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1
00:01:31,603 --> 00:01:34,003
CHILDREN'S CHATTER
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00:02:29,283 --> 00:02:31,403
DOOR OPENS AND SHUTS
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00:02:40,883 --> 00:02:42,483
JAUNTY INSTRUMENTAL
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00:03:04,323 --> 00:03:06,723
HUBBUB
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00:03:15,723 --> 00:03:17,803
HARP RECITAL
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00:03:17,843 --> 00:03:19,483
LOW CHATTER
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THEY LAUGH
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THEY LAUGH
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LAUGHTER
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THEY LAUGH
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00:08:20,683 --> 00:08:21,883
BEEPING
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00:09:00,843 --> 00:09:02,643
MUSIC POUNDS
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SHE SIGHS
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HE HYPERVENTILATES
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You've got my back,
I've got your back.
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DOOR OPENS
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BROADCAST FADES
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A senior for a master's thesis?
19
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Yes. The examiner's evaluation
is appended right there, in fact.
20
00:11:14,123 --> 00:11:18,803
Um...he had a good point there
about why I didn't get full marks.
21
00:11:18,843 --> 00:11:22,483
As your work experience,
you have given law firm...
22
00:11:22,523 --> 00:11:24,483
Huttemann. Yes, that's right.
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I started already
while I was studying,
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so I didn't have to take out a loan.
25
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Right. Good for you.
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Does the law firm... Huttemann.
27
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..have any special areas
of expertise?
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Tenancy disputes,
housing transaction disputes
29
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and building contract disputes.
30
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And now the ¤64,000 question.
31
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Why you, and why human rights laws?
32
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Human rights are the foundation
for everything.
33
00:11:50,323 --> 00:11:56,123
I have always considered human being
to be the foundation of it all.
34
00:11:56,163 --> 00:12:01,203
The subject of my thesis was the
legal semiotic rhetoric of the...
35
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In the international
court observer minutes
36
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during the Nelson Mandela trial.
37
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Yeah, I see it here.
A fine subject, really.
38
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Rather theoretical.
39
00:12:11,123 --> 00:12:12,523
OK, good.
40
00:12:15,483 --> 00:12:18,323
We have your details. Thank you.
41
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I'm sorry, could you tell me,
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how did this go?
43
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Well, er...unofficially then...
44
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..this world of ours is quite rough.
45
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We're looking for a warrior,
46
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and I didn't quite find a sort of
warrior attitude in you, you know.
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Yeah, yes, I understand.
48
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Thank you.
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SHE SIGHS DEEPLY
50
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HE SIGHS
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BEEPING
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HE SIGHS DEEPLY
53
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Ladies and gentlemen, we kindly ask
you to fasten your seat belts now.
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HE EXHALES
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THEY LAUGH
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HE LAUGHS RAUCOUSLY
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MUSIC BLASTS
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PING!
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00:23:22,163 --> 00:23:23,643
KNOCK AT DOOR
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THEY LAUGH
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00:24:52,123 --> 00:24:53,483
SHE SIGHS
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00:26:55,763 --> 00:26:57,763
HE CLEARS THROAT
63
00:27:19,523 --> 00:27:24,283
So...it was a Mr Idestam
who founded Puuhiomo
64
00:27:24,323 --> 00:27:26,603
in 1865,
65
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that later became Nokia.
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00:27:29,363 --> 00:27:32,643
And this is actually a funny story,
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00:27:32,683 --> 00:27:37,523
because almost from day one,
Nokia has been a wood company,
68
00:27:37,563 --> 00:27:42,083
a timber company, turning to
new horizons along the way.
69
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..Electronics.
70
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Leaving behind a sort of ancestry.
71
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Hmm. But are we ready to start soon?
72
00:27:53,603 --> 00:27:55,363
He will be here shortly.
73
00:28:02,483 --> 00:28:04,323
Huh.
74
00:28:04,363 --> 00:28:05,563
Hello, friends.
75
00:28:12,883 --> 00:28:17,083
Mr Brenton S. Halsey
from James River Company.
76
00:28:17,123 --> 00:28:19,203
Pleased to meet you, sir!
Nice to meet you.
77
00:28:23,363 --> 00:28:27,003
So...let me begin...
78
00:28:29,843 --> 00:28:33,803
..by telling you that I'm
very sorry to inform you that...
79
00:28:36,043 --> 00:28:38,563
..that there has been
a miscommunication.
80
00:28:38,603 --> 00:28:40,163
And it is very tragic
81
00:28:40,203 --> 00:28:43,003
that it has led to you good people
coming to Finland in vain.
82
00:28:45,163 --> 00:28:46,443
In... What do you mean?
