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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,638 --> 00:00:19,843 Police radio: TOODY, COME IN. GIVE ME YOUR LOCATION. 2 00:00:20,990 --> 00:00:23,702 CAR 54, WHERE ARE YOU? 3 00:00:25,265 --> 00:00:28,185 CAR 54, WHERE ARE YOU?! 4 00:00:31,243 --> 00:00:33,607 ( whistling ) 5 00:00:39,829 --> 00:00:41,254 ( meows ) 6 00:00:41,322 --> 00:00:42,575 ( squawks ) 7 00:00:45,146 --> 00:00:46,467 NO, NO, NO, NO-- 8 00:00:46,536 --> 00:00:48,275 NOT IN MY NEIGHBORHOOD, LITTLE BUDDY. 9 00:00:48,344 --> 00:00:49,873 NOW, COME ON-- GET ALONG. 10 00:00:58,180 --> 00:01:02,004 ¶ OH, IT'S A BEAUTIFUL DAY IN BROOKLYN ¶ 11 00:01:02,072 --> 00:01:05,375 ¶ ANOTHER DAY OF PARADISE HERE IN THE 53rd ¶ 12 00:01:05,444 --> 00:01:08,920 ¶ ANOTHER PERFECT DAY IN THE BOROUGH BY THE BAY ¶ 13 00:01:08,989 --> 00:01:10,414 ¶ THERE'S NOWHERE ELSE FOR ME ¶ 14 00:01:10,484 --> 00:01:14,203 ¶ THAN IN THE SHADOW OF THE B.Q.E. ¶ 15 00:01:14,272 --> 00:01:17,783 ¶ GUNTHER TOODY 16 00:01:17,853 --> 00:01:20,911 ¶ WE LOVE YOU 17 00:01:22,093 --> 00:01:23,587 WHAT CAN I SAY? 18 00:01:23,657 --> 00:01:25,464 YO! YO, GUNTHER! 19 00:01:25,534 --> 00:01:27,271 Woman: ¶ BEFORE YOU CAME ALONG 20 00:01:27,341 --> 00:01:30,295 ¶ THERE WAS MAYHEM ON THE BEAT ¶ 21 00:01:30,365 --> 00:01:33,145 ¶ THERE WAS PUNKS, BUMS, THUGS AND STUFF ¶ 22 00:01:33,215 --> 00:01:36,343 ¶ ALL LITTERING THE STREETS ¶ 23 00:01:36,413 --> 00:01:38,637 ¶ NOT TO WORRY, MRS. ROBB ¶ 24 00:01:38,707 --> 00:01:40,792 ¶ GUNTHER TOODY'S ON THE JOB ¶ 25 00:01:40,862 --> 00:01:43,608 ¶ GUNTHER TOODY, OUR PROTECTOR ¶ 26 00:01:43,677 --> 00:01:46,736 ¶ GUNTHER TOODY, ONE OF THE GREATS ¶ 27 00:01:46,805 --> 00:01:49,134 ¶ SERVES HIS FELLOW MAN WITH LOVE ¶ 28 00:01:49,204 --> 00:01:52,018 ¶ A KINDER, GENTLER DARYL GATES ¶ 29 00:01:52,088 --> 00:01:54,486 ¶ NO ONE'S SAFE IN THE HUMAN RACE ¶ 30 00:01:54,556 --> 00:01:57,336 ¶ WHEN GUNTHER TOODY'S ON THE CASE ¶ 31 00:01:57,406 --> 00:02:02,654 ¶ GUNTHER TOODY, WE LOVE YOU ¶ 32 00:02:02,723 --> 00:02:07,520 ¶ GUNTHER TOODY, OUR HERO ¶ 33 00:02:08,910 --> 00:02:11,830 Radio: CAR 54, WHERE THE FUCK ARE YOU? 34 00:02:16,001 --> 00:02:19,060 CAR 54, UH-- TOODY HERE. 35 00:02:19,129 --> 00:02:22,883 TOODY! WHAT THE HELL IS GOING ON?! 36 00:02:22,953 --> 00:02:24,656 WE'RE JUST OUT HERE, UH, 37 00:02:24,725 --> 00:02:27,088 HELPIN' THE BOYS IN THE 12th WITH THE RIOT, SIR. 38 00:02:27,158 --> 00:02:29,243 RIOT? WHAT'S THE SITUATION DOWN THERE? 39 00:02:29,313 --> 00:02:32,510 WELL, SIR, IF YOU WANT MY EDUCATED OPINION, 40 00:02:32,580 --> 00:02:36,925 I THINK IT'S A COMMUNITY INFLUX. 41 00:02:36,994 --> 00:02:39,044 TOODY, IF YOU'RE NOT BACK HERE IN TWO MINUTES, 42 00:02:39,114 --> 00:02:40,643 I'LL KICK YOUR BUTT SO FAST 43 00:02:40,713 --> 00:02:42,486 YOU'LL THINK I'M IN YOUR HIP POCKET! 44 00:02:42,555 --> 00:02:43,911 YES, SIR. 45 00:02:43,980 --> 00:02:47,456 JUST A COUPLE MORE DAYS TILL MY RETIREMENT--PLEASE! 46 00:02:49,159 --> 00:02:50,618 OH, MAN! 47 00:02:50,688 --> 00:02:52,565 HEY, SCHNAUZER! 48 00:02:52,635 --> 00:02:54,372 WHADDYA DOIN' DOWN THERE? GET UP! 49 00:02:54,442 --> 00:02:57,153 YOU CAN'T RUN AWAY FROM YOUR DUTY! 50 00:02:57,222 --> 00:02:59,760 I'M NOT RUNNING AWAY FROM MY DUTY! 51 00:02:59,830 --> 00:03:01,706 I'M RUNNING AWAY FROM YOU! 52 00:03:01,776 --> 00:03:04,869 WHEREVER YOU GO, DISASTER FOLLOWS! 53 00:03:06,537 --> 00:03:11,021 ¶ CAR 54, WHERE ARE YOU? 54 00:03:13,315 --> 00:03:14,844 ¶ OOH! OOH! 55 00:03:14,914 --> 00:03:17,520 ¶ ONCE IN MY LIFE I'D LIKE A CRACK AT A SWORDFISH ¶ 56 00:03:19,015 --> 00:03:23,116 ¶ CAR 54, WHERE ARE YOU? 57 00:03:23,186 --> 00:03:27,079 ¶ CAR 54, WHERE ARE YOU? 58 00:03:27,148 --> 00:03:29,581 ¶ WORK IT, BUST IT OUT ON A HOT TIP ¶ 59 00:03:29,651 --> 00:03:30,902 ¶ TWO OF NEW YORK'S FINEST 60 00:03:30,971 --> 00:03:32,258 ¶ YOU'RE BUSTED 61 00:03:32,327 --> 00:03:33,995 ¶ THAT'S WHAT YOU ARE WHEN YOU BREAK THE LAW ¶ 62 00:03:34,065 --> 00:03:36,220 ¶ YOU WANT SOME MORE? GIVE 'EM CAR 54 ¶ 63 00:03:36,289 --> 00:03:39,209 ¶ CAR 54, WHERE ARE YOU? 64 00:03:39,279 --> 00:03:44,214 ¶ CAR 54, WHERE ARE YOU? 65 00:03:44,284 --> 00:03:45,743 ¶ THIS AIN'T NO BATMAN 66 00:03:45,813 --> 00:03:47,794 ¶ THIS AIN'T NO DICK TRACY 67 00:03:49,184 --> 00:03:50,783 ¶ DON'T EVEN GIVE ME THAT, MAN ¶ 68 00:03:50,853 --> 00:03:53,077 ¶ MUTANT NINJA TURTLES-- PLEASE! ¶ 69 00:03:53,146 --> 00:03:54,815 ¶ YOU'RE BUSTED, SUCKER 70 00:03:54,884 --> 00:03:57,005 ¶ YOU CAN'T DO THE CRIME, DON'T DO THE TIME ¶ 71 00:03:57,075 --> 00:03:59,855 ¶ JUST ONCE I WISH I COULD GET A CRACK AT A SWORDFISH ¶ 72 00:03:59,925 --> 00:04:02,531 ¶ UP IN THE BRONX, THINGS ARE LOOKING PRETTY BAD ¶ 73 00:04:02,601 --> 00:04:04,720 ¶ THE PEOPLE ARE CRACKED UP, THE TRAFFIC IS BACKED UP ¶ 74 00:04:04,790 --> 00:04:06,563 ¶ IN JACKSON HEIGHTS, PEOPLE LOOKIN' FOR A FIGHT ¶ 75 00:04:06,632 --> 00:04:09,100 ¶ THINGS JUST AIN'T RIGHT, WHERE' CAR 54 TONIGHT? ¶ 76 00:04:09,169 --> 00:04:11,811 ¶ CAR 54, WHERE ARE YOU? 77 00:04:11,881 --> 00:04:17,198 ¶ YEAH, CAR 54, WHERE ARE YOU? ¶ 78 00:04:17,268 --> 00:04:19,284 ¶ GORBACHAV IS LANDING OUT AT JFK ¶ 79 00:04:19,354 --> 00:04:21,404 ¶ OOH! OOH! WE GOTTA DO SOMETHING! ¶ 80 00:04:21,473 --> 00:04:23,733 ¶ BOYS SCOUTS ROBBIN' IN THE USA ¶ 81 00:04:23,803 --> 00:04:25,505 ¶ OOH! OOH! I'LL ASK MY WIFE ¶ 82 00:04:25,575 --> 00:04:27,521 ¶ THE YOUNG ARE DISSIN' THE OLD, DRUGS ARE GETTIN' SOLD ¶ 83 00:04:27,590 --> 00:04:29,919 ¶ THINGS ARE OUTTA CONTROL, WE GOTTA STOP THAT COLD! ¶ 84 00:04:29,989 --> 00:04:33,256 ¶ CAR 54, WHERE ARE YOU? 85 00:04:33,326 --> 00:04:35,063 ¶ WHERE'S CAR 54?! 86 00:04:36,210 --> 00:04:38,191 HEY! HELP! POLICE! 87 00:04:42,744 --> 00:04:44,691 ¶ THIS AIN'T NO BATMAN 88 00:04:44,761 --> 00:04:46,359 ¶ THIS AIN'T NO DICK TRACY 89 00:04:46,429 --> 00:04:49,314 ¶ I DON'T EVEN PLAY THAT, DON'T EVEN GIVE ME THAT, MAN ¶ 90 00:04:49,383 --> 00:04:51,121 ¶ MUTANT NINJA TURTLES-- PLEASE! ¶ 91 00:04:51,190 --> 00:04:52,929 ¶ YOU'RE BUSTED, SUCKER 92 00:04:52,997 --> 00:04:55,118 ¶ IF YOU CAN'T DO THE CRIME, DON'T DO THE TIME ¶ 93 00:04:55,188 --> 00:04:58,420 ¶ JUST ONCE I WISH I COULD GET A CRACK AT A SWORDFISH ¶ 94 00:04:58,489 --> 00:05:01,096 ¶ UP IN THE BRONX, THINGS ARE LOOKIN' PRETTY BAD ¶ 95 00:05:01,166 --> 00:05:03,112 ¶ THE PEOPLE ARE CRACKED UP, THE TRAFFIC IS BACKED UP ¶ 96 00:05:03,182 --> 00:05:05,163 ¶ IN JACKSON HEIGHTS, PEOPLE LOOKIN' FOR A FIGHT ¶ 97 00:05:05,233 --> 00:05:07,701 ¶ THINGS JUST AIN'T RIGHT, WHERE'S CAR 54 TONIGHT? ¶ 98 00:05:07,769 --> 00:05:10,829 ¶ CAR 54 99 00:05:10,897 --> 00:05:12,010 ¶ OOH! OOH! 100 00:05:12,080 --> 00:05:15,104 ¶ CAR 54 101 00:05:16,980 --> 00:05:18,892 ( horns honking ) 102 00:05:20,282 --> 00:05:22,229 Radio: CAR 54, WHERE ARE YOU? 103 00:05:25,009 --> 00:05:28,311 CAR 54, PLEASE STATE YOUR LOCATION. 104 00:05:28,381 --> 00:05:32,864 ¶ CAR 54, WHERE ARE YOU? 105 00:05:33,455 --> 00:05:35,297 CAR 54! 106 00:05:39,260 --> 00:05:40,823 WHERE ARE YOU?! 107 00:05:40,893 --> 00:05:43,291 ( rap music blaring from boom box ) 108 00:05:46,315 --> 00:05:49,165 HOW MUCH FOR AN OUTDOOR NOISE AMPLIFICATION PERMIT? 109 00:05:49,235 --> 00:05:50,730 FIVE DOLLARS A DAY. 110 00:05:51,494 --> 00:05:52,710 THAT'S STUPID CHEAP! 111 00:05:52,780 --> 00:05:54,831 I WANT 365 OF 'EM. 112 00:05:54,901 --> 00:05:57,055 HEY! HEY! YOU GUYS! YOU SHOULDA SEEN US! 113 00:05:57,125 --> 00:05:59,870 JUST ME AND MY PARTNER AGAINST MAYBE 100 RIOTERS! 114 00:05:59,940 --> 00:06:02,234 IT WAS AWESOME! RIGHT, SCHNAUZER? 115 00:06:02,304 --> 00:06:03,971 WHATEVER YOU SAY, GUNTHER. 116 00:06:04,041 --> 00:06:06,231 DOES ANYBODY HAVE A MAALOX? 117 00:06:06,301 --> 00:06:08,072 THERE WAS MAYBE 150 OF 'EM! 118 00:06:08,142 --> 00:06:11,236 IT WAS JUST LIKE A SCENE OUTTA ONE OF THEM COP SHOWS! 119 00:06:11,306 --> 00:06:14,052 I NEVER SAW ANYTHING LIKE IT IN MY LIFE! 120 00:06:14,120 --> 00:06:15,233 ALL RIGHT, FELLAS. 121 00:06:15,303 --> 00:06:17,180 NOTICE HERE ON THE BOARD-- 122 00:06:17,248 --> 00:06:21,107 "MAXIMUM AUTOMATED DEPLOYMENT FOR CRIMINAL OPERATIONS 123 00:06:21,177 --> 00:06:23,713 AND POLICE PROCEDURES." 124 00:06:23,783 --> 00:06:25,521 "MAD COPP." 125 00:06:25,590 --> 00:06:27,051 I'M TELLIN' YOU, 126 00:06:27,119 --> 00:06:29,136 THIS IS A PROUD DAY FOR THE 53rd. 127 00:06:29,205 --> 00:06:32,403 WE'RE FINALLY GETTING ORGANIZED. 128 00:06:32,472 --> 00:06:35,635 GONNA BE A LOT OF CHANGES TAKING PLACE AROUND HERE. 129 00:06:35,705 --> 00:06:37,825 TO BEGIN WITH, WE HAVE A NEW RECRUIT. 130 00:06:37,894 --> 00:06:39,597 THE POLICE ACADEMY IS TURNING OUT 131 00:06:39,667 --> 00:06:41,648 A DIFFERENT BREED OF COP NOWADAYS, 132 00:06:41,717 --> 00:06:43,734 AND I'M PROUD TO INTRODUCE TO YOU 133 00:06:43,803 --> 00:06:47,348 THE FUTURE OF LAW ENFORCEMENT. 134 00:06:47,418 --> 00:06:49,920 OFFICER FRANCIS MULDOON. 135 00:06:55,968 --> 00:06:57,845 OFFICER MULDOON 136 00:06:57,914 --> 00:07:00,834 IS THE MOST DECORATED GRADUATE OF THE ACADEMY, 137 00:07:00,904 --> 00:07:03,059 AND HE IS EXTREMELY WELL-VERSED 138 00:07:03,128 --> 00:07:06,395 IN EVERY ASPECT OF THIS NEW SYSTEM. 139 00:07:06,465 --> 00:07:08,828 AS OF TOMORROW NIGHT, 140 00:07:08,897 --> 00:07:13,416 HE WILL BE OFFICER TOODY'S NEW PARTNER. 141 00:07:13,486 --> 00:07:15,223 OFFICER MULDOON, THEY'RE ALL YOURS. 142 00:07:15,293 --> 00:07:16,927 THANK YOU VERY MUCH, SIR. 143 00:07:20,889 --> 00:07:23,600 LADIES AND GENTLEMEN, TODAY IS AN EXCITING DAY... 144 00:07:24,330 --> 00:07:25,825 BECAUSE IT'S THE FIRST DAY 145 00:07:25,893 --> 00:07:28,709 IN THE REST OF YOUR LAW ENFORCEMENT CAREERS. 146 00:07:28,779 --> 00:07:31,767 NOT MINE, NOT MINE. 147 00:07:31,837 --> 00:07:33,262 COMPUTERS, SATELLITES, 148 00:07:33,332 --> 00:07:36,182 PSYCHOLOGICAL HARASSMENT-- YOU'LL BE LEARNING IT ALL. 149 00:07:36,252 --> 00:07:38,476 WHY? QUITE FRANKLY, 150 00:07:38,545 --> 00:07:40,701 TO KEEP THE GUTTER-LOVING SCUM OF THIS PLANET FROM DESTROYING 151 00:07:40,769 --> 00:07:42,959 THE MORAL FABRIC OF OUR GREAT NATION, 152 00:07:43,029 --> 00:07:45,740 SO THAT OUR MOTHERS CAN WALK THE STREETS AT NIGHT. 153 00:07:45,810 --> 00:07:48,798 WHY, IS YOUR MOTHER A STREET WALKER? HA HA HA! 154 00:07:48,868 --> 00:07:50,502 BUT FIRST, WE HAVE TO PREPARE, 155 00:07:50,571 --> 00:07:51,961 AS I'M SURE YOU ALL CAN IMAGINE. 156 00:07:52,031 --> 00:07:56,376 MENTALLY, PHYSICALLY... SPIRITUALLY. 157 00:07:56,445 --> 00:07:57,975 SO STARTING TOMORROW, 158 00:07:58,044 --> 00:08:00,268 ALL OFFICERS WILL BE EXPECTED TO REPORT ONE HOUR EARLY 159 00:08:00,338 --> 00:08:03,154 BEFORE THEIR SHIFT FOR CLASSES IN MAD COPP, 160 00:08:03,222 --> 00:08:04,717 AND THEN ONE HOUR EVERY NIGHT 161 00:08:04,787 --> 00:08:06,594 FOR PHYSICAL TRAINING AFTER THEIR DAY SHIFT. 162 00:08:06,664 --> 00:08:08,888 THAT'S TWO EXTRA HOURS! YOU'RE RIGHT. 163 00:08:08,958 --> 00:08:10,973 AND THAT'S WITHOUT ANY ADDITIONAL COMPENSATION. 164 00:08:11,043 --> 00:08:12,538 THANK YOU FOR VOLUNTEERING. 165 00:08:17,542 --> 00:08:18,898 SO, FRANCIS, 166 00:08:18,967 --> 00:08:20,462 TELL ME SOMETHING ABOUT YOURSELF. 167 00:08:20,532 --> 00:08:22,165 YOU KNOW, I THINK IT'S REALLY IMPORTANT 168 00:08:22,235 --> 00:08:24,077 THAT WE GET TO KNOW EACH OTHER, 169 00:08:24,146 --> 00:08:26,858 BECAUSE WE'RE TOTALLY DEPENDENT ON EACH OTHER, 170 00:08:26,927 --> 00:08:28,352 AND OF COURSE, IT MAKES FOR A BETTER 171 00:08:28,421 --> 00:08:30,819 WORKING RELATIONSHIP-- DON'T YOU THINK? 172 00:08:30,889 --> 00:08:32,210 OFFICER TOODY, I DON'T BELIEVE IN 173 00:08:32,280 --> 00:08:34,052 IDLE CHIT-CHAT DURING PATROLS. 174 00:08:34,121 --> 00:08:37,354 IT BREAKS UP CONCENTRATION, AND WE JUST MIGHT MISS A CRIME. 175 00:08:45,765 --> 00:08:47,294 Woman: HELP! HELP! 176 00:08:47,364 --> 00:08:48,511 RIGHT THERE! 177 00:08:48,581 --> 00:08:50,284 ( siren ) 178 00:08:50,353 --> 00:08:52,230 HELP! HELP! 179 00:08:52,300 --> 00:08:54,072 HE ROBBED ME! I GOT HIM, MA'AM. 180 00:08:56,296 --> 00:08:57,617 DON'T SHOOT! 181 00:09:01,406 --> 00:09:02,935 WHAT HAPPENED, MRS. PEROGI? 182 00:09:03,005 --> 00:09:07,071 HE ORDER A LOX, TOMATO AND ONION SANDWICH 183 00:09:07,141 --> 00:09:08,775 AND HE DIDN'T PAY! 184 00:09:11,659 --> 00:09:14,266 HOW MUCH DID THE SANDWICH COST, MRS. PEROGI? 185 00:09:14,335 --> 00:09:16,908 FOUR DOLLARS AND FIFTY-FIVE CENTS. 186 00:09:19,966 --> 00:09:21,600 HERE. KEEP THE CHANGE. 187 00:09:21,669 --> 00:09:23,511 WE'LL FORGET ABOUT THE WHOLE THING. 188 00:09:23,581 --> 00:09:25,979 OFFICER TOODY, WE SHOULD BE TAKING THAT WOMAN 189 00:09:26,048 --> 00:09:28,378 DOWN TO THE PRECINCT IMMEDIATELY FOR A POSITIVE I.D. 190 00:09:28,446 --> 00:09:29,629 ON THE CULPRIT. 191 00:09:29,698 --> 00:09:32,201 SIDEBURNS, CAP-- IT'S GANG-RELATED. 192 00:09:32,270 --> 00:09:33,626 OH, YEAH. 193 00:09:33,695 --> 00:09:35,745 THE ONES WITH THE BEANIES, THEY'RE THE WORST! 194 00:09:41,619 --> 00:09:43,044 SHOULDA HAD HIM. 195 00:09:44,852 --> 00:09:48,362 Anderson: COME IN, GENTLEMEN. WELCOME TO THE 53rd. 196 00:09:48,432 --> 00:09:49,510 CAPTAIN, BEFORE WE BEGIN, 197 00:09:49,579 --> 00:09:51,386 IS THIS OFFICE SECURE? 198 00:09:52,394 --> 00:09:53,785 SECURE? 199 00:09:53,854 --> 00:09:57,156 WELL, I GET A NICE FEELING WHEN I COME IN HERE. 200 00:09:57,226 --> 00:10:00,214 NO. NO, SIR, WE'RE TALKING BUG-WISE. 201 00:10:00,284 --> 00:10:01,431 OH, BUG-WISE. 202 00:10:01,501 --> 00:10:03,516 WELL, THERE, YOU GOT ME. 203 00:10:03,586 --> 00:10:05,011 THEY FUMIGATE REGULARLY HERE, 204 00:10:05,081 --> 00:10:07,096 BUT THIS BUILDING IS SO OLD. 205 00:10:07,166 --> 00:10:09,321 LISTENING DEVICES, CAPTAIN. 206 00:10:10,364 --> 00:10:13,353 OH, THAT KIND OF BUG. 207 00:10:13,422 --> 00:10:16,029 CAPTAIN, WE HAVE A VERY IMPORTANT WITNESS 208 00:10:16,098 --> 00:10:18,358 WE'D LIKE YOU TO PUT ON ICE. 209 00:10:18,428 --> 00:10:20,373 NO PROBLEM. 210 00:10:20,443 --> 00:10:23,328 WE HAVE ICED MANY A WITNESS. 211 00:10:23,397 --> 00:10:24,718 WHO IS HE? 212 00:10:24,788 --> 00:10:26,317 HERBERT HORTZ. 213 00:10:26,387 --> 00:10:27,708 HERBERT HORTZ. 214 00:10:27,777 --> 00:10:30,418 AND AGAINST WHOM IS HE TESTIFYING? 215 00:10:32,816 --> 00:10:34,519 DON MOTTI. 216 00:10:36,432 --> 00:10:39,004 GENTLEMEN, MAYBE YOU SHOULD RECONSIDER! 217 00:10:39,072 --> 00:10:40,567 DON "PRETTY BOY" MOTTI 218 00:10:40,637 --> 00:10:44,252 IS THE MOST RUTHLESS THUG IN THE CITY! 219 00:10:44,321 --> 00:10:47,067 Man: AND WHATEVER YOU DO, DON'T STEP INSIDE THE CIRCLE. 220 00:10:47,136 --> 00:10:48,527 HE DON'T LIKE TO BE CRAMPED. 221 00:10:48,596 --> 00:10:50,752 HE HATES SMALL PLACES. 222 00:10:52,802 --> 00:10:55,095 MR. MOTTI, THIS IS NICO. 223 00:10:55,165 --> 00:10:57,008 THE GUY I WAS TELLIN' YOU ABOUT. 