Original subtitles

Before we do the key, first of all,

I'm going to do her color.

So we saw that Kate onto the color.

I'm going to grab my rectangular pattern tool.

Route up all of that white.

Let's see, That's what synchronize that looked like.

Dex works fine. And I'm going to show it together.

I'm going to show it to another piece just because

I will be splitting this line to show it onto the cape.

And then I don't want it interfering with it.

I also another piece and that's the same height.

Simulate. That looks about right,

maybe a bit too long,

but what we should do it with that and see that

is too long when he saw the cape onto it.

I'm going to call this color.

And I am going to load in

Steve preset that I made for color.

This will keep it from stretching too much when we

saw a big amount of fabric onto it.

Nina, I'll add another fabric for the cape.

Now let's make the Kp.

For this particular case,

I am going to be making

each out of the eight pattern pieces.

And then we can better control how to wrap it and

how it's hanging and also how many links are on the top.

By the stretching defend parts in the pattern,

which I'll show you in a moment.

I'm going to grab my rectangular pattern tool.

I want to skip to reach the floor.

I'm going to make it up to the floor.

Now I want there to be more material on the bottom.

And then on the top. I am

going to take it in on the top a bit,

stretch it out a bit in the bottom.

They are not exactly even.

Just split it and then mirror it. Unfolded.

I mean, now

it's going to be even.

Now.

Now, copy and paste it seven times.

1234.

Seven. Now I'll take my Split Line Tool.

I'll click here and type in uniform split eight.

Then I'll start swinging it to the color.

So I'm going to show segments,

this segment to this segment.

And this segment to this segment,

make sure that you will swing.

Elaine is straight and not crossed over like this.

Now, let's show the cape together.

So I'm going to show these lines together and this one,

then this one's an open

because there's a part in the friend.

Now we have the task of ending limb around her.

I'm going to hide her weekly and then

start moving these things into place

and see where these swing lines are

going and didn't bring that one next to him.

You can see the swim lane go here.

So this one has to be mixed.

There we go. And let's just add in

the source is not going through her hands.

Now for simulating this lots of material.

And it's very long.

Two, I'm going to sit

all the particular distance to tag

me because that goes a bit faster.

My computer, I'm going

to freeze the color while I'm simulating a dip.

And other things. I find that when I'm

at skin opposite three,

it tends to go through her hands a lot and a lot

and it tries me not because

our fingers keep sticking out of it.

Look. So I set it to

ten and deny doesn't go through her hands.

Now we have to apply the Cape to it because right now it

does Steve color there,

sorry, it's booting up like that.

Now we can see it's DP nicely.

Now if we activate the color,

make it a bit smaller.

I think it's better to be

a bit

shorter to probably better.

Now add-ins that blue the way that we want it to be.

There, you can see when to her hands.

So let's test it out again.

And you can use the pins to keep it in

place to make it look like she's holding it.

Now I'm just going to reduce the opacity a

bit and give it a black color.

Now if you want to have many more wrinkles up here,

I just hide the floor grid because it's sort

of the way if you want

the minimum wrinkles up here and all you have

to do is make that top of the things wider.

So for instance, I want more wrinkles here.

I'm going to make this one wider.

The wider you make it more wrinkles you start to

get because there will be more material gathering there.

If you make them more square, looking, more even.

But if we want the bottom to have more material,

then we have to stretch the bottom.

So I'm going to select these points here.

They don't have to or be even

either can experiment what works.

If we want some more wrinkles in their back or

less in the front, are more in the front.

By stretching the bottom,

then we add more material to the bottom.

I am also going to stitch the top a bit.

Now we get a much thicker looking look.

In a friend I want there to be a lot of material.

I'm just going to stitch

that hold down shift

to constrain it to the horizontal line.

Then we got a lot more material in the front.

Now just remove these pins.

Now.

I liked the way

that it looks right now.

I'm just going to make this black.

Now let's do hood for her.