All language subtitles for Cold.Case.S03E05.Committed.1080p.AMZN.WEB-DL.DDP2.0.H.264-NTb_track3_[eng]

♪ Hey nonny ding-dong ♪

♪ Alang alang alang ♪

♪ Boom ba-doh ♪

♪ Ba-doo ba-doodle-ay ♪

♪ Oh life could be a dream ♪

Otis..

...maraschinos.

♪ If you would tell me
I'm the only one ♪

♪ That you love
life could be a dream ♪

- You wanna do 'em?
- No, you, mom.

♪ Hello again sh-boom
and hoping we meet again ♪

Yowie, I like how that looks.

♪ If only
all my precious plans ♪

How do you like that, Otis?

I like that.

Now answer me truly,
after you've thought about it

really thought about it,
and I don't want some

off the cuff routine,
I want it from your heart.

Are we done? You think about
it now, I mean it.

Let's make chocolate.

Let's make every kind
of sweet ever.

Absolutely, little man.

Let's do it, we can
do anything we want

because we are running on
a constantly replenishing

fuel of love.

- Do you understand that, Otis?
- Yes.

Put a trivet
on the table quickly.

♪ If you would tell me I'm
the only one that you love ♪

Dad's baked Alaska.

Your father loves
this dessert, Otis.

It's beautiful.

How do eggs shape up
to look

like the waves of the ocean,
Otis?

Makes the world so small.

Everything alike

from the chickens
to the seaweed.

[sighs]
It's awful comforting.

♪ Sh-boom sh-boom ya-da-da
da-da-da da-da-da da ♪

♪ Sh-boom sh-boom ya-da-da
da-da-da da-da-da da ♪

I smell a forest fire.

[chuckles]

♪ Every time I look at you ♪

♪ Something is on my mind ♪

[gasps]

It's so beautiful.

Do you see it?

These colors, Otis.

And to think we made this
from only eggs and love.

I've never seen
anything like this.

♪ If you would tell me I'm
the only one that you love ♪

♪ Life could be a dream ♪

Mom, it's burning.

Get some water.

It's okay, little man.

It can't hurt us.

It may be a miracle, I think.

♪ Sh-boom ba-doh ba-doo
ba-doodle-ay ♪

♪ Life could be a dream ♪

♪ Life could be a dream
sweetheart ♪

♪ Life could be a dream.. ♪

[dramatic music]

This old lady dies
in her apartment in Fishtown.

ME tracks down the son
who's next of kin.

- This a homicide?
- Old age.

Seems straightforward.

But the guy drives
ten hours from Ohio

to ID this Bettie Petrowski.

Gets there, says,
"That ain't my mother."

Meaning what?

Meanin' the old lady
on the slab's a fraud.

Ain't Bettie,
but she's been using

her social security number
like she is.

So where's the real Bettie?

Unaccounted for since 1954.

- Probably dead.
- Maybe murdered.

Lil has the guy looking
through Jane Does.

Detective Valens.

Sutton, this is Otis Petrowski.

Oh, hi.

Uh, sorry,
I-m-I'm blinking weird

'cause I've had these
peepers on for hours now.

So we're thinking
whoever this is

'might have killed your mom
in order to use her identity.'

Yeah, well, that's why

I'm flipping through
these books of the dead.

It would explain why
Otis hasn't heard from her

since he was eight years old.

How do you account
for that growin' up?

Well, my mother
was a mental patient.

She had a breakdown
when I was eight.

Almost burned down
the house with me in it

so my father committed her
to the Philadelphia City Asylum.

What was going on
with your mom?

Manic depression.
Bipolar is the new term.

After she was committed,
you didn't see her anymore?

Well, you know,
we visited her a few times

but me and my dad
went our own way.

He got married again.

Did you ever try
to find your mom?

Well, I mean, it's not like
I didn't toy with it

but I figured
she forgot about me.

The same way she forgot
she shouldn't be setting fires

around your kid.

