All language subtitles for (auto)(15) 39 - YouTube

okay hello everyone and welcome to

handmade hero we are on day 39 here this

is of course a full game and engine

coded live on Twitch in C and C++ using

no library's no engines we are basically

doing absolutely everything from scratch

largely sort of as a as both an

educational process and and just for fun

I think it's really good for you know on

both on both ends really for the type

type of person who actually enjoys

programming then being able to program

everything yourself is kind of a fun

thing to do especially nowadays when you

don't get to do that all that often and

I've certainly been having fun doing it

I think a lot of the people out there

have been too and also it's a great

thing for educational purposes because a

lot of people just don't have a chance a

lot of times depending on sort of what

their program range was to go through

and do all kinds of interesting

low-level stuff and build an entire game

engine from the ground up and that sort

of thing and so they're just a lot of

cool stuff you could learn in there I

think anyway I always feel like most all

the most interesting stuff that I've

ever learned in programming came from

having to tackle you know hard low-level

problems really honestly even the good

high-level programming stuff that I know

is largely from having to do sort of you

know having to think about hard

constraints and that sort of stuff so

anyway right now we are at the point

where we sort of gotten we're sort of

wrapping up the stuff that we can

reasonably do before we learn some math

basically is what what I guess how I

would say it we've wrapped up sort of

the basic stuff of putting sprites on

the screen you know loading bitmaps

doing some basic alpha blending

techniques building a tile map and

moving around through the tile map that

sort of stuff

but in order to start moving forward

since in you know on the on the engine

further what we kind of need to do is

we're probably going to need to start

doing some math very soon so I think

today what we're probably going to do is

we're going to go through and we're just

going to kind of like do a pass over the

stuff that we've got so far and just

kind of like cleaning things up and sort

of get things into place where we're a

little be happy with them so that we can

start clearing the way for doing really

maybe starting to have a serious

discussion about gain math and what sort

of math we need to know and what all the

different types of

that tend to come up in games and so

then start to go through some of the one

the most basic ones that we will need in

order to move forwards which are basic

2d vector math and stuff like that which

we're gonna need for just about

everything that we're going to do so if

you went and made here at organ preorder

the game using the little P order button

you should have gotten an email with a

link that allows you to download the

source code and the test assets that we

use as well there's two zips up there

make sure you grab both of those and

inside the source code zip there's a

bunch of different zips resource codes

from every different day we're on day 39

right now so if you want to follow along

at home unzip day 38 source code day 38

source codes what we are starting with

now and if you unzip that you will be at

the exact location that I am starting

with today so you could follow along

exactly the way that we're with with

exactly what we're doing so if you guys

remember we've gotten to the point at

the end of last stream where we were

able to blip basically things on top of

other things which allows us essentially

to compose whatever we want in terms of

graphics now we can you know layer

sprites on top of each other all day

long but we had only just finished that

so we didn't just we didn't really do

anything with it

so I was thinking maybe today what we

could do is just load in our our little

hero sprite and he's in three pieces as

I think I showed when I was going

through the different sprites that were

in there he's in three different pieces

so maybe we'll go in and load his three

different pieces and we also have four

facing directions for him so maybe we'll

load in all of those and we'll sort of

make a thing where he can as we move he

faces the direction you know that we're

moving or something like that just

something basic to sort of clean up the

bitmap loading and the bitmap display

code into something that we're

relatively comfortable with for the

moment before we kind of move on to

trying to do a little bit more serious

stuff again and where we'd have to start

talking about math for reals for reals

with a Z so okay assuming that we're in

that situation

right now we are loading all of our

bitmaps we haven't talked really very

much about asset management in terms of

how we're managing loading stuff in the

code and that's actually deliberate it's

not something that I think is really

worth discussing at the moment I think

that's going to be something that comes

into play once we have a bit of the

renderer sort of the real renderer once

we kind of have more of a real renderer

written is really the more the

appropriate time start thinking about

that so right now we just have the sort

of the most basic thing you

doing a game which is loading all the

assets at startup not a particularly

useful thing to do

if you're active talking about a

shipping game because like I said in

this game we're going to be streaming

our assets in so loading everything at

startup isn't really an option for us

but well we're just developing things

that's certainly fine so I'm gonna have

to load these different hero things for

four different directions so I'm just

gonna go ahead and make life a little

easier on myself for now and just say

that we have sort of a hero bitmaps

structure and that we'll have basically

the different pieces the head the cape

and the torso each for you know the

different facing directions of the hero

so that I can basis there we have hero

bitmaps and the hero bitmaps that we

have are for the four facing direction

so we'll just say hero bitmaps and I

guess I'll do I don't know we could do

something like just a brackets for I

guess because we will essentially have

to map into that somehow we'll think

about that in a second but anyway if I

want to load those in I've already got

code that loads each of the each of the

test pieces in here into the hero hey I

don't know what what happened to our

hero torso code I must have actually hit

ctrl K that's a mistake so basically we

already have code that does that which

is this code right here but I need to

load one of those for each of the facing

directions like test your front you know

the sort of the front back side and all

that sort of stuff so I'm gonna go ahead

and do the stupidest possible thing here

just do hero bitmaps and I'm going to

substitute in basically one of these

like that for each of these ones that we

load like so and then I'm just going to

go ahead and call that four times

nothing particularly exciting here and

like I said well think I'll well think

harder about how we want to do this

stuff once we actually think about asset

loading and how we want to identify a

bit mass because in general you know you

don't want to have to have huge tables

of strings in your code at least I don't

and so that's not something that I would

encourage you to do when you're actually

doing the real code but for now it's

exactly the right thing to do because

you do not want to be thinking about

that while you're trying to work on

other pieces of the code

so here is the the set of files that we

have we have front back left and right

I'm not sure what the best way to map

those to 0 1 2 & 3 are at the moment so

I guess maybe what I will say is let's

go ahead and just do we'll just do maybe

start with with moving right in in that

0 slot and then you know I'll go I'll

basically do it almost like it was a

circle so then there's the there's up

it's after that like so and then this

would be left right and I guess it's not

it's not up it's actually that's that's

looking at his back right like so and

then and then front is down here you've

already got and so that'll load all

those bitmaps into memory for us and

it'll just go ahead and be using those

for the entire run of the game at the

moment if I go ahead and compile then we

will not be able to find that when we do

the hero head but we should be able to

do here a bitmap 0 dot had and now we

should basically be back to exactly

where we were before only now he's you

know the other facing direction right

but I'm gonna need actually to draw well

you know what I don't know why I keep

forgetting the fact that I can always

leave the code running we don't actually

have to don't have to I guess it said

just from a lot of stuff that I worked

on day to day doesn't have this feature

necessarily so you kind of get in the

habit

unfortunately oops that's not right so

if I have the head I have the torso and

I have the cape I guess the cape comes

over the torso basically want to do is I

want to draw these in reverse order

because remember this is a lot like

Photoshop things get layered on top of

each other so what I actually want is I

want the torso first if that's the thing

that's the lowest down in terms of what

gets shown then the Cape gets laid on

top of that then the head on top of that

and in theory that should reconstruct my

hero if if I'm not very much mistaken

and yes there he is

there's the little hero fellow and he is

