All language subtitles for The.Hollywood.Complex.2011.720p.WEB.h264-FaiLED

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,253 --> 00:00:06,214 [orchestral music] 2 00:00:06,256 --> 00:00:08,216 - SPRINGTIME. 3 00:00:08,258 --> 00:00:12,303 THE WORLD WAKES FROM ITS WINTER SLUMBER. 4 00:00:12,345 --> 00:00:17,600 AND IN HOLLYWOOD, AN ANNUAL RITE OF SPRING BEGINS. 5 00:00:17,642 --> 00:00:20,729 THEY CALL IT PILOT SEASON. 6 00:00:20,770 --> 00:00:24,107 * * 7 00:00:24,149 --> 00:00:27,152 FROM LATE JANUARY TO APRIL, THE NETWORKS WILL CAST 8 00:00:27,193 --> 00:00:31,448 MORE THAN 50 NEW TELEVISION SHOWS KNOWN AS PILOTS, 9 00:00:31,489 --> 00:00:38,288 AND EVERY PILOT SEASON, THE MIGRATION BEGINS ANEW. 10 00:00:38,329 --> 00:00:40,540 THOUSANDS OF CHILDREN FLOCK TO HOLLYWOOD, 11 00:00:40,582 --> 00:00:44,127 HOPING TO LAND A PART. 12 00:00:44,169 --> 00:00:50,258 THEY COME DREAMING OF STARDOM. 13 00:00:50,300 --> 00:00:51,968 - DAKOTA! 14 00:00:52,010 --> 00:00:54,804 [overlapping shouting] 15 00:00:54,846 --> 00:00:56,348 - MARY-KATE! 16 00:00:56,389 --> 00:01:00,393 [overlapping shouting] 17 00:01:00,435 --> 00:01:04,647 - MANY STAY AT THE OAKWOOD, A TEMPORARY HOUSING COMPLEX 18 00:01:04,689 --> 00:01:06,900 THAT CATERS TO SHOW BUSINESS FAMILIES. 19 00:01:06,941 --> 00:01:10,612 FOR THREE MONTHS, THE OAKWOOD PROVIDES A COMMUNITY, 20 00:01:10,653 --> 00:01:14,407 FREE CLASSES, AND A HOME BASE. 21 00:01:14,449 --> 00:01:19,454 FROM HERE, THE CHILDREN TRY TO MAKE THEIR DREAMS COME TRUE 22 00:01:19,496 --> 00:01:22,916 BEFORE TIME RUNS OUT. 23 00:01:22,957 --> 00:01:25,794 - OKAY, WE'RE GONNA GO AHEAD AND GET STARTED. 24 00:01:25,835 --> 00:01:30,090 I WANT TO WELCOME YOU ALL TO THE SPEED CASTING FOR KIDS EVENT. 25 00:01:30,131 --> 00:01:32,717 SOME OF YOU ARE GOING TO GET THE CHANCE TO MEET 26 00:01:32,759 --> 00:01:35,220 WITH REPUTABLE AGENTS, MANAGERS, 27 00:01:35,261 --> 00:01:37,931 AND CASTING DIRECTORS FROM OUR INDUSTRY. 28 00:01:37,972 --> 00:01:40,016 WHETHER OR NOT ONE OF THE CASTING DIRECTORS 29 00:01:40,058 --> 00:01:41,601 CASTS YOU IN THEIR NEXT BIG FILM 30 00:01:41,643 --> 00:01:44,229 OR WHETHER YOU SIGN WITH AN AGENT OR A MANAGER, 31 00:01:44,270 --> 00:01:48,316 YOU ARE PRACTICING MAKING YOUR FIRST IMPRESSIONS. 32 00:01:48,358 --> 00:01:50,944 NUMBER ONE. OKAY, SO YOU'RE GONNA SIT AT ONE. 33 00:01:50,985 --> 00:01:52,278 YOU SIT AT TABLE TWO ON THIS SIDE. 34 00:01:52,320 --> 00:01:54,489 - TAKE THAT. 35 00:01:54,531 --> 00:01:58,118 [overlapping chatter] 36 00:01:58,159 --> 00:02:00,787 - WHOO! [laughs] 37 00:02:00,829 --> 00:02:03,415 THIS IS MILTON. - HOW ARE YOU? 38 00:02:03,456 --> 00:02:04,958 - I'LL GET YOUR BALL. - I DON'T BITE. 39 00:02:05,000 --> 00:02:07,085 HOW OLD ARE YOU? 40 00:02:07,127 --> 00:02:08,962 YOU'VE GOT TO USE YOUR BIG-PERSON VOICE. 41 00:02:09,004 --> 00:02:10,547 HOW OLD IS THAT? 42 00:02:10,588 --> 00:02:11,756 - HOW LONG HAVE YOU BEEN HERE? 43 00:02:11,798 --> 00:02:15,468 - I DON'T KNOW. - YOU DON'T KNOW? 44 00:02:15,510 --> 00:02:17,262 BUT YOU'RE FOUR. - YEAH. 45 00:02:17,303 --> 00:02:19,305 - AND YOU'VE BEEN ACTING FOR HOW MANY YEARS? 46 00:02:19,347 --> 00:02:21,182 SEVEN? - SEVEN. 47 00:02:21,224 --> 00:02:22,434 - SURPRISING. 48 00:02:22,475 --> 00:02:23,727 - AWESOME. 49 00:02:23,768 --> 00:02:24,644 DO YOU HAVE, LIKE, A MONOLOGUE 50 00:02:24,686 --> 00:02:25,937 OR A COMMERCIAL YOU CAN DO FOR ME? 51 00:02:25,979 --> 00:02:26,938 - YES. 52 00:02:26,980 --> 00:02:28,189 - OKAY, CAN YOU STAND UP AND GO FOR IT? 53 00:02:28,231 --> 00:02:30,650 - FRUITY, TARTY, SWEET, AND TANGY. 54 00:02:33,319 --> 00:02:35,363 - WHAT'S YOUR FAVORITE COLOR? - HOT PINK. 55 00:02:35,405 --> 00:02:40,410 - WHAT'S IT TASTE LIKE? - CHERRY. 56 00:02:40,452 --> 00:02:42,454 - I'M ALWAYS BRIGHT AND HAPPY, 57 00:02:42,495 --> 00:02:45,123 'CAUSE I'M JUST BRIGHT AND HAPPY 58 00:02:45,165 --> 00:02:46,791 'CAUSE I LOVE HAPPY STUFF. 59 00:02:46,833 --> 00:02:48,793 - RIGHT. WHAT DO YOU WANT TO GROW UP AND BE? 60 00:02:48,835 --> 00:02:52,630 - I WANT TO GROW UP TO BE A SURGEON, A ZOOKEEPER, 61 00:02:52,672 --> 00:02:55,633 SOMETHING TO DO WITH LAND ANIMALS AND OCEAN ANIMALS. 62 00:02:55,675 --> 00:02:58,219 - REALLY? SO WHAT'S THE ACTING FOR? 63 00:02:58,261 --> 00:02:59,763 JUST TO HAVE FUN NOW? - YEAH. 64 00:02:59,804 --> 00:03:02,599 I REALLY WANTED TO BE AN ACTRESS WHEN I WAS A KID. 65 00:03:02,640 --> 00:03:05,518 - IF YOU RUN INTO A DYNAMITE PERSON, 66 00:03:05,560 --> 00:03:07,687 YOU JUST KNOW IT. 67 00:03:07,729 --> 00:03:09,272 THEY TRANSCEND THE LENS. 68 00:03:09,314 --> 00:03:11,107 THEY GET INSIDE THE LENS 69 00:03:11,149 --> 00:03:13,068 AND THEY END UP IN THE LIVING ROOM 70 00:03:13,109 --> 00:03:15,945 OR THEY END UP IN THE THEATER WITH YOU, 71 00:03:15,987 --> 00:03:19,783 AND YOU KNOW YOU KNOW THEM, BUT YOU'VE NEVER MET THEM. 72 00:03:19,824 --> 00:03:21,493 - I THOUGHT THIS GIRL WAS GREAT. 73 00:03:21,534 --> 00:03:23,536 THESE ARE THE ONES I TOOK THAT I THOUGHT WERE GOOD. 74 00:03:23,578 --> 00:03:25,121 TAYLOR, SHAYNA. 75 00:03:25,163 --> 00:03:26,623 - I HATE THIS CHILD'S PICTURE. 76 00:03:26,664 --> 00:03:29,000 HE DOESN'T WANT TO BE DOING THIS. 77 00:03:29,042 --> 00:03:31,628 SHE'S GOT A GREAT CHARACTER LOOK 78 00:03:31,670 --> 00:03:33,672 AND SHE TOTALLY WANTS IT. 79 00:03:33,713 --> 00:03:36,675 [orchestral music] 80 00:03:36,716 --> 00:03:41,304 * * 81 00:03:41,346 --> 00:03:44,057 [dog barks] 82 00:03:48,812 --> 00:03:54,234 - HOW ARE YOU FEELING, VIV? HUH? HOW ARE YOU DOING? 83 00:03:54,275 --> 00:03:55,318 [kisses] 84 00:03:55,360 --> 00:03:56,986 WITHOUT MY GRANDMA, 85 00:03:57,028 --> 00:04:00,824 PROBABLY NONE OF THIS ACTING STUFF WOULD BE GOING ON. 86 00:04:00,865 --> 00:04:03,368 - I WAS PRETTY MUCH AGAINST IT AT FIRST, 87 00:04:03,410 --> 00:04:05,495 BECAUSE OF ALL THE THINGS THAT YOU READ AND SEE IN THE NEWS 88 00:04:05,537 --> 00:04:06,788 ABOUT THE YOUNG STARS. 89 00:04:06,830 --> 00:04:10,875 THEY LOSE SIGHT OF WHAT'S DECENT IN LIFE. 90 00:04:10,917 --> 00:04:14,921 SHE PROMISED ME THAT SHE WOULD STAY SHANNA MARIE. 91 00:04:14,963 --> 00:04:18,967 - MY GOAL IS TO BE IN SITCOMS AND MOVIES. 92 00:04:19,009 --> 00:04:21,469 GRANDMA'S LIKE, "YOU CAN'T MISS AN OPPORTUNITY LIKE THIS. 93 00:04:21,511 --> 00:04:24,055 YOU HAVE TO GO TO HOLLYWOOD." 94 00:04:24,097 --> 00:04:28,518 I LOVE YOU. MM-HMM. I DO, I DO. 95 00:04:28,560 --> 00:04:32,856 HUH, SUGAR BOY? [kisses] 96 00:04:32,897 --> 00:04:40,905 * * 97 00:04:41,906 --> 00:04:44,492 YAY. [laughs] 98 00:04:48,246 --> 00:04:51,082 OH, MY GOSH. - OH, MY GOSH. 99 00:04:51,124 --> 00:04:53,293 OOH, THAT'S WHERE THE OSCARS ARE, HONEY. 100 00:04:53,335 --> 00:04:55,128 - THAT'S REALLY COOL. - THAT'S COOL. 101 00:04:55,170 --> 00:04:58,506 - I MEAN, YEAH, THAT IS REALLY COOL. 102 00:04:58,548 --> 00:05:00,675 - OH, MY GOSH. 103 00:05:00,717 --> 00:05:04,346 - [gasps] NO WAY. - YAY. 104 00:05:06,389 --> 00:05:10,393 - MOM, DRIVE. - I'M DRIVING, SWEETIE. 105 00:05:18,234 --> 00:05:20,987 - SHE HAD ALWAYS SAID, SINCE SHE WAS LITTLE, 106 00:05:21,029 --> 00:05:23,406 THAT SHE WAS GONNA BE THIS, AND, UH... 107 00:05:23,448 --> 00:05:24,908 [clears throat] 108 00:05:24,949 --> 00:05:26,409 SO FINALLY, WHEN SHE WAS SEVEN YEARS OLD, 109 00:05:26,451 --> 00:05:27,577 MY HUSBAND GETS IN THE PHONE BOOK 110 00:05:27,619 --> 00:05:30,914 AND HE'S, "YEAH, THERE'S A PHOTOGRAPHY THING." 111 00:05:30,955 --> 00:05:33,750 - THIS HEADSHOT WAS THE HEADSHOT 112 00:05:33,792 --> 00:05:35,585 THAT BASICALLY GOT ME GOING. 113 00:05:35,627 --> 00:05:38,004 - WE SENT THOSE PICTURES OFF, AND THREE DAYS LATER, 114 00:05:38,046 --> 00:05:39,589 THEY'RE LIKE, "GET UP HERE," 115 00:05:39,631 --> 00:05:41,716 AND I WAS LIKE, "HERE WE GO." 116 00:05:41,758 --> 00:05:43,301 - YEAH. 117 00:05:43,343 --> 00:05:49,140 [The Ellen DeGeneres Show playing on TV] 118 00:05:49,182 --> 00:05:50,934 [audience cheering] 119 00:05:50,975 --> 00:05:56,523 [Ellen talking indistinct] 120 00:05:56,564 --> 00:05:59,025 - PILOT SEASON, IT'S A WINDOW OF OPPORTUNITY. 121 00:05:59,067 --> 00:06:00,610 IT'S, LIKE, IF YOU'RE A SALESPERSON, 122 00:06:00,652 --> 00:06:03,113 YOU KNOW, IF YOU HAVE THAT CHANCE 123 00:06:03,154 --> 00:06:05,240 TO GET IN FRONT OF THAT CERTAIN PERSON 124 00:06:05,281 --> 00:06:08,201 THAT MIGHT BUY WHATEVER IT IS YOU'RE SELLING, 125 00:06:08,243 --> 00:06:11,538 WELL, WE'RE SELLING-- WELL, THAT SOUNDS STUPID. 126 00:06:11,579 --> 00:06:13,373 WE'RE SELLING MEGAN. 127 00:06:15,625 --> 00:06:18,545 [overlapping chatter] 128 00:06:18,586 --> 00:06:21,047 - IT'S NOT AN EASY BUSINESS. YOU GUYS KNOW THAT, RIGHT? 129 00:06:21,089 --> 00:06:23,591 THERE'S TONS OF SCAMS, RIP-OFFS, AND DECEITS, 130 00:06:23,633 --> 00:06:25,343 BUT YOU HAVE TO GO WITH THE RIGHT PEOPLE. 131 00:06:25,385 --> 00:06:26,594 WHAT DOES THAT SAY? 132 00:06:26,636 --> 00:06:30,181 all: "IF YOU DO NOT RUN YOURSELF LIKE A BUSINESS, 133 00:06:30,223 --> 00:06:32,642 YOU WILL RUN YOURSELF OUT OF BUSINESS!" 134 00:06:32,684 --> 00:06:35,520 - RIGHT. WE'LL GO OUT THERE TO DO IT 'CAUSE WE LOVE ACTING. 135 00:06:35,562 --> 00:06:37,897 BUT YOU KNOW, UNDERNEATH, WHAT DO WE KIND OF ALSO WANT? 136 00:06:37,939 --> 00:06:40,608 - WE WANT MONEY. - MONEY. 137 00:06:40,650 --> 00:06:42,527 HOW MANY OF YOU HAVE DONE STUDENT FILMS? 138 00:06:42,569 --> 00:06:44,988 YEAH, WASTE OF TIME. 139 00:06:45,030 --> 00:06:46,698 YOU'RE GOING OUT FOR SOMETHING FOR FREE 140 00:06:46,740 --> 00:06:48,867 FOR A STUDENT WHO'S NOT DOING ANYTHING 141 00:06:48,908 --> 00:06:50,702 EXCEPT LEARNING HOW TO SHOOT FILM. 142 00:06:50,744 --> 00:06:52,620 LET'S NOT DO IT FOR FREE. 143 00:06:52,662 --> 00:06:54,539 WHEN I GET A KID'S SUBMISSION, 144 00:06:54,581 --> 00:06:57,167 I'M GETTING CLOSE TO 1,000 TO 1,800. 145 00:06:57,208 --> 00:06:59,502 AT THE MOST, I CAN SEE 40 KIDS. 146 00:06:59,544 --> 00:07:00,920 DO YOU KNOW WHO ELSE GETS AUDITIONED WHEN YOU'RE THERE, 147 00:07:00,962 --> 00:07:02,255 WHILE YOU'RE IN THE WAITING ROOM? 148 00:07:02,297 --> 00:07:03,715 WHO ELSE? - YOUR PARENTS. 149 00:07:03,757 --> 00:07:04,883 - YOUR PARENTS, BIG TIME. 150 00:07:04,924 --> 00:07:06,551 IF WE DON'T LIKE A PARENT, 151 00:07:06,593 --> 00:07:09,012 WE DELETE THE CHILD OFF THE TAPE. 152 00:07:09,054 --> 00:07:10,597 THEY JUST ERASE 'EM. 153 00:07:10,638 --> 00:07:13,933 WHATEVER YOU WANT, JUST THINK ABOUT IT 154 00:07:13,975 --> 00:07:17,103 AND KEEP THAT IN YOUR MIND AND SEE THAT ALL THE TIME, 155 00:07:17,145 --> 00:07:18,605 THAT YOU'RE GONNA GET AN ACADEMY AWARD, 156 00:07:18,646 --> 00:07:19,981 YOU'RE GONNA GET AN OSCAR. 157 00:07:20,023 --> 00:07:21,983 HERE'S YOUR LITTLE MOTTO FOR TODAY. 158 00:07:22,025 --> 00:07:24,319 IF YOU BELIEVE IT, YOU CAN... 159 00:07:24,361 --> 00:07:25,320 all: ACHIEVE IT. 160 00:07:25,362 --> 00:07:27,322 - ACHIEVE IT AND RECEIVE IT. 161 00:07:27,364 --> 00:07:29,282 BELIEVE, ACHIEVE, RECEIVE. 