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1
00:00:04,713 --> 00:00:08,466
* Let's keep this party rockin',
keep this party poppin' *
2
00:00:08,508 --> 00:00:10,260
[ As Carson ]
Hey, I'm Carson Daly.
3
00:00:10,301 --> 00:00:11,678
Welcome to "The Voice."
4
00:00:11,720 --> 00:00:13,013
* So turn it up *
5
00:00:13,054 --> 00:00:15,265
Look at how cute Niall is.
Oh, my God.
6
00:00:15,306 --> 00:00:17,726
That was a good
American accent.
[ Chuckles ]
7
00:00:17,767 --> 00:00:18,935
Hey,
I'm Carson Daly.
8
00:00:18,977 --> 00:00:20,311
I thought I do that.
[ Laughter ]
9
00:00:20,353 --> 00:00:21,688
Let's kick it off.
How about a quick hello
10
00:00:21,730 --> 00:00:24,315
to our four Playoff Pass
artists right up here --
11
00:00:24,357 --> 00:00:25,984
D.Smooth, Manasseh,
12
00:00:26,026 --> 00:00:28,028
Ryley Tate Wilson,
and Mary Kate.
13
00:00:28,069 --> 00:00:29,821
Whoa-ho!
Alright, alright, D.Smooth!
14
00:00:29,863 --> 00:00:31,698
As you know, they get
to sit out this week
15
00:00:31,740 --> 00:00:34,034
because they were sent
directly to the playoffs
16
00:00:34,075 --> 00:00:35,201
by their coaches.
17
00:00:35,243 --> 00:00:36,953
[ Cheers and applause ]
18
00:00:36,995 --> 00:00:40,665
Taking calls from America,
our panel is standing by.
19
00:00:40,707 --> 00:00:42,125
[ Laughter ]
20
00:00:42,167 --> 00:00:44,627
I got a good feeling
about your chances today.
21
00:00:44,669 --> 00:00:46,212
[ Laughs ]
22
00:00:46,254 --> 00:00:48,381
I think you're
gonna stay.
Yeah.
23
00:00:48,423 --> 00:00:50,216
Niall: Pretty chilled-out show,
really, isn't it?
24
00:00:50,258 --> 00:00:51,718
Reba:
Oh, my gosh, yeah.
25
00:00:51,760 --> 00:00:53,470
It's not, like,
overproduced or --
Nope.
26
00:00:53,511 --> 00:00:54,929
I've really enjoyed it.
And you know
they can edit it
27
00:00:54,971 --> 00:00:56,723
and take out
the bad stuff you say...
Yeah, yeah.
28
00:00:56,765 --> 00:00:59,059
...which -- hadn't said anything
really stupid yet...
29
00:00:59,100 --> 00:01:00,477
Yeah,
but I'm planning on it.
...which is good.
30
00:01:00,518 --> 00:01:02,354
Oh!
[ Both laugh ]
31
00:01:02,395 --> 00:01:03,688
You want to show 'em, huh?
Yeah.
32
00:01:03,730 --> 00:01:04,981
[ Laughs ]
33
00:01:05,023 --> 00:01:06,608
See, can you edit
this one out?
Yeah. [ Laughs ]
34
00:01:06,649 --> 00:01:09,319
Work around it.
That's what Blake
does for a living.
35
00:01:09,361 --> 00:01:11,613
[ Both laugh ]
36
00:01:11,654 --> 00:01:15,742
I got EJ,
who I stole from Blake.
37
00:01:15,784 --> 00:01:17,744
I just couldn't watch
a voice like that leave.
38
00:01:17,786 --> 00:01:19,287
Good for you.
39
00:01:19,329 --> 00:01:20,914
And then over here is Michael.
I was the only one that turned.
40
00:01:20,955 --> 00:01:23,083
He's got
a theatrical voice.
Uh-huh.
41
00:01:23,124 --> 00:01:26,461
Now, they're all going,
"Where were we that day?"
You just heard something.
42
00:01:26,503 --> 00:01:28,588
And I was like,
"Blake, you were drunk."
[ Laughs ]
43
00:01:28,630 --> 00:01:30,423
That's why --
That's why you missed it.
[ Both laugh ]
44
00:01:30,465 --> 00:01:33,593
I paired EJ and Michael B.
because they're my two big,
45
00:01:33,635 --> 00:01:36,554
rangy, dramatic singers
who can do it all.
46
00:01:36,596 --> 00:01:38,598
Come out!
Michael: Okay.
47
00:01:38,640 --> 00:01:40,266
Here they are.
Whoooooo!
48
00:01:40,308 --> 00:01:41,851
Hey, guys.
49
00:01:41,893 --> 00:01:45,021
Reba McEntire.
I'm like, "Oh, my gosh,
50
00:01:45,063 --> 00:01:46,981
this is the one and only."
51
00:01:47,023 --> 00:01:48,775
I'm blind.
Now I realize who it is.
52
00:01:48,817 --> 00:01:50,694
[ Exhales deeply ]
Oh, my God!
53
00:01:50,735 --> 00:01:54,906
I was walking in like this,
and once I realized who it was,
54
00:01:54,948 --> 00:01:56,324
I absolutely lost my mind.
55
00:01:56,366 --> 00:01:58,535
I'm from Oklahoma.
She's like Oklahoma royalty.
56
00:01:58,576 --> 00:02:01,287
I love Reba McEntire.
She's a star.
57
00:02:01,329 --> 00:02:02,997
Niall: Look what you're doing
to these people, Reba.
58
00:02:03,039 --> 00:02:05,625
I know, right?
I'm shaking like a leaf
here beside you.
59
00:02:05,667 --> 00:02:07,585
[ Chuckles ]
You're nervous, too.
60
00:02:07,627 --> 00:02:09,045
[ Chuckles ]
Oh, baloney.
61
00:02:09,087 --> 00:02:11,089
So this is
an alt-rock song
62
00:02:11,131 --> 00:02:13,174
by UK band
Nothing But Thieves.
63
00:02:13,216 --> 00:02:14,634
The song's called
"Trip Switch."
64
00:02:14,676 --> 00:02:16,302
It kind of is gonna
hopefully show
65
00:02:16,344 --> 00:02:17,804
maybe a little bit
more attitude
66
00:02:17,846 --> 00:02:19,639
and just a little bit
more frontman vibes.
67
00:02:19,681 --> 00:02:21,433
Excellent.
Now I'm excited
to hear this.
68
00:02:21,474 --> 00:02:23,643
* Make a wish
and I'll count to three *
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00:02:23,685 --> 00:02:25,854
Niall: First of all, it's great
to have EJ on Team Niall.
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00:02:25,895 --> 00:02:27,313
That was a hell of a steal.
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00:02:27,355 --> 00:02:29,065
* What do we do
when the power's out? *
72
00:02:29,107 --> 00:02:32,694
EJ has sung Adele, some
Smokey Robinson in the battles.
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00:02:32,736 --> 00:02:35,071
He really changed it up
this week,
74
00:02:35,113 --> 00:02:36,489
something I'm excited to see
75
00:02:36,531 --> 00:02:38,199
'cause half the reason why
I got him on my team
76
00:02:38,241 --> 00:02:39,492
was for his stage presence,
77
00:02:39,534 --> 00:02:42,078
and I feel like this song
you need it.
78
00:02:42,120 --> 00:02:45,999
* When the lights go down, down,
down, down, down, down *
79
00:02:46,041 --> 00:02:47,208
Owww!
80
00:02:47,250 --> 00:02:51,504
* When the lights
gooo, yeah *
81
00:02:51,546 --> 00:02:53,131
EJ:
My band is Foreign Figures.
82
00:02:53,173 --> 00:02:56,926
Being the front man
in the beginning was terrifying.
83
00:02:56,968 --> 00:02:59,971
But then I got more
confidence to be like,
84
00:03:00,013 --> 00:03:02,891
"I deserve to be right here
in the spotlight."
85
00:03:02,932 --> 00:03:06,770
We've opened for Smash Mouth,
X Ambassadors, like, Kesha,
86
00:03:06,811 --> 00:03:09,397
but "The Voice"
is my first opportunity
87
00:03:09,439 --> 00:03:13,902
to really take my solo career
step forward.
88
00:03:13,943 --> 00:03:15,487
Yeah!
89
00:03:15,528 --> 00:03:17,655
Wow. Excellent!
Super impressive.
90
00:03:17,697 --> 00:03:19,824
You nearly sounded
like Matt Bellamy vibes.
91
00:03:19,866 --> 00:03:21,701
Dude, I love Muse.
92
00:03:21,743 --> 00:03:23,787
The performance side of it,
you've definitely got that.
93
00:03:23,828 --> 00:03:25,705
When they've got the red light
over the camera...
94
00:03:25,747 --> 00:03:27,040
Yeah. [ Chuckles ]
...he really comes alive.
95
00:03:27,082 --> 00:03:29,834
Just be mindful of that story.
Tell that story.
96
00:03:29,876 --> 00:03:34,339
What's a way that you get into
emotion in the storytelling?
97
00:03:34,381 --> 00:03:36,508
I see it in my mind.
98
00:03:36,549 --> 00:03:39,469
Whatever the story is,
like, if it's "Fancy,"
99
00:03:39,511 --> 00:03:42,389
I'm in that old house
walking to the car.
100
00:03:42,430 --> 00:03:43,807
My mom's giving me away
101
00:03:43,848 --> 00:03:46,976
because she can't afford
to feed me anymore.
102
00:03:47,018 --> 00:03:51,564
Every lyric, it's either this
or it's like [growls]
103
00:03:51,606 --> 00:03:53,358
Yeah.
If I have that story,
104
00:03:53,400 --> 00:03:57,195
whatever comes out of my mouth,
hopefully you will feel that
105
00:03:57,237 --> 00:03:59,447
because it was
so intensely felt by me.
106
00:03:59,489 --> 00:04:01,074
That's great advice.
107
00:04:01,116 --> 00:04:02,826
If you're not feeling it,
108
00:04:02,867 --> 00:04:04,577
how are you gonna make
anyone else feel it?
109
00:04:04,619 --> 00:04:07,831
That advice really just flipped
the switch and I was like,
110
00:04:07,872 --> 00:04:11,251
"I will remember that forever. I
will never forget this moment."
111
00:04:11,292 --> 00:04:13,461
So what have you picked
to sing today?
112
00:04:13,503 --> 00:04:15,046
"When You're Gone"
by Shawn Mendes.
113
00:04:15,088 --> 00:04:17,549
And I chose this one
because it's up-tempo,
114
00:04:17,590 --> 00:04:19,843
but it still has kind of
a grieving message.
115
00:04:19,884 --> 00:04:22,762
I'm not necessarily grieving
a relationship right now,
116
00:04:22,804 --> 00:04:25,598
but I totally am familiar
with the feeling.
117
00:04:25,640 --> 00:04:27,017
I've been in relationships
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00:04:27,058 --> 00:04:29,894
that I thought were gonna
be end all, be all,
119
00:04:29,936 --> 00:04:33,440
and I definitely immediately
think of those relationships
120
00:04:33,481 --> 00:04:34,941
when I do sing this song.
121
00:04:34,983 --> 00:04:37,819
But right now,
I am beyond grateful.
122
00:04:37,861 --> 00:04:41,114
I met my boyfriend, Tevin,
two and a half years ago.
123
00:04:41,156 --> 00:04:42,907
We clicked right away.
124
00:04:42,949 --> 00:04:44,451
We live together, and I mean,
he's my best friend
125
00:04:44,492 --> 00:04:45,952
in the whole wide world.
126
00:04:45,994 --> 00:04:48,288
* Hold on, I don't wanna
know what it's like... *
127
00:04:48,329 --> 00:04:49,706
Niall:
Michael is a pop singer
128
00:04:49,748 --> 00:04:51,374
with unbelievable drama
to his voice
129
00:04:51,416 --> 00:04:55,170
and can really sell a song,
so this is gonna be exciting.
130
00:04:55,211 --> 00:04:56,796
* Hold on *
131
00:04:56,838 --> 00:04:59,090
He gets to show off all the
different parts of his range,
132
00:04:59,132 --> 00:05:01,634
which is super important
when you've got two minutes
to show what you can do.
133
00:05:01,676 --> 00:05:03,470
Thank you.
That's a workout,
that one.
134
00:05:03,511 --> 00:05:05,347
It is.
That's a lot of words.
135
00:05:05,388 --> 00:05:07,057
A ton of words.
Yeah.
136
00:05:07,098 --> 00:05:09,601
I got a little emotional at the
end, so it got sloppy, but...
137
00:05:09,642 --> 00:05:11,978
Oh, no, no, no.
Thank you.
138
00:05:12,020 --> 00:05:16,066
I'll take sloppy and emotion
over hitting every note
139
00:05:16,107 --> 00:05:17,484
because I could feel it.
140
00:05:17,525 --> 00:05:19,694
Honestly, you'd rather
hear pitch and slop
141
00:05:19,736 --> 00:05:21,488
than something, someone
that doesn't mean it.
142
00:05:21,529 --> 00:05:22,697
That was great.
143
00:05:22,739 --> 00:05:24,991
I think there's too much
low octave.
144
00:05:25,033 --> 00:05:26,493
Oh, yeah.
Personally.
145
00:05:26,534 --> 00:05:27,994
* Hold on *
146
00:05:28,036 --> 00:05:30,580
You're going from
that range to -- * Hold on *
147
00:05:30,622 --> 00:05:33,917
in one move, and you haven't
had time to ramp up to that.
148
00:05:33,958 --> 00:05:35,669
I get all
psyched up there.
149
00:05:35,710 --> 00:05:39,130
How do you do a quick reset
that's like...you got it?
150
00:05:39,172 --> 00:05:42,884
What I do is I touch my thumb
and my forefinger.
151
00:05:42,926 --> 00:05:45,512
Whenever I hit a high note,
that says,
152
00:05:45,553 --> 00:05:47,722
"You're gonna hit it
right on."
153
00:05:47,764 --> 00:05:49,307
It's that
positive thinking.
154
00:05:49,349 --> 00:05:52,894
Okay.
Y-You're kind of tricking
your subconscious
155
00:05:52,936 --> 00:05:55,146
because your subconscious
drives the boat.
156
00:05:55,188 --> 00:05:57,190
I'm gonna do this
the whole song.
Yeah.
157
00:05:57,232 --> 00:05:58,650
[ Laughter ]
158
00:05:58,692 --> 00:06:00,694
That's a low note, I don't care.
I'm doing this.
159
00:06:00,735 --> 00:06:02,195
[ Laughter ]
Right. Exactly.
160
00:06:02,237 --> 00:06:05,699
Seeing Michael B. perform
just made me a little nervous
161
00:06:05,740 --> 00:06:07,117
in a sense of like,
162
00:06:07,158 --> 00:06:09,869
"Man, the competition
is so hot this season."
163
00:06:09,911 --> 00:06:13,331
I'm like, "I gotta step up my
game if I want to go forward."
164
00:06:13,373 --> 00:06:14,541
So excited.
Thank you so much.
165
00:06:14,582 --> 00:06:15,875
Nice to meet you both.
166
00:06:15,917 --> 00:06:18,169
Michael and EJ,
the songs they selected
167
00:06:18,211 --> 00:06:19,504
were so different.
168
00:06:19,546 --> 00:06:21,006
I mean, what do you go for?
169
00:06:21,047 --> 00:06:22,340
That's gonna be tough.
170
00:06:22,382 --> 00:06:23,883
They're such
good singers.
171
00:06:23,925 --> 00:06:25,510
Absolutely love it, and they're
just cute as a button.
172
00:06:25,552 --> 00:06:27,345
We've got some nice people
on our team.
173
00:06:27,387 --> 00:06:28,555
I don't know
about the rest of them.
174
00:06:28,596 --> 00:06:30,515
[ Laughs ]
175
00:06:30,557 --> 00:06:33,351
[ Cheers and applause ]
Come on, EJ!
176
00:06:33,393 --> 00:06:35,437
Kelly:
I'm so excited!
177
00:06:35,478 --> 00:06:38,940
With "Trip Switch,"
here's EJ Michels.
178
00:06:41,526 --> 00:06:48,116
**
179
00:06:48,158 --> 00:06:53,121
* Ooooooh-woaaah *
180
00:06:53,163 --> 00:06:56,666
* Sharing secrets
with another world *
181
00:06:56,708 --> 00:06:59,252
* Rubbing shoulders
with some unknown lovers *
182
00:06:59,294 --> 00:07:01,880
* Making waves
through the universe *
183
00:07:01,921 --> 00:07:05,258
* Starting wars
with anonymous brothers *
184
00:07:05,300 --> 00:07:10,013
* Trip switch, trip switch *
185
00:07:10,055 --> 00:07:12,849
* Make a wish
and I'll count to three *
186
00:07:12,891 --> 00:07:15,602
* Press the button
and we'll both be happy *
187
00:07:15,643 --> 00:07:18,104
* Sending signals
is a dirty trick *
188
00:07:18,146 --> 00:07:21,441
* I get my love
in a digital package *
189
00:07:21,483 --> 00:07:26,529
* Trip switch, trip switch *
190
00:07:26,571 --> 00:07:29,032
* What we do
when the power's out? *
191
00:07:29,074 --> 00:07:31,785
* What do we do
when the lights go *
Alright.
192
00:07:31,826 --> 00:07:34,579
* What we do
when the power's out? *
193
00:07:34,621 --> 00:07:36,873
* What do we do
when the lights go *
194
00:07:36,915 --> 00:07:40,794
* Down, down, down,
down, down, down *
195
00:07:40,835 --> 00:07:46,091
* When the lights go down, down,
down, down, down, down *
196
00:07:46,132 --> 00:07:50,595
* When the lights
goooooo, yeah *
197
00:07:50,637 --> 00:07:52,972
[ Cheers and applause ]
198
00:07:53,014 --> 00:07:56,976
* Ooooooh, they put out
the lights *
199
00:07:57,018 --> 00:07:59,688
* They put out the lights *
200
00:07:59,729 --> 00:08:04,317
* They put out
the lights, ohhh *
201
00:08:04,359 --> 00:08:06,945
* What we do
when the power's out? *
202
00:08:06,986 --> 00:08:09,781
* What do we do
when the lights go? *
203
00:08:09,823 --> 00:08:12,617
* What we do
when the power's out? *
204
00:08:12,659 --> 00:08:15,078
* What do we do
when the lights go *
205
00:08:15,120 --> 00:08:20,291
* Doooooown *
206
00:08:20,333 --> 00:08:25,839
* Heeeeeey, let's gooo *
207
00:08:25,880 --> 00:08:31,177
* Down, down, down,
down, down, dooown, yeah *
208
00:08:31,219 --> 00:08:35,015
* Down, down, down,
down, down, down *
209
00:08:35,056 --> 00:08:39,144
* When the lights go dooown? *
210
00:08:39,185 --> 00:08:40,520
[ Cheers and applause ]
I liked that!
211
00:08:40,562 --> 00:08:42,981
I thought that was cool.
212
00:08:45,066 --> 00:08:46,860
Whoo!
213
00:08:46,901 --> 00:08:47,861
EJ!
214
00:08:47,902 --> 00:08:50,238
I have to go after that?
215
00:08:50,280 --> 00:08:52,032
That's a cool song.
216
00:08:53,491 --> 00:08:54,909
Come on!
217
00:08:55,744 --> 00:08:57,829
I love Michael B.
218
00:08:57,871 --> 00:08:59,622
Huge Michael B. fan.
219
00:08:59,664 --> 00:09:01,166
Wait till
you hear this.
220
00:09:01,207 --> 00:09:03,209
Come on, Michael!
221
00:09:03,251 --> 00:09:05,670
Now with "When You're Gone,"
here's Michael B.
222
00:09:05,712 --> 00:09:08,923
[ Cheers and applause ]
223
00:09:11,092 --> 00:09:14,679
**
224
00:09:14,721 --> 00:09:18,558
* You never know
how good you have it *
225
00:09:18,600 --> 00:09:19,976
* No, no *
226
00:09:20,018 --> 00:09:21,811
* Until you're starin'
at a picture *
227
00:09:21,853 --> 00:09:25,357
* Of the only one that matters *
228
00:09:25,398 --> 00:09:27,025
* Yeaaah *
229
00:09:27,067 --> 00:09:31,571
* I know what
we're supposed to do *
230
00:09:31,613 --> 00:09:33,114
Wow.
231
00:09:33,156 --> 00:09:38,161
* It's hard for me
to let go of you *
232
00:09:38,203 --> 00:09:41,581
* So I'm just tryna
hold on, hold on *
233
00:09:41,623 --> 00:09:45,835
* I don't wanna know what
it's like when you're gone *
234
00:09:45,877 --> 00:09:48,213
* I don't wanna move on *
235
00:09:48,254 --> 00:09:52,175
* I don't wanna know what it's
like when you're gone for good *
236
00:09:52,217 --> 00:09:54,636
* You're slipping
through my fingertips *
237
00:09:54,678 --> 00:09:57,639
* A little bit by a little bit *
238
00:09:57,681 --> 00:09:58,848
[ Cheers and applause ]
239
00:09:58,890 --> 00:10:00,934
* I never knew that loving you *
240
00:10:00,975 --> 00:10:04,270
* Was the happiest
I've ever been *
241
00:10:04,312 --> 00:10:06,773
* No, no *
Yeah, use that soul.
242
00:10:06,815 --> 00:10:09,442
* Starting to feel
like you don't need me *
243
00:10:09,484 --> 00:10:12,779
* Wanna believe
it's all for the better *
244
00:10:12,821 --> 00:10:17,409
* It's getting real,
I'm missing you deeply *
245
00:10:17,450 --> 00:10:19,244
* I'm just tryna hold on *
246
00:10:19,285 --> 00:10:22,455
* Starting to feel
like you don't need me *
247
00:10:22,497 --> 00:10:25,917
* Wanna believe
it's all for the better *
248
00:10:25,959 --> 00:10:30,755
* It's getting real,
I'm missing you deeply *
249
00:10:30,797 --> 00:10:34,050
* So I'm just tryna hold on,
hold on *
250
00:10:34,092 --> 00:10:38,096
* I don't wanna know what
it's like when you're gone *
251
00:10:38,138 --> 00:10:40,682
* I don't wanna move on *
252
00:10:40,724 --> 00:10:44,310
* I don't wanna knooow *
253
00:10:44,352 --> 00:10:46,896
* You're slipping
through my fingertips *
254
00:10:46,938 --> 00:10:50,150
* A little bit by a little bit *
255
00:10:50,984 --> 00:10:53,069
* I never knew that loving you *
256
00:10:53,111 --> 00:10:56,698
* Was the happiest, oh,
I've ever been *
257
00:10:56,740 --> 00:11:03,580
* Yeaaaaaah *
258
00:11:03,621 --> 00:11:06,958
* I'm just tryna hold on *
259
00:11:07,000 --> 00:11:09,669
* Yeah, yeah, yeaaah *
260
00:11:09,711 --> 00:11:11,338
There we go!
261
00:11:11,379 --> 00:11:14,716
* Hoooooold ooon *
262
00:11:14,758 --> 00:11:18,845
[ Cheers and applause ]
263
00:11:20,513 --> 00:11:21,848
Hard.
264
00:11:21,890 --> 00:11:23,600
Whoo-hoo-hoo!
