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These are the user uploaded subtitles that are being translated: 1 00:00:14,400 --> 00:00:18,350 I am of the opinion that it is impossible to learn only 2 00:00:20,199 --> 00:00:23,639 But the main experience is in oneself for oneself 3 00:00:25,000 --> 00:00:28,990 experiences with the greatest possible and strong intensity 4 00:00:39,430 --> 00:00:42,470 I prepared and had an electronic stethoscope 5 00:00:45,170 --> 00:00:48,790 have electrons connected to the grate and with these 6 00:00:49,970 --> 00:00:54,480 different frequency ranges that result from this I have modulation 7 00:00:57,290 --> 00:01:01,800 achieved and thus the sequencer of an electronic device controlled 8 00:01:03,530 --> 00:01:07,820 but this allows simultaneous synchronized heart music experience 9 00:01:10,520 --> 00:01:11,390 winter wants 10 00:01:16,400 --> 00:01:21,890 edgar froese bandleader of ten brinke next to power plant of the most important 11 00:01:22,430 --> 00:01:26,570 German electronics band even with a very own sound like one 12 00:01:27,350 --> 00:01:31,190 other world on january 20 2015, froese dies in the age 13 00:01:34,670 --> 00:01:37,870 from 70 years but has always lived with faith 14 00:01:38,680 --> 00:01:42,180 there is no death, only the cosmic address changes 15 00:02:44,940 --> 00:02:49,130 we had the spherical sounds of stars and other suns so real 16 00:02:49,720 --> 00:02:53,770 acoustic waves not translated electromagnetic waves but real 17 00:02:53,830 --> 00:02:58,270 Something very unique in the reason we have taken sound together 18 00:02:58,330 --> 00:03:03,950 something shaped out of these sounds, leaving us plenty of space for improvisation 19 00:03:11,180 --> 00:03:17,090 sound experiments a few years before frustration at the fall festival on teneriffa one 20 00:03:17,510 --> 00:03:21,438 interdisciplinary festival for astronaut physicists and artists 21 00:03:21,439 --> 00:03:27,209 what is sounded what is music for edgar froese music does not exist there are only 22 00:03:28,730 --> 00:03:31,790 ordered noise frequencies vibration vibrations 23 00:03:47,040 --> 00:03:51,729 my first encounter with about was amazingly beautiful and sometimes like that 24 00:03:51,730 --> 00:03:54,488 is in life you live with something and believe about it 25 00:03:54,489 --> 00:03:57,669 knowing everything but if you really analyze it then 26 00:03:57,670 --> 00:04:01,900 you do not even know so to meet him was one thing but that 27 00:04:02,290 --> 00:04:04,740 music that was something really out 28 00:04:19,000 --> 00:04:22,630 originally he started to study sculpture and painting 29 00:04:24,190 --> 00:04:27,280 and he probably had great demands on himself 30 00:04:28,639 --> 00:04:33,009 I have painted my stones and marketed you will never get ahead 31 00:04:33,860 --> 00:04:38,240 So I needed something ethereal something subtle and that was it 32 00:04:38,539 --> 00:04:38,939 music 33 00:04:45,480 --> 00:04:50,850 west berlin began in the early sixties in the young generation the hre wanted 34 00:04:51,190 --> 00:04:55,550 she is looking for a new identity for a new sound like froese 35 00:04:56,440 --> 00:04:58,120 founds the ones in 1963 36 00:05:12,530 --> 00:05:16,040 juri gagarin discovers space from a new perspective 37 00:05:17,879 --> 00:05:20,389 look for the yearning for artificial 38 00:05:20,729 --> 00:05:24,689 Paradise a trip to unknown worlds with the help of drugs 39 00:05:24,810 --> 00:05:29,770 this is part of the psychedelic wave that spills from america to europe 40 00:05:30,090 --> 00:05:34,500 Röse loves exploration elsewhere, especially in psychedelic sound 41 00:05:38,260 --> 00:05:42,870 formerly they were called songs and played the already a bit dusty 42 00:05:42,910 --> 00:05:47,110 hard beat now they call themselves jamie green and play that 43 00:05:48,310 --> 00:05:51,060 since some time latest psychedelic music 44 00:06:07,070 --> 00:06:11,930 Psychedelic music is louder in the original than the conventional offer 45 00:06:13,070 --> 00:06:17,390 usually over 100 before that for so-called normal citizens not 46 00:06:18,500 --> 00:06:22,050 lure but terror the result is not necessary in the 47 00:06:22,460 --> 00:06:26,599 The informed know that the superior ones are similar at that time 48 00:06:26,600 --> 00:06:27,710 triggers effects 49 00:06:30,550 --> 00:06:35,250 what is psychedelic for her so for me it is more of a musical one 50 00:06:37,080 --> 00:06:43,070 concept of freedom So in the moment where I can play what I am leading at the moment 51 00:06:43,180 --> 00:06:47,260 Feeling were imposed by what laws and then border it right 52 00:06:51,880 --> 00:06:56,570 practically parallel the instrument with my feeling without being put 53 00:06:58,410 --> 00:07:00,390 this is psychological for me 54 00:07:11,390 --> 00:07:16,340 The evening sun fell on the hills of Bodyguard to lead an unreal light 55 00:07:16,610 --> 00:07:19,210 on the face of the then 63 year old 56 00:07:24,260 --> 00:07:28,520 through a fellow from west berlin a dali student learns aetka 57 00:07:29,330 --> 00:07:34,190 Froese knew the surrealist painter, for example, had thought about what 58 00:07:34,640 --> 00:07:38,439 dalí as a gift with yes for this invitation to play music down there 59 00:07:38,440 --> 00:07:42,460 And then he had his head sculpted in his sculptural class 60 00:07:47,660 --> 00:07:48,120 bronze 61 00:07:55,820 --> 00:08:00,320 you have then continue on these famous garden parties where quite 62 00:08:00,770 --> 00:08:04,789 much prominence was present as for example soraya back then 63 00:08:04,790 --> 00:08:07,530 Persia