Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,938 --> 00:00:05,940
( theme music playing )
2
00:00:24,626 --> 00:00:27,095
YOU MUST EXCUSE ME
FOR BEING OUT OF BREATH,
3
00:00:27,097 --> 00:00:28,963
BUT I HAVE JUST
BEEN ENDEAVORING
4
00:00:28,965 --> 00:00:30,999
TO LAUNCH
A LONG DISTANCE DUCK.
5
00:00:32,935 --> 00:00:36,671
THIS LONG DISTANCE DUCK
IS A LONG DISTANCE LADY DUCK.
6
00:00:36,673 --> 00:00:39,407
SHE IS CARRYING
A MICRODOT FILM
7
00:00:39,409 --> 00:00:41,642
FOR THE PLAN
OF THE INVASION OF ENGLAND.
8
00:00:41,644 --> 00:00:44,645
IT IS ATTACHED TO HER LEG
BY A CORN PLASTER.
9
00:00:45,881 --> 00:00:48,583
UNFORTUNATELY,
DESPITE THE COMBINED EFFORTS
10
00:00:48,585 --> 00:00:51,252
OF MYSELF, MY WIFE
AND HALF THE VILLAGE,
11
00:00:51,254 --> 00:00:53,321
SHE STEADFASTLY REFUSED
TO TAKE OFF.
12
00:00:53,323 --> 00:00:55,824
SHE WAS LAST SEEN
WALKING PAST THE POST OFFICE.
13
00:00:56,959 --> 00:00:58,827
RENE,
14
00:00:58,829 --> 00:01:00,695
IT IS QUARTER PAST 3:00.
15
00:01:00,697 --> 00:01:04,165
- SO?
- IT IS TIME TO FEED
THE BABY DUCKS.
16
00:01:04,167 --> 00:01:05,934
( ducks peep )
17
00:01:05,936 --> 00:01:08,169
EVEN AS I SPEAK,
YOUR BRAVE MOTHER
18
00:01:08,171 --> 00:01:10,438
IS WALKING DOWN
THE MIDDLE OF THE ROAD
19
00:01:10,440 --> 00:01:12,640
TOWARDS ENGLAND.
20
00:01:12,642 --> 00:01:14,909
ONE GERMAN CONVOY
AND YOU WILL ALL BE ORPHANS.
21
00:01:16,511 --> 00:01:20,281
SHUSH, YOU HAVE MADE
ONE OF THEM FAINT--
HE HAS FALLEN OVER.
22
00:01:20,283 --> 00:01:23,517
IT IS PROBABLY LACK OF FOOD.
WHY HAVE YOU NOT FED THEM?
23
00:01:23,519 --> 00:01:25,754
I PREPARED
SOME WARM CARROT SOUP,
24
00:01:25,756 --> 00:01:27,822
BUT MICHELLE SAID
THEY HAD TO BE FED
25
00:01:27,824 --> 00:01:29,323
WITH A FOUNTAIN PEN
FILLER,
26
00:01:29,325 --> 00:01:30,859
AND I COULD NOT
FIND ONE.
27
00:01:30,861 --> 00:01:32,994
HAVE YOU
NO IMAGINATION?
28
00:01:32,996 --> 00:01:34,229
POUR IT DOWN
THE BIG END
29
00:01:34,231 --> 00:01:35,696
OF YOUR MOTHER'S
EAR TRUMPET.
30
00:01:36,698 --> 00:01:38,699
I AM NOT POURING
CARROT SOUP
31
00:01:38,701 --> 00:01:40,268
DOWN MY MOTHER'S
EAR TRUMPET.
32
00:01:40,270 --> 00:01:42,270
YOU HAD BETTER
DO SOMETHING
AND QUICKLY--
33
00:01:42,272 --> 00:01:43,638
ANOTHER ONE
HAS FALLEN OVER.
34
00:01:43,640 --> 00:01:45,206
OH MY GOD...
35
00:01:45,208 --> 00:01:47,408
I WILL GET
THE EAR TRUMPET.
36
00:01:50,379 --> 00:01:52,147
YVETTE, WHERE HAVE
YOU BEEN?
37
00:01:52,149 --> 00:01:54,382
WE SHOULD BE OPEN
BY NOW.
38
00:01:54,384 --> 00:01:56,985
RENE, MADAME EDITH
SENT ME TO THE MARKET
39
00:01:56,987 --> 00:01:58,119
TO BUY SOME CLOTHES
40
00:01:58,121 --> 00:02:00,088
FOR THE GIRLS
OF THE COMMUNIST RESISTANCE,
41
00:02:00,090 --> 00:02:01,722
THE ONES THAT ARE
HIDING UPSTAIRS.
42
00:02:01,724 --> 00:02:03,424
WHAT HAVE
YOU BOUGHT THEM?
43
00:02:03,426 --> 00:02:05,293
IN A MARKET I FOUND
44
00:02:05,295 --> 00:02:07,428
SOME CHEAP
SERVING MAIDS' UNIFORMS,
45
00:02:07,430 --> 00:02:10,498
SO THEY CAN WORK
IN THE KITCHEN.
46
00:02:10,500 --> 00:02:13,601
WITH THE CHANGE,
I BOUGHT MYSELF
THIS HAT.
47
00:02:14,804 --> 00:02:16,771
WHEN WE RUN AWAY
TO GET MARRIED,
48
00:02:16,773 --> 00:02:18,907
I CAN WEAR IT
ON MY HONEYMOON.
49
00:02:18,909 --> 00:02:20,574
NOT ALL THE TIME.
50
00:02:22,945 --> 00:02:25,280
RENE, KISS ME;
51
00:02:25,282 --> 00:02:27,315
CRUSH THE BREATH
FROM MY BODY;
52
00:02:27,317 --> 00:02:30,285
SEND THE BLOOD
POUNDING THROUGH
MY VEINS.
53
00:02:35,357 --> 00:02:36,691
OH MY PASSIONATE ONE,
54
00:02:36,693 --> 00:02:38,726
I CAN FEEL YOU
WRIGGLING WITH ECSTASY.
55
00:02:38,728 --> 00:02:41,529
I AM TRYING
NOT TO SNEEZE.
56
00:02:43,565 --> 00:02:45,967
GO QUICKLY
BEFORE EDITH
RETURNS.
