Original subtitles

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

Man: JENNY!

[ girl laughing ]

[ rattles ]

[ yelling ]

[ Jenny screams ] HALLAM!

YOU'’RE DEAD.

YOU'’RE FUCKING DEAD!

- I'’LL GET MY BROTHER ON YOU. - JENNY, COME BACK, WAIT!

FUCKING PERVERT!

IF THAT WAS A JOKE, IT WASN'’T VERY FUCKING FUNNY.

AND I WOULD LOOK OUT FOR HER BROTHER. HE'’S A FUCKING MENTALIST.

JENNY, JENNY!

[ blows ]

- I'’LL MISS YOU. - I HATE YOU.

CAN I TAKE THIS?

THIS CAN'’T STILL FIT YOU, SURELY.

GET OUT OF MY ROOM, HALLAM.

YOU'’RE NOT GOING ANYWHERE WITHOUT THESE, ARE YOU?

I'’M GONNA TAKE THESE. AND WHAT IF I START PUTTING THESE BACK?

- GET OUT OF MY ROOM. - OW!

♪ WHEN HE SPOKE, SHE SMILED IN ALL THE RIGHT PLACES ♪

♪ IN HER SMILE, HE SAW THE POISON SHE TASTED ♪

♪ HE WASN'’T LISTENING TO HER SWEET WORDS ♪

♪ HE WASN'’T LISTENING TO HER LYING TONGUE ♪

♪ HE WAS LISTENING TO THE WORDS BEING SUNG... ♪

[ electricity crackles ]

♪ I HEAR YOU, BLUE BOY... ♪

[ growls ]

♪ FRIENDS TOLD HIM ABOUT THEIR YOUNG HEARTS'’ PASSION... ♪

[ howls ]

♪ DOWN BY THE SEA WHERE THE BLUE WAVES CRASH IN ♪

♪ HE WASN'’T LISTENING TO HER SWEET WORDS ♪

♪ HE WASN'’T LISTENING TO HER LYING TONGUE ♪

♪ HE WAS LISTENING TO THE WORDS BEING SUNG. ♪

[ liquid pouring ]

THANK YOU.

TO AUSTRALIA

AND GREAT ADVENTURES.

HAPPY ANNIVERSARY DAD AND VERITY.

ABSENT FRIENDS.

ABSENT FRIENDS.

DO YOU KNOW WHY WE CHOSE THIS RESTAURANT?

- IT CAN'’T BE THE FOOD. - I TOLD YOU TO HAVE THE VEAL.

IT WAS HERE THAT JULIUS

FIRST ASKED ME TO HELP MANAGE THE FIRM.

YOU MEAN WHEN YOU WERE THE SECRETARY?

THAT'’S RIGHT. WHEN I WAS HIS SECRETARY.

- I DIDN'’T KNOW THAT. - Verity: THAT'’S BECAUSE I SAID NO.

I WASN'’T READY FOR IT THEN.

BUT THIS AFTERNOON, I PUT THE SAME QUESTION TO VERITY,

- AND I'’M HAPPY TO SAY SHE AGREED. - OH, CONGRATULATIONS.

WHEN WAS IT YOU WERE FIRST ASKED?

IT MUST HAVE BEEN A COUPLE YEARS AGO.

AND WAS THAT BEFORE OR AFTER?

IT WASN'’T LONG BEFORE YOUR MOTHER PASSED AWAY.

DO YOU REMEMBER WHAT HAPPENED LATER?

YOUR FRIEND.

[ laughs ] OH, YES.

THAT SAME DAY AN OLD BOYFRIEND OF MINE CALLS UP AND INSISTS

ON TAKING ME OUT FOR DINNER. GUESS WHERE HE TOOK ME?

[ laughs ]

CAN YOU IMAGINE WHAT THE STAFF MUST HAVE THOUGHT?

THE PROBABLY THOUGHT YOU WERE A PROSTITUTE.

[ muffled laugh ]

[ laughs ]

PROBABLY.

- Lucy: WHY DON'’T YOU COME TO THE PUB? - Hallam: NO, THANKS.

- HERE'’S FINE. - YOU GOT YOUR BINOCULARS IN THERE?

COME TO THE PUB.

MAYBE NEXT TIME.

THERE ISN'’T GONNA BE A NEXT TIME.

YOU FUCKING SPLITTER.

[ piano playing ]

NIGHT, MOM.

♪ I HOPE THAT YOU GET ♪

- ♪ WHAT YOU WANT... ♪ - HALLAM!

- I'’M GOING. - ♪ WHEN YOU WANT IT... ♪

GOODBYE.

LUCY!

WAIT, LUCY!

♪ '’CAUSE I AIN'T GOT ♪

♪ WHAT I LIKE ♪

♪ I DON'’T KNOW. ♪

- [ feedback ] - HALLAM, LUNCH IS READY.

MMM!

IT'’S VERY GOOD SOUP.

WE'’VE BEEN THINKING, HALLAM. NOW THAT LUCY'’S GONE,

IT'’S NOT GOOD FOR YOU TO BE HERE

WITH NO ONE OF YOUR OWN AGE AROUND.

YOU HAVE TOO MUCH TIME TO DWELL ON THINGS.

I HAVE SOME CONTACTS IN THE WINE TRADE IN LONDON.

Julius: YOU'’LL HAVE A CHANCE TO MAKE NEW FRIENDS,

EARN A BIT OF MONEY,

LEARN SOMETHING YOU'’LL ENJOY FOR THE REST OF YOUR LIFE.

AND IT'’LL BE A GOOD STOPGAP BEFORE COLLEGE.

ACTUALLY, I'’VE DECIDED NOT TO GO TO COLLEGE.

SO WHAT ARE YOU GOING TO DO?

I'’M STAYING RIGHT HERE.

SO I'’M SORRY IF THAT SCREWS UP YOUR PLANS.

Verity: IT'’S AS IF THIS PLACE IS STILL HERS.

WE AGREED YOU COULD MAKE WHATEVER CHANGES

YOU WANT, AND YOU ARE.

- Verity: YOU KNOW WHAT I WANT MOST OF ALL? - WHAT?

- NO, HE DOESN'’T HATE YOU. HE DOESN'’T. - HE DOES.

YOU JUST HAVE TO BE PATIENT.

I THINK THAT I SHOULD GO AWAY FOR A WHILE.