and many famous people played it 64 00:08:13,240 --> 00:08:18,250 the luckless we moved when you yourself jumped up and in a fight stunts 65 00:08:18,530 --> 00:08:21,800 again and again white red religious music forms 66 00:08:33,289 --> 00:08:37,159 salvador dalí will be about frieze master unconventional 67 00:08:37,969 --> 00:08:42,197 dealing with the art lets the pupil guess who needs to be interested 68 00:08:42,198 --> 00:08:46,408 provoke listening habits to jump open the doors of perception 69 00:08:56,950 --> 00:09:00,909 West Berlin and the rest of the Federal Republic are forming a new one 70 00:09:00,910 --> 00:09:06,419 music scene away from the schlagermove away from the Anglo-Saxon beat and rock music 71 00:09:06,420 --> 00:09:12,190 about fröse and windream are here on the other side of the channel are called the 72 00:09:12,520 --> 00:09:14,100 musical drive krautrock 73 00:09:27,060 --> 00:09:31,850 highlight the hippie time the impossible true the only thing about it 74 00:09:31,920 --> 00:09:37,410 Talking and the much-cited anything goes was much more than a cannabis metaphor 75 00:09:37,920 --> 00:09:40,760 it was the greeting a new time was over 76 00:09:41,880 --> 00:09:46,440 the garbage bin of the war generation before filled to overflowing 77 00:09:52,600 --> 00:09:56,310 those who came out in the '60s, that's what we were 78 00:09:57,190 --> 00:10:02,499 but a kind of cultural revolution no matter whether that happened in the music or not 79 00:10:02,500 --> 00:10:06,860 it all happened or if that happened in the cinema you felt it 80 00:10:08,980 --> 00:10:14,220 from the beginning he in a kind of almost brotherhood he has that same one 81 00:10:18,839 --> 00:10:22,739 Approach had not so much to change the society but ours 82 00:10:24,370 --> 00:10:28,910 have to celebrate life in the late 60s develops in the city wall 83 00:10:29,829 --> 00:10:33,259 a colorful club scene there is no curfew and the 84 00:10:33,850 --> 00:10:38,770 underground shows its flowers the way the club here becomes experimental 85 00:10:39,370 --> 00:10:42,609 live music played members of the so-called berliner 86 00:10:42,610 --> 00:10:47,060 School later style-defining for the electronic music produce here 87 00:10:47,620 --> 00:10:49,370 her first anarchic sounds 88 00:11:21,930 --> 00:11:25,889 I sometimes wrote an electronic one has everything possible 89 00:11:25,890 --> 00:11:28,520 Kraft makes cynicism years of learning 90 00:11:30,690 --> 00:11:35,460 Klaus Schulze is for a short time working dream or TDW her fans him 91 00:11:36,840 --> 00:11:40,050 call him and edgar froese want something quite 92 00:11:40,360 --> 00:11:41,450 make a new one 93 00:11:47,600 --> 00:11:51,049 my idea was to create an inter modulation of frequencies 94 00:11:51,050 --> 00:11:55,159 which is available at any time without the need of an orchestra where the then in 95 00:11:55,160 --> 00:11:58,549 a different way of handling it, for example with a 96 00:11:58,550 --> 00:12:01,909 keyboard or with the corresponding possibilities and the guitar 97 00:12:01,910 --> 00:12:05,100 that did not exist yet but one dreamed of it 98 00:12:08,540 --> 00:12:12,409 td just did not want to hear back then that was just an underground 99 00:12:12,410 --> 00:12:15,260 act in berlin also had its own authority 100 00:12:16,490 --> 00:12:20,179 but no one wanted to bring out a plate with those first big or that 101 00:12:20,180 --> 00:12:25,578 really invest something and that was just so that it financially in the end here 102 00:12:25,579 --> 00:12:30,169 In Germany I say it was difficult for my parents that they go after 103 00:12:30,170 --> 00:12:33,318 England have gone to London and thought we had to try there 104 00:12:33,319 --> 00:12:33,899 anything 105 00:12:54,329 --> 00:12:58,738 It was a cool London autumn that was important to a red biplane 106 00:12:58,739 --> 00:13:01,119 Often I have run out of cacophony 107 00:13:01,649 --> 00:13:06,259 car horns police and other sounds recorded and later in the studio 108 00:13:06,509 --> 00:13:07,149 alienated 109 00:13:11,200 --> 00:13:14,930 The problem was somehow a two months have all options 110 00:13:15,760 --> 00:13:20,439 smash oneself and thus only with that they are responsible at all back 111 00:13:20,440 --> 00:13:23,120 has then synonymous as his guitar sell 112 00:13:29,420 --> 00:13:32,730 our son was born on 24 november 1970 in berlin 113 00:13:39,529 --> 00:13:43,099 It was such a classic story I told my parents she always has 114 00:13:43,100 --> 00:13:47,179 said okay we came back to berlin and we still do not know why in 115 00:13:47,180 --> 00:13:51,780 our flat in the hallway were a letter from records wanted a plate 116 00:13:53,089 --> 00:13:57,828 make and have offered advance and stood in front of the door says with coal or 117 00:13:57,829 --> 00:13:58,989 Coke for heating 118 00:14:03,090 --> 00:14:07,320 my parents always said it was a bit of a lift up the sides 119 00:14:08,620 --> 00:14:12,070 Well, you've already organized something like that 120 00:14:16,800 --> 00:14:21,430 then the first vinyl lp of pellegrini electronic meditation appeared 121 00:14:22,449 --> 00:14:25,549 Together with Klaus Schulze and Konrad Schnitzler 122 00:14:25,550 --> 00:14:30,859 the plate was absolutely no success to create a style takes longer and longer 123 00:14:30,860 --> 00:14:34,110 That cost us 89 years and that was hard years 124 00:14:43,800 --> 00:14:48,430 the electronic and electro-acoustic music was something seductive on 125 00:14:49,270 --> 00:14:52,760 One blow she opened the door to new virgin nobody 126 00:14:53,890 --> 00:14:56,620 this is a great privilege