57
00:02:52,474 --> 00:02:54,309
RENE,
THE COMMUNIST GIRLS
58
00:02:54,311 --> 00:02:56,144
HAVE THROWN ME
OUT OF MY BEDROOM
59
00:02:56,146 --> 00:02:59,113
AND FORCED ME TO SLEEP
IN THE BROOM CUPBOARD.
60
00:02:59,115 --> 00:03:00,715
LOOK ON
THE BRIGHT SIDE, MIMI.
61
00:03:00,717 --> 00:03:02,416
AT LEAST YOU WILL BE
NICE AND WARM.
62
00:03:02,418 --> 00:03:04,418
IT IS RIGHT NEXT
TO THE HOT WATER TANK.
63
00:03:04,420 --> 00:03:07,388
IT IS ALSO NEXT
TO YOUR ROOM.
64
00:03:08,523 --> 00:03:10,892
COME TO ME
AT MIDNIGHT.
65
00:03:10,894 --> 00:03:15,897
WE CAN MAKE
WILD, PASSIONATE,
RATHER CRAMPED LOVE.
66
00:03:15,899 --> 00:03:18,499
MY DEAR SWEET MIMI,
YOU SWEET, RANDY CHILD,
67
00:03:18,501 --> 00:03:20,368
IT IS TOO RISKY.
68
00:03:20,370 --> 00:03:23,104
HOW MUCH LONGER
MUST I REMAIN
UNFULFILLED?
69
00:03:23,106 --> 00:03:25,907
CERTAINLY UNTIL YOU GET
YOUR ROOM BACK.
70
00:03:25,909 --> 00:03:28,076
QUICK-- I HEAR EDITH
COMING DOWN THE STAIRS.
71
00:03:29,144 --> 00:03:30,644
RENE,
72
00:03:30,646 --> 00:03:32,613
YOU CANNOT EXPECT ME,
DENISE LAROQUE,
73
00:03:32,615 --> 00:03:34,115
LEADER OF THE COMMUNIST
RESISTANCE,
74
00:03:34,117 --> 00:03:35,516
TO WEAR THESE RAGS?
75
00:03:35,518 --> 00:03:38,186
DO NOT BLAME ME, MY LOVE.
BLAME MADAME EDITH.
76
00:03:38,188 --> 00:03:39,653
SHE GAVE THE GIRL
SO LITTLE,
77
00:03:39,655 --> 00:03:41,689
SHE WAS NOT ABLE
TO AFFORD ANYTHING BETTER.
78
00:03:41,691 --> 00:03:43,324
DO YOU NOT HAVE MONEY?
79
00:03:43,326 --> 00:03:44,959
YES, BUT IT IS
IN THE TILL.
80
00:03:44,961 --> 00:03:46,227
EDITH KEEPS THE KEY.
81
00:03:46,229 --> 00:03:49,230
THE SOONER THIS WOMAN
IS DEAD, THE BETTER.
82
00:03:49,232 --> 00:03:52,000
DENISE, NOT THAT,
NOT NOW, NOT HERE--
83
00:03:52,002 --> 00:03:53,001
WE ARE OPEN!
84
00:03:55,237 --> 00:03:56,637
( gun fires )
85
00:03:58,307 --> 00:03:59,840
HERE, TAKE THIS.
86
00:03:59,842 --> 00:04:01,575
YOU WILL BUY
TWO WAITRESSES' OUTFITS
87
00:04:01,577 --> 00:04:03,544
SO THAT WE CAN POSE HERE
AS SERVING GIRLS.
88
00:04:03,546 --> 00:04:04,545
YES. WHAT SIZE?
89
00:04:04,547 --> 00:04:07,015
16 TOP,
10 BOTTOM-- LONG.
90
00:04:07,017 --> 00:04:09,150
16 TOP...
91
00:04:09,152 --> 00:04:11,485
YES, I WILL
MAKE A NOTE OF THAT.
92
00:04:11,487 --> 00:04:13,687
BLOOD OF MY LIFE,
93
00:04:13,689 --> 00:04:16,124
MY HEART POUNDS
LIKE A SEA OF PASSION,
94
00:04:16,126 --> 00:04:18,359
CRASHING ON THE ROCKS
OF MY DESIRE.
95
00:04:18,361 --> 00:04:19,760
I HAVE BUT
TO LOOK AT YOU
96
00:04:19,762 --> 00:04:22,196
AND I SEE CLOUDS
SCUDDING ACROSS
THE MOON,
97
00:04:22,198 --> 00:04:25,300
TREES BENDING
ON A TROPICAL SHORE.
98
00:04:25,302 --> 00:04:27,868
DID YOU HAVE CHEESE
FOR SUPPER?
99
00:04:27,870 --> 00:04:30,838
YOU WILL COME
TO ME TONIGHT
AT MIDNIGHT.
100
00:04:30,840 --> 00:04:32,540
BUT YOU ARE SHARING
A ROOM WITH LOUISE.
101
00:04:32,542 --> 00:04:35,143
I WILL DANGLE HER
OUT OF THE WINDOW.
102
00:04:38,247 --> 00:04:39,713
UNTIL TONIGHT.
103
00:04:39,715 --> 00:04:40,714
YES.
104
00:04:42,952 --> 00:04:44,185
RENE!
105
00:04:44,187 --> 00:04:45,619
LOUISE,
WHY ARE YOU HERE?
106
00:04:45,621 --> 00:04:47,488
I THOUGHT
YOU WERE HIDING
IN MIMI'S ROOM.
107
00:04:47,490 --> 00:04:49,790
I CLIMBED DOWN
THE DRAINPIPE.
108
00:04:49,792 --> 00:04:50,959
ALL THIS MORNING,
109
00:04:50,961 --> 00:04:53,527
DENISE HAS MADE ME
DANGLE OUT OF THE WINDOW.
110
00:04:53,529 --> 00:04:56,197
SHE SAID IT WAS PRACTICE
FOR A SPECIAL EMERGENCY.
111
00:04:56,199 --> 00:04:58,766
DID SHE SAY
WHAT KIND OF EMERGENCY?
112
00:04:58,768 --> 00:05:01,769
SHE PLAYS EVERYTHING
VERY CLOSE TO HER CHEST.
113
00:05:01,771 --> 00:05:04,105
THAT IS UNDERSTANDABLE.
114
00:05:06,541 --> 00:05:07,808
- RENE...
- YES?
115
00:05:07,810 --> 00:05:11,512
I KNOW THAT SHE IS
IN LOVE WITH YOU,
116
00:05:11,514 --> 00:05:14,315
BUT MY PASSION
IS GREATER THAN
HER PASSION.