[ sighs ]

I'’LL DEAL WITH HALLAM, ALL RIGHT?

WHERE'’S VERITY?

SHE'’S GONE TO SEE A FRIEND.

ARE YOU IN THE DOGHOUSE?

WHAT IS IT, HALLAM?

I FOUND MOM'’S OLD BOAT IN THE LOCH.

DID YOU? GOOD GOD, I THOUGHT IT WAS SUNK.

DAD, WHEN SHE TOOK ME OUT IN IT,

HOW LONG WAS THAT BEFORE SHE DIED?

ABOUT A MONTH.

- WHY? - WERE YOU FUCKING VERITY BY THEN?

[ chuckles ]

SO THAT'’S WHAT "FANCY A STROLL" IS ABOUT. CHRIST, I'’M A FOOL.

YOU HAVEN'’T ANSWERED THE QUESTION.

YOU'’RE NOT EVEN CLOSE, HAL.

I WAS FAR TOO BUSY TRYING TO KEEP THE SHOW ON THE ROAD.

WHEN YOU FOUND HER, HAD SHE TIED HER HANDS AND WEIGHED HERSELF DOWN?

WHERE'’S ALL THIS COMING FROM?

DAD, PEOPLE WHO CAN SWIM, IT'’S HARD FOR THEM TO DROWN.

- SURVIVAL INSTINCTS TAKE OVER.- WHO TOLD YOU THAT?

I DID SOME RESEARCH, ALL RIGHT?

AT THE TIME, I DECIDED TO SPARE YOU

SOME OF THE DETAILS FROM THE INQUEST.

BEFORE SHE CAME OUT HERE,

YOUR MOTHER TOOK AN OVERDOSE OF SLEEPING PILLS.

THANKS FOR FUCKING TELLING ME.

I'’M SORRY.

I KNOW IT'’S HARD, BUT YOU HAVE GOT TO TRY

TO PICK UP THE PIECES.

I CAN SEE IT DIDN'’T TAKE YOU VERY LONG, DID IT?

HAL, THIS WON'’T HELP.

SO IT DEFINITELY WASN'’T AN ACCIDENT?

NO...

IT WASN'’T.

- [ clanging ] - [ woman laughs ]

Man: LOOK AT THE FUCKING PICTURE OF HIS MOM.

Woman: PAINT OVER HIS MOTHER'’S FACE.

- JUST PAINT ALL OVER IT. - [ man laughing ]

GIVE IT HERE. I'’LL DO IT.

Man: GO ON, TAKE IT.

- Woman: COLOR IN HER FACE. - Man: DON'’T HOLD BACK.

[ cell phone ringing ]

- Lucy: Hallam. - LUCY?

- ARE YOU STILL THERE? HELLO. - Can you hear me?

WHAT IF SOMEONE ELSE GAVE HER THE PILLS?

SPIKED HER DRINK OR SOMETHING?

DON'’T YOU THINK SHE'’S CAPABLE OF IT?

WHY IS THAT PARANOID?

OF COURSE I MISS YOU.

SHE'’D LOVE THAT.

SHE'’S ALREADY TWISTING DAD'S ARM TO TRY AND GET RID OF ME.

[ hammering ]

Verity: HELLO.

I SEE YOU'’VE HAD SOME VISITORS.

- CAN I COME UP? - NO WAY.

YOU LEFT THESE ON YOUR BED.

"TODAY, WALKING PAST THE OFFICE,

I SAW DAD STROKING VERITY'’S BACK.

MADE ME PONDER HIS EVENING STROLLS."

- YOU'’RE NOT ALLOWED TO READ THAT. - "SO I FOLLOWED HIM

AND THERE SHE WAS BOUNCING UP AND DOWN.

I COULDN'’T TAKE MY EYES OFF THE DIMPLE THAT APPEARED ON HER SHOULDER

EVERY TIME SHE CLAWED AT HIS NECK.

I HATE MYSELF,

BUT I WANT TO BURY MY FACE

IN THAT LITTLE CUSHION."

GIVE ME MY DIARIES BACK.

HALLAM, YOU REALLY NEED TO MOVE ON.

AND I KNOW THAT JULIUS WILL FEEL THE SAME WAY WHEN HE READS THESE.

NO, PLEASE, THEY'’RE PRIVATE. THEY'’RE MY DIARIES.

YES, BUT SO ARE PEOPLE'’S BEDROOMS, BUT BY VOLUME TWO,

YOU SEEM TO HAVE PEEPED IN HALF THE VILLAGES.

WONDER WHAT THE LOCAL PAPER WOULD DO WITH THAT.

OR THE POLICE, FOR THAT MATTER.

THE POLICE? I WONDER WHAT THEY'’LL THINK WHEN I TELL THEM ABOUT YOU.

ME?

RECOGNIZE THIS?

IT'’S A HAMMER, HALLAM.

THE SAME HAMMER THAT SUNK MY MOTHER'’S BOAT

ONCE YOU DRUGGED HER COFFEE.

[ laughs ]

YOU FUCKER.

SHE WANTED TO DIE.

- HALLAM! - YOU TELL ME WHAT YOU DID TO HER.

[ groans ]

[ both gasping ]

[ breathing heavily ]

IT'’S TIME TO FLY THE NEST, HALLAM.

AND I THINK YOU KNOW THAT.

[ cell phone ringing ]

SPARE SOME CHANGE, PLEASE.

[ siren wailing ]

[ beeping ]

[ man yelling ]

Man: IT'’S A FUCKING SHITE BALL.

STICK YOUR FUCKING CASTLE RIGHT UP YOUR FUCKING ASS.

WHAT DO YOU WANT?

30, 35?

35?

WELL, FUCK OFF THEN.

FUCK OFF THEN!

WHOA, WHAT'’S YOUR NAME, SON?

CARL.

WHERE'’S HOME, CARL?

I'’M STAYING WITH A FRIEND.

- NOT THAT GENTLEMAN YOU WERE JUST TALKING TO NOW? - NO.

SO YOUR FRIEND, WHAT'’S HIS ADDRESS?

WHERE THE HELL IS HE?

[ gasps ]

[ coughs ]

MOM.

CAN I HELP YOU?

DO YOU HAVE ANY JOBS, PLEASE?

SORRY, WE USE AN AGENCY.

I CAN GIVE YOU THEIR DETAILS.

THANKS.

WHY ARE YOU STARING AT ME?