that we wish 127 00:14:58,390 --> 00:15:03,189 I am all artists at the beginning of a movement or at the beginning of a movement 128 00:15:03,190 --> 00:15:05,520 new way of thinking or expression 129 00:15:10,650 --> 00:15:14,440 at the beginning of the seventies, netka froese a trio 130 00:15:17,060 --> 00:15:21,379 the group formation froese frank baumann becomes the most successful in almost 131 00:15:21,380 --> 00:15:26,570 40 years of band history edgar was for me a very knowledgeable people here 132 00:15:27,200 --> 00:15:32,370 my life and i was at that time 18 30 patents which would of course start 133 00:15:34,340 --> 00:15:37,969 I was also influenced by his personality and his philosophy 134 00:15:37,970 --> 00:15:38,600 big part 135 00:15:47,259 --> 00:15:51,169 I was attending a concert that was Emerson Lake & Palmer 136 00:15:51,369 --> 00:15:56,369 they started too late and talked to the man behind me and there it was 137 00:15:57,519 --> 00:16:01,988 christa franke and he said what are you doing these weird sounds and 138 00:16:01,989 --> 00:16:06,188 he once told me your number and then a week later was in mine 139 00:16:06,189 --> 00:16:09,038 postbox please come over we are looking for a new one 140 00:16:09,039 --> 00:16:13,519 keyboard player and then I come with my organ and said hello mr 141 00:16:16,479 --> 00:16:20,449 Christoph hello and what does one say something just says 142 00:16:21,429 --> 00:16:21,769 play 143 00:16:36,800 --> 00:16:41,620 it came so small things to a generator on it one is still the earth 144 00:16:42,390 --> 00:16:47,309 such a button and the delivered in a white noise and then has the couple 145 00:16:47,310 --> 00:16:52,100 No filters that was one of the first truly electronic instruments and 146 00:16:53,190 --> 00:16:58,130 then the first really essential thing is when it em 3 it was that one 147 00:17:00,360 --> 00:17:03,450 small suitcase has then built into the inter 148 00:17:04,080 --> 00:17:07,499 milan with three generators at the time it was quite unbelievable what to do with it 149 00:17:07,500 --> 00:17:09,990 So I could play with it for nights 150 00:17:16,939 --> 00:17:21,469 For the first time, the so-called moog synthesizer comes on the album time 151 00:17:21,470 --> 00:17:23,810 use long electronic sound surfaces 152 00:17:24,519 --> 00:17:28,639 expansive, slowly developing tracks find international critics 153 00:17:30,169 --> 00:17:31,849 for a name spaces music 154 00:17:39,320 --> 00:17:43,210 we feel a great gravity in us which we try to overcome 155 00:17:46,020 --> 00:17:49,560 we try that in a musical way to a supporting line 156 00:17:54,090 --> 00:17:59,180 in itself has the ourselves and possibly also other people while listening 157 00:18:00,180 --> 00:18:04,430 So the music should be that you can practically from the one 158 00:18:05,430 --> 00:18:09,100 say something is lifted from the bottom of the facts 159 00:18:12,850 --> 00:18:18,040 Radio DJ icon John Peel is excited about the album time having a cleansing 160 00:18:18,580 --> 00:18:24,000 his effect on him, as it were, changed his mind. john peel chooses the import 161 00:18:24,370 --> 00:18:28,719 album breath the plate of the year and helps the green dream to cult status 162 00:18:28,720 --> 00:18:33,070 In the UK more than 15,000 plates will be there only by post 163 00:18:33,340 --> 00:18:37,840 the excited sold great attention at the young plates label virgin 164 00:18:38,380 --> 00:18:38,900 records 165 00:18:50,530 --> 00:18:55,600 on january 23, 1973, christoph franke and peter bauer are to meet in one 166 00:18:56,930 --> 00:18:59,839 Half empty british airways flyer direction london 167 00:18:59,840 --> 00:19:04,980 the goal was also researcher the company virgin owned a large estate there 168 00:19:05,030 --> 00:19:06,070 an ancient men 169 00:19:20,369 --> 00:19:25,079 It was also the first time we stayed in a really high class studio 170 00:19:25,210 --> 00:19:27,570 We also had a lot of time to go 171 00:19:28,509 --> 00:19:32,709 experiment and I can remember very well when she was clawing 172 00:19:33,729 --> 00:19:38,139 then the em then the one who took over the plates came in and 173 00:19:39,519 --> 00:19:42,139 we played in the tetra before leaving 174 00:19:46,409 --> 00:19:50,089 maybe other professionals work and so that was really 175 00:19:52,389 --> 00:19:56,939 completely could not grasp that one but where they can make built 176 00:20:12,470 --> 00:20:17,750 february appeared inland in 1974 and shot us completely unexpected immediately 177 00:20:18,690 --> 00:20:23,360 hendricks is one of the charts of the british melody makers phädra 178 00:20:28,470 --> 00:20:32,699 completely electronic album for the first time used the band that 179 00:20:32,700 --> 00:20:37,678 Mellotron together with the modular courage of a synthesizer that the American 180 00:20:37,679 --> 00:20:39,129 robot bop-book board 181 00:20:43,030 --> 00:20:46,940 In a nutshell, you can decide which sounds after another 182 00:20:47,870 --> 00:20:52,609 run and run so in a sequence that's why the sequencer is called man 183 00:20:52,610 --> 00:20:56,298 So there can be melodies preprogrammed and then plays in from 184 00:20:56,299 --> 00:21:00,959 speeds that are regulated before and you can do so a little longer 185 00:21:01,190 --> 00:21:05,680 or several tones side by side and everything was so very unusual 186 00:21:06,200 --> 00:21:07,250 fashion rhythms 187 00:21:19,059 --> 00:21:23,739 Of course there was a sound color which was generated electronically 188 00:21:25,460 --> 00:21:28,609 that is, for example, or other manufacturers specifically for Germany 189 