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These are the user uploaded subtitles that are being translated: 1 00:00:01,100 --> 00:00:02,667 WHAT CHARITY'S THIS FOR, AGAIN? 2 00:00:02,701 --> 00:00:04,868 HELP THE CHILDREN, HELP THE DOLPHINS, 3 00:00:04,901 --> 00:00:06,400 HELP -- HELP ME, RHONDA. 4 00:00:08,467 --> 00:00:09,801 IT'S A CHARITY FASHION SHOW. 5 00:00:09,834 --> 00:00:11,534 I THINK WE CAME IN THE WRONG WAY. 6 00:00:11,567 --> 00:00:14,467 HOW CAN IT BE WRONG WHEN IT FEELS SO RIGHT? 7 00:00:16,534 --> 00:00:18,300 HERE, CHARLIE, HAVE SOME GUM. 8 00:00:18,334 --> 00:00:20,968 WE CAN'T LET OUR BREATH HOLD US BACK. 9 00:00:21,000 --> 00:00:22,801 CAREFUL WAVING THAT AROUND. 10 00:00:22,834 --> 00:00:24,601 THESE GIRLS LOOK HUNGRY. 11 00:00:24,634 --> 00:00:26,868 YEAH, STICK WITH ME. 12 00:00:26,901 --> 00:00:30,501 YOU MIGHT GET TO MEET ONE OF THESE LOVELY LADIES. 13 00:00:30,534 --> 00:00:32,801 I'M COUNTING ON YOU, SIR. 14 00:00:36,033 --> 00:00:37,367 WHY, THAT -- 15 00:00:37,400 --> 00:00:40,968 THAT WOMAN'S DRESS IS AWFULLY SHEER. 16 00:00:41,000 --> 00:00:43,934 SHE'S NOT WEARING A DRESS. 17 00:00:43,968 --> 00:00:46,734 [ GAGS, COUGHS ] 18 00:00:51,767 --> 00:00:54,033 MY HAIR! IT'S RUINED! 19 00:00:54,067 --> 00:00:55,567 IT'S NOT RUINED. 20 00:00:55,601 --> 00:00:57,534 I'LL FIX IT. 21 00:00:57,567 --> 00:00:58,868 UH, UH... 22 00:01:07,133 --> 00:01:09,801 NO IT'S RUINED. 23 00:01:36,400 --> 00:01:39,400 I CAN'T BELIEVE THAT MODEL IS GONNA SUE THE MAYOR. 24 00:01:39,434 --> 00:01:42,467 I MEAN, ALL HE DID IS PUT A LITTLE GUM IN HER HAIR. 25 00:01:42,501 --> 00:01:45,000 CAITLIN, TATIANA'S HAIR IS HER TRADEMARK. 26 00:01:45,033 --> 00:01:48,300 WITHOUT IT, SHE'S JUST ANOTHER $10,000-A-DAY SUPERMODEL 27 00:01:48,334 --> 00:01:50,300 WHO WILL TRY HER HAND AT ACTING 28 00:01:50,334 --> 00:01:52,434 AND EVENTUALLY MARRY ROD STEWART. 29 00:01:52,467 --> 00:01:54,934 WE'VE GOTTA FIND THE MAYOR A GOOD LAWYER. 30 00:01:54,968 --> 00:01:56,200 I ALREADY GOT ONE -- 31 00:01:56,234 --> 00:01:58,100 MY OLD COLLEGE BUDDY, SCOTT. 32 00:01:58,133 --> 00:01:59,300 HE'S ON HIS WAY IN. 33 00:01:59,334 --> 00:02:02,067 IS BEING YOUR COLLEGE BUDDY HIS ONLY CREDENTIAL? 34 00:02:02,100 --> 00:02:05,334 WELL, HE WAS MY FRAT'S OFFICIAL KEGMASTER. 35 00:02:05,367 --> 00:02:07,701 ANGIE, CANCEL MY CALL TO F. LEE BAILEY. 36 00:02:07,734 --> 00:02:09,200 YOU'VE GOT THE KEGMASTER. 37 00:02:09,234 --> 00:02:11,033 THIS GUY IS A GREAT LAWYER. 38 00:02:11,067 --> 00:02:13,901 IN TWO YEARS, HE MADE PARTNER AT A TOP WASHINGTON LAW FIRM. 39 00:02:13,934 --> 00:02:15,000 I HATE LAWYERS. 40 00:02:15,033 --> 00:02:17,601 THEY ALWAYS GIVE YOU FALSE PROMISES LIKE, 41 00:02:17,634 --> 00:02:20,300 "THEY DON'T HAVE A CASE, STUART." 42 00:02:20,334 --> 00:02:22,901 "THOSE CHARGES WON'T STICK, STUART." 43 00:02:24,968 --> 00:02:26,901 IF YOU SAY HE'S GOOD, I'LL TRUST YOU. 44 00:02:26,934 --> 00:02:29,200 DON'T WORRY ABOUT ALL THAT KEGMASTER STUFF. 45 00:02:29,234 --> 00:02:32,033 THAT WAS A LONG TIME AGO. 46 00:02:32,067 --> 00:02:34,667 HEY, HEY! HOW'S IT GOIN', MULLET HEAD? 47 00:02:34,701 --> 00:02:36,901 NOT BAD, YOU BIG SACK OF DIRT. 48 00:02:36,934 --> 00:02:39,367 I FORGOT TO TELL YOU -- YOUR FRIEND SCOTT IS HERE. 49 00:02:39,400 --> 00:02:40,601 THANKS, ANGIE. 50 00:02:40,634 --> 00:02:42,033 HAH! 51 00:02:42,067 --> 00:02:45,033 HAH! HAH! HAH! 52 00:02:45,067 --> 00:02:47,534 OH, I'M SORRY. SCOTT, THIS IS CAITLIN MOORE. 53 00:02:47,567 --> 00:02:49,834 NICE TO MEET YOU. A HANDSHAKE WILL BE FINE. 54 00:02:49,868 --> 00:02:51,367 NICE TO MEET YOU, TOO. 55 00:02:51,400 --> 00:02:52,734 I CANNOT BELIEVE 56 00:02:52,767 --> 00:02:54,934 THAT YOU ARE THE DEPUTY MAYOR OF NEW YORK. 57 00:02:54,968 --> 00:02:57,400 SIX MONTHS AGO, I WAS TALKING YOU OUT OF STREAKING 58 00:02:57,434 --> 00:02:58,801 ACROSS THE WHITE HOUSE LAWN. 59 00:02:58,834 --> 00:03:01,234 YOU WERE THE VOICE OF REASON THAT NIGHT. 60 00:03:01,267 --> 00:03:02,801 IT WAS SUCH A BETTER IDEA 61 00:03:02,834 --> 00:03:05,167 TO STREAK THROUGH THE LINCOLN MEMORIAL. 