117
00:05:14,317 --> 00:05:16,985
INSIDE ME SURGES
A NEED,
118
00:05:16,987 --> 00:05:20,388
WANTS TO MAKE ME
PLUNGE UPON THE ROCKS
OF YOUR MANHOOD
119
00:05:20,390 --> 00:05:23,824
AND TUMBLE US BOTH
INTO A WHIRLPOOL
OF ECSTASY.
120
00:05:25,660 --> 00:05:27,996
MY GOD,
AND I CANNOT EVEN SWIM.
121
00:05:32,401 --> 00:05:33,601
BECAUSE OF DENISE,
122
00:05:33,603 --> 00:05:35,536
YOU CANNOT COME
TO MY ROOM AT MIDNIGHT--
123
00:05:35,538 --> 00:05:37,338
I WILL COME TO YOURS.
124
00:05:37,340 --> 00:05:38,906
THAT IS NOT
VERY CONVENIENT.
125
00:05:38,908 --> 00:05:41,242
THEN I WILL DANGLE
OUT OF MY WINDOW,
126
00:05:41,244 --> 00:05:43,811
AND YOU WILL DANGLE
OUT OF YOURS.
127
00:05:45,114 --> 00:05:46,947
WE WILL MEET
ON THE PARAPET
128
00:05:46,949 --> 00:05:49,617
AND MAKE WILD,
ABANDONED LOVE.
129
00:05:50,919 --> 00:05:53,087
IT WILL BE A NIGHT
TO REMEMBER.
130
00:05:53,089 --> 00:05:55,289
IT WILL CERTAINLY
BE A TALKING POINT
131
00:05:55,291 --> 00:05:57,091
AMONGST
THE NEIGHBORS.
132
00:05:57,093 --> 00:06:00,361
I MUST GO NOW
AND DO 500 PRESS-UPS
133
00:06:00,363 --> 00:06:02,497
SO THAT I WILL
BE STRONG FOR YOU.
134
00:06:03,499 --> 00:06:04,999
( groans )
135
00:06:06,468 --> 00:06:08,302
MY GOD,
WHAT A MESS I AM IN.
136
00:06:09,671 --> 00:06:11,105
WHAT IS IT ABOUT ME
137
00:06:11,107 --> 00:06:13,207
THAT MAKES NICE GIRLS
INTO HOOLIGANS?
138
00:06:14,309 --> 00:06:16,244
CAN NOBODY RESIST ME?
139
00:06:16,246 --> 00:06:17,545
GOOD AFTERNOON,
RENE.
140
00:06:20,282 --> 00:06:22,984
COLONEL,
HE IS ALONE.
141
00:06:22,986 --> 00:06:24,552
GOOD.
142
00:06:24,554 --> 00:06:25,787
LOCK THE DOOR.
143
00:06:27,089 --> 00:06:29,090
RENE, WE HAVE
A PROBLEM.
144
00:06:29,092 --> 00:06:31,325
- OH?
- YOU EXPLAIN IT,
GRUBER--
145
00:06:31,327 --> 00:06:33,327
YOU'RE GOOD
AT DETAILS.
146
00:06:33,329 --> 00:06:37,365
RENE, DO YOU RECALL
THAT A SHORT TIME AGO
147
00:06:37,367 --> 00:06:40,502
YOU STUFFED A MILLION FRANCS
DOWN MY TROUSERS?
148
00:06:42,070 --> 00:06:45,006
IT IS NOT A THING
ONE WOULD EASILY FORGET.
149
00:06:45,008 --> 00:06:50,077
IT WOULD APPEAR
THAT 25,000 FRANCS
ARE MISSING,
150
00:06:50,079 --> 00:06:52,747
AND SOME OF THIS MONEY
HAS BEEN TRACED
151
00:06:52,749 --> 00:06:54,883
TO THE UNDERTAKER
MONSIEUR ALPHONSE.
152
00:06:54,885 --> 00:06:58,052
HE IS NOW IN THE HANDS
OF HERR FLICK OF THE GESTAPO.
153
00:06:58,054 --> 00:06:59,954
UNDER INTERROGATION,
154
00:06:59,956 --> 00:07:02,223
HE MAY REVEAL
WHERE THE MONEY CAME FROM
155
00:07:02,225 --> 00:07:04,358
AND IT COULD, PERHAPS,
BE TRACED TO YOU.
156
00:07:05,694 --> 00:07:07,529
YOU, UNDER INTERROGATION,
157
00:07:07,531 --> 00:07:10,965
MAY REVEAL THAT YOU PUT IT
DOWN MY TROUSERS.
158
00:07:10,967 --> 00:07:13,768
I WILL TRY VERY HARD
TO NOT REVEAL THAT.
159
00:07:13,770 --> 00:07:15,770
WE CANNOT
TAKE THAT CHANCE.
160
00:07:15,772 --> 00:07:17,238
BUT WHAT CAN
WE DO?
161
00:07:17,240 --> 00:07:18,840
WE MUST STOP
THE ROT NOW,
162
00:07:18,842 --> 00:07:21,576
BEFORE THE UNDERTAKER
IMPLICATES YOU.
163
00:07:21,578 --> 00:07:23,044
HE MUST BE SILENCED.
164
00:07:23,046 --> 00:07:24,812
BUT HOW CAN
WE DO THIS?
165
00:07:24,814 --> 00:07:27,782
THE COLONEL HAS A PLAN
AND THESE ARE YOUR ORDERS:
166
00:07:27,784 --> 00:07:31,853
YOU MUST GET YOUR WIFE
TO MAKE A SMALL PASTY,
167
00:07:31,855 --> 00:07:35,456
INTO WHICH YOU WILL PUT
THIS SUICIDE PILL.
168
00:07:35,458 --> 00:07:38,092
YOU WILL CHUCK IT THROUGH
THE BARS OF HIS CELL,
169
00:07:38,094 --> 00:07:40,327
HE WILL GOBBLE IT UP
AND THAT WILL BE THE END OF IT.
170
00:07:40,329 --> 00:07:42,329
COLONEL,
I COULD NOT DO THAT--
171
00:07:42,331 --> 00:07:43,665
HE IS A FRIEND
OF MINE.
172
00:07:43,667 --> 00:07:47,035
IN THAT CASE, THERE IS
ANOTHER WAY TO STOP THE ROT--
173
00:07:47,037 --> 00:07:49,871
YOU TAKE
THE PILL... NOW.