00:21:28,610 --> 00:21:32,170 developed and worked above the top for example came 190 00:21:34,070 --> 00:21:38,680 Sound colors that you never knew before and out of this commitment 191 00:21:40,129 --> 00:21:44,809 this fascination for treasury came as music from another world space 192 00:21:50,119 --> 00:21:52,559 space adept or as they were called 193 00:22:04,690 --> 00:22:04,970 May 194 00:22:12,809 --> 00:22:17,179 zentren dream is invited to the feudal English estate of a fan 195 00:22:17,649 --> 00:22:22,178 the band is now celebrated worldwide and petra is considered a milestone of 196 00:22:22,179 --> 00:22:26,139 electronic music that's a bit like superstar but now has 197 00:22:31,119 --> 00:22:34,498 but to do nothing with it you can not and there under certain 198 00:22:34,499 --> 00:22:37,508 You can not handle the stressful conditions that you bring with you 199 00:22:37,509 --> 00:22:41,279 work and on the one side but with a body again there 200 00:22:44,099 --> 00:22:48,638 generous promptly that's not working out according to a two-year-old 201 00:22:48,639 --> 00:22:51,959 Celebrating one can be more tender in the scene 202 00:22:52,599 --> 00:22:56,198 You have to expect that you constantly change what you can not 203 00:22:56,199 --> 00:23:00,008 until then I have managed to do it and the plane I want 204 00:23:00,009 --> 00:23:03,309 Do not leave then I'll have to reckon with it 205 00:23:03,519 --> 00:23:07,778 you have to change the impact from the outside and you have to stay flexible 206 00:23:07,779 --> 00:23:13,089 and also in the music because we try to preserve spontaneity and that should 207 00:23:14,439 --> 00:23:17,228 Of course, that does not mean that you do not have what it did now 208 00:23:17,229 --> 00:23:21,928 because we that is the crucial point we always have very or consciously 209 00:23:21,929 --> 00:23:26,049 and to counter what we have played and to know what to do 210 00:23:27,069 --> 00:23:31,058 that if one has such a certain popularity and what of the 211 00:23:31,059 --> 00:23:35,539 is demanded very much as well as from the audience life as well 212 00:23:36,219 --> 00:23:39,698 I started there now you have to go on and exactly at this point 213 00:23:39,699 --> 00:23:42,549 we already hurt him a whole lot together 214 00:23:42,630 --> 00:23:44,080 we will not continue 215 00:23:51,480 --> 00:23:56,288 christoph franke who never liked to toured and worked in the studio thought 216 00:23:56,289 --> 00:24:01,139 probably a quiet studio contemplative year 1974 Peter Baumann and I to 217 00:24:02,679 --> 00:24:06,239 a conflicting attitude it makes us enjoy the dozens 218 00:24:06,669 --> 00:24:10,289 hotels after weeks of preparations left on the fifth 219 00:24:10,690 --> 00:24:14,030 december our truck fully loaded berlin directions 220 00:24:38,430 --> 00:24:42,600 I've seen this stage from a very long way and then we are 221 00:24:43,710 --> 00:24:48,329 of course very funny at once so behind the altar so where the pastor 222 00:24:48,330 --> 00:24:52,640 Usually on field and that was our dressing and the stream was 223 00:24:53,550 --> 00:24:57,779 at that time there was a year old or maybe two years old and he was lying there 224 00:24:57,780 --> 00:25:02,490 the one that tells the small one there the small altar in this one 225 00:25:03,380 --> 00:25:08,100 preparatory room for the priest and was of course scary dark and so 226 00:25:08,310 --> 00:25:12,800 A few small lamps overhead at the ceiling and the atmosphere was 227 00:25:12,810 --> 00:25:15,900 scary is rising because of 6000 people there 228 00:25:37,050 --> 00:25:41,070 I was especially beautiful in this room and we could only 229 00:25:43,390 --> 00:25:48,369 so there are some notes and therefore the hand of the walls in the form of the 230 00:25:48,370 --> 00:25:51,340 this content was in a very nice atmosphere 231 00:26:11,170 --> 00:26:14,190 I had a real relationship with the Alps of 232 00:26:18,760 --> 00:26:23,239 i was lucky enough to have the dancer dream concert in the cathedral of reims 233 00:26:23,240 --> 00:26:27,420 Seeing that fitted so well with what I have in my own time 234 00:26:29,960 --> 00:26:31,940 land there was a correlation 235 00:26:51,270 --> 00:26:56,109 a short time later, the parisian secretary's office of the catholic church was opened 236 00:26:56,110 --> 00:26:59,270 the Vatican has an all-European administration 237 00:26:59,590 --> 00:27:03,810 prohibited dancer green once again appear in church facilities 238 00:27:04,180 --> 00:27:06,510 let the catholic church write one 239 00:27:08,530 --> 00:27:12,620 in exchange, the anglican church can dream invites one year 240 00:27:13,810 --> 00:27:18,710 later in their sacred halls 1 the centuries old church dispute will be 241 00:27:19,000 --> 00:27:21,150 played over a West Berlin band 242 00:27:26,920 --> 00:27:31,449 the political motivation to turn everything upside down that was a berliner 243 00:27:31,450 --> 00:27:36,360 but artistically, the impulses come from somewhere else and I have over 244 00:27:41,770 --> 00:27:46,320 his influences speak on our common influences on the one hand the 245 00:27:47,530 --> 00:27:52,380 classical music and that of the pioneers or he explores the electronic 246 00:27:53,710 --> 00:27:54,870 music in cologne 247 00:28:32,620 --> 00:28:36,280 even if you deny your name music, you still can not 248 00:28:38,890 --> 00:28:44,370 deny that we are now making a new deal about the manipulation of the Anatolian 249 00:28:45,670 --> 00:28:50,540 sounds and their organizations have electronic music at musik electronic 250 00:28:51,820 --> 00:28:55,589 was born in germany and france