facing in the in the direction to the

right which is what I expected

now I probably could also say here you

know if I had a facing direction for the

little fellow right

have facing direction equals zero let's

say and I went in here and said you know

facing Direction like this or something

then I would be able to also sort of

flip him around I suppose as I as I go

right if I flip it to one there he goes

- nice pacing that way three nice facing

towards us and so if I wanted him to

basically face the direction that he's

actually moving in 3000 okay don't think

3000 is very good things like been there

if I wanted to face for actually thing I

just need some way of specifying what it

was whatever that last direction was

that's the direction in which he moved

right so if I go in here and I just say

all right that facing direction you know

hero facing Direction is now a parameter

and then out here I can go ahead and

grab out the hero bitmaps thing that

that is appropriate based on that facing

Direction right I can go ahead and do

you know game state hero bitmaps for

game state hero facing direction that

would give me back that bitmap that I

actually want the whichever one you know

it's actually supposed to be and so then

if I go in here and just go ahead and

change these all to sort of operate off

of that then I've sort of made it so

that we can easily store in the game

strip state structure what it actually

is we want the hero facing direction to

be so if I go ahead and go over to the

code where we actually move the guy

around right with move up move down move

left and move right it'd be pretty

trivial for me to sort of go and just

set it to whichever key down you press

laughs which is a totally reasonable

thing to do for now since we don't

really again we haven't done that vector

mask so we can't really do much we

haven't really written any real hero

movement code yet and so it's it's you

know it's not really gonna be something

that we can do anything fancy with yet

but for now we can certainly set the

hero facing direction to whichever thing

you actually push down last so if the

hero you know was was was moving upward

we can set it to that moving up

direction if the hero was moving

downward we can side to that moving down

you know the left

and the right like so and then if I go

ahead and compile that or what's these

are supposed to be address of the bitmap

there now I should have a way to

basically have my my dude change

direction

oops and I've got I miss I miss typed at

once there so I've ever did my my two

directions what did I do

let's see here so if we're moving left

yes left is supposed to be to right is

supposed to be zero that's that's what I

said when I made it but I didn't

actually do it and so now the hero

actually does change for whatever

direction he moves in and I'd like to go

ahead and Center him on his rectangle as

well you'll notice that basically the

bitmap right now we we do have something

in fact this is probably something worth

talking about because we haven't really

addressed it and in the art assets yet

we're not actually at the level of

loading art assets where this sort of

stuff comes into play but we'll need to

do something as sort of a temporary a

temporary fix to it if you consider the

fact if you consider what these bitmaps

actually are right if we actually go and

you can see we're drawing the player's

bitmaps right all those three bitmaps

we're drawing them with this upper left

corner here this this is the point the

position that we're passing when we say

we want to draw those bitmaps there's a

bunch of information kind of there's a

bunch of sort of assumed information

that's all getting baked in there and

it's why for example the hero is kind of

nowhere near where our rectangle thinks

he should be this was our little test

rectangle that said where we thought the

hero should be and so it's not at all

correct right we'd expect the hero to

kind of be standing up you know with his

feet roughly where at the bottom of the

rectangle where was for example but

that's not at all what's happening and

so considering that situation right

what's going on there

well if you look at what we've got in

terms of assets if you go into the test

directory and look at what these assets

are let's say we open one of them up

well watch they'll open up all three for

a given facing Direction we'll open up

the front facing ones for now inside

GIMP and what you can actually see if

you take a look at these guys in fact

you know what I can do to that was

probably the wrong way to

a course that opens three different

copies of GIMP there for me thank you so

much GIMP

what I'll actually do is I'll go ahead

and we have the front torso loaded I'm

gonna load the head and the cape and so

now they're all in there as a layer

right they're all in as theirs as layers

and what you can see is basically the

the way the art comes in because these

are raw our assets that we're loading we

haven't process number than anything to

them basically they're just a giant

empty space around the guy which is

totally fine like we want that that's

what you want your artist to give you

but then you need to do work to kind of

process those down into final art assets

that you would use and you would store

all that up to space obviously and so on

so forth but the other important part of

this is that there's essentially an

implicit hot spot defined here

oftentimes what it's called it's

oftentimes called a hot spot on that's

like the old-school term for it it's

it's sort of what the used to call like

cursor locations and stuff that you'd

use for offsets it's I don't actually

know why the term is what it is

but there's an implicit sort of

alignment point you could think of which

is basically right down here where the

dude is standing is where we kind of

want to position him in the world right

we want to have this point aligned with

where we think the player's position is

like something like that right basically

right where he would be sort of standing

where he would be touching the ground

right and we don't actually have that

information yet and so what we're gonna

have to do in our eventual real art

files is we will have to have those

registration marks basically in there or

we'll have to set them manually one of

the other doesn't matter but you have to

do something along those lines and so if

I look in there I can actually see down

in the bottom here right here GIMP will

tell me what those pixel coordinates are

like 72 180 270 2 , 182 right you can

see as I move those are the X&Y

positions so we can go ahead and put

that in there we can say that it's 72

roughly 72 182 for that particular

facing direction right and that's that's

the one where he's facing the front so

in the one where he's facing the front

and in fact I guess we could sort of do

it here so that's it's 72

and 182 for the X and the y we could go

ahead and make this a little more

concise here and basically say well okay

there's these hero bitmaps and we're

going to introduce another thing which

is basically the align X and align Y

right for this bitmap set so that we

kind of know how to position them

relative to the points that we actually

care about in the world that makes sense

okay so what we want to do is we want to

basically have those registrations that

will just hard code for now into this

part of ourselves and then when we get

to the point where we actually are

talking about putting large numbers of

assets into the game what we'll need to

do is we'll need to have a way of

actually loading that data from

somewhere like that data will have to be

produced in a more efficient fashion we

probably don't want to sit here and hand

code it ourselves what we'd rather have

is some way of just marking it in

Photoshop or whatever it is and then

when those alright access get exported

we'll make sure they get exported to

something that we can read when we

process our art assets so I'm going to

go ahead here and just do something like

this where we can sort of have a nice

yeah something like that

in fact I guess what I could do yeah

this is actually pretty easy you could

actually do this and then I'll just do

bitmap Arrowhead equals debug load like

so and and bitmap arrow Cape so just

clean things up a little bit here so

there's not quite so verbose there we go

and now I'll also do bitmap align x

equals something and bitmap align y

equals something and then I'll move on

to the next fit map right so this will

just load our hero bitmaps as they work

so I'm just gonna go ahead and make that

change everywhere I think I can probably

I don't know you know it's always dicey

when I do this but we're gonna do it

anyway I think I think it's just it's

the right time to do it people and you

know when it's the right time to do it

you know and when it's the right time

you kind

just got to go with it you kind of got a

go with the flow sometimes so there we

go with that and then we'll put that

here so let's go ahead and get that

going on there we go to clean that up

and now we've got something a little

more respectable in terms of code we can

use okay so I'm gonna go ahead and just

manually for now do those offsets but

again that's just something you know

something definitely to pay attention to

you know if you didn't have me sitting

here telling you the sorts of things

that we'll probably do because I've done

on stuff like this before this would

basically a place where you'd want to