I'’M SORRY. I DIDN'’T MEANT TO.

IT'’S JUST I'VE NEVER BEEN FOR A JOB INTERVIEW BEFORE, AND I WAS JUST WONDERING

IF YOU COULD GIVE ME SOME ADVICE ON HOW TO DO IT.

I'’M SORRY?

WOULD YOU--

COULD YOU THROW A COUPLE OF PRACTICE QUESTIONS AT ME?

JUST FOR PRACTICE.

HOW DESPERATE ARE YOU FOR WORK?

PRETTY DESPERATE.

WELL, THE HIGHEST TURNOVER IN JOBS

IS USUALLY IN KITCHEN PORTERS.

OKAY, THEN I'’LL BE A KITCHEN PORTER.

WHY DO YOU THINK YOU'’D BE SUITABLE?

IT'’S WHAT I'VE WANTED TO DO EVER SINCE I WAS A KID.

SIT DOWN.

DON'’T TELL PEOPLE WHAT YOU THINK THEY WANT TO HEAR.

JUST BE YOURSELF.

OKAY. I'’M VERY ENTHUSIASTIC

AND I'’M A QUICK LEARNER AND I'’LL WORK DAYS,

NIGHTS, WEEKENDS-- ANY OVERTIME YOU WANT FOR NO EXTRA MONEY.

IT WOULD BE ILLEGAL FOR YOU TO WORK OVERTIME FOR NO EXTRA MONEY.

WELL, THEN GIVE ME A WEEK'’S TRIAL.

A DAY'’S TRIAL. ALL I WANT IS A CHANCE TO GET A FOOT ON THE LADDER.

IF EVERYTHING WORKS OUT, YOU WON'’T HAVE TO PAY ANY AGENCY FEES.

IT'’S A WIN-WIN SITUATION FOR YOU.

REMEMBER WHAT I SAID ABOUT THE FAST TURNOVER

IN KITCHEN PORTERS?

YOU'’RE ABOUT TO MEET THE EXCEPTION.

CUTLERY-- HANDLES UP.

- RIGHT. - GO ON.

HEY HEY HEY HEY, WHAT IS THE HURRY?

- ARE YOU TRYING TO SHOW ME UP YOUR FIRST DAY? - NO.

I FUCKING HATE THIS JOB,

BUT IT'’S MY JOB.

DO YOU UNDERSTAND?

I KILLED A MAN ONCE.

SMASHED HIS SKULL ON A PIER.

JUST SO YOU KNOW.

YOU TAKE THE REST. I'’M OFF FOR A SMOKE.

♪ IS THIS FOR SOMEONE ELSE? ♪

♪ IS THIS ♪

♪ FOR SOMEONE ELSE? ♪

♪ IS THIS ♪

♪ FOR SOMEONE ELSE? ♪

Man: LOOK ALIVE.

[ praying ]

DON'’T MAKE FRIENDS WITH THE CHEFS,

OTHERWISE THEY'’LL WANT FAVORS.

BUT DON'’T GET ON THEIR BAD SIDE, EITHER,

OR YOU'’LL BE CLEANING OUT THE FAT FRYER

ON A QUIET THURSDAY.

THEY'’RE ALL CUNTS ANYWAY, EXCEPT T.J.

HE'’S OKAY, EVEN IF HE IS A FUCKING BULLSHITTER.

YOU EVER MET AN AFRICAN OVER HERE

WHO WASN'’T A BRAIN SURGEON OVER THERE?

ARE YOU LISTENING TO ME?

[ laughing ]

YES, OF COURSE.

BRAIN SURGEON, AFRICAN, CUNT.

AYE, CUNT.

[ men chatting ]

RIGHT KNEE. RIGHT KNEE.

GOOD JOB. ONE, TWO.

ONE. RIGHT KNEE.

[ lock rattling ]

[ sniffs ]

[ blows ]

[ men chatting ]

[ grunts ]

[ woman laughs ]

HEY! HO!

RAYMOND! HEY!

- [ dish shatters ] - WHOA-HO!

THAT'’S GONNA COST YOU.

- REALLY? - YEAH.

£2 A PLATE. £1 A CUP.

50p A SAUCER.

- ARE YOU SERIOUS? - ABSOLUTELY.

£3 A GLASS.

RAPIDO!

COME ON, LET'’S GET MOVING.

[ shatters ]

[ laughs ] THAT'’S £4.

DO YOU MIND IF I TAKE A BREAK?

DO WHAT THE FUCK YOU LIKE.

[ panting ]

[ blows ]

♪ IT'’S TIME FOR YOU TO FLY. ♪

[ man vocalizing ]

WHO ARE YOU?

I'’M A KITCHEN PORTER.

SO WHAT ARE YOU DOING UP HERE THEN?

IT'’S VERY SIMPLE.

STAFF ENTRANCE IS ON THE GROUND FLOOR,

SO IS THE KITCHEN, SO IS THE CANTEEN.

YOU ENTER, YOU WORK YOUR SHIFT, THEN YOU FUCK OFF.

ALL ON THE SAME FLOOR. GOT THAT?

- YES. - GOOD, NOW BEAT IT.

HAVE YOU SEEN RAYMOND?

HE'’S CLEANING THE BINS.

- DO YOU WANT ME TO GO AND GET HIM? - NO, DON'’T WORRY.

HOW ARE YOU SETTLING IN?

VERY WELL, THANKS. I'’M REALLY ENJOYING IT. IN FACT, IT'’S BRILLIANT.

THIS ISN'’T AN INTERVIEW.

NO, I KNOW, BUT IT'’S GREAT TO BE PART OF THIS BIG TEAM

AND TO HAVE A SENSE OF PURPOSE, YOU KNOW?

YOU GET INTO THE RHYTHM, THEN YOU START PLAYING TUNES IN YOUR HEAD

TO GO ALONG WITH IT.

[ laughs ]

YOU CAN TURN THE RADIO ON IF YOU WANT.

OH, I KNOW. I LIKE IT.

IT KEEPS ME FROM THINKING.

DO YOU THINK THERE MIGHT BE A CHANCE

THIS JOB COULD BECOME PERMANENT?

YES, HALLAM, IF YOU CAN MAINTAIN YOUR ENTHUSIASM.