[sighs]

I don't need
to look at that twice.

[sighs]

This is your mom?

[Otis]
'That's her face.'

You don't forget.

[Valens]
'Jane Doe number 17.'

Killed winter of '54.

We only committed her
that summer.

So if this is the real
Bettie Petrowski..

[dramatic music]

Who's Frannie got in there?

[theme music]

[instrumental music]

- Scotty.
- Hey.

What's up, Jo?

She's wiping us clean
at poker is what.

- Soft players here in Homicide.
- Ah!

Guy's not parked outside
your house anymore, is he?

- He's keeping his distance.
- Good.

I gotta run.
Nice seeing you, Gil.

- Yeah.
- Hey.

What's that about?

Sergeant White.
Guy's a real piece of work.

Yeah, I heard rumors.
They had a thing?

Yeah, only in his head.

Sexual harassment thing.

You saying she filed
a report on him?

She didn't have to.
Guy made a spectacle of himself.

'Cause everyone around here
thought it was the other way.

Her stirring it up.

No, this White didn't
need to get stirred.

She's lucky to get
transferred out.

Leave that behind.

The Jane Doe this guy
ID'd as his mom

was found dead in Fairmount
Park, December 28th.

"Blunt force trauma
to the skull."

No ID, no personal effects.

Theory was Jane Doe's a drifter,
killed by another drifter.

No one ever made the connect

that this Jane Doe
was a mental patient.

She'd already checked out.

Bettie Petrowski was signed out

of Philadelphia City Asylum

by Nurse Anika Olsen

on December 26th, 1954.

That's two days
before the body was found.

Family's gone,
out of the hospital.

It's gotta be
a lonely time for Bettie.

People lined up
to take advantage

of a woman in that position.

Not to mention
who she might have met

in the hospital.

Rooming with loonies,
some of them

could have been
head-bashing types.

Now, let's talk to this nurse.

See if Otis can tell us
anything about the hospital.

What about the Jane Doe 2005,
the one Frannie's got?

Yeah, survey her neighborhood
in Fishtown.

You gotta figure
we ID this Jane Doe

we're that much closer
to finding Bettie's killer.

My-my daughter jumped in the car

when she heard
I was coming here.

'Wouldn't get out.'

[Rush]
'That's nice of you.'

Keeping your dad company.

I wanna learn
about my grandmother.

My thing is, just because
someone's manic depressive

doesn't mean the family
has to, like, hide her.

[Otis]
'Alright, alright,
we know what you think.'

Otis, what can you tell us
about City Asylum?

Your mom have
any trouble there?

Talk about problems with anyone?

Oh, no, my mother
never complained.

Especially in her up moods.

The world was sunshine
and roses.

I read on the internet,
bipolar people

can have full-on
hallucinations.

So she might not have seen
a dangerous situation

for what it was.

You know, the day we committed
her, that was definitely true.

What didn't she see that day?

The lunatics
crawling up the walls

she was sharing with them.

[Thelonius Monk
playing "Bags Groove"]

Your mommy will have
a wonderful, relaxing time

here at our hospital.

Dr. Paquette
is a superior doctor.

He'll treat your mommy himself.

Won't that be nice for her?

Yes, ma'am.

[Bettie]
'Hey, Otis.'

This place is really
something else

don't you think?

Look at all these
different kinds of people.

'I bet I'll come home with
all kinds of stories for you.'

Hey, you wanna know
what I wanna do?

I want you and me to take
our own tour of this place.

I wanna explore.

I wanna know every inch of it.

[screaming]
Stay away from me, fascists.

Her painting is horrifying.

- Grab it!
- Carmen, stop right there.

Come any closer and I'll show
the painting to the kid.

No, it's got a lady..

...with a zipper for a mouth.

Hear that? This girl's
a painter, Otis.

I have been in a fever
working on this.

It's a vision of what's
happening to us.

'I plan to hang it
on the wall and say'

"Good morning, you. It's another
day in this dreadful place.