62 00:03:05,200 --> 00:03:06,167 [ CHUCKLES ] 63 00:03:06,200 --> 00:03:08,601 I'LL TALK TO YOU LATER, CHARLIE. 64 00:03:08,634 --> 00:03:11,267 UGH! [ CHUCKLES ] 65 00:03:12,968 --> 00:03:13,968 WHAT WAS THAT? 66 00:03:14,000 --> 00:03:15,901 ISN'T THAT WHAT WE WERE DOING? 67 00:03:16,968 --> 00:03:18,801 NO? NO. 68 00:03:20,968 --> 00:03:23,601 YOU DOG. WHAT? 69 00:03:23,634 --> 00:03:26,100 YOU'VE SLEPT WITH HER, HAVEN'T YOU? 70 00:03:26,133 --> 00:03:27,934 NO, BUT SHE TREATS ME LIKE I HAVE. 71 00:03:30,000 --> 00:03:32,501 SO YOU WOULDN'T MIND IF I MADE A RUN AT HER? 72 00:03:32,534 --> 00:03:34,033 YOU? WITH CAITLIN? 73 00:03:34,067 --> 00:03:35,868 [ CHUCKLES ] GOOD LUCK. 74 00:03:35,901 --> 00:03:37,601 SHE DIGS CHICKS? 75 00:03:37,634 --> 00:03:39,033 NO, SHE LIKES GUYS. 76 00:03:39,067 --> 00:03:40,200 THEN I'M IN. 77 00:03:40,234 --> 00:03:43,334 GUYS WHO ARE OPEN, SENSITIVE, AND HONEST. 78 00:03:43,367 --> 00:03:45,367 I COULD FAKE THAT. 79 00:03:47,167 --> 00:03:48,434 [ CARTER WHISTLING ] 80 00:03:48,467 --> 00:03:50,734 HEY, PAUL. HOW'S THE COFFEE TODAY? 81 00:03:52,300 --> 00:03:56,033 PAUL, YOU'RE IN ANOTHER WORLD. WHAT'S UP? 82 00:03:56,067 --> 00:03:57,567 SEE THAT GIRL OVER THERE? 83 00:03:57,601 --> 00:03:59,133 ISN'T SHE PRETTY? 84 00:03:59,167 --> 00:04:00,701 YES. YES, SHE IS. 85 00:04:00,734 --> 00:04:02,667 She's coming this way. 86 00:04:02,701 --> 00:04:04,667 HI, I'M CARTER. 87 00:04:04,701 --> 00:04:05,901 HI, I'M SUSAN. 88 00:04:05,934 --> 00:04:07,968 I JUST STARTED IN THE PARKS DEPARTMENT. 89 00:04:08,000 --> 00:04:11,267 AND THIS IS PAUL, THE PRESS SECRETARY. 90 00:04:11,300 --> 00:04:12,868 WOW. THE PRESS SECRETARY. 91 00:04:12,901 --> 00:04:15,334 YOU MUST REALLY HAVE A WAY WITH WORDS. 92 00:04:18,067 --> 00:04:22,734 WELL, IT WAS, UH, NICE TO MEET YOU. 93 00:04:22,767 --> 00:04:26,400 SHE'S LIKE AN ANGEL SENT FROM HEAVEN. 94 00:04:26,434 --> 00:04:27,667 HMM. 95 00:04:27,701 --> 00:04:30,667 WHO'S THE FRESH MEAT? 96 00:04:30,701 --> 00:04:33,734 HER NAME IS SUSAN, AND PAUL SAW HER FIRST. 97 00:04:33,767 --> 00:04:36,667 I CAN RESPECT THAT. 98 00:04:36,701 --> 00:04:39,167 YOU'VE GOT TILL THE END OF THE DAY, 99 00:04:39,200 --> 00:04:40,467 AND I'M MOVING IN. 100 00:04:40,501 --> 00:04:42,868 THAT'S 5 HOURS AND 33 MINUTES. 101 00:04:42,901 --> 00:04:44,767 [ WATCH BEEPS ] 102 00:04:44,801 --> 00:04:47,934 WELL, SO MUCH FOR THAT. 103 00:04:47,968 --> 00:04:51,067 PAUL! DON'T LET STUART SCARE YOU. 104 00:04:51,100 --> 00:04:52,834 HEY, I'LL HELP YOU. 105 00:04:52,868 --> 00:04:54,501 PRETEND I'M SUSAN. 106 00:04:54,534 --> 00:04:55,868 NOW, ASK ME OUT. 107 00:04:55,901 --> 00:04:56,934 OKAY. 108 00:04:56,968 --> 00:04:58,434 SUSAN, I MAY NOT BE 109 00:04:58,467 --> 00:05:01,100 THE BEST-LOOKING GUY IN THE WORLD 110 00:05:01,133 --> 00:05:02,868 OR THE RICHEST OR THE BEST-DRESSED, 111 00:05:02,901 --> 00:05:06,133 AND I MAY NOT HAVE THE BEST APARTMENT IN THE WORLD -- 112 00:05:06,167 --> 00:05:08,467 PAUL, THERE'S NOTHING WRONG WITH BEING HUMBLE, 113 00:05:08,501 --> 00:05:10,801 BUT THE WHOLE "I SUCK" THING MIGHT BE A TURNOFF. 114 00:05:10,834 --> 00:05:13,667 SUSAN WOULD NEVER GO FOR A GUY LIKE ME. 115 00:05:13,701 --> 00:05:15,701 THAT'S WHY I'M GONNA 116 00:05:15,734 --> 00:05:18,767 TURN YOU INTO A HIP, STYLISH, LADIES' MAN. 117 00:05:18,801 --> 00:05:21,167 FIRST OF ALL, WHAT'S WITH THIS? 118 00:05:21,200 --> 00:05:22,234 IT'S ITALIAN. 119 00:05:22,267 --> 00:05:23,601 THIS SUIT IS ITALIAN? 120 00:05:23,634 --> 00:05:26,234 OH, I THOUGHT YOU WERE TALKING ABOUT THE STAIN. 121 00:05:26,267 --> 00:05:28,300 I HAD ZITI FOR LUNCH. 122 00:05:28,334 --> 00:05:31,667 FIRST, I'M GONNA PUT THE MAYOR'S LAWSUIT TO BED, 123 00:05:31,701 --> 00:05:33,534 THEN IT'S CAITLIN'S TURN. 124 00:05:33,567 --> 00:05:36,067 MAN, ARE YOU GONNA CRASH AND BURN. 125 00:05:36,100 --> 00:05:37,200 WE'LL SEE. 126 00:05:37,234 --> 00:05:38,934 I'VE DECIDED TO BREAK OUT 127 00:05:38,968 --> 00:05:41,601 THE OLD CHARLIE CRAWFORD 3-STEP PLAN. 128 00:05:41,634 --> 00:05:43,067 AH, THE CLASSICS. 