162 00:07:29,324 --> 00:07:31,701 - OKAY, LET'S GIVE STUART A BIG HAND FOR COMING TODAY. 163 00:07:31,743 --> 00:07:34,120 [cheers and applause] 164 00:07:34,162 --> 00:07:36,373 - MY POLICY IS THAT EVERYONE WHO COMES 165 00:07:36,414 --> 00:07:37,999 HAS TO DO A FREE SEMINAR, 166 00:07:38,041 --> 00:07:40,585 BECAUSE I FEEL THE FAMILIES SPEND ENOUGH MONEY 167 00:07:40,627 --> 00:07:44,297 DOING ALL THE CLASSES AND HEADSHOTS AND EVERYTHING ELSE, 168 00:07:44,339 --> 00:07:46,716 THAT HERE AT OAKWOOD, I WANT EVERYTHING FREE. 169 00:07:46,758 --> 00:07:49,344 - IT'S SOMETHING THAT I THINK WAS REALLY ROSIE'S DOING 170 00:07:49,386 --> 00:07:51,262 THAT GREW OUT OF NOTHING. 171 00:07:51,304 --> 00:07:52,806 YOU KNOW, IT WAS JUST A PLACE TO STAY, 172 00:07:52,847 --> 00:07:55,642 BUT IT BECAME THEPLACE TO STAY. 173 00:07:55,684 --> 00:07:59,270 - IN ITS CONCEPTION, OAKWOOD WAS FOR SINGLES ONLY, 174 00:07:59,312 --> 00:08:01,648 AND BACK IN THE '70s, THAT ALL CHANGED. 175 00:08:01,690 --> 00:08:04,192 SO WE'VE GONE FROM WALKING DOWN THE AISLE 176 00:08:04,234 --> 00:08:06,528 TO WALKING DOWN THE RED CARPET. 177 00:08:06,569 --> 00:08:08,238 - YOU KNOW, A LOT OF FAMOUS KIDS HAVE STAYED THERE. 178 00:08:08,279 --> 00:08:10,115 I'M SURE YOU KNOW HILARY DUFF, JENNIFER LOVE HEWITT. 179 00:08:10,156 --> 00:08:11,908 YOU KNOW, MANY FAMOUS PEOPLE HAVE STAYED THERE. 180 00:08:11,950 --> 00:08:14,494 - I'M ALWAYS BLOWN AWAY WITH THE ENERGY 181 00:08:14,536 --> 00:08:17,539 THESE LITTLE PACKAGES HAVE AND THE TALENT. 182 00:08:17,580 --> 00:08:19,624 THIS IS ANDREW ASTOR. 183 00:08:19,666 --> 00:08:22,961 HE IS ON DIRTY SEXY MONEY. HE'S SIX YEARS OLD. 184 00:08:23,003 --> 00:08:26,089 VINCENT MARTELLA. HE'S ON EVERYONE HATES CHRIS. 185 00:08:26,131 --> 00:08:27,799 HILARY DUFF LIVED HERE. 186 00:08:27,841 --> 00:08:29,467 SHE CAME BECAUSE OF HER SISTER, 187 00:08:29,509 --> 00:08:32,429 AND THEN SHE MADE IT ON LIZZIE MCGUIRE. 188 00:08:32,470 --> 00:08:34,389 - YOU KNOW, WHEN I THINK OF THE OAKWOOD, 189 00:08:34,431 --> 00:08:36,516 IT IS SORT OF, FOR ME, IT'S SORT OF A PLACE 190 00:08:36,558 --> 00:08:38,852 THAT DOESN'T EXIST AFTER, LIKE, MAY 1ST. 191 00:08:38,893 --> 00:08:41,271 FROM MAY 1ST TILL DECEMBER, IT'S JUST-- 192 00:08:41,312 --> 00:08:42,772 YOU KNOW, YOU SEE THE TUMBLEWEEDS. 193 00:08:42,814 --> 00:08:44,649 BUT THEN, THERE, ALL OF A SUDDEN, 194 00:08:44,691 --> 00:08:46,317 YOU KNOW, THE CIRCUS COMES TO TOWN. 195 00:08:46,359 --> 00:08:47,736 - CANNONBALL! 196 00:08:47,777 --> 00:08:50,113 - IT'S JUST LIKE A TRAIL OF HOPE COMES IN, 197 00:08:50,155 --> 00:08:52,574 AND THEY ALL TAKE OVER. 198 00:08:52,615 --> 00:08:54,534 - YOU KNOW, I TELL PARENTS ALL THE TIME, 199 00:08:54,576 --> 00:08:56,244 IF YOU'RE GONNA STAY AT THE OAKWOOD, 200 00:08:56,286 --> 00:08:58,288 IT'S A GOOD EXPERIENCE FOR THE KIDS, 201 00:08:58,329 --> 00:09:00,206 BECAUSE THERE'S A BUILT-IN SOCIAL AND CLASSES 202 00:09:00,248 --> 00:09:01,499 AND ALL THAT, 203 00:09:01,541 --> 00:09:04,836 BUT JUST KEEP EVERYTHING TO YOURSELF. 204 00:09:04,878 --> 00:09:05,920 I WAS A SOCCER MOM. 205 00:09:05,962 --> 00:09:08,298 I WASN'T THE LEAST BIT PREPARED FOR THIS. 206 00:09:08,340 --> 00:09:11,134 - WOULD YOU GUYS LIKE SOMETHING TO DRINK OR--? 207 00:09:11,176 --> 00:09:13,678 - SCOTCH AND WATER? NO, I'M KIDDING. 208 00:09:13,720 --> 00:09:15,889 - YOU WANT SOME WATER? - NO, THANK YOU, I'M FINE. 209 00:09:15,930 --> 00:09:17,182 I'M KIDDING. 210 00:09:17,223 --> 00:09:20,310 - PUT EVERYBODY ON HOLD. - YEAH. 211 00:09:20,352 --> 00:09:22,479 WE'LL MAKE IT VERY, VERY BRIEF. 212 00:09:22,520 --> 00:09:23,605 WE'RE KIND OF CONFUSED ABOUT THE WHOLE PICTURE 213 00:09:23,646 --> 00:09:25,315 AND WHAT YOU'RE LOOKING FOR 214 00:09:25,357 --> 00:09:27,359 AND PROVIDING YOU WITH THE BEST STUFF THAT WE CAN. 215 00:09:27,400 --> 00:09:32,614 - LIKE, WHEN A CASTING DIRECTOR GETS THE 4,832 SUBMISSIONS 216 00:09:32,655 --> 00:09:35,700 OF PEOPLE JUST LIKE YOU, WHOSE IS GONNA STAND OUT? 217 00:09:35,742 --> 00:09:37,702 SOMEBODY THAT'S GOT A LITTLE BIT OF SOMETHING 218 00:09:37,744 --> 00:09:41,164 OR YOUR TRADITIONAL, NICE, POSED SHOT? 219 00:09:41,206 --> 00:09:42,749 EVERYBODY'S GOT THIS. 220 00:09:42,791 --> 00:09:44,334 NOW, I'M NOT SAYING THAT YOU CAN'T GET AN AUDITION 221 00:09:44,376 --> 00:09:46,753 WITH A NICE, YOU KNOW, YEARBOOK-TYPE PICTURE. 222 00:09:46,795 --> 00:09:48,254 YOU CAN. 223 00:09:48,296 --> 00:09:51,841 I HAVE A LITTLE BOY RIGHT NOW THAT'S BEING COACHED AS WE SPEAK 224 00:09:51,883 --> 00:09:54,969 BY A CASTING COMPANY BECAUSE THEY REALLY WANT-- 225 00:09:55,011 --> 00:09:56,805 ARE CONSIDERING HIM TO PLAY JENNIFER ANISTON'S SON 226 00:09:56,846 --> 00:09:58,640 IN HER NEXT MOVIE. 227 00:09:58,682 --> 00:10:00,058 - OH, MY GOSH, THAT'S UNBELIEVABLE. 228 00:10:00,100 --> 00:10:02,769 - YEAH. AND HE'S GONNA GO MEET WITH ALL OF THEM TOMORROW. 229 00:10:02,811 --> 00:10:04,562 AND WE'LL GET SOMETHING LIKE THAT FOR YOU. 230 00:10:04,604 --> 00:10:06,690 I THINK THE NEW PHOTOS WILL HELP. 231 00:10:06,731 --> 00:10:08,483 - SUPER. 232 00:10:08,525 --> 00:10:09,859 - AND LET ME JUST--ONE QUICK CHECK OF THE EMAILS HERE. 233 00:10:09,901 --> 00:10:11,736 MAYBE SOMETHING CAME UP WHILE WE WERE TALKING. 234 00:10:11,778 --> 00:10:14,447 WELL, SOMETHING DID COME UP. LET'S SEE WHAT IT IS. 235 00:10:14,489 --> 00:10:15,990 - IT'S GONNA BE GOOD, IT'S GONNA BE GOOD. 236 00:10:16,032 --> 00:10:18,535 - IT'S FOR A PILOT FOR NICKELODEON, 237 00:10:18,576 --> 00:10:20,787 BUT IT'S FOR A BOY. 238 00:10:20,829 --> 00:10:22,831 BUT YOU SEE HOW IT COULD HAPPEN ANYTIME. 239 00:10:22,872 --> 00:10:25,792 - ARE YOU READY? 3, 2, 1. 240 00:10:25,834 --> 00:10:27,335 [camera shutter clicks] GOOD. 241 00:10:27,377 --> 00:10:29,879 NOW BRING IT BACK TO ME JUST A LITTLE MORE. 242 00:10:29,921 --> 00:10:31,881 GOOD. CHIN UP. 243 00:10:31,923 --> 00:10:34,259 AND BACK UP JUST A LITTLE BIT. 244 00:10:34,300 --> 00:10:36,886 GOOD. MOM? - YES, SIR. 245 00:10:36,928 --> 00:10:38,722 - WANT TO TIGHTEN UP THE HAIR? 246 00:10:38,763 --> 00:10:40,390 WE HAVE PHOTOSHOP, 247 00:10:40,432 --> 00:10:42,726 BUT THE LESS WE USE PHOTOSHOP-- - THE BETTER? 248 00:10:42,767 --> 00:10:44,227 - THE PERFECT--THE MORE PERFECT THE SURE--YEAH. 249 00:10:44,269 --> 00:10:46,396 - SHE LOVES WHEN I DO THAT. 250 00:10:46,438 --> 00:10:48,773 - AND I'M GONNA GO, "3, 2, 1, TURN." 251 00:10:48,815 --> 00:10:52,360 TURN, TURN, TURN. GOOD. 252 00:10:52,402 --> 00:10:53,570 [camera shutter clicks] 253 00:10:53,611 --> 00:10:56,990 VERY NICE. HOLD IT RIGHT THERE. GOOD. 254 00:10:57,032 --> 00:10:58,450 - THAT'S NICE. - PERFECT. 255 00:10:58,491 --> 00:11:00,827 I THINK THAT'S WHAT I SAID WHEN WE SHOT THIS ONE. 256 00:11:00,869 --> 00:11:03,496 OKAY, WE'RE DONE. - [laughs] 257 00:11:03,538 --> 00:11:04,873 - I MEAN, SHE'S ALREADY A PRO. 258 00:11:04,914 --> 00:11:07,667 - [laughs] 259 00:11:07,709 --> 00:11:09,127 [music playing] 260 00:11:09,169 --> 00:11:12,922 - AND NOW, THE 81ST ANNUAL ACADEMY AWARDS. 261 00:11:12,964 --> 00:11:15,675 [cheers and applause] 262 00:11:15,717 --> 00:11:18,803 - I GREW UP IN A PLACE CALLED ALCOBENDAS, 263 00:11:18,845 --> 00:11:21,473 WHERE THIS WAS NOT A VERY REALISTIC DREAM. 264 00:11:21,514 --> 00:11:24,893 - WHEN I WAS 13 YEARS OLD, MY BEAUTIFUL MOTHER 265 00:11:24,934 --> 00:11:27,103 AND MY FATHER MOVED ME TO CALIFORNIA. 266 00:11:27,145 --> 00:11:29,689 - I THINK I WAS PROBABLY EIGHT YEARS OLD 267 00:11:29,731 --> 00:11:31,900 AND STARING INTO THE BATHROOM MIRROR, 268 00:11:31,941 --> 00:11:33,943 AND THIS WOULD HAVE BEEN A SHAMPOO BOTTLE. 269 00:11:33,985 --> 00:11:35,528 [laughter] 270 00:11:35,570 --> 00:11:38,823 WELL, IT'S NOT A SHAMPOO BOTTLE NOW. 271 00:11:38,865 --> 00:11:40,784 I'D LIKE TO THANK MY MOM AND DAD, 272 00:11:40,825 --> 00:11:41,785 WHO ARE IN THIS ROOM SOMEWHERE. 273 00:11:41,826 --> 00:11:43,495 DAD, WHISTLE OR SOMETHING, 274 00:11:43,536 --> 00:11:44,496 'CAUSE THEN I'LL KNOW WHERE YOU ARE. 275 00:11:44,537 --> 00:11:46,206 - [whistles] - YES! 276 00:11:46,247 --> 00:11:49,751 [applause] 277 00:11:49,793 --> 00:11:52,045 I LOVE YOU. 278 00:11:52,087 --> 00:11:54,964 [applause] 279 00:11:55,006 --> 00:11:59,386 - I VISUALIZE HOLDING AN OSCAR IN MY HAND. 280 00:11:59,427 --> 00:12:02,138 - OF COURSE YOU'D HAVE TO THANK THE-- 281 00:12:02,180 --> 00:12:03,932 OH, MY GOSH, I FORGOT WHAT IT'S CALLED. 282 00:12:03,973 --> 00:12:05,392 - THE ACADEMY. 283 00:12:05,433 --> 00:12:07,894 - THE DIRECTOR THAT MADE IT AND THE FILM CREW. 284 00:12:07,936 --> 00:12:10,188 - ACTING COACHES. - DANCE COACHES. 285 00:12:10,230 --> 00:12:13,274 - AND WE WOULD LIKE TO THANK ALL THE HOMELESS ANIMALS OUT THERE. 286 00:12:13,316 --> 00:12:15,985 - AND EVERYBODY WHO HELPED ME ALONG THE WAY. 287 00:12:16,027 --> 00:12:20,031 - MY MOM, FIRST OF ALL, FOR, LIKE, DRIVING ME TO AUDITIONS. 288 00:12:20,073 --> 00:12:22,909 - AND MY DAD, BECAUSE THEY'VE ALWAYS BEEN THERE FOR ME. 289 00:12:22,951 --> 00:12:24,619 - THEY'VE DONE A LOT FOR ME. 290 00:12:24,661 --> 00:12:28,707 AND MY DAD HAS TO BE BACK HOME BY HIMSELF. 291 00:12:30,750 --> 00:12:32,293 [laughs] 292 00:12:32,335 --> 00:12:33,586 WE'RE IN MY BEDROOM. 293 00:12:33,628 --> 00:12:35,964 I DECORATED IT, AS YOU CAN SEE, 294 00:12:36,006 --> 00:12:39,551 AND THIS IS JUST A LOT OF MY PERSONALITY IN HERE. 295 00:12:39,592 --> 00:12:42,053 AND THEN, AS YOU CAN SEE, WE SLEEP ON THE FLOOR, 296 00:12:42,095 --> 00:12:47,350 UM, BECAUSE WE GOT OUR APARTMENT UNFURNISHED, 297 00:12:47,392 --> 00:12:49,978 SO WE DON'T HAVE A BED ANYMORE, 298 00:12:50,020 --> 00:12:51,479 SO WE JUST STARTED SLEEPING ON THE FLOOR. 299 00:12:51,521 --> 00:12:53,398 IT'S ACTUALLY PRETTY COMFORTABLE. 300 00:12:53,440 --> 00:12:57,277 - THESE KIDS ARE GROWING UP-- IT'S, LIKE, THE NEIGHBORHOOD. 301 00:12:57,318 --> 00:13:01,448 - GUYS, WHAT'D YOUR MOM SAY? 302 00:13:01,489 --> 00:13:03,700 ARE YOU GOING TO THE POOL, THOUGH? 303 00:13:03,742 --> 00:13:05,326 - INSTEAD OF SITTING ON THE FRONT PORCH, 304 00:13:05,368 --> 00:13:07,912 YOU'RE SITTING AT THE POOL, AND ALL THE KIDS, 305 00:13:07,954 --> 00:13:09,956 EVEN THOUGH THERE'S COMPETITION GOING ON, 306 00:13:09,998 --> 00:13:12,083 THEY'RE ALL THEIR FRIENDS. 307 00:13:12,125 --> 00:13:14,169 - GUYS! OH! 308 00:13:14,210 --> 00:13:17,005 - SHANNA. SHANNA BANANA. 309 00:13:17,047 --> 00:13:19,007 [laughter] 310 00:13:19,049 --> 00:13:23,845 [overlapping chatter] 311 00:13:23,887 --> 00:13:26,473 - UH, JAMES, IT'S SAYS ABSOLUTELY NO DIVING. 312 00:13:26,514 --> 00:13:29,434 BUT MAKE SURE YOU DON'T JUMP-- I DON'T KNOW. 313 00:13:29,476 --> 00:13:31,644 JUST--JUST GET IN THE POOL, 'CAUSE YOU'RE MAKING ME NERVOUS. 314 00:13:31,686 --> 00:13:33,897 - ALL RIGHT. - MY NERVES ARE UP HERE. 315 00:13:33,938 --> 00:13:36,524 - ALL RIGHT. WATCH. - GO ON, JAMES. 