TIENES DOLARES? 393 00:17:38,900 --> 00:17:39,900 OH, NO! 394 00:17:49,567 --> 00:17:50,933 EVERYBODY RELAX. 395 00:17:50,933 --> 00:17:53,200 ALL THEY CAN DO IS CITE ME AND HAND ME A BUNCH OF TICKETS. 396 00:17:53,200 --> 00:17:54,800 I'LL PAY THEM, AND WE'LL BE ON OUR WAY 397 00:17:54,800 --> 00:17:56,700 BACK TO THE TURNPIKE. 398 00:17:56,700 --> 00:17:57,967 OH, I SEE. 399 00:17:57,967 --> 00:17:59,700 IT'S ALL MY FAULT NOW. 400 00:18:16,067 --> 00:18:18,067 FOLKS, MEET ANDY GRIFFITH. 401 00:18:21,867 --> 00:18:23,533 GOOD AFTERNOON. 402 00:18:23,533 --> 00:18:26,100 DRIVER, STEP OUTSIDE THE CAR, PLEASE. 403 00:18:32,467 --> 00:18:33,467 WAS I SPEEDING? I'M SORRY. 404 00:18:33,467 --> 00:18:36,067 I WASN'T SURE YOU WERE A REAL COP, 405 00:18:36,067 --> 00:18:37,067 AND PLEASE, 406 00:18:37,067 --> 00:18:39,067 I MEAN THAT IN A COMPLIMENTARY SENSE. 407 00:18:39,067 --> 00:18:40,333 THAT'S OK. THERE'S NO LAW 408 00:18:40,333 --> 00:18:42,467 AGAINST HAVING A SENSE OF HUMOR. 409 00:18:42,467 --> 00:18:43,633 NOW TURN AROUND, 410 00:18:43,633 --> 00:18:45,233 PUT YOUR HANDS ON THE ROOF OF THE CAR, PLEASE, SIR. 411 00:18:45,233 --> 00:18:47,233 THERE YOU GO, SIR. SPREAD 'EM. 412 00:18:47,233 --> 00:18:49,200 OH, COME ON, NOW. "SPREAD 'EM"? 413 00:18:49,200 --> 00:18:50,533 OW! YEAH, THAT'S NICE. 414 00:18:50,533 --> 00:18:51,767 THE LOWER BACK, PLEASE. 415 00:18:51,767 --> 00:18:53,733 CHECK THE PROSTATE. THAT'S NICE. 416 00:18:53,733 --> 00:18:55,600 OH! ALL RIGHT, THANK YOU. 417 00:18:55,600 --> 00:18:57,167 I GOT AN ITCH RIGHT UP IN THERE. 418 00:18:57,167 --> 00:18:58,200 THAT'S GOOD. THANK YOU. 419 00:18:58,200 --> 00:18:59,600 NOT TODAY, SIR. 420 00:18:59,600 --> 00:19:01,967 TURN AROUND. MAY I SEE YOUR LICENSE, 421 00:19:01,967 --> 00:19:04,633 REGISTRATION, AND INSURANCE, PLEASE? 422 00:19:04,633 --> 00:19:05,933 WHAT'S THE CHARGE? 423 00:19:05,933 --> 00:19:07,200 YOU WERE SPEEDING, 424 00:19:07,200 --> 00:19:09,700 BUT THAT'S NOT WHY I BEGAN TO FOLLOW YOU. 425 00:19:09,700 --> 00:19:12,100 BACK THERE IN THE VILLAGE, YOU FAILED TO MAKE A FULL STOP 426 00:19:12,100 --> 00:19:13,133 AT THE INTERSECTION. 427 00:19:13,133 --> 00:19:15,067 OH, REALLY? 428 00:19:15,067 --> 00:19:17,067 OH, I DIDN'T EVEN NOTICE. 429 00:19:17,067 --> 00:19:20,133 WELL, THAT'S THE INITIAL REASON WHY I FOLLOWED YOU 430 00:19:20,133 --> 00:19:21,467 AND WHY YOU'RE UNDER ARREST NOW. 431 00:19:21,467 --> 00:19:23,267 THE SPEEDING AND RECKLESS EVASION 432 00:19:23,267 --> 00:19:24,367 WILL BE OVERLOOKED 433 00:19:24,367 --> 00:19:25,400 IF YOU COOPERATE NOW 434 00:19:25,400 --> 00:19:26,933 AND QUIETLY GET IN YOUR CAR AND FOLLOW ME. 435 00:19:26,933 --> 00:19:27,933 CLEAR? 436 00:19:27,933 --> 00:19:29,533 SIR, WAIT A MINUTE. 437 00:19:29,533 --> 00:19:31,133 THIS MAY BE... VALKENVANIA, 438 00:19:31,133 --> 00:19:33,133 BUT IT IS STILL AMERICA, 439 00:19:33,133 --> 00:19:34,367 AND WE HAVE AN APPOINTMENT 440 00:19:34,367 --> 00:19:35,367 IN ATLANTIC CITY, 441 00:19:35,367 --> 00:19:38,067 SO WE'D JUST LIKE TO GET GOING. 442 00:19:38,067 --> 00:19:39,733 WILL YOU JUST WRITE A TICKET HERE, 443 00:19:39,733 --> 00:19:40,733 OR WE COULD SETTLE IT 444 00:19:40,733 --> 00:19:42,200 SOME OTHER WAY, PERHAPS? 445 00:19:42,200 --> 00:19:43,333 STEP BACK, PLEASE. 446 00:19:45,067 --> 00:19:46,667 I UNDERSTAND, SIR, 447 00:19:46,667 --> 00:19:49,200 BUT THAT'S NOT THE WAY THINGS WORK AROUND HERE. 448 00:19:49,200 --> 00:19:50,933 YOU'RE GONNA HAVE TO FOLLOW ME A WAYS TO THE REEVE, 449 00:19:50,933 --> 00:19:53,700 THEN IT'S UP TO HIM HOW WE PROCEED. 450 00:19:53,700 --> 00:19:54,700 REEVE? 451 00:19:54,700 --> 00:19:56,867 THE LOCAL JUSTICE OF THE PEACE. 452 00:19:56,867 --> 00:19:59,767 NOW, I'M PLANNING NOT TO MENTION THE SPEEDING TO HIM, 453 00:19:59,767 --> 00:20:02,767 SO I SUGGEST YOU COME QUIETLY AND IMMEDIATELY, 454 00:20:02,767 --> 00:20:04,233 UNLESS YOU WANT MORE TROUBLE 455 00:20:04,233 --> 00:20:05,667 THAN YOU'RE ALREADY GARGLING. 456 00:20:34,033 --> 00:20:36,133 WHAT'S THAT BEEPING? 457 00:20:36,133 --> 00:20:39,100 IT MEANS WE'RE OFF THE MAP ON THIS CARTRIDGE. 458 00:20:39,100 --> 00:20:41,533 WHAT TIME DOES SUNTZ START THE HYPE? 459 00:20:41,533 --> 00:20:42,833 6:00. IT'S 3:30 NOW. 460 00:20:42,833 --> 00:20:46,300 WE CAN STILL MAKE IT IF YOU JUST LET ME DO THE TALKING. 461 00:21:04,400 --> 00:21:07,733 LOOK AT THIS METAL SCULPTURE. 462 00:21:07,733 --> 00:21:09,833 THEY MUST BE INTO FOLK ART. 463 00:21:09,833 --> 00:21:11,233 FOLK 'EM. 464 00:21:11,233 --> 00:21:13,833 [MUSIC PLAYING] 465 00:21:13,833 --> 00:21:16,167 WHAT IS THAT, MUSIC? 466 00:21:16,167 --> 00:21:17,833 THEY'RE PIPING IN MUSIC. 467 00:21:29,833 --> 00:21:32,100 "ENJOY YOUR STAY." 468 00:21:33,833 --> 00:21:35,833 WHAT IS THIS PLACE? 469 00:21:35,833 --> 00:21:38,600 MY GOD. 470 00:21:40,567 --> 00:21:42,667 SO THAT'S WHERE THEY BURIED FLIPPER. 471 00:21:42,667 --> 00:21:44,500 Renalda and Fausto: FLIPPER'S DEAD? 472 00:21:49,067 --> 00:21:51,733 "VILLAGE J.P." 473 00:21:51,733 --> 00:21:53,733 "SHIRE REEVE." 474 00:21:53,733 --> 00:21:56,400 IT'S LIKE ROBIN HOOD-- "BE POLITE." 475 00:21:56,400 --> 00:21:57,533 HMM. 476 00:21:57,533 --> 00:21:59,067 OH... 477 00:21:59,067 --> 00:22:00,300 AND NO CUSSING. 478 00:22:00,300 --> 00:22:02,300 SHIT. 479 00:22:02,300 --> 00:22:04,500 WOW. 480 00:22:04,500 --> 00:22:06,900 LOOK AT ALL THESE TOASTERS. 481 00:22:06,900 --> 00:22:09,100 Fausto: THERE IS A NEGATIVITY ABOUT THIS PLACE. 482 00:22:14,800 --> 00:22:16,400 "VALKENHEISER SALVAGE. 483 00:22:16,400 --> 00:22:18,067 TRESPASSERS WILL BE SHOT." 484 00:22:37,067 --> 00:22:39,067 OH, COME ON. 485 00:22:43,200 --> 00:22:44,967 Fausto: THERE'S A FUNKY KARMA HERE, MAN. 486 00:22:44,967 --> 00:22:47,100 Diane: IS THIS A JOKE? 487 00:22:47,100 --> 00:22:48,700 Renalda: IY, IY, IY, I HOPE SO, 488 00:22:48,700 --> 00:22:51,700 BECAUSE I DON'T THINK I LIKE IT HERE AT ALL. 489 00:22:51,700 --> 00:22:53,700 Christ: WHERE THE HELL ARE WE? 490 00:22:53,700 --> 00:22:56,700 LISTEN, DO WE HAVE TO GET OUT HERE? 491 00:22:56,700 --> 00:22:59,067 "VALKENVANIA COURTS AND SCHOOLS, 1898." 492 00:22:59,067 --> 00:23:01,133 Fausto: VALKENVANIA. 493 00:23:13,067 --> 00:23:14,067 HI. 494 00:23:23,967 --> 00:23:25,300 FILE IN. 495 00:23:25,300 --> 00:23:26,633 REASSEMBLE. 496 00:23:28,933 --> 00:23:31,067 LUCY, I'M HOME! 497 00:23:32,300 --> 00:23:34,800 OH, YEAH. IT'S OLD, IT'S OLD. 498 00:23:34,800 --> 00:23:36,333 RIGHT THIS WAY, FOLKS. 499 00:23:41,467 --> 00:23:43,967 WAIT. I'M ENTITLED TO ONE PHONE CALL. 500 00:23:43,967 --> 00:23:46,467 SURELY. AND YOU'RE MORE THAN WELCOME TO MAKE ONE 501 00:23:46,467 --> 00:23:48,133 IF WE HAD A PHONE. 502 00:23:48,133 --> 00:23:49,800 THERE'S ONE IN MY CAR. 503 00:23:49,800 --> 00:23:51,300 YOUR CAR'S BEEN IMPOUNDED. 504 00:23:51,300 --> 00:23:52,800 IMPOUNDED? ALREADY? 505 00:23:52,800 --> 00:23:54,800 STEP UP TO THE RAILING. 506 00:23:54,800 --> 00:23:55,800 PLEASE. 507 00:24:00,733 --> 00:24:03,133 MAY I HAVE YOUR I.D.s, EVERYONE, PLEASE? 508 00:24:03,133 --> 00:24:04,367 I ALREADY HAVE YOURS, MR. THORNE. 509 00:24:04,367 --> 00:24:05,867 THANK YOU, THANK YOU. 510 00:24:05,867 --> 00:24:07,733 THESE TRIALS USUALLY LAST 511 00:24:07,733 --> 00:24:08,733 ONLY A COUPLE OF MINUTES. 512 00:24:12,833 --> 00:24:15,267 REVOLVING DISTRICT COURT 513 00:24:15,267 --> 00:24:16,833 FOR THE VILLAGE AND SHIRE OF VALKENVANIA 514 00:24:16,833 --> 00:24:18,333 IS NOW IN ORDER! 515 00:24:18,333 --> 00:24:21,867 THE HONORABLE REEVE ALVIN VALKENHEISER PRESIDES. 516 00:24:26,200 --> 00:24:28,233 [MARCH PLAYS] 517 00:24:44,833 --> 00:24:46,367 [GRUNTING] 518 00:24:49,267 --> 00:24:53,133 OK, DENNIS, GIVE ME THEIR LICENSES, I.D., 519 00:24:53,133 --> 00:24:56,133 TOLL TICKETS, REPORT CARDS, NOTES FROM THE TEACHER. 520 00:24:56,133 --> 00:24:57,967 HERE YOU GO, JUDGE. 521 00:24:57,967 --> 00:24:59,567 TRAFFIC VIOLATION. 522 00:24:59,567 --> 00:25:01,533 CONTRAVENTION OF VILLAGE BYLAW 23-- 523 00:25:01,533 --> 00:25:03,533 FAILING IN THE EXECUTION OF A FULL STOP 524 00:25:03,533 --> 00:25:05,067 AT A PLACE SO MARKED. 525 00:25:05,067 --> 00:25:07,300 I RECOMMEND FINE, BOND, AND RELEASE. 526 00:25:07,300 --> 00:25:11,300 WHAT ELSE YOU WANT TO DO FOR 'EM, BAKE 'EM A PIE? 527 00:25:11,300 --> 00:25:13,133 ALL RIGHT HERE... 528 00:25:13,133 --> 00:25:15,200 WHO'S CHRISTOPHER LAWRENCE THORNE? 529 00:25:15,200 --> 00:25:16,533 THAT'S ME, YOUR HONOR. 530 00:25:16,533 --> 00:25:17,733 THORNE FINANCIAL PUBLISHING, 531 00:25:17,733 --> 00:25:18,733 WATER STREET, NEW YORK. 532 00:25:18,733 --> 00:25:19,900 OK. 533 00:25:19,900 --> 00:25:21,267 BANKER? 534 00:25:21,267 --> 00:25:23,267 NO, NO, NO. BANKER, NO. 535 00:25:23,267 --> 00:25:24,433 FINANCIAL PUBLISHING. 536 00:25:24,433 --> 00:25:26,067 THORNE'S WEEKLY? 537 00:25:26,067 --> 00:25:27,200 OK. BANKER. 538 00:25:27,200 --> 00:25:29,433 OH, HERE. 539 00:25:29,433 --> 00:25:31,400 WELL, LOOK AT THIS. PASSPORTS. 540 00:25:31,400 --> 00:25:32,900 I WILL HAVE YOU KNOW 541 00:25:32,900 --> 00:25:35,233 THAT MY BROTHER FAUSTO AND I 542 00:25:35,233 --> 00:25:37,233 ENJOY DIPLOMATIC IMMUNITY IN THIS COUNTRY. 543 00:25:37,233 --> 00:25:40,067 OK, WELL, UH... 544 00:25:40,067 --> 00:25:46,100 AND YOU ARE THE FAUSTO AND RENALDA... 545 00:25:46,100 --> 00:25:49,833 SQUI-RI-NI... 546 00:25:49,833 --> 00:25:53,667 SQUIRINIZ... 547 00:25:53,667 --> 00:25:56,067 SIZ--SIZ--SIZWI. SIZWI? 548 00:25:56,067 --> 00:25:57,600 FRIENDS OF THE BRIDE. 549 00:25:57,600 --> 00:25:58,600 YEAH, THAT'S RIGHT. 550 00:25:58,600 --> 00:25:59,600 WE ALL WANT TO GET MARRIED. 551 00:25:59,600 --> 00:26:02,167 NO, SIR. NO WEDDING. MOVING VIOLATION-- 552 00:26:02,167 --> 00:26:03,667 FAILURE TO STOP. 553 00:26:03,667 --> 00:26:05,433 LET'S JUST BE QUIET 554 00:26:05,433 --> 00:26:06,733 AND LET HIM DO HIS LITTLE THING, 555 00:26:06,733 --> 00:26:07,900 AND WE'LL BE ON OUR WAY. 556 00:26:07,900 --> 00:26:10,667 OH, I WILL LET YOU BE ON YOUR WAY, 557 00:26:10,667 --> 00:26:13,333 WHEN THE CAT'S EYES WILL SPIN! 558 00:26:13,333 --> 00:26:14,367 NOW, LISTEN! 559 00:26:14,367 --> 00:26:15,433 OK. 560 00:26:15,433 --> 00:26:16,433 WE'LL LISTEN. 561 00:26:19,600 --> 00:26:21,067 HEY, HEY, HO, HO! 562 00:26:21,067 --> 00:26:22,533 HA HA HA! 563 00:26:22,533 --> 00:26:24,500 HULA, HULA, HULA, THE BOOLA, BOOLA, BOOLA! 564 00:26:24,500 --> 00:26:25,867 LOOK WHO'S GOT THE FRONT SEATS 565 00:26:25,867 --> 00:26:27,400 AT THE MEXICAN HAT DANCE NOW. 566 00:26:27,400 --> 00:26:29,900 JUST LIKE A BUNCH OF SPIDERS IN A BIRTHDAY CAKE. 567 00:26:31,867 --> 00:26:33,200 YOU MIGHT BE INTERESTED TO KNOW 568 00:26:33,200 --> 00:26:35,067 THAT YOU ARE NOT UNDER THE JURISDICTION 569 00:26:35,067 --> 00:26:36,367 OF JUST ANY OLD FISHING LICENSE DISPENSER 570 00:26:36,367 --> 00:26:38,433 AND STAMP-PAD JOCKEY! 571 00:26:38,433 --> 00:26:41,833 WE'VE ALWAYS BEEN SET TO DEAL WITH THE OFFENDERS 572 00:26:41,833 --> 00:26:43,233 ONCE AND FOR ALL AT THEIR FIRST APPEARANCE, 573 00:26:43,233 --> 00:26:46,600 QUICK AS SUMP GREASE THROUGH A 10-YEAR-OLD GOOSE. 574 00:26:46,600 --> 00:26:48,067 CONGRATULATIONS. I'M GLAD TO KNOW 575 00:26:48,067 --> 00:26:50,167 THINGS ARE RUNNING SMOOTHLY FOR YOU. 576 00:26:50,167 --> 00:26:51,733 PUT OUT THAT DOG ROCKET! 577 00:26:51,733 --> 00:26:52,900 SIR, SORRY. 578 00:26:52,900 --> 00:26:55,900 IN 1796, MY FOREFATHERS ESTABLISHED THIS SEAT 579 00:26:55,900 --> 00:26:59,067 AFTER THE TENETS OF THE OLD SHIRE CHARTER. 580 00:26:59,067 --> 00:27:00,300 SHIRE CHARTER? 581 00:27:00,300 --> 00:27:03,300 EXCUSE ME, SIR, THAT'S PRE-MAGNA CARTA. 582 00:27:03,300 --> 00:27:05,300 I MEAN, SERFDOM AND FIEFDOM STUFF. 583 00:27:05,300 --> 00:27:07,067 VERY GOOD, YOUNG LADY. 584 00:27:07,067 --> 00:27:10,500 YOU AND I OUGHT TO SPEND A LITTLE MORE TIME TOGETHER. 