174
00:07:51,574 --> 00:07:54,341
EXCUSE ME,
I CANNOT BEAR TO WATCH.
175
00:07:54,343 --> 00:07:56,410
YOU WILL NOT
HAVE TO WATCH,
LIEUTENANT.
176
00:07:56,412 --> 00:07:57,845
I HARDLY KNOW
THE UNDERTAKER--
177
00:07:57,847 --> 00:08:00,281
I AM SURE HE WILL BE HAPPY
TO DIE FOR FRANCE.
178
00:08:00,283 --> 00:08:01,449
HE IS VERY OLD,
ANYWAY.
179
00:08:01,451 --> 00:08:03,851
YOUR FIRST PLAN
WAS THE BEST.
180
00:08:05,020 --> 00:08:07,321
MONSIEUR ALPHONSE,
181
00:08:07,323 --> 00:08:09,423
YOU WOULD BE WELL ADVISED
TO TALK TO ME
182
00:08:09,425 --> 00:08:11,459
BEFORE HERR FLICK
RETURNS.
183
00:08:11,461 --> 00:08:13,595
I HAVE TOLD YOU
ALL I KNOW, MONSIEUR.
184
00:08:16,198 --> 00:08:19,266
I AM JUST A POOR,
HONEST UNDERTAKER
185
00:08:19,268 --> 00:08:22,203
AND PROPRIETOR OF THE
HAIRDRESSING ESTABLISHMENT.
186
00:08:24,339 --> 00:08:28,009
ONE OF MY CUSTOMERS MUST HAVE
PASSED TO ME THE MONEY.
187
00:08:28,011 --> 00:08:30,277
WHICH ONE IT WAS,
I KNOW NOT.
188
00:08:30,279 --> 00:08:31,445
THIS IS NOT--
189
00:08:31,447 --> 00:08:33,447
OOOHH!
190
00:08:36,251 --> 00:08:38,185
HERR FLICK
INSTRUCTED ME
191
00:08:38,187 --> 00:08:39,887
TO DEAL
WITH THE PRISONER.
192
00:08:39,889 --> 00:08:41,222
IN WHAT WAY?
193
00:08:41,224 --> 00:08:43,224
YOU HAVE HEARD
ABOUT THE VELVET GLOVE?
194
00:08:43,226 --> 00:08:44,592
YES I HAVE,
195
00:08:44,594 --> 00:08:46,928
BUT WHAT EXACTLY
DO YOU DO WITH IT?
196
00:08:47,963 --> 00:08:48,963
LEAVE US.
197
00:08:48,965 --> 00:08:51,232
I WILL WAIT
IN MY CUPBOARD.
198
00:08:56,839 --> 00:08:58,272
MONSIEUR ALPHONSE.
199
00:08:58,274 --> 00:09:00,374
I AM COMPLETELY
AT YOUR MERCY,
200
00:09:00,376 --> 00:09:02,443
BUT I MUST TELL YOU,
201
00:09:02,445 --> 00:09:04,478
IT WILL TAKE MORE THAN
A VELVET GLOVE
202
00:09:04,480 --> 00:09:06,280
TO BREAK DOWN
MY RESOLUTION...
203
00:09:07,516 --> 00:09:08,750
I THINK.
204
00:09:10,185 --> 00:09:12,253
I WISH TO HELP YOU.
205
00:09:12,255 --> 00:09:15,356
I HAVE IN MY POSSESSION
ONE QUARTER OF THIS MONEY.
206
00:09:15,358 --> 00:09:16,624
IF HERR FLICK
FINDS OUT,
207
00:09:16,626 --> 00:09:19,027
I WILL BE
IN THAT CHAIR
INSTEAD OF YOU.
208
00:09:19,029 --> 00:09:20,928
I AM HERE
TO HELP YOU ESCAPE.
209
00:09:20,930 --> 00:09:24,065
HOW DO I KNOW THIS IS NOT
SOME GESTAPO SUBTERFUGE?
210
00:09:24,067 --> 00:09:26,467
I HAVE WITH ME
THE MONEY.
211
00:09:26,469 --> 00:09:28,970
I SHALL RECOGNIZE IT.
212
00:09:28,972 --> 00:09:30,504
IT IS IN BIG ONES.
213
00:09:35,243 --> 00:09:37,311
THOSE ARE
THE BIG ONES.
214
00:09:39,081 --> 00:09:41,649
I HAVE ALSO
THE BLADE OF A HACKSAW.
215
00:09:49,191 --> 00:09:50,792
BLACK SUSPENDERS.
216
00:09:51,794 --> 00:09:54,295
OH MY DICKY TICKER.
217
00:09:58,366 --> 00:09:59,867
WHAT IS
GOING ON HERE?
218
00:09:59,869 --> 00:10:02,269
MONSIEUR ALPHONSE IS HAVING
A HEART ATTACK.
219
00:10:03,471 --> 00:10:05,807
HE MUST NOT DIE
AND TAKE WITH HIM
THE SECRET.
220
00:10:05,809 --> 00:10:07,208
WE MUST PUT HIM
IN HOSPITAL.
221
00:10:07,210 --> 00:10:08,342
SEND FOR THE AMBULANCE.
222
00:10:08,344 --> 00:10:09,610
OH MY GOD!
223
00:10:12,314 --> 00:10:14,215
OH, BLACK SUSPENDERS.
224
00:10:16,885 --> 00:10:19,754
GOOD EVENING, JACQUES.
GOOD EVENING, GILLES.
225
00:10:23,358 --> 00:10:25,025
WHERE ARE THE STAFF?
226
00:10:25,027 --> 00:10:27,327
EDITH, WHERE ARE YOU?
227
00:10:27,329 --> 00:10:29,897
WE ARE OPEN!
MIMI? YVETTE?
228
00:10:32,367 --> 00:10:33,768
I AM SORRY, RENE.
229
00:10:33,770 --> 00:10:36,203
I WAS JUST FEEDING
THE BABY DUCKS
THEIR SUPPER.
230
00:10:36,205 --> 00:10:38,338
HAVE YOU MADE THE PASTY
WITH THE POISON PILL?
231
00:10:38,340 --> 00:10:39,707
I HAVE IT HERE.
232
00:10:39,709 --> 00:10:41,542
GOOD MOANING.
233
00:10:41,544 --> 00:10:44,311
OH MY GOD.
234
00:10:44,313 --> 00:10:46,680
GOOD EVENING,
OFFICER OF THE LAW.