Hold on for dear life."

You're running
out of chances, Carmen.

I'll show it to him.
I swear I will.

Do it.

Can I take a peek?

Well, I bet it's just
out of this world.

Bettie.

Simmer down.

It's beautiful.

It's so sad.

You lost it.

You lost it!

I hate you!

If someone took my poetry away

I would totally be
in a mental hospital.

You would totally be
in law school.

So, uh, this Carmen's
doing these disturbing

'paintings of women.'

- It was a metaphor.
- It was twisted.

Kids at school used to ask me,
"Where's your mother?"

'What was I supposed to say?'

"Taking retreat
with a maniac painter

and assorted psychos?"

I used to say mine was
on tour with a rock band.

So Carmen was pretty upset
with your mom.

Foaming at the mouth.

After seeing that girl
and her painting

I thought for sure my mom would
meet her end at that place.

Nurse Olsen,
you were the last person

to see Bettie Petrowski alive.

You signed her out yourself from
the Philadelphia City Asylum.

Everyone who came or went
did so through me.

I was a one-woman
security check.

What can you tell us
about Bettie

the day she left?

She...wore the clothes
she came in with.

She was in good spirits.

Insisted on leaving
in spite of the fact

that there were no family
members there to meet her.

- Good memory on you.
- True.

Was she worried about anything?

Happy to leave.

They usually were.

Did Bettie make any
enemies during her stay?

Of course.

One hundred and twenty women
in the same building

'with only the task of recovery'

to busy their idle minds.

We talking cat fights?

Cannibalism.

You remember a girl
named Carmen?

Carmen was explosive..

Uh, moody..

Distorted view of reality.

But it was Zelda
that Bettie was truly afraid of.

[Bettie]
'Some days, I can't
get out of bed.'

I've tried storing casseroles
in the freezer

so that the boys
will always have supper.

Look at me now, babbling.

Oh, please go on.

Zelda, it's not
your turn to speak.

My son's the only thing
for certain I've done right.

Now I think he's afraid of me.

Boo!

I thought you were
gonna die at the end.

That's the only kind
of story I like.

You're absolutely vile, Zelda.

I won't listen to it.

Can it, ankle biter.

- Give that back.
- What?

- This?
- 'It's mine.'

My son gave it to me
the day I came here.

'It's all I have of him here.'

Please.

Then what do I get?

Huh? You've got
everything I want.

Why can't I get one lousy,
stinking thing?

Zelda, on the count
of three, will you sit down

with your arms crossed
across your chest--

If you bring the guards in here,
I'll absolutely faint.

- 'One..'
- 'I will!'

I got a kid, didn't make
it past two months

- Two...
- And a cripple husband.

- That's 'cause you pushed him--
- That's it. Guard!

- No, you didn't.
- I did.

He irked me, like you do.

Maybe I ought to do an encore.

[laughs]

So then, Zelda was jealous
of Bettie's life.

Anything would be better
than her own.

Good motive
for the identity theft.

What happened to this Zelda?

She still committed?

Oh, no.

She was too tricky for that.

So she got out 'spite there
being bats in the belfry?

She persuaded Dr. Paquette,
the chief of medicine.

How, I don't dare imagine.

I signed her out myself.

When was that?

The morning Bettie was released.

And there's her opportunity.

Zelda Amatuzzi? Philly PD.

Oh, Zelda?

[sighs]

Wanna talk to you
about Bettie Petrowski.

Yeah, you knew her
at City Asylum.

Yes, he said asylum. Carry on.

We got people telling us
you, uh, hated Bettie.

Threatened to kill her like
you tried to do your husband.

Hey!

If a worthless,
drunk son of a bitch

falls down the stairs

and no one's around

did he really fall?

According to the police
report, yes

'and at your hand.'

Maybe you waited for her
outside the hospital.

Got her back
for having what you didn't.

I didn't hate Bettie.

Get yourselves
up to date, will you?