129 00:05:43,100 --> 00:05:46,133 STEP ONE -- IMPRESS HER WITH A SKILL. 130 00:05:46,167 --> 00:05:49,868 STEP 2 -- ESTABLISH FRIENDLY PHYSICAL CONTACT. 131 00:05:49,901 --> 00:05:53,968 STEP 3 -- TAKE HER TO THE BEACH IN CALLAHAN'S FIERO. 132 00:05:54,000 --> 00:05:57,067 ACTUALLY, THERE'S BEEN AN UPDATE. 133 00:05:57,100 --> 00:05:58,868 NOW STEP 3 IS 134 00:05:58,901 --> 00:06:02,934 ACCIDENTAL REVEALING SOMETHING INTENSELY PERSONAL. 135 00:06:02,968 --> 00:06:06,067 WHY? THE FIERO THING STILL WORKS. 136 00:06:08,501 --> 00:06:10,067 CHARLIE! 137 00:06:10,100 --> 00:06:12,167 THIS LAWSUIT IS RIDICULOUS! 138 00:06:12,200 --> 00:06:14,901 PEOPLE TARGET ME BECAUSE I'M A PUBLIC FIGURE. 139 00:06:14,934 --> 00:06:17,734 REGARDING YOUR CASE, I SPOKE TO THE PLAINTIFF'S LAWYERS 140 00:06:17,767 --> 00:06:19,834 THIS MORNING AND CITED MARTIN v TORGOVE. 141 00:06:19,868 --> 00:06:22,267 A LIFE-AND-DEATH SITUATION -- i.e. YOU CHOKING -- 142 00:06:22,300 --> 00:06:23,934 NULLIFIES ANY MALICE OF INTENT, 143 00:06:23,968 --> 00:06:26,467 THEREBY RELEASING YOU FROM ANY AND ALL LIABILITIES. 144 00:06:26,501 --> 00:06:28,067 IN LAYMAN'S TERMS, 145 00:06:28,100 --> 00:06:30,400 YOU'LL BE GOLFING BY 4:00. 146 00:06:30,434 --> 00:06:34,467 IN THAT CASE, I'D BETTER GO HIT A BUCKET O' BALLS. 147 00:06:34,501 --> 00:06:36,634 SCOTT, I'M IMPRESSED. 148 00:06:36,667 --> 00:06:38,234 STEP ONE. 149 00:06:38,267 --> 00:06:41,167 SO THE MAYOR'S GONNA COME THROUGH THIS ALL RIGHT? 150 00:06:41,200 --> 00:06:44,701 I'LL BE HAVING THEM BEGGING US NOT TO COUNTERSUE. 151 00:06:44,734 --> 00:06:47,000 CHARLIE WAS RIGHT. YOU ARE GOOD. 152 00:06:47,033 --> 00:06:49,133 AH-TWO! 153 00:06:53,100 --> 00:06:54,334 ENOUGH SHOPTALK. 154 00:06:54,367 --> 00:06:56,467 SCOTT AND I HAVE SOME CATCHING UP TO DO. 155 00:06:56,501 --> 00:06:59,200 WHAT DO YOU SAY THE THREE OF US HAVE DINNER TONIGHT? 156 00:06:59,234 --> 00:07:01,934 IT SOUNDS GREAT, BUT, CAITLIN, YOU GOT PLANS, RIGHT? 157 00:07:01,968 --> 00:07:03,434 I WOULD LOVE TO COME. 158 00:07:03,467 --> 00:07:06,200 OH, BUT FIRST, I -- I HAVE TO GO CALL MY MOM. 159 00:07:06,234 --> 00:07:07,667 TODAY IS THE ANNIVERSARY 160 00:07:07,701 --> 00:07:10,167 OF THE DAY THAT MY DAD WALKED OUT ON US, 161 00:07:10,200 --> 00:07:11,534 AND... 162 00:07:11,567 --> 00:07:15,467 I THINK IT JUST HELPS HER TO HEAR MY VOICE. 163 00:07:15,501 --> 00:07:16,701 I'M SORRY. 164 00:07:16,734 --> 00:07:19,868 I PROBABLY SHOULDN'T HAVE REVEALED 165 00:07:19,901 --> 00:07:23,133 SOMETHING THAT INTENSELY PERSONAL. 166 00:07:23,167 --> 00:07:24,434 DON'T BE SILLY. 167 00:07:24,467 --> 00:07:27,300 IT'S REFRESHING TO HEAR A GUY BEING SO SENSITIVE. 168 00:07:41,033 --> 00:07:43,467 PAUL, YOU LOOK GREAT! 169 00:07:43,501 --> 00:07:44,767 WHAT IS THIS MATERIAL? 170 00:07:44,801 --> 00:07:46,801 I'VE NEVER FELT ANYTHING LIKE IT. 171 00:07:46,834 --> 00:07:48,400 IT'S COTTON. 172 00:07:48,434 --> 00:07:50,734 I WANT YOU TO BE CONFIDENT. 173 00:07:50,767 --> 00:07:53,701 THANKS TO ME, YOU'RE WELL-VERSED IN LITERATURE, FINE MUSIC, 174 00:07:53,734 --> 00:07:56,467 AND HOW TO SELECT THE PERFECT WINE FOR ANY MEAL. 175 00:07:56,501 --> 00:07:59,100 IF ALL ELSE FAILS, JUST DON'T BE YOURSELF. 176 00:07:59,133 --> 00:08:00,801 SUSAN! 177 00:08:00,834 --> 00:08:02,968 HEY...PAUL. 178 00:08:03,000 --> 00:08:06,367 YOU LOOK DIFFERENT. 179 00:08:06,400 --> 00:08:10,000 AND MAY I SAY YOU LOOK LOVELY? 180 00:08:10,033 --> 00:08:12,567 IT WAS SHAKESPEARE WHO SAID, 181 00:08:12,601 --> 00:08:15,167 "SHALL I COMPARE THEE TO A SUMMER'S DAY? 182 00:08:15,200 --> 00:08:18,701 THOU ART MORE LOVELY AND MORE TEMPERATE." 183 00:08:18,734 --> 00:08:20,067 OH! 184 00:08:20,100 --> 00:08:22,767 OKAY. [ CHUCKLES ] 185 00:08:22,801 --> 00:08:24,567 3...2... 186 00:08:24,601 --> 00:08:26,567 [ WATCH BEEPS ] 187 00:08:26,601 --> 00:08:29,067 SUSAN, WOULD YOU LIKE TO GO TO HAPPY HOUR 188 00:08:29,100 --> 00:08:30,534 AND GET SOME CHICKEN WINGS? 