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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:45,239 --> 00:01:47,209 [SEAGULLS CRYING] 2 00:02:29,283 --> 00:02:32,923 Finn: THERE EITHER IS OR IS NOT A WAY THINGS ARE. 3 00:02:32,986 --> 00:02:37,186 THE COLOR OF THE DAY, THE WAY IT FELT TO BE A CHILD, 4 00:02:37,258 --> 00:02:41,598 THE FEELING OF SALTWATER ON YOUR SUNBURNED LEGS. 5 00:02:41,662 --> 00:02:44,002 SOMETIMES THE WATER IS YELLOW... 6 00:02:44,064 --> 00:02:45,704 SOMETIMES IT'S RED... 7 00:02:45,766 --> 00:02:47,936 BUT WHAT COLOR IT MAY BE IN MEMORY 8 00:02:48,001 --> 00:02:50,301 DEPENDS ON THE DAY. 9 00:02:51,805 --> 00:02:54,535 I'M NOT GOING TO TELL THE STORY THE WAY THAT IT HAPPENED. 10 00:02:56,143 --> 00:02:58,783 I'M GOING TO TELL IT THE WAY I REMEMBER IT. 11 00:03:56,904 --> 00:03:57,974 AAH! 12 00:03:58,038 --> 00:04:00,368 HELP! HELP! 13 00:04:01,442 --> 00:04:04,312 [MUFFLED YELLS] 14 00:04:10,784 --> 00:04:12,294 [MUFFLED YELLING] 15 00:04:14,221 --> 00:04:15,621 WHAT'S YOUR NAME? 16 00:04:15,689 --> 00:04:17,119 MMF! 17 00:04:17,190 --> 00:04:18,060 WHISPER. WHAT'S YOUR NAME? 18 00:04:18,125 --> 00:04:19,225 MMF! 19 00:04:19,293 --> 00:04:20,133 WHISPER! 20 00:04:20,193 --> 00:04:21,233 FINN. 21 00:04:21,295 --> 00:04:22,425 BELL. YOUR LAST NAME? 22 00:04:22,496 --> 00:04:23,826 WHERE DO YOU LIVE? 23 00:04:23,897 --> 00:04:24,997 NEAR THE PIER. 24 00:04:25,065 --> 00:04:25,925 YOU HAVE TOOLS? 25 00:04:25,999 --> 00:04:28,199 HELP-- MMF! 26 00:04:28,268 --> 00:04:30,798 FUCK. DO YOU KNOW WHAT BOLT CUTTERS ARE? 27 00:04:30,871 --> 00:04:32,671 YOU KNOW WHAT THEY ARE OR YOU DON'T KNOW WHAT THEY ARE? 28 00:04:32,740 --> 00:04:33,810 MM-HMM. 29 00:04:33,874 --> 00:04:35,614 LISTEN, I KNOW YOUR NAME, I KNOW WHERE YOU LIVE, 30 00:04:35,676 --> 00:04:36,776 I CAN FIND YOU AND GUT YOU LIKE A FISH. 31 00:04:36,844 --> 00:04:38,254 I'LL PULL OUT YOUR FUCKING INSIDES, 32 00:04:38,312 --> 00:04:39,452 I'LL MAKE YOU EAT THEM. YOU HEAR ME? 33 00:04:39,513 --> 00:04:41,453 I'LL MAKE YOU FUCKING EAT THEM. 34 00:04:41,515 --> 00:04:43,775 YOU BE HERE TOMORROW MORNING AT DAWN 35 00:04:43,851 --> 00:04:45,721 WITH BOLT CUTTERS AND ANY KIND OF FOOD 36 00:04:45,786 --> 00:04:47,086 OR I'LL KILL YOU FOR SURE. YOU GOT ME? 37 00:04:47,154 --> 00:04:50,664 I'LL FUCKING KILL YOU IF YOU TELL ANYONE, ANYONE! 38 00:04:50,724 --> 00:04:52,294 THEY'RE DEAD. YOUR FOLKS-- 39 00:04:53,694 --> 00:04:56,604 YOU TELL ANYONE, THE LAST SOUND YOU HEAR 40 00:04:56,664 --> 00:04:58,874 WILL BE YOUR OWN SCREAM. 41 00:04:58,932 --> 00:05:00,502 ALL RIGHT. GO. 42 00:05:47,448 --> 00:05:50,048 WHOA, FINN! WHOA! 43 00:05:50,117 --> 00:05:51,247 OH, IT'S YOU, JOE. 44 00:05:51,318 --> 00:05:52,548 DID I SCARE YOU? 45 00:05:52,620 --> 00:05:54,350 SO YOU WENT OUT TODAY? 46 00:05:54,422 --> 00:05:57,832 YEAH. GOT A NICE TAN. NO FISH, OF COURSE. 47 00:05:57,891 --> 00:06:00,531 SETTIN' TRAPS LIKE EVERYBODY ELSE. 48 00:06:00,594 --> 00:06:02,604 HEY, WHERE'S THE FIRE? 49 00:06:02,663 --> 00:06:05,303 NOWHERE. JUST GOT HOMEWORK. 50 00:06:05,365 --> 00:06:09,035 HEY, LISTEN, MAGGIE'S ON A KINDA RANT TODAY, 51 00:06:09,102 --> 00:06:11,912 SO YOU BE CAREFUL, OK? 52 00:06:11,972 --> 00:06:13,142 YOU COMING HOME SOON? 53 00:06:13,206 --> 00:06:14,676 IN ABOUT AN HOUR. 54 00:06:14,742 --> 00:06:16,842 YOU FINISH YOUR WORK, WE'LL GO TO CARVEL'S, OK? 55 00:06:18,378 --> 00:06:19,778 YOU REST UP. 56 00:06:19,847 --> 00:06:21,717 GOT A GARDENING JOB TOMORROW. 57 00:06:22,816 --> 00:06:23,716 JOE? 58 00:06:23,784 --> 00:06:25,024 YEAH? 59 00:06:27,220 --> 00:06:28,690 NOTHIN'. 60 00:06:30,858 --> 00:06:33,088 HEY, FINN! 61 00:06:33,160 --> 00:06:34,860 HOW DO YOU SMOKE A SWORDFISH? 62 00:06:34,928 --> 00:06:36,798 BILL IN YOUR MOUTH AND LIGHT THE TAIL. 63 00:06:36,864 --> 00:06:40,034 [CHUCKLES] ALL RIGHT. I'LL SEE YOU LATER. 64 00:06:42,436 --> 00:06:43,996 Finn: I WAS RAISED IN WHAT I SUPPOSE 65 00:06:44,071 --> 00:06:47,541 WAS CERTAIN AMOUNT OF FREEDOM FROM MY SISTER MAGGIE. 66 00:06:47,608 --> 00:06:50,678 JOE WAS HER MAN. 67 00:06:50,744 --> 00:06:53,584 THEY BANNED THE BIG FISHING RIGS IN THE GULF THAT YEAR 68 00:06:53,647 --> 00:06:55,547 AND WE WERE POOR. 69 00:06:55,616 --> 00:06:57,346 WE SCRAPED BY ON WHAT JOE COULD EARN 70 00:06:57,417 --> 00:06:59,587 DOING CHARTERS AND LAWN WORK. 71 00:06:59,653 --> 00:07:01,663 [CHILDREN LAUGHING] 72 00:07:37,224 --> 00:07:39,064 [GAME SHOW PLAYS ON TV] 73 00:07:45,032 --> 00:07:46,932 [THUNDER] 74 00:08:33,446 --> 00:08:34,376 Man: HEY. 75 00:08:34,447 --> 00:08:36,847 HEY. 76 00:08:45,425 --> 00:08:47,795 HEY. COME ON. COME HERE. 77 00:08:47,861 --> 00:08:48,801 COME ON! 78 00:08:55,903 --> 00:08:57,003 YOU ALONE? 79 00:08:59,206 --> 00:09:00,466 YOU DEAF? ARE YOU ALONE? 80 00:09:00,540 --> 00:09:01,640 NO. 81 00:09:01,709 --> 00:09:03,109 YOU'RE NOT ALONE, OR YOU'RE NOT DEAF? 82 00:09:03,176 --> 00:09:04,176 GIMME THAT. 83 00:09:14,487 --> 00:09:15,657 COME ON! 84 00:09:21,561 --> 00:09:23,261 HERE. I BROUGHT YOU SOMETHING TO DRINK. 85 00:09:25,065 --> 00:09:26,095 ATTABOY. 86 00:09:45,585 --> 00:09:48,485 AHH... 87 00:09:48,555 --> 00:09:50,185 OW! 88 00:09:56,496 --> 00:09:58,066 HERE. I TOOK THIS FOR YOU. 89 00:09:59,800 --> 00:10:02,740 WHAT'S THIS? BIRTH CONTROL PILLS? 90 00:10:02,803 --> 00:10:04,713 HERE. THIS, TOO. 91 00:10:07,307 --> 00:10:09,407 PERCODAN. 92 00:10:09,476 --> 00:10:10,606 ATTABOY. NOW YOU'RE TALKING. 93 00:10:16,717 --> 00:10:17,887 WHAT ELSE? 94 00:10:17,951 --> 00:10:21,991 COME ON, COME ON. JESUS FUCKING CHRIST. 95 00:10:31,832 --> 00:10:33,102 YOU BITE YOUR NAILS? 96 00:10:35,435 --> 00:10:37,705 THAT'S A BAD HABIT. 97 00:10:37,771 --> 00:10:41,141 PEOPLE TELL YOU THE EYES ARE THE WINDOWS TO THE SOUL. 98 00:10:41,208 --> 00:10:43,508 BULLSHIT. 99 00:10:43,576 --> 00:10:44,846 HANDS... 100 00:10:44,912 --> 00:10:48,222 THAT'S THE SIGN OF A GENTLEMAN. 101 00:10:48,281 --> 00:10:49,381 HUH? 102 00:10:51,218 --> 00:10:52,148 COME ON. LET'S GO. 103 00:10:53,453 --> 00:10:54,323 COME ON. 104 00:10:56,289 --> 00:10:57,289 Finn: WHAT?! 105 00:10:57,357 --> 00:10:58,257 COME ON, COME ON. 106 00:11:00,193 --> 00:11:01,133 GET IN THE BOAT. 107 00:11:01,194 --> 00:11:02,834 IF I DON'T GET HOME, MY UNCLE-- 108 00:11:02,896 --> 00:11:04,426 FUCK YOUR UNCLE. GET IN THE BOAT. 109 00:11:04,497 --> 00:11:06,727 PICK UP THE ANCHOR. LET'S GO. 110 00:11:11,471 --> 00:11:12,511 WHERE-- 111 00:11:12,572 --> 00:11:13,872 SHUT UP AND GET IN THE BOAT. 112 00:11:15,976 --> 00:11:17,176 WHERE ARE WE GOING? 113 00:11:17,244 --> 00:11:18,414 MEXICO. 114 00:12:03,356 --> 00:12:04,286 Man: WHAT? 115 00:12:04,357 --> 00:12:05,327 POLICE BOAT. 116 00:12:05,392 --> 00:12:07,062 WHAT? POLICE BOAT. 117 00:12:09,462 --> 00:12:10,302 STOP. STOP. 118 00:12:36,489 --> 00:12:39,359 Officer: AHOY THERE! SON, ARE YOU ALL RIGHT? 119 00:12:39,426 --> 00:12:40,356 UH-HUH. 120 00:12:40,427 --> 00:12:41,727 WHERE YOU HEADED? 121 00:12:41,795 --> 00:12:42,995 OH, NOWHERE. 122 00:12:43,063 --> 00:12:45,773 AN OLD LADY OVER ON CAT CAY THOUGHT SHE SAW A RAFT 123 00:12:45,833 --> 00:12:47,943 OUT HERE YESTERDAY WITH A MAN ON IT. 124 00:12:48,001 --> 00:12:49,971 HE'D BE WEARING AN ORANGE PRISON SUIT. 125 00:12:50,037 --> 00:12:52,007 YOU SEE ANYTHING LIKE THAT? 126 00:12:53,373 --> 00:12:54,883 MMM, NOPE. 127 00:12:54,942 --> 00:12:58,282 TIE UP OUR LINE AND WE'LL TOW YOU IN. 128 00:13:24,204 --> 00:13:26,214 Finn: AND THAT WAS THE END OF IT. 129 00:13:27,274 --> 00:13:29,614 PERHAPS YOU'VE HAD AN EXPERIENCE LIKE THAT 130 00:13:29,676 --> 00:13:32,946 IN CHILDHOOD AND TOLD NO ONE. 131 00:13:33,013 --> 00:13:36,653 PERHAPS YOU'VE HAD THAT BRUSH WITH A WORLD SO LARGE 132 00:13:36,716 --> 00:13:38,846 THAT YOU SELDOM OR NEVER SAW IT AGAIN. 133 00:14:12,152 --> 00:14:15,192 Joe: JESUS. IT'S THE LAND TIME FORGOT. 134 00:14:15,255 --> 00:14:17,385 IT'S NORA DRIGGERS DINSMOOR. 135 00:14:34,441 --> 00:14:36,681 YOU WAIT HERE. I'M GONNA GO FIND OUT 136 00:14:36,743 --> 00:14:38,783 WHAT THEY WANT US TO DO. 137 00:14:38,845 --> 00:14:40,375 IS IT ALL RIGHT IF I TAKE A LOOK AROUND? 138 00:14:40,447 --> 00:14:43,647 NO. YOU STAY PUT TILL I COME BACK. 139 00:14:43,716 --> 00:14:46,346 I MEAN IT. 140 00:14:46,419 --> 00:14:49,219 GOD KNOWS WHAT'S IN THESE WEEDS. 141 00:15:10,443 --> 00:15:12,583 Finn: NORA DRIGGERS DINSMOOR... 142 00:15:12,645 --> 00:15:14,175 THE RICHEST LADY IN THE GULF 143 00:15:14,247 --> 00:15:16,177 WHO HAD LOST HER MIND 30 YEARS AGO 144 00:15:16,249 --> 00:15:19,119 WHEN HER FIANCÃ‰ LEFT HER STANDING AT THE ALTAR. 145 00:15:28,428 --> 00:15:30,528 [FROGS CROAKING] 146 00:15:48,915 --> 00:15:51,015 Girl: WHAT'S YOUR NAME? 147 00:16:06,699 --> 00:16:07,729 FINN. 148 00:16:32,625 --> 00:16:33,925 [WHISTLES] HEY, FINN? 149 00:16:33,993 --> 00:16:35,503 HEY! 150 00:16:36,929 --> 00:16:38,029 COME ON. 151 00:16:38,098 --> 00:16:41,098 HA HA HA! 152 00:16:41,168 --> 00:16:43,038 HEY, MAN, WE'RE OUT OF HERE. 153 00:16:43,103 --> 00:16:45,313 SHE SLIPPED ME $500 UNDER THE DOOR. 154 00:16:45,372 --> 00:16:47,142 GAS MONEY, SHE CALLED IT. 155 00:16:47,207 --> 00:16:48,977 WEIRDEST THING. 156 00:16:49,042 --> 00:16:50,082 WHAT? 157 00:16:50,143 --> 00:16:51,413 NOTHIN'. CAN I RIDE WITH YOU? 158 00:16:51,478 --> 00:16:53,648 SURE. JUST DON'T SIT TOO CLOSE. 159 00:16:53,713 --> 00:16:54,983 YOU SMELL LIKE FERTILIZER. 160 00:16:55,048 --> 00:16:56,718 REALLY? I DO? 161 00:16:56,783 --> 00:16:58,193 HA HA HA! 162 00:17:04,457 --> 00:17:06,057 Joe: MAG? 163 00:17:06,126 --> 00:17:08,496 MAYBE YOU'VE GOT THE WRONG NUMBER. 164 00:17:08,561 --> 00:17:09,861 YOU'RE NOT GONNA BELIEVE WHERE WE WERE-- 165 00:17:09,929 --> 00:17:12,029 YES, WELL, HE JUST-- 166 00:17:12,099 --> 00:17:15,499 DID HE DO SOMETHING BAD? 167 00:17:15,568 --> 00:17:17,638 I'LL BE GLAD TO. 168 00:17:17,704 --> 00:17:19,244 THAT SOUNDS REALLY-- 169 00:17:21,508 --> 00:17:23,308 YOU GOT IT. 170 00:17:23,376 --> 00:17:26,876 OK. 3:00. THIS SATURDAY? 171 00:17:26,946 --> 00:17:29,876 AND THANK YOU SO MUCH, MA'AM. 172 00:17:29,949 --> 00:17:32,049 BABE, YOU ARE NOT GONNA BELIEVE WHERE WE WERE TODAY. 173 00:17:32,119 --> 00:17:36,359 JOE, THAT WAS NORA DRIGGERS DINSMOOR. 174 00:17:36,423 --> 00:17:38,993 SEE, I KNEW IT WAS TOO GOOD TO BE TRUE. 175 00:17:39,058 --> 00:17:40,728 SHE WANT HER MONEY BACK? 176 00:17:40,793 --> 00:17:42,733 SHE WANTS HIM. FINN. 177 00:17:42,795 --> 00:17:45,525 THE RICHEST LADY IN THE WHOLE GODDAMN STATE 178 00:17:45,598 --> 00:17:47,628 CALLS ME ON THE PHONE AND WANTS MY LITTLE BROTHER 179 00:17:47,700 --> 00:17:49,140 TO GO PLAY WITH HER NIECE. 180 00:17:49,202 --> 00:17:50,472 YEAH? WHY? 181 00:17:50,537 --> 00:17:53,537 WHY? SHE MET HIM. THE OLD BAT LIKED YOU. 182 00:17:53,606 --> 00:17:55,906 HE'S A LIKABLE KID. HE'S ADORABLE. 183 00:17:55,975 --> 00:17:57,335 WHO KNOWS? WHO CARES? 184 00:17:57,410 --> 00:18:00,280 JOE, THIS IS A REALLY GOOD THING. 185 00:18:00,347 --> 00:18:04,717 NO, NO, NO. HOW-- DINSMOOR NEVER EVEN MET FINN. 186 00:18:04,784 --> 00:18:07,924 SHE WOULDN'T OPEN THE DOOR. SHE SLIPPED THIS UNDERNEATH. 187 00:18:07,987 --> 00:18:10,657 WHAT IS IT? WHAT IS IT, JOE? GOD! 188 00:18:10,723 --> 00:18:11,663 [JOE CHUCKLES] 189 00:18:11,724 --> 00:18:13,164 YOU LIKE LIVING HERE? 190 00:18:13,226 --> 00:18:16,396 YOU LIKE LIVING HERE WITH ALL THE DEAD PEOPLE? 191 00:18:16,463 --> 00:18:19,333 WHAT'S WRONG WITH THE PEOPLE DOWN HERE ALL OF A SUDDEN? 192 00:18:19,399 --> 00:18:22,299 I'M TIRED OF WORKING SO MANY EXTRA SHIFTS 193 00:18:22,369 --> 00:18:23,369 TO PUT IT BACK INTO YOUR BOAT. 194 00:18:23,436 --> 00:18:26,066 THEY TOOK AWAY THE NETS. I CAN'T CHANGE THAT. 195 00:18:26,139 --> 00:18:27,869 FUCK THE NETS, JOE! 196 00:18:27,940 --> 00:18:31,040 TV: ESCAPED CONVICT ARTHUR LUSTIG WAS RECAPTURED 197 00:18:31,110 --> 00:18:32,980 EARLIER THIS EVENING BY SARASOTA POLICE. 198 00:18:33,045 --> 00:18:36,275 THIS CONCLUDES A 4-DAY, STATEWIDE MANHUNT FOR LUSTIG, 199 00:18:36,349 --> 00:18:38,919 THE CONVICTED MURDERER OF GENE VALIENTE. 200 00:18:38,985 --> 00:18:43,415 VALIENTE, REPUTED MOB BOSS OF THE CASTELLANO FAMILY 201 00:18:43,490 --> 00:18:46,930 WAS GUNNED DOWN IN HIS BRADENTON HOME LAST CHRISTMAS. 202 00:18:46,993 --> 00:18:48,333 LUSTIG WILL BE RETURNED 203 00:18:48,395 --> 00:18:50,325 TO RAIFORD PENITENTIARY'S DEATH ROW, 204 00:18:50,397 --> 00:18:51,357 WHERE HE IS SCHEDULED TO DIE 205 00:18:51,431 --> 00:18:54,131 BY LETHAL INJECTION MARCH 16th. 206 00:18:54,201 --> 00:18:56,901 I'M ROBIN WAGNER REPORTING FROM... 207 00:19:06,112 --> 00:19:07,682 HOLY SHIT. 208 00:19:10,217 --> 00:19:12,917 HEY, YOU LOOK SHARP. 209 00:19:12,985 --> 00:19:14,815 HOW DO I SMELL? 210 00:19:14,887 --> 00:19:17,157 [SNIFFS] YOU SMELL CLEAN. 211 00:19:17,224 --> 00:19:18,464 OK, TEA TIME. 212 00:19:20,327 --> 00:19:22,857 NOW, BE POLITE IN THERE. SAY YES, MA'AM. NO, MA'AM. 213 00:19:22,929 --> 00:19:24,199 I WILL. 214 00:19:24,264 --> 00:19:26,804 YOU OK WITH THIS? 215 00:19:26,866 --> 00:19:29,096 HE'S GREAT. GO AHEAD. 216 00:19:29,168 --> 00:19:32,308 SAY MAY I, PLEASE, ALL THAT STUFF. 217 00:19:34,641 --> 00:19:38,381 [GONGS] 218 00:19:43,816 --> 00:19:45,746 OH. IT'S THE GARDENER. 219 00:19:51,424 --> 00:19:52,734 Girl: THE DESIGN OF THIS FLOOR 220 00:19:52,792 --> 00:19:55,662 WAS TAKEN FROM THE ALHAMBRA IN SPAIN. 221 00:19:59,599 --> 00:20:03,439 THE CEILING IS GOLD LEAF. REAL GOLD. 222 00:20:03,503 --> 00:20:05,343 IT'S EXACTLY LIKE THE THOUSAND WING CEILING 223 00:20:05,405 --> 00:20:07,705 FROM THE ACCADEMIA IN VENICE. 224 00:20:07,774 --> 00:20:11,384 Finn: OLD MS. DINSMOOR HADN'T BEEN SEEN IN YEARS. 225 00:20:11,444 --> 00:20:13,554 I'D HEARD THAT SHE WAS CRAZY. 226 00:20:13,613 --> 00:20:14,383 GO AHEAD. 227 00:20:14,447 --> 00:20:15,947 AREN'T YOU COMING? 228 00:20:16,015 --> 00:20:18,175 QUEL SOT. 229 00:20:18,251 --> 00:20:21,351 Finn: BUT NOBODY KNEW HOW CRAZY. 