316 00:13:36,566 --> 00:13:41,029 DON'T DIVE. - OKAY. 317 00:13:41,071 --> 00:13:43,823 - YOU'RE MAKING ME NERVOUS. 318 00:13:45,325 --> 00:13:48,286 - YEAH, JAMES! WHOO-HOO! 319 00:13:48,328 --> 00:13:49,871 - I DIDN'T THINK IT WAS, LIKE, EIGHT FEET. 320 00:13:49,913 --> 00:13:53,541 [overlapping chatter] 321 00:13:53,583 --> 00:13:56,378 - SEE? I'M OKAY, MOTHER. 322 00:14:03,385 --> 00:14:04,803 - MOM? - YEAH, SWEETIE? 323 00:14:04,844 --> 00:14:06,930 - DO YOU WISH YOU WERE AN OSCAR MAYER WIENER? 324 00:14:06,971 --> 00:14:10,892 - I DO, BECAUSE THEN EVERYBODY WOULD BE IN LOVE WITH ME. 325 00:14:10,934 --> 00:14:16,022 - PREPARE TO EXIT RIGHT IN THREE-QUARTERS OF A MILE. 326 00:14:16,064 --> 00:14:18,900 - THE AUDITION IS FOR OSCAR MAYER. 327 00:14:18,942 --> 00:14:20,735 - TAKE NEXT RIGHT. 328 00:14:20,777 --> 00:14:24,072 - THEY WANT A VERY REAL, NATURAL LOOK, 329 00:14:24,114 --> 00:14:26,032 SO WE'LL SEE. 330 00:14:26,074 --> 00:14:30,829 [overlapping chatter] 331 00:14:41,506 --> 00:14:44,926 - ISN'T IT COOL? - SO COOL. 332 00:14:48,847 --> 00:14:51,391 - THAT WAS COOL. - THAT WAS REALLY COOL. 333 00:14:51,433 --> 00:14:53,977 THAT WAS COOL. - THAT WAS COOL. 334 00:14:54,019 --> 00:14:57,397 WILD. 335 00:14:57,439 --> 00:14:59,983 DID YOU RECOGNIZE HIM? - MM-HMM. 336 00:15:00,025 --> 00:15:01,317 - FOURTH FLOOR. - OKAY, THIS ONE. 337 00:15:01,359 --> 00:15:02,694 THIS IS OURS. 338 00:15:02,736 --> 00:15:05,321 [lighthearted music] 339 00:15:05,363 --> 00:15:06,531 OH. 340 00:15:06,573 --> 00:15:10,118 * * 341 00:15:10,160 --> 00:15:13,329 - EXCELLENT. AND THEN YOU'RE GONNA LOOK AT THIS PINK PAPER. 342 00:15:13,371 --> 00:15:15,957 ONE, TWO, AND THREE. 343 00:15:20,754 --> 00:15:23,923 EXCELLENT. - THANK YOU. 344 00:15:23,965 --> 00:15:25,467 THANK YOU. - BYE. 345 00:15:25,508 --> 00:15:27,135 - HAVE A GOOD DAY. - YOU TOO. 346 00:15:27,177 --> 00:15:28,595 - LOOK! - LOOK! HI! 347 00:15:28,636 --> 00:15:30,013 - WAS THAT-- WAS THAT TOO OBVIOUS? 348 00:15:30,055 --> 00:15:32,432 - HI. LIKE, JUST A LITTLE OBVIOUS. 349 00:15:32,474 --> 00:15:35,810 THIS WILL LOOK GOOD ON MY BLOG. 350 00:15:35,852 --> 00:15:38,063 GET IT, GET IT. - I THINK I GOT IT. 351 00:15:38,104 --> 00:15:39,356 - [groans] 352 00:15:39,397 --> 00:15:41,024 THE LADY IN THERE WAS REALLY NICE. 353 00:15:41,066 --> 00:15:42,525 - AT THE AUDITION? - YEAH. 354 00:15:42,567 --> 00:15:44,110 - SO, WHAT DID SHE TE-- DID SHE DESCRIBE TO YOU 355 00:15:44,152 --> 00:15:45,987 WHAT YOU NEEDED TO DO? 356 00:15:46,029 --> 00:15:51,868 - NO. SHE DIDN'T EVEN TELL ME TO SMILE OR ANYTHING, SO... 357 00:15:53,661 --> 00:15:57,916 all: I FEEL GREAT! - COME ON, BELIEVE IT! 358 00:15:57,957 --> 00:16:00,835 all: I FEEL GREAT! 359 00:16:00,877 --> 00:16:02,045 - LIE IF YOU HAVE TO! 360 00:16:02,087 --> 00:16:04,381 all: I FEEL GREAT! 361 00:16:04,422 --> 00:16:06,633 - WHEN YOU AUDITION FOR A COMEDY, 362 00:16:06,675 --> 00:16:08,802 A SITCOM, OR COMEDY ACTING, YOU'VE GOT TO HAVE ENERGY, 363 00:16:08,843 --> 00:16:11,304 AND THAT'S GOT TO COME FROM DOWN HERE, OKAY? 364 00:16:11,346 --> 00:16:13,348 [inhales] 365 00:16:13,390 --> 00:16:17,727 WHEN YOU SAY YOUR NAME, YOU'RE COMMUNICATING YOUR NAME, 366 00:16:17,769 --> 00:16:21,147 SO THAT YOU'RE THINKING, I DON'T WANT YOU TO FORGET MY NAME. 367 00:16:21,189 --> 00:16:24,567 SO WE'RE GONNA DO THREE "HUHS" AND THEN YOUR NAME, 368 00:16:24,609 --> 00:16:27,153 YOUR FULL NAME, WITH POWER AND STRENGTH. 369 00:16:27,195 --> 00:16:30,198 - HUH, HUH, HUH, SHANNA GROVE. 370 00:16:30,240 --> 00:16:32,450 - I WANT THE VOICE PLACEMENT DOWN HERE, FURTHER. 371 00:16:32,492 --> 00:16:35,995 - HUH, HUH, HUH, SHANNA GROVE. - GOOD. 372 00:16:36,037 --> 00:16:40,375 - WUH, WUH, WUH, RYAN CASTLE. - RYAN CASTLE. 373 00:16:40,417 --> 00:16:43,211 - HUH, HUH, HUH, PATRICK CASA. - GOOD. 374 00:16:43,253 --> 00:16:44,004 NOW, WHEN YOU GO INTO AN AUDITION, 375 00:16:44,045 --> 00:16:45,588 DON'T DO THE "HUH, HUH, HUH." 376 00:16:45,630 --> 00:16:47,590 ALL RIGHT? [laughter] 377 00:16:47,632 --> 00:16:49,509 [laughter on TV] 378 00:16:49,551 --> 00:16:54,139 - YES. - GETTING KIND OF HUNGRY. 379 00:16:54,180 --> 00:16:55,890 - HE'S 14 NOW. 380 00:16:55,932 --> 00:16:58,309 HE CAN SAY A NAUGHTY WORD IF THE SCENE CALLS FOR IT. 381 00:16:58,351 --> 00:17:00,395 YOU KNOW, I DON'T WANT HIM IN ANY SEXUAL SITUATIONS 382 00:17:00,437 --> 00:17:03,231 THAT ARE BEYOND WHAT A 14-YEAR-OLD WOULD NORMALLY FACE. 383 00:17:03,273 --> 00:17:06,317 AND I, CERTAINLY, I SAID ABSOLUTELY NOTHING 384 00:17:06,359 --> 00:17:07,485 THAT GLORIFIES SATAN. 385 00:17:07,527 --> 00:17:09,070 ABSOLUTELY NOTHING. 386 00:17:09,112 --> 00:17:11,072 I DON'T CARE IF THEY PAID HIM $1 MILLION. 387 00:17:11,114 --> 00:17:12,490 HE'S NOT GONNA, YOU KNOW, PLAY SATAN, 388 00:17:12,532 --> 00:17:14,784 HE'S NOT GONNA PLAY A ROLE OF A SATAN WORSHIPPER, 389 00:17:14,826 --> 00:17:16,244 AND HE'S NOT GONNA PLAY ANYTHING THAT GLORIFIES SATAN. 390 00:17:16,286 --> 00:17:18,288 I DON'T CARE HOW MUCH MONEY THEY OFFER HIM. 391 00:17:18,329 --> 00:17:20,248 NOT GONNA DO IT. 392 00:17:20,290 --> 00:17:22,042 MY HUSBAND'S A PILOT IN THE AIR FORCE, 393 00:17:22,083 --> 00:17:23,460 AND BECAUSE HE'S A PILOT IN THE AIR FORCE, 394 00:17:23,501 --> 00:17:25,211 WE'RE DEFINITELY NOT RICH. 395 00:17:25,253 --> 00:17:26,880 EAT A LOT OF HOT DOGS AND MACARONI AND CHEESE 396 00:17:26,921 --> 00:17:28,256 WHEN WE'RE HERE. 397 00:17:28,298 --> 00:17:31,134 - IN MOM'S ROOM, WE HAVE THIS TABLE, 398 00:17:31,176 --> 00:17:33,678 AND IT HAS, LIKE, SNACKS AND STUFF. 399 00:17:33,720 --> 00:17:35,263 WE CALL IT THE SNACK TABLE. 400 00:17:35,305 --> 00:17:38,391 IT HAS, LIKE, FOOD WHERE WE CAN GET SNACKS. 401 00:17:38,433 --> 00:17:41,061 - AND I SLEEP UNDER THE SNACK TABLE, 402 00:17:41,102 --> 00:17:43,980 BECAUSE THERE'S NOWHERE ELSE FOR ME TO SLEEP. 403 00:17:44,022 --> 00:17:46,649 I LIKE ALL THE PRINCESSES. 404 00:17:46,691 --> 00:17:49,944 - AND I SLEEP ON THIS COUCH. 405 00:17:49,986 --> 00:17:56,242 I KEEP A PILLOW AND BLANKET IN THE CLOSET DURING THE DAY. 406 00:17:56,284 --> 00:17:58,370 - I HAD AN ACTING COACH COME TO ME ONE TIME 407 00:17:58,411 --> 00:18:00,497 AND SHE SAID, "CAN YOU PLEASE SPEAK TO THIS MOTHER?" 408 00:18:00,538 --> 00:18:02,040 SHE WAS ALLOWING HER DAUGHTER 409 00:18:02,082 --> 00:18:04,167 TO AUDITION FOR A PART THAT USED FOUL LANGUAGE, 410 00:18:04,209 --> 00:18:06,086 AND SHE ENDED UP, LIKE, RIPPING HER SHIRT OFF 411 00:18:06,127 --> 00:18:08,672 AND WEARING SOME SORT OF LEATHER BRA OR SOME-- 412 00:18:08,713 --> 00:18:10,173 SOMETHING AN EIGHT-YEAR-OLD, IN MY ESTIMATION, 413 00:18:10,215 --> 00:18:12,300 JUST SHOULDN'T BE DOING. 414 00:18:12,342 --> 00:18:14,135 AND I TALKED TO HER, AND SHE ENDED UP SAYING, 415 00:18:14,177 --> 00:18:16,054 "OH, MY DAUGHTER'S NOT DOING THAT." 416 00:18:16,096 --> 00:18:20,183 SO I KIND OF--I DON'T WANT TO SOUND OBNOXIOUS OR ANYTHING, 417 00:18:20,225 --> 00:18:22,185 BUT I THINK THAT WE WERE SENT HERE FOR A PURPOSE, 418 00:18:22,227 --> 00:18:24,354 AND THESE CHILDREN-- ESPECIALLY THE OLDEST ONE 419 00:18:24,396 --> 00:18:25,522 WHO'S BEEN DOING IT SO LONG, 420 00:18:25,563 --> 00:18:27,190 WAS GIVEN THIS GIFT FOR A REASON, 421 00:18:27,232 --> 00:18:29,776 I CONSIDER THIS OUR MISSION FIELD. 422 00:18:29,818 --> 00:18:32,195 I MEAN, YOU DON'T HAVE TO GO TO AFRICA 423 00:18:32,237 --> 00:18:34,072 TO BE AN EXAMPLE TO OTHERS. 424 00:18:45,375 --> 00:18:47,669 AMEN. VERY GOOD, RYAN. 425 00:18:49,504 --> 00:18:54,175 - SAVANNAH. 426 00:18:54,217 --> 00:18:56,678 IT'S TIME TO WAKE UP, SLEEPING BEAUTY. 427 00:18:57,679 --> 00:19:00,932 - SMOKEY. SMOKEY. 428 00:19:03,268 --> 00:19:04,644 - WHEN I GET OLDER, 429 00:19:04,686 --> 00:19:07,397 I KNOW IT'S REALLY HIGH EXPECTATIONS, 430 00:19:07,439 --> 00:19:10,233 BUT I WANT TO BE, LIKE, THE NEXT DAKOTA FANNING. 431 00:19:12,235 --> 00:19:17,323 HIGH EXPECTATIONS, BUT MAYBE I'LL GET THERE SOMEDAY. 432 00:19:17,365 --> 00:19:19,409 - BUT ASHLEY DID HAVE A THEATRICAL AGENT, UH, 433 00:19:19,451 --> 00:19:23,329 AT PREMIERE TALENT, BUT THAT WOMAN LEFT THE AGENCY. 434 00:19:23,371 --> 00:19:26,207 - AND THEY ASKED IF WE WANTED TO CONTINUE WITH THEM, 435 00:19:26,249 --> 00:19:29,336 BUT I DID NOT WANT TO CONTINUE WITH THEM. 436 00:19:29,377 --> 00:19:30,837 - WHAT DO YOU CONSIDER A GOOD AGENT? 437 00:19:30,879 --> 00:19:35,675 - PROBABLY AN AUDITION A WEEK. 438 00:19:35,717 --> 00:19:37,469 AND... 439 00:19:37,510 --> 00:19:39,387 - ESPECIALLY AT YOUR AGE GROUP. 440 00:19:39,429 --> 00:19:41,222 - YEAH. 441 00:19:41,264 --> 00:19:42,766 I MEAN, IF IT WAS SAVANNAH'S AGE GROUP, 442 00:19:42,807 --> 00:19:45,435 IT'D PROBABLY BE THREE AUDITIONS A WEEK. 443 00:19:45,477 --> 00:19:48,188 - I'M GOING TO SCHOOL, NOT AN AUDITION. 444 00:19:48,229 --> 00:19:50,982 - THERE'S A LOT LESS HER AGE OUT HERE, 445 00:19:51,024 --> 00:19:53,902 AND I GUESS, LIKE, THERE'S MORE ROLES, 446 00:19:53,943 --> 00:19:56,154 BECAUSE THAT'S A REALLY HOT MARKET RIGHT NOW, 447 00:19:56,196 --> 00:19:57,614 AND SO, SAY, IF YOU HAVE A SEVEN-YEAR-OLD 448 00:19:57,655 --> 00:19:59,157 IN YOUR COMMERCIAL, 449 00:19:59,199 --> 00:20:00,784 THAT COMMERCIAL IS PROBABLY GONNA BE, 450 00:20:00,825 --> 00:20:03,328 LIKE, IN THE SUPER BOWL. 451 00:20:03,370 --> 00:20:05,622 - [squeals] - [laughs] 452 00:20:05,663 --> 00:20:07,791 - THERE ARE SO MANY GIRLS IN THE BUSINESS. 453 00:20:07,832 --> 00:20:10,460 I MEAN, THERE'S AN ABUNDANCE OF 12-YEAR-OLD GIRLS. 454 00:20:10,502 --> 00:20:12,462 EVERY LITTLE 12-YEAR-OLD GIRL IN THIS COUNTRY 455 00:20:12,504 --> 00:20:14,673 WANTS TO BE A SINGER, DANCER, MOVIE STAR, 456 00:20:14,714 --> 00:20:17,425 AND THERE--AND THERE AREN'T AS MANY PARTS. 457 00:20:17,467 --> 00:20:20,387 - I'LL TAKE THAT. - OKAY. 458 00:20:20,428 --> 00:20:23,306 - SO IF YOU'RE COMING TO CALIFORNIA FROM DENVER, 459 00:20:23,348 --> 00:20:25,266 YOU'RE RISKING A LOT. 460 00:20:25,308 --> 00:20:28,895 WHY WERE YOU SO MOTIVATED TO BECOME AN ACTRESS? 461 00:20:28,937 --> 00:20:32,691 - I--IT INSPIRES ME, AND I THINK IT INSPIRES EVERYBODY ELSE, 462 00:20:32,732 --> 00:20:34,901 AND IT'S GOOD ROLE MODELING, I THINK, 463 00:20:34,943 --> 00:20:37,362 AND IT'S A TON OF FUN, SO-- 464 00:20:37,404 --> 00:20:39,364 - SO YOU LOVE IT, AND THERE'S SOME PART OF YOU 465 00:20:39,406 --> 00:20:40,824 THAT SAYS, "I'M SUPPOSED TO BE DOING THIS," RIGHT? 466 00:20:40,865 --> 00:20:41,825 - MM-HMM. 467 00:20:41,866 --> 00:20:43,368 - SO LET'S TAKE THAT 468 00:20:43,410 --> 00:20:44,911 AND BRING IT TO THIS SCENE HERE. 469 00:20:44,953 --> 00:20:46,204 - OKAY. - OKAY. 470 00:20:46,246 --> 00:20:49,374 - OKAY, SO YOU KNOW HOW I WENT TO NEW YORK, RIGHT? 471 00:20:49,416 --> 00:20:52,460 WELL, CHINATOWN WAS SO AWESOME. 