189 00:08:30,567 --> 00:08:31,634 SURE. 190 00:08:33,767 --> 00:08:36,868 Paul! Do something! 191 00:08:36,901 --> 00:08:42,067 A FULL-BODIED CABERNET GOES VERY NICELY WITH CHICKEN WINGS! 192 00:08:45,033 --> 00:08:47,734 SO, TELL ME SOME OF YOUR COLLEGE STORIES. 193 00:08:47,767 --> 00:08:50,767 MY STORIES ARE PRETTY MUCH LIKE ANYONE ELSE'S -- 194 00:08:50,801 --> 00:08:53,767 PRESIDENT OF THE STUDENT BODY, CAPTAIN OF THE SWIM TEAM. 195 00:08:53,801 --> 00:08:55,167 TELL HER ABOUT THE TIME 196 00:08:55,200 --> 00:08:57,501 YOU GOT CAUGHT SPYING IN THE GIRLS' SHOWER, 197 00:08:57,534 --> 00:08:59,367 AND THEY THREATENED TO EXPEL YOU, 198 00:08:59,400 --> 00:09:01,968 BUT THEY LET YOU OFF BECAUSE YOU CRIED TO THE DEAN. 199 00:09:02,000 --> 00:09:03,634 TELL HER THAT ONE. 200 00:09:03,667 --> 00:09:06,734 THAT'S PRETTY MUCH THE WHOLE STORY, CHARLIE. 201 00:09:06,767 --> 00:09:08,167 YEAH, THAT'S A GOOD ONE. 202 00:09:08,200 --> 00:09:10,801 NOT AS GOOD AS THE TIME YOU GOT CAUGHT PLAGIARIZING -- 203 00:09:10,834 --> 00:09:13,200 I THINK I'LL GO GET US ANOTHER ROUND. 204 00:09:13,234 --> 00:09:14,501 I'LL COME WITH YOU. 205 00:09:14,534 --> 00:09:15,968 DON'T DRINK TOO MUCH. 206 00:09:16,000 --> 00:09:20,000 DON'T WANT TO WET YOUR BED LIKE YOU DID YOUR SENIOR YEAR. 207 00:09:20,033 --> 00:09:23,234 WHAT ARE YOU DOING? 208 00:09:23,267 --> 00:09:24,901 WHAT? I'M HELPING HIM OUT. 209 00:09:24,934 --> 00:09:27,133 GIRLS LOVE FUN STORIES LIKE THAT. 210 00:09:27,167 --> 00:09:30,267 LADIES LOVE A PLAGIARIZING BED-WETTER. 211 00:09:30,300 --> 00:09:33,234 I JUST DON'T THINK CAITLIN SHOULD GET INVOLVED WITH SCOTT. 212 00:09:33,267 --> 00:09:35,501 HE'S A DOG, AND HE'S ONLY AFTER ONE THING. 213 00:09:35,534 --> 00:09:37,834 MAYBE HE'S CHANGED. 214 00:09:37,868 --> 00:09:39,634 10 BUCKS SAYS HE'S AT THE BAR 215 00:09:39,667 --> 00:09:42,467 DOING HIS "PULLING A QUARTER OUT OF HER EAR" TRICK. 216 00:09:42,501 --> 00:09:43,834 HMM. 217 00:09:46,133 --> 00:09:47,734 LOOKS MORE LIKE A $100 BILL. 218 00:09:47,767 --> 00:09:49,100 WHAT AM I WORRIED ABOUT? 219 00:09:49,133 --> 00:09:51,167 CAITLIN'S WAY TOO SMART FOR SCOTT. 220 00:09:51,200 --> 00:09:53,834 IT'S NOT LIKE SHE'S GONNA GO HOME WITH THE GUY. 221 00:09:53,868 --> 00:09:54,868 UH, CHARLIE -- 222 00:09:54,901 --> 00:09:56,167 AND YOU KNOW WHY? 223 00:09:56,200 --> 00:09:58,334 BECAUSE SHE'S GOT TOO MUCH CLASS. 224 00:09:58,367 --> 00:09:59,901 I ALMOST FEEL SORRY FOR HIM. 225 00:09:59,934 --> 00:10:01,367 I'M GONNA GO BAIL HIM OUT 226 00:10:01,400 --> 00:10:03,834 BEFORE HE MAKES A COMPLETE ASS OF HIMSELF. 227 00:10:05,901 --> 00:10:09,400 ON SECOND THOUGHT, I THINK I'LL JUST LET HIM 228 00:10:09,434 --> 00:10:12,267 TWIST IN THE WIND. 229 00:10:20,567 --> 00:10:22,234 WHERE THE HELL IS CAITLIN? 230 00:10:22,267 --> 00:10:24,634 I HAVEN'T SEEN HER SINCE SHE LEFT WITH SCOTT. 231 00:10:24,667 --> 00:10:26,334 SHE WENT HOME WITH SCOTT? 232 00:10:26,367 --> 00:10:27,801 I CAN'T BELIEVE THIS. 233 00:10:27,834 --> 00:10:30,367 I'VE BEEN THROWING MYSELF AT HIM ALL WEEK. 234 00:10:30,400 --> 00:10:31,701 HEY, GUYS. 235 00:10:31,734 --> 00:10:33,834 SINCE WHEN DO WE LEAVE BARS 236 00:10:33,868 --> 00:10:35,534 WITHOUT TELLING EACH OTHER? 237 00:10:35,567 --> 00:10:37,501 WHAT ABOUT LAST WEEK AT McSORLEY'S? 238 00:10:37,534 --> 00:10:40,334 I TURNED MY HEAD, AND YOU LEFT WITH THE COATCHECK GIRL. 239 00:10:40,367 --> 00:10:44,167 I DIDN'T LEAVE. I WAS IN THE COAT CLOSET. 240 00:10:46,267 --> 00:10:48,834 SO, SCOTT'S A PRETTY GOOD-LOOKING GUY, HUH? 241 00:10:48,868 --> 00:10:50,868 ANY DETAILS I SHOULD KNOW ABOUT? 242 00:10:50,901 --> 00:10:53,801 THAT'S PERSONAL, AND I'D RATHER NOT TALK ABOUT IT. 243 00:10:53,834 --> 00:10:57,234 I DON'T MEAN TO PRY, BUT THAT SCOTT IS A WILD MAN. 244 00:10:57,267 --> 00:10:59,701 ONE TIME, WE WERE DOWN IN MEXICO, 245 00:10:59,734 --> 00:11:02,601 AND HE GOT THIS TATTOO RIGHT ON HIS BUTT. 246 00:11:02,634 --> 00:11:06,167 I CAN'T REMEMBER IF IT WAS A LEPRECHAUN OR A DEVIL. 247 00:11:06,200 --> 00:11:07,567 CAN YOU HELP ME OUT? 248 00:11:07,601 --> 00:11:09,133 OKAY, THIS IS RIDICULOUS. 