235
00:10:46,682 --> 00:10:48,416
WHAT CAN WE DO
FOR YOU?
236
00:10:48,418 --> 00:10:50,584
I WAS WICKING
ALONG THE STROOT
237
00:10:50,586 --> 00:10:53,754
AND SUDDENLY I LOOKED
AT MY WATCH AND SAW
THE TOMB.
238
00:10:55,356 --> 00:10:58,225
"GOOD GROCIOUS,"
I SAHD TO MYSELF,
239
00:10:58,227 --> 00:10:59,627
"I SHOULD BE SPOKING
240
00:10:59,629 --> 00:11:02,630
TO MY OPPOSITE NIMBER
IN LONDON ON THE ROODIO."
241
00:11:02,632 --> 00:11:05,933
LOOK, IT IS
A QUITTER PAST SOX.
242
00:11:05,935 --> 00:11:07,568
HE IS QUITE RIGHT.
243
00:11:07,570 --> 00:11:08,569
COME ON.
244
00:11:20,014 --> 00:11:21,081
AARGH!
245
00:11:24,285 --> 00:11:26,119
A POLICEMAN, GOOD.
246
00:11:26,121 --> 00:11:30,825
SOME VILLAIN HAS STOLEN
FROM ME MY EAR TRUMPET.
247
00:11:30,827 --> 00:11:34,094
IT HAS NOT BEEN
REPOTTED TO MOO.
248
00:11:34,096 --> 00:11:35,463
WHAT?
249
00:11:36,898 --> 00:11:38,899
EDITH HAS IT.
250
00:11:38,901 --> 00:11:42,402
EDITH,
GIVE THIS OLD BAT
HER EAR TRUMPET.
251
00:11:42,404 --> 00:11:44,271
I AM SORRY, MAMMA.
HERE IT IS.
252
00:11:44,273 --> 00:11:47,107
AND WHERE IS
MY SUPPER?
253
00:11:47,109 --> 00:11:48,843
LATER, MAMMA, LATER.
254
00:11:48,845 --> 00:11:50,177
QUICK, THE RADIO!
255
00:11:58,887 --> 00:12:02,222
I WILL SPOOK
TO MY SECRET HEADQUITTERS.
256
00:12:02,224 --> 00:12:05,192
DO THEY SPOOK
IN ENGLISH OR FRONCH?
257
00:12:05,194 --> 00:12:07,027
WE SPEAK IN FRONCH.
258
00:12:08,830 --> 00:12:12,900
'ALLO, 'ALLO.
SECRET AGENT CRABTREE COOLING.
259
00:12:12,902 --> 00:12:16,804
CONNOCT ME TO WOMBLEDON
ONE SOX, ONE SOX.
260
00:12:19,173 --> 00:12:22,442
Man:
Receiving youlewd and clore.
261
00:12:24,779 --> 00:12:26,814
Hold the loon--
262
00:12:26,816 --> 00:12:28,782
I willconnoct you.
263
00:12:30,251 --> 00:12:33,988
MY GOD,
THERE IS ANOTHER ONE
AT THE OTHER END.
264
00:12:33,990 --> 00:12:36,891
( telephone rings )
265
00:12:36,893 --> 00:12:38,291
Woman:
'Allo?
266
00:12:38,293 --> 00:12:41,495
IS THAT WOMBLEDON
ONE SOX, ONE SOX?
267
00:12:41,497 --> 00:12:44,331
Oh no, I think you've gotthe wrong number, love.
268
00:12:45,667 --> 00:12:48,068
This isMacFisheries...
269
00:12:48,070 --> 00:12:49,369
and we're shut.
270
00:12:51,339 --> 00:12:54,842
BIGGER-- THAT WAS
THE WRONG NIMBER.
271
00:12:54,844 --> 00:12:57,945
I WILL HAVE TO CHOCK IT
IN MY ADDRESS BIKE.
272
00:13:02,050 --> 00:13:03,717
( Fanny groans )
273
00:13:03,719 --> 00:13:04,852
EDITH!
274
00:13:04,854 --> 00:13:06,119
EDITH!
275
00:13:06,121 --> 00:13:09,823
WHY IS THERE SOUP
IN MY EAR TRUMPET?
276
00:13:09,825 --> 00:13:12,426
GIVE IT TO ME.
277
00:13:12,428 --> 00:13:15,596
- ( blows )
- Edith: RENE!
278
00:13:15,598 --> 00:13:17,598
YOU HAVE BLOWN
OLD CARROT
279
00:13:17,600 --> 00:13:19,533
ALL OVER
THE CLEAN BEDSPREAD!
280
00:13:20,602 --> 00:13:21,969
MICHELLE, WHAT ARE
YOU DOING HERE?
281
00:13:21,971 --> 00:13:23,236
UNDER INTERROGATION,
282
00:13:23,238 --> 00:13:24,838
MONSIEUR ALPHONSE HAS
HAD AN HEART ATTACK--
283
00:13:24,840 --> 00:13:26,073
HIS DICKY TICKER.
284
00:13:26,075 --> 00:13:27,775
HE HAS BEEN TAKEN
BY AMBULANCE
285
00:13:27,777 --> 00:13:30,343
TO THE GERMAN WING
OF NOUVION GENERAL HOSPITAL.
286
00:13:30,345 --> 00:13:32,379
OH, THAT IS TERRIBLE.
287
00:13:32,381 --> 00:13:34,081
HE HAS NOT YET
SIGNED THE NEW WILL
288
00:13:34,083 --> 00:13:35,583
LEAVING EVERYTHING TO ME.
289
00:13:36,585 --> 00:13:38,552
WE MUST GET TO HIM
BEFORE HE CAN REVEAL
290
00:13:38,554 --> 00:13:40,353
THAT HE OBTAINED
THE STOLEN MONEY
291
00:13:40,355 --> 00:13:41,722
FROM THE HAIRDRESSERS.
292
00:13:41,724 --> 00:13:44,424
HAD YOU NOT BEEN
TARTING YOURSELF UP
WITH PERMANENT WAVE,
293
00:13:44,426 --> 00:13:45,893
WE WOULD
NOT BE IN THIS MESS.
294
00:13:45,895 --> 00:13:48,295
YOU TRY SITTING
IN A STEAMY SEWER,
295
00:13:48,297 --> 00:13:50,598
WAITING TO THROW A BOMB
AT A PASSING TANK.
296
00:13:50,600 --> 00:13:52,800
YOUR HAIR
WOULD GO STRAIGHT.