265
00:11:23,641 --> 00:11:25,185
Wooow.
266
00:11:25,226 --> 00:11:29,647
EJ, you had an energy
that felt personal,
267
00:11:29,689 --> 00:11:31,775
I do think because
you were so into it,
268
00:11:31,816 --> 00:11:35,070
there were moments where the
pitch wasn't all the way right,
269
00:11:35,111 --> 00:11:38,156
but you enjoying it so much
gave us the feeling
270
00:11:38,198 --> 00:11:39,491
that we were looking for.
271
00:11:39,532 --> 00:11:41,534
Mikey B., I think
the pitch was perfect,
272
00:11:41,576 --> 00:11:44,621
but it felt like the soul
that I am attracted to
273
00:11:44,662 --> 00:11:46,206
and what you --
what you do --
The ache.
274
00:11:46,247 --> 00:11:47,707
Yeah, that wasn't there
in the beginning,
275
00:11:47,749 --> 00:11:49,751
but then towards the end,
you kind of just, like,
276
00:11:49,793 --> 00:11:51,294
let loose and the crowd
got into it,
277
00:11:51,336 --> 00:11:52,879
everybody started
standing up and cheering.
278
00:11:52,921 --> 00:11:55,924
I would lean towards
my boy, Michael B.
279
00:11:55,965 --> 00:11:58,968
[ Cheers and applause ]
Thank you.
280
00:11:59,010 --> 00:12:01,930
Michael B., I think this was
a really great avenue for you.
281
00:12:01,971 --> 00:12:04,307
I would love to hear a record
with songs like this on it.
282
00:12:04,349 --> 00:12:07,185
And you're like that dude that's
sitting next to me in school,
283
00:12:07,227 --> 00:12:09,187
and then all of a sudden,
I would find out
284
00:12:09,229 --> 00:12:10,772
that you're, like,
this incredible singer,
285
00:12:10,814 --> 00:12:12,524
but you never talked
to me the whole time.
286
00:12:12,565 --> 00:12:14,025
[ Laughter ]
287
00:12:14,067 --> 00:12:16,444
You seem like this, like,
really quiet, just subdued guy,
288
00:12:16,486 --> 00:12:19,531
and then you have this,
like, powerhouse voice.
289
00:12:19,572 --> 00:12:21,783
That alone is, like,
captivating.
290
00:12:21,825 --> 00:12:23,576
[ Cheers and applause ]
Thank you.
291
00:12:23,618 --> 00:12:25,078
EJ, I've never heard
of that song,
292
00:12:25,120 --> 00:12:28,081
but I will be covering it
shortly on a talk show near you.
293
00:12:28,123 --> 00:12:30,333
[ Laughter ]
Yeah!
294
00:12:30,375 --> 00:12:34,379
That song is so cool,
like, the whole vibe of it.
295
00:12:34,421 --> 00:12:38,091
It was such a smart decision
for you as a performer
296
00:12:38,133 --> 00:12:41,094
and also, like, separates you
from other singers
297
00:12:41,136 --> 00:12:42,303
in the competition.
298
00:12:42,345 --> 00:12:44,431
Thank you
so much, Kelly.
299
00:12:44,472 --> 00:12:45,890
What's up, EJ?
300
00:12:45,932 --> 00:12:47,100
What's up, Blake?
Good to see you, buddy.
301
00:12:47,142 --> 00:12:48,601
Yeah,
good to see you.
302
00:12:48,643 --> 00:12:50,603
Anything that I didn't see
in the blind auditions
303
00:12:50,645 --> 00:12:51,896
with your performance,
304
00:12:51,938 --> 00:12:54,274
I got to finally see
an entire thing
305
00:12:54,315 --> 00:12:56,026
without making you
do a battle, you know?
306
00:12:56,067 --> 00:12:58,403
It was huge.
That was a huge performance.
307
00:12:58,445 --> 00:12:59,612
So good job.
308
00:12:59,654 --> 00:13:00,780
Thank you.
309
00:13:00,822 --> 00:13:02,240
[ Cheers and applause ]
310
00:13:02,282 --> 00:13:04,534
Michael, all I was really
paying attention to
311
00:13:04,576 --> 00:13:07,746
was how exactly in the pocket
it felt like you were.
312
00:13:07,787 --> 00:13:10,749
Man, I thought that was really
solid all the way through,
313
00:13:10,790 --> 00:13:14,794
and because of the consistency,
I'd probably go with Michael B.
314
00:13:14,836 --> 00:13:16,212
[ Cheers and applause ]
315
00:13:16,254 --> 00:13:18,798
Thank you, Coaches.
Alright, Niall.
316
00:13:18,840 --> 00:13:20,300
Tough one
coming up for you.
317
00:13:20,342 --> 00:13:21,801
Before you tell us
who won the knockout,
318
00:13:21,843 --> 00:13:23,428
give us some thoughts.
319
00:13:23,470 --> 00:13:24,971
When you think about what EJ
has done in this competition,
320
00:13:25,013 --> 00:13:29,893
Adele to Smokey Robinson
to a UK indie rock band,
321
00:13:29,934 --> 00:13:32,312
that shows the diversity
that he's capable of.
322
00:13:32,354 --> 00:13:33,813
Everything he puts
his hand to,
323
00:13:33,855 --> 00:13:35,231
it seems to, you know,
turn to gold.
324
00:13:35,273 --> 00:13:36,775
Thank you so much,
Niall.
325
00:13:36,816 --> 00:13:39,069
Michael B., the last few weeks,
you've just really shown
326
00:13:39,110 --> 00:13:41,613
what you're capable of
and have become a dark horse,
327
00:13:41,654 --> 00:13:44,657
and Shawn will be absolutely
over the moon
328
00:13:44,699 --> 00:13:45,825
with that version of it.
329
00:13:45,867 --> 00:13:47,243
[ Cheers and applause ]
330
00:13:47,285 --> 00:13:48,828
Um...God.
331
00:13:48,870 --> 00:13:51,456
Daly: Niall, tough one for you,
but the time has come.
332
00:13:51,498 --> 00:13:53,291
Who is the winner
of this knockout?
333
00:13:54,542 --> 00:13:55,669
Ooh.
334
00:13:55,710 --> 00:13:58,630
**
335
00:13:58,672 --> 00:14:00,965
I guess I just have to go
with what I see in the future
336
00:14:01,007 --> 00:14:04,177
and in my gut
for the coming rounds
337
00:14:04,219 --> 00:14:06,846
and the bulletproof-ness
of it.
338
00:14:06,888 --> 00:14:09,557
**
339
00:14:09,599 --> 00:14:11,184
The winner of this knockout
is Michael.
340
00:14:11,226 --> 00:14:13,186
[ Cheers and applause ]
341
00:14:13,228 --> 00:14:14,604
Daly:
Michael, congratulations!
342
00:14:14,646 --> 00:14:18,525
You're moving on to the playoffs
for Team Niall!
343
00:14:18,566 --> 00:14:20,860
Niall: Michael's always been
the sleeping giant
344
00:14:20,902 --> 00:14:22,028
in this competition.
345
00:14:22,070 --> 00:14:23,530
His voice is unbelievable.
346
00:14:23,571 --> 00:14:25,699
I'm really excited
for Michael in the playoffs.
347
00:14:25,740 --> 00:14:28,535
So much love.
Give it up for EJ Michels one
more time, ladies and gentlemen!
348
00:14:28,576 --> 00:14:30,120
Thank you, EJ!
[ Cheers and applause ]
349
00:14:30,161 --> 00:14:31,913
Niall:
Really tough to see EJ go.
350
00:14:31,955 --> 00:14:33,415
He put his heart on the line.
351
00:14:33,456 --> 00:14:35,166
The pairings are so tough
in the knockouts.
352
00:14:35,208 --> 00:14:36,918
You're gonna lose a good singer.
353
00:14:36,960 --> 00:14:38,169
Daly: Coming up...
Kelly: Reba McEnti--
354
00:14:38,211 --> 00:14:39,713
Look at her, she --
[ Laughs ]
355
00:14:39,754 --> 00:14:42,674
...Reba shocks the artists
and whips them into shape...
356
00:14:42,716 --> 00:14:45,218
"When I let my guard down,"
I gotta see that pain.
357
00:14:45,260 --> 00:14:47,846
* I let my guard down *
358
00:14:47,887 --> 00:14:49,597
* And then you pulled the rug *
359
00:14:49,639 --> 00:14:52,017
Daly: ...leading to
jaw-dropping performances...
360
00:14:52,058 --> 00:14:54,894
* I said blue moon of Kentucky *
Yes!
361
00:14:54,936 --> 00:14:56,604
Daly: ...that impress
our coaches.
362
00:14:56,646 --> 00:14:59,399
[ Chuckling ] Holy crap!
That was crazy.
363
00:14:59,441 --> 00:15:00,358
You are a star.
364
00:15:00,400 --> 00:15:02,318
Daly: And later...
Oh.
365
00:15:02,360 --> 00:15:05,155
...two steals are up for grabs.
366
00:15:05,196 --> 00:15:08,658
Which artist will get Blake's
last steal ever?
367
00:15:08,700 --> 00:15:10,994
Whoa! We got a steal!
368
00:15:16,750 --> 00:15:17,917
* This is "The Voice" *
369
00:15:17,959 --> 00:15:20,045
Daly: Welcome back
to the knockouts.
370
00:15:20,086 --> 00:15:22,839
Man: So we're gonna do a quick
little thing here with Niall.
371
00:15:22,881 --> 00:15:24,215
Play a little bit of his music.
372
00:15:24,257 --> 00:15:26,426
[ Cheers and applause ]
373
00:15:26,468 --> 00:15:27,969
Niall: I had a really
cool moment today
374
00:15:28,011 --> 00:15:29,387
where I got to share
a little short clip
375
00:15:29,429 --> 00:15:31,264
of my single "Heaven,"
which is out,
376
00:15:31,306 --> 00:15:33,558
and got the -- the crowd
singing along.
377
00:15:33,600 --> 00:15:37,020
* God only knows
where this could go *
378
00:15:37,062 --> 00:15:42,442
* And even if our love
starts to grow out of control *
I like this song!
379
00:15:42,484 --> 00:15:46,780
* And you and me
go up in flames *
380
00:15:46,821 --> 00:15:49,074
* Heaven won't be the same *
It was really cool.
381
00:15:49,115 --> 00:15:50,784
The audience knew
every single word to it.
382
00:15:50,825 --> 00:15:52,744
Alright, cowboy,
what'd you think?
383
00:15:52,786 --> 00:15:54,120
I love the song.
384
00:15:54,162 --> 00:15:55,580
Do you remember
any of it?
Yes, uh...
385
00:15:55,622 --> 00:15:58,041
* They're
magically delicious *
386
00:15:58,083 --> 00:15:59,709
[ Laughter ]
387
00:15:59,751 --> 00:16:02,420
What?
That was tough
for me to take.
388
00:16:02,462 --> 00:16:03,797
[ Laughter ]
389
00:16:03,838 --> 00:16:05,548
Chance: So you're living
in Nashville?
Reba: Yeah.
390
00:16:05,590 --> 00:16:07,300
Were you raised there,
or you moved there when --
Oklahoma.
391
00:16:07,342 --> 00:16:09,052
Okay. My great-grandmother's
from Tulsa,
392
00:16:09,094 --> 00:16:10,387
but I've never
made it there.
393
00:16:10,428 --> 00:16:12,347
We grew up on a working
cattle ranch,
394
00:16:12,389 --> 00:16:14,307
bought cattle in the spring,
sold them in the fall
395
00:16:14,349 --> 00:16:17,102
after we fattened them up
for feeder cattle.
396
00:16:17,143 --> 00:16:18,853
That's crazy.
I didn't even think about it,
397
00:16:18,895 --> 00:16:20,647
that there's cows
that are bred
398
00:16:20,689 --> 00:16:23,483
specifically to get ate
versus to produce...
Yeah.
399
00:16:23,525 --> 00:16:25,360
...produce.
Milk or, yeah, produce.
There you go.
400
00:16:25,402 --> 00:16:26,778
[ Chuckles ]
Produce produce.
401
00:16:26,820 --> 00:16:28,238
[ Both laugh ]
402
00:16:28,279 --> 00:16:29,656
I'm really excited for these --
for these next two.
403
00:16:29,698 --> 00:16:32,492
I got Magnus and Jamar.
404
00:16:32,534 --> 00:16:34,994
Jamar is soulful.
He's got a blues influence.
405
00:16:35,036 --> 00:16:37,080
He plays guitar, like,
he's a little bit older,
406
00:16:37,122 --> 00:16:39,499
so he's got this old soul
thing going for him.
407
00:16:39,541 --> 00:16:42,002
Magnus in the same way,
he's a younger guy,
408
00:16:42,043 --> 00:16:43,670
but he's got a '70s soul,
409
00:16:43,712 --> 00:16:47,090
Curtis Mayfield,
Donny Hathaway feel to him.
Ooh, cool.
410
00:16:47,132 --> 00:16:49,676
I want you to see 'em.
Magnus, Jamar.
411
00:16:49,718 --> 00:16:51,511
Come on down.
412
00:16:51,553 --> 00:16:52,846
What?!
413
00:16:52,887 --> 00:16:54,305
Wha-- [ Laughs ]
414
00:16:54,347 --> 00:16:55,724
We got Reba
in this joint.
415
00:16:55,765 --> 00:16:56,975
Queen of Country.
416
00:16:57,017 --> 00:16:58,852
She's definitely
a legend in the game.
417
00:16:58,893 --> 00:17:00,103
I need a hug.
I need a hug.
418
00:17:00,145 --> 00:17:01,896
She gives some
of the warmest hugs,
419
00:17:01,938 --> 00:17:03,440
I feel a real Southern hug.
420
00:17:03,481 --> 00:17:04,816
So what
are you singing?
421
00:17:04,858 --> 00:17:07,068
I'm singing John Legend,
"Ordinary People."
422
00:17:07,110 --> 00:17:09,696
Wonderful.
That's the first song I learned
how to play on piano.
423
00:17:09,738 --> 00:17:11,364
That's funny.
It was one of my firsts, too.
No kidding.
424
00:17:11,406 --> 00:17:13,825
I feel like young
Black kids around our age,
425
00:17:13,867 --> 00:17:17,370
like, when this song came out,
it changed the game.
It did.
426
00:17:17,412 --> 00:17:20,707
I'm a gospel soul singer.
John is such a beast.
427
00:17:20,749 --> 00:17:23,376
* Girl,
I'm in love with you *
428
00:17:23,418 --> 00:17:25,628
Oh, wow.
Magnus: He's been a light
for my life.
429
00:17:25,670 --> 00:17:28,048
A lot of his songs are really
inspirational for me.
430
00:17:28,089 --> 00:17:29,841
* ...infatuation phase *
431
00:17:29,883 --> 00:17:33,470
The journey for me, pursuing
music has been up and down.
432
00:17:33,511 --> 00:17:35,221
I've definitely had to do
some odd jobs,
433
00:17:35,263 --> 00:17:36,890
such as being a delivery driver,
434
00:17:36,931 --> 00:17:39,601
but I have my own personal
concert in my car,
435
00:17:39,642 --> 00:17:41,519
so it's like
while I'm delivering,
436
00:17:41,561 --> 00:17:43,980
I'm still practicing in my craft
every day.
437
00:17:44,022 --> 00:17:47,817
* Slowwww *
438
00:17:47,859 --> 00:17:50,070
Wow.
Right? Insane.
439
00:17:50,111 --> 00:17:51,571
Thank you.
440
00:17:51,613 --> 00:17:54,407
When you started, it was so rich
and thick with your --
441
00:17:54,449 --> 00:17:56,242
your voice, your vocal.
Thank you.
442
00:17:56,284 --> 00:17:58,578
So full. Love it.
443
00:17:58,620 --> 00:18:00,163
And then when you hit
that high note,
444
00:18:00,205 --> 00:18:01,373
I'm like, "Oh, my gosh."
445
00:18:01,414 --> 00:18:02,582
Yeah.
[ Chuckles ]
446
00:18:02,624 --> 00:18:04,209
Oh, my gosh.
He has the range.
447
00:18:04,250 --> 00:18:05,752
[ Laughs ]
448
00:18:05,794 --> 00:18:08,672
I think with, like, people of
distinct tones like John Legend,
449
00:18:08,713 --> 00:18:10,590
like, you being able
to put your spin on it
450
00:18:10,632 --> 00:18:12,759
and also all your choices
and runs that you choose
451
00:18:12,801 --> 00:18:16,012
to make it your own song
is super important.
452
00:18:16,054 --> 00:18:18,473
* I still put you first *
453
00:18:18,515 --> 00:18:21,393
Reba: Magnus did a great job
of selecting that song.
454
00:18:21,434 --> 00:18:23,019
He had me right there.
455
00:18:23,061 --> 00:18:26,398
And he looked at Chance and me
while he was singing
456
00:18:26,439 --> 00:18:31,319
because he was telling us
about this and we believed him.
457
00:18:31,361 --> 00:18:34,906
You feel so comfortable, too.
Your voice is so smooth.
458
00:18:34,948 --> 00:18:37,450
You ever see those chocolate
commercials on television
459
00:18:37,492 --> 00:18:39,494
and it's like a river
of chocolate?
Just lay
in that chocolate...
460
00:18:39,536 --> 00:18:43,456
That was just so smooth
and just flowing like a river.
461
00:18:43,498 --> 00:18:45,125
Yeah, keep doing
the same thing.
462
00:18:45,166 --> 00:18:46,626
[ Laughs ]
463
00:18:46,668 --> 00:18:49,546
Jamar: Magnus, we're brothers,
but we're gonna fight.
464
00:18:49,587 --> 00:18:50,797
I want to go
to playoffs badly.
465
00:18:50,839 --> 00:18:53,341
I'm quiet,
but I'm a competitor.
466
00:18:53,383 --> 00:18:55,385
So we got Jamar
with "Cruisin'."
467
00:18:55,427 --> 00:18:56,678
Yep.
Smokey Robinson.
468
00:18:56,720 --> 00:18:58,513
That's my favorite,
my mom's favorite.
469
00:18:58,555 --> 00:19:01,599
I mean, Smokey's been in our
household for longer than me.
470
00:19:01,641 --> 00:19:05,270
This song actually represents
my genre to a T.
471
00:19:05,311 --> 00:19:07,272
* Baby,
let's cruise... *
472
00:19:07,313 --> 00:19:09,482
I'm all about
telling love stories.
473
00:19:09,524 --> 00:19:10,984
When I perform this song,
474
00:19:11,026 --> 00:19:13,028
I'm definitely going to be
thinking about my wife.
475
00:19:13,069 --> 00:19:14,696
She is so amazing.
476
00:19:14,738 --> 00:19:19,826
It's a perfect example of how
I feel every day. I feel love.
477
00:19:19,868 --> 00:19:21,327
* Oooh *
478
00:19:21,369 --> 00:19:23,329
And I chose this song because
I want to show the coaches
479
00:19:23,371 --> 00:19:26,249
that I'm the person
that they would want to
take to the playoffs.
480
00:19:26,291 --> 00:19:29,627
Great job. Great job.
You got a great voice.
[ Whistles ]
481
00:19:29,669 --> 00:19:30,712
Thank you.
482
00:19:30,754 --> 00:19:32,255
Chance, I don't know
what you think,
483
00:19:32,297 --> 00:19:34,841
but it seemed
like the band was loud
484
00:19:34,883 --> 00:19:36,926
all the way through
at one level.
485
00:19:36,968 --> 00:19:39,220
Yeah.
Maybe put some
dynamics in it.
486
00:19:39,262 --> 00:19:40,597
Yeah, I would agree.
487
00:19:40,638 --> 00:19:43,850
'Cause at the beginning,
it's real intimate.
488
00:19:43,892 --> 00:19:44,934
I agree totally.
489
00:19:44,976 --> 00:19:46,686
I mean,
we could certainly do that.
490
00:19:46,728 --> 00:19:48,563
I think for anything,
just to catch the tempo,
491
00:19:48,605 --> 00:19:50,190
even if it's a count-in
from rhythm,
492
00:19:50,231 --> 00:19:53,026
like just so that he knows
what BPM you guys are playing at
493
00:19:53,068 --> 00:19:54,986
then he could play and then
you guys could join him.
494
00:19:55,028 --> 00:19:57,447
Messes things up
a little bit.
Yeah, jumbles it.
495
00:19:57,489 --> 00:20:00,116
* Don't be confused *
496
00:20:00,158 --> 00:20:02,952
Chance: Jamar is a cold dude,
man. He's an instrumentalist.
497
00:20:02,994 --> 00:20:05,080
He's somebody
that has a deep sense
498
00:20:05,121 --> 00:20:06,581
of knowledge of himself.
499
00:20:06,623 --> 00:20:09,042
One of my favorite things
is when Jamar goes up
500
00:20:09,084 --> 00:20:10,335
into that higher octave
501
00:20:10,377 --> 00:20:12,212
and really sings
in his head voice.
502
00:20:12,253 --> 00:20:13,797
* Ooooooh *
503
00:20:13,838 --> 00:20:16,591
It's very flowy,
angelic feel to it.
504
00:20:16,633 --> 00:20:19,469
Lots better.
Amazing.
505
00:20:19,511 --> 00:20:21,429
I really love
your natural tone,
506
00:20:21,471 --> 00:20:24,391
and when you go into a space
of feeling out a song...
Yes, exactly.
507
00:20:24,432 --> 00:20:25,725
...that's what, like,
gives life to it
508
00:20:25,767 --> 00:20:27,852
and makes, you know,
your ears perk up and stuff,
509
00:20:27,894 --> 00:20:29,604
so I would just say
keep leaning into that.
510
00:20:29,646 --> 00:20:31,022
Way to go.
Thank you so much.
511
00:20:31,064 --> 00:20:32,273
Thank you.
Thank you.
512
00:20:32,315 --> 00:20:33,692
Magnus:
Jamar is an amazing artist,
513
00:20:33,733 --> 00:20:35,402
but I want to make it
to the playoffs bad.
514
00:20:35,443 --> 00:20:36,695
This is where my heart is,
515
00:20:36,736 --> 00:20:38,655
this is where my time
and energy is.
516
00:20:38,697 --> 00:20:40,573
I'm gonna leave
everything out on the stage.
517
00:20:40,615 --> 00:20:42,909
Wow, I'm just thrilled
to death I got to meet you.
518
00:20:42,951 --> 00:20:44,536
Oh, come --
come on, now.
Come on.
519
00:20:44,577 --> 00:20:46,329
I think this knockout round
is gonna come down
520
00:20:46,371 --> 00:20:48,581
to who steps
into themselves the most
521
00:20:48,623 --> 00:20:51,209
and presents themselves
as their own artist
522
00:20:51,251 --> 00:20:55,296
and their own identity
that needs to be in the show.
523
00:20:55,338 --> 00:20:56,798
I don't know what I'm gonna do.
524
00:20:56,840 --> 00:20:59,884
This just blows me away,
so many talented people.
525
00:20:59,926 --> 00:21:01,428
Yeah, I know.
It's crazy, right?
526
00:21:01,469 --> 00:21:02,637
[ Scoffs ]
527
00:21:02,679 --> 00:21:04,431
That's gonna be
a tough decision.
528
00:21:04,472 --> 00:21:06,182
[ Cheers and applause ]
529
00:21:06,224 --> 00:21:08,768
It's gonna be good.
530
00:21:08,810 --> 00:21:11,813
With "Cruisin',"
here's Jamar Langley.
531
00:21:11,855 --> 00:21:13,940
Kelly: Oh, man,
this is gonna be hard, I think.
532
00:21:13,982 --> 00:21:16,276
Chance: I have no idea
what I'm gonna do.
533
00:21:16,317 --> 00:21:24,576
**
534
00:21:24,617 --> 00:21:32,208
* Baby, let's cruise
away from heeere *
535
00:21:32,250 --> 00:21:34,919
[ Cheering ]
536
00:21:34,961 --> 00:21:44,721
* Don't be confused,
the way is cleeear *
537
00:21:44,763 --> 00:21:50,643
* And if you want it,
you got it forever *
538
00:21:50,685 --> 00:21:56,858
* This is not a one-night stand,
nooo, ooooooh *
539
00:21:56,900 --> 00:21:58,360
God, he's good.
540
00:21:58,401 --> 00:22:02,822
* Let the music take your mind,
your mind, your mind *
541
00:22:02,864 --> 00:22:07,827
* Just release
and you will fiiind *
542
00:22:07,869 --> 00:22:14,376
* That you're gonna fly away,
glad you're going my way *
543
00:22:14,417 --> 00:22:19,756
* I love it when
we're cruisin' together *
544
00:22:20,882 --> 00:22:25,220
* And inch by inch,
we get closer and closer *
545
00:22:25,261 --> 00:22:26,763
Come on!
Come on, Jay!
546
00:22:26,805 --> 00:22:30,684
* To every little part
of each otheeer *
547
00:22:30,725 --> 00:22:31,851
Whoo!
548
00:22:31,893 --> 00:22:33,853
* Baby, baby, baby, baby *
Aah!
549
00:22:33,895 --> 00:22:38,525
* Let the music -- whoo! --
take your miiind *
550
00:22:38,566 --> 00:22:40,193
Whoo-hoo!
551
00:22:40,235 --> 00:22:42,195
* Just release,
and you will find *
Alright, J!
552
00:22:42,237 --> 00:22:47,242
* You will find that
you're gonna fly away *
553
00:22:47,283 --> 00:22:50,704
* Glad you're going my way *
554
00:22:50,745 --> 00:22:55,542
* I love it when
we're cruisin' together *
555
00:22:55,583 --> 00:22:58,253
* Music is made for loooooove *
556
00:22:58,294 --> 00:23:01,881
* Cruisin' is made for love *
557
00:23:01,923 --> 00:23:07,178
* I love it when
we're cruising togetheeer *
558
00:23:07,220 --> 00:23:12,225
* Cruuuisin' *
559
00:23:12,267 --> 00:23:14,686
* We're gonna cruise now *
560
00:23:14,728 --> 00:23:17,313
Yeah!
Alright, alright!
561
00:23:17,355 --> 00:23:18,606
That was sick.
562
00:23:18,648 --> 00:23:20,275
[ Cheers and applause ]
563
00:23:20,316 --> 00:23:21,735
That boy good!
564
00:23:21,776 --> 00:23:23,862
Oh, man, looks like Magnus
565
00:23:23,903 --> 00:23:26,489
don't be playing around, no.
566
00:23:33,288 --> 00:23:34,789
* This is "The Voice" *
567
00:23:34,831 --> 00:23:36,624
Daly: Welcome back.
568
00:23:36,666 --> 00:23:38,877
[ Cheers and applause ]
569
00:23:42,380 --> 00:23:45,842
Now singing "Ordinary People,"
here's Magnus.
570
00:23:47,427 --> 00:23:50,263
**
571
00:23:50,305 --> 00:23:52,807
* Oh, oh, oh, oh *
572
00:23:52,849 --> 00:23:55,352
* Girl, I'm in love with you *
573
00:23:55,393 --> 00:23:57,854
* This ain't the honeymoon *
574
00:23:57,896 --> 00:24:01,399
* Past the infatuation phase *
575
00:24:01,441 --> 00:24:04,361
* I know I misbehaved *
576
00:24:04,402 --> 00:24:06,821
* And you made your mistakes *
577
00:24:06,863 --> 00:24:11,743
* And we both still got room
left to grow *
578
00:24:11,785 --> 00:24:14,662
* And though love
sometimes hurts *
579
00:24:14,704 --> 00:24:16,998
* I still put you first *
580
00:24:17,040 --> 00:24:19,167
* And we'll make
this thing work *
581
00:24:19,209 --> 00:24:23,338
* But I think
we should take it slow *
582
00:24:23,380 --> 00:24:26,841
* We're just ordinary people *
583
00:24:26,883 --> 00:24:28,093
Ooh.
584
00:24:28,134 --> 00:24:33,515
* We don't know
which way to gooooo *
585
00:24:33,556 --> 00:24:36,476
* 'Cause we're ordinary people *
586
00:24:36,518 --> 00:24:38,478
* Yes, we are, baby *
587
00:24:38,520 --> 00:24:41,731
* Maybe we should take it slow *
588
00:24:41,773 --> 00:24:43,692
* Take it slow *
589
00:24:43,733 --> 00:24:45,902
* Maybe we'll live and learn *
590
00:24:45,944 --> 00:24:48,697
* Or maybe
we'll crash and burn *
591
00:24:48,738 --> 00:24:50,281
* Maybe we'll stay *
592
00:24:50,323 --> 00:24:51,366
* Maybe we'll leave *
593
00:24:51,408 --> 00:24:53,535
* Maybe you'll return *
594
00:24:53,576 --> 00:24:56,496
* Maybe another fiiiiight *
595
00:24:56,538 --> 00:24:58,331
* Maybe we won't survive *
596
00:24:58,373 --> 00:25:01,292
* Maybe we'll grow,
we never know *
597
00:25:01,334 --> 00:25:03,795
* Baby, you and I *
598
00:25:03,837 --> 00:25:07,924
* We're just ordinary people *
599
00:25:07,966 --> 00:25:14,014
* Oh, we don't know
which way to goooooo *
600
00:25:14,055 --> 00:25:18,476
* 'Cause we're ordinary people *
601
00:25:18,518 --> 00:25:21,730
* Maybe we should take it slow *
602
00:25:21,771 --> 00:25:25,066
* Take it slow *
603
00:25:25,108 --> 00:25:28,111
* Oh *
604
00:25:28,153 --> 00:25:31,865
* This time we'll take it slow *
605
00:25:31,906 --> 00:25:37,746
* Take it slow,
da-do-da-do-ba-doo-ba-doo *
606
00:25:37,787 --> 00:25:39,164
Come on!
* This time *
607
00:25:39,205 --> 00:25:40,623
Saxophone solo.
608
00:25:40,665 --> 00:25:47,422
* Take it sloooooow *
609
00:25:47,464 --> 00:25:49,716
[ Cheers and applause ]
610
00:25:51,426 --> 00:25:52,427
Wow.
611
00:25:52,469 --> 00:25:53,553
What they gonna do?
612
00:25:53,595 --> 00:25:54,971
I don't know.
613
00:25:56,973 --> 00:25:59,017
Great job, Jamar.
Great job, Magnus.
614
00:25:59,059 --> 00:26:00,560
I'm gonna start
with Jamar.
615
00:26:00,602 --> 00:26:02,771
You can sing
some baby-making music, man.
616
00:26:02,812 --> 00:26:03,855
[ Laughter ]
Thank you.
617
00:26:03,897 --> 00:26:05,940
I was like, oh, my gosh.
618
00:26:05,982 --> 00:26:08,443
It was so cool.
I love you playing the guitar.
619
00:26:08,485 --> 00:26:10,153
I know it's called
"The Voice,"
620
00:26:10,195 --> 00:26:12,947
but it actually enhances
your vocal ability.
Yeah.
621
00:26:12,989 --> 00:26:14,324
Do you ever
perform without it, really?
622
00:26:14,366 --> 00:26:16,368
Yes, I do.
It depends on the mood, so...
623
00:26:16,409 --> 00:26:17,660
[ Laughter ]
Ooh.
624
00:26:17,702 --> 00:26:18,870
I'm gonna be up
in the crowd, you know...
625
00:26:18,912 --> 00:26:20,372
Hey! Alright, Jamar.
626
00:26:20,413 --> 00:26:22,207
I'm gonna have to put the guitar
down, so...
627
00:26:22,248 --> 00:26:23,041
Alright, Jamar.
628
00:26:23,083 --> 00:26:24,626
[ Laughter ]
I see you.
629
00:26:24,668 --> 00:26:27,295
Magnus, you have
such a beautiful voice.
630
00:26:27,337 --> 00:26:28,797
When you sing John Legend,
631
00:26:28,838 --> 00:26:30,715
first of all, I'm like
a part of his street team.
632
00:26:30,757 --> 00:26:33,760
I'm like a stalker fan.
Like, I love him.
633
00:26:33,802 --> 00:26:35,261
I just feel like
it's maybe hard for you
634
00:26:35,303 --> 00:26:37,972
not to sound like
an imitation of what he does.
635
00:26:38,014 --> 00:26:39,683
I'm gonna lean
more towards Jamar
636
00:26:39,724 --> 00:26:40,975
just because
I couldn't get
637
00:26:41,017 --> 00:26:42,977
the John Legend thing
out of my head.
638
00:26:43,019 --> 00:26:44,771
But you're incredible.
639
00:26:44,813 --> 00:26:46,147
Thank you.
Yes, you are, man.
640
00:26:46,189 --> 00:26:47,565
Thank you.
641
00:26:47,607 --> 00:26:49,776
Blake: Jamar, I love when
you're playing the guitar.
642
00:26:49,818 --> 00:26:51,820
That's how I want
to see you perform, man.
643
00:26:51,861 --> 00:26:53,363
You just have a thing
when you're doing it
644
00:26:53,405 --> 00:26:55,407
and you're kind of lost
in the moment, and it works.
645
00:26:55,448 --> 00:26:57,492
Thank you.
And then on the flipside
of that,
646
00:26:57,534 --> 00:27:00,120
Magnus, when he performs,
has a big handful of something
647
00:27:00,161 --> 00:27:01,746
in his imagination.
[ Laughter ]
648
00:27:01,788 --> 00:27:03,832
And he's like --
Niall: Yeah, like --
649
00:27:03,873 --> 00:27:06,126
He's tickling it,
and he's doing something.
650
00:27:06,167 --> 00:27:07,794
[ Laughter ]
651
00:27:07,836 --> 00:27:09,671
I may lean towards Magnus
just because
652
00:27:09,713 --> 00:27:12,757
his voice is just huge,
and I like how he gets out here
653
00:27:12,799 --> 00:27:14,843
and plays
with the imaginary friend.
654
00:27:14,884 --> 00:27:16,302
Magnus: Thank you.
655
00:27:16,344 --> 00:27:17,595
[ Laughter, applause ]
656
00:27:17,637 --> 00:27:19,014
Niall:
Gents, that was so cool.
657
00:27:19,055 --> 00:27:22,392
It's the mic, the guitar,
and the song for Jamar.
658
00:27:22,434 --> 00:27:24,019
And he doesn't need
anything else
659
00:27:24,060 --> 00:27:26,146
to portray the same sort of
stage performance.
660
00:27:26,187 --> 00:27:29,315
Magnus, so round
and big and powerful,
661
00:27:29,357 --> 00:27:31,651
but, like, I'm naturally
attracted to someone
662
00:27:31,693 --> 00:27:32,944
that can tell a story.
663
00:27:32,986 --> 00:27:34,863
And for that reason,
I'd go with Jamar.
664
00:27:34,904 --> 00:27:37,574
[ Applause ]
Daly: Thank you, Coaches.
665
00:27:37,615 --> 00:27:40,035
Alright, Chance. This will be
a tough one for you.
666
00:27:40,076 --> 00:27:41,703
Give us some thoughts
on the knockout first.
667
00:27:41,745 --> 00:27:43,872
When I think about the idea
of "The Voice" as like,
668
00:27:43,913 --> 00:27:46,708
it's not about
what you see on stage,
669
00:27:46,750 --> 00:27:48,043
but really what you can hear.
670
00:27:48,084 --> 00:27:51,504
And Magnus has such like
a specific identity
671
00:27:51,546 --> 00:27:53,131
as a vocalist that I love.
672
00:27:53,173 --> 00:27:55,383
And then, Jamar,
you have the same thing
673
00:27:55,425 --> 00:27:57,844
in, like, a completely
different wheelhouse.
674
00:27:57,886 --> 00:27:59,888
You were, like, wrestling
with that song,
675
00:27:59,929 --> 00:28:01,264
not like you didn't know it.
676
00:28:01,306 --> 00:28:02,974
Just like, okay,
this is what I'm gonna do.
677
00:28:03,016 --> 00:28:05,894
I'm having a very tough time
making this decision,
678
00:28:05,935 --> 00:28:07,228
as you could tell.
679
00:28:07,270 --> 00:28:09,189
Daly: It's an impossible
decision, but it is time.
680
00:28:09,230 --> 00:28:10,857
Chance, who's the winner
of this knockout?
681
00:28:10,899 --> 00:28:15,236
**
682
00:28:15,278 --> 00:28:18,406
This was
incredibly difficult.
683
00:28:22,118 --> 00:28:24,245
Hey, can we go
to commercial real quick?
684
00:28:24,287 --> 00:28:26,581
[ Laughter ]
685
00:28:26,623 --> 00:28:27,791
Come on, Carson.
Throw it.
686
00:28:27,832 --> 00:28:29,167
He wants to go to
a commercial break?
687
00:28:35,590 --> 00:28:36,758
* This is "The Voice" *
688
00:28:36,800 --> 00:28:39,135
Daly: Welcome back
to the knockouts.
689
00:28:40,804 --> 00:28:42,514
Chance, who's the winner
of this knockout?
690
00:28:42,555 --> 00:28:45,600
**
691
00:28:45,642 --> 00:28:48,269
This was
incredibly difficult.
692
00:28:48,311 --> 00:28:51,439
The winner
of this knockout is...
693
00:28:51,481 --> 00:28:52,691
Jamar.
694
00:28:52,732 --> 00:28:55,026
Daly:
Jamar, congratulations!
695
00:28:55,068 --> 00:28:56,778
You're moving on
to the playoffs!
696
00:28:56,820 --> 00:29:00,490
Chance:
Jamar is a very seasoned artist.
697
00:29:00,532 --> 00:29:04,452
He has this unspoken confidence
when he's performing.
698
00:29:04,494 --> 00:29:07,247
I'm excited that he's gonna
continue to show who he is.
699
00:29:07,288 --> 00:29:09,916
Coaches, let me remind you that
Magnus is available to steal.
700
00:29:09,958 --> 00:29:12,627
Magnus, anything you want
to say to your coach?
701
00:29:12,669 --> 00:29:14,004
I'm just happy
to be here,
702
00:29:14,045 --> 00:29:15,213
and I'm blessed to have
had you as a coach.
703
00:29:15,255 --> 00:29:16,548
And I just want to say
thank you.
704
00:29:16,589 --> 00:29:18,049
Give it up, everybody,
for Magnus!
Amen.
705
00:29:18,091 --> 00:29:20,301
Good job, Magnus!
[ Cheers and applause ]
706
00:29:20,343 --> 00:29:22,012
Blake: Magnus is
an incredible artist.
707
00:29:22,053 --> 00:29:23,471
I just didn't use my steal
708
00:29:23,513 --> 00:29:25,682
because I've got my eye
on somebody coming up.
709
00:29:25,724 --> 00:29:27,058
That was tough for me,
man.
710
00:29:27,100 --> 00:29:28,518
Niall:
This is the level it's at.
711
00:29:28,560 --> 00:29:29,602
When a singer like that --
712
00:29:29,644 --> 00:29:31,187
Like, it's just nuts.
713
00:29:32,188 --> 00:29:33,732
The last time
we did stuff like this
714
00:29:33,773 --> 00:29:36,693
was when we were hosting
the "ACM Awards" together...
Uh-huh.
715
00:29:36,735 --> 00:29:39,154
...back in 1934.
[ Laughs ]
716
00:29:39,195 --> 00:29:40,405
I was starting to think
you hate me.
717
00:29:40,447 --> 00:29:42,907
I thought you'd
totally got so big
718
00:29:42,949 --> 00:29:45,035
that you just
lost my number.
719
00:29:45,076 --> 00:29:46,911
I have gotten so big,
720
00:29:46,953 --> 00:29:48,830
but now I want
to spread the fame.
721
00:29:48,872 --> 00:29:50,123
So...
You are so thoughtful.
722
00:29:50,165 --> 00:29:51,416
...I figured you could use
a little extra fame.
723
00:29:51,458 --> 00:29:53,668
Well, us Okies
got to stay together.
724
00:29:53,710 --> 00:29:55,587
[ Laughs ] Okay.
725
00:29:55,628 --> 00:29:58,882
Alright. Let's bring out Grace,
who is a country singer.
726
00:29:58,923 --> 00:30:00,050
She lives in Nashville now.
727
00:30:00,091 --> 00:30:01,343
I'm gonna have
a panic attack.
728
00:30:01,384 --> 00:30:02,719
Oh, my God.
I knew it.
Neil.
729
00:30:02,761 --> 00:30:04,512
And then this is Neil,
730
00:30:04,554 --> 00:30:06,556
coming out here
with her.
Reba: Neil. Okay.
731
00:30:06,598 --> 00:30:09,267
Who I didn't recognize without
a hat on, for a second there.
What?
732
00:30:09,309 --> 00:30:13,355
Seeing Reba, it was
like panic, excitement, panic.
733
00:30:13,396 --> 00:30:16,191
Like, I don't even know [laughs]
to be honest with you.
734
00:30:16,232 --> 00:30:17,734
I don't know how to
put it into words.
735
00:30:17,776 --> 00:30:19,235
Pulling out
all the stops.
Good to see you.
736
00:30:19,277 --> 00:30:21,696
She is a pop culture behemoth,
really.
737
00:30:21,738 --> 00:30:25,158
And so, being in her presence
is a life highlight.
738
00:30:25,200 --> 00:30:26,409
I think both of you guys
739
00:30:26,451 --> 00:30:28,661
are honed in
on what lane you're in.
740
00:30:28,703 --> 00:30:31,706
And, man, that puts you way
ahead of the competition.
741
00:30:31,748 --> 00:30:33,541
You gonna sing first?
Yeah.
742
00:30:33,583 --> 00:30:34,834
Let's do this.
743
00:30:34,876 --> 00:30:36,544
Uh-oh.
What are you singing today?
744
00:30:36,586 --> 00:30:38,630
Today, I'm singing "Here You
Come Again" by Dolly Parton.
745
00:30:38,672 --> 00:30:40,382
You've been singing this
for a long, long time?
746
00:30:40,423 --> 00:30:42,300
I've been singing this
since I could sing.
747
00:30:42,342 --> 00:30:43,885
Aww, cute.
Since noise could
come out of my mouth.
748
00:30:43,927 --> 00:30:45,136
Grace: I love Dolly Parton.
749
00:30:45,178 --> 00:30:47,430
She is just this amazing,
strong woman
750
00:30:47,472 --> 00:30:49,557
who has literally
done it all.
751
00:30:49,599 --> 00:30:51,184
She has inspired me a lot.
752
00:30:51,226 --> 00:30:53,395
I am a songwriter in Nashville.
753
00:30:53,436 --> 00:30:56,231
Being younger, there was
a lot of doubt just in, like,
754
00:30:56,272 --> 00:30:57,774
is this the right decision
to make,
755
00:30:57,816 --> 00:31:00,902
especially moving and having
your family go with you.
756
00:31:00,944 --> 00:31:02,320
We were traveling
back and forth,
757
00:31:02,362 --> 00:31:03,947
Detroit to Nashville,
Detroit to Nashville.
758
00:31:03,988 --> 00:31:05,198
So,
I graduated high school,
759
00:31:05,240 --> 00:31:06,741
and then my family,
we packed up,
760
00:31:06,783 --> 00:31:08,535
and my parents came
to help support and everything.
761
00:31:08,576 --> 00:31:10,829
Kinda sounds familiar,
making those trips.
762
00:31:10,870 --> 00:31:13,206
Except my family never
moved there with me.
Mine, neither.
763
00:31:13,248 --> 00:31:14,374
They were like,
"Hey, good luck out there."
764
00:31:14,416 --> 00:31:15,583
Yeah.
[ Laughter ]
765
00:31:15,625 --> 00:31:17,002
"Call when you can."
766
00:31:17,043 --> 00:31:19,087
My parents mean the world
to me.
767
00:31:19,129 --> 00:31:23,133
We are just so glad that
you are following your dreams.
768
00:31:23,174 --> 00:31:25,010
I'm sorry I'm crying.
[ Laughs]
769
00:31:25,051 --> 00:31:26,344
Everything they've
sacrificed for me,
770
00:31:26,386 --> 00:31:28,096
I just want to make sure
it's all worth it.
771
00:31:28,138 --> 00:31:29,973
So, I put my all into it
every time.
772
00:31:30,015 --> 00:31:33,268
* Here you come again *
773
00:31:33,309 --> 00:31:35,770
Blake: I love Grace's
song choice 'cause it shows
774
00:31:35,812 --> 00:31:38,606
her tip of the hat to some of
the old-school country.
775
00:31:38,648 --> 00:31:40,942
This gives Grace
a chance to be playful
776
00:31:40,984 --> 00:31:42,110
and have fun on the stage --
777
00:31:42,152 --> 00:31:45,655
* And here I goooo *
778
00:31:45,697 --> 00:31:46,906
Oh, I love that.
779
00:31:46,948 --> 00:31:47,949
...and show a side
of what she does
780
00:31:47,991 --> 00:31:49,325
that we haven't seen yet.
781
00:31:49,367 --> 00:31:51,161
I could listen
to that all day.
Reba: Uh-huh!
782
00:31:51,202 --> 00:31:53,371
The country version of a run
that you do
783
00:31:53,413 --> 00:31:56,624
at the end of the phrases,
it's just so pure.
Little trills.
784
00:31:56,666 --> 00:31:58,793
The only thing I would say
is there was one moment where
785
00:31:58,835 --> 00:32:01,338
you sang the word
* Filling up my senses *
786
00:32:01,379 --> 00:32:03,381
and that fell just
a little bit flat.
787
00:32:03,423 --> 00:32:05,467
Okay.
I just felt like you just
probably needed some more air
788
00:32:05,508 --> 00:32:07,344
to get up there.
One other thing.
789
00:32:07,385 --> 00:32:09,220
Just play with the camera
every once in a while.
790
00:32:09,262 --> 00:32:11,848
On a cute little moment,
just kind of look over and go...
791
00:32:11,890 --> 00:32:13,475
A good friend of mine
told me,
792
00:32:13,516 --> 00:32:17,228
"When you are singing and you
smile, that comes through."
793
00:32:17,270 --> 00:32:19,189
It's like you're telling
a story and you know,
794
00:32:19,230 --> 00:32:21,316
"Here you come again.
Oh, my God."
Yeah.
795
00:32:21,358 --> 00:32:23,360
That was Barry Manilow
who told me that.
Oh, really?
796
00:32:23,401 --> 00:32:24,986
I'm just gonna drop
that name right there.
797
00:32:25,028 --> 00:32:26,404
Yeah, and it works.
798
00:32:26,446 --> 00:32:28,114
* You look into my eyes *
799
00:32:28,156 --> 00:32:30,367
I picked this song
because it's different
800
00:32:30,408 --> 00:32:32,202
than the two songs
that I've sang previously.
801
00:32:32,243 --> 00:32:34,579
I'm just gonna showcase
more of a range.
802
00:32:34,621 --> 00:32:36,414
I'm not playing my guitar
for this one,
803
00:32:36,456 --> 00:32:38,708
so I'm not gonna have
a little safety net here.
804
00:32:38,750 --> 00:32:41,002
To make sure I win,
we're gonna be cheesing.
805
00:32:41,044 --> 00:32:42,253
We're gonna be moving around.
806
00:32:42,295 --> 00:32:43,838
It's gonna be good.
[ Laughs ]
807
00:32:43,880 --> 00:32:45,799
* And here I goooo *
808
00:32:45,840 --> 00:32:48,301
She was very timid
on the first round.
809
00:32:48,343 --> 00:32:50,011
And the second time
she sang it,
810
00:32:50,053 --> 00:32:52,013
she just let everything go
811
00:32:52,055 --> 00:32:53,306
and just sang
her little heart out.
812
00:32:53,348 --> 00:32:55,016
Did you ever cover
any Dolly songs?
813
00:32:55,058 --> 00:32:56,393
Yeah.
"Hard Candy Christmas."
814
00:32:56,434 --> 00:32:57,977
Oh, yeah.
She's a great gal.
815
00:32:58,019 --> 00:32:59,396
She'll love you
singing her song.
816
00:32:59,437 --> 00:33:00,772
[ Laughs ]
Thank you.
817
00:33:00,814 --> 00:33:02,065
Sounds so good, buddy.
818
00:33:02,107 --> 00:33:03,525
Smile, like Reba said.
819
00:33:03,566 --> 00:33:05,318
If you don't do what Reba says,
trust me, I know...
820
00:33:05,360 --> 00:33:06,986
Oh, believe me.
...stuff happens.
821
00:33:07,028 --> 00:33:08,071
[ Laughs ]
822
00:33:08,113 --> 00:33:09,322
Neil:
Being paired with Grace,
823
00:33:09,364 --> 00:33:11,199
it's gonna keep me
on my toes.
824
00:33:11,241 --> 00:33:12,575
Now I know who I'm up against.
825
00:33:12,617 --> 00:33:14,327
I've gone through so much
to get to this point,
826
00:33:14,369 --> 00:33:16,371
I just want to make it
to the playoffs.
827
00:33:16,413 --> 00:33:18,123
Reba: So where
are you from?
I'm from St. Louis.
828
00:33:18,164 --> 00:33:21,418
St. Louis.
And I'm singing a song
by a St. Louis singer.
829
00:33:21,459 --> 00:33:23,211
"Takin' It to the Streets"
by The Doobie Brothers.
830
00:33:23,253 --> 00:33:24,838
Oh, I love that song.
831
00:33:24,879 --> 00:33:27,632
* You don't know me,
but I'm your brother *
832
00:33:27,674 --> 00:33:30,176
Neil: This song, it's almost
like a gospel song
833
00:33:30,218 --> 00:33:31,761
disguised as a rock song.
834
00:33:31,803 --> 00:33:33,013
* You will find... *
835
00:33:33,054 --> 00:33:34,139
If the St. Louis sound
is anything,
836
00:33:34,180 --> 00:33:35,724
it's those two things.
837
00:33:35,765 --> 00:33:39,352
And that is who I am and who
I want to be as a performer.
838
00:33:39,394 --> 00:33:42,063
I've been working
as a musician in St. Louis
839
00:33:42,105 --> 00:33:43,523
for the last decade.
840
00:33:43,565 --> 00:33:45,567
There's an amazing
history of music
841
00:33:45,608 --> 00:33:48,028
from Chuck Berry
to Michael McDonald,
842
00:33:48,069 --> 00:33:52,323
but I am super grateful
to sing on the "Voice" stage.
843
00:33:52,365 --> 00:33:54,242
* Takin' it
to the streets *
844
00:33:54,284 --> 00:33:57,579
Being here and all
the performances so far
845
00:33:57,620 --> 00:34:00,665
have pushed me
to be a better performer.
846
00:34:00,707 --> 00:34:03,918
Blake: Neil looks like he's
having his own private party
847
00:34:03,960 --> 00:34:05,003
when he's performing.
848
00:34:05,045 --> 00:34:06,296
It's fun to see.
849
00:34:06,338 --> 00:34:07,672
This is a perfect song,
850
00:34:07,714 --> 00:34:09,257
especially coming out
of the battles.
851
00:34:09,299 --> 00:34:11,426
He did so well with
"Heard It Through the Grapevine"
852
00:34:11,468 --> 00:34:13,386
that this seems like
the perfect next step for him.
853
00:34:13,428 --> 00:34:15,013
I couldn't look at you.
I was too nervous, but...
854
00:34:15,055 --> 00:34:17,098
[ Laughing ] Oh!
That sounded great.
855
00:34:17,140 --> 00:34:18,933
Do you have background vocals
on this?
856
00:34:18,975 --> 00:34:21,436
Yeah, they'll be there.
We will in the next pass.
We can play him out.
857
00:34:21,478 --> 00:34:24,397
I think it'll help
because I feel like
on that second chorus,
858
00:34:24,439 --> 00:34:27,067
that's such a signature part
of that record,
859
00:34:27,108 --> 00:34:28,526
I'm kind of
on the edge of my seat.
860
00:34:28,568 --> 00:34:30,278
Like, what's he gonna do?
You know what I mean?
861
00:34:30,320 --> 00:34:32,280
And I think knowing what
the content of this song is,
862
00:34:32,322 --> 00:34:34,616
it's about this is
the kind of lifestyle you live.
863
00:34:34,657 --> 00:34:37,535
I'm down here literally
in the streets...
Yeah.
864
00:34:37,577 --> 00:34:39,412
...and so maybe
it's not so playful.
865
00:34:39,454 --> 00:34:41,998
"I was raised here
in this living hell."
Yeah.
866
00:34:42,040 --> 00:34:45,460
That's kind of
a somber message there.
Right, right. Yeah.
867
00:34:45,502 --> 00:34:46,920
I don't think
it has to be such a downer.
868
00:34:46,961 --> 00:34:49,381
No, I --
But it can be
more, maybe, serious.
869
00:34:49,422 --> 00:34:51,132
Now, I think the second one,
where it says,
870
00:34:51,174 --> 00:34:54,302
"Take this message to my
brother," that's a hopefulness.
871
00:34:54,344 --> 00:34:55,512
Alright.
Let's try it again.
872
00:34:55,553 --> 00:34:57,138
So, we do have
some singers?
Man: Yeah.
873
00:34:57,180 --> 00:34:59,224
Me and Reba were gonna jump in,
but that's cool.
[ Whistles ]
874
00:34:59,265 --> 00:35:01,142
We'll get you a couple mics
right now, if you want.
There you go.
875
00:35:01,184 --> 00:35:03,978
You're gonna owe her a lot more
money if she sings, also.
876
00:35:04,020 --> 00:35:05,480
[ Laughter ]
877
00:35:05,522 --> 00:35:07,273
* I ain't blind
and I don't like... *
878
00:35:07,315 --> 00:35:08,817
Grace:
Neil is incredible.
879
00:35:08,858 --> 00:35:12,612
He brings every cell of his
being to everything he sings.
880
00:35:12,654 --> 00:35:14,489
So I'm like,
"Oh, I have to sing --
881
00:35:14,531 --> 00:35:16,866
Wait a minute. [ Chuckles ]
What are the rules again?"
882
00:35:16,908 --> 00:35:18,159
Uh-oh.
883
00:35:18,201 --> 00:35:19,452
I can't imagine
that I'm gonna have
884
00:35:19,494 --> 00:35:21,579
a tougher decision
than this one.
885
00:35:21,621 --> 00:35:23,832
I feel for ya.
I know,
but you already won.
886
00:35:23,873 --> 00:35:25,417
You got to meet Reba.
I know.
I was just saying that.
887
00:35:25,458 --> 00:35:27,085
[ Laughs ]
I got to meet y'all.
888
00:35:27,127 --> 00:35:28,837
Blake: Neil and Grace -- that's
gonna be a tough one for me.
889
00:35:28,878 --> 00:35:31,089
I just got to pick who's gonna
embody the song the best.
890
00:35:31,131 --> 00:35:32,507
Reba: They're great.
891
00:35:32,549 --> 00:35:33,925
I wouldn't know which one
to pick right now
892
00:35:33,967 --> 00:35:36,511
'cause they're kind of similar,
but different.
893
00:35:36,553 --> 00:35:37,303
Yeah.
894
00:35:37,345 --> 00:35:38,763
[ Cheers and applause ]
895
00:35:38,805 --> 00:35:42,642
With "Here You Come Again,"
this is Grace West.
896
00:35:44,894 --> 00:35:49,691
**
897
00:35:49,733 --> 00:35:52,736
* Here you come again *
898
00:35:53,737 --> 00:35:58,074
* Just when I'd begun
to get myself together *
899
00:35:58,116 --> 00:36:00,452
* You waltz right in the door *
900
00:36:00,493 --> 00:36:02,620
* Just like you've done before *
901
00:36:02,662 --> 00:36:08,126
* And wrapped my heart
'round your little finger *
902
00:36:08,168 --> 00:36:11,087
* Here you come again *
903
00:36:12,005 --> 00:36:16,509
* Just when I'm about
to make it work without you *
904
00:36:16,551 --> 00:36:18,720
* You look into my eyes *
905
00:36:18,762 --> 00:36:20,889
* And lie those pretty lies *
906
00:36:20,930 --> 00:36:25,727
* And pretty soon, I'm wondering
how I came to doubt you *
907
00:36:25,769 --> 00:36:30,273
* All you've got to do
is smile that smile *
908
00:36:30,315 --> 00:36:34,444
* And there go all my defenses *
909
00:36:34,486 --> 00:36:39,074
* Just leave it up to you
and in a little while *
910
00:36:39,115 --> 00:36:44,746
* You're messing up my mind
and filling up my senses *
911
00:36:44,788 --> 00:36:48,500
* Here you come again *
912
00:36:48,541 --> 00:36:52,879
* Looking better
than a body has a right to *
913
00:36:52,921 --> 00:36:57,592
* And shaking me up so
that all I really know *
914
00:36:57,634 --> 00:37:01,179
* Is here you come again *
915
00:37:01,221 --> 00:37:05,100
* And here I goooo *
916
00:37:05,141 --> 00:37:07,602
[ Cheers and applause ]
917
00:37:07,644 --> 00:37:10,313
* Here you come again *
918
00:37:11,231 --> 00:37:15,777
* Looking better
than a body has a right to *
919
00:37:15,819 --> 00:37:20,490
* And shaking me up so
that all I really know *
920
00:37:20,532 --> 00:37:23,743
* Is here you come again *
921
00:37:23,785 --> 00:37:28,748
* And here I goooooooo *
922
00:37:28,790 --> 00:37:33,461
* Here I gooooooooooo,
whoa, oh *
923
00:37:33,503 --> 00:37:39,134
* Here I goooo, whoa, oh *
924
00:37:39,175 --> 00:37:42,012
[ Cheers and applause ]
925
00:37:45,306 --> 00:37:46,850
She's so good.
Yeah.
926
00:37:46,891 --> 00:37:48,977
Oh, my God. I feel like
I've heard that voice.
927
00:37:50,854 --> 00:37:52,397
Come on, Neil.
928
00:37:59,195 --> 00:38:00,405
* This is "The Voice" *
929
00:38:00,447 --> 00:38:01,531
Daly: Welcome back
to the final night
930
00:38:01,573 --> 00:38:02,782
of the knockouts.
931
00:38:02,824 --> 00:38:04,868
[ Cheers and applause ]
932
00:38:04,909 --> 00:38:07,037
Now singing
"Takin' It to the Streets,"
933
00:38:07,078 --> 00:38:09,456
here is Neil Salsich.
934
00:38:09,497 --> 00:38:12,917
[ Cheers and applause ]
935
00:38:12,959 --> 00:38:20,050
**
936
00:38:20,091 --> 00:38:26,556
* You don't know me,
but I'm your brother *
937
00:38:26,598 --> 00:38:32,896
* I was raised here
in this living hell *
938
00:38:32,937 --> 00:38:39,069
* You don't know my kind
in your world *
939
00:38:39,110 --> 00:38:45,075
* Fairly soon,
the time will tell *
940
00:38:45,116 --> 00:38:47,994
* You *
941
00:38:48,036 --> 00:38:52,457
* Telling me the things
you're gonna do for me *
942
00:38:54,417 --> 00:38:57,754
* I ain't blind and I don't like
what I think I see *
943
00:38:57,796 --> 00:38:59,506
* Takin' it to the streets *
944
00:38:59,547 --> 00:39:01,007
* Takin' it to the streets *
945
00:39:01,049 --> 00:39:02,759
* Takin' it to the streets *
946
00:39:02,801 --> 00:39:04,010
* No more need for running *
947
00:39:04,052 --> 00:39:06,054
* Takin' it to the streets *
948
00:39:06,096 --> 00:39:07,555
* Yeah, na-a *
949
00:39:07,597 --> 00:39:09,015
* Takin' it to the *
950
00:39:09,057 --> 00:39:11,226
**
951
00:39:11,267 --> 00:39:17,732
* Take this message
to my brother *
952
00:39:17,774 --> 00:39:22,195
* You will find him everywhere *
953
00:39:22,237 --> 00:39:23,988
There ya go.
There ya go!
954
00:39:24,030 --> 00:39:30,537
* Wherever people
live together *
[ Laughs ]
955
00:39:30,578 --> 00:39:34,666
* Tied in poverty's despair *
956
00:39:35,625 --> 00:39:37,544
* Oh, you *
957
00:39:37,585 --> 00:39:39,212
Ay!
958
00:39:39,254 --> 00:39:45,343
* Telling me the things
you're gonna do for me, yeah *
959
00:39:45,385 --> 00:39:48,930
* I ain't blind and I don't like
what I think I see *
960
00:39:48,972 --> 00:39:50,640
* Takin' it to the streets *
961
00:39:50,682 --> 00:39:52,392
* Takin' it to the streets *
962
00:39:52,434 --> 00:39:53,935
* Takin' it to the streets *
963
00:39:53,977 --> 00:39:55,478
* No more need for running *
964
00:39:55,520 --> 00:39:57,313
* Takin' it to the streets *
965
00:39:57,355 --> 00:39:58,648
* Yeaah, now *
966
00:39:58,690 --> 00:40:00,567
* Takin' it to the streets *
967
00:40:00,608 --> 00:40:01,818
* Takin' it, takin' it *
968
00:40:01,860 --> 00:40:03,987
* Takin' it to the streets *
969
00:40:04,029 --> 00:40:04,946
[ Vocalizing ]
970
00:40:04,988 --> 00:40:06,448
* Takin' it to the streets *
971
00:40:06,489 --> 00:40:08,491
* Takin' it to the streets *
972
00:40:08,533 --> 00:40:10,410
* Takin' it to the streets *
973
00:40:10,452 --> 00:40:12,829
* Oooooh *
974
00:40:12,871 --> 00:40:14,247
Huh!
975
00:40:14,289 --> 00:40:16,207
[ Laughs ]
Hey!
976
00:40:16,249 --> 00:40:17,667
I love him!
977
00:40:17,709 --> 00:40:20,378
[ Cheers and applause ]
978
00:40:20,420 --> 00:40:22,672
Whoo!
Oh, that was so good.
979
00:40:22,714 --> 00:40:24,174
Oh, yeah!
980
00:40:24,215 --> 00:40:26,384
* Takin' it
to the streets *
981
00:40:26,426 --> 00:40:28,053
[ Laughs ]
Niall: Wow. Grace, Neil.
982
00:40:28,094 --> 00:40:30,013
Both of you
absolutely smashed it.
983
00:40:30,055 --> 00:40:31,848
For Neil, the arrangement
that you made
984
00:40:31,890 --> 00:40:33,475
and t-the changes you made
towards the end especially,
985
00:40:33,516 --> 00:40:35,643
you really, really
took it to a different level.
986
00:40:35,685 --> 00:40:37,604
And it's just
such a solid voice.
Thank you.
Thank you, Niall.
987
00:40:37,645 --> 00:40:39,773
The minute I heard you sing,
I was like, yeah, Neil's back.
988
00:40:39,814 --> 00:40:41,316
So that's a cool thing
to have.
989
00:40:41,358 --> 00:40:43,526
And, Grace,
unbelievable performance.
Thank you.
990
00:40:43,568 --> 00:40:44,986
You've always been
one of my favorites,
991
00:40:45,028 --> 00:40:47,364
and I'm really excited
to hear you
992
00:40:47,405 --> 00:40:48,907
after this show,
actually.
993
00:40:48,948 --> 00:40:50,367
In my eyes,
you'd be one for the future,
994
00:40:50,408 --> 00:40:53,828
and that's why I would
just lean towards Grace.
995
00:40:53,870 --> 00:40:55,663
[ Cheers and applause ]
Thank you.
996
00:40:55,705 --> 00:40:57,874
Awesome performances
on both sides.
997
00:40:57,916 --> 00:40:59,876
Grace, your tone
is just super cool to me
998
00:40:59,918 --> 00:41:01,336
and has that
Southern feel to it,
999
00:41:01,378 --> 00:41:04,089
and the pitch is always there,
which is dope.
1000
00:41:04,130 --> 00:41:05,590
And then for Neil,
1001
00:41:05,632 --> 00:41:08,093
what I love
is your stage presence, man.
1002
00:41:08,134 --> 00:41:10,512
It's really
just so exciting.
1003
00:41:10,553 --> 00:41:14,057
And when you just
do this thing that you do...
[ Laughter ]
1004
00:41:14,099 --> 00:41:16,226
And you were like, "I want
all of y'all to pick me."
1005
00:41:16,267 --> 00:41:18,395
And I was like,
"This is convincing me."
1006
00:41:18,436 --> 00:41:20,271
I would go with Neil
for sure.
1007
00:41:20,313 --> 00:41:21,815
[ Cheers and applause ]
1008
00:41:21,856 --> 00:41:23,900
We were having a good old time
during your performance, Neil.
1009
00:41:23,942 --> 00:41:25,443
[ Laughs ]
I love that song.
1010
00:41:25,485 --> 00:41:28,697
I love that you are
the kind of versatile singer
1011
00:41:28,738 --> 00:41:30,907
that picks different
genres of music,
1012
00:41:30,949 --> 00:41:32,492
and you have this energy
about you.
1013
00:41:32,534 --> 00:41:36,871
When you sing, it's captivating,
and your voice is crazy.
1014
00:41:36,913 --> 00:41:40,208
That control is the reason
why this show exists.
1015
00:41:40,250 --> 00:41:42,919
Thank you.
And, Grace,
you are a star.
1016
00:41:42,961 --> 00:41:45,880
You have that kind of quality
about your -- your tone.
1017
00:41:45,922 --> 00:41:48,299
I don't know that this
was the best song
1018
00:41:48,341 --> 00:41:50,093
to showcase in this moment.
1019
00:41:50,135 --> 00:41:52,137
I think, Neil, like,
with song selection,
1020
00:41:52,178 --> 00:41:53,888
I feel like you nailed it
this time.
1021
00:41:53,930 --> 00:41:55,348
I would go with Neil.
1022
00:41:55,390 --> 00:41:57,225
Daly: Thank you, Coaches.
1023
00:41:57,267 --> 00:41:59,436
Alright, cowboy, this is
a tough one for you, I know.
Yeah.
1024
00:41:59,477 --> 00:42:02,272
We're down to the best
of the best now, you know,
1025
00:42:02,313 --> 00:42:05,817
and this is the last time
I'm going to have to do this.
1026
00:42:05,859 --> 00:42:06,943
The knockouts
is one of the reasons
1027
00:42:06,985 --> 00:42:08,319
I'm quitting,
by the way.
1028
00:42:08,361 --> 00:42:11,823
That's how much I hate
the dadgum knockouts.
1029
00:42:11,865 --> 00:42:14,284
'Cause you guys
both deserve to be here.
1030
00:42:14,325 --> 00:42:16,953
And hopefully you both
will be here.
1031
00:42:16,995 --> 00:42:20,457
Buddy, tough choice, I know.
Who won this knockout?
1032
00:42:20,498 --> 00:42:22,250
Um...
1033
00:42:22,292 --> 00:42:24,336
I'm gonna go out
how I want to here.
1034
00:42:26,004 --> 00:42:28,548
And, uh, the winner
of this knockout is Grace.
1035
00:42:28,590 --> 00:42:31,134
[ Cheers and applause ]
Grace, congratulations.
1036
00:42:31,176 --> 00:42:33,720
You're moving on to the playoffs
on Team Blake.
1037
00:42:33,762 --> 00:42:35,221
You killed it. Mm.
1038
00:42:35,263 --> 00:42:36,973
Blake: Grace and Neil
was a tough decision for me.
1039
00:42:37,015 --> 00:42:38,475
I just ended up going with Grace
1040
00:42:38,516 --> 00:42:41,644
because she just has
this old-school, country voice.
1041
00:42:41,686 --> 00:42:43,021
All the potential that she has
1042
00:42:43,063 --> 00:42:44,814
is still out there
in front of her,
1043
00:42:44,856 --> 00:42:46,608
and I think she's gonna be
a star in country music.
1044
00:42:46,649 --> 00:42:49,027
Daly: Coaches, let me remind you
that Neil is available to steal.
1045
00:42:49,069 --> 00:42:52,113
Neil, anything you want
to say to your coach?
1046
00:42:52,155 --> 00:42:54,824
It's just been a freaking blast,
so thank you.
1047
00:42:54,866 --> 00:42:56,993
How about a big thank you
to Neil Salsich,
1048
00:42:57,035 --> 00:42:57,994
ladies and gentlemen?
1049
00:42:58,036 --> 00:42:59,996
Thank you, Neil.
Thank you.
1050
00:43:00,038 --> 00:43:01,164
[ Cheers and applause ]
1051
00:43:01,206 --> 00:43:03,708
Thank you all.
Appreciate you.
1052
00:43:04,292 --> 00:43:05,877
Do it.
1053
00:43:06,878 --> 00:43:09,506
Daly: We got a steal!
I knew it!
1054
00:43:09,547 --> 00:43:11,132
At the last second!
1055
00:43:11,174 --> 00:43:15,845
Kelly Clarkson wants to steal
Neil Salsich.
Whoo!
1056
00:43:15,887 --> 00:43:17,305
Kelly: I'm just excited
to work with Neil.
1057
00:43:17,347 --> 00:43:18,556
He can sing anything.
1058
00:43:18,598 --> 00:43:20,100
I want you to sing
some Billy Joel.
1059
00:43:20,141 --> 00:43:22,977
He's done just such
different songs each round.
1060
00:43:23,019 --> 00:43:24,688
I think he's sneakily
one of the best singers
1061
00:43:24,729 --> 00:43:26,856
in the competition.
Chance:
That was awesome.
1062
00:43:26,898 --> 00:43:28,274
I love him.
That was fire.
1063
00:43:28,316 --> 00:43:30,276
That was so good.
He makes me so happy.
1064
00:43:30,318 --> 00:43:32,070
Chance: I was really glad
that Kelly stole him.
1065
00:43:32,112 --> 00:43:34,489
He's so funny.
And he does his head...
1066
00:43:34,531 --> 00:43:35,490
and he points.
1067
00:43:35,532 --> 00:43:36,866
He's so cute.
1068
00:43:36,908 --> 00:43:38,910
He said,
"You, you, you."
1069
00:43:38,952 --> 00:43:40,578
[ Laughter ]
1070
00:43:40,620 --> 00:43:42,122
I love him.
1071
00:43:48,586 --> 00:43:49,754
* This is "The Voice" *
1072
00:43:49,796 --> 00:43:50,922
Daly: Welcome back
to the knockouts
1073
00:43:50,964 --> 00:43:52,549
at Universal Studios Hollywood.
1074
00:43:52,590 --> 00:43:54,926
Mary Kate: Team Blake, we're
going to the playoffs. Whoo!
1075
00:43:54,968 --> 00:43:57,554
What are we talking about?
Are we doing an interview?
[ Laughs ]
1076
00:43:57,595 --> 00:43:58,930
Hi.
How you doing,
little buddy?
1077
00:43:58,972 --> 00:44:00,098
What do you think about --
1078
00:44:00,140 --> 00:44:01,474
What's it like
watching this stuff?
1079
00:44:01,516 --> 00:44:03,226
Honestly, I thought that
I was gonna, like,
1080
00:44:03,268 --> 00:44:04,644
be, like,
so, like, chill.
1081
00:44:04,686 --> 00:44:06,896
I'm stressed, like,
I don't know how you guys
1082
00:44:06,938 --> 00:44:08,023
do this the whole time.
1083
00:44:08,064 --> 00:44:09,274
It's been fun, though.
Cool.
1084
00:44:09,315 --> 00:44:10,942
I like watching you.
You're funny.
1085
00:44:10,984 --> 00:44:12,736
Cool. You all look like
you're on a telethon up there.
1086
00:44:12,777 --> 00:44:14,320
It's weird. Cool.
1087
00:44:14,362 --> 00:44:15,989
Thanks, Blake.
I'll see you
at the playoffs.
1088
00:44:16,031 --> 00:44:18,074
See you, big buddy.
Alright, buddy.
1089
00:44:18,116 --> 00:44:20,702
He's my favorite.
[ Laughs ]
1090
00:44:20,744 --> 00:44:22,871
Reba: Have you ever been
to Oklahoma?
Niall:
Touring wise, yeah, yeah.
1091
00:44:22,912 --> 00:44:24,456
Played some
of those sheds.
1092
00:44:24,497 --> 00:44:25,707
Niall's very bashful.
1093
00:44:25,749 --> 00:44:27,208
Not a state that I've spent
a lot of time in.
1094
00:44:27,250 --> 00:44:28,793
You're always on the move.
Yeah.
1095
00:44:28,835 --> 00:44:32,422
We see the airport, the hotel,
and the venue. That's it.
1096
00:44:32,464 --> 00:44:36,092
I'm working with him
to try to come out of his shell.
1097
00:44:36,134 --> 00:44:38,636
No, I'm kidding.
He is a sweetheart.
1098
00:44:38,678 --> 00:44:40,388
We clicked immediately.
1099
00:44:40,430 --> 00:44:42,932
Alright, Reba,
we got Jerome and Ross.
1100
00:44:42,974 --> 00:44:45,477
Alright, man. You feeling good?
Ready to go?
All good.
Ready to go.
1101
00:44:45,518 --> 00:44:47,937
Jerome, he's a real gospel
soul singer.
1102
00:44:47,979 --> 00:44:49,272
Love that.
1103
00:44:49,314 --> 00:44:50,982
And Ross, he's really good
at this kind of, like,
1104
00:44:51,024 --> 00:44:53,401
soft rock,
country twang.
1105
00:44:53,443 --> 00:44:55,945
Both of them are amazing.
These pairings are horrible.
1106
00:44:55,987 --> 00:44:57,739
'Cause then again,
I have to pick someone.
1107
00:44:57,781 --> 00:44:58,990
It's very hard.
I feel for ya.
1108
00:44:59,032 --> 00:45:00,408
But that's why
you're here.
1109
00:45:00,450 --> 00:45:01,868
And that's why
I need your help.
Oh.
1110
00:45:01,910 --> 00:45:03,995
I was afraid of that.
[ Both laugh ]
1111
00:45:04,037 --> 00:45:05,830
Bring 'em out.
Here we go.
1112
00:45:05,872 --> 00:45:07,665
Oh, my God.
[ Laughs ]
1113
00:45:07,707 --> 00:45:09,751
Look at Ross.
He nearly died.
1114
00:45:09,793 --> 00:45:12,545
Ross: Getting to see Reba,
I kind of couldn't handle it.
1115
00:45:12,587 --> 00:45:15,006
One of my mom's heroes.
One of my heroes.
1116
00:45:15,048 --> 00:45:18,510
It was Reba McEntire.
[ Chuckles ]
1117
00:45:18,551 --> 00:45:20,387
Mom: No!
Yeah.
1118
00:45:20,428 --> 00:45:22,013
It was...
Oh, my God.
[ Laughs]
1119
00:45:22,055 --> 00:45:23,473
...insane.
How are you?
1120
00:45:23,515 --> 00:45:25,183
Sorry, I'm probably
shaking a lot.
Aww.
1121
00:45:25,225 --> 00:45:26,851
This is Ross.
Out of control. Hi.
1122
00:45:26,893 --> 00:45:28,853
It's wonderful
to meet you.
Nice to meet you, Ross.
1123
00:45:28,895 --> 00:45:30,814
I was visibly shaking.
1124
00:45:30,855 --> 00:45:33,024
Did she think
you're a dork?[ Laughs]
1125
00:45:33,066 --> 00:45:34,234
Probably.
1126
00:45:34,275 --> 00:45:35,193
Let's do it!
1127
00:45:35,235 --> 00:45:37,028
I decided to choose
1128
00:45:37,070 --> 00:45:39,572
"Someone You Loved"
by Lewis Capaldi.
Oof.
1129
00:45:39,614 --> 00:45:41,574
Everything I've done
so far is up-tempo,
1130
00:45:41,616 --> 00:45:43,618
so I just want
to give something different.
1131
00:45:43,660 --> 00:45:47,080
* Sometimes I fall
into your arms *
1132
00:45:47,122 --> 00:45:49,249
Niall: Lewis Capaldi
is a good friend of mine.
1133
00:45:49,290 --> 00:45:50,792
He'd be delighted that his
song's on this, actually.
1134
00:45:50,834 --> 00:45:53,920
We've seen a lot of big moments
from Jerome so far.
1135
00:45:53,962 --> 00:45:56,631
So it's nice that
he's taking a step back
1136
00:45:56,673 --> 00:45:59,259
and singing one of the
biggest ballads of
the last 20 years also.
1137
00:45:59,300 --> 00:46:02,095
* And you're not here
to get me through it all *
1138
00:46:02,137 --> 00:46:04,764
When I first heard Jerome,
I was fascinated
1139
00:46:04,806 --> 00:46:06,725
by the roundness of his voice.
1140
00:46:06,766 --> 00:46:09,060
If you say,
"How are you supposed to sing
1141
00:46:09,102 --> 00:46:11,062
and hold your mouth open?"
Jerome.
1142
00:46:11,104 --> 00:46:12,355
* Yeah *
1143
00:46:12,397 --> 00:46:14,607
20 years old
and singing like that,
1144
00:46:14,649 --> 00:46:15,942
he's got a great talent.
1145
00:46:15,984 --> 00:46:18,111
Great sound.
Oh, my gosh.
Thank you.
1146
00:46:18,153 --> 00:46:19,654
The only note I would have,
1147
00:46:19,696 --> 00:46:21,865
I want to know
that you did go through that.
1148
00:46:21,906 --> 00:46:23,283
I gotta see that pain.
Right.
1149
00:46:23,324 --> 00:46:25,910
When I let my guard down,
almost whisper
1150
00:46:25,952 --> 00:46:27,787
to help with the dynamics
a little bit.
1151
00:46:27,829 --> 00:46:29,205
That's a tearjerker.
1152
00:46:29,247 --> 00:46:31,249
That hurt my heart
when I heard those lyrics.
1153
00:46:31,291 --> 00:46:33,710
Jerome: I would like to stay
on Team Niall
1154
00:46:33,752 --> 00:46:37,589
because this is the craziest
life experience ever.
1155
00:46:37,630 --> 00:46:40,800
And honestly, it still hasn't
hit me yet. [ Chuckles ]
1156
00:46:40,842 --> 00:46:44,012
Back home, I have struggled
with the choice --
1157
00:46:44,054 --> 00:46:46,723
dentistry or music.
1158
00:46:46,765 --> 00:46:48,558
I do little gigs here and there.
1159
00:46:48,600 --> 00:46:50,352
This is definitely
one of the biggest stages
1160
00:46:50,393 --> 00:46:52,812
I have had
the opportunity to be on.
1161
00:46:52,854 --> 00:46:55,899
Tapping into the vulnerable side
has been a challenge,
1162
00:46:55,940 --> 00:46:58,276
but I've had
a couple of heartbreaks,
1163
00:46:58,318 --> 00:47:00,612
so I have to break down
the lyrics
1164
00:47:00,653 --> 00:47:02,989
and decipher
what they mean to me.
1165
00:47:03,031 --> 00:47:05,575
When you're technically
as good as you are,
1166
00:47:05,617 --> 00:47:07,118
I think there's a lot
of concentration
1167
00:47:07,160 --> 00:47:08,370
that goes on notes.
1168
00:47:08,411 --> 00:47:10,080
The next progression
for the coming days
1169
00:47:10,121 --> 00:47:12,165
is making sure
that the emotion is attached
1170
00:47:12,207 --> 00:47:13,708
to the technical singing.
1171
00:47:13,750 --> 00:47:16,419
This is a song that comes
from the pit of your stomach,
1172
00:47:16,461 --> 00:47:18,296
so I need Jerome
to really sell that story
1173
00:47:18,338 --> 00:47:19,923
to the people at home,
because if he does,
1174
00:47:19,964 --> 00:47:22,717
he's gonna set living rooms
on fire all across America.
1175
00:47:22,759 --> 00:47:25,512
Have you gotten over the fact
that this lady's here yet?
1176
00:47:25,553 --> 00:47:27,514
Are you actually ready to sing?
That's not gonna happen
1177
00:47:27,555 --> 00:47:29,641
for a while.
Thank you for that.
1178
00:47:29,683 --> 00:47:33,311
* I'm a fool
to do your dirty work *
1179
00:47:33,353 --> 00:47:35,230
I'm singing "Dirty Work"
by Steely Dan.
1180
00:47:35,271 --> 00:47:38,692
Cool.
I know this song backwards,
in Portuguese.
1181
00:47:38,733 --> 00:47:41,611
My dad used to play
the album for me on repeat.
1182
00:47:41,653 --> 00:47:42,779
* I don't wanna... *
1183
00:47:42,821 --> 00:47:44,781
Ross: I remember being
in my dad's office
1184
00:47:44,823 --> 00:47:47,909
and he'd have music bumpin'
while he was working.
1185
00:47:47,951 --> 00:47:51,079
My childhood with my dad
was relatively short-lived.
1186
00:47:51,121 --> 00:47:52,497
He passed when I was 12.
1187
00:47:52,539 --> 00:47:56,501
It, um...
It was rough.
1188
00:47:56,543 --> 00:47:59,337
He laid the foundation
for what a father should be.
1189
00:47:59,379 --> 00:48:02,173
He was coaching my baseball team
when he had cancer, too.
1190
00:48:02,215 --> 00:48:05,218
[ Vocalizing ]
1191
00:48:05,260 --> 00:48:07,429
I think about him
every day.
1192
00:48:07,470 --> 00:48:08,930
Yeah.
This song,
1193
00:48:08,972 --> 00:48:11,516
as soon as I hear it,
I'm sitting with him again.
1194
00:48:11,558 --> 00:48:13,435
I'm gonna do my best
to do it justice.
1195
00:48:13,476 --> 00:48:15,437
And I think no matter
what I do out there,
1196
00:48:15,478 --> 00:48:17,439
even if I go up there
and totally blow it,
1197
00:48:17,480 --> 00:48:20,191
[laughs] he'd still be --
he'd still be proud.
1198
00:48:20,233 --> 00:48:22,193
* No more *
1199
00:48:22,235 --> 00:48:24,070
Reba:
Ross, he's a great stylist.
1200
00:48:24,112 --> 00:48:26,698
If you hear Ross on the radio,
1201
00:48:26,740 --> 00:48:28,533
you'll know immediately
that's him.
1202
00:48:28,575 --> 00:48:31,036
If I was a record executive,
that's what I would look for.
1203
00:48:31,077 --> 00:48:34,289
Great job, great job.
And good song selection.
Thanks.
Thank you.
1204
00:48:34,330 --> 00:48:36,207
Everybody wants to sing
along with that.
Yep.
1205
00:48:36,249 --> 00:48:37,542
Great.
Yeah. It's a groove.
1206
00:48:37,584 --> 00:48:41,338
Ross' voice sounds almost
studio-ready, live,
1207
00:48:41,379 --> 00:48:43,715
so I got to make sure
that I perform my best.
1208
00:48:43,757 --> 00:48:45,467
I don't know if you could see,
at the end of that
1209
00:48:45,508 --> 00:48:47,677
I was way out of breath.
Timing is everything.
1210
00:48:47,719 --> 00:48:50,513
My diaphragm all the way up
into my back here
1211
00:48:50,555 --> 00:48:52,432
fills up with air
as much as I can.
1212
00:48:52,474 --> 00:48:54,434
Because if you
don't have air pushing,
1213
00:48:54,476 --> 00:48:56,644
there's nothing that's gonna
come out of those vocal cords.
1214
00:48:56,686 --> 00:48:59,731
Right.
I always think of the note
before I go near it.
1215
00:48:59,773 --> 00:49:01,274
Yeah.
Then I just have to go
and meet it.
1216
00:49:01,316 --> 00:49:02,692
This knockout
is gonna come down
1217
00:49:02,734 --> 00:49:05,487
to whoever sells
their individual song the best.
1218
00:49:05,528 --> 00:49:07,489
I'm gonna have to make
a tough decision, obviously,
1219
00:49:07,530 --> 00:49:09,449
but just go out
and nail it.
1220
00:49:09,491 --> 00:49:11,409
It's whoever really connects
with the people
1221
00:49:11,451 --> 00:49:13,661
and connects with me
that is gonna make their way
1222
00:49:13,703 --> 00:49:14,954
through to the playoffs.
1223
00:49:14,996 --> 00:49:16,664
[ Cheers and applause ]
1224
00:49:16,706 --> 00:49:18,041
Yeah, Ross!
1225
00:49:18,083 --> 00:49:19,668
Whoo!
1226
00:49:20,960 --> 00:49:24,130
Now singing "Dirty Work,"
here's Ross Clayton.
1227
00:49:24,172 --> 00:49:26,091
[ Cheers and applause ]
1228
00:49:26,132 --> 00:49:31,846
**
1229
00:49:31,888 --> 00:49:37,435
**
1230
00:49:37,477 --> 00:49:39,270
* Well, times are hard *
1231
00:49:39,312 --> 00:49:42,482
* And you're afraid
to pay the fee *
1232
00:49:42,524 --> 00:49:45,985
* So you find yourself
somebody *
1233
00:49:46,027 --> 00:49:50,740
* Who can do the job for free *
1234
00:49:50,782 --> 00:49:54,160
* When you need
a little lovin' *
1235
00:49:54,202 --> 00:49:57,122
* 'Cause your man
is out of town *
1236
00:49:57,163 --> 00:50:00,583
* Yeah, that's the time
you get me runnin' *
1237
00:50:00,625 --> 00:50:06,297
* And you know I'll be around *
1238
00:50:06,339 --> 00:50:10,176
* I'm a fool
to do your dirty work *
1239
00:50:10,218 --> 00:50:12,887
* Oh, yeah *
1240
00:50:12,929 --> 00:50:16,808
* I don't wanna do
your dirty work *
1241
00:50:16,850 --> 00:50:19,436
* No more *
1242
00:50:19,477 --> 00:50:23,314
* I'm a fool
to do your dirty work *
1243
00:50:23,356 --> 00:50:25,942
* Oh, yeah *
1244
00:50:27,736 --> 00:50:31,114
* Like the castle
in its corner *
1245
00:50:31,156 --> 00:50:34,451
* In a medieval game *
1246
00:50:34,492 --> 00:50:37,662
* I foresee a terrible trouble *
1247
00:50:37,704 --> 00:50:43,460
* And I stay here
just the same *
1248
00:50:43,501 --> 00:50:47,172
* I'm a fool
to do your dirty work *
1249
00:50:47,213 --> 00:50:49,883
* Oh, yeah *
1250
00:50:49,924 --> 00:50:53,845
* I don't wanna do
your dirty work *
1251
00:50:53,887 --> 00:50:56,389
* No more *
1252
00:50:56,431 --> 00:51:00,185
* I'm a fool
to do your dirty work *
1253
00:51:00,226 --> 00:51:02,896
* Oh, yeah *
1254
00:51:02,937 --> 00:51:06,816
* I don't wanna
do your dirty work *
1255
00:51:06,858 --> 00:51:08,318
* No more *
1256
00:51:08,360 --> 00:51:09,694
* No more *
1257
00:51:09,736 --> 00:51:13,448
* I'm a fool
to do your dirty work *
1258
00:51:13,490 --> 00:51:15,033
* Oh, yeah *
Yes, Ross!
1259
00:51:15,075 --> 00:51:19,371
* More *
1260
00:51:19,412 --> 00:51:22,582
[ Cheers and applause ]
1261
00:51:33,093 --> 00:51:34,302
* This is "The Voice" *
1262
00:51:34,344 --> 00:51:36,221
Daly: Welcome back
to the knockouts.
1263
00:51:36,262 --> 00:51:39,849
[ Cheers and applause ]
1264
00:51:39,891 --> 00:51:43,895
With "Someone You Loved,"
here's Jerome Godwin III.
1265
00:51:44,479 --> 00:51:47,440
I don't know any
thirds or seconds.
1266
00:51:47,482 --> 00:51:48,650
I'm a third.
You are?
1267
00:51:48,692 --> 00:51:49,943
Nah.
I'm not even a junior.
1268
00:51:49,984 --> 00:51:51,820
[ Laughs ]
1269
00:51:52,987 --> 00:51:56,950
**
1270
00:51:56,991 --> 00:51:59,828
* I'm going under
and this time I fear *
1271
00:51:59,869 --> 00:52:02,956
* There's no one to save me *
1272
00:52:02,997 --> 00:52:05,792
* Mm-mm *
1273
00:52:05,834 --> 00:52:11,339
* This all or nothing really
got a way of driving me crazy *
1274
00:52:12,507 --> 00:52:15,218
* I need somebody to heal *
1275
00:52:15,260 --> 00:52:17,345
* Somebody to know *
1276
00:52:17,387 --> 00:52:19,472
* Somebody to have *
1277
00:52:19,514 --> 00:52:21,641
* Somebody to hold *
1278
00:52:21,683 --> 00:52:23,768
* It's easy to say *
1279
00:52:23,810 --> 00:52:25,979
* But it's never the same *
1280
00:52:26,021 --> 00:52:30,233
* I guess I kinda liked the way
you numbed all the pain *
1281
00:52:30,275 --> 00:52:32,444
* Now the day bleeds *
1282
00:52:32,485 --> 00:52:34,571
* Into nightfall *
1283
00:52:34,612 --> 00:52:36,489
* And you're not here *
1284
00:52:36,531 --> 00:52:38,658
* To get me through it all *
1285
00:52:38,700 --> 00:52:40,827
* I let my guard down *
1286
00:52:40,869 --> 00:52:43,079
* Then you pulled the rug *
1287
00:52:43,121 --> 00:52:48,001
* I was getting kinda used
to being someone you loved *
1288
00:52:48,918 --> 00:52:55,175
* And I tend to close my eyes
when it hurts sometimes *
1289
00:52:55,216 --> 00:52:59,220
* I fall into your arms *
1290
00:52:59,262 --> 00:53:04,726
* I'll be safe in your sound
till you come back around *
1291
00:53:04,768 --> 00:53:07,354
* Now the day bleeds *
1292
00:53:07,395 --> 00:53:09,689
* Into nightfall *
1293
00:53:09,731 --> 00:53:11,649
* And you're not here *
Wow.
1294
00:53:11,691 --> 00:53:13,777
* To get me through it all *
1295
00:53:13,818 --> 00:53:16,279
* I let my guard down *
1296
00:53:16,321 --> 00:53:18,031
* Then you pulled the rug *
1297
00:53:18,073 --> 00:53:28,041
* I was getting kinda used
to being someone you loooooved *
1298
00:53:28,083 --> 00:53:31,127
* Yeaah *
1299
00:53:31,169 --> 00:53:33,546
* I let my guard down *
1300
00:53:33,588 --> 00:53:35,298
* Then you pulled the rug *
1301
00:53:35,340 --> 00:53:44,557
* I was getting kinda used
to being someone you loved *
1302
00:53:44,599 --> 00:53:48,603
[ Cheers and applause ]
1303
00:53:54,609 --> 00:53:56,569
I think they were both
amazing performances.
1304
00:53:56,611 --> 00:53:58,571
To me, I think Ross
kind of edged it out
1305
00:53:58,613 --> 00:54:00,990
because I could tell
that song means a lot to you.
1306
00:54:01,032 --> 00:54:02,909
And, Jerome, I felt like
you were kind of
1307
00:54:02,951 --> 00:54:05,537
trying to find your place
in the song a little bit more.
1308
00:54:05,578 --> 00:54:07,580
If I had to advise
my homie Niall,
1309
00:54:07,622 --> 00:54:09,582
I'm leaning a little bit
towards Ross.
1310
00:54:09,624 --> 00:54:10,792
[ Applause ]
1311
00:54:10,834 --> 00:54:12,627
Kelly: I loved
both performances.
1312
00:54:12,669 --> 00:54:14,754
Ross, like, you continue
to just blow me away.
1313
00:54:14,796 --> 00:54:16,589
Your vocals
are so effortless.
1314
00:54:16,631 --> 00:54:20,135
It's like a conversation
with people, which is so cool.
1315
00:54:20,176 --> 00:54:21,928
Jerome, it was almost like
you had a wall up.
1316
00:54:21,970 --> 00:54:23,930
Like, sometimes I feel
a song so much
1317
00:54:23,972 --> 00:54:25,807
I have to go dead inside
[laughs]
1318
00:54:25,849 --> 00:54:27,308
'cause I don't
want to ball.
1319
00:54:27,350 --> 00:54:28,935
Dead inside.
Yeah.
1320
00:54:28,977 --> 00:54:31,271
But, like, your vocals
are incredible.
1321
00:54:31,312 --> 00:54:32,731
I love the song
selection.
1322
00:54:32,772 --> 00:54:36,151
I feel like you're
a perfect singer for this show.
1323
00:54:36,192 --> 00:54:37,777
[ Cheers and applause ]
1324
00:54:37,819 --> 00:54:39,404
Blake: The difference for me,
I think, is Jerome,
1325
00:54:39,446 --> 00:54:42,198
it just felt like you were
putting the song together still
1326
00:54:42,240 --> 00:54:45,285
versus Ross came right out
singing this song
1327
00:54:45,326 --> 00:54:47,787
like he's halfway
through a concert already.
1328
00:54:47,829 --> 00:54:49,748
And I love that
Oklahoma twang
1329
00:54:49,789 --> 00:54:51,041
that you naturally have
in there.
1330
00:54:51,082 --> 00:54:53,793
That's great tone,
so I'd lean towards Ross
1331
00:54:53,835 --> 00:54:55,628
if it was me,
little buddy.
Niall: Okay.
1332
00:54:55,670 --> 00:54:57,964
Daly: Thank you, Coaches.
1333
00:54:58,006 --> 00:54:59,466
Alright, Niall,
it all comes down to you.
1334
00:54:59,507 --> 00:55:00,675
Before we find out the winner,
1335
00:55:00,717 --> 00:55:02,218
give us your thoughts
on the knockout.
1336
00:55:02,260 --> 00:55:04,012
These decisions are --
I've said it every single time
1337
00:55:04,054 --> 00:55:05,764
I've had to do it --
it's horrible.
1338
00:55:05,805 --> 00:55:08,016
Jerome, I thought you really
put everything into it.
1339
00:55:08,058 --> 00:55:10,101
It did get a little bit pitchy
in the first verse,
1340
00:55:10,143 --> 00:55:11,978
and that's usually where
you're the most solid,
1341
00:55:12,020 --> 00:55:13,480
is in that lower register.
1342
00:55:13,521 --> 00:55:15,482
And I think it knocked
your confidence a little bit.
1343
00:55:15,523 --> 00:55:17,901
But you're an incredible singer,
there's no doubt about it.
1344
00:55:17,942 --> 00:55:19,569
Thank you.
1345
00:55:19,611 --> 00:55:21,279
Ross, unbelievable.
1346
00:55:21,321 --> 00:55:22,781
You got a four-chair turn
1347
00:55:22,822 --> 00:55:24,908
in the blind audition
for a reason, obviously.
1348
00:55:24,949 --> 00:55:26,826
And you just have that tone
that cuts through.
1349
00:55:26,868 --> 00:55:27,994
Like, as Blake said,
it felt like
1350
00:55:28,036 --> 00:55:29,245
we were in the middle of a gig.
1351
00:55:29,287 --> 00:55:31,247
And I know for a fact
that there's more
1352
00:55:31,289 --> 00:55:32,665
in your back pocket.
1353
00:55:32,707 --> 00:55:34,000
Oh, God, I can't believe
1354
00:55:34,042 --> 00:55:35,835
that I still have to
make these decisions.
1355
00:55:35,877 --> 00:55:37,462
When is American voting
gonna get involved?
1356
00:55:37,504 --> 00:55:39,130
[ Laughter ]
It's a tough one, Niall.
1357
00:55:39,172 --> 00:55:41,341
Who is the winner
of this knockout?
1358
00:55:41,383 --> 00:55:43,218
**
1359
00:55:43,259 --> 00:55:48,056
Uh, I think the winner
of this knockout is...
1360
00:55:48,098 --> 00:55:48,848
Ross.
1361
00:55:48,890 --> 00:55:49,974
Ross, congratulations.
1362
00:55:50,016 --> 00:55:51,851
You're moving on
to the playoffs.
1363
00:55:51,893 --> 00:55:53,812
Ross, I love
how pure his voice is.
1364
00:55:53,853 --> 00:55:55,355
He's got this rocky tone.
1365
00:55:55,397 --> 00:55:57,190
I get the feeling that
Ross could win this thing.
1366
00:55:57,232 --> 00:55:58,858
Jerome Godwin III.
1367
00:55:58,900 --> 00:56:00,485
Sad to see Jerome go.
1368
00:56:00,527 --> 00:56:02,237
He's an unbelievable singer,
1369
00:56:02,278 --> 00:56:06,199
but I just had to make
a tough decision in the moment.
1370
00:56:06,241 --> 00:56:07,784
That Ross guy is good.
1371
00:56:07,826 --> 00:56:09,494
I think Ross
is just bulletproof.
1372
00:56:09,536 --> 00:56:11,746
Daly: Still to come...
* Don't blame it
on the sunshine *
1373
00:56:11,788 --> 00:56:14,290
* Sunshine *
* Don't blame it
on the moonlight *
1374
00:56:14,332 --> 00:56:16,835
* Don't blame it
on the good times *
1375
00:56:16,876 --> 00:56:19,421
* Blame it on the boogie *
1376
00:56:20,088 --> 00:56:21,673
Yes! You did it!
Whoa!
1377
00:56:21,715 --> 00:56:23,258
Daly: We got a steal!
1378
00:56:23,299 --> 00:56:24,884
You're my last steal.
1379
00:56:24,926 --> 00:56:26,553
My last steal ever.
1380
00:56:26,594 --> 00:56:28,638
Ah! I'm so happy!
1381
00:56:35,437 --> 00:56:36,604
* This is "The Voice" *
1382
00:56:36,646 --> 00:56:38,857
Daly:
Welcome back to "The Voice."
1383
00:56:38,898 --> 00:56:40,775
Madi: You were stolen,
and you're now on Team Chance.
1384
00:56:40,817 --> 00:56:42,610
I know.
I'm so happy.
Welcome.
1385
00:56:42,652 --> 00:56:43,695
Thank you!
Welcome
to Team Chance!
1386
00:56:43,737 --> 00:56:44,946
I'm happy to be here.
1387
00:56:44,988 --> 00:56:46,740
Tiana is actually
new to my team.
1388
00:56:46,781 --> 00:56:48,158
Daly: We got a steal!
1389
00:56:48,199 --> 00:56:50,160
I stole her
from Team Niall.
Yeah!
1390
00:56:50,201 --> 00:56:52,912
Sorelle
is actually a trio.
1391
00:56:52,954 --> 00:56:54,914
They're a three-part
super harmonic group.
1392
00:56:54,956 --> 00:56:56,291
Ana: We're more
like modern pop.
1393
00:56:56,332 --> 00:56:58,460
Okay, I'm kind of like
a pop-R&B artist,
1394
00:56:58,501 --> 00:57:00,962
so I think that's why
he'd want to pair us.
1395
00:57:01,004 --> 00:57:02,088
Are they related?
1396
00:57:02,130 --> 00:57:03,465
They are.
They're three sisters.
1397
00:57:03,506 --> 00:57:04,799
Oh, cool.
Isn't that cool?
1398
00:57:04,841 --> 00:57:05,967
Love that.
They're fire, right?
Yeah.
1399
00:57:06,009 --> 00:57:07,302
Nothing
like blood harmony.
1400
00:57:07,344 --> 00:57:08,595
Yeah. Blood harmony.
1401
00:57:08,636 --> 00:57:09,763
Yeah.
We got this.
Let's go.
1402
00:57:09,804 --> 00:57:11,306
Girl power!
1403
00:57:11,348 --> 00:57:12,932
[ Laughs ]
1404
00:57:14,392 --> 00:57:15,352
Hey, guys.
1405
00:57:15,393 --> 00:57:16,353
Hi!
Hi!
Hi!
1406
00:57:16,394 --> 00:57:17,937
Ooh, man.
1407
00:57:17,979 --> 00:57:21,775
You walk in,
and there's Reba McEntire.
1408
00:57:21,816 --> 00:57:23,443
Like what?
Craziness.
Like what?
1409
00:57:23,485 --> 00:57:24,444
How are ya?
1410
00:57:24,486 --> 00:57:26,029
Ana:
She is a legend.
1411
00:57:26,071 --> 00:57:28,948
So to see her
literally made my heart stop.
1412
00:57:28,990 --> 00:57:30,575
How are you guys doing?
1413
00:57:30,617 --> 00:57:31,576
Doing great.
How are you?
1414
00:57:31,618 --> 00:57:32,786
I'm wonderful.
1415
00:57:32,827 --> 00:57:34,120
I'm so glad to have you
on my team.
1416
00:57:34,162 --> 00:57:35,413
Thank you
for stealing me.
1417
00:57:35,455 --> 00:57:37,332
I think that you have
a lot to show, man.
1418
00:57:37,374 --> 00:57:39,000
I'm excited to see what you do
in this competition.
Thank you.
1419
00:57:39,042 --> 00:57:40,835
I'm excited to see what
you think of the song.
1420
00:57:40,877 --> 00:57:42,921
Battles, I did, like,
such a big song.
1421
00:57:42,962 --> 00:57:44,339
I did "Girls Just
Want to Have Fun."
1422
00:57:44,381 --> 00:57:45,882
Uh-huh.
So, I wanted to
strip it down
1423
00:57:45,924 --> 00:57:47,842
and do something
a little slower.
1424
00:57:47,884 --> 00:57:51,388
* You, you're loving
how I move you *
1425
00:57:51,429 --> 00:57:54,224
Tiana:
I'm singing "God is a Woman"
by Ariana Grande.
1426
00:57:54,265 --> 00:57:56,101
I kind of changed
the arrangement to make it
1427
00:57:56,142 --> 00:57:57,894
a little more acoustic,
1428
00:57:57,936 --> 00:58:00,105
slow it down just a little bit.
1429
00:58:00,146 --> 00:58:02,857
"God is a woman" -- that
statement is so powerful to me.
1430
00:58:02,899 --> 00:58:05,485
I grew up in a house
with a single mom.
1431
00:58:05,527 --> 00:58:09,030
She had four kids,
and she did it all on her own.
1432
00:58:09,072 --> 00:58:11,074
* You'll believe
God is a woman *
1433
00:58:11,116 --> 00:58:14,703
She made miracles happen,
and I look up to her so much.
1434
00:58:14,744 --> 00:58:16,538
So,
it's a very personal choice.
1435
00:58:16,579 --> 00:58:19,666
* When you try to come for me,
I keep on flourishing, yeah *
1436
00:58:19,708 --> 00:58:21,710
Chance:
This is my first time really
getting to sit down with Tiana,
1437
00:58:21,751 --> 00:58:23,044
and the first thing
that I'm noticing
1438
00:58:23,086 --> 00:58:26,047
is that she has
a very distinct vocal
1439
00:58:26,089 --> 00:58:29,092
and that it's got
an angelic sense to it.
1440
00:58:29,134 --> 00:58:31,094
* You love it how *
On a technical level,
1441
00:58:31,136 --> 00:58:33,388
her talent is -- is undeniable.
1442
00:58:33,430 --> 00:58:36,266
* When all is said and done,
you'll believe... *
1443
00:58:36,307 --> 00:58:37,726
Madi: When we were watching
Tiana perform,
1444
00:58:37,767 --> 00:58:39,227
I think we were all
in amazement.
1445
00:58:39,269 --> 00:58:40,895
Our jaws were dropped.
Yeah.
1446
00:58:40,937 --> 00:58:42,564
Ana: But this is
a competition,
1447
00:58:42,605 --> 00:58:44,065
so we are here to fight,
1448
00:58:44,107 --> 00:58:47,318
and we are here to earn our spot
into the playoffs.
1449
00:58:47,360 --> 00:58:48,820
[ Music ends ]
[ Applause ]
1450
00:58:48,862 --> 00:58:50,697
Beautiful.
Thank you.
1451
00:58:50,739 --> 00:58:51,948
Beautiful.
1452
00:58:51,990 --> 00:58:53,408
You're obviously
a very talented singer.
1453
00:58:53,450 --> 00:58:55,452
Thank you.
I feel like,
with this song,
1454
00:58:55,493 --> 00:58:57,829
I just want you to show
what the song means to you.
1455
00:58:57,871 --> 00:59:00,248
Okay.
Feeling is a lot of
what music is...
1456
00:59:00,290 --> 00:59:02,250
Definitely.
...and so just -- just maybe
reading the lyrics
1457
00:59:02,292 --> 00:59:03,752
and, like, making it
mean to you
1458
00:59:03,793 --> 00:59:05,086
what it means
in this moment.
1459
00:59:05,128 --> 00:59:07,255
Tell a story.
Like -- Exactly.
1460
00:59:07,297 --> 00:59:09,132
This is my first time
working with Chance,
1461
00:59:09,174 --> 00:59:12,719
and I want him to see
that I'm a valuable asset.
1462
00:59:12,761 --> 00:59:13,762
Great job.
1463
00:59:13,803 --> 00:59:14,763
It's going to be harder
1464
00:59:14,804 --> 00:59:16,056
going up against a trio,
1465
00:59:16,097 --> 00:59:18,391
but Tiana,
she's just incredible.
1466
00:59:18,433 --> 00:59:20,769
It was really good.
I totally love her singing.
1467
00:59:20,810 --> 00:59:22,604
Three sisters singing together.
1468
00:59:22,645 --> 00:59:25,190
I'm a part also
of a singing group.
Yeah.
1469
00:59:25,231 --> 00:59:27,525
My older brother,
my little sister, and I,
1470
00:59:27,567 --> 00:59:29,235
we were the Singing McEntires.
1471
00:59:29,277 --> 00:59:30,779
How'd y'all get
y'all's name?
1472
00:59:30,820 --> 00:59:31,988
So, we're Italian.
Reba: Uh-huh.
1473
00:59:32,030 --> 00:59:33,740
So, Sorelle
is "sisters" in Italian.
1474
00:59:33,782 --> 00:59:35,283
I love that.
Oh!
1475
00:59:35,325 --> 00:59:37,118
You picked "Blame It on
the Boogie" by the Jacksons?
1476
00:59:37,160 --> 00:59:38,661
Oh, yeah.
Yes.
We did.
1477
00:59:38,703 --> 00:59:40,121
Chance:
That's a great choice.
This was -- This was
1478
00:59:40,163 --> 00:59:41,790
one of our favorite songs
growing up,
1479
00:59:41,831 --> 00:59:43,291
so we're super excited.
1480
00:59:43,333 --> 00:59:44,125
I love that.
1481
00:59:44,167 --> 00:59:45,418
I love the plaid theme, too.
1482
00:59:45,460 --> 00:59:46,961
Oh, thank you.
Thank you.
So cute.
1483
00:59:47,003 --> 00:59:48,004
We always like to coordinate
some kind of way.
1484
00:59:48,046 --> 00:59:49,255
I love it.
[ Laughter ]
1485
00:59:49,297 --> 00:59:50,840
* My baby's
always dancin' *
1486
00:59:50,882 --> 00:59:53,510
* And it wouldn't be
a bad thing *
1487
00:59:53,551 --> 00:59:55,470
Madi: Growing up, we actually
had a karaoke machine.
1488
00:59:55,512 --> 00:59:58,932
Our constant go-to song was
"Blame It on the Boogie,"
1489
00:59:58,973 --> 01:00:00,350
and we would all, like,
pass the mic around,
1490
01:00:00,392 --> 01:00:01,685
and then we'd have our feet.
Awesome.
1491
01:00:01,726 --> 01:00:02,686
We'd be like * I just *
1492
01:00:02,727 --> 01:00:03,812
* I just can't *
1493
01:00:03,853 --> 01:00:05,480
* I just can't control my feet *
1494
01:00:05,522 --> 01:00:09,984
We really love upbeat,
high-energy, catchy choruses.
1495
01:00:10,026 --> 01:00:11,236
* This magic music grooves me *
1496
01:00:11,277 --> 01:00:13,238
We are putting
our own little spin on it
1497
01:00:13,279 --> 01:00:15,198
to show exactly
who Sorelle is.
1498
01:00:15,240 --> 01:00:16,491
We really want to show
the coaches
1499
01:00:16,533 --> 01:00:18,993
that we have the ability
to fill up arenas.
1500
01:00:19,035 --> 01:00:20,954
* Don't blame it
on the good times *
1501
01:00:20,995 --> 01:00:22,414
* Blame it on the boogie *
1502
01:00:22,455 --> 01:00:26,376
The girls got up on stage
and were cute as a button.
1503
01:00:26,418 --> 01:00:28,211
They did
the little dance routines
1504
01:00:28,253 --> 01:00:30,171
and -- and taking turns singing,
1505
01:00:30,213 --> 01:00:31,756
and then that
three-part harmony,
1506
01:00:31,798 --> 01:00:34,175
which I absolutely love.
1507
01:00:34,217 --> 01:00:35,760
I just fell in love with them.
1508
01:00:35,802 --> 01:00:36,928
* Whoa-oh-oh *
1509
01:00:36,970 --> 01:00:39,597
Oh, my God.
Insane, right?
1510
01:00:39,639 --> 01:00:40,849
Wow.
1511
01:00:40,890 --> 01:00:42,183
Love it.
Love it.
Thank you.
1512
01:00:42,225 --> 01:00:45,020
Not only was the three-part
harmony so good,
1513
01:00:45,061 --> 01:00:46,062
but the dance moves.
1514
01:00:46,104 --> 01:00:47,522
Oh, my gosh.
1515
01:00:47,564 --> 01:00:49,774
Every time you guys
get on stage, you guys smash it.
1516
01:00:49,816 --> 01:00:51,276
It's so dope.
Aww, thank you.
1517
01:00:51,317 --> 01:00:52,694
That's what I was
going to say.
Chance: Right?
1518
01:00:52,736 --> 01:00:55,113
But I think the one thing
that I would give notes on
1519
01:00:55,155 --> 01:00:56,865
is maybe the lyric splits,
a little bit.
1520
01:00:56,906 --> 01:01:00,076
We go straight for the harmony
within, like, that first verse.
1521
01:01:00,118 --> 01:01:02,203
Uh-huh.
And I think
it sounds the best
1522
01:01:02,245 --> 01:01:03,413
when you guys
have the splits,
1523
01:01:03,455 --> 01:01:05,373
where two of you guys
are doing harms
1524
01:01:05,415 --> 01:01:07,542
and one person
is doing the lead vocal.
Okay.
1525
01:01:07,584 --> 01:01:10,211
Yeah.
But the performance
is A-1 to me.
1526
01:01:10,253 --> 01:01:12,005
Did you have anything?
I don't, at all.
1527
01:01:12,047 --> 01:01:13,214
Right?
It's so good, right?
1528
01:01:13,256 --> 01:01:14,799
I'm just
totally entertained.
1529
01:01:14,841 --> 01:01:17,427
Pitch is great.
You've got great interaction.
1530
01:01:17,469 --> 01:01:18,720
Thank you.
Thank you.
Thank you.
1531
01:01:18,762 --> 01:01:21,514
Sorelle,
their vocals are amazing.
1532
01:01:21,556 --> 01:01:22,557
You want to come back up?
1533
01:01:22,599 --> 01:01:24,059
Tiana:
In my head, I'm like, "Okay,
1534
01:01:24,100 --> 01:01:25,685
I need to make sure
my vocals are on point."
1535
01:01:25,727 --> 01:01:27,687
It was so beautiful.
1536
01:01:27,729 --> 01:01:28,813
Amazingly talented.
1537
01:01:28,855 --> 01:01:29,898
Oh, I got to have
one more hug.
1538
01:01:29,939 --> 01:01:30,899
Aww.
[ Laughter ]
1539
01:01:30,940 --> 01:01:32,984
Sorelle was a total package.
1540
01:01:33,026 --> 01:01:34,569
You just wanted more.
1541
01:01:34,611 --> 01:01:35,403
You're wonderful.
1542
01:01:35,445 --> 01:01:37,405
But Tiana has a great voice.
1543
01:01:37,447 --> 01:01:40,408
If she amped it up
with emotion, with feeling,
1544
01:01:40,450 --> 01:01:43,286
then she might just blow
the audience out of the water.
1545
01:01:43,328 --> 01:01:44,704
See you in the knockouts.
1546
01:01:44,746 --> 01:01:46,623
We'll see on that night
of the performance.
1547
01:01:46,664 --> 01:01:48,208
Oh, my gosh.
1548
01:01:48,249 --> 01:01:50,460
So different
and so good.
Yeah.
1549
01:01:50,502 --> 01:01:51,836
Good luck, buddy.
[ Laughs ]
1550
01:01:51,878 --> 01:01:53,004
Nah, it's gonna be tough.
1551
01:01:53,046 --> 01:01:54,255
[ Cheers and applause ]
1552
01:01:54,297 --> 01:01:55,548
I'm so looking forward
to this.
1553
01:01:55,590 --> 01:01:56,800
It's gonna be sick.
1554
01:01:56,841 --> 01:02:00,053
With "Blame It on the Boogie,"
here is Sorelle.
1555
01:02:00,095 --> 01:02:02,097
[ Cheers and applause ]
1556
01:02:02,138 --> 01:02:06,685
**
1557
01:02:06,726 --> 01:02:09,979
* Hee, hee, yeah *
1558
01:02:10,021 --> 01:02:11,231
-Hey!
-Whoo!
1559
01:02:11,272 --> 01:02:13,316
* My baby's always
dancin' *
1560
01:02:13,358 --> 01:02:15,443
* And it wouldn't be
a bad thing *
1561
01:02:15,485 --> 01:02:19,447
* But I don't get no lovin',
and that's no lie *
1562
01:02:19,489 --> 01:02:21,825
* We spent the night
in Frisco *
1563
01:02:21,866 --> 01:02:23,827
* At every kind of disco *
1564
01:02:23,868 --> 01:02:27,414
* From that night
I kissed our love goodbye *
1565
01:02:27,455 --> 01:02:29,332
* Don't blame it
on the sunshine *
1566
01:02:29,374 --> 01:02:31,376
* Don't blame it
on the moonlight *
1567
01:02:31,418 --> 01:02:33,795
* Don't blame it
on the good times *
1568
01:02:33,837 --> 01:02:35,588
* Blame it on the boogie *
1569
01:02:35,630 --> 01:02:37,757
* Don't blame it
on the sunshine *
1570
01:02:37,799 --> 01:02:39,676
* Don't blame it
on the moonlight *
1571
01:02:39,718 --> 01:02:42,220
* Don't blame it
on the good times *
1572
01:02:42,262 --> 01:02:44,347
* Blame it on the boogie *
1573
01:02:45,223 --> 01:02:46,016
* I just can't, I just can't *
1574
01:02:47,017 --> 01:02:49,019
* I just can't control my feet *
1575
01:02:49,644 --> 01:02:50,145
* I can't, no *
1576
01:02:51,187 --> 01:02:52,981
* I just can't control my feet *
1577
01:02:53,023 --> 01:02:55,150
* This magic music
grooves me *
1578
01:02:55,191 --> 01:02:56,651
* That dirty rhythm
moves me *
1579
01:02:56,693 --> 01:02:59,446
Yeah!
* The devil's gotten to me *
1580
01:02:59,487 --> 01:03:01,281
* Through this dance *
1581
01:03:01,322 --> 01:03:03,450
* I'm full
of funky fever *
1582
01:03:03,491 --> 01:03:05,493
* The fire burns inside me *
1583
01:03:05,535 --> 01:03:09,873
* Boogie's got me
in a super trance *
1584
01:03:09,914 --> 01:03:11,207
* Sunshine *
1585
01:03:12,000 --> 01:03:13,251
* Moonlight *
1586
01:03:14,127 --> 01:03:15,378
* Good times *
1587
01:03:16,171 --> 01:03:17,172
* Boogie *
1588
01:03:17,213 --> 01:03:18,340
* Uh, uh, uh,
uh, uh *
1589
01:03:19,257 --> 01:03:19,632
* Ooooooh *
1590
01:03:21,593 --> 01:03:22,177
* Do-be-do-be-do-do *
1591
01:03:22,927 --> 01:03:24,429
* Good times *
1592
01:03:24,471 --> 01:03:27,349
* Boo, boo, boo, boogie *
1593
01:03:28,516 --> 01:03:28,933
* Sunshine *
1594
01:03:29,768 --> 01:03:30,810
* You just wanna *
1595
01:03:30,852 --> 01:03:32,812
* Good times *
1596
01:03:33,813 --> 01:03:34,814
* Don't you blame it
on the sunshine *
1597
01:03:36,232 --> 01:03:38,318
* Don't blame it
on the moonlight *
1598
01:03:38,360 --> 01:03:40,362
* Don't blame it
on the good times *
1599
01:03:40,403 --> 01:03:41,905
* Blame it on the boogie *
1600
01:03:41,946 --> 01:03:43,823
* Oooooh *
* Don't blame it
on the sunshine *
1601
01:03:43,865 --> 01:03:45,116
* Sunshine *
1602
01:03:45,158 --> 01:03:46,117
* Don't blame it
on the moonlight *
1603
01:03:47,243 --> 01:03:48,203
* Don't blame it
on the good times *
1604
01:03:49,162 --> 01:03:51,790
* Blame it on the boogie *
1605
01:03:51,831 --> 01:03:53,750
**
1606
01:03:53,792 --> 01:03:54,918
* Boogie *
1607
01:03:54,959 --> 01:03:57,170
* Whoa-oh-oh *
1608
01:03:57,212 --> 01:04:00,465
[ Cheers and applause ]
1609
01:04:03,677 --> 01:04:05,220
Oh, my God.
I got me
a little Jackson 5.
1610
01:04:05,261 --> 01:04:06,971
Yeah.
[ Laughs ]
1611
01:04:07,013 --> 01:04:09,307
[ Cheers and applause
continue ]
1612
01:04:15,939 --> 01:04:17,148
* This is "The Voice" *
1613
01:04:17,190 --> 01:04:19,484
Daly: Welcome back.
1614
01:04:19,526 --> 01:04:21,194
Chance:
Go, Tiana!
1615
01:04:22,320 --> 01:04:23,738
Come on, Tiana!
1616
01:04:23,780 --> 01:04:27,283
Now with "God is a Woman,"
here's Tiana Goss.
1617
01:04:28,034 --> 01:04:31,246
**
1618
01:04:31,287 --> 01:04:35,291
* You, you're loving
how I move you *
1619
01:04:35,333 --> 01:04:39,170
* You're loving
how I touch you, my one *
1620
01:04:39,212 --> 01:04:44,342
* When all is said and done,
you'll believe God is a woman *
1621
01:04:44,384 --> 01:04:48,471
* And I, I feel it
after midnight *
1622
01:04:48,513 --> 01:04:52,642
* A feeling
that you can't fight, my one *
1623
01:04:52,684 --> 01:04:54,561
* It lingers when we're done *
1624
01:04:54,602 --> 01:04:59,357
* You'll believe
God is a woman *
1625
01:05:00,483 --> 01:05:03,028
* I don't wanna waste no time,
yeah *
1626
01:05:03,820 --> 01:05:06,948
* You ain't got
a one-track mind, yeah *
1627
01:05:06,990 --> 01:05:10,076
* Have it any way you like,
yeah *
1628
01:05:10,118 --> 01:05:13,663
* And I can tell that you know
I know how I want it *
1629
01:05:13,705 --> 01:05:17,000
* Ain't nobody else can relate *
1630
01:05:17,042 --> 01:05:20,503
* Boy, I like
that you ain't afraid *
1631
01:05:20,545 --> 01:05:23,506
* Baby, lay me down
and let's pray *
1632
01:05:23,548 --> 01:05:26,968
* I'm tellin' you the way
I like it, how I want it *
1633
01:05:27,719 --> 01:05:31,097
* And I can be all the things
you told me not to be *
1634
01:05:31,139 --> 01:05:33,224
* When you try to come for me,
I keep on flourishing, yeah *
1635
01:05:33,266 --> 01:05:34,684
Yeah!
Hey!
1636
01:05:34,726 --> 01:05:37,187
* And he see the universe
when I'm in company *
1637
01:05:37,228 --> 01:05:39,564
* It's all in me *
1638
01:05:39,606 --> 01:05:47,447
* You, you, you're lovin'
how I touch you, my one *
1639
01:05:47,489 --> 01:05:52,535
* When all is said and done,
you'll believe God is a woman *
1640
01:05:52,577 --> 01:05:56,873
* And I-I-I-I *
1641
01:05:56,915 --> 01:06:01,086
* A feeling that
you can't fight, my one *
1642
01:06:01,127 --> 01:06:02,837
* It lingers when we're done *
1643
01:06:02,879 --> 01:06:05,423
* You'll believe
God is a woman *
1644
01:06:05,465 --> 01:06:08,718
* You'll believe God *
1645
01:06:08,760 --> 01:06:14,516
* You'll believe Gooooood *
1646
01:06:14,557 --> 01:06:16,309
* It lingers when we're done *
1647
01:06:16,351 --> 01:06:21,898
* You'll believe
God is a woman *
1648
01:06:21,940 --> 01:06:23,900
[ Cheers and applause ]
1649
01:06:23,942 --> 01:06:33,243
**
1650
01:06:33,284 --> 01:06:34,411
What's up, ladies?
1651
01:06:34,452 --> 01:06:35,912
Hi!
Hi!
Hi!
1652
01:06:35,954 --> 01:06:38,998
Tiana, you just have a very
tender way of singing
1653
01:06:39,040 --> 01:06:41,960
and the effortless, little
ethereal runs that you have,
1654
01:06:42,002 --> 01:06:43,920
it's so cool.
1655
01:06:43,962 --> 01:06:45,130
And, Sorelle,
1656
01:06:45,171 --> 01:06:47,173
I would have never
picked this song for you.
1657
01:06:47,215 --> 01:06:48,425
[ Laughter ]
1658
01:06:48,466 --> 01:06:49,718
I was like -- I saw this,
I looked over,
1659
01:06:49,759 --> 01:06:50,927
and I was like,
"I love this song."
1660
01:06:50,969 --> 01:06:52,262
He was like,
"It's going to be crazy."
1661
01:06:52,303 --> 01:06:54,264
And I was like, "It so is."
1662
01:06:54,305 --> 01:06:55,557
[ Cheers and applause ]
1663
01:06:55,598 --> 01:06:57,642
Blake: This is tough,
because, Tiana,
1664
01:06:57,684 --> 01:07:00,061
you're great,
and you sounded great today.
1665
01:07:00,103 --> 01:07:03,273
And that's rare, for someone
to always be that consistent
1666
01:07:03,314 --> 01:07:04,649
and be as great as you are.
1667
01:07:04,691 --> 01:07:07,610
It's just not as rare
as Sorelle.
1668
01:07:07,652 --> 01:07:10,780
They sound literally like
they've been auto-tuned
1669
01:07:10,822 --> 01:07:12,490
as they're singing live,
you know?
1670
01:07:12,532 --> 01:07:15,869
It's like it's almost impossible
to sound that perfect.
1671
01:07:15,910 --> 01:07:18,413
Because of just
the uniqueness of it,
1672
01:07:18,455 --> 01:07:19,748
I would have to go
with Sorelle.
1673
01:07:19,789 --> 01:07:21,458
Thank you.
Thank you.
Thank you.
1674
01:07:21,499 --> 01:07:23,626
Sorelle, it's the shock factor
every time.
1675
01:07:23,668 --> 01:07:26,296
Like, that is hours and hours
of standing in a bedroom
1676
01:07:26,338 --> 01:07:27,964
going like this
to each other.
1677
01:07:28,006 --> 01:07:28,965
Oh, yeah.
Yes.
1678
01:07:29,007 --> 01:07:31,134
* Ooh *
Lots of mirror work.
1679
01:07:31,176 --> 01:07:32,469
Exactly.
Yeah.
1680
01:07:32,510 --> 01:07:34,804
And, Tiana, we have our history,
and it was...
1681
01:07:34,846 --> 01:07:37,724
[ Chuckles ] And I've got
a whole lot of love for you.
1682
01:07:37,766 --> 01:07:39,809
You always sound pure
and sweet,
1683
01:07:39,851 --> 01:07:42,812
and that's why
I've always been a big fan.
1684
01:07:42,854 --> 01:07:44,314
And I'm glad you're still here.
1685
01:07:44,356 --> 01:07:45,315
[ Cheers and applause ]
1686
01:07:45,357 --> 01:07:46,691
Thank you, Coaches.
1687
01:07:47,859 --> 01:07:50,236
Alright, Chance. It all comes
down to you, buddy.
1688
01:07:50,278 --> 01:07:51,654
Chance:
I'll start with Tiana.
1689
01:07:51,696 --> 01:07:53,990
I thought that you've
always performed well,
1690
01:07:54,032 --> 01:07:55,742
and I feel like the song
is to your style,
1691
01:07:55,784 --> 01:07:58,703
and I feel like you
slowing it down made us,
1692
01:07:58,745 --> 01:08:01,581
as an audience, able to
interpret the lyrics better.
1693
01:08:01,623 --> 01:08:03,917
You're an awesomely
talented vocalist.
1694
01:08:03,958 --> 01:08:06,670
Sorelle, you guys' skill
with harmonics
1695
01:08:06,711 --> 01:08:08,630
and the way that you guys
gel together so well
1696
01:08:08,672 --> 01:08:11,716
is, like, something that
this show doesn't really have.
1697
01:08:11,758 --> 01:08:13,468
And it just shows
that y'all are, like,
1698
01:08:13,510 --> 01:08:15,512
willing to go the extra mile
1699
01:08:15,553 --> 01:08:17,180
and try new stuff
to make stuff work,
1700
01:08:17,222 --> 01:08:18,765
which is awesome to me.
1701
01:08:18,807 --> 01:08:20,392
Thank you.
Thank you.
Thank you so much.
1702
01:08:20,433 --> 01:08:21,685
Thank you.
1703
01:08:21,726 --> 01:08:23,687
Daly: Chance,
it's a tough decision,
1704
01:08:23,728 --> 01:08:25,397
but the time has come.
1705
01:08:25,438 --> 01:08:27,649
Who is the winner
of this knockout?
1706
01:08:31,111 --> 01:08:32,987
It is a tough decision.
1707
01:08:34,739 --> 01:08:37,158
The winner of
this knockout is...
1708
01:08:39,744 --> 01:08:40,662
Sorelle.
1709
01:08:40,704 --> 01:08:42,288
Daly:
Sorelle, congratulations!
1710
01:08:42,330 --> 01:08:44,249
You are moving on
to the playoffs
1711
01:08:44,290 --> 01:08:46,376
for Team Chance.
1712
01:08:46,418 --> 01:08:48,211
[ Cheers and applause ]
1713
01:08:48,253 --> 01:08:51,214
Chance: Sorelle completely
blew me away.
1714
01:08:51,256 --> 01:08:52,882
Great stuff, yet again.
1715
01:08:52,924 --> 01:08:55,176
They have beautiful blends,
and they have a stage presence
1716
01:08:55,218 --> 01:08:58,805
that sucks the audience in
every time they get up there.
1717
01:08:58,847 --> 01:09:00,932
Give it up one more time
for Tiana Goss,
1718
01:09:00,974 --> 01:09:02,976
ladies and gentlemen.
1719
01:09:03,018 --> 01:09:05,895
Niall: Sad to see Tiana go.
She's an amazing girl.
1720
01:09:05,937 --> 01:09:10,233
I just think she came up against
the beast that is Sorelle today.
1721
01:09:10,275 --> 01:09:13,111
They're so good, by the way.
Sorelle.
They're so different.
1722
01:09:13,153 --> 01:09:15,572
They're unlike anything
we have in the competition.
1723
01:09:15,613 --> 01:09:18,241
And Chance has got Sorelle
in his back pocket,
1724
01:09:18,283 --> 01:09:19,993
and that could be dangerous.
1725
01:09:26,291 --> 01:09:27,459
* This is "The Voice" *
1726
01:09:27,500 --> 01:09:30,253
Daly: Welcome back
to the knockouts.
1727
01:09:30,295 --> 01:09:32,672
We've had amazing people
on here as Mega Mentors,
1728
01:09:32,714 --> 01:09:35,008
but I don't know anybody
that's conquered
1729
01:09:35,050 --> 01:09:36,760
as much as you have
in a career.
1730
01:09:36,801 --> 01:09:38,386
Or were you saying
I've been around longer
1731
01:09:38,428 --> 01:09:39,721
than all the rest
of them? [ Laughs ]
No!
1732
01:09:39,763 --> 01:09:40,930
I'm saying
you've conquered
1733
01:09:40,972 --> 01:09:43,183
TV, movies, Broadway.
I'm old, girl!
1734
01:09:43,224 --> 01:09:44,434
You've done everything.
1735
01:09:44,476 --> 01:09:45,852
Man:
We're rolling, guys.
1736
01:09:45,894 --> 01:09:47,395
Holly: Why do you think Kelly
put us together?
1737
01:09:47,437 --> 01:09:49,481
I have no idea, 'cause we do
totally different genres, so...
1738
01:09:49,522 --> 01:09:50,940
I think it's going
to be fun.
1739
01:09:50,982 --> 01:09:53,151
Kelly: Holly and Rachel are both
really powerful singers.
1740
01:09:53,193 --> 01:09:54,819
I wanted to put them
against each other
1741
01:09:54,861 --> 01:09:56,154
because I wanted them
to hear each other singing,
1742
01:09:56,196 --> 01:09:57,655
and I wanted
to raise their A-game.
1743
01:09:57,697 --> 01:09:58,823
You want to meet them?
You bet. Let's do it.
1744
01:09:58,865 --> 01:09:59,866
Alright.
You didn't have a choice.
1745
01:09:59,908 --> 01:10:01,201
So... [ Laughs ]
[ Laughs ]
1746
01:10:01,242 --> 01:10:02,327
Come on out, y'all!
1747
01:10:02,369 --> 01:10:03,495
What's up?
1748
01:10:03,536 --> 01:10:04,621
Reba McEntire!
Look at her.
1749
01:10:04,662 --> 01:10:06,247
She -- [ Laughs ]
1750
01:10:06,289 --> 01:10:08,458
Aw.
Holly, you have
to come out here.
1751
01:10:08,500 --> 01:10:09,834
[ Laughs ]
1752
01:10:09,876 --> 01:10:12,420
I'm tearing up
right now.
[ Laughs ]
1753
01:10:12,462 --> 01:10:13,880
Holly: I literally cried
when I saw
1754
01:10:13,922 --> 01:10:15,674
that Reba was the Mega Mentor.
1755
01:10:15,715 --> 01:10:17,967
My family is absolutely
obsessed with her.
1756
01:10:18,009 --> 01:10:19,719
Rachel.
I would love to follow
1757
01:10:19,761 --> 01:10:20,845
in Reba's footsteps.
1758
01:10:20,887 --> 01:10:22,514
She's absolutely the queen
1759
01:10:22,555 --> 01:10:23,890
of country music.
[ Chuckles ]
1760
01:10:23,932 --> 01:10:26,309
I just thought it would be
an incredible thing
1761
01:10:26,351 --> 01:10:28,770
for y'all to get to, like,
learn from the greatest.
1762
01:10:28,812 --> 01:10:30,063
And she did her homework.
1763
01:10:30,105 --> 01:10:31,564
She's already heard
a little bit of y'all.
1764
01:10:31,606 --> 01:10:33,274
I did.
I watched the battle rounds.
1765
01:10:33,316 --> 01:10:34,776
Big fan already.
1766
01:10:34,818 --> 01:10:36,027
I can't wait to hear
what you're going to do today.
1767
01:10:36,069 --> 01:10:37,737
I'm singing
"Blue Moon of Kentucky,"
1768
01:10:37,779 --> 01:10:39,280
the LeAnn Rimes version.
1769
01:10:39,322 --> 01:10:42,033
Pink boots are starting,
so I'm going to own this.
1770
01:10:42,075 --> 01:10:43,952
I love LeAnn Rimes.
I did not know this song.
1771
01:10:43,993 --> 01:10:47,038
Okay. Alright. So, let's
back it up a little bit.
1772
01:10:47,080 --> 01:10:48,373
Patsy Cline.
I am. Patsy --
1773
01:10:48,415 --> 01:10:50,375
Oh!
Why'd you pick this song?
1774
01:10:50,417 --> 01:10:51,876
I grew up doing bluegrass.
1775
01:10:51,918 --> 01:10:53,461
This is, like, one of
the first songs that I ever,
1776
01:10:53,503 --> 01:10:54,796
like, learned how to sing.
1777
01:10:54,838 --> 01:10:57,090
* I said blue moon of Kentucky *
1778
01:10:57,132 --> 01:10:58,717
Holly: I just got up
with the house band,
1779
01:10:58,758 --> 01:11:00,385
told them what key
I wanted to do it in,
1780
01:11:00,427 --> 01:11:01,511
and we sang it.
1781
01:11:01,553 --> 01:11:02,887
* Shine on the one that... *
1782
01:11:02,929 --> 01:11:04,723
I get to yodel in it,
which is really fun.
1783
01:11:04,764 --> 01:11:06,725
* Blue *
1784
01:11:06,766 --> 01:11:08,768
When my mom heard me yodel
for the first time,
1785
01:11:08,810 --> 01:11:10,145
she was a little shocked.
1786
01:11:10,186 --> 01:11:11,730
It kind of just became
a thing after that.
1787
01:11:11,771 --> 01:11:13,064
A really cool party trick.
1788
01:11:13,106 --> 01:11:14,566
* Love said goodbye *
1789
01:11:14,607 --> 01:11:16,317
Yes!
* I said blue moon *
1790
01:11:16,359 --> 01:11:19,195
The last two songs that I've
done so far are new country.
1791
01:11:19,237 --> 01:11:21,698
So it's going to be
a different type of moment
1792
01:11:21,740 --> 01:11:23,491
than what I've been showing.
1793
01:11:23,533 --> 01:11:27,412
[ Vocalizing ]
1794
01:11:27,454 --> 01:11:29,664
What?!
[ Laughing ]
1795
01:11:29,706 --> 01:11:31,583
Reba: Holy smokes.
Whoo!
1796
01:11:31,624 --> 01:11:34,127
Rachel: Holly's knockout song
is so cool. [ Laughs ]
1797
01:11:34,169 --> 01:11:36,838
She's got great tone.
She's got great vibrato.
1798
01:11:36,880 --> 01:11:38,757
Insane singer.
[ Laughs ]
1799
01:11:38,798 --> 01:11:39,966
Okay with that ending.
1800
01:11:40,008 --> 01:11:41,426
Reba: Yeah.
I see you.
1801
01:11:41,468 --> 01:11:43,178
That ending
was incredible.
[ Laughing ]
1802
01:11:43,219 --> 01:11:44,888
Thank you.
I couldn't move.
I was mesmerized.
1803
01:11:44,929 --> 01:11:46,598
Reba: In country music,
Patsy Cline --
1804
01:11:46,639 --> 01:11:47,932
that's the ultimate.
1805
01:11:47,974 --> 01:11:50,435
Holly took the song
to different places
1806
01:11:50,477 --> 01:11:51,770
that I'd never heard before.
1807
01:11:51,811 --> 01:11:53,313
I definitely think
she has star qualities.
1808
01:11:53,355 --> 01:11:54,814
My only thing is,
I just wouldn't go soft
1809
01:11:54,856 --> 01:11:55,815
on that "love."
1810
01:11:55,857 --> 01:11:57,484
* Love said goodbye *
1811
01:11:57,525 --> 01:12:00,153
You got that. Don't you
look at me like that.
Girl.
1812
01:12:00,195 --> 01:12:02,238
I don't know if I can do that
in my chest voice.
1813
01:12:02,280 --> 01:12:04,115
Are you serious?
Do you know --
1814
01:12:04,157 --> 01:12:05,742
* Love *
Yeah, I guess I can.
1815
01:12:05,784 --> 01:12:08,119
Yes!
You got that for days.
1816
01:12:08,161 --> 01:12:09,454
Let me introduce you
to yourself.
1817
01:12:09,496 --> 01:12:10,830
Somebody get a mirror.
1818
01:12:10,872 --> 01:12:12,582
Holly: I'm super happy
that Kelly pushed me
1819
01:12:12,624 --> 01:12:14,084
outside of my comfort zone.
1820
01:12:14,125 --> 01:12:15,919
I'm actually proud of myself,
because this round,
1821
01:12:15,960 --> 01:12:17,754
I got past the starstruck-ness
1822
01:12:17,796 --> 01:12:19,506
and I spoke to her,
and it was great.
1823
01:12:19,547 --> 01:12:22,092
Reba: The one thing
that I was missing, though,
1824
01:12:22,133 --> 01:12:24,844
at the * I said blue moon *
1825
01:12:24,886 --> 01:12:26,388
the little yodel...
* Moon *
1826
01:12:26,429 --> 01:12:28,098
...maybe do it
on the second chorus.
1827
01:12:28,139 --> 01:12:31,226
* I said blue moon
of Kentucky *
1828
01:12:31,267 --> 01:12:32,310
Yes!
Okay.
1829
01:12:32,352 --> 01:12:34,604
Yeah.
Don't just do
a boring moon.
1830
01:12:34,646 --> 01:12:35,980
Also, at the very end...
Yeah, yeah.
1831
01:12:36,022 --> 01:12:37,899
...when they stop...
Mm-hmm.
1832
01:12:37,941 --> 01:12:39,734
...bring your mic down.
Okay.
1833
01:12:39,776 --> 01:12:44,781
* Shine on the one that's gone
and left me blue *
1834
01:12:44,823 --> 01:12:45,907
Yeah.
Yeah.
1835
01:12:45,949 --> 01:12:47,283
Just get a little
sassy with it.
1836
01:12:47,325 --> 01:12:48,743
'Cause you're like,
"Yeah, you think I'm done,
1837
01:12:48,785 --> 01:12:50,328
but I'm about
to kill it."
[ Laughs ]
1838
01:12:50,370 --> 01:12:52,288
I need to channel
my inner Kelly Clarkson.
[ Laughs ]
1839
01:12:52,330 --> 01:12:56,334
Holly is a competitor, y'all.
She came to play with this song.
1840
01:12:56,376 --> 01:12:57,627
Come on, Miss Rachel.
1841
01:12:57,669 --> 01:12:59,587
I love Fleetwood Mac.
I definitely know this song.
1842
01:12:59,629 --> 01:13:02,507
I mean, I look like
a member right now, so.
[ Laughs ]
1843
01:13:02,549 --> 01:13:05,176
* Rhiannon rings like a bell
through the night *
1844
01:13:05,218 --> 01:13:07,679
Rachel: I'm singing "Rhiannon"
by Fleetwood Mac,
1845
01:13:07,721 --> 01:13:10,223
which is 100%
inspired by my mom.
1846
01:13:10,265 --> 01:13:12,017
* All your life
you've never... *
1847
01:13:12,058 --> 01:13:13,852
I grew up
around the band scene.
1848
01:13:13,893 --> 01:13:15,353
My mom was the lead singer.
1849
01:13:15,395 --> 01:13:18,314
She always had very
Stevie Nicks vibes on stage.
1850
01:13:18,356 --> 01:13:20,358
"Rhiannon"
is one of the first songs
1851
01:13:20,400 --> 01:13:21,901
that I heard my mom do.
1852
01:13:21,943 --> 01:13:25,113
* Will you ever win? *
1853
01:13:25,155 --> 01:13:27,991
Here I am on NBC "The Voice"
singing the same song.
1854
01:13:28,033 --> 01:13:29,409
Who'd have thunk?
[ Laughs ]
1855
01:13:29,451 --> 01:13:31,369
* Rhiannon *
1856
01:13:31,411 --> 01:13:33,705
Rachel is the dark horse
for me on my team.
1857
01:13:33,747 --> 01:13:36,499
Like, I loved her
in the blinds.
1858
01:13:36,541 --> 01:13:39,419
I fell madly in love with her
in the battles.
1859
01:13:39,461 --> 01:13:42,047
She's got so much more room,
I can even hear, to grow.
1860
01:13:42,088 --> 01:13:43,965
So that's exciting
to work with as a coach.
1861
01:13:44,007 --> 01:13:45,550
[ Music ends ]
1862
01:13:45,592 --> 01:13:47,719
That was so cool!
1863
01:13:47,761 --> 01:13:49,220
Very good.
1864
01:13:49,262 --> 01:13:51,097
You have magical eyes,
by the way.
1865
01:13:51,139 --> 01:13:52,557
I do? [ Laughs ]
Yeah.
1866
01:13:52,599 --> 01:13:55,810
I love the way
you do your mic.
Oh, thank you.
1867
01:13:55,852 --> 01:13:58,229
Yeah, you caress it
and you talk to it.
1868
01:13:58,271 --> 01:13:59,647
Yeah.
So that's really good.
1869
01:13:59,689 --> 01:14:01,733
Just a natural
storyteller, man.
Yeah.
1870
01:14:01,775 --> 01:14:03,360
I love that you
changed it up.
1871
01:14:03,401 --> 01:14:05,487
What is your melody on
the * All your life *?
1872
01:14:05,528 --> 01:14:08,114
* All your life
you've never seen *
1873
01:14:08,156 --> 01:14:09,949
* All your life
you've never *
1874
01:14:09,991 --> 01:14:11,951
Like, go into that little break
with the "you."
1875
01:14:11,993 --> 01:14:14,913
'Cause those breaks
in your voice are so cool
1876
01:14:14,954 --> 01:14:16,331
and make you special.
1877
01:14:16,373 --> 01:14:17,874
That's the coolest thing
about Stevie.
1878
01:14:17,916 --> 01:14:19,751
The melody just kind of goes
wherever she wants,
1879
01:14:19,793 --> 01:14:21,628
and, like, I want you to feel
that freedom, and you've got it.
1880
01:14:21,670 --> 01:14:23,630
You were totally moving with it,
and it's, like,
1881
01:14:23,672 --> 01:14:25,131
got to be that vibe.
Okay. Yeah.
1882
01:14:25,173 --> 01:14:26,758
That's it.
That was so magical.
1883
01:14:26,800 --> 01:14:28,343
Thank you. [ Laughs ]
Yeah.
1884
01:14:28,385 --> 01:14:31,554
I think Rachel's voice
is absolutely beautiful.
1885
01:14:31,596 --> 01:14:32,806
Come on up here, Holly.
1886
01:14:32,847 --> 01:14:34,349
She has super cool vibes.
1887
01:14:34,391 --> 01:14:37,102
She's just an incredible artist,
and it's really an honor
1888
01:14:37,143 --> 01:14:39,270
to be her opponent
in the knockouts.
1889
01:14:39,312 --> 01:14:41,398
This will probably
be my toughest one,
1890
01:14:41,439 --> 01:14:46,403
but I would be shocked [Laughs]
if one of you weren't stolen.
1891
01:14:46,444 --> 01:14:47,570
Y'all just have fun.
1892
01:14:47,612 --> 01:14:49,322
Reba: After working
with all four teams,
1893
01:14:49,364 --> 01:14:52,200
it is mind-boggling
how many talented people
1894
01:14:52,242 --> 01:14:53,702
y'all have here
at "The Voice."
1895
01:14:53,743 --> 01:14:54,953
Best of luck.
1896
01:14:54,994 --> 01:14:58,790
It's a shame
you can only pick one.
1897
01:14:58,832 --> 01:15:00,208
[ Cheers and applause ]
1898
01:15:00,250 --> 01:15:02,002
Yeah!
1899
01:15:03,128 --> 01:15:04,629
Got the puffy sleeves.
1900
01:15:04,671 --> 01:15:06,923
I'm going to do that
for the next round.
1901
01:15:06,965 --> 01:15:08,466
[ Laughs ]
1902
01:15:08,508 --> 01:15:12,512
With "Blue Moon of Kentucky,"
here's Holly Brand.
1903
01:15:12,554 --> 01:15:15,682
[ Cheers and applause ]
1904
01:15:16,516 --> 01:15:26,192
* I said blue moon of Kentucky *
Whoa!
1905
01:15:26,234 --> 01:15:31,990
* Keep on shinin' *
Go ahead.
1906
01:15:32,032 --> 01:15:38,038
* Shine on the one that's gone *
1907
01:15:38,079 --> 01:15:43,126
* And left me blue *
1908
01:15:43,168 --> 01:15:45,378
Yes!
Yeah!
1909
01:15:45,420 --> 01:15:48,673
* I said blue moon of Kentucky *
1910
01:15:48,715 --> 01:15:51,593
* Keep on shinin' *
1911
01:15:51,634 --> 01:15:56,681
* Shine on the one that's gone
and left me blue *
1912
01:15:56,723 --> 01:15:59,809
* I said blue moon of Kentucky *
1913
01:15:59,851 --> 01:16:02,687
* Keep on shinin' *
Hey!
1914
01:16:02,729 --> 01:16:07,567
* Shine on the one that's gone
and left me blue *
1915
01:16:07,609 --> 01:16:11,905
* Well, it was on
one moonlit night *
1916
01:16:11,946 --> 01:16:14,741
* Stars shinin' bright *
1917
01:16:14,783 --> 01:16:17,369
* Whispered all night *
1918
01:16:17,410 --> 01:16:19,204
* Love said goodbye *
Whoa!
1919
01:16:19,245 --> 01:16:22,040
* I said blue moon of Kentucky *
1920
01:16:22,082 --> 01:16:24,876
* Keep on shinin' *
1921
01:16:24,918 --> 01:16:30,090
* Shine on the one that's gone
and left me blue *
1922
01:16:30,131 --> 01:16:34,135
* Well, it was on
one lonely night *
1923
01:16:34,177 --> 01:16:36,930
* Stars shinin' bright *
I know.
1924
01:16:36,971 --> 01:16:39,808
* Whispered all night *
1925
01:16:39,849 --> 01:16:41,309
* Love said goodbye *
1926
01:16:41,351 --> 01:16:44,270
Yeah!
* I said blue moon of Kentucky *
1927
01:16:44,312 --> 01:16:47,399
* Keep on shinin' *
1928
01:16:47,440 --> 01:16:53,029
* Shine on the one that's gone
and left me blue *
1929
01:16:53,071 --> 01:16:56,324
* Shine on the one that's gone *
1930
01:16:56,366 --> 01:17:04,958
* And left me blue *
1931
01:17:05,000 --> 01:17:06,167
**
1932
01:17:06,209 --> 01:17:09,295
[ Vocalizing ]
1933
01:17:09,337 --> 01:17:10,380
Whoo!
1934
01:17:10,422 --> 01:17:13,466
[ Cheers and applause ]
Yeah!
1935
01:17:13,508 --> 01:17:15,677
[ Laughs ] Holy crap!
Whistle note.
1936
01:17:15,719 --> 01:17:17,345
That was crazy.
1937
01:17:17,387 --> 01:17:19,097
-That was insane!
-Okay!
1938
01:17:19,139 --> 01:17:20,890
-Whoo!
-You better sing, girl!
1939
01:17:20,932 --> 01:17:22,684
Rachel: You did so good.
[ Laughs ]
1940
01:17:22,726 --> 01:17:24,394
Holly: You got it!
1941
01:17:30,817 --> 01:17:32,610
* This is "The Voice" *
1942
01:17:32,652 --> 01:17:34,195
Daly: Welcome back.
1943
01:17:34,237 --> 01:17:35,864
[ Cheers and applause ]
1944
01:17:35,905 --> 01:17:37,699
Come on, Rachel!
1945
01:17:37,741 --> 01:17:39,325
Come on, Rachel!
1946
01:17:39,367 --> 01:17:40,493
Chance:
Oh, I turned for her.
1947
01:17:40,535 --> 01:17:42,078
I turned
for both of them.
1948
01:17:42,120 --> 01:17:44,080
Come on, Rachel.
You got this.
1949
01:17:44,122 --> 01:17:48,501
Now with "Rhiannon,"
here is Rachel Christine.
1950
01:17:48,543 --> 01:17:55,884
**
1951
01:17:55,925 --> 01:17:59,429
* Rhiannon rings like a bell
through the night *
1952
01:17:59,471 --> 01:18:03,683
* And wouldn't you love
to love her? *
1953
01:18:03,725 --> 01:18:06,603
* Takes to the sky
like a bird in flight *
1954
01:18:06,644 --> 01:18:10,982
* And who will be her lover? *
1955
01:18:11,024 --> 01:18:14,069
* All your life
you've never seen *
Whoo!
1956
01:18:14,110 --> 01:18:18,531
* A woman taken by the wind *
1957
01:18:18,573 --> 01:18:22,202
* Would you stay
if she promised you heaven? *
1958
01:18:22,243 --> 01:18:26,122
* Will you ever win? *
1959
01:18:26,164 --> 01:18:28,875
* She is like a cat
in the dark *
1960
01:18:28,917 --> 01:18:33,296
* And then, baby,
she's your darkness *
Hey!
1961
01:18:33,338 --> 01:18:36,508
* She rules her life
like a fine skylark *
1962
01:18:36,549 --> 01:18:40,553
* When the sky is starless *
1963
01:18:40,595 --> 01:18:43,598
* All your life
you've never seen *
1964
01:18:43,640 --> 01:18:47,936
* A woman taken by the wind *
1965
01:18:47,977 --> 01:18:51,856
* Would you stay
if she promised you heaven? *
1966
01:18:51,898 --> 01:18:55,235
* Will you ever win? *
1967
01:18:55,276 --> 01:19:00,156
* Will you ever win? *
1968
01:19:00,198 --> 01:19:02,409
**
1969
01:19:02,450 --> 01:19:08,289
* Rhiannon *
1970
01:19:09,207 --> 01:19:13,128
Whoo!
* All your life
you've never seen *
1971
01:19:13,169 --> 01:19:17,674
* A woman taken by the wind *
1972
01:19:17,716 --> 01:19:21,386
* Would you stay if
she promised you heaven? *
1973
01:19:21,428 --> 01:19:24,180
* Will you ever win? *
1974
01:19:24,222 --> 01:19:32,147
* I said, will you ever win? *
1975
01:19:32,188 --> 01:19:38,028
* Rhiannon *
Hey!
1976
01:19:38,069 --> 01:19:39,404
[ Cheers and applause ]
1977
01:19:39,446 --> 01:19:45,618
* Rhiannon *
1978
01:19:45,660 --> 01:19:47,120
[ Cheers and applause ]
Oh! Whoa!
1979
01:19:47,162 --> 01:19:50,707
Whoo!
1980
01:19:50,749 --> 01:19:52,125
Whoo!
1981
01:19:52,167 --> 01:19:53,293
Yee-haw!
1982
01:19:53,335 --> 01:19:55,003
My team is so good!
1983
01:19:55,045 --> 01:19:56,796
Yeah, it's pretty crazy.
1984
01:19:56,838 --> 01:19:58,340
Blake: Yeah, you guys
both did great.
1985
01:19:58,381 --> 01:20:00,300
What's not awesome
is knockout rounds.
1986
01:20:00,342 --> 01:20:03,345
They suck!
[ Laughs ]
1987
01:20:03,386 --> 01:20:05,388
Holly, you have
a great yodel
1988
01:20:05,430 --> 01:20:07,807
and really have awesome
control of it.
1989
01:20:07,849 --> 01:20:10,560
Rachel, I felt like after what
Holly came out here and did,
1990
01:20:10,602 --> 01:20:11,811
I mean,
I was just like,
1991
01:20:11,853 --> 01:20:13,355
"And now she's
going to do Rihanna?"
1992
01:20:13,396 --> 01:20:15,899
Like, what?
But you did an awesome job.
1993
01:20:15,940 --> 01:20:18,193
I mean, you really sang
the crap out of it...
Rachel: Thank you so much.
1994
01:20:18,234 --> 01:20:20,987
...and finding some notes that
are different than the record.
Thank you.
1995
01:20:21,029 --> 01:20:24,157
Absolutely nothing
but an awesome performance.
1996
01:20:24,199 --> 01:20:25,492
Thank you.
1997
01:20:25,533 --> 01:20:27,452
Chance: I think, Rachel,
you did a great job
1998
01:20:27,494 --> 01:20:29,329
of coming back
onto my radar.
1999
01:20:29,371 --> 01:20:31,247
I had never heard
this song before.
2000
01:20:31,289 --> 01:20:32,999
I have heard of Rihanna.
2001
01:20:33,041 --> 01:20:34,167
He said it weird
down there.
2002
01:20:34,209 --> 01:20:35,377
Didn't he say Rihanna?
2003
01:20:35,418 --> 01:20:36,544
Yeah, it sounded
like he said Rihanna,
2004
01:20:36,586 --> 01:20:38,171
but he meant
"Rhiannon," yeah.
2005
01:20:38,213 --> 01:20:40,340
Well,
two different things, so...
2006
01:20:40,382 --> 01:20:43,176
[ Laughter ]
2007
01:20:43,218 --> 01:20:44,678
Great performance, Rachel.
Thank you.
2008
01:20:44,719 --> 01:20:46,513
Holly, you completely
blew me away.
2009
01:20:46,554 --> 01:20:47,847
You started off
a cappella.
2010
01:20:47,889 --> 01:20:49,557
You have to have
perfect pitch to, like,
2011
01:20:49,599 --> 01:20:52,227
start like that and stay in it
throughout the song.
2012
01:20:52,268 --> 01:20:53,520
And, yeah, the whistle note
at the end
2013
01:20:53,561 --> 01:20:55,897
was just like
a crazy cherry on top.
2014
01:20:55,939 --> 01:20:58,441
You had already, like,
killed the whole thing,
2015
01:20:58,483 --> 01:20:59,901
and it was just like,
2016
01:20:59,943 --> 01:21:02,278
"He's dead already,"
you know what I mean? So...
2017
01:21:02,320 --> 01:21:04,114
But cool moment, man.
Thank you.
2018
01:21:04,155 --> 01:21:07,659
Rachel, "Rhiannon" is one of
my favorite songs of all time,
2019
01:21:07,701 --> 01:21:10,370
and your ability to change
things up was really impressive.
2020
01:21:10,412 --> 01:21:12,706
You smashed it out of the park.
It was -- It was bulletproof.
2021
01:21:12,747 --> 01:21:15,375
It was really good.
Thank you so much.
2022
01:21:15,417 --> 01:21:18,420
And, Holly, I've been a fan
since day one,
2023
01:21:18,461 --> 01:21:21,214
and I think we got to see
what Holly Brand is about.
2024
01:21:21,256 --> 01:21:23,550
Even down to the outfit
and the sparkly boots and --
2025
01:21:23,591 --> 01:21:24,968
The puffy sleeves.
Yeah.
2026
01:21:25,010 --> 01:21:27,345
I would look like Rob Gronkowski
if I wore them.
2027
01:21:27,387 --> 01:21:28,555
[ Laughter ]
2028
01:21:28,596 --> 01:21:30,056
That whistle tone
at the end,
2029
01:21:30,098 --> 01:21:31,558
don't think people realize
how hard that is to do.
2030
01:21:31,599 --> 01:21:32,767
Just leaning towards Holly
2031
01:21:32,809 --> 01:21:35,353
just for the uniqueness
of things.
2032
01:21:35,395 --> 01:21:36,896
Thank you, Coaches.
2033
01:21:36,938 --> 01:21:38,773
Alright, Kel,
it comes down to you.
Oh, man.
2034
01:21:38,815 --> 01:21:40,775
Give us some thoughts before you
tell us who won the knockout.
2035
01:21:40,817 --> 01:21:42,527
You both picked
perfect songs.
2036
01:21:42,569 --> 01:21:43,903
Holly,
doing the whistle note
2037
01:21:43,945 --> 01:21:45,613
and how you incorporated it
somehow into a --
2038
01:21:45,655 --> 01:21:46,865
like, a Patsy Cline hit...
[ Laughs ]
2039
01:21:46,906 --> 01:21:48,575
I was like,
"That's incredible."
2040
01:21:48,616 --> 01:21:50,368
You were like,
"I don't know if I can belt
2041
01:21:50,410 --> 01:21:51,703
to that one point,"
and you did it,
2042
01:21:51,745 --> 01:21:53,079
and it was,
like, killer.
2043
01:21:53,121 --> 01:21:55,749
So thank you for doing that
and trusting yourself.
2044
01:21:55,790 --> 01:21:59,878
Rachel, you remind me so much
of me when I was younger.
2045
01:21:59,919 --> 01:22:03,089
To come after someone
singing whistle notes
2046
01:22:03,131 --> 01:22:04,716
and the crowd
is like, "Ahh!"
2047
01:22:04,758 --> 01:22:07,052
and then you have to start out
so mysterious
2048
01:22:07,093 --> 01:22:08,470
and all Stevie Nicks, like,
2049
01:22:08,511 --> 01:22:10,847
I don't know that everyone
sitting here could do that
2050
01:22:10,889 --> 01:22:13,516
and not feel a little shaken,
you know?
2051
01:22:13,558 --> 01:22:16,853
You're just a really
incredibly gifted singer.
2052
01:22:16,895 --> 01:22:18,188
Thank you so much.
2053
01:22:18,229 --> 01:22:19,773
[ Cheers and applause ]
2054
01:22:19,814 --> 01:22:22,275
Sorry, buddy.
This is a tough one.
2055
01:22:22,317 --> 01:22:24,611
Who is the winner
of this knockout?
2056
01:22:24,652 --> 01:22:27,155
I need y'all to know
this is my toughest one.
2057
01:22:27,197 --> 01:22:31,284
Musically speaking,
you're both my lane, and...
2058
01:22:31,326 --> 01:22:34,954
**
2059
01:22:34,996 --> 01:22:36,790
Kel?
2060
01:22:36,831 --> 01:22:39,542
**
2061
01:22:39,584 --> 01:22:41,461
The winner of this knockout
is Holly.
2062
01:22:41,503 --> 01:22:42,629
Holly, congratulations!
2063
01:22:42,671 --> 01:22:45,632
You're moving on
to the playoffs!
2064
01:22:45,674 --> 01:22:47,884
She's like a country girl
that hits, like,
2065
01:22:47,926 --> 01:22:50,637
Minnie Riperton,
Mariah whistle notes?
2066
01:22:50,679 --> 01:22:51,721
What?
2067
01:22:51,763 --> 01:22:53,515
Thank you so much.
You killed it.
2068
01:22:53,556 --> 01:22:54,974
I think she just stands out.
2069
01:22:55,016 --> 01:22:56,893
I would be afraid of her
in the finale
2070
01:22:56,935 --> 01:22:59,062
if I were all the other singers.
[ Chuckles ]
2071
01:22:59,104 --> 01:23:02,107
Coaches, let me remind you that
Rachel's available to steal.
2072
01:23:02,148 --> 01:23:03,733
Oh.
Rachel -- Oh!
2073
01:23:03,775 --> 01:23:05,902
Kelly: He did it! He did it!
We got a steal,
2074
01:23:05,944 --> 01:23:08,655
immediately, from Blake Shelton!
Did you do it? Did you do it?
Oh, my God! I love you!
2075
01:23:08,697 --> 01:23:10,490
The last steal that
Blake Shelton will ever have
2076
01:23:10,532 --> 01:23:12,200
was from my team.
2077
01:23:12,242 --> 01:23:13,284
I'm going to remember that.
2078
01:23:13,326 --> 01:23:15,412
Ah, I'm so happy!
2079
01:23:15,453 --> 01:23:16,871
That is the last steal
2080
01:23:16,913 --> 01:23:19,666
of the Blake Shelton
"Voice" career right there.
2081
01:23:19,708 --> 01:23:22,002
Yeah.
Oh, my God.
2082
01:23:22,043 --> 01:23:23,169
That's right.
2083
01:23:23,211 --> 01:23:24,629
I think, in a moment
like that,
2084
01:23:24,671 --> 01:23:27,549
I mean, what Holly did was --
it was flashy,
2085
01:23:27,590 --> 01:23:28,800
and it's undeniable.
2086
01:23:28,842 --> 01:23:30,760
And now you get
to show everybody
2087
01:23:30,802 --> 01:23:33,847
that you can do something
just as incredible.
2088
01:23:33,888 --> 01:23:35,181
Thank you.
[ Chuckles ]
2089
01:23:35,223 --> 01:23:38,309
You're my last steal.
My last steal ever.
2090
01:23:38,351 --> 01:23:40,228
[ Cheers and applause ]
2091
01:23:40,270 --> 01:23:42,188
Daly: Go meet your new coach!
2092
01:23:42,230 --> 01:23:45,859
Blake:
I'm so happy I stole Rachel.
She sang flawlessly.
2093
01:23:45,900 --> 01:23:48,319
I just think she's
a very diverse vocalist,
2094
01:23:48,361 --> 01:23:49,446
and I need that on my team.
2095
01:23:49,487 --> 01:23:52,240
I love you!
That was so awesome!
2096
01:23:52,282 --> 01:23:53,825
Rachel: I never thought that
Blake would save me
2097
01:23:53,867 --> 01:23:55,410
because I don't do
any country music.
2098
01:23:55,452 --> 01:23:56,828
So that meant the world.
2099
01:23:56,870 --> 01:23:58,538
And to hear that it was
his last save, like,
2100
01:23:58,580 --> 01:24:00,540
that's a --
I'm putting that on a résumé.
2101
01:24:00,582 --> 01:24:02,500
Sorry,
I'm very flustered right now.
2102
01:24:02,542 --> 01:24:04,127
[ Laughs ]
Welcome to Team Blake.
2103
01:24:04,169 --> 01:24:05,128
Thank you.
2104
01:24:05,170 --> 01:24:15,096
**
2105
01:24:15,138 --> 01:24:25,106
**
2106
01:24:25,148 --> 01:24:35,116
**
150547
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