249 00:11:09,167 --> 00:11:11,400 IF YOU MUST KNOW, NOTHING HAPPENED. 250 00:11:11,434 --> 00:11:13,300 HEY, WHATEVER. I DON'T CARE. 251 00:11:13,334 --> 00:11:16,667 WHY ARE YOU BEING SO WEIRD ABOUT THIS? 252 00:11:16,701 --> 00:11:18,000 WAIT A MINUTE. 253 00:11:18,033 --> 00:11:20,300 YOU'RE JEALOUS, AREN'T YOU? 254 00:11:20,334 --> 00:11:22,801 NO. WHAT KIND OF PERSON WOULD BE JEALOUS 255 00:11:22,834 --> 00:11:24,467 ABOUT YOU GOING HOME WITH SCOTT? 256 00:11:24,501 --> 00:11:28,100 CAITLIN. 257 00:11:29,968 --> 00:11:31,133 I GET IT. 258 00:11:31,167 --> 00:11:33,467 THIS IS ABOUT THAT TIME IN THE ELEVATOR. 259 00:11:33,501 --> 00:11:36,367 YOU KNOW -- WE BOTH REACHED FOR THE BUTTON AT THE SAME TIME, 260 00:11:36,400 --> 00:11:38,634 OUR HANDS TOUCHED, AND YOU GAVE ME THAT LOOK. 261 00:11:38,667 --> 00:11:40,467 AND WHILE YOU TRIED TO PLAY IT OFF, 262 00:11:40,501 --> 00:11:42,267 YOU CAN'T DENY THERE WAS A MOMENT. 263 00:11:42,300 --> 00:11:43,467 YES, I CAN, 264 00:11:43,501 --> 00:11:46,934 BECAUSE I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 265 00:11:46,968 --> 00:11:50,434 KEEP TELLING YOURSELF THAT. 266 00:11:50,467 --> 00:11:51,834 HEY, BUD. 267 00:11:51,868 --> 00:11:54,467 YOU GOT AN INSTANT MESSAGE FROM VANESSA, 268 00:11:54,501 --> 00:11:56,868 AND WE'VE BEEN HAVING A LITTLE CHAT. 269 00:11:56,901 --> 00:11:59,434 OH, THIS WOMAN IS NAUGHTY. WHO IS SHE? 270 00:11:59,467 --> 00:12:02,601 SHE'S THE GOVERNOR'S 70-YEAR-OLD SECRETARY. 271 00:12:02,634 --> 00:12:04,501 GOODBYE. 272 00:12:04,534 --> 00:12:07,100 RUMOR HAS IT YOU STRUCK OUT WITH CAITLIN LAST NIGHT. 273 00:12:07,133 --> 00:12:09,501 OH, NO, NO, NO, NO. EVERYTHING IS UNDER CONTROL. 274 00:12:09,534 --> 00:12:11,467 THE 3-STEP PLAN WASN'T WORKING, 275 00:12:11,501 --> 00:12:13,801 SO I SWITCHED TO THE NICE-GUY ROUTINE. 276 00:12:13,834 --> 00:12:15,300 I TOOK HER FOR A WALK, 277 00:12:15,334 --> 00:12:16,767 WE WENT OUT FOR COFFEE, 278 00:12:16,801 --> 00:12:19,434 I LISTENED TO HER TALK ABOUT HER FEELINGS, 279 00:12:19,467 --> 00:12:20,534 BLAH, BLAH, BLAH. 280 00:12:20,567 --> 00:12:22,667 HEY, SCOTT, DID IT EVER OCCUR TO YOU 281 00:12:22,701 --> 00:12:25,267 TO TRY TREATING CAITLIN WITH A LITTLE RESPECT? 282 00:12:25,300 --> 00:12:28,133 NO, BUT THANKS FOR SHARING THAT WITH ME. 283 00:12:28,167 --> 00:12:30,133 SHE WILL TOTALLY EAT THAT UP. 284 00:12:30,167 --> 00:12:32,000 I WANT YOU TO KNOW 285 00:12:32,033 --> 00:12:35,033 THAT I COULDN'T HAVE DONE THIS WITHOUT YOUR HELP. 286 00:12:35,067 --> 00:12:37,801 WHEN I'M WITH HER, I'LL BE THINKING OF YOU. 287 00:12:39,400 --> 00:12:42,067 THAT CAME OUT WRONG. 288 00:12:44,133 --> 00:12:46,234 YOU KNOW WHAT? FORGET CAITLIN. 289 00:12:46,267 --> 00:12:49,334 WHEN WAS THE LAST TIME WE DID SOME MALE BONDING? 290 00:12:49,367 --> 00:12:52,701 WE ARE GOING CAMPING -- YOU AND ME ALONE 291 00:12:52,734 --> 00:12:55,734 IN THE MIDDLE OF NOWHERE IN A TENT. 292 00:12:55,767 --> 00:12:58,901 THAT CAME OUT WRONG. 293 00:12:58,934 --> 00:13:01,167 WE ARE GOING TO VEGAS. 294 00:13:01,200 --> 00:13:02,434 TWO ROOMS. 295 00:13:02,467 --> 00:13:06,901 YOU KNOW, YOU'RE ACTING REALLY WEIRD. 296 00:13:06,934 --> 00:13:08,067 WAIT A MINUTE. 297 00:13:08,100 --> 00:13:10,467 YOU'RE NOT JEALOUS ABOUT CAITLIN, ARE YOU? 298 00:13:10,501 --> 00:13:11,767 NO. OH, GOD. 299 00:13:11,801 --> 00:13:14,133 DID SHE TELL YOU SOME STORY ABOUT AN ELEVATOR? 300 00:13:14,167 --> 00:13:15,567 NO. WHAT HAPPENED? 301 00:13:15,601 --> 00:13:17,901 NOTHING. NOTHING HAPPENED IN THE ELEVATOR. 302 00:13:17,934 --> 00:13:20,200 CAN'T GET IT OUT OF YOUR MIND, CAN YOU? 303 00:13:24,234 --> 00:13:26,000 I HAD SUSAN RIGHT IN MY HANDS, 304 00:13:26,033 --> 00:13:28,133 AND STUART JUST TOOK HER AWAY FROM ME. 305 00:13:28,167 --> 00:13:30,667 PAUL, THIS KIND OF THING HAPPENS ALL THE TIME. 306 00:13:30,701 --> 00:13:31,767 RIGHT, CHARLIE? 307 00:13:31,801 --> 00:13:32,934 SURE. 308 00:13:32,968 --> 00:13:36,033 I'VE STOLEN TONS OF CHICKS FROM GUYS LIKE PAUL. 309 00:13:36,067 --> 00:13:40,801 THANKS, BOSS. 310 00:13:40,834 --> 00:13:43,567 COME ON, PAUL, DON'T BE SO DOWN ON YOURSELF. 