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1
00:00:03,253 --> 00:00:06,214
[orchestral music]
2
00:00:06,256 --> 00:00:08,216
- SPRINGTIME.
3
00:00:08,258 --> 00:00:12,303
THE WORLD WAKES
FROM ITS WINTER SLUMBER.
4
00:00:12,345 --> 00:00:17,600
AND IN HOLLYWOOD,
AN ANNUAL RITE OF SPRING BEGINS.
5
00:00:17,642 --> 00:00:20,729
THEY CALL IT PILOT SEASON.
6
00:00:20,770 --> 00:00:24,107
* *
7
00:00:24,149 --> 00:00:27,152
FROM LATE JANUARY TO APRIL,
THE NETWORKS WILL CAST
8
00:00:27,193 --> 00:00:31,448
MORE THAN 50 NEW TELEVISION
SHOWS KNOWN AS PILOTS,
9
00:00:31,489 --> 00:00:38,288
AND EVERY PILOT SEASON,
THE MIGRATION BEGINS ANEW.
10
00:00:38,329 --> 00:00:40,540
THOUSANDS OF CHILDREN
FLOCK TO HOLLYWOOD,
11
00:00:40,582 --> 00:00:44,127
HOPING TO LAND A PART.
12
00:00:44,169 --> 00:00:50,258
THEY COME
DREAMING OF STARDOM.
13
00:00:50,300 --> 00:00:51,968
- DAKOTA!
14
00:00:52,010 --> 00:00:54,804
[overlapping shouting]
15
00:00:54,846 --> 00:00:56,348
- MARY-KATE!
16
00:00:56,389 --> 00:01:00,393
[overlapping shouting]
17
00:01:00,435 --> 00:01:04,647
- MANY STAY AT THE OAKWOOD,
A TEMPORARY HOUSING COMPLEX
18
00:01:04,689 --> 00:01:06,900
THAT CATERS
TO SHOW BUSINESS FAMILIES.
19
00:01:06,941 --> 00:01:10,612
FOR THREE MONTHS, THE OAKWOOD
PROVIDES A COMMUNITY,
20
00:01:10,653 --> 00:01:14,407
FREE CLASSES,
AND A HOME BASE.
21
00:01:14,449 --> 00:01:19,454
FROM HERE, THE CHILDREN TRY
TO MAKE THEIR DREAMS COME TRUE
22
00:01:19,496 --> 00:01:22,916
BEFORE TIME RUNS OUT.
23
00:01:22,957 --> 00:01:25,794
- OKAY, WE'RE GONNA GO AHEAD
AND GET STARTED.
24
00:01:25,835 --> 00:01:30,090
I WANT TO WELCOME YOU ALL TO THE
SPEED CASTING FOR KIDS EVENT.
25
00:01:30,131 --> 00:01:32,717
SOME OF YOU ARE GOING
TO GET THE CHANCE TO MEET
26
00:01:32,759 --> 00:01:35,220
WITH REPUTABLE AGENTS,
MANAGERS,
27
00:01:35,261 --> 00:01:37,931
AND CASTING DIRECTORS
FROM OUR INDUSTRY.
28
00:01:37,972 --> 00:01:40,016
WHETHER OR NOT
ONE OF THE CASTING DIRECTORS
29
00:01:40,058 --> 00:01:41,601
CASTS YOU
IN THEIR NEXT BIG FILM
30
00:01:41,643 --> 00:01:44,229
OR WHETHER YOU SIGN WITH
AN AGENT OR A MANAGER,
31
00:01:44,270 --> 00:01:48,316
YOU ARE PRACTICING MAKING
YOUR FIRST IMPRESSIONS.
32
00:01:48,358 --> 00:01:50,944
NUMBER ONE. OKAY, SO YOU'RE
GONNA SIT AT ONE.
33
00:01:50,985 --> 00:01:52,278
YOU SIT AT TABLE TWO
ON THIS SIDE.
34
00:01:52,320 --> 00:01:54,489
- TAKE THAT.
35
00:01:54,531 --> 00:01:58,118
[overlapping chatter]
36
00:01:58,159 --> 00:02:00,787
- WHOO!
[laughs]
37
00:02:00,829 --> 00:02:03,415
THIS IS MILTON.
- HOW ARE YOU?
38
00:02:03,456 --> 00:02:04,958
- I'LL GET YOUR BALL.
- I DON'T BITE.
39
00:02:05,000 --> 00:02:07,085
HOW OLD ARE YOU?
40
00:02:07,127 --> 00:02:08,962
YOU'VE GOT TO USE
YOUR BIG-PERSON VOICE.
41
00:02:09,004 --> 00:02:10,547
HOW OLD IS THAT?
42
00:02:10,588 --> 00:02:11,756
- HOW LONG HAVE YOU
BEEN HERE?
43
00:02:11,798 --> 00:02:15,468
- I DON'T KNOW.
- YOU DON'T KNOW?
44
00:02:15,510 --> 00:02:17,262
BUT YOU'RE FOUR.
- YEAH.
45
00:02:17,303 --> 00:02:19,305
- AND YOU'VE BEEN ACTING
FOR HOW MANY YEARS?
46
00:02:19,347 --> 00:02:21,182
SEVEN?
- SEVEN.
47
00:02:21,224 --> 00:02:22,434
- SURPRISING.
48
00:02:22,475 --> 00:02:23,727
- AWESOME.
49
00:02:23,768 --> 00:02:24,644
DO YOU HAVE, LIKE,
A MONOLOGUE
50
00:02:24,686 --> 00:02:25,937
OR A COMMERCIAL
YOU CAN DO FOR ME?
51
00:02:25,979 --> 00:02:26,938
- YES.
52
00:02:26,980 --> 00:02:28,189
- OKAY, CAN YOU STAND UP
AND GO FOR IT?
53
00:02:28,231 --> 00:02:30,650
- FRUITY, TARTY, SWEET,
AND TANGY.
54
00:02:33,319 --> 00:02:35,363
- WHAT'S YOUR FAVORITE COLOR?
- HOT PINK.
55
00:02:35,405 --> 00:02:40,410
- WHAT'S IT TASTE LIKE?
- CHERRY.
56
00:02:40,452 --> 00:02:42,454
- I'M ALWAYS BRIGHT
AND HAPPY,
57
00:02:42,495 --> 00:02:45,123
'CAUSE I'M JUST
BRIGHT AND HAPPY
58
00:02:45,165 --> 00:02:46,791
'CAUSE I LOVE HAPPY STUFF.
59
00:02:46,833 --> 00:02:48,793
- RIGHT. WHAT DO YOU
WANT TO GROW UP AND BE?
60
00:02:48,835 --> 00:02:52,630
- I WANT TO GROW UP TO BE
A SURGEON, A ZOOKEEPER,
61
00:02:52,672 --> 00:02:55,633
SOMETHING TO DO WITH LAND
ANIMALS AND OCEAN ANIMALS.
62
00:02:55,675 --> 00:02:58,219
- REALLY?
SO WHAT'S THE ACTING FOR?
63
00:02:58,261 --> 00:02:59,763
JUST TO HAVE FUN NOW?
- YEAH.
64
00:02:59,804 --> 00:03:02,599
I REALLY WANTED TO BE
AN ACTRESS WHEN I WAS A KID.
65
00:03:02,640 --> 00:03:05,518
- IF YOU RUN INTO
A DYNAMITE PERSON,
66
00:03:05,560 --> 00:03:07,687
YOU JUST KNOW IT.
67
00:03:07,729 --> 00:03:09,272
THEY TRANSCEND THE LENS.
68
00:03:09,314 --> 00:03:11,107
THEY GET INSIDE THE LENS
69
00:03:11,149 --> 00:03:13,068
AND THEY END UP
IN THE LIVING ROOM
70
00:03:13,109 --> 00:03:15,945
OR THEY END UP
IN THE THEATER WITH YOU,
71
00:03:15,987 --> 00:03:19,783
AND YOU KNOW YOU KNOW THEM,
BUT YOU'VE NEVER MET THEM.
72
00:03:19,824 --> 00:03:21,493
- I THOUGHT THIS GIRL
WAS GREAT.
73
00:03:21,534 --> 00:03:23,536
THESE ARE THE ONES I TOOK
THAT I THOUGHT WERE GOOD.
74
00:03:23,578 --> 00:03:25,121
TAYLOR, SHAYNA.
75
00:03:25,163 --> 00:03:26,623
- I HATE
THIS CHILD'S PICTURE.
76
00:03:26,664 --> 00:03:29,000
HE DOESN'T WANT TO BE
DOING THIS.
77
00:03:29,042 --> 00:03:31,628
SHE'S GOT A GREAT
CHARACTER LOOK
78
00:03:31,670 --> 00:03:33,672
AND SHE TOTALLY WANTS IT.
79
00:03:33,713 --> 00:03:36,675
[orchestral music]
80
00:03:36,716 --> 00:03:41,304
* *
81
00:03:41,346 --> 00:03:44,057
[dog barks]
82
00:03:48,812 --> 00:03:54,234
- HOW ARE YOU FEELING, VIV?
HUH? HOW ARE YOU DOING?
83
00:03:54,275 --> 00:03:55,318
[kisses]
84
00:03:55,360 --> 00:03:56,986
WITHOUT MY GRANDMA,
85
00:03:57,028 --> 00:04:00,824
PROBABLY NONE OF THIS ACTING
STUFF WOULD BE GOING ON.
86
00:04:00,865 --> 00:04:03,368
- I WAS PRETTY MUCH
AGAINST IT AT FIRST,
87
00:04:03,410 --> 00:04:05,495
BECAUSE OF ALL THE THINGS THAT
YOU READ AND SEE IN THE NEWS
88
00:04:05,537 --> 00:04:06,788
ABOUT THE YOUNG STARS.
89
00:04:06,830 --> 00:04:10,875
THEY LOSE SIGHT OF
WHAT'S DECENT IN LIFE.
90
00:04:10,917 --> 00:04:14,921
SHE PROMISED ME THAT SHE WOULD
STAY SHANNA MARIE.
91
00:04:14,963 --> 00:04:18,967
- MY GOAL IS TO BE
IN SITCOMS AND MOVIES.
92
00:04:19,009 --> 00:04:21,469
GRANDMA'S LIKE, "YOU CAN'T MISS
AN OPPORTUNITY LIKE THIS.
93
00:04:21,511 --> 00:04:24,055
YOU HAVE TO GO
TO HOLLYWOOD."
94
00:04:24,097 --> 00:04:28,518
I LOVE YOU. MM-HMM.
I DO, I DO.
95
00:04:28,560 --> 00:04:32,856
HUH, SUGAR BOY?
[kisses]
96
00:04:32,897 --> 00:04:40,905
* *
97
00:04:41,906 --> 00:04:44,492
YAY.
[laughs]
98
00:04:48,246 --> 00:04:51,082
OH, MY GOSH.
- OH, MY GOSH.
99
00:04:51,124 --> 00:04:53,293
OOH, THAT'S WHERE
THE OSCARS ARE, HONEY.
100
00:04:53,335 --> 00:04:55,128
- THAT'S REALLY COOL.
- THAT'S COOL.
101
00:04:55,170 --> 00:04:58,506
- I MEAN, YEAH,
THAT IS REALLY COOL.
102
00:04:58,548 --> 00:05:00,675
- OH, MY GOSH.
103
00:05:00,717 --> 00:05:04,346
- [gasps] NO WAY.
- YAY.
104
00:05:06,389 --> 00:05:10,393
- MOM, DRIVE.
- I'M DRIVING, SWEETIE.
105
00:05:18,234 --> 00:05:20,987
- SHE HAD ALWAYS SAID,
SINCE SHE WAS LITTLE,
106
00:05:21,029 --> 00:05:23,406
THAT SHE WAS GONNA BE THIS,
AND, UH...
107
00:05:23,448 --> 00:05:24,908
[clears throat]
108
00:05:24,949 --> 00:05:26,409
SO FINALLY, WHEN SHE
WAS SEVEN YEARS OLD,
109
00:05:26,451 --> 00:05:27,577
MY HUSBAND GETS
IN THE PHONE BOOK
110
00:05:27,619 --> 00:05:30,914
AND HE'S, "YEAH,
THERE'S A PHOTOGRAPHY THING."
111
00:05:30,955 --> 00:05:33,750
- THIS HEADSHOT
WAS THE HEADSHOT
112
00:05:33,792 --> 00:05:35,585
THAT BASICALLY
GOT ME GOING.
113
00:05:35,627 --> 00:05:38,004
- WE SENT THOSE PICTURES OFF,
AND THREE DAYS LATER,
114
00:05:38,046 --> 00:05:39,589
THEY'RE LIKE,
"GET UP HERE,"
115
00:05:39,631 --> 00:05:41,716
AND I WAS LIKE,
"HERE WE GO."
116
00:05:41,758 --> 00:05:43,301
- YEAH.
117
00:05:43,343 --> 00:05:49,140
[The Ellen DeGeneres Show
playing on TV]
118
00:05:49,182 --> 00:05:50,934
[audience cheering]
119
00:05:50,975 --> 00:05:56,523
[Ellen talking indistinct]
120
00:05:56,564 --> 00:05:59,025
- PILOT SEASON,
IT'S A WINDOW OF OPPORTUNITY.
121
00:05:59,067 --> 00:06:00,610
IT'S, LIKE,
IF YOU'RE A SALESPERSON,
122
00:06:00,652 --> 00:06:03,113
YOU KNOW,
IF YOU HAVE THAT CHANCE
123
00:06:03,154 --> 00:06:05,240
TO GET IN FRONT OF
THAT CERTAIN PERSON
124
00:06:05,281 --> 00:06:08,201
THAT MIGHT BUY WHATEVER IT IS
YOU'RE SELLING,
125
00:06:08,243 --> 00:06:11,538
WELL, WE'RE SELLING--
WELL, THAT SOUNDS STUPID.
126
00:06:11,579 --> 00:06:13,373
WE'RE SELLING MEGAN.
127
00:06:15,625 --> 00:06:18,545
[overlapping chatter]
128
00:06:18,586 --> 00:06:21,047
- IT'S NOT AN EASY BUSINESS.
YOU GUYS KNOW THAT, RIGHT?
129
00:06:21,089 --> 00:06:23,591
THERE'S TONS OF SCAMS,
RIP-OFFS, AND DECEITS,
130
00:06:23,633 --> 00:06:25,343
BUT YOU HAVE TO GO
WITH THE RIGHT PEOPLE.
131
00:06:25,385 --> 00:06:26,594
WHAT DOES THAT SAY?
132
00:06:26,636 --> 00:06:30,181
all: "IF YOU DO NOT RUN
YOURSELF LIKE A BUSINESS,
133
00:06:30,223 --> 00:06:32,642
YOU WILL RUN YOURSELF
OUT OF BUSINESS!"
134
00:06:32,684 --> 00:06:35,520
- RIGHT. WE'LL GO OUT THERE
TO DO IT 'CAUSE WE LOVE ACTING.
135
00:06:35,562 --> 00:06:37,897
BUT YOU KNOW, UNDERNEATH,
WHAT DO WE KIND OF ALSO WANT?
136
00:06:37,939 --> 00:06:40,608
- WE WANT MONEY.
- MONEY.
137
00:06:40,650 --> 00:06:42,527
HOW MANY OF YOU
HAVE DONE STUDENT FILMS?
138
00:06:42,569 --> 00:06:44,988
YEAH, WASTE OF TIME.
139
00:06:45,030 --> 00:06:46,698
YOU'RE GOING OUT
FOR SOMETHING FOR FREE
140
00:06:46,740 --> 00:06:48,867
FOR A STUDENT
WHO'S NOT DOING ANYTHING
141
00:06:48,908 --> 00:06:50,702
EXCEPT LEARNING
HOW TO SHOOT FILM.
142
00:06:50,744 --> 00:06:52,620
LET'S NOT DO IT FOR FREE.
143
00:06:52,662 --> 00:06:54,539
WHEN I GET
A KID'S SUBMISSION,
144
00:06:54,581 --> 00:06:57,167
I'M GETTING CLOSE
TO 1,000 TO 1,800.
145
00:06:57,208 --> 00:06:59,502
AT THE MOST,
I CAN SEE 40 KIDS.
146
00:06:59,544 --> 00:07:00,920
DO YOU KNOW WHO ELSE GETS
AUDITIONED WHEN YOU'RE THERE,
147
00:07:00,962 --> 00:07:02,255
WHILE YOU'RE IN
THE WAITING ROOM?
148
00:07:02,297 --> 00:07:03,715
WHO ELSE?
- YOUR PARENTS.
149
00:07:03,757 --> 00:07:04,883
- YOUR PARENTS, BIG TIME.
150
00:07:04,924 --> 00:07:06,551
IF WE DON'T LIKE A PARENT,
151
00:07:06,593 --> 00:07:09,012
WE DELETE THE CHILD
OFF THE TAPE.
152
00:07:09,054 --> 00:07:10,597
THEY JUST ERASE 'EM.
153
00:07:10,638 --> 00:07:13,933
WHATEVER YOU WANT,
JUST THINK ABOUT IT
154
00:07:13,975 --> 00:07:17,103
AND KEEP THAT IN YOUR MIND
AND SEE THAT ALL THE TIME,
155
00:07:17,145 --> 00:07:18,605
THAT YOU'RE GONNA GET
AN ACADEMY AWARD,
156
00:07:18,646 --> 00:07:19,981
YOU'RE GONNA GET AN OSCAR.
157
00:07:20,023 --> 00:07:21,983
HERE'S YOUR LITTLE MOTTO
FOR TODAY.
158
00:07:22,025 --> 00:07:24,319
IF YOU BELIEVE IT,
YOU CAN...
159
00:07:24,361 --> 00:07:25,320
all: ACHIEVE IT.
160
00:07:25,362 --> 00:07:27,322
- ACHIEVE IT
AND RECEIVE IT.
161
00:07:27,364 --> 00:07:29,282
BELIEVE, ACHIEVE, RECEIVE.
162
00:07:29,324 --> 00:07:31,701
- OKAY, LET'S GIVE STUART
A BIG HAND FOR COMING TODAY.
163
00:07:31,743 --> 00:07:34,120
[cheers and applause]
164
00:07:34,162 --> 00:07:36,373
- MY POLICY IS
THAT EVERYONE WHO COMES
165
00:07:36,414 --> 00:07:37,999
HAS TO DO A FREE SEMINAR,
166
00:07:38,041 --> 00:07:40,585
BECAUSE I FEEL THE FAMILIES
SPEND ENOUGH MONEY
167
00:07:40,627 --> 00:07:44,297
DOING ALL THE CLASSES AND
HEADSHOTS AND EVERYTHING ELSE,
168
00:07:44,339 --> 00:07:46,716
THAT HERE AT OAKWOOD,
I WANT EVERYTHING FREE.
169
00:07:46,758 --> 00:07:49,344
- IT'S SOMETHING THAT I THINK
WAS REALLY ROSIE'S DOING
170
00:07:49,386 --> 00:07:51,262
THAT GREW OUT OF NOTHING.
171
00:07:51,304 --> 00:07:52,806
YOU KNOW, IT WAS JUST
A PLACE TO STAY,
172
00:07:52,847 --> 00:07:55,642
BUT IT BECAME THEPLACE
TO STAY.
173
00:07:55,684 --> 00:07:59,270
- IN ITS CONCEPTION,
OAKWOOD WAS FOR SINGLES ONLY,
174
00:07:59,312 --> 00:08:01,648
AND BACK IN THE '70s,
THAT ALL CHANGED.
175
00:08:01,690 --> 00:08:04,192
SO WE'VE GONE FROM
WALKING DOWN THE AISLE
176
00:08:04,234 --> 00:08:06,528
TO WALKING DOWN
THE RED CARPET.
177
00:08:06,569 --> 00:08:08,238
- YOU KNOW, A LOT OF FAMOUS KIDS
HAVE STAYED THERE.
178
00:08:08,279 --> 00:08:10,115
I'M SURE YOU KNOW HILARY DUFF,
JENNIFER LOVE HEWITT.
179
00:08:10,156 --> 00:08:11,908
YOU KNOW, MANY FAMOUS PEOPLE
HAVE STAYED THERE.
180
00:08:11,950 --> 00:08:14,494
- I'M ALWAYS BLOWN AWAY
WITH THE ENERGY
181
00:08:14,536 --> 00:08:17,539
THESE LITTLE PACKAGES HAVE
AND THE TALENT.
182
00:08:17,580 --> 00:08:19,624
THIS IS ANDREW ASTOR.
183
00:08:19,666 --> 00:08:22,961
HE IS ON DIRTY SEXY MONEY.
HE'S SIX YEARS OLD.
184
00:08:23,003 --> 00:08:26,089
VINCENT MARTELLA.
HE'S ON EVERYONE HATES CHRIS.
185
00:08:26,131 --> 00:08:27,799
HILARY DUFF LIVED HERE.
186
00:08:27,841 --> 00:08:29,467
SHE CAME BECAUSE OF
HER SISTER,
187
00:08:29,509 --> 00:08:32,429
AND THEN SHE MADE IT
ON LIZZIE MCGUIRE.
188
00:08:32,470 --> 00:08:34,389
- YOU KNOW, WHEN I THINK OF
THE OAKWOOD,
189
00:08:34,431 --> 00:08:36,516
IT IS SORT OF, FOR ME,
IT'S SORT OF A PLACE
190
00:08:36,558 --> 00:08:38,852
THAT DOESN'T EXIST
AFTER, LIKE, MAY 1ST.
191
00:08:38,893 --> 00:08:41,271
FROM MAY 1ST TILL DECEMBER,
IT'S JUST--
192
00:08:41,312 --> 00:08:42,772
YOU KNOW,
YOU SEE THE TUMBLEWEEDS.
193
00:08:42,814 --> 00:08:44,649
BUT THEN, THERE,
ALL OF A SUDDEN,
194
00:08:44,691 --> 00:08:46,317
YOU KNOW, THE CIRCUS
COMES TO TOWN.
195
00:08:46,359 --> 00:08:47,736
- CANNONBALL!
196
00:08:47,777 --> 00:08:50,113
- IT'S JUST LIKE A TRAIL
OF HOPE COMES IN,
197
00:08:50,155 --> 00:08:52,574
AND THEY ALL TAKE OVER.
198
00:08:52,615 --> 00:08:54,534
- YOU KNOW, I TELL PARENTS
ALL THE TIME,
199
00:08:54,576 --> 00:08:56,244
IF YOU'RE GONNA STAY
AT THE OAKWOOD,
200
00:08:56,286 --> 00:08:58,288
IT'S A GOOD EXPERIENCE
FOR THE KIDS,
201
00:08:58,329 --> 00:09:00,206
BECAUSE THERE'S
A BUILT-IN SOCIAL AND CLASSES
202
00:09:00,248 --> 00:09:01,499
AND ALL THAT,
203
00:09:01,541 --> 00:09:04,836
BUT JUST KEEP EVERYTHING
TO YOURSELF.
204
00:09:04,878 --> 00:09:05,920
I WAS A SOCCER MOM.
205
00:09:05,962 --> 00:09:08,298
I WASN'T THE LEAST BIT
PREPARED FOR THIS.
206
00:09:08,340 --> 00:09:11,134
- WOULD YOU GUYS LIKE
SOMETHING TO DRINK OR--?
207
00:09:11,176 --> 00:09:13,678
- SCOTCH AND WATER?
NO, I'M KIDDING.
208
00:09:13,720 --> 00:09:15,889
- YOU WANT SOME WATER?
- NO, THANK YOU, I'M FINE.
209
00:09:15,930 --> 00:09:17,182
I'M KIDDING.
210
00:09:17,223 --> 00:09:20,310
- PUT EVERYBODY ON HOLD.
- YEAH.
211
00:09:20,352 --> 00:09:22,479
WE'LL MAKE IT VERY,
VERY BRIEF.
212
00:09:22,520 --> 00:09:23,605
WE'RE KIND OF CONFUSED
ABOUT THE WHOLE PICTURE
213
00:09:23,646 --> 00:09:25,315
AND WHAT YOU'RE LOOKING FOR
214
00:09:25,357 --> 00:09:27,359
AND PROVIDING YOU WITH
THE BEST STUFF THAT WE CAN.
215
00:09:27,400 --> 00:09:32,614
- LIKE, WHEN A CASTING DIRECTOR
GETS THE 4,832 SUBMISSIONS
216
00:09:32,655 --> 00:09:35,700
OF PEOPLE JUST LIKE YOU,
WHOSE IS GONNA STAND OUT?
217
00:09:35,742 --> 00:09:37,702
SOMEBODY THAT'S GOT
A LITTLE BIT OF SOMETHING
218
00:09:37,744 --> 00:09:41,164
OR YOUR TRADITIONAL,
NICE, POSED SHOT?
219
00:09:41,206 --> 00:09:42,749
EVERYBODY'S GOT THIS.
220
00:09:42,791 --> 00:09:44,334
NOW, I'M NOT SAYING THAT
YOU CAN'T GET AN AUDITION
221
00:09:44,376 --> 00:09:46,753
WITH A NICE, YOU KNOW,
YEARBOOK-TYPE PICTURE.
222
00:09:46,795 --> 00:09:48,254
YOU CAN.
223
00:09:48,296 --> 00:09:51,841
I HAVE A LITTLE BOY RIGHT NOW
THAT'S BEING COACHED AS WE SPEAK
224
00:09:51,883 --> 00:09:54,969
BY A CASTING COMPANY BECAUSE
THEY REALLY WANT--
225
00:09:55,011 --> 00:09:56,805
ARE CONSIDERING HIM TO PLAY
JENNIFER ANISTON'S SON
226
00:09:56,846 --> 00:09:58,640
IN HER NEXT MOVIE.
227
00:09:58,682 --> 00:10:00,058
- OH, MY GOSH,
THAT'S UNBELIEVABLE.
228
00:10:00,100 --> 00:10:02,769
- YEAH. AND HE'S GONNA GO MEET
WITH ALL OF THEM TOMORROW.
229
00:10:02,811 --> 00:10:04,562
AND WE'LL GET SOMETHING
LIKE THAT FOR YOU.
230
00:10:04,604 --> 00:10:06,690
I THINK THE NEW PHOTOS
WILL HELP.
231
00:10:06,731 --> 00:10:08,483
- SUPER.
232
00:10:08,525 --> 00:10:09,859
- AND LET ME JUST--ONE QUICK
CHECK OF THE EMAILS HERE.
233
00:10:09,901 --> 00:10:11,736
MAYBE SOMETHING CAME UP
WHILE WE WERE TALKING.
234
00:10:11,778 --> 00:10:14,447
WELL, SOMETHING DID COME UP.
LET'S SEE WHAT IT IS.
235
00:10:14,489 --> 00:10:15,990
- IT'S GONNA BE GOOD,
IT'S GONNA BE GOOD.
236
00:10:16,032 --> 00:10:18,535
- IT'S FOR A PILOT
FOR NICKELODEON,
237
00:10:18,576 --> 00:10:20,787
BUT IT'S FOR A BOY.
238
00:10:20,829 --> 00:10:22,831
BUT YOU SEE HOW
IT COULD HAPPEN ANYTIME.
239
00:10:22,872 --> 00:10:25,792
- ARE YOU READY?
3, 2, 1.
240
00:10:25,834 --> 00:10:27,335
[camera shutter clicks]
GOOD.
241
00:10:27,377 --> 00:10:29,879
NOW BRING IT BACK TO ME
JUST A LITTLE MORE.
242
00:10:29,921 --> 00:10:31,881
GOOD. CHIN UP.
243
00:10:31,923 --> 00:10:34,259
AND BACK UP
JUST A LITTLE BIT.
244
00:10:34,300 --> 00:10:36,886
GOOD. MOM?
- YES, SIR.
245
00:10:36,928 --> 00:10:38,722
- WANT TO TIGHTEN UP
THE HAIR?
246
00:10:38,763 --> 00:10:40,390
WE HAVE PHOTOSHOP,
247
00:10:40,432 --> 00:10:42,726
BUT THE LESS WE USE PHOTOSHOP--
- THE BETTER?
248
00:10:42,767 --> 00:10:44,227
- THE PERFECT--THE MORE
PERFECT THE SURE--YEAH.
249
00:10:44,269 --> 00:10:46,396
- SHE LOVES WHEN I DO THAT.
250
00:10:46,438 --> 00:10:48,773
- AND I'M GONNA GO,
"3, 2, 1, TURN."
251
00:10:48,815 --> 00:10:52,360
TURN, TURN, TURN. GOOD.
252
00:10:52,402 --> 00:10:53,570
[camera shutter clicks]
253
00:10:53,611 --> 00:10:56,990
VERY NICE.
HOLD IT RIGHT THERE. GOOD.
254
00:10:57,032 --> 00:10:58,450
- THAT'S NICE.
- PERFECT.
255
00:10:58,491 --> 00:11:00,827
I THINK THAT'S WHAT I SAID
WHEN WE SHOT THIS ONE.
256
00:11:00,869 --> 00:11:03,496
OKAY, WE'RE DONE.
- [laughs]
257
00:11:03,538 --> 00:11:04,873
- I MEAN,
SHE'S ALREADY A PRO.
258
00:11:04,914 --> 00:11:07,667
- [laughs]
259
00:11:07,709 --> 00:11:09,127
[music playing]
260
00:11:09,169 --> 00:11:12,922
- AND NOW, THE 81ST ANNUAL
ACADEMY AWARDS.
261
00:11:12,964 --> 00:11:15,675
[cheers and applause]
262
00:11:15,717 --> 00:11:18,803
- I GREW UP IN A PLACE
CALLED ALCOBENDAS,
263
00:11:18,845 --> 00:11:21,473
WHERE THIS WAS NOT
A VERY REALISTIC DREAM.
264
00:11:21,514 --> 00:11:24,893
- WHEN I WAS 13 YEARS OLD,
MY BEAUTIFUL MOTHER
265
00:11:24,934 --> 00:11:27,103
AND MY FATHER MOVED ME
TO CALIFORNIA.
266
00:11:27,145 --> 00:11:29,689
- I THINK I WAS
PROBABLY EIGHT YEARS OLD
267
00:11:29,731 --> 00:11:31,900
AND STARING INTO
THE BATHROOM MIRROR,
268
00:11:31,941 --> 00:11:33,943
AND THIS WOULD HAVE BEEN
A SHAMPOO BOTTLE.
269
00:11:33,985 --> 00:11:35,528
[laughter]
270
00:11:35,570 --> 00:11:38,823
WELL, IT'S NOT
A SHAMPOO BOTTLE NOW.
271
00:11:38,865 --> 00:11:40,784
I'D LIKE TO THANK
MY MOM AND DAD,
272
00:11:40,825 --> 00:11:41,785
WHO ARE
IN THIS ROOM SOMEWHERE.
273
00:11:41,826 --> 00:11:43,495
DAD, WHISTLE OR SOMETHING,
274
00:11:43,536 --> 00:11:44,496
'CAUSE THEN I'LL KNOW
WHERE YOU ARE.
275
00:11:44,537 --> 00:11:46,206
- [whistles]
- YES!
276
00:11:46,247 --> 00:11:49,751
[applause]
277
00:11:49,793 --> 00:11:52,045
I LOVE YOU.
278
00:11:52,087 --> 00:11:54,964
[applause]
279
00:11:55,006 --> 00:11:59,386
- I VISUALIZE HOLDING
AN OSCAR IN MY HAND.
280
00:11:59,427 --> 00:12:02,138
- OF COURSE YOU'D HAVE TO
THANK THE--
281
00:12:02,180 --> 00:12:03,932
OH, MY GOSH,
I FORGOT WHAT IT'S CALLED.
282
00:12:03,973 --> 00:12:05,392
- THE ACADEMY.
283
00:12:05,433 --> 00:12:07,894
- THE DIRECTOR THAT MADE IT
AND THE FILM CREW.
284
00:12:07,936 --> 00:12:10,188
- ACTING COACHES.
- DANCE COACHES.
285
00:12:10,230 --> 00:12:13,274
- AND WE WOULD LIKE TO THANK ALL
THE HOMELESS ANIMALS OUT THERE.
286
00:12:13,316 --> 00:12:15,985
- AND EVERYBODY WHO HELPED ME
ALONG THE WAY.
287
00:12:16,027 --> 00:12:20,031
- MY MOM, FIRST OF ALL, FOR,
LIKE, DRIVING ME TO AUDITIONS.
288
00:12:20,073 --> 00:12:22,909
- AND MY DAD, BECAUSE THEY'VE
ALWAYS BEEN THERE FOR ME.
289
00:12:22,951 --> 00:12:24,619
- THEY'VE DONE A LOT
FOR ME.
290
00:12:24,661 --> 00:12:28,707
AND MY DAD HAS TO BE
BACK HOME BY HIMSELF.
291
00:12:30,750 --> 00:12:32,293
[laughs]
292
00:12:32,335 --> 00:12:33,586
WE'RE IN MY BEDROOM.
293
00:12:33,628 --> 00:12:35,964
I DECORATED IT,
AS YOU CAN SEE,
294
00:12:36,006 --> 00:12:39,551
AND THIS IS JUST A LOT OF
MY PERSONALITY IN HERE.
295
00:12:39,592 --> 00:12:42,053
AND THEN, AS YOU CAN SEE,
WE SLEEP ON THE FLOOR,
296
00:12:42,095 --> 00:12:47,350
UM, BECAUSE WE GOT
OUR APARTMENT UNFURNISHED,
297
00:12:47,392 --> 00:12:49,978
SO WE DON'T HAVE A BED
ANYMORE,
298
00:12:50,020 --> 00:12:51,479
SO WE JUST STARTED
SLEEPING ON THE FLOOR.
299
00:12:51,521 --> 00:12:53,398
IT'S ACTUALLY
PRETTY COMFORTABLE.
300
00:12:53,440 --> 00:12:57,277
- THESE KIDS ARE GROWING UP--
IT'S, LIKE, THE NEIGHBORHOOD.
301
00:12:57,318 --> 00:13:01,448
- GUYS, WHAT'D YOUR MOM SAY?
302
00:13:01,489 --> 00:13:03,700
ARE YOU GOING TO THE POOL,
THOUGH?
303
00:13:03,742 --> 00:13:05,326
- INSTEAD OF SITTING
ON THE FRONT PORCH,
304
00:13:05,368 --> 00:13:07,912
YOU'RE SITTING AT THE POOL,
AND ALL THE KIDS,
305
00:13:07,954 --> 00:13:09,956
EVEN THOUGH THERE'S
COMPETITION GOING ON,
306
00:13:09,998 --> 00:13:12,083
THEY'RE ALL THEIR FRIENDS.
307
00:13:12,125 --> 00:13:14,169
- GUYS! OH!
308
00:13:14,210 --> 00:13:17,005
- SHANNA.
SHANNA BANANA.
309
00:13:17,047 --> 00:13:19,007
[laughter]
310
00:13:19,049 --> 00:13:23,845
[overlapping chatter]
311
00:13:23,887 --> 00:13:26,473
- UH, JAMES, IT'S SAYS
ABSOLUTELY NO DIVING.
312
00:13:26,514 --> 00:13:29,434
BUT MAKE SURE YOU DON'T JUMP--
I DON'T KNOW.
313
00:13:29,476 --> 00:13:31,644
JUST--JUST GET IN THE POOL,
'CAUSE YOU'RE MAKING ME NERVOUS.
314
00:13:31,686 --> 00:13:33,897
- ALL RIGHT.
- MY NERVES ARE UP HERE.
315
00:13:33,938 --> 00:13:36,524
- ALL RIGHT. WATCH.
- GO ON, JAMES.
316
00:13:36,566 --> 00:13:41,029
DON'T DIVE.
- OKAY.
317
00:13:41,071 --> 00:13:43,823
- YOU'RE MAKING ME NERVOUS.
318
00:13:45,325 --> 00:13:48,286
- YEAH, JAMES!
WHOO-HOO!
319
00:13:48,328 --> 00:13:49,871
- I DIDN'T THINK IT WAS,
LIKE, EIGHT FEET.
320
00:13:49,913 --> 00:13:53,541
[overlapping chatter]
321
00:13:53,583 --> 00:13:56,378
- SEE? I'M OKAY, MOTHER.
322
00:14:03,385 --> 00:14:04,803
- MOM?
- YEAH, SWEETIE?
323
00:14:04,844 --> 00:14:06,930
- DO YOU WISH YOU WERE
AN OSCAR MAYER WIENER?
324
00:14:06,971 --> 00:14:10,892
- I DO, BECAUSE THEN EVERYBODY
WOULD BE IN LOVE WITH ME.
325
00:14:10,934 --> 00:14:16,022
- PREPARE TO EXIT RIGHT
IN THREE-QUARTERS OF A MILE.
326
00:14:16,064 --> 00:14:18,900
- THE AUDITION
IS FOR OSCAR MAYER.
327
00:14:18,942 --> 00:14:20,735
- TAKE NEXT RIGHT.
328
00:14:20,777 --> 00:14:24,072
- THEY WANT A VERY REAL,
NATURAL LOOK,
329
00:14:24,114 --> 00:14:26,032
SO WE'LL SEE.
330
00:14:26,074 --> 00:14:30,829
[overlapping chatter]
331
00:14:41,506 --> 00:14:44,926
- ISN'T IT COOL?
- SO COOL.
332
00:14:48,847 --> 00:14:51,391
- THAT WAS COOL.
- THAT WAS REALLY COOL.
333
00:14:51,433 --> 00:14:53,977
THAT WAS COOL.
- THAT WAS COOL.
334
00:14:54,019 --> 00:14:57,397
WILD.
335
00:14:57,439 --> 00:14:59,983
DID YOU RECOGNIZE HIM?
- MM-HMM.
336
00:15:00,025 --> 00:15:01,317
- FOURTH FLOOR.
- OKAY, THIS ONE.
337
00:15:01,359 --> 00:15:02,694
THIS IS OURS.
338
00:15:02,736 --> 00:15:05,321
[lighthearted music]
339
00:15:05,363 --> 00:15:06,531
OH.
340
00:15:06,573 --> 00:15:10,118
* *
341
00:15:10,160 --> 00:15:13,329
- EXCELLENT. AND THEN YOU'RE
GONNA LOOK AT THIS PINK PAPER.
342
00:15:13,371 --> 00:15:15,957
ONE, TWO, AND THREE.
343
00:15:20,754 --> 00:15:23,923
EXCELLENT.
- THANK YOU.
344
00:15:23,965 --> 00:15:25,467
THANK YOU.
- BYE.
345
00:15:25,508 --> 00:15:27,135
- HAVE A GOOD DAY.
- YOU TOO.
346
00:15:27,177 --> 00:15:28,595
- LOOK!
- LOOK! HI!
347
00:15:28,636 --> 00:15:30,013
- WAS THAT--
WAS THAT TOO OBVIOUS?
348
00:15:30,055 --> 00:15:32,432
- HI. LIKE,
JUST A LITTLE OBVIOUS.
349
00:15:32,474 --> 00:15:35,810
THIS WILL LOOK GOOD
ON MY BLOG.
350
00:15:35,852 --> 00:15:38,063
GET IT, GET IT.
- I THINK I GOT IT.
351
00:15:38,104 --> 00:15:39,356
- [groans]
352
00:15:39,397 --> 00:15:41,024
THE LADY IN THERE
WAS REALLY NICE.
353
00:15:41,066 --> 00:15:42,525
- AT THE AUDITION?
- YEAH.
354
00:15:42,567 --> 00:15:44,110
- SO, WHAT DID SHE TE--
DID SHE DESCRIBE TO YOU
355
00:15:44,152 --> 00:15:45,987
WHAT YOU NEEDED TO DO?
356
00:15:46,029 --> 00:15:51,868
- NO. SHE DIDN'T EVEN TELL ME
TO SMILE OR ANYTHING, SO...
357
00:15:53,661 --> 00:15:57,916
all: I FEEL GREAT!
- COME ON, BELIEVE IT!
358
00:15:57,957 --> 00:16:00,835
all: I FEEL GREAT!
359
00:16:00,877 --> 00:16:02,045
- LIE IF YOU HAVE TO!
360
00:16:02,087 --> 00:16:04,381
all: I FEEL GREAT!
361
00:16:04,422 --> 00:16:06,633
- WHEN YOU AUDITION
FOR A COMEDY,
362
00:16:06,675 --> 00:16:08,802
A SITCOM, OR COMEDY ACTING,
YOU'VE GOT TO HAVE ENERGY,
363
00:16:08,843 --> 00:16:11,304
AND THAT'S GOT TO COME
FROM DOWN HERE, OKAY?
364
00:16:11,346 --> 00:16:13,348
[inhales]
365
00:16:13,390 --> 00:16:17,727
WHEN YOU SAY YOUR NAME,
YOU'RE COMMUNICATING YOUR NAME,
366
00:16:17,769 --> 00:16:21,147
SO THAT YOU'RE THINKING, I DON'T
WANT YOU TO FORGET MY NAME.
367
00:16:21,189 --> 00:16:24,567
SO WE'RE GONNA DO THREE "HUHS"
AND THEN YOUR NAME,
368
00:16:24,609 --> 00:16:27,153
YOUR FULL NAME,
WITH POWER AND STRENGTH.
369
00:16:27,195 --> 00:16:30,198
- HUH, HUH, HUH,
SHANNA GROVE.
370
00:16:30,240 --> 00:16:32,450
- I WANT THE VOICE PLACEMENT
DOWN HERE, FURTHER.
371
00:16:32,492 --> 00:16:35,995
- HUH, HUH, HUH, SHANNA GROVE.
- GOOD.
372
00:16:36,037 --> 00:16:40,375
- WUH, WUH, WUH, RYAN CASTLE.
- RYAN CASTLE.
373
00:16:40,417 --> 00:16:43,211
- HUH, HUH, HUH, PATRICK CASA.
- GOOD.
374
00:16:43,253 --> 00:16:44,004
NOW, WHEN YOU GO
INTO AN AUDITION,
375
00:16:44,045 --> 00:16:45,588
DON'T DO
THE "HUH, HUH, HUH."
376
00:16:45,630 --> 00:16:47,590
ALL RIGHT?
[laughter]
377
00:16:47,632 --> 00:16:49,509
[laughter on TV]
378
00:16:49,551 --> 00:16:54,139
- YES.
- GETTING KIND OF HUNGRY.
379
00:16:54,180 --> 00:16:55,890
- HE'S 14 NOW.
380
00:16:55,932 --> 00:16:58,309
HE CAN SAY A NAUGHTY WORD
IF THE SCENE CALLS FOR IT.
381
00:16:58,351 --> 00:17:00,395
YOU KNOW, I DON'T WANT HIM
IN ANY SEXUAL SITUATIONS
382
00:17:00,437 --> 00:17:03,231
THAT ARE BEYOND WHAT A
14-YEAR-OLD WOULD NORMALLY FACE.
383
00:17:03,273 --> 00:17:06,317
AND I, CERTAINLY, I SAID
ABSOLUTELY NOTHING
384
00:17:06,359 --> 00:17:07,485
THAT GLORIFIES SATAN.
385
00:17:07,527 --> 00:17:09,070
ABSOLUTELY NOTHING.
386
00:17:09,112 --> 00:17:11,072
I DON'T CARE IF THEY
PAID HIM $1 MILLION.
387
00:17:11,114 --> 00:17:12,490
HE'S NOT GONNA, YOU KNOW,
PLAY SATAN,
388
00:17:12,532 --> 00:17:14,784
HE'S NOT GONNA PLAY A ROLE
OF A SATAN WORSHIPPER,
389
00:17:14,826 --> 00:17:16,244
AND HE'S NOT GONNA PLAY ANYTHING
THAT GLORIFIES SATAN.
390
00:17:16,286 --> 00:17:18,288
I DON'T CARE HOW MUCH MONEY
THEY OFFER HIM.
391
00:17:18,329 --> 00:17:20,248
NOT GONNA DO IT.
392
00:17:20,290 --> 00:17:22,042
MY HUSBAND'S A PILOT
IN THE AIR FORCE,
393
00:17:22,083 --> 00:17:23,460
AND BECAUSE HE'S A PILOT
IN THE AIR FORCE,
394
00:17:23,501 --> 00:17:25,211
WE'RE DEFINITELY NOT RICH.
395
00:17:25,253 --> 00:17:26,880
EAT A LOT OF HOT DOGS
AND MACARONI AND CHEESE
396
00:17:26,921 --> 00:17:28,256
WHEN WE'RE HERE.
397
00:17:28,298 --> 00:17:31,134
- IN MOM'S ROOM,
WE HAVE THIS TABLE,
398
00:17:31,176 --> 00:17:33,678
AND IT HAS, LIKE,
SNACKS AND STUFF.
399
00:17:33,720 --> 00:17:35,263
WE CALL IT THE SNACK TABLE.
400
00:17:35,305 --> 00:17:38,391
IT HAS, LIKE, FOOD
WHERE WE CAN GET SNACKS.
401
00:17:38,433 --> 00:17:41,061
- AND I SLEEP UNDER
THE SNACK TABLE,
402
00:17:41,102 --> 00:17:43,980
BECAUSE THERE'S NOWHERE ELSE
FOR ME TO SLEEP.
403
00:17:44,022 --> 00:17:46,649
I LIKE ALL THE PRINCESSES.
404
00:17:46,691 --> 00:17:49,944
- AND I SLEEP ON THIS COUCH.
405
00:17:49,986 --> 00:17:56,242
I KEEP A PILLOW AND BLANKET
IN THE CLOSET DURING THE DAY.
406
00:17:56,284 --> 00:17:58,370
- I HAD AN ACTING COACH
COME TO ME ONE TIME
407
00:17:58,411 --> 00:18:00,497
AND SHE SAID, "CAN YOU PLEASE
SPEAK TO THIS MOTHER?"
408
00:18:00,538 --> 00:18:02,040
SHE WAS ALLOWING HER DAUGHTER
409
00:18:02,082 --> 00:18:04,167
TO AUDITION FOR A PART
THAT USED FOUL LANGUAGE,
410
00:18:04,209 --> 00:18:06,086
AND SHE ENDED UP, LIKE,
RIPPING HER SHIRT OFF
411
00:18:06,127 --> 00:18:08,672
AND WEARING SOME SORT
OF LEATHER BRA OR SOME--
412
00:18:08,713 --> 00:18:10,173
SOMETHING AN EIGHT-YEAR-OLD,
IN MY ESTIMATION,
413
00:18:10,215 --> 00:18:12,300
JUST SHOULDN'T BE DOING.
414
00:18:12,342 --> 00:18:14,135
AND I TALKED TO HER,
AND SHE ENDED UP SAYING,
415
00:18:14,177 --> 00:18:16,054
"OH, MY DAUGHTER'S
NOT DOING THAT."
416
00:18:16,096 --> 00:18:20,183
SO I KIND OF--I DON'T WANT TO
SOUND OBNOXIOUS OR ANYTHING,
417
00:18:20,225 --> 00:18:22,185
BUT I THINK THAT WE WERE
SENT HERE FOR A PURPOSE,
418
00:18:22,227 --> 00:18:24,354
AND THESE CHILDREN--
ESPECIALLY THE OLDEST ONE
419
00:18:24,396 --> 00:18:25,522
WHO'S BEEN DOING IT SO LONG,
420
00:18:25,563 --> 00:18:27,190
WAS GIVEN THIS GIFT
FOR A REASON,
421
00:18:27,232 --> 00:18:29,776
I CONSIDER THIS
OUR MISSION FIELD.
422
00:18:29,818 --> 00:18:32,195
I MEAN, YOU DON'T HAVE TO
GO TO AFRICA
423
00:18:32,237 --> 00:18:34,072
TO BE AN EXAMPLE TO OTHERS.
424
00:18:45,375 --> 00:18:47,669
AMEN. VERY GOOD, RYAN.
425
00:18:49,504 --> 00:18:54,175
- SAVANNAH.
426
00:18:54,217 --> 00:18:56,678
IT'S TIME TO WAKE UP,
SLEEPING BEAUTY.
427
00:18:57,679 --> 00:19:00,932
- SMOKEY. SMOKEY.
428
00:19:03,268 --> 00:19:04,644
- WHEN I GET OLDER,
429
00:19:04,686 --> 00:19:07,397
I KNOW IT'S REALLY HIGH
EXPECTATIONS,
430
00:19:07,439 --> 00:19:10,233
BUT I WANT TO BE, LIKE,
THE NEXT DAKOTA FANNING.
431
00:19:12,235 --> 00:19:17,323
HIGH EXPECTATIONS, BUT MAYBE
I'LL GET THERE SOMEDAY.
432
00:19:17,365 --> 00:19:19,409
- BUT ASHLEY DID HAVE
A THEATRICAL AGENT, UH,
433
00:19:19,451 --> 00:19:23,329
AT PREMIERE TALENT,
BUT THAT WOMAN LEFT THE AGENCY.
434
00:19:23,371 --> 00:19:26,207
- AND THEY ASKED IF WE
WANTED TO CONTINUE WITH THEM,
435
00:19:26,249 --> 00:19:29,336
BUT I DID NOT WANT
TO CONTINUE WITH THEM.
436
00:19:29,377 --> 00:19:30,837
- WHAT DO YOU CONSIDER
A GOOD AGENT?
437
00:19:30,879 --> 00:19:35,675
- PROBABLY
AN AUDITION A WEEK.
438
00:19:35,717 --> 00:19:37,469
AND...
439
00:19:37,510 --> 00:19:39,387
- ESPECIALLY
AT YOUR AGE GROUP.
440
00:19:39,429 --> 00:19:41,222
- YEAH.
441
00:19:41,264 --> 00:19:42,766
I MEAN, IF IT WAS
SAVANNAH'S AGE GROUP,
442
00:19:42,807 --> 00:19:45,435
IT'D PROBABLY BE
THREE AUDITIONS A WEEK.
443
00:19:45,477 --> 00:19:48,188
- I'M GOING TO SCHOOL,
NOT AN AUDITION.
444
00:19:48,229 --> 00:19:50,982
- THERE'S A LOT LESS
HER AGE OUT HERE,
445
00:19:51,024 --> 00:19:53,902
AND I GUESS, LIKE,
THERE'S MORE ROLES,
446
00:19:53,943 --> 00:19:56,154
BECAUSE THAT'S A REALLY
HOT MARKET RIGHT NOW,
447
00:19:56,196 --> 00:19:57,614
AND SO, SAY, IF YOU HAVE
A SEVEN-YEAR-OLD
448
00:19:57,655 --> 00:19:59,157
IN YOUR COMMERCIAL,
449
00:19:59,199 --> 00:20:00,784
THAT COMMERCIAL
IS PROBABLY GONNA BE,
450
00:20:00,825 --> 00:20:03,328
LIKE, IN THE SUPER BOWL.
451
00:20:03,370 --> 00:20:05,622
- [squeals]
- [laughs]
452
00:20:05,663 --> 00:20:07,791
- THERE ARE SO MANY GIRLS
IN THE BUSINESS.
453
00:20:07,832 --> 00:20:10,460
I MEAN, THERE'S AN ABUNDANCE
OF 12-YEAR-OLD GIRLS.
454
00:20:10,502 --> 00:20:12,462
EVERY LITTLE 12-YEAR-OLD GIRL
IN THIS COUNTRY
455
00:20:12,504 --> 00:20:14,673
WANTS TO BE A SINGER,
DANCER, MOVIE STAR,
456
00:20:14,714 --> 00:20:17,425
AND THERE--AND THERE AREN'T
AS MANY PARTS.
457
00:20:17,467 --> 00:20:20,387
- I'LL TAKE THAT.
- OKAY.
458
00:20:20,428 --> 00:20:23,306
- SO IF YOU'RE COMING
TO CALIFORNIA FROM DENVER,
459
00:20:23,348 --> 00:20:25,266
YOU'RE RISKING A LOT.
460
00:20:25,308 --> 00:20:28,895
WHY WERE YOU SO MOTIVATED
TO BECOME AN ACTRESS?
461
00:20:28,937 --> 00:20:32,691
- I--IT INSPIRES ME, AND I THINK
IT INSPIRES EVERYBODY ELSE,
462
00:20:32,732 --> 00:20:34,901
AND IT'S GOOD ROLE MODELING,
I THINK,
463
00:20:34,943 --> 00:20:37,362
AND IT'S A TON OF FUN, SO--
464
00:20:37,404 --> 00:20:39,364
- SO YOU LOVE IT,
AND THERE'S SOME PART OF YOU
465
00:20:39,406 --> 00:20:40,824
THAT SAYS, "I'M SUPPOSED TO BE
DOING THIS," RIGHT?
466
00:20:40,865 --> 00:20:41,825
- MM-HMM.
467
00:20:41,866 --> 00:20:43,368
- SO LET'S TAKE THAT
468
00:20:43,410 --> 00:20:44,911
AND BRING IT
TO THIS SCENE HERE.
469
00:20:44,953 --> 00:20:46,204
- OKAY.
- OKAY.
470
00:20:46,246 --> 00:20:49,374
- OKAY, SO YOU KNOW
HOW I WENT TO NEW YORK, RIGHT?
471
00:20:49,416 --> 00:20:52,460
WELL, CHINATOWN
WAS SO AWESOME.
472
00:20:52,502 --> 00:20:54,587
WE WENT THERE
AFTER KNOCKOFF PURSES,
473
00:20:54,629 --> 00:20:57,382
BUT IN ORDER
TO GET THE GOOD ONES,
474
00:20:57,424 --> 00:21:00,218
YOU HAVE TO GO DEEP
INTO THESE DARK BASEMENTS.
475
00:21:00,260 --> 00:21:01,845
- OKAY, GOOD.
DON'T WORK SO HARD.
476
00:21:01,886 --> 00:21:03,263
- OKAY.
477
00:21:03,304 --> 00:21:05,557
- THERE'S A REALLY NICE
QUALITY ABOUT YOU
478
00:21:05,598 --> 00:21:09,310
THAT'S REALLY OPEN
AND FRIENDLY AND SWEET.
479
00:21:09,352 --> 00:21:12,147
SHE'S STRONG ENOUGH THAT THAT'S
WHY SHE GOT A THEATRICAL AGENT,
480
00:21:12,188 --> 00:21:15,442
BUT THEY'RE GONNA TRY HER
IN COMMERCIALS FIRST,
481
00:21:15,483 --> 00:21:17,152
AND THEY WANT HER TO WORK
IN COMMERCIALS
482
00:21:17,193 --> 00:21:20,405
BEFORE THEY'RE GONNA GIVE HER,
YOU KNOW, THAT BIG PART.
483
00:21:20,447 --> 00:21:22,532
WHAT'S IMPORTANT IS,
ARE YOU FOLLOWING YOUR PASSION
484
00:21:22,574 --> 00:21:25,160
AND ARE YOU HAVING A VOICE
IN IT?
485
00:21:28,955 --> 00:21:31,124
- I'M NOT JUST SAYING THIS
JUST BECAUSE JULIA'S MINE,
486
00:21:31,166 --> 00:21:32,417
YOU KNOW WHAT I MEAN?
487
00:21:32,459 --> 00:21:35,462
I'M TALKING FROM THE MANAGER'S
PERSPECTIVE AS WELL.
488
00:21:35,503 --> 00:21:38,506
SHE'S VERY TALENTED, AND IF YOU
ASK HER TO SING RIGHT NOW
489
00:21:38,548 --> 00:21:40,508
OR DANCE OR CRY--
490
00:21:40,550 --> 00:21:43,094
JULIA, LET ME
SEE YOU SMILE.
491
00:21:43,136 --> 00:21:45,972
YOU SEE?
IT'S A BEAUTIFUL SMILE.
492
00:21:48,558 --> 00:21:53,730
- THIS APARTMENT
COSTS $2,400 A MONTH,
493
00:21:53,772 --> 00:21:57,984
AND PLUS WE HAVE TO PAY
ALL HER CLASSES,
494
00:21:58,026 --> 00:22:00,070
ALL HER COACHING,
495
00:22:00,111 --> 00:22:05,450
AND ALSO FOOD, GAS,
BLAH, BLAH, BLAH.
496
00:22:05,492 --> 00:22:07,911
IT'S ABOUT $5,000 A MONTH.
497
00:22:07,952 --> 00:22:09,496
THIS IS HUGE MONEY.
498
00:22:09,537 --> 00:22:16,044
- [singing]
499
00:22:16,086 --> 00:22:17,212
"SO, I OVERSLEPT.
500
00:22:17,253 --> 00:22:18,755
"I WANT
MY KELLOGG'S CORN POPS.
501
00:22:18,797 --> 00:22:20,590
"LIKE SWEET POPCORN.
502
00:22:20,632 --> 00:22:22,717
I'VE JUST GOT TO HAVE
MY CORN POPS."
503
00:22:22,759 --> 00:22:25,345
I DON'T GET
THIS COMMERCIAL AT ALL.
504
00:22:25,387 --> 00:22:26,429
- DIDN'T GET?
505
00:22:26,471 --> 00:22:28,223
- I CAN'T EVEN READ IT.
506
00:22:28,264 --> 00:22:30,684
"I WANT
MY KELLOGG'S CORN POPS."
507
00:22:30,725 --> 00:22:31,685
- YEAH. KELL-OGG-ES?
508
00:22:31,726 --> 00:22:34,521
- NO, KELL-GOGS.
- KELLOGG'S.
509
00:22:34,562 --> 00:22:37,357
- YOU'LL ALWAYS WANT
MORE KELL-GOGS CORN POPS.
510
00:22:37,399 --> 00:22:39,567
I'VE JUST GOT TO HAVE
MY POPS.
511
00:22:39,609 --> 00:22:42,195
I CAN'T READ THE--
- KELLOGG'S, KELLOGG'S.
512
00:22:49,452 --> 00:22:52,664
- THAT'S A CEREAL.
OH, CEREAL.
513
00:22:52,706 --> 00:22:55,291
- OKAY, YOU GUYS READY?
- YES, WE ARE.
514
00:22:55,333 --> 00:22:56,584
- ALMOST, YES.
- GREAT.
515
00:22:56,626 --> 00:22:59,546
- JULIA, HOW OLD ARE YOU?
- I'M TEN.
516
00:22:59,587 --> 00:23:01,673
- TEN YEARS OLD. CAN YOU DO
YOUR COMMERCIAL FOR ME?
517
00:23:01,715 --> 00:23:03,216
- YES.
- OKAY, GREAT.
518
00:23:03,258 --> 00:23:04,968
STAND UP NICE AND TALL
AND GO FOR IT.
519
00:23:05,010 --> 00:23:07,512
- OKAY.
520
00:23:07,554 --> 00:23:09,264
OH, CORN POPS. OKAY.
521
00:23:09,305 --> 00:23:13,476
SO, I OVERSLEPT.
I WANT MY KELLOGG'S CORN POPS.
522
00:23:13,518 --> 00:23:15,311
LIKE SWEET POPCORN.
523
00:23:15,353 --> 00:23:17,897
YOU'LL ALWAYS WANT MORE
KELLOGG'S CORN POPS.
524
00:23:17,939 --> 00:23:20,567
I'VE JUST GOT TO HAVE
MY CORN POPS. POPS.
525
00:23:20,608 --> 00:23:23,528
- AWESOME. ALL RIGHT.
GOOD JOB. I'LL TAKE THAT.
526
00:23:23,570 --> 00:23:24,988
LET ME GIVE YOU MY CARD.
- TERRIFIC.
527
00:23:25,030 --> 00:23:26,489
- ALL RIGHT.
528
00:23:26,531 --> 00:23:28,283
- YOU KNOW, JEREMY,
IF I CAN JUST TELL YOU,
529
00:23:28,324 --> 00:23:29,409
SHE CAN FIT ANYTHING FROM,
LIKE,
530
00:23:29,451 --> 00:23:30,994
SPANISH ROLES
TO ITALIAN ROLES.
531
00:23:31,036 --> 00:23:33,329
- RIGHT, AND SHE CAN PLAY
ALL THOSE ROLES,
532
00:23:33,371 --> 00:23:34,914
WHICH IS--
WHICH IS A HUGE PLUS.
533
00:23:34,956 --> 00:23:37,417
NOW THE NEXT STEP IS KIND OF
GOING THROUGH MY ROSTER
534
00:23:37,459 --> 00:23:39,586
AND KIND OF GOING THROUGH
MY GIRLS IN YOUR AGE CATEGORY.
535
00:23:39,627 --> 00:23:41,171
YOU'RE 11, IS THAT RIGHT?
- I'M TEN.
536
00:23:41,212 --> 00:23:42,172
- YOU'RE TEN, OKAY.
537
00:23:42,213 --> 00:23:43,590
SO IF I HAVE, YOU KNOW,
538
00:23:43,631 --> 00:23:45,216
TOO MANY OTHER GIRLS
SIMILAR,
539
00:23:45,258 --> 00:23:46,301
WHERE IT'S GONNA BE
A CONFLICT TO TAKE HER ON,
540
00:23:46,343 --> 00:23:49,554
WE'RE GONNA HAVE TO HOLD OFF,
ALL RIGHT?
541
00:23:49,596 --> 00:23:51,056
- I WOULD LIKE TO GET
EXTRA CARD FOR ME, PLEASE.
542
00:23:51,097 --> 00:23:52,557
- OH, YES, ABSOLUTELY.
HERE YOU GO.
543
00:23:52,599 --> 00:23:54,642
- THANK YOU, THANK YOU.
- THANK YOU VERY MUCH, GUYS.
544
00:23:54,684 --> 00:23:57,103
- THANK YOU, JEREMY.
- YES, NICE MEETING YOU.
545
00:23:57,145 --> 00:23:58,313
- THANK YOU.
- ALL RIGHT.
546
00:23:58,355 --> 00:24:00,315
THANK YOU, JULIA.
- BYE.
547
00:24:00,357 --> 00:24:01,649
- THANKS FOR COMING, GUYS.
548
00:24:01,691 --> 00:24:03,610
- THANK YOU.
- BYE. THANK YOU.
549
00:24:03,651 --> 00:24:06,529
- HAVE A NICE DAY.
- YOU TOO.
550
00:24:06,571 --> 00:24:08,531
ALL RIGHT,
GOOD SEEING YOU. THANK YOU.
551
00:24:08,573 --> 00:24:09,574
- BYE.
- BYE, GUYS.
552
00:24:15,914 --> 00:24:17,749
- I STOP AND TAKE PICTURES
EVERY NOW AND THEN,
553
00:24:17,791 --> 00:24:19,209
AND SHANNA WILL SAY,
"THIS--
554
00:24:19,250 --> 00:24:20,794
NOT EVERY MOMENT
IS A KODAK MOMENT, MOM."
555
00:24:20,835 --> 00:24:22,796
OKAY, BUT WE ARE TOURISTS.
556
00:24:22,837 --> 00:24:25,507
MY HUSBAND SAID,
"NO ONE DOES THAT.
557
00:24:25,548 --> 00:24:27,008
- NO ONE GETS TO GO BACK
AND DO THAT.
558
00:24:27,050 --> 00:24:28,927
- GO--YOU KNOW,
TAKES THEIR KIDS
559
00:24:28,968 --> 00:24:31,304
AND GOES TO CALIFORNIA
TO DO THIS, AND I THINK
560
00:24:31,346 --> 00:24:33,682
THAT THAT'S WHY SHANNA DIDN'T
TELL A LOT OF HER FRIENDS,
561
00:24:33,723 --> 00:24:36,309
BECAUSE YOU DON'T WANT TO RUN
INTO THAT, YOU KNOW,
562
00:24:36,351 --> 00:24:38,395
"WHAT ARE YOU DOING?
WHY ARE YOU DOING THAT?
563
00:24:38,436 --> 00:24:39,646
IT'S A PIPE DREAM."
564
00:24:39,688 --> 00:24:41,481
- YEAH, YEAH.
565
00:24:41,523 --> 00:24:43,817
- MOST ACTORS GET OUT HERE,
INCLUDING MYSELF,
566
00:24:43,858 --> 00:24:45,443
IT TAKES THEM TWO,
THREE YEARS
567
00:24:45,485 --> 00:24:46,861
TO GET
THEIR FIRST GOOD PART,
568
00:24:46,903 --> 00:24:48,446
AND IT'S JUST
A LOT OF BUILDING, SO--
569
00:24:48,488 --> 00:24:50,740
- YES, IT TAKES--
IT TAKES A LONG TIME.
570
00:24:50,782 --> 00:24:51,950
- NOW, HOW DO YOU GET
JUST THAT--
571
00:24:51,991 --> 00:24:54,035
THAT NUT OF EXPERIENCE
572
00:24:54,077 --> 00:24:55,495
SO THAT YOU GET ON THE SET
573
00:24:55,537 --> 00:24:57,622
AND YOU'RE ABLE TO,
YOU KNOW, TO DO SOME THINGS?
574
00:24:57,664 --> 00:25:00,250
AND THAT'S--THAT'S REALLY WHAT
WERE LOOKING FOR FOR SHANNA.
575
00:25:00,291 --> 00:25:02,043
- YOU NEED TO BE A TYPE.
576
00:25:02,085 --> 00:25:03,878
HOLLYWOOD IS ALL ABOUT A TYPE.
- IT IS.
577
00:25:03,920 --> 00:25:07,257
- YOU NEED TO THINK ABOUT
WHAT YOUR TYPE IS.
578
00:25:07,298 --> 00:25:08,800
- LITERALLY, I HAVE NOT BEEN IN
A ROLE THAT HASN'T BEEN A NERD.
579
00:25:08,842 --> 00:25:11,511
I PLAYED A GAY NERD, UM,
A BASKETBALL PLAYING NERD,
580
00:25:11,553 --> 00:25:12,929
A HOCKEY PLAYING NERD.
581
00:25:12,971 --> 00:25:13,763
- YOU MADE 'EM LAUGH.
- YEAH, YEAH.
582
00:25:13,805 --> 00:25:15,557
- A DOCTOR NERD.
- A DOCTOR NERD.
583
00:25:15,598 --> 00:25:17,517
- HE'S A BULLY.
- YEAH, YOU'RE A BULLY.
584
00:25:17,559 --> 00:25:18,643
- YES.
585
00:25:18,685 --> 00:25:20,603
- THEY'RE ALWAYS SAYING,
AND YOU'LL FIND OUT,
586
00:25:20,645 --> 00:25:22,772
THE FIRST TIME YOU SEE
YOUR CHILD BEING FILMED,
587
00:25:22,814 --> 00:25:24,482
LIKE, IN A MOVIE THING,
YOU CRY.
588
00:25:24,524 --> 00:25:25,483
AND I DIDN'T BELIEVE THAT.
589
00:25:25,525 --> 00:25:26,526
YOU WALK ON THE SET.
590
00:25:26,568 --> 00:25:28,153
THERE'S THE BOOM,
THERE'S THE CAMERAS,
591
00:25:28,194 --> 00:25:29,571
AND I SAID,
"WELL, I'M NOT GONNA CRY."
592
00:25:29,612 --> 00:25:32,991
I WAS IN FOR 30 SECONDS,
AND I STARTED CRYING.
593
00:25:33,033 --> 00:25:35,535
I SAID, "THIS IS SO--"
- OH, I CAN'T EVEN IMAGINE.
594
00:25:35,577 --> 00:25:37,579
- WELL, IT'S THE DREAM
COME TRUE.
595
00:25:40,415 --> 00:25:42,125
- WHAT DO YOU WANT TO BE
WHEN YOU GROW UP?
596
00:25:42,167 --> 00:25:44,753
- AN ACTRESS.
597
00:25:44,794 --> 00:25:46,880
- WHAT WOULD BE THE BEST
SITUATION POSSIBLE?
598
00:25:46,921 --> 00:25:50,675
- HMM.
599
00:25:50,717 --> 00:25:54,554
TO BE IN A BIG, BIG, MA--
600
00:25:54,596 --> 00:25:57,140
A MAJOR MOTION PICTURE,
601
00:25:57,182 --> 00:26:00,477
AND ME BE
THE MAIN CHARACTER.
602
00:26:00,518 --> 00:26:04,606
- AND I WANT TO BE A--
A SINGER.
603
00:26:04,647 --> 00:26:07,525
AND I WANT TO BE
A FAMOUS PERSON.
604
00:26:07,567 --> 00:26:10,779
- MY GOAL IS TO ONE DAY HAVE
A MAJOR MOTION PICTURE OUT THERE
605
00:26:10,820 --> 00:26:12,781
AND EVERYBODY KNOW MY NAME.
606
00:26:12,822 --> 00:26:14,449
- IT'S MORE MY DAD'S.
607
00:26:14,491 --> 00:26:16,534
I WILL BUY HIM A HOT TUB,
608
00:26:16,576 --> 00:26:19,412
BECAUSE I KNOW
HE REALLY WANTS ONE.
609
00:26:19,454 --> 00:26:20,747
[laughs]
610
00:26:20,789 --> 00:26:22,374
- FOR MY LIFE,
611
00:26:22,415 --> 00:26:25,669
NOT TO EVER PUT MY HANDS
ON A WOMAN,
612
00:26:25,710 --> 00:26:27,837
UM, NOT TO GO TO JAIL,
613
00:26:27,879 --> 00:26:31,257
AND TO STAY AWAY FROM DRUGS.
614
00:26:31,299 --> 00:26:34,260
AND AS FAR AS ACTING-WISE,
615
00:26:34,302 --> 00:26:36,429
WIN FIVE OSCARS,
616
00:26:36,471 --> 00:26:38,264
AT LEAST TWO GRAMMYS,
617
00:26:38,306 --> 00:26:40,308
AND ONE TONY AWARD.
618
00:26:41,810 --> 00:26:45,689
- A GOAL BOARD IS WHERE YOU
CUT OUT STUFF OUT OF MAGAZINES
619
00:26:45,730 --> 00:26:47,315
AND YOU PUT 'EM ON A BOARD
620
00:26:47,357 --> 00:26:48,692
AND THEN YOU CAN
WRITE STUFF ON THERE
621
00:26:48,733 --> 00:26:50,151
THAT YOU WANT TO DO,
622
00:26:50,193 --> 00:26:53,571
AND, UM, IF YOU, LIKE,
623
00:26:53,613 --> 00:26:56,199
READ IT EVERY DAY
AND YOU LOOK AT IT EVERY DAY,
624
00:26:56,241 --> 00:26:58,451
THEN IT'LL BOUND
TO BECOME TRUE.
625
00:26:58,493 --> 00:26:59,911
I'M NOT DONE WITH IT YET,
626
00:26:59,953 --> 00:27:02,789
BUT THIS IS,
"HAVE MORE MONEY."
627
00:27:02,831 --> 00:27:03,915
I LOVE THAT ONE.
628
00:27:03,957 --> 00:27:06,251
AND THEN, OVER HERE,
"SEE MY DAD MORE OFTEN,
629
00:27:06,292 --> 00:27:07,377
"GO BACK HOME MORE OFTEN,
630
00:27:07,419 --> 00:27:08,753
"WIN AN OSCAR,
631
00:27:08,795 --> 00:27:10,505
BE A STAR BY THE TIME
I'M 13."
632
00:27:10,547 --> 00:27:12,549
THIS IS MY OLD GOAL BOARD.
633
00:27:12,590 --> 00:27:15,802
"HAVE MY OWN FASHION LINE,
CREATE MY OWN SHOE LINE,
634
00:27:15,844 --> 00:27:18,763
OPEN UP A NAIL SALONS
AROUND THE WORLD."
635
00:27:18,805 --> 00:27:20,724
I DON'T KNOW HOW I'M GONNA
DO ALL THIS STUFF,
636
00:27:20,765 --> 00:27:22,392
BUT I'M GONNA TRY.
637
00:27:22,434 --> 00:27:25,854
THIS IS MY MOM'S.
- [laughs]
638
00:27:25,895 --> 00:27:28,857
- "ESCAPE FROM STRESSVILLE."
- OH. OH, HEY.
639
00:27:28,898 --> 00:27:32,694
- YEAH, WE'RE--
IT'S TAKEN A LITTLE WORK,
640
00:27:32,736 --> 00:27:35,613
BUT IT'LL COME TRUE,
PROBABLY,
641
00:27:35,655 --> 00:27:37,282
'CAUSE IT'S ON THE BOARD.
642
00:27:40,160 --> 00:27:41,953
- WHEN WE CAME OUT HERE,
WE WERE RENTING A CAR,
643
00:27:41,995 --> 00:27:44,539
BUT INITIALLY, WE CAME
OUT HERE FOR TWO MONTHS,
644
00:27:44,581 --> 00:27:46,249
AND IT WAS LIKE,
OKAY, WELL, PRETTY SOON
645
00:27:46,291 --> 00:27:48,251
WE'RE INTO THREE YEARS
OF RENTING A CAR.
646
00:27:48,293 --> 00:27:52,422
WELL, $18,000 LATER,
THE ECONOMY'S NOT SO GOOD NOW,
647
00:27:52,464 --> 00:27:54,841
AND I THOUGHT, WELL,
YOU KNOW WHAT?
648
00:27:54,883 --> 00:27:56,551
NOW'S THE TIME
TO SEND THE CAR OUT.
649
00:27:56,593 --> 00:27:59,220
"HOPE YOU ENJOY
THE SPECIAL GOODIES."
650
00:27:59,262 --> 00:28:03,433
OH, LOOK AT THAT.
- OH! GIVE ME THAT.
651
00:28:03,475 --> 00:28:05,226
- THIS IS THE MYSTERY
RIGHT HERE.
652
00:28:05,268 --> 00:28:07,520
THIS IS, LIKE,
A BABY ENCYCLOPEDIA,
653
00:28:07,562 --> 00:28:09,230
BUT WE'VE BEEN GONE
A LONG TIME.
654
00:28:09,272 --> 00:28:11,316
HE DOESN'T--
YOU KNOW, SOMETIMES
655
00:28:11,358 --> 00:28:13,443
I DON'T THINK HE REALLY,
UM,
656
00:28:13,485 --> 00:28:16,613
GETS THAT
SHE'S GONNA BE 12,
657
00:28:16,654 --> 00:28:19,824
'CAUSE WE LEFT
WHEN SHE WAS EIGHT, YOU KNOW?
658
00:28:19,866 --> 00:28:22,619
AND--HERE,
CHEW SOME GUM.
659
00:28:24,871 --> 00:28:27,248
- A NEW DANCE?
WHAT IS IT, DANCE-A-LOT?
660
00:28:27,290 --> 00:28:28,541
REMEMBER, DANCE-A-LOT'S
THE ROBOT.
661
00:28:28,583 --> 00:28:32,128
- YEAH, I KNOW, BUT, UM,
WHY DO I NEED TO SAY IT?
662
00:28:32,170 --> 00:28:33,546
- WHEN DO YOU NEED TO SAY IT?
663
00:28:33,588 --> 00:28:35,590
- NO WH--
WHY DO I NEED TO SAY IT?
664
00:28:35,632 --> 00:28:36,966
- 'CAUSE THAT'S--
665
00:28:37,008 --> 00:28:38,927
- NO, WHY DO I
NEED TO SAY IT NOW?
666
00:28:38,968 --> 00:28:41,805
- I JUST WANTED TO
MAKE SURE YOU KNEW IT.
667
00:28:41,846 --> 00:28:44,265
I JUST WANTED TO MAKE SURE
YOU DIDN'T FORGET, OKAY?
668
00:28:46,476 --> 00:28:49,187
- OKAY, RYAN, YOU READY?
COME ON IN, HON.
669
00:28:49,229 --> 00:28:50,939
OKAY,
SO YOU'RE GONNA READ
670
00:28:50,980 --> 00:28:53,525
JUST THAT FIRST OCTOPUS SCENE
WITH MELANIE, OKAY?
671
00:28:53,566 --> 00:28:55,944
- YOU MEAN, NEW DANCE?
WHAT IS THE DANCE?
672
00:28:55,985 --> 00:28:57,821
- EXACTLY.
THAT OCTOPUS SCENE.
673
00:28:57,862 --> 00:28:59,155
AND JUST HAVE
LOTS OF ENERGY
674
00:28:59,197 --> 00:29:00,949
AND SHOW US
YOUR DANCE MOVES.
675
00:29:00,990 --> 00:29:03,034
- HEY, EVERYBODY, IT'S TIME
TO GET INTO THE GROOVE
676
00:29:03,076 --> 00:29:04,994
AND LEARN A NEW DANCE MOVE
WITH ME, DANCE-A-LOT.
677
00:29:05,036 --> 00:29:06,121
ARE YOU READY?
678
00:29:06,162 --> 00:29:08,748
- NEW DANCE?
WHAT IS IT, DANCE-A-LOT?
679
00:29:08,790 --> 00:29:10,750
- LET'S ALL DO IT,
DO IT, DO IT TOGETHER.
680
00:29:10,792 --> 00:29:15,255
FIRST, WIGGLE YOUR TENTACLES--
I MEAN ARMS--WAY UP HIGH,
681
00:29:15,296 --> 00:29:17,382
THEN WIGGLE THEM
WAY DOWN LOW.
682
00:29:17,424 --> 00:29:19,426
YOU'VE GOT IT, DANNY.
683
00:29:22,887 --> 00:29:24,806
- THAT'S HIS LINE.
- THIS IS WAY FUN.
684
00:29:24,848 --> 00:29:27,726
- NOW WIGGLE YOUR WHOLE BODY.
GOT IT, DANNY?
685
00:29:29,978 --> 00:29:31,730
[laughter]
686
00:29:33,565 --> 00:29:35,650
- YEAH, I FEEL LIKE
I'M AN OCTOPUS.
687
00:29:35,692 --> 00:29:36,985
- GOOD JOB.
- GOOD JOB, RYAN.
688
00:29:37,027 --> 00:29:39,404
- GOOD TO MEET YOU, HON.
THAT'S ALL YOU HAVE TO DO TODAY.
689
00:29:39,446 --> 00:29:40,905
- OKAY.
- GOOD TO MEET YOU.
690
00:29:40,947 --> 00:29:43,450
- BYE.
- BYE.
691
00:29:43,491 --> 00:29:46,870
- OKAY, DON'T CHOKE
HER NECK, RYAN.
692
00:29:46,911 --> 00:29:48,872
- ALL RIGHT.
693
00:29:48,913 --> 00:29:52,417
- * DANCE-A-LOT,
DANCE-A-LOT *
694
00:29:52,459 --> 00:29:53,418
- HOW 'BOUT THAT, RYAN?
695
00:29:53,460 --> 00:29:54,878
WAS THAT COOL?
- YEAH.
696
00:29:54,919 --> 00:29:56,546
- AS LONG AS YOU DID
YOUR BEST, HONEY,
697
00:29:56,588 --> 00:29:58,548
AND YOU HAD FUN.
698
00:29:58,590 --> 00:30:00,675
YOU COULD BE IN THE CAR
AND GET A PHONE CALL
699
00:30:00,717 --> 00:30:02,469
ALL THE WAY UP TO--
IT COULD BE MONTHS
700
00:30:02,510 --> 00:30:04,346
BEFORE THEY CALL YOU BACK.
701
00:30:04,387 --> 00:30:06,848
SO--AND IF YOU DON'T GET A
CALLBACK, YOU JUST WON'T HEAR.
702
00:30:06,890 --> 00:30:09,517
THEY'RE JUST TOO BUSY AND
THERE'S TOO MANY PEOPLE.
703
00:30:11,936 --> 00:30:15,023
- THE FACT THAT YOU GOT
AN AUDITION IS AMAZING.
704
00:30:15,065 --> 00:30:17,650
IF YOU GET THE JOB,
IT'S A MIRACLE.
705
00:30:17,692 --> 00:30:20,528
THERE ARE 3,000 PICTURES
THAT I GO THROUGH
706
00:30:20,570 --> 00:30:23,782
TO BRING IN 100 CHILDREN
FOR ONE ROLE,
707
00:30:23,823 --> 00:30:27,202
SO THAT--AND THAT'S
ON EVERY JOB.
708
00:30:27,243 --> 00:30:29,996
SO YOUR EXPECTATION
CAN'T BE TO WORK,
709
00:30:30,038 --> 00:30:32,707
BUT THAT YOU GOT AN AUDITION.
GOOD STEP.
710
00:30:32,749 --> 00:30:33,792
CALLBACK, BETTER.
711
00:30:33,833 --> 00:30:36,294
JOB, TOTALLY
OUT OF THE BLUE,
712
00:30:36,336 --> 00:30:38,088
LUCKIEST THING
THAT EVER HAPPENED TO YOU.
713
00:30:43,385 --> 00:30:44,844
- PHONE'S RIGHT THERE.
714
00:30:44,886 --> 00:30:47,681
WAITING FOR IT TO RING,
YOU KNOW?
715
00:30:47,722 --> 00:30:49,307
- IF YOU'VE BEEN TRAINING
SINCE YOU WERE THREE,
716
00:30:49,349 --> 00:30:51,476
YOU KNOW, THERE ARE CERTAINLY
DOORS OPEN FOR THOSE KIDS.
717
00:30:51,518 --> 00:30:52,977
BUT PEOPLE LIKE SHANNA
718
00:30:53,019 --> 00:30:54,354
WHO REALLY DON'T HAVE
THE EXPERIENCE,
719
00:30:54,396 --> 00:30:56,856
THERE--YOU KNOW,
THERE ARE OPPORTUNITIES THERE.
720
00:30:56,898 --> 00:30:58,983
WE JUST NEED THAT--
THAT RIGHT DOOR TO OPEN.
721
00:30:59,025 --> 00:31:00,485
WE DON'T HAVE ENOUGH
ON THIS CALENDAR.
722
00:31:00,527 --> 00:31:01,778
- WE DON'T.
723
00:31:01,820 --> 00:31:04,406
- ONCE YOU START GETTING
PROJECTS UNDER YOUR BELT
724
00:31:04,447 --> 00:31:07,200
AND THEN PEOPLE SEE YOU,
THEN YOU CAN BUILD A REEL.
725
00:31:07,242 --> 00:31:10,036
"STUDENT FILM,
NON-UNION, THEATER. THEATER."
726
00:31:10,078 --> 00:31:11,996
- EPISODE.
727
00:31:12,038 --> 00:31:13,832
- THAT'S OKAY, HONEY.
YOU JUST NEED THE EXPOSURE.
728
00:31:13,873 --> 00:31:15,542
WHEN'S THE PHONE GONNA RING?
729
00:31:15,583 --> 00:31:19,921
- 3, 2, 1.
730
00:31:19,963 --> 00:31:22,507
- NEXT TIME.
- OKAY.
731
00:31:22,549 --> 00:31:24,050
- OH, OH, WAIT.
732
00:31:24,092 --> 00:31:27,387
ONCE YOU WERE TALKING TO, UM,
MY SISTER, RIGHT?
733
00:31:27,429 --> 00:31:28,888
- UH-HUH.
734
00:31:28,930 --> 00:31:31,057
- AND YOU WERE LIKE,
"YEAH, I NEVER GAMBLE."
735
00:31:31,099 --> 00:31:32,183
AND THEN SHE WAS LIKE,
736
00:31:32,225 --> 00:31:34,060
"WHAT ARE YOU DOING
OUT THERE THEN, MOM?"
737
00:31:34,102 --> 00:31:35,937
- YEAH.
- [laughs]
738
00:31:35,979 --> 00:31:37,939
- YEAH. LIKE,
WHAT DO YOU CALL IT?
739
00:31:37,981 --> 00:31:39,524
IT'S GOT TO BE--
IT'S GOT--
740
00:31:39,566 --> 00:31:42,861
IT'S THE SAME HIGHS AND LOWS
AS GAMBLING.
741
00:31:42,902 --> 00:31:45,572
I JUST THINK IF I WOULD HAVE
SPENT $180,000
742
00:31:45,613 --> 00:31:48,074
IN THE LAST THREE YEARS
ON POWERBALL TICKETS...
743
00:31:48,116 --> 00:31:49,993
[laughs]
744
00:31:50,035 --> 00:31:51,161
WE COULD HAVE MADE
OUR OWN MOVIE.
745
00:31:51,202 --> 00:31:52,412
[laughs]
746
00:31:52,454 --> 00:31:53,747
- YOU ARE TALKING ABOUT
747
00:31:53,788 --> 00:31:55,915
A SIGNIFICANT EXPENDITURE
OF MONEY.
748
00:31:55,957 --> 00:31:57,334
YOU KNOW, SOME OF THE KIDS
749
00:31:57,375 --> 00:31:58,877
WHO COME OUT HERE
FOR PILOT SEASON,
750
00:31:58,918 --> 00:32:02,589
$5,000 AND $6,000 A MONTH,
EASILY.
751
00:32:02,630 --> 00:32:07,093
- I'VE SEEN EVERYTHING FROM
FAMILIES WHO HAVE SO MUCH MONEY
752
00:32:07,135 --> 00:32:08,553
THAT THEY REALLY THINK
THEY CAN BUY IT
753
00:32:08,595 --> 00:32:12,140
TO PEOPLE ALMOST LIVING
IN THEIR CAR.
754
00:32:12,182 --> 00:32:13,892
- WE GOT A BAG
FOR GLASS BOTTLES,
755
00:32:13,933 --> 00:32:17,062
WE GOT A BAG FOR CANS,
AND A BAG FOR PLASTIC BOTTLES.
756
00:32:17,103 --> 00:32:19,314
WE'RE GONNA TAKE YOU
ON A TREASURE HUNT.
757
00:32:19,356 --> 00:32:21,358
COME ON, PATRICK.
758
00:32:23,735 --> 00:32:27,489
DON'T LET IT FALL ON MY HEAD
LIKE YOU DID EARLIER.
759
00:32:27,530 --> 00:32:30,825
OOH, PATRICK, JACKPOT.
760
00:32:30,867 --> 00:32:33,119
- YEAH.
- HEAR A BOTTLE?
761
00:32:33,161 --> 00:32:35,121
- SAVING THE ENVIRONMENT
IS GOOD,
762
00:32:35,163 --> 00:32:36,539
BUT WE'RE JUST IN IT
FOR THE CASH.
763
00:32:36,581 --> 00:32:39,876
- [laughs]
WE HAVE OUR STANDARDS.
764
00:32:39,918 --> 00:32:42,045
- THEY'RE NOT VERY HIGH,
BUT WE HAVE 'EM.
765
00:32:42,087 --> 00:32:43,838
- DO WHAT YOU HAVE TO DO.
766
00:32:51,179 --> 00:32:56,184
[overlapping chatter]
767
00:32:58,603 --> 00:33:00,730
- THIS IS THE YOUNG
ACTORS' BOOT CAMP.
768
00:33:00,772 --> 00:33:02,065
THEY CAN ACTUALLY
TAKE A WORKSHOP
769
00:33:02,107 --> 00:33:04,109
WITH AN ACTOR
THAT THEY SEE ON TELEVISION.
770
00:33:04,150 --> 00:33:06,027
- I PRODUCE DEMO REELS
FOR CHILDREN.
771
00:33:06,069 --> 00:33:07,904
WE PRODUCE SCENES
772
00:33:07,946 --> 00:33:09,739
THAT MAKES IT LOOK LIKE THEY
WERE ACTUALLY IN A REAL MOVIE.
773
00:33:09,781 --> 00:33:11,449
- I'M WITH INDEPENDENT
CAPITAL MANAGEMENT.
774
00:33:11,491 --> 00:33:14,411
WHEN YOU HAVE MONEY,
ALL THE, UH,
775
00:33:14,452 --> 00:33:16,579
TERMITES COME OUT
AND START EATING YOU UP,
776
00:33:16,621 --> 00:33:18,081
BECAUSE THERE'S
OPPORTUNITY THERE.
777
00:33:18,123 --> 00:33:20,166
- I OWN A COMPANY
CALLED TAMI ERIN TALENT,
778
00:33:20,208 --> 00:33:22,711
AND I STARTED IN THE BUSINESS
779
00:33:22,752 --> 00:33:24,838
AS AN ELITE MODEL
WHEN I WAS EIGHT,
780
00:33:24,879 --> 00:33:26,631
AND THEN I WENT ON
TO BECOME A MOVIE STAR.
781
00:33:26,673 --> 00:33:29,968
THE MOVIE THAT I'M MOST FAMOUS
FOR IS PIPPI LONGSTOCKING,
782
00:33:30,010 --> 00:33:31,845
AND I GET FAN MAIL,
LIKE, EVERY DAY.
783
00:33:31,886 --> 00:33:33,513
IN FACT, CUBA GOODING, JR.,
784
00:33:33,555 --> 00:33:35,557
I WAS AT DINNER WITH HIM
ABOUT A WEEK AGO,
785
00:33:35,598 --> 00:33:37,726
AND HE'S SEEN THE MOVIE
OVER AND OVER.
786
00:33:37,767 --> 00:33:39,102
HIS LITTLE GIRL LOVES IT.
787
00:33:39,144 --> 00:33:41,354
YEAH, EVERYBODY LOVES
THIS MOVIE.
788
00:33:41,396 --> 00:33:43,023
EVERYBODY LOVES IT.
789
00:33:43,064 --> 00:33:45,483
PARIS HILTON HAS SEEN IT,
LIKE, 100 TIMES.
790
00:33:45,525 --> 00:33:47,694
WELL, THAT'S ME
ON THE RED CARPET.
791
00:33:47,736 --> 00:33:51,489
THIS PICTURE'S ON
CELEBRITYPHOTO.COM.
792
00:33:51,531 --> 00:33:53,033
YOU HAVE TO LOVE ACTING.
793
00:33:53,074 --> 00:33:54,951
YOU'VE GOT TO LOVE
THE CRAFT.
794
00:33:54,993 --> 00:33:56,494
IF YOU DON'T LOVE THE CRAFT
795
00:33:56,536 --> 00:33:57,620
AND YOU'RE DOING IT
JUST TO BECOME FAMOUS,
796
00:33:57,662 --> 00:34:00,206
THE ODDS OF BECOMING
A MOVIE STAR LIKE I DID
797
00:34:00,248 --> 00:34:01,416
IS LIKE WINNING THE LOTTERY.
798
00:34:01,458 --> 00:34:03,001
[overlapping chatter]
799
00:34:03,043 --> 00:34:05,337
- I WAS DISCOVERED
BY GROUCHO MARX,
800
00:34:05,378 --> 00:34:07,630
AND I LIVED AT THE OAKWOOD
GARDEN APARTMENTS.
801
00:34:07,672 --> 00:34:10,884
I NEVER TALK TO PARENTS
OF THE LITTLE STARLETS,
802
00:34:10,925 --> 00:34:13,386
BECAUSE
IT'S NONE OF MY BUSINESS
803
00:34:13,428 --> 00:34:15,138
WHAT THEY'RE DOING
WITH THEIR KIDS,
804
00:34:15,180 --> 00:34:16,681
BUT WHEN I CAME IN
THIS MORNING
805
00:34:16,723 --> 00:34:19,559
AND SAW THE DOCUMENTARY
WAS BEING SHOT,
806
00:34:19,601 --> 00:34:24,147
I REACHED OUT TO YOU AND SAID
THERE'S ANOTHER SIDE TO THIS.
807
00:34:24,189 --> 00:34:26,232
YOU'RE TALKING ABOUT
ONE OF THE MOST PERVERTED,
808
00:34:26,274 --> 00:34:29,152
DOG-EAT-DOG INDUSTRIES
IN THE WORLD.
809
00:34:29,194 --> 00:34:30,820
IT'S SLAVERY.
810
00:34:30,862 --> 00:34:33,406
YOU'RE BEING SOLD.
811
00:34:33,448 --> 00:34:36,826
YOU'RE BEING BOUGHT
AND SOLD.
812
00:34:36,868 --> 00:34:38,995
- THERE ARE CONSEQUENCES
813
00:34:39,037 --> 00:34:43,375
TO TURNING YOUR CHILD'S LIFE
INTO A CAREER PURSUIT.
814
00:34:43,416 --> 00:34:47,921
IT IS A COLOSSAL RISK
OF THE ONLY THING
815
00:34:47,962 --> 00:34:51,091
THAT CHILDREN TRULY HAVE
THAT'S THEIR OWN,
816
00:34:51,132 --> 00:34:52,550
WHICH IS THEIR CHILDHOOD.
817
00:34:57,722 --> 00:35:00,100
- THE CHARACTER'S
A VERY SICK LITTLE GIRL
818
00:35:00,141 --> 00:35:02,060
WHO'S DYING IN THE HOSPITAL.
819
00:35:02,102 --> 00:35:05,313
IN THE NEXT SCENE,
SHE REALLY IS ALMOST DEAD.
820
00:35:05,355 --> 00:35:08,233
AND THE CHARACTER
IS VERY FRAIL,
821
00:35:08,274 --> 00:35:11,277
VERY THIN, PALE,
YOU KNOW,
822
00:35:11,319 --> 00:35:16,741
SO WE'RE TRYING TO
DOWNPLAY THE COLOR,
823
00:35:16,783 --> 00:35:19,744
AND WE WANT TO MAKE SAVANNAH
LOOK AS THIN AS POSSIBLE.
824
00:35:19,786 --> 00:35:21,955
OKAY,
LET ME SPRAY YOUR HAIR.
825
00:35:25,500 --> 00:35:28,128
SO, IN THE FIRST SCENE,
SHE'S VERY SICK.
826
00:35:28,169 --> 00:35:31,089
AND THEN, WITH THE COACH,
I HAD HER THINK OF SOMETHING
827
00:35:31,131 --> 00:35:33,133
SHE REALLY HATES,
THAT REALLY MAKES HER SICK,
828
00:35:33,174 --> 00:35:35,051
AND SHE THOUGHT OF
BRUSSELS SPROUTS.
829
00:35:35,093 --> 00:35:37,887
- SHE'S SUPPOSED TO BE REALLY
DEPRESSED, KIND OF, AND SICK.
830
00:35:37,929 --> 00:35:39,097
- SICK AND SAD AND--
- YEAH.
831
00:35:39,139 --> 00:35:41,433
AND SO, THINKING OF
HER GERMAN SHEPHERD
832
00:35:41,474 --> 00:35:42,851
ALWAYS MAKES HER FEEL
KIND OF SAD.
833
00:35:42,892 --> 00:35:44,144
- YEAH, SHE SAID THAT
IN THE CRY ON CUE CLASS.
834
00:35:44,185 --> 00:35:46,521
- JAKE'S HER BEST FRIEND,
AND, I MEAN,
835
00:35:46,563 --> 00:35:48,189
SHE LOVES HIM SO MUCH.
836
00:35:48,231 --> 00:35:50,275
SHE CRIES EVERY COUPLE DAYS
FOR JAKE.
837
00:35:50,316 --> 00:35:53,194
THE ACTING COACH
SAID TO THINK ABOUT HER DOGS
838
00:35:53,236 --> 00:35:54,821
BEING EATEN BY COYOTES.
839
00:35:54,863 --> 00:35:56,322
SHE SHOULD JUST KEEP
THINKING OF JAKE,
840
00:35:56,364 --> 00:35:58,491
KEEP LOOKING AT
THE CASTING DIRECTOR
841
00:35:58,533 --> 00:35:59,784
LIKE SHE'S DYING.
842
00:36:05,540 --> 00:36:07,375
- I DIDN'T EVEN THINK
ABOUT THAT.
843
00:36:07,417 --> 00:36:08,752
- IF YOU WANT TO FIND
SOMETHING ON THE--YEAH.
844
00:36:08,793 --> 00:36:10,295
- HOW WOULD I FIND SOMETHING
LIKE THAT ON THE INTERNET?
845
00:36:10,337 --> 00:36:11,629
ANY IDEAS?
846
00:36:11,671 --> 00:36:13,256
- UM, "GRAVELY-ILL CHILDREN,"
SAY, I DON'T KNOW, UM--
847
00:36:13,298 --> 00:36:14,966
- "DYING CHILD" OR SOMETHING?
848
00:36:15,008 --> 00:36:17,218
- YEAH, WHICH WOULD JUST BE--
- "HOSPITALIZED CHILD"?
849
00:36:17,260 --> 00:36:20,388
- * I'LL BE YOUR FRIEND *
850
00:36:20,430 --> 00:36:25,643
* I'LL HELP YOU CARRY ON *
851
00:36:25,685 --> 00:36:29,564
* FOR IT WON'T BE LONG *
852
00:36:29,606 --> 00:36:31,232
- IT LOOKS LIKE THERE'S NOT
THAT MUCH SICK KIDS IN THIS.
853
00:36:31,274 --> 00:36:33,193
- * I'M GONNA NEED *
854
00:36:33,234 --> 00:36:38,740
* SOMEBODY TO LEAN ON *
855
00:36:38,782 --> 00:36:41,409
- ABRAHIM MADE IT
TO ONE YEAR OLD,
856
00:36:41,451 --> 00:36:43,286
BUT HIS AILING HEART GAVE UP
857
00:36:43,328 --> 00:36:46,498
BEFORE HE ARRIVED
AT AN ISRAELI HOSPITAL.
858
00:36:46,539 --> 00:36:49,626
THE BABY HAD A HEART DEFECT
REQUIRING...
859
00:36:49,668 --> 00:36:52,379
- LET ME KNOW
WHEN YOU'RE READY.
860
00:36:52,420 --> 00:36:54,381
- WHERE'S MY DAD?
861
00:36:54,422 --> 00:36:56,132
- YOUR DAD IS TALKING
TO THE DOCTORS RIGHT NOW.
862
00:36:56,174 --> 00:37:00,303
YOU WANT SOME WATER?
- I WANT MY DAD.
863
00:37:00,345 --> 00:37:01,596
- DO YOU FEEL GOOD
ABOUT THAT ONE?
864
00:37:01,638 --> 00:37:03,431
DID YOU FEEL REALLY SAD,
SAVANNAH?
865
00:37:03,473 --> 00:37:04,933
- YES.
866
00:37:04,974 --> 00:37:08,728
- HOW IS IT FEELING
WITH JAKE BEING MISSING?
867
00:37:13,817 --> 00:37:16,653
OKAY, HONEY,
YOU NEED TO GO.
868
00:37:16,695 --> 00:37:17,904
ARE YOU IN CHARACTER?
869
00:37:17,946 --> 00:37:20,031
COME ON.
870
00:37:21,116 --> 00:37:22,367
- OKAY, HON.
871
00:37:22,409 --> 00:37:24,244
- THEY GENERALLY DON'T WANT,
872
00:37:24,285 --> 00:37:26,996
ESPECIALLY IN THESE KIND OF
BIGGER AUDITIONS,
873
00:37:27,038 --> 00:37:28,832
THEY DON'T WANT
A SIBLING GOING.
874
00:37:28,873 --> 00:37:30,375
- OKAY.
875
00:37:30,417 --> 00:37:32,377
- I'D SAY IT'S PROBABLY
A GOOD IDEA NOT IN THIS ONE.
876
00:37:32,419 --> 00:37:34,254
- WE'LL COME STRAIGHT BACK,
THOUGH.
877
00:37:34,295 --> 00:37:37,132
ACTUALLY,
I WAS GONNA ASK...
878
00:37:37,173 --> 00:37:38,550
MAYBE I'LL PICK YOU UP
AND WE'LL DO THAT.
879
00:37:38,591 --> 00:37:39,718
- OH, COOL.
- YOU WANT TO DO THAT?
880
00:37:39,759 --> 00:37:41,344
- OR CAN WE GO TO CITYWALK?
881
00:37:41,386 --> 00:37:45,140
'CAUSE I--'CAUSE I NEED TO,
FOR MY BROCHURE,
882
00:37:45,181 --> 00:37:48,143
AND WE CAN GO TO ICE CREAM,
LIKE, ANY DAY.
883
00:37:49,436 --> 00:37:51,187
- BYE.
884
00:37:59,779 --> 00:38:01,573
- SO, AT THE BEGINNING
OF THE YEAR,
885
00:38:01,614 --> 00:38:05,577
I DECIDED THAT I WAS GOING TO
SUBMIT HER FOR EVERYTHING
886
00:38:05,618 --> 00:38:09,956
THAT EVEN REMOTELY
LOOKS LIKE SHE COULD DO.
887
00:38:09,998 --> 00:38:12,917
I SUBMITTED HER
FOR 36 PROJECTS.
888
00:38:12,959 --> 00:38:16,504
WE DID NOT GET ONE CALL.
889
00:38:16,546 --> 00:38:18,214
[laughs]
890
00:38:18,256 --> 00:38:22,552
AND I SUBMITTED HER
FOR 36 PROJECTS.
891
00:38:22,594 --> 00:38:25,347
- SO WHAT KEEPS YOU GOING?
892
00:38:25,388 --> 00:38:28,391
- SHE DOES.
SHE JUST KEEPS ME GOING.
893
00:38:28,433 --> 00:38:31,227
- THANKS, MOM.
- I KNOW, HONEY.
894
00:38:31,269 --> 00:38:32,354
SHE DOES KEEP ME GOING,
895
00:38:32,395 --> 00:38:34,773
BECAUSE I JUST KNOW
I CAN'T TAKE HER BACK
896
00:38:34,814 --> 00:38:37,025
TO THAT ONE-STOPLIGHT TOWN.
897
00:38:37,067 --> 00:38:40,403
IT'S LIKE WE OPENED
A PANDORA'S BOX.
898
00:38:40,445 --> 00:38:43,782
I WENT FROM DRINKING
ALL THE TIME--
899
00:38:43,823 --> 00:38:46,368
- TO ICE CREAM.
- EXACTLY.
900
00:38:46,409 --> 00:38:47,410
AND I THOUGHT, OOH,
I'M GONNA--
901
00:38:47,452 --> 00:38:48,912
I'M GONNA SAVE
SO MUCH MONEY.
902
00:38:48,953 --> 00:38:52,415
BUT HAAGEN-DAZS IS,
LIKE, $5 A LITTLE THING.
903
00:38:52,457 --> 00:38:55,377
THAT'S A $300 A MONTH HABIT.
904
00:38:55,418 --> 00:38:57,754
I'M JUST AN OLD, FAT MOM
WHO NEEDS SOME HAAGEN-DAZS.
905
00:38:57,796 --> 00:39:00,674
IT'S CHEAPER TO DRINK,
YOU KNOW, BACARDI.
906
00:39:00,715 --> 00:39:03,468
[laughs]
BREAKFAST, LUNCH, AND DINNER.
907
00:39:03,510 --> 00:39:06,012
[laughs]
INSTEAD OF--
908
00:39:06,054 --> 00:39:07,722
GOOD THING I QUIT
SMOKING AND DRINKING
909
00:39:07,764 --> 00:39:09,683
IN ORDER TO GO INTO THAT.
910
00:39:09,724 --> 00:39:12,560
- YOUR TEARS,
EVERYTHING'S IN YOU.
911
00:39:12,602 --> 00:39:14,020
YOU DON'T HAVE TO DRAG IT
OUT OF YOU
912
00:39:14,062 --> 00:39:15,355
WHEN YOU REALLY FEEL
SOMETHING, RIGHT?
913
00:39:15,397 --> 00:39:16,523
WHEN YOU REALLY DO
GET EMOTIONAL.
914
00:39:16,564 --> 00:39:18,233
WHO HERE HAS GOTTEN CALLED IN
FOR AN AUDITION
915
00:39:18,274 --> 00:39:21,569
WHERE IT'S SAID THAT YOU HAD
TO CRY OR SOMETHING LIKE THAT?
916
00:39:21,611 --> 00:39:23,446
OKAY.
917
00:39:23,488 --> 00:39:25,365
YOU KNOW, MOST PEOPLE I KNOW
ARE USUALLY INTIMIDATED BY IT,
918
00:39:25,407 --> 00:39:27,409
BECAUSE THEN YOU FEEL LIKE, OH,
WHAT IF I GO IN THE AUDITION
919
00:39:27,450 --> 00:39:28,868
AND I DON'T CRY?
920
00:39:28,910 --> 00:39:30,328
YOU KNOW, IT FEELS
LIKE ALL THIS PRESSURE.
921
00:39:30,370 --> 00:39:32,247
SO WHAT HAPPENS IS,
WHEN WE WANT TO CRY,
922
00:39:32,288 --> 00:39:34,499
AND WE'RE SAYING TO OURSELVES,
"GOD, CRY,"
923
00:39:34,541 --> 00:39:36,292
YEAH, THEN NOTHING'S
GONNA COME OUT.
924
00:39:36,334 --> 00:39:39,921
WE HAVE KIDS WHO ACTUALLY
HAVE AUDITIONED FOR YEARS
925
00:39:39,963 --> 00:39:42,215
AND CAN'T BOOK ANYTHING,
AND ONCE THEY GET RELAXED,
926
00:39:42,257 --> 00:39:44,217
THEY'RE ABLE TO BOOK,
OKAY?
927
00:39:44,259 --> 00:39:46,428
SO EVERYBODY
JUST SPREAD OUT.
928
00:39:46,469 --> 00:39:48,638
FIND A PLACE IN THE ROOM.
929
00:39:48,680 --> 00:39:50,015
AND AS YOU'RE BREATHING,
930
00:39:50,056 --> 00:39:52,559
I WANT YOU TO PICTURE
THAT YOU'RE ON A BEACH
931
00:39:52,600 --> 00:39:55,812
BUT NOW YOU SEE THE FACE OF
SOMEONE THAT YOU LOVE.
932
00:39:55,854 --> 00:39:58,440
AND LITERALLY,
TAKE YOUR HANDS OUT
933
00:39:58,481 --> 00:40:00,900
IN FRONT OF YOU,
WITH YOUR EYES CLOSED,
934
00:40:00,942 --> 00:40:03,903
AND START TO SCULPT THEIR FACE
WITH YOUR HANDS.
935
00:40:03,945 --> 00:40:05,822
AND WHILE YOU'RE DOING IT,
936
00:40:05,864 --> 00:40:10,535
THINK ABOUT THE WAY
THEY MAKE YOU FEEL.
937
00:40:10,577 --> 00:40:13,913
AND THEN I WANT YOU TO LOOK THEM
STRAIGHT IN THEIR EYES
938
00:40:13,955 --> 00:40:15,582
AND SAY, "I LOVE YOU."
939
00:40:15,623 --> 00:40:18,293
all: I LOVE YOU.
940
00:40:18,335 --> 00:40:20,879
- TELL US HOW YOU FELT.
941
00:40:20,920 --> 00:40:23,048
WERE YOU ABLE TO CONCENTRATE
OR NOT CONCENTRATE?
942
00:40:23,089 --> 00:40:26,217
TELL US WHAT YOU WENT THROUGH
AND MAYBE WHO YOU PICTURED
943
00:40:26,259 --> 00:40:27,552
OR HOW YOU FELT.
944
00:40:27,594 --> 00:40:29,304
WHY DON'T YOU START, HON?
945
00:40:29,346 --> 00:40:33,516
- UM, I WAS THINKING OF MY
SISTER, WHO DIED AT BIRTH,
946
00:40:33,558 --> 00:40:39,898
AND I WAS PICTURING
HOW SHE WOULD LOOK,
947
00:40:39,939 --> 00:40:43,318
BECAUSE MY MOM
TOLD ME THAT--
948
00:40:43,360 --> 00:40:47,155
THAT SHE COULD FEEL THAT SHE HAD
A REALLY GOOD PERSONALITY.
949
00:40:47,197 --> 00:40:48,239
[sniffles]
950
00:40:48,281 --> 00:40:51,368
AND THAT I RESEMBLE HER
SO MUCH,
951
00:40:51,409 --> 00:40:57,123
AND I'VE ALWAYS WANTED TO KNOW
WHAT SHE WOULD LOOK LIKE,
952
00:40:57,165 --> 00:40:59,501
AND TODAY
WAS FINALLY THE CHANCE
953
00:40:59,542 --> 00:41:02,504
TO WHERE I GOT TO
EXPERIENCE IT.
954
00:41:02,545 --> 00:41:05,465
- THAT'S WONDERFUL.
955
00:41:05,507 --> 00:41:08,927
OKAY. THAT'S OKAY.
THAT'S GREAT.
956
00:41:08,968 --> 00:41:10,303
THANK YOU, GUYS.
957
00:41:10,345 --> 00:41:12,263
THANKS FOR DOING
THAT EXERCISE WITH US.
958
00:41:15,558 --> 00:41:20,522
- THIS IS RYAN MALGARINI,
KNOWN FOR GARY UNMARRIED.
959
00:41:20,563 --> 00:41:22,649
DEVON, NOW WHAT BRINGS YOU TO
THE YOUNG ARTIST AWARDS TODAY?
960
00:41:22,691 --> 00:41:24,609
- I DID A MOVIE
CALLED FUNNY GAMES,
961
00:41:24,651 --> 00:41:25,819
AND I'M NOMINATED FOR THAT.
962
00:41:25,860 --> 00:41:28,363
- MY LAST PROJECT WAS WITH
THE JONAS BROTHERS.
963
00:41:28,405 --> 00:41:29,906
IT'S CALLED JONAS.
964
00:41:29,948 --> 00:41:31,449
- WE ACTUALLY WORKED
TOGETHER.
965
00:41:31,491 --> 00:41:32,325
both:
ON EVERYBODY HATES CHRIS.
966
00:41:32,367 --> 00:41:33,868
- OH, WOW.
967
00:41:33,910 --> 00:41:36,538
- I'VE DONE AN EPISODE
OF HOUSE, NIP/TUCK.
968
00:41:36,579 --> 00:41:37,872
- GHOSTS OF GIRLFRIENDS PAST,
969
00:41:37,914 --> 00:41:39,916
I PLAY YOUNG
JENNIFER GARNER IN THAT.
970
00:41:39,958 --> 00:41:41,626
- LOOK BACK AT ME.
LET ME SEE YOUR EYES.
971
00:41:41,668 --> 00:41:42,961
THERE WE GO.
BIG SMILE.
972
00:41:43,003 --> 00:41:46,798
- WOW. THAT'S AWESOME.
THIS IS, LIKE, THE REAL MCCOY.
973
00:41:46,840 --> 00:41:48,049
YOU KNOW, THIS IS
OUR FIRST YEAR,
974
00:41:48,091 --> 00:41:50,010
AND SHE'S 13
AND JUST STARTED,
975
00:41:50,051 --> 00:41:52,554
AND SO IT'S, YOU KNOW,
WE HAVE LEARNED SO MUCH.
976
00:41:52,595 --> 00:41:55,056
- I AM NOT GOING TO GO
TO THE ACTUAL AWARDS.
977
00:41:55,098 --> 00:41:57,350
I JUST DON'T KNOW
THAT MANY PEOPLE.
978
00:41:57,392 --> 00:41:59,436
- OKAY, LOOK OVER
YOUR SHOULDER TO ME.
979
00:41:59,477 --> 00:42:01,813
THERE WE GO.
980
00:42:01,855 --> 00:42:04,024
- WHAT ADVICE CAN YOU GIVE
YOUNG KIDS OUT THERE
981
00:42:04,065 --> 00:42:05,817
TRYING TO REACH
THEIR DREAMS LIKE YOU?
982
00:42:05,859 --> 00:42:10,572
- WELL, YOU JUST WORK HARD
AND THEN YOU'LL SOON, WELL,
983
00:42:10,613 --> 00:42:11,990
BE NOMINATED.
984
00:42:12,032 --> 00:42:14,701
- YEAH, THERE YOU GO.
GOOD ADVICE.
985
00:42:14,743 --> 00:42:16,369
- LADIES AND GENTLEMEN,
986
00:42:16,411 --> 00:42:19,289
LIFETIME ACHIEVEMENT AWARD
WINNER COREY FELDMAN.
987
00:42:19,330 --> 00:42:23,209
[cheers and applause]
988
00:42:23,251 --> 00:42:24,919
- I WANT TO SAY
THANK YOU ALL,
989
00:42:24,961 --> 00:42:27,047
AND TO ALL OF THE CHILDREN
OUT THERE
990
00:42:27,088 --> 00:42:30,508
WHO ARE JUST STARTING THIS
CRAZY ROLLER-COASTER RIDE,
991
00:42:30,550 --> 00:42:32,469
MAKE SURE THAT YOU
STAY STRONG,
992
00:42:32,510 --> 00:42:35,138
MAKE SURE THAT YOU BELIEVE
IN YOUR FAMILY
993
00:42:35,180 --> 00:42:37,098
AND YOU KEEP LOVE
IN YOUR HEART
994
00:42:37,140 --> 00:42:40,185
AND YOU KEEP YOURSELF TRUE
TO WHAT YOU BELIEVE IN,
995
00:42:40,226 --> 00:42:43,688
BECAUSE BELIEVING IS THE MOST
POWERFUL THING IN THE WORLD.
996
00:42:43,730 --> 00:42:44,481
THANK YOU.
997
00:42:44,522 --> 00:42:46,483
[cheers and applause]
998
00:42:46,524 --> 00:42:49,486
[orchestral music playing]
999
00:42:49,527 --> 00:42:55,700
* *
1000
00:42:55,742 --> 00:42:59,579
[overlapping chatter]
1001
00:42:59,621 --> 00:43:02,499
- CONGRATULATIONS.
- [laughs]
1002
00:43:02,540 --> 00:43:03,833
I GOT AN AWARD.
- THAT'S FABULOUS.
1003
00:43:03,875 --> 00:43:07,170
THAT IS FABULOUS.
WAY TO GO.
1004
00:43:07,212 --> 00:43:09,589
WAY TO GO.
1005
00:43:09,631 --> 00:43:12,050
- JOEY!
- JOEY!
1006
00:43:12,092 --> 00:43:14,010
- GET IN THERE.
1007
00:43:14,052 --> 00:43:16,179
- CONGRATS.
1008
00:43:16,221 --> 00:43:17,847
- THANKS.
1009
00:43:17,889 --> 00:43:19,391
[laughter]
1010
00:43:19,432 --> 00:43:22,102
[dishes clatter]
1011
00:43:22,143 --> 00:43:25,689
- 8:27, GUYS.
OKAY.
1012
00:43:25,730 --> 00:43:28,650
- DID YOU GUYS EACH GET
ONE OF THESE FOR SCHOOL?
1013
00:43:28,692 --> 00:43:32,320
- THEY'VE GOT THEIR--
THEY'RE--THEY'RE PACKED UP.
1014
00:43:32,362 --> 00:43:37,659
OKAY, EVERYBODY IN.
[groans]
1015
00:43:37,701 --> 00:43:39,994
WE'VE DONE DAY SCHOOLS,
REGULAR DAY SCHOOLS.
1016
00:43:40,036 --> 00:43:43,039
WE'VE DONE HOME SCHOOLING,
AND THIS SCHOOL,
1017
00:43:43,081 --> 00:43:45,333
THE SAN FERNANDO VALLEY
PROFESSIONAL SCHOOL,
1018
00:43:45,375 --> 00:43:46,626
IS WHAT SEEMS TO WORK BEST.
1019
00:43:46,668 --> 00:43:47,752
- UH--
- GO AHEAD.
1020
00:43:47,794 --> 00:43:49,504
- IT'S A SCHOOL FOR,
UM, ACTORS.
1021
00:43:49,546 --> 00:43:52,841
LIKE, THEY SUPPORT ACTORS,
UNLIKE MY OTHER SCHOOL,
1022
00:43:52,882 --> 00:43:56,803
WHERE THEY WOULD GET MAD IF
I LEFT TO GO TO AN AUDITION.
1023
00:43:56,845 --> 00:44:01,725
- ONE OF OUR VERY FAMOUS,
FAMOUS ALUMNIS.
1024
00:44:01,766 --> 00:44:03,560
HER NAME IS JANET JACKSON.
1025
00:44:03,601 --> 00:44:06,938
TIFFANI-AMBER THIESSEN,
BEVERLY HILLS 90210.
1026
00:44:06,980 --> 00:44:08,565
BRITTANY MURPHY.
1027
00:44:08,606 --> 00:44:10,650
SHE WAS VERY FAMOUS
FOR MANY MOVIES,
1028
00:44:10,692 --> 00:44:14,904
BUT ONE THAT REALLY STUCK TO ME
WAS DON'T SAY A WORD.
1029
00:44:14,946 --> 00:44:16,614
BRITTANY MURPHY.
1030
00:44:16,656 --> 00:44:21,327
AND SOLEIL MOON FRYE
WAS ONE OF OUR ALUMNIS.
1031
00:44:21,369 --> 00:44:25,331
SHE WAS WELL KNOWN AS
THE FAMOUS PUNKY BREWSTER.
1032
00:44:25,373 --> 00:44:26,541
- GO AHEAD, JOEY,
YOU'RE UP.
1033
00:44:26,583 --> 00:44:28,793
UH, THE BEETLE.
- OH, OKAY.
1034
00:44:28,835 --> 00:44:33,131
"THE BEETLE
IN THE PICTURES BELOW
1035
00:44:33,173 --> 00:44:35,800
"IS CARRYING ON
ANOTHER LIFE PROCESS.
1036
00:44:35,842 --> 00:44:39,846
IN WHAT WAYS DO YOU RESPOND
TO YOUR ENVIRONMENT?"
1037
00:44:39,888 --> 00:44:41,473
- YES, JULIE,
I SEE YOUR HAND.
1038
00:44:41,514 --> 00:44:44,934
- OKAY, WELL, UM, IF, SAY IF
YOU LIVE IN A SANDY PLACE.
1039
00:44:44,976 --> 00:44:46,728
- MM-HMM.
1040
00:44:46,770 --> 00:44:48,521
- YOU'RE PROBABLY GONNA WEAR
TENNIS SHOES ALL THE TIME,
1041
00:44:48,563 --> 00:44:50,899
'CAUSE, LIKE--
- I WOULD WEAR FLIP-FLOPS.
1042
00:44:50,940 --> 00:44:52,567
- ME TOO.
- ME THREE.
1043
00:44:52,609 --> 00:44:55,904
- OKAY, THAT'S NOT PRECISELY
WHAT I WAS LOOKING FOR, BUT--
1044
00:44:55,945 --> 00:44:57,697
BRIANA, AND THEN
WE GO BACK TO READ.
1045
00:44:57,739 --> 00:44:59,657
- OKAY, ISN'T IT TRUE...
1046
00:45:02,786 --> 00:45:04,788
- IT CAN BE BAD, YEAH.
1047
00:45:07,999 --> 00:45:10,293
- OOH, THAT'S NOT GOOD.
- THAT'S NOT GOOD AT ALL.
1048
00:45:10,335 --> 00:45:12,003
- I'M GONNA JUMP OUT OF AN
AIRPLANE BEFORE MY WEDDING.
1049
00:45:12,045 --> 00:45:13,004
- ME TOO!
- OKAY. NO, NO, NO.
1050
00:45:13,046 --> 00:45:14,631
SLOW DOWN, SLOW DOWN.
1051
00:45:14,673 --> 00:45:15,715
WE'RE NOT TALK ABOUT JUMPING
OUT OF AIRPLANES RIGHT NOW.
1052
00:45:15,757 --> 00:45:17,676
OKAY, JULIE, DO YOU HAVE
SOMETHING TO SAY?
1053
00:45:17,717 --> 00:45:20,512
- YES, UM, MY RABBIT--
- MM-HMM.
1054
00:45:20,553 --> 00:45:23,098
- HE GREW HIS TEETH TOO LONG.
- MM-HMM.
1055
00:45:23,139 --> 00:45:25,308
- CUT THE CRAP...
- LET--LET--LET'S BACK UP.
1056
00:45:25,350 --> 00:45:27,936
UM, I APPRECIATE
ALL THE GOOD ANSWERS,
1057
00:45:27,977 --> 00:45:32,023
UM, BUT LET'S GO AHEAD
AND GET TO THE LAB.
1058
00:45:32,065 --> 00:45:33,483
- HOME SCHOOL BUS DRIVER.
1059
00:45:33,525 --> 00:45:35,694
ANYBODY WITH A MINI VAN
AND MORE THAN TWO KIDS
1060
00:45:35,735 --> 00:45:37,112
NEEDS ONE OF THESE.
1061
00:45:37,153 --> 00:45:40,573
PATRICK IS STUDYING FOR
THE NATIONAL GEOGRAPHY ONE.
1062
00:45:40,615 --> 00:45:42,742
CHRISTOPHER IS STUDYING
HIS SPELLING WORDS.
1063
00:45:42,784 --> 00:45:47,622
RYAN IS EXCAVATING
SOME DINOSAUR BONES HERE.
1064
00:45:47,664 --> 00:45:49,416
AND ALISA IS WORKING
1065
00:45:49,457 --> 00:45:51,626
WITH HER DISNEY PRINCESS
SPELLING PROGRAM.
1066
00:45:51,668 --> 00:45:53,503
HOME SCHOOLING FITS
THE CHILD ACTOR'S SCHEDULE,
1067
00:45:53,545 --> 00:45:56,965
FIRST OF ALL, BECAUSE WE'VE BEEN
SO BUSY THE LAST TWO WEEKS,
1068
00:45:57,007 --> 00:46:00,385
AND SCHOOL JUST DOESN'T FIT
IN TO HAVING TO GET KIDS
1069
00:46:00,427 --> 00:46:02,512
TO AUDITIONS AND FILMINGS.
1070
00:46:02,554 --> 00:46:06,391
GOD PROMISED NOAH THAT HE WOULD
NEVER AGAIN SEND A FLOOD
1071
00:46:06,433 --> 00:46:08,852
TO DESTROY THE WHOLE EARTH
AND ALL LIVING THINGS ON IT.
1072
00:46:08,893 --> 00:46:11,855
- GOD...
- ALWAYS KEEPS HIS PROMISES.
1073
00:46:11,896 --> 00:46:13,231
YEAH.
1074
00:46:15,358 --> 00:46:16,860
YOU CAN DO MAGNETISM NOW
FOR A LITTLE BIT IF YOU WANT.
1075
00:46:16,901 --> 00:46:18,570
- COOL.
1076
00:46:18,611 --> 00:46:20,697
- RACE TO WITCH MOUNTAIN...
- HANG ON!
1077
00:46:20,739 --> 00:46:22,699
- IN THEATERS NEXT FRIDAY.
1078
00:46:22,741 --> 00:46:25,744
- DO YOU MISS GOING TO SCHOOL
WITH OTHER KIDS AT ALL?
1079
00:46:25,785 --> 00:46:29,497
- YOU KNOW, NOT REALLY, BECAUSE
SINCE WE LIVE AT OAKWOOD,
1080
00:46:29,539 --> 00:46:32,292
THERE'S A BUNCH OF KIDS
EVERYWHERE, AND THEY--
1081
00:46:32,334 --> 00:46:34,919
MOST OF THEM DO ONLINE SCHOOL.
1082
00:46:34,961 --> 00:46:36,880
I WORK FROM 8:00 TO 11:00.
1083
00:46:36,921 --> 00:46:38,757
THIS IS SEVENTH-GRADE MATH.
1084
00:46:38,798 --> 00:46:41,634
IT TELLS ME WHAT
TEXTBOOK PAGES I NEED.
1085
00:46:41,676 --> 00:46:46,765
[TV playing in background]
1086
00:46:46,806 --> 00:46:49,351
I CAN'T DO MY WORK,
LIKE, SILENTLY,
1087
00:46:49,392 --> 00:46:50,852
SO I HAVE THE TV ON.
1088
00:46:50,894 --> 00:46:52,437
- ...WITH LETTUCE,
TOMATO, AND ONION,
1089
00:46:52,479 --> 00:46:54,689
TOPPED WITH CHEDDAR CHEESE
AND THICK-CUT PEPPER BACON.
1090
00:46:54,731 --> 00:46:56,816
SO GOOD, YOU'LL SAY,
"I'M THINKIN' ARBY'S."
1091
00:46:58,735 --> 00:47:02,280
- I HAVEN'T COOKED YET,
SO YOU CAN GO IN HERE
1092
00:47:02,322 --> 00:47:03,740
AND FIX YOU A PEANUT BUTTER,
JELLY SANDWICH
1093
00:47:03,782 --> 00:47:05,950
OR A TURKEY SANDWICH.
1094
00:47:05,992 --> 00:47:08,119
- ALL RIGHT.
1095
00:47:08,161 --> 00:47:12,374
THE FIELD TRIP IS THIS THURSDAY
TO THE SEPULVEDA BASIN.
1096
00:47:12,415 --> 00:47:14,876
- THE WHAT?
- THE SEPULVEDA BASIN.
1097
00:47:14,918 --> 00:47:16,961
- WHAT'S THAT?
- IT'S, LIKE, A BIRD CENTER.
1098
00:47:17,003 --> 00:47:19,506
- HOW MUCH IS IT?
- NOTHING.
1099
00:47:19,547 --> 00:47:21,800
IT DOESN'T COST.
- DO YOU WANT ME TO GO?
1100
00:47:21,841 --> 00:47:23,718
- YOU CAN IF YOU WANT TO.
1101
00:47:23,760 --> 00:47:25,095
- HMM, YOU DON'T WANT ME
TO GO.
1102
00:47:25,136 --> 00:47:27,722
YOU'RE JUST SAYING THAT.
I CAN TELL.
1103
00:47:27,764 --> 00:47:29,891
- NO, NO.
MA, YOU ALWAYS SAY THAT.
1104
00:47:29,933 --> 00:47:31,935
- 'CAUSE I DON'T THINK
YOU WANT ME TO GO
1105
00:47:31,976 --> 00:47:33,186
WITH YOU ON YOUR
FIELD TRIPS ANYMORE.
1106
00:47:33,228 --> 00:47:36,398
- NO, MA, YOU CAN.
- OKAY.
1107
00:47:36,439 --> 00:47:38,525
I KNOW YOU'RE GETTING OLDER.
1108
00:47:42,153 --> 00:47:44,739
I WANT THAT REPORT COMPLETED.
1109
00:47:44,781 --> 00:47:46,741
YOU GONNA FINISH THAT, OKAY?
1110
00:47:46,783 --> 00:47:50,912
AND IF YOU'VE GOT TWO PAGES
LEFT, I WANT IT DONE TODAY.
1111
00:47:50,954 --> 00:47:54,040
TODAY.
- YES...
1112
00:47:54,082 --> 00:47:56,835
- IT SHOULDN'T BE SO SLOPPY.
LOOK HOW YOU GOT IT.
1113
00:47:56,876 --> 00:47:59,212
WE TRIED THE HOME SCHOOL,
1114
00:47:59,254 --> 00:48:00,755
BUT HOME SCHOOLING
WAS NOT GOOD.
1115
00:48:00,797 --> 00:48:04,050
I'M AGGRESSIVE,
JAMES IS LAID-BACK.
1116
00:48:04,092 --> 00:48:08,555
I DON'T GET WHAT I WANT,
HE GONNA SEE A UGLY SIDE OF ME.
1117
00:48:08,596 --> 00:48:10,265
THERE WOULD BE TIMES
I'D TELL HIM,
1118
00:48:10,306 --> 00:48:12,267
"GET OUT.
GET OUT THE APARTMENT.
1119
00:48:12,308 --> 00:48:13,768
GO WALK.
I NEED A BREAK."
1120
00:48:13,810 --> 00:48:15,895
SO IT WASN'T GOOD FOR US.
1121
00:48:15,937 --> 00:48:17,439
AND ME AND JAMES
WOULD CALL HIS DADDY,
1122
00:48:17,480 --> 00:48:18,898
"MAMA GETTING ON TO ME,"
1123
00:48:18,940 --> 00:48:20,275
AND THEN MY HUSBAND
WOULD CALL ME
1124
00:48:20,316 --> 00:48:22,736
AND I'D TELL HIM,
"I'M DOING ALL THE WORK.
1125
00:48:22,777 --> 00:48:24,320
I'M SITTING HERE EVERY DAY."
1126
00:48:24,362 --> 00:48:28,950
WE DON'T--WE DIDN'T HAVE
NO TIME APART FROM EACH OTHER.
1127
00:48:28,992 --> 00:48:32,620
WE HOME SCHOOLED FROM--JAMES,
HOW LONG DID WE HOME SCHOOL?
1128
00:48:32,662 --> 00:48:34,456
FROM WHAT?
- ABOUT A WEEK.
1129
00:48:34,497 --> 00:48:36,916
- NO, NO.
IT WAS A MONTH.
1130
00:48:36,958 --> 00:48:39,210
WE WERE ACTUALLY
GETTING READY TO BUY A HOME,
1131
00:48:39,252 --> 00:48:43,923
AND WE DECIDED NOT TO,
BECAUSE JAMES KEPT ASKING US
1132
00:48:43,965 --> 00:48:45,759
TO COME OUT HERE
AND LET HIM DO THE ACTING.
1133
00:48:45,800 --> 00:48:48,970
DO I THINK I'M HARD ON JAMES?
1134
00:48:49,012 --> 00:48:50,930
NO, I ACTUALLY THINK
I'M LAID-BACK.
1135
00:48:50,972 --> 00:48:53,224
NOW, IF YOU ASK
THE OTHER PEOPLE OUT HERE
1136
00:48:53,266 --> 00:48:55,477
IN THE OAKWOOD FAMILY,
1137
00:48:55,518 --> 00:48:57,270
THEY LOOK AT ME
LIKE I'M CRAZY.
1138
00:48:57,312 --> 00:48:59,689
BUT AT THE END OF THE DAY,
1139
00:48:59,731 --> 00:49:01,691
JAMES WILL NOT BE
ANOTHER BLACK MALE
1140
00:49:01,733 --> 00:49:02,817
THAT'S GONNA BE IN PRISON,
1141
00:49:02,859 --> 00:49:06,946
AND I DON'T CARE
WHAT IT TAKES.
1142
00:49:06,988 --> 00:49:10,617
- YOU'RE GOING TO TAKE
YOUR MARK THERE ON THE "X."
1143
00:49:10,658 --> 00:49:12,744
HAVE YOU AUDITIONED BEFORE?
- YEAH.
1144
00:49:12,786 --> 00:49:13,912
- GOOD. SO YOU KNOW
WHAT TO DO, RIGHT?
1145
00:49:13,953 --> 00:49:15,622
- YEAH.
- ALL RIGHT.
1146
00:49:15,663 --> 00:49:19,292
- OKAY, UM, I HAVE THE SCENE.
- GOOD, CAN I HAVE THAT?
1147
00:49:19,334 --> 00:49:20,543
- YEAH.
- OKAY.
1148
00:49:20,585 --> 00:49:21,670
- OKAY.
1149
00:49:21,711 --> 00:49:23,004
- IS IT THE SAME SIDE
FOR BOTH THE SONG--
1150
00:49:23,046 --> 00:49:24,172
THE SINGING AND THE DANCE?
1151
00:49:24,214 --> 00:49:25,507
- I'M JUST GONNA DO THE SINGING
AND THE DANCING
1152
00:49:25,548 --> 00:49:26,633
AT THE SAME TIME.
1153
00:49:26,675 --> 00:49:27,967
- UM--
- IS THAT, LIKE--
1154
00:49:28,009 --> 00:49:29,511
IS THAT OKAY OR--?
1155
00:49:29,552 --> 00:49:31,262
- I WOULD PREFER THAT
YOU NOT DO IT THAT WAY,
1156
00:49:31,304 --> 00:49:33,139
AND THE REASON FOR THAT IS
THAT WHEN YOU DO THE SONG,
1157
00:49:33,181 --> 00:49:35,141
UM, WE'RE TIGHT ON YOUR FACE,
1158
00:49:35,183 --> 00:49:37,435
AND WHEN YOU DO THE DANCE,
IT'S FULL BODY,
1159
00:49:37,477 --> 00:49:39,688
SO I HAVE TO RESET
THE CAMERA FOR THAT.
1160
00:49:39,729 --> 00:49:41,773
- ON THE CHORUS CAN I DO
DANCING AND STUFF,
1161
00:49:41,815 --> 00:49:43,024
AND YOU, LIKE,
SHOW THE FULL BODY?
1162
00:49:43,066 --> 00:49:44,943
'CAUSE, LIKE, I WANT TO DO
BOTH AT THE SAME TIME.
1163
00:49:44,984 --> 00:49:48,738
- HOW ABOUT WE JUST--
YOU DO THE SAME SONG TWICE.
1164
00:49:48,780 --> 00:49:51,366
IF YOU WANT TO SING
DURING YOUR DANCE, YOU CAN.
1165
00:49:51,408 --> 00:49:55,662
- OKAY.
- DOES THAT MAKE SENSE?
1166
00:49:55,704 --> 00:49:57,080
- UM...
1167
00:49:57,122 --> 00:49:57,997
- ALL RIGHT,
WE'LL DO IT YOUR WAY.
1168
00:49:58,039 --> 00:50:00,208
- I WAS LIKE, OH...
1169
00:50:00,250 --> 00:50:03,211
[music playing]
1170
00:50:03,253 --> 00:50:10,010
* *
1171
00:50:10,051 --> 00:50:12,470
* OH BUT I GET INTO IT *
1172
00:50:12,512 --> 00:50:14,055
* WHICH IS WHY
WE SHARE THE *
1173
00:50:14,097 --> 00:50:17,934
* EVERLASTING LOVE *
1174
00:50:17,976 --> 00:50:21,104
- * BECAUSE THESE THINGS
WILL CHANGE *
1175
00:50:21,146 --> 00:50:23,648
* I CAN FEEL IT NOW *
1176
00:50:23,690 --> 00:50:26,735
* THESE WALLS THAT THEY PUT UP
TO HOLD US BACK *
1177
00:50:26,776 --> 00:50:28,319
* WILL FALL DOWN *
1178
00:50:28,361 --> 00:50:31,281
- * EXACTLY WHERE
I'M SUPPOSED TO BE NOW *
1179
00:50:31,322 --> 00:50:32,365
- NO.
1180
00:50:32,407 --> 00:50:35,285
- * IN YOUR SPEECH NOW *
1181
00:50:35,326 --> 00:50:36,828
- NO.
1182
00:50:36,870 --> 00:50:39,372
- MY EMAIL WAS HIT
WITH A FEW THOUSAND,
1183
00:50:39,414 --> 00:50:40,957
AND I CAN ONLY SEE
TEN PEOPLE
1184
00:50:40,999 --> 00:50:42,125
OUT OF
A COUPLE THOUSAND KIDS,
1185
00:50:42,167 --> 00:50:45,128
SO I'M IN MY DILEMMA.
[laughs]
1186
00:50:48,089 --> 00:50:51,968
- HUH?
- WHAT AGE RANGE?
1187
00:50:52,010 --> 00:50:53,803
[laughs]
1188
00:50:53,845 --> 00:50:56,973
- THAT'S WHAT--
- [laughs]
1189
00:50:57,015 --> 00:50:59,768
- [rap music]
1190
00:50:59,809 --> 00:51:01,353
- DO WE WANT RAPPING?
1191
00:51:01,394 --> 00:51:03,813
- IS IT A POSITIVE RAP
OR IS IT A GHETTO RAP?
1192
00:51:03,855 --> 00:51:06,608
RUSSIAN ACCENT.
- NO.
1193
00:51:06,649 --> 00:51:10,070
- I THINK IT TAKES TIME--
- THANKS FOR PLAYING.
1194
00:51:10,111 --> 00:51:11,071
- [laughs]
1195
00:51:11,112 --> 00:51:14,074
[intro to Love Story]
1196
00:51:14,115 --> 00:51:15,950
- HEY, RANDY, HELP ME.
DOES SHE HAVE BREASTS?
1197
00:51:15,992 --> 00:51:19,287
- * WHEN I FIRST SAW YOU... *
1198
00:51:19,329 --> 00:51:21,956
- YES.
- OKAY.
1199
00:51:21,998 --> 00:51:23,750
- * I'M STANDING THERE... *
1200
00:51:23,792 --> 00:51:26,169
- SHE'S GOT A GREAT VOICE,
THOUGH.
1201
00:51:26,211 --> 00:51:29,047
- I KNOW,
BUT SHE HAS BREASTS, RIGHT?
1202
00:51:31,007 --> 00:51:32,801
- * SEE THE LIGHTS *
1203
00:51:32,842 --> 00:51:34,344
* SEE THE PARTY,
THE BALL GOWNS *
1204
00:51:34,386 --> 00:51:35,804
- I NEED TO DO THIS QUICKLY.
1205
00:51:35,845 --> 00:51:39,307
- VERY SMALL. I WOULD--
I WOULD TAKE HER.
1206
00:51:39,349 --> 00:51:43,186
- ONE DOWN.
- IT'S A NIGHTMARE.
1207
00:51:44,187 --> 00:51:46,439
- OH, MY GOODNESS.
1208
00:51:46,481 --> 00:51:49,025
- OH, YEAH. OH.
- WELL, KIND OF, RIGHT?
1209
00:51:49,067 --> 00:51:53,029
- I CAN TELL THIS ONE.
- YOU SHOULD SEE HIM DANCE.
1210
00:51:53,071 --> 00:51:54,030
- I KNOW.
1211
00:51:54,072 --> 00:51:55,657
- YOU CAN DANCE?
- YEAH.
1212
00:51:55,699 --> 00:51:59,035
* HEY, PRETTY BABY
WITH THE HIGH HEELS ON *
1213
00:51:59,077 --> 00:52:00,995
* HEE *
- OH, WOW, HOW COOL.
1214
00:52:01,037 --> 00:52:04,165
- * LIKE I'VE NEVER,
EVER KNOWN *
1215
00:52:04,207 --> 00:52:08,378
* IT'S JUST A PART
OF YOUR LOVELINESS *
1216
00:52:08,420 --> 00:52:11,172
* I LIKE THE GROOVE
OF YOUR WALK *
1217
00:52:11,214 --> 00:52:13,008
* YOUR TALK, YOUR DRESS *
1218
00:52:13,049 --> 00:52:16,302
* I FEEL YOUR FEVER
FROM MILES AROUND *
1219
00:52:16,344 --> 00:52:17,887
- I FEEL LIKE I'M ON
AMERICAN IDOL.
1220
00:52:17,929 --> 00:52:19,556
OKAY, YOU'RE MOVING ON
TO THE NEXT ROUND.
1221
00:52:19,597 --> 00:52:21,349
- ALL RIGHT, YOU'RE GOING TO
HOLLYWOOD, GOING TO HOLLYWOOD.
1222
00:52:21,391 --> 00:52:23,184
[cheers and applause]
1223
00:52:23,226 --> 00:52:26,312
HE'S HILARIOUS.
HE'S HILARIOUS.
1224
00:52:26,354 --> 00:52:27,939
- HE'S GOOD.
1225
00:52:27,981 --> 00:52:29,941
- THAT'S JUST LIKE HAVING
A BUNCH OF MONEY ON YOUR HEAD.
1226
00:52:29,983 --> 00:52:31,568
[laughter]
1227
00:52:31,609 --> 00:52:32,819
- HOW ARE YOU DOING?
- GREAT.
1228
00:52:32,861 --> 00:52:33,862
- HELLO.
1229
00:52:36,364 --> 00:52:37,991
- YEAH.
1230
00:52:38,033 --> 00:52:39,492
- LIKE THE REALLY KIND OF, LIKE,
IVY LEAGUE KIND OF LOOK.
1231
00:52:39,534 --> 00:52:42,120
YOU KNOW, SCHOOL GIRL
KIND OF THING.
1232
00:52:42,162 --> 00:52:45,457
- AFTER AN AUDITION,
IF YOU DON'T GET A CALLBACK
1233
00:52:45,498 --> 00:52:49,127
OR IF YOU DON'T KNOW WHAT YOU
COULD HAVE DONE DIFFERENTLY
1234
00:52:49,169 --> 00:52:51,171
OR WHAT YOU COULD HAVE CHANGED,
WHAT WOULD YOU DO?
1235
00:52:51,212 --> 00:52:53,089
- YOU'LL NEVER GET
ANY FEEDBACK.
1236
00:52:53,131 --> 00:52:55,008
IT'S ONLY 'CAUSE WE SEE
SO MANY PEOPLE.
1237
00:52:55,050 --> 00:52:56,551
YOU'LL GET IN THE CAR
AND YOU'LL TRY TO GUESS.
1238
00:52:56,593 --> 00:52:58,053
YOU'LL NEVER FIGURE IT OUT,
SO DON'T TRY.
1239
00:52:58,094 --> 00:52:59,679
- YEAH.
- YEAH. YOU HAVE A GOOD TIME.
1240
00:52:59,721 --> 00:53:01,389
YOU GO. IF YOU BOOK THE JOB
AND MAKE MONEY, GREAT.
1241
00:53:01,431 --> 00:53:03,224
- YEP, OKAY.
YEAH, THANK YOU. BYE.
1242
00:53:03,266 --> 00:53:05,352
- OKAY, NICE MEETING YOU.
- SHE'S JUST GONNA SHOW YOU...
1243
00:53:05,393 --> 00:53:08,188
- MOST OF THE AUDITIONS
I GO ON IS, LIKE, THE NERD,
1244
00:53:08,229 --> 00:53:10,732
AND SO I HAVE, LIKE,
MY LITTLE GLASSES
1245
00:53:10,774 --> 00:53:12,650
AND MY FANCY CASE
AND EVERYTHING.
1246
00:53:12,692 --> 00:53:14,194
- A LOT OF PEOPLE
HAVE TOLD ME
1247
00:53:14,235 --> 00:53:16,321
THAT I'M THE DISNEY,
NICKELODEON TYPE.
1248
00:53:16,363 --> 00:53:19,532
- SOMETIMES THEY
WILL SAY THAT, UH,
1249
00:53:19,574 --> 00:53:23,244
JUST BECAUSE OF MY COLOR,
I COULD FIT A THUG ROLE.
1250
00:53:23,286 --> 00:53:24,996
- MAYBE THE GIRL NEXT DOOR.
1251
00:53:25,038 --> 00:53:28,083
- I'M SORT OF THE BULLY
OR THE TOUGH KID,
1252
00:53:28,124 --> 00:53:31,211
JUST 'CAUSE OF MY SIZE
AND AWESOMENESS.
1253
00:53:31,252 --> 00:53:34,422
- SOMETIMES IN AUDITIONS IF THEY
ASK FOR TRIPLETS, WE GO AS--
1254
00:53:34,464 --> 00:53:36,216
- THE SAME EXACT THING.
1255
00:53:36,257 --> 00:53:37,801
- BUT WHEN THEY ASK
FOR INDIVIDUALS--
1256
00:53:37,842 --> 00:53:39,135
- WE WEAR, LIKE,
THE SAME STYLE--
1257
00:53:39,177 --> 00:53:40,553
all: DIFFERENT COLOR,
1258
00:53:40,595 --> 00:53:42,097
OR THE SAME COLOR,
DIFFERENT STYLES.
1259
00:53:42,138 --> 00:53:46,601
- I'M GOING TO--UH-OH. SHH!
- WHAT HAPPENED?
1260
00:53:46,643 --> 00:53:48,520
- I WAS GONNA SAY, "HA HA."
1261
00:53:48,561 --> 00:53:50,313
THIS IS, LIKE,
REALLY OLD SCHOOL.
1262
00:53:50,355 --> 00:53:52,107
MY MOM--
- DID HAIR FALL?
1263
00:53:52,148 --> 00:53:54,776
- NO. MY MOM TAUGHT ME
HOW TO DO THIS, BUT--
1264
00:53:54,818 --> 00:53:56,194
- I THINK IT'S A BETTER WAY,
1265
00:53:56,236 --> 00:53:58,613
BECAUSE IT MAKES
YOUR HAIR MORE CURLY.
1266
00:53:58,655 --> 00:54:00,198
- YEAH, AND IT STAYS.
1267
00:54:00,240 --> 00:54:02,659
- THIS IS MY MOM'S UNDERWEAR.
1268
00:54:02,701 --> 00:54:05,245
- [laughs]
1269
00:54:05,286 --> 00:54:07,330
DON'T TELL THAT.
1270
00:54:07,372 --> 00:54:09,290
[laughs]
1271
00:54:09,332 --> 00:54:12,210
IT IS. IT'S CLEAN.
1272
00:54:12,252 --> 00:54:15,213
- WHEN I WALK INTO THE ROOM
LIKE THIS,
1273
00:54:15,255 --> 00:54:16,464
THEY'RE, LIKE,
REALLY JEALOUS OF ME,
1274
00:54:16,506 --> 00:54:20,969
AND THEN THEY, LIKE, UH,
NOT BE REALLY NICE TO ME.
1275
00:54:21,011 --> 00:54:24,431
IT'S HARD, BUT IF YOU
ACTUALLY GET TO THE POINT
1276
00:54:24,472 --> 00:54:26,850
WHERE YOU'RE KNOWN
AND YOU'RE FAMOUS,
1277
00:54:26,891 --> 00:54:29,310
YOU'RE NOT GONNA HAVE
THAT MUCH FRIENDS
1278
00:54:29,352 --> 00:54:30,812
THAT YOU CAN REALLY
RELY ON.
1279
00:54:30,854 --> 00:54:35,191
YEAH, A LOT OF, UM, TIMES,
WE'LL--WELL, MY MOM AND ME--
1280
00:54:35,233 --> 00:54:37,777
WE'LL GO TO BED AND WE'LL,
LIKE, START CRYING,
1281
00:54:37,819 --> 00:54:41,322
BECAUSE WE'RE LIKE,
"WELL, IT'S NOT FAIR
1282
00:54:41,364 --> 00:54:43,867
THAT MY DAD HAS TO STAY
BY HIMSELF,"
1283
00:54:43,908 --> 00:54:47,620
AND WE'RE LIKE, "SHOULD WE STILL
KEEP ON DOING THIS?"
1284
00:54:47,662 --> 00:54:50,832
I'M LIKE,
"WELL, MOM, MY DAD WANTS ME
1285
00:54:50,874 --> 00:54:52,709
TO ACHIEVE MY DREAM,"
1286
00:54:52,751 --> 00:54:55,337
AND WE'RE JUST CRYING
AND STUFF,
1287
00:54:55,378 --> 00:54:58,381
BUT IF YOU REALLY WANT THIS,
YOU HAVE TO STAY OUT HERE,
1288
00:54:58,423 --> 00:55:02,469
SO I JUST HAVE
TO TOUGH IT OUT.
1289
00:55:02,510 --> 00:55:05,722
- IT'S NOT WORTH
SACRIFICING YOUR FAMILY.
1290
00:55:05,764 --> 00:55:09,309
WHEN I LOOK AT THE--
THE FAMILIES THAT CAME HERE
1291
00:55:09,351 --> 00:55:12,020
ABOUT THE TIME
THAT I DID WITH MY SON,
1292
00:55:12,062 --> 00:55:14,439
THE NUMBER OF DIVORCES
1293
00:55:14,481 --> 00:55:15,940
AND THINGS THAT OCCURRED
IN THE FAMILY--
1294
00:55:15,982 --> 00:55:17,567
IT'S, LIKE,
WHAT DO YOU EXPECT?
1295
00:55:17,609 --> 00:55:19,778
YOU TAKE YOUR KIDS
AND YOU LEAVE YOUR HUSBAND,
1296
00:55:19,819 --> 00:55:22,322
OR MAYBE IT'S A HUSBAND
COMING OUT, LEAVING THE WIFE
1297
00:55:22,364 --> 00:55:24,115
FOR TEN MONTHS
OF THE YEAR?
1298
00:55:24,157 --> 00:55:25,116
WHAT DO
YOU EXPECT TO HAPPEN?
1299
00:55:25,158 --> 00:55:26,242
AND DO IT
YEAR AFTER YEAR.
1300
00:55:26,284 --> 00:55:28,328
- OH, WAIT.
THERE WE GO.
1301
00:55:28,370 --> 00:55:29,704
OH, WAIT.
OKAY.
1302
00:55:29,746 --> 00:55:32,707
IT'S VERY--IT'S--
THAT'S THE HARDEST PART OF--
1303
00:55:32,749 --> 00:55:34,918
YOU KNOW, OBVIOUSLY
BEING AWAY FROM MY FAMILY,
1304
00:55:34,959 --> 00:55:36,544
BECAUSE WE'RE--
WE'RE VERY CLOSE.
1305
00:55:36,586 --> 00:55:37,545
- HEY.
1306
00:55:37,587 --> 00:55:39,047
- HI.
1307
00:55:39,089 --> 00:55:40,632
- MY SON, MAC--
1308
00:55:40,674 --> 00:55:42,092
HE EVEN MENTIONED
THAT HE MISSED HIS SISTER
1309
00:55:42,133 --> 00:55:43,093
THE OTHER DAY.
1310
00:55:43,134 --> 00:55:44,969
- THERE.
- OH, THERE HE IS.
1311
00:55:45,011 --> 00:55:46,262
THERE HE IS.
1312
00:55:46,304 --> 00:55:47,806
- MAC.
1313
00:55:47,847 --> 00:55:49,349
- YAY, WE CAN SEE YOU, HONEY.
CAN YOU HEAR US?
1314
00:55:49,391 --> 00:55:50,850
- I DON'T KNOW
WHAT THE PROBLEM IS WITH THAT.
1315
00:55:50,892 --> 00:55:51,976
- OH, THERE WE ARE.
- MM-HMM.
1316
00:55:52,018 --> 00:55:52,977
- OH, THERE WE GO.
1317
00:55:53,019 --> 00:55:55,146
OH, THAT'S OKAY.
1318
00:55:55,188 --> 00:55:57,023
IF THERE'S A WHITE BAR,
THERE'S A WHITE BAR.
1319
00:55:57,065 --> 00:55:58,775
HI, HONEY.
CAN YOU HEAR US?
1320
00:55:58,817 --> 00:55:59,818
- MM-HMM.
1321
00:55:59,859 --> 00:56:01,236
- CAN YOU?
YAY.
1322
00:56:01,277 --> 00:56:02,696
YOU KNOW--
OH, DEAR.
1323
00:56:02,737 --> 00:56:05,365
IT JUST WENT AWAY, HONEY.
1324
00:56:05,407 --> 00:56:06,324
- [groans]
- NO...
1325
00:56:06,366 --> 00:56:07,826
- [sighs]
1326
00:56:07,867 --> 00:56:09,285
- [groans]
1327
00:56:09,327 --> 00:56:11,371
- GEE WHIZ.
1328
00:56:11,413 --> 00:56:13,331
- THAT'S THE FIRST TIME
MAC'S SEEN US.
1329
00:56:13,373 --> 00:56:16,084
- IN--
- A MONTH AND A HALF.
1330
00:56:16,126 --> 00:56:17,210
both: [sighing]
1331
00:56:17,252 --> 00:56:19,295
- THAT WAS SO CLOSE.
1332
00:56:19,337 --> 00:56:21,047
- DO YOU GET HOMESICK AT ALL?
1333
00:56:21,089 --> 00:56:24,092
- I DO EVERY ONCE
IN A WHILE,
1334
00:56:24,134 --> 00:56:26,970
BUT SINCE I HAVE,
LIKE, PICTURES OF MY FAMILY,
1335
00:56:27,012 --> 00:56:30,306
I SORT OF--
I'M OKAY.
1336
00:56:30,348 --> 00:56:33,226
- THE FAMILY,
THE FAMILY.
1337
00:56:33,268 --> 00:56:35,645
THAT'S THE ONLY THING
THAT I MISS. THE FAMILY.
1338
00:56:35,687 --> 00:56:38,023
- I JUST MISS
THE WHOLE FEELING OF MISSOURI,
1339
00:56:38,064 --> 00:56:41,735
BECAUSE IT'S, LIKE,
I MISS THE "COUNTRY" FEELING,
1340
00:56:41,776 --> 00:56:44,320
SO...YEAH.
1341
00:56:44,362 --> 00:56:46,990
AND A LOT OF MY RELATIVES,
SO...
1342
00:56:47,032 --> 00:56:49,784
AND MY SISTER
JUST HAD TWIN GIRLS,
1343
00:56:49,826 --> 00:56:53,288
AND I'M GOING TO HAVE TO WAIT,
LIKE, TILL MAY TO SEE THEM.
1344
00:56:53,329 --> 00:56:57,000
SO I'M KIND
OF UPSET ABOUT THAT, BUT...
1345
00:56:57,042 --> 00:56:59,294
I MISS THEM.
1346
00:57:02,339 --> 00:57:04,049
- OKAY, SO...
1347
00:57:04,090 --> 00:57:05,342
DO YOU HAVE THE LINES YET?
1348
00:57:05,383 --> 00:57:06,301
DO YOU HAVE THEM
KIND OF MEMORIZED
1349
00:57:06,343 --> 00:57:08,053
WHERE YOU CAN DO IT
WITHOUT LOOKING?
1350
00:57:08,094 --> 00:57:10,430
- YEAH, A LITTLE BIT.
1351
00:57:10,472 --> 00:57:12,599
I GUESS NOT REALLY.
1352
00:57:12,640 --> 00:57:15,060
- OKAY, LET'S DO IT
ONE MORE TIME WITH LOOKING.
1353
00:57:15,101 --> 00:57:16,561
READY?
1354
00:57:16,603 --> 00:57:18,146
"HEY, WHAT ARE YOU DOING?"
1355
00:57:18,188 --> 00:57:20,648
- "DON'T YOU WANT SOME HELP?"
1356
00:57:20,690 --> 00:57:22,776
- "NO, THERE ARE SOME
VALUABLE THINGS IN THAT BOX."
1357
00:57:22,817 --> 00:57:24,527
- "HOW ABOUT THIS ONE?"
1358
00:57:24,569 --> 00:57:26,237
- "YOUR MOTHER IS PROBABLY
WONDERING WHERE YOU ARE."
1359
00:57:26,279 --> 00:57:28,948
- NO, SHE'S AT--
1360
00:57:28,990 --> 00:57:31,576
- AND IT SHOULD BE,
"OH, MY MOM KNOWS WHERE I AM.
1361
00:57:31,618 --> 00:57:32,786
SHE SAID IT WAS FINE."
1362
00:57:32,827 --> 00:57:34,412
- "OH, MY MOM KNOWS
WHERE I AM.
1363
00:57:34,454 --> 00:57:36,331
SHE SAID IT WAS FINE."
1364
00:57:36,373 --> 00:57:38,166
- GOOD.
VERY GOOD.
1365
00:57:38,208 --> 00:57:40,126
I LIKE YOUR--
I LIKE YOUR ATTITUDE ON THIS.
1366
00:57:40,168 --> 00:57:44,381
- WHEN HE ASKS FOR A HEADSHOT,
I HAVE IT IN THERE?
1367
00:57:44,422 --> 00:57:46,257
- WELL, YOU DON'T EVEN
WAIT FOR HIM TO ASK.
1368
00:57:46,299 --> 00:57:48,343
YOU JUST GIVE IT TO HIM,
AND YOU TAKE OUT YOUR SCRIPT.
1369
00:57:48,385 --> 00:57:50,345
OKAY?
1370
00:57:59,437 --> 00:58:01,564
SO DID ROB ACTUALLY
READ WITH YOU?
1371
00:58:01,606 --> 00:58:04,734
- HE'S LIKE,
"PERFECT, PERFECT, PERFECT."
1372
00:58:04,776 --> 00:58:07,362
- SHE SAID
THAT ROB SAID--
1373
00:58:07,404 --> 00:58:08,738
I MEAN, SHE SHOWED ME
THE HAND MOVEMENTS,
1374
00:58:08,780 --> 00:58:10,365
LIKE, THREE TIMES.
1375
00:58:10,407 --> 00:58:13,076
SHE SAID HE SAID,
"PERFECT, PERFECT, PERFECT."
1376
00:58:13,118 --> 00:58:15,662
YEAH.
1377
00:58:24,337 --> 00:58:26,464
- [laughs mockingly]
1378
00:58:26,506 --> 00:58:28,174
NO ONE ELSE MET ROB.
1379
00:58:28,216 --> 00:58:29,175
[hums mockingly]
1380
00:58:29,217 --> 00:58:30,427
- WHAT?
1381
00:58:30,468 --> 00:58:32,429
- SAVANNAH.
- SAVANNAH DAWN.
1382
00:58:32,470 --> 00:58:34,472
- JUST KIDDING.
1383
00:58:34,514 --> 00:58:37,267
- COME ON.
1384
00:58:47,527 --> 00:58:49,529
- I HIGHLY RECOMMEND IT.
1385
00:58:49,571 --> 00:58:51,865
IT'S JUST AMAZING.
1386
00:58:51,906 --> 00:58:53,783
MOST SUCCESSFUL PEOPLE
LIKE TOM CRUISE
1387
00:58:53,825 --> 00:58:55,493
AND MOST OF THE CELEBRITIES
IN HOLLYWOOD
1388
00:58:55,535 --> 00:58:57,537
ACTUALLY
PRACTICE DIANETICS.
1389
00:58:57,579 --> 00:59:00,206
AND, UM, YEAH.
1390
00:59:00,248 --> 00:59:01,458
SO I DECIDED TO TRY IT,
1391
00:59:01,499 --> 00:59:04,419
AND THIS IS THE TRAINING CLASS
WHICH I'VE TAKEN.
1392
00:59:04,461 --> 00:59:06,504
WAS VERY PROUD OF IT, BECAUSE
IT TAKES USUALLY SIX MONTHS
1393
00:59:06,546 --> 00:59:09,007
TO FINISH IT,
AND I FINISHED IT IN ONE DAY.
1394
00:59:09,049 --> 00:59:13,178
THEY ALSO ADVISED ME TO TAKE
ADDITIONAL TRAINING CLASS.
1395
00:59:13,219 --> 00:59:17,474
THIS IS CONTINUATION--
IS DIANETICS EXTENSION COURSE.
1396
00:59:17,515 --> 00:59:19,142
AND I WILL
BE DOING IT ONLINE.
1397
00:59:19,184 --> 00:59:20,143
AND THIS IS ACTUALLY--
1398
00:59:20,185 --> 00:59:22,479
[laughs]
1399
00:59:22,520 --> 00:59:24,647
THIS IS--
UH, SEE--
1400
00:59:24,689 --> 00:59:27,484
THIS IS ACTUALLY ANOTHER BOOK
WHICH I'LL HAVE TO READ
1401
00:59:27,525 --> 00:59:28,651
IN THE NEXT TWO WEEKS.
1402
00:59:28,693 --> 00:59:30,278
[laughs]
1403
00:59:32,238 --> 00:59:33,406
- LET ME SEE...
1404
00:59:33,448 --> 00:59:35,575
A SILLY, HAPPY FACE.
HAPPY.
1405
00:59:35,617 --> 00:59:38,578
- UM...
1406
00:59:38,620 --> 00:59:40,205
- ROLLING.
1407
00:59:40,246 --> 00:59:41,414
- AND ACTION.
1408
00:59:41,456 --> 00:59:44,250
[Tchaikovsky's
Swan's Theme]
1409
00:59:44,292 --> 00:59:52,258
* *
1410
00:59:52,300 --> 00:59:53,718
AND CUT.
1411
00:59:53,760 --> 00:59:56,554
OKAY GUYS, THAT WAS GREAT.
THANK YOU.
1412
00:59:56,596 --> 01:00:01,559
[cheers and applause]
1413
01:00:01,601 --> 01:00:04,938
- * HERE COMES
PETER COTTONTAIL... *
1414
01:00:04,979 --> 01:00:06,439
- HAPPY EASTER.
HAPPY SPRING, EVERYBODY.
1415
01:00:06,481 --> 01:00:08,066
- WOW.
1416
01:00:08,108 --> 01:00:10,151
- * HIPPITY HOPPIN'
EASTER'S ON IT'S WAY *
1417
01:00:10,193 --> 01:00:11,152
- CAN I HAVE
AN EVERYTHING BAGEL?
1418
01:00:11,194 --> 01:00:14,280
- EVERYTHING--
YOU GOT IT.
1419
01:00:14,322 --> 01:00:15,573
- THANK YOU.
1420
01:00:15,615 --> 01:00:16,950
- THINK THAT'S EVERYTHING.
- YUP.
1421
01:00:16,991 --> 01:00:18,660
- HELLO, THERE,
EVERYBODY.
1422
01:00:18,702 --> 01:00:21,079
HAPPY EASTER,
HAPPY EASTER.
1423
01:00:21,121 --> 01:00:24,124
WOW, ARE YOU GUYS
NEW ACTRESSES?
1424
01:00:24,165 --> 01:00:26,459
ARE YOU GUYS GOING
TO BE IN THE MOVIES?
1425
01:00:26,501 --> 01:00:29,295
- WOW.
- MAYBE ON TV, HUH?
1426
01:00:29,337 --> 01:00:30,630
- I WAS ON TV ONCE.
1427
01:00:30,672 --> 01:00:32,716
I HAVE A COUPLE
OF CARTOON SPECIALS
1428
01:00:32,757 --> 01:00:34,050
THAT I'VE DONE.
1429
01:00:34,092 --> 01:00:35,552
NOW, AFTER YOU GUYS
EAT YOUR CANDY,
1430
01:00:35,593 --> 01:00:38,388
YOU PRACTICE TO HOP
AS HIGH AS YOU CAN, OKAY?
1431
01:00:38,430 --> 01:00:41,433
THAT WAY YOU CAN HOP OVER
ALL OF THOSE OTHER STARS
1432
01:00:41,474 --> 01:00:42,934
WHO ARE TRYING TO MAKE IT
1433
01:00:42,976 --> 01:00:44,686
IN THIS DIFFICULT
AND COMPETITIVE WORLD
1434
01:00:44,728 --> 01:00:46,146
OF LOS ANGELES, OKAY?
1435
01:00:46,187 --> 01:00:47,564
- HAPPY EASTER, EVERYBODY.
- [laughs]
1436
01:00:47,605 --> 01:00:49,065
- IS THIS THE BAR?
1437
01:00:49,107 --> 01:00:52,110
I WILL COME BACK
WHEN THERE ARE COCKTAILS.
1438
01:00:55,530 --> 01:00:58,283
- "KIDS LOVE CAPRI SUN BEVERAGES
1439
01:00:58,324 --> 01:01:00,869
"IN 14 REFRESHING FLAVORS.
1440
01:01:00,910 --> 01:01:05,165
"AND THEY'RE MADE WITH
NO ARTIFICIAL COLORS, FLAVORS,
1441
01:01:05,206 --> 01:01:08,251
"OR PRESERVATIVES.
1442
01:01:12,255 --> 01:01:16,509
"AND THEY'RE MADE WITH
NO ARTIFICIAL COLORS, FLAVORS,
1443
01:01:16,551 --> 01:01:17,844
"OR PRESERVATIVES.
1444
01:01:17,886 --> 01:01:20,764
"SO MOM DOESN'T NEED
TO WORRY ABOUT ME
1445
01:01:20,805 --> 01:01:23,350
"HAVING THE GREAT TASTE
I ENJOY.
1446
01:01:23,391 --> 01:01:24,642
"CAPRI SUN--
1447
01:01:24,684 --> 01:01:28,980
25% LESS SUGAR,
100% COOL."
1448
01:01:29,022 --> 01:01:32,025
[whimsical music]
1449
01:01:50,710 --> 01:01:52,253
- YOU CAN GO AHEAD
ALL THE WAY IN.
1450
01:01:52,295 --> 01:01:55,507
TELL EVERYONE
TO GET IN HERE.
1451
01:01:58,718 --> 01:02:03,139
- HI, MY NAME IS KENYA.
[indistinct]
1452
01:02:05,141 --> 01:02:08,812
* OH, NIGHT *
1453
01:02:08,853 --> 01:02:13,024
* WHEN CHRIST WAS BORN *
1454
01:02:13,066 --> 01:02:17,654
* OH NIGHT *
1455
01:02:17,696 --> 01:02:24,786
[sings loud,
high-pitched note]
1456
01:02:24,828 --> 01:02:26,496
* OH, NIGHT *
1457
01:02:26,538 --> 01:02:29,582
[continues singing indistinct]
1458
01:02:34,671 --> 01:02:38,425
[applause]
- THANK YOU.
1459
01:02:38,466 --> 01:02:40,593
- I DID SAY
WE CAN JUST LEAVE.
1460
01:02:40,635 --> 01:02:42,721
WE CAN JUST SAY,
"OOPS, SORRY."
1461
01:02:42,762 --> 01:02:43,722
- NO, I WASN'T
GOING TO DO THAT.
1462
01:02:43,763 --> 01:02:45,306
- WELL,
THAT'S ALWAYS OKAY.
1463
01:02:45,348 --> 01:02:46,349
- [sighs]
1464
01:02:49,936 --> 01:02:53,815
- THIS ISN'T AN IDEA WORLD,
AND--AND I'M VERY, UM,
1465
01:02:53,857 --> 01:02:56,776
I--I'M VERY NAIVE
IN KNOWING, YOU KNOW,
1466
01:02:56,818 --> 01:02:58,737
WHAT SOMEBODY WOULD BE WILLING
TO DO FOR SHANNA
1467
01:02:58,778 --> 01:03:00,113
WITHOUT THE EXPERIENCE,
BUT I JUST--
1468
01:03:00,155 --> 01:03:02,365
IF WE COULD GET--
GO OUT ON MORE AUDITIONS,
1469
01:03:02,407 --> 01:03:04,951
I--I JUST FIRMLY BELIEVE
SHE'LL DO WELL.
1470
01:03:04,993 --> 01:03:06,286
YOU KNOW--
1471
01:03:06,327 --> 01:03:08,747
- SO YOU'RE WANTING
TO CHANGE YOUR AGENCY?
1472
01:03:08,788 --> 01:03:11,750
- BILL'S A SUPER,
SUPER GOOD GUY.
1473
01:03:11,791 --> 01:03:14,794
IF WE COULD FIND SOMEBODY
WHO REALLY HAS--IS--
1474
01:03:14,836 --> 01:03:17,714
- SPECIALIZED MORE
IN THEATRICAL--
1475
01:03:17,756 --> 01:03:21,718
- IT COULD BE
A CONFLICT FOR HIM.
1476
01:03:21,760 --> 01:03:23,678
- I'M KIND OF HAVING TO REMOVE
MYSELF AT THIS POINT.
1477
01:03:23,720 --> 01:03:26,765
I AM TO THE POINT
WHERE I'M NOT HELPING.
1478
01:03:26,806 --> 01:03:29,142
I--YOU KNOW, I MAY BE EVEN
HINDERING MORE THAN I'M HELPING.
1479
01:03:29,184 --> 01:03:30,643
- RIGHT.
1480
01:03:30,685 --> 01:03:32,771
- YOU KNOW, I'M JUST TRYING
TO DO WHAT'S BEST TO--
1481
01:03:32,812 --> 01:03:35,857
YOU KNOW,
TO HELP HER ALONG.
1482
01:03:35,899 --> 01:03:37,776
- WELL, FIRST OFF,
WE DON'T HAVE AN AGENT.
1483
01:03:37,817 --> 01:03:39,611
I HAVE SUBMITTED MEGAN
TO, I DON'T KNOW,
1484
01:03:39,652 --> 01:03:43,740
SOMETHING STUPID, LIKE,
65 PROJECTS THIS YEAR,
1485
01:03:43,782 --> 01:03:47,410
AND NOT GOTTEN ONE CALL,
1486
01:03:47,452 --> 01:03:50,121
UH, FOR AN AUDITION.
1487
01:03:50,163 --> 01:03:52,332
- EXCEPT NOW.
- EXCEPT FOR NOW.
1488
01:03:52,374 --> 01:03:56,044
AND WHEN WE GOT THE AUDITION,
THEY SAID TO READ THE SCRIPT.
1489
01:03:56,086 --> 01:03:58,713
I JUST ABOUT DIED.
1490
01:03:58,755 --> 01:04:00,840
MEGAN AND I STAYED UP
UNTIL 2:00 IN THE MORNING.
1491
01:04:00,882 --> 01:04:02,175
I COULDN'T BELIEVE IT.
1492
01:04:02,217 --> 01:04:05,804
WHEN I FIRST READ IT,
I COULDN'T BELIEVE THE LANGUAGE.
1493
01:04:05,845 --> 01:04:08,431
MEGAN KEPT SAYING,
"OH MY GOSH, OH MY GOSH."
1494
01:04:08,473 --> 01:04:10,100
AND I EXPLAINED TO HER--
I SAID,
1495
01:04:10,141 --> 01:04:14,187
"MEGAN, THIS LITTLE GIRL
IS A HERMAPHRODITE..."
1496
01:04:14,229 --> 01:04:16,189
DITE--I DON'T KNOW
HOW YOU SAY IT,
1497
01:04:16,231 --> 01:04:17,565
BUT SHE SAID,
"I'M NOT DOING IT.
1498
01:04:17,607 --> 01:04:18,775
I'M NOT
AUDITIONING FOR THAT."
1499
01:04:18,817 --> 01:04:21,111
I GET UP THE NEXT DAY,
I CALL HER DAD.
1500
01:04:21,152 --> 01:04:22,862
OH, HER DAD GOES,
"WELL, YOU TELL HER
1501
01:04:22,904 --> 01:04:25,115
"THAT IF SHE DOESN'T
AUDITION FOR THIS MOVIE,
1502
01:04:25,156 --> 01:04:27,951
SHE'S COMING HOME."
1503
01:04:27,992 --> 01:04:29,369
SO...
1504
01:04:29,411 --> 01:04:31,663
- AND SO WE'RE GOING
TO THE AUDITION RIGHT NOW,
1505
01:04:31,705 --> 01:04:33,373
AND YEAH.
1506
01:04:33,415 --> 01:04:34,791
WE'RE GOING
TO THE AUDITION.
1507
01:04:34,833 --> 01:04:37,877
- WHEN SHE WALKS IN,
THEY'RE GOING TO FLIP THEIR LID.
1508
01:04:37,919 --> 01:04:39,087
WHO CARES?
1509
01:04:39,129 --> 01:04:40,422
YOU KNOW WHAT?
1510
01:04:40,463 --> 01:04:43,800
TRISHA SIMMONS SAYS,
"YOU KNOW WHAT?
1511
01:04:43,842 --> 01:04:47,512
"SOMETIMES YOU JUST HAVE TO
TAKE IT OVER THE TOP, BECAUSE--"
1512
01:04:47,554 --> 01:04:48,930
NOT WAY OVER THE TOP,
1513
01:04:48,972 --> 01:04:49,889
BUT THAT'S PRETTY
WAY OVER THE TOP.
1514
01:04:49,931 --> 01:04:52,142
I SAID, "WHO CARES?"
[scoffs]
1515
01:04:52,183 --> 01:04:55,186
EITHER THEY WANT HER
OR THEY DON'T.
1516
01:05:02,944 --> 01:05:04,529
- [laughs]
OH, LOOK AT YOU ALL DOLLED UP.
1517
01:05:04,571 --> 01:05:06,281
- THANK YOU.
THANK YOU VERY MUCH.
1518
01:05:06,322 --> 01:05:08,158
- I LOVE THE GLASSES, BUT WE
JUST NEED TO TAKE 'EM OFF.
1519
01:05:08,199 --> 01:05:09,492
- YEAH, I KNOW.
- [indistinct]
1520
01:05:09,534 --> 01:05:11,161
- "OH, WOW!
1521
01:05:11,202 --> 01:05:13,079
J.LO USED TO BE A DANCER
ON IN LIVING COLOR?"
1522
01:05:13,121 --> 01:05:14,622
SO GHETTO.
1523
01:05:14,664 --> 01:05:16,624
- "I'M GONNA CHOP OFF
THAT BITCH'S LITTLE PECKER
1524
01:05:16,666 --> 01:05:18,209
"THE NEXT TIME I SEE HER.
1525
01:05:18,251 --> 01:05:19,794
"I MEAN, WHO CARES
ABOUT HER EFFIN' WEE-WEE?
1526
01:05:19,836 --> 01:05:21,796
I NEED TO SCAR HER FOR LIFE
LIKE SHE DID MOI."
1527
01:05:21,838 --> 01:05:24,341
- "OH, DID YOU SEE THOSE
BLACKIES BREAKING IT DOWN?
1528
01:05:24,382 --> 01:05:25,675
LIKE, OH, MY GOD."
1529
01:05:25,717 --> 01:05:26,843
- "MELLOW YELLOW,
LUCY GOOSEY."
1530
01:05:26,885 --> 01:05:29,346
- "YOU'RE ACTING KIND OF CRAZY,
BETSY BIOTCH.
1531
01:05:29,387 --> 01:05:31,598
"MAYBE YOU SHOULD
MAX AND RELAX A BIT?
1532
01:05:31,639 --> 01:05:32,891
YOU DON'T WANT
TO GET WRINKLES."
1533
01:05:32,932 --> 01:05:34,559
"PIPE IT, BITCH.
1534
01:05:34,601 --> 01:05:36,728
I MADE YOU, AND I CAN
BREAK YOU IN AN INSTANT."
1535
01:05:39,439 --> 01:05:40,940
[laughs]
- AND CUT.
1536
01:05:40,982 --> 01:05:42,275
- GOOD JOB.
- THANK YOU.
1537
01:05:42,317 --> 01:05:44,110
- GREAT OUTFIT.
- THANK YOU.
1538
01:05:44,152 --> 01:05:45,695
- THAT'S IT.
IT WAS REALLY NICE TO MEET YOU.
1539
01:05:45,737 --> 01:05:47,864
- THANKS.
NICE TO MEET YOU TOO.
1540
01:05:47,906 --> 01:05:49,282
HUH?
- TAKE CARE.
1541
01:05:49,324 --> 01:05:50,909
- OKAY.
- [laughs]
1542
01:05:50,950 --> 01:05:52,660
- [laughs]
I WAS, LIKE--OKAY.
1543
01:05:52,702 --> 01:05:55,705
- BYE.
- BYE.
1544
01:05:57,707 --> 01:06:00,585
- I THINK THAT WENT REALLY GOOD.
WHAT DO YOU THINK, MOM?
1545
01:06:00,627 --> 01:06:01,586
- MEGAN--
1546
01:06:01,628 --> 01:06:02,796
- WHAT DO YOU THINK, MOM?
1547
01:06:02,837 --> 01:06:04,714
- I THINK IT SOUNDS
LIKE IT WENT REALLY GOOD.
1548
01:06:04,756 --> 01:06:06,549
- 'CAUSE I THINK
THEY'LL GIVE ME A CALLBACK
1549
01:06:06,591 --> 01:06:09,844
BECAUSE--AT LEAST A CALLBACK,
BECAUSE OF HOW I DRESSED.
1550
01:06:09,886 --> 01:06:10,845
- YEAH.
1551
01:06:10,887 --> 01:06:12,055
- 'CAUSE THEY'LL REMEMBER ME.
1552
01:06:12,097 --> 01:06:13,348
- LET'S SEE.
1553
01:06:13,390 --> 01:06:16,226
HOPEFULLY
YOU'LL GET A CALLBACK.
1554
01:06:20,021 --> 01:06:21,231
- THIS IS A SAYING--
1555
01:06:21,272 --> 01:06:23,566
"LOS ANGELES IS THE ONLY CITY
1556
01:06:23,608 --> 01:06:25,568
WHERE YOU CAN DIE
OF ENCOURAGEMENT."
1557
01:06:25,610 --> 01:06:26,945
- [laughs]
1558
01:06:26,986 --> 01:06:28,780
YOU KNOW, IT'S TRUE.
1559
01:06:28,822 --> 01:06:29,823
- YOU KNOW,
I SEE STILL WITH ACTORS,
1560
01:06:29,864 --> 01:06:31,449
YOU KNOW,
MY AGE AND OLDER.
1561
01:06:31,491 --> 01:06:33,535
WHO STILL ARE--
"IT'S GOING TO HAPPEN."
1562
01:06:33,576 --> 01:06:35,620
NO, IT'S NOT.
IT'S JUST NOT GOING TO HAPPEN.
1563
01:06:35,662 --> 01:06:38,707
AND YOU DON'T--YOU DON'T
WANT TO TELL THAT TO A KID.
1564
01:06:38,748 --> 01:06:42,752
- UM, WE HAVE A SPRING BREAK
PROGRAM WHICH IS NEXT WEEKEND
1565
01:06:42,794 --> 01:06:44,129
THAT WAS IN YOUR PACKET.
1566
01:06:44,170 --> 01:06:47,424
WE HAVE SEVERAL COUPONS HERE
THAT YOU CAN APPLY
1567
01:06:47,465 --> 01:06:50,552
TO ANY FACILITY AND OR RESOURCE
AT THE EXPOSURE STUDIO.
1568
01:06:50,593 --> 01:06:51,970
THESE ARE $50 COUPONS.
1569
01:06:52,012 --> 01:06:54,431
SO, LITERALLY SPEAKING,
WE CAN GIVE YOU EVERYTHING
1570
01:06:54,472 --> 01:06:56,266
THAT YOU NEED
ALL IN THE SAME BUILDING.
1571
01:06:56,307 --> 01:06:58,893
I AM A HEADSHOT PHOTOGRAPHER
AND A FASHION PHOTOGRAPHER.
1572
01:06:58,935 --> 01:07:01,104
RPM TALENT AGENCY,
WHICH IS TIFFANY,
1573
01:07:01,146 --> 01:07:03,356
AND THEN WE HAVE
THE ACTOR'S ANNEX,
1574
01:07:03,398 --> 01:07:05,025
WHICH IS OUR ACTING SCHOOL.
1575
01:07:05,066 --> 01:07:06,818
- ACTORS DON'T FAIL.
THEY QUIT.
1576
01:07:06,860 --> 01:07:09,237
- AND YOU'RE NOT QUITTERS.
YOU'RE ACTORS.
1577
01:07:09,279 --> 01:07:10,822
IT'S WHAT YOU DO.
1578
01:07:10,864 --> 01:07:12,198
- BECAUSE YOU'RE JUST
ONE MORE AUDITION AWAY
1579
01:07:12,240 --> 01:07:13,366
FROM BOOKING THAT BIG JOB.
1580
01:07:13,408 --> 01:07:15,118
- MM-HMM.
1581
01:07:15,160 --> 01:07:16,703
- ALL OF YOU, HOW MANY
OF YOU HAD CALLBACKS RECENTLY?
1582
01:07:16,745 --> 01:07:18,997
OKAY.
BOOKINGS? BOOKINGS?
1583
01:07:19,039 --> 01:07:20,874
- I GOT A CALLBACK
FOR A SPEAKING ROLE
1584
01:07:20,915 --> 01:07:22,876
ON CURB YOUR ENTHUSIASM
WITH LARRY DAVID.
1585
01:07:22,917 --> 01:07:24,377
- GREAT.
1586
01:07:24,419 --> 01:07:26,504
- EARLIER TODAY,
I SHOT FOR THIS SHOW CALLED
1587
01:07:26,546 --> 01:07:27,881
SOUTHLAND.
1588
01:07:27,922 --> 01:07:29,507
[laughter]
1589
01:07:29,549 --> 01:07:31,593
- ...PLAYHOUSE DISNEY
CALLED DANCE-A-LOT,
1590
01:07:31,634 --> 01:07:33,887
AND I THINK I'M ON
THE LAST CALLBACK FOR THEM.
1591
01:07:33,928 --> 01:07:35,347
- YEAH.
- GOOD.
1592
01:07:35,388 --> 01:07:38,725
- I'M HAPPY TO MEET WITH ANYBODY
WHO'S LOOKING FOR AN AGENT.
1593
01:07:38,767 --> 01:07:40,477
I'M HERE TO ANSWER
ANY QUESTIONS.
1594
01:07:40,518 --> 01:07:42,854
ONE OF THE REASONS WHY I LOVE
THE EXPOSURE STUDIO
1595
01:07:42,896 --> 01:07:44,689
IS THAT THEY GENUINELY CARE,
1596
01:07:44,731 --> 01:07:46,608
AND REALLY HAVE
GREAT STUFF TO OFFER.
1597
01:07:46,649 --> 01:07:49,527
SO IT'S KIND OF A MECCA.
1598
01:07:49,569 --> 01:07:51,071
YOU GUYS SHOULD
COME CHECK IT OUT.
1599
01:07:56,159 --> 01:07:58,036
- WHEN I SEE YOU, SHANNA,
1600
01:07:58,078 --> 01:08:00,121
YOU LOOK LIKE YOU WERE BORN
TO DO THIS BUSINESS.
1601
01:08:00,163 --> 01:08:02,040
- [laughs]
1602
01:08:02,082 --> 01:08:03,917
- OKAY? YOU LOOK LIKE YOU'RE--
I MEAN, YOU GOT A GREAT LOOK,
1603
01:08:03,958 --> 01:08:05,251
THE SHOTS ARE REALLY GREAT.
1604
01:08:05,293 --> 01:08:07,462
I THINK THERE'S SOME MORE STUFF
THAT WE COULD ADD TO IT,
1605
01:08:07,504 --> 01:08:10,090
BUT THE ONES THAT
YOU DO HAVE ARE VERY BEAUTIFUL.
1606
01:08:10,131 --> 01:08:13,551
I THINK WHAT YOU'RE MISSING
IS SOME PONYTAILS...
1607
01:08:13,593 --> 01:08:14,886
- MM-HMM.
1608
01:08:14,928 --> 01:08:16,763
- MAYBE SOME BRAIDS
WITH, LIKE,
1609
01:08:16,805 --> 01:08:20,100
A SCHOOLGIRL OUTFIT
AND GLASSES.
1610
01:08:20,141 --> 01:08:21,267
HAVE YOU HAD ANY BOOKINGS YET?
1611
01:08:21,309 --> 01:08:22,268
- NO BOOKINGS YET.
1612
01:08:22,310 --> 01:08:24,938
- OKAY, THAT WILL HAPPEN.
1613
01:08:24,979 --> 01:08:26,523
THAT WILL HAPPEN FOR SURE.
1614
01:08:26,564 --> 01:08:28,108
- I WOULD LOVE TO
OFFER YOU REPRESENTATION.
1615
01:08:28,149 --> 01:08:29,484
- YAY.
1616
01:08:29,526 --> 01:08:31,277
- I THINK WE COULD DO
SO MUCH FOR YOU.
1617
01:08:31,319 --> 01:08:33,613
UM, I THINK YOU'VE GOT
A BEAUTIFUL FUTURE AHEAD.
1618
01:08:33,655 --> 01:08:35,115
- AWESOME.
THANK YOU.
1619
01:08:35,156 --> 01:08:36,366
- YOU'RE SO WELCOME.
WELCOME ABOARD.
1620
01:08:36,408 --> 01:08:40,912
- THANK YOU VERY SO MUCH.
- ABSOLUTELY.
1621
01:08:40,954 --> 01:08:42,997
- I'LL INTRODUCE
YOU GUYS TO SOMEBODY
1622
01:08:43,039 --> 01:08:45,500
WHO IS IN OUR BUILDING
DOWNSTAIRS, WHO'S FABULOUS.
1623
01:08:45,542 --> 01:08:46,584
OKAY, GREAT.
ALL RIGHT.
1624
01:08:46,626 --> 01:08:51,131
COME WITH ME.
1625
01:08:51,172 --> 01:08:52,716
BUT I THINK
YOU'VE GOT A GREAT LOOK.
1626
01:08:52,757 --> 01:08:54,509
I THINK WITH
THE RIGHT MARKETING TOOLS
1627
01:08:54,551 --> 01:08:57,137
AND WITH AN AGENCY THAT'S,
YOU KNOW, REALLY PUSHING
1628
01:08:57,178 --> 01:08:59,305
AND PITCHING YOU,
YOU'RE GOING TO GO VERY FAR.
1629
01:08:59,347 --> 01:09:02,142
YOU NEED NEW HEADSHOTS BAD.
1630
01:09:02,183 --> 01:09:07,147
WHAT YOU WANT IS THIS GIRL
IN BRAIDS WITH MAYBE GLASSES,
1631
01:09:07,188 --> 01:09:09,107
MAYBE A LITTLE
SCHOOLGIRL OUTFIT.
1632
01:09:09,149 --> 01:09:10,817
- MM-HMM.
- YEAH.
1633
01:09:10,859 --> 01:09:12,652
- YOU KNOW, YOU WANT THIS GIRL
TO BE THE, YOU KNOW,
1634
01:09:12,694 --> 01:09:14,404
TOP OF
THE CHEERLEADING TRIANGLE.
1635
01:09:14,446 --> 01:09:18,241
SO CURLIER HAIR, YOU KNOW,
SASSY PINK OUTFIT.
1636
01:09:18,283 --> 01:09:20,118
OR MAYBE EVEN
A CHEERLEADING OUTFIT.
1637
01:09:20,160 --> 01:09:21,578
- SO YOU'RE INTERESTED IN HER?
- VERY MUCH.
1638
01:09:21,619 --> 01:09:24,497
- OKAY, BECAUSE I DIDN'T WANT
TO GO AND TAKE PICTURES
1639
01:09:24,539 --> 01:09:27,459
AND THEN GO
TO ANOTHER AGENCY,
1640
01:09:27,500 --> 01:09:29,044
AND THEN THEY GO,
"NO, WE WANT TO--"
1641
01:09:29,085 --> 01:09:30,670
OKAY, YOU'RE SAYING
THAT YOU'RE REAL INTERESTED.
1642
01:09:30,712 --> 01:09:32,005
- YEAH, ABSOLUTELY.
1643
01:09:32,047 --> 01:09:34,549
[laughter]
1644
01:09:34,591 --> 01:09:36,134
- WHY DON'T I
TAKE YOU DOWNSTAIRS?
1645
01:09:36,176 --> 01:09:38,011
I'D LIKE
TO INTRODUCE YOU GUYS
1646
01:09:38,053 --> 01:09:39,888
TO A WONDERFUL PHOTOGRAPHER
IN OUR BUILDING.
1647
01:09:39,929 --> 01:09:42,349
WE'VE GOT A WONDERFUL
ACTING SCHOOL TOO.
1648
01:09:42,390 --> 01:09:45,268
AND THEY GIVE OUR CLIENTS REALLY
GOOD DISCOUNTS AND DEALS.
1649
01:09:45,310 --> 01:09:48,063
AND NO WAY ARE YOU
PRESSURED TO DO ANYTHING.
1650
01:09:48,104 --> 01:09:49,230
YOU KNOW, AND AGAIN,
WE'RE ALL SEPARATE.
1651
01:09:49,272 --> 01:09:51,107
THIS IS JUST
A GOOD PLACE TO REFER YOU.
1652
01:09:51,149 --> 01:09:53,068
- OKAY, WELL THAT'S GREAT.
- WELL, GOOD.
1653
01:09:53,109 --> 01:09:55,904
- WELL, IT'S REAL NICE--
WELCOME ABOARD, MY DEAR.
1654
01:09:59,115 --> 01:10:00,075
- SO THESE ARE THE SETS
THAT WE USE.
1655
01:10:00,116 --> 01:10:01,910
- OH, THIS IS SUPER.
1656
01:10:01,951 --> 01:10:04,996
- AND WE CAN EVEN--WE CAN EVEN
GO BACK HERE TO THE BEACH.
1657
01:10:05,038 --> 01:10:06,373
YOU WANT
TO LOOK LIKE YOU'RE--
1658
01:10:06,414 --> 01:10:08,958
YOU'RE IN FRONT
OF A GRASS HUT AT TAHITI?
1659
01:10:09,000 --> 01:10:10,043
- WHOA.
- WELL, WE'VE GOT IT.
1660
01:10:10,085 --> 01:10:12,212
- AWESOME, AWESOME.
1661
01:10:12,253 --> 01:10:14,047
- CAN I SEE--
CAN I SEE YOUR PORTFOLIO?
1662
01:10:14,089 --> 01:10:15,048
IS THAT YOUR PORTFOLIO?
1663
01:10:15,090 --> 01:10:16,049
- YEAH.
- WHERE ARE YOU FROM?
1664
01:10:16,091 --> 01:10:17,509
- DENVER.
1665
01:10:17,550 --> 01:10:18,843
- OKAY, I DON'T KNOW
THE DENVER PEOPLE.
1666
01:10:18,885 --> 01:10:22,013
- IF WE SHOOT, I'M GOING
TO CHANGE FIVE DIFFERENT MOVIES,
1667
01:10:22,055 --> 01:10:26,101
FIVE DIFFERENT CAMPAIGNS
SO THAT YOU SHOW YOUR AGENT
1668
01:10:26,142 --> 01:10:29,604
THAT YOU HAVE FIVE DIFFERENT
CATEGORIES OF MONEY.
1669
01:10:29,646 --> 01:10:31,481
- THAT'S KEY.
- THAT'S KEY.
1670
01:10:31,523 --> 01:10:34,317
OTHERWISE, GOD BLESS YOU,
YOU LOOK GORGEOUS
1671
01:10:34,359 --> 01:10:35,819
AND THE PHOTOGRAPHER
WAS VERY GOOD.
1672
01:10:35,860 --> 01:10:38,488
HE KIND OF GETS SOME SIMILAR
KIND OF STUFF
1673
01:10:38,530 --> 01:10:40,073
THAT REALLY DOESN'T GO,
"OH, MY GOSH,
1674
01:10:40,115 --> 01:10:41,574
"IS THAT THE SAME PERSON?
1675
01:10:41,616 --> 01:10:44,035
LOOK HOW DIFFERENT
SHE IS IN THIS SHOT."
1676
01:10:44,077 --> 01:10:47,831
MOST PHOTOGRAPHERS
DON'T GIVE YOU THAT INSPIRATION
1677
01:10:47,872 --> 01:10:49,416
TO GUIDE YOU AND DIRECT YOU.
1678
01:10:49,457 --> 01:10:51,292
MOST OF THEM GO,
"GOOD LUCK."
1679
01:10:51,334 --> 01:10:53,211
YOU KNOW, I'M NOT TRYING
TO SELL THEM ANYTHING,
1680
01:10:53,253 --> 01:10:54,254
BUT YOU SHOULD MENTION
THAT OUR WEEKEND BOOT CAMP
1681
01:10:54,295 --> 01:10:56,089
WE HAVE COMING UP.
1682
01:10:56,131 --> 01:10:57,924
WE ACTUALLY HAVE THE HEAD CASTER
FROM WIZARDS OF WAVERLY.
1683
01:10:57,966 --> 01:10:59,884
AMAZING, I MEAN,
DON'T GET IN FRONT OF HIM
1684
01:10:59,926 --> 01:11:00,885
IF YOU'RE NOT
READY TO BOOK.
1685
01:11:00,927 --> 01:11:02,554
- RIGHT, RIGHT.
1686
01:11:02,595 --> 01:11:04,222
- WE HAVE ALL THESE SETS.
- OH, THIS IS SO COOL.
1687
01:11:04,264 --> 01:11:05,265
- WE GOT 15 SETS OUT HERE
1688
01:11:05,306 --> 01:11:07,100
THAT JIM USES
FOR BACKGROUNDS
1689
01:11:07,142 --> 01:11:08,643
FOR HIS PHOTOGRAPHY
AND EVERYTHING.
1690
01:11:08,685 --> 01:11:10,603
AND WE ALSO BRING
OUR ACTORS OUT HERE.
1691
01:11:10,645 --> 01:11:12,689
- OH, THAT'S SO--
1692
01:11:12,731 --> 01:11:14,357
- SHE'S GOING TO FIND THESE
CLASSES ARE SO MUCH DIFFERENT
1693
01:11:14,399 --> 01:11:15,442
THAN WHAT SHE'S TAKING.
1694
01:11:15,483 --> 01:11:16,776
- OH, YEAH, SHE'LL LOVE IT.
1695
01:11:16,818 --> 01:11:18,278
- I CAN GUARANTEE IT.
- SHE'LL LOVE IT.
1696
01:11:18,319 --> 01:11:19,320
- I LOVE THIS ALREADY.
1697
01:11:19,362 --> 01:11:20,947
- SINCE SHE WAS
EIGHT YEARS OLD,
1698
01:11:20,989 --> 01:11:23,033
SHE WAS PUT IN
AN ALL-ADULT ACTING CLASS...
1699
01:11:23,074 --> 01:11:24,034
- OH, NO.
1700
01:11:24,075 --> 01:11:25,410
- THIS WOULD BE
LIKE A PICNIC.
1701
01:11:25,452 --> 01:11:27,162
[laughs]
1702
01:11:27,203 --> 01:11:29,372
- WELL, I'LL TELL YOU,
IT'S GOING TO BE CHALLENGING.
1703
01:11:29,414 --> 01:11:30,957
FOR US, IT'S ALL ABOUT
GETTING THE CALLBACK.
1704
01:11:30,999 --> 01:11:32,208
WE WANT THEM
TO GET THE CALLBACK.
1705
01:11:32,250 --> 01:11:35,086
- THIS IS SO--THIS IS--
I'M GOING TO START CRYING.
1706
01:11:35,128 --> 01:11:36,421
- [laughs]
- OH, MY GOD.
1707
01:11:36,463 --> 01:11:38,131
THANK YOU.
1708
01:11:38,173 --> 01:11:41,092
- THIS IS SO AWESOME,
SO AWESOME.
1709
01:11:41,134 --> 01:11:42,844
- OH, WOW.
1710
01:11:42,886 --> 01:11:44,429
- THAT'S AWESOME,
ISN'T IT?
1711
01:11:44,471 --> 01:11:47,098
- OH, I'M SO EXCITED.
1712
01:11:47,140 --> 01:11:48,350
- OKAY, OKAY.
1713
01:11:48,391 --> 01:11:50,518
[laughs]
DAD, SERIOUSLY,
1714
01:11:50,560 --> 01:11:52,062
ISN'T THAT AWESOME?
1715
01:11:52,103 --> 01:11:54,564
[laughs]
I LOVE YOU.
1716
01:11:54,606 --> 01:11:56,900
BYE.
1717
01:11:56,941 --> 01:11:58,568
OH, YEAH.
1718
01:11:58,610 --> 01:12:00,945
OH, YEAH,
I'M CELEBRATING.
1719
01:12:00,987 --> 01:12:02,030
[laughs]
1720
01:12:02,072 --> 01:12:03,031
[lip-syncing]
1721
01:12:03,073 --> 01:12:04,157
- * NEXT THING YOU KNOW *
1722
01:12:04,199 --> 01:12:06,034
* SHORTY GOT LOW, LOW, LOW *
1723
01:12:06,076 --> 01:12:07,786
- AND THAT'S AN OLD SONG,
RIGHT?
1724
01:12:07,827 --> 01:12:08,787
- [laughs]
1725
01:12:08,828 --> 01:12:10,997
- GET UP, YOU WEIRDO.
1726
01:12:11,039 --> 01:12:12,040
- [laughs]
1727
01:12:16,211 --> 01:12:17,379
- UH-UH.
1728
01:12:17,420 --> 01:12:19,172
I'M CANCELING PAYMENT
ON THAT CHECK.
1729
01:12:19,214 --> 01:12:20,590
- YEAH.
1730
01:12:20,632 --> 01:12:21,508
- WHICH IS
WHAT I TOLD THE GUY TODAY.
1731
01:12:21,549 --> 01:12:22,175
- THAT'S ACTUALLY
WHAT SHE SAID.
1732
01:12:22,217 --> 01:12:23,551
SHE WAS, LIKE,
"I'M CANCELING THE PAYMENT
1733
01:12:23,593 --> 01:12:25,261
ON THE CHECK."
1734
01:12:25,303 --> 01:12:26,805
UM, IF YOU WANT ME TO PAY FOR
THAT CLASS, I WILL,
1735
01:12:26,846 --> 01:12:28,390
BUT I'M CANCELING
THE REST OF THE PAYMENT.
1736
01:12:28,431 --> 01:12:31,184
- I SAID, "BECAUSE THIS IS JUST
NOT WHAT WE THOUGHT IT WAS.
1737
01:12:31,226 --> 01:12:33,103
AND THIS IS NOT
WHERE MY DAUGHTER IS."
1738
01:12:33,144 --> 01:12:35,397
- HE GOES, "WELL, I GUESS
WE CAN LOOK FORWARD TO HER
1739
01:12:35,438 --> 01:12:39,067
BOOKING SOMETHING REALLY BIG,
REALLY SOON."
1740
01:12:39,109 --> 01:12:40,944
- AND I GO,
"WELL, I GUESS WE CAN."
1741
01:12:40,985 --> 01:12:45,115
I'M THINKING THOUGH
ALL HELL'S GOING TO BREAK LOOSE
1742
01:12:45,156 --> 01:12:48,118
WHEN THIS AGENT
FINDS OUT THAT WE SAID
1743
01:12:48,159 --> 01:12:49,953
"NO, WE'RE NOT DOING
THIS ACTING CLASS."