472 00:20:52,502 --> 00:20:54,587 WE WENT THERE AFTER KNOCKOFF PURSES, 473 00:20:54,629 --> 00:20:57,382 BUT IN ORDER TO GET THE GOOD ONES, 474 00:20:57,424 --> 00:21:00,218 YOU HAVE TO GO DEEP INTO THESE DARK BASEMENTS. 475 00:21:00,260 --> 00:21:01,845 - OKAY, GOOD. DON'T WORK SO HARD. 476 00:21:01,886 --> 00:21:03,263 - OKAY. 477 00:21:03,304 --> 00:21:05,557 - THERE'S A REALLY NICE QUALITY ABOUT YOU 478 00:21:05,598 --> 00:21:09,310 THAT'S REALLY OPEN AND FRIENDLY AND SWEET. 479 00:21:09,352 --> 00:21:12,147 SHE'S STRONG ENOUGH THAT THAT'S WHY SHE GOT A THEATRICAL AGENT, 480 00:21:12,188 --> 00:21:15,442 BUT THEY'RE GONNA TRY HER IN COMMERCIALS FIRST, 481 00:21:15,483 --> 00:21:17,152 AND THEY WANT HER TO WORK IN COMMERCIALS 482 00:21:17,193 --> 00:21:20,405 BEFORE THEY'RE GONNA GIVE HER, YOU KNOW, THAT BIG PART. 483 00:21:20,447 --> 00:21:22,532 WHAT'S IMPORTANT IS, ARE YOU FOLLOWING YOUR PASSION 484 00:21:22,574 --> 00:21:25,160 AND ARE YOU HAVING A VOICE IN IT? 485 00:21:28,955 --> 00:21:31,124 - I'M NOT JUST SAYING THIS JUST BECAUSE JULIA'S MINE, 486 00:21:31,166 --> 00:21:32,417 YOU KNOW WHAT I MEAN? 487 00:21:32,459 --> 00:21:35,462 I'M TALKING FROM THE MANAGER'S PERSPECTIVE AS WELL. 488 00:21:35,503 --> 00:21:38,506 SHE'S VERY TALENTED, AND IF YOU ASK HER TO SING RIGHT NOW 489 00:21:38,548 --> 00:21:40,508 OR DANCE OR CRY-- 490 00:21:40,550 --> 00:21:43,094 JULIA, LET ME SEE YOU SMILE. 491 00:21:43,136 --> 00:21:45,972 YOU SEE? IT'S A BEAUTIFUL SMILE. 492 00:21:48,558 --> 00:21:53,730 - THIS APARTMENT COSTS $2,400 A MONTH, 493 00:21:53,772 --> 00:21:57,984 AND PLUS WE HAVE TO PAY ALL HER CLASSES, 494 00:21:58,026 --> 00:22:00,070 ALL HER COACHING, 495 00:22:00,111 --> 00:22:05,450 AND ALSO FOOD, GAS, BLAH, BLAH, BLAH. 496 00:22:05,492 --> 00:22:07,911 IT'S ABOUT $5,000 A MONTH. 497 00:22:07,952 --> 00:22:09,496 THIS IS HUGE MONEY. 498 00:22:09,537 --> 00:22:16,044 - [singing] 499 00:22:16,086 --> 00:22:17,212 "SO, I OVERSLEPT. 500 00:22:17,253 --> 00:22:18,755 "I WANT MY KELLOGG'S CORN POPS. 501 00:22:18,797 --> 00:22:20,590 "LIKE SWEET POPCORN. 502 00:22:20,632 --> 00:22:22,717 I'VE JUST GOT TO HAVE MY CORN POPS." 503 00:22:22,759 --> 00:22:25,345 I DON'T GET THIS COMMERCIAL AT ALL. 504 00:22:25,387 --> 00:22:26,429 - DIDN'T GET? 505 00:22:26,471 --> 00:22:28,223 - I CAN'T EVEN READ IT. 506 00:22:28,264 --> 00:22:30,684 "I WANT MY KELLOGG'S CORN POPS." 507 00:22:30,725 --> 00:22:31,685 - YEAH. KELL-OGG-ES? 508 00:22:31,726 --> 00:22:34,521 - NO, KELL-GOGS. - KELLOGG'S. 509 00:22:34,562 --> 00:22:37,357 - YOU'LL ALWAYS WANT MORE KELL-GOGS CORN POPS. 510 00:22:37,399 --> 00:22:39,567 I'VE JUST GOT TO HAVE MY POPS. 511 00:22:39,609 --> 00:22:42,195 I CAN'T READ THE-- - KELLOGG'S, KELLOGG'S. 512 00:22:49,452 --> 00:22:52,664 - THAT'S A CEREAL. OH, CEREAL. 513 00:22:52,706 --> 00:22:55,291 - OKAY, YOU GUYS READY? - YES, WE ARE. 514 00:22:55,333 --> 00:22:56,584 - ALMOST, YES. - GREAT. 515 00:22:56,626 --> 00:22:59,546 - JULIA, HOW OLD ARE YOU? - I'M TEN. 516 00:22:59,587 --> 00:23:01,673 - TEN YEARS OLD. CAN YOU DO YOUR COMMERCIAL FOR ME? 517 00:23:01,715 --> 00:23:03,216 - YES. - OKAY, GREAT. 518 00:23:03,258 --> 00:23:04,968 STAND UP NICE AND TALL AND GO FOR IT. 519 00:23:05,010 --> 00:23:07,512 - OKAY. 520 00:23:07,554 --> 00:23:09,264 OH, CORN POPS. OKAY. 521 00:23:09,305 --> 00:23:13,476 SO, I OVERSLEPT. I WANT MY KELLOGG'S CORN POPS. 522 00:23:13,518 --> 00:23:15,311 LIKE SWEET POPCORN. 523 00:23:15,353 --> 00:23:17,897 YOU'LL ALWAYS WANT MORE KELLOGG'S CORN POPS. 524 00:23:17,939 --> 00:23:20,567 I'VE JUST GOT TO HAVE MY CORN POPS. POPS. 525 00:23:20,608 --> 00:23:23,528 - AWESOME. ALL RIGHT. GOOD JOB. I'LL TAKE THAT. 526 00:23:23,570 --> 00:23:24,988 LET ME GIVE YOU MY CARD. - TERRIFIC. 527 00:23:25,030 --> 00:23:26,489 - ALL RIGHT. 528 00:23:26,531 --> 00:23:28,283 - YOU KNOW, JEREMY, IF I CAN JUST TELL YOU, 529 00:23:28,324 --> 00:23:29,409 SHE CAN FIT ANYTHING FROM, LIKE, 530 00:23:29,451 --> 00:23:30,994 SPANISH ROLES TO ITALIAN ROLES. 531 00:23:31,036 --> 00:23:33,329 - RIGHT, AND SHE CAN PLAY ALL THOSE ROLES, 532 00:23:33,371 --> 00:23:34,914 WHICH IS-- WHICH IS A HUGE PLUS. 533 00:23:34,956 --> 00:23:37,417 NOW THE NEXT STEP IS KIND OF GOING THROUGH MY ROSTER 534 00:23:37,459 --> 00:23:39,586 AND KIND OF GOING THROUGH MY GIRLS IN YOUR AGE CATEGORY. 535 00:23:39,627 --> 00:23:41,171 YOU'RE 11, IS THAT RIGHT? - I'M TEN. 536 00:23:41,212 --> 00:23:42,172 - YOU'RE TEN, OKAY. 537 00:23:42,213 --> 00:23:43,590 SO IF I HAVE, YOU KNOW, 538 00:23:43,631 --> 00:23:45,216 TOO MANY OTHER GIRLS SIMILAR, 539 00:23:45,258 --> 00:23:46,301 WHERE IT'S GONNA BE A CONFLICT TO TAKE HER ON, 540 00:23:46,343 --> 00:23:49,554 WE'RE GONNA HAVE TO HOLD OFF, ALL RIGHT? 541 00:23:49,596 --> 00:23:51,056 - I WOULD LIKE TO GET EXTRA CARD FOR ME, PLEASE. 542 00:23:51,097 --> 00:23:52,557 - OH, YES, ABSOLUTELY. HERE YOU GO. 543 00:23:52,599 --> 00:23:54,642 - THANK YOU, THANK YOU. - THANK YOU VERY MUCH, GUYS. 544 00:23:54,684 --> 00:23:57,103 - THANK YOU, JEREMY. - YES, NICE MEETING YOU. 545 00:23:57,145 --> 00:23:58,313 - THANK YOU. - ALL RIGHT. 546 00:23:58,355 --> 00:24:00,315 THANK YOU, JULIA. - BYE. 547 00:24:00,357 --> 00:24:01,649 - THANKS FOR COMING, GUYS. 548 00:24:01,691 --> 00:24:03,610 - THANK YOU. - BYE. THANK YOU. 549 00:24:03,651 --> 00:24:06,529 - HAVE A NICE DAY. - YOU TOO. 550 00:24:06,571 --> 00:24:08,531 ALL RIGHT, GOOD SEEING YOU. THANK YOU. 551 00:24:08,573 --> 00:24:09,574 - BYE. - BYE, GUYS. 552 00:24:15,914 --> 00:24:17,749 - I STOP AND TAKE PICTURES EVERY NOW AND THEN, 553 00:24:17,791 --> 00:24:19,209 AND SHANNA WILL SAY, "THIS-- 554 00:24:19,250 --> 00:24:20,794 NOT EVERY MOMENT IS A KODAK MOMENT, MOM." 555 00:24:20,835 --> 00:24:22,796 OKAY, BUT WE ARE TOURISTS. 556 00:24:22,837 --> 00:24:25,507 MY HUSBAND SAID, "NO ONE DOES THAT. 557 00:24:25,548 --> 00:24:27,008 - NO ONE GETS TO GO BACK AND DO THAT. 558 00:24:27,050 --> 00:24:28,927 - GO--YOU KNOW, TAKES THEIR KIDS 559 00:24:28,968 --> 00:24:31,304 AND GOES TO CALIFORNIA TO DO THIS, AND I THINK 560 00:24:31,346 --> 00:24:33,682 THAT THAT'S WHY SHANNA DIDN'T TELL A LOT OF HER FRIENDS, 561 00:24:33,723 --> 00:24:36,309 BECAUSE YOU DON'T WANT TO RUN INTO THAT, YOU KNOW, 562 00:24:36,351 --> 00:24:38,395 "WHAT ARE YOU DOING? WHY ARE YOU DOING THAT? 563 00:24:38,436 --> 00:24:39,646 IT'S A PIPE DREAM." 564 00:24:39,688 --> 00:24:41,481 - YEAH, YEAH. 565 00:24:41,523 --> 00:24:43,817 - MOST ACTORS GET OUT HERE, INCLUDING MYSELF, 566 00:24:43,858 --> 00:24:45,443 IT TAKES THEM TWO, THREE YEARS 567 00:24:45,485 --> 00:24:46,861 TO GET THEIR FIRST GOOD PART, 568 00:24:46,903 --> 00:24:48,446 AND IT'S JUST A LOT OF BUILDING, SO-- 569 00:24:48,488 --> 00:24:50,740 - YES, IT TAKES-- IT TAKES A LONG TIME. 570 00:24:50,782 --> 00:24:51,950 - NOW, HOW DO YOU GET JUST THAT-- 571 00:24:51,991 --> 00:24:54,035 THAT NUT OF EXPERIENCE 572 00:24:54,077 --> 00:24:55,495 SO THAT YOU GET ON THE SET 573 00:24:55,537 --> 00:24:57,622 AND YOU'RE ABLE TO, YOU KNOW, TO DO SOME THINGS? 574 00:24:57,664 --> 00:25:00,250 AND THAT'S--THAT'S REALLY WHAT WERE LOOKING FOR FOR SHANNA. 575 00:25:00,291 --> 00:25:02,043 - YOU NEED TO BE A TYPE. 576 00:25:02,085 --> 00:25:03,878 HOLLYWOOD IS ALL ABOUT A TYPE. - IT IS. 577 00:25:03,920 --> 00:25:07,257 - YOU NEED TO THINK ABOUT WHAT YOUR TYPE IS. 578 00:25:07,298 --> 00:25:08,800 - LITERALLY, I HAVE NOT BEEN IN A ROLE THAT HASN'T BEEN A NERD. 579 00:25:08,842 --> 00:25:11,511 I PLAYED A GAY NERD, UM, A BASKETBALL PLAYING NERD, 580 00:25:11,553 --> 00:25:12,929 A HOCKEY PLAYING NERD. 581 00:25:12,971 --> 00:25:13,763 - YOU MADE 'EM LAUGH. - YEAH, YEAH. 582 00:25:13,805 --> 00:25:15,557 - A DOCTOR NERD. - A DOCTOR NERD. 583 00:25:15,598 --> 00:25:17,517 - HE'S A BULLY. - YEAH, YOU'RE A BULLY. 584 00:25:17,559 --> 00:25:18,643 - YES. 585 00:25:18,685 --> 00:25:20,603 - THEY'RE ALWAYS SAYING, AND YOU'LL FIND OUT, 586 00:25:20,645 --> 00:25:22,772 THE FIRST TIME YOU SEE YOUR CHILD BEING FILMED, 587 00:25:22,814 --> 00:25:24,482 LIKE, IN A MOVIE THING, YOU CRY. 588 00:25:24,524 --> 00:25:25,483 AND I DIDN'T BELIEVE THAT. 589 00:25:25,525 --> 00:25:26,526 YOU WALK ON THE SET. 590 00:25:26,568 --> 00:25:28,153 THERE'S THE BOOM, THERE'S THE CAMERAS, 591 00:25:28,194 --> 00:25:29,571 AND I SAID, "WELL, I'M NOT GONNA CRY." 592 00:25:29,612 --> 00:25:32,991 I WAS IN FOR 30 SECONDS, AND I STARTED CRYING. 593 00:25:33,033 --> 00:25:35,535 I SAID, "THIS IS SO--" - OH, I CAN'T EVEN IMAGINE. 594 00:25:35,577 --> 00:25:37,579 - WELL, IT'S THE DREAM COME TRUE. 595 00:25:40,415 --> 00:25:42,125 - WHAT DO YOU WANT TO BE WHEN YOU GROW UP? 596 00:25:42,167 --> 00:25:44,753 - AN ACTRESS. 597 00:25:44,794 --> 00:25:46,880 - WHAT WOULD BE THE BEST SITUATION POSSIBLE? 598 00:25:46,921 --> 00:25:50,675 - HMM. 599 00:25:50,717 --> 00:25:54,554 TO BE IN A BIG, BIG, MA-- 600 00:25:54,596 --> 00:25:57,140 A MAJOR MOTION PICTURE, 601 00:25:57,182 --> 00:26:00,477 AND ME BE THE MAIN CHARACTER. 602 00:26:00,518 --> 00:26:04,606 - AND I WANT TO BE A-- A SINGER. 603 00:26:04,647 --> 00:26:07,525 AND I WANT TO BE A FAMOUS PERSON. 604 00:26:07,567 --> 00:26:10,779 - MY GOAL IS TO ONE DAY HAVE A MAJOR MOTION PICTURE OUT THERE 605 00:26:10,820 --> 00:26:12,781 AND EVERYBODY KNOW MY NAME. 606 00:26:12,822 --> 00:26:14,449 - IT'S MORE MY DAD'S. 607 00:26:14,491 --> 00:26:16,534 I WILL BUY HIM A HOT TUB, 608 00:26:16,576 --> 00:26:19,412 BECAUSE I KNOW HE REALLY WANTS ONE. 609 00:26:19,454 --> 00:26:20,747 [laughs] 610 00:26:20,789 --> 00:26:22,374 - FOR MY LIFE, 611 00:26:22,415 --> 00:26:25,669 NOT TO EVER PUT MY HANDS ON A WOMAN, 612 00:26:25,710 --> 00:26:27,837 UM, NOT TO GO TO JAIL, 613 00:26:27,879 --> 00:26:31,257 AND TO STAY AWAY FROM DRUGS. 614 00:26:31,299 --> 00:26:34,260 AND AS FAR AS ACTING-WISE, 615 00:26:34,302 --> 00:26:36,429 WIN FIVE OSCARS, 616 00:26:36,471 --> 00:26:38,264 AT LEAST TWO GRAMMYS, 617 00:26:38,306 --> 00:26:40,308 AND ONE TONY AWARD. 618 00:26:41,810 --> 00:26:45,689 - A GOAL BOARD IS WHERE YOU CUT OUT STUFF OUT OF MAGAZINES 619 00:26:45,730 --> 00:26:47,315 AND YOU PUT 'EM ON A BOARD 620 00:26:47,357 --> 00:26:48,692 AND THEN YOU CAN WRITE STUFF ON THERE 621 00:26:48,733 --> 00:26:50,151 THAT YOU WANT TO DO, 622 00:26:50,193 --> 00:26:53,571 AND, UM, IF YOU, LIKE, 623 00:26:53,613 --> 00:26:56,199 READ IT EVERY DAY AND YOU LOOK AT IT EVERY DAY, 624 00:26:56,241 --> 00:26:58,451 THEN IT'LL BOUND TO BECOME TRUE. 625 00:26:58,493 --> 00:26:59,911 I'M NOT DONE WITH IT YET, 626 00:26:59,953 --> 00:27:02,789 BUT THIS IS, "HAVE MORE MONEY." 627 00:27:02,831 --> 00:27:03,915 I LOVE THAT ONE. 628 00:27:03,957 --> 00:27:06,251 AND THEN, OVER HERE, "SEE MY DAD MORE OFTEN, 629 00:27:06,292 --> 00:27:07,377 "GO BACK HOME MORE OFTEN, 630 00:27:07,419 --> 00:27:08,753 "WIN AN OSCAR, 631 00:27:08,795 --> 00:27:10,505 BE A STAR BY THE TIME I'M 13." 632 00:27:10,547 --> 00:27:12,549 THIS IS MY OLD GOAL BOARD. 