311 00:13:43,601 --> 00:13:45,000 REMEMBER -- THIS IS NOT 312 00:13:45,033 --> 00:13:47,400 A COMPETITION BETWEEN YOU AND STUART. 313 00:13:47,434 --> 00:13:49,367 [ INHALES DEEPLY ] 314 00:13:49,400 --> 00:13:50,534 AH! 315 00:13:50,567 --> 00:13:53,467 I LOVE THE SMELL OF LOSER IN THE MORNING. 316 00:13:53,501 --> 00:13:54,801 [ CHUCKLES ] 317 00:13:54,834 --> 00:13:56,567 HEY, YOU SCORED THE FIRST DATE, 318 00:13:56,601 --> 00:13:58,334 BUT PAUL LASSITER IS A FIGHTER. 319 00:13:58,367 --> 00:13:59,534 THIS IS FAR FROM OVER. 320 00:13:59,567 --> 00:14:01,067 THAT SOUNDS LIKE A CHALLENGE. 321 00:14:01,100 --> 00:14:03,901 PAUL'S GONNA TAKE THIS WOMAN TO DINNER AND THE BALLET. 322 00:14:03,934 --> 00:14:06,033 YOU ARE GONNA LOOK LIKE A PATHETIC FOOL. 323 00:14:06,067 --> 00:14:08,434 STRONG WORDS, PAUL. 324 00:14:08,467 --> 00:14:10,400 YOU MAN ENOUGH TO BACK THEM UP? 325 00:14:10,434 --> 00:14:12,767 PAUL DOESN'T LIKE YOUR TONE. 326 00:14:12,801 --> 00:14:14,000 WHAT ARE YOU GONNA DO? 327 00:14:14,033 --> 00:14:15,901 HE'S GONNA MAKE SURE SUSAN SEES YOU 328 00:14:15,934 --> 00:14:17,968 FOR THE LECHEROUS FRAUD YOU REALLY ARE. 329 00:14:18,000 --> 00:14:19,367 HA HA! 330 00:14:19,400 --> 00:14:22,200 YOU GOT A LOT OF NERVE, TALKING TO ME LIKE THAT. 331 00:14:29,801 --> 00:14:32,734 WE CAN'T THANK YOU ENOUGH FOR SETTLING THE MAYOR'S CASE. 332 00:14:32,767 --> 00:14:34,033 THAT MODEL WAS VICIOUS. 333 00:14:34,067 --> 00:14:35,667 SHE CAME AFTER ME 334 00:14:35,701 --> 00:14:38,767 LIKE I WAS A SALAD WITH DRESSING. 335 00:14:38,801 --> 00:14:40,100 IT WAS MY PLEASURE, SIR. 336 00:14:40,133 --> 00:14:42,434 AS A LAWYER, I'M ALL ABOUT HELPING PEOPLE. 337 00:14:42,467 --> 00:14:43,767 AND AS A MAN, 338 00:14:43,801 --> 00:14:46,434 I'M ALL ABOUT COMMITTING MYSELF TO THE RIGHT WOMAN. 339 00:14:46,467 --> 00:14:49,834 THIS IS SUCH A REFRESHING ATTITUDE. 340 00:14:49,868 --> 00:14:51,000 WHERE I COME FROM, 341 00:14:51,033 --> 00:14:52,934 WE STILL BELIEVE IN TRADITIONAL VALUES. 342 00:14:52,968 --> 00:14:54,801 L.A.? 343 00:14:54,834 --> 00:14:56,267 WELL, LET'S HAVE A TOAST 344 00:14:56,300 --> 00:14:58,801 TO THE CLEARING OF MY GOOD NAME. 345 00:14:58,834 --> 00:15:00,167 TO THINK THAT THAT MODEL 346 00:15:00,200 --> 00:15:02,534 ACCUSED ME OF BEING A DANGER TO SOCIETY. 347 00:15:02,567 --> 00:15:03,868 [ POP ] 348 00:15:03,901 --> 00:15:06,300 Man: OW! MY EYE! 349 00:15:06,334 --> 00:15:07,767 WELL, TIME TO GO. 350 00:15:07,801 --> 00:15:10,701 THINK I'LL CUT THROUGH THE KITCHEN. 351 00:15:10,734 --> 00:15:14,767 ENJOY. 352 00:15:14,801 --> 00:15:16,834 YOUR COAT'S GETTING ALL WRINKLED UP. 353 00:15:16,868 --> 00:15:20,100 WHY DON'T YOU LET ME TAKE IT TO THE COATCHECK FOR YOU? 354 00:15:20,133 --> 00:15:21,200 SCOTT IS GREAT. 355 00:15:21,234 --> 00:15:22,934 I AM SO SICK OF DATING GUYS 356 00:15:22,968 --> 00:15:26,734 WHO ARE ALL ABOUT THEIR MONEY AND THE KIND OF CAR THEY DRIVE. 357 00:15:26,767 --> 00:15:28,834 I MEAN, HE'S A REAL GROWN-UP. 358 00:15:31,934 --> 00:15:34,567 WE'D LIKE... 359 00:15:34,601 --> 00:15:36,634 I am one move away from the end zone. 360 00:15:36,667 --> 00:15:38,067 Caitlin is really into guys 361 00:15:38,100 --> 00:15:40,501 who make a lot of money and drive flashy cars. 362 00:15:40,534 --> 00:15:42,701 You haven't been playing that up enough. 363 00:15:42,734 --> 00:15:44,234 I'm all over it. 364 00:15:44,267 --> 00:15:47,934 WOULD YOU BRING US A BOTTLE OF YOUR BEST CHAMPAGNE? 365 00:15:47,968 --> 00:15:49,767 BY "YOUR BEST CHAMPAGNE," I MEAN 366 00:15:49,801 --> 00:15:51,534 YOUR MOST EXPENSIVE CHAMPAGNE. 367 00:15:51,567 --> 00:15:53,501 AND PLEASE HURRY. 368 00:15:53,534 --> 00:15:56,667 I DON'T LIKE TO LEAVE MY PORSCHE 911 TURBO 369 00:15:56,701 --> 00:15:58,300 PARKED IN THE STREET. 370 00:15:58,334 --> 00:16:00,133 OH, I LOVE THAT CAR. 371 00:16:00,167 --> 00:16:02,934 MAYBE YOU'D LIKE TO GET OUT OF HERE AND GO FOR A DRIVE? 