♪ THEY SAID I WOULD NEVER REMEMBER ♪

♪ THEY SAID I WOULD NEVER REMEMBER ♪

♪ THAT STREET BACK IN DECEMBER ♪

♪ I'’M FALLING FALLING FALLING FALLING ♪

♪ NOW HE'’S GONE, HE WILL ALWAYS REMAIN ♪

♪ NOW HE'’S GONE, HE WILL ALWAYS REMAIN ♪

♪ NOW HE'’S GONE, HE WILL ALWAYS REMAIN ♪

♪ IT'’S THE FUTURE FUTURE FUTURE FUTURE ♪

♪ I'’M HERE ON MY OWN ♪

♪ I'’M HERE ON MY OWN ♪

♪ I'’M HERE ON MY OWN ♪

♪ I'’M HERE ON MY OWN... ♪

[ babbling ]

[ screeching ]

[ grunts ]

♪ HAVE YOU SEEN SUCH A MIXED UP MIND? ♪

♪ HAVE YOU SEEN SUCH A MIXED UP MIND? ♪

♪ HAVE YOU SEEN SUCH A MIXED UP MIND? ♪

♪ AND THE CANDLE'’S BURNING BURNING BURNING... ♪

[ Hallam squealing ]

[ crowd chattering, laughing ]

[ moaning ]

I'’VE GOT TO RUN.

Man: I CANNOT DO TOMORROW.

MY BOY'’S BIRTHDAY. MAYBE THE DAY AFTER.

SAY HI TO YOUR WIFE.

Man: SEE YA.

♪ SO KEEP WRITING HER NAME ♪

♪ SO IT'’S SET IN STONE ♪

♪ YOU'’LL LIVE IN THE SHADOW ♪

♪ OF THESE BROKEN ♪

♪ BONES. ♪

I WANT TO REPORT A MURDER.

PLEASE, SIT.

MY STEPMOTHER KILLED MY MOTHER.SHE AS GOOD AS CONFESSED IT.

HOW? WHEN?

SHE TOLD ME LAST WEEK.

WE HAD A--

A CONFRONTATION.

BUT MY MOM DIED ABOUT TWO YEARS AGO.

THE ENQUIRY SAID THAT SHE COMMITTED SUICIDE BY DROWNING,

BUT AS YOU CAN SEE HERE...

THEY FOUND DRUGS IN HER.

I THINK MY STEPMOTHER, WHO WAS THEN MY DAD'’S SECRETARY,

PUT SLEEPING PILLS IN HER COFFEE

AND PUT HER OUT INTO THE LOCH IN A SINKING BOAT.

SHE HAD A MOTIVE--

SHE WANTED MY DAD AND THE HOUSE.

AND HAVE YOU SPOKEN TO YOUR FATHER ABOUT THIS?

HE'’D DO ANYTHING TO SUPPORT MY STEPMOTHER.

HE'’S HER LAPDOG.

[ footsteps climbing ]

NICE PLACE YOU GOT.

ANYTHING YOU NEED, YOU JUST CALL ROOM SERVICE.

[ gasps ]

SHE'’S GONNA LAUGH WHEN I TELL HER SHE'’S GOT A PEEPING TOM.

YOU'’RE NOT GOING TO TELL HER.

OH, YOU THINK YOU'’RE IN A POSITION TO DICTATE TERMS HERE?

I THINK, BY SOME STRANGE COINCIDENCE,

I SAW YOU THERE LAST NIGHT.

SO WHAT IF I WAS?

- WHAT WOULD YOUR WIFE THINK? - WHAT ABOUT?

I CAN KEEP A SECRET IF YOU CAN.

I DON'’T HAVE A SECRET TO KEEP.

YOU KNOW, I WAS THINKING ABOUT GETTING A TATTOO.

LIKE THAT NICE TIGER ON YOUR ARM.

I'’LL TELL HUMAN RESOURCES YOU QUIT.

WHAT ABOUT MY PAY?

NOW FUCK OFF.

AND IF I EVER SEE YOU AGAIN, YOU'’LL REGRET IT.

[ lock rattling ]

- Hallam: CAN YOU COUNT? - Both: ONE, TWO, THREE, GO!

ONE DOWN. ONE IS PRETTY GOOD, THOUGH.

- ONE IS PRETTY GOOD. - LET'’S BUILD IT.

- [ door closes ] - HERE HE IS NOW.

- HI. - EVENING, SIR.

HALLAM'’S BEEN TELLING ME ALL SORTS OF SECRETS.

WELL, ALL OF THEM COMPLIMENTARY, I ASSURE YOU.

I'’M REALLY SORRY TO INVADE YOU BOTH LIKE THIS,

BUT I'’M AFRAID THERE'’S BEEN AN ACCIDENT WITH ONE OF THE CHEFS.

IT'’S NOTHING SERIOUS, BUT THE RULES SAY WE NEED A SIGNATURE

FROM SENIOR MANAGEMENT WITHIN 12 HOURS.

[ boy chatting ]

THANK YOU.

IT WAS A PLEASURE TO MEET YOU BOTH.

- YOU, TOO, HALLAM. SAY GOODBYE. - BYE, SEAN.

- BYE. - Woman: BYE-BYE.

GOODBYE.

HALLAM, THAT WEE LASSIE KATE FROM HR...

SHE WANTS TO SEE YOU.

HAVE A SEAT.

WE HAVE A VACANCY COMING UP FOR FRONT-OF-HOUSE PORTER.

IF YOU APPLY, YOU STAND AN EXCELLENT CHANCE OF WINNING IT.

- REALLY? - THERE'’S A NICER UNIFORM,

AND SIGNIFICANTLY MORE AGREEABLE WORKING CONDITIONS.

RIGHT.

SHALL I PUT YOU FORWARD OR NOT?

YEAH, I SUPPOSE SO.

IF YOU'’D PREFER TO STAY PUT, THAT'’S FINE.

I KNOW HOW MUCH YOU ENJOY IT.

♪ I NEVER THOUGHT I'’D HOLD YOU CLOSE ♪

♪ SO YOU DON'’T SEE ME ♪

♪ CAUGHT UP COMPLETELY BY YOUR JOKE ♪

♪ FUNNY HA-HA ♪

♪ CALL ME KING BUBBLES AND TA ♪

♪ LIKE SHEIK SHAKE, OH... ♪

♪ YOU CAN ALL HAVE A LAUGH ON ME... ♪

FUCKING ASSHOLE.

WHATEVER YOU DO, DON'’T CALL HIM SIR.