633 00:27:12,590 --> 00:27:15,802 "HAVE MY OWN FASHION LINE, CREATE MY OWN SHOE LINE, 634 00:27:15,844 --> 00:27:18,763 OPEN UP A NAIL SALONS AROUND THE WORLD." 635 00:27:18,805 --> 00:27:20,724 I DON'T KNOW HOW I'M GONNA DO ALL THIS STUFF, 636 00:27:20,765 --> 00:27:22,392 BUT I'M GONNA TRY. 637 00:27:22,434 --> 00:27:25,854 THIS IS MY MOM'S. - [laughs] 638 00:27:25,895 --> 00:27:28,857 - "ESCAPE FROM STRESSVILLE." - OH. OH, HEY. 639 00:27:28,898 --> 00:27:32,694 - YEAH, WE'RE-- IT'S TAKEN A LITTLE WORK, 640 00:27:32,736 --> 00:27:35,613 BUT IT'LL COME TRUE, PROBABLY, 641 00:27:35,655 --> 00:27:37,282 'CAUSE IT'S ON THE BOARD. 642 00:27:40,160 --> 00:27:41,953 - WHEN WE CAME OUT HERE, WE WERE RENTING A CAR, 643 00:27:41,995 --> 00:27:44,539 BUT INITIALLY, WE CAME OUT HERE FOR TWO MONTHS, 644 00:27:44,581 --> 00:27:46,249 AND IT WAS LIKE, OKAY, WELL, PRETTY SOON 645 00:27:46,291 --> 00:27:48,251 WE'RE INTO THREE YEARS OF RENTING A CAR. 646 00:27:48,293 --> 00:27:52,422 WELL, $18,000 LATER, THE ECONOMY'S NOT SO GOOD NOW, 647 00:27:52,464 --> 00:27:54,841 AND I THOUGHT, WELL, YOU KNOW WHAT? 648 00:27:54,883 --> 00:27:56,551 NOW'S THE TIME TO SEND THE CAR OUT. 649 00:27:56,593 --> 00:27:59,220 "HOPE YOU ENJOY THE SPECIAL GOODIES." 650 00:27:59,262 --> 00:28:03,433 OH, LOOK AT THAT. - OH! GIVE ME THAT. 651 00:28:03,475 --> 00:28:05,226 - THIS IS THE MYSTERY RIGHT HERE. 652 00:28:05,268 --> 00:28:07,520 THIS IS, LIKE, A BABY ENCYCLOPEDIA, 653 00:28:07,562 --> 00:28:09,230 BUT WE'VE BEEN GONE A LONG TIME. 654 00:28:09,272 --> 00:28:11,316 HE DOESN'T-- YOU KNOW, SOMETIMES 655 00:28:11,358 --> 00:28:13,443 I DON'T THINK HE REALLY, UM, 656 00:28:13,485 --> 00:28:16,613 GETS THAT SHE'S GONNA BE 12, 657 00:28:16,654 --> 00:28:19,824 'CAUSE WE LEFT WHEN SHE WAS EIGHT, YOU KNOW? 658 00:28:19,866 --> 00:28:22,619 AND--HERE, CHEW SOME GUM. 659 00:28:24,871 --> 00:28:27,248 - A NEW DANCE? WHAT IS IT, DANCE-A-LOT? 660 00:28:27,290 --> 00:28:28,541 REMEMBER, DANCE-A-LOT'S THE ROBOT. 661 00:28:28,583 --> 00:28:32,128 - YEAH, I KNOW, BUT, UM, WHY DO I NEED TO SAY IT? 662 00:28:32,170 --> 00:28:33,546 - WHEN DO YOU NEED TO SAY IT? 663 00:28:33,588 --> 00:28:35,590 - NO WH-- WHY DO I NEED TO SAY IT? 664 00:28:35,632 --> 00:28:36,966 - 'CAUSE THAT'S-- 665 00:28:37,008 --> 00:28:38,927 - NO, WHY DO I NEED TO SAY IT NOW? 666 00:28:38,968 --> 00:28:41,805 - I JUST WANTED TO MAKE SURE YOU KNEW IT. 667 00:28:41,846 --> 00:28:44,265 I JUST WANTED TO MAKE SURE YOU DIDN'T FORGET, OKAY? 668 00:28:46,476 --> 00:28:49,187 - OKAY, RYAN, YOU READY? COME ON IN, HON. 669 00:28:49,229 --> 00:28:50,939 OKAY, SO YOU'RE GONNA READ 670 00:28:50,980 --> 00:28:53,525 JUST THAT FIRST OCTOPUS SCENE WITH MELANIE, OKAY? 671 00:28:53,566 --> 00:28:55,944 - YOU MEAN, NEW DANCE? WHAT IS THE DANCE? 672 00:28:55,985 --> 00:28:57,821 - EXACTLY. THAT OCTOPUS SCENE. 673 00:28:57,862 --> 00:28:59,155 AND JUST HAVE LOTS OF ENERGY 674 00:28:59,197 --> 00:29:00,949 AND SHOW US YOUR DANCE MOVES. 675 00:29:00,990 --> 00:29:03,034 - HEY, EVERYBODY, IT'S TIME TO GET INTO THE GROOVE 676 00:29:03,076 --> 00:29:04,994 AND LEARN A NEW DANCE MOVE WITH ME, DANCE-A-LOT. 677 00:29:05,036 --> 00:29:06,121 ARE YOU READY? 678 00:29:06,162 --> 00:29:08,748 - NEW DANCE? WHAT IS IT, DANCE-A-LOT? 679 00:29:08,790 --> 00:29:10,750 - LET'S ALL DO IT, DO IT, DO IT TOGETHER. 680 00:29:10,792 --> 00:29:15,255 FIRST, WIGGLE YOUR TENTACLES-- I MEAN ARMS--WAY UP HIGH, 681 00:29:15,296 --> 00:29:17,382 THEN WIGGLE THEM WAY DOWN LOW. 682 00:29:17,424 --> 00:29:19,426 YOU'VE GOT IT, DANNY. 683 00:29:22,887 --> 00:29:24,806 - THAT'S HIS LINE. - THIS IS WAY FUN. 684 00:29:24,848 --> 00:29:27,726 - NOW WIGGLE YOUR WHOLE BODY. GOT IT, DANNY? 685 00:29:29,978 --> 00:29:31,730 [laughter] 686 00:29:33,565 --> 00:29:35,650 - YEAH, I FEEL LIKE I'M AN OCTOPUS. 687 00:29:35,692 --> 00:29:36,985 - GOOD JOB. - GOOD JOB, RYAN. 688 00:29:37,027 --> 00:29:39,404 - GOOD TO MEET YOU, HON. THAT'S ALL YOU HAVE TO DO TODAY. 689 00:29:39,446 --> 00:29:40,905 - OKAY. - GOOD TO MEET YOU. 690 00:29:40,947 --> 00:29:43,450 - BYE. - BYE. 691 00:29:43,491 --> 00:29:46,870 - OKAY, DON'T CHOKE HER NECK, RYAN. 692 00:29:46,911 --> 00:29:48,872 - ALL RIGHT. 693 00:29:48,913 --> 00:29:52,417 - * DANCE-A-LOT, DANCE-A-LOT * 694 00:29:52,459 --> 00:29:53,418 - HOW 'BOUT THAT, RYAN? 695 00:29:53,460 --> 00:29:54,878 WAS THAT COOL? - YEAH. 696 00:29:54,919 --> 00:29:56,546 - AS LONG AS YOU DID YOUR BEST, HONEY, 697 00:29:56,588 --> 00:29:58,548 AND YOU HAD FUN. 698 00:29:58,590 --> 00:30:00,675 YOU COULD BE IN THE CAR AND GET A PHONE CALL 699 00:30:00,717 --> 00:30:02,469 ALL THE WAY UP TO-- IT COULD BE MONTHS 700 00:30:02,510 --> 00:30:04,346 BEFORE THEY CALL YOU BACK. 701 00:30:04,387 --> 00:30:06,848 SO--AND IF YOU DON'T GET A CALLBACK, YOU JUST WON'T HEAR. 702 00:30:06,890 --> 00:30:09,517 THEY'RE JUST TOO BUSY AND THERE'S TOO MANY PEOPLE. 703 00:30:11,936 --> 00:30:15,023 - THE FACT THAT YOU GOT AN AUDITION IS AMAZING. 704 00:30:15,065 --> 00:30:17,650 IF YOU GET THE JOB, IT'S A MIRACLE. 705 00:30:17,692 --> 00:30:20,528 THERE ARE 3,000 PICTURES THAT I GO THROUGH 706 00:30:20,570 --> 00:30:23,782 TO BRING IN 100 CHILDREN FOR ONE ROLE, 707 00:30:23,823 --> 00:30:27,202 SO THAT--AND THAT'S ON EVERY JOB. 708 00:30:27,243 --> 00:30:29,996 SO YOUR EXPECTATION CAN'T BE TO WORK, 709 00:30:30,038 --> 00:30:32,707 BUT THAT YOU GOT AN AUDITION. GOOD STEP. 710 00:30:32,749 --> 00:30:33,792 CALLBACK, BETTER. 711 00:30:33,833 --> 00:30:36,294 JOB, TOTALLY OUT OF THE BLUE, 712 00:30:36,336 --> 00:30:38,088 LUCKIEST THING THAT EVER HAPPENED TO YOU. 713 00:30:43,385 --> 00:30:44,844 - PHONE'S RIGHT THERE. 714 00:30:44,886 --> 00:30:47,681 WAITING FOR IT TO RING, YOU KNOW? 715 00:30:47,722 --> 00:30:49,307 - IF YOU'VE BEEN TRAINING SINCE YOU WERE THREE, 716 00:30:49,349 --> 00:30:51,476 YOU KNOW, THERE ARE CERTAINLY DOORS OPEN FOR THOSE KIDS. 717 00:30:51,518 --> 00:30:52,977 BUT PEOPLE LIKE SHANNA 718 00:30:53,019 --> 00:30:54,354 WHO REALLY DON'T HAVE THE EXPERIENCE, 719 00:30:54,396 --> 00:30:56,856 THERE--YOU KNOW, THERE ARE OPPORTUNITIES THERE. 720 00:30:56,898 --> 00:30:58,983 WE JUST NEED THAT-- THAT RIGHT DOOR TO OPEN. 721 00:30:59,025 --> 00:31:00,485 WE DON'T HAVE ENOUGH ON THIS CALENDAR. 722 00:31:00,527 --> 00:31:01,778 - WE DON'T. 723 00:31:01,820 --> 00:31:04,406 - ONCE YOU START GETTING PROJECTS UNDER YOUR BELT 724 00:31:04,447 --> 00:31:07,200 AND THEN PEOPLE SEE YOU, THEN YOU CAN BUILD A REEL. 725 00:31:07,242 --> 00:31:10,036 "STUDENT FILM, NON-UNION, THEATER. THEATER." 726 00:31:10,078 --> 00:31:11,996 - EPISODE. 727 00:31:12,038 --> 00:31:13,832 - THAT'S OKAY, HONEY. YOU JUST NEED THE EXPOSURE. 728 00:31:13,873 --> 00:31:15,542 WHEN'S THE PHONE GONNA RING? 729 00:31:15,583 --> 00:31:19,921 - 3, 2, 1. 730 00:31:19,963 --> 00:31:22,507 - NEXT TIME. - OKAY. 731 00:31:22,549 --> 00:31:24,050 - OH, OH, WAIT. 732 00:31:24,092 --> 00:31:27,387 ONCE YOU WERE TALKING TO, UM, MY SISTER, RIGHT? 733 00:31:27,429 --> 00:31:28,888 - UH-HUH. 734 00:31:28,930 --> 00:31:31,057 - AND YOU WERE LIKE, "YEAH, I NEVER GAMBLE." 735 00:31:31,099 --> 00:31:32,183 AND THEN SHE WAS LIKE, 736 00:31:32,225 --> 00:31:34,060 "WHAT ARE YOU DOING OUT THERE THEN, MOM?" 737 00:31:34,102 --> 00:31:35,937 - YEAH. - [laughs] 738 00:31:35,979 --> 00:31:37,939 - YEAH. LIKE, WHAT DO YOU CALL IT? 739 00:31:37,981 --> 00:31:39,524 IT'S GOT TO BE-- IT'S GOT-- 740 00:31:39,566 --> 00:31:42,861 IT'S THE SAME HIGHS AND LOWS AS GAMBLING. 741 00:31:42,902 --> 00:31:45,572 I JUST THINK IF I WOULD HAVE SPENT $180,000 742 00:31:45,613 --> 00:31:48,074 IN THE LAST THREE YEARS ON POWERBALL TICKETS... 743 00:31:48,116 --> 00:31:49,993 [laughs] 744 00:31:50,035 --> 00:31:51,161 WE COULD HAVE MADE OUR OWN MOVIE. 745 00:31:51,202 --> 00:31:52,412 [laughs] 746 00:31:52,454 --> 00:31:53,747 - YOU ARE TALKING ABOUT 747 00:31:53,788 --> 00:31:55,915 A SIGNIFICANT EXPENDITURE OF MONEY. 748 00:31:55,957 --> 00:31:57,334 YOU KNOW, SOME OF THE KIDS 749 00:31:57,375 --> 00:31:58,877 WHO COME OUT HERE FOR PILOT SEASON, 750 00:31:58,918 --> 00:32:02,589 $5,000 AND $6,000 A MONTH, EASILY. 751 00:32:02,630 --> 00:32:07,093 - I'VE SEEN EVERYTHING FROM FAMILIES WHO HAVE SO MUCH MONEY 752 00:32:07,135 --> 00:32:08,553 THAT THEY REALLY THINK THEY CAN BUY IT 753 00:32:08,595 --> 00:32:12,140 TO PEOPLE ALMOST LIVING IN THEIR CAR. 754 00:32:12,182 --> 00:32:13,892 - WE GOT A BAG FOR GLASS BOTTLES, 755 00:32:13,933 --> 00:32:17,062 WE GOT A BAG FOR CANS, AND A BAG FOR PLASTIC BOTTLES. 756 00:32:17,103 --> 00:32:19,314 WE'RE GONNA TAKE YOU ON A TREASURE HUNT. 757 00:32:19,356 --> 00:32:21,358 COME ON, PATRICK. 758 00:32:23,735 --> 00:32:27,489 DON'T LET IT FALL ON MY HEAD LIKE YOU DID EARLIER. 759 00:32:27,530 --> 00:32:30,825 OOH, PATRICK, JACKPOT. 760 00:32:30,867 --> 00:32:33,119 - YEAH. - HEAR A BOTTLE? 761 00:32:33,161 --> 00:32:35,121 - SAVING THE ENVIRONMENT IS GOOD, 762 00:32:35,163 --> 00:32:36,539 BUT WE'RE JUST IN IT FOR THE CASH. 763 00:32:36,581 --> 00:32:39,876 - [laughs] WE HAVE OUR STANDARDS. 764 00:32:39,918 --> 00:32:42,045 - THEY'RE NOT VERY HIGH, BUT WE HAVE 'EM. 765 00:32:42,087 --> 00:32:43,838 - DO WHAT YOU HAVE TO DO. 766 00:32:51,179 --> 00:32:56,184 [overlapping chatter] 767 00:32:58,603 --> 00:33:00,730 - THIS IS THE YOUNG ACTORS' BOOT CAMP. 768 00:33:00,772 --> 00:33:02,065 THEY CAN ACTUALLY TAKE A WORKSHOP 769 00:33:02,107 --> 00:33:04,109 WITH AN ACTOR THAT THEY SEE ON TELEVISION. 770 00:33:04,150 --> 00:33:06,027 - I PRODUCE DEMO REELS FOR CHILDREN. 771 00:33:06,069 --> 00:33:07,904 WE PRODUCE SCENES 772 00:33:07,946 --> 00:33:09,739 THAT MAKES IT LOOK LIKE THEY WERE ACTUALLY IN A REAL MOVIE. 773 00:33:09,781 --> 00:33:11,449 - I'M WITH INDEPENDENT CAPITAL MANAGEMENT. 774 00:33:11,491 --> 00:33:14,411 WHEN YOU HAVE MONEY, ALL THE, UH, 775 00:33:14,452 --> 00:33:16,579 TERMITES COME OUT AND START EATING YOU UP, 776 00:33:16,621 --> 00:33:18,081 BECAUSE THERE'S OPPORTUNITY THERE. 777 00:33:18,123 --> 00:33:20,166 - I OWN A COMPANY CALLED TAMI ERIN TALENT, 778 00:33:20,208 --> 00:33:22,711 AND I STARTED IN THE BUSINESS 779 00:33:22,752 --> 00:33:24,838 AS AN ELITE MODEL WHEN I WAS EIGHT, 780 00:33:24,879 --> 00:33:26,631 AND THEN I WENT ON TO BECOME A MOVIE STAR. 781 00:33:26,673 --> 00:33:29,968 THE MOVIE THAT I'M MOST FAMOUS FOR IS PIPPI LONGSTOCKING, 782 00:33:30,010 --> 00:33:31,845 AND I GET FAN MAIL, LIKE, EVERY DAY. 783 00:33:31,886 --> 00:33:33,513 IN FACT, CUBA GOODING, JR., 784 00:33:33,555 --> 00:33:35,557 I WAS AT DINNER WITH HIM ABOUT A WEEK AGO, 785 00:33:35,598 --> 00:33:37,726 AND HE'S SEEN THE MOVIE OVER AND OVER. 786 00:33:37,767 --> 00:33:39,102 HIS LITTLE GIRL LOVES IT. 787 00:33:39,144 --> 00:33:41,354 YEAH, EVERYBODY LOVES THIS MOVIE. 788 00:33:41,396 --> 00:33:43,023 EVERYBODY LOVES IT. 789 00:33:43,064 --> 00:33:45,483 PARIS HILTON HAS SEEN IT, LIKE, 100 TIMES. 