372 00:16:02,968 --> 00:16:06,234 SURE, LET ME JUST GO TO THE LADIES' ROOM FIRST. 373 00:16:13,234 --> 00:16:15,868 ALL RIGHT, THIS IS GETTING OUT OF CONTROL. 374 00:16:15,901 --> 00:16:17,267 OH, YOU'RE TELLING ME. 375 00:16:17,300 --> 00:16:19,968 I GOT ABOUT THREE MINUTES TO FIND A PORSCHE. 376 00:16:20,000 --> 00:16:22,667 WE NEED TO HAVE A SERIOUS DISCUSSION. 377 00:16:22,701 --> 00:16:25,133 I'LL GIVE YOU FULL DETAILS IN THE MORNING. 378 00:16:25,167 --> 00:16:27,734 THIS THING WITH CAITLIN ENDS RIGHT NOW. 379 00:16:27,767 --> 00:16:29,133 WHY ARE YOU FLIPPING OUT? 380 00:16:29,167 --> 00:16:30,767 YOU'RE ACTING LIKE AN IDIOT. 381 00:16:30,801 --> 00:16:32,067 I'M HAVING A GOOD TIME. 382 00:16:32,100 --> 00:16:33,234 WHY DON'T YOU GROW UP? 383 00:16:33,267 --> 00:16:34,501 LOOK WHO'S TALKIN'. 384 00:16:34,534 --> 00:16:35,801 DON'T PUSH ME. 385 00:16:35,834 --> 00:16:37,267 ARE YOU GONNA HIT ME? 386 00:16:39,667 --> 00:16:41,767 DUDE, THAT WAS RHETORICAL! 387 00:16:47,701 --> 00:16:49,300 [ ACTION MUSIC PLAY ] 388 00:16:49,334 --> 00:16:50,934 AH. 389 00:16:50,968 --> 00:16:53,200 [ MUSIC STOPS ] 390 00:16:53,234 --> 00:16:55,667 LOOKS LIKE SOMEONE'S SITTING HOME ALONE 391 00:16:55,701 --> 00:16:58,133 WHILE PAUL IS OUT ON THE TOWN WITH SUSAN. 392 00:16:58,167 --> 00:16:59,601 HA HA HA HA! 393 00:16:59,634 --> 00:17:00,901 WAIT A MINUTE. 394 00:17:00,934 --> 00:17:03,534 A RENTED MOVIE, A BOX OF WINE, 395 00:17:03,567 --> 00:17:05,868 TWO HUNGRY-MAN DINNERS. 396 00:17:05,901 --> 00:17:07,701 YOU'RE ON A DATE. 397 00:17:07,734 --> 00:17:08,767 HI, CARTER. 398 00:17:08,801 --> 00:17:10,000 SUSAN, WHERE'S PAUL? 399 00:17:10,033 --> 00:17:11,400 [ SCOFFS ] I DITCHED HIM 400 00:17:11,434 --> 00:17:14,901 HALFWAY THROUGH THAT STUPID, BORING DANCE PERFORMANCE. 401 00:17:14,934 --> 00:17:17,567 STUPID AND BORING. 402 00:17:17,601 --> 00:17:20,234 "PAS DE DEATH" IS THIS YEAR'S DEFINITIVE 403 00:17:20,267 --> 00:17:22,534 OFF-BROADWAY EXPERIMENTAL BALLET. 404 00:17:22,567 --> 00:17:23,934 WHAT ABOUT THE RESTAURANT? 405 00:17:23,968 --> 00:17:25,400 OH, IT SUCKED! 406 00:17:25,434 --> 00:17:28,033 IT WAS SO POMPOUS AND STUFFY. 407 00:17:28,067 --> 00:17:30,634 POMPOUS AND STUFFY. 408 00:17:30,667 --> 00:17:31,934 YOU KNOW WHAT? 409 00:17:31,968 --> 00:17:33,834 I THINK PAUL MAY BE TOO CULTURED FOR YOU. 410 00:17:33,868 --> 00:17:36,400 WELL, I THINK HE MAY BE GAY. 411 00:17:36,434 --> 00:17:39,734 SORRY, CARTER, I BLEW IT. SUSAN DITCHED ME. 412 00:17:39,767 --> 00:17:42,701 WHAT ARE YOU DOING HERE? 413 00:17:42,734 --> 00:17:44,567 OH, PAUL, I'M SORRY. 414 00:17:44,601 --> 00:17:47,200 I JUST DON'T THINK WE'RE RIGHT FOR EACH OTHER. 415 00:17:47,234 --> 00:17:49,367 YOU'RE WAY TOO SOPHISTICATED FOR ME. 416 00:17:49,400 --> 00:17:51,634 CARTER TOLD ME TO ACT THAT WAY. 417 00:17:51,667 --> 00:17:54,801 I DIDN'T ENJOY A SINGLE THING WE DID TONIGHT -- 418 00:17:54,834 --> 00:17:57,634 WELL, WITH THE EXCEPTION OF "PAS DE DEATH." 419 00:17:57,667 --> 00:17:59,534 I MEAN, THAT BLEW ME AWAY. 420 00:17:59,567 --> 00:18:02,067 SO YOU'RE NOT REALLY LIKE THAT? 421 00:18:02,100 --> 00:18:03,234 OH, NO. 422 00:18:03,267 --> 00:18:04,934 I'M JUST A SIMPLE MAN. 423 00:18:04,968 --> 00:18:08,167 I ENJOY BIG-BAND MUSIC AND LEGAL THRILLERS 424 00:18:08,200 --> 00:18:09,968 AND COMMEMORATIVE COINS. 425 00:18:10,000 --> 00:18:11,033 OH! 426 00:18:11,067 --> 00:18:13,000 AND HERE I THOUGHT YOU WERE 427 00:18:13,033 --> 00:18:15,367 THIS BORING, PRETENTIOUS JERK. 428 00:18:15,400 --> 00:18:16,467 HEY! 429 00:18:16,501 --> 00:18:17,868 WHOA, WHOA, WHOA. 430 00:18:17,901 --> 00:18:20,901 YOU'RE INSULTING MY GOOD FRIEND CARTER. 431 00:18:20,934 --> 00:18:22,934 WELL, I GOT NEWS FOR YOU -- 432 00:18:22,968 --> 00:18:26,100 YOU DON'T LIKE CARTER, YOU DON'T LIKE ME. 433 00:18:26,133 --> 00:18:28,100 BUT I DO LIKE YOU. 434 00:18:28,133 --> 00:18:30,701 OKAY, LET'S GO! 435 00:18:32,901 --> 00:18:34,601 THANKS. 