297
00:13:52,802 --> 00:13:55,703
I HAVE A PLAN TO RESCUE
MONSIEUR ALPHONSE.
298
00:13:55,705 --> 00:13:57,871
LOOK, MAMMA IS
EATING THE PASTY!
299
00:13:57,873 --> 00:14:00,307
- OH MY GOD!
- SPIT IT OUT,
SPIT IT OUT!
300
00:14:00,309 --> 00:14:01,441
Michelle:
WHY ALL THE FUSS?
301
00:14:01,443 --> 00:14:02,542
WHAT IS WRONG WITH IT?
302
00:14:02,544 --> 00:14:04,244
IT CONTAINS
A SUICIDE PILL
303
00:14:04,246 --> 00:14:06,947
TO PREVENT HIM BEING
INTERROGATED BY THE GESTAPO.
304
00:14:06,949 --> 00:14:09,950
GESTAPO, GESTAPO.
305
00:14:14,823 --> 00:14:16,624
THANK HEAVENS,
306
00:14:17,626 --> 00:14:19,660
IT IS INTACT.
307
00:14:20,962 --> 00:14:23,263
LUCKY SHE WAS NOT
WEARING HER TEETH.
308
00:14:24,966 --> 00:14:26,000
YOU WERE SAYING,
MICHELLE?
309
00:14:26,002 --> 00:14:27,534
WE MUST GET
INTO THE HOSPITAL
310
00:14:27,536 --> 00:14:29,036
TO RESCUE
MONSIEUR ALPHONSE.
311
00:14:29,038 --> 00:14:31,505
TO DO THIS,
WE WILL DISGUISE OURSELVES
312
00:14:31,507 --> 00:14:33,107
AS AMBULANCE WORKERS.
313
00:14:33,109 --> 00:14:36,276
WE WILL HAVE A TROLLEY
WITH A FALSE BOTTOM.
314
00:14:36,278 --> 00:14:37,611
IN THE FALSE BOTTOM
WILL BE
315
00:14:37,613 --> 00:14:39,146
A DUMMY
OF MONSIEUR ALPHONSE
316
00:14:39,148 --> 00:14:40,781
WEARING PAJAMAS.
317
00:14:40,783 --> 00:14:42,215
ON THE TOP
OF THE TROLLEY,
318
00:14:42,217 --> 00:14:44,417
WILL BE
AN EMERGENCY CASE.
319
00:14:44,419 --> 00:14:46,920
WE WILL LOCATE
MONSIEUR ALPHONSE,
320
00:14:46,922 --> 00:14:48,889
EXCHANGE HIM
FOR THE DUMMY,
321
00:14:48,891 --> 00:14:50,858
AND THEN,
OUR EMERGENCY PATIENT
322
00:14:50,860 --> 00:14:53,560
WILL DEMAND A SECOND OPINION
IN ANOTHER HOSPITAL,
323
00:14:53,562 --> 00:14:55,629
AND WE WILL
PUSH THEM BOTH OUT.
324
00:14:55,631 --> 00:14:57,364
WHO WILL BE
THE EMERGENCY PATIENT?
325
00:14:57,366 --> 00:14:58,532
YOU.
326
00:14:58,534 --> 00:15:00,233
ME?
327
00:15:00,235 --> 00:15:01,802
WITH FOOD POISONING.
328
00:15:01,804 --> 00:15:03,037
OH, NO, NO.
329
00:15:03,039 --> 00:15:05,706
NOT A CAFE OWNER
WITH FOOD POISONING.
330
00:15:05,708 --> 00:15:07,440
IT WILL RUIN
MY BUSINESS!
331
00:15:07,442 --> 00:15:09,576
HOW DO YOU FANCY
A HERNIA?
332
00:15:09,578 --> 00:15:11,344
ALL RIGHT,
333
00:15:11,346 --> 00:15:13,547
FOOD POISONING IT IS.
334
00:15:17,652 --> 00:15:20,554
HELGA, ARE YOU
QUITE CERTAIN
335
00:15:20,556 --> 00:15:23,123
MONSIEUR ALPHONSE
HAS NOT SPILT THE BEANS?
336
00:15:23,125 --> 00:15:24,892
HE WAS TAKEN
TO THE HOSPITAL
337
00:15:24,894 --> 00:15:26,593
BEFORE HERR FLICK
COULD QUESTION HIM.
338
00:15:26,595 --> 00:15:28,395
YOU NO TELL ME
THAT DOUGH
339
00:15:28,397 --> 00:15:29,529
BELONG TO THE GESTAPO.
340
00:15:29,531 --> 00:15:30,831
YOU GET ME
IN HOT WATER.
341
00:15:30,833 --> 00:15:33,466
YOU SHOULDN'T BE
SO DAMNED GREEDY.
342
00:15:33,468 --> 00:15:35,002
COLONEL, IT IS
MY UNDERSTANDING
343
00:15:35,004 --> 00:15:36,303
THAT HELGA HAS A PLAN.
344
00:15:36,305 --> 00:15:37,905
BRAINS AND BEAUTY,
345
00:15:37,907 --> 00:15:39,073
WHAT A COMBINATION.
346
00:15:39,075 --> 00:15:41,241
SHUT UP.
347
00:15:42,877 --> 00:15:45,645
WE MUST RESCUE HIM
OR ELIMINATE HIM.
348
00:15:45,647 --> 00:15:47,647
WHAT IS
THE ELIMINATION PLAN?
349
00:15:47,649 --> 00:15:50,751
AN EXPLODING BEDPAN.
350
00:15:52,787 --> 00:15:54,521
THAT APPEALS TO ME.
351
00:15:54,523 --> 00:15:56,590
EXCUSE ME FOR ASKING,
352
00:15:56,592 --> 00:15:58,158
BUT HOW IS IT ACTIVATED?
353
00:15:58,160 --> 00:16:00,127
BY REMOTE CONTROL.
354
00:16:00,129 --> 00:16:02,329
HOW DO WE KNOW
WHEN THE BEDPAN IS,
355
00:16:02,331 --> 00:16:04,732
AS IT WERE,
IN POSITION?
356
00:16:04,734 --> 00:16:07,634
IN IT,
THERE IS A MICROPHONE.
357
00:16:07,636 --> 00:16:09,669
WE WILL HEAR
THE VOICE OF THE NURSE
358
00:16:09,671 --> 00:16:11,438
WHEN SHE GIVES IT TO HIM.