224 00:10:57,563 --> 00:10:59,128 YES, NICO. 225 00:11:14,630 --> 00:11:15,985 SIT DOWN. 226 00:11:16,055 --> 00:11:18,279 CARLO, WHERE ARE YOUR MANNERS? GET NICO A DRINK. 227 00:11:18,348 --> 00:11:19,460 GOT IT. 228 00:11:21,615 --> 00:11:23,006 MR. MOTTI. 229 00:11:23,076 --> 00:11:25,021 FOR ME, I WANT YOU TO KNOW 230 00:11:25,091 --> 00:11:28,045 WHAT A PLEASURE IT IS TO MAKE ACQUAINTANCES WITH YOURSELF. 231 00:11:28,115 --> 00:11:30,479 WHY IS IT ALL YOU THUGS TALK LIKE YOU WENT TO FINISHING SCHOOL 232 00:11:30,547 --> 00:11:32,146 WITH ROBERT De NIRO? 233 00:11:33,571 --> 00:11:34,754 DID CARLO FILL YOU IN? 234 00:11:34,823 --> 00:11:36,909 CARLO HAS INFORMED ME 235 00:11:36,978 --> 00:11:39,723 ABOUT THE UNFORTUNATE ABDUCTION OF YOUR CLOSEST FINANCIAL ADVISOR, 236 00:11:39,793 --> 00:11:41,357 MR. HORTZ, BY THE AUTHORITIES. 237 00:11:41,427 --> 00:11:44,172 HE'S NOT MY CLOSEST FINANCIAL ADVISOR. 238 00:11:44,242 --> 00:11:45,945 HE'S A GOD DAMN BOOKKEEPER 239 00:11:46,015 --> 00:11:47,822 AND I WANT YOU TO BLOW THE SON-OF-A-BITCH AWAY 240 00:11:47,891 --> 00:11:50,603 BEFORE HE TESTIFIES TO THE GRAND JURY ON FRIDAY. 241 00:11:54,113 --> 00:11:55,608 SORRY, BOSS. 242 00:12:04,019 --> 00:12:05,861 I'M A RESPECTED MAN. 243 00:12:05,931 --> 00:12:07,460 I CARE ABOUT SOCIAL ISSUES. 244 00:12:08,329 --> 00:12:09,545 SUCH AS? 245 00:12:11,318 --> 00:12:12,882 RECYCLING, BOSS? 246 00:12:12,952 --> 00:12:14,793 RECYCLING. 247 00:12:14,863 --> 00:12:16,914 MY GARBAGE COMPANY WAS THE FIRST IN THE CITY 248 00:12:16,983 --> 00:12:19,068 TO START SEPARATING ITS TRASH. 249 00:12:19,138 --> 00:12:22,301 MEDICAL TO LONG ISLAND, TOXICS TO JERSEY. 250 00:12:22,370 --> 00:12:24,456 I GOT MY IMAGE TO THINK ABOUT. 251 00:12:24,526 --> 00:12:27,410 SO YOU BLOW THE SQUEALER AWAY, AND MAKE ME A HAPPY MAN. 252 00:12:28,801 --> 00:12:30,191 MR. MOTTI, 253 00:12:30,260 --> 00:12:34,188 I ASSURE YOU THAT MR. HORTZ WILL SLEEP WITH THE FISHES 254 00:12:34,258 --> 00:12:36,343 BEFORE THE SUN SETS. 255 00:12:39,958 --> 00:12:41,347 SALUD. 256 00:12:41,417 --> 00:12:42,668 SALUD. 257 00:12:44,823 --> 00:12:47,047 AWRIGHT, GET OUTTA HERE. 258 00:12:48,090 --> 00:12:49,516 THANK YOU. 259 00:12:49,585 --> 00:12:50,767 ( whispers ) He's claustrophobic. 260 00:12:50,836 --> 00:12:52,331 He don't like dark little places. 261 00:12:52,401 --> 00:12:53,860 Know what I mean? 262 00:12:53,930 --> 00:12:56,328 LUCILLE, I'M HOME! 263 00:12:58,727 --> 00:13:01,333 GRRR... RUFF! 264 00:13:01,403 --> 00:13:04,531 HEY, I'M STARVED. WHAT'S FOR DINNER? 265 00:13:07,833 --> 00:13:09,501 TOSSED SALAD? 266 00:13:09,570 --> 00:13:11,586 YOU COME HOME AT 11:00 AT NIGHT, GUNTHER, 267 00:13:11,656 --> 00:13:14,680 YOU EXPECT ME TO JUMP AND WHIP YOU UP SOMETHIN' TO EAT? 268 00:13:14,750 --> 00:13:17,842 YOU GOT NERVE, GUNTHER TOODY, YOU REALLY GOT NERVE! 269 00:13:17,912 --> 00:13:19,997 NOT NERVE, LUCILLE-- 270 00:13:20,067 --> 00:13:21,909 HUNGER! 271 00:13:21,979 --> 00:13:23,960 NOT IN THIS LIFETIME, BUSTER! WHERE HAVE YOU BEEN?! 272 00:13:24,030 --> 00:13:26,740 I HAD TO DECORATE THE REC ROOM FOR SCHNAUZER'S PARTY. 273 00:13:26,810 --> 00:13:29,312 WHAT, A STAG FUNCTION, IS THAT IT, GUNTHER? 274 00:13:29,382 --> 00:13:31,397 WHAT, ARE YOU GONNA HAVE A BIG CAKE, 275 00:13:31,467 --> 00:13:33,414 YOU GONNA HAVE GIRLS IN LITTLE DENTAL FLOSS BIKINIS 276 00:13:33,483 --> 00:13:35,672 JUMPIN' OUTTA THERE, GETTIN' DOWN ON THEIR KNEES, 277 00:13:35,742 --> 00:13:37,897 DOIN' WRETCHED THINGS TO YOU SO-CALLED OFFICERS OF THE LAW? 278 00:13:37,967 --> 00:13:39,843 I PICTURE THE WHOLE THING, GUNTHER TOODY. 279 00:13:39,913 --> 00:13:41,478 NOT EVEN CLOSE, LUCILLE. 280 00:13:41,546 --> 00:13:42,903 IT'S A SURPRISE PARTY. 281 00:13:42,971 --> 00:13:44,432 OH, YEAH? 282 00:13:44,502 --> 00:13:46,552 WELL, TOO BAD LEO'S NOT YOUR WIFE. 283 00:13:46,621 --> 00:13:49,123 THEN HE'D BE SURPRISED EVERY DAY JUST HOW MISERABLE HIS LIFE IS. 284 00:13:49,193 --> 00:13:52,391 COME ON, LUCILLE, I JUST GOT HOME! 285 00:13:54,094 --> 00:13:56,076 ARE YOU CHEATIN' ON ME, GUNTHER TOODY? 286 00:13:56,875 --> 00:13:57,813 CHEATING? 287 00:13:57,883 --> 00:14:00,142 ARE YOU CRAZY? YOU'D KILL ME! 288 00:14:00,211 --> 00:14:02,296 WORSE. 289 00:14:02,366 --> 00:14:03,721 I WOULD TAKE YOUR SCROTUM, STRETCH IT UP OVER YOUR HEAD, 290 00:14:03,791 --> 00:14:06,815 AND I WOULD USE YOU AS A PUNCHING BAG! 291 00:14:06,885 --> 00:14:10,360 LUCILLE, I'M SENSING SOME HOSTILITY HERE. 292 00:14:11,090 --> 00:14:12,377 WHAT'S WRONG? 293 00:14:12,445 --> 00:14:14,809 COP GROUPIES. COP GROUPIES? 294 00:14:14,879 --> 00:14:16,200 YES, COP GROUPIES. 295 00:14:16,269 --> 00:14:18,667 TODAY ON GERALDO. I SAW THE WHOLE THING. 296 00:14:18,737 --> 00:14:22,490 THESE BEAUTIFUL, GORGEOUS, THIN WOMEN 297 00:14:22,560 --> 00:14:24,297 WHO HAVE RAVENOUS SEXUAL APPETITES 298 00:14:24,367 --> 00:14:26,244 FOR ANY GUY WITH A BADGE AND A UNIFORM, 299 00:14:26,314 --> 00:14:29,755 NO MATTER HOW PATHETIC, LAME OR GROSS HE MIGHT BE. 300 00:14:29,825 --> 00:14:31,701 IT MADE ME THINK OF YOU, GUNTHER. 301 00:14:31,770 --> 00:14:33,717 THAT'S ONLY IN CALIFORNIA. 302 00:14:33,786 --> 00:14:35,941 IN BROOKLYN, YOU GOTTA PAY. 303 00:14:36,011 --> 00:14:37,784 OH, GUNTHER! 304 00:14:40,252 --> 00:14:42,233 LUCILLE. WHAT? 305 00:14:42,302 --> 00:14:44,422 WHY WOULD I GO OUT FOR HAMBURGER 306 00:14:44,491 --> 00:14:46,612 WHEN I GOT STEAK AT HOME? 307 00:14:48,489 --> 00:14:50,747 DO YOU MEAN IT, GUNTHER? 308 00:14:51,373 --> 00:14:52,556 YEAH, I MEAN IT. 309 00:14:52,625 --> 00:14:54,814 NOW MAKE ME A SANDWICH. 310 00:14:54,884 --> 00:14:57,456 OKAY, HONEY. I'M SO SORRY, 311 00:14:57,526 --> 00:15:00,341 I WAS CRAZY THERE FOR A MINUTE. 312 00:15:00,410 --> 00:15:03,886 YOU KNOW HOW I GET WHEN I'M WATCHIN' MY SHOWS HERE ALL DAY. 313 00:15:03,956 --> 00:15:07,605 TV: ANOTHER EXCITING EPISODE OF BOYS IN BLUE, 314 00:15:07,675 --> 00:15:09,308 WHERE EACH WEEK WE HIT THE STREETS 315 00:15:09,378 --> 00:15:12,922 TO BRING YOU REAL LIVE DRAMA WITH REAL LIVE COPS. 316 00:15:12,992 --> 00:15:16,642 PEANUT BUTTER AND JELLY, YOUR FAVORITE. 317 00:15:16,711 --> 00:15:19,318 I WAS WATCHIN' SALLY JESSE RAPHAEL TODAY, 318 00:15:19,388 --> 00:15:21,300 AND IT WAS A SHOW ABOUT SPOUSES 319 00:15:21,368 --> 00:15:22,898 AND COMMUNICATION AND EVERYTHING, 320 00:15:22,967 --> 00:15:24,358 IT WAS ABOUT TALKING AND INTIMACY, 321 00:15:24,428 --> 00:15:25,853 AND I WAS THINKING MAYBE TONIGHT 322 00:15:25,922 --> 00:15:27,868 YOU AND ME COULD NOT WATCH TV, 323 00:15:27,938 --> 00:15:29,363 INSTEAD WE COULD JUST TALK. 324 00:15:29,433 --> 00:15:32,700 LUCILLE, THIS IS POLICE BUSINESS. 325 00:15:32,769 --> 00:15:34,472 I'LL GIVE YOU POLICE BUSINESS, GUNTHER, 326 00:15:34,541 --> 00:15:36,106 I'LL GIVE YOU A HOMICIDE, IS WHAT I'LL GIVE YOU! 327 00:15:36,176 --> 00:15:37,669 I WANNA TALK, GUNTHER. 328 00:15:37,739 --> 00:15:39,408 LUCILLE, I BEG YOU. 329 00:15:39,478 --> 00:15:41,702 JUST GIVE ME 30 MINUTES TO WATCH MY FAVORITE PROGRAM. 330 00:15:41,771 --> 00:15:43,509 OKAY? JUST 30 MINUTES. 331 00:15:43,579 --> 00:15:46,463 AND THEN, I PROMISE YOU, YOU CAN TORTURE ME-- 332 00:15:46,533 --> 00:15:49,139 I MEAN, WE CAN TALK ALL YOU WANT, ALL NIGHT LONG. 333 00:15:49,209 --> 00:15:51,642 THANKS A LOT, GUNTHER TOODY, THANK YOU VERY MUCH! 334 00:15:56,300 --> 00:15:57,829 ( siren ) 335 00:16:11,628 --> 00:16:13,017 SEE, HONEY. 336 00:16:13,087 --> 00:16:15,242 THAT'S GONNA BE YOUR HUSBAND. 337 00:16:15,312 --> 00:16:16,493 RIGHT THERE ON TELEVISION. 338 00:16:16,563 --> 00:16:18,927 SOMEDAY THAT'S GONNA BE ME. 339 00:16:18,995 --> 00:16:20,212 OH, REALLY? 340 00:16:20,282 --> 00:16:22,193 I'M WATCHING THE NEWS, GUNTHER. 341 00:16:22,263 --> 00:16:23,722 I'VE HAD ENOUGH. 342 00:16:23,792 --> 00:16:25,912 TV: AN EXPLOSION TODAY ROCKED THE WALLS 343 00:16:25,982 --> 00:16:28,623 OF AN EASTERN AVENUE WAREHOUSE WHERE HERBERT HORTZ, 344 00:16:28,693 --> 00:16:31,995 EX-ACCOUNTANT FOR REPUTED MOB FIGURE DON MOTTI 345 00:16:32,064 --> 00:16:34,393 IS BEING HELD IN PROTECTIVE CUSTODY. 346 00:16:34,463 --> 00:16:36,479 HORTZ HAS TURNED STATE'S EVIDENCE 347 00:16:36,548 --> 00:16:39,641 IN WHAT COULD BE ONE OF THE LARGEST RACKETEERING TRIALS 348 00:16:39,711 --> 00:16:41,136 IN RECENT HISTORY. 349 00:16:41,206 --> 00:16:43,708 HE IS BEING MOVED TO AN UNDISCLOSED LOCATION 350 00:16:43,778 --> 00:16:46,280 AFTER NARROWLY ESCAPING WHAT APPEARS TO BE 351 00:16:46,350 --> 00:16:49,930 A CRUDE ASSASSINATION ATTEMPT. 352 00:16:49,998 --> 00:16:52,293 Anderson: YEAH, FELLAS, FOLLOW ME RIGHT THIS WAY. 353 00:16:52,362 --> 00:16:54,413 NATHAN'S HERE. 354 00:16:54,483 --> 00:16:57,089 GENTLEMEN, THIS IS REALLY OUR HOLDING FACILITY, 355 00:16:57,159 --> 00:16:59,348 BUT I THINK WE COULD MAKE MR. HORTZ 356 00:16:59,418 --> 00:17:03,241 NICE AND COMFORTABLE RIGHT HERE. 357 00:17:03,311 --> 00:17:05,084 IN HERE? YES. WE'RE IN A LITTLE 358 00:17:05,153 --> 00:17:06,926 RENOVATION PROCESS NOW, 359 00:17:06,995 --> 00:17:08,803 BUT THIS IS OUR NICEST CELL, 360 00:17:08,872 --> 00:17:11,201 AND HERE'S A LITTLE FLOWERY WELCOME FOR YOU. 361 00:17:11,270 --> 00:17:12,938 THANK YOU, CAPTAIN. 362 00:17:13,008 --> 00:17:14,503 IT SEEMS LIKE YOU GOT A LITTLE RODENT PROBLEM. 363 00:17:14,572 --> 00:17:16,622 NO, THE RODENTS DON'T HAVE A PROBLEM. 364 00:17:16,692 --> 00:17:19,160 WELL, IF IT'S GOOD ENOUGH FOR THE RATS, IT'S GOOD ENOUGH FOR ME! 365 00:17:19,230 --> 00:17:23,192 OKAY! WELL, THEN, I'M GOING TO JAIL! 366 00:17:23,261 --> 00:17:24,860 I'LL BE SLEEPING IN HERE, THEN, RIGHT, CAPTAIN? 367 00:17:24,930 --> 00:17:26,807 YES. YOU'RE IN TIME FOR LUNCH. 368 00:17:26,876 --> 00:17:30,734 THE CITY PROVIDES A GOURMET HOT DOG FROM NATHAN'S, 369 00:17:30,804 --> 00:17:33,584 AND A CUP OF STEAMING BLACK COFFEE. 370 00:17:33,654 --> 00:17:35,427 YOU GOTTA BE KIDDING ME, RIGHT? 371 00:17:35,495 --> 00:17:37,060 I DON'T EAT THAT KIND OF FOOD. 372 00:17:37,130 --> 00:17:38,729 I'M VERY HEALTH-CONSCIOUS. 373 00:17:38,797 --> 00:17:42,239 I NEED SOME FIBER, OKAY? EXPOSE MY COLON. 374 00:17:42,308 --> 00:17:43,942 HA HA HA! ALL RIGHT? 375 00:17:44,011 --> 00:17:45,506 FRESH GARDEN SALAD. GARDEN SALAD? 376 00:17:45,576 --> 00:17:46,965 GARDEN SALAD. OKAY? 377 00:17:47,035 --> 00:17:49,955 I ALSO NEED AN ESPRESSO, LIGHT ON THE FOAM-- 378 00:17:50,025 --> 00:17:53,257 LIGHT ON THE FOAM, AND, OH, I NEED A TAILOR. 379 00:17:53,327 --> 00:17:55,412 I NEED A TAILOR BECAUSE MY JACKET'S RIPPED. 380 00:17:55,481 --> 00:17:56,837 BRRWWAH! 381 00:17:56,906 --> 00:17:59,930 I DIDN'T MEAN TO SCARE YOU, BUT I WAS IN AN EXPLOSION. 382 00:18:00,000 --> 00:18:03,648 LOOK. IT'S THAT MOB GUY FROM THE NEWS. 383 00:18:03,718 --> 00:18:05,908 OFFICER TOODY, I KNEW THAT. 384 00:18:07,889 --> 00:18:09,418 UH, CAPTAIN? YES? 385 00:18:09,488 --> 00:18:11,330 WE'RE ALL SET. OH, MR. HORTZ. 386 00:18:11,400 --> 00:18:14,563 I'D LIKE YOU TO MEET OUT NEWEST PATROLMAN, 387 00:18:14,632 --> 00:18:16,266 OFFICER FRANCIS MULDOON. 388 00:18:16,335 --> 00:18:19,011 HE IS A KEY PLAYER IN OUR RENOVATION PROGRAM. 389 00:18:19,081 --> 00:18:20,228 OH, GREAT! 390 00:18:20,297 --> 00:18:22,313 WELCOME ABOARD. IT'S GOOD TO BE HERE. 391 00:18:22,383 --> 00:18:23,947 LET'S START IN HERE, SHALL WE? 392 00:18:24,016 --> 00:18:27,040 OKAY, I NEED A FUTON INSTEAD OF THAT COT. 393 00:18:27,110 --> 00:18:29,716 RIGHT. I INHERITED SOME TERRIBLE LOWER BACK PROBLEMS. 394 00:18:29,786 --> 00:18:31,907 ALSO, IF WE COULD GET ONE WINDOW RIGHT THERE, 395 00:18:31,976 --> 00:18:33,748 FOR A LITTLE EASTERN EXPOSURE. 396 00:18:33,818 --> 00:18:35,452 OW! OW! 397 00:18:35,521 --> 00:18:37,120 JUST LIKE MARLON PERKINS ON WILD KINGDOM! 398 00:18:37,189 --> 00:18:38,823 WHAT DID YOU DO THAT FOR?! 399 00:18:38,892 --> 00:18:40,283 MR. HORTZ, YOU NOW EMIT AN ELECTRONIC SIGNAL 400 00:18:40,353 --> 00:18:41,846 FOR YOUR OWN PROTECTION. 401 00:18:41,916 --> 00:18:43,689 CAPTAIN, UNTIL WE GET HIM TO THE GRAND JURY, 402 00:18:43,759 --> 00:18:45,288 WE'LL BE ABLE TO MONITOR HIM ANYWHERE. 403 00:18:45,357 --> 00:18:46,505 I'M NOT GOING ANYWHERE! 404 00:18:46,573 --> 00:18:47,860 NO, YOU'RE NOT. 405 00:18:48,659 --> 00:18:50,676 DOES THIS MEAN I'M GAY? 406 00:18:50,744 --> 00:18:53,698 HOLD IT. IS IT THE LEFT OR THE RIGHT? I FORGOT. 407 00:19:00,477 --> 00:19:02,040 YEAH, LET ME SPEAK TO MR. MOTTI. 408 00:19:02,110 --> 00:19:03,605 I'VE GOT SOME NEWS FOR HIM. 409 00:19:05,586 --> 00:19:07,880 Lucille: QUIET DOWN, EVERYBODY, HE'S COMING! 410 00:19:07,950 --> 00:19:10,347 All: SURPRISE!!! 411 00:19:10,417 --> 00:19:12,745 HA HA HA HA! HA HA HA HA! 412 00:19:18,411 --> 00:19:19,940 I LOVE YOU... 413 00:19:20,496 --> 00:19:21,609 LEO! 414 00:19:21,679 --> 00:19:23,104 ( music starts ) 415 00:19:23,172 --> 00:19:25,328 ¶ WHEN I OPENED MY EYES AND FINALLY LOOKED ¶ 416 00:19:25,397 --> 00:19:27,065 ¶ LET'S LIVE! 417 00:19:27,135 --> 00:19:29,429 ¶ I WAS IN THE POT, MY GOOSE WAS COOKED ¶ 418 00:19:29,498 --> 00:19:30,715 ¶ LET'S LIVE! 419 00:19:41,038 --> 00:19:43,506 HEY, COME ON BACK AND JOIN THE PARTY. 420 00:19:45,347 --> 00:19:47,051 WHAT'S IT TO YA? 421 00:19:47,120 --> 00:19:49,276 I HAVE FOUND IN THE PAST THAT FAMILIARITY BREEDS INTIMACY, 422 00:19:49,344 --> 00:19:52,334 WHICH IS AN OBSTACLE TO ANY POLICEMAN'S COMPLETION OF HIS WORK. 423 00:19:52,404 --> 00:19:53,307 COME ON! 424 00:19:53,377 --> 00:19:55,045 I'LL TEACH YA HOW TO MAMBO! 425 00:19:56,088 --> 00:19:58,556 ¶ LET'S LIVE! 426 00:19:58,625 --> 00:20:00,432 ¶ A PARTY LIKE THIS IS HARD TO FIND ¶ 427 00:20:00,502 --> 00:20:02,553 ¶ LET'S LIVE! 428 00:20:02,622 --> 00:20:04,430 ¶ EVERYBODY'S SHAKIN' THEIR BEHIND ¶ 429 00:20:04,498 --> 00:20:06,341 ¶ LET'S LIVE! 430 00:20:06,411 --> 00:20:08,322 ¶ I THINK SOMEBODY STOLE MY LINE ¶ 431 00:20:08,391 --> 00:20:09,678 ¶ LET'S LIVE! 432 00:20:13,987 --> 00:20:16,420 Woman: WHO INVITED HIM? 433 00:20:16,490 --> 00:20:18,158 Man: I THOUGHT HE WAS DEAD. 434 00:20:20,175 --> 00:20:21,704 ¶ LET'S LIVE! 435 00:20:25,875 --> 00:20:27,960 ¶ THIS PARTY'S GONNA BE A CRAZE ¶ 436 00:20:28,030 --> 00:20:29,419 ¶ LET'S LIVE! 437 00:20:31,331 --> 00:20:33,694 ¶ I'VE BEEN WORKIN' ALL WEEK... ¶ 438 00:20:33,764 --> 00:20:36,302 Gunther: ONE, TWO, THREE... 439 00:20:36,371 --> 00:20:37,379 OKAY, GO! 440 00:20:37,448 --> 00:20:39,534 I GOTTA FIND THE METER MAID? YEAH. 441 00:20:39,604 --> 00:20:40,819 YOU'RE GETTIN' HOT! 442 00:20:40,889 --> 00:20:42,628 OH, LEO, YOU'RE BURNIN' UP! 443 00:20:43,670 --> 00:20:45,164 Leo: AAAHHH!!! 444 00:20:46,138 --> 00:20:47,632 OH, MY GOD! 445 00:20:50,065 --> 00:20:51,420 SCHNAUZER! 446 00:20:51,490 --> 00:20:53,367 WHAT ARE YOU DOING DOWN THERE?! 