think in your head you know I don't want

to be sitting here manually open up

these bitmaps every time the artist

changes something looking to see where

that alignment point is like you can see

that that's going to be something that's

going to take time and you might art you

know you kind of want to think to

yourself what could what might we be

able to do that could sort of speed that

process up right like how could we how

could we make a better way of setting

these alignment points right and there's

a lot of different ways you could do it

but it's just something to be aware I'll

be kind of like it raises that little

red flag where you kind of got to think

to yourself what you know what's the

what's the end scheme here so it looks

like a like these are roughly the same I

don't know Yong Seon may have already

just kind of lined everything up for us

which is kind of nice so it looks like

they may all be roughly the same so we

won't have to really do yeah I think she

might have although that one's a little

different than than the other ones

probably but we could probably use them

all at the moment as as being 70 to 182

that's what that's what actually they

almost all look like is roughly that

value so we'll leave it like that but we

could tweak them later okay so now we've

got these loaded mm-hmm there we go

what why are you oh whoops that's no

good I didn't even realize I still had

the game loading my bad sorry guys okay

so now we've got our little fellow there

and what I want to do is like I said

I've got the information

there now where I could go ahead and

correct for where he should be relative

to that relative to the alignment point

and so what I need to do is I need to

have some way of actually taking that

alignment into account so in here where

I do this draw bitmap

I want to basically be able to change

the player left in the player top based

on that alignment amount and so what I'm

going to do is I'm going to introduce

probably a new function here which is a

draw a bitmap a line function or there

is a different thing I could do which is

I could make these basically be some

kind of registered coordinates it's a

little bit hard to say at the moment I

think possibly in the interest of oh

it's so tough to say sometimes you know

I'm not sure how we want to do this yet

so I think temporarily what I might do

is I might just pass these as optional

parameters into this thing we're gonna

want to do something fancier than this

later but I think we might just want to

have it in there right there for now and

we'll sort of when we have more of a

renderer there's gonna be more clearer

places where those should go in my

opinion so I think for now we'll just

leave it like that and we can go ahead

and say that the the hero bitmaps align

X and the hero bitmaps align Y can go

ahead and get passed in there alright so

we'll go ahead and compile that and what

I want to do now right is I want to

actually use those alignment points to

offset the place where we would be

drawing the guy and I think I actually

have to kinda remember what we actually

did for player we're passing player left

and player top but that's not what we

actually want anymore

we actually just want the players actual

location right so so we actually want to

know where the player actually is we

want a player ground point basically and

and we want that ground point in X&Y and

we what so so we don't really were not

so interested necessarily in these sort

of

adjustments for the players height and

the players width and so on right

that's not actually what we want to see

what we want to see here is we want to

see let's see something more like that

so that's gonna be the player ground

plane X and then player ground point Y

and then I'll go ahead and keep

computing the location for our rectangle

as well you might as well leave that

drawing but then in here so what I want

to do is I want to pass those points

that were aligning to right so I'm gonna

pass those instead of the the left on

top that's a player ground point Y there

we go

so now we're passing the right things in

and now that should make our guy up here

even more off-center because we're now

passing this point right here which

means it's drawing like this so now we

have to do is do that alignment to get

him back up to the right place so if I

go into that drop bitmap call you can

sort of see it's not gonna be

particularly difficult we've got our

real X and our real Y that coming in

here basically all we have to do is

subtract from those the values that we

have for our alignment right all we need

to do is say we want this align X and

this align Y to actually be sort of the

the alignment point versus the point

that we've been passed in so if you

think about what happens I'll go ahead

and draw it out for you here on our on

our handy-dandy whiteboard I don't know

why krita's still is passing a hand for

our cursor nobody really knows we don't

try to understand Crito we just accept

the fact that it does what it does and

so what I'm doing here right is we've

got a blitt routine and the blitt

routine is going to draw a rectangle

from like an upper corner it's gonna

copy these rows in here right but what

we have is we have a registration mark

right in the world but basically where

the player ground point is so this is

the ground point right and then we have

a bitmap that also has a registration

mark in it right that's measured from

that upper corner so what we want to do

if we are saying that these two

registration marks should line up then

we're relative to the ground point where

would we draw right that this bitmap

well the answer is we just invert right

whatever this was if we're saying that

the align X and the line Y is how you

from the upper corner to the alignment

point then getting back to the upper

corner is just gonna be a matter of

subtracting them right and so that's all

I'm going to actually do here because

I'm just going to go ahead and subtract

those aligned X and aligned Y points so

that I can offset my bitmap by the

amount that we possible that would be

necessary to move those alignment points

into into coinciding right and so now

you can see our little hero fellow he

actually is properly aligned with where

we thought he should be and that's all

good he's a little off in though in the

direction that I said maybe he would be

off in which is the side ones I wasn't

sure what we should set those alignments

to you but he's for the most part pretty

much fine and so that's a lot better

than what we had in there before now

what I'd like to do is I'd like to get

back to screen based stuff here you know

we had our tile map and then we started

doing scrolling just as a test thing I'd

like to get back to having things fixed

on the screen where we just walk in and

we walk around the screen instead of the

screen scrolling around us so I'd like

to go back and and and change things

back to going that way for a while until

just because I that's sort of the way

the game will mostly be played and we

don't kind of want this random stuff in

here for now because we're gonna start

working with the players actual movement

code alright so hopefully that was all

very straightforward nothing

particularly unusual going on there

let's see we got about 30 minutes left

which is quite some time okay

so what I want to do now is kind of

figure out some way to keep our camera

centered so that we can have our tile

maps back also I feel like we can

probably at this point stop drawing the

crazy backdrop for now well I mean we

could keep drawing that backdrop I guess

we could do a number of things I'd have

to think about exactly what we should be

doing it's a little bit difficult to say

because again trying to manage stuff at

this stage in the game we're kind of

thinking about all the different places

we could go there's so much there are so

many different places that we can go

obviously exploring because we have

every every part of the system is still

pretty much up in the air but basically

I guess what I'd say is do we want to

leave that

drawing the back up in there you know

maybe we do at the very least what I'd

like to do is just leave the sort of the

world fixed for now yeah so what I'd

like to do is I'd like to change it so

that instead of drawing out from around

the player because you remember this

right here drew our tile maps this was

our little debug thing for drawing what

was filled in the tile map I think what

I'm going to do is I'm going to change

it so that we have both a player P and a

camera P right so now I have a place

where the camera is looking and I have a

place where the players looking and

they're not going to be the same anymore

so now the camera P is basically going

to be you know the place around which we

Center that tile map rendering so all

the same stuff we were doing here we're

gonna do it's just we're not going to do

them from the player Pete right instead

of player P in here we're gonna do it

from this perspective of the camera and

so what we were doing remember if you

remember how we drew this tile map we

are essentially starting with whatever

tau the player was on we were saying

that was going to be centered in the

very middle of the screen and then we

were just gonna walk out words from

there to the ten picked tiles on either

side and I'm sorry ten pixels up and ten

tiles up and down so 20 tiles total and

40 tiles across so negative negative 22

20 which is more than actually was on

the screen we were kind of over drawing

a little bit we were we were going a

