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hey guys this is Jessica Burd oh and
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Matt Jordan over at reverb and today we
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are going to show you how to tune and
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mic a drum set for five different genres
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walk through everything from the mic
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setup to the drum tuning to mixing tips
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so without further ado let's get started
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star wipe
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[Music]
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all right so let's talk about classic
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rock specifically the Glyn John's
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technique Glyn John's is a really
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well-known producer an engineer who
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worked with some of the most famous
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classic rock bands of the 60s and 70s
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his drum miking technique only takes
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three microphones there is a dedicated
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kick drum mic as well as two ribbon mics
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one is placed right above the snare drum
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kind of capturing the whole kit the
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other one is off to the side peeking
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over the floor time looking right at the
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hi-hat both are spaced equally about 40
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to 60 inches away from the snare to
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avoid phasing issues so with this
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technique you're gonna get a big boomy
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classic rock drum sound it's not very
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articulate there's no close mics
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involved aside from the kick drum all
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you need to do in the mixing phase maybe
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EQ a little bit maybe compress a little
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bit and just bring all of those faders
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up so that all three channels are the
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same volume for our classic rock sound
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we're gonna want a wide-open medium
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tuning our resonant heads to be pitch
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slightly higher than our batter heads
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and then also a little bit of muffling
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on our kicking snare
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[Music]
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alright let's talk about making up a
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drum kit for jazz again we're only gonna
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utilize three microphones here we've got
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a pair of small diaphragm condensers
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right above the kit in an XY pattern at
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90 degrees that's gonna give us a nice
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stereo image of the whole kit but not
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too wide and then we've got a shure KSM
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353 ribbon on the kick it's gonna give
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us a nice warm round punchy kick drum so
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for our jazz tuning we brought the pitch
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of all of our heads up and then took the
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muffling off of the kick drum and the
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snare next we're gonna cover indie rock
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and folk we're gonna use four
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microphones in this setup we've got a
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space pair of ribbons that are
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equidistant from the snare behind me
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we've got a shirt KSM 3:53 ribbon on the
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kick and then an sm57 on the snare so
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when mixing we're gonna rely more
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heavily on the space pair of ribbons and
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then add the kick and the snare mics to
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taste this is going to give us a really
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dry but open sound and the reason we
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have the mics behind the kit is to
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strike a better balance between the
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drums and the cymbals since we're only
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using four microphones for our indie
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folk rock sound we have a much deeper
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tuning on all of our drums heavy
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muffling on our snare moderate muffling
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on our kick drum and our Tom's and
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that's going to achieve a darker drier
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sound
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[Music]
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so next up we're going to cover the
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smooth dry tight drum kit sound that was
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so prevalent in the 70s what we're doing
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is we're close miking each drum so we're
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using a kick snare rack tom and floor
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tom Mike they're all dynamic microphones
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and a space pair of overheads which are
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small diaphragm condensers in the mix of
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this one we're probably going to be
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favoring the closed mics over the
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overheads to get that really tight
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punchy hits you in the face type of
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sound for our smooth 70's drum kit sound
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we added towels to the heads to dampen
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them and kill a lot of that sustain and
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we did the same for the bass drum but we
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removed the head and stuffed it with
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this synthetic sheep-like item
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[Laughter]
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[Music]
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next we're gonna cover a miking setup
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for a standard modern rock drum kit we
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have a shure beta 57 57 on the snare we
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also have closed mics on the rack and
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the floor toms we also have a pair of
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small diaphragm condensers as overheads
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spaced equidistant from the snare but in
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a space pair configuration and a pair of
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room mics which are sure KSM 3-13
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ribbons so the first thing you'll notice
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in this configuration is we're using a
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lot more microphones the reason for that
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is the name of the game is control in
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modern music so if we hit a chorus or a
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hook and we want to bring those room
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mics up to make it sound more explosive
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we can we also have focused tones for
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each individual drum because we're using
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closed mics on each one for a modern
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rock sound we want medium low tuning
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with moderate muffling on the kick and
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snare to keep it nice and punchy
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[Music]
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all right so there you have it there's
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five different ways to make a drum kit
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for five different genres we hope you
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can take what you learned in this video
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and apply it to your own record as
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always all these mics are available on
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reverb comm let us know what you think
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in the comments and we'll see you next
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time
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[Music]9014
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