447 00:20:54,306 --> 00:20:57,190 REPENT, YOU SINNERS! 448 00:20:57,260 --> 00:20:58,441 PRAISE JESUS! 449 00:20:58,511 --> 00:20:59,797 PRAISE ELVIS, 450 00:20:59,866 --> 00:21:02,369 AND PRAISE JACK LORD'S HAIR! 451 00:21:02,439 --> 00:21:04,246 YOU'RE TAKING THE LORD'S NAME IN VAIN. 452 00:21:06,192 --> 00:21:07,687 THANK YOU, REVEREND. 453 00:21:09,216 --> 00:21:11,023 BACK ON THE CURB. 454 00:21:11,093 --> 00:21:13,283 YOU CROSS ON THE GREEN, NOT IN BETWEEN. 455 00:21:13,353 --> 00:21:15,230 THAT'S GONNA COST YOU TWO DOLLARS FOR JAYWALKING. 456 00:21:15,298 --> 00:21:16,897 MULDOON, THE MAN IS BLIND! 457 00:21:16,967 --> 00:21:19,295 SO IS LOVE, OFFICER TOODY. 458 00:21:19,365 --> 00:21:24,231 TV: AS THE LONG-LOST HUSBAND, I DEMAND AN EXPLANATION. 459 00:21:24,301 --> 00:21:26,804 WATCH WHAT YOU'RE SAYING ABOUT MY WIFE, BUSTER. 460 00:21:26,872 --> 00:21:28,367 HA HA HA HA! 461 00:21:34,311 --> 00:21:36,639 AND HOW DID WE ENJOY OUR SUPPER LAST NIGHT? 462 00:21:36,709 --> 00:21:41,019 OH, I HAVE TO TELL YOU, IT WAS DELIGHTFUL! 463 00:21:41,088 --> 00:21:44,634 I WISH ALL OUR PATIENTS HAD YOUR POSITIVE ATTITUDE. 464 00:21:44,703 --> 00:21:46,197 WHAT IS THERE TO COMPLAIN ABOUT? 465 00:21:46,267 --> 00:21:48,422 HERE I AM, I LIE IN BED ALL DAY, 466 00:21:48,491 --> 00:21:51,829 I WATCH TV, I'M WAITED ON HAND AND FOOT-- 467 00:21:51,897 --> 00:21:55,478 I DON'T EVEN HAVE TO GET UP TO GO TO THE BATHROOM. 468 00:21:55,547 --> 00:21:56,972 I'M ON AUTOMATIC PILOT! 469 00:21:57,042 --> 00:21:58,328 HEE HEE HEE HEE! 470 00:21:58,397 --> 00:22:00,553 WHAT MORE COULD A MAN ASK FOR? 471 00:22:00,621 --> 00:22:02,568 SURPRISE, PARTNER! 472 00:22:03,959 --> 00:22:05,696 I BROUGHT YOU SOME FLOWERS. 473 00:22:05,766 --> 00:22:07,226 THAT'S NICE, GUNTHER. 474 00:22:07,295 --> 00:22:08,442 NOW, JUST PUT 'EM DOWN, 475 00:22:08,512 --> 00:22:10,736 AND BACK OUT OF THE ROOM. 476 00:22:10,806 --> 00:22:12,821 LEO, WHAT'S THIS STUFF? 477 00:22:12,891 --> 00:22:13,934 DON'T TOUCH IT! 478 00:22:14,004 --> 00:22:15,950 TOODY, PLEASE DON'T TOUCH THE BAG. 479 00:22:16,019 --> 00:22:17,479 IT'S NOT AN UNREASONABLE REQUEST. 480 00:22:17,548 --> 00:22:20,885 YOU REMEMBER MY NEW PARTNER, MULDOON? 481 00:22:20,955 --> 00:22:25,473 I WOULD LIKE YOU TO TAKE A GOOD LOOK AT THIS SCENE, MULDOON, 482 00:22:25,542 --> 00:22:27,559 BECAUSE WHAT YOU ARE LOOKING AT 483 00:22:27,628 --> 00:22:29,401 IS YOUR FUTURE. 484 00:22:29,470 --> 00:22:31,034 I'M AFRAID YOU'RE MISTAKEN. 485 00:22:31,104 --> 00:22:33,815 I'M MORE THAN CAPABLE OF TAKING CARE OF MYSELF. 486 00:22:33,884 --> 00:22:35,761 OFFICER TOODY, WE'RE LATE. 487 00:22:35,831 --> 00:22:38,159 LEO, BEHAVE YOURSELF. 488 00:22:38,229 --> 00:22:39,411 I'LL SEE YOU SOON. 489 00:22:43,929 --> 00:22:45,423 YOU CAN'T KEEP A GUY LIKE SCHNAUZER 490 00:22:45,493 --> 00:22:47,022 DOWN FOR LONG, THAT'S FOR SURE. 491 00:22:48,726 --> 00:22:50,671 WHAT IS THIS? 492 00:22:50,741 --> 00:22:53,279 THIS IS A HOSPITAL, IT'S SUPPOSED TO BE SAFE. 493 00:22:54,530 --> 00:22:56,511 IT'S STUCK. HELP ME WITH IT. 494 00:22:56,581 --> 00:22:58,144 AAAHHH!!! 495 00:23:00,334 --> 00:23:02,837 LET'S GET OUT OF HERE. I HATE HOSPITALS. 496 00:23:02,906 --> 00:23:04,818 ( alarm sounds ) 497 00:23:23,205 --> 00:23:27,966 ¶ WELCOME TO THE NEW WORLD ORDER ¶ 498 00:23:28,036 --> 00:23:32,067 ¶ THIS IS THE NEW WORLD ORDER ¶ 499 00:23:32,137 --> 00:23:37,385 ¶ THIS IS THE NEW WORLD ORDER ¶ 500 00:23:40,131 --> 00:23:41,695 ¶ WELCOME TO THE JUNGLE 501 00:23:41,764 --> 00:23:42,981 ¶ TO A LAND OF CHANGE 502 00:23:43,051 --> 00:23:45,066 ¶ A PLACE WHERE SILICON RULE THE BRAIN ¶ 503 00:23:45,136 --> 00:23:47,291 ¶ THE THOUGHT POLICE ON THE STREETS TO KEEP PEACE ¶ 504 00:23:47,360 --> 00:23:49,619 ¶ QUICK TO GET WITH ANYONE WHO GOT BEAT ¶ 505 00:23:49,689 --> 00:23:51,531 ¶ AND WHERE DID HOPE GO, MUST IT DIE? ¶ 506 00:23:51,601 --> 00:23:53,930 ¶ BIG BROTHER GOT HIS EYE ON YA ALL THE TIME ¶ 507 00:23:53,998 --> 00:23:56,258 ¶ SO DON'T ACT BOLD, HE CONTROL THE DICE ¶ 508 00:23:56,328 --> 00:23:58,239 ¶ BE A FOOL, WRONG MOVE, AND LOSE YOUR LIFE ¶ 509 00:23:58,309 --> 00:24:00,360 ¶ NOW, KEEP YOUR MOUTH SHUT, DON'T ACT UP ¶ 510 00:24:00,429 --> 00:24:02,828 ¶ CUT THE MESS ABOUT PROGRESS, OR GUESS WHAT? ¶ 511 00:24:02,896 --> 00:24:04,947 ¶ YOU'LL BE HUSHED, CRUSHED, CLIPPED AND FRIED ¶ 512 00:24:05,017 --> 00:24:08,180 ¶ TO STAY ALIVE, BETTER KNOW THE TIME IN THE JUNGLE ¶ 513 00:24:08,250 --> 00:24:09,744 GOOD MORNING. 514 00:24:09,813 --> 00:24:11,238 I KNOW WHAT YOU'RE ALL THINKING-- 515 00:24:11,308 --> 00:24:14,228 "THANK YOU, OFFICER MULDOON, FOR THIS." 516 00:24:14,297 --> 00:24:15,965 BUT IT'S NOT ME, IT'S THE TAXPAYERS, 517 00:24:16,035 --> 00:24:17,530 SO WHY DON'T WE ALL JUST TAKE A SEAT... 518 00:24:18,955 --> 00:24:20,310 IN OUR NEW SEATS. 519 00:24:25,141 --> 00:24:27,470 UM, AS I'M SURE YOU CAN SEE, 520 00:24:27,539 --> 00:24:29,451 THAT'S THE SEAT FROM THE OLD DAYS. 521 00:24:29,520 --> 00:24:32,475 NOW, LET'S DIRECT YOUR ATTENTION TO THE NEW "MAD COPP." 522 00:24:32,544 --> 00:24:35,186 NOW, CAN ANYONE TELL ME ABOUT THE COCCYX IN MAD COPP, 523 00:24:35,256 --> 00:24:36,785 WHAT ITS FUNCTION IS? 524 00:24:41,338 --> 00:24:42,485 CAN I HELP YOU? 525 00:24:42,555 --> 00:24:44,675 WE HAVE COME TO PROVIDE YOU 526 00:24:44,744 --> 00:24:47,072 WITH THE NOURISHMENT FOR YOUR INCARCIPATED PERSONAGES. 527 00:24:48,602 --> 00:24:50,931 BROUGHT A BUNCH OF DOGS OVER FROM NATHAN'S. 528 00:24:51,001 --> 00:24:52,634 OH, WHY DIDN'T YOU JUST SAY SO? 529 00:24:52,704 --> 00:24:54,858 HOLD ON, I'LL BUZZ YOU IN. 530 00:24:54,928 --> 00:24:56,353 ( buzzer ) 531 00:24:56,875 --> 00:24:58,056 OH, MY. 532 00:24:58,126 --> 00:24:59,168 THIS IS IMPRESSIVE. 533 00:24:59,238 --> 00:25:00,906 THIS IS IMPRESSIVE. 534 00:25:00,976 --> 00:25:02,331 BEAUTIFUL, ISN'T SHE? 535 00:25:02,401 --> 00:25:06,119 ELECTRONIC DISPLAY NETWORK ADVISOR--"EDNA." 536 00:25:06,189 --> 00:25:08,413 "EDNA." SHE'S GOT IT ALL. 537 00:25:08,483 --> 00:25:11,159 20,000 LINE RESOLUTION, C-CAM, 538 00:25:11,229 --> 00:25:14,114 NTSC S-DIP, AND P-DIP CAPABILITIES. 539 00:25:14,183 --> 00:25:15,956 RAP ON, YOU RASCAL, YOU! 540 00:25:16,026 --> 00:25:17,415 IT IS VOICE-ACTIVATED, 541 00:25:17,485 --> 00:25:19,501 IT IS INTERFACED WITH EVERY NATIONAL AND LOCAL 542 00:25:19,570 --> 00:25:22,490 CRIME MAINFRAME COMPUTER NETWORK VIA MICROWAVE. 543 00:25:22,560 --> 00:25:24,089 MICROWAVE! 544 00:25:24,159 --> 00:25:26,070 YOU CAN COOK IN IT! 545 00:25:26,139 --> 00:25:27,808 INCREDIBLE! 546 00:25:27,878 --> 00:25:29,963 EDNA, MEET CAPTAIN ANDERSON. 547 00:25:30,033 --> 00:25:32,083 Computer: GOOD MORNING, CAPTAIN ANDERSON. 548 00:25:32,153 --> 00:25:33,543 HOW CAN WE HELP YOU? 549 00:25:33,612 --> 00:25:34,863 IT TALKS! 550 00:25:34,933 --> 00:25:37,366 AAHHEEEAAHH.... 551 00:25:39,243 --> 00:25:40,668 ARE YOU HORTZ? YES. 552 00:25:40,737 --> 00:25:42,128 LUNCH. 553 00:25:42,197 --> 00:25:43,518 NO, THANKS, I DON'T EAT THOSE HOT DOGS. 554 00:25:43,588 --> 00:25:44,839 YOU CAN MOVE ON TO THE NEXT CELL. 555 00:25:44,908 --> 00:25:46,438 THESE ARE NOT HOT DOGS. 556 00:25:46,507 --> 00:25:48,975 IN APPRECIATION OF YOUR ENDEAVORS, 557 00:25:49,044 --> 00:25:51,442 WE HAVE BEEN PERMITTED TO ALTER THE NORMAL FARE 558 00:25:51,512 --> 00:25:53,250 TOWARD YOUR DIETARY ENJOYMENT. 559 00:25:54,466 --> 00:25:56,413 GET OUTTA HERE! 560 00:25:56,483 --> 00:26:00,306 YEAH, WE HAVE BROUGHT YOU A FIND VINTAGE CHABLIS WINE FROM OUR CELLAR. 561 00:26:00,376 --> 00:26:02,147 STOP THAT, LOOK AT YOU! 562 00:26:02,217 --> 00:26:05,623 AND FILET OF BEEF GASPAR WITH A WATERCRESS SOUP. 563 00:26:05,693 --> 00:26:07,153 LOOK AT THOSE NIBLETS! 564 00:26:07,222 --> 00:26:08,856 AND AN ADORNMENT. 565 00:26:08,926 --> 00:26:11,150 MMM! THANK YOU! LISTEN, BOYS, A LITTLE FAUX PAS. 566 00:26:11,219 --> 00:26:14,764 YOU NEVER SERVE A RED MEAT WITH A WHITE WINE, OKAY? 567 00:26:14,834 --> 00:26:17,371 ITS' LIKE--NYEAH-- IT'S A HORRENDOUS MISTAKE. 568 00:26:17,441 --> 00:26:19,665 GET OUT OF HERE, ALL RIGHT? THANK YOU, GUYS. 569 00:26:19,735 --> 00:26:22,411 GET OUT OF HERE. HEY!!! COME HERE. 570 00:26:22,481 --> 00:26:24,983 YOU THINK I'D LET YOU GET AWAY WITH THAT, HUH? 571 00:26:25,053 --> 00:26:26,130 YOU GOT A PROBLEM? 572 00:26:26,200 --> 00:26:27,451 YEAH, I GOT A PROBLEM. 573 00:26:31,447 --> 00:26:34,193 MR.JACKSON-- HE'S GOT A DATE WITH YOU BOYS. 574 00:26:34,263 --> 00:26:36,870 TAKE HIM. HAVE SOME FUN! 575 00:26:36,939 --> 00:26:39,859 NOW, YOU SAY THE RED DOTS REPRESENT PATROL CARS? 576 00:26:39,929 --> 00:26:41,284 YES. 577 00:26:41,354 --> 00:26:42,257 WELL, LOOK! 578 00:26:42,327 --> 00:26:44,100 THEY'RE ALL MOVING AT ONCE! 579 00:26:44,169 --> 00:26:46,602 SOMETHING BIG MUST BE GOING DOWN! 580 00:26:46,671 --> 00:26:50,598 EDNA: 95% OF THE PRECINCT'S CARS HAVE CONVERGED. 581 00:26:50,668 --> 00:26:52,407 ABRAMS! WHAT'S GOING ON? 582 00:26:52,476 --> 00:26:53,936 EVERYTHING'S NORMAL. 583 00:26:55,465 --> 00:26:56,994 Radio: CAR 54, WHERE ARE YOU, PLEASE? 584 00:26:58,663 --> 00:27:01,756 Gunther: SO THE BARTENDER SAYS, "WHAT DOES THE DOG DO 585 00:27:01,826 --> 00:27:03,146 "WHEN THE YANKS WIN?" 586 00:27:03,216 --> 00:27:04,363 HE SAYS, "I DON'T KNOW-- 587 00:27:04,432 --> 00:27:05,822 I'VE ONLY HAD HIM FOR TWO YEARS." 588 00:27:05,892 --> 00:27:07,247 ( all laugh ) 589 00:27:11,975 --> 00:27:13,678 SEE THAT, GENTLEMEN? 590 00:27:13,747 --> 00:27:17,014 NEGOTIATIONS CAN BE A POWERFUL ASSET. 591 00:27:17,084 --> 00:27:20,490 YOU HAVE TO KNOW WHAT TO ASK FOR AND HOW TO-- 592 00:27:20,560 --> 00:27:22,054 SIR, WHAT ARE YOU DOING, THAT'S MY DINNER. 593 00:27:22,123 --> 00:27:23,479 SIR? 594 00:27:23,548 --> 00:27:25,356 I DEMAND YOU RETURN THAT TO ME THIS INSTANT! 595 00:27:25,426 --> 00:27:27,407 PLEASE DON'T PUSH MY BUTTONS! 596 00:27:27,476 --> 00:27:30,221 I'M GONNA TELL YOU SOMETHING. I WILL STRIKE YOU, SIR, I WILL STRIKE YOU! 597 00:27:35,262 --> 00:27:37,730 THAT'S A COMPLETE MISUSE OF YOUR PHYSICALITY, SIR. 598 00:27:37,798 --> 00:27:39,155 YOU'RE A VERY LARGE MAN, 599 00:27:39,223 --> 00:27:40,892 AND YOU DIDN'T HAVE TO DO THAT. 600 00:27:40,962 --> 00:27:42,283 OKAY? 601 00:27:43,152 --> 00:27:45,029 ( coughing ) 602 00:27:51,980 --> 00:27:54,065 SEE WHAT HAPPENS WHEN YOU EAT TOO FAST? 603 00:28:05,813 --> 00:28:08,767 FREEZE, LADY! DO NOT MOVE A MUSCLE. 604 00:28:12,278 --> 00:28:15,823 YEP. THAT'S A VIOLATION OF SECTION 20 OF THE CIVIL CODE. 605 00:28:15,892 --> 00:28:17,353 WE GOT HER. 606 00:28:17,421 --> 00:28:19,577 THANKS TO THE OLD SATCOM SURVEILLANCE SYSTEM. 607 00:28:19,646 --> 00:28:22,114 YOU WILL NOT BE ABLE TO WEASEL YOUR WAY OUT OF THIS ONE, I'M AFRAID. 608 00:28:22,184 --> 00:28:25,346 MAYBE SHE HAS A MUCOUS PROBLEM. 609 00:28:25,416 --> 00:28:27,432 I'VE KNOWN THIS LADY FOR 15 YEARS. 610 00:28:27,502 --> 00:28:30,004 SHE'S NEVER DONE ANYTHING WRONG IN HER LIFE. 611 00:28:30,073 --> 00:28:31,915 MA'AM, YOU HAVE YOURSELF A GOOD DAY. 612 00:28:33,236 --> 00:28:35,079 JESUS. 613 00:28:35,147 --> 00:28:36,955 I'M SORRY, MRS. GORDON. 614 00:28:38,519 --> 00:28:40,743 NO CHARGE FOR YOU. ENJOY! 615 00:28:40,813 --> 00:28:43,038 THANK YOU. THANK YOU, KAHN. 616 00:28:46,617 --> 00:28:48,425 EXCUSE ME, OFFICER TOODY. 617 00:28:48,494 --> 00:28:49,745 YEAH? 618 00:28:49,815 --> 00:28:51,588 YOU DIDN'T PAY FOR THAT, DID YOU? 619 00:28:51,658 --> 00:28:53,882 OH, WELL, KAHN'S MY FRIEND, I MEAN, WHO'S GONNA CARE? 620 00:28:53,952 --> 00:28:55,897 WHY DON'T WE START WITH INTERNAL AFFAIRS? 621 00:28:55,967 --> 00:28:58,957 INTERNAL AFFAIRS? THEY DON'T DINE AL FRESCO. 622 00:28:59,894 --> 00:29:01,146 AL FRE-- 623 00:29:01,215 --> 00:29:02,502 Woman: HI, TOODY! 624 00:29:02,571 --> 00:29:05,317 HA HA! HOO HOO! 625 00:29:05,386 --> 00:29:08,445 HOW ABOUT A NICE BERMUDA TRIANGLE, GUNTHER? 626 00:29:08,514 --> 00:29:10,878 WE'LL HAVE YA LOST FOR HOURS. 627 00:29:10,947 --> 00:29:13,555 I DON'T THINK LUCILLE WOULD APPROVE OF THAT. 628 00:29:13,623 --> 00:29:15,570 WHO'S YOUR CUTE FRIEND? 629 00:29:15,640 --> 00:29:18,733 THIS IS MY NEW PARTNER, FRANCIS MULDOON. 630 00:29:18,803 --> 00:29:20,228 BABY, BABY, BABY! 631 00:29:20,297 --> 00:29:23,946 YOU'RE SO FINE, YOU'RE MY--OOH!-- NINE POINT NINE. 632 00:29:24,016 --> 00:29:25,545 PUT 'ER THERE. 633 00:29:27,596 --> 00:29:30,759 OH, I LOVE CAREFUL MEN. 634 00:29:30,829 --> 00:29:33,470 IT SHOWS A BRUTE MATURITY. 635 00:29:33,539 --> 00:29:35,729 WHOOEE, YEAH! 636 00:29:35,798 --> 00:29:37,189 OFFICER TOODY. 637 00:29:38,058 --> 00:29:39,727 THIS PLACE IS GOMORRAH. 638 00:29:40,491 --> 00:29:41,672 THANK YOU. 639 00:29:43,654 --> 00:29:46,504 WE HAVE THE LOWEST REPORTED CRIME RATE IN THE WHOLE CITY. 640 00:29:46,573 --> 00:29:48,589 OF COURSE YOU DO-- YOU DON'T REPORT ANY OF IT. 641 00:29:48,659 --> 00:29:50,222 THESE ARE DECENT PEOPLE. 642 00:29:50,292 --> 00:29:51,439 THEY'RE ALL CRIMINALS! 643 00:29:51,509 --> 00:29:53,072 COME ON, MULDOON. 644 00:29:53,142 --> 00:29:55,645 THERE'S CRIME, AND THEN THERE'S CRIME. 645 00:29:55,714 --> 00:29:57,521 NO, NO, NO, NO, NO-- 646 00:29:57,591 --> 00:30:00,233 CRIME IS CRIME--PERIOD. 647 00:30:00,303 --> 00:30:01,728 'S'NOT. SO. 648 00:30:01,796 --> 00:30:02,840 'S'NOT. SO. 649 00:30:02,909 --> 00:30:03,952 'S'NOT! SO! 650 00:30:04,021 --> 00:30:06,628 ALL RIGHT! THAT'S ENOUGH. 651 00:30:06,697 --> 00:30:09,061 SIR, THE MAN IS A SLOB. 652 00:30:09,131 --> 00:30:11,668 IF I COULD, I'D LIKE TO DIRECT YOUR ATTENTION TO HIS SHIRT. 653 00:30:11,737 --> 00:30:13,440 I THINK YOU'LL NOTICE THAT IT IS COVERED 654 00:30:13,510 --> 00:30:16,047 IN ILLEGALLY OBTAINED KABOB STAINS. 655 00:30:16,117 --> 00:30:18,863 MULDOON, WOULD YOU MIND WAITING OUTSIDE A SECOND? 656 00:30:18,932 --> 00:30:21,852 I JUST WANT TO HAVE A WORD WITH OFFICER TOODY. 657 00:30:23,346 --> 00:30:24,736 YES, SIR. 658 00:30:24,806 --> 00:30:26,891 CAPTAIN-- TOODY-- 659 00:30:26,961 --> 00:30:28,456 IF YOU SCREW THIS UP FOR ME, 660 00:30:28,525 --> 00:30:31,132 I WILL SLAP THE TASTE OUT OF YOUR MOUTH! 661 00:30:31,202 --> 00:30:33,565 BUT CAPTAIN, HE'S A-- HE'S A TIGHT ASS. 662 00:30:33,634 --> 00:30:36,033 BUT HE'S ONE OF THE FEW PEOPLE WHO UNDERSTANDS 663 00:30:36,102 --> 00:30:38,501 THE COMPLEXITIES OF THIS SYSTEM! 664 00:30:38,569 --> 00:30:41,559 SO, PLEASE, FOR MY SAKE, BE A PAL. 665 00:30:41,629 --> 00:30:44,479 MAYBE YOU'LL INVITE THE GUY HOME FOR DINNER? 666 00:30:44,547 --> 00:30:45,764 TO MY HOUSE?! 667 00:30:45,834 --> 00:30:47,815 THIS IS YOUR CAPTAIN TALKIN' TO YOU. 668 00:30:47,885 --> 00:30:49,518 YOU'LL DO THAT FOR ME, WON'T YOU? 669 00:30:50,421 --> 00:30:51,916 YES, CAPTAIN. 670 00:30:59,215 --> 00:31:00,640 SO WHAT'S HAPPENED? 671 00:31:00,710 --> 00:31:04,220 MR. HORTZ IS NO LONGER A FUNCTIONING HOMO SAPIEN. 