230 00:20:22,822 --> 00:20:26,132 HER ROOM SMELLED OF DEAD FLOWERS AND CAT PISS. 231 00:20:26,192 --> 00:20:28,962 [MUSIC PLAYING] 232 00:20:32,332 --> 00:20:34,402 [BIRD SQUAWKING] 233 00:20:39,472 --> 00:20:42,642 Woman: CHICKA-BOOM, CHICKA-BOOM, CHICKA-BOOM-BOOM-BOOM. 234 00:20:42,709 --> 00:20:44,809 CHICKA-BOOM, CHICKA-BOOM, CHICKA-BOOM. 235 00:20:44,877 --> 00:20:46,747 [RECORD PLAYS] 236 00:20:53,620 --> 00:20:56,160 CHICKA-BOOM, CHICKA-BOOM, CHICKA-BOOM. 237 00:20:56,222 --> 00:20:57,162 CHICKA-BOOM! 238 00:20:57,223 --> 00:20:59,633 * BÃ‰SAME * 239 00:20:59,692 --> 00:21:03,502 * BÃ‰SAME MUCHO * 240 00:21:03,563 --> 00:21:05,603 * EACH TIME I CLING TO YOUR KISS * 241 00:21:05,665 --> 00:21:09,495 * I HEAR MUSIC DIVINE * 242 00:21:09,569 --> 00:21:11,539 * BÃ‰SAME * 243 00:21:11,604 --> 00:21:15,444 * BÃ‰SAME MUCHO * 244 00:21:15,508 --> 00:21:16,908 * HOLD ME, MY DARLING * 245 00:21:16,976 --> 00:21:20,406 * AND SAY THAT YOU'LL ALWAYS BE MINE * 246 00:21:21,748 --> 00:21:23,278 * THIS JOY IS SOMETHING NEW * 247 00:21:23,350 --> 00:21:24,720 * MY ARMS ENFOLDING YOU * 248 00:21:24,784 --> 00:21:27,554 * NEVER KNEW THIS THRILL BEFORE * 249 00:21:27,620 --> 00:21:29,160 * WHOEVER THOUGHT I'D BE * 250 00:21:29,221 --> 00:21:30,591 * HOLDING YOU CLOSE TO ME * 251 00:21:30,657 --> 00:21:32,957 * WHISPERING IT'S YOU I ADORE? * 252 00:21:33,025 --> 00:21:35,185 WHO ARE YOU? 253 00:21:35,261 --> 00:21:36,731 FINN, MA'AM. 254 00:21:36,796 --> 00:21:39,326 WHAT ARE YOU DOING IN MY BEDROOM, FINN? 255 00:21:39,399 --> 00:21:40,699 I DON'T KNOW. 256 00:21:42,535 --> 00:21:43,935 GIVE ME YOUR HAND. 257 00:21:46,906 --> 00:21:48,506 WHAT IS THIS? 258 00:21:48,575 --> 00:21:52,035 YOUR...YOUR BOOB. 259 00:21:52,111 --> 00:21:55,881 MY HEART. IT'S MY HEART. 260 00:21:55,948 --> 00:21:58,348 IT'S BROKEN. 261 00:21:58,418 --> 00:22:00,688 CAN YOU TELL? 262 00:22:00,753 --> 00:22:02,723 I'M SORRY. 263 00:22:02,789 --> 00:22:03,989 MMM. 264 00:22:04,056 --> 00:22:05,426 [RECORD ENDS] 265 00:22:05,492 --> 00:22:07,332 IT'S ALL RIGHT. COME. 266 00:22:07,394 --> 00:22:10,064 SHOO-SHOO. SHOO-SHOO. 267 00:22:10,129 --> 00:22:11,159 TABBY, SCRAM. 268 00:22:11,230 --> 00:22:13,430 WOW. THAT'S A BIG CAT. 269 00:22:13,500 --> 00:22:15,170 THAT'S THE BIGGEST CAT I'VE EVER SEEN. 270 00:22:15,234 --> 00:22:16,374 WHAT DO YOU FEED IT? 271 00:22:16,436 --> 00:22:17,496 OTHER CATS. 272 00:22:21,007 --> 00:22:24,737 WELL, GO AHEAD. 273 00:22:24,811 --> 00:22:25,751 YOU CAN PROCEED. 274 00:22:31,718 --> 00:22:32,718 DANCE. 275 00:22:32,785 --> 00:22:33,645 HUH? 276 00:22:33,720 --> 00:22:35,660 I'D LIKE YOU TO DANCE FOR ME. 277 00:22:35,722 --> 00:22:37,362 THAT'S WHY YOU'RE HERE. 278 00:22:37,424 --> 00:22:40,034 TO ENTERTAIN ME. SO GO AHEAD, DANCE. 279 00:22:40,092 --> 00:22:43,202 PONY, FOX TROT, FRUG. PHILLY DOG, FANDANGO. 280 00:22:43,262 --> 00:22:45,062 ANYTHING. 281 00:22:45,131 --> 00:22:47,531 I CAN'T. 282 00:22:47,600 --> 00:22:48,670 I'M SORRY, MA'AM. 283 00:22:49,802 --> 00:22:51,502 YOU CAN'T? 284 00:22:51,571 --> 00:22:53,741 "I'M SORRY, MA'AM"? 285 00:22:53,806 --> 00:22:57,076 OR YOU WON'T? DANCE! DANCE! DANCE! 286 00:23:01,047 --> 00:23:03,817 OH, GET OUT OF HERE. 287 00:23:03,883 --> 00:23:05,453 WAIT! 288 00:23:05,518 --> 00:23:07,018 I CAN DRAW. 289 00:23:11,424 --> 00:23:12,894 YOU CAN USE MY LIPSTICK AND EYEBROW PENCIL 290 00:23:12,959 --> 00:23:15,029 OVER THERE ON THE DRESSING TABLE. 291 00:23:20,066 --> 00:23:21,696 ESTELLA? 292 00:23:23,069 --> 00:23:24,139 ESTELLA? 293 00:23:37,650 --> 00:23:39,590 IS TEA READY? 294 00:23:39,652 --> 00:23:41,652 I'D LIKE YOU TO SIT FOR A PORTRAIT. 295 00:23:41,721 --> 00:23:43,791 A PORTRAIT? BY WHOM? 296 00:23:43,856 --> 00:23:44,916 THAT BOY. 297 00:23:47,226 --> 00:23:49,026 THE GARDENER? 298 00:23:49,095 --> 00:23:50,355 I'LL BE IN MY ROOM. 299 00:23:50,429 --> 00:23:51,899 COME BACK AND SIT. 300 00:23:53,533 --> 00:23:54,833 PLEASE. 301 00:23:56,503 --> 00:23:59,613 AND YOU COME SIT BY ME, HMM? 302 00:24:02,975 --> 00:24:04,935 [RREOW] 303 00:24:09,115 --> 00:24:10,775 ALLEZ, ALLEZ. 304 00:24:17,657 --> 00:24:20,127 SHE'S BEAUTIFUL, ISN'T SHE? 305 00:24:20,192 --> 00:24:22,062 UNE JEUNE DÃ‰ESSE, N'EST-CE PAS? 306 00:24:22,128 --> 00:24:24,558 NE PARLE PAS DE MOI D'AVANT CE GARÃ‡ON. 307 00:24:27,399 --> 00:24:29,199 WHAT DO YOU THINK OF HER? 308 00:24:29,268 --> 00:24:32,068 COME ON. WHISPER IN MY EAR. 309 00:24:33,540 --> 00:24:34,810 COME ON. 310 00:24:39,579 --> 00:24:42,079 [WHISPERING] I think she's a snob. 311 00:24:43,482 --> 00:24:44,982 Anything else? 312 00:24:49,556 --> 00:24:51,156 I think she's real pretty. 313 00:24:53,526 --> 00:24:56,256 Anything else? 314 00:25:01,801 --> 00:25:04,201 I think she doesn't like me. 315 00:25:04,270 --> 00:25:07,840 BUT YOU LOVE HER. 316 00:25:07,907 --> 00:25:09,977 SHE'LL ONLY BREAK YOUR HEART. IT'S A FACT. 317 00:25:10,042 --> 00:25:12,382 IT'S TRAGIC. YOU'RE ALREADY IN LOVE WITH HER. 318 00:25:12,444 --> 00:25:15,924 AND EVEN THOUGH I WARN YOU, EVEN THOUGH I GUARANTEE YOU 319 00:25:15,982 --> 00:25:18,692 THAT THE GIRL WILL ONLY HURT YOU TERRIBLY, 320 00:25:18,751 --> 00:25:23,491 YOU'LL STILL PURSUE HER. 321 00:25:23,556 --> 00:25:24,986 AIN'T LOVE GRAND? 322 00:25:25,057 --> 00:25:30,627 Woman: * BÃ‰SAME MUCHO * 323 00:25:30,697 --> 00:25:31,957 * QUE TENGO MIEDO PERDERTE * 324 00:25:32,031 --> 00:25:35,501 * PERDERTE OTRA VEZ * 325 00:25:35,568 --> 00:25:37,398 * QUIERO TENERTE MUY CERCA * 326 00:25:37,469 --> 00:25:40,809 * MIRARME EN TUS OJOS VERTE JUNTO A MÃ 327 00:25:40,873 --> 00:25:42,713 * PIENSA QUE TAL VEZ MAÃ‘ANA * 328 00:25:42,775 --> 00:25:45,335 * YO YA ESTARÃ‰ LEJOS MUY LEJOS DE TI * 329 00:25:45,411 --> 00:25:46,481 * WHICH MEANS... * 330 00:25:46,545 --> 00:25:48,305 I'D LIKE TO GO NOW. 331 00:25:48,380 --> 00:25:49,850 OH, HAVE YOU FINISHED? 332 00:25:49,916 --> 00:25:51,576 BEFORE I'M A TEENAGER, PLEASE. 333 00:25:51,651 --> 00:25:53,191 CAN I GO NOW? 334 00:25:56,222 --> 00:25:58,962 [SIGHS] 335 00:25:59,025 --> 00:26:01,825 Would you like to come again? 336 00:26:01,894 --> 00:26:04,304 Would you like to see Estella again? 337 00:26:07,099 --> 00:26:09,299 Yes. 338 00:26:09,368 --> 00:26:11,498 POOR BOY. POOR BOY. POOR BOY. 339 00:26:11,570 --> 00:26:13,810 THIS IS YOURS, DEAR. 340 00:26:13,873 --> 00:26:15,713 Finn: THE WAYS OF THE RICH 341 00:26:15,775 --> 00:26:17,305 AND ALL MY LONGING, 342 00:26:17,376 --> 00:26:19,506 WHICH BEGAN THAT DAY. 343 00:26:19,578 --> 00:26:23,078 TO PAINT FOR THE RICH, TO HAVE THEIR FREEDOM, 344 00:26:23,149 --> 00:26:25,349 TO LOVE ESTELLA... 345 00:26:25,417 --> 00:26:28,617 THE THINGS WE CANNOT HAVE. 346 00:26:28,688 --> 00:26:30,588 Dinsmoor: GIVE THIS TO YOUR GUARDIAN. 347 00:26:30,657 --> 00:26:33,927 WOULD YOU SEE FINN OUT, PLEASE? 348 00:26:42,534 --> 00:26:44,274 CHICKA-BOOM. 349 00:27:10,196 --> 00:27:11,126 WANT SOME? 350 00:27:12,598 --> 00:27:14,168 IT'S NOT POISONED. 351 00:27:29,448 --> 00:27:30,318 MMM! 352 00:28:06,018 --> 00:28:07,888 Finn: YOU REMEMBER IT. 353 00:28:07,954 --> 00:28:10,924 YOU REMEMBER HOW IT FELT. 354 00:28:10,990 --> 00:28:13,960 AND THEN I WENT HOME TO DRAW IT. 355 00:28:14,026 --> 00:28:15,956 Joe: YOU LOOK IN THE DRAWER? 356 00:28:20,299 --> 00:28:22,939 [COUGHING] 357 00:28:25,537 --> 00:28:27,807 I'M GOING TO WORK. 358 00:28:27,874 --> 00:28:30,314 WHAT ARE YOU GONNA DO BEFORE YOU GO TO BED? 359 00:28:30,376 --> 00:28:32,606 BRUSH MY TEETH. 360 00:28:32,678 --> 00:28:34,408 THAT'S REALLY BEAUTIFUL, FINN. 361 00:28:39,919 --> 00:28:41,789 KEEP IT UP, OK? 362 00:28:43,522 --> 00:28:45,422 Finn: MAGGIE LEFT THAT NIGHT. 363 00:28:45,491 --> 00:28:47,491 SHE NEVER CAME BACK. 364 00:28:47,559 --> 00:28:49,199 I'LL SEE YOU WHEN YOU WAKE UP. 365 00:28:54,100 --> 00:28:59,940 JOE RAISED ME. WE NEVER SAID A WORD. 366 00:29:00,006 --> 00:29:03,176 I STILL VISITED PARADISO PERDUTO EVERY SATURDAY. 367 00:29:03,242 --> 00:29:06,882 FEEL IT. FEEL IT. FEEL IT. FEEL IT. 368 00:29:06,946 --> 00:29:08,206 THE MONEY DINSMOOR PAID ME 369 00:29:08,280 --> 00:29:10,850 KEPT ME IN PAINTS AND BRUSHES. 370 00:29:10,917 --> 00:29:12,477 AND THERE WAS ESTELLA. 371 00:29:19,191 --> 00:29:21,231 CHICKA-BOOM. 372 00:29:21,293 --> 00:29:22,163 CHICKA-BOOM. 373 00:29:23,629 --> 00:29:25,429 Dinsmoor: SMILE. 374 00:29:25,497 --> 00:29:27,067 SMILE. 375 00:29:27,133 --> 00:29:30,203 SMILE. ALL RIGHT, DON'T SMILE. 376 00:29:30,269 --> 00:29:34,209 AHH, YES, FEEL IT! 377 00:29:39,378 --> 00:29:43,378 WONDERFUL, WONDERFUL. FEEL IT IN YOUR BONES. 378 00:29:44,917 --> 00:29:46,147 [SINGING] 379 00:29:56,395 --> 00:29:58,255 [MUSIC ENDS] 380 00:29:59,598 --> 00:30:01,628 [CLAPPING] 381 00:30:01,700 --> 00:30:03,040 WHERE ARE YOU GOING, DEAR? 382 00:30:03,102 --> 00:30:05,772 I HAVE THAT COCKTAIL THING AT THE REWALDS. 383 00:30:05,838 --> 00:30:07,808 LANE REWALD? THAT OLD GIN BLOSSOM? 384 00:30:07,874 --> 00:30:09,244 ONE MORE COCKTAIL, WE'LL BE ABLE TO EAT HIM. 385 00:30:09,308 --> 00:30:11,108 KARL REWALD. LANE IS HIS FATHER. 386 00:30:11,177 --> 00:30:12,437 KARL DOESN'T EVEN DRINK. 387 00:30:12,511 --> 00:30:14,611 THE WHOLE FAMILY'S PICKLED. 388 00:30:14,680 --> 00:30:16,120 WHO'S YOUR ESCORT? 389 00:30:16,182 --> 00:30:18,822 ESCORT? PLEASE. THIS IS THE EIGHTIES. 390 00:30:18,885 --> 00:30:20,245 I'LL BRING YOU. 391 00:30:28,060 --> 00:30:30,530 CERTAINLY. FINN WILL MAKE A FINE DATE. 392 00:30:32,231 --> 00:30:33,201 OH, GOD. 393 00:30:34,600 --> 00:30:36,200 THEN IT'S DONE. 394 00:30:37,469 --> 00:30:40,939 OK, FINE, BUT YOU MEET ME THERE. 1115 NORTH OCEAN. 395 00:30:41,007 --> 00:30:42,737 ALL RIGHT. SURE. 396 00:30:42,808 --> 00:30:44,238 AND WEAR YOUR DINNER JACKET. 397 00:30:44,310 --> 00:30:46,010 Joe: HOW MUCH TIME YOU GOT? 398 00:30:46,078 --> 00:30:47,908 NONE! I'M LATE! I'M DEAD! WOW! 399 00:30:47,980 --> 00:30:51,880 THAT'LL PASS AS A DINNER JACKET, HUH? 400 00:30:54,954 --> 00:30:56,424 THIS IS A GIRL'S. 401 00:30:56,488 --> 00:30:58,858 JUST KEEP IT BUTTONED, AND NO ONE WILL NOTICE. 402 00:30:58,925 --> 00:31:00,885 WHERE'D YOU GET THIS? 403 00:31:00,960 --> 00:31:02,860 IT'S MAGGIE'S. 404 00:31:02,929 --> 00:31:04,299 IT'S ONE OF THE ONLY THINGS SHE LEFT. 405 00:31:04,363 --> 00:31:05,863 WHAT A BITCH. 406 00:31:06,865 --> 00:31:08,425 WHAT?! 407 00:31:10,569 --> 00:31:12,839 "WHAT." COME HERE. 408 00:31:12,905 --> 00:31:15,205 JEEZ. 409 00:31:15,274 --> 00:31:17,514 YOU ALL RIGHT FOR MONEY? 410 00:31:17,576 --> 00:31:19,846 YEAH, I'M GOOD. 411 00:31:19,912 --> 00:31:22,352 YOU A LITTLE NERVOUS? 412 00:31:22,414 --> 00:31:25,484 YEAH, A LITTLE. 413 00:31:25,551 --> 00:31:27,321 AHH... 414 00:31:27,386 --> 00:31:28,716 YOU GOT IT? 415 00:31:28,787 --> 00:31:30,317 THERE YOU GO. 416 00:31:30,389 --> 00:31:31,219 WOW. 417 00:31:31,290 --> 00:31:32,890 YOU JUST BE YOURSELF, HUH? 418 00:31:35,394 --> 00:31:38,064 GO ON. HAVE FUN. 419 00:31:38,130 --> 00:31:39,200 YOU'RE NOT ON THE LIST. 420 00:31:39,265 --> 00:31:42,825 ALL RIGHT. COULD YOU CHECK THE NAME "DINSMOOR"? 421 00:31:42,901 --> 00:31:44,971 YES, I DID, SIR. YOU'RE NOT ON THIS LIST. 422 00:31:45,037 --> 00:31:47,037 I'D APPRECIATE IF YOU'D LEAVE NOW. 423 00:31:47,106 --> 00:31:51,076 HI, MRS. LAKE. 424 00:31:51,143 --> 00:31:53,513 MR. LAKE, RIGHT IN THE USUAL SPOT, SIR. 425 00:31:54,947 --> 00:31:56,417 MR. AND MRS. CATCHER. 426 00:31:56,482 --> 00:31:58,522 [KNOCK ON WINDOW] 427 00:31:58,584 --> 00:31:59,594 HI. 428 00:32:01,287 --> 00:32:03,157 YOU WANT TO GET ME OUT OF HERE? 429 00:32:03,222 --> 00:32:05,492 YES. 430 00:32:05,557 --> 00:32:07,057 COME ON IN. 431 00:32:08,160 --> 00:32:10,030 WHERE DO YOU WANT TO GO? 432 00:32:10,096 --> 00:32:12,096 I DON'T KNOW. HOW ABOUT YOUR HOUSE? 433 00:32:14,533 --> 00:32:16,443 ALL RIGHT. 434 00:32:16,502 --> 00:32:17,572 LET'S GO. 435 00:32:24,876 --> 00:32:26,646 THE MOTHS AROUND THE LIGHT BULB HERE 436 00:32:26,712 --> 00:32:30,552 ARE FROM THE THOUSAND WING CEILING IN VENICE, ITALY. 437 00:32:35,087 --> 00:32:37,857 UH, JOE'S NOT HERE. HE'S, UM... 438 00:32:37,923 --> 00:32:40,933 HE'S, UH, I DON'T KNOW, PLAYING DOMINOES. 439 00:32:40,993 --> 00:32:42,593 IS THAT YOUR ROOM? 440 00:32:42,661 --> 00:32:45,301 YEAH. YEAH. 441 00:32:47,966 --> 00:32:50,766 I WASN'T REALLY EXPECTING COMPANY. 442 00:32:50,836 --> 00:32:53,606 YOU KNOW? 443 00:33:01,913 --> 00:33:03,683 YOU STILL DRAW. 444 00:33:03,749 --> 00:33:05,819 YEAH. 445 00:33:05,884 --> 00:33:09,324 GONNA HANG A COUPLE OF THEM UP AT WASHINGTON FEDERAL. 446 00:33:09,388 --> 00:33:10,488 THE BANK? 447 00:33:10,556 --> 00:33:11,456 YEAH. 448 00:33:13,425 --> 00:33:14,685 YOU HAVE TO GO TO NEW YORK. 449 00:33:14,760 --> 00:33:15,890 NEW YORK? 450 00:33:15,961 --> 00:33:17,561 IT'S THE CENTER OF THE ART WORLD. 451 00:33:17,629 --> 00:33:20,099 IF YOU STAY HERE, YOU'LL END UP PAINTING COCONUTS 452 00:33:20,166 --> 00:33:22,066 FOR TOURISTS. 453 00:33:29,308 --> 00:33:31,108 WHEN DID YOU DO THIS? 454 00:33:31,177 --> 00:33:33,247 A WHILE AGO. 455 00:33:37,649 --> 00:33:41,019 I DON'T WEAR MY HAIR LIKE THAT ANYMORE. 456 00:33:41,087 --> 00:33:42,717 BUT YOU SHOULD. 457 00:33:42,788 --> 00:33:44,858 I MEAN-- 458 00:33:44,923 --> 00:33:47,393 YOU LIKE IT THAT WAY? 459 00:34:06,278 --> 00:34:08,478 WHAT ELSE DO YOU LIKE? 460 00:34:13,952 --> 00:34:17,922 HOW COME ALL THIS TIME WE SEE EACH OTHER EVERY WEEK, 461 00:34:17,989 --> 00:34:19,759 YOU KNOW, BUT WE NEVER DID ANYTHING? 462 00:34:19,825 --> 00:34:21,885 DID ANYTHING? 463 00:34:21,960 --> 00:34:24,500 WENT OUT, SAW A MOVIE, WHATEVER. 464 00:34:24,563 --> 00:34:26,503 YOU NEVER ASKED. 465 00:34:27,733 --> 00:34:29,543 AND IF I HAD? 466 00:34:34,773 --> 00:34:36,583 I'M HERE, AREN'T I? 467 00:34:40,746 --> 00:34:42,776 ARE YOU WITH ANYONE? 468 00:34:42,848 --> 00:34:44,678 RIGHT THIS SECOND? 469 00:34:46,185 --> 00:34:48,115 NO. I MEAN, LIKE-- 470 00:34:48,187 --> 00:34:49,817 LIKE A STEADY BOYFRIEND? 