790 00:33:45,525 --> 00:33:47,694 WELL, THAT'S ME ON THE RED CARPET. 791 00:33:47,736 --> 00:33:51,489 THIS PICTURE'S ON CELEBRITYPHOTO.COM. 792 00:33:51,531 --> 00:33:53,033 YOU HAVE TO LOVE ACTING. 793 00:33:53,074 --> 00:33:54,951 YOU'VE GOT TO LOVE THE CRAFT. 794 00:33:54,993 --> 00:33:56,494 IF YOU DON'T LOVE THE CRAFT 795 00:33:56,536 --> 00:33:57,620 AND YOU'RE DOING IT JUST TO BECOME FAMOUS, 796 00:33:57,662 --> 00:34:00,206 THE ODDS OF BECOMING A MOVIE STAR LIKE I DID 797 00:34:00,248 --> 00:34:01,416 IS LIKE WINNING THE LOTTERY. 798 00:34:01,458 --> 00:34:03,001 [overlapping chatter] 799 00:34:03,043 --> 00:34:05,337 - I WAS DISCOVERED BY GROUCHO MARX, 800 00:34:05,378 --> 00:34:07,630 AND I LIVED AT THE OAKWOOD GARDEN APARTMENTS. 801 00:34:07,672 --> 00:34:10,884 I NEVER TALK TO PARENTS OF THE LITTLE STARLETS, 802 00:34:10,925 --> 00:34:13,386 BECAUSE IT'S NONE OF MY BUSINESS 803 00:34:13,428 --> 00:34:15,138 WHAT THEY'RE DOING WITH THEIR KIDS, 804 00:34:15,180 --> 00:34:16,681 BUT WHEN I CAME IN THIS MORNING 805 00:34:16,723 --> 00:34:19,559 AND SAW THE DOCUMENTARY WAS BEING SHOT, 806 00:34:19,601 --> 00:34:24,147 I REACHED OUT TO YOU AND SAID THERE'S ANOTHER SIDE TO THIS. 807 00:34:24,189 --> 00:34:26,232 YOU'RE TALKING ABOUT ONE OF THE MOST PERVERTED, 808 00:34:26,274 --> 00:34:29,152 DOG-EAT-DOG INDUSTRIES IN THE WORLD. 809 00:34:29,194 --> 00:34:30,820 IT'S SLAVERY. 810 00:34:30,862 --> 00:34:33,406 YOU'RE BEING SOLD. 811 00:34:33,448 --> 00:34:36,826 YOU'RE BEING BOUGHT AND SOLD. 812 00:34:36,868 --> 00:34:38,995 - THERE ARE CONSEQUENCES 813 00:34:39,037 --> 00:34:43,375 TO TURNING YOUR CHILD'S LIFE INTO A CAREER PURSUIT. 814 00:34:43,416 --> 00:34:47,921 IT IS A COLOSSAL RISK OF THE ONLY THING 815 00:34:47,962 --> 00:34:51,091 THAT CHILDREN TRULY HAVE THAT'S THEIR OWN, 816 00:34:51,132 --> 00:34:52,550 WHICH IS THEIR CHILDHOOD. 817 00:34:57,722 --> 00:35:00,100 - THE CHARACTER'S A VERY SICK LITTLE GIRL 818 00:35:00,141 --> 00:35:02,060 WHO'S DYING IN THE HOSPITAL. 819 00:35:02,102 --> 00:35:05,313 IN THE NEXT SCENE, SHE REALLY IS ALMOST DEAD. 820 00:35:05,355 --> 00:35:08,233 AND THE CHARACTER IS VERY FRAIL, 821 00:35:08,274 --> 00:35:11,277 VERY THIN, PALE, YOU KNOW, 822 00:35:11,319 --> 00:35:16,741 SO WE'RE TRYING TO DOWNPLAY THE COLOR, 823 00:35:16,783 --> 00:35:19,744 AND WE WANT TO MAKE SAVANNAH LOOK AS THIN AS POSSIBLE. 824 00:35:19,786 --> 00:35:21,955 OKAY, LET ME SPRAY YOUR HAIR. 825 00:35:25,500 --> 00:35:28,128 SO, IN THE FIRST SCENE, SHE'S VERY SICK. 826 00:35:28,169 --> 00:35:31,089 AND THEN, WITH THE COACH, I HAD HER THINK OF SOMETHING 827 00:35:31,131 --> 00:35:33,133 SHE REALLY HATES, THAT REALLY MAKES HER SICK, 828 00:35:33,174 --> 00:35:35,051 AND SHE THOUGHT OF BRUSSELS SPROUTS. 829 00:35:35,093 --> 00:35:37,887 - SHE'S SUPPOSED TO BE REALLY DEPRESSED, KIND OF, AND SICK. 830 00:35:37,929 --> 00:35:39,097 - SICK AND SAD AND-- - YEAH. 831 00:35:39,139 --> 00:35:41,433 AND SO, THINKING OF HER GERMAN SHEPHERD 832 00:35:41,474 --> 00:35:42,851 ALWAYS MAKES HER FEEL KIND OF SAD. 833 00:35:42,892 --> 00:35:44,144 - YEAH, SHE SAID THAT IN THE CRY ON CUE CLASS. 834 00:35:44,185 --> 00:35:46,521 - JAKE'S HER BEST FRIEND, AND, I MEAN, 835 00:35:46,563 --> 00:35:48,189 SHE LOVES HIM SO MUCH. 836 00:35:48,231 --> 00:35:50,275 SHE CRIES EVERY COUPLE DAYS FOR JAKE. 837 00:35:50,316 --> 00:35:53,194 THE ACTING COACH SAID TO THINK ABOUT HER DOGS 838 00:35:53,236 --> 00:35:54,821 BEING EATEN BY COYOTES. 839 00:35:54,863 --> 00:35:56,322 SHE SHOULD JUST KEEP THINKING OF JAKE, 840 00:35:56,364 --> 00:35:58,491 KEEP LOOKING AT THE CASTING DIRECTOR 841 00:35:58,533 --> 00:35:59,784 LIKE SHE'S DYING. 842 00:36:05,540 --> 00:36:07,375 - I DIDN'T EVEN THINK ABOUT THAT. 843 00:36:07,417 --> 00:36:08,752 - IF YOU WANT TO FIND SOMETHING ON THE--YEAH. 844 00:36:08,793 --> 00:36:10,295 - HOW WOULD I FIND SOMETHING LIKE THAT ON THE INTERNET? 845 00:36:10,337 --> 00:36:11,629 ANY IDEAS? 846 00:36:11,671 --> 00:36:13,256 - UM, "GRAVELY-ILL CHILDREN," SAY, I DON'T KNOW, UM-- 847 00:36:13,298 --> 00:36:14,966 - "DYING CHILD" OR SOMETHING? 848 00:36:15,008 --> 00:36:17,218 - YEAH, WHICH WOULD JUST BE-- - "HOSPITALIZED CHILD"? 849 00:36:17,260 --> 00:36:20,388 - * I'LL BE YOUR FRIEND * 850 00:36:20,430 --> 00:36:25,643 * I'LL HELP YOU CARRY ON * 851 00:36:25,685 --> 00:36:29,564 * FOR IT WON'T BE LONG * 852 00:36:29,606 --> 00:36:31,232 - IT LOOKS LIKE THERE'S NOT THAT MUCH SICK KIDS IN THIS. 853 00:36:31,274 --> 00:36:33,193 - * I'M GONNA NEED * 854 00:36:33,234 --> 00:36:38,740 * SOMEBODY TO LEAN ON * 855 00:36:38,782 --> 00:36:41,409 - ABRAHIM MADE IT TO ONE YEAR OLD, 856 00:36:41,451 --> 00:36:43,286 BUT HIS AILING HEART GAVE UP 857 00:36:43,328 --> 00:36:46,498 BEFORE HE ARRIVED AT AN ISRAELI HOSPITAL. 858 00:36:46,539 --> 00:36:49,626 THE BABY HAD A HEART DEFECT REQUIRING... 859 00:36:49,668 --> 00:36:52,379 - LET ME KNOW WHEN YOU'RE READY. 860 00:36:52,420 --> 00:36:54,381 - WHERE'S MY DAD? 861 00:36:54,422 --> 00:36:56,132 - YOUR DAD IS TALKING TO THE DOCTORS RIGHT NOW. 862 00:36:56,174 --> 00:37:00,303 YOU WANT SOME WATER? - I WANT MY DAD. 863 00:37:00,345 --> 00:37:01,596 - DO YOU FEEL GOOD ABOUT THAT ONE? 864 00:37:01,638 --> 00:37:03,431 DID YOU FEEL REALLY SAD, SAVANNAH? 865 00:37:03,473 --> 00:37:04,933 - YES. 866 00:37:04,974 --> 00:37:08,728 - HOW IS IT FEELING WITH JAKE BEING MISSING? 867 00:37:13,817 --> 00:37:16,653 OKAY, HONEY, YOU NEED TO GO. 868 00:37:16,695 --> 00:37:17,904 ARE YOU IN CHARACTER? 869 00:37:17,946 --> 00:37:20,031 COME ON. 870 00:37:21,116 --> 00:37:22,367 - OKAY, HON. 871 00:37:22,409 --> 00:37:24,244 - THEY GENERALLY DON'T WANT, 872 00:37:24,285 --> 00:37:26,996 ESPECIALLY IN THESE KIND OF BIGGER AUDITIONS, 873 00:37:27,038 --> 00:37:28,832 THEY DON'T WANT A SIBLING GOING. 874 00:37:28,873 --> 00:37:30,375 - OKAY. 875 00:37:30,417 --> 00:37:32,377 - I'D SAY IT'S PROBABLY A GOOD IDEA NOT IN THIS ONE. 876 00:37:32,419 --> 00:37:34,254 - WE'LL COME STRAIGHT BACK, THOUGH. 877 00:37:34,295 --> 00:37:37,132 ACTUALLY, I WAS GONNA ASK... 878 00:37:37,173 --> 00:37:38,550 MAYBE I'LL PICK YOU UP AND WE'LL DO THAT. 879 00:37:38,591 --> 00:37:39,718 - OH, COOL. - YOU WANT TO DO THAT? 880 00:37:39,759 --> 00:37:41,344 - OR CAN WE GO TO CITYWALK? 881 00:37:41,386 --> 00:37:45,140 'CAUSE I--'CAUSE I NEED TO, FOR MY BROCHURE, 882 00:37:45,181 --> 00:37:48,143 AND WE CAN GO TO ICE CREAM, LIKE, ANY DAY. 883 00:37:49,436 --> 00:37:51,187 - BYE. 884 00:37:59,779 --> 00:38:01,573 - SO, AT THE BEGINNING OF THE YEAR, 885 00:38:01,614 --> 00:38:05,577 I DECIDED THAT I WAS GOING TO SUBMIT HER FOR EVERYTHING 886 00:38:05,618 --> 00:38:09,956 THAT EVEN REMOTELY LOOKS LIKE SHE COULD DO. 887 00:38:09,998 --> 00:38:12,917 I SUBMITTED HER FOR 36 PROJECTS. 888 00:38:12,959 --> 00:38:16,504 WE DID NOT GET ONE CALL. 889 00:38:16,546 --> 00:38:18,214 [laughs] 890 00:38:18,256 --> 00:38:22,552 AND I SUBMITTED HER FOR 36 PROJECTS. 891 00:38:22,594 --> 00:38:25,347 - SO WHAT KEEPS YOU GOING? 892 00:38:25,388 --> 00:38:28,391 - SHE DOES. SHE JUST KEEPS ME GOING. 893 00:38:28,433 --> 00:38:31,227 - THANKS, MOM. - I KNOW, HONEY. 894 00:38:31,269 --> 00:38:32,354 SHE DOES KEEP ME GOING, 895 00:38:32,395 --> 00:38:34,773 BECAUSE I JUST KNOW I CAN'T TAKE HER BACK 896 00:38:34,814 --> 00:38:37,025 TO THAT ONE-STOPLIGHT TOWN. 897 00:38:37,067 --> 00:38:40,403 IT'S LIKE WE OPENED A PANDORA'S BOX. 898 00:38:40,445 --> 00:38:43,782 I WENT FROM DRINKING ALL THE TIME-- 899 00:38:43,823 --> 00:38:46,368 - TO ICE CREAM. - EXACTLY. 900 00:38:46,409 --> 00:38:47,410 AND I THOUGHT, OOH, I'M GONNA-- 901 00:38:47,452 --> 00:38:48,912 I'M GONNA SAVE SO MUCH MONEY. 902 00:38:48,953 --> 00:38:52,415 BUT HAAGEN-DAZS IS, LIKE, $5 A LITTLE THING. 903 00:38:52,457 --> 00:38:55,377 THAT'S A $300 A MONTH HABIT. 904 00:38:55,418 --> 00:38:57,754 I'M JUST AN OLD, FAT MOM WHO NEEDS SOME HAAGEN-DAZS. 905 00:38:57,796 --> 00:39:00,674 IT'S CHEAPER TO DRINK, YOU KNOW, BACARDI. 906 00:39:00,715 --> 00:39:03,468 [laughs] BREAKFAST, LUNCH, AND DINNER. 907 00:39:03,510 --> 00:39:06,012 [laughs] INSTEAD OF-- 908 00:39:06,054 --> 00:39:07,722 GOOD THING I QUIT SMOKING AND DRINKING 909 00:39:07,764 --> 00:39:09,683 IN ORDER TO GO INTO THAT. 910 00:39:09,724 --> 00:39:12,560 - YOUR TEARS, EVERYTHING'S IN YOU. 911 00:39:12,602 --> 00:39:14,020 YOU DON'T HAVE TO DRAG IT OUT OF YOU 912 00:39:14,062 --> 00:39:15,355 WHEN YOU REALLY FEEL SOMETHING, RIGHT? 913 00:39:15,397 --> 00:39:16,523 WHEN YOU REALLY DO GET EMOTIONAL. 914 00:39:16,564 --> 00:39:18,233 WHO HERE HAS GOTTEN CALLED IN FOR AN AUDITION 915 00:39:18,274 --> 00:39:21,569 WHERE IT'S SAID THAT YOU HAD TO CRY OR SOMETHING LIKE THAT? 916 00:39:21,611 --> 00:39:23,446 OKAY. 917 00:39:23,488 --> 00:39:25,365 YOU KNOW, MOST PEOPLE I KNOW ARE USUALLY INTIMIDATED BY IT, 918 00:39:25,407 --> 00:39:27,409 BECAUSE THEN YOU FEEL LIKE, OH, WHAT IF I GO IN THE AUDITION 919 00:39:27,450 --> 00:39:28,868 AND I DON'T CRY? 920 00:39:28,910 --> 00:39:30,328 YOU KNOW, IT FEELS LIKE ALL THIS PRESSURE. 921 00:39:30,370 --> 00:39:32,247 SO WHAT HAPPENS IS, WHEN WE WANT TO CRY, 922 00:39:32,288 --> 00:39:34,499 AND WE'RE SAYING TO OURSELVES, "GOD, CRY," 923 00:39:34,541 --> 00:39:36,292 YEAH, THEN NOTHING'S GONNA COME OUT. 924 00:39:36,334 --> 00:39:39,921 WE HAVE KIDS WHO ACTUALLY HAVE AUDITIONED FOR YEARS 925 00:39:39,963 --> 00:39:42,215 AND CAN'T BOOK ANYTHING, AND ONCE THEY GET RELAXED, 926 00:39:42,257 --> 00:39:44,217 THEY'RE ABLE TO BOOK, OKAY? 927 00:39:44,259 --> 00:39:46,428 SO EVERYBODY JUST SPREAD OUT. 928 00:39:46,469 --> 00:39:48,638 FIND A PLACE IN THE ROOM. 929 00:39:48,680 --> 00:39:50,015 AND AS YOU'RE BREATHING, 930 00:39:50,056 --> 00:39:52,559 I WANT YOU TO PICTURE THAT YOU'RE ON A BEACH 931 00:39:52,600 --> 00:39:55,812 BUT NOW YOU SEE THE FACE OF SOMEONE THAT YOU LOVE. 932 00:39:55,854 --> 00:39:58,440 AND LITERALLY, TAKE YOUR HANDS OUT 933 00:39:58,481 --> 00:40:00,900 IN FRONT OF YOU, WITH YOUR EYES CLOSED, 934 00:40:00,942 --> 00:40:03,903 AND START TO SCULPT THEIR FACE WITH YOUR HANDS. 935 00:40:03,945 --> 00:40:05,822 AND WHILE YOU'RE DOING IT, 936 00:40:05,864 --> 00:40:10,535 THINK ABOUT THE WAY THEY MAKE YOU FEEL. 937 00:40:10,577 --> 00:40:13,913 AND THEN I WANT YOU TO LOOK THEM STRAIGHT IN THEIR EYES 938 00:40:13,955 --> 00:40:15,582 AND SAY, "I LOVE YOU." 939 00:40:15,623 --> 00:40:18,293 all: I LOVE YOU. 940 00:40:18,335 --> 00:40:20,879 - TELL US HOW YOU FELT. 941 00:40:20,920 --> 00:40:23,048 WERE YOU ABLE TO CONCENTRATE OR NOT CONCENTRATE? 