1744
01:12:49,994 --> 01:12:52,205
- AND YOU'RE NOT, UH,
WE'RE GOING TO CANCEL THE CHECK.
1745
01:12:52,247 --> 01:12:54,916
- OKAY,
NOW THE NEXT STEP...
1746
01:12:54,958 --> 01:12:55,917
- AND PLUS--
1747
01:12:55,959 --> 01:12:56,918
- IS THE PHOTOGRAPHER.
1748
01:12:56,960 --> 01:12:58,128
- WHICH--
1749
01:12:58,169 --> 01:12:59,629
- HE'S RIGHT
IN THE SAME BUILDING.
1750
01:12:59,671 --> 01:13:02,590
- NO, WHICH IS THE,
UH--WHICH IS THE, UH...
1751
01:13:02,632 --> 01:13:04,801
THE--OUR AGENT'S HUSBAND.
1752
01:13:04,843 --> 01:13:06,261
- YEAH.
1753
01:13:06,302 --> 01:13:08,805
- IF--IF WE TAKE PHOTOS
WITH THE HUSBAND,
1754
01:13:08,847 --> 01:13:10,265
WE'RE PROBABLY
BE GOING ON A LOT,
1755
01:13:10,306 --> 01:13:12,183
BUT IF WE DON'T TAKE THINGS
FROM HER HUSBAND,
1756
01:13:12,225 --> 01:13:13,601
THEN WE PROBABLY WON'T.
1757
01:13:13,643 --> 01:13:16,479
- [sighs] THAT'S THE WHOLE
THING RIGHT THERE.
1758
01:13:16,521 --> 01:13:18,106
- 'CAUSE SHE'LL BE, LIKE,
1759
01:13:18,148 --> 01:13:19,274
"WHAT, DO YOU HAVE
A PROBLEM WITH MY HUSBAND?"
1760
01:13:19,315 --> 01:13:20,859
- NO, SHE'LL BE SAYING
THAT YOU'RE--YOU'RE--
1761
01:13:20,900 --> 01:13:22,527
"I DON'T GET IT.
1762
01:13:22,569 --> 01:13:24,362
YOUR PICTURES JUST MIGHT--
MUST NOT BE WORKING."
1763
01:13:24,404 --> 01:13:28,324
I'M NOT QUESTIONING THE FACT
THAT WE'RE STILL IN THE GAME,
1764
01:13:28,366 --> 01:13:31,077
BUT I'M QUESTIONING THE FACT
AS TO WHETHER OR NOT
1765
01:13:31,119 --> 01:13:33,830
YOU CAN REALLY
WIN THE GAME.
1766
01:13:33,872 --> 01:13:36,249
EVEN IF YOU'VE GOT
ALL THE TALENT,
1767
01:13:36,291 --> 01:13:39,210
I DON'T KNOW IF YOU CAN
REALLY WIN THE GAME.
1768
01:13:39,252 --> 01:13:44,090
I'VE LITERALLY BEEN STANDING
HERE THROWING UP IN THIS SINK.
1769
01:13:44,132 --> 01:13:47,677
THAT IS WHAT THIS TOWN
WILL DO TO YOU.
1770
01:13:55,977 --> 01:13:59,397
- THANK YOU.
1771
01:13:59,439 --> 01:14:00,440
THE OTHER ONE.
1772
01:14:00,482 --> 01:14:02,317
LET ME EXPLAIN THIS TO YOU.
1773
01:14:02,359 --> 01:14:04,361
THIS ONE RIGHT HERE,
IT'S JUST KIND OF LIKE
1774
01:14:04,402 --> 01:14:05,820
YOU'RE GOING, "CHEESE."
1775
01:14:05,862 --> 01:14:07,697
AND THIS ONE SHOWS
YOU HAVE A PERSONALITY.
1776
01:14:07,739 --> 01:14:08,990
- YEAH.
- OKAY?
1777
01:14:11,826 --> 01:14:13,078
- [laughs]
- YEAH, WE NOTICED THAT.
1778
01:14:20,627 --> 01:14:22,671
- HELLO, MY MAN.
HOW ARE YOU?
1779
01:14:22,712 --> 01:14:23,672
HI, SWEETIE PIE.
1780
01:14:23,713 --> 01:14:25,131
HOW ARE YOU?
- GOOD.
1781
01:14:25,173 --> 01:14:27,008
- NICE MEETING YOU.
- BYE.
1782
01:14:27,050 --> 01:14:28,718
- [whistles]
HELLO?
1783
01:14:28,760 --> 01:14:30,637
- [laughs]
- SORRY, SORRY.
1784
01:14:30,679 --> 01:14:31,763
- I DON'T KNOW.
1785
01:14:31,805 --> 01:14:32,847
- PRETTY GIRL,
GET OVER HERE.
1786
01:14:32,889 --> 01:14:34,724
- HI.
- HELLO.
1787
01:14:34,766 --> 01:14:36,393
- DID I TELL YOU ABOUT HOW MUCH
I LIKE YOUR BOW IN YOUR HAIR?
1788
01:14:36,434 --> 01:14:37,310
- DID I TELL YOU THAT?
- THANK YOU.
1789
01:14:37,352 --> 01:14:39,604
- I THOUGHT I DID.
YOU'RE WELCOME.
1790
01:14:42,273 --> 01:14:43,316
- SHE IS VERY COMPOSED.
1791
01:14:43,358 --> 01:14:46,444
- YES.
- THANK YOU.
1792
01:14:46,486 --> 01:14:47,779
- THANK YOU
FOR POINTING IT OUT.
1793
01:14:47,821 --> 01:14:48,488
- YOU PRESENT YOURSELF
VERY WELL.
1794
01:14:48,530 --> 01:14:49,823
[laughter]
- THANK YOU.
1795
01:14:49,864 --> 01:14:51,324
- OH, DID I MENTION
THE BOW IN YOUR HAIR?
1796
01:14:51,366 --> 01:14:52,325
- I LIKE IT TOO.
I MEAN, YEAH.
1797
01:14:52,367 --> 01:14:54,035
- I LIKE THAT BOW.
1798
01:14:54,077 --> 01:14:55,328
- YOU CAN BORROW IT SOME TIME.
- ALL RIGHT.
1799
01:14:55,370 --> 01:14:56,329
- YOU'RE GOING OUT
COMMERCIALLY?
1800
01:14:56,371 --> 01:14:57,872
- YES.
1801
01:14:57,914 --> 01:14:59,457
- YOU JUST HAVEN'T GONE OUT ON
ANY PILOTS OR ANYTHING?
1802
01:14:59,499 --> 01:15:01,126
- NO.
- OKAY.
1803
01:15:05,296 --> 01:15:07,382
- OKAY.
GREAT.
1804
01:15:07,424 --> 01:15:08,466
- THANK YOU.
1805
01:15:08,508 --> 01:15:10,552
- TELL CINDY WHAT YOU ARE.
1806
01:15:10,593 --> 01:15:11,761
WHAT ARE YOU?
1807
01:15:11,803 --> 01:15:13,596
- AN OUT-OF-WORK ACTOR.
1808
01:15:13,638 --> 01:15:14,764
- AN OUT-OF-WORK ACTOR.
1809
01:15:14,806 --> 01:15:16,057
- YOU'RE
AN OUT-OF-WORK ACTOR?
1810
01:15:16,099 --> 01:15:17,058
[laughter]
1811
01:15:17,100 --> 01:15:18,852
YEAH, JOIN THE CLUB.
1812
01:15:18,893 --> 01:15:21,604
JOIN THE CLUB, BUDDY.
1813
01:15:21,646 --> 01:15:24,315
- AS MY DAUGHTER SAYS,
"FROM WOMB TO THE TOMB,"
1814
01:15:24,357 --> 01:15:27,110
YES.
1815
01:15:27,152 --> 01:15:31,489
WE HAD SOMEBODY SEND A LIVE
BIRTH TO US ON THE INTERNET.
1816
01:15:31,531 --> 01:15:32,449
- EW.
1817
01:15:32,490 --> 01:15:35,243
- WE HAVE PEOPLE
SENDING ULTRASOUNDS.
1818
01:15:35,285 --> 01:15:37,287
I LOVE STARTING THEM
AT FIVE.
1819
01:15:37,328 --> 01:15:39,622
I KNOW THAT--WHY
THAT'S THE MAGIC AGE.
1820
01:15:39,664 --> 01:15:41,124
THEY STILL
HAVE THEIR INSTINCTS.
1821
01:15:41,166 --> 01:15:43,293
NOBODY HAS MADE THEM
SECOND-GUESS THEMSELVES.
1822
01:15:43,335 --> 01:15:46,296
AND IF YOU CAN KEEP
THAT MAGIC IN YOUR CHILD,
1823
01:15:46,338 --> 01:15:48,006
IT'S WORTH GOLD FOR LIFE.
1824
01:15:48,048 --> 01:15:50,884
IT'S A HARD TIME
RIGHT NOW.
1825
01:15:50,925 --> 01:15:52,635
IT'S A REALLY HARD TIME.
1826
01:15:52,677 --> 01:15:55,347
THEY HAD 52 PILOTS
THAT CAME OUT.
1827
01:15:55,388 --> 01:15:59,434
37 OF THEM WENT TO NAME STARS,
AND WHEN YOU'RE BOOKING A JOB,
1828
01:15:59,476 --> 01:16:01,478
YOU'RE ONE
IN A MILLION RIGHT NOW.
1829
01:16:01,519 --> 01:16:04,397
PILOT SEASON
BASICALLY ENDED TODAY.
1830
01:16:04,439 --> 01:16:06,274
MOST OF THE NETWORKS
ARE DONE.
1831
01:16:06,316 --> 01:16:09,027
WE HAVE OUR LAST TEST
AN HOUR AGO.
1832
01:16:09,069 --> 01:16:11,821
SO IT'S FOR THE LAST TEST,
THE LAST ROLE,
1833
01:16:11,863 --> 01:16:15,700
AND THE PILOTS ARE FILLED.
1834
01:16:15,742 --> 01:16:17,369
BUT YOU KNOW WHAT?
1835
01:16:17,410 --> 01:16:19,412
IF THIS IS YOUR DREAM,
AND THIS IS WHAT YOU LOVE,
1836
01:16:19,454 --> 01:16:21,039
THERE'S NOTHING BETTER IN LIFE.
1837
01:16:21,081 --> 01:16:23,458
THERE IS NOTHING BETTER IN LIFE.
1838
01:16:23,500 --> 01:16:25,919
- THAT, YOU KNOW,
IT'S ANOTHER THING.
1839
01:16:25,960 --> 01:16:29,547
THERE ARE THOUSANDS
OF TALENTED KIDS OUT HERE.
1840
01:16:29,589 --> 01:16:31,341
AND THAT, YOU KNOW,
THAT'S ONE THING I LEARNED,
1841
01:16:31,383 --> 01:16:33,927
THAT IT'S--
YET ANOTHER THING.
1842
01:16:33,968 --> 01:16:37,222
THAT THERE
ARE JUST SO MANY KIDS.
1843
01:16:37,263 --> 01:16:39,641
AND THEY ARE PHENOMENAL.
1844
01:16:39,683 --> 01:16:41,726
IT'S NOT GOING
TO HAPPEN OVERNIGHT.
1845
01:16:41,768 --> 01:16:43,895
IT--IT TAKES
A LONG TIME, REALLY,
1846
01:16:43,937 --> 01:16:45,355
FOR THIS WHOLE THING
TO GROW.
1847
01:16:45,397 --> 01:16:47,649
SO SHOULD WE STAY,
I MEAN...
1848
01:16:47,691 --> 01:16:49,359
[indistinct]
1849
01:16:49,401 --> 01:16:50,819
YOU KNOW, I KNOW THAT
I DEFINITELY WANT TO GO HOME
1850
01:16:50,860 --> 01:16:51,861
AND BE WITH MY FAMILY.
1851
01:16:51,903 --> 01:16:54,072
OH, MY SON.
1852
01:16:54,114 --> 01:16:57,742
I JUST--
I JUST MISSED THEM SO MUCH.
1853
01:16:57,784 --> 01:16:58,993
[sniffles]
1854
01:16:59,035 --> 01:17:03,123
SHE'S A GOOD KID.
1855
01:17:03,164 --> 01:17:05,500
SORRY.
1856
01:17:05,542 --> 01:17:06,751
- IT'S OKAY.
1857
01:17:06,793 --> 01:17:11,047
YEAH, WE'RE DEFINITELY
REALLY HAPPY.
1858
01:17:11,089 --> 01:17:14,134
- YEAH, IT'S TIME TO GO HOME
AND SEE EVERYBODY, I THINK.
1859
01:17:14,175 --> 01:17:15,593
- MM-HMM.
1860
01:17:15,635 --> 01:17:18,638
- PATRICK,
YOU TAKE THIS TO THE TRASH.
1861
01:17:18,680 --> 01:17:21,558
THANK YOU.
1862
01:17:21,599 --> 01:17:25,186
- I'VE GOT MY EMERGENCY
WATERMELON.
1863
01:17:25,228 --> 01:17:28,606
I FOUND
MY MAGIC WATERMELON.
1864
01:17:28,648 --> 01:17:29,524
- OH, DEAR.
1865
01:17:29,566 --> 01:17:32,360
- GRAB IT BEFORE
IT BREAKS MY ARMS.
1866
01:17:32,402 --> 01:17:36,197
- OKAY, I THINK WE'VE FOUND
A HOME FOR THE WATERMELON.
1867
01:17:36,239 --> 01:17:37,741
TAKE A SEAT OVER THERE.
1868
01:17:37,782 --> 01:17:38,783
YOU'RE GOING
TO BE OKAY LIKE THAT?
1869
01:17:38,825 --> 01:17:40,410
YOUR FEET AREN'T STRAIGHT.
1870
01:17:40,452 --> 01:17:42,746
- I'LL BE OKAY.
- OKAY.
1871
01:17:42,787 --> 01:17:44,539
- READY?
- YUP.
1872
01:17:44,581 --> 01:17:48,877
- YUP.
1873
01:17:51,296 --> 01:17:55,633
- YOU HEAR THAT PEOPLE ARE
LEAVING, AND THAT'S GOOD FOR US.
1874
01:17:55,675 --> 01:17:57,552
- WHY IS IT GOOD FOR US,
MOM?
1875
01:17:57,594 --> 01:18:00,096
- BECAUSE THEN
YOUR CHANCES ARE BETTER
1876
01:18:00,138 --> 01:18:02,140
OF GETTING SOMETHING.
1877
01:18:02,182 --> 01:18:06,936
- RIGHT, MOM?
- YOU GOT IT.
1878
01:18:06,978 --> 01:18:09,898
- BYE, L.A.
- BYE.
1879
01:18:09,939 --> 01:18:11,649
[shrieks]
1880
01:18:11,691 --> 01:18:14,944
- BYE.
WE LOVE YOU.
1881
01:18:14,986 --> 01:18:17,155
AND JUST--
SEE YOU LATER.
1882
01:18:17,197 --> 01:18:20,533
- IF YOU ARE CHASING
A STRATOSPHERIC DREAM,
1883
01:18:20,575 --> 01:18:23,203
THERE'S NO SHAME IN SAYING,
"ENOUGH IS ENOUGH."
1884
01:18:23,244 --> 01:18:26,456
YOU KNOW,
IT'S TIME TO STOP HERE.
1885
01:18:30,460 --> 01:18:31,795
- OKAY, EVERYONE,
WE'RE GOING TO GO AHEAD
1886
01:18:31,836 --> 01:18:32,962
AND GET STARTED SOON.
1887
01:18:33,004 --> 01:18:34,839
SO IF EVERYONE CAN FIND A SEAT.
1888
01:18:34,881 --> 01:18:37,050
THERE SOME SEATS OVER THERE,
THERE'S SOME SEATS BACK HERE.
1889
01:18:37,092 --> 01:18:39,469
SO YOU GUYS
ARE IN FOR A TREAT.
1890
01:18:39,511 --> 01:18:41,179
YOU'RE GOING
TO GET TO GO IN
1891
01:18:41,221 --> 01:18:42,472
AND MEET
WITH SOME CASTING DIRECTORS.
1892
01:18:42,514 --> 01:18:44,641
IT'S LIKE
SPEED DATING FOR KIDS.
1893
01:18:44,683 --> 01:18:49,771
- ALL RIGHT,
COME ON IN.
1894
01:18:49,813 --> 01:18:51,189
- CALL IT SELLING OUT
IF YOU LIKE,
1895
01:18:51,231 --> 01:18:52,565
BUT I'M GOING
TO BE A STAR.
1896
01:18:52,607 --> 01:18:53,650
- * SOME DAY *
1897
01:18:53,692 --> 01:18:55,026
* TAKE ME TO NEW YORK *
1898
01:18:55,068 --> 01:18:56,736
- [with Australian accent]
AUSTRALIAN ACCENT--
1899
01:18:56,778 --> 01:19:01,116
I'M NOT TOO GOOD WITH IT,
YOU KNOW, BUT I TRY.
1900
01:19:03,868 --> 01:19:04,828
- OKAY.
1901
01:19:04,869 --> 01:19:06,579
- HI.
1902
01:19:06,621 --> 01:19:08,623
- HI, HOW ARE YOU?
- GOOD.
1903
01:19:08,665 --> 01:19:09,624
- WHO'S THIS?
- ME.
1904
01:19:09,666 --> 01:19:10,667
- OKAY.
- [laughs]
1905
01:19:10,709 --> 01:19:12,961
- THAT MAKES SENSE, RIGHT?
- YEAH.
1906
01:19:13,003 --> 01:19:14,921
- PRESLEY CA$H.
- YES.
1907
01:19:14,963 --> 01:19:18,258
I'M KIND OF LIKE
A CYNDI LAUPER IN COUNTRY MUSIC.
1908
01:19:18,299 --> 01:19:19,509
- THAT'S A GOOD--
THAT'S A GOOD HOOK.
1909
01:19:19,551 --> 01:19:22,470
- * HILLBILLY NATION *
1910
01:19:22,512 --> 01:19:25,765
* IS A COUNTRY THING *
1911
01:19:25,807 --> 01:19:29,144
* HILLBILLY NATION *
1912
01:19:29,185 --> 01:19:33,606
* IS A LITTLE TWANG,
TWANG, TWANG *
1913
01:19:33,648 --> 01:19:34,607
- VERY NICE.
- THANK YOU.
1914
01:19:34,649 --> 01:19:35,608
- [laughs]
1915
01:19:35,650 --> 01:19:36,609
- YAY.
1916
01:19:36,651 --> 01:19:40,488
- [laughs]
1917
01:19:40,530 --> 01:19:44,993
- HELLO?
1918
01:19:45,035 --> 01:19:49,247
UM, WHO'S THIS?
1919
01:19:49,289 --> 01:19:50,457
OH, HANG ON.
1920
01:19:50,498 --> 01:19:51,708
[whispers]
IT'S JESSICA FROM...
1921
01:19:51,750 --> 01:19:53,877
UM, YES.
HERE SHE IS.
1922
01:19:53,918 --> 01:19:55,170
I WONDER WHAT'S GOING ON.
1923
01:19:55,211 --> 01:19:58,465
- HELLO?
1924
01:19:58,506 --> 01:20:00,467
HELLO.
YEAH?
1925
01:20:15,565 --> 01:20:16,983
- YES.
1926
01:20:17,025 --> 01:20:19,277
- SURE, THAT WOULD BE GREAT.
YEAH.
1927
01:20:19,319 --> 01:20:20,653
THAT WOULD BE GREAT.
1928
01:20:20,695 --> 01:20:23,490
OKAY, THANKS A LOT.
1929
01:20:23,531 --> 01:20:25,617
SEE YOU THEN.
BYE.
1930
01:20:25,658 --> 01:20:29,579
[screaming and laughter]
1931
01:20:29,621 --> 01:20:34,626
OH, MY GOD.
OH, MY GOD.
1932
01:20:34,668 --> 01:20:35,669
I'M FREAKING OUT.
1933
01:20:35,710 --> 01:20:36,961
* LA-DI-DA-DI-DA *
1934
01:20:37,003 --> 01:20:40,715
WE'RE FAMOUS, WE'RE FAMOUS.
MEGAN, YOU'RE FAMOUS.
1935
01:20:40,757 --> 01:20:42,926
- I WONDER WHAT I CAN GET
WITH $25 AT BEST BUY.
1936
01:20:42,967 --> 01:20:43,927
- AT BEST BUY, NOTHING.
1937
01:20:43,968 --> 01:20:45,804
both: [laughing]
1938
01:20:45,845 --> 01:20:48,765
[slow guitar music]
1939
01:20:48,807 --> 01:20:50,934
* *
1940
01:20:50,975 --> 01:20:53,395
- [indistinct]
1941
01:20:53,436 --> 01:20:56,690
WE'RE BACK NOW,
AND IT'S--IT'S NICE TO BE HOME.
1942
01:20:56,731 --> 01:20:58,191
- THANK YOU.
1943
01:20:58,233 --> 01:21:00,568
- IT'S JUST
REALLY BEAUTIFUL OUT HERE.
1944
01:21:00,610 --> 01:21:02,070
I REALLY LOVE IT
IN COLORADO.
1945
01:21:02,112 --> 01:21:06,574
[laughs]
1946
01:21:06,616 --> 01:21:09,160
AS OF NOW,
I'VE PAID OFF A LEG.
1947
01:21:09,202 --> 01:21:14,124
SO THAT IS MY LEG.
IT BELONGS TO ME.
1948
01:21:14,165 --> 01:21:15,500
IT'S JUST REALLY AMAZING.
1949
01:21:15,542 --> 01:21:17,585
THE DIFFERENT OPPORTUNITIES
I HAVE,
1950
01:21:17,627 --> 01:21:19,295
MY SUPPORTIVE FAMILY,
1951
01:21:19,337 --> 01:21:22,757
AND I'M INCREDIBLY,
INCREDIBLY, LUCKY.
1952
01:21:22,799 --> 01:21:28,555
- MUCH BETTER.
GOOD GIRL.
1953
01:21:28,596 --> 01:21:30,140
- IT'S PRETTY NORMAL.
1954
01:21:30,181 --> 01:21:35,395
SOME NORMAL STUFF
IS KIND OF NICE.
1955
01:21:37,856 --> 01:21:40,817
[opera music]
1956
01:21:40,859 --> 01:21:48,867
* *
1957
01:21:56,541 --> 01:22:00,462
- IF YOU COULD BE ANY ACTOR,
WHO WOULD IT BE?
1958
01:22:00,503 --> 01:22:01,504
- BILL COSBY.
1959
01:22:01,546 --> 01:22:02,797
- HMM...
1960
01:22:02,839 --> 01:22:04,758
- HE OPENED DOORS
FOR YOUNG BLACK MALES
1961
01:22:04,799 --> 01:22:06,593
TO DO DIFFERENT THINGS,
AS WE KNOW OF
1962
01:22:06,634 --> 01:22:10,930
AS BARACK OBAMA TODAY.
1963
01:22:10,972 --> 01:22:12,557
- I CATCH YOU...
1964
01:22:12,599 --> 01:22:14,100
IT'S DETENTION.
1965
01:22:14,142 --> 01:22:16,853
CATCH YOU IN THE COMMON ROOM--
IT'S DETENTION.
1966
01:22:16,895 --> 01:22:21,816
I CATCH YOU IN THE BATHROOM--
IT'S DETENTION.
1967
01:22:21,858 --> 01:22:23,193
YOU DON'T MESS WITH ME.
1968
01:22:23,234 --> 01:22:27,238
I DON'T MESS WITH YOU.
1969
01:22:27,280 --> 01:22:28,782
- PROBABLY JIM CARREY.
1970
01:22:28,823 --> 01:22:32,369
HE'S JUST--SUPER COOL GUY,
AND I, LIKE, WANT TO BE HIM.
1971
01:22:32,410 --> 01:22:34,204
[laughter]
1972
01:22:34,245 --> 01:22:38,708
- OH, THANK YOU.
1973
01:22:40,669 --> 01:22:42,337
DAD?
1974
01:22:42,379 --> 01:22:44,631
IT'S ME.
1975
01:22:44,673 --> 01:22:47,217
- I'M NOT YOUR DAD.
1976
01:22:47,258 --> 01:22:50,220
- I WANT TO BE JAY LENO.
HE HAS SUCH AN AWESOME JOB.
1977
01:22:50,261 --> 01:22:51,930
I'D LOVE TO HOST
THE TONIGHT SHOW,
1978
01:22:51,971 --> 01:22:53,306
BECAUSE I'M A COMEDIAN TOO.
1979
01:22:53,348 --> 01:22:56,351
[screaming and cheering]
1980
01:22:58,228 --> 01:23:02,899
- FOR A TOTAL OF $14,255!
1981
01:23:02,941 --> 01:23:04,818
THEY'RE
THE GRAND PRIZE WINNERS!
1982
01:23:04,859 --> 01:23:06,778
CONGRATULATIONS
ON ALL YOU WON.
1983
01:23:06,820 --> 01:23:08,196
THANK YOU VERY MUCH.
1984
01:23:08,238 --> 01:23:10,657
- I WOULD LIKE
TO BE ANGELINA JOLIE.
1985
01:23:10,699 --> 01:23:14,411
SHE'S SMART, SHE'S PRETTY,
SHE CAN DO EVERYTHING.
1986
01:23:22,752 --> 01:23:24,754
- YOU MIGHT THINK YOU'RE DOING
THE RIGHT THING
1987
01:23:24,796 --> 01:23:27,215
BY SPENDING THE MAJORITY
OF YOUR TIME AT WORK.
1988
01:23:27,257 --> 01:23:28,842
- PERFECT.
THAT WORKS.
1989
01:23:28,883 --> 01:23:32,012
- IT'S NOT A SOLUTION THAT
ENHANCES THE GREATEST NUMBER
1990
01:23:32,053 --> 01:23:34,180
OF YOUR DYNAMICS.
1991
01:23:34,222 --> 01:23:36,599
- EASY.
DAKOTA FANNING.
1992
01:23:36,641 --> 01:23:39,436
SHE'S BEEN MY IDOL
SINCE I WAS, LIKE, FOUR.
1993
01:23:39,477 --> 01:23:41,229
- I LIKE SELENA GOMEZ
1994
01:23:41,271 --> 01:23:46,860
BECAUSE SHE'S PRETTY.
1995
01:23:46,901 --> 01:23:49,529
- I NEVER SAID HOW MUCH.
- KEEP IT GOING.
1996
01:23:49,571 --> 01:23:50,780
[screaming]
1997
01:23:50,822 --> 01:23:53,742
- READY, AND BACKGROUND!
1998
01:23:53,783 --> 01:23:56,578
- SAVANNAH!
- ACTION.
1999
01:23:56,619 --> 01:23:58,913
- WE'RE ONE
OF THE LUCKY FAMILIES
2000
01:23:58,955 --> 01:24:01,958
WHERE SAVANNAH
HAS BEEN FAR MORE SUCCESSFUL
2001
01:24:02,000 --> 01:24:04,586
THAN THE AVERAGE CHILD WHO'S
TRIED TO GO DOWN THIS PATH.
2002
01:24:04,627 --> 01:24:05,962
SHE NOW HAS
A DEBIT CARD,
2003
01:24:06,004 --> 01:24:08,048
AND SHE'S VERY FRUGAL
WITH HER MONEY.
2004
01:24:08,089 --> 01:24:09,966
- I WANT A HORSE.
2005
01:24:10,008 --> 01:24:12,135
THAT IS ONE THING
THAT I REALLY, REALLY WANT.
2006
01:24:12,177 --> 01:24:15,930
- I DON'T REALLY KNOW WHO
I WOULD WANT TO BE LIKE.
2007
01:24:15,972 --> 01:24:18,933
'CAUSE I WOULD WANT
TO BE LIKE ME.
2008
01:24:18,975 --> 01:24:22,103
BECAUSE I LOVE ME.
2009
01:24:22,145 --> 01:24:23,938
THAT'S WHY
I WANT TO BE ME.
2010
01:24:23,980 --> 01:24:25,857
[laughs]
148281
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