471 00:34:49,888 --> 00:34:51,818 YES. 472 00:34:51,890 --> 00:34:54,430 NO. 473 00:34:58,264 --> 00:34:59,704 YOU COULD HAVE ANYONE. 474 00:35:01,633 --> 00:35:03,303 NO RUSH. 475 00:35:12,878 --> 00:35:15,108 WHAT ABOUT YOU? 476 00:35:33,899 --> 00:35:35,769 WHY NOT? 477 00:35:35,834 --> 00:35:36,904 'CAUSE I... 478 00:35:39,905 --> 00:35:41,735 I... 479 00:35:41,807 --> 00:35:43,577 I JUST... 480 00:35:50,216 --> 00:35:52,616 I KNOW. 481 00:35:54,920 --> 00:35:56,560 I KNOW. 482 00:35:58,490 --> 00:36:04,360 * WORRIED MORNINGS TURN INTO DAYS * 483 00:36:04,430 --> 00:36:10,040 * AND INTO WORRIED NIGHTS * 484 00:36:10,101 --> 00:36:13,641 * BUT IT'S ALL RIGHT * 485 00:36:13,705 --> 00:36:17,135 * WHEN YOU'RE ALL IN PAIN * 486 00:36:17,209 --> 00:36:22,779 * AND YOU FEEL THE RAIN COME DOWN * 487 00:36:22,848 --> 00:36:26,718 * OH, IT'S ALL RIGHT * 488 00:36:26,785 --> 00:36:30,155 * THOUGH YOUR GARDEN'S GRAY * 489 00:36:30,222 --> 00:36:33,992 * I KNOW ALL YOUR GRACES * 490 00:36:34,059 --> 00:36:37,299 * SOMEDAY WILL FLOWER * 491 00:36:37,363 --> 00:36:39,703 * OHH * 492 00:36:48,340 --> 00:36:50,140 WHAT'S WRONG? 493 00:36:50,208 --> 00:36:52,538 NOTHING. IT'S LATE. WHAT TIME IS IT? 494 00:36:52,611 --> 00:36:55,811 IT'S, UH, IT'S 10:30. WHERE ARE YOU GOING? 495 00:36:55,881 --> 00:36:56,921 I'VE GOT TO GET HOME. 496 00:36:56,982 --> 00:36:58,282 WHY? 497 00:36:58,350 --> 00:37:00,290 'CAUSE I HAVE A MILLION THINGS TO DO TONIGHT. 498 00:37:01,853 --> 00:37:02,693 STAY. 499 00:37:09,361 --> 00:37:11,931 JE VAIS ALLER Ã FRANCE DEMAIN. 500 00:37:13,965 --> 00:37:15,925 I DON'T SPEAK FRENCH. 501 00:37:18,103 --> 00:37:19,613 QUEL DOMMAGE. 502 00:37:24,142 --> 00:37:26,882 * WHEN YOU'RE ALL IN PAIN * 503 00:37:26,945 --> 00:37:32,845 * AND YOU FEEL THE RAIN COME DOWN * 504 00:37:32,918 --> 00:37:35,888 * OH, IT'S ALL RIGHT * 505 00:37:41,793 --> 00:37:43,703 ESTELLA? 506 00:37:48,767 --> 00:37:50,267 EXCUSE ME. 507 00:37:50,336 --> 00:37:52,836 HAVE YOU SEEN ESTELLA? 508 00:37:58,910 --> 00:38:02,150 Finn: DINSMOOR WAS WEIRDER THAN USUAL. 509 00:38:02,213 --> 00:38:04,283 BUT I HAD TO SEE ESTELLA. 510 00:38:13,325 --> 00:38:16,725 I NEVER COME HERE. NEVER. 511 00:38:16,795 --> 00:38:19,195 YOU KNOW WHY? 512 00:38:19,264 --> 00:38:22,274 26 YEARS AGO, I TRUSTED. 513 00:38:22,334 --> 00:38:26,774 I SAVED MYSELF. I WAS A VIRGIN. 514 00:38:26,838 --> 00:38:30,408 IT'S FUNNY, HMM? 515 00:38:30,476 --> 00:38:33,746 THOSE WERE THE TIMES. THAT'S HOW I WAS RAISED. 516 00:38:33,812 --> 00:38:37,422 [LAUGHS] 517 00:38:37,483 --> 00:38:40,423 WHAT KIND OF CREATURE TAKES SUCH A THING? 518 00:38:40,486 --> 00:38:42,916 SUCH A GIFT? A TRUST? 519 00:38:42,988 --> 00:38:44,418 WHO DOES THIS? 520 00:38:44,490 --> 00:38:47,090 TAKES ADVANTAGE OF A 42-YEAR-OLD WOMAN? 521 00:38:47,158 --> 00:38:48,658 WHAT KIND OF CREATURE 522 00:38:48,727 --> 00:38:52,857 LEAVES THIS WOMAN WAITING LIKE A FOOL? 523 00:38:52,931 --> 00:38:57,741 A MAN. A MAN DOES THIS. 524 00:38:57,803 --> 00:38:59,743 SO MEN MUST PAY. AM I RIGHT? 525 00:39:03,308 --> 00:39:04,708 ESTELLA WILL MAKE MEN WEEP. 526 00:39:04,776 --> 00:39:06,276 DO YOU KNOW WHERE SHE IS? 527 00:39:06,344 --> 00:39:07,884 OH, YES. SHE'LL BREAK THEM. 528 00:39:07,946 --> 00:39:10,616 I TAUGHT HER WELL. WHEN SHE RETURNS, 529 00:39:10,682 --> 00:39:13,022 SHE'LL CUT THROUGH THEM LIKE A HOT KNIFE THROUGH BUTTER. 530 00:39:13,084 --> 00:39:14,024 CHICKA-BOOM. 531 00:39:14,085 --> 00:39:16,815 RETURNS? 532 00:39:16,888 --> 00:39:17,958 OH, MY DEAR BOY, 533 00:39:18,023 --> 00:39:21,433 DIDN'T YOU KNOW? 534 00:39:21,493 --> 00:39:23,333 ESTELLA'S LEFT FOR SCHOOL ABROAD. 535 00:39:23,395 --> 00:39:25,455 SWITZERLAND FOR 2 YEARS, THEN PARIS. 536 00:39:25,531 --> 00:39:28,101 SHE'S GONE. DIDN'T SHE SAY GOOD-BYE? 537 00:39:28,166 --> 00:39:31,536 OH, I'M SURE SHE MEANT TO. 538 00:39:41,312 --> 00:39:43,552 SEE YOU NEXT WEEK, DEAR. 539 00:39:47,318 --> 00:39:50,118 [HUMMING BÃ‰SAME MUCHO] 540 00:39:58,997 --> 00:40:03,867 * YOU KNOW YOU'RE GONNA LIE TO YOU * 541 00:40:05,036 --> 00:40:06,806 Finn: 7 YEARS PASSED. 542 00:40:08,440 --> 00:40:10,910 I STOPPED GOING TO PARADISO PERDUTO. 543 00:40:10,976 --> 00:40:12,976 I STOPPED PAINTING. 544 00:40:13,044 --> 00:40:15,954 I PUT ASIDE FANTASY AND THE WEALTHY 545 00:40:16,014 --> 00:40:19,424 AND THE HEAVENLY GIRL WHO DID NOT WANT ME. 546 00:40:19,485 --> 00:40:21,515 NONE OF IT WOULD HAPPEN TO ME AGAIN. 547 00:40:21,587 --> 00:40:24,517 I'D SEEN THROUGH IT. 548 00:40:24,590 --> 00:40:26,190 I ELECTED TO GROW UP. 549 00:40:27,793 --> 00:40:30,563 * I KNOW TOO WELL * 550 00:40:30,629 --> 00:40:33,229 * KNOW THE CHILL * 551 00:40:33,298 --> 00:40:35,398 * KNOW SHE BREAKS * 552 00:40:35,467 --> 00:40:37,337 * MY SIREN * 553 00:40:37,402 --> 00:40:41,312 * KNOW TEENAGE FLESH * 554 00:40:41,372 --> 00:40:44,242 * KNOW THE CHILL * 555 00:40:44,309 --> 00:40:46,209 * KNOW SHE BREAKS * 556 00:40:46,277 --> 00:40:48,247 * MY SIREN * 557 00:40:48,313 --> 00:40:51,953 * KNOW I KNOW CHILL * 558 00:40:52,017 --> 00:40:55,547 * KNOW I * 559 00:40:55,621 --> 00:40:58,021 * NEVER WAS ONE FOR A PRISSY GIRL * 560 00:40:58,089 --> 00:40:59,289 * COQUETTE * 561 00:40:59,357 --> 00:41:00,627 * CALLING FOR AN AMBULANCE * 562 00:41:00,692 --> 00:41:01,632 * REACH HIGH * 563 00:41:01,693 --> 00:41:03,463 * DOESN'T MEAN SHE'S HOLY * 564 00:41:03,529 --> 00:41:06,199 * JUST MEANS SHE'S GOT A CELLULAR HANDY * 565 00:41:06,264 --> 00:41:07,234 * ALMOST BRAVE... * 566 00:41:07,298 --> 00:41:08,528 Joe: FINN! 567 00:41:08,600 --> 00:41:12,100 THIS IS JERRY RAGNO. 568 00:41:12,170 --> 00:41:16,740 JERRY-- MR. RAGNO IS A LAWYER IN MIAMI. 569 00:41:16,808 --> 00:41:19,578 AND NEW YORK. WE HAVE OFFICES IN MANHATTAN. 570 00:41:19,645 --> 00:41:22,945 SO, FINN, I'M EMPOWERED BY MY CLIENT 571 00:41:23,014 --> 00:41:24,824 TO MAKE YOUR DREAMS COME TRUE. 572 00:41:24,883 --> 00:41:27,893 HA HA HA! 573 00:41:30,488 --> 00:41:32,158 REALLY? 574 00:41:32,223 --> 00:41:33,533 ANY PARTICULAR DREAM OR... 575 00:41:33,592 --> 00:41:35,892 JUST ALL OF THEM? 576 00:41:35,961 --> 00:41:37,761 Ragno: HAVE YOU EVER SHOWN YOUR WORK? 577 00:41:37,829 --> 00:41:39,729 Joe: WELL, THEY HAD FINN'S PAINTING UP 578 00:41:39,798 --> 00:41:41,598 AT WASHINGTON FEDERAL BANK. 579 00:41:41,667 --> 00:41:43,767 COME ON! THAT WAS 7-- 8 YEARS AGO. 580 00:41:43,835 --> 00:41:45,865 I TOLD YOU I GAVE ALL THAT UP. 581 00:41:45,937 --> 00:41:48,507 I-- I DON'T UNDERSTAND WHAT THIS IS ALL ABOUT, MR. RAGNO. 582 00:41:48,574 --> 00:41:50,944 HOW WOULD YOU LIKE A SHOW? 583 00:41:51,009 --> 00:41:53,079 A ONE-MAN SHOW. THRALL GALLERY. 584 00:41:53,144 --> 00:41:54,554 IN NEW YORK. 585 00:41:54,613 --> 00:41:56,583 YEAH. MY CLIENT ERICA THRALL 586 00:41:56,648 --> 00:41:57,918 WANTS TO BRING YOU TO NEW YORK... 587 00:41:57,983 --> 00:41:58,823 WHY? 588 00:41:58,884 --> 00:42:00,024 FOR A SHOW IN HER GALLERY. 589 00:42:00,085 --> 00:42:01,515 THIS IS BULLSHIT. 590 00:42:01,587 --> 00:42:02,847 HAVE YOU EVER SENT SLIDES OF YOUR WORK 591 00:42:02,921 --> 00:42:04,291 TO THE THRALL GALLERY? 592 00:42:04,355 --> 00:42:05,615 PROBABLY. I SENT SLIDES EVERYWHERE 593 00:42:05,691 --> 00:42:07,091 WHEN I WAS IN HIGH SCHOOL. 594 00:42:07,158 --> 00:42:09,428 OBVIOUSLY THEY MADE QUITE AN IMPRESSION. 595 00:42:09,494 --> 00:42:13,104 A PLANE TICKET TO NEW YORK PLUS $1,000 596 00:42:13,164 --> 00:42:14,234 FOR INCIDENTALS. 597 00:42:14,299 --> 00:42:16,969 SORRY. THEY'RE ALL IN HUNDREDS. 598 00:42:17,035 --> 00:42:18,995 [JOE LAUGHING] 599 00:42:23,441 --> 00:42:24,981 WHOO. 600 00:42:27,045 --> 00:42:28,005 MMM. 601 00:42:28,079 --> 00:42:30,479 WELL... 602 00:42:30,548 --> 00:42:33,478 THE HUNDREDS AREN'T THE PROBLEM. 603 00:42:33,551 --> 00:42:35,621 I JUST-- I DON'T PAINT ANYMORE. 604 00:42:38,924 --> 00:42:41,134 WHOA. 605 00:42:41,192 --> 00:42:42,732 * BÃ‰SAME * 606 00:42:42,794 --> 00:42:44,464 * BÃ‰SAME * 607 00:42:44,529 --> 00:42:45,959 * BÃ‰SAME * 608 00:42:46,031 --> 00:42:47,731 Finn: WHOSE BUSINESS WAS IT? 609 00:42:47,799 --> 00:42:50,469 WHOSE BUSINESS WAS IT WHAT I DID WITH MY LIFE? 610 00:42:50,535 --> 00:42:53,605 WHO'D GOTTEN MY LIFE IN ORDER? ME. 611 00:42:53,672 --> 00:42:55,442 I WAS IN CONTROL. 612 00:42:55,506 --> 00:42:58,636 AND EVERYTHING I WANTED, I HAD. 613 00:42:58,710 --> 00:43:00,150 * BÃ‰SAME * 614 00:43:00,211 --> 00:43:02,511 MS. DINSMOOR? 615 00:43:02,580 --> 00:43:04,650 COCKTAILS READY, THOMAS? 616 00:43:05,884 --> 00:43:08,954 UH, NO. IT'S-- IT'S ME. IT'S FINN. 617 00:43:10,588 --> 00:43:11,588 I CAME-- 618 00:43:11,657 --> 00:43:13,557 LOOKING FOR ESTELLA. I KNOW. 619 00:43:13,625 --> 00:43:17,625 THAT HOOK IS IN DEEP, ISN'T IT, DEAR? 620 00:43:17,696 --> 00:43:19,826 ACTUALLY, I CAME TO ASK YOU A QUESTION. 621 00:43:19,898 --> 00:43:22,428 I SEE. AFTER NEARLY 10 YEARS 622 00:43:22,500 --> 00:43:24,540 WITHOUT A WORD, WITHOUT A VISIT. 623 00:43:24,602 --> 00:43:28,342 COME TO INTERROGATE ME. HOW INTERESTING. 624 00:43:28,406 --> 00:43:30,136 I'M SORRY. THINGS HAPPENED. 625 00:43:30,208 --> 00:43:31,578 I KNOW WHAT HAPPENED. 626 00:43:31,643 --> 00:43:34,053 THE LOVE OF YOUR LIFE LEFT YOU. 627 00:43:34,112 --> 00:43:36,252 HURTS, DOESN'T IT? 628 00:43:36,314 --> 00:43:37,354 COME CLOSER. 629 00:43:50,662 --> 00:43:52,802 I'VE GONE RED. 630 00:43:55,500 --> 00:43:57,500 YEAH, I NOTICED. IT'S NICE. 631 00:43:57,568 --> 00:43:58,768 AND LOOK AT YOU. 632 00:44:00,271 --> 00:44:04,211 ALL GROWN UP. A MAN. 633 00:44:04,275 --> 00:44:08,305 MS. DINSMOOR, A LAWYER NAMED RAGNO CAME TO SEE ME. 634 00:44:08,379 --> 00:44:09,479 SPIDER. 635 00:44:09,547 --> 00:44:11,247 YOU KNOW HIM? 636 00:44:11,316 --> 00:44:13,616 RAGNO MEANS "SPIDER" IN ITALIAN. 637 00:44:13,685 --> 00:44:16,045 YOU MUST LEARN OTHER LANGUAGES, FINN. 638 00:44:16,121 --> 00:44:18,661 THIS LAWYER RAGNO SAYS HE REPRESENTS 639 00:44:18,724 --> 00:44:20,864 AN ART GALLERY OWNER IN NEW YORK 640 00:44:20,926 --> 00:44:22,156 AND THEY WANT TO SHOW MY WORK. 641 00:44:22,227 --> 00:44:23,587 YOU CAN DRAW. 642 00:44:23,661 --> 00:44:25,561 YOU CAN'T DANCE WORTH A SHIT, 643 00:44:25,630 --> 00:44:26,930 BUT YOU CAN DRAW. 644 00:44:26,998 --> 00:44:30,168 I WANTED TO ASK. DID YOU KNOW ANYTHING ABOUT THIS? 645 00:44:31,502 --> 00:44:33,972 ESTELLA'S IN NEW YORK. 646 00:44:34,039 --> 00:44:36,779 I DOUBT OUR PATHS WILL CROSS. 647 00:44:39,344 --> 00:44:40,754 SO YOU'RE GOING? 648 00:44:40,812 --> 00:44:42,882 YOU THINK I SHOULD? 649 00:44:47,218 --> 00:44:51,188 I REMEMBER WATCHING YOU FROM THAT VERY WINDOW OVER THERE. 650 00:44:51,256 --> 00:44:54,856 A SCARED LITTLE MOUSE SCURRYING ACROSS MY GARDEN 651 00:44:54,926 --> 00:44:57,756 AND THROUGH MY FRONT DOOR. 652 00:44:57,829 --> 00:45:01,229 NOW...ANOTHER DOOR OPENS. 653 00:45:01,299 --> 00:45:03,699 WHAT WILL OUR MOUSE DO? 654 00:45:11,576 --> 00:45:15,006 I EXPECT AN INVITATION. 655 00:45:15,080 --> 00:45:15,980 I'M SORRY? 656 00:45:16,047 --> 00:45:19,217 TO YOUR OPENING. YOUR SHOW. 657 00:45:21,519 --> 00:45:23,319 AHH. 658 00:45:25,190 --> 00:45:27,690 P.A.: THIS IS YOUR FINAL BOARDING CALL. 659 00:45:27,759 --> 00:45:30,229 WHAT KIND OF EQUIPMENT YOU FLYING? 660 00:45:30,295 --> 00:45:31,695 WHAT? 661 00:45:31,763 --> 00:45:34,433 THEY GOT YOU ON A WIDEBODY OR 767? 662 00:45:34,499 --> 00:45:36,839 I HAVE NO IDEA. I JUST HOPE IT STAYS UP THERE. 663 00:45:36,902 --> 00:45:40,342 [CHUCKLES] WELL, YOU BETTER GET ON. 664 00:45:40,405 --> 00:45:41,405 YEAH. 665 00:45:43,074 --> 00:45:46,644 WHAT HAPPENS IF I GET UP THERE AND, UH... 666 00:45:46,711 --> 00:45:48,811 I CAN'T? I CAN'T DO IT? 667 00:45:48,880 --> 00:45:50,880 HEY, FINN... 668 00:45:50,949 --> 00:45:54,119 NOTHING HARDER THAN BEING GIVEN YOUR CHANCE. 669 00:45:54,185 --> 00:45:57,115 AT LEAST THAT'S WHAT I HEAR. 670 00:45:57,188 --> 00:45:58,288 [LAUGHING] 671 00:46:08,566 --> 00:46:10,036 SIR? SIR? 672 00:46:10,101 --> 00:46:11,171 YOU CAN'T PROCEED WITHOUT A TICKET. 673 00:46:19,044 --> 00:46:21,284 [MAKING AIRPLANE NOISES] 674 00:46:51,309 --> 00:46:52,939 TAXI! 675 00:46:53,011 --> 00:46:54,511 Man: YOU FUCKED A DEAD MAN! 676 00:46:54,579 --> 00:46:56,379 YOU KNOW HOW I KNOW? 677 00:46:56,447 --> 00:46:58,517 'CAUSE I'M GONNA KILL THE MOTHERFUCKER! 678 00:46:58,583 --> 00:47:00,053 HOLD ON! SHIT! HOLD ON! 679 00:47:00,118 --> 00:47:01,248 HEY, YOU GOT CHANGE FOR A DOLLAR? 680 00:47:01,319 --> 00:47:02,289 WHAT? 681 00:47:02,353 --> 00:47:04,063 FUCK YOU! FUCK YOU! 682 00:47:04,122 --> 00:47:06,222 WAIT-- FUCK YOU, MAN! 683 00:47:06,291 --> 00:47:08,131 FUCK YOU! 684 00:47:08,193 --> 00:47:10,863 Finn: WELL, THEN, THERE I WAS. 685 00:47:10,929 --> 00:47:13,829 MS. DINSMOOR AS MY SECRET BENEFACTOR 686 00:47:13,899 --> 00:47:16,469 SENT ME TO NEW YORK TO DRAW, 687 00:47:16,534 --> 00:47:17,874 TO HAVE THE GIRL, 688 00:47:17,936 --> 00:47:19,336 TO HAVE IT ALL, 689 00:47:19,404 --> 00:47:21,314 AND I LOOKED OUT ON THE GREAT CITY 690 00:47:21,372 --> 00:47:24,512 AS SO MANY BEFORE WHICH HELD IT ALL, 691 00:47:24,575 --> 00:47:25,835 AND IT WAS THAT CLOSE... 692 00:47:25,911 --> 00:47:27,911 AND IT WAS MINE. 693 00:47:27,979 --> 00:47:30,279 LIEBCHEN, GUT MORGEN. 694 00:47:30,348 --> 00:47:32,718 ARE YOU STILL HOLDING THE PICASSO, 695 00:47:32,783 --> 00:47:34,553 THE RED AND GREEN ONE? 696 00:47:34,619 --> 00:47:38,019 GOOD, BECAUSE I THINK I HAVE SOMEBODY INTERESTED. 697 00:47:38,089 --> 00:47:40,389 NO, I CAN'T SAY RIGHT NOW. 698 00:47:40,458 --> 00:47:45,228 JUST THE PICASSO. FABELHAFT. DANKE. 699 00:47:46,864 --> 00:47:48,834 YOUR WORK, DARLING? 700 00:47:48,900 --> 00:47:50,840 HERE'S WHERE YOU SHOW ME YOUR WORK. 701 00:47:50,902 --> 00:47:53,242 RIGHT. I TOLD YOU. THERE ISN'T ANY. 702 00:47:53,304 --> 00:47:55,474 THEN YOU BETTER GET BUSY. 703 00:47:55,540 --> 00:47:57,010 BELLY OUT. 704 00:47:57,075 --> 00:47:59,735 WHY AM I HERE? YOU SAW SOME SLIDES? 