Well, do us the honors, Zelda.

Bettie stuck up for me.

She made
those other hens realize

that I wasn't just loony
as they thought.

[Bettie]
'Paint by numbers.'

I feel like a trained seal.

Carmen!

Yes, Bettie?

Come take a peek.

Carmen..

'...that is delightfully
creative.'

[chuckles]
This thing? I don't know.

I like it.

Hey, bones, you could
use some of this food.

Carmen had private art lessons
with famous artists

'cause her family's
got railroad money.

[Carmen]
'Oh, which they put to good use
keeping me locked away in here.'

Why are you here, Carmen?

I paint nude ladies
and skeletons

and sometimes derelicts

with a bottle of booze
in their hands.

I'm a pervert and
a ne'er-do-well. Can't you tell?

If you're a pervert,
I'm Mamie Eisenhower.

Everybody, can it!

I hear him.

Oh, all I wanna do is dance.

- Oh, here she goes.
- What is it?

You're imagining things, Zelda.

She thinks
she hears Elvis Presley.

Who?

He sings Negro music.

- He invades my dreams.
- More like your head.

At least I don't have
knee bones wider than my head.

♪ That's alright ♪

I hear it, too!

♪ That's alright ♪

- Hello.
- Anton.

Woo-ee, there he is.

♪ Well that's alright mama ♪

♪ That's alright for you ♪

♪ That's alright mama ♪

♪ Just anyway you do it ♪

♪ That's alright ♪

♪ That's alright.. ♪

And that's when Anton
got his new hobby.

Bettie Petrowski.

So he pursued her?

Like a dog on a scent.

Did he know she was married?

Oh, he'd strut around
telling all of us

he'd be the one
to turn her head.

Did she return the feelings?

It's 1954.

A young black kid's got the hots

for a white married lady
older than him.

You think he had
a snowball's chance?

Let's talk about
Bettie Petrowski.

We heard you
had it bad for her.

She was a nice lady.

Well, Bettie was killed,
you know.

Skull bashed in, over her
right eye, an act of rage.

I don't know
anything about that.

Ah, it must have hurt, Anton

when you realized
it didn't matter

if these ladies were locked up,
sick in the head.

You still weren't going
to be good enough for them.

You were just the black boy
changing the sheets, right?

[chuckles]
No, it wasn't like that
in the hospital.

How was it?

Well, we could be friends.

The way we couldn't
on the outside.

But you didn't wanna settle
for just friends with Bettie.

Bettie was devoted
to her husband and her boy.

Said that they were what
kept her going in there.

I'm a romantic.

But you two got close.

Yeah.

Bettie got real low
a few weeks in.

They gave her
hydrobath treatment.

What's that?

Well, it's bathtubs full of ice

girls would have to soak in.

Supposed to snap you
out of depression.

I looked after her then.

Learned about her.

[Abbey Lincoln
singing "Let Up"]

Bettie's not moving,
Anton. Take her out.

Wait. Not yet!
It will help her soon enough.

Have you had it?
'Cause I have.

It don't work.

Alright, girls.
I'm going in.

[Zelda]
'Anton.'

♪ Let up ♪

♪ Let up ♪

♪ When will.. ♪

[clanking]

There you go.

♪ Let up ♪

Bettie?

That's it.

Let me out.

I'm not supposed to.

[sighs]

Zelda wanted me
to give you this.

All your friends are thinking
about you, Bettie.

Otis.

Why don't you tell me
about Otis?

Tell me your favorite time
with him.

At the park.

At the park.

We went to the swings.

Oh! My little sisters love that.

It started to rain.

Oh, no.

Warm rain.

Spring.

Everybody ran to their cars.

Not you?

Otis wanted to stay.

We did.

We stayed.

That's wonderful, Bettie.

Let's get you out.

You're all better now.

♪ Bringing me down ♪

♪ Sending me 'round ♪

♪ Ease up ♪

[Terrence Petrowski]
'What is this?'