WHAT DO YOU CALL HIM?

A TWO-FACED LYING CUNT.

Raymond: HALLAM.

- HI, RAYMOND. - YOU LOOK A RIGHT POOF IN THAT OUTFIT.

- I MISS YOU, YOU KNOW. - FUCK OFF.

[ chuckles ]

♪ OH, YOU CAN ALL ♪

♪ HAVE A LAUGH ON ME. ♪

[ chatting, laughing ]

[ doorbell buzzing ]

[ moaning ]

♪ BEFORE I JUMP SHIP ♪

♪ FOR COOLER SHORES ♪

♪ MAY I GENTLY CLOSE ♪

♪ THIS ACCOUNT OF OURS? ♪

♪ THOUGH ALL THAT I KNOW ♪

♪ AND HAVE LOVED ♪

♪ IS INSIDE ♪

♪ I'’M JUST LOSING FAITH ♪

♪ IN THESE COSTLY TIMES ♪

♪ AND I PRAY FOR YOUR HEALTH ♪

♪ AND YOUR PEACE OF MIND... ♪

- WHAT'’S UP YOUR BUTT? - NOTHING.

[ desk bell rings ]

HAPPY BIRTHDAY.

- THANK YOU. - DON'’T GET TOO CARRIED AWAY.

EVERYBODY GETS A CARD FROM THE LOVELY KATE.

- THANK YOU, ANDY. - THANK YOU.

YOU KNOW WHAT THE BEST THING ABOUT BEING 18 IS?

YOU GET AN EXTRA £1.25 AN HOUR.

AYE, SO DRINKS ARE ON YOU TONIGHT.

WE'’LL BE CELEBRATING YOUR FIRST LEGAL DRINK.

DON'’T REALLY FEEL LIKE IT.

I'’LL COME FOR A COUPLE, JUST TO MAKE SURE

YOU DON'’T HAVE TO BUY YOUR OWN DRINKS.

BUT ABSOLUTELY NO WORK TALK.

- [ laughing, chattering ] - Kate: NO, PLEASE.

Andy: "THE SYSTEM SHOULD PROVIDE ALL EMPLOYEES

WITH CLEAR LINKED GOALS

TO THE HOTEL'’S BUSINESS STRATEGY."

THE HOTEL'’S BUSINESS STRATEGY.

IN 20 YEARS, NO ONE'’S DISCUSSED

THE HOTEL'’S BUSINESS STRATEGY WITH ME.

WHERE DID YOU GET THIS?

"THE HOTEL WORKERS'’ UNION OF LAS VEGAS."

- [ all laughing ] - WHO GIVES A FUCK?

YOU THOUGHT THAT CONCIERGE JOB WAS MINE, DIDN'’T YOU?

GUESS YOU DIDN'’T WANT ME TO HAVE IT, HMM?

EH?

ALASDAIR-- SHE CAN'’T ASK THE LAD '’CAUSE SHE'’S FUCKING HIM.

- SORRY. - Kate: THAT WAS A BIT BELOW THE BELT.

SORRY, I LIKE YOU, KATE.

IT'’S JUST MY SITUATION.

- WANT A DRINK? - SIT DOWN.

OUT OF THE QUESTION. SEE YOU LATER.

SORRY ABOUT THAT.

UH, RIGHT, WELL, I THINK IT'’S MY ROUND.

- MAYBE WE'’VE HAD ENOUGH. - OH, PLEASE, COME ON.

[ dance music playing ]

- CHEERS. - CHEERS.

I HOPE YOU DON'’T MIND ME ASKING.

IS-- IS ALASDAIR YOUR BOYFRIEND?

GOD, NO. HE'’S GOT A WIFE AND A KID.

OH.

AND WHAT ABOUT YOU? ARE YOU MARRIED?

NO.

AND YOU?

IS THERE A LOVE IN YOUR LIFE?

SHE'’S DEAD.

WOULD YOU LIKE TO MEET HER?

I LIKE CREEPY GUYS.

ONE, TWO, THREE!

WHOO!

[ giggling ]

[ rock music playing ]

YOU KNOW, IF IT WASN'’T FOR YOUR DRESS SENSE,

- I MIGHT HAVE THOUGHT YOU WERE GAY. - [ laughing ]

"YOU'’RE SO BEAUTIFUL,

I WANT TO SUCK THE DICK OF THE LAST MAN WHO FUCKED YOU."

AND THAT WORKED? REALLY?

WHAT DOES THAT SAY ABOUT YOU?

THAT I AM A GULLIBLE SLAG.

THAT'’S HARSH. A SLAG, MAYBE, BUT--

GET ME ANOTHER DRINK.

[ both laughing ]

PERHAPS SOME COFFEE, MAYBE?

NO. LET'’S HAVE ONE AT MINE.

WELL, IT'’S A BIT LATE. I SHOULD-- PROBABLY SHOULD BE GETTING--

- NO, I-- NO, REALLY. - YOU'’RE COMING WITH ME.

[ exhales ]

[ pop music playing ]

PLEASE DON'’T TOUCH ME. I'’M GAY. I'M GAY.

EXPLAIN THE ERECTION THEN.

I WAS THINKING OF MY CAREER.

BULLSHIT!

LOOK, YOU'’RE VERY ATTRACTIVE,

BUT I'’M POLITICALLY VERY COMMITTED TO THE GAY CAUSE.

- DO YOU HAVE A BOYFRIEND? - NO.

FOR SOME REASON, I BELIEVE THAT.

THE REST I'’M AFRAID IS SUSPECT.

I'’M A VIRGIN.

- THAT'’S OKAY. - NO, IT'’S NOT.

COME ON, FIRST TIME FOR EVERYONE.

IT'’S NOT MY FIRST TIME.

[ sighs ]

PERHAPS YOU SHOULD GO.

LOOK, I WANT TO GO TO BED WITH YOU MORE THAN ANYTHING.

I THINK THE MOMENT MIGHT HAVE PASSED.

I'’M NOT SURE I WANT THE RESPONSIBILITY.

WE DON'’T HAVE TO...

DO IT.

I JUST WANT TO SLEEP WITH YOU SO I CAN TELL PEOPLE.

[ laughs ]

[ snoring ]

[ sniffs ]

[ knocks ]

- HI. - HI.

YOU WANT TO GO FOR A BEER LATER?

- UH, NO. - WHAT ABOUT A FILM?