585 00:27:10,500 --> 00:27:12,333 WELL, I-I'D LIKE THAT. 586 00:27:12,333 --> 00:27:15,200 WOULD YOU? WELL, THEN, 587 00:27:15,200 --> 00:27:16,333 MORE ON HOW THEY PACKED ME OFF 588 00:27:16,333 --> 00:27:17,667 TO FARMERS' MECHANICS' UNIVERSITY 589 00:27:17,667 --> 00:27:20,567 IN GRACEFIELD, OHIO, FOR MY ENGINEERING DEGREE... 590 00:27:20,567 --> 00:27:24,867 AND HOW I FOUGHT THE GERMANS IN WORLD WAR I LATER, 591 00:27:24,867 --> 00:27:25,867 BUT FOR NOW-- 592 00:27:25,867 --> 00:27:27,867 LATER? WAIT! WHOA! NO LATER. 593 00:27:27,867 --> 00:27:29,700 WAIT A MINUTE. WHAT IS THIS SHIT? 594 00:27:29,700 --> 00:27:31,267 SIR, NO CUSSING IN COURT! 595 00:27:31,267 --> 00:27:32,567 WE DON'T WANT TO HEAR THE STORY OF YOUR LIFE. 596 00:27:32,567 --> 00:27:34,233 WE JUST WANT TO PAY AND GET THE HELL OUT! 597 00:27:34,233 --> 00:27:35,500 I'M SORRY, JUDGE. 598 00:27:35,500 --> 00:27:37,067 WELL, LOOK AT HIM. HE'S GOING ON AND ON! 599 00:27:37,067 --> 00:27:38,400 THIS COURT HEREWITH BINDS YOU OVER 600 00:27:38,400 --> 00:27:39,400 FOR A FURTHER APPEARANCE 601 00:27:39,400 --> 00:27:41,133 TO BE HELD AT 4:00 TOMORROW AFTERNOON. 602 00:27:41,133 --> 00:27:42,467 WE SO DEEM FOR THE PUBLIC AND COMMON GOOD 603 00:27:42,467 --> 00:27:45,067 THAT YOU BE CONFINED HEREIN, SO FOR NOW... 604 00:27:45,067 --> 00:27:46,067 [ALL PROTESTING] 605 00:27:46,067 --> 00:27:47,533 GOOD NIGHT, IRENE! 606 00:27:47,533 --> 00:27:48,800 AAH! AAH! 607 00:27:50,500 --> 00:27:51,667 iAY! 608 00:27:51,667 --> 00:27:52,833 WHAT'S THIS? 609 00:27:56,100 --> 00:27:57,200 WHAT'S THE POINT IN THAT? 610 00:27:57,200 --> 00:27:58,567 THEY'RE CLEAN. 611 00:27:58,567 --> 00:28:00,433 NO DRUGS, NO GUNS, NOTHING. 612 00:28:00,433 --> 00:28:02,933 JUST ANOTHER BATCH OF HOT-PISTOL, 613 00:28:02,933 --> 00:28:04,267 LILY-WHITE CITY CHICKENS 614 00:28:04,267 --> 00:28:06,633 TO RUN THROUGH GRANDPA ALVIN'S TRICK HOUSE. 615 00:28:06,633 --> 00:28:08,200 WHEN I'M GONE, YOU'LL BE REEVE. 616 00:28:08,200 --> 00:28:09,567 YOU CAN RUN THINGS ANY WAY YOU WANT. 617 00:28:09,567 --> 00:28:12,067 TILL THEN, JUST DO YOUR JOB. 618 00:28:12,067 --> 00:28:13,567 SO HELP ME, I'LL CUT YOU OUT OF THE WILL. 619 00:28:13,567 --> 00:28:15,167 YOU WON'T GET SO MUCH AS FLOSSIE THE NAG. 620 00:28:15,167 --> 00:28:17,300 I ALWAYS DO MY JOB, AND YOU KNOW IT. 621 00:28:17,300 --> 00:28:18,333 AND I DON'T MIND LETTING YOU KNOW 622 00:28:18,333 --> 00:28:19,700 MY DUTIES END RIGHT HERE AT THIS BENCH. 623 00:28:19,700 --> 00:28:21,700 OH, FINE. GO SUCK A BUG. 624 00:28:23,700 --> 00:28:25,200 ARE YOU OK? 625 00:28:25,200 --> 00:28:28,200 WHAT ARE WE GOING TO DO? 626 00:28:28,200 --> 00:28:30,133 OH, FAUSTO. 627 00:28:30,133 --> 00:28:31,667 WHAT WAS THAT FOR? 628 00:28:31,667 --> 00:28:33,367 HOW COULD YOU BE SO INSENSITIVE? 629 00:28:33,367 --> 00:28:35,367 WHAT ARE YOU TALKING ABOUT? 630 00:28:35,367 --> 00:28:37,667 YOU BETTER DO SOMETHING ABOUT THIS. 631 00:28:37,667 --> 00:28:40,200 YOU'RE PULLING ON MY COAT. NOW, COOL IT! 632 00:28:40,200 --> 00:28:41,233 I HAD US OUT OF HERE! 633 00:28:41,233 --> 00:28:44,833 THEN YOU HAD TO GO AND OPEN YOUR BIG MOUTH. 634 00:28:44,833 --> 00:28:46,133 YOU HAD US OUT OF HERE? 635 00:28:46,133 --> 00:28:48,200 WE WOULD'VE BEEN HERE ANOTHER 2 HOURS 636 00:28:48,200 --> 00:28:50,267 LISTENING TO THE HISTORY OF THE VALKENBURGER FARM, 637 00:28:50,267 --> 00:28:51,567 OR WHEREVER THE HELL WE ARE! 638 00:28:51,567 --> 00:28:53,300 I KNEW I COULDN'T DEPEND ON YOU. 639 00:28:53,300 --> 00:28:54,800 LISTEN, I DON'T NEED THIS! 640 00:28:54,800 --> 00:28:57,800 I WAS JUST TRYING TO DRIVE US TO ATLANTIC CITY FOR YOU! 641 00:28:57,800 --> 00:28:59,067 OH, IS THAT RIGHT? 642 00:28:59,067 --> 00:29:00,067 YEAH! 643 00:29:00,067 --> 00:29:02,567 YOU'RE NO LONGER OUR FINANCIAL ADVISOR! 644 00:29:02,567 --> 00:29:04,133 YOU'RE FIRED! 645 00:29:04,133 --> 00:29:05,633 SHUT UP! SHUT UP! 646 00:29:11,133 --> 00:29:13,133 MIAMI, BABY, HERE WE COME. 647 00:29:13,133 --> 00:29:14,633 HERE, TAKE THIS. 648 00:29:14,633 --> 00:29:18,333 HAVE THEY GOT A JACUZZI IN THIS PLACE, HUH? 649 00:29:18,333 --> 00:29:19,333 * GET DOWN * 650 00:29:19,333 --> 00:29:20,567 * TO THE PAVEMENT * 651 00:29:20,567 --> 00:29:22,300 * GET DOWN * 652 00:29:23,900 --> 00:29:26,467 * FUNKY AND MYSTERIOUS * 653 00:29:26,467 --> 00:29:31,067 * SOME PEOPLE LIVE IN LITTLE GROOVES * 654 00:29:31,067 --> 00:29:32,167 [SIREN] 655 00:29:32,167 --> 00:29:33,667 WE GOT COMPANY. 656 00:29:33,667 --> 00:29:34,833 WANT THIS? 657 00:29:34,833 --> 00:29:36,067 NOT NOW. 658 00:29:36,067 --> 00:29:37,167 OH, SHIT. 659 00:29:37,167 --> 00:29:40,167 SHIT! PASS IT BACK. GET RID OF THIS. 660 00:29:40,167 --> 00:29:41,733 GIVE ME THAT. 661 00:29:41,733 --> 00:29:43,900 HERE, TAKE THAT. 662 00:29:43,900 --> 00:29:46,067 ARTY, DON'T GIVE YOUR REAL LICENSE AGAIN. 663 00:29:46,067 --> 00:29:47,333 DON'T WORRY. I'LL TAKE CARE OF IT. 664 00:29:54,633 --> 00:29:56,133 WHERE'S THE POT? 665 00:29:56,133 --> 00:29:57,633 WOULD YOU SHUT UP? 666 00:29:57,633 --> 00:29:58,633 PASS IT TO ME. 667 00:29:58,633 --> 00:30:01,067 NO! IT'S UNDER THE SEAT. SHUT UP. 668 00:30:01,067 --> 00:30:02,667 [GIGGLING] 669 00:30:04,800 --> 00:30:05,967 SHUT UP. 670 00:30:08,233 --> 00:30:09,567 MY GOD. 671 00:30:09,567 --> 00:30:10,567 GOOD EVENING. 672 00:30:10,567 --> 00:30:12,767 DRIVER, STEP OUT OF THE CAR, PLEASE. 673 00:30:14,767 --> 00:30:16,767 GOOD EVENING, OFFICER. 674 00:30:16,767 --> 00:30:17,767 [LAUGHING] 675 00:30:17,767 --> 00:30:19,000 CHIEF. 676 00:30:20,933 --> 00:30:23,267 DRIVER'S LICENSE, REGISTRATION, 677 00:30:23,267 --> 00:30:24,567 INSURANCE AND FITNESS CERTIFICATE, PLEASE. 678 00:30:33,467 --> 00:30:35,367 OK, ARTHUR... 679 00:30:35,367 --> 00:30:36,900 HAVE YOU BEEN DRINKING TONIGHT, SON? 680 00:30:36,900 --> 00:30:38,967 I HAD A COUPLE. SO WHAT? I'M FINE. 681 00:30:38,967 --> 00:30:40,733 I'M AFRAID YOU'LL HAVE TO BLOW. 682 00:30:40,733 --> 00:30:43,033 BLOW YOU TO GET OUT OF A TICKET? 683 00:30:43,033 --> 00:30:44,233 FORGET IT. 684 00:30:44,233 --> 00:30:45,567 THAT'S NOT FUNNY. 685 00:30:45,567 --> 00:30:47,900 I MEANT YOU'LL HAVE TO USE A BREATHALYZER. 686 00:30:47,900 --> 00:30:49,400 I'LL BLOW HIM. 687 00:30:50,667 --> 00:30:52,133 MAYBE LATER... 688 00:30:52,133 --> 00:30:53,300 NEXT CENTURY. 689 00:30:53,300 --> 00:30:54,800 LET'S GO, SON. 690 00:30:54,800 --> 00:30:56,233 OH, COME ON, OFFICER. 691 00:30:56,233 --> 00:30:57,733 [BEEPING] 692 00:31:01,067 --> 00:31:02,200 [BUZZ] 693 00:31:02,200 --> 00:31:05,200 YOU BLEW DOUBLE DRUNK WITHIN VILLAGE LIMITS. 694 00:31:05,200 --> 00:31:06,700 YOU'RE GOING WITH ME. 695 00:31:06,700 --> 00:31:09,400 SURE. WHATEVER YOU SAY, OFFICER. 696 00:31:09,400 --> 00:31:11,967 SAY GOOD NIGHT, COPPER. 697 00:31:11,967 --> 00:31:14,333 PLEASE, PLEASE, NO. 698 00:31:15,433 --> 00:31:17,200 DON'T KILL ME. 699 00:31:17,200 --> 00:31:18,700 CHIEFY, PAL, 700 00:31:18,700 --> 00:31:20,700 I WAS ONLY KIDDING. 701 00:31:20,700 --> 00:31:22,633 [MARCH PLAYS] 702 00:31:22,633 --> 00:31:24,300 OK. 703 00:31:30,633 --> 00:31:32,267 MY GOD! 704 00:31:32,267 --> 00:31:33,733 WILL YOU LOOK AT HIS FACE? 705 00:31:33,733 --> 00:31:35,233 IS THAT NOSE RUBBER? 706 00:31:35,233 --> 00:31:38,133 HEY, I DON'T WANT YOU. I WANT JUDGE WAPNER. 707 00:31:40,067 --> 00:31:43,233 I HAVE TO PLEAD THE FIFTH DIMENSION. 708 00:31:43,233 --> 00:31:46,133 OK. OK. WELL, LET'S SEE HERE. 709 00:31:46,133 --> 00:31:49,133 WE GOT YOUR CRACK AND ICE COCAINE HERE. 710 00:31:49,133 --> 00:31:52,467 YOU GOT YOUR PILLS, YOUR VIALS OF COKE, 711 00:31:52,467 --> 00:31:54,300 SNORTERS, PIPES, AND GRINDERS. 712 00:31:54,300 --> 00:31:56,300 YOU GOT YOUR GUN HERE. 713 00:31:56,300 --> 00:31:59,067 YOU GOT YOUR SWITCHBLADE KNIVES. 714 00:31:59,067 --> 00:32:02,167 SINCE YOU'RE ALL HAVING A WHIRL OF A TIME 715 00:32:02,167 --> 00:32:03,633 ON SOME SOME KIND OF A HOPPED-UP DATE, 716 00:32:03,633 --> 00:32:06,300 I BELIEVE WE CAN GET THIS OVER RELATIVELY SIMPLY 717 00:32:06,300 --> 00:32:07,600 AND HAVE YOU PEOPLE ON YOUR WAY, 718 00:32:07,600 --> 00:32:09,600 SO STEP FORWARD TO THE BENCH, PLEASE. 719 00:32:09,600 --> 00:32:10,900 HEY, SEE THAT? 720 00:32:10,900 --> 00:32:12,100 THANKS FOR UNDERSTANDING, JUDGE. 721 00:32:12,100 --> 00:32:13,867 YOU KNOW WHAT I'M SAYING? 722 00:32:13,867 --> 00:32:15,667 YOU TAKE CARE OF THIS. 723 00:32:15,667 --> 00:32:17,167 I'M GONNA GO OUT FOR A SMOKE. 724 00:32:17,167 --> 00:32:18,167 GO FOR A SMOKE? 725 00:32:18,167 --> 00:32:20,067 DENNIS, THEY'VE GOT GUNS, DRUGS. 726 00:32:20,067 --> 00:32:21,633 ONE OF THEM TRIED TO KILL YOU. 727 00:32:21,633 --> 00:32:22,633 I'M STAYING TO WATCH. 728 00:32:24,100 --> 00:32:26,667 I HEREBY FIND ALL PARTIES CULPABLE 729 00:32:26,667 --> 00:32:27,967 IN THESE MATTERS AS CHARGED, 730 00:32:27,967 --> 00:32:29,100 AND SO CHOOSE TO INVEIGH THE MAXIMUM LEVY 731 00:32:29,100 --> 00:32:30,600 FOR THESE VIOLATIONS, 732 00:32:30,600 --> 00:32:32,100 AND DO THEREFORE DEEM THAT YOU BE CONVEYED 733 00:32:32,100 --> 00:32:34,600 TO A WHOLLY AWFUL PLACE OF EXECUTION 734 00:32:34,600 --> 00:32:36,633 WHEREIN YOU SHALL BE PUT TO DEATH. 735 00:32:40,333 --> 00:32:42,200 OH! OH! 736 00:32:44,433 --> 00:32:48,600 AAH! AAH! 737 00:32:48,600 --> 00:32:49,600 [SQUEAKING] 738 00:32:49,600 --> 00:32:50,600 QUE ES ESO? 739 00:32:52,533 --> 00:32:54,067 WHAT'S GOING ON? 740 00:32:57,533 --> 00:32:59,167 HEH HEH! 741 00:32:59,167 --> 00:33:00,500 YEAH. 742 00:33:00,500 --> 00:33:01,900 [WHRRR] 743 00:33:18,133 --> 00:33:20,133 WHAT'S GOING ON HERE, HUH? 744 00:33:20,133 --> 00:33:23,867 I'LL GIVE YOU ALL YOUR COKE, YOUR GRINDERS, YOUR SPOONS, 745 00:33:23,867 --> 00:33:26,133 AND POT AND GUNS AND KNIVES BACK TO YOU 746 00:33:26,133 --> 00:33:28,733 WHEN YOU COME OUT THE OTHER END. 747 00:33:28,733 --> 00:33:30,767 * GOIN' DOWN * 748 00:33:30,767 --> 00:33:32,067 * BONESTRIPPER * 749 00:33:32,067 --> 00:33:33,933 * YOU DON'T KNOW WHAT YOU'RE GONNA DO * 750 00:33:33,933 --> 00:33:36,067 * YOU'RE IN A MESS, YOU'RE GOIN' DOWN * 751 00:33:37,067 --> 00:33:39,167 * BONESTRIPPER * 752 00:33:56,333 --> 00:33:59,733 HEE HEE HEH HA HO HO! 753 00:33:59,733 --> 00:34:01,833 LOOK, I'M SURE THESE ARE REASONABLE PEOPLE. 754 00:34:01,833 --> 00:34:04,467 THEY'LL HAVE TO ENTERTAIN SOME KIND OF AN OFFER. 755 00:34:04,467 --> 00:34:06,067 [KEYS JANGLE] 756 00:34:08,067 --> 00:34:09,200 THEY'RE COMING. 757 00:34:11,167 --> 00:34:12,500 OK, FOLKS. 758 00:34:13,933 --> 00:34:15,967 GIT UP HERE FOR SUPPER. 759 00:34:18,167 --> 00:34:19,667 SEE? THEY'RE REASONABLE PEOPLE-- 760 00:34:19,667 --> 00:34:20,833 SUPPER. 761 00:34:20,833 --> 00:34:22,067 SUPPER. 762 00:34:22,067 --> 00:34:23,500 LITTLE WHITE WINE, ARUGALA SALAD, 763 00:34:23,500 --> 00:34:24,767 MAYBE SOME PASTA. 764 00:34:24,767 --> 00:34:26,267 [BIG BAND MUSIC PLAYS] 765 00:34:36,733 --> 00:34:38,567 [MATADOR MUSIC PLAYS] 766 00:34:49,667 --> 00:34:51,167 WELCOME TO SUPPER. 767 00:34:53,467 --> 00:34:55,600 HOW ABOUT A NICE HAWAIIAN PUNCH? 768 00:35:04,700 --> 00:35:06,233 THANK YOU, JUDGE. 769 00:35:06,233 --> 00:35:07,733 YOU KNOW, THERE'S NOTHING BETTER 770 00:35:07,733 --> 00:35:11,233 AT THE END OF A LONG DAY ON THE ROAD 771 00:35:11,233 --> 00:35:12,600 THAN NICE WARM OF HAWAIIAN PUNCH. 772 00:35:17,233 --> 00:35:18,967 HERE'S TO GOOD FRIENDS. 773 00:35:24,067 --> 00:35:25,700 DOES HE TREAT ALL TRAFFIC VIOLATORS 774 00:35:25,700 --> 00:35:26,733 THIS GRACIOUSLY? 775 00:35:26,733 --> 00:35:28,833 ONLY THE ONES HE TAKES SPECIAL INTEREST IN, 776 00:35:28,833 --> 00:35:29,833 LIKE BANKERS. 777 00:35:30,867 --> 00:35:33,500 ANTS ON A LOG, MA'AM? 778 00:35:33,500 --> 00:35:34,500 UH... 779 00:35:34,500 --> 00:35:35,500 MM-HMM. 780 00:35:37,067 --> 00:35:38,600 YEAH, I'D... 781 00:35:38,600 --> 00:35:39,767 LOVE ONE. 782 00:35:41,733 --> 00:35:42,900 COUSIN? 783 00:35:42,900 --> 00:35:44,900 OH, ANTS. OH, YEAH, SURE. 784 00:35:47,900 --> 00:35:50,067 [HEAVY FOOTSTEPS] 785 00:36:01,800 --> 00:36:02,800 OH. 786 00:36:02,800 --> 00:36:03,900 FOLKS. 