436 00:18:34,634 --> 00:18:36,100 BYE. 437 00:18:38,234 --> 00:18:39,801 OH, MY GOD. 438 00:18:39,834 --> 00:18:43,100 I JUST LOST A WOMAN TO PAUL. 439 00:18:43,133 --> 00:18:44,200 WHAT ABOUT ME? 440 00:18:44,234 --> 00:18:46,834 SHE REJECTED EVERYTHING I'M ABOUT -- 441 00:18:46,868 --> 00:18:48,801 MY CULTURE, MY REFINED TASTE. 442 00:18:48,834 --> 00:18:51,667 I KNOW WHAT WILL MAKE YOU FEEL BETTER -- 443 00:18:51,701 --> 00:18:54,400 "WHEN CROCODILES GO CRAZY III." 444 00:18:54,434 --> 00:18:56,000 I'LL UNBOX THE WINE. 445 00:18:56,033 --> 00:18:58,334 [ ACTION MUSIC PLAY ] 446 00:18:58,367 --> 00:19:00,267 AH HA HA. 447 00:19:00,300 --> 00:19:01,300 OOH! 448 00:19:01,334 --> 00:19:03,901 ALLIGATOR IN THE TRAILER PARK. 449 00:19:03,934 --> 00:19:06,100 BAD TIME TO WASH THE PICKUP. 450 00:19:11,067 --> 00:19:12,767 [ DOOR OPENS ] 451 00:19:12,801 --> 00:19:14,634 OKAY, WHAT HAPPENED BACK THERE? 452 00:19:14,667 --> 00:19:16,667 WHY DID YOU GET IN A FIGHT WITH SCOTT? 453 00:19:16,701 --> 00:19:18,634 THAT WASN'T A FIGHT. 454 00:19:18,667 --> 00:19:21,133 THAT'S AN OLD COLLEGE GAME. 455 00:19:21,167 --> 00:19:23,601 IT'S CALLED "I PUNCH YOU." 456 00:19:25,501 --> 00:19:28,000 IF YOU EVER PLAY, TRY TO GO FIRST. 457 00:19:28,033 --> 00:19:30,734 IF YOU WERE PROTECTING MY HONOR, YOU DON'T HAVE TO. 458 00:19:30,767 --> 00:19:32,901 SCOTT'S NOT THE FIRST GUY TO HIT ON ME. 459 00:19:32,934 --> 00:19:34,234 I CAN LOOK AFTER MYSELF. 460 00:19:34,267 --> 00:19:35,667 I KNOW THAT. 461 00:19:35,701 --> 00:19:37,434 THEN WHAT MADE YOU SNAP LIKE THAT? 462 00:19:37,467 --> 00:19:39,567 SCOTT AND I HAVE BEEN GOING OUT 463 00:19:39,601 --> 00:19:41,567 AND PICKING UP WOMEN FOR YEARS, 464 00:19:41,601 --> 00:19:43,801 BUT WHEN I SAW HIM DOING IT TONIGHT, 465 00:19:43,834 --> 00:19:45,200 I-I JUST LOST IT. 466 00:19:45,234 --> 00:19:47,300 THAT'S NOT GOOD ENOUGH. I WANT TO KNOW WHY. 467 00:19:47,334 --> 00:19:50,267 BECAUSE HE WAS DOING IT TO YOU, AND YOU'RE MY FRIEND, 468 00:19:50,300 --> 00:19:52,267 AND YOU DESERVE BETTER THAN THAT. 469 00:19:52,300 --> 00:19:54,701 [ High-pitched voice ] I'M SO TOUCHED. 470 00:19:54,734 --> 00:19:57,234 IT'S THE SWEETEST THING I'VE EVER HEARD. 471 00:19:57,267 --> 00:19:59,934 WHAT'S GOING ON WITH YOUR VOICE? 472 00:19:59,968 --> 00:20:03,467 THIS IS A SPECIAL MOMENT. TELL ME YOU'RE NOT MOVED. 473 00:20:03,501 --> 00:20:04,801 OH, DAMN. 474 00:20:04,834 --> 00:20:06,334 [ SIGHS ] 475 00:20:06,367 --> 00:20:09,067 HAND ME A TISSUE. 476 00:20:09,100 --> 00:20:12,467 [ Normal voice ] THAT'S IT, LET IT OUT. 477 00:20:12,501 --> 00:20:15,701 I GOT BLOOD ON MY LOAFERS. 478 00:20:20,400 --> 00:20:22,834 LOOK, CHARLIE, I KNOW SCOTT'S A PLAYER. 479 00:20:22,868 --> 00:20:24,400 BUT DEEP DOWN, I CAN TELL 480 00:20:24,434 --> 00:20:26,567 HE'S AN HONEST, SENSITIVE PERSON. 481 00:20:26,601 --> 00:20:28,701 YOU SHOULD HAVE SEEN HIM BREAK DOWN 482 00:20:28,734 --> 00:20:31,100 WHEN HE REALIZED HIS PORSCHE WAS STOLEN. 483 00:20:33,934 --> 00:20:35,767 I KNOW HE THINKS THE WORLD OF YOU. 484 00:20:35,801 --> 00:20:36,968 YOU SHOULD TALK TO HIM. 485 00:20:37,000 --> 00:20:39,000 YEAH, YOU'RE PROBABLY RIGHT. 486 00:20:39,033 --> 00:20:42,567 COME ON, I'LL WALK OUT WITH YOU. 487 00:20:44,100 --> 00:20:47,367 GET OVER YOURSELF. 488 00:20:54,601 --> 00:20:56,033 ARE WE COOL? 489 00:20:56,067 --> 00:20:57,934 YEAH, WE'RE COOL. 490 00:21:00,267 --> 00:21:03,434 I CANNOT BELIEVE THE KEGMASTER IS A BIG-TIME LAWYER. 491 00:21:03,467 --> 00:21:06,100 AND YOU'RE THE DEPUTY MAYOR OF NEW YORK. 492 00:21:06,133 --> 00:21:07,667 I GUESS WE'RE MATURING. 493 00:21:07,701 --> 00:21:10,467 WHAT DO MATURE GUYS DO? 494 00:21:10,501 --> 00:21:11,801 THEY GOLF. 495 00:21:11,834 --> 00:21:15,467 WANNA GO GOLFING? 496 00:21:15,501 --> 00:21:17,334 I GUESS WE SHOULD BRING SOME BEERS. 497 00:21:17,367 --> 00:21:19,634 AND SOME DATES. 498 00:21:19,667 --> 00:21:23,868 I'M LOVING EVERYTHING EXCEPT THE GOLFING. 499 00:21:23,901 --> 00:21:27,300 LET'S GO TO A BAR. WE CAN WATCH GOLF. 500 00:21:29,634 --> 00:21:32,100 - [MAN] SIT, UBU, SIT! - [DOG BARKS] 36003

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