83
00:28:46,483 --> 00:28:48,883
You see, although your offer
is well thought of,
84
00:28:48,923 --> 00:28:51,843
Nokia's business model
is a conglamerate
85
00:28:51,883 --> 00:28:55,323
of various different industrial
and technological companioes
86
00:28:55,363 --> 00:28:58,323
that rely on the multifaceted
87
00:28:58,363 --> 00:29:01,203
nature of its different sectors.
88
00:29:01,243 --> 00:29:03,003
They're all interconnected, you see.
89
00:29:04,363 --> 00:29:06,523
What are you getting at?
90
00:29:06,563 --> 00:29:10,003
To be blunt, there is no possibility
91
00:29:10,043 --> 00:29:13,443
for us to agree to the
selling of Nokia paper for now.
92
00:29:13,483 --> 00:29:17,323
Nokia is a paper company,
and it always will be.
93
00:29:17,363 --> 00:29:20,003
And now, if you'll excuse me,
I must leave.
94
00:29:21,683 --> 00:29:24,243
Er...I'm sure Mr Saarinen here
95
00:29:24,283 --> 00:29:26,563
will show you around the city
and treat you well.
96
00:29:26,603 --> 00:29:27,803
Of course, yes. Yes.
97
00:29:27,843 --> 00:29:30,003
Goodbye, gentlemen.
98
00:30:58,683 --> 00:31:00,203
ENGINE STARTS
99
00:33:19,243 --> 00:33:21,083
Group Special Mobile.
100
00:33:21,123 --> 00:33:23,163
Global System
for Mobile communications.
101
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God Sent Mobile phones.
102
00:33:25,443 --> 00:33:26,643
Hmm.
103
00:33:39,403 --> 00:33:41,123
LAUGHTER
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00:34:03,883 --> 00:34:06,043
No... Ki... A!
105
00:34:06,083 --> 00:34:07,443
ALL: Nokia!
106
00:34:07,483 --> 00:34:09,043
THEY LAUGH
107
00:35:41,523 --> 00:35:43,203
THEY CHUCKLE
108
00:37:34,803 --> 00:37:36,163
THEY LAUGH
109
00:38:23,603 --> 00:38:24,883
THEY LAUGH
110
00:38:46,363 --> 00:38:48,563
AIRCRAFT OVERHEAD
111
00:39:35,843 --> 00:39:38,083
THEY LAUGH AND CHANT
112
00:40:31,883 --> 00:40:33,603
THEY LAUGH
113
00:41:15,403 --> 00:41:17,083
FEMALE GIGGLES
114
00:42:37,283 --> 00:42:38,563
DISTANT LAUGHTER
115
00:42:38,603 --> 00:42:40,163
ANIMATED CHATTER
116
00:42:42,043 --> 00:42:43,243
Pst!
117
00:43:47,603 --> 00:43:49,363
PHONE RINGS
118
00:44:30,963 --> 00:44:32,403
HE SIGHS DEEPLY
119
00:44:47,723 --> 00:44:49,203
FLAMES CRACKLE
120
00:44:49,243 --> 00:44:50,763
DOORBELL
121
00:44:50,803 --> 00:44:52,683
FESTIVE INSTRUMENTAL
122
00:45:23,643 --> 00:45:25,243
THEY LAUGH
123
00:46:21,323 --> 00:46:23,043
THEY LAUGH
124
00:46:24,923 --> 00:46:26,443
PIANO RECITAL
125
00:46:40,123 --> 00:46:41,963
HE GROANS
126
00:47:02,883 --> 00:47:04,283
LAUGHTER
127
00:47:07,123 --> 00:47:08,723
THEY LAUGH
128
00:47:16,723 --> 00:47:18,403
THEY LAUGH
129
00:48:50,963 --> 00:48:52,323
LOW CHATTER
130
00:49:06,083 --> 00:49:07,923
I'm sure Mr Kairamo
will be here shortly.
131
00:49:07,963 --> 00:49:12,203
We can... Well, we'll get
some single shots done
132
00:49:12,243 --> 00:49:14,683
while we wait. Of course.
133
00:49:23,763 --> 00:49:25,243
Mm-hm.
134
00:49:32,083 --> 00:49:33,483
OK, I'm ready.
135
00:49:39,123 --> 00:49:41,043
SOMBRE INSTRUMENTAL
136
00:49:42,723 --> 00:49:44,763
And let's clear the shot, please.
137
00:49:51,683 --> 00:49:52,923
Sir, sorry.
138
00:49:54,803 --> 00:49:56,163
OK.
139
00:49:57,643 --> 00:49:59,243
Look at the camera, please.
140
00:50:02,123 --> 00:50:03,883
And a smile.
141
00:50:05,123 --> 00:50:06,883
Yes!
142
00:50:06,923 --> 00:50:09,043
Nice!
143
00:50:09,083 --> 00:50:11,043
One more. Smile.
144
00:50:14,283 --> 00:50:16,003
Excellent!
145
00:50:29,443 --> 00:50:32,123
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