What am I looking at?
Hey.

What are you two doing?
You put her down.

- I was making her warm, sir.
- You do not touch her.

Bettie, Bettie,
you look at me.

She's not feeling well, sir.
She's been in the tub--

Get out!

♪ When we'll try ♪

What are you doing to me?

'You better run, boy.'

He looked at me and
I thought I was a dead man.

The husband
ever follow up with you?

No.

Maybe he didn't
take it out on you.

Took it out on Bettie.

[Valens]
Hey, your car still out?

I can get you home again.

No, thanks.

Me and Will were just leavin'.

You two have a nice night.

What are you doin'?

Offerin' a ride.

Maybe keep the charity
out of Vera's earshot.

Ah, they're giving us grief.
It's nothin'.

It's nothin'
when they do it to you.

You know, you're not doing
yourself any favors.

Clammin' up about what happened
with that Sergeant White.

Sherman filled me in.

Now, why don't you
tell the truth?

'Cause Vera and them
are walking around

thinking you're something
you're not.

Some thing? Like what?

A slut?

Yeah, alright.
But you're not.

Yeah.

I'm saying
it'd be easier for you here

if people knew the truth.

Every guy I've ever worked
with, cops, you guys..

You guys mess around,
you get around.

- You said it about yourself.
- I've made mistakes.

And whatever you did...
no one gives you

the up and down
in the office

like you don't
deserve to be here.

And no one thinks
that about you.

You don't have to make
a presentation

about personal stuff.

None of you guys do.

Why should I?

It could help you.

[sighing]
I'm not helping
myself that way.

- Hey, Jo, let me drive you.
- I'm walkin'.

Otis, your dad may have
thought your mother was..

...having an affair
with a hospital orderly

a young black guy.

A couple of obvious
problems there.

No way, my mom was nuts
about my dad.

She loved him like crazy.

Like crazy.

Oh, your mother took good care
of that cowboy you gave her.

'Everyone we talked
to mentions her'

having it around
all the time.

I gave it to her
to protect her.

Maybe, this is why mom
says you have trouble

showing your feelings.

Because of losing grandma.

Oh, great.
You two analyzing me.

Otis, did your dad ever show
any violent tendencies?

Any temper problems?

My father wouldn't have lost
his head about some orderly, no.

How do you know?

Because by then, my dad knew
he had to move on from my mom.

[Terrence]
'Otis asked me when
you're coming home.'

I don't wanna lie
to him anymore.

Then tell the hospital
it's time for me to go.

You're not better.

They said they'd cure me.

Doctor said
it's manic depression.

- There is no cure.
- Not yet.

You don't know what
they'll come up with next.

What do me and Otis do
until then?

Put up with me?

You almost killed
our son in a fire.

I'm sorry.

What is it, Terrence?

I met a lady at church.

Oh!

Look, I've got to make
a good home for Otis.

And I can't raise him
on my own.

We're being punished.

Me and the girls for something
I did in art class.

Terrence, I don't think
I'll survive it

if I don't have Otis
to come home to.

You're not good
for him, Bettie.

You can't..

I guess I'm no good
to him sick.

And there's no cure for that.

I want Otis to have
the best life there is.

Promise.

Promise me straight
from the heart, Terrence.

He'll get the best.

I promise, Bettie.

Alright.

Otis, let's go.

Oh, it's okay, little man,
you can take him.

You give him to me
next time, mom.

I love you.

Won't you hug your old mom?

What was she being
punished for?

- I don't know.
- Otis, when was this?

Right before Christmas.

Right before your mom died,
right?

Bettie said it was
she and the girls.

Maybe, Zelda knows who
was being punished and why.

[Valens]
'We heard, uh, Bettie
and her friends were punished'

by the hospital
right around Christmas.

Is it something
involving art class?

That something involve you?

Uh-huh, usually did.

You're talking about
Bettie's big idea.

[Sutton]
'What do you mean?'