I DON'’T THINK EITHER'’S A GOOD IDEA.

LAST NIGHT WASN'’T A GOOD IDEA.

OKAY. SURE.

- I'’LL SEE YOU. - SEE YOU.

303, YES. OKAY, THANK YOU.

THANK YOU.

303-- THAT'’S A BAD ROOM.

GUY KILLED HIS WIFE UP THERE IN 303.

GUESS WHO FOUND THE BODY?

GOES IN-- LEGS STICKING OUT, STUFFED UNDER THE BED.

HER HUSBAND DONE IT, THAT JEALOUS BASTARD.

I FELT BAD BECAUSE LIKE THE NIGHT BEFORE, RIGHT...

THE NIGHT BEFORE, I GOT CALLED UP TO THE ROOM,

SHE FUCKING SUCKED MY COCK.

I KNOCKED ON THE DOOR, RIGHT?

IT OPENS UP AND THAT'’S HER, ALL DRUNK, RIGHT?

FUCK ME! I'’M LIKE...

"SORRY, MADAM, I-- I'’M MARRIED."

SHE'’S LIKE "AYE, ME TOO."

FUCK, I'’M LIKE "EXCUSE ME, MADAM.

I'’M VERY SORRY, I CAN'’T DO THAT.

BUT YOU CAN SUCK MY COCK IF YOU WANT."

- SHE'’S LIKE-- AND KICKS OFF-- BANG! - [ phone rings ]

CONCIERGE.

YES, MADAM. CERTAINLY. RIGHT AWAY.

VERY GOOD.

CAN YOU GO GET THE BAGS AT 405, MR. FOE?

- MY SHIFT'’S ABOUT TO END. - YEAH, WELL, THEY'’VE ASKED FOR YOU BY NAME,

SO GET UP THERE.

- BY NAME? - BY NAME, MR. FOE.

[ clears throat ]

CONCIERGE.

HELLO?

CONCIERGE!

THERE'’S NOBODY HERE.

WE NEED TO TALK ABOUT LAST NIGHT.

I UNDERSTAND.

YOU WERE DRUNK AND NOW YOU FEEL GUILTY ABOUT IT.

I'’M SORRY I PUT YOU IN THAT POSITION,

BUT THANK YOU FOR A LOVELY EVENING ANYWAY.

I ENJOYED MYSELF.

I ENJOYED MYSELF TOO.

[ sighs ] I--

I JUST DIDN'’T EXPECT--

NOR DID I.

SHALL WE STAY HERE FOR A BIT?

UNLESS YOU HAVE OTHER PLANS.

DON'’T WORRY, THE ROOM'’S FREE.

ALL I NEED TO DO IS SUCK THE DUTY MANAGER'’S COCK.

I'’M JOKING.

[ laughs ]

WHAT DO YOU CALL IT?

WHAT?

[ laughs ] MY--

MY WILLY. YOU?

MY PUSSY.

MY TODGER.

MY MINGE.

MY SCHLONG.

MY HOLE.

MY STICK.

MY GASH.

MY BAT.

MY MUFF.

♪ YOU TOOK OFF ALL YOUR CLOTHES ♪

♪ AND YOU DIVED INTO THE SEA ♪

♪ I TOOK ALL THOSE PHOTOS ♪

♪ I SWORE NO ONE SHOULD EVER SEE ♪

♪ AND I JOINED YOU IN THE SAND ♪

♪ WHEN THE COLD HAD DONE ITS WORK ♪

♪ WE RETIRED BACK INSIDE ♪

♪ WE DRANK TO OUR FUTURE ♪

♪ AND THOSE WE LEAVE BEHIND... ♪

STAY HERE FOR A MINUTE

OR WE'’LL BE ON THE FRONT PAGE BY LUNCHTIME.

YEAH!

KATE!

Alasdair: WHO IS HE? DO I KNOW HIM?

Kate: IT DOESN'’T MATTER.

- Alasdair: I BEG TO FUCKING DIFFER. - Kate: AL, DON'’T!

- Alasdair: TELL ME WHO HE IS. - Kate: AL, THAT HURTS.

- Alasdair: DOES HE WORK IN THAT FUCKING HOTEL? - Kate: OW!

- WHAT'’S HIS NAME! TELL ME WHO HE IS! - ALASDAIR, NO!

GET OFF HER!

[ grunts ]

- [ groaning ] - IS THIS YOUR MAN?

HALLAM, HOW DID YOU GET IN HERE?

THE ROOF. HE PRACTICALLY LIVES UP THERE.

HE LIKES TO WATCH.

WATCH WHAT?

WHAT DO YOU THINK?

YOU... GET OUT.

GET OUT.

YOU SURE HE'’S GOT WHAT IT TAKES?

FUCK OFF.

- I'’M SORRY. - HOW LONG HAS THIS BEEN GOING ON?

[ door slams ]

SINCE I FIRST SAW YOU.

I THOUGHT YOU LOOKED LIKE SOMEONE, SO I FOLLOWED YOU.

AND-- I DIDN'’T KNOW SOMETHING WAS GOING TO HAPPEN BETWEEN US.

WHO DID YOU THINK I LOOKED LIKE?

MY MOTHER.

SHE'’S DEAD.

PLEASE, JUST LEAVE ME ALONE.

AND I MEAN ALONE.

NOW GET OUT.

YOU'’RE FIRED.

[ shouting ]

[ groans ]

[ keys jangling ]

[ door opens ]

WHAT DO YOU WANT?

I HEAR YOU'’VE GOT A VACANCY FOR A FRONT-OF-HOUSE PORTER.

WE'’LL NEED REFERENCES FROM PREVIOUS EMPLOYERS.

WELL, IF MY PREVIOUS EMPLOYER HAD KNOWN THE FACTS,

SHE MIGHT HAVE DECIDED THAT THE GOOD OUTWEIGHED THE BAD.

- REALLY? - I DID SAVE HER QUITE HEROICALLY

FROM THIS BLOKE TWICE MY SIZE.

AND WHAT WAS THE UNGRATEFUL BITCH'’S PROBLEM?

IN SAVING HER, I...

REVEALED AN UNEDIFYING HABIT WHICH--

AN UNEDIFYING HABIT?

WHEN MY MOM DIED, I DIDN'’T WANT TO BE AROUND ANYONE.

I HAD THIS OLD TREE HOUSE WHICH MY DAD BUILT ME.