it is a genre of music 251 00:28:55,590 --> 00:28:59,680 Continental Europe that has no origins in the United States 252 00:29:08,050 --> 00:29:12,229 parallel to the expanded concept of art evolves in the musical 253 00:29:12,230 --> 00:29:16,860 avant-garde also an advanced sound understood the strict distinction 254 00:29:17,090 --> 00:29:19,540 between sound and noise is canceled 255 00:29:23,620 --> 00:29:27,690 i mean to make music as well as any other mental activity 256 00:29:30,590 --> 00:29:34,740 discover means equality of sound and silent equal rights and 257 00:29:39,230 --> 00:29:41,030 inclusion of noise and do 258 00:29:47,380 --> 00:29:52,120 stockhausen the first electronic institute in paris that you came and 259 00:29:52,190 --> 00:29:55,789 popmog with its developments that all at once flowed together 260 00:29:55,790 --> 00:29:57,600 in addition, everyone drew 261 00:30:16,610 --> 00:30:20,510 In 1974 an Australian agency has put together a tour in 262 00:30:21,570 --> 00:30:26,230 Melbourne should start but no trace of Peter Bauer as duo we could 263 00:30:27,570 --> 00:30:31,168 michael könig does not perform a synthesis from berlin 264 00:30:31,169 --> 00:30:35,049 formed the new trio with us it was a would say a very 265 00:30:38,850 --> 00:30:43,510 depressive phase for me so very depressed and I lived alone to the 266 00:30:45,330 --> 00:30:50,330 time and somehow had to turn me into a full turn out of this situation 267 00:30:50,429 --> 00:30:54,319 liberated and just sat in the car and went to the east 268 00:30:56,010 --> 00:31:00,090 first to italy then to greece iran and then to afghanistan 269 00:31:09,200 --> 00:31:14,100 the first golden record for ten in dream on the tour through australia 270 00:31:14,500 --> 00:31:19,430 Federer achieves multiple gold status through her instrumental tracks and 271 00:31:20,539 --> 00:31:24,979 Templin Dream can not rely on language with Anglo American bands 272 00:31:25,190 --> 00:31:29,450 competing in the world market was scary fair actually had yes 273 00:31:34,639 --> 00:31:37,379 very patience but could be very intense 274 00:31:55,040 --> 00:31:55,260 No 275 00:31:58,610 --> 00:32:03,619 It was a good combination between about Christoph of mine and it was too 276 00:32:03,620 --> 00:32:07,699 on the stage the truck on one side i was the ninth christa especially 277 00:32:07,700 --> 00:32:11,830 so he always balances that a bit because we're both pretty 278 00:32:12,740 --> 00:32:17,629 Living apart from each other sometimes was very intense and sometimes was very 279 00:32:17,630 --> 00:32:18,390 cooperative 280 00:33:05,000 --> 00:33:08,759 My mother has always taken a lot of pictures and has almost everything 281 00:33:08,760 --> 00:33:13,430 photographed and and then has more and more in the band photography 282 00:33:14,760 --> 00:33:19,950 the cover artwork worked and became more and more pure in all these things 283 00:33:21,270 --> 00:33:25,289 Actually, one can say that a bit so that's almost so sometimes 284 00:33:25,290 --> 00:33:30,010 what fourth band with differences was at the ricoh seh we had tried 285 00:33:36,720 --> 00:33:41,099 to put such a jack plug on the mirror and until then just closed 286 00:33:41,100 --> 00:33:45,770 take pictures and the group says that would look way too aggressive 287 00:33:46,110 --> 00:33:50,290 looks like cannonballs or soy and we were on the go on one 288 00:33:52,260 --> 00:33:55,990 france tournee and we had nice free time among others 289 00:33:56,880 --> 00:34:00,449 I took this picture that has the parsley says so then just because 290 00:34:00,450 --> 00:34:03,480 which makes our music better than this plug 291 00:34:21,020 --> 00:34:25,340 In 1976, Monika showed me a magazine excerpt from the childish 292 00:34:25,760 --> 00:34:30,790 Melody Maker An interview with David Bowie about my surprise he mentioned 293 00:34:31,219 --> 00:34:35,059 in this interview my second solo album y inlay in pale 294 00:34:47,429 --> 00:34:51,989 an incredibly beautiful enchant the apt work of soundtrack to mine 295 00:34:53,260 --> 00:34:57,740 living when i lived in berlin the pop star is with edgar froese 296 00:34:57,879 --> 00:35:02,529 befriended when he comes to west berlin in the middle of the seventies he even lives 297 00:35:02,530 --> 00:35:06,960 briefly in the swabian street with family froese the type was a 298 00:35:07,780 --> 00:35:10,899 superstar very clear but for me that was just just 299 00:35:10,900 --> 00:35:15,339 Another of my parents' well-known names, I do not have that at all right now 300 00:35:15,340 --> 00:35:18,399 especially seen that then suddenly there with us in the apartment 301 00:35:18,400 --> 00:35:20,889 permanently shows up and with his family 302 00:35:20,890 --> 00:35:25,010 there was almost always his with his son and I have a lot 303 00:35:25,510 --> 00:35:29,870 played because he was just my age and that was always one too 304 00:35:31,780 --> 00:35:35,920 bit spicy of course because a lot of blatantly always tried 305 00:35:37,869 --> 00:35:39,849 size helps behind the scenes 306 00:35:42,910 --> 00:35:47,700 Drug withdrawal and also influences him musically boys album low is a 307 00:35:47,830 --> 00:35:51,569 a paradigm of his fascination for electronic music from germany 308 00:35:51,570 --> 00:35:57,120 In addition to Kraftwerk and new, the album is also influenced by kendrion dream 309 00:36:00,400 --> 00:36:04,720 1976 center dream is a favorite project of richard branson the 310 00:36:05,509 --> 00:36:09,409 label boss of virgin records he invests in it as future 311 00:36:09,829 --> 00:36:15,439 superstars from virgin we learned that peter baumann