705 00:47:59,810 --> 00:48:01,350 I GAVE KEITH HARING A SHOW 706 00:48:01,412 --> 00:48:03,512 AFTER HE DREW A SKETCH IN THE PALM OF MY HAND. 707 00:48:03,581 --> 00:48:05,051 THAT WORKED OUT. 708 00:48:05,116 --> 00:48:07,046 BUT WHICH ONES? WHICH PAINTINGS DID YOU LIKE? 709 00:48:07,118 --> 00:48:09,918 THE POINT IS I SAW THE BEGINNING OF SOMETHING. 710 00:48:09,988 --> 00:48:10,988 AND HERE YOU ARE. 711 00:48:11,056 --> 00:48:13,286 ANNETTE AT SOTHEBY'S. 712 00:48:13,358 --> 00:48:15,628 WHAT YOU DO HERE IS REALLY UP TO YOU, ISN'T IT? 713 00:48:15,693 --> 00:48:18,733 STAY AND PAINT, OR ENJOY THE SIGHTS AND GO HOME. 714 00:48:18,796 --> 00:48:20,126 YOUR CHOICE. 715 00:48:20,198 --> 00:48:23,998 EITHER WAY, I ALWAYS ENJOY MEETING A YOUNG PAINTER. 716 00:48:24,069 --> 00:48:25,999 LOOK, I MEAN, I'LL DO IT. 717 00:48:29,540 --> 00:48:34,050 I SAID THAT I'LL DO IT. I'LL DO THE PAINTINGS. 718 00:48:34,112 --> 00:48:37,952 WONDERFUL. CALL MARCY WHEN YOU HAVE SOMETHING FOR US. 719 00:48:49,294 --> 00:48:51,164 Finn: AND I COULD STILL DRAW. 720 00:48:51,229 --> 00:48:53,359 NOTHING HAD LESSENED IT AS MUCH AS I HAD ABUSED IT, 721 00:48:53,431 --> 00:48:55,831 MUCH AS I HAD ABANDONED IT. 722 00:48:55,900 --> 00:48:58,900 IT WAS A GIFT, AND IT WAS STILL MINE. 723 00:48:58,970 --> 00:49:00,610 AND EVERYTHING ELSE WAS LESS REAL. 724 00:49:02,307 --> 00:49:05,077 WHAT COULD IT MEAN, THAT PICTURE OF THE WORLD? 725 00:49:05,143 --> 00:49:06,683 BUT WHEN IT'S TRUE, 726 00:49:06,744 --> 00:49:08,884 WE RECOGNIZE IT 727 00:49:08,946 --> 00:49:10,676 IN OURSELVES, IN OTHERS. 728 00:49:10,748 --> 00:49:12,918 WE RECOGNIZE IT, LIKE LOVE-- 729 00:49:12,984 --> 00:49:15,294 COMPLETELY UNDESERVED. 730 00:49:33,471 --> 00:49:34,371 YOU'RE DROOLING. 731 00:49:37,342 --> 00:49:38,312 SO... 732 00:49:38,376 --> 00:49:40,306 FINN BELL 733 00:49:40,378 --> 00:49:41,708 IN NEW YORK. 734 00:49:41,779 --> 00:49:43,309 THAT'S RIGHT. 735 00:49:43,381 --> 00:49:44,751 YOU KNOW, I THOUGHT I SAW YOU 736 00:49:44,815 --> 00:49:46,245 LAST WINTER AROUND CHRISTMAS. 737 00:49:46,317 --> 00:49:47,517 I WAS DRIVING DOWN FIFTH. 738 00:49:47,585 --> 00:49:48,945 IT WAS MOBBED. 739 00:49:49,020 --> 00:49:50,860 NO, IT WASN'T ME. I JUST GOT HERE. 740 00:49:50,921 --> 00:49:52,021 WELL, ACTUALLY, NOW THAT I SEE YOU, 741 00:49:52,090 --> 00:49:53,720 THIS GUY WAS... 742 00:49:53,791 --> 00:49:54,861 BIGGER. 743 00:49:54,925 --> 00:49:56,255 BIGGER? 744 00:49:56,327 --> 00:49:57,627 FATTER. 745 00:49:57,695 --> 00:49:58,695 MM-HMM. 746 00:49:58,763 --> 00:50:00,073 AND HE HAD THIS LONG HAIR-- 747 00:50:00,131 --> 00:50:01,471 YEAH? YOU THOUGHT THAT WAS ME? 748 00:50:01,532 --> 00:50:03,532 WELL, YOU KNOW, I HADN'T SEEN YOU IN YEARS. 749 00:50:04,969 --> 00:50:06,469 IT HAS BEEN A WHILE. 750 00:50:08,973 --> 00:50:10,483 AND HERE WE ARE. 751 00:50:16,547 --> 00:50:17,517 I HAVE TO RUN. 752 00:50:17,582 --> 00:50:19,922 WELL, WAIT, WAIT, MAYBE WE COULD-- 753 00:50:19,984 --> 00:50:21,354 LISTEN, WHY NOT MEET ME TOMORROW 754 00:50:21,419 --> 00:50:22,589 AT THE BOROUGH CLUB AROUND 6:00? 755 00:50:22,653 --> 00:50:24,893 I'M MEETING SOME FRIENDS FOR DRINKS. 756 00:50:24,955 --> 00:50:27,255 IF YOU'RE FREE, THAT IS. 757 00:50:28,126 --> 00:50:29,226 I'M FREE. 758 00:50:33,030 --> 00:50:34,500 I'M GLAD YOU'RE HERE. 759 00:50:41,672 --> 00:50:45,282 Man: A LONG TIME AGO, THERE LIVED 2 BRILLIANT ARTISTS-- 760 00:50:45,343 --> 00:50:47,583 GENIUSES-- BOTH TRUE GENIUSES. 761 00:50:47,645 --> 00:50:51,015 AND ONE DAY, ONE OF THEM WAS PAINTING OUT IN THE FOREST-- 762 00:50:51,082 --> 00:50:52,322 AS ARTISTS DO-- 763 00:50:52,383 --> 00:50:54,493 AND HE CAME UPON THIS LITTLE DOG, 764 00:50:54,552 --> 00:50:56,822 WHO WAS CRYING AND WHINING AND OBVIOUSLY LOST. 765 00:50:56,887 --> 00:50:58,417 Man: A PUPPY. 766 00:50:58,489 --> 00:51:00,689 PLEASE. YES, SURE, A PUPPY. FINE. 767 00:51:00,758 --> 00:51:03,328 SO, UM, HE COULDN'T CONCENTRATE ANYWAY, 768 00:51:03,394 --> 00:51:05,804 SO HE SCOOPED THE PUPPY UP-- PUPPY-- 769 00:51:05,863 --> 00:51:07,273 AND HE TOOK HIM BACK INTO TOWN 770 00:51:07,332 --> 00:51:09,202 TO FIND ITS RIGHTFUL OWNER, 771 00:51:09,267 --> 00:51:10,837 WHO TURNED OUT TO BE 772 00:51:10,901 --> 00:51:12,841 THE PRINCE OF THE ENTIRE KINGDOM, 773 00:51:12,903 --> 00:51:15,113 WHO WAS ETERNALLY GRATEFUL 774 00:51:15,173 --> 00:51:16,873 AND VERY WEALTHY. 775 00:51:16,941 --> 00:51:19,081 AND THAT ARTIST'S NAME WAS... 776 00:51:19,144 --> 00:51:20,454 MICHELANGELO. 777 00:51:20,511 --> 00:51:21,451 TRUE STORY. 778 00:51:21,512 --> 00:51:23,612 THE OTHER ARTIST'S NAME WAS... 779 00:51:23,681 --> 00:51:25,681 NOBODY KNOWS, BECAUSE HE WAS NEVER HEARD FROM AGAIN. 780 00:51:25,750 --> 00:51:28,090 Woman: NEVER HEARD FROM AGAIN. RIGHT, RIGHT. 781 00:51:28,153 --> 00:51:29,453 NO, THAT'S SO TRUE, WALTER. 782 00:51:29,520 --> 00:51:31,020 IS IT ALL RIGHT IF I SMOKE? 783 00:51:31,088 --> 00:51:31,888 Man: WE'VE ALL HEARD YOUR DE KOONING STORIES. 784 00:51:31,956 --> 00:51:32,916 YOU WANT ONE? 785 00:51:32,990 --> 00:51:33,990 Woman: OH, REALLY, COME ON. 786 00:51:34,058 --> 00:51:36,228 IT'S YOUR LAST ONE. 787 00:51:37,128 --> 00:51:38,928 OH. UH... 788 00:51:38,996 --> 00:51:40,326 IT'S ALL RIGHT. 789 00:51:41,666 --> 00:51:42,996 UH, SO, YOU'RE... 790 00:51:43,067 --> 00:51:44,397 [SNAPS FINGERS] CIGARETTE, PLEASE. 791 00:51:44,469 --> 00:51:45,569 YOU'RE FROM FLORIDA, TOO? 792 00:51:45,636 --> 00:51:46,996 YEAH. 793 00:51:47,071 --> 00:51:48,941 I'M SURROUNDED. EVERYBODY'S FROM FLORIDA. 794 00:51:49,006 --> 00:51:51,006 I'M NOT FROM FLORIDA. I HATE FLORIDA. 795 00:51:51,075 --> 00:51:52,075 TOO MUCH SUN. 796 00:51:52,143 --> 00:51:53,943 REALLY? Man: YEAH. 797 00:51:54,011 --> 00:51:57,251 ACTUALLY, FINN WAS MY CHILDHOOD... 798 00:51:57,315 --> 00:51:59,515 WHAT WERE YOU, EXACTLY? 799 00:52:01,085 --> 00:52:03,585 HE WAS MY, UH... 800 00:52:03,654 --> 00:52:05,064 FIRST LOVE. 801 00:52:05,122 --> 00:52:06,822 Man: I THOUGHT I WAS. 802 00:52:06,891 --> 00:52:08,231 IF THAT'S WHAT YOU SAY. 803 00:52:09,294 --> 00:52:10,434 HE PAINTED A PORTRAIT OF ME 804 00:52:10,495 --> 00:52:13,355 WHEN I WAS 10 YEARS OLD THAT WAS SO BEAUTIFUL. 805 00:52:13,431 --> 00:52:14,971 Woman: I SAT FOR A PORTRAIT ONCE-- 806 00:52:15,032 --> 00:52:16,332 ELECTRIC EXPERIENCE. 807 00:52:16,401 --> 00:52:17,301 Man: GREAT. YOU SLEPT WITH DE KOONING. 808 00:52:17,368 --> 00:52:18,438 CAN WE GET ON WITH OUR LIVES? 809 00:52:18,503 --> 00:52:19,303 I DID NOT. 810 00:52:19,370 --> 00:52:20,910 I'D LIKE TO PAINT YOU AGAIN. 811 00:52:22,072 --> 00:52:23,572 WOULD YOU? 812 00:52:25,009 --> 00:52:27,579 I WANT TO PAINT YOUR PORTRAIT. 813 00:52:30,281 --> 00:52:32,481 WHAT DO YOU THINK, SWEETHEART? 814 00:52:32,550 --> 00:52:33,850 ME? 815 00:52:33,918 --> 00:52:35,018 HA HA. 816 00:52:35,085 --> 00:52:36,215 UM... 817 00:52:36,287 --> 00:52:38,287 WELL, GEE... 818 00:52:38,356 --> 00:52:41,056 DO YOU CHARGE BY THE INCH OR BY THE HOUR? 819 00:52:41,125 --> 00:52:42,825 [LAUGHTER] 820 00:52:46,096 --> 00:52:47,196 WHAT? 821 00:52:47,265 --> 00:52:49,365 HOW DO YOU PRICE YOUR ART? 822 00:52:49,434 --> 00:52:50,804 BY, LIKE, ITS SIZE-- 823 00:52:50,868 --> 00:52:51,668 LIKE, SQUARE FOOTAGE-- 824 00:52:51,736 --> 00:52:54,166 OR BY THE TIME IT TAKES TO MAKE... 825 00:52:54,239 --> 00:52:55,169 [OTHERS LAUGH] 826 00:52:55,240 --> 00:52:56,370 THE ART? 827 00:53:01,212 --> 00:53:02,752 I... 828 00:53:02,813 --> 00:53:05,553 I'VE ACTUALLY NEVER SOLD A PAINTING. 829 00:53:07,352 --> 00:53:08,852 SIR! EXCUSE ME, SIR. 830 00:53:08,919 --> 00:53:10,659 PLEASE, SIR. 831 00:53:10,721 --> 00:53:11,691 EXCUSE ME, SIR. 832 00:53:11,756 --> 00:53:13,356 THAT'S A CLUB JACKET YOU HAVE ON. 833 00:53:13,424 --> 00:53:14,594 THIS IS YOUR JACKET. 834 00:53:14,659 --> 00:53:15,929 OH, YEAH, RIGHT. 835 00:53:17,828 --> 00:53:19,258 LET ME HELP YOU. 836 00:53:21,599 --> 00:53:22,529 THANK YOU. 837 00:53:22,600 --> 00:53:23,470 THANK YOU. 838 00:53:33,711 --> 00:53:35,581 [DOOR OPENS] 839 00:54:21,058 --> 00:54:22,358 WHAT ARE YOU DOING HERE? 840 00:54:23,594 --> 00:54:26,004 DON'T YOU WANT TO PAINT ME? 841 00:54:26,063 --> 00:54:27,333 YEAH. 842 00:54:27,398 --> 00:54:29,628 WELL, YOU'VE SLEPT ALL DAY, SO IT'S TIME TO WORK. 843 00:54:31,101 --> 00:54:32,201 YOU WANT TO DO IT RIGHT NOW? 844 00:54:32,269 --> 00:54:33,469 MM-HMM. 845 00:54:36,841 --> 00:54:37,741 OK. 846 00:54:40,177 --> 00:54:43,077 HOW'D YOU GET IN HERE? 847 00:54:43,147 --> 00:54:45,347 THEY JUST LET YOU IN, HUH? 848 00:54:46,817 --> 00:54:50,317 NOT EXACTLY TOP-OF-THE-LINE SECURITY. 849 00:54:53,123 --> 00:54:54,633 * EVERY TIME * 850 00:54:54,692 --> 00:54:57,432 * I GET NO FURTHER * 851 00:54:59,029 --> 00:55:01,599 * HOW LONG HAS IT BEEN? * 852 00:55:05,102 --> 00:55:07,072 * COME ON IN NOW * 853 00:55:07,137 --> 00:55:09,207 * WIPE YOUR FEET * 854 00:55:09,273 --> 00:55:11,083 * ON MY DREAMS * 855 00:55:16,747 --> 00:55:19,477 * YOU TAKE UP MY TIME * 856 00:55:19,550 --> 00:55:21,090 SO, DO YOU WANT ME SITTING OR STANDING? 857 00:55:22,319 --> 00:55:23,649 BOTH. 858 00:55:23,721 --> 00:55:25,291 I MEAN, YOU KNOW, WHATEVER. 859 00:55:25,356 --> 00:55:27,826 SITTING. 860 00:55:27,892 --> 00:55:30,402 * WHEN I COULD'VE BEEN LEARNING SOMETHING * 861 00:55:30,461 --> 00:55:34,001 * OH, WELL, YOU KNOW WHAT I MEAN * 862 00:55:36,000 --> 00:55:37,670 * OH * 863 00:55:40,405 --> 00:55:42,935 * I'VE DONE THIS BEFORE * 864 00:55:45,410 --> 00:55:49,010 * AND I WILL DO IT AGAIN * 865 00:55:51,849 --> 00:55:54,889 * COME ON AND KILL ME, BABY * 866 00:55:54,952 --> 00:55:58,492 * WHILE YOU SMILE LIKE A FRIEND * 867 00:56:00,825 --> 00:56:04,085 * OH, AND I'LL COME RUNNIN' * 868 00:56:09,199 --> 00:56:11,999 * JUST TO DO IT AGAIN * 869 00:56:45,335 --> 00:56:46,365 * YOU ARE THE LAST DRINK * 870 00:56:46,437 --> 00:56:49,307 * I NEVER SHOULD HAVE DRUNK * 871 00:56:49,373 --> 00:56:50,813 * YOU ARE THE BODY * 872 00:56:50,875 --> 00:56:53,435 * HIDDEN IN THE TRUNK * 873 00:56:53,511 --> 00:56:54,781 * YOU ARE THE HABIT * 874 00:56:54,845 --> 00:56:57,445 * I CAN'T SEEM TO KICK * 875 00:56:57,515 --> 00:56:58,575 * YOU ARE MY SECRETS * 876 00:56:58,649 --> 00:57:01,189 * ON THE FRONT PAGE EVERY WEEK * 877 00:57:01,251 --> 00:57:02,391 * YOU ARE THE CAR * 878 00:57:02,453 --> 00:57:05,363 * I NEVER SHOULD HAVE BOUGHT * 879 00:57:05,422 --> 00:57:06,622 * YOU ARE THE TRAIN * 880 00:57:06,691 --> 00:57:09,531 * I NEVER SHOULD HAVE CAUGHT * 881 00:57:09,594 --> 00:57:13,334 * YOU ARE THE CUT THAT MAKES ME HIDE MY FACE * 882 00:57:13,397 --> 00:57:14,927 * YOU ARE THE PARTY * 883 00:57:14,999 --> 00:57:17,699 * THAT MAKES ME FEEL MY AGE * 884 00:57:17,768 --> 00:57:19,768 * YOU'RE LIKE A CAR CRASH I CAN SEE * 885 00:57:19,837 --> 00:57:21,607 * BUT I JUST CAN'T AVOID * 886 00:57:21,672 --> 00:57:23,142 * LIKE A PLANE I'VE BEEN TOLD * 887 00:57:23,207 --> 00:57:25,677 * I NEVER SHOULD BOARD * 888 00:57:25,743 --> 00:57:27,043 * LIKE A FILM THAT'S SO BAD * 889 00:57:27,111 --> 00:57:29,551 * BUT I GOTTA STAY TILL THE END * 890 00:57:29,614 --> 00:57:30,954 * LET ME TELL YOU NOW * 891 00:57:31,015 --> 00:57:35,485 * IT'S LUCKY FOR YOU THAT WE'RE FRIENDS * 892 00:57:35,553 --> 00:57:38,063 I HAVE TO GO. 893 00:57:38,122 --> 00:57:40,732 I HAVE DINNER IN ONE HOUR, AND I LOOK A MESS. 894 00:57:55,606 --> 00:57:57,636 [ELEVATOR BELL DINGS] 895 00:58:21,566 --> 00:58:22,626 HEY! WHOA, WHOA, WHOA! 896 00:58:27,104 --> 00:58:28,474 WHAT ARE YOU DOING? 897 00:58:28,539 --> 00:58:30,039 YOU FORGOT YOUR SHOES. 898 00:58:30,107 --> 00:58:32,537 WHAT IS IT LIKE NOT TO FEEL ANYTHING? 899 00:58:34,478 --> 00:58:37,548 GET THE FUCK OUT OF HERE! 900 00:58:37,615 --> 00:58:40,445 LET'S SAY THERE WAS A LITTLE GIRL, 901 00:58:40,517 --> 00:58:43,447 AND FROM THE TIME SHE COULD UNDERSTAND, 902 00:58:43,520 --> 00:58:45,560 SHE WAS TAUGHT TO FEAR... 903 00:58:46,657 --> 00:58:48,987 LET'S SAY SHE WAS TAUGHT TO FEAR DAYLIGHT. 904 00:58:49,059 --> 00:58:52,429 SHE WAS TAUGHT THAT IT WAS HER ENEMY, 905 00:58:52,496 --> 00:58:54,156 THAT IT WOULD HURT HER. 906 00:58:54,231 --> 00:58:57,531 AND THEN ONE SUNNY DAY, 907 00:58:57,602 --> 00:58:59,402 YOU ASK HER TO GO OUTSIDE AND PLAY, 908 00:58:59,469 --> 00:59:00,969 AND SHE WON'T. 909 00:59:03,908 --> 00:59:06,178 YOU CAN'T BE ANGRY AT HER, CAN YOU? 910 00:59:06,243 --> 00:59:07,483 I KNEW THAT LITTLE GIRL, 911 00:59:07,544 --> 00:59:09,384 AND I SAW THE LIGHT IN HER EYES. 912 00:59:09,446 --> 00:59:10,676 AND NO MATTER WHAT YOU SAY OR DO, 913 00:59:10,748 --> 00:59:12,778 THAT'S STILL WHAT I SEE. 914 00:59:14,652 --> 00:59:16,022 WE ARE WHO WE ARE. 915 00:59:16,086 --> 00:59:18,256 PEOPLE DON'T CHANGE. 916 00:59:22,226 --> 00:59:23,156 [KNOCK ON DOOR] 917 00:59:23,227 --> 00:59:25,027 YEAH. WHAT? 918 00:59:25,095 --> 00:59:26,555 HOLD ON. 919 00:59:28,398 --> 00:59:29,468 YEAH, WHAT IS IT? 920 00:59:29,533 --> 00:59:30,943 YEAH? 921 00:59:31,001 --> 00:59:32,271 HI, FINN. 922 00:59:34,004 --> 00:59:35,614 WALTER. 923 00:59:35,673 --> 00:59:36,813 YEAH, RIGHT, I KNOW. 924 00:59:36,874 --> 00:59:39,484 IS THIS A BAD TIME FOR YOU? 925 00:59:39,543 --> 00:59:40,513 WELL, I MEAN... 926 00:59:40,577 --> 00:59:41,647 I CAN, UH... 927 00:59:41,712 --> 00:59:43,482 NO, IT'S ALL RIGHT. COME ON IN. 928 00:59:43,547 --> 00:59:44,507 YOU SURE? 929 00:59:44,581 --> 00:59:46,021 YEAH. COME ON IN. 930 00:59:46,083 --> 00:59:47,353 THANK YOU. 931 00:59:48,853 --> 00:59:50,693 YEAH. WHAT ARE-- WHAT ARE YOU DOING HERE? 932 00:59:50,755 --> 00:59:52,085 UH, ESTELLA MENTIONED 933 00:59:52,156 --> 00:59:54,016 THAT SHE CAME BY AND POSED FOR YOU, 934 00:59:54,091 --> 00:59:56,331 AND I, UH... 935 00:59:56,393 --> 00:59:58,433 WAS, UH... 936 00:59:58,495 --> 00:59:59,925 CURIOUS. WOW. 937 01:00:01,598 --> 01:00:02,668 UM... 938 01:00:04,234 --> 01:00:05,544 YOU'RE REALLY GOOD. 939 01:00:05,602 --> 01:00:07,402 THANKS. I HAD A GOOD SUBJECT. 940 01:00:07,471 --> 01:00:08,941 YEAH, I'LL SAY. 941 01:00:10,374 --> 01:00:11,814 SHE IS INCREDIBLE. 