HE'’S AN ARCHITECT.

I SORT OF RETREATED THERE AND JUST WATCHED PEOPLE FROM A DISTANCE.

IT KIND OF BECAME A HABIT.

WHO DID YOU WATCH THE MOST?

MY STEPMOTHER.

- WHY? - I DIDN'’T TRUST HER.

DID YOU WATCH HER WITH YOUR FATHER?

DID IT EXCITE YOU?

I KNOW YOU WON'’T BELIEVE ME, BUT I DON'’T REALLY

LOOK AT PEOPLE FOR THOSE REASONS.

WHAT ABOUT ME, THEN?

DIDN'’T I TURN YOU ON WHEN YOU WATCHED ME?

OR WAS MY PERFORMANCE NOT TO YOUR SATISFACTION?

IT DIDN'’T ALWAYS LOOK LIKE YOU WERE ENJOYING YOURSELF.

- WERE YOU? - COME HERE.

I'’M A REAL LIVE HUMAN BEING, HALLAM.

SOMETIMES I WANT SWEET, SOMETIMES I WANT SOUR.

SOMETIMES I DON'’T KNOW WHAT I WANT.

MY SHIT STINKS. I'’M GOING TO DIE SOMEDAY.

IF I LOOK LIKE YOUR MOTHER, IT'’S JUST A COINCIDENCE.

AM I TELLING YOU ANYTHING YOU DON'’T ALREADY KNOW?

IS THERE ANYTHING I CAN DO TO MAKE IT UP TO YOU?

PROBABLY NOT.

PUT YOUR CLOTHES ON, LEAVE

AND GO TO WORK TOMORROW MORNING.

HALLAM...

YOU DON'’T HAVE TO GO IF YOU DON'’T WANT TO.

[ urinating ]

[ squeaks ]

- AND THE DRESS? - MOM'’S.

Hallam: YOU DO LOOK LIKE HER.

IS THAT THE ONLY REASON YOU'’RE INTERESTED IN ME?

NO, IT'’S NOT.

BUT I DO MISS HER.

I REALLY MISS HER A LOT.

WOULD YOU LIKE ME TO WEAR IT?

NO.

ARE YOU OKAY?

[ sobbing ]

♪ YOU KNOW AND I KNOW ♪

- ♪ HOW WE WORK AND HOW WE HOPE... ♪ - HELLO.

HELLO.

[ laughing ]

♪ YOU MADE SOME MAGIC ♪

♪ YOU DIDN'’T EVEN TRY ♪

♪ IT FELL OUT OF YOUR EYES ♪

♪ THEN I DID TOO... ♪

- READY? - AH!

DID I TELL YOU I HAVE REALLY BAD VERTIGO?

♪ MY FINGERS GET IN THE WAY... ♪

- YOU OKAY? YOU OKAY? - ♪ I GET ALL TIED UP... ♪

ALMOST FELL INTO YOUR MOUTH IT WAS SO WIDE. YOU WERE LIKE--

- [ grunts ] - [ giggles ]

ON YOU GO.

YOU WANT TO STAY OFF THAT FRONT PAGE, DON'’T YOU?

DO I?

BYE.

[ snaps ]

[ whistling ]

HALLAM! GOT YOUR PARENTS HERE.

THEY'’RE UP IN THE McDERMOTT LOUNGE.

WHAT ABOUT YOUR MOM? SHE'’S A FUCKING STAR!

HALLAM.

- THANK GOD WE FOUND YOU. - HOW DID YOU FIND ME?

WELL, A VERY NICE POLICEMAN CALLED.

HE WAS WORRIED ABOUT YOU.

WHAT ARE YOU, SOME KIND OF BUSBOY?

A FRONT-OF-HOUSE PORTER, ACTUALLY.

HELLO, I'’M KATE, A FRIEND OF HALLAM'’S.

DAD, WHAT'’S HAPPENED TO YOU?

IT'’S NOTHING, JUST A STUPID FALL.

WELL, KATE, IT WAS VERY NICE TO MEET YOU.

IF YOU WOULD EXCUSE US, WE DO ACTUALLY HAVE

SOME FAMILY MATTERS TO DISCUSS.

I OWE YOU AN APOLOGY.

I UNDERESTIMATED HOW TOUGH

THIS PAST YEAR HAS BEEN FOR YOU AND I'’M SORRY.

AND I KNOW ABOUT YOU AND VERITY.

SHE TOLD ME ABOUT THE CLUMSY PASS YOU MADE AT HER.

- N-- NO. NO-- - IT'’S ALL RIGHT. IT'’S ALL RIGHT.

WE'’VE ALL HAD TEENAGE CRUSHES.

I HAD A THING FOR MY FRENCH TEACHER'’S WIFE.

DAD, BUT THAT'’S NOT WHAT HAPPENED.

HALLAM, YOUR FATHER'’S TRYING TO TELL YOU SOMETHING.

EXCUSE ME, DON'’T CHANGE THE SUBJECT, ALL RIGHT?

I'’M AFRAID, I DO HAVE SOMETHING TO DISCUSS WITH YOU.

SHALL WE SIT DOWN?

THINGS HAVEN'’T BEEN GOING SO WELL LATELY.

MY COMMISSIONS HAVE RATHER DRIED UP,

SO WE'’VE HAD TO CONSIDER OTHER FINANCIAL OPTIONS.

THE BANK HAS OKAYED AN IDEA

TO DEVELOP THE GROUNDS OF THE HOUSE.

OUR PLAN IS TO TRANSFORM

THE WASTELAND AROUND THE LOCH INTO ECO-HOUSING.

WHY ARE YOU TELLING ME THIS?

CONSULTING YOU IS A CONDITION OF YOUR MOTHER'’S WILL.

[ laughs ] AND WHAT ABOUT LUCY?

LUCY HAS ALREADY GIVEN HER CONSENT.

DO YOU THINK MOM WOULD'’VE APPROVED OF THIS?

I WOULDN'’T BE DOING THIS IF I HAD ANY ALTERNATIVE.

- NOW PLEASE, HEAR US OUT. - DAD, SHE KILLED MY MOTHER.

I WORKED IT ALL OUT. THAT'’S WHY I WENT TO THE POLICE.

DON'’T BE RIDICULOUS.

YOU'’VE GOT YOURSELF INTO A MUDDLE.