Well, see, Bettie had
this wacky idea

that we needed some culture
for our brains

and that Carmen would be
the one supplying it

'vis-a-vis art class.'

So, Carmen, the rich one,
she was the art teacher?

But it was Bettie

that got her heart set
on making this a real class.

- Real, huh?
- Yeah.

And, uh, that's how
Carmen got ruined.

[giggling]
I need to stop giggling.

This place echoes
like a church.

I'm ready.
Consider me an artiste.

Okay, we've been talking
about the human form.

Last time, we did line drawings
of each other's faces.

Bettie did a very
beautiful drawing of Annie.

'Tonight we move on
to the body.'

Depicting the nude is an ancient
tradition in art

where artists sought to depict
a more idealized human form.

I'll say.
Betty, you're a genius.

It is said Michelangelo believed
that the figure of David

already existed inside the block
of stone he was carving

and that his art
would merely set David free.

Carmen, I think we're ready
to be set free.

I think I'll faint.

Carmen!

Oh, bones, just
take a deep breath.

No.

This is absolutely forbidden.

Absolutely against the..

Holy Moses.

'Mr. De La Rosa.'

Say goodbye, Carmen.
This was your last chance.

- No.
- It was my idea.

It was Carmen's last chance
for what?

[sighs]
It was after that,
that the hospital

and her family decided
it was time..

...for Carmen
to have her lobotomy.

Because of the art class?

Uh, the nude black man
pushed them over the edge.

But how did Carmen feel
about getting the, uh..

The old ice pick
through the eye?

What do you think?

It was the end
of her world.

- So, this is how it is now?
- What?

When you work with someone,
you need eye contact.

It's your own business.

- You're right.
- Thanks.

I didn't mean
to make you upset.

Alright.

As far as you being
part of things here..

...you've been real good
and everyone sees you

pulling your weight.

I'm tryin'.

Okay.

It's peace?

Peace.

I can't do this.

[chuckles]
No, I know.

I can't afford it.

Yeah, me neither.

So, don't look at me
like that.

I won't.

Stand aside.

Done and done.

The hospital records say
Carmen went in

for the lobotomy
but never checked out.

I ran her name down
every which way.

No trace of her after that.

Here's why, the old lady
I brought Otis in to see

she's Carmen Hays.

Confirmed it
from dental records.

So, Carmen stole
Bettie's identity.

[Frannie]
'But here's what's screwy.'

Carmen's body,
no trace of a lobotomy.

So, she got out
of it somehow.

There's something interesting
with Bettie's remains though.

This bone was broken when
Bettie's body was found in '54.

Autopsy report said
that was cause of death.

- Blunt force trauma.
- But this break is clean.

Consistent with a surgical break.

Bettie's the one
who had the lobotomy.

[Vera]
'So, Bettie goes
under the knife.'

Carmen walks free
using Bettie's name.

How's this get past
Nurse Olsen?

The one-woman security check.

'She would have known
Carmen from Bettie.'

She was in on it.

Nurse Olsen,
let me ask you.

'You noticed anything different
about Bettie Petrowski'

'when you signed her
out of the hospital?'

Different?

Yeah, like maybe she's not
the same person she used to be?

Like maybe she's Carmen?

Look, you know what
we're talking about.

No one checked in
or out of that hospital

without going through you.

That's true.

And Bettie Petrowski
checked out.

Only it was really Carmen.

You helped her escape
with Bettie's name.

- Why would I do that?
- The Hays family was flush.

Carmen would have
compensated you nicely.

I did not do anything
for Carmen.

Then how do you explain
her getting out

and Bettie getting
her lobotomy?

You put your professional
opinion aside

and gave Carmen
what she paid you for.

You're wrong. It was my decision
as a medical professional.

To lobotomize Bettie?

You have to understand.

At the time, we thought
it was the cure.

Absolutely not, Bettie.

Wait, hear me out.

I told her you'd never do it.

- Bettie, just stop.
- No, I won't.