942 00:40:23,089 --> 00:40:26,217 TELL US WHAT YOU WENT THROUGH AND MAYBE WHO YOU PICTURED 943 00:40:26,259 --> 00:40:27,552 OR HOW YOU FELT. 944 00:40:27,594 --> 00:40:29,304 WHY DON'T YOU START, HON? 945 00:40:29,346 --> 00:40:33,516 - UM, I WAS THINKING OF MY SISTER, WHO DIED AT BIRTH, 946 00:40:33,558 --> 00:40:39,898 AND I WAS PICTURING HOW SHE WOULD LOOK, 947 00:40:39,939 --> 00:40:43,318 BECAUSE MY MOM TOLD ME THAT-- 948 00:40:43,360 --> 00:40:47,155 THAT SHE COULD FEEL THAT SHE HAD A REALLY GOOD PERSONALITY. 949 00:40:47,197 --> 00:40:48,239 [sniffles] 950 00:40:48,281 --> 00:40:51,368 AND THAT I RESEMBLE HER SO MUCH, 951 00:40:51,409 --> 00:40:57,123 AND I'VE ALWAYS WANTED TO KNOW WHAT SHE WOULD LOOK LIKE, 952 00:40:57,165 --> 00:40:59,501 AND TODAY WAS FINALLY THE CHANCE 953 00:40:59,542 --> 00:41:02,504 TO WHERE I GOT TO EXPERIENCE IT. 954 00:41:02,545 --> 00:41:05,465 - THAT'S WONDERFUL. 955 00:41:05,507 --> 00:41:08,927 OKAY. THAT'S OKAY. THAT'S GREAT. 956 00:41:08,968 --> 00:41:10,303 THANK YOU, GUYS. 957 00:41:10,345 --> 00:41:12,263 THANKS FOR DOING THAT EXERCISE WITH US. 958 00:41:15,558 --> 00:41:20,522 - THIS IS RYAN MALGARINI, KNOWN FOR GARY UNMARRIED. 959 00:41:20,563 --> 00:41:22,649 DEVON, NOW WHAT BRINGS YOU TO THE YOUNG ARTIST AWARDS TODAY? 960 00:41:22,691 --> 00:41:24,609 - I DID A MOVIE CALLED FUNNY GAMES, 961 00:41:24,651 --> 00:41:25,819 AND I'M NOMINATED FOR THAT. 962 00:41:25,860 --> 00:41:28,363 - MY LAST PROJECT WAS WITH THE JONAS BROTHERS. 963 00:41:28,405 --> 00:41:29,906 IT'S CALLED JONAS. 964 00:41:29,948 --> 00:41:31,449 - WE ACTUALLY WORKED TOGETHER. 965 00:41:31,491 --> 00:41:32,325 both: ON EVERYBODY HATES CHRIS. 966 00:41:32,367 --> 00:41:33,868 - OH, WOW. 967 00:41:33,910 --> 00:41:36,538 - I'VE DONE AN EPISODE OF HOUSE, NIP/TUCK. 968 00:41:36,579 --> 00:41:37,872 - GHOSTS OF GIRLFRIENDS PAST, 969 00:41:37,914 --> 00:41:39,916 I PLAY YOUNG JENNIFER GARNER IN THAT. 970 00:41:39,958 --> 00:41:41,626 - LOOK BACK AT ME. LET ME SEE YOUR EYES. 971 00:41:41,668 --> 00:41:42,961 THERE WE GO. BIG SMILE. 972 00:41:43,003 --> 00:41:46,798 - WOW. THAT'S AWESOME. THIS IS, LIKE, THE REAL MCCOY. 973 00:41:46,840 --> 00:41:48,049 YOU KNOW, THIS IS OUR FIRST YEAR, 974 00:41:48,091 --> 00:41:50,010 AND SHE'S 13 AND JUST STARTED, 975 00:41:50,051 --> 00:41:52,554 AND SO IT'S, YOU KNOW, WE HAVE LEARNED SO MUCH. 976 00:41:52,595 --> 00:41:55,056 - I AM NOT GOING TO GO TO THE ACTUAL AWARDS. 977 00:41:55,098 --> 00:41:57,350 I JUST DON'T KNOW THAT MANY PEOPLE. 978 00:41:57,392 --> 00:41:59,436 - OKAY, LOOK OVER YOUR SHOULDER TO ME. 979 00:41:59,477 --> 00:42:01,813 THERE WE GO. 980 00:42:01,855 --> 00:42:04,024 - WHAT ADVICE CAN YOU GIVE YOUNG KIDS OUT THERE 981 00:42:04,065 --> 00:42:05,817 TRYING TO REACH THEIR DREAMS LIKE YOU? 982 00:42:05,859 --> 00:42:10,572 - WELL, YOU JUST WORK HARD AND THEN YOU'LL SOON, WELL, 983 00:42:10,613 --> 00:42:11,990 BE NOMINATED. 984 00:42:12,032 --> 00:42:14,701 - YEAH, THERE YOU GO. GOOD ADVICE. 985 00:42:14,743 --> 00:42:16,369 - LADIES AND GENTLEMEN, 986 00:42:16,411 --> 00:42:19,289 LIFETIME ACHIEVEMENT AWARD WINNER COREY FELDMAN. 987 00:42:19,330 --> 00:42:23,209 [cheers and applause] 988 00:42:23,251 --> 00:42:24,919 - I WANT TO SAY THANK YOU ALL, 989 00:42:24,961 --> 00:42:27,047 AND TO ALL OF THE CHILDREN OUT THERE 990 00:42:27,088 --> 00:42:30,508 WHO ARE JUST STARTING THIS CRAZY ROLLER-COASTER RIDE, 991 00:42:30,550 --> 00:42:32,469 MAKE SURE THAT YOU STAY STRONG, 992 00:42:32,510 --> 00:42:35,138 MAKE SURE THAT YOU BELIEVE IN YOUR FAMILY 993 00:42:35,180 --> 00:42:37,098 AND YOU KEEP LOVE IN YOUR HEART 994 00:42:37,140 --> 00:42:40,185 AND YOU KEEP YOURSELF TRUE TO WHAT YOU BELIEVE IN, 995 00:42:40,226 --> 00:42:43,688 BECAUSE BELIEVING IS THE MOST POWERFUL THING IN THE WORLD. 996 00:42:43,730 --> 00:42:44,481 THANK YOU. 997 00:42:44,522 --> 00:42:46,483 [cheers and applause] 998 00:42:46,524 --> 00:42:49,486 [orchestral music playing] 999 00:42:49,527 --> 00:42:55,700 * * 1000 00:42:55,742 --> 00:42:59,579 [overlapping chatter] 1001 00:42:59,621 --> 00:43:02,499 - CONGRATULATIONS. - [laughs] 1002 00:43:02,540 --> 00:43:03,833 I GOT AN AWARD. - THAT'S FABULOUS. 1003 00:43:03,875 --> 00:43:07,170 THAT IS FABULOUS. WAY TO GO. 1004 00:43:07,212 --> 00:43:09,589 WAY TO GO. 1005 00:43:09,631 --> 00:43:12,050 - JOEY! - JOEY! 1006 00:43:12,092 --> 00:43:14,010 - GET IN THERE. 1007 00:43:14,052 --> 00:43:16,179 - CONGRATS. 1008 00:43:16,221 --> 00:43:17,847 - THANKS. 1009 00:43:17,889 --> 00:43:19,391 [laughter] 1010 00:43:19,432 --> 00:43:22,102 [dishes clatter] 1011 00:43:22,143 --> 00:43:25,689 - 8:27, GUYS. OKAY. 1012 00:43:25,730 --> 00:43:28,650 - DID YOU GUYS EACH GET ONE OF THESE FOR SCHOOL? 1013 00:43:28,692 --> 00:43:32,320 - THEY'VE GOT THEIR-- THEY'RE--THEY'RE PACKED UP. 1014 00:43:32,362 --> 00:43:37,659 OKAY, EVERYBODY IN. [groans] 1015 00:43:37,701 --> 00:43:39,994 WE'VE DONE DAY SCHOOLS, REGULAR DAY SCHOOLS. 1016 00:43:40,036 --> 00:43:43,039 WE'VE DONE HOME SCHOOLING, AND THIS SCHOOL, 1017 00:43:43,081 --> 00:43:45,333 THE SAN FERNANDO VALLEY PROFESSIONAL SCHOOL, 1018 00:43:45,375 --> 00:43:46,626 IS WHAT SEEMS TO WORK BEST. 1019 00:43:46,668 --> 00:43:47,752 - UH-- - GO AHEAD. 1020 00:43:47,794 --> 00:43:49,504 - IT'S A SCHOOL FOR, UM, ACTORS. 1021 00:43:49,546 --> 00:43:52,841 LIKE, THEY SUPPORT ACTORS, UNLIKE MY OTHER SCHOOL, 1022 00:43:52,882 --> 00:43:56,803 WHERE THEY WOULD GET MAD IF I LEFT TO GO TO AN AUDITION. 1023 00:43:56,845 --> 00:44:01,725 - ONE OF OUR VERY FAMOUS, FAMOUS ALUMNIS. 1024 00:44:01,766 --> 00:44:03,560 HER NAME IS JANET JACKSON. 1025 00:44:03,601 --> 00:44:06,938 TIFFANI-AMBER THIESSEN, BEVERLY HILLS 90210. 1026 00:44:06,980 --> 00:44:08,565 BRITTANY MURPHY. 1027 00:44:08,606 --> 00:44:10,650 SHE WAS VERY FAMOUS FOR MANY MOVIES, 1028 00:44:10,692 --> 00:44:14,904 BUT ONE THAT REALLY STUCK TO ME WAS DON'T SAY A WORD. 1029 00:44:14,946 --> 00:44:16,614 BRITTANY MURPHY. 1030 00:44:16,656 --> 00:44:21,327 AND SOLEIL MOON FRYE WAS ONE OF OUR ALUMNIS. 1031 00:44:21,369 --> 00:44:25,331 SHE WAS WELL KNOWN AS THE FAMOUS PUNKY BREWSTER. 1032 00:44:25,373 --> 00:44:26,541 - GO AHEAD, JOEY, YOU'RE UP. 1033 00:44:26,583 --> 00:44:28,793 UH, THE BEETLE. - OH, OKAY. 1034 00:44:28,835 --> 00:44:33,131 "THE BEETLE IN THE PICTURES BELOW 1035 00:44:33,173 --> 00:44:35,800 "IS CARRYING ON ANOTHER LIFE PROCESS. 1036 00:44:35,842 --> 00:44:39,846 IN WHAT WAYS DO YOU RESPOND TO YOUR ENVIRONMENT?" 1037 00:44:39,888 --> 00:44:41,473 - YES, JULIE, I SEE YOUR HAND. 1038 00:44:41,514 --> 00:44:44,934 - OKAY, WELL, UM, IF, SAY IF YOU LIVE IN A SANDY PLACE. 1039 00:44:44,976 --> 00:44:46,728 - MM-HMM. 1040 00:44:46,770 --> 00:44:48,521 - YOU'RE PROBABLY GONNA WEAR TENNIS SHOES ALL THE TIME, 1041 00:44:48,563 --> 00:44:50,899 'CAUSE, LIKE-- - I WOULD WEAR FLIP-FLOPS. 1042 00:44:50,940 --> 00:44:52,567 - ME TOO. - ME THREE. 1043 00:44:52,609 --> 00:44:55,904 - OKAY, THAT'S NOT PRECISELY WHAT I WAS LOOKING FOR, BUT-- 1044 00:44:55,945 --> 00:44:57,697 BRIANA, AND THEN WE GO BACK TO READ. 1045 00:44:57,739 --> 00:44:59,657 - OKAY, ISN'T IT TRUE... 1046 00:45:02,786 --> 00:45:04,788 - IT CAN BE BAD, YEAH. 1047 00:45:07,999 --> 00:45:10,293 - OOH, THAT'S NOT GOOD. - THAT'S NOT GOOD AT ALL. 1048 00:45:10,335 --> 00:45:12,003 - I'M GONNA JUMP OUT OF AN AIRPLANE BEFORE MY WEDDING. 1049 00:45:12,045 --> 00:45:13,004 - ME TOO! - OKAY. NO, NO, NO. 1050 00:45:13,046 --> 00:45:14,631 SLOW DOWN, SLOW DOWN. 1051 00:45:14,673 --> 00:45:15,715 WE'RE NOT TALK ABOUT JUMPING OUT OF AIRPLANES RIGHT NOW. 1052 00:45:15,757 --> 00:45:17,676 OKAY, JULIE, DO YOU HAVE SOMETHING TO SAY? 1053 00:45:17,717 --> 00:45:20,512 - YES, UM, MY RABBIT-- - MM-HMM. 1054 00:45:20,553 --> 00:45:23,098 - HE GREW HIS TEETH TOO LONG. - MM-HMM. 1055 00:45:23,139 --> 00:45:25,308 - CUT THE CRAP... - LET--LET--LET'S BACK UP. 1056 00:45:25,350 --> 00:45:27,936 UM, I APPRECIATE ALL THE GOOD ANSWERS, 1057 00:45:27,977 --> 00:45:32,023 UM, BUT LET'S GO AHEAD AND GET TO THE LAB. 1058 00:45:32,065 --> 00:45:33,483 - HOME SCHOOL BUS DRIVER. 1059 00:45:33,525 --> 00:45:35,694 ANYBODY WITH A MINI VAN AND MORE THAN TWO KIDS 1060 00:45:35,735 --> 00:45:37,112 NEEDS ONE OF THESE. 1061 00:45:37,153 --> 00:45:40,573 PATRICK IS STUDYING FOR THE NATIONAL GEOGRAPHY ONE. 1062 00:45:40,615 --> 00:45:42,742 CHRISTOPHER IS STUDYING HIS SPELLING WORDS. 1063 00:45:42,784 --> 00:45:47,622 RYAN IS EXCAVATING SOME DINOSAUR BONES HERE. 1064 00:45:47,664 --> 00:45:49,416 AND ALISA IS WORKING 1065 00:45:49,457 --> 00:45:51,626 WITH HER DISNEY PRINCESS SPELLING PROGRAM. 1066 00:45:51,668 --> 00:45:53,503 HOME SCHOOLING FITS THE CHILD ACTOR'S SCHEDULE, 1067 00:45:53,545 --> 00:45:56,965 FIRST OF ALL, BECAUSE WE'VE BEEN SO BUSY THE LAST TWO WEEKS, 1068 00:45:57,007 --> 00:46:00,385 AND SCHOOL JUST DOESN'T FIT IN TO HAVING TO GET KIDS 1069 00:46:00,427 --> 00:46:02,512 TO AUDITIONS AND FILMINGS. 1070 00:46:02,554 --> 00:46:06,391 GOD PROMISED NOAH THAT HE WOULD NEVER AGAIN SEND A FLOOD 1071 00:46:06,433 --> 00:46:08,852 TO DESTROY THE WHOLE EARTH AND ALL LIVING THINGS ON IT. 1072 00:46:08,893 --> 00:46:11,855 - GOD... - ALWAYS KEEPS HIS PROMISES. 1073 00:46:11,896 --> 00:46:13,231 YEAH. 1074 00:46:15,358 --> 00:46:16,860 YOU CAN DO MAGNETISM NOW FOR A LITTLE BIT IF YOU WANT. 1075 00:46:16,901 --> 00:46:18,570 - COOL. 1076 00:46:18,611 --> 00:46:20,697 - RACE TO WITCH MOUNTAIN... - HANG ON! 1077 00:46:20,739 --> 00:46:22,699 - IN THEATERS NEXT FRIDAY. 1078 00:46:22,741 --> 00:46:25,744 - DO YOU MISS GOING TO SCHOOL WITH OTHER KIDS AT ALL? 1079 00:46:25,785 --> 00:46:29,497 - YOU KNOW, NOT REALLY, BECAUSE SINCE WE LIVE AT OAKWOOD, 1080 00:46:29,539 --> 00:46:32,292 THERE'S A BUNCH OF KIDS EVERYWHERE, AND THEY-- 1081 00:46:32,334 --> 00:46:34,919 MOST OF THEM DO ONLINE SCHOOL. 1082 00:46:34,961 --> 00:46:36,880 I WORK FROM 8:00 TO 11:00. 1083 00:46:36,921 --> 00:46:38,757 THIS IS SEVENTH-GRADE MATH. 1084 00:46:38,798 --> 00:46:41,634 IT TELLS ME WHAT TEXTBOOK PAGES I NEED. 1085 00:46:41,676 --> 00:46:46,765 [TV playing in background] 1086 00:46:46,806 --> 00:46:49,351 I CAN'T DO MY WORK, LIKE, SILENTLY, 1087 00:46:49,392 --> 00:46:50,852 SO I HAVE THE TV ON. 1088 00:46:50,894 --> 00:46:52,437 - ...WITH LETTUCE, TOMATO, AND ONION, 1089 00:46:52,479 --> 00:46:54,689 TOPPED WITH CHEDDAR CHEESE AND THICK-CUT PEPPER BACON. 1090 00:46:54,731 --> 00:46:56,816 SO GOOD, YOU'LL SAY, "I'M THINKIN' ARBY'S." 1091 00:46:58,735 --> 00:47:02,280 - I HAVEN'T COOKED YET, SO YOU CAN GO IN HERE 1092 00:47:02,322 --> 00:47:03,740 AND FIX YOU A PEANUT BUTTER, JELLY SANDWICH 1093 00:47:03,782 --> 00:47:05,950 OR A TURKEY SANDWICH. 1094 00:47:05,992 --> 00:47:08,119 - ALL RIGHT. 1095 00:47:08,161 --> 00:47:12,374 THE FIELD TRIP IS THIS THURSDAY TO THE SEPULVEDA BASIN. 1096 00:47:12,415 --> 00:47:14,876 - THE WHAT? - THE SEPULVEDA BASIN. 1097 00:47:14,918 --> 00:47:16,961 - WHAT'S THAT? - IT'S, LIKE, A BIRD CENTER. 1098 00:47:17,003 --> 00:47:19,506 - HOW MUCH IS IT? - NOTHING. 