942 01:00:13,510 --> 01:00:17,110 I-- I GOT TO BE INSANE, RIGHT? 943 01:00:17,181 --> 01:00:18,651 WHY? 944 01:00:18,716 --> 01:00:20,686 YOU KNOW, TO RISK LOSING HER. 945 01:00:20,751 --> 01:00:22,491 GOD, LOOK AT THAT ONE. 946 01:00:22,552 --> 01:00:23,852 LOOK AT THIS, 947 01:00:23,921 --> 01:00:24,891 AND I STILL CAN'T COMMIT. 948 01:00:24,955 --> 01:00:27,925 I MEAN, THAT'S CERTIFIABLE, RIGHT? 949 01:00:27,992 --> 01:00:31,332 WELL, YOU DON'T LOOK CRAZY TO ME. 950 01:00:31,395 --> 01:00:32,325 UM... 951 01:00:33,597 --> 01:00:34,767 I FEEL LIKE ONE OF THOSE CLIFF DIVERS, 952 01:00:34,832 --> 01:00:36,002 YOU KNOW, IN ACAPULCO? 953 01:00:36,066 --> 01:00:38,836 I'M RIGHT AT THE EDGE, YOU KNOW? 954 01:00:38,903 --> 01:00:41,243 I'M SUPPOSED TO LEAP, THE TIDE IS HIGH, 955 01:00:41,305 --> 01:00:43,065 AND, UH... 956 01:00:43,140 --> 01:00:45,540 I THINK YOUR FRIEND ESTELLA IS... 957 01:00:45,609 --> 01:00:47,479 TRYING TO GIVE ME A LITTLE SHOVE HERE. 958 01:00:47,544 --> 01:00:48,714 WHAT DO YOU MEAN? 959 01:00:48,779 --> 01:00:50,249 I MEAN, YOU KNOW, 960 01:00:50,314 --> 01:00:51,624 THESE. YOU. 961 01:00:51,682 --> 01:00:53,152 IT'S HER... 962 01:00:53,217 --> 01:00:57,487 CHARMING LITTLE VERSION OF A WAKE-UP CALL. 963 01:00:57,554 --> 01:00:58,864 BUT, YOU KNOW, I UNDERSTAND. 964 01:00:58,923 --> 01:01:01,263 I UNDERSTAND. I'M, UH... 965 01:01:01,325 --> 01:01:03,155 I'M DRAGGING MY FEET. 966 01:01:04,461 --> 01:01:06,231 UM... 967 01:01:06,296 --> 01:01:09,696 I'M SORRY YOU GOT PULLED INTO THIS WHOLE MESS. 968 01:01:09,767 --> 01:01:11,937 I'M SURE SHE DOESN'T WANT TO HURT YOU. 969 01:01:12,002 --> 01:01:14,872 IN FACT, I KNOW THAT SHE REALLY CARES ABOUT YOU. 970 01:01:14,939 --> 01:01:16,669 REALLY. IT'S JUST, UH... 971 01:01:16,741 --> 01:01:18,781 [LAUGHS] 972 01:01:18,843 --> 01:01:22,553 THAT'S JUST WHO SHE IS, YOU KNOW? 973 01:01:22,612 --> 01:01:24,112 BUT... 974 01:01:24,181 --> 01:01:25,451 I LOVE HER. 975 01:01:27,217 --> 01:01:28,117 I DON'T KNOW, MAN. I DON'T KNOW. 976 01:01:28,185 --> 01:01:30,885 YOU KNOW HER LONGER THAN I DO. 977 01:01:30,955 --> 01:01:34,725 DO YOU HAVE ANY ADVICE FOR ME AT ALL HERE? 978 01:01:34,792 --> 01:01:36,332 WHAT DO YOU THINK I SHOULD DO... 979 01:01:37,627 --> 01:01:39,457 ABOUT ME AND ESTELLA? 980 01:01:48,038 --> 01:01:51,338 I THINK THAT YOU TWO ARE PERFECT TOGETHER. 981 01:01:54,779 --> 01:01:56,279 UM... 982 01:01:56,346 --> 01:01:57,916 WELL, THANK YOU. 983 01:01:58,983 --> 01:02:01,093 WELL, I SHOULD GET OUT OF YOUR HAIR. 984 01:02:01,151 --> 01:02:03,551 I APPRECIATE YOUR TAKING THE TIME. 985 01:02:03,620 --> 01:02:04,890 YOU'RE REALLY GOOD. REALLY. 986 01:02:04,955 --> 01:02:08,325 I LOOK FORWARD TO SEEING YOUR SHOW. 987 01:02:12,629 --> 01:02:13,999 Finn: THE NEXT WEEK, 988 01:02:14,064 --> 01:02:16,934 I RECEIVED A POSTCARD FROM MS. DINSMOOR. 989 01:02:17,001 --> 01:02:18,971 IT WAS OF A SANDY BEACH WITH PALM TREES. 990 01:02:19,036 --> 01:02:21,666 IT SAID, "HOW'S MY LITTLE MOUSE DOING?" 991 01:02:21,738 --> 01:02:23,208 WHAT WERE HER PLANS FOR ME? 992 01:02:23,273 --> 01:02:25,813 WHY WAS SHE PROTECTING AND PROMOTING ME? 993 01:02:25,876 --> 01:02:27,106 WHAT COULD HER REASON BE, 994 01:02:27,177 --> 01:02:31,147 IF NOT TO MAKE ME EQUAL WITH ESTELLA? 995 01:02:33,717 --> 01:02:35,517 THAT SAME DAY, 996 01:02:35,585 --> 01:02:37,515 I GOT A CALL FROM RAGNO. 997 01:02:37,587 --> 01:02:38,787 HELLO? 998 01:02:38,856 --> 01:02:40,316 Ragno: IN HERE. 999 01:02:49,666 --> 01:02:51,366 WELL, WHAT DO YOU THINK? 1000 01:02:51,435 --> 01:02:52,465 ABOUT WHAT? 1001 01:02:52,536 --> 01:02:53,536 THE DIGS. 1002 01:02:53,603 --> 01:02:55,043 OH, IT'S COZY. 1003 01:02:55,105 --> 01:02:57,605 GOOD. IT'S YOURS. 1004 01:02:57,674 --> 01:02:58,984 WHAT DO YOU MEAN? 1005 01:02:59,043 --> 01:03:00,853 YOUR OPENING IS IN 10 WEEKS. 1006 01:03:00,911 --> 01:03:02,551 IF YOU WON'T BE READY, WE CAN SIMPLY RESCHEDULE. 1007 01:03:02,612 --> 01:03:04,612 UH, NO, I'LL BE READY. 1008 01:03:04,681 --> 01:03:05,621 THIS DATE IS FIRM. 1009 01:03:05,682 --> 01:03:06,682 I'LL BE READY. 1010 01:03:06,750 --> 01:03:07,780 YOU'LL MOVE IN HERE. 1011 01:03:07,852 --> 01:03:10,152 WE'VE GOT FOOD. WE'VE GOT PAINT, CANVAS. 1012 01:03:10,220 --> 01:03:12,890 ANYTHING ELSE, JUST ASK ERICA. 1013 01:03:14,191 --> 01:03:15,591 ERICA... 1014 01:03:15,659 --> 01:03:17,489 YOU KNOW WHAT I'D LIKE? 1015 01:03:17,561 --> 01:03:18,701 I'D LIKE SOME MONEY-- 1016 01:03:18,762 --> 01:03:20,062 SOME LIVING EXPENSES. 1017 01:03:20,130 --> 01:03:21,170 I DON'T BELIEVE THAT'S ACTUALLY-- 1018 01:03:21,231 --> 01:03:22,601 DONE. 1019 01:03:22,666 --> 01:03:23,796 ANYTHING ELSE? 1020 01:03:23,868 --> 01:03:26,138 YEAH. I'D LIKE SOME PUBLICITY FOR MY SHOW. 1021 01:03:26,203 --> 01:03:27,443 NO ONE'S ACTUALLY HEARD OF YOU, 1022 01:03:27,504 --> 01:03:28,314 SO THAT COULD BE TRICKY. 1023 01:03:28,372 --> 01:03:29,712 HOW ABOUT "A COMMERCIAL FISHERMAN 1024 01:03:29,773 --> 01:03:30,913 "FROM THE GULF COAST 1025 01:03:30,975 --> 01:03:32,935 LANDS ON THE MANHATTAN ART SCENE"? 1026 01:03:33,010 --> 01:03:34,180 SOUNDS LIKE A STORY I'D LIKE TO READ. 1027 01:03:34,244 --> 01:03:35,954 MY, AREN'T WE MEDIA SAVVY? 1028 01:03:36,013 --> 01:03:37,413 WELL, WE LEARN. 1029 01:03:37,481 --> 01:03:39,621 Ragno: CALL MIRIAM. SHE'LL THINK OF SOMETHING. 1030 01:03:39,683 --> 01:03:40,623 TOAST IN MY ABSENCE. 1031 01:03:40,684 --> 01:03:42,094 I'M LATE. 1032 01:03:43,120 --> 01:03:45,120 SHE'S A BARREL OF LAUGHS. 1033 01:03:45,189 --> 01:03:45,989 WELL... 1034 01:03:46,056 --> 01:03:47,116 AN ARTIST DROPPED OUT. 1035 01:03:47,191 --> 01:03:48,491 SHE HAD TO THROW AROUND SCHEDULES. 1036 01:03:48,558 --> 01:03:49,488 YEAH, WELL, 1037 01:03:49,559 --> 01:03:50,929 LOOKS LIKE SOMEBODY WANTS TO TURN THIS FROG 1038 01:03:50,995 --> 01:03:53,455 INTO A PRINCE. 1039 01:03:53,530 --> 01:03:54,900 WHAT DO YOU MEAN? 1040 01:03:54,965 --> 01:03:57,395 YOU KNOW WHAT I MEAN. 1041 01:03:57,467 --> 01:03:59,997 IT APPEARS AS IF I HAVE A FAIRY GODMOTHER. 1042 01:04:00,070 --> 01:04:01,710 HUH. AREN'T YOU A LITTLE OLD 1043 01:04:01,771 --> 01:04:04,371 TO BELIEVE IN FAIRY GODMOTHERS? 1044 01:04:04,441 --> 01:04:07,911 WELL, WHATEVER YOU SAY, SPIDER-MAN. 1045 01:04:07,978 --> 01:04:11,548 RAGNO MEANS "SPIDER" IN ITALIAN. 1046 01:04:11,615 --> 01:04:12,645 RIGHT. 1047 01:04:12,716 --> 01:04:13,776 SEE YOU AT YOUR OPENING. 1048 01:04:13,850 --> 01:04:14,920 CIAO. 1049 01:04:16,586 --> 01:04:18,716 * HERE COMES SUCCESS * 1050 01:04:18,788 --> 01:04:19,918 Finn: I WAS BORN AGAIN. 1051 01:04:19,990 --> 01:04:20,990 WELL, WHY NOT? 1052 01:04:21,058 --> 01:04:23,728 I HAD NEVER ASKED FOR ANYTHING. 1053 01:04:23,793 --> 01:04:25,403 IF DINSMOOR OR THE ART WORLD 1054 01:04:25,462 --> 01:04:28,532 OR THE WORLD AT LARGE CHOSE TO ADOPT ME, 1055 01:04:28,598 --> 01:04:29,868 I COULD TAKE IT. 1056 01:04:29,934 --> 01:04:31,074 NEW YORK HELD IT OUT, 1057 01:04:31,135 --> 01:04:32,935 AND I WOULD TAKE IT IF I COULD 1058 01:04:33,003 --> 01:04:34,543 AND SAY THANKS. 1059 01:04:34,604 --> 01:04:36,074 YOU WOULD, TOO. 1060 01:04:38,208 --> 01:04:42,078 * HERE COMES MY CHINESE RUG * 1061 01:04:42,146 --> 01:04:44,546 * HERE COMES SUCCESS * 1062 01:04:44,614 --> 01:04:45,524 * HERE COMES SUCCESS * 1063 01:04:45,582 --> 01:04:46,352 Finn: I WAS AN ORPHAN. 1064 01:04:46,416 --> 01:04:48,946 I WAS RAISED BY MY SISTER MAGGIE 1065 01:04:49,019 --> 01:04:51,589 AND HER BOYFRIEND JOE. 1066 01:04:51,655 --> 01:04:56,625 MAGGIE TOOK OFF ON US WHEN I WAS STILL A KID. 1067 01:04:56,693 --> 01:05:00,833 JOE, HE WAS A BIG DRUG SMUGGLER. 1068 01:05:00,897 --> 01:05:01,897 HE SPENT MOST OF THE SEVENTIES 1069 01:05:01,966 --> 01:05:04,126 IN THE RAIFORD PENITENTIARY. 1070 01:05:04,201 --> 01:05:06,641 I CAME HOME ONE DAY, I FOUND HIM ON THE COUCH, 1071 01:05:06,703 --> 01:05:08,073 AND HE WAS DEAD. 1072 01:05:08,138 --> 01:05:10,008 YOU KNOW? HE HAD OD'd. 1073 01:05:10,074 --> 01:05:12,314 THEY TOOK THE APARTMENT AWAY. 1074 01:05:12,376 --> 01:05:13,276 I HAD TO SPEND THE NEXT COUPLE OF YEARS 1075 01:05:13,343 --> 01:05:14,913 LIVING OUT OF THE BACK OF A CAR. 1076 01:05:14,979 --> 01:05:15,979 OH, MY GOD. 1077 01:05:16,046 --> 01:05:17,046 NO, I MEAN, IT WASN'T THAT BAD. 1078 01:05:17,114 --> 01:05:18,754 I MEAN, IT WAS A BIG CAR. 1079 01:05:18,815 --> 01:05:20,915 IT WAS A '68 RIVIERA. 1080 01:05:20,985 --> 01:05:22,945 YEAH. IT'S A MIRACLE THAT YOU EVEN SURVIVED. 1081 01:05:23,020 --> 01:05:25,160 DO YOU LIKE MY PAINTINGS? 1082 01:05:25,222 --> 01:05:26,122 YEAH. 1083 01:05:28,192 --> 01:05:29,832 WHY DON'T YOU, UM... 1084 01:05:29,893 --> 01:05:31,133 WHY DON'T YOU TELL ME ABOUT THIS ONE? 1085 01:05:31,195 --> 01:05:32,455 THIS BEAUTY RIGHT HERE. 1086 01:05:32,529 --> 01:05:34,059 OH, THAT? THAT... 1087 01:05:34,131 --> 01:05:36,271 THAT'S SOME GIRL I KNEW BACK IN FLORIDA. 1088 01:05:36,333 --> 01:05:40,303 I USED TO HAVE A HUGE CRUSH ON HER, BUT, UM... 1089 01:05:40,370 --> 01:05:42,410 NOW I CAN'T EVEN REMEMBER HER NAME. 1090 01:05:49,913 --> 01:05:50,883 YOU KNOW, THE FACE OF THIS ONE 1091 01:05:50,947 --> 01:05:52,647 LOOKS A LOT LIKE THE LITTLE GIRL. 1092 01:05:52,716 --> 01:05:54,346 YEAH. IT'S THE SAME GIRL. 1093 01:05:54,418 --> 01:05:55,248 SHE GREW UP. 1094 01:05:55,319 --> 01:05:56,919 AND YOU DON'T REMEMBER HER NAME? 1095 01:05:56,987 --> 01:05:58,987 NO. NO. 1096 01:05:59,056 --> 01:06:00,586 Erica: DELICIOUS. 1097 01:06:00,657 --> 01:06:02,787 IT'S ALL COMING TOGETHER EXACTLY AS I PROMISED-- 1098 01:06:02,859 --> 01:06:04,729 FINN FRENZY. 1099 01:06:04,794 --> 01:06:05,904 IMAGINE WHAT WILL HAPPEN 1100 01:06:05,962 --> 01:06:08,772 WHEN THEY ACTUALLY SEE YOUR WONDERFUL WORK. 1101 01:06:08,832 --> 01:06:09,802 YOUR BELOVED PER DIEM... 1102 01:06:09,866 --> 01:06:11,096 OH, THANKS. 1103 01:06:11,168 --> 01:06:13,668 AND AN INVITATION TO THE HAMILTON MUSEUM BENEFIT. 1104 01:06:13,737 --> 01:06:15,367 OH, TOSS THAT. 1105 01:06:15,439 --> 01:06:16,939 I KILLED A PUBLICIST FOR THIS. 1106 01:06:17,007 --> 01:06:18,037 IT IS THE EVENT-- 1107 01:06:18,108 --> 01:06:19,138 BLACK TIE, 1108 01:06:19,209 --> 01:06:20,479 OLD MONEY, NEW MONEY, 1109 01:06:20,544 --> 01:06:21,884 BIG MONEY. 1110 01:06:21,945 --> 01:06:23,505 EVERYONE IS GOING TO BE THERE, 1111 01:06:23,580 --> 01:06:24,650 INCLUDING YOU. 1112 01:06:24,714 --> 01:06:25,654 Man: ERICA. 1113 01:06:25,715 --> 01:06:26,845 TEDDY? 1114 01:06:26,916 --> 01:06:28,746 THESE ARE ALL FINN'S NEW PAINTINGS. 1115 01:06:28,818 --> 01:06:30,218 IT'S FOR YOU. 1116 01:06:30,287 --> 01:06:31,317 IF YOU DON'T LIKE ANY OF THE PORTRAITS, 1117 01:06:31,388 --> 01:06:32,388 YOU CAN, OF COURSE, COMMISSION YOUR OWN. 1118 01:06:32,456 --> 01:06:33,456 HELLO? 1119 01:06:33,523 --> 01:06:35,263 Finn: DON'T JUMP. 1120 01:06:38,962 --> 01:06:41,272 WOULD YOU SAVE ME? 1121 01:06:41,331 --> 01:06:43,801 NOT IN THIS SUIT. 1122 01:06:43,867 --> 01:06:45,437 [LAUGHS] 1123 01:06:45,502 --> 01:06:46,242 HOW ARE YOU DOING? 1124 01:06:46,303 --> 01:06:47,973 GOOD. HOW ARE YOU? 1125 01:06:48,038 --> 01:06:49,838 PRETTY WELL. 1126 01:06:49,906 --> 01:06:51,036 THAT'S A GOOD-LOOKING SUIT. 1127 01:06:51,108 --> 01:06:52,408 IT'S A GOOD-LOOKING DAY. 1128 01:06:52,476 --> 01:06:54,436 IT IS. 1129 01:06:54,511 --> 01:06:55,551 HAVE YOU SEEN NEW YORK MAGAZINE? 1130 01:06:55,612 --> 01:06:56,452 ARE YOU IN IT? 1131 01:06:56,513 --> 01:06:59,383 OH, YEAH, IT'S JUST A LITTLE PIECE. 1132 01:06:59,449 --> 01:07:00,719 IT'S NICE. YOU DIDN'T SEE IT? 1133 01:07:00,784 --> 01:07:01,724 NO. 1134 01:07:01,785 --> 01:07:02,845 OH. 1135 01:07:02,919 --> 01:07:03,949 YOU KNOW, THRALL SAYS THAT SHE THINKS 1136 01:07:04,020 --> 01:07:06,060 THE SHOW IS GOING TO GET GOOD REVIEWS. 1137 01:07:06,123 --> 01:07:07,093 I DON'T WANT TO JINX IT, 1138 01:07:07,157 --> 01:07:10,127 BUT WHAT DOES SHE KNOW, RIGHT? 1139 01:07:10,194 --> 01:07:12,834 THE CURATOR FROM THE WHITNEY CAME BY THE OTHER DAY. 1140 01:07:12,896 --> 01:07:13,856 THAT WAS PRETTY EXCITING. 1141 01:07:13,930 --> 01:07:15,700 WOW. 1142 01:07:15,765 --> 01:07:17,325 I'LL SAY I KNEW YOU WHEN... 1143 01:07:18,568 --> 01:07:19,468 LISTEN. 1144 01:07:20,804 --> 01:07:21,774 WHAT? 1145 01:07:25,242 --> 01:07:28,252 WALTER ASKED ME TO MARRY HIM. 1146 01:07:30,046 --> 01:07:32,476 HE WANTS TO MARRY ME. 1147 01:07:36,420 --> 01:07:37,990 REALLY? 1148 01:07:38,054 --> 01:07:39,124 YEAH. 1149 01:07:43,493 --> 01:07:46,503 WHY ARE YOU TELLING ME THIS? 1150 01:07:47,864 --> 01:07:50,274 BECAUSE, UM... 1151 01:07:51,635 --> 01:07:53,995 I'VE JUST-- I... 1152 01:07:54,070 --> 01:07:58,410 WANTED TO KNOW IF YOU HAD ANYTHING TO SAY. 1153 01:07:59,776 --> 01:08:01,106 CONGRATULATIONS. 1154 01:08:03,713 --> 01:08:05,153 SOUNDS WONDERFUL. 1155 01:08:07,517 --> 01:08:11,557 I WISH YOU BOTH THE BEST OF LUCK. 1156 01:08:11,621 --> 01:08:14,521 I GOTTA GO, THOUGH. I GOTTA-- I GOTTA... 1157 01:08:14,591 --> 01:08:15,391 OH, FINN, WAIT. 1158 01:08:15,459 --> 01:08:17,159 NO, I JUST-- I GOT SOME BUSINESS. 1159 01:08:17,227 --> 01:08:18,857 FINN, WAIT. 1160 01:08:18,928 --> 01:08:20,958 Finn: WHY HAD SHE TOLD ME? 1161 01:08:21,030 --> 01:08:22,470 SHE TOLD ME TO WOUND ME. 1162 01:08:22,532 --> 01:08:23,802 OR SHE TOLD ME OUT OF HABIT, 1163 01:08:23,867 --> 01:08:25,867 OR SHE TOLD ME TO DRIVE ME MAD. 1164 01:08:25,935 --> 01:08:27,165 I DIDN'T CARE. 1165 01:08:27,237 --> 01:08:28,537 IT WAS A CLUE, OR IT WAS A PLEA, 1166 01:08:28,605 --> 01:08:29,535 OR IT WAS A TEASE. 1167 01:08:29,606 --> 01:08:31,536 I DIDN'T CARE. 1168 01:08:31,608 --> 01:08:34,878 NO, SHE TOLD ME SO I WOULD STOP HER. 1169 01:08:34,944 --> 01:08:36,784 OF COURSE I WOULD. 1170 01:08:38,081 --> 01:08:39,521 Man: GOOD EVENING. 1171 01:08:45,289 --> 01:08:47,289 Erica: EXCUSE ME, SENATOR. 1172 01:08:47,357 --> 01:08:48,657 WELL, YOU'RE FASHIONABLY LATE, DARLING. 1173 01:08:48,725 --> 01:08:50,955 I HAVE HORDES OF PEOPLE TO INTRODUCE YOU TO. 1174 01:08:51,027 --> 01:08:52,097 THIS IS THE SENATOR-- 1175 01:08:52,162 --> 01:08:53,932 FINN! 1176 01:08:53,997 --> 01:08:55,227 I'M SORRY, SENATOR. 