787 00:36:03,900 --> 00:36:08,567 I'D LIKE TO INTRODUCE MY GRANDDAUGHTER ELDONA, 788 00:36:09,900 --> 00:36:11,300 SHE'S SINGLE 789 00:36:11,300 --> 00:36:14,367 AND THE BEST CLASS "A" MECHANIC IN 5 STATES. 790 00:36:14,367 --> 00:36:16,067 SHE'S ADORABLE, JUDGE. 791 00:36:16,067 --> 00:36:18,200 SHE'D MAKE AN IDEAL WIFE, TOO. 792 00:36:18,200 --> 00:36:20,067 GENUINE WAGE-EARNER, 793 00:36:20,067 --> 00:36:21,800 STRUCK DUMB AT BIRTH BY A THUNDERCLAP. 794 00:36:21,800 --> 00:36:23,067 MY KIND OF WOMAN. 795 00:36:24,233 --> 00:36:26,667 I THINK THE TWO OF YOU WOULD MAKE A PERFECT COUPLE. 796 00:36:26,667 --> 00:36:28,367 HMM. 797 00:36:30,233 --> 00:36:32,233 YOU LOOK PRETTY THIS EVENING, SISTER. 798 00:36:32,233 --> 00:36:34,200 DOING SOMETHING DIFFERENT WITH YOUR HAIR? 799 00:36:34,200 --> 00:36:35,300 [GIGGLES SHYLY] 800 00:36:39,800 --> 00:36:42,800 ELDONA, WOULD YOU PLEASE PREPARE THE MEAL? 801 00:36:42,800 --> 00:36:44,467 THANK YOU, DEAR. 802 00:36:46,333 --> 00:36:47,500 HMM. 803 00:36:53,067 --> 00:36:54,833 WANT TO SEE THE WINE LIST? 804 00:36:54,833 --> 00:36:56,067 YOUNG MAN! 805 00:36:56,067 --> 00:36:57,500 IT IS BASIC HUMAN POLITENESS 806 00:36:57,500 --> 00:36:59,500 TO SHARE YOUR CONVERSATION WITH THE WHOLE TABLE. 807 00:36:59,500 --> 00:37:01,067 SO WHAT'S ON YOUR BRAIN? 808 00:37:03,533 --> 00:37:04,867 NOTHING. I WAS JUST THINKING 809 00:37:04,867 --> 00:37:06,500 YOU'VE GOT ENOUGH VINTAGE STEEL 810 00:37:06,500 --> 00:37:08,500 TO MAKE A FEW THOUSAND TOYOTAS. 811 00:37:08,500 --> 00:37:10,133 EVER THINK OF SELLING THE WHOLE PLACE 812 00:37:10,133 --> 00:37:11,500 TO THE JAPANESE? 813 00:37:11,500 --> 00:37:13,667 THERE YOU GO! DOES THE POPE WEAR A HAT? 814 00:37:13,667 --> 00:37:15,367 WAS SERGEANT YORK'S MOTHER AN ANGEL? 815 00:37:15,367 --> 00:37:17,233 AND WILL A BANKER GROPE FOR MONEY? 816 00:37:17,233 --> 00:37:19,067 I'M NOT A BANKER. I'M A FINANCIAL PUBLISHER. 817 00:37:19,067 --> 00:37:21,067 ALL I KNOW IS IN '17 818 00:37:21,067 --> 00:37:22,767 AFTER THEY SHIPPED ME OFF TO FIGHT, 819 00:37:22,767 --> 00:37:25,667 SOME NEW YORK FINANCIER ROLLED IN HERE ONE DAY 820 00:37:25,667 --> 00:37:27,500 AND HOGLOWDERED AND TUBWANGLED MY GRANDFATHER 821 00:37:27,500 --> 00:37:29,667 INTO MINING THE WHOLE PLACE OUT 822 00:37:29,667 --> 00:37:32,067 IN EXCHANGE FOR SHARES IN SOMETHING CALLED 823 00:37:32,067 --> 00:37:34,767 THE UNITED COKE COMPANY. 824 00:37:34,767 --> 00:37:37,233 DO YOU KNOW WHAT THOSE STOCK CERTIFICATES 825 00:37:37,233 --> 00:37:38,767 ARE WORTH TODAY? 826 00:37:38,767 --> 00:37:41,267 JUST ABOUT THE FINEST OUTHOUSE WALLPAPER 827 00:37:41,267 --> 00:37:42,567 YOU'VE EVER SEEN! 828 00:37:44,067 --> 00:37:45,500 WE WERE FORCED TO BECOME 829 00:37:45,500 --> 00:37:47,200 WHAT YOU DROVE THROUGH TODAY, 830 00:37:47,200 --> 00:37:49,267 A BURNT-OUT COAL FIELD, 831 00:37:49,267 --> 00:37:50,767 THE BIGGEST ICEBOX GRAVEYARD 832 00:37:50,767 --> 00:37:54,367 EAST OF THE OHIO FOUNDRY BELT. 833 00:37:54,367 --> 00:37:57,067 AND THAT'S WHY I NEVER LET A BANKER GO. 834 00:37:58,367 --> 00:38:00,933 SO YOUR GRANDPA MADE A LOUSY DEAL. 835 00:38:00,933 --> 00:38:02,367 IS THAT OUR PROBLEM? 836 00:38:02,367 --> 00:38:07,100 JUDGE, THAT'S A VERY TRAGIC, TRAGIC STORY. 837 00:38:07,100 --> 00:38:08,133 I BELIEVE IT IS. 838 00:38:08,133 --> 00:38:10,133 YOU SHOULD DO A BOOK. 839 00:38:13,500 --> 00:38:15,500 HOW DO YOU LIKE YOUR DOG, FOLKS? 840 00:38:19,633 --> 00:38:22,100 THEY'RE SERVING DOG? 841 00:38:22,100 --> 00:38:24,100 OH, NO, NO. HOT DOGS-- 842 00:38:24,100 --> 00:38:26,500 DUTCH COUNTRY HEREFORDS, PRIZE-WINNERS. 843 00:38:26,500 --> 00:38:28,267 HOT DOG. 844 00:38:28,267 --> 00:38:29,767 STADIUM FRANKS, LIKE THEY HAD 845 00:38:29,767 --> 00:38:32,500 BEFORE THEY BROUGHT IN NIGHT GAMES. 846 00:38:32,500 --> 00:38:33,900 HMM? 847 00:38:43,667 --> 00:38:45,067 OK. LET'S EAT. 848 00:38:57,067 --> 00:38:58,567 [WOO WOO] 849 00:38:58,567 --> 00:39:01,467 [WABASH CANNONBALL PLAYS] 850 00:39:09,733 --> 00:39:11,733 * FROM THE GREAT ATLANTIC OCEAN * 851 00:39:11,733 --> 00:39:13,333 * TO THE WHITE PACIFIC SHORES * 852 00:39:13,333 --> 00:39:14,800 * FROM THE BIG 'OL TOY MOUNTAIN * 853 00:39:14,800 --> 00:39:18,133 * TO THE COW TOWNS ON THE SHORES-- * 854 00:39:22,067 --> 00:39:23,600 HERE'S HOW I LIKE 'EM, 855 00:39:23,600 --> 00:39:25,800 AND I SUGGEST YOU HAVE 'EM THE SAME WAY. 856 00:39:37,367 --> 00:39:38,867 GO AHEAD, THERE, FOLKS. 857 00:39:38,867 --> 00:39:40,967 FIX YOURSELF UP A COUPLE OF DOGS. 858 00:39:46,467 --> 00:39:47,833 * LISTEN TO THE JINGLES * 859 00:39:47,833 --> 00:39:49,600 * THE RUMBLES, AND THE ROARS * 860 00:39:49,600 --> 00:39:52,667 * AS YOU GLIDE ALONG WITH THE OLD BANJO * 861 00:39:52,667 --> 00:39:54,633 * HEAR THE MIGHTY RUSH OF THE ENGINES * 862 00:39:54,633 --> 00:39:55,933 * HEAR THE LONESOME HOBO'S SONG * 863 00:39:55,933 --> 00:39:57,467 * AS IT RAMBLES ACROSS THE COUNTRY * 864 00:39:57,467 --> 00:39:59,400 * ON THAT WABASH CANNONBALL * 865 00:39:59,400 --> 00:40:01,233 * GET ABOARD... * 866 00:40:01,233 --> 00:40:02,733 [MUSIC STOPS] 867 00:40:04,167 --> 00:40:05,800 [EXPLOSION] 868 00:40:10,167 --> 00:40:12,500 [CREAKING] 869 00:40:13,967 --> 00:40:15,667 WHA... 870 00:40:15,667 --> 00:40:17,767 WHAT WAS THAT? 871 00:40:17,767 --> 00:40:19,600 JUST A MINE FIRE... 872 00:40:19,600 --> 00:40:21,933 BURNIN' SINCE 1926. 873 00:40:21,933 --> 00:40:24,867 NOTHING THAT WILL CAUSE US TO INTERRUPT OUR MEAL. 874 00:40:24,867 --> 00:40:26,200 HE HOPES. 875 00:40:27,200 --> 00:40:28,600 COME ON NOW! 876 00:40:28,600 --> 00:40:31,467 MIX UP THEM CONDIMENTS THE WAY I DO! 877 00:40:35,633 --> 00:40:37,367 * LISTEN TO THE JINGLES * 878 00:40:37,367 --> 00:40:38,967 * THE RUMBLES, AND THE ROARS * 879 00:40:38,967 --> 00:40:42,033 * AS YOU GLIDE ALONG WITH THE OLD BANJO * 880 00:40:42,033 --> 00:40:44,333 * HEAR THE MIGHTY RUSH OF THE ENGINES-- * 881 00:40:45,333 --> 00:40:46,633 THAT'S ENOUGH. 882 00:40:46,633 --> 00:40:49,200 I'M GOING TO FLIP OUT. GET ME BEHIND ME, BABY. 883 00:40:50,567 --> 00:40:53,200 YOU PEOPLE ARE SICK, WICKED, 884 00:40:53,200 --> 00:40:57,133 FUNKY, MISANTHROPIC, CODEPENDENT ANIMALS! 885 00:40:57,133 --> 00:40:59,133 I WON'T HAVE MY SISTER, 886 00:40:59,133 --> 00:41:01,700 WHO WAS ONCE THE QUEEN OF THE MARDI GRAS, 887 00:41:01,700 --> 00:41:03,200 SITTING AT A TABLE 888 00:41:03,200 --> 00:41:05,200 WITH A PICKLE-SHOOTING TRAIN! 889 00:41:05,200 --> 00:41:07,600 HE'S RIGHT. WE GOT TO GO. 890 00:41:07,600 --> 00:41:08,767 iAY! 891 00:41:08,767 --> 00:41:09,933 FINE. 892 00:41:09,933 --> 00:41:11,400 COME ON, BABY. 893 00:41:20,400 --> 00:41:24,067 PRISCILLA, PUT THAT UP. USE THE DOGS. 894 00:41:24,067 --> 00:41:25,533 RUN! RUN! 895 00:41:26,767 --> 00:41:28,267 [GRUNTS] 896 00:41:31,733 --> 00:41:34,333 TAKE YOUR HAND OFF HER! 897 00:41:34,333 --> 00:41:35,500 OH! 898 00:41:35,500 --> 00:41:37,067 THAT'S MORE LIKE IT. 899 00:41:39,233 --> 00:41:41,733 ELDONA, IF YOU WOULD PLEASE SHOW THEM 900 00:41:41,733 --> 00:41:42,733 TO THEIR ROOM. 901 00:41:42,733 --> 00:41:43,900 OW! 902 00:41:43,900 --> 00:41:45,067 EASY. 903 00:41:45,067 --> 00:41:47,067 WHERE DO YOU WORK OUT? 904 00:41:47,067 --> 00:41:48,233 UGH! 905 00:41:50,133 --> 00:41:52,133 THOSE PEOPLE HAVE NO DIGNITY! 906 00:41:52,133 --> 00:41:53,633 FAUSTO, YOU WERE A HERO! 907 00:41:53,633 --> 00:41:57,133 OH, FAUSTO, AND THEY HAD SUCH UGLY, UGLY FOOD! 908 00:41:57,133 --> 00:42:00,800 OH, FAUSTO, WHAT IS THAT SMELL? 909 00:42:01,867 --> 00:42:03,867 IT SMELLS LIKE SAO PAULO. 910 00:42:03,867 --> 00:42:05,067 TOXICS! 911 00:42:05,067 --> 00:42:06,200 TOXICS! 912 00:42:06,200 --> 00:42:08,200 WE'VE GOT TO SWIM THROUGH THAT. 913 00:42:08,200 --> 00:42:11,200 OH, NO! FAUSTO, YOU'RE NOT GOING TO MAKE ME 914 00:42:11,200 --> 00:42:14,867 SWIM THROUGH TOXICS. I CANNOT BELIEVE IT! 915 00:42:14,867 --> 00:42:16,200 WE'VE GOT TO GET TO THE FREEWAY! 916 00:42:16,200 --> 00:42:18,700 WE'VE GOT TO GET TO THE FREEWAY. 917 00:42:18,700 --> 00:42:20,200 I DON'T DESERVE THIS. 918 00:42:20,200 --> 00:42:21,367 CLOSE YOUR MOUTH. 919 00:42:21,367 --> 00:42:23,067 OK. 920 00:42:23,067 --> 00:42:24,533 OH, LET ME GO! 921 00:42:24,533 --> 00:42:25,833 AAH! 922 00:42:27,067 --> 00:42:28,200 AAH! 923 00:42:28,200 --> 00:42:29,367 [GAGGING] 924 00:42:29,367 --> 00:42:30,867 [GASPING] 925 00:42:31,867 --> 00:42:33,067 FAUSTO! 926 00:42:33,067 --> 00:42:34,567 COME ON. COME ON. 927 00:42:37,533 --> 00:42:38,867 [WOOF] 928 00:42:38,867 --> 00:42:40,533 [WOOF] [WOOF] 929 00:42:47,067 --> 00:42:49,833 YOU HAVEN'T GOT THE CORRECT TIME, HAVE YOU? 930 00:42:49,833 --> 00:42:50,867 MY WATCH IS SLOW. 931 00:42:54,167 --> 00:42:55,333 OOH! 932 00:43:03,267 --> 00:43:04,633 HMM! 933 00:43:08,267 --> 00:43:09,700 LET ME SEE IF I CAN GET A FIRE STARTED. 934 00:43:14,067 --> 00:43:15,533 FAUSTO, WE DID IT. 935 00:43:15,533 --> 00:43:17,067 WE DID IT! 936 00:43:17,067 --> 00:43:18,200 WE DID IT, MAN! 937 00:43:18,200 --> 00:43:19,700 WE DID IT! 938 00:43:19,700 --> 00:43:21,767 CARLO ROSSI TO THE BAHAMAS, MAN. 939 00:43:21,767 --> 00:43:23,700 WE'RE GOING TO THE BAHAMAS! 940 00:43:23,700 --> 00:43:25,200 HAVING A NICE TIME. 941 00:43:25,200 --> 00:43:26,700 iAY! LET'S FIND A ROAD. 942 00:43:26,700 --> 00:43:28,700 WE HITCHHIKE TO A TRUCK. 943 00:43:28,700 --> 00:43:31,933 OK, WE HITCHHIKE. THAT IS COMPLETELY... 944 00:43:33,933 --> 00:43:35,100 CONGRATULATIONS, FOLKS. 945 00:43:35,100 --> 00:43:37,567 YOU MADE IT ACROSS OUR GULLY. 946 00:43:37,567 --> 00:43:39,800 YOU SHOULD GET A PRIZE. 947 00:43:39,800 --> 00:43:42,600 PLEASE, LET US GO. LET OUR FRIENDS GO. 948 00:43:42,600 --> 00:43:44,600 WE'RE RICH. WE'LL GIVE YOU ANYTHING. 949 00:43:44,600 --> 00:43:45,600 SOLVENT. 950 00:43:45,600 --> 00:43:46,600 LIQUID. 951 00:43:46,600 --> 00:43:47,700 RICH. 952 00:43:47,700 --> 00:43:49,700 WHAT AM I GONNA DO WITH MONEY? 953 00:43:49,700 --> 00:43:52,700 ALL I DO IS WORK FOR THE REEVE SINCE I WAS 8. 954 00:43:52,700 --> 00:43:54,733 I GOT FREE ROOM AND BOARD. 955 00:43:54,733 --> 00:43:56,467 ONLY YOU HAVE THE POWER 956 00:43:56,467 --> 00:43:57,733 TO HELP US. 957 00:43:57,733 --> 00:43:58,733 [WHIMPERS] 958 00:44:01,400 --> 00:44:03,900 DUDE, IT LOOKS LIKE YOU NEED 959 00:44:03,900 --> 00:44:06,067 A NICE COUPLE OF WEEKS HOLIDAY, 960 00:44:06,067 --> 00:44:07,067 YOU KNOW? 961 00:44:07,067 --> 00:44:08,233 NICE. 962 00:44:08,233 --> 00:44:10,933 TIME OFF FROM YOUR JOB. 963 00:44:12,167 --> 00:44:14,133 YOU PEELED THE CORRECT BANANA THERE. 964 00:44:14,133 --> 00:44:15,300 LEISURE TIME. 965 00:44:15,300 --> 00:44:16,500 KICK BACK. 966 00:44:16,500 --> 00:44:17,667 NICE. 967 00:44:17,667 --> 00:44:18,833 FISH TACOS. 968 00:44:18,833 --> 00:44:20,167 [WOOF WOOF] 969 00:44:22,667 --> 00:44:24,767 QUICK, HIDE. 970 00:44:24,767 --> 00:44:26,267 COME ON. IT'S MY COUSIN, 971 00:44:26,267 --> 00:44:28,267 THE ORIGINAL ALL-PURPOSE DITCH-WITCH. 972 00:44:28,267 --> 00:44:29,667 HIDE. GET DOWN. 973 00:44:29,667 --> 00:44:31,667 ALL THIS IS ABOUT SOME HUSTLER 974 00:44:31,667 --> 00:44:33,667 WHO DUMPED ON YOU, RIGHT? 975 00:44:33,667 --> 00:44:35,200 ISN'T IT? 976 00:44:35,200 --> 00:44:37,833 WELL, WHAT ABOUT SUNTZ? 977 00:44:37,833 --> 00:44:39,067 REALLY. 978 00:44:41,667 --> 00:44:43,667 WHAT WERE YOU PLANNING ON DOING 979 00:44:43,667 --> 00:44:44,867 WHEN YOU GOT DOWN TO ATLANTIC CITY 980 00:44:44,867 --> 00:44:46,333 AND CONFRONTED HIM? 981 00:44:46,333 --> 00:44:48,200 SLAP HIS FACE IN FRONT OF A ROOMFUL OF INVESTORS? 982 00:44:48,200 --> 00:44:50,400 THAT'S A HELL OF A WAY TO BREAK UP WITH A GUY. 983 00:44:54,500 --> 00:44:57,067 SO YOU PICKED THE WRONG GUY. 984 00:44:57,067 --> 00:44:59,233 HAPPENS TO THE BEST OF US. 985 00:45:01,733 --> 00:45:03,233 I'VE BEEN THROUGH THIS. 986 00:45:05,067 --> 00:45:08,067 YOU KNOW, WHEN IT COMES TO LOVE, 987 00:45:08,067 --> 00:45:09,567 THERE'S NO ACCOUNTING FOR TASTE. 