is working on a solo project 312 00:36:16,549 --> 00:36:21,078 Nobody had any idea at the time that Virgin was working with this action 313 00:36:21,079 --> 00:36:25,279 The final phase of the Td cast Froese Frank Baumann answered 314 00:36:27,670 --> 00:36:31,640 that was actually a very chaotic time and richard branson 315 00:36:36,150 --> 00:36:39,939 we were the second plate he ever released, the first one was 316 00:36:39,940 --> 00:36:45,350 Mike oldfield and the second one is android rim and he was not a typical one 317 00:36:45,510 --> 00:36:46,850 record company more 318 00:37:00,200 --> 00:37:04,108 I can only say that catering dream is now as famous as the 319 00:37:04,109 --> 00:37:08,789 English super group Pink floyd it two years ago was our sales markets in 320 00:37:08,790 --> 00:37:11,120 france go mad with changing music 321 00:37:11,160 --> 00:37:14,449 you will undoubtedly be the group of the coming years 322 00:37:14,450 --> 00:37:18,749 the only place where it does not run at the moment is america 323 00:37:18,750 --> 00:37:23,410 that means they have not yet conquered the market in full, but all 324 00:37:23,880 --> 00:37:28,410 signs speak for a triumph and if only the film music to the new 325 00:37:28,950 --> 00:37:32,759 friedkin film that's the one who turned the exorcist on the market 326 00:37:32,760 --> 00:37:34,490 come to lie at his feet 327 00:37:42,910 --> 00:37:48,460 zentren dream produced the soundtrack for a hollywood for the first time in 1977 328 00:37:48,490 --> 00:37:53,700 film by director william friedkin the collaboration between him and the band 329 00:37:58,270 --> 00:38:00,440 is unusually almost experimental 330 00:38:01,920 --> 00:38:07,040 He first wants to have the music and then makes the pictures a big topic 331 00:38:10,299 --> 00:38:14,079 while filming a play with it the rotation look at the 332 00:38:14,200 --> 00:38:18,530 Cinematographers on which it transfers to the actors that music 333 00:38:21,490 --> 00:38:25,479 not always so pure in synch it almost just the picture set to music he should do that too 334 00:38:25,480 --> 00:38:29,739 counterpoint we arise because the music is sometimes not adequate with action 335 00:38:29,740 --> 00:38:33,699 in the movie equal loud or pitch conforms but that sammer 336 00:38:33,700 --> 00:38:37,420 This is of course the problem is simply that is ours 337 00:38:38,619 --> 00:38:41,879 to convince our musical to an existing as well 338 00:38:44,519 --> 00:38:49,119 in the script that will lead to all things we have probably again 339 00:38:49,650 --> 00:38:54,268 More people are now working not only on the image but also on the music as well 340 00:38:54,269 --> 00:38:55,139 usually with 341 00:39:16,499 --> 00:39:21,458 he was very important for the score track, I'm glad that dancer dream the 342 00:39:21,459 --> 00:39:25,209 bring electronic music to hollywood and american cinema 343 00:39:25,539 --> 00:39:30,779 what was not very common in America's theatrical dreams at that time is it 344 00:39:37,719 --> 00:39:41,979 Hot music is the new cinema skin free of musical associations 345 00:39:42,549 --> 00:39:47,449 It stimulates you to dream of just right for Hollywood then rented out 346 00:39:48,670 --> 00:39:52,990 and there were edgar while my mother christoph franke with his 347 00:39:53,979 --> 00:39:57,599 partner peter Baumann was there for the whole device 348 00:39:59,619 --> 00:40:04,058 This project has built electronics and there we have somehow also one 349 00:40:04,059 --> 00:40:05,319 had a lot of fun 350 00:40:14,560 --> 00:40:18,640 My mother said then bring okay with the child was swimming 351 00:40:18,950 --> 00:40:23,779 somehow afterwards i was able to do that so well then somehow the others 352 00:40:23,780 --> 00:40:27,100 people from the band started to compete with me 353 00:40:27,560 --> 00:40:31,300 was actually a nice time because you always integrated 354 00:40:44,920 --> 00:40:49,820 since sunday evening was free i went to the moon big observatory above 355 00:40:50,619 --> 00:40:54,129 The Hollywood Hills I could not have guessed that the show was going on 356 00:40:54,130 --> 00:40:57,410 observatory the future of dancers dream incisive 357 00:40:58,089 --> 00:40:58,959 would change 358 00:41:09,140 --> 00:41:14,150 here froese discovers the casual ii to be the stage for his stage shows 359 00:41:14,310 --> 00:41:16,760 become a trademark of templin dream 360 00:41:19,070 --> 00:41:25,200 the interest this time was especially big the first live laser show that it lay casually 361 00:41:25,980 --> 00:41:29,909 was also the only chance to get any attention for this music in the UK 362 00:41:29,910 --> 00:41:30,600 reach usa 363 00:41:36,860 --> 00:41:41,870 centers dreams meteoric rise in the usa takes place in the same year in 364 00:41:42,360 --> 00:41:45,899 the space probe voyager sets off to distant galaxies 365 00:41:45,900 --> 00:41:49,000 onboard a message that is an extraterrestrial 366 00:42:11,050 --> 00:42:16,110 the casual ii will also be used around 1978 in the west berlin ice rink 367 00:42:18,690 --> 00:42:23,240 a part of the typical sound of kendrion green disappears with the 368 00:42:23,280 --> 00:42:24,740 leaving peter baumann 369 00:42:29,940 --> 00:42:35,320 petra freese and christoph franke bring the musician steve jobs into the world 370 00:42:35,380 --> 00:42:39,080 conflicting result steve jobs instrumental deposits act 371 00:42:39,729 --> 00:42:44,559 like a mutation of jazz and new age the formation does not last long 372 00:43:11,720 --> 00:43:15,230 after producing and recording force majeure as duet 373 00:43:15,530 --> 00:43:19,620 We decided to