little bit further out so what I want to

do is just say okay we're gonna do

exactly the same thing only instead of

walking out from the player station when

I walk out from the cameras position so

everywhere that there was a player P in

here right I'm gonna change it to a

camera P right and so that's that's how

that's gonna work so now when we

initialize that player position at the

outset of the game we're going to

initialize the camera position to be

something logical as well so we

initialize the player position somewhere

in here there it is so we're gonna say

that there's also a stage where we

initialize the camera position and that

camera position should just be let's say

on that very first map that very first

tile map down in the corner

that Taichung I think we said basically

our tile system was going to be roughly

something like seventeen by nine or

something like that I think is what we

were saying so I'll do 17 divided by 2

and 9 divided by 2 for what that was

going to be game state camera P AB style

y equals 9 divided by 2 and you know

what it's interesting well I guess

that's fine so there we go

and we will go ahead and run that now

and see where we get

so essentially oh right and now we

actually have to do the work for doing

player position as well but now our

camera is going to be fixed and remember

we were cheating before we never

actually computed where to draw the

player we just drew him at the middle of

the screen so now we actually have to

compute where he is which means we're

going to have to do a relative

computation to see where is the player

relative to the camera because we know

the camera is at the screen center X and

screen center Y we know that's where the

camera is essentially going to be in

sort of the space when we draw the

screen because that's the definition of

the center of the screen is wherever the

camera is telling us to look so what we

need to do is we need to add something

to that right we need to say where is

the player relative to the camera so

that we know where to draw them relative

to the center of the screen right and so

what we need to do is we need to have

essentially a subtraction operator and

this kind of leads nicely into that mass

that I was talking about so this is

gonna be good because it will sort of it

sort of is a nice segue if you will for

talking about this tomorrow or Monday

whenever we decide to transition over it

to it but we've got these tile map

positions and basically what we want to

be able to do is we want to be able to

subtract right we want to be able to say

what is how do I get from one to another

if I have the player and I have the

camera how would I get from the camera

to the player because that's the

distance that I want to give in in sort

of that's that's what I want to add to

the screen Center to know where the

player is right so so what I'm gonna do

is I'm just gonna say okay let's

actually pretend we have that let's

actually just say that we had something

that could do is subtract

right and it could subtract a table map

position from another tile in that

position and will give us back the real

32 answer right so I'm just throwing in

a name for that at the moment I'm not

suggesting this is actually gonna be the

name eventually but that you know let's

do that subtraction right well that

subtraction is just going to be between

the gain the the player P right and the

camera P oops

like so now of course we might as well

just do we don't really want to have

multiple functions for this so we might

as well just do one that will actually

give us back the whole answer and again

this is kind of setting up the math so

we're gonna have to kind of do this in a

bit of a janky way for now because we

haven't introduced vectors yet so we're

just going to kind of see it and then

when we do our vectors which I guess

will be maybe tomorrow seems since it

seems like this is kind of the most

pressing concern we can kind of see how

it cleans our stuff up nicely so I could

basically say there's a tile map

difference function let's say and that's

gonna basically give us back the

difference in XY and Z when we do that

subtraction so if I do the subtraction I

could do it like this I could say that

we get back a tile map difference right

and that that difference is going to be

the difference between the player and

the camera once I have that difference

it's pretty easy for me to go ahead and

and add it in so I basically now would

have a way of getting to where I think

the player actually is so all I need to

do is make something that could subtract

these two and produce one of those as a

result so if I look at what has to

happen to do that right well part of it

is really really simple right if I've

got two of these let me go ahead and set

this up for a little more success here

if I had tile yeah like so so we've got

a tile map difference that we want to

return right and we want to basically

compute a DX dy and DZ out of that now

what I'd like to do is I'd like to take

in two tile map positions

in a canopy like so and then I would

like to say how do I subtract the two of

these well I know how to subtract the

offsets directly because the offsets

just are real 32 so producing another

floating-point offset by taking the

distance the difference of these two is

really really easy it would look like

this right that's all I would have to do

I would literally just subtract these

offsets but what I need to do now is I

need to account for these AB Stiles

right I don't have a way of accounting

for the AB Stiles

at all okay so in order to do that I

would I want to be able to do a signed

distance of some kind here so what I

might do is say all right we could do

the subtraction in float for now I have

to think about how I actually want to do

this eventually but for now we could

basically say all right we've got the

the signed distance which is the the d

tile distance right and that's going to

be you know the ABS tile X from a - the

ABS cloud Y like so on like so there we

go

so I'm gonna do that subtraction to get

these these deltas here detail X ETA Y

do TLC right and then those are in tiles

so in order to change the distance in

tiles I would need to know that tile

side in meters right I need to know that

tile map information so I'm gonna have

to take the tile map in order to do that

conversion right I need to know for

every one change when I do this how far

they in tiles I need to know how far

that's actually going to be in the real

meters units that we're using for

everything else so the tile side and

meters right that I'm gonna have to go

ahead and multiply in here in order to

in order to and I guess I could do that

down here as well there we go

so basically I have my detail X

and detail why tom at five meters deep

Tao why like so and outside in meters we

don't really know yet what our RZ should

really be in this case it's unclear that

we ever want to actually have a DZ in

this way but I'll put it to do in there

think about what we want to do about Z

because Z is really kind of not a real

dimension in our system because since

the way time app games work you don't

really have Z in the same way that you

have x and y so it's hard to say but

anyway after we compute these tile

differences and then we actually go

ahead and do the math here to add in the

tile difference amount plus the offset

amount now we've got a real DX dy and DZ

but of course this is actually all going

to be in meters but we need our meters

to pixels in order to actually turn that

into pixels on the screen and these are

all in pixels from here this is all

rendering units so there's our meters to

pixels that gets added in there to

convert that difference that we did and

of course we have to pass the tile map

as well which i think is just gamestate

time okay so there we go and so I

believe that is roughly all we need to

do to get that guy going and of course I

got to return the results of course and

so I think that should be roughly

correct and of course it isn't

classically you gotta love that I think

that's just because I forgot that we

have to flip things around for our our

kind of non we don't really have a

renderer yet like I said so our

coordinate systems are a little ad hoc

here so of course yes this is where we

have to do our flip always which you

know is kind of annoying at the moment

but that will all get handled in our

renderer for us so it's it's really it's

not as janky as it seems like it has to

be the fact that that the the up and

down doesn't quite work the way that we

would like it to but anyway so yes what

we would like to do here is we'd like to

have the player

ideally go in the opposite direction

also let me see here we should also make

sure that we don't have a bug in our in

our offset X offset Y stuff I don't

think we do but we could double check to

make sure that we don't so let's go

ahead and double check everything here

so we're gonna take all of the tile

sighted meters the d2 YY is always going

up that goes up in tiles as well as in

as in our meters units there so that's

correct but yes this this is this is

wrong because obviously the the guy

supposed to go up not the coordinates

are inverted in the renderer as from

what they are in the game that didn't

seem like the bug we were having though

I don't know yes see we still get a

weird we still get a little yeah I was

gonna say didn't that was that was one

bug that we have I'm like there's that

weird kind of we get that kind of nasty

[Music]