988 00:45:09,567 --> 00:45:11,567 HELL, I USED TO BE MARRIED 989 00:45:11,567 --> 00:45:13,067 TO IMELDA MARCOS. 990 00:45:14,567 --> 00:45:17,067 YOU DON'T HAVE TO PUT YOURSELF THROUGH THIS. 991 00:45:17,067 --> 00:45:20,067 A GUY LIKE THAT'S GONNA BURY HIMSELF ANYWAY. 992 00:45:20,067 --> 00:45:21,567 HE DOESN'T DESERVE YOU. 993 00:45:21,567 --> 00:45:22,567 YOU'RE TOO GOOD FOR HIM. 994 00:45:24,933 --> 00:45:27,767 I'M JUST SUCH A JERK. 995 00:45:27,767 --> 00:45:32,600 I MEAN, WHY DO I ALWAYS PICK THE WRONG GUY? 996 00:45:33,600 --> 00:45:35,100 I MEAN, I'M... 997 00:45:36,100 --> 00:45:37,867 I'M SO TRUSTING... 998 00:45:38,867 --> 00:45:40,367 AND SO GULLIBLE. 999 00:45:40,367 --> 00:45:45,567 I MEAN, I DON'T KNOW WHY I'M SUCH A PUSHOVER. 1000 00:45:45,567 --> 00:45:48,567 I MEAN, I'M SUCH A SUCKER. 1001 00:45:48,567 --> 00:45:49,733 MMM. 1002 00:45:49,733 --> 00:45:51,067 MMM. 1003 00:45:51,067 --> 00:45:54,067 I JUST LOVE A PRETTY FACE. 1004 00:45:54,067 --> 00:45:55,233 OH. 1005 00:45:55,233 --> 00:45:57,067 OH, IT'S SO... 1006 00:45:57,067 --> 00:45:59,067 OH, IT'S SO EMBARRASSING. 1007 00:46:02,133 --> 00:46:03,300 OH! 1008 00:46:03,300 --> 00:46:04,467 OOH! 1009 00:46:04,467 --> 00:46:06,067 I BETTER LIE DOWN. 1010 00:46:07,133 --> 00:46:09,133 OH, YOU'RE NOTHING BUT TROUBLE. 1011 00:46:09,133 --> 00:46:10,733 OOH! 1012 00:46:14,133 --> 00:46:16,700 [TICKING] 1013 00:46:17,800 --> 00:46:19,233 [CHIMING] 1014 00:46:19,233 --> 00:46:21,633 [CUCKOO CUCKOO] 1015 00:46:25,967 --> 00:46:27,467 [CLOCK CHIMES] 1016 00:46:59,733 --> 00:47:01,700 [BUGLE CALL PLAYS] 1017 00:47:03,233 --> 00:47:05,733 WHAT THE HELL ARE YOU DOING? 1018 00:47:05,733 --> 00:47:07,133 THAT WASN'T ME. THAT WAS THE BED. 1019 00:47:07,133 --> 00:47:08,933 [LOCK CLICKS] 1020 00:47:08,933 --> 00:47:10,433 [SQUEAKING] 1021 00:47:13,633 --> 00:47:14,967 LET'S GET OUT OF HERE. 1022 00:47:24,200 --> 00:47:25,367 [DOOR BANGS] 1023 00:47:25,367 --> 00:47:26,533 OH. 1024 00:47:29,200 --> 00:47:30,367 UP HERE. 1025 00:47:35,067 --> 00:47:36,767 COME ON. 1026 00:47:36,767 --> 00:47:38,267 [DOOR SQUEAKS] 1027 00:47:38,267 --> 00:47:39,767 IN THIS ROOM! 1028 00:47:41,200 --> 00:47:42,567 THIS WAY. 1029 00:47:43,767 --> 00:47:45,300 THERE'S GOT TO BE A WAY OUT. 1030 00:47:45,300 --> 00:47:46,767 OVER HERE. 1031 00:47:46,767 --> 00:47:48,100 [CRYING] 1032 00:47:48,100 --> 00:47:49,600 MUST BE THE NURSERY. 1033 00:47:55,233 --> 00:47:56,400 BAT ROOM. 1034 00:47:56,400 --> 00:47:57,700 OH, GUANO. 1035 00:47:59,067 --> 00:48:01,900 "MARJORIE VALKENHEISER. SHE FORGOT TO DUCK." 1036 00:48:05,900 --> 00:48:07,100 JESUS, IT'S MOVING! 1037 00:48:07,100 --> 00:48:08,933 OH! AAH! 1038 00:48:08,933 --> 00:48:10,100 OH, OH! 1039 00:48:10,100 --> 00:48:12,267 NO! OH, NO! 1040 00:48:12,267 --> 00:48:14,533 NO! OH, NO! NO! 1041 00:48:14,533 --> 00:48:19,900 AAH! 1042 00:48:20,900 --> 00:48:21,900 OH, JESUS. 1043 00:48:21,900 --> 00:48:24,400 WE GOT TO GET OUT OF HERE. 1044 00:48:24,400 --> 00:48:26,067 HOW FAR DOES THIS GO? 1045 00:48:26,067 --> 00:48:27,567 ALL THE WAY UP-- 1046 00:48:27,567 --> 00:48:28,567 OOH! 1047 00:48:28,567 --> 00:48:29,700 TO HERE. 1048 00:48:29,700 --> 00:48:30,933 ARE YOU ALL RIGHT? 1049 00:48:30,933 --> 00:48:32,433 IT'S A BLIND STAIRCASE. 1050 00:48:32,433 --> 00:48:33,933 MAYBE I CAN--OH. 1051 00:48:33,933 --> 00:48:35,067 WAIT. 1052 00:48:35,067 --> 00:48:37,200 GOT IT. GO ON. 1053 00:48:40,067 --> 00:48:41,067 JESUS. LOOK OUT. 1054 00:48:43,667 --> 00:48:45,267 YOU ALL RIGHT? 1055 00:48:45,267 --> 00:48:46,600 AHH. 1056 00:48:46,600 --> 00:48:48,100 I DON'T KNOW 1057 00:48:48,100 --> 00:48:50,200 HOW MUCH MORE OF THIS CRAP I CAN TAKE. 1058 00:48:57,300 --> 00:48:59,300 WE'RE TRAPPED. 1059 00:49:02,167 --> 00:49:03,900 WOW. LOOK AT ALL THESE I.D.s. 1060 00:49:07,167 --> 00:49:08,267 WHAT IS THIS? 1061 00:49:10,733 --> 00:49:11,967 THERE MUST BE THOUSANDS OF THEM. 1062 00:49:11,967 --> 00:49:15,433 PASSPORTS AND AUTO CLUB CARDS. 1063 00:49:17,833 --> 00:49:19,333 WOW. A LICENSE. 1064 00:49:19,333 --> 00:49:22,600 "VIRGINIA HORSE AND TRAPPINGS, 1896"? 1065 00:49:22,600 --> 00:49:24,067 "STATEWIDE SEARCH 1066 00:49:24,067 --> 00:49:25,933 FOR OUTLAW BIKER GANG UNDERWAY." 1067 00:49:27,833 --> 00:49:30,433 "BUSLOAD OF HARE KRISHNAS... 1068 00:49:30,433 --> 00:49:32,067 DISAPPEARS." 1069 00:49:33,167 --> 00:49:36,067 "EX-NAZI ROCKET SCIENTIST VANISHES." 1070 00:49:36,067 --> 00:49:38,067 '49. 1071 00:49:38,067 --> 00:49:41,133 ALL THESE I.D.s MATCH THE NEWS CLIPPINGS. 1072 00:49:42,300 --> 00:49:43,900 LOOK AT THIS. 1073 00:49:45,233 --> 00:49:46,967 "JIMMY HOFFA STILL MISSING"? 1074 00:49:46,967 --> 00:49:48,267 HERE'S HIS I.D. 1075 00:49:48,267 --> 00:49:49,667 ARE YOU KIDDING? 1076 00:49:52,167 --> 00:49:53,933 OH, WOW. 1077 00:49:53,933 --> 00:49:56,833 I THINK THEY'VE BEEN DOING THIS AROUND HERE 1078 00:49:56,833 --> 00:49:58,200 SINCE THE 1890s. 1079 00:49:58,200 --> 00:50:00,533 I DON'T SEE ANY REASON WHY THEY'LL STOP AT US. 1080 00:50:00,533 --> 00:50:03,300 I MEAN, LOOK AT THIS. 1081 00:50:03,300 --> 00:50:05,333 THEY'RE ALL CRIMINALS AND CREEPS. 1082 00:50:06,400 --> 00:50:07,400 BANKERS. 1083 00:50:08,733 --> 00:50:10,200 EXACTLY. 1084 00:50:11,300 --> 00:50:13,067 NAH. 1085 00:50:16,067 --> 00:50:17,233 AAH! 1086 00:50:18,233 --> 00:50:19,633 WHAT HAPPENED? 1087 00:50:19,633 --> 00:50:20,633 AAH! 1088 00:50:20,633 --> 00:50:22,733 AAH! AAH! 1089 00:50:53,733 --> 00:50:55,733 [TRAIN WHISTLE BLOWS] 1090 00:50:55,733 --> 00:50:56,833 OH. 1091 00:50:56,833 --> 00:50:59,833 I WISH WE WERE ON THAT TRAIN. 1092 00:51:02,733 --> 00:51:04,533 ME, TOO. 1093 00:51:19,633 --> 00:51:21,067 GOOD LUCK, SLICK. 1094 00:51:27,667 --> 00:51:29,900 LOOK AT THIS. IT'S A SLIDE. 1095 00:51:29,900 --> 00:51:32,400 YEAH, BUT THIS IS NO PLAYGROUND. 1096 00:51:32,400 --> 00:51:34,967 COULD BE A BED OF SPIKES DOWN THERE. 1097 00:51:34,967 --> 00:51:36,633 LET'S GO. 1098 00:51:36,633 --> 00:51:39,133 GO. YOU GO. TAKE IT SLOW. 1099 00:51:41,133 --> 00:51:42,700 AAH! 1100 00:51:42,700 --> 00:51:44,967 AH, SHIT! OHHH! 1101 00:51:58,667 --> 00:51:59,667 DIANE! 1102 00:51:59,667 --> 00:52:01,067 OHHH! 1103 00:52:01,067 --> 00:52:02,400 UH-OH. DIANE. 1104 00:52:02,400 --> 00:52:03,633 AAH! 1105 00:52:08,200 --> 00:52:09,900 WHERE? WHY? WHAT? WHAT? WHEN? 1106 00:52:09,900 --> 00:52:12,100 OH, NO! 1107 00:52:20,367 --> 00:52:21,500 CHRIS. 1108 00:52:22,833 --> 00:52:24,067 CHRIS. 1109 00:52:24,067 --> 00:52:25,433 COME ON. 1110 00:52:27,400 --> 00:52:28,400 CHRIS! 1111 00:52:28,400 --> 00:52:30,900 YOU GET DOWN HERE RIGHT NOW! 1112 00:52:30,900 --> 00:52:31,967 COME ON. 1113 00:52:48,967 --> 00:52:50,833 * OH * 1114 00:52:50,833 --> 00:52:51,867 * HOWDY-DO * 1115 00:53:04,100 --> 00:53:07,667 YEAH. HECK, I ALWAYS WAS A GOOD-LOOKING FELLA. 1116 00:53:32,267 --> 00:53:34,333 [HUMMING] 1117 00:54:11,833 --> 00:54:13,067 [FARTS] 1118 00:54:28,067 --> 00:54:29,833 THE BEEMER. 1119 00:54:32,800 --> 00:54:34,167 [GASP] 1120 00:54:34,167 --> 00:54:35,500 UH-OH. 1121 00:54:44,500 --> 00:54:45,833 COME ON. 1122 00:54:53,833 --> 00:54:55,333 FANTASTIC. 1123 00:54:57,333 --> 00:54:59,333 Recorded message: THIS IS CELL-NET ONE. 1124 00:54:59,333 --> 00:55:01,400 THE SYSTEM TO WHICH YOU SUBSCRIBE 1125 00:55:01,400 --> 00:55:04,067 HAS NO AGREEMENT WITH OUR SERVICE-- 1126 00:55:12,733 --> 00:55:15,733 GEE, WE HAVE TO FINISH THIS WORK 1127 00:55:15,733 --> 00:55:18,500 FOR GRANDPA ALVIN, OK? 1128 00:55:18,500 --> 00:55:20,500 WE'RE ALWAYS WORKING FOR HIM. 1129 00:55:20,500 --> 00:55:22,833 HE TREATS US LIKE WE'RE HIS DOGS, 1130 00:55:22,833 --> 00:55:24,267 NOT HIS GRANDSONS. 1131 00:55:24,267 --> 00:55:26,500 WE GOT NO HUMAN RIGHTS. 1132 00:55:26,500 --> 00:55:30,067 HE'S JUST MAD THAT WE BOTH GOT SO FAT 1133 00:55:30,067 --> 00:55:32,400 WE COULDN'T FINISH HIGH SCHOOL. 1134 00:55:32,400 --> 00:55:33,900 YOU'RE THE FAT ONE 1135 00:55:33,900 --> 00:55:36,900 BECAUSE YOU ALWAYS EAT TOO MUCH CEREAL. 1136 00:55:36,900 --> 00:55:38,400 YOU'RE THE ONE WHO'S FAT. 1137 00:55:38,400 --> 00:55:40,400 NOT AS FAT AS YOU. 1138 00:55:40,400 --> 00:55:41,900 YOU'RE THE FAT ONE. 1139 00:55:41,900 --> 00:55:43,400 JUST GET THE HAMMER. 1140 00:55:43,400 --> 00:55:44,900 I GOT IT. 1141 00:55:54,567 --> 00:55:56,567 CAN'T YOU HOLD THAT STRAIGHT? 1142 00:55:56,567 --> 00:55:59,400 HEY. YOU'RE THE ONE WHO'S FORGING. 1143 00:55:59,400 --> 00:56:01,767 CAN'T YOU EVEN SEE? 1144 00:56:01,767 --> 00:56:03,767 I CAN SEE YOU'RE STUPID. 1145 00:56:03,767 --> 00:56:05,400 OH, THAT'S IT. 1146 00:56:05,400 --> 00:56:08,200 I AM NEVER WORKING FOR YOU 1147 00:56:08,200 --> 00:56:10,367 IN THIS FOUNDRY AGAIN. 1148 00:56:10,367 --> 00:56:12,100 NEVER! 1149 00:56:12,100 --> 00:56:14,833 GIVE ME THAT. GO GET A BALL-PEEN HAMMER. 1150 00:56:14,833 --> 00:56:15,833 NO! 1151 00:56:15,833 --> 00:56:18,333 THE ONE'S THAT ROUND ON THE END. 1152 00:56:18,333 --> 00:56:21,367 I KNOW THE BALL-PEEN HAMMER'S ROUND. 1153 00:56:23,400 --> 00:56:26,733 HE THINKS I'M HIS CHILD. 1154 00:56:27,767 --> 00:56:29,500 OH! 1155 00:56:29,500 --> 00:56:30,967 OOH! TRESPASSER! 1156 00:56:30,967 --> 00:56:32,333 GET HER! 1157 00:56:32,333 --> 00:56:33,900 GET HER! 1158 00:56:33,900 --> 00:56:34,967 OOH! 1159 00:56:34,967 --> 00:56:38,100 STOP, TRESPASSER! STOP! 1160 00:56:38,100 --> 00:56:40,533 AAH! 1161 00:56:40,533 --> 00:56:41,867 AAH! 1162 00:56:43,300 --> 00:56:44,300 HI. 1163 00:56:44,300 --> 00:56:45,800 ELDONA'S GOT HER. 1164 00:56:45,800 --> 00:56:46,867 THAT'S GOOD. 1165 00:56:46,867 --> 00:56:49,267 YES. ELDONA'S GOT HER. 1166 00:56:49,267 --> 00:56:50,767 THAT'S NOT GOOD. 1167 00:56:50,767 --> 00:56:52,667 NO. THAT'S NO GOOD. 1168 00:56:52,667 --> 00:56:53,667 AAH! 1169 00:56:53,667 --> 00:56:55,667 STOP! WHAT ARE YOU DOING? 1170 00:56:55,667 --> 00:56:57,267 NO, ELDONA. NO. 1171 00:56:57,267 --> 00:56:59,067 OH! NO! NO! NO! 1172 00:57:00,967 --> 00:57:02,600 WHAT ARE YOU DOING? 1173 00:57:02,600 --> 00:57:03,800 NO, NO. 1174 00:57:03,800 --> 00:57:06,667 DON'T THROW HER IN THE MINEFIRE VENT, PLEASE. 1175 00:57:06,667 --> 00:57:09,667 WE JUST WANT TO PLAY WITH HER. 1176 00:57:09,667 --> 00:57:11,167 OH, THANK YOU. 1177 00:57:12,333 --> 00:57:14,967 THANK YOU. 1178 00:57:19,067 --> 00:57:20,567 I KNOW. I KNOW. 1179 00:57:20,567 --> 00:57:21,800 WE WON'T LOSE HER. 1180 00:57:21,800 --> 00:57:23,100 HI. 1181 00:57:23,100 --> 00:57:25,100 I'M BOBO. 1182 00:57:25,100 --> 00:57:27,167 THAT'S L'IL DEBBULL. 1183 00:57:28,733 --> 00:57:32,133 HI. WE'RE NOT ALLOWED IN THE HOUSE. 1184 00:57:34,367 --> 00:57:35,467 AHH. 1185 00:57:35,467 --> 00:57:36,567 OH. OH. 1186 00:57:36,567 --> 00:57:38,400 IS SHE OK? 1187 00:57:52,700 --> 00:57:55,133 [SNORING] 1188 00:57:59,500 --> 00:58:01,400 JUDGE VALKENHEISER. 1189 00:58:01,400 --> 00:58:02,400 JUDGE! 1190 00:58:02,400 --> 00:58:04,067 WAAAAA! 1191 00:58:04,067 --> 00:58:05,667 I GOT SOME SPEEDERS. 1192 00:58:05,667 --> 00:58:07,167 I'M BRINGING THEM IN. 1193 00:58:07,167 --> 00:58:08,867 I'LL MEET YOU IN THE COURTROOM. 1194 00:58:08,867 --> 00:58:11,633 KEEP ALL YOUR FAT PARTS IN ONE PLACE. 1195 00:58:11,633 --> 00:58:12,667 I'LL BE RIGHT DOWN. 1196 00:58:16,533 --> 00:58:18,533 * OH, BABY, YOU HIT ME LIKE THUNDER * 1197 00:58:18,533 --> 00:58:20,767 * GET OVER, GET ONTO, GET INTO * 1198 00:58:20,767 --> 00:58:23,200 * TO LOVE IT WAS ALWAYS A SIN TO * 1199 00:58:23,200 --> 00:58:25,300 * GET UP OR GET OVER, GET UNDER * 1200 00:58:25,300 --> 00:58:27,567 * OH, BABY, YOU HIT ME LIKE THUNDER * 1201 00:58:27,567 --> 00:58:29,833 * GET OVER, GET ONTO, GET INTO... * 1202 00:58:29,833 --> 00:58:32,767 THAT'S IT, FELLAS. RIGHT UP THE STAIRS. 1203 00:58:32,767 --> 00:58:33,767 HERE WE ARE, GENTLEMEN. 1204 00:58:33,767 --> 00:58:34,967 COME ALONG. JOIN THE PARTY. 1205 00:58:34,967 --> 00:58:36,267 THANK YOU VERY MUCH. 1206 00:58:36,267 --> 00:58:37,700 COME ON. EVERYBODY. 