work again as an electronically oriented trio 374 00:43:24,180 --> 00:43:28,019 johannes schilling is a physical domorganist about self-rotating 375 00:43:28,020 --> 00:43:32,980 chain smoker i think it was the time where christoph or edgar continued 376 00:43:34,680 --> 00:43:39,940 wanted to develop because they have noticed that electronic music of the 70s 377 00:43:41,160 --> 00:43:45,480 years was very static too, that means pattern oriented you can 378 00:43:45,569 --> 00:43:49,939 because of the machines owed to reality and we end up together 379 00:43:52,890 --> 00:43:57,808 the 70s at the beginning of the 80s tried to re-structure or shape like 380 00:43:57,809 --> 00:44:01,679 you know them from the classical example, for example, what do I know liedform sonata sentence 381 00:44:01,680 --> 00:44:05,640 form and and to work more in these structures means more 382 00:44:06,119 --> 00:44:06,639 compose 383 00:44:12,940 --> 00:44:18,140 dancer dream is science fiction but the basis because the classical Bach is 384 00:44:20,059 --> 00:44:24,489 important because bach is the basis of all that makes td namely 385 00:44:24,769 --> 00:44:29,399 continuum and counterpoint that these frequencies we use very deeply 386 00:44:30,140 --> 00:44:32,810 are then once again in the color role 387 00:44:39,980 --> 00:44:45,179 Since the seventies, Froese used to have good contacts to the music scene in 388 00:44:45,180 --> 00:44:50,310 east berlin his friend rainer lakomy a ddr musician places a good wire to 389 00:44:50,810 --> 00:44:54,078 cultural ministry he gives the group a stage show 390 00:44:54,079 --> 00:44:59,309 can dream is the first West German band in the palace since the founding of the Wall 391 00:44:59,310 --> 00:45:04,790 the republic is allowed to perform on january 31 in the palace of the republic 392 00:45:05,010 --> 00:45:08,489 play and the johannes that the concert with a solo on the wing 393 00:45:08,490 --> 00:45:10,980 Of course, I was of the opinion as 394 00:45:11,310 --> 00:45:16,150 very cautious man this is not possible because we have no concept yet 395 00:45:16,410 --> 00:45:20,009 we did not have any material for the stage and there in the sense 396 00:45:20,010 --> 00:45:24,220 Of course, one notices how outstanding as a researcher spirit 397 00:45:25,500 --> 00:45:28,649 brave man gone forward is perfect no matter we are going there now 398 00:45:28,650 --> 00:45:29,570 we just play 399 00:45:48,359 --> 00:45:52,959 to say that we have a very simple form of concert composition and 400 00:45:53,590 --> 00:45:57,939 This is simply the knowledge of the individual person under change 401 00:45:57,940 --> 00:46:03,410 That is, we know how the other person has reacted to the material that he has 402 00:46:06,190 --> 00:46:10,960 offers and that applies to each of us so none will be so surprising 403 00:46:11,950 --> 00:46:16,569 this is for the other one has a show program and he has the finger of 404 00:46:16,570 --> 00:46:17,550 drop the keys 405 00:46:30,920 --> 00:46:36,240 we actually deliberately leave room for the listener because in our music the 406 00:46:36,680 --> 00:46:40,110 one wants to say almost he has to listen already 407 00:46:43,250 --> 00:46:44,810 to work in with focus 408 00:46:46,790 --> 00:46:50,239 this is not like a music sprinkling but must be on this 409 00:46:50,240 --> 00:46:51,650 communication process 410 00:47:09,180 --> 00:47:13,660 1980 west berlin is a partner city of los angeles an export hit 411 00:47:14,800 --> 00:47:16,540 the band ten green dream 412 00:47:37,400 --> 00:47:41,430 my husband is very smart very british a confident american 413 00:47:42,030 --> 00:47:45,880 you can tell without pathos that in hollywood few water 414 00:47:46,050 --> 00:47:50,180 In 1980, he is looking for a progressive only in sound for 415 00:47:51,300 --> 00:47:52,690 his first big movie 416 00:47:57,339 --> 00:48:01,829 wittmann was still exciting he told us that actually more of the 417 00:48:01,960 --> 00:48:07,690 blues connoisseur from chicago, however, is in line with this film fits blues music 418 00:48:07,869 --> 00:48:09,369 Of course not at all 419 00:48:14,010 --> 00:48:19,380 because only music would have limited the film to its regionality I wanted it 420 00:48:20,859 --> 00:48:23,419 make very chicago star and go beyond 421 00:48:24,990 --> 00:48:27,850 In addition, to reach the audience better 422 00:48:29,910 --> 00:48:33,220 so it was possible to create a very real space 423 00:48:36,810 --> 00:48:41,120 That's why I wanted a formal architectural music like that of 424 00:48:50,070 --> 00:48:54,500 cinematic model for michael mann's deep is the french film noir 425 00:48:55,109 --> 00:48:58,549 gangster movies like rififi or the thief of paris 426 00:49:01,490 --> 00:49:04,789 they have given him the freedom to say if not now 427 00:49:04,790 --> 00:49:09,319 It was absolutely a sequence that was now working very well for the picture 428 00:49:09,320 --> 00:49:13,980 We have told him here Michael you have the eight regulators on the 429 00:49:14,030 --> 00:49:17,959 Regulator is that that is now with your own music and he was 430 00:49:17,960 --> 00:49:19,650 totally excited about it 431 00:49:29,230 --> 00:49:33,670 we were absolutely on 1 we have worked together very intensively 432 00:49:34,430 --> 00:49:38,209 intensively communicated and of course there were also small disputes but 433 00:49:38,210 --> 00:49:42,120 Nevertheless, we were in sync personally and in our work 434 00:49:43,660 --> 00:49:47,780 It was a wonderful after many years I look back on it and 435 00:49:49,940 --> 00:49:54,319 while other memories fade away, time stands out with