thing where the X is the X is related to

the Y I must have had a typo in that

code let me go back and look at it for a

second

Oh fantastic yes I have tons of typos

wow those are amazing there we go all

right so I think we are good to go now

our dude is moving around to the camera

is where it's supposed to be but we have

a few other things that we would need to

handle in order to get everything

working properly also I should note that

we still have not finished our bitmap

routine so if we move to the top you

will notice I don't know if you can see

that that our guide doesn't actually you

can't clip off the front off the top of

the screen we have it to do in there

about that so those are the things that

we have to finish so let's get him

walking throughout the entire map for

now for example when he comes off the

top of the screen here you'll notice the

camera will never change locations

because we have never actually

programmed the camera to change

locations so he is and we and we also

are drawing him whether he's on the same

z plane as the camera or not so when

technically we would go upstairs will

never actually see that so we have a

bunch of stuff that we need to fix so

let's go ahead and fix all those we've

got about 15

look just so we can have things cleaned

up and working relatively well so we

could start working on our math having

math having real math is going to be a

pretty nice thing let me tell you it's

been a bit of a struggle to kind of go

through without ever having really

vectors or anything like that but you

know you got to pick an order to do

things in right and so it's always

important to kind of you know not not go

too far too fast alright so first things

first we always want to move the camera

to wherever the player is in Z I would

say right so no matter what happens I

would say the the camera P I'm just

gonna say that the ABS tile Z is always

gonna be the same as the player state

ABS tile Z right just so what if the

player goes up then the camera goes up

if the player goes down it goes down and

and so I think yeah there you go so now

we can actually get up and so the only

thing that now we have problems that the

player moves off the screen the camera

doesn't ever follow them right and

that's no good so what we want to do

here is we want to then say all right

the other thing we need to do is to see

whether the player ever gets more tiles

to the left or to the right than he

should be relative to the player now

what we could do if we're always locked

to screens there's a lot of different

ways we could do this you know it

depends whether we want to drop down our

own manual camera points and and this

would allow us to do different things

like having screens of different scale

sometimes there's there's just a ton of

stuff we could do here I'm trying to

keep it again relatively simple because

one thing at a time but we basically

have a problem with our tiles X and

tiles why were what we want to do is

that the player moves one screen to the

right or one screen to the left we want

the camera to follow them there right

and so the simplest way we might do that

is just basically say if we rounded the

players position to whatever the closest

center screen Center point was we want

the camera to always be looking at that

right and that's one way we could do it

I'm not sure if that's the smartest way

to do it or not

yeah it's really hard to say so one way

I mean you know let's let's put in

something let's put in something even

simpler let's say we've got this diff

this diff function here right like so

oops

in fact I guess we don't even really

need the diff function now that I think

about it well I guess we can you know

kind of want it

we can't probably do want the

dysfunction I don't know it's difficult

to say but I guess what we'll do for now

is say all right when the when the we do

the subtraction here then basically what

I'm gonna do is say if the the Delta X

is greater than a certain amount then

I'm going to go ahead and move the

camera forwards and if it's less than a

certain amount right I'm gonna move the

camera backwards I'm just gonna see how

that works out so basically how far is

it well I'd say it's it's that seventeen

by two number again right if the if he

moves basically more than one screens

worth away then he'll we'll go ahead and

do the change so I don't know let's see

what that number actually ends up being

if I have seventeen tiles across as I

think what we said it was normally on

the thing and so that's eight point five

is the midpoint so eight tiles in the

eighth tile right we have seven tiles on

one side seven tiles on the other side

and then the middle tile right so

basically if you were to get let's say

nine tiles away if you were to get nine

tiles away from the camera on the

x-direction that would be too many and

we'd want to flip to the next screen so

what we could do is say all right let's

take 9.0 F is the number times the tile

side and meters right and that is

basically going to tell us side in

meters that's gonna say that the player

moved too far away from the camera right

I'm just gonna go ahead and do that like

so and let's just see what that gets us

again we got to go upstairs first cuz we

can't get out of this room so we go out

it out there and then we go here

and oh that that is not oh well that did

exactly what I told him to do we're

supposed to move the full 17 tiles but

for some reason I only had it move one

tile which is not really gonna help us

here just say the least

alright let's try that again my bad that

was the house that was not very bright

so yes if I go out here now we should

see me come back on the other side which

is exactly what happens and that's all

good again we still we have to go fix

our problems so that this doesn't happen

so that's the next thing to do and then

we also have to fix up and down so here

we go I can walk out here and then I can

kind of walk up here and this is the

place where we would like to go off the

screen so again

hey man since we got live code editing I

don't have to walk all the way back

there I can just go ahead and say let's

duplicate this and so since it's 9:00 in

the direction I guess that would mean it

was 4:00 here is the tile sided meters

and so the dy is going to basically do

this right and that should give us some

better motion up and down as well right

so when we walk off the end there oh

okay so it's actually sorry it's not for

its 5:00 I just I was happening there

but we were right it's because we didn't

encompass that extra tile when we walked

on to that tile we were in neither

camera space the camera constantly would

flip back and forth going oh I'm too far

away oh I'm too far away oh I'm too far

away so you actually have to do yeah all

the way to the end of that fifth tile or

at least in the middle of it in order to

not have that sort of problem all right

so I believe we can now walk all around

the world with our guy which is nice so

it's good it's kind of a happy little

fellow what he's determined you know

he's happy but he's determined you know

that's how he is so anyway he's gonna go

up there let's go up there see here go

through here yeah so everything's nice

and happy everything's good no

complaints alright so basically all we

really need to do now to

to get ourselves back to a place that's

pretty stable for him walking around to

where we can start to talk about wanting

his movement code to be better is is you

know I'm I'm walking out there and I'm

clipping against the screen here we just

need to make sure that we do the math

right for for clipping off that edge of

the screen I think we already do the

math right for clipping off the other

edge of the screen meaning that if I was

gonna go down I think that works

properly like so for example going off

the screen this way just works right so

that's all fine but it's that it's that

it's not coming in off the min that we

haven't done yet so let's go ahead and

do that and draw bitmap let's go ahead

and make sure that this function now

properly handles that you notice that to

do here that we left in there which is

source rotates to be changed based on

clipping and so that's the problem so

basically what happens is our rectangle

that we're bleeding does properly get

clipped so we don't overwrite memory or

do anything bad like that but what we're

not doing is advancing the source row

and the basically that starting pointer

for where we're copying the pixels we

need to advance that by however much we

clipped the left and top edges of this

bitmap so basically this part right here

when we do this we need to basically

save an offset value we need to save us

like a source offset X and we need to

save a source offset Y just tell us why

we should be fetching pixels further in

because we aren't drawing the ones that

are off the screen right and to make

that a little clearer for folks who

haven't done this sort of thing before

when we're normally drawing right what's

happening is if we're clipping off the

other side of the screen we don't have

to adjust the point where we copy from

right all we do is copy less so when we

copy a row if we started here all we

have to know is we'll stop copying

before you know before you would have

otherwise which would be all the way out

here but if we were to clip off the min

edges of the screen right in the case

like this where we're clipping off both

of the minimum edges then we can't start

copying from here we actually need to

start copying from here and so we

weren't doing that and so obviously we

were going to have the

graphical glitches because what was

gonna happen is we were gonna start

copying from here but we were gonna draw

it to here which basically gives a

phantom translation of our bitmap down

and to the right and it makes it look

like it stops early because this is

still the clipping for it so it's it

basically translated our guy this way

and clipped him so he would just you'd

see like his head like there when his

head should be up here off screen and

his body should be here right so all we

need to do is just advance that pointer

pre advance that pointer to the right

location and that will totally fix the

bug that we have so all we need to do

here is basically go alright we have

this which is our source row but we

could go ahead right now and update it