1177 01:08:55,299 --> 01:08:57,099 * AS THE EVENING MISTS * 1178 01:08:57,167 --> 01:09:01,237 * WERE RISING... * 1179 01:09:01,305 --> 01:09:02,965 FINN. FINN, FINN, FINN. 1180 01:09:03,039 --> 01:09:04,109 SO GOOD TO SEE YOU. 1181 01:09:04,174 --> 01:09:06,144 LISTEN, I GOT A FRIEND. HE'S DECORATING-- 1182 01:09:06,210 --> 01:09:07,180 HAVE YOU SEEN ESTELLA? 1183 01:09:07,244 --> 01:09:09,614 ACTUALLY, NO. AND, UM... 1184 01:09:09,679 --> 01:09:11,749 HE'S DESPERATELY INTERESTED IN GETTING SOME ART. 1185 01:09:11,815 --> 01:09:12,775 ARE YOU INTERESTED? 1186 01:09:12,849 --> 01:09:13,719 AND WHAT'S YOUR COMMISSION? 1187 01:09:13,783 --> 01:09:15,653 WE JUST GOT OUR THRALL INVITE-- SO EXCITING. 1188 01:09:15,719 --> 01:09:17,449 HEY, I'VE BEEN MEANING TO CALL YOU. 1189 01:09:17,521 --> 01:09:19,291 CONGRATULATIONS ON YOUR SUCCESS. 1190 01:09:19,356 --> 01:09:21,356 MY GOD, YOU'RE ALL OVER THE PLACE. 1191 01:09:21,425 --> 01:09:22,985 THE BOY WITH THE HANDS. 1192 01:09:23,059 --> 01:09:25,499 I SAW YOUR SPREAD. ANTON LE FARGE. 1193 01:09:25,562 --> 01:09:27,562 BE EXTREMELY NICE TO ANTON, FINN. 1194 01:09:27,631 --> 01:09:29,271 HE HAS A LOT OF EMPTY WALL SPACE. 1195 01:09:29,333 --> 01:09:30,833 WELL, I'M TAKING MY TIME. 1196 01:09:30,900 --> 01:09:31,770 WELL, YOU SHOULD GET TO FINN 1197 01:09:31,835 --> 01:09:33,795 WHILE HIS RATES ARE STILL REASONABLE, RIGHT? 1198 01:09:33,870 --> 01:09:35,000 HOW DID WE SAY 1199 01:09:35,071 --> 01:09:36,241 YOU SHOULD PRICE YOUR ART AGAIN? 1200 01:09:36,306 --> 01:09:39,176 WAS IT BY CANVAS SIZE OR... 1201 01:09:39,243 --> 01:09:40,643 BY ITS BEAUTY? 1202 01:09:41,811 --> 01:09:43,781 HEY. THERE YOU ARE. 1203 01:09:43,847 --> 01:09:44,747 I HAVE TO TALK TO YOU. 1204 01:09:44,814 --> 01:09:47,054 WE GOT TO GO. WE'RE RIDICULOUSLY LATE. 1205 01:09:47,116 --> 01:09:48,386 I HAVE TO-- I HAVE TO TALK TO YOU. 1206 01:09:48,452 --> 01:09:50,352 WE JUST GOT HERE. SWEETIE, YOU JUST GOT HERE. 1207 01:09:50,420 --> 01:09:51,360 WE'RE MEETING THE BARROWS FOR DINNER 1208 01:09:51,421 --> 01:09:53,491 AT KELLY AND PING'S 10 MINUTES AGO. 1209 01:09:53,557 --> 01:09:55,157 GOOD NIGHT, KIDS. HAVE FUN. 1210 01:09:55,225 --> 01:09:57,025 CONGRATULATIONS AGAIN, FINN. 1211 01:09:57,093 --> 01:09:58,303 Anton: LOVELY COUPLE. 1212 01:09:58,362 --> 01:10:00,032 THIS IS THE YOUNG ARTIST I WAS TELLING YOU ABOUT. 1213 01:10:00,096 --> 01:10:02,396 SENATOR ELWOOD, THIS IS FINN BELL. 1214 01:10:02,466 --> 01:10:03,726 HOW DO YOU DO, FINN? 1215 01:10:03,800 --> 01:10:05,970 THRALL HAS TOLD ME SO MUCH ABOUT YOU. 1216 01:10:06,035 --> 01:10:10,965 * COME... * 1217 01:10:11,040 --> 01:10:11,980 WHAT ABOUT MY FRIEND? 1218 01:10:12,041 --> 01:10:12,941 NO. NOT RIGHT NOW. 1219 01:10:13,009 --> 01:10:14,039 ALL RIGHT, LOOK. 1220 01:10:14,110 --> 01:10:15,040 THRALL IS A LOSER IN THIS TOWN NOW. 1221 01:10:15,111 --> 01:10:16,011 I CAN INTRODUCE-- 1222 01:10:16,079 --> 01:10:17,449 NOT RIGHT-- 1223 01:10:17,514 --> 01:10:18,384 SORRY. 1224 01:10:18,448 --> 01:10:21,118 IT'S ALL ABOUT RELATIONSHIPS, ISN'T IT? 1225 01:10:21,184 --> 01:10:23,024 Man: HA HA HA HA! 1226 01:10:23,086 --> 01:10:24,386 DON'T TOUCH ME. 1227 01:10:29,926 --> 01:10:31,396 Man: I'M SORRY. 1228 01:10:33,663 --> 01:10:38,233 Man: SIR, CAN I GET YOU A TAXI, SIR? 1229 01:11:00,223 --> 01:11:02,033 [BRAKES SQUEAL, HORN HONKS] 1230 01:11:21,711 --> 01:11:23,011 Man: HEY! 1231 01:11:40,497 --> 01:11:41,797 EXCUSE ME, SIR. 1232 01:11:41,865 --> 01:11:43,495 SIR? SIR? 1233 01:11:53,009 --> 01:11:54,739 HEY, FINN. 1234 01:11:54,811 --> 01:11:55,881 THIS IS FINN. 1235 01:11:55,945 --> 01:11:56,845 HOW DO YOU DO? 1236 01:11:56,913 --> 01:11:57,753 HELLO. 1237 01:11:57,814 --> 01:12:00,524 CAN I OFFER YOU A CHAIR OR A TOWEL? 1238 01:12:00,584 --> 01:12:02,194 WOULD YOU LIKE TO DANCE? 1239 01:12:02,251 --> 01:12:04,321 [LAUGHS] 1240 01:12:13,262 --> 01:12:15,102 Woman, whispering: Do you know him? 1241 01:12:15,164 --> 01:12:16,074 YEAH. 1242 01:12:17,300 --> 01:12:18,170 IS EVERYTHING OK? 1243 01:12:18,234 --> 01:12:19,374 YEAH. 1244 01:12:19,436 --> 01:12:21,336 NAH, IT'S... 1245 01:13:41,417 --> 01:13:43,847 I WANT YOU INSIDE ME. 1246 01:13:49,593 --> 01:13:51,663 [BIRDS CHIRP] 1247 01:14:33,970 --> 01:14:35,570 I HAVE TO GO HOME FOR A WEEK OR SO. 1248 01:14:35,639 --> 01:14:37,169 I OWE MY AUNT A VISIT. 1249 01:14:37,240 --> 01:14:39,580 BUT YOU'LL BE BACK. 1250 01:14:41,077 --> 01:14:43,207 FOR YOUR SHOW? 1251 01:14:43,279 --> 01:14:44,749 OF COURSE. 1252 01:14:51,555 --> 01:14:53,755 I DO LOVE THE WAY YOU DANCE. 1253 01:14:53,823 --> 01:14:55,533 * HERE COMES SUCCESS * 1254 01:14:55,592 --> 01:14:58,632 * HERE COMES SUCCESS * 1255 01:14:58,695 --> 01:15:01,125 * OVER MY HILL * 1256 01:15:01,197 --> 01:15:03,167 * OVER MY HILL * 1257 01:15:03,232 --> 01:15:05,302 * HERE COMES SUCCESS * 1258 01:15:05,368 --> 01:15:07,098 * HERE COMES SUCCESS * 1259 01:15:07,170 --> 01:15:08,770 * HERE COMES MY CAR * 1260 01:15:08,838 --> 01:15:09,568 HI. 1261 01:15:09,639 --> 01:15:10,909 HEY, HOW'S IT GOING? 1262 01:15:10,974 --> 01:15:13,614 CONGRATULATIONS. 1263 01:15:13,677 --> 01:15:15,607 YEAH. HAVE YOU SEEN ESTELLA? IS SHE HERE? 1264 01:15:15,679 --> 01:15:16,849 SHE'S NOT HERE YET, 1265 01:15:16,913 --> 01:15:18,213 BUT WHEN SHE GETS HERE, I'LL SEND HER RIGHT IN. 1266 01:15:18,281 --> 01:15:19,221 ALL RIGHT, ALL RIGHT. 1267 01:15:19,282 --> 01:15:20,252 HEY, CONGRATULATIONS. 1268 01:15:20,316 --> 01:15:22,286 GREAT JOB. GREAT JOB. 1269 01:15:22,351 --> 01:15:23,951 OH. THANKS A LOT. 1270 01:15:24,020 --> 01:15:25,020 SO... 1271 01:15:25,088 --> 01:15:26,288 HEY, LOOK WHO'S HERE. 1272 01:15:26,355 --> 01:15:27,455 ALL YOUR DREAMS COME TRUE? 1273 01:15:27,523 --> 01:15:28,423 YEAH, WELL, WE'LL SEE. 1274 01:15:28,491 --> 01:15:29,831 GREAT. OK. 1275 01:15:29,893 --> 01:15:31,533 COME ON, DARLING, I WANT YOU TO MEET SOME PEOPLE. 1276 01:15:31,595 --> 01:15:32,495 HAVE YOU SEEN ESTELLA? 1277 01:15:32,562 --> 01:15:33,632 NO, I HAVEN'T. 1278 01:15:33,697 --> 01:15:35,527 LISTEN, THERE'S A VERY IMPORTANT GUY HERE. 1279 01:15:35,599 --> 01:15:36,829 CARTER MACLEISH, HE'S A CRITIC, 1280 01:15:36,900 --> 01:15:38,270 SO COME AND MEET HIM NOW. 1281 01:15:38,334 --> 01:15:39,274 CONGRATULATIONS. 1282 01:15:39,335 --> 01:15:40,465 OH, WOW, THANKS, YEAH. 1283 01:15:40,536 --> 01:15:41,496 FINN. 1284 01:15:41,571 --> 01:15:43,471 OH, GREAT, YEAH. NICE TO SEE YOU. 1285 01:15:43,539 --> 01:15:45,609 [CHATTERING] 1286 01:15:47,711 --> 01:15:49,981 WE'LL BE RIGHT BACK. OH, THANKS. 1287 01:15:50,046 --> 01:15:51,376 Woman: IS IT WARM IN HERE, OR IS IT ME? 1288 01:15:51,447 --> 01:15:52,447 VERY NICE. 1289 01:15:52,515 --> 01:15:54,875 THANK YOU. IS CLEMENTE HERE? 1290 01:15:54,951 --> 01:15:56,291 CARTER. HI. HOW ARE YOU, DARLING? 1291 01:15:56,352 --> 01:15:57,322 HI. 1292 01:15:57,386 --> 01:15:58,446 GREAT TO SEE YOU. 1293 01:15:58,521 --> 01:15:59,761 FINN BELL, CARTER MACLEISH. 1294 01:15:59,823 --> 01:16:01,593 HI. VERY NICE TO MEET YOU. CONGRATULATIONS. 1295 01:16:01,658 --> 01:16:03,328 AND RUTH YOU KNOW. 1296 01:16:03,392 --> 01:16:04,332 NICE TO MEET YOU. 1297 01:16:04,393 --> 01:16:05,393 YEAH. HEY. 1298 01:16:05,461 --> 01:16:06,531 IT'S A MOST IMPRESSIVE SHOW. 1299 01:16:06,596 --> 01:16:08,156 OH. HA HA. 1300 01:16:08,231 --> 01:16:10,671 WELL, IT IS THAT. 1301 01:16:10,734 --> 01:16:13,004 [PEOPLE CHATTERING] 1302 01:16:14,638 --> 01:16:15,668 Man: OH, YES, I DO. 1303 01:16:15,739 --> 01:16:17,709 Erica: RICHARD. RICHARD. 1304 01:16:17,774 --> 01:16:19,514 DARLING, WILL YOU DO A PHOTO OF US WITH CARTER? 1305 01:16:19,575 --> 01:16:21,875 Man: FINN! 1306 01:16:21,945 --> 01:16:23,345 HEY, FINN! 1307 01:16:23,412 --> 01:16:24,852 FINN! HEY, FINN! 1308 01:16:26,182 --> 01:16:27,852 Carter: WHAT IS THAT? 1309 01:16:27,917 --> 01:16:29,917 HURRY UP. DO ANOTHER ONE. 1310 01:16:29,986 --> 01:16:31,716 I THINK YOU HAVE A FAN HERE. 1311 01:16:31,788 --> 01:16:32,818 I'M SORRY. I'M SORRY. 1312 01:16:32,889 --> 01:16:34,659 WILL YOU JUST EXCUSE ME FOR ONE MOMENT? 1313 01:16:34,724 --> 01:16:36,094 Woman: DO YOU KNOW HIM? 1314 01:16:36,159 --> 01:16:37,529 OK. 1315 01:16:37,593 --> 01:16:40,063 HEY, FINN. 1316 01:16:40,129 --> 01:16:42,029 HOW ARE YOU DOING? SURPRISE, SURPRISE, HUH? 1317 01:16:42,098 --> 01:16:43,768 YEAH, SURPRISE. 1318 01:16:43,833 --> 01:16:44,973 WHAT ARE YOU DOING HERE? 1319 01:16:45,034 --> 01:16:46,004 WELL, WHERE DO YOU THINK I'D BE? 1320 01:16:46,069 --> 01:16:47,299 WELL, I DON'T KNOW, BUT-- 1321 01:16:47,370 --> 01:16:49,270 YOU KNOW WHAT I HAD TO DO? I HAD TO CHANGE IN MY CAR. 1322 01:16:49,338 --> 01:16:50,138 YEAH, I SEE. 1323 01:16:50,206 --> 01:16:51,636 IT'S A RENTAL TUX, BUT WHAT THE HELL. 1324 01:16:51,708 --> 01:16:53,138 YEAH, IT LOOKS GOOD. 1325 01:16:53,209 --> 01:16:54,879 DO YOU WANT TO GO GET, LIKE, A JUICE? 1326 01:16:54,944 --> 01:16:56,054 HEY, IT'S JERRY, HUH? 1327 01:16:56,112 --> 01:16:57,082 JERRY? 1328 01:16:57,146 --> 01:16:58,276 YEAH. HEY, JERRY. 1329 01:16:58,347 --> 01:16:59,677 HEY, JERRY! 1330 01:16:59,749 --> 01:17:01,149 YOU SON OF A BITCH, 1331 01:17:01,217 --> 01:17:02,717 YOU WEREN'T BULLSHITTING, WERE YOU? 1332 01:17:02,786 --> 01:17:03,886 NO. YEAH. 1333 01:17:03,953 --> 01:17:07,163 THIS IS ERICA THRALL. THIS IS MY UNCLE JOE. 1334 01:17:07,223 --> 01:17:09,063 MS. THRALL, HI. THIS IS YOUR PLACE, RIGHT? 1335 01:17:09,125 --> 01:17:09,955 THAT'S RIGHT. 1336 01:17:10,026 --> 01:17:11,586 IT'S VERY NICE. VERY NICE. 1337 01:17:11,661 --> 01:17:13,601 OH, CARTER MACLEISH. 1338 01:17:13,663 --> 01:17:14,703 HELLO, HOW ARE YOU? 1339 01:17:14,764 --> 01:17:16,034 YOU'RE ALSO FROM FLORIDA? 1340 01:17:16,099 --> 01:17:18,739 THAT'S RIGHT. I OPERATE A COMMERCIAL FISHING BOAT. 1341 01:17:18,802 --> 01:17:20,172 AND THIS IS RUTH. 1342 01:17:20,236 --> 01:17:21,396 HI. 1343 01:17:21,470 --> 01:17:24,070 HEY, RUTH. 1344 01:17:25,408 --> 01:17:26,338 HEY, HEY. 1345 01:17:26,409 --> 01:17:27,809 HA HA HA. 1346 01:17:27,877 --> 01:17:30,077 LOOK AT ME, HUH? 1347 01:17:30,146 --> 01:17:32,376 Ruth: UNCLE JOE, THE DRUG SMUGGLER. 1348 01:17:32,448 --> 01:17:33,878 I THOUGHT YOU WERE DEAD. 1349 01:17:33,950 --> 01:17:34,780 DRUGS? 1350 01:17:34,851 --> 01:17:36,421 NO. SHE'S THINKING ABOUT SOMEONE ELSE. 1351 01:17:36,485 --> 01:17:40,915 NO, NO. I'VE BEEN SOBER FOR A GOOD LONG TIME NOW. 1352 01:17:40,990 --> 01:17:42,460 FINN, CARTER CAN'T BELIEVE IT'S YOUR FIRST SHOW. 1353 01:17:42,525 --> 01:17:43,485 Finn: YEAH, WELL, IT IS. 1354 01:17:43,559 --> 01:17:44,489 NO, IT'S NOT. 1355 01:17:44,560 --> 01:17:45,560 WHAT DO YOU MEAN? 1356 01:17:45,628 --> 01:17:47,528 NO, IT'S NOT. FINN HAD A BIG ART SHOW 1357 01:17:47,596 --> 01:17:48,656 AT THE WASHINGTON FEDERAL. 1358 01:17:48,732 --> 01:17:50,072 WHAT WAS IT, A COUPLE OF YEARS AGO? 1359 01:17:50,133 --> 01:17:52,673 THE WASHINGTON FEDERAL. WHAT IS THAT? 1360 01:17:52,736 --> 01:17:53,636 NO, I DON'T KNOW THAT GALLERY. 1361 01:17:53,703 --> 01:17:54,743 NO, IT'S NOT A GALLERY. 1362 01:17:54,804 --> 01:17:55,744 NO, IT'S A BANK. 1363 01:17:55,805 --> 01:17:57,465 IT'S A SAVINGS AND LOAN. 1364 01:17:57,540 --> 01:17:59,580 A BANK? 1365 01:17:59,642 --> 01:18:02,112 THIS IS MY FIRST GALLERY SHOW. 1366 01:18:02,178 --> 01:18:04,278 AND YOU'RE SELF-TAUGHT. YES, I READ THAT HERE. 1367 01:18:04,347 --> 01:18:05,277 THAT WAS A GIFT. 1368 01:18:05,348 --> 01:18:06,648 FINN ALWAYS HAD IT. 1369 01:18:06,716 --> 01:18:08,016 7 MONTHS OLD. 1370 01:18:08,084 --> 01:18:09,224 HIS SISTER AND I TOOK HIM 1371 01:18:09,285 --> 01:18:10,085 OUT TO THE BEACH. 1372 01:18:10,153 --> 01:18:12,563 HE SAT THERE AND DREW IN THE SAND. 1373 01:18:12,621 --> 01:18:14,091 AND ONE NIGHT HE TOOK 1374 01:18:14,157 --> 01:18:15,727 ALL OF MAGGIE'S BEST PERFUME 1375 01:18:15,792 --> 01:18:17,892 AND DREW WITH IT OUT IN THE STREET. 1376 01:18:17,961 --> 01:18:19,701 JUST POURED IT ALL OUT, AND THEN HE LIT IT. 1377 01:18:19,763 --> 01:18:20,703 SSSSSHHHHHH. 1378 01:18:20,764 --> 01:18:21,774 SSSSSHHHHH. 1379 01:18:21,831 --> 01:18:23,701 JUST UP IN FLAMES. 1380 01:18:23,767 --> 01:18:25,967 THE MOST BEAUTIFUL DESIGNS YOU EVER SAW, 1381 01:18:26,035 --> 01:18:28,135 JUST REMARKABLE. JUST SSSSHHHH. 1382 01:18:28,204 --> 01:18:29,614 [GLASS SHATTERING] 1383 01:18:29,672 --> 01:18:31,142 ARE YOU ALL RIGHT? 1384 01:18:31,207 --> 01:18:32,507 YES, I'M FINE. 1385 01:18:32,575 --> 01:18:33,535 IT'S MY FAULT. 1386 01:18:33,609 --> 01:18:35,539 Waitress: I GOT IT. 1387 01:18:35,611 --> 01:18:36,651 LET ME DO THIS. 1388 01:18:36,712 --> 01:18:39,722 HEY, JUST LEAVE IT, JOE. JUST LEAVE IT. 1389 01:18:39,783 --> 01:18:41,653 ERICA, IT'S FINE. 1390 01:18:41,717 --> 01:18:43,417 JOE, JUST LEAVE IT! 1391 01:18:50,827 --> 01:18:52,127 I'M SORRY. 1392 01:18:54,798 --> 01:18:56,168 HEY, I'M SORRY. 1393 01:18:56,232 --> 01:18:57,232 IT'S-- 1394 01:18:57,300 --> 01:18:58,230 IT'S JUST-- 1395 01:19:00,636 --> 01:19:02,466 GOD. OH, MAN. 1396 01:19:02,538 --> 01:19:04,508 EXCUSE ME. I'M SORRY. 1397 01:19:04,573 --> 01:19:05,913 I'M SORRY. 1398 01:19:15,384 --> 01:19:16,294 EXCUSE ME. 1399 01:19:19,488 --> 01:19:21,158 JOE. 1400 01:19:21,224 --> 01:19:22,834 JOE. 1401 01:19:24,527 --> 01:19:26,127 OH, JEEZ, I'M-- 1402 01:19:28,798 --> 01:19:30,528 LISTEN, I'M GONNA HEAD OUT, 1403 01:19:30,599 --> 01:19:32,739 'CAUSE I'M STARVED, YOU KNOW? 1404 01:19:32,802 --> 01:19:34,102 I'M GONNA FIND A McDONALD'S 1405 01:19:34,170 --> 01:19:36,440 OR SOMETHING, AND, UH... 1406 01:19:36,505 --> 01:19:37,735 SO YOU GO BACK IN, 1407 01:19:37,807 --> 01:19:38,807 AND I'M GONNA TALK TO YOU 1408 01:19:38,875 --> 01:19:39,975 A LITTLE LATER, ALL RIGHT? 