1207 00:58:39,100 --> 00:58:40,867 MAN, WOULD YOU LOOK AT THIS PLACE? 1208 00:58:40,867 --> 00:58:43,567 IT'S LIKE EXTREMELY DRACULATED. 1209 00:58:43,567 --> 00:58:45,267 WHITE MAN'S HEAVEN. 1210 00:58:45,267 --> 00:58:47,567 ONE AT A TIME. HERE WE ARE. 1211 00:58:47,567 --> 00:58:49,767 WE'RE HOME. LET'S GO. 1, 2. 1212 00:58:49,767 --> 00:58:50,767 LICKETY-SPLIT. 1213 00:58:50,767 --> 00:58:53,267 SHE IS ONE UGLY, CROSS-BURNING, 1214 00:58:53,267 --> 00:58:55,767 REDNECK, PECKERWOOD POLICE BITCH, MAN. 1215 00:58:55,767 --> 00:58:56,967 ALL RIGHT, MOVE. 1216 00:58:56,967 --> 00:59:00,533 A GOOD MAN'S WORK IS NEVER DONE. 1217 00:59:07,067 --> 00:59:10,167 OH, I SAT AROUND ALL DAY 1218 00:59:10,167 --> 00:59:12,100 LISTENING TO ALL THOSE STORIES 1219 00:59:12,100 --> 00:59:13,433 WHEN I WANT TO RELAX AND JUST... 1220 00:59:51,067 --> 00:59:53,533 "VILLAGE REEVE HURT IN FOUNDRY BLAST." 1221 00:59:53,533 --> 00:59:55,067 SO THAT'S WHAT HAPPENED 1222 00:59:55,067 --> 00:59:57,067 TO THE POOR, OLD, UGLY PUSBAG. 1223 00:59:57,067 --> 00:59:58,467 I THOUGHT I TOOK CARE 1224 00:59:58,467 --> 01:00:01,333 OF MY VERMIN PROBLEM LAST YEAR. 1225 01:00:01,333 --> 01:00:03,333 I'M GLAD I FORGOT MY PISTOL. 1226 01:00:05,900 --> 01:00:08,067 BAD CALL, CORN FLAKE. 1227 01:00:08,067 --> 01:00:09,633 I LEFT THAT LEG IN FRANCE. 1228 01:00:09,633 --> 01:00:11,300 AND NOW... 1229 01:00:11,300 --> 01:00:12,800 I'M GONNA STICK YOU. 1230 01:00:12,800 --> 01:00:16,133 I'M GONNA DIG SO MANY NEW HOLES IN YOU, 1231 01:00:16,133 --> 01:00:18,100 YOU'RE GONNA LOOK LIKE A SALT SHAKER. 1232 01:00:19,400 --> 01:00:22,900 GET YOUR ITALIAN LOAFERS OUT OF MY BEDPAN. 1233 01:00:22,900 --> 01:00:23,900 OOH! 1234 01:00:29,567 --> 01:00:32,633 I'M GOING TO MAKE YOU CRY NOW, BOY. 1235 01:00:32,633 --> 01:00:35,000 CHEW ON THIS, YOU STINKING RELIC. 1236 01:00:35,000 --> 01:00:36,500 MY SKUNK! 1237 01:00:44,567 --> 01:00:45,700 [CRACK] 1238 01:00:45,700 --> 01:00:49,433 YOU ARE WORSE THAN A WEEK OF YELLOW SHIT STORMS. 1239 01:00:49,433 --> 01:00:51,200 FIRST I FIND YOU ROOTING AROUND IN MY PRIVATE THINGS. 1240 01:00:51,200 --> 01:00:52,533 NOW YOU'RE MAKING ADVANCES 1241 01:00:52,533 --> 01:00:53,967 AGAINST MY LITTLE GRANDDAUGHTER. 1242 01:00:53,967 --> 01:00:55,467 I WAS JUST TRYING TO GET AWAY FROM YOU. 1243 01:00:55,467 --> 01:00:57,000 I RAN INTO HER, OK? 1244 01:00:57,000 --> 01:00:58,900 WELL, SHE'S GOT YOUR TAINT ON HER NOW. 1245 01:00:58,900 --> 01:01:00,267 TAINT. 1246 01:01:00,267 --> 01:01:01,867 NO CHOICE BUT HOUSE POLICY. 1247 01:01:01,867 --> 01:01:03,367 FINE. HOUSE POLICY. 1248 01:01:03,367 --> 01:01:04,967 WHAT'S HOUSE POLICY? 1249 01:01:04,967 --> 01:01:07,433 WHATEVER MAN TOUCHES HER IS THE ONE SHE KEEPS. 1250 01:01:07,433 --> 01:01:09,433 WHAT? WHAT ARE YOU TALKING-- 1251 01:01:09,433 --> 01:01:13,067 OH, NO. WAIT A MINUTE. OH, NO. WAIT A MINUTE. 1252 01:01:13,067 --> 01:01:16,100 I JUST WENT THROUGH A GODDAMN STOP SIGN. 1253 01:01:16,100 --> 01:01:17,500 I JUST WANT TO GET TO ATLANTIC CITY. 1254 01:01:17,500 --> 01:01:18,833 PLEASE, JUDGE. 1255 01:01:18,833 --> 01:01:20,333 SHE'LL KNOW WHAT TO DO WITH HIM. 1256 01:01:22,533 --> 01:01:25,700 [MARCH PLAYS] 1257 01:01:25,700 --> 01:01:27,400 WHAT THE HELL IS THAT? 1258 01:01:33,333 --> 01:01:35,767 OK. WHAT'S GOING ON? 1259 01:01:35,767 --> 01:01:37,067 BOY! 1260 01:01:37,067 --> 01:01:38,833 12:30, ISN'T IT? KIND OF LATE. 1261 01:01:38,833 --> 01:01:42,133 I WAS DREAMING I WAS BACK IN FRANCE ON FURLOUGH. 1262 01:01:42,133 --> 01:01:44,500 STEP FORWARD, CONSTABLE. WHAT ARE THE CHARGES HERE? 1263 01:01:44,500 --> 01:01:45,733 SPEEDING. 1264 01:01:46,900 --> 01:01:48,433 75 IN A 50. 1265 01:01:48,433 --> 01:01:50,200 IN A HEARSE. 1266 01:01:50,200 --> 01:01:52,200 WELL, IF IT WAS AN AMBULANCE, 1267 01:01:52,200 --> 01:01:53,700 YOU GOT A CHANCE. 1268 01:01:53,700 --> 01:01:54,833 IF IT'S IN A HEARSE, GOT TO BE WORSE. 1269 01:01:57,200 --> 01:02:00,533 OK. WELL, THIS IS A UNION CARD, HUH? 1270 01:02:00,533 --> 01:02:01,933 WHAT ARE YOU, MINE WORKERS? 1271 01:02:01,933 --> 01:02:02,933 AW, MAN. 1272 01:02:02,933 --> 01:02:04,500 NO, MAN. WE'RE MUSICIANS. 1273 01:02:04,500 --> 01:02:06,200 WE'RE A HIP-HOP BAND. 1274 01:02:06,200 --> 01:02:08,200 YOU KNOW WHAT I'M SAYING? 1275 01:02:08,200 --> 01:02:09,700 HIP-HOP? MUSICIANS? 1276 01:02:09,700 --> 01:02:11,200 SO YOUSE ALL MUSICIANS, HUH? 1277 01:02:11,200 --> 01:02:12,200 YEAH. DEEJAYS. 1278 01:02:12,200 --> 01:02:14,200 CONSTABLE, YOU SEARCH THE VEHICLE? 1279 01:02:14,200 --> 01:02:15,700 YES, SIR. I DID. 1280 01:02:15,700 --> 01:02:17,167 IT CONTAINS MUSICAL ITEMS. 1281 01:02:17,167 --> 01:02:19,467 WELL, I, UH... 1282 01:02:19,467 --> 01:02:23,067 WELL...I'D BETTER SEE THEM. 1283 01:02:23,067 --> 01:02:24,800 BRING THEM ALL IN, SET THEM UP. 1284 01:02:24,800 --> 01:02:26,300 LET ME SEE THEM. 1285 01:02:27,433 --> 01:02:28,767 ALL RIGHT. LET'S GO. 1286 01:02:33,333 --> 01:02:35,067 * BIG GIRLS * 1287 01:02:35,067 --> 01:02:36,500 * DON'T CRY * 1288 01:02:36,500 --> 01:02:38,633 * BIG GIRLS * 1289 01:02:38,633 --> 01:02:40,533 * DON'T CRY * 1290 01:02:44,367 --> 01:02:47,167 * BIG GIRLS * 1291 01:02:47,167 --> 01:02:49,933 * DON'T CRY-Y-Y * 1292 01:02:49,933 --> 01:02:51,467 * THEY DON'T CRY * 1293 01:02:51,467 --> 01:02:54,367 * BIG GIRLS * 1294 01:02:54,367 --> 01:02:55,933 * DON'T CRY * 1295 01:02:55,933 --> 01:02:57,100 * WHO SAID * 1296 01:02:57,100 --> 01:02:58,933 * THEY DON'T CRY * 1297 01:02:58,933 --> 01:03:01,967 * MY GIRL * 1298 01:03:01,967 --> 01:03:04,600 * SAID GOOD-BYE-Y-Y * 1299 01:03:04,600 --> 01:03:06,133 * MY, OH, MY... * 1300 01:03:06,133 --> 01:03:08,767 ELDONA, YOU KNOW HE'S NOT SUPPOSED TO SEE YOU 1301 01:03:08,767 --> 01:03:10,900 ON THIS SPECIAL DAY. 1302 01:03:10,900 --> 01:03:12,400 SPECIAL DAY? 1303 01:03:12,400 --> 01:03:14,467 WHAT IS IT, HALLOWEEN? 1304 01:03:16,333 --> 01:03:18,600 RIGHT THIS WAY, MR. SNAPPY COMEBACK. 1305 01:03:26,667 --> 01:03:28,833 MM-HMM. 1306 01:03:28,833 --> 01:03:29,933 AFTER THIS, 1307 01:03:29,933 --> 01:03:30,933 YOU CAN SEE US 1308 01:03:30,933 --> 01:03:32,933 DO OUR TAG-TEAM WRESTLING SHOW. 1309 01:03:32,933 --> 01:03:34,567 OK? 3. 1310 01:03:34,567 --> 01:03:36,167 OK. 1311 01:03:36,167 --> 01:03:37,167 LET'S GO. 1312 01:03:38,467 --> 01:03:40,967 I GOT THAT! I GOT THAT! 1313 01:03:40,967 --> 01:03:43,800 I WIN. MY DEAL. 1314 01:03:43,800 --> 01:03:45,067 BOBO WINS BECAUSE BOBO'S HAND WAS ON TOP. 1315 01:03:45,067 --> 01:03:46,067 YEAH. MY HAND'S ON TOP. 1316 01:03:46,067 --> 01:03:47,567 I WIN. MY DEAL. 1317 01:03:47,567 --> 01:03:49,067 NO, I WON. MY DEAL. 1318 01:03:49,067 --> 01:03:51,400 MY HAND'S ON TOP. MY DEAL. I WIN. 1319 01:03:51,400 --> 01:03:54,267 THAT'S RIGHT. BOBO WINS. BOBO'S HAND WAS ON TOP. 1320 01:03:54,267 --> 01:03:56,733 MY HAND WAS ON TOP. I WIN. I DEAL. 1321 01:03:56,733 --> 01:03:57,733 OK. 1322 01:03:57,733 --> 01:03:58,800 OK. 1323 01:03:58,800 --> 01:04:01,567 IF I WIN AGAIN, 1324 01:04:01,567 --> 01:04:03,167 I GET... 1325 01:04:03,167 --> 01:04:05,433 ANOTHER BOWL OF CEREAL. 1326 01:04:05,433 --> 01:04:07,533 AND IF I WIN, 1327 01:04:07,533 --> 01:04:09,267 I GET DIANE. 1328 01:04:12,433 --> 01:04:14,333 NO, L'IL DEBBULL. 1329 01:04:14,333 --> 01:04:16,333 MY DEAL. 1330 01:04:16,333 --> 01:04:17,933 OK, BOBO. DEAL 'EM. 1331 01:04:21,067 --> 01:04:23,100 DROP THE BEAT, J. 1332 01:04:27,467 --> 01:04:28,833 * BEEN ALL AROUND THE WORLD * 1333 01:04:34,533 --> 01:04:36,300 * BEEN ALL AROUND THE WORLD * 1334 01:04:41,433 --> 01:04:43,500 * ALL AROUND THE WORLD * 1335 01:04:43,500 --> 01:04:45,067 * SAME SONG * 1336 01:04:46,267 --> 01:04:48,067 * A-ALL AROUND THE WORLD * 1337 01:04:48,067 --> 01:04:50,067 * SAME SONG * 1338 01:04:50,067 --> 01:04:51,633 * I CAME FOR THE PARTY * 1339 01:04:51,633 --> 01:04:53,567 * TO GET NAUGHTY, GET MY ROCKS ON * 1340 01:04:53,567 --> 01:04:54,600 * EAT POPCORN * 1341 01:04:54,600 --> 01:04:56,067 * WATCH YOU MOVE YOUR BODY * 1342 01:04:56,067 --> 01:04:58,067 * TO THE POP SONG THAT I'M SINGIN', DING-A-LINGIN' * 1343 01:04:58,067 --> 01:04:59,200 * FUNKY BEAT'S RINGIN' * 1344 01:04:59,200 --> 01:05:00,833 * EVERYBODY SWINGIN' IN THE PLACE * 1345 01:05:00,833 --> 01:05:02,800 * AS I KICK THE J-A-Z-Z-Y STYLE * 1346 01:05:02,800 --> 01:05:05,667 * R & B MIXIN' IT WITH THE HIP-HOP SWING BEAT CHAMPAGNE * 1347 01:05:05,667 --> 01:05:06,900 * IN MY HAND, IT WON'T BE LONG * 1348 01:05:06,900 --> 01:05:07,967 * TILL I'M GONE * 1349 01:05:07,967 --> 01:05:09,233 * IT'S JUST THE SAME OLD SONG * 1350 01:05:09,233 --> 01:05:10,500 * IT'S JUST A FREE STYLE * 1351 01:05:10,500 --> 01:05:12,367 * MEANWHILE WE'LL KEEP THE BEAT KICKIN' * 1352 01:05:12,367 --> 01:05:13,567 * SWEAT DRIPPIN' * 1353 01:05:13,567 --> 01:05:14,967 * GIRLIES IN THE LIMO EATIN' CHICKEN * 1354 01:05:14,967 --> 01:05:16,633 * OOPS, DON'T GET THE GREASE ON YOUR PANTY HOSE * 1355 01:05:16,633 --> 01:05:18,967 * I LOVE YOU, ROVER, MOVE OVER, I GOTTA BLOW MY NOSE * 1356 01:05:18,967 --> 01:05:21,667 * SNEEZIN', BUT STILL I'M PLEASIN' ALL THE SLIMMIES * 1357 01:05:21,667 --> 01:05:22,800 * PULL OUT MY JIMMY * 1358 01:05:22,800 --> 01:05:24,100 * TIME TO GET BUSY WITH A JENNY * 1359 01:05:24,100 --> 01:05:25,700 * IF IT'S GOOD AND PLENTY, DON'T YOU KNOW? * 1360 01:05:25,700 --> 01:05:28,100 * THERE I GO, THERE I GO, THERE I GO * 1361 01:05:28,100 --> 01:05:30,167 * BUT I DON'T GO NOWHERE WITHOUT MY GYM HAT * 1362 01:05:30,167 --> 01:05:32,200 * WHEN I'M RAPPIN' AS IF SHE'S CLAPPIN', THEN I'M STRAPPIN' * 1363 01:05:32,200 --> 01:05:33,500 * 'CAUSE I'M SMARTER THAN THAT * 1364 01:05:33,500 --> 01:05:35,067 * AND THEN, GIRLIE, MAYBE WE CAN GET ALONG * 1365 01:05:35,067 --> 01:05:36,133 * CUTIE AFTER CUTIE * 1366 01:05:36,133 --> 01:05:37,567 * IT'S JUST THE SAME OLD SONG * 1367 01:05:37,567 --> 01:05:39,500 * ALL AROUND THE WORLD * 1368 01:05:39,500 --> 01:05:40,800 * SAME SONG * 1369 01:05:40,800 --> 01:05:42,800 * AHH * 1370 01:06:00,933 --> 01:06:02,500 * ALL AROUND THE WORLD * 1371 01:06:02,500 --> 01:06:04,067 * SAME SONG * 1372 01:06:05,067 --> 01:06:07,467 * ALL AROUND THE WORLD * 1373 01:06:07,467 --> 01:06:08,500 * SAME SONG * 1374 01:06:09,833 --> 01:06:11,933 * ALL AROUND THE WORLD * 1375 01:06:11,933 --> 01:06:13,733 * SAME SONG * 1376 01:06:14,733 --> 01:06:16,433 * ALL AROUND THE WORLD * 1377 01:06:16,433 --> 01:06:18,167 * SAME SONG * 1378 01:06:19,200 --> 01:06:21,200 * ALL--ALL AROUND THE WORLD * 1379 01:06:21,200 --> 01:06:22,667 * SAME SONG * 1380 01:06:24,067 --> 01:06:25,800 * ALL AROUND THE WORLD * 1381 01:06:25,800 --> 01:06:26,967 * SAME SONG * 1382 01:06:28,400 --> 01:06:30,500 YES. 1383 01:06:33,100 --> 01:06:34,767 YEP. 1384 01:06:34,767 --> 01:06:38,467 YOU SURE ARE A GAGGLE OF MUSICIANS, SURE ENOUGH. 1385 01:06:39,967 --> 01:06:41,367 AND NOW... 1386 01:06:41,367 --> 01:06:44,867 THE DISPOSITION OF YOUR CASE. 1387 01:06:44,867 --> 01:06:47,867 UH, GATHER IN A LITTLE CLOSER, THERE. 1388 01:06:47,867 --> 01:06:49,867 THAT'S RIGHT. RIGHT THERE. YEAH. 1389 01:06:56,633 --> 01:06:57,967 IN LIGHT OF YOUR CONTRIBUTION 1390 01:06:57,967 --> 01:06:59,800 TO THE COMMON GOOD, I HEREBY WAVE ALL FINES, 1391 01:06:59,800 --> 01:07:01,433 SUSPEND ALL SENTENCES. YOU'RE FREE TO GO. 1392 01:07:04,700 --> 01:07:06,067 HEY. HOLD THE HARVEST. 1393 01:07:06,067 --> 01:07:07,500 THERE IS ANOTHER MATTER 1394 01:07:07,500 --> 01:07:09,533 BEFORE THE SHIRE COURT THIS EVENING. 1395 01:07:09,533 --> 01:07:10,767 AND, UH... 1396 01:07:10,767 --> 01:07:13,467 WELL, YOUSE ALL MIGHT BE ABLE TO HELP. 1397 01:07:18,200 --> 01:07:19,533 WHERE'S DIANE? 1398 01:07:19,533 --> 01:07:20,533 OH, SHE WENT HOME. 1399 01:07:20,533 --> 01:07:22,500 I GOT SOMETHING BETTER FOR YOU. 1400 01:07:22,500 --> 01:07:24,633 FIRST YOU OUGHTA KNOW SOMETHING. 1401 01:07:24,633 --> 01:07:25,667 IN MANY CASES HERE, 1402 01:07:25,667 --> 01:07:26,667 I DO OFTEN CHOOSE 1403 01:07:26,667 --> 01:07:29,067 TO INVEIGH THE MAXIMUM LEVY. 1404 01:07:29,067 --> 01:07:32,067 FREQUENTLY, UNDESIRABLES ARE PUT TO DEATH. 