to say that whatever our set X is we'll

move that many pixels in and whatever

our offset Y is we'll multiply that by

the bitmap with right and that will

offset it by that number of rows so that

way we'll get you know the the row

offset and the column offset we're all

good there so all we need to do now is

actually store them and of course it's

whatever it was whatever this value was

that this negative value is how is we

want to offset by the off up the

opposite of that right so there we go

and now we should be copying this guy

well or we'll just go ahead and just

straight up crash because it's

amateur programming our here on handmade

hero apparently I don't know exactly

what it did there oh right because

because I forgot that this bitmap is

bottom up right so basically we have to

actually go down we have to actually

subtract for each of the the source

offsets yeah not not not the brightest

move by KC it's true but again a lot of

this stuff is just since this is test

code you can't expect me to remember all

that stuff when we actually are doing

the full render code a lot of this will

be more commented and more directly will

have boil it down more and then you can

get mad at me so I'm not gonna Alice

shame that that was not an Alice shame

moment my opinion I'm gonna give myself

a bye on that one all right so anyway I

think our dude is pretty much okay now

you can see how he flips properly now

off either edge of the screen so that's

all good we'll try it on up as well just

in

sure that yep that's all good up and

down seeming to be good there no issues

yeah yeah everything is fine okay so he

can go adventure around are very sparse

and not particular interesting world but

at least everything is working the way

that we think that it should and so

that's good

that's all very nice and good the other

thing that we probably should do at some

point here is check our framerate

because of course at the current moment

you know we have we're doing this

rendering code without any optimizations

it's not Cindy it's not optimized at all

it's it's crazy and so we should

probably verify that all this crazy

stuff that we did without any thought to

the performance of it whatsoever and

we're not again we're also not even

using GPU so we're at a severe

disadvantage performance wise here so we

should actually just go and check

because we still haven't had a chance to

do anything in terms of a heads-up

display for ourselves I just want to

take a quick second to look to see what

our frame rate actually is in practice

so let's take a look at that and it

looks like we're still okay we are

hitting that that that 30 frames per

second goal and so we are we are in good

shape all right even with all of that

pig enos so I think that's about

everything that I wanted to do today I

can't think if there's anything else

that I thought that I needed to do I

don't think so

so maybe let's go ahead and go to the

Q&A a little bit early and trying to

think if there's anything else oh well

you know what there is one thing we

could do that I wanted to mention I

mentioned this in the forums to people

because they were having trouble with it

and I just hadn't had time to do it

myself we could just throw it at the end

here and that is that since we're doing

our live code loading sometimes the

problem a problem happens with Microsoft

Visual Studio which is that when the

compiler writes out the executable it

sometimes writes a suitable first and

the PVV second well I think it always

actually does that and and so the PDB

actually finishes writing after the

executable finishes writing in this case

I should say DLL because it's the DLL

that we actually care about so we write

that DLL out and then the PDB gets

written out when our hot loader goes to

load the executable in it will load that

executable almost immediately because

remember

you know 30 frames a second here so

what's gonna load it very very soon and

the PDB sometimes hasn't finished

writing so what will happen is Visual

Studio will fail to load the PDB and

then we can't set our breakpoints and

stuff right because the PvP is still

open for writing so what I wanted to do

is to show a little trick that we could

do here to avoid that problem people

were having trouble with this on the

forums and I told them how to fix it but

I figured people on the stream should

know as well and that's basically just

to create a lock file so all we really

have to do is just in in the direct in

the directory where we're going to put

that DLL right all we really need to do

is we just need to put a lock file in

there and so we can say waiting for TVB

and we can put that out to like lock

temp or something and then when we are

done we'll delete that lock that temp

file right and that lock dot temp file

basically just says don't load right now

because whatever you're going to load is

going to be stale and so if we look at

what happens if I do that when I'm doing

this compile here it's probably hard to

see because you can't actually we

probably can't catch it in time well you

know what I could do I might be able to

I might be able to show it here I'm not

sure if I will or will or will not be

able to catch it but essentially if you

think about it this way where's my build

up at and made that I don't know if you

can see it show up there at uh loops

that's not right that I don't know if

you can see it show up there probably

not yeah never actually it never

actually boots forth does it see if I

can get it to go there it was block of

time and if you can see that pause the

stream anyway there's a lock top temp

file now that gets created there and

that lock temp file will not get deleted

hopefully until after the PDB is loaded

because the compiler will have returned

entirely at that time so once we know

that there is that lock file in place

that's just a dummy file that's there to

let us know when that thing started and

ended right what I can do is I can go

ahead and just test to see if the lock

file is there and assume that whatever

compilation has to be go

on no matter how complicated this thing

gets will always wait and we won't

delete the lock file until all the

things that we need to have happen

before the hot loading occurs have

occurred right and so when we do that

sort of low game code thing I don't even

remember where that is at this point

it's a little game code what we'll do is

we can actually say when we go to load

that game code I think this thing

actually sets let's see here

yeah this thing gets the DLL last right

time so what we could do is when we

actually go to load the game code we

could check to make sure that the lock

file is not there right and we have two

places technically we could do that we

could do that really in either position

and I don't know which one we would like

to do it's really hard to say I think we

probably just want to do it here so I

think what we want to do and why is this

still there I believe we are getting the

proper path I think we're doing both of

those two do's we need to go check to

make sure if we haven't have a lot of -

duze lying around they don't have to be

there so basically what we could do

right here is just go ahead and and do

the if right here to see whether or not

that lock file actually exists and so I

think the easiest way to do that is just

to do like maybe a get file attributes

or something like that let me see what

the easiest way is to do that in to see

whether that that file exists I think

actually which you file exists I don't

actually know path file exists I don't

think that's a good I don't think that's

actually the function that we want

Windows 2000 professional requires

sloppy yeah I don't I don't actually

know if we want that doesn't seem like a

good thing

get file attributes might be the easiest

get file attributes e^x let's see about

that guy I could also look I don't think

there's ever follows this function I

think there is but we could double check

exists path exists copy file now so

let's go ahead and use get file

attributes e^x and basically that should

return false if we can't actually get it

right so we'll just call well literally

just call this thing right like so and

if it actually if it actually was there

then we'll be good to go

this okay so what we need to do here is

we need to have that file name whatever

that file name actually has to be and so

it's going to be source dealing on a

temp dealing them and lock file name

right like that and so we'll go ahead

and pass that lock file name now

whenever we do a winter cue load code we

need to do lock bold path and all right

this is a game code lock full path bat

source game code DLL and so here I

should just be able to do temp that with

LOC there we go lock full path and

that's I think just called it block dot

temp and there we go so I think oops I

think that should be sufficient I'm not

sure I think it is and so let's take a

look so if I go in here

well evidently not oh I did it backwards

again get file attributes so it's

basically if not it's supposed to be if

we don't see the file it should load and

so I think that should be fine but let

me just test to make sure that we still

have our hot loading enabled so okay

let's go got this guy going I'll make a

new frame maybe Oh

the hideous colors maybe I won't make a

new frame so I'll just move this guy

down here I guess we could go ahead and

and do a loop for now let's go ahead and

make him go up here

okay and so I don't know what do we want

to do let's see if our live code editing

will live code edit him to go backwards

instead so I'll go in here to handmade

dot CPP and go to the facing Direction

stuff and basically I'll just say oh

yeah whenever he's going to the right

let's actually make him face left and

vice versa

yeah there we go so should be good yeah

yeah all right

I'm satisfied okay so I believe we now

do need to go back to our originally

scheduled program we're a little bit

over now three minutes over the QA now

that we have taken care of that I think

everything is is is kosher now with that

yes I believe it is so let us go ahead

and go to the QA now that we've finished

that if you would like to have me answer

a question please put Q colon in front

of it so that I will see it I and that

starts now anything that you've put

already that's Q :