Dr. Freeman is the foremost
lobotomist in the country.

He is only in Philadelphia
twice a year.

I'm saying Carmen doesn't
want it, but I do.

Let him takeme.

'I'm the one
who needs to be cured.'

There's nothing wrong
with Carmen.

You are not a doctor, Bettie.

Carmen's only problem's
she's trapped here by her family

and can't show
the world her art.

Wouldn't you like that, Carmen?

- I don't need to be famous.
- But you need to be free.

And the world needs you.

How many people can
make pictures like yours?

I don't feel right
about this, Bettie.

This is hare-brained,
isn't it?

No. I've read it. Lobotomy's
meant to even out your moods.

That's what I need.
So, I can see my Otis again.

'Please.'

Nurse, you said
Dr. Freeman's the best.

- He is.
- This is my last chance.

'If I wait, Otis will be moved
on with another mother.'

A lady from church,
and I'll have to let him go.

- All I wanna do is paint.
- All I want is Otis.

♪ I cry a river ♪

I'm sure.

♪ Over you ♪

But somethin' in your plan
didn't go right

'cause Bettie
never saw Otis again.

[sighing]

The snowstorm ruined our plan.

How?

Roads were closed.

So, instead of Bettie going
to the private hospital

that Carmen had paid for, she
was brought back to City Asylum

after the lobotomy.

That's when Dr. Paquette
got involved.

The head of the hospital?

What did he do?

To protect the hospital
and his reputation..

[sighing]
...he..

He made Anton clean up..

...my mess.

Anton.

Did Dr. Paquette tell you
to kill Bettie Petrowski?

[sighing]
I don't remember that.

You were her friend, Anton.

You cared about her.

Don't tell me this
doesn't eat at you.

He said to get rid of her.

Said nobody would
miss her, anyhow.

Otis missed her.

I thought I could save myself..

...and my little sisters.

But I made a bargain
with the devil that day.

What happened?

He told me he'd use
the art class against me.

Turn it into
a sexual allegation.

If I went to jail

there'd be nobody to take care
of my sisters.

Where did you take her?

She was like a child.

Couldn't fend for herself.

I put her in my truck.

She couldn't understand
where we were going.

I don't know if Otis
still remembers this..

...but I always thought it
should go back to him some way.

What did you do with her,
Anton?

I tried to be merciful.

[instrumental music]

It's alright, Bettie.

Isn't it beautiful
outside?

It's not so bad.

Not so bad.

[music continues]

[Anton]
'The park.'

That's the park.

Otis..

Right, Bettie.

[music continues]

Remember when you and Otis
went to the park?

It started to rain.

Everybody else wanted
to go to their car

but not Otis.

You wanna go on
down there?

Go on out to the swings?

Yes.

Okay.

It was springtime, Bettie.
Remember?

It was a warm rain.

Just like now.

So, you won't be cold.

Go ahead now.

[music continues]

[music continues]

[music continues]

[music continues]

♪ Only you ♪

♪ Can make this world
seem right ♪

♪ Only you ♪

♪ Can make the darkness bright ♪

♪ Only you and you alone ♪

♪ Can thrill me like you do ♪

♪ And fill my heart with love ♪

♪ For only you ♪

♪ Only you ♪

♪ Can make this change in me ♪

♪ For it's true ♪

♪ You are my destiny ♪

♪ When you hold my hand ♪

♪ I understand ♪

♪ The magic that you do ♪

♪ You're my dream come true ♪

♪ My one and only you ♪

♪ Only you ♪

♪ Can make this change in me ♪

♪ For it's true ♪

♪ You are my destiny ♪

♪ When you hold my hand ♪

♪ I understand ♪

♪ The magic that you do ♪

♪ You're my dream come true ♪

♪ My one and only you ♪

♪ Only you ♪

♪ Can make this change in me ♪

♪ For it's true ♪

♪ You are my destiny ♪

[Rush]
Stay tuned for scenes
from our next episode.

[theme music]