1405 01:07:32,067 --> 01:07:33,500 I CAN UNDERSTAND THAT. 1406 01:07:33,500 --> 01:07:36,067 COME ON. BUT DEATH FOR RUNNING A STOP SIGN? 1407 01:07:36,067 --> 01:07:38,067 AND FOR BEING A BANKER. 1408 01:07:38,067 --> 01:07:39,500 THAT'S THE DOUBLE DEATH. 1409 01:07:39,500 --> 01:07:40,833 HOWEVER, 1410 01:07:40,833 --> 01:07:41,833 I'D BE WILLING 1411 01:07:41,833 --> 01:07:44,467 TO CAST ASIDE ALL FINDINGS, 1412 01:07:44,467 --> 01:07:46,333 BE BLIND TO YOUR BANKER'S BLOOD, 1413 01:07:46,333 --> 01:07:49,333 LET YOU LIVE OUT YOUR DAYS HERE 1414 01:07:49,333 --> 01:07:51,333 AS HUSBAND TO MY GRANDDAUGHTER, 1415 01:07:51,333 --> 01:07:52,833 FATHER TO HER CHILD, 1416 01:07:52,833 --> 01:07:55,267 AND HEIR TO MY SEAT. 1417 01:07:57,633 --> 01:07:59,633 WHA-WHAT ARE YOU SAYING? 1418 01:08:00,833 --> 01:08:02,333 IT'S DEATH OR ELDONA? 1419 01:08:02,333 --> 01:08:03,967 OH, COME ON, LAD. 1420 01:08:03,967 --> 01:08:05,467 TAKE HER HAND. 1421 01:08:05,467 --> 01:08:07,433 WARM MY TIRED OLD HEART. 1422 01:08:07,433 --> 01:08:08,933 I KNOW WOMEN. 1423 01:08:08,933 --> 01:08:10,433 SHE LOVES YOU. 1424 01:08:10,433 --> 01:08:12,267 EVER SINCE SHE SAW YOU, 1425 01:08:12,267 --> 01:08:13,267 SHE'S BEEN FLOATING AROUND 1426 01:08:13,267 --> 01:08:14,567 LIKE MILKWEED IN A SPRING BREEZE. 1427 01:08:14,567 --> 01:08:15,933 UH-HUH. 1428 01:08:15,933 --> 01:08:17,567 MAKE HER HAPPY. 1429 01:08:17,567 --> 01:08:19,567 TAKE CARE OF HER NEEDS, 1430 01:08:19,567 --> 01:08:21,567 AND YOU'LL INHERIT A FORTUNE 1431 01:08:21,567 --> 01:08:24,067 ALI BABA WOULD CRAVE. 1432 01:08:26,967 --> 01:08:28,533 LISTEN, JUDGE. 1433 01:08:30,067 --> 01:08:31,833 UH... 1434 01:08:31,833 --> 01:08:35,533 YOU KNOW, I'VE--I'VE SPENT SOME TIME ALONE WITH HER, 1435 01:08:35,533 --> 01:08:37,833 AND SHE'S A SPECTACULAR WOMAN. 1436 01:08:37,833 --> 01:08:40,333 SHE'S QUIET BUT, UH, JUST SHY. 1437 01:08:40,333 --> 01:08:41,333 MUTE. 1438 01:08:41,333 --> 01:08:43,067 AH. 1439 01:08:43,067 --> 01:08:46,067 BUT, JUDGE, AS FAR AS HER NEEDS ARE CONCERNED, 1440 01:08:46,067 --> 01:08:49,533 I COULD NEVER PRESUME TO BE ABLE TO FILL THEM. 1441 01:08:49,533 --> 01:08:51,267 OH, YOU CAN SLIP ON A PUD COLLAR. 1442 01:08:51,267 --> 01:08:52,800 NOW, LET ME GET YOU 1443 01:08:52,800 --> 01:08:54,167 OUT OF THESE CUFFS AND CHAINS, 1444 01:08:54,167 --> 01:08:55,800 AND I'LL GET YOU ALL MARRIED UP, 1445 01:08:55,800 --> 01:08:57,667 AND WE'LL WELCOME YOU TO THIS FAMILY 1446 01:08:57,667 --> 01:09:00,100 WITH AN ALL-NIGHT REEL. 1447 01:09:02,067 --> 01:09:03,133 NO CUFFS, HUH? 1448 01:09:03,133 --> 01:09:04,300 NO CUFFS. 1449 01:09:06,833 --> 01:09:08,633 PUD COLLAR. 1450 01:09:08,633 --> 01:09:11,067 WELL, I MUST SAY... 1451 01:09:11,067 --> 01:09:12,833 IT SOUNDS AWFULLY TEMPTING. 1452 01:09:15,133 --> 01:09:16,233 HIT IT. 1453 01:09:16,233 --> 01:09:18,467 YO. DROP IT, J. 1454 01:09:18,467 --> 01:09:19,633 THAT'S IT. 1455 01:09:21,267 --> 01:09:22,800 YO. 1456 01:09:22,800 --> 01:09:25,467 WHAT IT BE? WHAT IT BE? 1457 01:09:29,867 --> 01:09:31,200 * WELL, TIE THE KNOT * 1458 01:09:31,200 --> 01:09:32,567 * TIE, TIE THE KNOT * 1459 01:09:34,433 --> 01:09:35,933 IN HER OWN WAY, 1460 01:09:35,933 --> 01:09:38,500 SHE'S KIND OF SPECIAL, ISN'T SHE? 1461 01:09:38,500 --> 01:09:40,133 YOU'LL NEVER HAVE CAR TROUBLE. 1462 01:09:40,133 --> 01:09:42,733 [BAND HUMS HERE COMES THE BRIDE] 1463 01:09:42,733 --> 01:09:45,300 * DA DA DA DA DA * 1464 01:09:45,300 --> 01:09:46,467 * DA-DA * 1465 01:09:46,467 --> 01:09:48,233 * DA DA * 1466 01:09:48,233 --> 01:09:49,800 AH, YEAH. 1467 01:09:53,633 --> 01:09:54,633 OK. 1468 01:09:55,667 --> 01:09:56,667 AHEM. 1469 01:09:56,667 --> 01:09:58,633 THE DISTRICT AND COMMONWEALTH, 1470 01:09:58,633 --> 01:10:01,533 HEREBY DULY RECOGNIZING THE WILL AND WISH 1471 01:10:01,533 --> 01:10:02,633 OF A MAN AND WOMAN 1472 01:10:02,633 --> 01:10:04,067 TO ENTER THE HOLY 1473 01:10:04,067 --> 01:10:07,133 AND LIFE-BINDING STATE OF MATRIMONY, 1474 01:10:07,133 --> 01:10:09,267 HEREWITH CONFIRM THAT YOU, 1475 01:10:09,267 --> 01:10:11,633 ELDONA MARJORIE VALKENHEISER, 1476 01:10:11,633 --> 01:10:14,433 DO TAKE TO HUSBAND ONE... 1477 01:10:14,433 --> 01:10:16,133 CHRISTOPHER LAWRENCE THORNE. 1478 01:10:18,633 --> 01:10:19,633 HMM. 1479 01:10:20,633 --> 01:10:21,633 MMM. 1480 01:10:23,133 --> 01:10:24,467 AND YOU... 1481 01:10:24,467 --> 01:10:26,500 CHRISTOPHER LAWRENCE THORNE... 1482 01:10:26,500 --> 01:10:29,800 CONFIRM THAT YOU DO TAKE TO WIFE... 1483 01:10:30,800 --> 01:10:33,300 ONE ELDONA MARJORIE VALKENHEISER? 1484 01:10:39,300 --> 01:10:40,633 [MUMBLES] 1485 01:10:40,633 --> 01:10:41,633 PARDON? 1486 01:10:41,633 --> 01:10:42,633 WHAT? [MUMBLES] 1487 01:10:42,633 --> 01:10:43,633 SPEAK UP! I CAN-- 1488 01:10:43,633 --> 01:10:45,300 I DO--I DO. 1489 01:10:45,300 --> 01:10:46,633 MMM. 1490 01:10:46,633 --> 01:10:49,133 THIS OFFICE SO RECOGNIZES AND CERTIFIES THIS UNION 1491 01:10:49,133 --> 01:10:52,000 AND DECLARES THAT YOU ARE NOW WEDDED MAN AND WIFE. 1492 01:10:52,000 --> 01:10:53,000 [POUNDS GAVEL] 1493 01:10:55,467 --> 01:10:57,567 YOU MAY KISS THE BRIDE. 1494 01:10:57,567 --> 01:10:59,833 WELL, JUDGE, PLENTY OF TIME FOR THAT 1495 01:10:59,833 --> 01:11:00,733 ON THE HONEYMOON. 1496 01:11:00,733 --> 01:11:02,200 YOU MAY KISS THE BRIDE. 1497 01:11:02,200 --> 01:11:04,467 NO, NOT IN FRONT OF ALL THESE PEOPLE, 1498 01:11:04,467 --> 01:11:05,467 YOUR HONOR. 1499 01:11:05,467 --> 01:11:06,467 NOW! 1500 01:11:11,533 --> 01:11:12,867 LET'S GET OUT OF HERE 1501 01:11:12,867 --> 01:11:14,633 BEFORE THE OLD MAN CHANGES HIS MIND. 1502 01:11:14,633 --> 01:11:15,633 WAIT! WAIT! 1503 01:11:15,633 --> 01:11:16,633 HELP ME! 1504 01:11:16,633 --> 01:11:17,867 WE'RE OUT OF HERE. 1505 01:11:17,867 --> 01:11:19,867 HELP ME! THESE ARE DANGEROUS PEOPLE. 1506 01:11:19,867 --> 01:11:20,867 NO! 1507 01:11:20,867 --> 01:11:21,867 IT'LL BE ALL RIGHT. 1508 01:11:21,867 --> 01:11:22,967 I WAS NERVOUS AT MY WEDDING, TOO. 1509 01:11:22,967 --> 01:11:23,967 NO! PLEASE! 1510 01:11:23,967 --> 01:11:25,067 NEVER MIND HIM. 1511 01:11:25,067 --> 01:11:27,533 HE'S JUST GOT THE WEDDING NIGHT JITTERS. 1512 01:11:27,533 --> 01:11:29,300 JUST GO OUT THE WAY YOU CAME. 1513 01:11:29,300 --> 01:11:31,667 I'LL OPEN THE GATE AND FLIP THE BRIDGE FOR YOU. 1514 01:11:31,667 --> 01:11:33,167 YOU BE COOL, MAN. 1515 01:11:33,167 --> 01:11:34,200 YEAH, WELL, BYE. 1516 01:11:34,200 --> 01:11:36,233 YOU WEAK-LIVERED PUFFBALL! 1517 01:11:36,233 --> 01:11:40,367 DAMN CITY-WORKING, YUPPITY WELL WALLET! 1518 01:11:40,367 --> 01:11:42,300 LOOK HOW YOU HURT MY GRANDDAUGHTER. 1519 01:11:42,300 --> 01:11:44,067 AW, YOU AIN'T FAMILY MATERIAL ANYWAY. 1520 01:11:44,067 --> 01:11:45,067 NO, JUDGE! 1521 01:11:45,067 --> 01:11:46,067 AW, COME ON, JUDGE! 1522 01:11:46,067 --> 01:11:47,300 NO, I WASN'T... 1523 01:11:47,300 --> 01:11:48,433 NO, JUDGE! 1524 01:11:48,433 --> 01:11:49,700 WHY? I... 1525 01:11:49,700 --> 01:11:51,300 JUDGE, WHA--WHAT... 1526 01:11:51,300 --> 01:11:52,800 WAIT! WHOA, NELLY! 1527 01:11:52,800 --> 01:11:54,300 AW, COME ON, JUDGE! 1528 01:11:54,300 --> 01:11:55,867 OH, NO, AH! 1529 01:11:55,867 --> 01:11:57,067 SO LONG, CHARLIE! 1530 01:12:01,100 --> 01:12:03,100 WHAT THE HELL IS THIS NOW? 1531 01:12:03,100 --> 01:12:04,267 OH, NO, OH, NO! 1532 01:12:04,267 --> 01:12:05,333 OH, PLEASE, GOD! 1533 01:12:05,333 --> 01:12:07,800 GUARANTEED YOU'RE GOING TO ENJOY THIS RIDE! 1534 01:12:07,800 --> 01:12:08,800 OH, GOD! 1535 01:12:08,800 --> 01:12:10,100 Judge: I'M OF THE SCHOOL THAT BELIEVES 1536 01:12:10,100 --> 01:12:12,100 THE LAST 30 SECONDS OF A PERSON'S LIFE 1537 01:12:12,100 --> 01:12:14,600 OUGHT TO HAVE A LITTLE ZIP IN THEM. 1538 01:12:14,600 --> 01:12:16,667 JUDGE, LISTEN, I'M SORRY, I'M SORRY. 1539 01:12:18,600 --> 01:12:19,800 AAH! 1540 01:12:19,800 --> 01:12:22,100 * GOIN' DOWN * 1541 01:12:22,100 --> 01:12:24,667 * BONESTRIPPER... * 1542 01:12:24,667 --> 01:12:27,100 OH, PLEASE, OH, PLEASE, GOD, NO! 1543 01:12:32,667 --> 01:12:34,067 JUDGE, I'M SORRY, PLEASE! 1544 01:12:34,067 --> 01:12:35,800 I--I--I LOVE ELDONA! 1545 01:12:35,800 --> 01:12:37,100 I LOVE YOUR GRANDDAUGHTER! 1546 01:12:37,100 --> 01:12:38,433 SHE'S BEAUTIFUL! AAH! 1547 01:12:38,433 --> 01:12:40,633 OH, NO! MY--HEY! 1548 01:12:41,667 --> 01:12:43,267 PLEASE, GOD, HELP! 1549 01:12:43,267 --> 01:12:44,267 PLEASE, GOD, STOP! 1550 01:12:48,400 --> 01:12:51,067 PLEASE, GOD, OH, PLEASE! 1551 01:12:56,067 --> 01:12:57,067 GOD... 1552 01:12:57,067 --> 01:12:58,567 OH, PLEASE, DEAR LORD! 1553 01:12:58,567 --> 01:12:59,600 PLEASE... 1554 01:12:59,600 --> 01:13:01,167 PLEASE, GOD, I... 1555 01:13:02,667 --> 01:13:04,100 THANK YOU, LORD. 1556 01:13:12,500 --> 01:13:13,500 OH. 1557 01:13:13,500 --> 01:13:14,667 DAMN THING BLEW A BELT. 1558 01:13:14,667 --> 01:13:16,067 TELL ELDONA TO GO AND FIX IT. 1559 01:13:16,067 --> 01:13:18,167 EASY ON HER, GRANDPA. SHE'S MIGHTY BROKE UP. 1560 01:13:18,167 --> 01:13:19,167 I'LL GET HIM. 1561 01:13:19,167 --> 01:13:21,167 DON'T LET HIM GET AWAY! 1562 01:13:21,167 --> 01:13:23,233 BRING THAT THERE LOAD TO THE GRADERTINE. 1563 01:13:27,600 --> 01:13:28,600 DIANE? 1564 01:13:28,600 --> 01:13:29,600 DIANE? 1565 01:13:30,900 --> 01:13:37,167 * I MEAN, I MEAN, I MEAN, I MEAN I LOVE YOU * 1566 01:13:37,167 --> 01:13:40,500 * I DREAM, I DREAM, I DREAM, I DREAM * 1567 01:13:40,500 --> 01:13:43,667 * HOW I LOVE YOU * 1568 01:13:43,667 --> 01:13:47,200 * OH, KISS, OH, KISS, OH, KISSITY KISS * 1569 01:13:52,567 --> 01:13:53,567 COME ON! 1570 01:13:53,567 --> 01:13:54,667 ELDONA! 1571 01:13:54,667 --> 01:13:56,167 MMM. 1572 01:14:07,433 --> 01:14:08,567 MMM. 1573 01:14:12,600 --> 01:14:14,067 OK. 1574 01:14:15,333 --> 01:14:16,333 AAH! 1575 01:14:17,733 --> 01:14:18,867 YOU GO ON, GET OUT OF HERE! 1576 01:14:18,867 --> 01:14:20,733 GET OUT OF HERE, YOU BIG SLUSHBAG! 1577 01:14:20,733 --> 01:14:22,567 GO ON BACK TO YOUR HOLE. 1578 01:14:22,567 --> 01:14:24,233 EXCUSE MY GRANDKIDS. 1579 01:14:24,233 --> 01:14:26,233 THEY'RE ALL SPOILED PULP ROTTEN! 1580 01:14:26,233 --> 01:14:27,233 THAT'S RIGHT. 1581 01:14:27,233 --> 01:14:29,233 TOO MUCH, TOO EASY, TOO SOON. 1582 01:14:29,233 --> 01:14:30,733 KIDS TODAY, I KNOW. 1583 01:14:31,733 --> 01:14:32,733 THANKS. 1584 01:14:32,733 --> 01:14:34,233 WANT A MINT CANDY? 1585 01:14:34,233 --> 01:14:35,733 OH, UH... 1586 01:14:35,733 --> 01:14:37,233 NO, NO. 1587 01:14:38,733 --> 01:14:40,133 MISSY... 1588 01:14:40,133 --> 01:14:42,233 I SURE DO HATE TO CUT AND SHUFFLE 1589 01:14:42,233 --> 01:14:43,733 A FINE LITTLE MUFFET LIKE YOU. 1590 01:14:43,733 --> 01:14:44,733 ME, TOO. 1591 01:14:44,733 --> 01:14:46,233 BUT I WILL! 1592 01:14:46,233 --> 01:14:47,733 IF JOE POLO DON'T SHOW. 1593 01:14:47,733 --> 01:14:49,333 NOW, HE HURT MY FAMILY. 1594 01:14:49,333 --> 01:14:50,333 OK. 1595 01:14:50,333 --> 01:14:52,233 CHILD, YOU'LL WALK FREE. 1596 01:14:52,233 --> 01:14:54,600 SCOT-FREE, RIGHT OUT OF HERE. 1597 01:14:54,600 --> 01:14:56,733 YOU JUST GET ON THE TWO-WAY NOW 1598 01:14:56,733 --> 01:14:59,233 AND TELL MR. HIGH-CLASS TO COME ON IN. 1599 01:14:59,233 --> 01:15:01,300 OK, I'LL TALK TO HIM RIGHT NOW. 1600 01:15:01,300 --> 01:15:02,300 ALL RIGHT. 1601 01:15:02,300 --> 01:15:03,800 AAH! 1602 01:15:03,800 --> 01:15:05,233 YOU OK, JUDGE? 1603 01:15:06,300 --> 01:15:07,300 SEE? 1604 01:15:08,633 --> 01:15:09,800 SEE THAT? 1605 01:15:09,800 --> 01:15:11,633 NOW SOMEBODY'S GOT TO PAY 1606 01:15:11,633 --> 01:15:14,633 FOR THE WAY THEY SAPPED THIS GROUND. 1607 01:15:14,633 --> 01:15:15,733 YOU WANT YOUR PILLS? 1608 01:15:15,733 --> 01:15:16,733 I'M ALL RIGHT. 1609 01:15:18,133 --> 01:15:19,733 HEY, HOTWORM! 1610 01:15:19,733 --> 01:15:20,833 LISTEN! 1611 01:15:20,833 --> 01:15:22,500 WE GOT YOUR PRETTY LITTLE GIRLFRIEND DOWN HERE 1612 01:15:22,500 --> 01:15:25,500 READY TO GO ON THE GRADERTINE FOR A QUARTERING, 1613 01:15:25,500 --> 01:15:28,400 BUT BECAUSE SHE'S A BRIGHT-EYED, 1614 01:15:28,400 --> 01:15:29,500 SMART-LOOKING TYPE, 1615 01:15:29,500 --> 01:15:31,500 I'M WILLING TO MAKE A TRADE. 1616 01:15:31,500 --> 01:15:33,567 YOU LIE DOWN IN HER PLACE, 1617 01:15:33,567 --> 01:15:35,500 SHE GOES FREE. 1618 01:15:35,500 --> 01:15:37,733 WE'LL ALL BE HAPPY, INCLUDING YOU. 1619 01:15:37,733 --> 01:15:39,167 HERE, HERE, YOU TELL-- 1620 01:15:39,167 --> 01:15:40,267 WHERE THE HELL'S 1621 01:15:40,267 --> 01:15:42,500 THAT DOG-FOOD-EATING GRANDSON OF MINE ANYWAY? 1622 01:15:42,500 --> 01:15:43,500 DENNIS! 1623 01:15:43,500 --> 01:15:44,500 HERE, YOU TALK. 1624 01:15:44,500 --> 01:15:46,067 WHAT'S GOING ON WITH HIM, ANYWAY? 1625 01:15:46,067 --> 01:15:48,333 WHAT, IS SOMEBODY NOT GIVING HIM HIS NAPALM? 1626 01:15:48,333 --> 01:15:49,367 UH, CHRIS... 1627 01:15:49,367 --> 01:15:53,067 HI. UM...IT'S DIANE. 1628 01:15:53,067 --> 01:15:55,067 UM, LISTEN... 1629 01:15:55,067 --> 01:15:57,067 RUN! RUN FOR YOUR LIFE! 1630 01:15:57,067 --> 01:15:58,067 SAVE YOURSELF! 1631 01:15:58,067 --> 01:16:00,067 TELL THE WORLD ABOUT THIS PLACE! 1632 01:16:00,067 --> 01:16:01,067 JUST-- 1633 01:16:03,067 --> 01:16:04,167 OH, BOY. 1634 01:16:04,167 --> 01:16:08,567 YOU REALLY PUT THE PIN IN THE PARTY HOG NOW, GIRL. 1635 01:16:08,567 --> 01:16:10,967 YOU GOT 5 MINUTES TO COME ON IN, 1636 01:16:10,967 --> 01:16:12,067 OR SHE GETS CUT AND SHUFFLED. 1637 01:16:12,067 --> 01:16:15,067 MIND, NOW, NO GALLANTRY AND NO SUICIDE STUNTS. 1638 01:16:15,067 --> 01:16:17,067 YOU JUST COME ON IN. 1639 01:16:17,067 --> 01:16:18,400 COME ON, NOW. 1640 01:16:18,400 --> 01:16:19,900 BE A REAL MAN. 1641 01:16:19,900 --> 01:16:21,067 SURPRISE YOURSELF. 1642 01:16:23,567 --> 01:16:24,567 SAVE THE WOMAN. 1643 01:16:24,567 --> 01:16:26,667 GIVE YOURSELF UP FOR THE GIRL. 1644 01:16:26,667 --> 01:16:29,167 SHE'LL CRY OVER YOU FOR WEEKS. 1645 01:16:30,233 --> 01:16:31,667 WHAT'S THE MATTER, BOY? 1646 01:16:31,667 --> 01:16:34,567 HEH HEH HEH! AIN'T SHE WORTH IT? 1647 01:16:36,567 --> 01:16:39,133 ALL RIGHT, YOU OLD LIVER SPOT. 1648 01:16:42,467 --> 01:16:44,400 SORRY ABOUT THIS, DIANE. 1649 01:16:44,400 --> 01:16:46,367 BUT WE HAVE TO TIE YOU DOWN 1650 01:16:46,367 --> 01:16:48,800 LIKE GRANDPA ALVIN SAYS. 1651 01:16:48,800 --> 01:16:51,067 I WISH IT WAS HIM WE WERE TYING DOWN 1652 01:16:51,067 --> 01:16:52,633 INSTEAD OF YOU. 1653 01:16:52,633 --> 01:16:55,600 WE DON'T LIKE HIM, BUT WE LOVE YOU. 1654 01:16:55,600 --> 01:16:58,567 THIS IS A CLASSIC CASE OF A DYSFUNCTIONAL FAMILY. 1655 01:16:58,567 --> 01:17:00,800 YOU SHOULD CONSIDER SOME HELP, SOME THERAPY. 1656 01:17:00,800 --> 01:17:01,900 HE WON'T GO! 1657 01:17:01,900 --> 01:17:03,633 OK, COWBOY. 1658 01:17:03,633 --> 01:17:05,800 LAST CHANCE SALOON. 1659 01:17:05,800 --> 01:17:08,133 I'M GOING TO COUNT DOWN FROM 10. 1660 01:17:08,133 --> 01:17:09,533 IF I DON'T HEAR YOUR VOICE 1661 01:17:09,533 --> 01:17:11,133 BY THE TIME I GET TO ONE, 1662 01:17:11,133 --> 01:17:12,633 I'M GOING TO CUT HER! 1663 01:17:12,633 --> 01:17:13,633 AAH! OH, DON'T! 1664 01:17:13,633 --> 01:17:15,467 ELDONA, GET THEM BLADES UP. 1665 01:17:15,467 --> 01:17:16,867 MMM. 1666 01:17:16,867 --> 01:17:18,300 ELDONA, HEY, LISTEN... 1667 01:17:18,300 --> 01:17:19,633 WHY DON'T WE GO TO NEW YORK? 1668 01:17:19,633 --> 01:17:21,700 I'LL TAKE YOU TO ELIZABETH ARDEN. 1669 01:17:21,700 --> 01:17:22,867 10! 1670 01:17:22,867 --> 01:17:24,167 GET ME OUT OF HERE! 1671 01:17:24,167 --> 01:17:25,800 9. 1672 01:17:25,800 --> 01:17:27,600 COME ON NOW, BANKER! 1673 01:17:27,600 --> 01:17:28,633 8. 1674 01:17:28,633 --> 01:17:30,633 WHAT'S WRONG WITH THIS LITTLE GIRL? 1675 01:17:30,633 --> 01:17:32,167 SHE A BAD KISSER OR SOMETHING? 1676 01:17:32,167 --> 01:17:33,867 7. 1677 01:17:33,867 --> 01:17:36,133 CHRIS, I REALLY DIDN'T MEAN TO SAVE YOURSELF. 1678 01:17:36,133 --> 01:17:38,733 GET YOUR ASS DOWN HERE AND SAVE ME! 1679 01:17:38,733 --> 01:17:39,733 6. 1680 01:17:39,733 --> 01:17:41,133 CHRIS, GET DOWN HERE! 1681 01:17:41,133 --> 01:17:43,133 YOU AIN'T GIVING ME MUCH CHOICE, BOY. 1682 01:17:43,133 --> 01:17:44,133 5. 1683 01:17:44,133 --> 01:17:45,133 PLEASE, CHRIS! 1684 01:17:45,133 --> 01:17:46,133 ALL RIGHT, BOY. 1685 01:17:46,133 --> 01:17:48,200 LAST CHANCE SALOON! 1686 01:17:48,200 --> 01:17:49,200 4. 1687 01:17:49,200 --> 01:17:50,367 DON'T! 1688 01:17:50,367 --> 01:17:51,500 3. 1689 01:17:51,500 --> 01:17:52,633 2. 1690 01:17:52,633 --> 01:17:53,800 AAH! 1691 01:17:53,800 --> 01:17:54,800 1. 1692 01:18:03,733 --> 01:18:04,733 DIANE! 1693 01:18:04,733 --> 01:18:05,733 HELP ME! 1694 01:18:05,733 --> 01:18:07,233 OH, GOD, HURRY, GET MY HANDS. 1695 01:18:07,233 --> 01:18:08,233 HOLD ON! 1696 01:18:08,233 --> 01:18:09,567 OH, MY GOD! 1697 01:18:09,567 --> 01:18:10,567 GET MY HANDS! 1698 01:18:10,567 --> 01:18:12,267 WHAT TOOK YOU SO LONG? 1699 01:18:12,267 --> 01:18:13,600 OK, OH, GET ME OUT. 1700 01:18:13,600 --> 01:18:15,233 I KNEW YOU'D SAVE ME. 1701 01:18:15,233 --> 01:18:18,267 I THINK I DIRTIED MY DIAPER. 1702 01:18:18,267 --> 01:18:20,933 GET ME THE HELL OUT OF HERE, CHRIS! 1703 01:18:20,933 --> 01:18:22,267 HE'S FLY-DICKING WITH ME! 1704 01:18:22,267 --> 01:18:23,600 ELDONA, DROP THOSE BLADES! 1705 01:18:23,600 --> 01:18:24,800 GET HIM, GET HIM! 1706 01:18:24,800 --> 01:18:26,067 AAH! 1707 01:18:26,067 --> 01:18:27,067 OH, SHIT! 1708 01:18:33,067 --> 01:18:34,067 HEY! 1709 01:18:38,667 --> 01:18:40,067 WHO ARE THE INFANT BODIES? 1710 01:18:40,067 --> 01:18:41,067 BOBO AND L'IL DEBBULL. 1711 01:18:41,067 --> 01:18:43,067 THEY'RE NOT ALLOWED IN THE HOUSE. 1712 01:18:43,067 --> 01:18:44,500 GET THAT SPOTLIGHT, OK? 1713 01:18:44,500 --> 01:18:45,500 OK. 1714 01:18:45,500 --> 01:18:47,367 WHAT DO YOU PLAY IN ATLANTIC CITY? 1715 01:18:47,367 --> 01:18:48,367 BLACKJACK? CRAPS? 1716 01:18:49,567 --> 01:18:51,233 GOT TO FIND THEM! 1717 01:19:00,633 --> 01:19:02,967 I DON'T THINK THEY SAW US. 1718 01:19:02,967 --> 01:19:03,967 COME ON. 1719 01:19:06,633 --> 01:19:08,133 EXCUSE ME, COMING THROUGH. 1720 01:19:09,133 --> 01:19:10,133 SORRY. 1721 01:19:11,300 --> 01:19:12,300 EXCUSE ME. 1722 01:19:19,467 --> 01:19:21,633 [TRAIN WHISTLE BLOWS] 1723 01:19:21,633 --> 01:19:23,633 AW, WE'LL NEVER GET ACROSS THIS. 1724 01:19:25,133 --> 01:19:26,967 LET'S HEAD TOWARDS THE TRAIN. 1725 01:19:26,967 --> 01:19:28,133 COME ON, THROUGH THE WOODS. 1726 01:19:28,133 --> 01:19:29,567 SMELLS LIKE SAO PAULO. 1727 01:19:29,567 --> 01:19:32,133 WHO'S THAT MAN THAT WAS WITH HER? 1728 01:19:32,133 --> 01:19:33,133 I DON'T KNOW. 1729 01:19:33,133 --> 01:19:34,867 I DON'T KNOW, NEITHER, 1730 01:19:34,867 --> 01:19:36,133 BUT SHE GOT AWAY. 1731 01:19:36,133 --> 01:19:37,500 YOU'RE THE ONE THAT WAS SUPPOSED 1732 01:19:37,500 --> 01:19:38,500 TO BE WATCHING HER. 1733 01:19:38,500 --> 01:19:41,067 YEAH, THAT'S THE MOST BEAUTIFUL GIRL 1734 01:19:41,067 --> 01:19:42,667 I'VE EVER SEEN. 1735 01:19:44,067 --> 01:19:46,333 BOBO, SHUT UP AND DRIVE! 1736 01:19:46,333 --> 01:19:47,967 THERE THEY ARE! 1737 01:19:47,967 --> 01:19:49,300 ON THE HILL! 1738 01:19:49,300 --> 01:19:52,867 GET THEM BEFORE THEY GET TO THE TOP. 1739 01:19:52,867 --> 01:19:54,667 STOP THEM! 1740 01:19:57,133 --> 01:19:58,633 TRAIN. 1741 01:19:58,633 --> 01:19:59,633 HEY! HEY! 1742 01:19:59,633 --> 01:20:00,633 HEY! 1743 01:20:01,667 --> 01:20:02,667 STOP! 1744 01:20:02,667 --> 01:20:04,167 HEY, STOP! HEY! 1745 01:20:10,133 --> 01:20:11,133 NOW! 1746 01:20:14,667 --> 01:20:15,667 COME ON! 1747 01:20:16,667 --> 01:20:17,667 I'M WITH YOU. 1748 01:20:17,667 --> 01:20:18,667 RIGHT! 1749 01:20:22,133 --> 01:20:23,133 COME ON, REACH! 1750 01:20:23,133 --> 01:20:24,700 YOU CAN DO IT! 1751 01:20:24,700 --> 01:20:26,433 I CAN'T MAKE IT. 1752 01:20:26,433 --> 01:20:27,533 TRUST ME. 1753 01:20:27,533 --> 01:20:29,133 COME ON, REACH OUT! 1754 01:20:30,200 --> 01:20:31,933 COME ON, THAT'S IT. 1755 01:20:43,033 --> 01:20:44,033 DAMN IT! 1756 01:20:44,033 --> 01:20:45,700 [RANTING] 1757 01:20:45,700 --> 01:20:47,133 WE GOT TO GET SOME HELP. 1758 01:20:47,133 --> 01:20:48,500 AS SOON AS THE TRAIN STOPS, 1759 01:20:48,500 --> 01:20:50,400 WE'LL GET OFF AND CALL THE POLICE. 1760 01:20:50,400 --> 01:20:52,633 YOU SAVED MY LIFE. 1761 01:20:52,633 --> 01:20:53,633 THANKS. 1762 01:20:53,633 --> 01:20:55,133 IT WAS WORTH IT. 1763 01:21:04,200 --> 01:21:07,067 BYE, DIANE! 1764 01:21:07,067 --> 01:21:09,200 DIANE... BYE-BYE! 1765 01:21:09,200 --> 01:21:11,067 BYE, DIANE. 1766 01:21:24,967 --> 01:21:26,400 WE WENT AROUND IN THAT SPINNING BED, 1767 01:21:26,400 --> 01:21:27,700 THE DOOR FLEW UP, AND WE CAME-- 1768 01:21:27,700 --> 01:21:29,200 GOT UP INTO THAT, UH, A-ATTIC-- 1769 01:21:29,200 --> 01:21:30,200 IN THE ATTIC-- 1770 01:21:30,200 --> 01:21:32,200 WITH THE NEWSPAPERS AND THE, UH... 1771 01:21:32,200 --> 01:21:33,700 ALL THOSE LICENSES, AND THEN-- 1772 01:21:33,700 --> 01:21:35,700 THAT'S PRETTY MUCH WHERE WE FOUND ALL THE LICENSES 1773 01:21:35,700 --> 01:21:37,700 AND THE NEWSPAPER CLIPPINGS WHICH MATCHED-- 1774 01:21:37,700 --> 01:21:39,700 WE WERE SMOKING A CIGAR, RELAXING-- 1775 01:21:39,700 --> 01:21:41,700 THERE WAS NO WAY TO KNOW-- 1776 01:21:41,700 --> 01:21:42,700 WHAT WAS THAT? 1777 01:21:42,700 --> 01:21:43,900 AN ESCAPE HATCH OR WHATEVER. 1778 01:21:43,900 --> 01:21:44,900 ANYWAY, THIS DOOR OPENED, 1779 01:21:44,900 --> 01:21:46,067 AND WE WENT FLYING. 1780 01:21:46,067 --> 01:21:47,500 BOBO AND L'IL DEBBULL SAVED ME. 1781 01:21:47,500 --> 01:21:49,067 AND WE CLIMBED THE CLIFF 1782 01:21:49,067 --> 01:21:50,067 TILL WE GOT ON THE TRAIN 1783 01:21:50,067 --> 01:21:51,600 RIGHT AFTER THE FUEL DUMP EXPLOSION. 1784 01:21:51,600 --> 01:21:52,700 WE THINK MAYBE THE BRAZILLIONAIRES 1785 01:21:52,700 --> 01:21:53,700 HAVE BEEN KILLED. 1786 01:21:53,700 --> 01:21:54,700 THAT'S--DEAD. 1787 01:21:56,700 --> 01:21:59,900 YOU FOLKS, OF COURSE, WILL HAVE TO COME WITH US 1788 01:21:59,900 --> 01:22:01,433 FOR IDENTIFICATION PURPOSES. 1789 01:22:01,433 --> 01:22:03,067 WAIT A MINUTE. 1790 01:22:03,067 --> 01:22:04,700 THIS MAN REMOVED HIS NOSE AND UPPER TEETH 1791 01:22:04,700 --> 01:22:05,733 3 INCHES IN FRONT OF MY FACE 1792 01:22:05,733 --> 01:22:07,267 AND STARTED CROONING LIKE BING CROSBY. 1793 01:22:07,267 --> 01:22:09,200 I'D LIKE TO HELP OUT, BUT I'M PRETTY SURE 1794 01:22:09,200 --> 01:22:10,200 I CAN PICK HIM OUT IN A LINEUP, 1795 01:22:10,200 --> 01:22:11,767 YOU KNOW WHAT I MEAN? 1796 01:22:12,967 --> 01:22:14,267 WE COULD DO IT. 1797 01:22:15,500 --> 01:22:16,500 WE? 1798 01:22:39,767 --> 01:22:42,267 THIS IS THE STATE ATTORNEY GENERAL. 1799 01:22:42,267 --> 01:22:44,733 WE HAVE A WARRANT TO SEARCH THESE PREMISES. 1800 01:22:46,300 --> 01:22:48,433 WHY NOT JUST BLAST YOUR WAY IN? 1801 01:22:48,433 --> 01:22:49,867 FIRST WE HAVE TO SERVE THE WARRANT. 1802 01:22:49,867 --> 01:22:51,600 I BET WE COULD GET THEM TO COME OUT. 1803 01:22:51,600 --> 01:22:52,700 US? 1804 01:22:52,700 --> 01:22:55,133 MISS LIGHTSON DOESN'T HAVE A BAD IDEA THERE. 1805 01:22:58,267 --> 01:22:59,267 WELL... 1806 01:23:00,500 --> 01:23:02,500 I SUPPOSE IT'S WORTH A TRY, 1807 01:23:02,500 --> 01:23:05,067 IF--IF YOU TWO ARE UP TO IT. 1808 01:23:05,067 --> 01:23:06,500 IT'D BE OUR PLEASURE. 1809 01:23:06,500 --> 01:23:08,067 WAIT A MINUTE. WAIT. 1810 01:23:14,067 --> 01:23:16,067 CAN'T WAIT TO SEE HIS FACE 1811 01:23:16,067 --> 01:23:17,167 WHEN HE GETS A LOAD OF THIS. 1812 01:23:27,367 --> 01:23:28,367 OK. 1813 01:23:29,667 --> 01:23:30,667 [RINGS BELL] 1814 01:23:41,067 --> 01:23:42,100 YES? 1815 01:23:42,100 --> 01:23:44,167 WELL, WHAT'S GOING ON HERE? 1816 01:23:44,167 --> 01:23:45,667 WHO ARE YOU? 1817 01:23:45,667 --> 01:23:47,867 WHY ARE YOU BOTHERING AN OLD MAN? 1818 01:23:47,867 --> 01:23:49,567 YOU'RE THROUGH, JUDGE. 1819 01:23:51,067 --> 01:23:54,067 YOU KIDS BETTER LOOK OUT BEHIND YOU. 1820 01:23:54,067 --> 01:23:55,767 THERE'S A BEE'S NEST. 1821 01:23:57,833 --> 01:23:59,833 HI, JUDGE ALVIN! 1822 01:23:59,833 --> 01:24:01,567 EVENING, TROOPERS! 1823 01:24:01,567 --> 01:24:03,800 CAN'T GO TOO FAR IN THIS PART OF THE WORLD 1824 01:24:03,800 --> 01:24:06,700 WITHOUT RUNNING ACROSS MY FRIENDS. 1825 01:24:10,567 --> 01:24:13,067 ALVIN IS SOMETHING, ISN'T HE? 1826 01:24:13,067 --> 01:24:15,067 OF COURSE, WE CAN'T ADMIT 1827 01:24:15,067 --> 01:24:18,133 THAT WE APPRECIATE THE WAY HE GETS THINGS DONE. 1828 01:24:18,133 --> 01:24:19,900 AND SINCE YOU KNOW WHAT YOU KNOW, 1829 01:24:19,900 --> 01:24:21,333 I'M AFRAID WE'RE GOING TO HAVE TO COME 1830 01:24:21,333 --> 01:24:23,067 TO SOME KIND OF A-AR-ARRAN... 1831 01:24:23,067 --> 01:24:24,100 [RUMBLING] 1832 01:24:31,500 --> 01:24:33,067 IT'S THE COAL FIRE! 1833 01:24:33,067 --> 01:24:34,833 THE SEAMS ARE GIVING WAY! 1834 01:24:34,833 --> 01:24:36,867 RUN FOR YOUR LIVES! 1835 01:24:50,567 --> 01:24:52,067 COME ON, GRAB ME. 1836 01:24:52,067 --> 01:24:54,433 I'M NOT GOING TO LOSE YOU NOW. 1837 01:24:54,433 --> 01:24:55,433 GOT YOU. 1838 01:25:00,100 --> 01:25:02,133 HEY, WHAT'S ALL THAT SHAKING? 1839 01:25:02,133 --> 01:25:03,467 I DON'T KNOW. 1840 01:25:03,467 --> 01:25:05,433 I DIDN'T DO ANYTHING. 1841 01:25:07,967 --> 01:25:10,233 AAH! 1842 01:25:10,233 --> 01:25:11,967 MY BEEMER! GET IN! 1843 01:25:11,967 --> 01:25:13,133 NO, IT WON'T START. 1844 01:25:13,133 --> 01:25:14,633 IT'S GOT A FUEL CUT-OFF SWITCH. 1845 01:25:14,633 --> 01:25:15,833 IT'S PART OF THE ALARM SYSTEM. 1846 01:25:17,767 --> 01:25:18,767 NO SEAT BELTS. 1847 01:25:18,767 --> 01:25:19,767 NO ROOF. 1848 01:25:33,200 --> 01:25:34,667 OH, MY! 1849 01:25:52,967 --> 01:25:56,800 FAUSTO, THAT WAS THE MOST ADVENTUROUS WEEKEND 1850 01:25:56,800 --> 01:25:58,067 OF MY ENTIRE LIFE. 1851 01:25:58,067 --> 01:26:01,700 WHEN I THINK ABOUT WHAT HAPPENED IN VALKENVANIA, 1852 01:26:01,700 --> 01:26:03,200 I WOULD DO IT AGAIN. 1853 01:26:03,200 --> 01:26:04,200 NOT ME. 1854 01:26:05,200 --> 01:26:07,200 I WAS LIKE JAMES BOND. 1855 01:26:08,200 --> 01:26:09,700 DON'T WORRY, DENNIS. 1856 01:26:09,700 --> 01:26:13,067 NOW THAT YOU ARE HEAD OF OUR PERSONAL SECURITY... 1857 01:26:13,067 --> 01:26:14,533 AND MY LOVER... 1858 01:26:14,533 --> 01:26:17,200 DUDE, YOUR LIFE'S GOING TO BE FANTASTIC. 1859 01:26:17,200 --> 01:26:18,700 AND DON'T YOU WORRY. 1860 01:26:18,700 --> 01:26:20,100 NO ONE'S GOING TO TOUCH YOU 1861 01:26:20,100 --> 01:26:22,700 OR MY LITTLE FLORA DE LA LUNA. 1862 01:26:22,700 --> 01:26:25,367 OOH. DENNIS, LISTEN TO ME... 1863 01:26:25,367 --> 01:26:27,700 [WHISTLING] 1864 01:26:40,067 --> 01:26:41,700 [MUMBLING] 1865 01:26:57,700 --> 01:26:58,700 WOOF! WOOF! 1866 01:26:58,700 --> 01:27:00,767 NO! UNH! 1867 01:27:01,767 --> 01:27:03,267 HEY, CHRIS. 1868 01:27:03,267 --> 01:27:04,667 CHRIS, HEY, HEY, HEY! 1869 01:27:05,667 --> 01:27:07,267 IT'S OK. TAKE IT EASY. 1870 01:27:07,267 --> 01:27:08,267 I THINK YOU'RE JUST HAVING 1871 01:27:08,267 --> 01:27:09,767 A LITTLE NAPMARE. 1872 01:27:09,767 --> 01:27:10,767 OHHH. 1873 01:27:10,767 --> 01:27:11,967 IT'S OVER? 1874 01:27:11,967 --> 01:27:13,267 OH, YEAH, IT'S OVER. 1875 01:27:13,267 --> 01:27:14,767 YOU'RE OK, WE'RE SAFE. 1876 01:27:14,767 --> 01:27:15,767 OH, GOD. 1877 01:27:15,767 --> 01:27:17,100 TAKE IT EASY. 1878 01:27:18,767 --> 01:27:20,267 OH, JEEZ, WHAT A WEEKEND. 1879 01:27:20,267 --> 01:27:21,767 YEAH, NO KIDDING. 1880 01:27:21,767 --> 01:27:22,767 IT'S OK. 1881 01:27:22,767 --> 01:27:24,767 I'M GOING TO GO TAKE A SHOWER. 1882 01:27:24,767 --> 01:27:25,900 OK. 1883 01:27:27,167 --> 01:27:28,167 JUST REST. 1884 01:27:28,167 --> 01:27:29,167 I'LL REST. 1885 01:27:29,167 --> 01:27:30,200 OK. 1886 01:27:30,200 --> 01:27:32,367 I'M GOING TO WATCH A LITTLE TV. 1887 01:27:34,433 --> 01:27:35,867 NUMEROUS FIRE COMPANIES 1888 01:27:35,867 --> 01:27:38,100 FROM NEW YORK, NEW JERSEY, OHIO, 1889 01:27:38,100 --> 01:27:39,767 AND ALL NEIGHBORING STATES 1890 01:27:39,767 --> 01:27:41,767 ARE BARELY ABLE TO HANDLE 1891 01:27:41,767 --> 01:27:43,267 THE SUBTERRANEAN MINE FIRE 1892 01:27:43,267 --> 01:27:44,767 NEAR THE TOWN OF VALKENVANIA. 1893 01:27:44,767 --> 01:27:46,267 DIANE, YOU SHOULD SEE THIS. 1894 01:27:46,267 --> 01:27:48,267 OUR SUSAN CAMPOST IS ON THE SCENE. 1895 01:27:48,267 --> 01:27:50,267 THIS CLOUD MAY HAVE A SILVER LINING. 1896 01:27:50,267 --> 01:27:52,767 GEOLOGISTS SAY THE BRIEF BUT INTENSE HEAT 1897 01:27:52,767 --> 01:27:54,267 FROM FISSURES 10 MILES BELOW 1898 01:27:54,267 --> 01:27:56,767 HAVE COOKED THE UPPER COAL TAILINGS 1899 01:27:56,767 --> 01:27:58,767 INTO A FINE, MEDIUM-GRADE CRUDE-- 1900 01:27:58,767 --> 01:28:01,333 OVER 50 MILLION BARRELS. 1901 01:28:01,333 --> 01:28:03,833 WAIT JUST--JUST ONE SECOND, ROGER. 1902 01:28:03,833 --> 01:28:06,333 I SEE ONE OF THE VILLAGE RESIDENTS 1903 01:28:06,333 --> 01:28:07,200 RUMMAGING THROUGH THE REMAINS. 1904 01:28:07,200 --> 01:28:08,767 EXCUSE ME, SIR, HOW DO YOU FEEL 1905 01:28:08,767 --> 01:28:10,467 NOW THAT YOU HAVE LOST EVERYTHING? 1906 01:28:10,467 --> 01:28:12,100 AT LEAST WE ALL GOT OUT ALIVE. 1907 01:28:12,100 --> 01:28:14,467 'COURSE, THERE'S NOTHING LEFT FOR US HERE NOW, 1908 01:28:14,467 --> 01:28:15,967 SO WE'RE PLANNING TO MOVE IN 1909 01:28:15,967 --> 01:28:17,433 WITH MY GRANDSON-IN-LAW. 1910 01:28:17,433 --> 01:28:18,967 HE LIVES IN NEW YORK CITY. 1911 01:28:18,967 --> 01:28:20,467 OH, COME ON, NO! WHA-- 1912 01:28:21,600 --> 01:28:23,467 SEE YOU SOON, BANKER! 1913 01:28:23,467 --> 01:28:24,467 NO, WHAT? 1914 01:28:24,467 --> 01:28:28,467 AAH! 1915 01:28:28,467 --> 01:28:30,067 NO, YOU WON'T. 1916 01:28:30,067 --> 01:28:31,667 * ALL AROUND THE WORLD * 1917 01:28:31,667 --> 01:28:32,933 * SAME SONG * 1918 01:28:34,067 --> 01:28:35,333 * I CAME FOR THE PARTY * 1919 01:28:35,333 --> 01:28:36,367 * TO GET NAUGHTY * 1920 01:28:36,367 --> 01:28:37,367 * GET MY ROCKS ON * 1921 01:28:37,367 --> 01:28:38,400 * EAT POPCORN * 1922 01:28:38,400 --> 01:28:39,567 * WATCH YOU MOVE YOUR BODY * 1923 01:28:39,567 --> 01:28:40,867 * TO THE POP SONG THAT I'M SINGIN' * 1924 01:28:40,867 --> 01:28:41,867 * DING-A-LINGIN' * 1925 01:28:41,867 --> 01:28:43,067 * FUNKY BEAT'S RINGIN' * 1926 01:28:43,067 --> 01:28:44,500 * EVERYBODY SWINGIN' IN THE PLACE * 1927 01:28:44,500 --> 01:28:46,367 * AS I KICK THE J-A-Z-Z-Y STYLE * 1928 01:28:46,367 --> 01:28:48,933 * R AND B MIXIN' IT WITH THE HIP-HOP SWING BEAT * 1929 01:28:48,933 --> 01:28:50,067 * CHAMPAGNE IN MY HAND * 1930 01:28:50,067 --> 01:28:51,767 * IT WON'T BE LONG TILL I'M GONE * 1931 01:28:51,767 --> 01:28:52,933 * IT'S JUST THE SAME OLD SONG * 1932 01:28:52,933 --> 01:28:54,167 * IT'S JUST A FREE STYLE * 1933 01:28:54,167 --> 01:28:55,733 * MEANWHILE WE'LL KEEP THE BEAT KICKIN' * 1934 01:28:55,733 --> 01:28:56,933 * SWEAT DRIPPIN' * 1935 01:28:56,933 --> 01:28:58,700 * GIRLIES IN THE LIMO EATING CHICKEN * 1936 01:28:58,700 --> 01:29:00,633 * OOPS, DON'T GET THE GREASE ON YOUR PANTY HOSE * 1937 01:29:00,633 --> 01:29:01,633 * I LOVE YOU, ROVER, MOVE OVER * 1938 01:29:01,633 --> 01:29:03,133 * I GOT TO BLOW MY NOSE * 1939 01:29:03,133 --> 01:29:05,233 * SNEEZIN' BUT STILL I'M PLEASIN' ALL THE SLIMMIES * 1940 01:29:05,233 --> 01:29:06,367 * PULL OUT MY JIMMY * 1941 01:29:06,367 --> 01:29:08,067 * TIME TO GET BUSY WITH A JENNY * 1942 01:29:08,067 --> 01:29:09,933 * IF IT'S GOOD AND PLENTY, DON'T YOU KNOW? * 1943 01:29:09,933 --> 01:29:11,967 * THERE I GO, THERE I GO, THERE I GO * 1944 01:29:11,967 --> 01:29:14,133 * BUT I DON'T GO NOWHERE WITHOUT MY GYM HAT * 1945 01:29:14,133 --> 01:29:15,600 * WHEN I'M RAPPIN' AS IF SHE'S CLAPPIN'* 1946 01:29:15,600 --> 01:29:17,133 * THEN I'M STRAPPIN' 'CAUSE I'M SMARTER THAN THAT * 1947 01:29:17,133 --> 01:29:18,967 * THEN, GIRLIE, MAYBE WE CAN GET ALONG * 1948 01:29:18,967 --> 01:29:20,233 * CUTIE AFTER CUTIE * 1949 01:29:20,233 --> 01:29:21,733 * IT'S JUST THE SAME OLD SONG * 1950 01:29:21,733 --> 01:29:23,100 * ALL AROUND THE WORLD * 1951 01:29:23,100 --> 01:29:24,967 * SAME SONG * 1952 01:29:24,967 --> 01:29:26,633 * IT'S THE SAME OLD SONG, Y'ALL * 1953 01:29:26,633 --> 01:29:27,700 * ALL AROUND THE WORLD * 1954 01:29:27,700 --> 01:29:29,233 * SAME SONG * 1955 01:29:29,233 --> 01:29:31,067 * AH, IT'S JUST THE SAME OLD SONG * 1956 01:29:31,067 --> 01:29:32,400 * ALL AROUND THE WORLD * 1957 01:29:32,400 --> 01:29:33,400 * SAME SONG * 1958 01:29:33,400 --> 01:29:34,700 * SAME SONG * 1959 01:29:34,700 --> 01:29:37,133 * ALL--ALL AROUND THE WORLD * 1960 01:29:37,133 --> 01:29:38,467 * SAME SONG * 1961 01:29:39,567 --> 01:29:41,333 * MONEY-B, THE FREAKY DEKE * 1962 01:29:41,333 --> 01:29:42,733 * SQUEAKY-LICKIN' YOU UP AND DOWN * 1963 01:29:42,733 --> 01:29:44,200 * WELL, AS A MATTER OF FACT, I'LL BE RIGHT BACK * 1964 01:29:44,200 --> 01:29:45,433 * I GOT TO TAKE A LEAK * 1965 01:29:45,433 --> 01:29:46,833 * SO WHILE I'M DRAININ', ENTERTAIN 'EM * 1966 01:29:46,833 --> 01:29:48,600 * BUT I GOT FAME, AND THE BASES ARE TOUCHED * 1967 01:29:48,600 --> 01:29:50,067 * TOO MUCH FOR ME TO TRY TO BE NAMIN' * 1968 01:29:50,067 --> 01:29:51,667 * HEY, YO, YOU SAW ME ON CABLE AND GRINNIN' * 1969 01:29:51,667 --> 01:29:53,833 * I BUSTED IN, AND I WAS GOIN' TO WIN * 1970 01:29:53,833 --> 01:29:55,633 * CLARK GABLE BACK IN OAKLAND, IT'S THE SAME OLD SONG * 1971 01:29:55,633 --> 01:29:57,067 * THIS SPORTY SHORTY * 1972 01:29:57,067 --> 01:29:58,533 * SAME FRECKLES AND HAT, DRINKING THE SAME FORMULA * 1973 01:29:58,533 --> 01:30:00,533 * HYPOTHETICAL, POLITICAL, LYRICAL * 1974 01:30:00,533 --> 01:30:02,000 * MIRACLE WHIP, JUST LIKE BUTTER * 1975 01:30:02,000 --> 01:30:03,267 * MY RHYMES ARE LEGIT * 1976 01:30:03,267 --> 01:30:04,733 * 'CAUSE I'M A HUMPTY, NOT HUMPTY DUMPTY * 1977 01:30:04,733 --> 01:30:05,800 * BUT HUMPTY HUMP * 1978 01:30:05,800 --> 01:30:06,967 * HERE A HUMP, THERE A HUMP * 1979 01:30:06,967 --> 01:30:08,033 * EVERYWHRE A HUMPTY HUMP * 1980 01:30:08,033 --> 01:30:09,200 * AW, SHUT UP AND JUST LISTEN * 1981 01:30:09,200 --> 01:30:10,633 * NOT DISSIN', DON'T GET ME WRONG * 1982 01:30:10,633 --> 01:30:12,400 * BUT TO ME IT'S JUST THE SAME OLD SONG * 1983 01:30:12,400 --> 01:30:13,800 * SO JUST WATCH, 'CAUSE MY NAME IS SHOCK * 1984 01:30:13,800 --> 01:30:15,833 * I LIKE TO ROCK, AND YOU CAN'T STOP THIS * 1985 01:30:15,833 --> 01:30:17,100 * 2 PAC, GO AHEAD AND ROCK THIS * 1986 01:30:17,100 --> 01:30:18,400 * NOW I CLOWN AROUND * 1987 01:30:18,400 --> 01:30:19,833 * WHEN I HANG AROUND WITH THE UNDERGROUND * 1988 01:30:19,833 --> 01:30:21,000 * GIRLS THAT USED TO FROWN * 1989 01:30:21,000 --> 01:30:22,267 * SAY I'M DOWN WHEN I COME AROUND * 1990 01:30:22,267 --> 01:30:23,533 * GAS ME AND REALLY PASS ME * 1991 01:30:23,533 --> 01:30:24,800 * THEY USED TO DISS ME, HARASS ME * 1992 01:30:24,800 --> 01:30:26,833 * BUT NOW THEY ASK ME IF THEY CAN KISS ME * 1993 01:30:26,833 --> 01:30:28,000 * GET SOME FAME, PEOPLE CHANGE * 1994 01:30:28,000 --> 01:30:29,067 * WANT TO LIVE THEIR LIFE, HA * 1995 01:30:29,067 --> 01:30:30,200 * SAME SONG, CAN'T GO WRONG * 1996 01:30:30,200 --> 01:30:31,333 * IF I PLAY THE NICE GUY * 1997 01:30:31,333 --> 01:30:32,400 * CLAIM TO FAME MUST HAVE CHANGED * 1998 01:30:32,400 --> 01:30:33,400 * NOW THAT WE BECAME STRONG * 1999 01:30:33,400 --> 01:30:34,400 * I REMAIN STILL THE SAME * 2000 01:30:34,400 --> 01:30:35,467 * WHY, 2 * 2001 01:30:35,467 --> 01:30:36,467 * 'CAUSE IT'S THE SAME SONG * 2002 01:30:36,467 --> 01:30:37,467 * ALL AROUND THE WORLD * 2003 01:30:37,467 --> 01:30:39,467 * IT'S THE SAME SONG * 2004 01:30:39,467 --> 01:30:40,633 * SAME OLD SONG, Y'ALL * 2005 01:30:40,633 --> 01:30:42,400 * ALL AROUND THE WORLD * 2006 01:30:42,400 --> 01:30:44,633 * SAME SONG... * 2007 01:30:44,633 --> 01:30:47,633 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2008 01:30:47,633 --> 01:30:50,800 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 129411