I won't see it's anything that starts

now and has a Q : in front of it I will

I will take a look at and please try to

keep the questions two things that

happened on today's stream or previous

streams so please try to save off-topic

questions or things about what we're

going to do in the future for pre

streams I try to show up about 15

minutes early to most streams I can't

always make it but I try to and I answer

off-topic questions at that time so if

you're interested in asking off-topic

questions that's totally fine but come

before the stream to do those most the

time I try to be here before them so

yeah let's see

genetic species can you do that live

code with a function call that could

just be a poke hmm I'm sorry I'm not

sure what that means can you do that

live code with the function call could

you be more specific

perhaps let's see he numeration x' and i

correct to say you've not used them in

handmade hero yet I'm guessing this is

simply because it's too early to know

what will eventually require a new

enumerations and not some other reason

uh did we really never use an enum that

may be true we may never yes so we

haven't ever I do use enums I'm not

avoiding them for any particular reason

we just haven't had like sets of types

or anything probably when we do like

entities you know our entity types might

be an enumeration or something like that

you know but yeah I'm not avoiding them

we just I guess they just haven't come

up yet why not layer the individual body

parts into a single bitmap that way you

only have to draw one image instead of

three well that's a very good question

and hopefully this is a very good answer

for you I want him to be very bouncy so

I want him to kind of hop along and I

want the three parts to kind of do this

sort of a thing right so I asked

young-shin to make sure that they were

separate so that he could kind of be

like a little springy guy that Springs

around and in addition to like squashing

and stretching the bitmaps I also want

them to move relative to each other if

that makes sense to really kind of give

that sense of of you know motion are you

wearing a blue cape like the handmade

hero today

no it's not a cape it's just a shirt I

don't actually have a cape a handmade

hero cape

let's see I just wanted to point out

there is a magnifying tool in Windows

that came with air oh yes it's true

unfortunately it's really hard to use at

least I find it hard to use

I like this other tool called zoom in

which I just haven't gotten around to

finding I don't know where it is I may

have to copy it from like an old version

of Microsoft developer studio or

something but it was so much easier to

use than the than the one that

came with than the one that they ship

now let's see what they've got this zoom

in I don't know if this is someone

else's stupid zoom in I want the actual

I want the actual zoom in that used to

come with the dev tools so there used to

be one and Microsoft SDK tools yeah yeah

I'll have to go hunt for it I'll have to

go hunt hunt for it because that's the

one I actually want I expose that could

use color cop in fact maybe I should

just use color cop because color cops

pretty awesome

yeah yeah but looks like it doesn't do

real-time oh well yeah I don't know I

want to go get that zoom in tool because

I don't like the one that comes there

and that's why I haven't been using it

it's too hard to use in my opinion

Andy's SD don't you want tested bugging

um you can't really we'll just have to

see if we no longer hit the problem

because there's no way to tell whether

or not we just got lucky you just you so

you just have to you have to test it

like lots of times you can't write

because it was only sometimes that MSV

see didn't actually do the reload so I

just wanted to test just that much and

then we'll see as we go forward if we

have if we have the problem where it

can't set breakpoints

girl and a bloom oh no I swore I didn't

mean to swear oh that's the second time

oh my goodness I don't know even what I

said that's how bad of a swear that was

that's awful okay I'm trying to keep

this the language okay for four kids and

you know normally I swear a lot I will

tell you so it's it's been rather

difficult can you add a standard def

include two handmade platform about

eight sure I can do that in fact people

have been asking for a few things in

here one was to get standard def in

there so that platforms could get some

platforms want that for size T this guy

right here and so that but the any other

thing people were asking for is they

were asking if maybe the utility

functions could be moved in there

because they were having trouble

compiling well in fact you can kind of

see what they are basically we're still

using handmade H in win32 and so what I

could do is I could I could force it to

stop doing that and and just do handmade

platform that age and that would tell us

what our what our stuff is that we're

missing right and so we would need to

move in basically all of this stuff for

the most part so we would need to move

in to the platform layer all of this

code I think probably let's see here in

there I don't know what else and get

controller so get controller or would

have to be in there as well where is

gate controller so those are the things

that the platform layer was currently

calling and I don't know that I really

want all of those in the platform data H

at the end of the day oops move that

down a little bit and so yeah I don't

know if I want all of those things in

there that that may not be the best idea

but at least now we can pile clean so

people who are reporting to other

platforms can go ahead and do that so

hopefully that helps them out a little

bit just making sure that they see our

win32 layer just only includes handmade

platform that age

and that's a little more consistent and

make it a little easier for them why

does the guy have no feet well I mean if

you look that right there should tell

you why he has no feet how do you know

which compiler options like CLR and

standard headers you want to use um I'm

not sure what you mean by that exactly I

mean essentially my general rule for for

standard headers and compilers is that

you want to include everything in the

platform layer and you want to include

as little as possible in the main code

so you you would ideally I feel like you

wouldn't want any includes in the in the

stuff that that gets actually included

in the game but the bottom line is

that's not actually physically possible

most the time because you need to get a

little bit of information I mean you

could duplicate what was basically

happening in these headers so you could

do that

but for the most part what you're trying

to do is minimize the stuff that you're

including to only be definitions of

stuff that you actually need in terms of

types but you don't want to include

anything else for the most part that's

the way I usually like to do it because

I like to make sure that all of my code

is in my code and then I don't call out

into the library for anything so that I

know absolutely everything that's going

on and I can guarantee that everything's

portable and so on and so forth but yeah

that's just me

in terms of in general how you decide

what you want to do it's whatever you

want to use like I mean if you want to

use stuff

I mean basically the way to to know

about size T is just that if you go to

any kind of reference on C++ or C you

can kind of see like what it gets what

you need to include to use it so for

example in C++ if you're using the

standard size T it tells you here like

that's the include that that comes with

if you're looking at the the C library

I know where that would be exactly I

know who says where that is

here you go there to find the header

file standard def dot H so you kind of

have to go hunting for them or you can

search in your C compilers include

directory to try to find where they are

but it can be a little hairy when you're

like I want to use this language feature

where is it right so I don't know so I

don't know if that's exactly what you

were asking if you want to ask a more

specifically I can try to answer it

maybe perhaps a little bit better

changing the literal value of a variable

is a peek and poke technique poking a

value into a memory address oh I see

what you're asking okay yes for the live

code it is not poke based for what

you're saying it is full-on live code so

for example what we were doing there is

when like for example you're moving this

guy around we could actually you know

change the code to do anything we wanted

we could we could change it to do

absolutely anything so for example we

could just go into the actual code where

the guy was was being drawn right in the

draw bitmap code and we could just pull

on you know draw more heads right I mean

if we wanted to we could just we could

just do you know anything and there's a

second head on the guy maybe we could we

could go in and say we want to draw lots

of heads on the guy head count our head

index equals zero

head index is less than 10 plus plus

head index and then you know you get

into this kind of a situation where you

just have so many heads you don't really

know oops I mean header in that head

like so right and this is still all

running you know totally fine and you

can like I do the loop live code editing

thing that I was doing before where the

dude kind of does whatever he's thing is

that he does and that can be running all

the while if you want to right and so I

can switch up what I'm doing here I can

I can remove that and just draw one of

them right like that I could I could do

anything I wanted to so yeah we've got

we've got pretty much as as

Hardcore live code editing as you can

get in a reasonable amount of time I

have some harder core stuff where you

can actually change data structure

layouts that I've done in the past but

that's a huge thing that would take many

hours of explaining on the stream so I

decided not to do that one but we've

basically got as hardcore as you can go

without that so yeah it's pretty awesome

too we haven't had that a lot of chance

to use it yet because we're not tuning

stuff at this point really where this

becomes really great and we'll see this

possibly next week or maybe the week

after is when you're trying to tune like

the feel of an animation like in that

movement code or whatever being able to

do this where you can just see them

walking around and tune it and tune it

and tune it is it's pretty awesome so

I'm looking forward to that

what will happen if you have an item

that is in front in one view but in the

back on another since it seems you've

hard-coded the order in which they're

drawn will you reorder them based on the

view or some other rendering technique

so it depends largely I suspect that the

way your okay so this is just some code

that we put in here I feel like I say

this a lot but I guess it doesn't

necessarily often come through all of

this is test code none of the code that

we have written in anything in here will

actually get used right it's all

spec'ing out our game engine so we will

not be drawing the player anything like

this in the shipping version of the game

right it will literally bear absolutely

no resemblance to going on what's going

on here all of the stuff we are learning

in that I'm explaining while we go

through it will absolutely be important

because we are every single last thing

that we've learned here will be crucial

in our making the engine good but none

of this is how you'd actually do it so

when I say that I'm just drawing a

couple things in here so we can put the

hero in that's literally what I mean

what we will actually be doing is will

actually have a number of ways in which

things actually get sorted into the

scene and you'll see that once we

actually get to the point where we have

a renderer as opposed to just some test

code that sense why don't use the Emacs

calc the reason is actually cuz I have

not bound a key to it yet I only just

figured out that was there like

accidentally on the basic Emacs ik Emacs

has so much stuff in it that I only know

like 0.5% of the things that are in

there and so I need to remember to buy

the key to it eventually so that I can

just quickly hit it in calc so I get

meta X quick cash cow blah blah blah

takes too long but yeah I'm gonna buy

the key to at some point

oh so I'm going to sing that maybe I can

get zoom in at sysinternals calm is that

true

Salinas Utilities zoom it zoom it is

different than zoom in

interesting

huh

well to be honest with you though I'm

kind of curious about that and since I

obviously love mark russinovich I I

might be inclined to take a look at that

guy I did kind of want zoom in but zoom

it sounds like fun

I will say so maybe we'll check that out

yeah all right thank you for for

mentioning that yeah that could be

useful let's go ahead and close that

down there when you panned off the mint

edges can you explain how the head was

redrawing over the body so redrawing

over the body I'm not sure what you mean

by the head was redrawing over the body