359
00:16:11,440 --> 00:16:13,774
IF I MARRY THIS LADY,
360
00:16:13,776 --> 00:16:15,609
I HAVE
A VERY EXCITING LIFE,
361
00:16:15,611 --> 00:16:17,711
BUT I DON'T
GO TO THE BATHROOM.
362
00:16:22,083 --> 00:16:24,785
( heart monitor beeping )
363
00:16:26,721 --> 00:16:29,156
HOW YOU FEELING,
MONSIEUR ALPHONSE?
364
00:16:29,158 --> 00:16:31,358
THE THOUGHT OF RETURNING
365
00:16:31,360 --> 00:16:33,026
TO THE GESTAPO
HEADQUARTERS
366
00:16:33,028 --> 00:16:35,028
HAS MADE ME
JUST A LITTLE TENSE.
367
00:16:36,364 --> 00:16:39,266
- KEEP CALM.
- ( beeping speeds up )
368
00:16:39,268 --> 00:16:41,368
YOUR HEART ISDOING VERY WELL.
369
00:17:03,191 --> 00:17:04,524
WAIT HERE.
370
00:17:04,526 --> 00:17:05,926
I WILL TRY
AND FIND OUT
371
00:17:05,928 --> 00:17:08,361
WHICH ROOM
MONSIEUR ALPHONSE IS IN.
372
00:17:08,363 --> 00:17:11,431
WHAT IS THIS IDIOT
DOING HERE?
373
00:17:11,433 --> 00:17:13,466
IT IS A GOOD DISGEESE.
374
00:17:13,468 --> 00:17:16,603
I CAN WICK ANYWHERE
IN THE HOSPITAL
375
00:17:16,605 --> 00:17:19,339
WITHOUT AREESING
SISPOOCION.
376
00:17:19,341 --> 00:17:22,810
ALL THEY CAN SEE
IS MY EEBREWS.
377
00:17:22,812 --> 00:17:24,644
I HAVE ONE DUMMY
UNDER THE TROLLEY,
378
00:17:24,646 --> 00:17:26,280
AND ANOTHER ONE
PUSHING IT.
379
00:17:26,282 --> 00:17:27,881
IF WE ARE
IN TROUBLE,
380
00:17:27,883 --> 00:17:29,283
WE WILL FIGHT
OUR WAY OUT.
381
00:17:29,285 --> 00:17:30,918
( whispering )
I HAVE THE KNIFE.
382
00:17:30,920 --> 00:17:33,153
WHERE IS THE GUN?
383
00:17:35,924 --> 00:17:38,391
AT THE FIRST
SIGN OF TROUBLE,
384
00:17:38,393 --> 00:17:41,128
I WILL GRAB IT.
385
00:17:41,130 --> 00:17:42,562
GIVE IT TO ME.
386
00:17:47,869 --> 00:17:49,703
MONSIEUR ALPHONSE.
387
00:17:49,705 --> 00:17:51,504
AH, MADAME EDITH.
388
00:17:51,506 --> 00:17:52,873
( beeping very fast )
389
00:17:52,875 --> 00:17:54,308
JUST THE SIGHT OF YOU
390
00:17:54,310 --> 00:17:58,212
HAS ACTIVATED
MY MACHINERY.
391
00:17:58,214 --> 00:17:59,646
WE HAVE COME
TO RESCUE YOU.
392
00:17:59,648 --> 00:18:01,514
NOW, KEEP CALM
393
00:18:01,516 --> 00:18:02,749
AND DO AS
YOU ARE TOLD.
394
00:18:02,751 --> 00:18:05,018
I AM ENTIRELY
IN YOUR HANDS, MADAME.
395
00:18:05,020 --> 00:18:06,486
( beeping extremely fast )
396
00:18:06,488 --> 00:18:08,856
ONCE AGAIN,
MY IMAGINATION RUNS RIOT.
397
00:18:12,227 --> 00:18:13,961
QUICK, HE IS IN HERE.
398
00:18:23,271 --> 00:18:25,538
REMOVE THE WIRES
FROM HIS CHEST.
399
00:18:25,540 --> 00:18:29,009
IT IS ATTACHED TO ME
BY STRONG HOSPITAL TAPE.
400
00:18:29,011 --> 00:18:30,677
IT WILL BE OVER
VERY QUOCKLY
401
00:18:30,679 --> 00:18:33,113
IF YOU GIVE HIM
ONE STRONG PILL.
402
00:18:33,115 --> 00:18:34,581
I AM READY.
403
00:18:36,351 --> 00:18:37,584
GAH!
404
00:18:38,652 --> 00:18:40,120
AAH!
405
00:18:41,589 --> 00:18:44,057
WE WILL HOLD HIM DOWN
WHILE YOU PULL.
406
00:18:50,498 --> 00:18:51,731
AAH!
407
00:18:52,800 --> 00:18:54,768
AAH!
408
00:18:54,770 --> 00:18:56,904
NEVER MIND.
GET HIM ONTO THE TROLLEY,
409
00:18:56,906 --> 00:18:58,605
WE'LL TAKE
THE MACHINE WITH US.
410
00:19:11,052 --> 00:19:13,253
COLONEL,
THE COAST IS CLEAR.
411
00:19:21,495 --> 00:19:25,332
MAKE CERTAIN WE ARE
IN COMMUNICATION WITH HELGA.
412
00:19:25,334 --> 00:19:27,667
BEDPAN TO CONTROL,
413
00:19:27,669 --> 00:19:30,203
BEDPAN TO CONTROL.
414
00:19:30,205 --> 00:19:32,739
Helga:
Hello, Bedpan,
415
00:19:32,741 --> 00:19:34,808
hello, Bedpan.
416
00:19:34,810 --> 00:19:36,876
Control here.
417
00:19:36,878 --> 00:19:38,445
WE ARE RECEIVING YOU.
418
00:19:38,447 --> 00:19:40,914
WE ARE READY
TO ACTIVATE.
419
00:19:40,916 --> 00:19:43,150
SHALL I PRESS
THE PLUNGER?
420
00:19:43,152 --> 00:19:45,118
NOT UNTIL YOU HEAR
THE AGREED SIGNAL.
421
00:19:45,120 --> 00:19:47,287
TELL ME AGAIN
THE AGREED SIGNAL.
422
00:19:47,289 --> 00:19:48,655
A VOICE WILL SAY,
423
00:19:48,657 --> 00:19:50,523
"HERE IS
THE BEDPAN."