1409 01:19:40,043 --> 01:19:40,713 JOE. 1410 01:19:40,776 --> 01:19:42,246 JOE. 1411 01:19:44,413 --> 01:19:45,823 COME ON, I MEAN... 1412 01:19:45,882 --> 01:19:50,492 JOE, LISTEN, THIS IS-- IT'S WORK. 1413 01:19:50,553 --> 01:19:53,293 HEY, SURE. 1414 01:19:54,623 --> 01:19:56,533 COME ON, I GET IT. 1415 01:19:59,762 --> 01:20:01,162 Man: FINN. 1416 01:20:05,734 --> 01:20:07,774 YOU DAZZLE 'EM. 1417 01:20:07,837 --> 01:20:09,867 GO AHEAD. 1418 01:20:15,644 --> 01:20:17,654 AW, JEEZ, I'M... 1419 01:20:17,713 --> 01:20:19,783 I'M PROUD OF YOU, FINN, 1420 01:20:19,849 --> 01:20:23,089 AND, YOU KNOW, I ALWAYS HAVE BEEN. 1421 01:20:26,255 --> 01:20:27,755 SO... 1422 01:20:27,823 --> 01:20:29,293 JUST GO ON. 1423 01:20:36,265 --> 01:20:37,365 Joe: FINN. 1424 01:20:38,868 --> 01:20:40,868 GO SEE IF THEY KNOW 1425 01:20:40,937 --> 01:20:43,167 HOW TO SMOKE A SWORDFISH, HUH? 1426 01:21:04,027 --> 01:21:07,157 Finn: TONIGHT ALL OF MY DREAMS CAME TRUE, 1427 01:21:07,230 --> 01:21:08,970 AND LIKE ALL HAPPY ENDINGS, 1428 01:21:09,032 --> 01:21:11,302 IT WAS A TRAGEDY OF MY OWN DEVICE, 1429 01:21:11,367 --> 01:21:13,467 FOR I'D SUCCEEDED. 1430 01:21:13,536 --> 01:21:16,906 I HAD CUT MYSELF LOOSE FROM JOE, FROM THE PAST, 1431 01:21:16,973 --> 01:21:19,083 FROM THE GULF, FROM POVERTY. 1432 01:21:19,142 --> 01:21:21,982 I HAD INVENTED MYSELF. 1433 01:21:22,045 --> 01:21:25,245 I HAD DONE IT CRUELLY, BUT I'D DONE IT. 1434 01:21:25,314 --> 01:21:26,524 I WAS FREE. 1435 01:21:26,582 --> 01:21:29,622 [DOORBELL CHIMES] 1436 01:21:32,956 --> 01:21:34,516 I DID IT! 1437 01:21:34,590 --> 01:21:35,960 I DID IT! 1438 01:21:36,025 --> 01:21:38,925 I AM A WILD SUCCESS! 1439 01:21:38,995 --> 01:21:42,965 I SOLD 'EM ALL! ALL MY PAINTINGS! 1440 01:21:43,032 --> 01:21:45,902 YOU DON'T HAVE TO BE EMBARRASSED BY ME ANYMORE! 1441 01:21:45,969 --> 01:21:47,869 I'M RICH! 1442 01:21:47,937 --> 01:21:49,567 ISN'T THAT WHAT YOU WANTED? 1443 01:21:49,638 --> 01:21:51,838 HUH? ISN'T IT GREAT? 1444 01:21:51,907 --> 01:21:53,907 ARE WE HAPPY NOW? 1445 01:21:53,977 --> 01:21:55,207 DON'T YOU UNDERSTAND 1446 01:21:55,278 --> 01:21:58,948 THAT EVERYTHING I DO, I DO IT FOR YOU! 1447 01:21:59,015 --> 01:22:02,745 ANYTHING THAT MIGHT BE SPECIAL IN ME 1448 01:22:02,818 --> 01:22:03,918 IS YOU. 1449 01:22:03,987 --> 01:22:05,117 [DOOR UNLOCKS] 1450 01:22:17,300 --> 01:22:18,330 ESTELLA. 1451 01:22:37,286 --> 01:22:38,616 FINN. 1452 01:22:38,687 --> 01:22:42,227 WHAT A LOVELY SURPRISE. 1453 01:22:42,291 --> 01:22:43,931 WHAT ARE YOU DOING HERE? 1454 01:22:43,993 --> 01:22:45,093 IN THIS HOUSE? 1455 01:22:45,161 --> 01:22:47,801 I OWN IT. I WAS BORN HERE. 1456 01:22:47,863 --> 01:22:49,133 HAVEN'T BEEN HERE FOR AGES. 1457 01:22:49,198 --> 01:22:50,268 WELL, WHERE'S ESTELLA? 1458 01:22:50,333 --> 01:22:53,073 SINCE I HAD TO COME UP FOR THE BIG EVENT, 1459 01:22:53,136 --> 01:22:55,836 I FIGURED WHY NOT STAY IN THE OLD PLACE? 1460 01:22:55,904 --> 01:22:57,644 WHAT BIG EVENT? 1461 01:22:57,706 --> 01:22:58,766 MY OPENING? 1462 01:22:58,841 --> 01:23:00,811 NO. 1463 01:23:00,876 --> 01:23:02,676 ESTELLA'S WEDDING. 1464 01:23:02,745 --> 01:23:03,775 WHAT? 1465 01:23:03,846 --> 01:23:05,776 YOU WERE THE CATALYST. 1466 01:23:05,848 --> 01:23:08,348 THE FOOL WAS WAVERING, WOULDN'T COMMIT TO MY ESTELLA. 1467 01:23:08,417 --> 01:23:09,617 IMAGINE. 1468 01:23:09,685 --> 01:23:11,415 THEN YOU CAME ON THE SCENE. 1469 01:23:12,955 --> 01:23:14,715 I DON'T BELIEVE IT. 1470 01:23:14,790 --> 01:23:18,060 STORYBOOK, ISN'T IT? 1471 01:23:25,034 --> 01:23:26,274 WHY? 1472 01:23:26,335 --> 01:23:27,335 WHY? 1473 01:23:27,403 --> 01:23:30,143 AT FIRST, YOU WERE PRACTICE FOR HER. 1474 01:23:30,206 --> 01:23:32,076 A TEACHING DEVICE. 1475 01:23:32,141 --> 01:23:34,741 THROW A MOUSE IN WITH A SNAKE. 1476 01:23:34,810 --> 01:23:35,780 TEACH HER TO HUNT. 1477 01:23:35,844 --> 01:23:38,584 SWALLOW FOOD WHOLE, YOU KNOW? 1478 01:23:38,647 --> 01:23:42,547 I MUST SAY YOU DIDN'T PROVIDE MUCH OF A CHALLENGE. 1479 01:23:46,155 --> 01:23:49,185 NOW, NOW. 1480 01:23:51,026 --> 01:23:52,096 YOU ENJOYED IT. 1481 01:23:52,161 --> 01:23:54,661 AND I WARNED YOU... 1482 01:23:54,730 --> 01:23:56,770 YEARS AGO. 1483 01:23:56,832 --> 01:23:58,272 DIDN'T HAVE TO DO THAT. 1484 01:23:58,334 --> 01:24:01,344 I TOLD YOU THE GIRL WOULD HURT YOU TERRIBLY. 1485 01:24:01,404 --> 01:24:02,674 DIDN'T I? 1486 01:24:02,738 --> 01:24:05,238 YOU CHOSE NOT TO LISTEN. 1487 01:24:11,647 --> 01:24:13,117 WELL... 1488 01:24:15,017 --> 01:24:17,647 I SUGGEST YOU LOOK ON THE BRIGHT SIDE. 1489 01:24:23,392 --> 01:24:25,992 WE ARE TOGETHER, JOINED, 1490 01:24:26,061 --> 01:24:28,801 YOU, ESTELLA, AND I. 1491 01:24:28,864 --> 01:24:31,534 PYRAMID OF PAIN. 1492 01:24:31,600 --> 01:24:34,940 IT'S NOT LOVE, BUT IT IS A BOND. 1493 01:24:35,003 --> 01:24:37,443 WE ARE TOGETHER. 1494 01:24:46,782 --> 01:24:48,552 GIVE ME YOUR HAND. 1495 01:25:08,337 --> 01:25:10,107 YOU KNOW WHAT THIS IS? 1496 01:25:12,841 --> 01:25:14,311 IT'S MY HEART. 1497 01:25:18,314 --> 01:25:20,284 AND IT'S BROKEN. 1498 01:25:25,921 --> 01:25:28,161 CAN YOU FEEL THAT? 1499 01:25:35,698 --> 01:25:38,128 I'M SORRY. 1500 01:25:38,967 --> 01:25:40,237 I'M SORRY. 1501 01:25:46,909 --> 01:25:48,809 [SOBBING] 1502 01:25:48,877 --> 01:25:50,647 WHAT HAVE I DONE?! 1503 01:26:17,806 --> 01:26:19,336 Finn: THE GIRL, 1504 01:26:19,408 --> 01:26:22,348 THE MONEY, FAME, REVENGE. 1505 01:26:22,411 --> 01:26:25,381 THEY'D BEEN DINSMOOR'S SICK OBSESSIONS... 1506 01:26:27,250 --> 01:26:29,080 AND NOW THEY WERE MINE. 1507 01:26:29,151 --> 01:26:30,451 Man: LOOK UNDER THE CAR. 1508 01:26:30,519 --> 01:26:32,819 I DON'T SEE HIM. HE'S NOT UNDER THE CAR, JOJO. 1509 01:26:32,888 --> 01:26:34,288 HOW ARE YOU? 1510 01:26:34,357 --> 01:26:35,357 WHO IS THIS KID? 1511 01:26:35,424 --> 01:26:37,764 DON'T WORRY ABOUT THIS KID. 1512 01:26:37,826 --> 01:26:38,786 KEEP ON LOOKING, HUH? 1513 01:26:45,234 --> 01:26:47,074 [MAN WHISPERING] Hey, hey, yo. 1514 01:26:47,135 --> 01:26:50,005 Hey, hey, hey. 1515 01:26:50,072 --> 01:26:52,612 Hey, listen. 1516 01:26:52,675 --> 01:26:55,635 Listen. Can I just talk to you one second? 1517 01:26:58,781 --> 01:27:00,651 CAN I USE YOUR PHONE TO CALL THE POLICE? 1518 01:27:00,716 --> 01:27:02,486 THESE GUYS ARE CHASING ME. THEY'RE ARMED. 1519 01:27:02,551 --> 01:27:04,191 ONE SECOND, PLEASE, JUST TO USE YOUR PHONE. 1520 01:27:04,253 --> 01:27:05,693 JUST TAKE ONE SECOND. 1521 01:27:05,754 --> 01:27:07,324 ALL RIGHT, COME ON. 1522 01:27:30,212 --> 01:27:31,182 THERE YOU GO. 1523 01:27:31,246 --> 01:27:32,316 THANKS. 1524 01:27:33,416 --> 01:27:35,346 HELLO. YES. 1525 01:27:35,418 --> 01:27:37,318 THERE'S SOME GENTLEMEN OUTSIDE CHASING ME. 1526 01:27:37,386 --> 01:27:38,516 I THINK THEY'RE ARMED. 1527 01:27:38,587 --> 01:27:40,457 COULD YOU SEND SOME POLICE OVER TO-- 1528 01:27:40,523 --> 01:27:41,863 WHAT'S THE ADDRESS? 1529 01:27:41,924 --> 01:27:43,234 111 GREENWICH. 1530 01:27:43,292 --> 01:27:44,732 111 GREENWICH STREET. 1531 01:27:44,793 --> 01:27:46,933 ARTHUR LUSTIG. 1532 01:27:46,995 --> 01:27:49,795 YEAH. SEND THEM AS SOON AS YOU CAN, PLEASE. 1533 01:27:51,066 --> 01:27:52,696 THANKS. 1534 01:27:52,768 --> 01:27:53,838 RIGHT. 1535 01:27:53,902 --> 01:27:55,042 ARTHUR LUSTIG. 1536 01:27:55,103 --> 01:27:57,543 SO WHAT, THE POLICE ARE COMING? 1537 01:27:57,606 --> 01:27:58,636 YEAH. THEY'LL BE HERE. 1538 01:27:58,707 --> 01:28:00,437 AND THESE GUYS ARE AFTER YOU? 1539 01:28:00,509 --> 01:28:04,109 YEAH. THIS IS A GREAT PLACE. 1540 01:28:04,179 --> 01:28:05,309 OH. 1541 01:28:05,381 --> 01:28:06,951 YOU AN ARTIST? 1542 01:28:07,015 --> 01:28:08,175 UH, YES, I AM. 1543 01:28:08,250 --> 01:28:09,280 ACTUALLY, TONIGHT WAS MY OPENING. 1544 01:28:09,352 --> 01:28:10,292 YEAH? YEAH. 1545 01:28:10,353 --> 01:28:11,293 CONGRATULATIONS. 1546 01:28:11,354 --> 01:28:12,364 THANKS A LOT. 1547 01:28:12,421 --> 01:28:13,821 WHAT'S YOUR NAME? 1548 01:28:13,889 --> 01:28:14,859 FINNEGAN BELL. 1549 01:28:14,923 --> 01:28:16,533 FINNEGAN BELL? 1550 01:28:16,592 --> 01:28:17,332 RIGHT. 1551 01:28:17,393 --> 01:28:18,563 LIKE... 1552 01:28:18,627 --> 01:28:20,297 FINN? 1553 01:28:20,363 --> 01:28:21,533 EXACTLY. 1554 01:28:25,267 --> 01:28:27,997 I'M SORRY. DO I KNOW YOU? 1555 01:28:32,140 --> 01:28:34,410 I DON'T THINK SO. 1556 01:28:34,477 --> 01:28:36,237 YOU DON'T REMEMBER ME, DO YOU? 1557 01:28:36,311 --> 01:28:37,951 NO. 1558 01:28:38,013 --> 01:28:40,323 LOOK, I DON'T KNOW-- 1559 01:28:40,383 --> 01:28:42,083 WHISPER, WHISPER, WHISPER! 1560 01:28:42,150 --> 01:28:44,590 WHISPER, WHISPER, WHISPER! 1561 01:28:47,656 --> 01:28:49,116 THAT'S RIGHT, MY BOY, 1562 01:28:49,191 --> 01:28:51,091 IT'S ME. 1563 01:28:54,797 --> 01:28:55,727 LOOK AT YOU. 1564 01:28:55,798 --> 01:28:57,498 LOOK AT YOU. 1565 01:28:57,566 --> 01:28:59,996 YOU'RE ALL GROWN UP. 1566 01:29:00,068 --> 01:29:02,038 DON'T YOU WANT TO KNOW WHAT HAPPENED TO ME? 1567 01:29:02,104 --> 01:29:03,774 NOT REALLY. 1568 01:29:03,839 --> 01:29:04,969 I'VE BEEN AWAY. 1569 01:29:05,040 --> 01:29:07,240 AFTER I LEFT YOU, AFTER THEY CAUGHT ME, 1570 01:29:07,309 --> 01:29:10,879 I ESCAPED AGAIN, AND I SORT OF RELOCATED. 1571 01:29:10,946 --> 01:29:12,246 MANY YEARS ABROAD... 1572 01:29:12,314 --> 01:29:13,584 UNTIL NOW. 1573 01:29:14,983 --> 01:29:16,023 UNTIL NOW. 1574 01:29:19,455 --> 01:29:21,885 I'M GLAD THAT THINGS WORKED OUT GOOD FOR YOU. 1575 01:29:21,957 --> 01:29:23,057 I'M GLAD. 1576 01:29:25,260 --> 01:29:27,030 THAT'S GREAT. 1577 01:29:29,532 --> 01:29:31,772 WHO'S THAT HANDSOME YOUNG MAN OVER THERE? 1578 01:29:31,834 --> 01:29:32,844 THAT'S-- 1579 01:29:32,901 --> 01:29:34,041 SO YOU DID THINK ABOUT ME A LITTLE, HUH? 1580 01:29:34,102 --> 01:29:36,912 SCARED THE SHIT OUT OF ME. THAT'S HARD TO FORGET. 1581 01:29:36,972 --> 01:29:38,172 I LIKE THAT. 1582 01:29:38,240 --> 01:29:40,710 YEAH, I LIKE THAT. 1583 01:29:45,948 --> 01:29:47,448 THAT'S REALLY GOOD. 1584 01:29:47,516 --> 01:29:48,976 HOW MUCH IS IT? 1585 01:29:49,051 --> 01:29:50,891 I MEAN, IS IT FOR SALE? 1586 01:29:50,953 --> 01:29:54,523 NO. ACTUALLY, THE WHOLE SHOW SOLD OUT. 1587 01:29:54,590 --> 01:29:56,560 OH, CONGRATULATIONS. 1588 01:29:56,625 --> 01:29:58,885 THANKS. I'M VERY LUCKY. 1589 01:29:58,961 --> 01:29:59,761 OH, YOU'RE NOT LUCKY. 1590 01:29:59,828 --> 01:30:02,298 YOU DESERVE YOUR SUCCESS. 1591 01:30:02,364 --> 01:30:04,434 YOU'RE A TALENTED YOUNG MAN 1592 01:30:04,500 --> 01:30:05,900 AND A FINE ARTIST. 1593 01:30:05,968 --> 01:30:08,268 YOUR WHOLE-- 1594 01:30:08,336 --> 01:30:10,506 THIS PLACE IS... 1595 01:30:12,140 --> 01:30:15,040 MIGHT A GUY LIKE ME ASK A VERY PERSONAL QUESTION? 1596 01:30:15,110 --> 01:30:18,350 WHAT WOULD ONE PAY FOR A PLACE LIKE THIS? 1597 01:30:18,413 --> 01:30:19,413 THE RENT? 1598 01:30:19,482 --> 01:30:20,852 YEAH. 1599 01:30:20,916 --> 01:30:23,246 UM, I DON'T KNOW. 1600 01:30:23,318 --> 01:30:24,818 IT'S TAKEN CARE OF. 1601 01:30:24,887 --> 01:30:26,917 OH, YEAH? 1602 01:30:26,989 --> 01:30:28,289 COULD I ASK WHO BY? 1603 01:30:28,356 --> 01:30:30,386 A LAWYER. WHY? 1604 01:30:30,459 --> 01:30:31,729 NO REASON. 1605 01:30:31,794 --> 01:30:33,864 IT'S JUST I'M HAPPY TO SEE YOU DOING SO WELL. 1606 01:30:35,598 --> 01:30:37,568 DO YOU MIND IF I HAVE A DRINK? 1607 01:30:37,633 --> 01:30:41,373 WELL, THE COPS ARE GONNA BE HERE ANY MINUTE. 1608 01:30:41,436 --> 01:30:43,836 THAT'S OK. THEY'RE ALWAYS LATE. 1609 01:30:43,906 --> 01:30:44,836 IT IS LATE. 1610 01:30:44,907 --> 01:30:45,837 I'M SURE... 1611 01:30:47,409 --> 01:30:48,439 I'M SURE YOU UNDERSTAND. 1612 01:30:48,511 --> 01:30:49,581 UNDERSTAND? 1613 01:30:49,645 --> 01:30:52,175 YOU'RE SURE I WOULD UNDERSTAND WHAT? 1614 01:30:52,247 --> 01:30:53,417 WELL, JUST THAT IT'S-- 1615 01:30:53,482 --> 01:30:56,282 THE POLICE ARE GONNA BE HERE ANY MINUTE. 1616 01:30:56,351 --> 01:30:58,021 NO, THEY WON'T. 1617 01:30:58,086 --> 01:30:59,316 THEY WON'T. NO. 1618 01:30:59,387 --> 01:31:00,417 WHY NOT? 1619 01:31:00,489 --> 01:31:02,119 I DIDN'T CALL THEM. 1620 01:31:02,190 --> 01:31:03,390 YOU DIDN'T? NO. 1621 01:31:03,458 --> 01:31:05,258 I PRESSED MY FINGER ON THE BUTTON. 1622 01:31:05,327 --> 01:31:06,857 WHY? 1623 01:31:06,929 --> 01:31:07,759 I CAN'T. 1624 01:31:07,830 --> 01:31:09,430 THEY'RE LOOKING FOR ME, TOO. 1625 01:31:09,498 --> 01:31:10,868 THEY ARE? 1626 01:31:10,933 --> 01:31:11,773 YEAH. 1627 01:31:11,834 --> 01:31:14,674 AND THOSE GUYS DOWN THERE? 1628 01:31:14,737 --> 01:31:17,367 A BUNCH OF OLD ASSOCIATES. 1629 01:31:17,439 --> 01:31:19,209 THEY STILL GOT A BEEF ABOUT SOMETHING 1630 01:31:19,274 --> 01:31:21,484 THAT THEY SHOULD HAVE FIGURED OUT A LONG TIME AGO. 1631 01:31:21,544 --> 01:31:23,154 I THINK YOU SHOULD LEAVE. 1632 01:31:23,211 --> 01:31:24,251 LET ME JUST FINISH MY DRINK. 1633 01:31:24,312 --> 01:31:26,622 JUST GIVE ME A MINUTE. 1634 01:31:29,284 --> 01:31:31,224 IT'S SO GOOD TO SEE YOU. 1635 01:31:33,556 --> 01:31:34,586 YOU KNOW, FINN, 1636 01:31:34,657 --> 01:31:36,857 YOU DON'T KNOW HOW HAPPY IT MAKES ME 1637 01:31:36,925 --> 01:31:39,925 TO SEE HOW YOU TURNED OUT. 1638 01:31:39,995 --> 01:31:42,095 YOU GREW UP. 1639 01:31:42,164 --> 01:31:44,204 LITTLE FINN. 1640 01:31:44,266 --> 01:31:45,996 YOU'RE A GROWN-UP. 1641 01:31:46,068 --> 01:31:47,838 YOU'RE A MAN NOW. 1642 01:31:49,137 --> 01:31:50,767 A FAMOUS ARTIST. 1643 01:31:54,610 --> 01:31:56,580 YOU LIVE THIS LIFE. 1644 01:31:57,680 --> 01:32:01,720 MIX WITH ALL KINDS OF INTERESTING PEOPLE. 1645 01:32:02,818 --> 01:32:04,448 I'M VERY IMPRESSED, 1646 01:32:04,519 --> 01:32:07,289 AND NOBODY DESERVES IT BETTER THAN YOU. 1647 01:32:09,191 --> 01:32:11,791 I REMEMBER YOU WHEN YOU WERE A LITTLE KID. 1648 01:32:11,860 --> 01:32:13,560 GOOD-HEARTED LITTLE KID. 1649 01:32:15,197 --> 01:32:16,797 LITTLE FINN. 1650 01:32:16,865 --> 01:32:20,765 THE ONE PERSON WHO DID A REALLY PURE 1651 01:32:20,836 --> 01:32:22,566 AND GOOD THING FOR ME. 1652 01:32:22,638 --> 01:32:25,268 CONGRATULATIONS... 1653 01:32:25,340 --> 01:32:28,010 ON YOUR SUCCESS, ON YOUR SHOW... 1654 01:32:28,076 --> 01:32:29,976 ON EVERYTHING. 