Original subtitles

[old projector sound]

[ominous music]

[thunder]

[thunder and lightning]

[thunder and lightning]

[ominous music]

- [thunder crack] - [music builds]

[crack of thunder]

[scream]

[Derek] And cut!

Right, moving on.

[Fiona] She blinked.

[Peter] Well, we haven't got time to reset and reshoot.

She definitely blinked.

- [Derek] For fuck's sake. - [Peter] We'll fix it in post.

Thanks for your energy and enthusiasm and for staying the extra day.

When will it ever end?

When we finish the pickup shots,

the things you should have got during the normal shoot.

Otherwise we wouldn't have needed this extra day.

Would we?

[Fiona] And how did that happen Peter?

[Fiona] I thought we had to be out of here by yesterday.

[Peter] Well yeah, that's what the trustees of the Manor wanted,

[Peter] but it'll be fine.

Trust me,

I'm a producer.

You trust me, don't you, Derek?

Yeah, enough to let you talk me into filming this bloody awful mess.

The money did the talking Derek.

The money did the talking.

People don't even watch these stupid gothic horrors anymore.

Not here, but out East they devour them.

And with the great Oliver Lawrence putting on his cape again.

Directed by the great Derek Francis.

Blood and gore will always sell.

Blood and gore, will always sell.

But there's no depth.

There's no characterisation.

Right, let's get Oliver down here. I'm not paying you lot to stand about.

[mumbles]

[mouths lines, groans]

[whines]

[door knocks]

Enter.

[Fiona] Oliver Lawrence to set please.

Thank you.

[sounds of pain and anguish]

[sniff]

[bangs script down]

[music grows louder]

[violin musical sting]

[car approaching]

[screech, bang]

[sighs]

That's as far as I go and that's twenty three pounds.

House is not far ahead. Round the bend.

Thank you.

How much?

Oh, just pay him.

It's going on expenses.

[counts money, grunts]

[doors slam]

[screech of wheels]

Well, that's the pub.

[Trevor] That must be the Manor house up there.

[Trevor] "Round the bend."

[Simeon] Looks a bit dark up there.

Peter's work no doubt.

And just for us.

[Simeon] I'm surprised he didn't have it called The Slaughtered Lamb.

Buggered Sheep more like.

[sighs]

We need to get in there don't we.

[talking and laughing]

[Simeon] Simeon Oldman, writer, raconteur,

Here to produce a set report on the Crimson Manor film.

[brooding music]

Thadeus Saxon.

Here to serve five local ales.

Or a lager, if you must.

I'd er, rather like a lager, please.

We seek a lift or directions to the Crimson Manor film set.

[Thadeus] They shut up shop yesterday.

As per the strict arrangement with the Manor's trustees.

[Ali] No, no, no, no.

Harry Middleton’s up there right now.

They took him on as a ‘body double’. [laughs]

Someone’s got a body like Harry’s?

Harry Middleton knows better than to be up there at this time of the month.

[Ely] Harry Middleton knows nothing.

I had a call this morning from Peter Castle, the film's producer.

And I can assure you they are most definitely still filming tonight.

[box slams, ominous sting]

Doing,

pick up,

shots.

And I am due on set, to make a report for Fantasmagoria magazine.

So we would appreciate a lift or directions to the manor.

And a quick pint.

And a quick pint.

And a couple of chasers.

Scratch the old itch.

It's walkable from here.

[Thadeus] Takes a while.

[Ely] Go on.

[Ely] I'll drive you.

As long as you ride in the back with my girls.

Erm.

Thanks a lot.

That'll be his sheep.

[Thadeus] I said.

It's walkable from here.

As long as we stay on the road.

That's right.

And stay off the moor.

Because the beasts of the night come out at night.

Just a quarter of a mile in that direction?

Before you go.

Take this.

[ominous sting]

Right.

[noisy thuds]

The bar's closed.

I'll bid you, good evening.

[locals talk, chatter]

No, darling.

It's not complicated.

You're just falling out of shot.

And then your double will do the actual fall.

[Oliver] No, no, no, no, no.

You see, because I need the...

I need it for motivation.

[Fiona] I'll do it.

Thank you Helen.

It's Fiona.

[Oliver] Yes, thank you darling.

It's nice to work with people who understand the craft.

[Oliver] Hippo pot, hippo pot, leather turtle, leather turtle, bidet, bidet, douche!

[mouth and lips sounds]

Right. We're turning.

Don't forget your teeth Oliver.

- [Derek] Teeth. - [Oliver] Oh.

[Oliver] Fucking teeth. Yes.

With... with feeling darling.

[Oliver] Yes?

With feeling.

Ready now Oliver?

Then... action!

The only crack you're going to see...

is the crack of dawn.

[recoils, squirms, cowers]

[Derek] And cut.

That'll do.

Body double.

Are you sure Derek? I can do it again.

You can't possibly improve on that.

Well, that's more than can be said for Peter's choice of my stunt double.

[Oliver] I'll grant you he's the right age, but the man's barely five feet tall.

[Peter, angrily] He was the only local who would come out tonight.

And if you hadn't chased off your original double,

we wouldn't have needed him.

An amateur darling. An amateur with a fucking big nose.

No, no, good riddance.

[howling]

[Steve] Action.

[Derek] Now.

[thuds onto matting]

Okay, reset.

[Harry] Jesus Christ!

[groans]

[Steve] Action.

[thuds]

[deep breath]

[heavy exhale]

It'll soon be over.

Think of the credit.

Well yeah but is it the sort of credit you want.

- [Steve] Rolling. - [Harry] Oh Jesus Christ.

- [Steve] You okay? - [Harry] Yeah.

Personally, I jumped at the chance to work with an old idol of mine.

[Steve] And action.

- They say you should never meet them. - [thump]

Yeah or work with children.

[Steve] Okay reset.

At least it's work.

Yes.

And erm...

I'd really want to thank you for all the tremendous support you've given me...

throughout the shoot.

[Steve] And action.

- I know it's not been easy. - [thump]

The erm...

I mean the reality is the, the first AD is the hardest job on the set. Everybody hates them.

[Steve] And settle.

Oh, er...

[Steve] And... action.

[thud]

[owl hoots, night sounds]

[wooden door opens]

Simeon?

Is that you?

Yeah, we're still shooting. Just checking your ETA.

[Simeon] On our way up from the pub.

Nice touch with the signage, by the way.

Having the taxi driver to refuse to go any further towards the manor was perhaps,

a set up too far.

- Even for a showman like you, Peter. - [large growl]

Oh, very nice.

Close enough to hear your effects.

Be with you in minutes.

[snarl]

Just another of Peter's stunts.

I can see lights from the Manor.

Why don't we just cut across the grass?

I see no reason not to follow...

[loud ominous sting, discordant strings]

[drum music hastens]

[heavy breathing]

I think I've shit myself.

I think I've shit myself.

I have, I've shit myself.

[faint cries of 'help me']

Help me!

Help... me!

[throat gurgle, bone clicks]

[dramatic music builds]

Soon hopefully.

Oliver's not quite drunk so we might get away with it.

Yeah, yeah.

We'll do some night shots, you know, keep going until they chuck us out.

Meant to be yesterday.

Yeah. I can't believe my luck.

[door slams]

[grumbling snarl recedes]

Hey, keep Oliver busy until they show up.

Make up some shots if you have to.

Do anything to keep him from sneaking off and grabbing a drink.

Okay.

[Peter] Where is he?

He sneaked off.

[Peter, furious] Christ!

[Peter] Just find him!

[running water, toilet flush]

[light airy music, slightly ominous]

[enlightened music]

Hmm.

Oh!

Looks promising.

[laughs]

Oh, vodka. [disappointed]

So uncouth.

Ah, that's more like it.

[winces, coughs]

Oh.

A performer like myself.

[door knocks]

Oliver?

[door bangs shut]

Keep looking.

[mumbles]

So depressing.

[scary sting, smashed glass]

It's alright, it's ok.

It's alright?

Why is it alright?

I'm on my way to my stash in the stable block.

Dropped it off earlier.

You know, figured this acting lark's just standing around doing nothing.

So I thought, why not?

Well, I like a man who knows his trade.

And plans ahead.

Shall we?

Lead on Macduff.

[laughs] Oh, very good.

Yes, yes.

I've played Macbeth, [spits]

at the Brigham Rocks open air theatre.

Perhaps you saw it?

The critics loved it, of course, but there's always the threat of rain.

Which plays havoc with one's makeup.

And in my case,

frankly, a spiteful Lady Macbeth, who was more interested in flirting

with the stagehands than giving her fellow actors the correct cues.

And another thing about working in the open air,

one realises how wildly inaccurate the weather forecasting...

Good god!

What on earth is this doing here?

And what on earth are you doing there?

Well, getting over a rather nasty shock actually.

Peter you've got to do this special effects chap in hand.

I could have broken my neck.

[Peter, shouting] Effects! Come here!

[Peter] Oliver, I need you on your best behaviour.

[Peter] The reporters will be here any minute.

Reporters?

[Peter] And they specifically want to see you in action.

And we don't want to let the press down, do we?

Oliver Laurence has never let anyone down.

[Oliver] Gave me quite a fright.

I didn't know we had severed limbs in the pic.

[Owen] We don't.

[Harry, singing ] She was a full and fruity ewe,

[Harry, singing ] with a fleece as white as snow.

[Harry, singing ] She’d look at me with them comely eyes.

[foreboding music]

[foreboding, haunting music]

[growling]

[dramatic musical sting]

[sniff]

[lips smack]

[spits out]

No.

No I'm sorry, I just can't wear these.

[Derek] Can't wear what?

You’ve worn the teeth for the whole film Oliver.

And every time you've played this part, which is seven times now.

Seven times, is it really?

I suppose I have rather made the role my own.

And it's been fun,

reviving it, hasn't it?

One more time, hasn't it darling?

Well, it did buy me a new boiler.

Yes and er...

paid for my new hip.

Oh, I'd no idea, I'm so sorry.

Oh Derek.

Dear old Derek.

We have heard the chimes at midnight, have we not, old friend?

But you know, these fangs, they really are fucking unbearable.

And as for the contact lenses, don't get me started on the contact...

No, no, no.

We've agreed about the contacts and we let you drop them, Oliver, remember?

But, you're playing a vampire and vampires have fangs.

Yes, but do they?

I'm not sure why.

He's European nobility. Living incognito.

And he can certainly afford cosmetic dentistry.

Peter, I'm just saying, I don't see why I have to wear these teeth.

These are the last pick-ups of the film Oliver darling.

So please just wear the teeth and get on with it.

[Peter] And then, who knows, we could all go home.

[phone pings]

Excuse me.

Come on, you've got this.

You can do this.

We've done this.

You can do this.

Where exactly did you get this?

Excuse me. I said where...

[Oliver] Yes I tripped over it on the drive.

If you're insinuating that I've been rummaging through your stuff.

- [Oliver] Is that what you're suggesting? - Well it isn't mine.

No, but these bloody teeth are. And they're fucking awful.

Yeah, speaking of bloody.

Here.

[lip smack]

Just taste this.

What the fuck is wrong with you?

[Owen] Thought vampires love the stuff.

Derek.

Derek, I don't have to put up with this glorified make up man,

assaulting me with his floppy props.

No, I mean, you're absolutely right.

It's absolutely appalling. I'm so sorry.

Listen can you show some fucking respect for the actors and fuck off.

No, no, no, it's no good. No, no, no. I need five minutes to compose myself.

Five minutes to drink yourself steady more like.

Right, everyone, I think let's all take five.

I think we're all feeling a bit frazzled. And it's been a very long shoot.

And if we can just hold it together, all of us, just for one more night.

And...

then we can all go home.

Come on, we can do this and chin up everybody.

Oliver?

Can I ask you just to come outside for a sec?

I'm knackered, I'm hungry and I'm fed up of that old hack.

One thing I'm not is horny.

Aww no, no. It's not that. It's this. I think it might be real.

No moves.

Honest. Okay, look.

No hands.

[laughs]

[dramatic drum music]

[Owen] He’s a piece of work isn’t he?

[Ellie] Yeah.

[Ellie] When I signed up for this, I didn’t know he’d be in it.

[Owen] Well, it wouldn't have got made without him.

[Ellie] I thought he was dead.

[Owen] Ah well, vampires never die, you see,

they just reappear in remakes.

[Ellie] I could kill him myself sometimes.

[Owen] You know. I don't know how Fiona hasn't.

[Ellie] She's got some weird soft spot for him.

[Owen] Mmm.

[Ellie] Horror fan you see.

Back in the day my mum had more than a soft spot for him.

Used to think he was dead sexy.

Oh hey, I've got a signal.

Lucky you I've been offline most of the bloody shoot.

[ominous drone]

[Ellie] You okay?

[Owen] Oh, we got a problem.

[Ellie] Wrong film.

[Owen] Right genre.

[Owen] This is wrong.

[Owen] This is just wrong.

[Owen] A masterpiece.

Owen.

[Owen] Ooh.

[Ellie] Owen.

Don't look around.

[Owen] Eurgh.

You've got to be fucking kidding.

[growl, jump sting]

[gags, chokes]

[jump sting, scream, growl]

[growls]

[frightened breathing]

[growls, frightened breathing]

[screams]

[growls, screams]

[tense music]

[screams]

[struggled breathing]

You've not come to save me, have you?

You've not got a gun?

Tell me... that you've got a phone.

[loud bang on wood]

[loud bang on wood]

[loud bang on wood]

[scared breathing]

[loud growls]

[loud growls]

[growls fading]

Shhh.

Fuck. Please don't do this.

Shhh.

[door creaks open]

[jump sting]

[growls and screams fade]

[distant screams]

[Ellie] Help me please.

[Ellie] Help me!

[growls]

[snorts]

Yarrrrgh.

[Harry] I've got the booze here.

[Oliver] Oh yes.

[Oliver] It's just that I don't want to drink out of the,

straight out of the bottle like some common derelict.

[Harry] So, that's where old Mascalini’s stuff ended up is it?

I think I met him once.

Got a flat tyre going through the village.

Helped him with his spare but he didn't say thank you.

Been almost twenty years since he disappeared.

What, he's not dead then?

Vanished on tour, Eastern Europe.

[Harry] Trustees keep the place up.

[Harry] Rent it out to the odd people like you lot.

[Harry] Pays for the upkeep I suppose.

But never for the full month.

I think I'm getting the hang of this.

I was always very good at props.

Was that the Carpathians?

[Oliver] The Carpathians, where Mascalini disappeared?

It's just it's beginning to sound a bit like a back story of one of my films.

[Oliver] No offence, but no one's really interested in backstories.

It's best to keep them brief and...

and vague.

[Oliver] That having been said,

we don't have anything else to talk about, so please carry on.

[Harry] Not much more to continue with really.

Just the same nonsense you know.

In hills like these.

[Oliver] Nonsense?

[Harry] Stories.

Lot of dead sheep.

[Oliver] Sheep, yes, bit of a cliche. But er...

And the odd person.

Always at a full moon.

[wolf howl]

[jump sting]

Erm... You're wanted on set ASAP.

Your fall wasn't quite the fall they were after.

[Fiona] Although I think you might nail it this time.

Er, I'll come and get you when you're needed.

Thank you darling girl.

I need the time to compose myself.

[Oliver] I remember old Barbara,

who used to be stage doorkeeper at the Gate House Theatre.

[Oliver] She always used to say to me...

[Oliver] Yes, quite right darling.

[Oliver] Old Barbara was a boring, depressing old cow.

Eurgh.

Forty winks I think.

[Peter] Bloody reporters haven't shown up.

Just as well. Oliver needs a little more time to compose himself.

Why do I do it?

Do what?

Provide all of you with wonderful career opportunities,

while I take all the shit.

[Peter] I don't know why I bother.

Because you're a money grabbing toad.

[ominous music]

[birds chirp, sounds of the woods]

[lion's roar]

No, no, tiny little feet.

Oh.

[circus band music]

[crowd cheer, excited cheers]

[crowd cheer, excited screams]

[magic twinkle]

[crowd applause]

[ooohs and ahhs]

[circus music keeps playing]

[crowd laughs]

[crowd applause]

[some laughter]

[drumroll]

[cane taps]

[whoosh sting]

What? Whatever? What? Oh.

[solemn music]

[distant growling]

[nearby growling]

[growling, animal breathing heavily]

[animal breathes more heavily, music intensifies]

[Oliver] Boom?

[Oliver] Boom! Where's the boom?

So where the bloody hell is she?

She's probably off getting wild tracks somewhere.

Or as far from you as possible.

[Derek] Peter.

Peter.

It's alright there's no sound actually needed for this shot.

[Peter] That's not the point she's paid to be here on set.

We're being paid for this extra day then are we?

[Peter shouting] Who the fuck put ten pence in you?

Alright, can we all concentrate?

I've got the boom going AWOL.

Lead actor having a bloody lie down.

Excuse me, but your lead actor has arisen.

And is ready for action.

[Oliver] Where do you want me darling?

Actually, Olly, I don't think you're really needed, until the...

until the reporters arrive.

[door bangs]

Well, let's hope that's them.

[handle turns hurriedly]

[handle turns]

[door bangs open]

[choking, spluttering]

[incoherent choking sounds]

What did he say?

Sounded like there's a wolf.

I heard where's a wolf.

There are no fucking wolves around here.

Just ask him.

No point.

He won't be saying anything.

Ever.

What he's dead?

Very.

What are we supposed to do?

We should probably cover him up.

Not with the costumes, please.

No absolutely not.

Curtains?

[Oliver] Yeah, literally.

It's alright, I'll do it.

Should probably call the police.

Ah, ah, ah, ah, ah.

Just a minute let's think about this.

If they come they'll shut us down.

How many shots are left?

Erm.

Fiona.

How many shots are left lovely?

Fiona?

[Derek] How many shots are left lovely?

[Fiona] No signal.

I'd say our final death scene is somewhat lacking by comparison.

[Peter] It's funny.

I was just waiting to set something up for the press.

The press?

Where are the fuckers when you need them?

Well, I think we know where one of them is.

-[bumps] Oops Sorry.

Something out there...

did something like this.

[ting]

Hey!

I need a signal.

Oliver's right.

Something out there, did something like that.

Then we need to call the police.

But not from out there.

Surely, stay in here where it's safe.

And then we'll quickly finish the shot list.

I got a signal in the top bedroom a couple of days ago.

It was weak, but it'll do.

[eerie music]

[footsteps on gravel]

[low growl]

[long exhale]

Yes, ah. I may have it.

They shoot mad dogs don’t they?

[Oliver] And there are always guns on a film set like this aren't there?

Right. Have you actually read the script?

[laughing] Yes, yes, I've read the script.

Well, I've read my lines.

With a film like this I find it's best not to,

let yourself know what you've signed up to.

It keeps the work fresh. It's how I like to do it.

Well, we're making a vampire film.

That's right.

So you're killed with a stake to the heart, or sunlight.

I don't think that's going to work.

No.

Actually,

maybe it will.

We've got these.

[grunts]

- Straight through the heart. - Yes, yes.

That might work, that might work.

[grunts]

You would have to get rather close, though.

Yeah, yeah.

[grunts]

In the meantime, what are we supposed to do?

Erm, we make sure whatever's out there stays out there.

Right.

Yeah. We'll lock everything down.

Okay people let's do it.

Doors and windows, arseholes and elbows.

And the light.

"Beasts of the night don’t like light."

Okay.

Okay.

So we put out all the lights in the place, inside and out.

Great idea.

[Harry] Lights on.

The lights on inside and out.

"Beasts of the night don’t like light."

[Harry] It's a local saying.

From where?

I don't know.

Just is. Look it up. I don't know.

[music builds]

[light switch click]

[light switch click]

[light switch click]

[light switch click]

[999 Operator] Emergency which service?

Police and ambulance please, there's been a, a death.

[999 Operator] Someone has died?

At Talbot Manor.

[999 Operator] Is that where you're calling from?

Yeah, Talbot Manor.

It's in the hills south of Bridgnorth.

[999 Operator] And the person is definitely dead.

Yes, yes, very much so.

[light switch clicks]

[light switch clicks]

[light switch clicks]

[light switch clicks]

[light switch clicks]

[light switch clicks]

We want to get in there, don't we.

Yes, yes, best be thorough.

Doubles first.

[creaking door]

[Oliver] It's very steep.

What can you see?

Hello. [laughing]

Oh.

[Oliver] You remind me,

of a young Caroline Gatwick.

[Oliver] She was a reckless Desdemona.

"I kissed thee ere I killed thee,

no other way but this, killing myself, to die upon a kiss".

[Oliver] All, you know.

[Oliver] My old friend Liza Harrogate.

You knew Liza?

[Oliver] Yes I knew her very well.

[Oliver] Very beautiful and talented woman.

Although she had terrible er...

arthritis.

Which she successfully hid from the camera.

She's in a care home now in Eastbourne.

She still sends me a Christmas card.

Of course, there have been many, many, many, many, many, very, very,

very many others since but er...

In fact I think, I rather think our lovely first AD's got a bit of a thing for me.

I may have to find time to give her a private performance.

[Harry] Oww!

How?

No, no, no a gentleman never reveals that sort of thing.

[music swells]

[roar]

[growls]

[squelching, growls]

[scared sounds]

[music stops]

[flushed toilet]

Oh, God.

Oh, no you found a bottle Olly.

[Derek] I'll see you on set when you're ready, then.

They’re saying it could be hours before the police turn up.

[Peter] Hours?

Half term staff shortages. They’re all on holiday with their kids.

Train wreck in Ludlow a serious incident in Telford.

And this isn't a serious incident.

Yeah but he's already dead, isn't he?

[Steve] So it's classed as non-urgent.

Non-urgent?

There's a wolf out there somewhere.

Nah, it's a big dog maybe.

Not a wolf.

Big dog?

That's a bloody big dog.

Well if it's a big dog.

We can handle it ourselves can't we.

Instead of handling it maybe some of you

could distract it away and one of us, gets to a car.

You know.

And goes for help?

If you like.

Or, we could just stay here and wait for the police to arrive.

Fiona, what do you think?

Anyone seen Ellie or Owen?

Who?

You've been living and working with them for four weeks.

What do they look like?

Aww fucks sake.

Boom and effects.

No.

Actually, I haven't seen them either.

Not since the body double shots.

Yeah.

About half an hour ago.

Heading out.

What? Out there?

We better go and look for them.

What out there?

They could be injured.

They could be enjoying themselves.

They could be anywhere.

Quite.

And these grounds are absolutely enormous.

We could put the spotlight on the roof.

Steve, you work the light

and if you see anything of Ellie or Owen call it in and we'll head out.

Okay.

You set it up I'll work the spots.

I'm allergic to dogs.

I get terrible hives and I'm pulling rank.

Hey, see you found a drink?

So much blood.

You alright?

I've lost my walking stick. I think it's in the cellar.

He took his head clean off with one stroke.

My double.

I think he's dead.

So much blood.

Your body double?

Harry?

Was that his name?

Poor Harry, he's in the cellar.

I need you to help me check on something.

Why?

- [Fiona] Put that down. - [Derek] What are we doing?

I'm going to go down there.

But I need you to stay here, okay?

I will do.

[ominous music]

[jump sting]

Oh, fuck.

[Fiona] Oh you fucking bastard.

Eurgh!

Eurgh!

[distant scream]

[scream]

Oh my god, oh my god.

[banging on door]

[terrified cries]

Oh thank god you're alive Fiona.

I don't know what happened just seemed to have got stuck.

You fucker.

I'm really sorry.

I'm. I'm so sor...

Oh god.

[toilet flush]

Well you look like you need a drink Derek.

You come with me.

[Steve] All good to go.

[Steve] Spotlight's on the roof. Should work.

Isn't that Owen's coat?

I know.

I'm taking it out there for him.

What's going on?

I'll tell you later.

I need a drink.

Yeah cheers.

Cheers.

Santé

Good health and good luck.

Er, Oliver.

Here's your stick.

Darling.

[eerie music]

Peter, you ready?

[Peter] Lighting up now.

[roar]

[roar]

[Peter] I see something.

You see it?

[Fiona] No.

It's...

the boom girl.

[Fiona] Ellie?

[Fiona] She alive?

Yeah.

[Peter] But very badly hurt.

[Peter] She's crawling towards you around the back.

There's no sign of the mad dog, so you're good to go.

Oh, she really needs your help.

[Peter] So, chop, chop.

And while you draw the thing to you,

I'll nip round the front.

And be gone.

Okay.

I'll take care of the dog.

You take care of Ellie.

No.

I'll take care of the dog.

And if these don't work, then...

I'll piss on it.

Weird.

Okay, Peter.

[Fiona] We're still all clear?

I have a clean view and it's all safe.

You're all clear.

[Fiona] Okay, just let us know when you're ready.

You can count on it.

Okay.

Let's go.

Look, darling, someone's got to stay, in case,

a telegram arrives.

Or the police turn up.

And I can explain the situation and...

sign a few autographs.

[phone rings]

[Peter] Shit! Fuck!

[Peter] Hello Monty.

[growl]

[growl]

[growl]

I'll call you back.

[roar]

[Fiona] Peter?

[Fiona] Peter, she's dead.

[Fiona] Peter, are you there?

She's dead.

[deep animal growl]

[all scream]

Oh my God.

[roar]

God. Oh, God.

Oh my glasses.

Steve! Help! Come back.

Ah, argh, argh.

Ah, argh, argh.

[slashes]

[stab]

[squelch]

Nice doggy.

Big doggy.

Aargh.

[dripping]

[slash, scream]

[roar, slash]

[dramatic music]

[roar]

[shouts and cries]

[roar]

[bangs on door]

[breathless]

That is not a big dog.

It's not a wolf either.

What is it?

What's happened?

Peter screwed up.

He said that Ellie was alive, but she couldn't have been.

Why would he say that she was alive?

Peter, are you there?

[Derek] Fiona, I'm going to find Peter and see what the hell he's playing at.

Forget Peter.

Call the police.

[Fiona] And turn the light off.

Ah, now I've been told,

beasts of the night don't like the light.

[Fiona] Just turn it off.

[roar, splat]

[light switch]

Oh shit!

Peter?

[Derek walkie talkie] Are you there Peter?

Where are you Peter?

[ominous sting]

[low growl]

Oh my God it's...

it's in the house.

[screams]

Right come on.

Can't we just bolt ourselves in and wait for the police to come?

No.

It's the first AD's job to get the actors where they need to be.

When they need to be there.

So get the fuck up.

- [Fiona] Okay. - [Oliver] Okay.

[ominous music]

[musical symbal crash]

[music crash]

[growls]

Throw the bottle, Oliver.

What?

No, no, no, we might need this.

Throw the bottle Oliver.

We're with the film people.

[clink]

We mean you no harm.

I'm Oliver Lawrence.

And this is er?

Just keep him talking darling.

[Oliver] The show must go on.

[music crescendos]

[Fiona] Olly.

[Fiona] Please.

[choking]

[growl]

[splat]

[heartbeat]

[growl]

[growl]

[intense musical buildup]

[discordant sting]

"Then out spake brave Horatius,

The Captain of the gate.

To every man upon this earth. Death cometh soon or late.

[Oliver] And how can man die better,

than facing fearful odds.

For the ashes of his fathers,

and the temples of his gods."

En Garde!

[thwacks]

[thwacks]

[steady breathing growls]

That's an antique actually so...

[roar]

[pained confused roar]

[stab, discordent sting]

[ting]

[stabbing sounds, roars]

[stabbing sounds, roars]

[growling fades]

[stabbing sounds, music builds]

[music fades]

That's interesting.

[morning birdsong]

[door closes]

[Sarah] Excuse me.

I'm sorry. I fell asleep.

How am I going to get home?

Well you come with me, darling.

Thank you.

I always wanted to meet you.

Really? How sweet.

Cor,

look what a mess they’ve made.

Well, quite.

It reminds me of a production I was once in.

You see, It had been raining all afternoon

and the stage was like an absolute ice rink.

And the actress playing Sabina Severus

slipped and sustained quite a serious concussion.

And during my final speech to the people and senators of Rome

two St John's Ambulance paramedics came on stage with a stretcher,

which I know some people found distracting.

That's the theatre, darling.

Do you get to the theatre much yourself?

Only sometimes. Not a lot.

I tell you what I have got, which you might find interesting.

Two complimentary tickets to,

Brigham Rocks, Open Air Theatre Gala Performance of Look Back in Anger.

- [Sarah] Oh, really? - [Oliver] We might go together.

- [Sarah] I'd love that. - [Oliver] I think it's a week on Saturday.

[growls]

[emotional music]

[roar]

[howl]

[♪song 'Checking' ♪]

[boos]

[Eastern European music]

[boos]

Ladies and gentlemen.

For my next trick,

I require a volunteer from

the audience.

Ah.

[applause, gasps]

[laughs]

[whoosh]

[thud]

[whooping]

[whoosh]

[thud]

[shocked gasps]

[cries, screams]

[uproar]

[horses hooves]

[cries out]

[bang]

It is good that you leave Karlstadt.

Leave Karlstadt?

At the time of the full moon

the town is cursed.

But I can't leave Karlstadt.

All my things are here.

My top hat alone is worth going back for.

It's pure Indian silk.

And then there's the rabbit to take care of.

If you must, you must.

Do you carry any silver?

I'm afraid I'm a little short.

But you must have silver.

I wish I had.

Dear lady.

Then take this.

You will know how to use it if the time comes.

I've used something similar before.

Thank you for your hospitality

and your sanctuary

and your generous gift.

Dear lady.

But I better be off.

Hmm. Quite yes.

[thunder]

[ominous sting]

Arggh, ah, argh.

[roars]

[roars]

[stab]

[roars]

[stab]

[squelch]

[crunch]