672 00:31:04,290 --> 00:31:06,167 YOU MEAN HORTZ WAS A TOOTIE-FRUITIE? 673 00:31:06,236 --> 00:31:08,600 REALLY? I DIDN'T KNOW THAT. 674 00:31:08,669 --> 00:31:09,886 SO HE'S DEAD? 675 00:31:09,956 --> 00:31:12,041 LIKE HE NEVER WAS. 676 00:31:12,110 --> 00:31:15,169 THEN WHY AM I READING ABOUT THE GRAND JURY GOING FORWARD? 677 00:31:15,238 --> 00:31:17,393 WHY HAVEN'T I SEEN IT ON TV? 678 00:31:18,540 --> 00:31:19,722 WHY DID I HEAR 679 00:31:19,791 --> 00:31:22,363 THAT YOU POISONED AN ANIMAL RIGHTS ACTIVIST? 680 00:31:23,093 --> 00:31:24,622 YOU LISTEN TO ME. 681 00:31:24,692 --> 00:31:27,682 YOU HAVE ONE MORE CHANCE TO GET THIS GUY. 682 00:31:27,751 --> 00:31:29,280 THE SCHILLIANOS HAVE RECOMMENDED 683 00:31:29,350 --> 00:31:31,957 AN OUT-OF-TOWN GUN BY THE NAME OF "DETROIT DAN." 684 00:31:32,026 --> 00:31:35,050 NOW, IF I GO TO THE TROUBLE OF BRINGING HIM IN FOR ONE, 685 00:31:35,119 --> 00:31:37,553 I MIGHT AS WELL MAKE IT THREE. 686 00:31:37,621 --> 00:31:38,978 CAPISCE? CAPISCE. 687 00:31:39,046 --> 00:31:41,514 GET OUT OF MY HOUSE. 688 00:31:41,584 --> 00:31:44,400 Lucille: GUNTHER, YOU'RE GONNA MAKE A MESS, NOW, HONEY. 689 00:31:45,372 --> 00:31:47,215 THAT ONE'S RUINED! 690 00:31:47,284 --> 00:31:49,231 YOU KNOW, LUCILLE, I'VE BEEN THINKING. 691 00:31:49,821 --> 00:31:51,386 MULDOON AND I, 692 00:31:51,455 --> 00:31:52,707 WE'RE COMPLETE OPPOSITES. 693 00:31:52,776 --> 00:31:54,687 I DON'T THINK THIS IS GONNA WORK OUT. 694 00:31:54,757 --> 00:31:56,286 GUNTHER, YOU AND I ARE OPPOSITES, 695 00:31:56,356 --> 00:31:57,920 AND LOOK HOW LONG WE'VE BEEN TOGETHER. 696 00:31:57,989 --> 00:31:59,762 GIVE IT TIME, HONEY. 697 00:32:01,153 --> 00:32:03,307 Muldoon: I THINK THIS IS IT. 698 00:32:07,027 --> 00:32:08,938 YOU KNOW SOMETHING, LUCILLE? WHAT'S THAT, HONEY? 699 00:32:09,008 --> 00:32:12,379 SEEING YOU IN THIS PARTY DRESS REALLY GIVES ME THE HORN. 700 00:32:12,448 --> 00:32:14,256 HOW ABOUT A QUICKIE BEFORE THE GUESTS ARRIVE? 701 00:32:14,326 --> 00:32:15,785 NO, GUNTHER! 702 00:32:15,855 --> 00:32:18,183 NO! WE'RE GONNA GET ALL SWEATY! 703 00:32:22,528 --> 00:32:23,918 ( doorbell ) 704 00:32:23,988 --> 00:32:26,594 MULDOON AND HIS DATE ARE HERE, GO ANSWER IT. 705 00:32:26,664 --> 00:32:28,506 I GOT SOME CELERY TO WHIZ. 706 00:32:35,875 --> 00:32:37,994 HI, FRANCIS. 707 00:32:38,064 --> 00:32:40,497 WELCOME TO MY LOVELY HOME. 708 00:32:40,566 --> 00:32:41,887 THANKS, OFFICER TOODY. 709 00:32:41,957 --> 00:32:43,904 MIND IF I COME IN? PLEASE. 710 00:32:44,494 --> 00:32:46,023 I, UH, 711 00:32:46,093 --> 00:32:48,457 I BROUGHT THAT AS A TOKEN OF MY APPRECIATION. 712 00:32:48,526 --> 00:32:49,882 HEY, WHERE'S YOUR DATE? 713 00:32:49,951 --> 00:32:51,654 SHE'S OUT PARKING THE CAR. 714 00:32:51,723 --> 00:32:53,010 SHE WANTED ME TO BE ON TIME. 715 00:32:53,079 --> 00:32:55,304 YEAH, PARKING'S LOUSY AROUND HERE. 716 00:32:56,242 --> 00:32:58,084 ( doorbell ) 717 00:33:03,089 --> 00:33:05,661 THE PARKING AROUND HERE SUCKS! 718 00:33:06,704 --> 00:33:08,198 COME ON IN, MOM. 719 00:33:15,463 --> 00:33:16,853 SHORT NOTICE. 720 00:33:18,938 --> 00:33:21,580 Lucille: I THINK IT'S LOVELY THAT A MAN FEELS SECURE ENOUGH 721 00:33:21,650 --> 00:33:23,873 TO TAKE HIS MOTHER TO SOCIAL FUNCTIONS. 722 00:33:25,542 --> 00:33:28,358 THE MAN IS A TOTAL WUSS, LUCILLE. 723 00:33:28,427 --> 00:33:30,061 SHUT UP, GUNTHER. 724 00:33:30,130 --> 00:33:32,876 HE'S PROBABLY JUST IN BETWEEN GIRLFRIENDS RIGHT NOW. 725 00:33:32,945 --> 00:33:35,900 OH, YEAH. HE'S BEEN BETWEEN GIRLFRIENDS 726 00:33:35,969 --> 00:33:38,055 SINCE HIS BALLS DROPPED. 727 00:33:38,125 --> 00:33:41,009 OH, GUNTHER, THAT'S HORRIBLE. 728 00:33:41,079 --> 00:33:42,712 YOU'RE HORRIBLE TONIGHT. 729 00:33:42,782 --> 00:33:45,145 LET'S GET THIS OVER WITH. YEAH, RIGHT. 730 00:33:45,214 --> 00:33:46,466 Gunther: SO THE WOMAN SAYS, 731 00:33:46,535 --> 00:33:48,690 "HOW DARE YOU LAY OUT MY HUSBAND 732 00:33:48,760 --> 00:33:50,497 IN A BROWN SUIT?" 733 00:33:50,567 --> 00:33:52,757 YOU KNOW, YOU LAY HIM OUT IN A BLUE SUIT OR A BLACK SUIT. 734 00:33:52,827 --> 00:33:55,086 SO HE SAYS, "MADAM, COME BACK IN 15 MINUTES, 735 00:33:55,155 --> 00:33:56,928 I'M SURE EVERYTHING WILL BE FINE." 736 00:33:56,997 --> 00:33:58,735 SHE COMES BACK, AND THERE IS HER HUSBAND, 737 00:33:58,805 --> 00:34:00,646 LAID OUT IN A BEAUTIFUL BLUE SUIT. 738 00:34:00,716 --> 00:34:03,775 SO SHE SAYS, "HOW DID YOU GET THAT SUIT ON MY HUSBAND? 739 00:34:03,844 --> 00:34:07,493 DID YOU SWITCH SUITS WITH ONE OF THESE OTHER STIFFS?" 740 00:34:07,563 --> 00:34:12,046 AND HE SAYS, "OH, NO, MADAM. WE MERELY SWITCHED HEADS." 741 00:34:12,116 --> 00:34:13,855 HA HA HA HA HA! HA HA HA HA! 742 00:34:16,705 --> 00:34:19,103 OH, GUNTHER! HA HA HA HA! 743 00:34:20,597 --> 00:34:22,091 HA HA HA HA! HA HA HA HA! 744 00:34:22,161 --> 00:34:24,872 SORRY, I DIDN'T HAVE TIME TO CHANGE. 745 00:34:24,942 --> 00:34:27,827 WE WERE SO BUSY AT ST. MATTHEWS TONIGHT. 746 00:34:27,896 --> 00:34:31,476 DON'T WORRY. I REALLY THINK IT'S GREAT YOU VOLUNTEER YOUR TIME 747 00:34:31,545 --> 00:34:33,735 TO SPEND WITH THE INFIRMED. 748 00:34:33,805 --> 00:34:36,377 SINCE FRANCIS HAS BEEN WORKING, 749 00:34:36,446 --> 00:34:39,853 I'VE GOT A LITTLE EXTRA TIME ON MY HANDS. 750 00:34:40,409 --> 00:34:41,626 I DON'T! 751 00:34:41,694 --> 00:34:43,467 HA HA HA HA! HA HA HA HA! 752 00:34:43,537 --> 00:34:46,456 YOU KNOW, ME AND FRANCIS WERE OVER AT ST. MATTHEWS TODAY. 753 00:34:46,526 --> 00:34:48,542 REALLY? 754 00:34:48,611 --> 00:34:50,662 WE WERE VISITING A BROTHER OFFICER-- LEO SCHNAUZER. 755 00:34:50,732 --> 00:34:54,311 I BROUGHT OFFICER SCHNAUZER SOME SHERBERT TODAY. 756 00:34:54,381 --> 00:34:55,632 OH, GREAT. 757 00:34:55,702 --> 00:34:57,579 HE WAS IN SUCH PAIN. 758 00:34:57,648 --> 00:35:00,325 LEO IS A WONDERFUL, WONDERFUL MAN. 759 00:35:00,394 --> 00:35:04,426 A POLICE OFFICER MUST CHASTIZE THE IMPURE, 760 00:35:04,495 --> 00:35:07,241 AND BANISH THE DEFILED, 761 00:35:07,310 --> 00:35:10,612 IN A NEVER-ENDING BATTLE! 762 00:35:10,682 --> 00:35:12,802 WELL, IF THEY DID THAT, 763 00:35:12,871 --> 00:35:15,513 I DON'T THINK THE CITY WOULD GO FOR THE OVERTIME! 764 00:35:15,583 --> 00:35:17,877 HA HA HA HA HA! HA HA HA HA HA! 765 00:35:22,360 --> 00:35:24,723 GUNTHER, THAT WAS A GOOD ONE! 766 00:35:28,964 --> 00:35:30,597 HAVE SOME MORE JELLO. 767 00:35:30,667 --> 00:35:32,509 AHA HA HA HA! 768 00:35:32,579 --> 00:35:34,526 MOM, DID YOU ENJOY DINNER? 769 00:35:34,594 --> 00:35:37,896 I DON'T THINK IT'S WISE THAT YOU SHOULD HAVE LEFT THE SEMINARY! 770 00:35:39,878 --> 00:35:41,615 HE NEEDS A BROAD, THAT'S ALL. 771 00:35:41,685 --> 00:35:43,910 OH, GET YOUR MIND OUT OF THE GUTTER. 772 00:35:43,979 --> 00:35:45,856 THIS IS NOT THE GUTTER, LUCILLE. 773 00:35:45,926 --> 00:35:47,316 THIS IS SCIENCE. 774 00:35:47,385 --> 00:35:51,452 MEN HAVE THIS VERY SPECIAL KIND OF A MALE GLAND 775 00:35:51,521 --> 00:35:53,815 CALLED THE... THE PROSTICLES. 776 00:35:53,885 --> 00:35:57,117 WHEN THESE TESTICLES GET FILLED UP WITH FLUID AND STUFF, 777 00:35:57,187 --> 00:35:59,377 THEY GET VERY, VERY TENSE. 778 00:35:59,445 --> 00:36:00,871 YEAH? 779 00:36:00,940 --> 00:36:02,539 TAKE IT FROM A COP ON THIS ONE, LUCILLE. 780 00:36:02,609 --> 00:36:05,319 THESE TESTOSTICLES ARE THE CAUSE OF 85% 781 00:36:05,389 --> 00:36:07,475 OF THE VIOLENT CRIME IN THIS CITY. 782 00:36:07,544 --> 00:36:09,560 I DON'T THINK YOU NEED TO WORRY ABOUT THAT, GUNTHER. 783 00:36:09,630 --> 00:36:12,480 THAT'S BETWEEN HIM AND HIS DOCTOR. 784 00:36:12,550 --> 00:36:15,364 I GOT JUST THE GIRL FOR HIM. WHO? 785 00:36:15,434 --> 00:36:17,555 VELMA VELOUR. 786 00:36:18,006 --> 00:36:19,327 VELMA! 787 00:36:19,396 --> 00:36:22,837 SHE HAS VERY TANGIBLE ACCOUTREMENT 788 00:36:22,907 --> 00:36:24,958 THAT MEN FIND IRRESISTIBLE. 789 00:36:25,027 --> 00:36:27,982 REALLY? YOU BE CAREFUL. YOU'RE GONNA CORRUPT THAT BOY. 790 00:36:28,051 --> 00:36:29,823 THAT'S THE WHOLE POINT. 791 00:36:31,144 --> 00:36:33,334 LET'S DO THE WILD THING, LUCILLE. 792 00:36:33,404 --> 00:36:35,281 GUNTHER! 793 00:36:35,350 --> 00:36:38,547 COME OVER HERE, YOU LITTLE SEX POT. 794 00:36:38,617 --> 00:36:39,729 ( all talking ) 795 00:36:39,798 --> 00:36:42,718 PIPE DOWN, THE CAPTAIN'S COMIN'. 796 00:36:44,838 --> 00:36:46,645 GOOD MORNING, LADIES AND GENTLEMEN. 797 00:36:46,715 --> 00:36:49,044 I'VE JUST GOTTEN SOME GOOD NEWS. 798 00:36:49,113 --> 00:36:50,191 A CAMERA CREW 799 00:36:50,261 --> 00:36:52,555 FROM THE TELEVISION SHOW THE BOYS IN BLUE 800 00:36:52,623 --> 00:36:54,883 IS COMING TO THE 53rd TODAY 801 00:36:54,953 --> 00:36:58,289 TO COMMENCE FILMING A SEGMENT ON US. 802 00:36:58,359 --> 00:36:59,714 I KNEW IT! 803 00:36:59,784 --> 00:37:01,521 TV: WATCH THIS WEEK'S EPISODE, 804 00:37:01,591 --> 00:37:03,989 AS WE VISIT NEW YORK'S MOST DANGEROUS POLICE STATION, 805 00:37:04,059 --> 00:37:06,527 BROOKLYN'S 53rd PRECINCT. 806 00:37:06,596 --> 00:37:08,647 STAY TUNED FOR THE BOYS IN BLUE. 807 00:37:10,037 --> 00:37:11,045 CAN I HELP YOU? 808 00:37:11,115 --> 00:37:13,165 WE HAVE COME IN REGARDS TO THE TOILETRIES 809 00:37:13,235 --> 00:37:14,730 WHICH HAVE RUN AFOUL. 810 00:37:15,598 --> 00:37:16,954 WE CAME TO FIX THE CAN. 811 00:37:17,023 --> 00:37:19,143 OH, SURE, IN THE BACK. 812 00:37:19,213 --> 00:37:21,368 HOLD ON, I'LL BUZZ YA IN. 813 00:37:21,437 --> 00:37:22,515 SAY, GUNTHER. 814 00:37:22,585 --> 00:37:23,592 YEAH? 815 00:37:23,662 --> 00:37:25,191 THANK YOU FOR DINNER LAST NIGHT. 816 00:37:25,261 --> 00:37:27,346 IT WAS MOST ENJOYABLE. 817 00:37:27,416 --> 00:37:29,396 WELL, FRANCIS, I'M DETERMINED 818 00:37:29,466 --> 00:37:31,378 TO BUILD UP OUR RELATIONSHIP. 819 00:37:31,447 --> 00:37:33,637 YOU KNOW, I THINK WE SHOULD GO ON A DATE. 820 00:37:34,750 --> 00:37:36,035 US? 821 00:37:36,105 --> 00:37:38,608 WITH GIRLS-- A DOUBLE DATE. 822 00:37:38,677 --> 00:37:42,396 OH. OH, OH, I--I, UM, I-- 823 00:37:42,465 --> 00:37:44,446 WHATSAMATTER? 824 00:37:44,516 --> 00:37:47,088 WELL, YOU'RE GONNA FIND THIS A LITTLE HARD TO BELIEVE, 825 00:37:47,158 --> 00:37:49,521 BUT I--I'M VERY SH-- 826 00:37:49,590 --> 00:37:50,842 SHY? 827 00:37:50,911 --> 00:37:53,484 --SHY AROUND THE OPPOSITE S-S-S-- 828 00:37:53,553 --> 00:37:55,152 SEX? NO! SEX. 829 00:37:55,221 --> 00:37:56,820 YES! 830 00:37:56,889 --> 00:37:58,558 DON'T WORRY, 'CAUSE I GOT THE WHOLE THING COVERED. 831 00:37:58,628 --> 00:37:59,948 I KNOW JUST THE GIRL, 832 00:38:00,017 --> 00:38:03,319 AND ME AND LUCILLE WILL BE THERE WITH YOU. 833 00:38:03,389 --> 00:38:04,988 WE'LL BREAK THE ICE, 834 00:38:05,058 --> 00:38:07,178 AND YOU CAN MELT HER HEART. 835 00:38:11,001 --> 00:38:13,295 REFLEX, HUH? IS THAT YOUR NAME? 836 00:38:13,364 --> 00:38:14,789 YEAH, MAN, WHAT'S UP? 837 00:38:14,859 --> 00:38:16,318 HOW YA DOIN', MAN? 838 00:38:16,388 --> 00:38:18,127 WHAT ARE YOU GUYS IN HERE FOR? 839 00:38:18,195 --> 00:38:19,794 EXPLICIT LYRICS, MAN. 840 00:38:19,864 --> 00:38:21,914 DOPE LYRICS! 841 00:38:21,984 --> 00:38:23,653 OH, YOU GUYS ARE, LIKE, RAP FELLOWS? 842 00:38:23,722 --> 00:38:25,147 NO, MAN, RAPPERS. 843 00:38:25,216 --> 00:38:26,572 RAPPERS. RAPPERS. 844 00:38:26,641 --> 00:38:28,276 YO, O.G., MAN, 845 00:38:28,344 --> 00:38:30,152 WHY DON'T YOU BUST ONE OF THEM LYRICS FOR HIM, MAN? 846 00:38:32,237 --> 00:38:35,053 ¶ MAN, DAY AFTER DAY, WHEN I GET OUT OF BED ¶ 847 00:38:35,122 --> 00:38:37,278 ¶ RAPS ARE CREATED INSIDE MY HEAD ¶ 848 00:38:37,346 --> 00:38:39,293 ¶ THREE SQUARES A DAY IS WHAT I EAT ¶ 849 00:38:39,363 --> 00:38:41,448 ¶ WHILE THE SHOWERS KEEP ROCKIN' TO A FUNKY BEAT ¶ 850 00:38:41,517 --> 00:38:43,777 ¶ A GUY NAMED BUTCH WITH A WHACKY-WHACK SPACE ¶ 851 00:38:43,846 --> 00:38:46,175 ¶ WANT TO GRAB AHOLD ¶ OF MY FUNKY BASS 852 00:38:46,244 --> 00:38:48,747 ¶ WHEN I DROP THE SHORTS AND OPEN MY MOUTH ¶ 853 00:38:48,816 --> 00:38:50,867 ¶ ALL THE YOUNG LADIES START TO SCREAM AND SHOUT ¶ 854 00:38:50,937 --> 00:38:52,883 Carlo: LOOKS GREAT, HUH? 855 00:38:52,953 --> 00:38:54,516 I LEARNED THIS UP AT THE JOINT, 856 00:38:54,586 --> 00:38:55,872 TAKIN' ART CLASSES. 857 00:38:55,941 --> 00:38:58,340 YOU KNOW, USING THAT STUFF, UH, SILLY DOUGH. 858 00:38:58,409 --> 00:39:01,190 WHEN MR. HORTZ HAS TO RELIEVE HIMSELF, 859 00:39:01,260 --> 00:39:04,214 HE'LL BE GREETED BY A TNT ENEMA. 860 00:39:04,283 --> 00:39:06,820 HA HA HA! HA HA HA! 861 00:39:09,184 --> 00:39:11,791 YOU KNOW, I ONCE CONSIDERED PLUMBING AS A VOCATION. 862 00:39:11,860 --> 00:39:13,077 REALLY? YEAH. 863 00:39:13,146 --> 00:39:14,676 NOT ME. 864 00:39:14,745 --> 00:39:17,073 THE WIFE AND I TAKE THE KIDS DOWN TO MIAMI BEACH. 865 00:39:18,430 --> 00:39:20,237 LET US COMPLETE THE TASK. 866 00:39:20,306 --> 00:39:22,253 ( beeps ) OKAY, LET'S GO. 867 00:39:22,983 --> 00:39:24,268 BOOM BOOM! 868 00:39:25,729 --> 00:39:28,265 ¶ AND THE GIRLS, THEM CAN'T REFUSE IT ¶ 869 00:39:28,335 --> 00:39:30,282 ¶ METRO DON'T CARE IF YOU'RE BLACK OR WHITE ¶ 870 00:39:30,351 --> 00:39:32,818 ¶ JUST LEARN AS IT COMES SO WE CAN ALL UNITE ¶ 871 00:39:32,888 --> 00:39:34,001 BOOM BOOM! 872 00:39:34,070 --> 00:39:35,530 ( imitates bass beat ) 873 00:39:37,441 --> 00:39:38,762 ¶ I WORK OUT 874 00:39:38,832 --> 00:39:40,673 ¶ I PLAY SQUASH ON THE WEEKENDS ¶ 875 00:39:40,743 --> 00:39:43,107 ¶ MY HEART BE BEATIN' AS I DO MY DEEP KNEE BENDS ¶ 876 00:39:43,177 --> 00:39:44,636 ¶ I LIKE THE GIRLS WITH THE PEARLS ¶ 877 00:39:44,706 --> 00:39:46,895 ¶ AND THE MONOGRAMMED SWEATERS, THEY TURN ME ON ¶ 878 00:39:46,965 --> 00:39:48,355 ¶ JUST LIKE A SLOW SONG 879 00:39:48,425 --> 00:39:49,989 ¶ JUST LIKE A SLOW SONG 880 00:39:50,058 --> 00:39:51,518 WHOO! ALL RIGHT! 881 00:39:51,587 --> 00:39:53,117 WHOO HOO! 882 00:39:54,194 --> 00:39:55,758 ( beep ) 883 00:40:00,763 --> 00:40:02,536 AAAHHH!!! 884 00:40:04,483 --> 00:40:06,359 Hortz: CAPTAIN, YOU KNOW I'M A TEAM PLAYER. 885 00:40:06,429 --> 00:40:09,070 I'M THE LAST PERSON TO MAKE A NUISANCE OF MYSELF. 886 00:40:09,140 --> 00:40:10,321 I GOTTA TELL YOU SOMETHIN', ALL RIGHT? 887 00:40:10,391 --> 00:40:12,755 THE PLUMBING IN THIS PLACE IS ATROCIOUS. 888 00:40:12,825 --> 00:40:16,369 MR. HORTZ, THIS IS NO ACCIDENT! 889 00:40:16,439 --> 00:40:17,725 WHAT ARE YOU SAYING? 890 00:40:17,794 --> 00:40:20,018 FIRST, THERE WAS THE POISON FOOD. 891 00:40:20,088 --> 00:40:21,165 RIGHT. 892 00:40:21,235 --> 00:40:22,626 AND NOW THIS. 893 00:40:22,695 --> 00:40:26,136 SOMEBODY INSIDE THE 53rd IS TRYING TO KILL YOU! 894 00:40:26,206 --> 00:40:27,700 GET OUTTA HERE! 895 00:40:27,769 --> 00:40:29,472 NO, I GOTTA GET YOU OUTTA HERE, 896 00:40:29,542 --> 00:40:31,176 AND I GOTTA DO IT FAST. 897 00:40:31,245 --> 00:40:34,130 BUT NOW, WHERE WOULD I PUT YOU? 898 00:40:34,200 --> 00:40:35,451 SHH! 899 00:40:35,520 --> 00:40:37,432 ( Gunther talking in distance ) 900 00:40:37,502 --> 00:40:39,065 Francis: OFFICER TOODY, I THINK YOU'LL FIND 901 00:40:39,135 --> 00:40:40,700 AS WE BECOME MORE FAMILIAR WITH EACH OTHER, 902 00:40:40,768 --> 00:40:44,696 THAT I DON'T EXACTLY THRIVE IN A SALOON ENVIRONMENT. 