424
00:19:50,525 --> 00:19:53,193
YOU COUNT TO 10,
AND THEN YOU PLUNGE.
425
00:19:53,195 --> 00:19:56,529
10 AND THEN PLUNGE.
426
00:19:57,598 --> 00:19:58,932
WHAT IS YOUR POSITION?
427
00:19:58,934 --> 00:20:01,234
WE ARE INSIDE
THE HOSPITAL,
428
00:20:01,236 --> 00:20:04,104
PROCEEDING
TO THE SECOND FLOOR.
429
00:20:04,106 --> 00:20:06,073
WE ARE INSIDE
THE HOS--
430
00:20:07,875 --> 00:20:09,909
WHY ARE YOU TALKING
TO YOUR BEDPAN?
431
00:20:10,911 --> 00:20:12,245
SHE'S PSYCHIC,
432
00:20:12,247 --> 00:20:14,781
A PATIENT OF HERS
DIED ON IT.
433
00:20:16,484 --> 00:20:18,751
IS THERE
ANYBODY THERE?
434
00:20:18,753 --> 00:20:21,721
IS THERE
ANYBODY THERE?
435
00:20:21,723 --> 00:20:23,857
KNOCK ONCE FOR YES,
436
00:20:23,859 --> 00:20:25,025
TWICE FOR NO.
437
00:20:25,027 --> 00:20:26,126
( knocks once )
438
00:20:31,699 --> 00:20:33,500
Edith:
ARE YOU ALL RIGHT,
MONSIEUR ALPHONSE?
439
00:20:33,502 --> 00:20:35,502
AS WELL AS CAN BE EXPECTED.
440
00:20:36,504 --> 00:20:37,570
WHAT ABOUT ME?
NOBODY ASKS
441
00:20:37,572 --> 00:20:38,805
IF I AM ALL RIGHT.
442
00:20:38,807 --> 00:20:40,140
SHUT UP.
443
00:20:40,142 --> 00:20:41,808
QUICK, THROUGH THE DOOR.
444
00:20:51,919 --> 00:20:53,987
- WAIT!
- WHAT?
445
00:20:53,989 --> 00:20:55,922
WE MUST COVER
THE DUMMY.
446
00:21:01,629 --> 00:21:04,064
MY GOD, THERE IS
A GERMAN SOLDIER COMING.
447
00:21:04,066 --> 00:21:06,066
DO NOT GIVE ME AWAY,
MONSIEUR.
448
00:21:06,068 --> 00:21:07,467
( monitor beepingvery fast )
449
00:21:08,503 --> 00:21:11,038
BEEP BEEP BEEP
BEEP BEEP BEEP!
450
00:21:11,040 --> 00:21:12,639
BEEP BEEP BEEP...
451
00:21:13,674 --> 00:21:16,309
- ( flatulent sound )
- BEEEEEP.
452
00:21:16,311 --> 00:21:18,111
BEEP BEEP BEEP...
453
00:21:22,483 --> 00:21:23,883
AH!
454
00:21:25,486 --> 00:21:27,454
WHERE IS
THE FRENCH PEASANT WOMAN?
455
00:21:27,456 --> 00:21:29,423
I AM READY TO PERFORM
THE CAESAREAN.
456
00:21:29,425 --> 00:21:31,191
SHE IS WAITING HERE,
DOCTOR.
457
00:21:33,761 --> 00:21:35,195
BRING HER IN.
458
00:21:43,438 --> 00:21:45,972
THERE, THAT IS BETTER.
459
00:21:45,974 --> 00:21:48,375
QUICK, WE MUST GET
THE TROLLEY AND SCARPER.
460
00:21:52,746 --> 00:21:53,913
IT IS GONE.
461
00:21:53,915 --> 00:21:55,782
HOW CAN IT BE GONE?
462
00:21:55,784 --> 00:21:56,950
I KNOW RENE.
463
00:21:56,952 --> 00:21:59,453
HE WILL HAVE
WHEELED IT OUT HIMSELF.
464
00:22:01,456 --> 00:22:02,889
THE GUARDS!
465
00:22:02,891 --> 00:22:04,657
LET US GAY OUT
THE BACK WEE.
466
00:22:14,235 --> 00:22:15,402
HIS NAME IS ON THE DOOR.
467
00:22:15,404 --> 00:22:16,736
HE WILL BE IN HERE.
468
00:22:16,738 --> 00:22:19,038
I WILL POSITION
THE DEVICE.
469
00:22:19,040 --> 00:22:20,940
HERE IS THE BEDPAN.
470
00:22:20,942 --> 00:22:22,576
THAT IS THE SIGNAL.
471
00:22:22,578 --> 00:22:25,912
10, NINE, EIGHT--
472
00:22:25,914 --> 00:22:27,780
STOP, STOP,
FALSE ALARM.
473
00:22:27,782 --> 00:22:29,916
I WAS HANDING IT
TO THE COLONEL.
474
00:22:29,918 --> 00:22:31,284
GRUBER, YOU FOOL.
475
00:22:31,286 --> 00:22:32,785
YOU COULD HAVE
KILLED ME.
476
00:22:32,787 --> 00:22:34,221
ONLY TAKE YOUR ORDERS
477
00:22:34,223 --> 00:22:35,722
WHEN YOU
HEAR ME SPEAK.
478
00:22:35,724 --> 00:22:37,124
Helga:
Yes, Colonel.
479
00:22:37,126 --> 00:22:39,426
RIGHT. WE WILL
SHOVE IT UNDER,
480
00:22:39,428 --> 00:22:42,061
AND WE WILL RUN.
481
00:22:42,063 --> 00:22:44,331
HERE IS THE BEDPAN.
482
00:22:46,300 --> 00:22:48,502
Both:
FOUR, THREE,
483
00:22:48,504 --> 00:22:50,703
TWO, ONE,
484
00:22:50,705 --> 00:22:52,105
PLUNGE!
485
00:22:52,107 --> 00:22:54,107
( explosion )
486
00:22:55,643 --> 00:22:57,410
THE R.A.F.
ARE BOMBING US!
487
00:22:57,412 --> 00:22:58,612
INTO THE SHELTERS!
488
00:23:04,785 --> 00:23:06,453
( coughing )
489
00:23:08,523 --> 00:23:10,157
OH MY GOD,
490
00:23:10,159 --> 00:23:12,526
MY DICKY TICKER.
491
00:23:15,763 --> 00:23:18,198
( theme music playing )
47360
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof