All language subtitles for All the Sins of Sodom 1968

(fast drum music)

- These are just
what we're looking for.

How did you like working
with these two girls?

- Who could remember,
they were last week.

- How did you like working
with this one?

She's this week.

Now, that's what I call a shot.

(footsteps)

- June Denton, what a bitch.

- She's a damn good model.

- I'm waiting for a
phone call, do you mind?

- Would it make any difference
if I did?

- You don't sleep here do you?

- Yes, I sleep here.

- Why?

- I've got the hots for my camera.

- You know I dig you,
I really do.

The way you handle your camera

and the way you handle me,
it's exciting.

- If I was you, I'd get out of here

before you get into trouble.

- In fact, I don't
think I've ever even met

anyone like you before.

(heavy breathing)

Do they always call you Henning?

- Always.

- Why, don't you have a first name?

- Darryl Morton Henning.

- (Laughs) Darryl's a good name.

- No, it stinks.

- I'll bet you do this with
a lot of girls, don't you?

But it doesn't make any difference,

I mean, I've been to bed
with a lot of men too.

(Henning laughs)

Well, I have.

You know Henning, I never
get tired of modeling,

I could do it all the time.

- Leslie.

- Uh-Huh.

- Always, when I've
been to bed with a girl,

I never wanna see her again,

but I wanna see you again, a lot more.

(Leslie laughs)

- Still auditioning for Henning?

(doorbell buzzes)

- It's only me.

- Come on in.

(camera clicks)

Aw, beautiful, beautiful.

That's it, that's it.

- Who's this for?

- Me, that's it baby, very lightly,

great, great, one more
time, one more time.

That's it, that was great, honey.

Okay, now you change
for next setting, okay?

(sighs)

- Don't you think you're overdoing it?

- Overdoing what?

- This is the fourth
time I've come upon you

using little Leslie in the two weeks

since I sent her up to you.

- She happens to be a very good model.

- Oh, come on.

- Besides,

she's, she's gonna give me something,

something that I've been
looking for for years.

She's a hyper-sexual girl with a,

with a very expressive face

and she just might

be able to give me that look,

that look of seduction,

Eve, Salome, the priestesses of Bala,

the princesses of Sodom,
Gomorrah and Babylon,

all rolled up into one.

- Why?

- I don't know, you know
my daddy was a preacher,

(laughs) he was, I dare, a preacher,

oh, wow,
I used to listen to him (laughs),

in tents and open fields

and bunkhouses all over the Corn Belt,

he hollered about women and
their wicked, wicked ways.

How they would corrupt men,

seduce them and leave.

Like Delilah, would cut off their hair

or like Salome, cut off their heads.

(door bell rings)

Come on in.

- Ms. Finley, Paula Finley
from Claygaugh Publications,

she sent me here to--

- It's after seven o'clock.

- I walked.

- 15 blocks?

- I needed the exercise.

- What did Paula send you up here for?

- For a job.

- What job?

- She said something about

princess of Babylonia?

- Okay, you wait outside,
I'll be with you in a moment.

You're broke, huh?

- I want a job, not a handout.

- Take it as an advance.

- No thanks.

- You're a pretty good type,

how's a guy get in touch with you?

- I don't have a phone,

I could sort of stop by every
once in awhile and check.

- Where do you live?

- I used to live with a girlfriend,

then she bended when I couldn't
pay my share of the rent.

- So you're on the street, huh?

- Yeah, I'm on the street.

- Come on.

It's not much, no bugs
and you have to admit,

it's not as air conditioned
as a park bench.

- I really don't understand why--

- No strings attached.

You stay here and I'll
stay on the other side.

If I can get you a few jobs, I'll try,

give you a chance to get on your feet.

- I don't get it, I don't
get why you're doing this.

- Neither do I.

A lot of people stay here,

there's some more hash over there.

- No, oh, Mr. Henning,
my name is Joyce,

Joyce Lewis.

- Okay, Joyce.

- Thanks a lot.