903 00:40:44,765 --> 00:40:47,303 AH, COME ON, FRANCIS, THIS IS A COP BAR. 904 00:40:47,372 --> 00:40:48,659 YOU'RE GONNA LIKE IT. 905 00:40:48,728 --> 00:40:49,979 NOBODY'S GONNA TAKE OUT THEIR FALSE TEETH 906 00:40:50,048 --> 00:40:51,647 AND SHOW 'EM TO ME, ARE THEY? 907 00:40:51,717 --> 00:40:54,011 TOODY! PERFECT. 908 00:40:54,081 --> 00:40:57,660 NOT EVEN THE MOB WOULD BE DESPERATE ENOUGH TO HIRE HIM. 909 00:40:57,730 --> 00:40:59,086 COME ON! 910 00:41:00,650 --> 00:41:01,970 SHE'S VERY CULTURED, 911 00:41:02,040 --> 00:41:03,534 AND I THINK YOU'RE REALLY GONNA LIKE HER. 912 00:41:03,604 --> 00:41:04,716 I DON'T KNOW, GUNTHER. 913 00:41:04,786 --> 00:41:05,967 Anderson: Psst! 914 00:41:06,037 --> 00:41:07,392 WHAT? 915 00:41:07,462 --> 00:41:08,887 I DIDN'T SAY ANYTHING. 916 00:41:08,957 --> 00:41:10,486 Psst! 917 00:41:11,251 --> 00:41:12,780 Psst! 918 00:41:13,336 --> 00:41:15,317 Psst!!! 919 00:41:15,386 --> 00:41:17,785 I THINK WE'RE LOSING AIR. 920 00:41:18,619 --> 00:41:21,782 ( whispers ) Toody! Muldoon! 921 00:41:21,852 --> 00:41:22,894 HEY, CAPTAIN. WHADDYA SAY? 922 00:41:22,963 --> 00:41:24,910 Open the trunk of your car! 923 00:41:26,369 --> 00:41:28,386 HE WANTS US TO OPEN THE TRUNK OF THE CAR. 924 00:41:32,521 --> 00:41:34,815 AWRIGHT, THE TRUNK'S OPEN, CAPTAIN. 925 00:41:34,885 --> 00:41:37,735 Is it clear? Do you see anybody? 926 00:41:42,114 --> 00:41:43,853 OFFICER TOODY? 927 00:41:43,922 --> 00:41:46,390 I DON'T SEE NOBODY. IT'S ALL CLEAR. 928 00:41:46,459 --> 00:41:48,370 Come on. Go! 929 00:41:51,047 --> 00:41:52,577 Close it! WHAT? 930 00:41:52,646 --> 00:41:54,384 Close the trunk! 931 00:41:57,026 --> 00:41:58,346 OHH! 932 00:41:59,041 --> 00:42:00,779 ALL CLOSED, CAPTAIN. 933 00:42:00,848 --> 00:42:02,934 WELL, FELLAS, I SEE YOU'RE READY 934 00:42:03,004 --> 00:42:04,603 TO LEAVE FOR THE DAY, HEY? 935 00:42:04,671 --> 00:42:05,992 Act natural. 936 00:42:06,062 --> 00:42:09,364 Somebody might be watching us now. 937 00:42:09,434 --> 00:42:10,789 I JUST WANTED TO MAKE CERTAIN 938 00:42:10,859 --> 00:42:12,492 THAT YOU FINISHED ALL YOUR REPORTS. 939 00:42:12,562 --> 00:42:14,195 YOU DID FINISH YOUR REPORTS TODAY, HUH? 940 00:42:14,265 --> 00:42:16,871 WE FINISHED ALL THE REPORTS, CAPTAIN, YEAH. 941 00:42:16,941 --> 00:42:18,054 What's goin' on? 942 00:42:18,122 --> 00:42:20,660 Somebody right here in the 53rd 943 00:42:20,730 --> 00:42:23,371 tried to knock off Hortz, the witness. 944 00:42:23,440 --> 00:42:25,595 OH, MY GOD! 945 00:42:25,665 --> 00:42:29,975 I MEAN--OH, MY JOB IS JUST FANTASTIC! 946 00:42:30,044 --> 00:42:33,346 Toody, I want you to hide Hortz in your house 947 00:42:33,416 --> 00:42:36,509 until we can find a safe place to keep him. 948 00:42:37,413 --> 00:42:38,630 OKAY, CAPTAIN! 949 00:42:38,698 --> 00:42:41,028 I mean--Okay, Captain. 950 00:42:41,097 --> 00:42:42,905 ALL RIGHT. GOOD-NIGHT, FELLAS. 951 00:42:42,975 --> 00:42:45,337 JUST ONE THING MORE. 952 00:42:45,407 --> 00:42:46,832 If you blow this one, 953 00:42:46,902 --> 00:42:49,300 it is your badges! 954 00:42:49,369 --> 00:42:50,656 HA HA HA! OH HO HO HO! 955 00:42:50,725 --> 00:42:52,880 THAT'S A GOOD ONE, CAPTAIN, REALLY FUNNY. 956 00:42:52,950 --> 00:42:54,548 READ MY LIPS-- 957 00:42:54,617 --> 00:42:57,433 YOUR BADGES. 958 00:42:57,503 --> 00:42:59,170 BRIGHT AND EARLY TOMORROW, NOW. 959 00:43:01,638 --> 00:43:04,037 GUNTHER, FOR THE LOVE OF GOD-- OUR BADGES! 960 00:43:04,106 --> 00:43:05,531 DON'T PAY HIM ANY MIND. 961 00:43:05,601 --> 00:43:07,269 HE ALWAYS SAYS STUFF LIKE THAT. 962 00:43:07,339 --> 00:43:09,215 LISTEN, WE'RE GONNA HAVE A BIG NIGHT-- 963 00:43:09,285 --> 00:43:10,814 WE'RE GONNA HAVE A BALL! 964 00:43:21,033 --> 00:43:23,501 Francis: OFFICER TOODY, WILL YOU LISTEN TO ME FOR ONE SECOND? 965 00:43:23,570 --> 00:43:25,412 I AM NOT GOING INTO THAT BAR WITH A MOB-- 966 00:43:25,482 --> 00:43:26,872 Gunther: IT'S NO BIG DEAL. 967 00:43:26,941 --> 00:43:28,158 --A MOB WITNESS IN THE TRUNK! 968 00:43:28,228 --> 00:43:29,548 JUST ONE DRINK! 969 00:43:29,618 --> 00:43:32,503 WHO IS EVER GONNA LOOK FOR OUR MOB WITNESS 970 00:43:32,572 --> 00:43:34,102 IN THE TRUNK OF A CAR? 971 00:43:34,171 --> 00:43:35,943 HUH?! 972 00:43:36,013 --> 00:43:38,446 ALL RIGHT, WHO IS EVER GONNA LOOK FOR A LIVING MOB WITNESS 973 00:43:38,515 --> 00:43:40,010 IN THE TRUNK OF A CAR? 974 00:43:40,080 --> 00:43:41,783 YOU KNOW, IF YOU WERE A REAL MAN, 975 00:43:41,853 --> 00:43:44,216 YOU WOULD COME IN AND HAVE ONE DRINK. 976 00:43:47,900 --> 00:43:49,152 Man: GUNTHER, WHAT'S UP? 977 00:43:49,220 --> 00:43:50,819 HAVEN'T SEEN YOU IN A LONG WHILE, MAN. 978 00:43:50,889 --> 00:43:52,314 WELL, YOU KNOW HOW IT IS. 979 00:43:52,384 --> 00:43:54,365 LUTHERS, THIS IS MY NEW PARTNER-- 980 00:43:54,434 --> 00:43:56,833 FRANCIS MULDOON, THE PRIDE OF THE 53rd. 981 00:43:56,902 --> 00:43:59,231 HELLO, MULDOON, WE'RE LUTHER. 982 00:43:59,301 --> 00:44:00,656 WHAT ARE YA PACKIN'? 983 00:44:00,726 --> 00:44:02,429 I GOT A 9mm BERETTA IN MY SHOULDER HOLSTER, 984 00:44:02,497 --> 00:44:04,062 AND A WALTHER PPK IN MY BACK. 985 00:44:04,132 --> 00:44:05,243 YOU KNOW WHAT YOU NEED? 986 00:44:05,313 --> 00:44:07,190 A NICE LITTLE CROTCH DERRINGER. 987 00:44:07,260 --> 00:44:09,032 NO, NO, NO-- IT'S ALL RIGHT! 988 00:44:10,457 --> 00:44:12,820 IT'S A LITTLE MORE SNEAKY. LOOK AT THIS. 989 00:44:12,890 --> 00:44:14,941 NOW, LISTEN CAREFULLY, WRITE THIS DOWN. 990 00:44:15,010 --> 00:44:17,652 RENT THE MOVIE TAXI DRIVER. 991 00:44:17,721 --> 00:44:19,251 IT'LL SHOW YOU HOW TO TAKE PART OF A DRAWER 992 00:44:19,320 --> 00:44:20,884 AND MAKE THIS POP RIGHT OUT. 993 00:44:20,954 --> 00:44:22,205 YOU JUST GO LIKE THIS-- 994 00:44:22,275 --> 00:44:23,804 "HEY! SUCK ON THIS!" HE WOULD BE DEAD. 995 00:44:23,873 --> 00:44:25,403 HE WOULD JUST DOUBLE OVER AND DIE. 996 00:44:25,472 --> 00:44:27,036 THERE WOULD BE A HOLE RIGHT THROUGH HIM. 997 00:44:28,218 --> 00:44:30,234 NICE LITTLE GUN. 998 00:44:30,304 --> 00:44:32,041 NEED SOMETHIN' ELSE? HOW ABOUT A LITTLE BIGGER GUN? 999 00:44:32,111 --> 00:44:34,092 THERE YOU GO. MOST PEOPLE, THIS WOULD "MAKE THEIR DAY." 1000 00:44:34,161 --> 00:44:36,178 BUT THAT JACKET WILL MAKE YOUR WHOLE WEEK. 1001 00:44:36,246 --> 00:44:38,541 BUT IF YOU EVER GET SICK OF POLICE WORK, WATCH. 1002 00:44:38,610 --> 00:44:41,009 YOU PULL THE TRIGGER WITH YOUR THUMB. CHECK IT OUT. 1003 00:44:41,078 --> 00:44:42,398 EVEN BIGGER? 1004 00:44:42,468 --> 00:44:44,067 OKAY, OKAY. YOU WANT EVEN BIGGER? 1005 00:44:44,137 --> 00:44:46,673 WE GOT BIGGER. HERE IT IS, THE M-60. 1006 00:44:46,743 --> 00:44:48,690 YOU CAN DO FORESTRY WITH THIS RAMBO BABY. 1007 00:44:48,759 --> 00:44:50,776 Gunther: SHE'S HERE, SHE'S READY! 1008 00:44:52,409 --> 00:44:53,834 YOU GOTTA BUY 'EM FROM PARTNERS. 1009 00:44:53,904 --> 00:44:55,259 WE'RE PARTNERS, WE KNOW. 1010 00:44:55,329 --> 00:44:57,032 YOUR DESTINY AWAITS, COME ON! 1011 00:44:59,708 --> 00:45:01,341 ( gunshot, screams ) 1012 00:45:01,411 --> 00:45:02,940 ( body hits floor ) 1013 00:45:03,010 --> 00:45:06,312 HEY, THOSE TWO GENTLEMEN WERE SELLING FIREARMS ILLEGALLY. 1014 00:45:06,381 --> 00:45:09,683 YEAH, YEAH, YEAH. BUT JUST TO COPS. 1015 00:45:09,753 --> 00:45:10,830 LOOK... 1016 00:45:10,900 --> 00:45:13,471 THAT'S VELMA. 1017 00:45:13,541 --> 00:45:17,608 ¶ THE GIRL OF MY DREAMS 1018 00:45:17,678 --> 00:45:21,257 ¶ MY ONE AND ONLY 1019 00:45:21,327 --> 00:45:22,578 ( gulps ) 1020 00:45:22,647 --> 00:45:24,594 Gunther: YOU GOT YOUR BADGE? 1021 00:45:24,663 --> 00:45:26,366 YEAH, POLISHED IT LAST NIGHT. 1022 00:45:26,436 --> 00:45:29,042 YOU'RE SET. 1023 00:45:29,112 --> 00:45:32,866 ¶ NOW I HAVE FINALLY FOUND 1024 00:45:32,936 --> 00:45:36,029 ¶ THAT ONCE IN A LIFETIME... 1025 00:45:36,098 --> 00:45:37,836 HELLO, VELMA. HI, TOODY. 1026 00:45:37,906 --> 00:45:40,652 THIS IS FRANCIS MULDOON, MY NEW PARTNER. 1027 00:45:41,520 --> 00:45:43,397 SLIDE ON IN. 1028 00:45:43,467 --> 00:45:45,726 NO, NO, I--I CAN'T. 1029 00:45:45,795 --> 00:45:47,290 YEAH, YEAH. PARK IT RIGHT THERE. 1030 00:45:47,360 --> 00:45:50,244 YOU KNOW, FRANCIS IS OUR STAR ROOKIE. 1031 00:45:50,314 --> 00:45:54,172 WELL, "STAR" IS A LITTLE TOO MUCH. 1032 00:45:54,937 --> 00:45:56,118 COULD I... 1033 00:45:56,188 --> 00:45:58,100 ( giggles ) 1034 00:45:58,169 --> 00:46:01,332 COULD I SEE YOUR BADGE? 1035 00:46:01,402 --> 00:46:04,147 YEAH, YEAH-- SHOW HER YOUR BADGE. 1036 00:46:04,217 --> 00:46:05,711 SHOW HER YOUR BADGE! 1037 00:46:06,719 --> 00:46:08,144 OKAY, JUST FOR A SECOND. 1038 00:46:11,725 --> 00:46:13,080 OH... 1039 00:46:13,150 --> 00:46:14,887 MMM... 1040 00:46:16,938 --> 00:46:20,587 OH, IT'S SO BEAUTIFUL! 1041 00:46:21,005 --> 00:46:22,394 OH... 1042 00:46:22,464 --> 00:46:24,097 ( gasps ) 1043 00:46:25,870 --> 00:46:27,295 OH... 1044 00:46:33,900 --> 00:46:36,367 OH, OFFICER MULDOON... 1045 00:46:37,340 --> 00:46:40,503 HAVE YOU EVER LET ANYBODY 1046 00:46:40,572 --> 00:46:42,414 TOUCH YOUR... 1047 00:46:43,040 --> 00:46:45,265 BADGE BEFORE? 1048 00:46:45,334 --> 00:46:48,358 NO. NOT EVEN MY MOTHER. 1049 00:46:49,227 --> 00:46:50,965 NOT EVEN HIS MOTHER. 1050 00:46:51,034 --> 00:46:52,911 OH... 1051 00:46:52,981 --> 00:46:56,978 THEN THAT MAKES ME YOUR VERY FIRST. 1052 00:46:58,715 --> 00:47:00,732 GUNTHER. 1053 00:47:00,801 --> 00:47:02,921 LET'S GET THIS SHOW ON THE ROAD. 1054 00:47:12,028 --> 00:47:14,147 ( rapping ) 1055 00:47:22,733 --> 00:47:24,922 ( disco music plays ) 1056 00:48:17,544 --> 00:48:19,247 Hortz: "DEAR METRO AND REFLEX. 1057 00:48:19,317 --> 00:48:22,723 "I ENJOYED THE TIME WE SPENT TOGETHER IN PRISON. 1058 00:48:22,792 --> 00:48:23,835 "GOOD LUCK ON YOUR HEARING. 1059 00:48:23,905 --> 00:48:25,295 "FIGHT THE POWER. 1060 00:48:25,365 --> 00:48:26,616 "LOVE, HERBIE. 1061 00:48:26,685 --> 00:48:27,902 PEACE." 1062 00:48:27,971 --> 00:48:29,987 ( Latin music plays ) 1063 00:48:36,243 --> 00:48:38,294 ¶ MAMBO LOVE 1064 00:48:40,554 --> 00:48:41,805 ¶ YO, YO, YO 1065 00:48:41,875 --> 00:48:44,585 ¶ MAMBO LOVE 1066 00:48:44,655 --> 00:48:46,010 ¶ YO, YO, YO 1067 00:48:46,080 --> 00:48:48,791 ¶ MAMBO LOVE 1068 00:48:48,860 --> 00:48:51,155 ¶ MAMBO LOVE 1069 00:48:53,101 --> 00:48:56,611 ¶ MAMBO LOVE 1070 00:48:56,681 --> 00:48:59,287 THERE'S OFFICER TOODY! COME ON, SING WITH US! 1071 00:48:59,357 --> 00:49:00,435 NO, NO! 1072 00:49:00,504 --> 00:49:01,755 COME ON, TOODY! 1073 00:49:01,825 --> 00:49:03,319 OH, OKAY! 1074 00:49:05,161 --> 00:49:07,490 ¶ GONNA SING MY LATIN THANG 1075 00:49:07,560 --> 00:49:09,819 ¶ IF YOU WANT SOME MORE, SAY, POR FAVOR¶ 1076 00:49:09,888 --> 00:49:11,383 ¶.POR FAVOR 1077 00:49:11,453 --> 00:49:13,398 ¶ SAY, SI, SI, SI¶ ¶.SI, SI, S 1078 00:49:13,468 --> 00:49:16,318 ¶ ON THE ISLAND OF MANHATTAN 1079 00:49:16,388 --> 00:49:18,230 ¶ OR MAYBE STATEN 1080 00:49:18,300 --> 00:49:20,559 ¶ COULD BE IN THE BRONX 1081 00:49:20,629 --> 00:49:22,262 ¶ OR MAYBE QUEENS 1082 00:49:22,331 --> 00:49:24,382 IT COULD HAVE BEEN ¶ 1083 00:49:24,452 --> 00:49:26,015 ¶ SOMEWHERE IN BETWEEN 1084 00:49:26,085 --> 00:49:28,170 ¶ I FOUND A GIRL 1085 00:49:28,240 --> 00:49:30,882 ¶ THE.MUCHACH OF MY DREAMS 1086 00:49:30,951 --> 00:49:33,002 ¶ BOOM BADA BING 1087 00:49:33,071 --> 00:49:34,809 ¶.YO PARA T 1088 00:49:34,879 --> 00:49:37,138 ¶ TOGETHER FOREVER, WHEREVER, WHENEVER ¶ 1089 00:49:37,207 --> 00:49:39,292 ¶ WE WILL ALWAYS BE 1090 00:49:40,857 --> 00:49:43,151 ¶ DANCING LATIN BOOGALOO 1091 00:49:43,220 --> 00:49:44,888 ¶ OR IN CENTRAL PARK 1092 00:49:44,958 --> 00:49:47,739 ¶ SUCKING FACE AFTER DARK 1093 00:49:47,808 --> 00:49:49,546 ¶.UNO, DOS, TRE 1094 00:49:49,615 --> 00:49:52,153 ¶ BABY, YOU'RE THE BEST 1095 00:49:52,222 --> 00:49:53,786 ¶ FOUR, FIVE, SIX 1096 00:49:53,856 --> 00:49:56,045 ¶ SHE LOVES TO SAY,.SI, S 1097 00:49:56,115 --> 00:50:00,494 ¶.SIETE, OCHO, NUEVE, DIAS 1098 00:50:00,564 --> 00:50:03,275 ¶ THAT MAMBO LOVE, NEW YORK CITY-STYLE ¶ 1099 00:50:03,344 --> 00:50:06,472 ¶ IT DRIVES ME WILD! 1100 00:50:12,972 --> 00:50:15,162 ¶ BUST MY GUT, SLAP MY BUTT ¶ 1101 00:50:15,232 --> 00:50:18,151 ¶ AND GIMME, GIMME, GIMME THAT MAMBO LOVE ¶ 1102 00:50:18,220 --> 00:50:19,645 OH, GUNTHER! 1103 00:50:19,715 --> 00:50:20,862 ( cheers and applause ) 1104 00:50:20,932 --> 00:50:22,287 LET'S GIVE IT UP FOR TOODY! 1105 00:50:22,357 --> 00:50:25,450 THE WORLD'S MOST FAVORITIST COP IN THE WORLD! 1106 00:50:25,519 --> 00:50:27,014 OH, I LOVE YOU! 1107 00:50:29,620 --> 00:50:31,950 HONEY! 1108 00:50:32,019 --> 00:50:35,772 I THINK THAT WE'RE GONNA TAKE A CARRIAGE RIDE IN THE PARK. 1109 00:50:35,842 --> 00:50:37,928 THAT SOUNDS LIKE A GOOD IDEA! 1110 00:50:38,970 --> 00:50:39,909 HONEY. 1111 00:50:39,979 --> 00:50:41,786 I'M SURE THEY WANNA BE ALONE. 1112 00:50:41,855 --> 00:50:43,906 WELL, LISTEN, WE'RE GONNA GO. 1113 00:50:43,976 --> 00:50:45,539 THANK YOU VERY MUCH. 1114 00:50:45,609 --> 00:50:47,068 HAVE A GREAT EVENING! 1115 00:50:47,138 --> 00:50:48,355 BYE-BYE! 1116 00:50:48,425 --> 00:50:50,614 I'M SO HAPPY IT WORKED OUT WITH THEM. 1117 00:50:50,684 --> 00:50:53,325 HONEY, AM I PROUD OF YOU UP THERE SINGIN'! 1118 00:50:53,394 --> 00:50:55,758 I'M GONNA TAKE YOU OUT FOR A NIGHTCAP! 1119 00:50:55,828 --> 00:50:56,870 YOU ARE? 1120 00:50:56,940 --> 00:50:58,782 WHY DON'T YOU TAKE ME HOME, INSTEAD? 1121 00:50:58,852 --> 00:51:00,485 OH, HONEY! 1122 00:51:00,555 --> 00:51:03,161 ¶ MAKING LOVE IS WORKING UP AN APPETITE ¶ 1123 00:51:03,231 --> 00:51:06,845 ¶ LOOKIN' FORWARD TO A LITTLE AFTERNOON DELIGHT ¶ 1124 00:51:07,644 --> 00:51:09,521 EXCUSE ME. 1125 00:51:09,591 --> 00:51:11,989 EXCUSE ME, MR. CARRIAGE MASTER? 1126 00:51:12,059 --> 00:51:14,631 UM, HOW MUCH WOULD IT BE FOR A RIDE AROUND THE PARK? 1127 00:51:14,701 --> 00:51:18,107 OH, YOU'RE A FIRST-TIMER, HUH? 1128 00:51:18,177 --> 00:51:20,401 GO ON, GET YOUR LITTLE ASSES IN THE BACK-- 1129 00:51:20,470 --> 00:51:22,347 IT'S THIRTY-FIVE BUCKS. 1130 00:51:22,416 --> 00:51:24,502 YOU GOT A DEAL. ALL RIGHT, MAN. 1131 00:51:26,275 --> 00:51:28,326 LET'S GO, DENNIS. COME ON. 1132 00:51:28,394 --> 00:51:30,341 LET'S GO. 1133 00:51:30,411 --> 00:51:33,469 YOU KNOW, NEW YORK IS A CITY OF ROMANCE, MY MAN. 1134 00:51:33,539 --> 00:51:36,285 YOU SEE THIS BRIDGE OVER HERE? 1135 00:51:36,354 --> 00:51:38,543 THAT'S WHERE I FIRST GOT MY FIRST TANDEM. 