1655 01:32:31,614 --> 01:32:32,984 TO YOU. 1656 01:32:40,422 --> 01:32:41,722 THANK YOU. 1657 01:32:41,790 --> 01:32:43,960 I APPRECIATE THAT. 1658 01:32:44,026 --> 01:32:44,926 I DO. 1659 01:32:47,095 --> 01:32:50,095 UH, IT'S JUST THAT THE TRUTH IS, 1660 01:32:50,165 --> 01:32:54,195 IT'S MAKING ME REALLY UNCOMFORTABLE, YOU KNOW? 1661 01:32:54,269 --> 01:32:55,839 I MEAN, WOULD YOU MIND? 1662 01:32:55,904 --> 01:32:58,074 I DON'T WANT YOU FEELING BAD. 1663 01:32:58,140 --> 01:32:59,510 LET ME GET THAT. 1664 01:32:59,574 --> 01:33:01,484 I DON'T WANT YOU FEELING BADLY. NO, NO. 1665 01:33:01,543 --> 01:33:02,543 ALL RIGHT. 1666 01:33:02,611 --> 01:33:05,151 I JUST CAME TO SEE YOU, SAY HELLO. 1667 01:33:05,213 --> 01:33:06,153 NOW I'M HAPPY. 1668 01:33:06,214 --> 01:33:07,184 GOOD. 1669 01:33:11,186 --> 01:33:13,786 YOU KNOW, MAYBE IF IT WAS ANOTHER NIGHT, WE COULD-- 1670 01:33:24,099 --> 01:33:26,669 THIS IS GREAT. 1671 01:33:28,036 --> 01:33:30,866 THIS IS THE WAY IT SHOULD BE. 1672 01:33:30,939 --> 01:33:33,609 THIS IS THE WAY IT SHOULD BE. 1673 01:33:37,179 --> 01:33:39,079 RAGNO DID A GOOD JOB. 1674 01:33:56,631 --> 01:33:57,731 [DOOR CLOSES] 1675 01:34:06,608 --> 01:34:08,308 HEY, HEY. 1676 01:34:08,376 --> 01:34:09,506 DON'T GO DOWN THERE. 1677 01:34:09,577 --> 01:34:11,947 THOSE GUYS ARE GONNA BE DOWN THERE. 1678 01:34:12,014 --> 01:34:13,084 THERE'S A BETTER WAY. COME ON. 1679 01:34:24,559 --> 01:34:26,029 [MEN ARGUING] 1680 01:34:38,673 --> 01:34:40,543 SO, YOU KNOW WHERE YOU'RE HEADED? 1681 01:34:40,608 --> 01:34:42,338 YEAH, JFK. 1682 01:34:50,285 --> 01:34:51,385 SO WHERE YOU GOING? 1683 01:34:51,453 --> 01:34:52,393 I'M GOING TO PARIS, 1684 01:34:52,454 --> 01:34:53,594 THE CITY OF LIGHTS. 1685 01:34:53,655 --> 01:34:54,655 PARIS, HUH? 1686 01:34:54,723 --> 01:34:55,693 YOU WANT TO GO? 1687 01:34:55,758 --> 01:34:56,728 WHAT, TO FRANCE? 1688 01:34:56,792 --> 01:34:57,962 COME WITH ME TO PARIS. 1689 01:34:58,026 --> 01:34:59,456 I'LL GET YOU A TICKET ON THE CONCORDE. 1690 01:34:59,527 --> 01:35:01,357 I CAN'T GO TO FRANCE. I'LL GET YOU ON THE SUBWAY. 1691 01:35:01,429 --> 01:35:02,799 YOU WILL LOVE PARIS. 1692 01:35:02,865 --> 01:35:06,525 * I LOVE PARIS IN THE SPRINGTIME * 1693 01:35:06,601 --> 01:35:09,071 * I LOVE PARIS IN THE FALL * 1694 01:35:10,605 --> 01:35:13,005 PARIS IS A BEAUTIFUL CITY, BEAUTIFUL. 1695 01:35:13,075 --> 01:35:14,905 IT'S A CITY OF CULTURE. 1696 01:35:14,977 --> 01:35:17,847 MAGNIFICENT CITY. IT'S GOT ELEGANCE, BEAUTY. 1697 01:35:17,913 --> 01:35:19,683 YOU GOTTA GO TO PARIS. 1698 01:35:19,748 --> 01:35:21,948 YOU'LL NEVER REGRET IT THE REST OF YOUR LIFE. 1699 01:35:22,017 --> 01:35:23,717 EVERY ARTIST'S OBLIGATION IS TO GO TO PARIS 1700 01:35:23,786 --> 01:35:24,886 AT LEAST ONCE IN THEIR LIFE. 1701 01:35:24,953 --> 01:35:26,123 YOU'VE GOT TO GO. 1702 01:35:26,188 --> 01:35:28,558 THE STREETS, THE ROMANCE, THE WOMEN. 1703 01:35:28,623 --> 01:35:31,163 OH, THE WOMEN. 1704 01:35:31,226 --> 01:35:32,426 YOU SHOULD COME. 1705 01:35:32,494 --> 01:35:33,564 I CAN'T GO TO FRANCE. 1706 01:35:33,628 --> 01:35:34,658 YOU CAN COME. COME ON. 1707 01:35:34,729 --> 01:35:35,859 YOU HEAR THAT SQUEAKING? 1708 01:35:35,931 --> 01:35:38,131 OVER THERE, THE SUBWAYS-- 1709 01:35:38,200 --> 01:35:40,270 Man: YO, ARTHUR, IS THAT YOU? 1710 01:35:40,335 --> 01:35:41,835 HEY, ARTHUR. 1711 01:35:41,904 --> 01:35:43,344 YOU LOOK LIKE HOWARD HUGHES. 1712 01:35:43,405 --> 01:35:44,665 WHERE YOU BEEN, 1713 01:35:44,739 --> 01:35:45,709 ON A DESERT ISLAND ALL THESE YEARS? 1714 01:35:45,774 --> 01:35:48,044 I'VE BEEN ON VACATION. NICE TO SEE YOU. 1715 01:35:48,110 --> 01:35:49,780 YOU GOT A LITTLE HEAVIER. 1716 01:35:49,845 --> 01:35:51,075 YEAH, I GOT FAT. 1717 01:35:51,146 --> 01:35:52,546 GOT A LOT OF KIDS, TOO, NOW. 1718 01:35:52,614 --> 01:35:55,254 AGE CATCHES UP WITH YOU. 1719 01:35:55,317 --> 01:35:56,247 LISTEN, ARTHUR, 1720 01:35:56,318 --> 01:35:57,948 TOMMY WANTS TO INVITE YOU DOWN TO THE CLUB 1721 01:35:58,020 --> 01:36:00,020 FOR OLD TIME'S SAKE. A LITTLE MACARONI. 1722 01:36:00,088 --> 01:36:01,618 GIVE ME TOMMY'S NUMBER. I'LL CALL HIM. 1723 01:36:01,689 --> 01:36:02,689 JUST WAIT. WE'LL COME OVER. 1724 01:36:02,757 --> 01:36:04,127 ALL RIGHT, 2 MINUTES. 1725 01:36:04,192 --> 01:36:07,032 WE'LL BE RIGHT THERE. 2 MINUTES. 1726 01:36:07,095 --> 01:36:09,195 YEAH, WE'LL WAIT RIGHT HERE. 1727 01:36:09,264 --> 01:36:11,534 Man: TOMMY WILL BE VERY HAPPY WITH THIS. 1728 01:36:29,417 --> 01:36:31,517 ARTHUR, WHAT ARE YOU DOING OVER THERE? 1729 01:36:31,586 --> 01:36:32,616 YOU TOLD ME TO COME OVER HERE. 1730 01:36:32,687 --> 01:36:33,857 YOU KNOW WE TOLD YOU TO WAIT. 1731 01:36:33,922 --> 01:36:35,262 I TOLD YOU I'LL COME OVER HERE. 1732 01:36:35,323 --> 01:36:36,593 [TRAIN ROARING] 1733 01:36:36,658 --> 01:36:38,388 DIDN'T I TELL 'EM TO COME OVER HERE? 1734 01:36:44,232 --> 01:36:45,602 Man: DON'T GET ME MAD, ARTHUR. 1735 01:36:45,667 --> 01:36:46,937 TOMMY'S NOT GONNA LIKE THIS. 1736 01:36:47,735 --> 01:36:48,765 COME HERE. 1737 01:36:48,837 --> 01:36:50,137 COME HERE. 1738 01:36:50,205 --> 01:36:51,035 COME ON! 1739 01:36:52,107 --> 01:36:53,277 [ALL SHOUTING AT ONCE] 1740 01:36:58,813 --> 01:37:00,223 SORRY, GUYS. 1741 01:37:01,183 --> 01:37:03,593 BET YOU DON'T HAVE THIS MUCH FUN 1742 01:37:03,651 --> 01:37:05,021 WITH YOUR ARTIST PALS, HUH? 1743 01:37:05,087 --> 01:37:08,417 IS THIS FUN FOR YOU? YOU'RE HAVING FUN? 1744 01:37:08,490 --> 01:37:09,960 GONNA MISS ME? 1745 01:37:11,226 --> 01:37:13,296 WHY DON'T YOU COME TO PARIS? 1746 01:37:13,361 --> 01:37:14,761 I CAN'T GO TO PARIS. 1747 01:37:14,829 --> 01:37:19,669 * I LOVE PARIS IN THE SPRINGTIME * 1748 01:37:19,734 --> 01:37:21,604 * I LOVE PARIS IN THE-- * 1749 01:37:35,183 --> 01:37:36,523 OHH. 1750 01:37:44,226 --> 01:37:45,456 NO, NO. 1751 01:37:46,694 --> 01:37:47,534 YOU'RE HURT BAD. 1752 01:37:47,595 --> 01:37:48,595 STAY HERE, STAY HERE. 1753 01:37:48,663 --> 01:37:51,433 JUST STAY. 1754 01:37:57,105 --> 01:37:58,565 JUST THIS THING. 1755 01:37:58,640 --> 01:38:00,440 AW, JEEZ. 1756 01:38:08,883 --> 01:38:12,053 I DID A LOT OF BAD THINGS IN MY LIFE. 1757 01:38:12,120 --> 01:38:14,290 A LOT OF BAD THINGS. 1758 01:38:14,356 --> 01:38:17,126 BUT THE ONE GOOD THING... 1759 01:38:18,994 --> 01:38:20,764 IS THAT ANY MONEY I HAD, 1760 01:38:20,828 --> 01:38:22,968 ANYTHING I HAD-- 1761 01:38:23,031 --> 01:38:25,431 AND I MADE BULLSHIT MONEY-- 1762 01:38:25,500 --> 01:38:26,530 I GAVE TO YOU. 1763 01:38:26,601 --> 01:38:29,171 ALL FOR YOU. 1764 01:38:29,237 --> 01:38:33,007 THE ONE GOOD THING I DID IN MY LI-- OHH. 1765 01:38:35,110 --> 01:38:38,150 I SET YOU UP. 1766 01:38:38,213 --> 01:38:40,583 I SENT YOU TO NEW YORK. 1767 01:38:40,648 --> 01:38:41,718 I DID IT ALL. 1768 01:38:41,783 --> 01:38:45,923 I BOUGHT THAT SHOW. 1769 01:38:45,988 --> 01:38:47,318 YOU BOUGHT ALL MY PAINTINGS? 1770 01:38:47,389 --> 01:38:48,419 UH-HUH. 1771 01:38:52,227 --> 01:38:53,997 YOU'RE A GREAT ARTIST. 1772 01:38:59,534 --> 01:39:01,704 OPEN UP MY SUITCASE. 1773 01:39:01,769 --> 01:39:03,309 OPEN MY SUITCASE. 1774 01:39:03,371 --> 01:39:05,011 I... 1775 01:39:07,075 --> 01:39:08,135 WHAT DO YOU WANT? 1776 01:39:08,210 --> 01:39:11,080 PULL OUT THE PAPER BAG. 1777 01:39:12,914 --> 01:39:14,784 PULL IT BACK. PULL. 1778 01:39:14,849 --> 01:39:17,389 YEAH, THAT'S IT. 1779 01:39:17,452 --> 01:39:19,452 [LAUGHS] 1780 01:39:19,521 --> 01:39:20,561 REMEMBER THIS? 1781 01:39:24,626 --> 01:39:26,486 SEE THIS? 1782 01:39:29,998 --> 01:39:33,268 VERY SPECIAL. 1783 01:39:36,804 --> 01:39:39,514 LOOK AT THIS. 1784 01:39:41,409 --> 01:39:42,809 BEAUTIFUL. 1785 01:39:42,877 --> 01:39:44,147 LOOK AT THIS. 1786 01:39:50,952 --> 01:39:53,892 WHAT TIME IS IT? 1787 01:39:53,955 --> 01:39:55,755 I DON'T-- I DON'T-- 1788 01:39:55,823 --> 01:39:57,463 IT'S ALMOST 6:00. 1789 01:39:57,525 --> 01:40:00,255 STILL GOT TIME. 1790 01:40:46,774 --> 01:40:48,814 Finn: PERHAPS HE SHOULD HAVE DIED THOSE YEARS AGO 1791 01:40:48,876 --> 01:40:51,406 BACK IN THE GULF. 1792 01:40:51,479 --> 01:40:52,479 PERHAPS. 1793 01:40:54,382 --> 01:40:57,222 BUT HE HAD LIVED TO BE MY BENEFACTOR... 1794 01:40:57,285 --> 01:40:59,785 FOR GOOD AND ILL. 1795 01:41:02,157 --> 01:41:03,357 I WENT TO PARIS AFTER ALL, AND I WORKED THERE 1796 01:41:03,425 --> 01:41:06,525 AND RECEIVED EVERYTHING I THOUGHT I WANTED. 1797 01:41:09,131 --> 01:41:11,831 I HEARD ABOUT ESTELLA FROM TIME TO TIME. 1798 01:41:11,899 --> 01:41:13,399 SHE WAS DIVORCED. 1799 01:41:15,237 --> 01:41:18,037 AND THE YEARS WENT BY. 1800 01:41:18,106 --> 01:41:22,206 AND THEN ONE DAY I WENT HOME. 1801 01:41:28,082 --> 01:41:30,192 [DING DING] 1802 01:41:32,654 --> 01:41:36,294 HI. I'M FINN. 1803 01:41:36,358 --> 01:41:37,758 JOE. 1804 01:41:37,825 --> 01:41:38,855 Joe: HUH? 1805 01:41:40,094 --> 01:41:41,064 HEY. 1806 01:41:41,129 --> 01:41:42,699 BOY, YOU DOG. 1807 01:41:42,764 --> 01:41:44,634 YOU DOG. 1808 01:41:44,699 --> 01:41:46,069 WHY DIDN'T YOU TELL US YOU WERE COMING? 1809 01:41:46,134 --> 01:41:47,544 WHO'S THIS GUY? 1810 01:41:47,602 --> 01:41:49,742 THIS IS JESSE, THIS IS CLEMMA. 1811 01:41:49,804 --> 01:41:50,744 HEY, YOU KNOW WHAT? 1812 01:41:50,805 --> 01:41:52,735 YOU JUST CAME IN TIME TO DO THE DISHES. 1813 01:41:52,807 --> 01:41:54,337 YOU HUNGRY? 1814 01:41:54,409 --> 01:41:55,639 I GOT SOME CROAKER I CAUGHT TODAY. 1815 01:41:55,710 --> 01:41:59,110 Finn: JOE TOLD ME MS. DINSMOOR HAD DIED ALONE 1816 01:41:59,181 --> 01:42:01,081 SOME YEARS BACK. 1817 01:42:01,149 --> 01:42:03,419 HER BODY LAY THERE UNDISCOVERED FOR A MONTH. 1818 01:42:03,485 --> 01:42:06,345 THE MANSION WAS DUE TO BE TORN DOWN 1819 01:42:06,421 --> 01:42:08,691 FOR A HOUSING TRACT. 1820 01:42:11,159 --> 01:42:13,129 I SAT THERE... 1821 01:42:13,195 --> 01:42:16,625 AND THOUGHT BACK OVER THE THINGS I'D DONE. 1822 01:42:16,698 --> 01:42:17,898 OVER MY LIFE... 1823 01:42:17,965 --> 01:42:22,165 AND WHERE, IN THAT BRIEF, VIOLENT TIME IT HAD GONE. 1824 01:42:24,005 --> 01:42:27,905 AND THEN SHE CAME BACK AGAIN. 1825 01:42:27,975 --> 01:42:29,875 [LAUGHING] 1826 01:42:45,727 --> 01:42:47,657 [GIGGLING] 1827 01:42:50,198 --> 01:42:51,368 [SQUEALS] 1828 01:43:05,112 --> 01:43:06,452 Girl: MOMMY. 1829 01:43:16,258 --> 01:43:17,428 ESTELLA? 1830 01:43:20,562 --> 01:43:21,662 FINN? 1831 01:43:24,832 --> 01:43:26,472 IS THAT YOU? 1832 01:43:32,039 --> 01:43:33,709 IS THAT YOUR LITTLE GIRL? 1833 01:43:36,778 --> 01:43:37,848 OH, GOD. 1834 01:43:37,912 --> 01:43:40,382 SHE'S BEAUTIFUL. 1835 01:43:46,888 --> 01:43:48,588 WHAT ARE YOU DOING HERE? 1836 01:43:50,725 --> 01:43:51,625 I BROUGHT HER. 1837 01:43:51,693 --> 01:43:53,933 I WANTED TO SHOW HER THIS PLACE. 1838 01:43:53,995 --> 01:43:55,555 WHAT'S LEFT OF IT. 1839 01:44:00,502 --> 01:44:02,072 HAVE YOU BEEN HERE OFTEN? 1840 01:44:02,136 --> 01:44:03,366 NO. 1841 01:44:03,438 --> 01:44:04,868 NO. ME, NEITHER. 1842 01:44:06,474 --> 01:44:07,514 SO YOU'RE DOING GREAT. 1843 01:44:07,575 --> 01:44:09,905 I HEAR ALL ABOUT YOU. 1844 01:44:09,977 --> 01:44:11,577 I'M DOING ALL RIGHT. 1845 01:44:13,748 --> 01:44:14,818 YEAH. 1846 01:44:19,621 --> 01:44:22,291 THINGS HAVE BEEN DIFFERENT FOR ME. 1847 01:44:24,559 --> 01:44:27,599 FOR A LONG TIME I KEPT... 1848 01:44:29,631 --> 01:44:31,801 WHAT? 1849 01:44:35,770 --> 01:44:37,570 I THINK ABOUT YOU. 1850 01:44:39,741 --> 01:44:41,611 A LOT LATELY. 1851 01:44:44,145 --> 01:44:45,405 I'M GLAD. 1852 01:44:49,951 --> 01:44:51,891 CAN YOU EVER FORGIVE ME? 1853 01:44:56,023 --> 01:44:58,533 DON'T YOU KNOW ME AT ALL? 1854 01:45:05,967 --> 01:45:08,767 Finn: SHE DID KNOW ME... 1855 01:45:08,836 --> 01:45:10,406 AND I KNEW HER. 1856 01:45:11,906 --> 01:45:13,336 I ALWAYS HAD... 1857 01:45:13,408 --> 01:45:16,408 FROM THE FIRST INSTANT. 1858 01:45:16,478 --> 01:45:18,048 AND THE REST OF IT... 1859 01:45:18,112 --> 01:45:20,722 IT DIDN'T MATTER. 1860 01:45:20,782 --> 01:45:22,052 IT WAS PAST. 1861 01:45:24,285 --> 01:45:27,315 IT WAS AS IF IT HAD NEVER BEEN. 1862 01:45:31,092 --> 01:45:33,802 THERE WAS JUST MY MEMORY OF IT. 1863 01:46:29,050 --> 01:46:31,120 * DO DO DO DO DO DO * 1864 01:46:34,589 --> 01:46:37,689 * DO DO DO DO DO DO * 1865 01:46:37,759 --> 01:46:40,259 * INGÃ‰NUE * 1866 01:46:40,327 --> 01:46:43,567 * DO DO DO DO DO DO * 1867 01:46:43,631 --> 01:46:46,871 * I JUST DON'T KNOW WHAT TO DO * 1868 01:46:51,606 --> 01:46:55,506 * DO DO DO DO DO DO * 1869 01:46:57,244 --> 01:47:00,284 * DO DO DO DO DO DO * 1870 01:47:00,347 --> 01:47:02,647 * INGÃ‰NUE * 1871 01:47:02,717 --> 01:47:06,317 * DO DO DO DO DO DO * 1872 01:47:06,387 --> 01:47:09,157 * I JUST DON'T KNOW WHAT TO DO * 1873 01:47:13,595 --> 01:47:16,895 * A TREE-LINED AVENUE * 1874 01:47:19,400 --> 01:47:23,200 * BEGINS TO FADE FROM VIEW * 1875 01:47:25,172 --> 01:47:28,112 * DROWNING PAST REGRETS * 1876 01:47:30,645 --> 01:47:33,915 * IN TEA AND CIGARETTES * 1877 01:47:36,417 --> 01:47:39,517 * BUT I CAN'T SEEM TO FORGET * 1878 01:47:40,555 --> 01:47:42,485 * WHEN YOU CAME ALONG * 1879 01:47:42,557 --> 01:47:44,457 * INGÃ‰NUE * 1880 01:47:44,526 --> 01:47:48,796 * DO DO DO DO DO DO * 1881 01:47:50,665 --> 01:47:53,765 * DO DO DO DO DO DO * 1882 01:47:53,835 --> 01:47:56,395 * INGÃ‰NUE * 1883 01:47:56,470 --> 01:47:59,770 * DO DO DO DO DO DO * 1884 01:47:59,841 --> 01:48:02,681 * I JUST DON'T KNOW WHAT TO DO * 1885 01:48:07,615 --> 01:48:10,945 * DO DO DO DO DO DO * 1886 01:48:13,354 --> 01:48:16,824 * DO DO DO DO DO DO * 1887 01:48:16,891 --> 01:48:18,231 * INGÃ‰NUE * 1888 01:50:19,280 --> 01:50:21,180 * BÃ‰SAME * 1889 01:50:23,751 --> 01:50:26,791 * BÃ‰SAME MUCHO * 1890 01:50:30,057 --> 01:50:33,857 * COMO SI FUERA ESTA NOCHE * 1891 01:50:33,928 --> 01:50:37,668 * LA ÃšLTIMA VEZ * 1892 01:50:40,467 --> 01:50:42,937 * BÃ‰SAME * 1893 01:50:44,605 --> 01:50:48,775 * BÃ‰SAME MUCHO * 1894 01:50:51,178 --> 01:50:55,978 * QUE TENGO MIEDO PERDERTE * 1895 01:50:56,050 --> 01:51:03,060 * Y PERDERTE DESPUÃ‰S * 1896 01:51:04,759 --> 01:51:07,729 [SEAGULLS CRYING] 114360