NOW YOU CANNOT BLAME VERITY FOR EVERYTHING.

CAN'’T YOU SEE YOU'RE BEING MANIPULATED? HUH?

HALLAM, PLEASE!

IT'’S OKAY.

WHILE YOU'’VE BEEN ENJOYING YOURSELF WITH YOUR LOOKALIKE,

I HAVE BEEN COMBING YOUR FATHER'’S BOOKS.

HE'’S IN BIG TROUBLE.

HE'’S £800,000 IN DEBT.

HE'’S BEING SUED--

HE'’S BEING SUED BY TWO CLIENTS.

HE NEEDS YOUR HELP.

YOU MURDERED MY MOTHER.

AND YOU ADMITTED IT.

I WASN'’T EVEN THERE THE NIGHT SHE DIED.

OH, I SEE. SO, YOU GOT YOURSELF AN ALIBI NOW?

WHATEVER HAPPENED

BETWEEN US WAS A MISTAKE.

AND I'’M SORRY.

BUT I THOUGHT THAT JULIUS AND I COULD START FRESH.

BUT THAT WAS NEVER GONNA HAPPEN

WITH YOU AND LUCY IN THE HOUSE TREATING ME LIKE AN IMPOSTER.

AND I KNOW THAT THAT'’S NO EXCUSE, BUT PLEASE,

JUST TRY TO SEE THINGS FROM MY PERSPECTIVE.

YOU HAVE TREATED ME LIKE A WHITE TRASH,

GOLD-DIGGING WHORE FROM DAY ONE.

THAT'’S EXACTLY WHAT YOU ARE.

OKAY.

HOW IS IT WITH YOUR LOOKALIKE?

DO YOU FEEL LIKE YOU'’RE FUCKING MOMMY?

[ muttering ] DOES IT FEEL LIKE YOU'’RE FUCKING MOMMY?

DOES IT-- DOES IT FEEL LIKE YOU'’RE FUCKING MOMMY?

HALLAM?

[ muffled screams ]

[ screaming ]

[ grunts ]

I HATE YOU. I HATE YOU.

I HATE YOU!

I HATE YOU. [ panting ]

[ gasping ]

[ panting ]

[ coughing ]

I MADE A MISTAKE.

SORRY. COME HERE.

Julius: GOOD GOD. WHAT DID HE DO?

Verity: YOU NEED TO TALK TO HIM.

PLEASE.

IF YOU MUST BLAME SOMEONE...

IT WAS ME THAT TOOK A HAMMER TO THE BOAT

TO STOP YOU MOTHER GOING OUT IN IT.

BUT...

SHE JUST WENT SWIMMING INSTEAD.

SO WHAT DID YOU DO?

IT HAD BEEN GOING ON FOR MONTHS

AND I WAS TIRED.

DAD.

WHAT DID YOU DO?

I DID NOTHING.

I HEARD HER

RUMMAGING IN THE MEDICINE CABINET.

AND I HEARD HER GO OUT THE BACK DOOR.

AND I DID NOTHING. I GAVE UP.

BUT IT WAS HER CHOICE.

FINAL VICTORY IN HER WAR AGAINST ME.

- WHAT ABOUT ME? - OH, SHE LOVED YOU.

NOT ENOUGH TO STICK AROUND.

AND THAT'’S WHY YOU'’VE BEEN SO ANGRY.

I KNOW.

[ knocking ]

DON'’T WORRY, I'M NOT LOOKING FOR MY JOB BACK.

HOW ARE YOU?

BETTER. THANK YOU.

I SORTED A FEW THINGS OUT.

I'’M GLAD.

CAN I COME IN?

NOW IS NOT AN IDEAL TIME.

I'’M CRAP AT RELATIONSHIPS ANYWAY.

YOU'’LL SOON FIND SOMEONE TO HELP YOU IRON OUT

THOSE CREASES OF YOURS.

GUESS I'’LL CATCH YOU LATER THEN.

YEAH.

THAT WOULD BE GOOD.

LOOK ME UP IN FIVE YEARS'’ TIME.

WILL YOU STILL BE BEAUTIFUL IN FIVE YEARS'’ TIME?

I HOPE SO.

YOU WILL BE.

♪ THERE'’S A MAN ♪

♪ IN THE STREET ♪

♪ WHO TELLS ME THAT HE LOVES ME ♪

♪ GOD IS EVERYWHERE ♪

♪ HE SAYS HE LIVES ABOVE ME ♪

♪ I KNOW MORE ABOUT THIS MAN ♪

♪ THAN I KNOW ABOUT YOU. ♪

[ acoustic guitar playing ]

♪ BREEZE BLOWS ♪

♪ FROM TREETOPS ♪

♪ TO TEASE SENSATION ♪

♪ WONDER IN YOUR IMAGINATION ♪

♪ WONDERING WHERE SHE CAN BE ♪

♪ IT FEELS SO ♪

♪ COLD AS YOU GO ♪

♪ WHEN YOU LEAVE ♪

♪ YOU'’RE A DANDELION ♪

♪ BLOWN ON THE BREEZE ♪

♪ WONDERING WHERE ♪

♪ YOU COULD BE ♪

♪ THE WHISPERS WIND UP ♪

♪ SHE WHISPERS ♪

♪ AND INTO THE AIR WE FLY ♪

♪ SO FLY ♪

♪ OH, DANDELION, FLY ♪

♪ YES, IT'’S TIME ♪

♪ IT'’S TIME FOR YOU TO FLY ♪

♪ YOU WATCH THEM FOR HOURS ♪

♪ FROM SLATES AND CLOCK TOWERS ♪

♪ THE LINES ♪

♪ BELOW ♪

♪ BUT YOUR LIFE IS OTHER ♪

♪ AND LOVERS AND MOTHERS ♪

♪ OH WHOA WHOA ♪

♪ BREEZE BLOWS ♪

♪ FROM ROOFTOPS ♪

♪ TO YOUR DESTINATION ♪

♪ TRAPPED IN YOUR IMAGINATION ♪

♪ SHE'’S ALL YOU CAN SEE ♪

♪ BLACK LOCH WATER ♪

♪ YOU MISS HER ♪

♪ OH GOD, HOW YOU MISS HER SO ♪

♪ HALLAM FOE ♪

♪ OH, DANDELION, GROW ♪

♪ YES, IT'’S TIME ♪

♪ DANDELION FLY. ♪