1136 00:51:38,613 --> 00:51:41,567 MY FIRST JUDGE OF MANHOOD. IF YOU KNOW WHAT I MEAN. 1137 00:51:41,637 --> 00:51:45,287 AND OVER HERE TO THE RIGHT IS WHERE THE DARK MEN USED TO HANG OUT. 1138 00:51:45,356 --> 00:51:49,144 WE USED TO SIT REAL LOW AND SHOOT WOMEN IN THE BEHIND WITH DARTS. 1139 00:51:49,214 --> 00:51:52,030 NOW THAT WAS A FUNNY SIGHT RIGHT THEN. 1140 00:51:52,098 --> 00:51:54,393 CAN I SEE YOUR BADGE AGAIN? 1141 00:51:59,745 --> 00:52:00,928 YES. 1142 00:52:00,996 --> 00:52:02,665 NOW, YOU LOOK OVER HERE, 1143 00:52:02,735 --> 00:52:04,785 YOU SEE THE SERIOUS RAT PROBLEM NEW YORK HAS. 1144 00:52:04,855 --> 00:52:06,766 THAT'S WHY I GOT THIS BULLET-PROOF VEST 1145 00:52:06,836 --> 00:52:09,720 AND MY PROBLEM-SOLVER RIGHT HERE IN THE BACK. 1146 00:52:09,790 --> 00:52:11,876 NOW, YOU LOOK RIGHT OVER HERE TO THE RIGHT, 1147 00:52:11,945 --> 00:52:15,594 THAT'S WHERE THE ZODIAC KILLER GOT HIS LAST VICTIM. 1148 00:52:15,664 --> 00:52:18,271 THIS SURE HAS BEEN A PLEASANT EVENING, HASN'T IT? 1149 00:52:18,340 --> 00:52:20,183 MM-HMM. 1150 00:52:21,434 --> 00:52:23,554 I THINK, HOWEVER, THOUGH, 1151 00:52:23,623 --> 00:52:26,995 THAT IT'S TIME FOR US TO HEAD TO OUR RESPECTIVE HOMES NOW. 1152 00:52:28,246 --> 00:52:29,984 "RESPECTIVE HOMES"? 1153 00:52:30,054 --> 00:52:31,444 YES. 1154 00:52:33,390 --> 00:52:34,745 YOU WOULDN'T BE PLANNING ON 1155 00:52:34,815 --> 00:52:37,769 PUTTING ME UNDER HOUSE ARREST? 1156 00:52:37,839 --> 00:52:40,307 HOUSE ARREST? STRIP SEARCHING ME. 1157 00:52:40,377 --> 00:52:45,277 AFTER FORCING ME TO REMOVE ALL OF MY CLOTHES. 1158 00:52:45,937 --> 00:52:47,988 VERY SLOWLY. 1159 00:52:48,058 --> 00:52:50,978 NO. PIECE BY PIECE. 1160 00:52:51,046 --> 00:52:54,801 AND THEN HANDCUFFING ME TO THE BED POST, 1161 00:52:54,870 --> 00:52:58,345 WHILE YOU TEASINGLY FONDLE 1162 00:52:58,415 --> 00:53:03,246 EVERY CURVE AND CREVICE OF MY BODY. 1163 00:53:03,316 --> 00:53:05,748 MIXED WITH A SUPPLEMENTARY SPANKING OF COURSE. 1164 00:53:05,818 --> 00:53:07,452 OF COURSE. 1165 00:53:07,521 --> 00:53:09,989 AND THEN FINALLY. WHAT? 1166 00:53:10,059 --> 00:53:12,527 FINALLY. WHAT? 1167 00:53:12,596 --> 00:53:17,706 OH, YOU MAKE MAD AND PASSIONATE LOVE TO ME! 1168 00:53:17,775 --> 00:53:18,991 OVER. OVER. 1169 00:53:19,061 --> 00:53:20,382 OVER. OVER. 1170 00:53:20,452 --> 00:53:21,737 OVER! 1171 00:53:21,807 --> 00:53:24,935 OVER AND OVER AND OVER AGAIN, HUH? 1172 00:53:25,005 --> 00:53:27,681 AND SCREAMING... ( screaming ) 1173 00:53:27,751 --> 00:53:29,975 THIS IS ECSTASY! 1174 00:53:31,608 --> 00:53:33,277 OOH! WOULD YA? 1175 00:53:33,346 --> 00:53:36,022 YES! YES. 1176 00:53:36,092 --> 00:53:40,228 NO! NO. VELMA, NO. 1177 00:53:40,297 --> 00:53:42,487 OF COURSE NOT. 1178 00:53:42,557 --> 00:53:44,294 YOU'RE SAFE WITH ME. 1179 00:53:44,364 --> 00:53:45,581 ( giggles ) 1180 00:53:45,650 --> 00:53:48,813 OH, I CERTAINLY HOPE NOT. 1181 00:53:50,829 --> 00:53:52,670 MMM. MMM. 1182 00:53:54,930 --> 00:53:57,571 YEAH. YOU'RE PRETTY GOOD. 1183 00:53:57,641 --> 00:54:00,595 OH, YEAH. IMMA HAVE TO GIVE YOU THIS ONE ON THE HOUSE. 1184 00:54:00,665 --> 00:54:03,619 OH, YEAH, MY MAN! HA HA HA HA! 1185 00:54:03,689 --> 00:54:07,408 GUNTHER. OH, IT'S NEW YEARS EVE, GUNTHER. 1186 00:54:07,478 --> 00:54:11,648 OH, IT'S LABOR DAY, GUNTHER. THE 4TH OF JULY, HONEY. 1187 00:54:11,717 --> 00:54:15,402 OH, YES, GUNTHER! TRICK OR TREAT, GUNTHER! 1188 00:54:15,471 --> 00:54:18,426 OH, GUNTHER. HONEY, HONEY. 1189 00:54:18,495 --> 00:54:21,345 HONEY! ( GIGGLES ) 1190 00:54:21,415 --> 00:54:23,048 OOH! OOH! 1191 00:54:24,369 --> 00:54:26,455 Hortz: OFFICER? WE THERE YET? 1192 00:54:26,525 --> 00:54:28,366 YO, FELLAS! 1193 00:54:29,547 --> 00:54:30,764 WHAT? 1194 00:54:30,834 --> 00:54:32,155 ARE YOU SURE?! 1195 00:54:34,901 --> 00:54:36,256 NOBODY WAS KILLED! 1196 00:54:36,326 --> 00:54:38,271 NOBODY WAS KILLED? MR. MOTTI-- 1197 00:54:38,341 --> 00:54:39,766 SHUT UP! 1198 00:54:39,836 --> 00:54:41,191 I HIRED YOU TO DO A SIMPLE JOB, 1199 00:54:41,261 --> 00:54:43,868 AND I GET NOTHIN' BUT SCREW-UPS! 1200 00:54:43,937 --> 00:54:46,058 THE GRAND JURY MEETS TOMORROW, 1201 00:54:46,127 --> 00:54:48,594 AND THEY WANT TO SEND ME UPSTATE 1202 00:54:48,664 --> 00:54:50,715 TO THAT PRISON... 1203 00:54:50,784 --> 00:54:53,043 A DARK LITTLE CEMENT CELL. 1204 00:54:55,511 --> 00:54:58,257 WHICH WAS PROVIDED BY MY OWN CEMENT COMPANY. 1205 00:55:09,344 --> 00:55:10,422 SCHILLIANO? 1206 00:55:10,491 --> 00:55:11,673 Both: SCHILLIANO! 1207 00:55:11,743 --> 00:55:14,071 GIVE YOUR BOY IN DETROIT A CALL. 1208 00:55:14,141 --> 00:55:16,192 SEE IF HE CAN'T CATCH THE RED-EYE. 1209 00:55:16,261 --> 00:55:18,938 Hortz: AT THIS POINT, YOU BOYS GO ON ABOUT YOUR BUSINESS. 1210 00:55:19,007 --> 00:55:20,119 I'M-- 1211 00:55:20,189 --> 00:55:21,892 OH. 1212 00:55:21,961 --> 00:55:23,386 MMM... 1213 00:55:25,020 --> 00:55:26,514 ( phone rings ) 1214 00:55:26,584 --> 00:55:28,495 Woman: YOU SHOULD NOT SWALLOW GUM. 1215 00:55:28,565 --> 00:55:30,234 IT AGES YOUR INTESTINAL TRACT SEVEN YEARS! 1216 00:55:30,303 --> 00:55:31,659 YEAH, I READ THAT SOMEWHERE. 1217 00:55:31,728 --> 00:55:32,736 IT GIVES YOU A CAST IRON GUT. 1218 00:55:32,806 --> 00:55:34,752 YEAH, ALL RIGHT. 1219 00:55:34,821 --> 00:55:36,455 WHAT? WHAT? 1220 00:55:37,776 --> 00:55:40,105 SLICK. HE'S CALLIN' FOR YA. 1221 00:55:40,175 --> 00:55:41,426 HE WANTS BOTH OF YOU. 1222 00:55:41,494 --> 00:55:42,885 HOW ARE WE SUPPOSED TO GET THERE NOW? 1223 00:55:42,955 --> 00:55:43,997 WE AIN'T GONNA GET A CAB NOW. 1224 00:55:44,067 --> 00:55:45,527 I DON'T KNOW. 1225 00:55:46,187 --> 00:55:47,820 HEY, HEY-- 1226 00:55:48,829 --> 00:55:50,392 OPEN INVITATION. 1227 00:55:50,462 --> 00:55:53,000 WHAT? THIS HUNK OF JUNK?! GET IN! 1228 00:55:53,069 --> 00:55:55,745 DO YOU BELIEVE THAT SOME FOOL LEFT THIS CAR WIDE OPEN? 1229 00:55:55,815 --> 00:55:57,240 ( car starts ) 1230 00:55:57,309 --> 00:55:59,812 ( tires squeal ) 1231 00:56:12,671 --> 00:56:15,869 I THINK I LEFT SOMETHING IN THE CAR. 1232 00:56:27,339 --> 00:56:28,521 HORTZ! 1233 00:56:33,353 --> 00:56:35,577 Lucille: GUNTHER, PICK ME UP SOME MILK! 1234 00:56:38,775 --> 00:56:40,373 JUMPIN' JEHOSHAPHAT! 1235 00:56:40,442 --> 00:56:42,215 I CAN'T BELIEVE IT! 1236 00:56:42,285 --> 00:56:45,065 THEY KIDNAPPED HIM RIGHT OUTTA MY OWN FRONT YARD! 1237 00:56:45,135 --> 00:56:46,977 GUNTHER? 1238 00:56:47,046 --> 00:56:49,376 NO FLORIDA, NO PENSION, NO NOTHIN'. 1239 00:56:49,444 --> 00:56:51,773 NEW JOB, NEW CAREER, LATE IN LIFE-- 1240 00:56:51,843 --> 00:56:53,477 WHAT AM I GONNA DO? TOODY-BEAR, 1241 00:56:53,546 --> 00:56:56,327 I'VE DECIDED TO MAKE EGG SALAD SANDWICHES FOR THE PICNIC. 1242 00:56:56,396 --> 00:56:58,864 YOU KNOW HOW YOUR UNCLE NORMAN LOVES MY EGG SALAD. 1243 00:56:58,933 --> 00:57:01,366 OF COURSE HE LOVES THE EGG SALAD, LUCILLE! 1244 00:57:01,436 --> 00:57:03,313 HE'S GOT NO TEETH! 1245 00:57:03,382 --> 00:57:05,919 DON'T YOU USE THAT TONE WITH ME, GUNTHER TOODY! 1246 00:57:05,989 --> 00:57:07,484 ( phone rings ) 1247 00:57:07,553 --> 00:57:09,256 I'LL GET IT! 1248 00:57:09,326 --> 00:57:11,203 HELLO? 1249 00:57:11,272 --> 00:57:12,766 OH, HI, CAPTAIN ANDERSON. 1250 00:57:12,836 --> 00:57:16,172 AAH! IT'S FOR YOU. ENOUGH WITH THE YELLING! 1251 00:57:16,242 --> 00:57:18,015 TOODY, IS THAT YOU? 1252 00:57:18,084 --> 00:57:19,370 YES, SIR. 1253 00:57:19,440 --> 00:57:21,143 THE FBI JUST PICKED UP A HIT MAN 1254 00:57:21,212 --> 00:57:23,403 BY THE NAME OF DETROIT DAN. 1255 00:57:24,514 --> 00:57:26,808 DETROIT DAN! 1256 00:57:26,878 --> 00:57:29,936 HE WAS HIRED BY MOTTI TO KNOCK OFF THE WITNESS. 1257 00:57:30,006 --> 00:57:32,161 NOW, WHAT ABOUT HORTZ? 1258 00:57:32,231 --> 00:57:33,830 WELL, CAPTAIN, 1259 00:57:33,898 --> 00:57:35,289 HE'S NOT SUCH A BAD GUY ONCE YOU GET TO KNOW HIM. 1260 00:57:35,359 --> 00:57:36,644 TOODY, YOU IDIOT! 1261 00:57:36,714 --> 00:57:39,704 IF HE SO MUCH AS SNIFFLES THIS AFTERNOON, 1262 00:57:39,772 --> 00:57:43,179 I WILL BE ON YOUR TAIL LIKE A CAROLINA SPEED COP 1263 00:57:43,248 --> 00:57:44,882 ON A NEW YORK CADILLAC! 1264 00:57:44,952 --> 00:57:46,933 IT THAT CLEAR, TOODY?! 1265 00:57:47,003 --> 00:57:48,810 Y-Y-YES, SIR. 1266 00:57:52,215 --> 00:57:55,239 DETROIT DAN! 1267 00:57:55,309 --> 00:57:57,777 I HAVE A VERY SPECIAL ANNOUNCEMENT TO MAKE. 1268 00:57:57,846 --> 00:57:59,688 OH, YEAH? WHAT'S THAT? 1269 00:57:59,758 --> 00:58:02,121 I MET A VERY WONDERFUL WOMAN LAST NIGHT. 1270 00:58:02,191 --> 00:58:03,859 MULDOON! NO! 1271 00:58:03,929 --> 00:58:05,806 OH, GUNTHER, PLEASE. 1272 00:58:05,876 --> 00:58:07,683 IF SHE'LL HAVE ME... 1273 00:58:09,108 --> 00:58:10,637 I PLAN TO MAKE HER MY WIFE. 1274 00:58:14,564 --> 00:58:16,129 CONGRATULATIONS, BIG GUY! 1275 00:58:16,197 --> 00:58:17,276 WHAT'S HER NAME? 1276 00:58:17,345 --> 00:58:20,300 THE NAME OF THE FUTURE 1277 00:58:20,368 --> 00:58:23,566 MRS. FRANCIS ALOYISUS MULDOON... 1278 00:58:23,636 --> 00:58:25,895 FRANCIS! DON'T TELL 'EM! 1279 00:58:27,042 --> 00:58:28,433 ...IS VELMA VELOUR. 1280 00:58:29,510 --> 00:58:31,700 All: VELMA!!! 1281 00:58:31,769 --> 00:58:34,758 VELMA "YOU SHOW ME YOUR BADGE, I'LL SHOW YOU MINE" VELOUR? 1282 00:58:34,828 --> 00:58:36,009 YES! 1283 00:58:36,079 --> 00:58:37,539 HEY, DID SHE EVER FIX THAT SQUEAK 1284 00:58:37,608 --> 00:58:39,589 WHEN YOU PUT UP THE TOILET SEAT? WHAT? 1285 00:58:39,659 --> 00:58:42,127 HOW ABOUT THAT TATTOO THAT SAYS-- 1286 00:58:42,196 --> 00:58:45,011 All: "LAST EXIT TO BROOKLYN"! 1287 00:58:45,081 --> 00:58:46,645 YOU THREE OFFICERS... 1288 00:58:46,714 --> 00:58:48,139 I'M GONNA TEAR YOU SOME NEW ASSHOLES. 1289 00:58:50,816 --> 00:58:52,206 Cop: HEY, CHILL OUT! 1290 00:58:52,276 --> 00:58:55,021 FORGET ABOUT THOSE CLOWNS! WE GOT REAL TROUBLE! 1291 00:58:55,091 --> 00:58:57,072 GUNTHER, WHAT THEY'RE SAYING IN THERE ABOUT MY VELMA 1292 00:58:57,141 --> 00:58:58,740 SIMPLY CAN'T BE TRUE! 1293 00:58:58,810 --> 00:59:00,339 IF YOU COULD HAVE BEEN WITH US LAST NIGHT, 1294 00:59:00,409 --> 00:59:02,146 FELT WHAT WE FELT! 1295 00:59:02,216 --> 00:59:04,302 FRANCIS, YOU GOTTA HELP ME. 1296 00:59:04,371 --> 00:59:07,082 I LOST THE MOB WITNESS! 1297 00:59:07,152 --> 00:59:09,550 I LOST MY VIRGINITY. 1298 00:59:09,619 --> 00:59:11,184 AND IT WAS INCREDIBLE. 1299 00:59:11,253 --> 00:59:13,756 GUNTHER, WHY DON'T PEOPLE HAVE SEX ALL THE TIME? 1300 00:59:13,825 --> 00:59:15,563 THEY DO. THEY DO? 1301 00:59:15,632 --> 00:59:17,127 WELL, UNTIL THEY GET MARRIED. 1302 00:59:17,196 --> 00:59:20,533 LISTEN TO ME, FRANCIS, MOTTI KIDNAPPED HORTZ. 1303 00:59:20,603 --> 00:59:22,306 YOU GOTTA FIX EDNA 1304 00:59:22,376 --> 00:59:24,634 SO CAPTAIN ANDERSON DOESN'T FIND OUT 1305 00:59:24,704 --> 00:59:26,997 THAT HORTZ ISN'T AT MY HOUSE! 1306 00:59:27,067 --> 00:59:29,153 I CAN'T DO THAT! 1307 00:59:29,222 --> 00:59:30,890 THIS WHOLE THING IS YOUR FAULT! 1308 00:59:30,960 --> 00:59:32,525 OH, IT'S MY FAULT? 1309 00:59:32,593 --> 00:59:35,548 IF YOU HADN'T GOTTEN ALL HOT AND BOTHERED OVER VELMA VELOUR, 1310 00:59:35,617 --> 00:59:36,973 NONE OF THIS WOULDA EVER HAPPENED! 1311 00:59:37,042 --> 00:59:39,406 HOLD YOUR HORSES THERE, OFFICER TOODY. 1312 00:59:39,476 --> 00:59:41,457 THAT'S THE WOMAN I LOVE YOU'RE TALKING ABOUT. 1313 00:59:41,527 --> 00:59:43,126 Woman: NICE SUIT. 1314 00:59:44,759 --> 00:59:46,080 YOU GOTTA FIX EDNA! 1315 00:59:46,148 --> 00:59:47,331 LISTEN TO ME-- 1316 00:59:47,401 --> 00:59:49,903 YOU AND ME, WE'RE PARTNERS. 1317 00:59:49,972 --> 00:59:51,189 WE'RE PALS! 1318 00:59:51,258 --> 00:59:53,343 YOU ATE AT MY HOUSE! 1319 00:59:54,143 --> 00:59:55,429 IF YOU DON'T DO THIS, 1320 00:59:55,498 --> 00:59:57,202 WE'RE GONNA LOSE OUR BADGES. 1321 00:59:57,271 --> 00:59:58,557 OUR BADGES? YEAH. 1322 00:59:58,627 --> 01:00:00,816 AND THEN WE'LL HAVE TO GET REAL JOBS! 1323 01:00:00,886 --> 01:00:04,118 REAL JOBS?! I MEAN, RE-REAL JOBS? 1324 01:00:04,188 --> 01:00:07,420 DON MOTTI IS ABOUT TO MEET... 1325 01:00:07,490 --> 01:00:09,888 DETROIT DAN! 1326 01:00:10,687 --> 01:00:11,800 DETROIT DAN? 1327 01:00:11,869 --> 01:00:13,190 NICE SUIT, GUNTHER. 1328 01:00:13,259 --> 01:00:16,040 EXCUSE ME, GU-GU-GU-- 1329 01:00:16,109 --> 01:00:17,535 GUNTHER?! 1330 01:00:23,235 --> 01:00:25,285 YO, GUNTHER, WHERE'D YA GET THAT SUIT FROM? 1331 01:00:26,571 --> 01:00:28,831 HEY, GUNTHER, SHARP SUIT! 1332 01:00:29,526 --> 01:00:30,985 NICE SUIT! 1333 01:00:31,055 --> 01:00:32,480 HEY, TOODY, GOOD SHOES, MAN! 1334 01:00:32,550 --> 01:00:34,113 HEY, TOODY, WHERE YA GOIN', MAN? 1335 01:00:34,183 --> 01:00:36,581 WHAT'S WITH THE SUIT? 1336 01:00:36,651 --> 01:00:40,057 Woman: VIRTUALLY UNRECOGNIZABLE IN HIS GANGLAND DISGUISE, 1337 01:00:40,127 --> 01:00:42,698 THE INGENIOUS GUNTHER TOODY GOES UNDERCOVER 1338 01:00:42,768 --> 01:00:45,583 FOR ANOTHER EXCITING EPISODE OF THE BOYS IN BLUE. 1339 01:00:45,653 --> 01:00:47,704 Cop: I ALWAYS WONDERED ABOUT HIM. 1340 01:00:47,773 --> 01:00:49,719 EDNA: THE PRISONER HAS ESCAPED. 1341 01:00:49,789 --> 01:00:52,361 ALERT! THE PRISONER HAS ESCAPED... 1342 01:00:52,431 --> 01:00:55,489 ALERT! THE PRISONER HAS ESCAPED... 1343 01:00:58,721 --> 01:01:00,529 HELLO, BOYS. 1344 01:01:00,598 --> 01:01:02,544 All: HELLO, VELMA! 1345 01:01:04,039 --> 01:01:05,812 HELLO, SERGEANT ABRAMS. 1346 01:01:05,882 --> 01:01:07,271 HELLO, VELMA. 1347 01:01:07,341 --> 01:01:09,496 I'M HERE TO SEE OFFICER MULDOON. 1348 01:01:09,565 --> 01:01:12,589 HE JUST WENT INTO THE CAPTAIN'S OFFICE. 1349 01:01:12,659 --> 01:01:15,995 THANKS, SARGE. 1350 01:01:16,065 --> 01:01:18,881 THE PRISONER HAS ESCAPED... ( tapping keyboard ) 1351 01:01:18,950 --> 01:01:20,862 ALERT! THE PRISONER HAS-- 1352 01:01:20,931 --> 01:01:22,634 THE PRISONER IS SAFE... 1353 01:01:22,704 --> 01:01:25,067 THE PRISONER IS SAFE... 1354 01:01:25,137 --> 01:01:27,569 THE PRISONER IS SAFE... 1355 01:01:30,142 --> 01:01:32,887 OFFICER MULDOON-- AAH! TOODY MADE ME DO IT! 1356 01:01:33,687 --> 01:01:35,078 YOU? 1357 01:01:35,146 --> 01:01:37,406 FRANCIS, THERE'S SOMETHING THAT I WANT TO TELL YOU. 1358 01:01:37,476 --> 01:01:39,873 DON'T. DON'T. DON'T, DON'T, DON'T, DON'T, DON'T, DON'T. 1359 01:01:39,943 --> 01:01:41,751 BECAUSE I KNOW. 1360 01:01:42,897 --> 01:01:44,496 YOU'RE... 1361 01:01:44,566 --> 01:01:46,860 NOT A VIRGIN. 1362 01:01:46,930 --> 01:01:48,597 I WAS SEVERELY RIDICULED THIS MORNING 1363 01:01:48,667 --> 01:01:50,718 WHEN I PROCLAIMED MY LOVE FOR YOU. 1364 01:01:53,081 --> 01:01:55,654 OH, FRANCIS! DO YOU LOVE ME? 1365 01:01:55,722 --> 01:01:57,635 WELL, YEAH, BUT I'M NOT GONNA MAKE A NUISANCE OF MYSELF 1366 01:01:57,704 --> 01:01:59,233 OR ANYTHING LIKE THAT, 1367 01:01:59,303 --> 01:02:01,944 BECAUSE, QUITE FRANKLY, MY HEART HAS TURNED TO STONE. 1368 01:02:02,014 --> 01:02:03,161 OH, FRANCIS! 1369 01:02:03,231 --> 01:02:05,525 I KNOW YOU MUST THINK THAT I JUST CHASE AFTER 1370 01:02:05,594 --> 01:02:07,402 ANYTHING IN A UNIFORM, 1371 01:02:07,470 --> 01:02:11,051 BUT MY GROUP SAYS THAT I EQUATE LOVE WITH SEX, 1372 01:02:11,120 --> 01:02:14,075 YOU SEE, ONLY I DIDN'T KNOW WHAT LOVE WAS 1373 01:02:14,144 --> 01:02:16,264 UNTIL I MET YOU! 1374 01:02:16,334 --> 01:02:18,071 CAN WE STOP FOR ONE SECOND HERE, 1375 01:02:18,141 --> 01:02:19,983 BECAUSE I NEED TIME TO THINK. 1376 01:02:22,346 --> 01:02:24,015 Anderson: ABRAMS! 1377 01:02:24,085 --> 01:02:25,718 I'LL BE HERE IN THE OFFICE. 1378 01:02:25,788 --> 01:02:27,595 I'VE GOT SOME IMPORTANT THINGS I WANT TO CHECK ON, 1379 01:02:27,664 --> 01:02:30,654 SO NO INTERRUPTIONS, PLEASE. 1380 01:02:30,723 --> 01:02:32,495 EDNA: HI, DAVE. 1381 01:02:32,565 --> 01:02:33,990 Anderson at computer: LET'S SEE, NOW, 1382 01:02:34,060 --> 01:02:36,666 CHECK, CHECK, CHECK. 1383 01:02:36,736 --> 01:02:38,856 EVERYTHING'S IN ORDER, I SEE. 1384 01:02:38,926 --> 01:02:41,429 IS MR. HORTZ STILL AT TOODY'S? 1385 01:02:42,366 --> 01:02:44,939 THE PRISONER IS SAFE. 1386 01:02:45,008 --> 01:02:47,441 Cop: ANDERSON, YOU'RE NEEDED OUT FRONT! 1387 01:02:47,511 --> 01:02:49,318 I WILL BE RIGHT BACK. 1388 01:02:49,388 --> 01:02:51,438 THANK YOU, DAVE. 1389 01:02:51,508 --> 01:02:53,107 YES, ABRAMS? 1390 01:02:54,636 --> 01:02:56,061 I THINK HE'S GONE. 1391 01:02:58,181 --> 01:03:00,197 BOY, JUST IN TIME, HUH? 1392 01:03:00,266 --> 01:03:02,247 YES, BECAUSE... 1393 01:03:02,317 --> 01:03:05,654 YOUR NIGHT STICK IS POKING ME. 1394 01:03:11,736 --> 01:03:13,127 VELMA, MY... 1395 01:03:14,621 --> 01:03:16,671 MY WALKIE-TALKIE'S ON THE TABLE. 1396 01:03:37,179 --> 01:03:38,708 YOU CAN GO. 1397 01:03:38,778 --> 01:03:41,906 I'LL CALL YA IF'N I NEED YA. 1398 01:03:41,975 --> 01:03:43,817 AND THANKS, MR. KIM. 1399 01:03:47,050 --> 01:03:48,717 BE CAUTIOUS OF THE DRIPS. 1400 01:03:48,787 --> 01:03:50,838 HA HA HA! 1401 01:03:50,908 --> 01:03:53,028 HEY, WHAT'S SO FUNNY OVER HERE? I'M' NOT YOUR MOTHER. 1402 01:03:56,156 --> 01:03:57,719 YOU WANT ITALIAN ICE? 1403 01:03:57,789 --> 01:03:59,701 TELL DON MOTTI 1404 01:03:59,770 --> 01:04:02,655 DETROIT DAN IS HERE. 1405 01:04:02,725 --> 01:04:05,192 I'LL, UH, CALL HIM, MR. DAN. 1406 01:04:31,712 --> 01:04:34,840 FOLLOW ME, DETROIT DAN. 1407 01:04:39,741 --> 01:04:41,096 ( glass breaks ) 1408 01:04:46,484 --> 01:04:49,056 WALK GINGERLY, DETROIT DAN. 1409 01:05:16,270 --> 01:05:18,147 ( music playing ) 1410 01:05:21,832 --> 01:05:23,291 ( door closes ) 1411 01:05:24,960 --> 01:05:27,010 SORRY. WRONG WAY. 1412 01:05:34,101 --> 01:05:36,012 P.A.: LADIES AND GENTLEMEN, 1413 01:05:36,082 --> 01:05:38,376 THE UPTOWN "A" TRAIN IS NOW MAKING ONLY LOCAL STOPS 1414 01:05:38,445 --> 01:05:41,017 FROM 59th STREET TO 125th. 1415 01:05:41,087 --> 01:05:44,319 THE EXPRESS TRAIN SERVICE IS ON THE OTHER SIDE OF THE TRACKS. 1416 01:05:44,389 --> 01:05:47,517 STEP LIVELY NOW AND WATCH THE CLOSING DOORS. 1417 01:06:06,216 --> 01:06:08,580 YOU CAN FIND YOUR WAY FROM HERE. 1418 01:06:08,650 --> 01:06:10,421 TAKE CARE, DETROIT DAN. 1419 01:06:11,846 --> 01:06:13,793 WILL I EVER SEE YOU AGAIN? 1420 01:06:13,863 --> 01:06:15,357 NO. 1421 01:06:17,269 --> 01:06:19,355 WELL, IN THAT CASE, 1422 01:06:19,423 --> 01:06:22,691 YOU'VE GOT A BIG BOOGER RIGHT HERE. 1423 01:06:49,071 --> 01:06:51,331 GOOD-BYE, DETROIT DAN. 1424 01:07:04,712 --> 01:07:08,327 P.A.: THE PRICE OF TOKENS HAS INCREASED TO $15 APIECE. 1425 01:07:08,396 --> 01:07:10,516 EXACT CHANGE ONLY. THANK YOU VERY MUCH. 1426 01:07:10,586 --> 01:07:12,880 STEP LIVELY AND WATCH THE CLOSING DOORS. 1427 01:07:24,767 --> 01:07:26,991 PAISAN, TI SALUTE. 1428 01:07:27,061 --> 01:07:29,111 IT'S A PLEASURE TO MEET YOU, 1429 01:07:29,181 --> 01:07:31,648 DETROIT DAN. 1430 01:07:31,718 --> 01:07:34,498 I'M JUST GOING OVER YOUR RESUME-- 1431 01:07:34,568 --> 01:07:36,792 THE SCHILLIANOS FAXED IT OVER. 1432 01:07:36,862 --> 01:07:40,616 GREAT. NOW I SUPPOSE THEY'RE GONNA WANT 10%. 1433 01:07:40,686 --> 01:07:43,466 THIS IS A VERY IMPRESSIVE LIST. 1434 01:07:43,536 --> 01:07:48,367 IN 1986, YOU HIT BRUNO "FAT FINGERS" FANELLI. 1435 01:07:48,436 --> 01:07:51,878 IN '87, ANGELO "NICOTINE" NICOTERA... 1436 01:07:52,851 --> 01:07:54,692 MONDO PAOLUCCI. 1437 01:07:54,762 --> 01:07:57,160 NOW, THAT WAS A BEAUTIFUL HIT. 1438 01:07:57,230 --> 01:07:59,455 RIGHT BETWEEN THE EYES. 1439 01:08:02,305 --> 01:08:04,112 THIS SHOWS HIM DROWNED. 1440 01:08:04,181 --> 01:08:07,031 WELL, UH, THAT'S THE BEAUTY OF IT. 1441 01:08:10,125 --> 01:08:11,758 VERY IMPRESSIVE. 1442 01:08:14,990 --> 01:08:16,625 VERY IMPRESSIVE. 1443 01:08:19,683 --> 01:08:21,142 YOU'RE TOUGH. 1444 01:08:21,977 --> 01:08:24,514 YOU'VE GOT A QUICK WIT. 1445 01:08:24,584 --> 01:08:27,330 AND YOU CAN EVEN RESIST A BEAUTIFUL WOMAN. 1446 01:08:31,501 --> 01:08:33,412 WE SHALL BECOME AS ONE. 1447 01:08:33,481 --> 01:08:36,957 WE SHALL BOND AS ONLY THE COSA NOSTRA CAN. 1448 01:08:38,486 --> 01:08:39,807 ( gasps ) 1449 01:08:41,058 --> 01:08:43,039 URGGH! AUGHHG!! 1450 01:08:46,203 --> 01:08:49,122 Velma: NOW, HOW DO YOU KNOW THAT THAT'S THAT GUY HORTZ? 1451 01:08:49,191 --> 01:08:51,416 Francis: WELL, IT'S HIS FREQUENCY. 1452 01:08:51,485 --> 01:08:53,050 WELL, WHERE IS HE? 1453 01:08:53,119 --> 01:08:55,169 ACCORDING TO THESE COORDINATES... 1454 01:08:56,838 --> 01:08:58,263 IN CONEY ISLAND. 1455 01:08:59,792 --> 01:09:01,113 WHAT THE HELL?! 1456 01:09:01,183 --> 01:09:03,372 I DON'T WANT TO GO TO SCHOOL TODAY, MOM. 1457 01:09:03,442 --> 01:09:04,658 OH, GREAT. 1458 01:09:04,728 --> 01:09:07,231 NOW WE GOT A HOMELESS GUY LIVING IN OUR TRUNK. 1459 01:09:07,300 --> 01:09:08,864 TRUNK PEOPLE-- THAT'S A NEW ONE. 1460 01:09:08,934 --> 01:09:10,428 OH, I GET IT. 1461 01:09:10,497 --> 01:09:12,131 YOU GUYS ARE UNDERCOVER. 1462 01:09:12,201 --> 01:09:14,356 WELL, YEAH-- FOR A PRICE. 1463 01:09:14,425 --> 01:09:16,406 OKAY, I WON'T SAY NOTHIN'. 1464 01:09:18,805 --> 01:09:20,160 HIT ME, I WON'T SAY NOTHIN'. 1465 01:09:20,230 --> 01:09:21,551 HEY, I KNOW THAT GUY. 1466 01:09:21,619 --> 01:09:23,044 THAT'S THE GUY ON THE NEWS, 1467 01:09:23,114 --> 01:09:24,991 THAT'S THE MOTTI WITNESS GUY! 1468 01:09:25,061 --> 01:09:26,729 YEAH? 1469 01:09:26,798 --> 01:09:29,614 OH, LETS'S STRAIGHTEN YOU UP. 1470 01:09:29,683 --> 01:09:31,004 THANK YOU, AUNT BEA. 1471 01:09:31,073 --> 01:09:33,089 WHY DON'T YOU GUYS WALK HIM AROUND THE PARK 1472 01:09:33,159 --> 01:09:34,584 AND SHOW HIM A GOOD TIME. 1473 01:09:34,654 --> 01:09:36,183 GET HIM SOMETHING TO EAT, 1474 01:09:36,253 --> 01:09:37,642 I'LL MEET YOU BACK AT THE OFFICE. 1475 01:09:37,712 --> 01:09:40,666 HOW ABOUT NATHAN'S? FOR A HOT DOG. 1476 01:09:40,736 --> 01:09:43,898 MY STOMACH HAS BEEN GROWLING LIKE A FUNKY, FUNKY, FUNKY HIT RECORD! 1477 01:09:45,323 --> 01:09:47,131 THAT'S HIS AFTERSHAVE YOU... OH. 1478 01:09:56,689 --> 01:09:59,053 HI. GET ME MR. MOTTI, PLEASE. 1479 01:09:59,122 --> 01:10:00,373 Francis: I GOTTA GO SAVE HIM. 1480 01:10:00,443 --> 01:10:01,938 Velma: I'M COMIN' WITH YOU. 1481 01:10:02,007 --> 01:10:04,128 IT'S AGAINST REGULATIONS. 1482 01:10:04,197 --> 01:10:07,325 OH, REGULATIONS, SCHMEGULATIONS. 1483 01:10:07,394 --> 01:10:08,472 GIVE ME A KISS RIGHT HERE. 1484 01:10:08,541 --> 01:10:10,002 NO, NO, I CAN'T. 1485 01:10:10,070 --> 01:10:11,773 OH, HURRY! 1486 01:10:11,843 --> 01:10:13,616 MMMM. 1487 01:10:14,867 --> 01:10:16,396 I JUST GOT YA BACK, ANGEL. 1488 01:10:16,466 --> 01:10:18,412 I' NOT LETTIN' YA GO NOW. 1489 01:10:18,482 --> 01:10:20,325 I'M COMIN' WITH YA. 1490 01:10:20,393 --> 01:10:21,610 OKAY. 1491 01:10:21,680 --> 01:10:22,827 OWWW!!! 1492 01:10:22,896 --> 01:10:24,842 WHOA! WHOO! 1493 01:10:26,059 --> 01:10:29,987 BOY, THIS BONDING STUFF IS EXCRUCIATING! 1494 01:10:31,551 --> 01:10:32,906 WHAT'S THAT?! 1495 01:10:36,486 --> 01:10:37,981 ( phone rings ) 1496 01:10:38,641 --> 01:10:40,066 WHEW. 1497 01:10:42,604 --> 01:10:43,993 YEAH? 1498 01:10:45,210 --> 01:10:47,365 CONEY ISLAND, HUH? 1499 01:10:47,435 --> 01:10:49,103 OKAY, YOU'RE GONNA GET A BIG REWARD. 1500 01:10:49,172 --> 01:10:51,606 JUST DON'T MOVE. 1501 01:10:51,675 --> 01:10:54,664 OUR PROBLEM HAS BEEN SPOTTED ON CONEY ISLAND. 1502 01:10:55,359 --> 01:10:56,471 GO WASTE HIM. 1503 01:10:56,541 --> 01:10:58,035 AWRIGHT-- 1504 01:10:58,105 --> 01:10:59,808 AWRIGHT. 1505 01:10:59,878 --> 01:11:01,755 YOU CAME TO THE RIGHT GUY. 1506 01:11:07,177 --> 01:11:09,992 OH! THIS WAY'S MUCH SHORTER. 1507 01:11:10,583 --> 01:11:11,938 EVIDENTLY. 1508 01:11:12,008 --> 01:11:13,781 LET'S HIT THE ROAD. 1509 01:11:14,858 --> 01:11:17,256 AWRIGHT, THANK YOU, MR. KIM. 1510 01:11:17,326 --> 01:11:19,828 OKAY. OH--HELLO, FELLAS. 1511 01:11:19,897 --> 01:11:21,670 I'M LOOKIN' FOR GUNTHER TOODY. 1512 01:11:22,609 --> 01:11:24,034 GUNTHER TOODY? YEAH. 1513 01:11:24,103 --> 01:11:27,092 LADY, THIS IS THE STANDARD SOCIAL CLUB. 1514 01:11:27,162 --> 01:11:28,795 THERE'S NO GUNTHER TOODY HERE. 1515 01:11:28,865 --> 01:11:30,846 I HATE TO TELL YA, BUT I KNOW FOR A FACT 1516 01:11:30,915 --> 01:11:32,584 THAT MY HUSBAND GUNTHER IS IN THERE. 1517 01:11:32,654 --> 01:11:34,704 AND IF HE DOESN'T GET OUT HERE IN EXACTLY TWO MINUTES, 1518 01:11:34,773 --> 01:11:36,615 HE'S GONNA REGRET IT TILL THE DAY HE DIES. 1519 01:11:36,685 --> 01:11:39,535 NOW GET THE HELL OUTTA MY WAY, BOTH OF YOU! 1520 01:11:40,404 --> 01:11:41,898 WHO IS THIS? COME ON! 1521 01:11:41,968 --> 01:11:43,254 I DON'T APPRECIATE THIS-- 1522 01:11:43,323 --> 01:11:44,992 GUNTHER! LUC--! 1523 01:11:45,062 --> 01:11:47,564 GUNTHER, WHAT THE HELL ARE YOU DOIN' HERE?! 1524 01:11:50,866 --> 01:11:53,472 GUNTHER, WHAT THE HELL IS HAPPENING HERE? 1525 01:11:53,542 --> 01:11:54,725 YOU GORILLAS! 1526 01:11:54,793 --> 01:11:56,566 YOU LEAVE ME ALONE, YOU-- 1527 01:11:56,636 --> 01:11:57,991 BOTH OF YOU! 1528 01:11:58,582 --> 01:11:59,729 WHOO! 1529 01:11:59,798 --> 01:12:01,293 WHOO! AAH! 1530 01:12:01,363 --> 01:12:03,483 ( carnival music playing ) 1531 01:12:05,082 --> 01:12:06,298 WHADDYA SAY, LET'S-- 1532 01:12:06,367 --> 01:12:07,758 HEY, LET US TAKE YA FOR A RIDE. 1533 01:12:07,828 --> 01:12:09,531 MOMMA GOT A ROOM WITH A VIEEEW! 1534 01:12:09,600 --> 01:12:11,094 WHOO! YEAH! 1535 01:12:11,164 --> 01:12:13,284 RED ROVER, RED ROVER, LET HERBERT TAKE OVER! 1536 01:12:13,354 --> 01:12:16,378 YEAH, COME ON, BABY! 1537 01:12:16,447 --> 01:12:18,323 ( garbage truck revs engine ) 1538 01:12:23,537 --> 01:12:26,631 LEMME TALK TO CAPTAIN ANDERSON RIGHT AWAY! 1539 01:12:26,701 --> 01:12:28,438 CAPTAIN ANDERSON? LUCILLE! 1540 01:12:28,508 --> 01:12:29,898 WHAT ARE YOU DOING?! 1541 01:12:29,967 --> 01:12:32,053 I AM SITTING IN A DUMPSTER 1542 01:12:32,122 --> 01:12:34,938 THAT YOUR PATROLMAN, GUNTHER TOODY, THREW ME INTO. 1543 01:12:35,007 --> 01:12:37,162 HE HAD TWO LARGE MEN WITH VERY THICK NECKS 1544 01:12:37,232 --> 01:12:39,943 LITERALLY PICK ME UP AND THROW ME IN THE GARBAGE. 1545 01:12:40,012 --> 01:12:41,923 WHO'S WATCHING THE WITNESS?! 1546 01:12:41,993 --> 01:12:44,427 OH, THEY LOST HIM SOMETIME LAST NIGHT. 1547 01:12:44,496 --> 01:12:46,651 OH, MY GOD!!! 1548 01:12:46,720 --> 01:12:47,903 CAPTAIN ANDERSON? 1549 01:12:47,971 --> 01:12:50,370 CAPT--OHH! AAAH! AAH! 1550 01:12:55,201 --> 01:12:58,503 TV: AND OUR CHALLENGERS LOSING THIS ROUND. 1551 01:12:58,572 --> 01:13:00,554 TAKE THE ROCK BACK-- THAT'S YOUR ROCK, PAL! 1552 01:13:01,875 --> 01:13:05,767 DON'T EVER LET ANYONE TAKE YOUR ROCK! 1553 01:13:05,837 --> 01:13:07,887 BITE HIM! BITE THE SON OF A-- 1554 01:13:07,957 --> 01:13:09,904 LATER TONIGHT, BE SURE TO WATCH THE BOYS IN BLUE, 1555 01:13:09,972 --> 01:13:12,128 FEATURING OFFICER GUNTHER TOODY. 1556 01:13:12,197 --> 01:13:14,353 THANKS, MR. KIM. 1557 01:13:14,421 --> 01:13:15,916 THIS IS THE LIFE! 1558 01:13:15,986 --> 01:13:17,723 SAY, AIN'T THAT-- 1559 01:13:17,793 --> 01:13:20,017 DETROIT DAN... 1560 01:13:20,087 --> 01:13:21,582 HE'S A COP! 1561 01:13:21,652 --> 01:13:25,022 POLANSKI'S HARDWARE AND PLUMBING SUPPLY-- 1562 01:13:25,092 --> 01:13:29,123 EVERY CASTLE, A HOME, EVERY SEAT, A THRONE! 1563 01:13:29,193 --> 01:13:31,765 HE'S A NO-GOOD, STINKIN' COP! 1564 01:13:33,190 --> 01:13:34,407 GET THE CAR. 1565 01:13:34,477 --> 01:13:36,458 HOW YA GONNA DISPATCH THIS RAT FINK? 1566 01:13:36,527 --> 01:13:39,933 YEAH, HOW YA GONNA CAULK THIS GUY? 1567 01:13:40,003 --> 01:13:42,228 WHEN I GET THROUGH WITH THIS BUM, 1568 01:13:42,296 --> 01:13:44,973 HIS YUPPIE FRIENDS AIN'T EVEN GONNA RECOGNIZE HIM. 1569 01:13:45,042 --> 01:13:49,978 I'M GONNA PLUCK THE HAIRS FROM HIS NOSE, ONE BY ONE. 1570 01:13:50,047 --> 01:13:52,759 THIS GUY'S GONNA HAVE TO CALL LONG DISTANCE 1571 01:13:52,828 --> 01:13:54,218 TO SEE HOW MUCH CHANGE 1572 01:13:54,288 --> 01:13:56,165 HE'S GOT LEFT IN HIS POCKET. 1573 01:13:56,234 --> 01:14:00,579 I'M GONNA SHOVE HIS TEETH DOWN HIS THROAT SO FAR 1574 01:14:00,648 --> 01:14:03,742 HE'S GONNA HAVE TO BEND OVER TO CRACK A SMILE. 1575 01:14:03,811 --> 01:14:05,445 HA HA HA HA HA! 1576 01:14:05,514 --> 01:14:07,253 I'M GONNA TEAR HIS ARMS OFF 1577 01:14:07,321 --> 01:14:10,311 AND BEAT HIM WITH THE BLOODY STUMPS. 1578 01:14:10,381 --> 01:14:13,231 THEN, I'M GONNA MUTILATE HIM. 1579 01:14:13,300 --> 01:14:15,594 YEAH, DETROIT, YEAH! 1580 01:14:15,663 --> 01:14:17,853 I THINK I'M GONNA BE SICK. 1581 01:14:24,457 --> 01:14:26,508 ( beeping ) BINGO! 1582 01:14:27,168 --> 01:14:28,697 THIS IS IT. 1583 01:14:28,767 --> 01:14:30,713 UH, HONEY-- 1584 01:14:30,783 --> 01:14:33,285 DON'T YOU THINK THAT MAYBE YOU SHOULD, UH... 1585 01:14:33,355 --> 01:14:35,058 YOU KNOW, CHANGE? 1586 01:14:35,128 --> 01:14:37,421 OTHERWISE, THEY'RE GONNA KNOW IT'S YOU. 1587 01:14:37,873 --> 01:14:39,159 RIGHT. 1588 01:14:39,229 --> 01:14:41,140 JUST GO UNDERCOVER. 1589 01:14:41,210 --> 01:14:42,287 LIKE TOODY. 1590 01:14:42,357 --> 01:14:43,920 YES, JUST LIKE TOODY. 1591 01:14:43,990 --> 01:14:48,231 OH, I LOVE YOU, YOU GENIUS MAN, YOU! 1592 01:14:48,301 --> 01:14:50,594 ( Green Acres theme song plays on TV ) 1593 01:14:59,353 --> 01:15:01,438 FIVE DOLLARS AN HOUR. TWO HOUR MINIMUM IN ADVANCE. 1594 01:15:01,508 --> 01:15:03,003 AND NO STEALING THE TOWEL. 1595 01:15:03,071 --> 01:15:05,296 ( Russian accent ) WE ARE RECENTLY LIBERATED 1596 01:15:05,366 --> 01:15:07,104 FROM OLD COUNTRY. 1597 01:15:07,173 --> 01:15:08,598 FIVE DOLLARS AN HOUR, TWO HOUR MINIMUM IN ADVANCE. 1598 01:15:08,667 --> 01:15:09,884 NO STEALING THE TOWEL. 1599 01:15:09,954 --> 01:15:11,275 YEAH, YEAH, YEAH. 1600 01:15:11,344 --> 01:15:13,360 HERE'S A SAWBUCK. GIVE US A ROOM, PLEASE. 1601 01:15:17,287 --> 01:15:18,573 Carlo: DETROIT, THIS IS THE PLACE. 1602 01:15:18,643 --> 01:15:20,172 THEY GOT HIM UP ON THE THIRD FLOOR. 