the guys in berlin 436 00:49:54,320 --> 00:49:59,240 1980 in the 1980s, the digital revolution unleashes analogue music sound 437 00:50:24,740 --> 00:50:29,869 up all the pieces of music the ten green green played live to date were exact 438 00:50:29,870 --> 00:50:30,570 repeatable 439 00:50:35,040 --> 00:50:40,300 already end peter baumann therefore himself was a member of dancer dream had 440 00:50:41,020 --> 00:50:45,720 At that time he had somehow got stuck in the art scene of ali and 441 00:50:46,240 --> 00:50:50,618 has a record label and wanted the new plate from td wanted on his label 442 00:50:50,619 --> 00:50:54,399 For this we made these little movies on the salt lake 443 00:51:12,369 --> 00:51:17,139 in the album melrose, the leap from analogue to digital technology is clear 444 00:51:17,140 --> 00:51:20,350 audible with the digitization the charm of the 445 00:51:21,119 --> 00:51:22,929 irregularities in the plan 446 00:51:27,670 --> 00:51:32,500 That was 1990 but that would be cool time because the first plate on 447 00:51:34,369 --> 00:51:38,929 directly on it the first album melrose commented paul haslinger my 448 00:51:39,650 --> 00:51:44,780 At the time, Edgar and Jim had all the cover illustration photos and that 449 00:51:45,440 --> 00:51:46,190 video made 450 00:52:02,890 --> 00:52:08,260 father and son play in the duet the fans are initially skeptical if somewhere 451 00:52:10,640 --> 00:52:14,000 a bandmate I say is my father and then with so 452 00:52:14,869 --> 00:52:18,169 By history that was extremely difficult at the beginning of me 453 00:52:18,170 --> 00:52:22,159 was 19 when I took the whole thing and that was just really 454 00:52:22,160 --> 00:52:25,729 step by step yes we had the first celebrity nomination I have one 455 00:52:25,730 --> 00:52:30,560 first england usa tour is played, giving you 20 30 concerts in a row 456 00:52:31,280 --> 00:52:32,610 just somehow 20 21 457 00:52:43,350 --> 00:52:46,090 but unfortunately say that a good light 458 00:53:01,270 --> 00:53:05,259 a few words on the things the life of music and the social 459 00:53:05,260 --> 00:53:08,080 Communities change the universe completely 460 00:53:08,500 --> 00:53:12,410 the key is called suffering jena thunderous bang of fate 461 00:53:13,900 --> 00:53:17,600 that makes everything small meaningless and superfluous 462 00:53:29,930 --> 00:53:35,410 It was also in the time where about a very sad phase experienced because there 463 00:53:38,780 --> 00:53:42,220 his wife had died recently and my girlfriend died 464 00:53:48,250 --> 00:53:53,210 Thought we invite one time and I can sit both unfortunately the longest 465 00:53:55,099 --> 00:53:59,359 At the end of the table, however, energy was immediately felt 466 00:54:00,410 --> 00:54:05,430 So a sympathy to each other yes and already crystallized on this evening 467 00:54:07,760 --> 00:54:10,490 Actually this is going to happen to us 468 00:54:28,090 --> 00:54:32,640 2014 so michelle year is planning a big album on electronic music 469 00:54:33,260 --> 00:54:35,990 he goes to vienna to visit edgar pause 470 00:54:37,190 --> 00:54:42,850 For the first time, the pioneers of their genre get to know each other personally 471 00:54:46,480 --> 00:54:50,440 my idea was to work together with edgar and dancer dream 472 00:54:51,220 --> 00:54:55,650 that we dovetail our dna in a balanced way with the instruments 473 00:54:57,500 --> 00:55:01,050 but we also know with a common conception of music 474 00:55:04,160 --> 00:55:08,239 music based on sequences based on a poetic and mathematical 475 00:55:08,240 --> 00:55:10,220 Access we both probably have 476 00:55:15,970 --> 00:55:19,070 Together, they compose the piece zero gravity 477 00:55:36,310 --> 00:55:40,450 Well, the music we do is not necessarily connected to space 478 00:55:41,600 --> 00:55:46,330 but rather with the space between sky and earth below the atmosphere 479 00:55:47,420 --> 00:55:50,860 that is, there is something slightly over the sea 480 00:56:01,410 --> 00:56:07,010 Almost 50 years ago Edgar Froese is the bandleader of Can Dream about 150 albums 481 00:56:08,200 --> 00:56:09,770 arise during this time 482 00:56:18,070 --> 00:56:22,510 until the end, froese experiments with sounds he wants his music 483 00:56:22,780 --> 00:56:26,700 sound more symphonic and return to the musical beginnings 484 00:56:33,160 --> 00:56:38,170 aetka pulse dies at the beginning of 2015 his band continues on its way 485 00:56:45,600 --> 00:56:49,100 there is no death, only the cosmic address changes 486 00:56:50,880 --> 00:56:54,380 music like tangerine dream and much of the sixties 487 00:56:55,810 --> 00:57:00,200 that is always a bit under the watchword consciousness expansion 488 00:57:00,900 --> 00:57:03,810 so transcend I just say everyone to dream 489 00:57:07,680 --> 00:57:10,830 one wanted to experience other states of mind 490 00:57:13,060 --> 00:57:18,300 i didnt really want to go to the moon or somehow sos iceberg the antarctic 491 00:57:19,360 --> 00:57:23,090 discover no but new dimensions do not discover on the 492 00:57:25,420 --> 00:57:28,330 planets or in the universe but in oneself 493 00:57:46,580 --> 00:57:51,769 the whole world takes place in the head of a human and that is why you know it 494 00:57:51,770 --> 00:57:56,169 that everything in there is also the possibility of an expression 495 00:57:56,170 --> 00:58:00,540 I want to create a sense of belonging in the community because 496 00:58:01,040 --> 00:58:04,969 I believe that separating people from each other is just as important 497 00:58:04,970 --> 00:58:06,480 Illusion is like time 48082

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