well I mean I can sort of just quickly

go through what was happening there and

hopefully answer the question as part of

that so and just for the the fellow who

was asking about how extensive are our

live code editing was I will go ahead

and and introduce a bug in the code

while it's live there we go all right so

I'm going to turn off the loops live

code editing here and go ahead and and

get us to a point where we could

actually see that that happening so this

is what was happening right you can see

that bug now that I've commented out the

line so the head wasn't redrawing over

the body that was not actually what's

happening what's happening is once we

hit the minimum edge of the screen right

so remember the bitmap is bigger here

because it's just a bunch of alpha empty

alpha around that guy once we hit the

edge of the screen and we keep going

forward what we're essentially doing is

we've we are now clipping the blit

rectangle like the blitt rectangle is

like this big right and in fact you know

what I could do to just to show this to

you I could go ahead and right in here

the our channel always on for example

like I could do something like this

right

oh but I have to do it just for dudes

just for the little dude there mmm hmm

how do I want to do that

well the way I could do that is say if I

was clipped I suppose so I could do I

could I could do it this way if what did

I call that variable source offset so if

source offset X or a source offset Y

draw the red channel oops so what I've

done is I've made it so that you can see

the entire area of the blip once it

starts clipping when it clips off the

minimum edge right so hopefully you can

see what happens I move up there and now

my rectangle is flush against the side

as I move further over our rectangle

properly clips to the size that it

should be it correctly sets the size of

the blit but it is not changing the

offset in the bitmap where it's copying

the values from so it's always copying

as if it were going to copy the whole

thing but it just gets clipped out

entirely right as that as the rectangle

shrinks and shrinks it's only copying

less and less so what we need to do to

fix that problem is we need to copy from

further in at the bitmap as we fall off

this edge of the screen we need to move

in on the source the place for copying

from we need to move in so that he moves

over even though he's only copying a

little bit so it's copying this you know

this part from the rightmost edge of the

bitmap base so you could think about it

it's doing that right and so when that

happens right go ahead and turn the bug

off now what's going to happen is

essentially you could still see it's

only bleeding this this piece right it's

only blending that rectangle right there

but what it's doing is it's skipping

when it copies a row it's skipping the

first end pixels where n is however many

however far off the edge we were right

and so that allows him to move all the

way off right so does that make a little

more sense right we didn't have to do

that when we were clipping on the other

side of the screen because on the other

side of the screen we're going from the

left to the right when we copy a row so

all we had to do is stop early so the

this this for loop that's going to a max

X when we clip the max X that just that

just works that just solves the problem

right there

we set the max X right here right here

right when the max X is greater than the

buffer width so when the max X would be

off this edge we'd go ahead and stop it

and we set it to that that edge that's

all we need to do because we just

stopped copying the row right we just

stopped copying the row early that's it

right but when we're trying to move the

guy by clicking the keyboard when I'm

focused in the other window but on the

other edge it's not that simple because

if we were to just stop copying the row

early we get what we saw before where

the guy appears to stop again clamp

against that edge because it's still

copying the pixels from the beginning of

the bitmap where we don't want to copy

those pixels right so hopefully that

makes more sense I'll go ahead and

remove that there and there you go

so now we're back to normal oops can't

wait to do a better player movement code

it's awful trying to get through these

doors yeah I'm just like every time I

try to go through a drawer I'm like I

gotta fix that

do you ever write tests or does the

average game not have unit tests well so

you didn't test I've covered this a

couple times before I'll just say

quickly again unit tests aren't very

useful in games because that not many

things have the kind of well-defined

repeatability that you need to make unit

testing successful but sometimes you do

and so for like the renderer for example

where you that would probably be a place

where we do unit tests and we will have

some performance tests which look a lot

like unit tests they're not really

testing correctness as much as they're

testing speed so we'll have some of that

so you will see a little bit of that you

just don't see as much of it as you

could in other disciplines where the

state space is much simpler games have

huge state spaces that are that are very

different from the kinds of code that

that is usefully tested by unit tests

and so usually if you were doing unit

tests on a game you're often testing

things that don't really that aren't

really the hard part so you'd like your

bulletproofing your easy cases by

writing unit tests in most game code and

that doesn't really help you but there

are places where you can use it and we

will use it I suspect on the stream in a

couple of places we just haven't gotten

anything we're we're still doing

exploratory work on how we want the

engine designed and so until we get into

some code that we think that we're gonna

ship there's really not much that much

point in doing unit tests right because

you just kind of wasting your time

you're wasting your time bulletproofing

something that you're out playing ship

does this form of live coding work with

adding member variables to structs in

some cases yes in some cases no like I

said there's the harder data data layout

stuff is something we didn't do because

it was going to be a very much more

involved process to do that it involves

writing medic ode and stuff and so I

didn't want to do that but you can add

to like the end of structs in certain

situations but you can't rearrange data

members and the reason for that is

because well you I mean you could as

long as there weren't any of them in use

yet right but assuming that there are

ones in use they won't get remapped and

so what you need to do is you need to go

in and remap all of the ones that were

different now and we yes so we didn't

implement that how does this test code

help with the Future architecture since

it all gets dumped so basically what it

does is it will define exactly what we

want our engine to do I always say write

the usage code first and I really really

really mean that never write an engine

without knowing exactly how the game is

going to use that engine and that is

what we're doing right now so we're

basically just building a game doing

whatever it is that we want to do first

and then what we'll do is we'll just

kind of pull out those pieces and turn

them into real engine components as we

go and we already did a little bit of

that with our tile map we haven't done a

whole lot but we've already made the the

tile map stuff work kind of that way

where we've defined what it need to do

and we just haven't we haven't gone and

done like full hardcore engine stuff on

it yet but we did pull it out into a

little system and so that's the way

things will work so don't think of it as

dumping think of it as continually

evolving but the point that I'm trying

to make before was that none of the code

that we wrote as written will be what

ships in the game so you don't really

have to worry about it at that level you

just have to look at it and go okay what

does this do right now and why do we

want it to do that and what is what do

we need the engine to eventually do for

us in that case so the question that the

person asked about sorting is actually

totally fine to ask a little further

down the road when we're trying to

figure out how we want to do things

attached to guys so that they start

right and all those sorts of things but

you know that's not really

at this point we're not really trying to

solve those kind of problems right now

once we get to them we'll think about

how we want them solved we'll spec that

for the engine push it aside and off you

go

I'm not sure if this is true I'm

assuming you are making the guy clip

when leaving the screen but why make it

clip if you can just make it follow the

yellow box which might clip the guy

itself again I really sorry I'm not sure

I understand the question yeah I

apologize I'm not sure I understand the

question so I can't really add much to

that if streaming assets will be

required to display all visual

information will there be some type of

manual limit placed on a potential

generation to ensure that all assets

will never be required for a single room

well that's kind of getting ahead again

of where we are but the simple answer to

that is it depends on what our asset

plan is it depends whether our assets

have a degradation path or not though

end of questions right at the end of

questions how is that possible that is

just - that is a good omen people well

ladies and gentlemen thank you very much

for joining me for another episode of

hand made hero this was a pretty fun one

I'm kind of glad we have a little dude

moving around now that's a little bit

satisfying and it makes me want him to

have a nice sort of feel as he moves and

a nice animation as he moves around and

so I feel like that kind of answers my

question of what we should do next I

think I definitely do want to go ahead

and say let's animate the guy next and

make him have kind of a nice feel as you

move them around because that'll

basically let me start talking about the

math and let us get into some kind of

really interesting stuff yeah I think

that's that's that's what we want to do

so I think tomorrow what we'll do is

we'll end off well I'll take a look at

my sheet of stuff that we've postponed

tomorrow will basically be our final

clean-up day we'll just go through

everything anything that we want done

before then and then let's let's just go

ahead and say unless there's some major

turnaround over the weekend or something

let's just go ahead and say that Monday

is going to be our day to start some

serious math action because that's going

to power us up a lot and we're gonna

need that power for all the stuff that

we're

want to do so please consider joining us

for that for that episode Monday 8:00

p.m. PST we will be back here but if you

would like to catch us tomorrow tomorrow

is the stream for our friends in Europe

obviously on Fridays we always go ahead

and do a stream earlier in the morning

so that people on the time zones can

catch up set of 8:00 p.m. tomorrow's

will be 9:00 a.m. Pacific Standard Time

in the morning so if you are interested

in catching sort of the the final the

final step in our in our current series

of handmade here uh stuff before we

start the math please join us tomorrow

at 9:00 a.m. Pacific Standard Time I

know it's a little bit early I will be

groggy so will everyone else but we'll

get through it with a little bit of

coffee almond milk I suspect and I would

love to see you there again if you are

interested in following along at home

and you have not done so you can always

PR to the game and that comes with the

full source code so you can always

download every night after we finished

programming you can always download the

latest source code and follow along at

home it also comes with the test assets

that we're using here so you can you

know use those as well and see you can

you can kind of play around with them

mm-hmm just like we're doing similarly

if you want to support the video series

we have a patreon we also have a news or

patreon I don't actually know you

pronounce that

I suppose patreon I'm not sure but you

can subscribe to that if you want

support the video series and we have a

news and forum site you can go to which

has a lot of great information on it

it's got the schedule for the week

posted it's got an episode guide with

all the previous episodes and people

submit time-coded sort of jump lists and

you can jump around in them which is

kind of handy there's a coding reference

section which has ports to other

platforms if you're trying to follow

along the Linux or Mac there's some

great resources for you there and of

course there is a code discussion forum

if you want to ask questions so please

check it out if you're trying to learn

from the stream that's a great place to

go a lot of really helpful people up

there and people have done some really

great stuff so I highly recommend it

alright thank you everyone for joining

me and I hope to see you tomorrow and

Monday as well so take it easy everyone