1603 01:15:20,242 --> 01:15:21,667 COME ON. 1604 01:15:22,779 --> 01:15:24,864 LET'S GO GET HIM. HA HA! 1605 01:15:24,934 --> 01:15:26,116 TAKE A POWDER. 1606 01:15:26,185 --> 01:15:27,263 BUT DETROIT, I-- 1607 01:15:27,332 --> 01:15:28,688 GO SEE A PEEP SHOW. 1608 01:15:31,260 --> 01:15:33,102 HE WANTS US TO GO A PEEP SHOW. 1609 01:15:34,735 --> 01:15:36,438 ( screaming ) 1610 01:15:38,523 --> 01:15:39,984 ( all screaming ) 1611 01:15:41,965 --> 01:15:45,163 IT'S A 12-CAR, PEDAL-PUMPING, 1612 01:15:45,232 --> 01:15:47,213 NITRO-BURNING, 1613 01:15:47,283 --> 01:15:50,445 SHRED-O-RIFFIC TRUCK!!! 1614 01:15:50,515 --> 01:15:53,817 I GOT HIM! DROP 'EM! 1615 01:15:53,887 --> 01:15:55,798 MULDOON! JOIN THE PARTY! 1616 01:15:59,900 --> 01:16:01,951 FIVE DOLLARS AN HOUR. TWO HOURS MINIMUM IN ADVANCE. 1617 01:16:02,019 --> 01:16:03,444 NO STEALING THE TOWEL. 1618 01:16:03,514 --> 01:16:04,939 EXCUSE ME? 1619 01:16:05,009 --> 01:16:06,364 I'M A MAFIA HIT MAN, 1620 01:16:06,434 --> 01:16:09,318 AND I GOT A CONTRACT ON A FEDERAL WITNESS. 1621 01:16:09,388 --> 01:16:10,953 3B, UPSTAIRS. 1622 01:16:12,030 --> 01:16:13,281 HEY! 1623 01:16:13,351 --> 01:16:15,054 FIVE DOLLARS AN HOUR. TWO HOUR MINIMUM. 1624 01:16:15,123 --> 01:16:16,791 NO STEALING THE TOWEL. 1625 01:16:21,518 --> 01:16:23,742 Velma: FRAN, I LOVE YOU, BUT HURRY! HURRY! 1626 01:16:23,812 --> 01:16:26,697 POLIBETSIAN DANCE SUITE, OPUS 32! 1627 01:16:28,887 --> 01:16:30,068 GUNTHER! 1628 01:16:30,138 --> 01:16:31,737 FRANCIS! ( tires screech ) 1629 01:16:33,232 --> 01:16:36,290 Velma: HONEY! IT'S MOTTI! 1630 01:16:36,360 --> 01:16:38,063 I'LL TAKE CARE OF THIS. 1631 01:16:40,253 --> 01:16:41,538 DON MOTTI! 1632 01:16:41,608 --> 01:16:42,789 DETROIT! 1633 01:16:42,859 --> 01:16:44,944 I'M BRINGING HIM RIGHT DOWN! 1634 01:16:46,509 --> 01:16:48,246 OOH! 1635 01:16:48,316 --> 01:16:49,428 OW! OW! 1636 01:16:56,970 --> 01:16:58,430 OH, HELLO, UH, 1637 01:16:58,500 --> 01:17:01,245 MR. COMMON CITIZEN OF CONEY ISLAND. 1638 01:17:01,315 --> 01:17:03,401 THIS, UH, 1639 01:17:03,470 --> 01:17:05,416 OFFICER OF THE LAW 1640 01:17:05,486 --> 01:17:08,648 SHOT AND KILLED THIS MAN IN THE LINE OF DUTY. 1641 01:17:08,718 --> 01:17:10,213 AND I FEEL IT ONLY FAIR TO WARN YOU THAT 1642 01:17:10,282 --> 01:17:12,541 EMERGENCY BACKUP UNITS ON THEIR WAY RIGHT NOW. 1643 01:17:12,611 --> 01:17:15,044 MY, MR. COMMON CITIZEN OF CONEY ISLAND, 1644 01:17:15,113 --> 01:17:16,956 DON'T YOU THINK PERHAPS YOU SHOULD, UH, 1645 01:17:17,026 --> 01:17:18,172 CLEAR THE PREMISES 1646 01:17:18,241 --> 01:17:20,396 SO THE POLICE CAN DO THEIR WORK? 1647 01:17:20,466 --> 01:17:23,004 DID YOU REALLY THINK YOU COULD PULL ONE OVER ON DON MOTTI? 1648 01:17:25,193 --> 01:17:26,722 TAKE 'EM OUT!!! 1649 01:17:29,642 --> 01:17:31,171 IT'S A MAFIA HIT! 1650 01:17:31,241 --> 01:17:32,735 NETWORK? 1651 01:17:32,805 --> 01:17:34,542 IS THIS NATIONAL? AM I ON RIGHT NOW? 1652 01:17:34,612 --> 01:17:36,141 MY NAME IS NICO GAMBUCCI-- 1653 01:17:36,211 --> 01:17:37,670 GET HIM, YOU MORONS! 1654 01:17:37,740 --> 01:17:39,235 HEY, YOU STILL HAVE AN HOUR LEFT! 1655 01:17:43,336 --> 01:17:44,796 ( gunshots ) 1656 01:17:44,865 --> 01:17:47,472 YOU MISSED US! HA HA HA! 1657 01:17:48,271 --> 01:17:49,940 WHO ARE YOU AIMING AT?! 1658 01:17:50,010 --> 01:17:51,400 ( guns firing ) 1659 01:17:58,734 --> 01:18:00,992 Motti: KEEP GOIN'! STRAIGHT AHEAD! 1660 01:18:11,246 --> 01:18:14,235 EDNA: ALERT! THE PRISONER HAS ESCAPED! 1661 01:18:14,305 --> 01:18:16,216 CALLING ALL CARS! 1662 01:18:16,286 --> 01:18:17,815 ALL CARS, COME IN! 1663 01:18:17,885 --> 01:18:19,935 THIS IS YOUR CAPTAIN SPEAKING! 1664 01:18:22,020 --> 01:18:23,932 DAMNIT, WHY DON'T THEY ANSWER?! 1665 01:18:24,002 --> 01:18:27,652 CAR 54, WHERE ARE YOU?! 1666 01:18:31,475 --> 01:18:33,560 FOR ONLY A DOLLAR, YOU CAN HOSE-- 1667 01:18:34,220 --> 01:18:35,958 WHERE ARE THEY? 1668 01:18:36,028 --> 01:18:39,086 FOR ONE DOLLAR, YOU CAN HOSE DOWN OUR TARGETS. 1669 01:18:47,428 --> 01:18:48,992 CAN I SEE THAT GUN? 1670 01:18:49,062 --> 01:18:50,591 GET OUTTA HERE, KID! 1671 01:18:50,660 --> 01:18:52,016 GOOD SHOOTIN', THERE. 1672 01:18:52,085 --> 01:18:53,545 HEY, THAT'S MINE! 1673 01:18:53,615 --> 01:18:54,692 NO, I WON IT! 1674 01:18:54,762 --> 01:18:57,264 COME ON, THEY'RE GETTIN' AWAY! 1675 01:18:57,334 --> 01:18:58,793 SERGEANT ABRAMS? 1676 01:18:58,863 --> 01:19:01,227 YES, THIS IS VELMA VELOUR. 1677 01:19:01,296 --> 01:19:03,764 LOOK, I HAPPEN TO BE DATING FRANCIS MULDOON NOW, 1678 01:19:03,833 --> 01:19:05,258 THIS CALL IS STRICTLY BUSINESS. 1679 01:19:05,328 --> 01:19:07,483 PLEASE PUT ON THE CAPTAIN. 1680 01:19:07,553 --> 01:19:09,220 COME ON! 1681 01:19:09,290 --> 01:19:11,028 MOVE IT, HOMEBOYS! 1682 01:19:15,720 --> 01:19:17,562 ( siren ) 1683 01:19:28,197 --> 01:19:29,276 THAT'S THEM! 1684 01:19:29,344 --> 01:19:31,257 AAH! AAH! AAH! 1685 01:19:31,326 --> 01:19:32,786 GET OUTTA THE WAY! 1686 01:19:35,184 --> 01:19:37,027 Gunther: OOH! OUTTA THE WAY! 1687 01:19:37,547 --> 01:19:38,903 OOF! 1688 01:19:40,397 --> 01:19:42,727 THIS IS NO TIME FOR A NAP--COME ON! 1689 01:19:46,028 --> 01:19:47,488 DEATH, PLEASE. 1690 01:19:50,130 --> 01:19:51,833 HEAD'S UP! 1691 01:19:51,902 --> 01:19:53,536 COME ON, LET'S TAKE HIM UP HERE! 1692 01:19:54,405 --> 01:19:56,456 COME ON! 1693 01:19:56,525 --> 01:19:57,881 GET HIM RIGHT IN THERE, GUNTHER. 1694 01:19:57,950 --> 01:19:59,827 HORTZ, GET OUTTA THE WAY! 1695 01:20:00,627 --> 01:20:02,052 THERE THEY ARE! 1696 01:20:02,711 --> 01:20:04,206 Motti: COME ON! 1697 01:20:06,083 --> 01:20:08,342 NOT IN HERE, GET UP THERE! 1698 01:20:08,412 --> 01:20:09,871 BY THE WAY, FRANCIS, THIS IS CRIME. 1699 01:20:09,941 --> 01:20:11,575 WHEN I SAID THAT THERE'S CRIME AND THERE'S CRIME, 1700 01:20:11,644 --> 01:20:12,930 THIS IS CRIME. 1701 01:20:14,494 --> 01:20:16,580 I JUST NEVER KNEW IT COULD BE LIKE THIS! 1702 01:20:16,650 --> 01:20:19,012 THERE THEY ARE! IN THE FRONT CAR! 1703 01:20:19,082 --> 01:20:20,681 LOOK, YOU CAN SEE MY HOUSE FROM HERE! 1704 01:20:21,689 --> 01:20:23,218 ( bullets ricochet ) 1705 01:20:27,737 --> 01:20:29,231 PRETEND IT'S YOUR WIFE! 1706 01:20:32,151 --> 01:20:34,236 WHOA! AAH! 1707 01:20:34,306 --> 01:20:36,773 ( riders screaming ) 1708 01:20:40,248 --> 01:20:41,987 AAAH! 1709 01:20:46,262 --> 01:20:48,104 AAIEEE! 1710 01:20:48,173 --> 01:20:49,668 OOHH!! 1711 01:20:58,427 --> 01:20:59,505 YOU DIRTY-- 1712 01:21:09,376 --> 01:21:11,217 AAAH!!! 1713 01:21:17,300 --> 01:21:20,359 FRANCIS! FRANCIS! HOLD ME! 1714 01:21:31,655 --> 01:21:34,227 THAT WAS ENORMOUS! LET'S DO IT ONE MORE TIME! 1715 01:21:36,486 --> 01:21:37,703 WHAT ARE YOU GUYS DOING?! 1716 01:21:37,771 --> 01:21:39,718 ( retching ) 1717 01:21:45,002 --> 01:21:48,268 Gunther: WE'LL BE SAFE IN THE TUNNEL OF LOVE! 1718 01:21:48,338 --> 01:21:51,258 DO YOU MIND? DO YOU MIND?! 1719 01:21:51,327 --> 01:21:53,308 HEY, NO THREESOMES! 1720 01:21:53,378 --> 01:21:54,872 THIS IS A FAMILY PARK! 1721 01:21:58,139 --> 01:21:59,842 Motti: HEY! 1722 01:21:59,912 --> 01:22:02,554 NOBODY'S GONNA PUT DON MOTTI IN THE SLAMMER. 1723 01:22:02,623 --> 01:22:04,187 OH, NO, YOU DON'T! 1724 01:22:06,516 --> 01:22:08,045 SAY GOOD-NIGHT. 1725 01:22:08,984 --> 01:22:10,547 HEY! 1726 01:22:12,667 --> 01:22:14,266 LEO SCHNAUZER! 1727 01:22:15,135 --> 01:22:16,352 HEY, GUNTHER. 1728 01:22:16,421 --> 01:22:19,063 MOM? SON! 1729 01:22:19,133 --> 01:22:21,879 FRANNIE! VELMA! 1730 01:22:21,947 --> 01:22:24,693 TOODY! BRANDY! ARLENE! 1731 01:22:24,763 --> 01:22:27,196 HERBIE! HERBIE! 1732 01:22:27,265 --> 01:22:29,803 NICO! CARLO! 1733 01:22:29,872 --> 01:22:32,653 ( whimpering ) IT'S VERY DARK IN HERE... 1734 01:22:35,052 --> 01:22:36,789 MOMMY! 1735 01:22:36,859 --> 01:22:38,666 I WANT MY MOMMY! 1736 01:22:40,994 --> 01:22:44,122 OFFICER SCHNAUZER IS TAKING ME TO FLORIDA. 1737 01:22:44,192 --> 01:22:45,757 YOU'RE ON YOUR OWN. 1738 01:22:49,544 --> 01:22:50,970 ARREST THAT MAN! 1739 01:22:53,855 --> 01:22:56,253 I DID IT ALL! I CONFESS! 1740 01:22:56,322 --> 01:22:57,782 I CONFESS, I DID IT! 1741 01:22:57,852 --> 01:23:00,423 MMM... MMM... 1742 01:23:00,493 --> 01:23:02,648 THANKS FOR THE MEMORIES. I MEAN THAT, ALL OF YA. 1743 01:23:02,717 --> 01:23:05,707 WE'RE GOING BACK FOR A LITTLE BEER AND BONDING. STOP THE BOMBER! 1744 01:23:05,777 --> 01:23:09,009 FRANCIS, YOU'RE ALL RIGHT IN MY BOOK... 1745 01:23:09,079 --> 01:23:10,782 PARTNER. THANKS, GUNTHER. 1746 01:23:10,851 --> 01:23:13,006 AS LONG AS YOU TWO ARE HERE, 1747 01:23:13,076 --> 01:23:15,926 WHY DON'T YOU TAKE ADVANTAGE OF THESE SWANS? 1748 01:23:15,995 --> 01:23:17,593 NO, I REALLY DON'T-- 1749 01:23:17,663 --> 01:23:19,784 TUNNEL OF LOVE, BABY, GRRR! 1750 01:23:19,853 --> 01:23:21,660 GRRR! GO! GET IN! 1751 01:23:23,781 --> 01:23:25,240 STOP, MR. KIM, STOP! 1752 01:23:25,310 --> 01:23:27,256 NOW, COME ON, EVERYONE. 1753 01:23:28,264 --> 01:23:30,836 SOMEBODY HELP THEM OUT. GET OUT! 1754 01:23:30,906 --> 01:23:34,625 LOVE IS THE MOST BEAUTIFUL THING IN THE WHOLE WORLD. 1755 01:23:34,694 --> 01:23:36,050 GUNTHER TOODY!!! 1756 01:23:36,119 --> 01:23:38,101 LUCILLE! 1757 01:23:38,169 --> 01:23:39,734 STOP THAT SWAN! 1758 01:23:39,804 --> 01:23:41,958 OOH! OOH! 1759 01:23:57,494 --> 01:23:59,197 FREEZE, RAT-FACE! 1760 01:23:59,267 --> 01:24:01,875 "RAT-FACE"? GIMME THE GUN! 1761 01:24:02,569 --> 01:24:04,377 DON'T EVEN TRY IT. 1762 01:24:10,425 --> 01:24:12,266 OH, MISS DIRECTOR! 1763 01:24:12,336 --> 01:24:14,004 DON'T YOU THINK YOU'LL NEED 1764 01:24:14,073 --> 01:24:17,271 A CLOSE-UP OF THE COMMANDING OFFICER OF THE 53rd? 1765 01:24:25,857 --> 01:24:27,386 FUGGEDABOUT THE KIDDIES. 1766 01:24:27,455 --> 01:24:29,784 WE'RE GONNA GO FOR ANOTHER RIDE! 1767 01:24:42,887 --> 01:24:46,363 Lucille: OH, MY MR. TOODY-BEAR, YES! 1768 01:24:46,433 --> 01:24:48,066 Gunther: OOH! OOH! 1769 01:25:00,301 --> 01:25:02,316 ¶ C'MON, EVERYBODY, LEMME HEAR YA SAY ¶ 1770 01:25:02,386 --> 01:25:04,123 ¶ YOU'RE NEVER GONNA BLOW OUR BLUES AWAY ¶ 1771 01:25:04,193 --> 01:25:05,792 ¶ LET'S LIVE! 1772 01:25:08,016 --> 01:25:09,545 ¶ LET'S LIVE! 1773 01:25:11,144 --> 01:25:12,431 THE BABY CONDOR 1774 01:25:12,501 --> 01:25:14,551 CAN SIT AROUND THE MOTHER'S NEST 1775 01:25:14,620 --> 01:25:16,184 EATING HER REGURGITATION 1776 01:25:16,254 --> 01:25:18,269 FOR ONLY SO LONG. 1777 01:25:19,069 --> 01:25:20,146 RIGHT. 1778 01:25:21,120 --> 01:25:23,275 SEORITA ESQUAILA'S, 1779 01:25:23,344 --> 01:25:28,141 THE BEST COIN-OPERATED LAUNDRY IN THE ENTIRE WORLD! 1780 01:25:28,210 --> 01:25:29,844 AAARHHH... 1781 01:25:34,884 --> 01:25:38,255 SO THEN, THE BABY CONDOR HAS TO TEST ITS WINGS, 1782 01:25:38,325 --> 01:25:41,279 AND LEAVE THE MOTHER, AND LEARN HOW TO FLY. 1783 01:25:42,043 --> 01:25:43,330 RIGHT. 1784 01:26:01,681 --> 01:26:03,662 I MEAN, DO YOU THINK SHE BELIEVES IN BIRTH CONTROL? 1785 01:26:03,732 --> 01:26:05,401 DO YOU THINK SHE WANTS TO HAVE A LARGE FAMILY? 1786 01:26:06,443 --> 01:26:07,833 WELL, UH... 1787 01:26:07,903 --> 01:26:09,293 WHAT ABOUT BUSING? DOES SHE LIKE PRIVATE OR PUBLIC? 1788 01:26:09,362 --> 01:26:11,275 WHERE IS SHE GONNA SEND THE KIDS TO SCHOOL? 1789 01:26:11,343 --> 01:26:12,978 DOES SHE LIKE HER DONUTS POWDERED OR CHOCOLATE? 1790 01:26:13,046 --> 01:26:15,341 I MEAN, THOSE KIND OF THINGS GET IN YOUR TEETH-- 1791 01:26:29,313 --> 01:26:31,120 ¶ I LOVE HER SO MUCH 1792 01:26:31,190 --> 01:26:35,187 ¶ I CAN'T GET ENOUGH OF THAT MAMBO LOVE ¶ 1793 01:26:35,257 --> 01:26:37,725 ¶ OH, TALK ABOUT, TALK ABOUT, TALK ABOUT, TALK ABOUT ¶ 1794 01:26:37,793 --> 01:26:39,428 ¶ MAMBO LOVE 1795 01:26:39,496 --> 01:26:41,895 ¶ I LOVE THAT MAMBO LOVE 1796 01:26:41,964 --> 01:26:44,015 Woman: MR. MOTTI, ONCE AGAIN YOU HAVE MANAGED 1797 01:26:44,085 --> 01:26:46,517 TO WIN THE HEARTS OF THE JURY WITH A "NOT GUILTY" VERDICT. 1798 01:26:46,587 --> 01:26:47,838 HOW DO YOU DO IT? 1799 01:26:47,908 --> 01:26:49,403 WELL, JACK AND JILL WENT UP THE HILL, 1800 01:26:49,472 --> 01:26:51,731 BUT THEY HAD NO FLASHLIGHT AND IT WAS VERY DARK OUT, 1801 01:26:51,801 --> 01:26:53,643 SO THEIR MOM CALLED THEM 1802 01:26:53,712 --> 01:26:55,763 AND TOLD THEM THAT THEY HAD TO COME HOME RIGHT AWAY. 1803 01:26:55,833 --> 01:26:57,258 AND MY UNCLE'S BEST FRIEND'S COUSIN'S NEPHEW'S NEIGHBOR 1804 01:26:57,327 --> 01:26:58,857 TOLD ME THAT THEY WAS VERY SCARED. 1805 01:26:58,926 --> 01:27:00,525 AND THAT'S A TRUE STORY. 1806 01:27:00,594 --> 01:27:02,297 CAN I HAVE AN ICE CREAM NOW? 1807 01:27:07,650 --> 01:27:10,917 ¶ MULDOON, TOODY, VELMA VELOUR ¶ 1808 01:27:10,987 --> 01:27:13,455 ¶ THE WHOLE POSSE, IN FULL EFFECT ¶ 1809 01:27:13,523 --> 01:27:17,660 ¶ CAR 54, WHERE ARE YOU? 1810 01:27:17,730 --> 01:27:21,136 ¶ CAR 54, WHERE ARE YOU? 1811 01:27:21,205 --> 01:27:23,568 ¶ GOOD COP, BAD COP COUPLA FLAT-FOOTED HIP COPS ¶ 1812 01:27:23,638 --> 01:27:25,445 ¶ KEPT A BEAT, DON'T MAKE ME LAUGH ¶ 1813 01:27:25,515 --> 01:27:27,357 ¶ STOP AND LISTEN TO THE SOUND THAT'S GOIN' AROUND ¶ 1814 01:27:27,427 --> 01:27:29,512 ¶ THEY GOT A SATELLITE DISH SO THEY KNOW YOU AIN'T DOWN ¶ 1815 01:27:29,582 --> 01:27:32,188 ¶ WHEN YOU MAY BE UPTOWN BREAKIN' THE LAW ¶ 1816 01:27:32,258 --> 01:27:34,343 ¶ WHAT YOU WANNA DO THAT FOR? ¶ 1817 01:27:34,413 --> 01:27:36,603 ¶ YOU WANNA ROB THAT STORE? 1818 01:27:36,672 --> 01:27:39,835 ¶ I'LL TELL YA WHAT, WE'LL GIVE 'EM CAR 54 ¶ 1819 01:27:39,905 --> 01:27:41,190 ¶ THE BOYS IN THE BLUE 1820 01:27:41,260 --> 01:27:43,380 ¶ THEY MAKE A TV SHOW ABOUT THE 53rd ¶ 1821 01:27:43,450 --> 01:27:45,153 ¶ BUT THEY PROBABLY NEVER HEARD ABOUT MOTTI ¶ 1822 01:27:45,222 --> 01:27:47,030 ¶ WHO'S GOTTA GET THE WITNESS ¶ 1823 01:27:47,100 --> 01:27:48,697 ¶ AWAY FROM THE DIRECTION OF THE POLICE PROTECTION ¶ 1824 01:27:48,767 --> 01:27:52,035 ¶ MULDOON AND TOODY NEGLECTED THEIR DUTY ¶ 1825 01:27:52,104 --> 01:27:54,189 ¶ THEY WENT INTO THE BAR AND FORGOT ABOUT THE CAR ¶ 1826 01:27:54,259 --> 01:27:56,622 ¶ THEY'RE UP ON CONEY ISLAND, THE SATELLITE WILL FIND 'EM ¶ 1827 01:27:56,692 --> 01:27:58,778 ¶ IN THE END, EVERYTHING IS OKAY ¶ 1828 01:27:58,846 --> 01:28:00,793 ¶ THE WITNESS NEVER GETS AWAY ¶ 1829 01:28:00,863 --> 01:28:02,670 ¶ AND SO THE STORY GOES 1830 01:28:02,740 --> 01:28:04,790 ¶ I COULDN'T TELL YOU ANY MORE ¶ 1831 01:28:04,860 --> 01:28:09,135 ¶ THEY SAID THAT VELMA VELOUR, SHE LOVES CAR 54 ¶ 1832 01:28:09,205 --> 01:28:11,082 ¶ CAR 54 1833 01:28:13,618 --> 01:28:15,321 MMM! 1834 01:28:15,391 --> 01:28:18,207 THIS IS MRS. MANACOTTI. 1835 01:28:18,276 --> 01:28:21,543 SHE MAKES THE BEST CANNOLIS ON THE BLOCK! 1836 01:28:21,613 --> 01:28:24,984 ANYTIME YOU IN BROOKLYN JUST COME BY, 1837 01:28:25,054 --> 01:28:26,166 AMORE MIO. 1838 01:28:26,235 --> 01:28:27,800 HA HA HA! 128183