- Okay, I'll tell you what,

I have a girl coming in tonight

and I'd appreciate it if she
didn't know you were here.

- I'll be quiet as a mouse.

- Okay.

(doorbell rings)

Come on in.

- Hi.

Say, they're good.

- They stink.

- I'm sorry, Henning.

- It's not your fault,

it's just not what I have in mind.

I'll tell you what,

why don't you go change and
we'll try tonight, okay?

Go on.

(vibrator buzzes)

More feeling,

more evil!

- Let's try it one more time.

We'll get it this time.

Once more?

Come on, we'll get it now.

- Now give me

that pent up energy
that you have inside.

Give it to me,

me, feel my fingers, feel my hands,

feel my breath touching you.

- Henning, make love to me, now.

(heavy breathing)

(Leslie moans)

- Why can't you give me that when I

have a camera in my hand?

- I will Henning, you
have to give me more time,

a chance, but I will get it.

- You're a pretty
well known photographer.

You must make lots of money.

Why do you live like this,
like a hermit?

I mean, you could afford a real pad.

- I prefer to live like this.

- Who's that girl last night?

- A model.

- Hmmph.

- What's the hmmph about?

- Oh, nothing, only that
was an awfully noisy

sitting or whatever you wanna call it.

- I'm sorry I disturbed your sleep.

- I didn't mean anything.

I mean, I think it's
groovy, you and that girl.

- I assure you--

- I know, I don't need to
worry about being molested.

- Well, hello.

I see you decided to use her.

- I think he decided not to use me,

only he felt sorry for me.

He let me spend the night.

Well, I guess I'd better get made up.

I have to do the rounds.

- She slept here.

- It was nothing like that.

She left over the storage
area and I slept here.

- Listen, you can do whatever
you like with your guests,

but I don't even know who
that little creature is.

I don't know anything about her.

- She's the homeless
little girl, that's all.

- A homeless little girl, oh Henning.

I used to think you were
the most perceptive of men.

Now I see you're just
as blind as the others,

just as vulnerable.

Why do you think I sent her up to you?

I sent her to you because she
is what you're looking for.

If ever I saw her,

she's the daughter of Satan.

(Henning laughs)

Oh, you can snicker,
you see a homeless girl,

I'm a woman,
I see something different.

Boy, do I see something different.

Well now, what I really
came to talk to you about

was the Johnson layout.

(floor creaks)

(footsteps)

- Something wrong?

- Nothing's wrong.

- I got a booking yesterday.

The photographer isn't exactly what

I'd call a Henning,

he shoots for those
cheesecake magazines.

(camera clatters onto table)

I won't be home until quite late, bye.

- Surprise!

- Sonya Daly, where
the heck have you been?

- In the West Coast, I was
working for Blinker out there

and I married a nice guy.

- God, I'd like to book you
for a couple of days this week.

- Hmm, I'm married but I'm
obsessed with you (laughs).

- Today I need somebody
to be obsessed with me.

Oh, you haven't changed at all.

Don't you get cold without
any pants on?

- Honey, I'm never cold.

(heavy breathing)

(Sonya moans)

(ashtray clangs)

- Do you realize it's four
o'clock in the morning?

- Ah, you were worried about me?

I'll bet you were.

I'm sorry, I shouldn't have
talked to you that way.

I always spoil everything.

Maybe it'd be better if I'd left.

- You needn't, of course
if you want to leave.

- I just don't want to
spoil your life.

- You won't spoil my life.

- Well, I know, no strings.

- Look at me,

you're welcome to stay as
long as you care to, okay?

- Henning around?

- He'll be back in a few minutes.

I have a shooting with him
this afternoon.

- I'm a friend, a very good friend.

- That's nice, why don't
you just wait for him.

(fast drum song)

You've got a great face,

you must do a lot of hats.

I lied before, Henning
won't be back until tonight.

(fast drum song)

- Great,

okay, now one more time this
way, beautiful, beautiful.

Again, come on, open those lips,

that's it, beautiful, beautiful,

come on, more, more, there we go,

that's it, now come right
into the camera.

Bring the wrap down just a little bit,

that's it, right there.

There you go, beautiful.

(camera clicks)

Great.

Come on, pay attention, okay?

Just a few more shots,
it'll be all over.

That's it, okay, now open
the mouth just a little bit,

part the lips, that's it, that's it,

now wet them,
wet the lips a little bit,

great, great, okay, now
look straight ahead.

Okay, that's it,

that's my girl.

You know you're one of
the best models I've got?

Great.

Let me get a focus on you
just a little bit more.

That's it, not too much,

back just a little,
that's perfect, perfect,

just hold that, part the
lips, just a little bit,

that's it, great.

(camera clicks)

Okay, now one more shot.

Now lips really show sex, that's it,

really get sexy, you feel me?

That's it, think of love, that's it,

show the love, oh, beautiful,

great, that's it.

You're really great, you know that?

I'm gonna have to use you
again and again and again.

- Promise?

Promise?

- I promise.

- Okay.

- You've got a groovy body.

- Please go away,

some place where I can't find you.

- I can't, this is where I live.

- Okay, honey, let's have a marriage

between you and the camera now,
that's it.

That's it, great, great.

(camera clicks)

That's it, beautiful, beautiful.

(camera clicks)

Let me focus in on you here,
great, great.

(camera clicks)

Come on down, right to me, okay?

Very slowly, very slowly,
down, down, down, okay,

take the hair away from
the face a little bit.

Keep the hair away from the face,

that's it, okay, don't lose
your balance, that's it.

(camera clicks)

Great, great, great, okay.

Let's try it this way.

Okay, now come right down,

just like you're gonna make
right to your knees, that's it,

that's it, that's it.

(camera clicks)

(footsteps)

- Good afternoon.

- Oh, you're early for your booking.

- Well, I haven't seen
you in almost a whole week

and I missed you or
haven't you noticed?

- Time flies, I've been busy as hell.

- So have I.

I booked out the whole week
with Hawker.

- You must be getting rich.

- No.

(footsteps)

- Oh, don't let me interrupt.

I just wanted to let
you know I'm leaving now

and I probably won't be
back until pretty late.

So don't wait up for me, bye.

- Who was that?

- A girl.

- I can see that, who is she?

- Joyce Lewis, I'm letting her sleep

in the storage area until
she gets on her feet.

- She an old friend?

- Just met her.

- Is that a very good idea?

- Well, she doesn't bother
me and I don't bother her.

- Sounds like a perfect relationship.

- It is, hey, how 'bout some lunch?

- Good.

- Coffee shop?

- Great.

(camera clicks)

(camera clicks)

- We have been working for four hours.

Leslie, you're giving me
beautiful things,

but just not what I'm looking for.

- Honey, touch me,
put your hands on me,

get me started, I know what you want

and I know I can give it to you.

You have to help me.

- Every time you start this,
we end in bed

without one image, film.

(footsteps)

It's Joyce coming home.

Wait.

Idea.

Fantastic.

(Leslie sighs)

Sit down.

Joyce, I want you to touch Leslie,

very, very softly

and I want you to take your hand

and put it underneath this garment

and I want you to stroke her body

very, very sexually

and I want you to make it vibrate.

You understand?

- I think so.

Do you mind if I take off my dress?

- Okay.

- I don't want to rumple it.

- Okay.

(camera clicks)

That's great.

Just great, great, beautiful.

One more time, one more time.

(camera clicks)

I think we've got it.

(Leslie breathing heavily)

I'm going to develop these right away.

- Henning, don't leave me now.

Don't go now.

- Joyce.

- Well, don't mind me, it's
way past my bedtime anyway.

- Thanks, honey.

- Don't mention it, it was a ball.

(vibrator buzzes)

(heavy breathing)

(vibrator buzzes)

(vibrator buzzes)

(Joyce breathes heavily)

(vibrator buzzes)

- Hi, last night I got
the princess of Gomorrah.

- Leslie came through for you, huh?

- Leslie, Leslie was the
princess of Babylonia.

- Babylonia?
I thought you said Gomorrah.

- Gomorrah, that was Joyce Lewis.

- These blow-ups are of Leslie.

- I didn't realize
it until last night,

take a look at this one.

- It's Leslie with Joyce behind her.

You're right.

- Everything that's evil and erotic,

all rolled up into one.

Leslie is wicked and Joyce is evil

and I mean evil.

- I told you.

- You're right, you did.

- Henning, send her away.

- You're crazy.

Joyce is there and I'm gonna
use Leslie too in my book.

- Henning, I beg you,
send that girl away.

- But why do you say that to me Paula?

- Oh, I don't know, call it
women's intuition, if you wish.

Only in this picture--

- You see Sodom and
Gomorrah, Satan's daughter

and that's what I'm looking for.

(traffic noise)

(ocean waves crash)

- I'm tired, that's it for tonight.

I think we got a lot of good stuff.

- I'm glad.

- Joyce, honey, tomorrow
night, I'd like to do

another layout on Leslie and
I'd like you to be there.

Do you mind?

- I don't mind at all, goodnight.

- Yes sir, I think we're gonna get it,

I know we're gonna get it.

(traffic noise)

And away we go (laughs).

You're losing your sweater.

- There, I got it.

- You're beautiful to me.

Hey, it's three o'clock

and we have an awful
lot of work to do.

- Okay.

- Hi Joyce.

How are you?

I'm glad you're here, I want you two

to get to know each other
a little bit better.

Tonight, I'd like to do the same thing

like I did last week.

- Henning, can't we do it without her?

I'm sure we could
get those things again.

- Honey, we've tried for months.

It never worked
like it did with Joyce.

I took those shots, plus some of Joyce

up to Prez at Fern Dale publications

and he wants to publish a book.

A hard cover book of you two
against a white background.

Honey, a book,
a book of look and feeling,

just like we got in
our session last week.

Now look, you two girls
sit here and gab

and I'll go process that film, okay?

- Run along,
we'll entertain ourselves.

I really don't see anything
exceptional in these things.

- You can't tell from
the contact sheet.

Henning's a genius when it comes

to cropping and enlarging.

- You're really afraid of me,
aren't you?

- I'm just in love with Henning.

- That's it,
are her hands touching you?

You know what, that's it.

That's it, it feels good, doesn't it?

Doesn't it feel real good?

Just keep relaxing.

That's it, it really
feels good doesn't it?

It really feels good doesn't it, huh?

Doesn't it feel good, huh?

That's it, it's right from
the tips of your toes,

right on up, isn't it?

(camera clicks)

That's it, bring it back,
that's it, feel it now,

really feel it, come on,

it's getting better and better.

That's it.

- Oh, Henning!

- Real fast this time.

(camera clicks)

Coming right in there, that's it.

Let me just get this
setting here a little bit.

Okay.

(camera clicks)

Okay, now let's see that
beautiful leg of yours.

That's it.

Okay, let's move for a headshot.

(camera clicks)

Great.

- I just wanted to let
you know I'm leaving now.

Are you gonna need me tonight?

- Yes, I'm going to need you
for the start

of the new series on the book tonight.

- Alright, see you later then.

- Okay.

- Where'd you find her?

- She just came in off the street.

- Striking girl, but
when she looked at me,

felt like somebody was
walking across my grave.

- Okay, let's do it again,

okay, strike a new pose.

That's it, a little bit more head.

(camera clicks)

Push the hair back,

push the hair back, that's it,

more, more, more, oh.

(camera clicks)

Stay there.

- Printers was right.

These could be dynamite.

- Great.

Come to your daddy,
come to your daddy.

(camera clicks)

That's it, beautiful,
beautiful, beautiful.

That's it.

Great, come on,

more, more, more,

down, down, oh yeah.

(camera clicks)

Oh, great.

Very easy, now very easy,
bring it down very easy,

that's it, very slowly, very slowly.

- I don't appeal to you, do I?

- Why do you say that?

- Well, I know you're
not exactly a eunuch

and you haven't even
made so much as a pass.

- Joyce, look,

if we went to bed,

we might destroy what
we have in this camera.

- But we might not too.

Goodnight.

- Goodnight, Joyce.

- These are interesting

and they're good.

I might even say sensational.

But, Henning, don't you
think you're overdoing it?

I tried to book in here
three times last week,

you've been wrapped
up in this project.

- I can't help it, Paula,
I've got to finish it,

excuse me.

(camera clicks)

That's it.

Okay, come right onto me, right down.

Love me baby, love me, love me,

open up your mouth, that's it.

I think we've got it for the series.

- Oh, we've worked every
night for over a week.

I'm the kind of girl who
needs a little relaxation.

- I'll tell you what,

you can have two or three
nights off and then

I need you and Leslie

for the real work.

- Henning.

- What?

- I'm going away.

- Where?

- To California, a friend
wants me to come out there.

- You can't, I'm in the middle--

- I've got to, I can't
stand to be near you,

because I want you so badly.

(Joyce moans)

Henning will be back in a few minutes.

He just stepped out.

- I'll come back later.

- Why don't you wait?

I won't bite you.

- I hope he's not upset, just
dropping in on him like this.

I haven't seen him in over a week.

Every time I call, he's tied up,

so wrapped up in shooting this stuff.

- Hey, I've got an idea.

He thinks he's gonna shoot
with me again tonight.

We've been at it every night this week

and I'm just plain tired.

If you're smart, you'll just walk

in quietly and surprise him.

- Would you Joyce,
that'd by wonderful.

- Sure, I'll just tell
him I'm going to a movie.

- He might get awfully angry with you.

- Who cares?

- That'd be great, I could kiss you.

- Don't get carried away.

- Oh, it's just that
I love him so much.

- So you told me once before.

- It's not only that though.

I need him, I need to be loved, a lot.

- Look, run along before he gets back.

Just sneak in on him tonight.

- What time?

- Oh, about 10 o'clock.

- That'd be great, so long.

(bell rings)

- Honey, I thought you went
out for some relaxation.

- Henning, make love to me.

- I can't,
I've got too much work to do,

besides, it's almost 9
o'clock, maybe later on we can.

- I want you to make love to me now.

(heavy breathing)

(bed creaking)

(camera clicks)

- You're one of a kind.

That's exactly what
you are, one of a kind.

Let me see a little
more of the head now,

a little bit more, that's good.

(camera clicks)

Hold it down for Daddy.

Ooh, beautiful, beautiful.

Try it again, sideways,
come right to me.

- Alright (laughs).

- Right to me,
that's it, oh, that's it.

That was just beautiful, baby,

just beautiful.

- when can I see the proofs?

- How does next Friday grab you?

- Friday, I leave for LA on Thursday.

- Honey, for you, I'll
have 'em on Wednesday.

- Great, hey, where's Joyce?

- Joyce, where did you meet Joyce?

- Didn't she tell you
that I stopped in one

afternoon to see you
when you weren't here?

- So how is the shooting going?

- Fine, I'm getting great
things out of Joyce,

but Leslie, I haven't been
able to get in touch with her

in the past two weeks.

- That's strange, she's been around.

She just did a job for me.

- I have been trying
the house, no response.

- Well, try her service,
that's how I get in

contact with her.

- I've been trying the service
for the past four days.

Paula, I need her stuff,
if you see her,

send her up to me.

- I will do, right now about you,

I've a rich commission job in
upstate Colonial Interiors.

- I couldn't.

- Well, you could be home every night.

- I guess I could leave
Joyce in charge of the store.

Yeah, I'll take it.

- Good, you're the only
photographer I know for the job.

- Okay, how about a cup of coffee.

- Love it.

- The enlargements are over there,

the proof sheets are here

and the negatives are over here.

- Oh, these are ours.

- Yep, everything that
I worked for for months

is right here in this room.

I better get my gear.

- And then I'll give you reason not to

forget me too quickly.

- I'm only gonna be gone one day.

- I know, but I still
want to give you reason

not to forget me.

Have a good day.

- Remember, if Wilson calls, I'll have

the job for him next week.

- Bye.

- Where did you get my phone number?

- I got in the files.

- Joyce, I'm a very successful model.

I like parties.

I like fun and I like beds.

I spent four years with
a shrinker and I'm

not gonna undo
four years in four weeks.

Please try to understand.

I like boys.

- So what, I like boys too.

- I'm trying.

(heavy breathing)

(moaning)

- Joyce.

- I guess you're pretty sore at me.

I mean, about that night.

- Did you plan that?

- Of course not.

Henning is a very attractive man.

He made a pass, I guess I'm just weak.

- Well, I'm glad, I hate to think

that you want to hurt me.

- He's yours as far as I'm concerned.

Sorry that I'm here and I'm available,

I don't encourage him,
you've got to believe that.

- I've tried to stay away from Henning

since that night.

I'm afraid I'd take him on any basis.

- Henning's out of town
for a few days.

- Well, I have a booking.

I'll see you later.

- Okay, see you.

- Henning.

- Huh?

- Have you ever tried
two girls in bed at once?

- Why do I need two girls?

- I can assure you, it's far
beyond your wildest fantasies.

- Where would I find two girls--

- Who'd do it?

I would, I bet Leslie would too.

- Leslie?
I've been trying to get in touch

with her for a week just
to finish the layout.

- Oh, just leave that to me.

He says he wants to see you.

Okay, tomorrow night then, bye bye.

(footsteps)

- Please leave me alone.

(vibrator buzzes)

I can't do it again.

I couldn't live with
myself if I did it again.

(moaning)

- [Joyce] Stay there, let go.

Feels good.

No, no.

(vibrator buzzing)

Aren't you dressed yet?

- It just takes me a
long to put on my face.

- Take a look at these.

These are the shots
Henning took of me.

- Honey, these are obscene.

Nudes are one thing, but these,

I've never seen
anything so frightening.

You've got the body
of a fashion model,

but once the world sees these,

you're gonna by typed.

- I don't wanna be a fashion model.

- Well, I've got a booking,
I'd better go.

- I won't be able to
see you for awhile.

Henning finishes with his job today.

- I don't wanna see you ever again.

I'm booked with Henning all this week

and just please leave me alone.

(heavy breathing)

(fast drum music)

- I don't know what happened.

The service said Leslie left
for her home in Missouri,

for good.

Sort of sudden, wasn't it?

- Tonya baby, I thought
I heard the elevator.

- I came up to see my proofs.

I felt a little faint and I knew you

had a bed up here.

- Joyce Lewis sleeps here,
the girl you

met the other day
while you were shooting.

She's out with a
photographer right now

and she won't be back until
the wee hours of the morning.

Hey, take a look at these,

it's part of my pet project.

- Henning, make love to me.

(heavy breathing)

(traffic noise)

(Tonya moans)

(fast drum music)

- Oh, Joyce.

(heavy breathing)

I want you so much.

(camera clicks)

- That's it, the job is done.

The layout is finished and
everything image is on film.

(footsteps)

Thank you baby, you were just great.

- Henning.

- What baby?

- I'm leaving for
California tomorrow night.

- You are?

I hope you're happy.

- You really don't care
about anybody, do you?

- I dig you, baby,

but if you think you're going
to be happier on the coast,

I wouldn't want to stand in your way.

- Of course you wouldn't.

- Where are you going to
be staying at in Cali?

- Don't know, I'll write you
as soon as I get settled.

- You get dressed and I'll write you

a fat check with a juicy bonus.

- Thanks.

- Oh, we got it, baby, we got it.

The negatives are gone.

The negatives are gone!

Why?

Why?

Why has she stolen them?

(fast drum music)

Why did she do this, why?

I'll put them back together again.

Why did she do it?

Why?

Why?

Why?

(Henning sobbing)

Why?

Why?

(Henning breathing heavily)

Why?

(funk music)