1099 00:47:19,547 --> 00:47:21,800 IT DOESN'T COST. - DO YOU WANT ME TO GO? 1100 00:47:21,841 --> 00:47:23,718 - YOU CAN IF YOU WANT TO. 1101 00:47:23,760 --> 00:47:25,095 - HMM, YOU DON'T WANT ME TO GO. 1102 00:47:25,136 --> 00:47:27,722 YOU'RE JUST SAYING THAT. I CAN TELL. 1103 00:47:27,764 --> 00:47:29,891 - NO, NO. MA, YOU ALWAYS SAY THAT. 1104 00:47:29,933 --> 00:47:31,935 - 'CAUSE I DON'T THINK YOU WANT ME TO GO 1105 00:47:31,976 --> 00:47:33,186 WITH YOU ON YOUR FIELD TRIPS ANYMORE. 1106 00:47:33,228 --> 00:47:36,398 - NO, MA, YOU CAN. - OKAY. 1107 00:47:36,439 --> 00:47:38,525 I KNOW YOU'RE GETTING OLDER. 1108 00:47:42,153 --> 00:47:44,739 I WANT THAT REPORT COMPLETED. 1109 00:47:44,781 --> 00:47:46,741 YOU GONNA FINISH THAT, OKAY? 1110 00:47:46,783 --> 00:47:50,912 AND IF YOU'VE GOT TWO PAGES LEFT, I WANT IT DONE TODAY. 1111 00:47:50,954 --> 00:47:54,040 TODAY. - YES... 1112 00:47:54,082 --> 00:47:56,835 - IT SHOULDN'T BE SO SLOPPY. LOOK HOW YOU GOT IT. 1113 00:47:56,876 --> 00:47:59,212 WE TRIED THE HOME SCHOOL, 1114 00:47:59,254 --> 00:48:00,755 BUT HOME SCHOOLING WAS NOT GOOD. 1115 00:48:00,797 --> 00:48:04,050 I'M AGGRESSIVE, JAMES IS LAID-BACK. 1116 00:48:04,092 --> 00:48:08,555 I DON'T GET WHAT I WANT, HE GONNA SEE A UGLY SIDE OF ME. 1117 00:48:08,596 --> 00:48:10,265 THERE WOULD BE TIMES I'D TELL HIM, 1118 00:48:10,306 --> 00:48:12,267 "GET OUT. GET OUT THE APARTMENT. 1119 00:48:12,308 --> 00:48:13,768 GO WALK. I NEED A BREAK." 1120 00:48:13,810 --> 00:48:15,895 SO IT WASN'T GOOD FOR US. 1121 00:48:15,937 --> 00:48:17,439 AND ME AND JAMES WOULD CALL HIS DADDY, 1122 00:48:17,480 --> 00:48:18,898 "MAMA GETTING ON TO ME," 1123 00:48:18,940 --> 00:48:20,275 AND THEN MY HUSBAND WOULD CALL ME 1124 00:48:20,316 --> 00:48:22,736 AND I'D TELL HIM, "I'M DOING ALL THE WORK. 1125 00:48:22,777 --> 00:48:24,320 I'M SITTING HERE EVERY DAY." 1126 00:48:24,362 --> 00:48:28,950 WE DON'T--WE DIDN'T HAVE NO TIME APART FROM EACH OTHER. 1127 00:48:28,992 --> 00:48:32,620 WE HOME SCHOOLED FROM--JAMES, HOW LONG DID WE HOME SCHOOL? 1128 00:48:32,662 --> 00:48:34,456 FROM WHAT? - ABOUT A WEEK. 1129 00:48:34,497 --> 00:48:36,916 - NO, NO. IT WAS A MONTH. 1130 00:48:36,958 --> 00:48:39,210 WE WERE ACTUALLY GETTING READY TO BUY A HOME, 1131 00:48:39,252 --> 00:48:43,923 AND WE DECIDED NOT TO, BECAUSE JAMES KEPT ASKING US 1132 00:48:43,965 --> 00:48:45,759 TO COME OUT HERE AND LET HIM DO THE ACTING. 1133 00:48:45,800 --> 00:48:48,970 DO I THINK I'M HARD ON JAMES? 1134 00:48:49,012 --> 00:48:50,930 NO, I ACTUALLY THINK I'M LAID-BACK. 1135 00:48:50,972 --> 00:48:53,224 NOW, IF YOU ASK THE OTHER PEOPLE OUT HERE 1136 00:48:53,266 --> 00:48:55,477 IN THE OAKWOOD FAMILY, 1137 00:48:55,518 --> 00:48:57,270 THEY LOOK AT ME LIKE I'M CRAZY. 1138 00:48:57,312 --> 00:48:59,689 BUT AT THE END OF THE DAY, 1139 00:48:59,731 --> 00:49:01,691 JAMES WILL NOT BE ANOTHER BLACK MALE 1140 00:49:01,733 --> 00:49:02,817 THAT'S GONNA BE IN PRISON, 1141 00:49:02,859 --> 00:49:06,946 AND I DON'T CARE WHAT IT TAKES. 1142 00:49:06,988 --> 00:49:10,617 - YOU'RE GOING TO TAKE YOUR MARK THERE ON THE "X." 1143 00:49:10,658 --> 00:49:12,744 HAVE YOU AUDITIONED BEFORE? - YEAH. 1144 00:49:12,786 --> 00:49:13,912 - GOOD. SO YOU KNOW WHAT TO DO, RIGHT? 1145 00:49:13,953 --> 00:49:15,622 - YEAH. - ALL RIGHT. 1146 00:49:15,663 --> 00:49:19,292 - OKAY, UM, I HAVE THE SCENE. - GOOD, CAN I HAVE THAT? 1147 00:49:19,334 --> 00:49:20,543 - YEAH. - OKAY. 1148 00:49:20,585 --> 00:49:21,670 - OKAY. 1149 00:49:21,711 --> 00:49:23,004 - IS IT THE SAME SIDE FOR BOTH THE SONG-- 1150 00:49:23,046 --> 00:49:24,172 THE SINGING AND THE DANCE? 1151 00:49:24,214 --> 00:49:25,507 - I'M JUST GONNA DO THE SINGING AND THE DANCING 1152 00:49:25,548 --> 00:49:26,633 AT THE SAME TIME. 1153 00:49:26,675 --> 00:49:27,967 - UM-- - IS THAT, LIKE-- 1154 00:49:28,009 --> 00:49:29,511 IS THAT OKAY OR--? 1155 00:49:29,552 --> 00:49:31,262 - I WOULD PREFER THAT YOU NOT DO IT THAT WAY, 1156 00:49:31,304 --> 00:49:33,139 AND THE REASON FOR THAT IS THAT WHEN YOU DO THE SONG, 1157 00:49:33,181 --> 00:49:35,141 UM, WE'RE TIGHT ON YOUR FACE, 1158 00:49:35,183 --> 00:49:37,435 AND WHEN YOU DO THE DANCE, IT'S FULL BODY, 1159 00:49:37,477 --> 00:49:39,688 SO I HAVE TO RESET THE CAMERA FOR THAT. 1160 00:49:39,729 --> 00:49:41,773 - ON THE CHORUS CAN I DO DANCING AND STUFF, 1161 00:49:41,815 --> 00:49:43,024 AND YOU, LIKE, SHOW THE FULL BODY? 1162 00:49:43,066 --> 00:49:44,943 'CAUSE, LIKE, I WANT TO DO BOTH AT THE SAME TIME. 1163 00:49:44,984 --> 00:49:48,738 - HOW ABOUT WE JUST-- YOU DO THE SAME SONG TWICE. 1164 00:49:48,780 --> 00:49:51,366 IF YOU WANT TO SING DURING YOUR DANCE, YOU CAN. 1165 00:49:51,408 --> 00:49:55,662 - OKAY. - DOES THAT MAKE SENSE? 1166 00:49:55,704 --> 00:49:57,080 - UM... 1167 00:49:57,122 --> 00:49:57,997 - ALL RIGHT, WE'LL DO IT YOUR WAY. 1168 00:49:58,039 --> 00:50:00,208 - I WAS LIKE, OH... 1169 00:50:00,250 --> 00:50:03,211 [music playing] 1170 00:50:03,253 --> 00:50:10,010 * * 1171 00:50:10,051 --> 00:50:12,470 * OH BUT I GET INTO IT * 1172 00:50:12,512 --> 00:50:14,055 * WHICH IS WHY WE SHARE THE * 1173 00:50:14,097 --> 00:50:17,934 * EVERLASTING LOVE * 1174 00:50:17,976 --> 00:50:21,104 - * BECAUSE THESE THINGS WILL CHANGE * 1175 00:50:21,146 --> 00:50:23,648 * I CAN FEEL IT NOW * 1176 00:50:23,690 --> 00:50:26,735 * THESE WALLS THAT THEY PUT UP TO HOLD US BACK * 1177 00:50:26,776 --> 00:50:28,319 * WILL FALL DOWN * 1178 00:50:28,361 --> 00:50:31,281 - * EXACTLY WHERE I'M SUPPOSED TO BE NOW * 1179 00:50:31,322 --> 00:50:32,365 - NO. 1180 00:50:32,407 --> 00:50:35,285 - * IN YOUR SPEECH NOW * 1181 00:50:35,326 --> 00:50:36,828 - NO. 1182 00:50:36,870 --> 00:50:39,372 - MY EMAIL WAS HIT WITH A FEW THOUSAND, 1183 00:50:39,414 --> 00:50:40,957 AND I CAN ONLY SEE TEN PEOPLE 1184 00:50:40,999 --> 00:50:42,125 OUT OF A COUPLE THOUSAND KIDS, 1185 00:50:42,167 --> 00:50:45,128 SO I'M IN MY DILEMMA. [laughs] 1186 00:50:48,089 --> 00:50:51,968 - HUH? - WHAT AGE RANGE? 1187 00:50:52,010 --> 00:50:53,803 [laughs] 1188 00:50:53,845 --> 00:50:56,973 - THAT'S WHAT-- - [laughs] 1189 00:50:57,015 --> 00:50:59,768 - [rap music] 1190 00:50:59,809 --> 00:51:01,353 - DO WE WANT RAPPING? 1191 00:51:01,394 --> 00:51:03,813 - IS IT A POSITIVE RAP OR IS IT A GHETTO RAP? 1192 00:51:03,855 --> 00:51:06,608 RUSSIAN ACCENT. - NO. 1193 00:51:06,649 --> 00:51:10,070 - I THINK IT TAKES TIME-- - THANKS FOR PLAYING. 1194 00:51:10,111 --> 00:51:11,071 - [laughs] 1195 00:51:11,112 --> 00:51:14,074 [intro to Love Story] 1196 00:51:14,115 --> 00:51:15,950 - HEY, RANDY, HELP ME. DOES SHE HAVE BREASTS? 1197 00:51:15,992 --> 00:51:19,287 - * WHEN I FIRST SAW YOU... * 1198 00:51:19,329 --> 00:51:21,956 - YES. - OKAY. 1199 00:51:21,998 --> 00:51:23,750 - * I'M STANDING THERE... * 1200 00:51:23,792 --> 00:51:26,169 - SHE'S GOT A GREAT VOICE, THOUGH. 1201 00:51:26,211 --> 00:51:29,047 - I KNOW, BUT SHE HAS BREASTS, RIGHT? 1202 00:51:31,007 --> 00:51:32,801 - * SEE THE LIGHTS * 1203 00:51:32,842 --> 00:51:34,344 * SEE THE PARTY, THE BALL GOWNS * 1204 00:51:34,386 --> 00:51:35,804 - I NEED TO DO THIS QUICKLY. 1205 00:51:35,845 --> 00:51:39,307 - VERY SMALL. I WOULD-- I WOULD TAKE HER. 1206 00:51:39,349 --> 00:51:43,186 - ONE DOWN. - IT'S A NIGHTMARE. 1207 00:51:44,187 --> 00:51:46,439 - OH, MY GOODNESS. 1208 00:51:46,481 --> 00:51:49,025 - OH, YEAH. OH. - WELL, KIND OF, RIGHT? 1209 00:51:49,067 --> 00:51:53,029 - I CAN TELL THIS ONE. - YOU SHOULD SEE HIM DANCE. 1210 00:51:53,071 --> 00:51:54,030 - I KNOW. 1211 00:51:54,072 --> 00:51:55,657 - YOU CAN DANCE? - YEAH. 1212 00:51:55,699 --> 00:51:59,035 * HEY, PRETTY BABY WITH THE HIGH HEELS ON * 1213 00:51:59,077 --> 00:52:00,995 * HEE * - OH, WOW, HOW COOL. 1214 00:52:01,037 --> 00:52:04,165 - * LIKE I'VE NEVER, EVER KNOWN * 1215 00:52:04,207 --> 00:52:08,378 * IT'S JUST A PART OF YOUR LOVELINESS * 1216 00:52:08,420 --> 00:52:11,172 * I LIKE THE GROOVE OF YOUR WALK * 1217 00:52:11,214 --> 00:52:13,008 * YOUR TALK, YOUR DRESS * 1218 00:52:13,049 --> 00:52:16,302 * I FEEL YOUR FEVER FROM MILES AROUND * 1219 00:52:16,344 --> 00:52:17,887 - I FEEL LIKE I'M ON AMERICAN IDOL. 1220 00:52:17,929 --> 00:52:19,556 OKAY, YOU'RE MOVING ON TO THE NEXT ROUND. 1221 00:52:19,597 --> 00:52:21,349 - ALL RIGHT, YOU'RE GOING TO HOLLYWOOD, GOING TO HOLLYWOOD. 1222 00:52:21,391 --> 00:52:23,184 [cheers and applause] 1223 00:52:23,226 --> 00:52:26,312 HE'S HILARIOUS. HE'S HILARIOUS. 1224 00:52:26,354 --> 00:52:27,939 - HE'S GOOD. 1225 00:52:27,981 --> 00:52:29,941 - THAT'S JUST LIKE HAVING A BUNCH OF MONEY ON YOUR HEAD. 1226 00:52:29,983 --> 00:52:31,568 [laughter] 1227 00:52:31,609 --> 00:52:32,819 - HOW ARE YOU DOING? - GREAT. 1228 00:52:32,861 --> 00:52:33,862 - HELLO. 1229 00:52:36,364 --> 00:52:37,991 - YEAH. 1230 00:52:38,033 --> 00:52:39,492 - LIKE THE REALLY KIND OF, LIKE, IVY LEAGUE KIND OF LOOK. 1231 00:52:39,534 --> 00:52:42,120 YOU KNOW, SCHOOL GIRL KIND OF THING. 1232 00:52:42,162 --> 00:52:45,457 - AFTER AN AUDITION, IF YOU DON'T GET A CALLBACK 1233 00:52:45,498 --> 00:52:49,127 OR IF YOU DON'T KNOW WHAT YOU COULD HAVE DONE DIFFERENTLY 1234 00:52:49,169 --> 00:52:51,171 OR WHAT YOU COULD HAVE CHANGED, WHAT WOULD YOU DO? 1235 00:52:51,212 --> 00:52:53,089 - YOU'LL NEVER GET ANY FEEDBACK. 1236 00:52:53,131 --> 00:52:55,008 IT'S ONLY 'CAUSE WE SEE SO MANY PEOPLE. 1237 00:52:55,050 --> 00:52:56,551 YOU'LL GET IN THE CAR AND YOU'LL TRY TO GUESS. 1238 00:52:56,593 --> 00:52:58,053 YOU'LL NEVER FIGURE IT OUT, SO DON'T TRY. 1239 00:52:58,094 --> 00:52:59,679 - YEAH. - YEAH. YOU HAVE A GOOD TIME. 1240 00:52:59,721 --> 00:53:01,389 YOU GO. IF YOU BOOK THE JOB AND MAKE MONEY, GREAT. 1241 00:53:01,431 --> 00:53:03,224 - YEP, OKAY. YEAH, THANK YOU. BYE. 1242 00:53:03,266 --> 00:53:05,352 - OKAY, NICE MEETING YOU. - SHE'S JUST GONNA SHOW YOU... 1243 00:53:05,393 --> 00:53:08,188 - MOST OF THE AUDITIONS I GO ON IS, LIKE, THE NERD, 1244 00:53:08,229 --> 00:53:10,732 AND SO I HAVE, LIKE, MY LITTLE GLASSES 1245 00:53:10,774 --> 00:53:12,650 AND MY FANCY CASE AND EVERYTHING. 1246 00:53:12,692 --> 00:53:14,194 - A LOT OF PEOPLE HAVE TOLD ME 1247 00:53:14,235 --> 00:53:16,321 THAT I'M THE DISNEY, NICKELODEON TYPE. 1248 00:53:16,363 --> 00:53:19,532 - SOMETIMES THEY WILL SAY THAT, UH, 1249 00:53:19,574 --> 00:53:23,244 JUST BECAUSE OF MY COLOR, I COULD FIT A THUG ROLE. 1250 00:53:23,286 --> 00:53:24,996 - MAYBE THE GIRL NEXT DOOR. 1251 00:53:25,038 --> 00:53:28,083 - I'M SORT OF THE BULLY OR THE TOUGH KID, 1252 00:53:28,124 --> 00:53:31,211 JUST 'CAUSE OF MY SIZE AND AWESOMENESS. 1253 00:53:31,252 --> 00:53:34,422 - SOMETIMES IN AUDITIONS IF THEY ASK FOR TRIPLETS, WE GO AS-- 1254 00:53:34,464 --> 00:53:36,216 - THE SAME EXACT THING. 1255 00:53:36,257 --> 00:53:37,801 - BUT WHEN THEY ASK FOR INDIVIDUALS-- 1256 00:53:37,842 --> 00:53:39,135 - WE WEAR, LIKE, THE SAME STYLE-- 1257 00:53:39,177 --> 00:53:40,553 all: DIFFERENT COLOR, 1258 00:53:40,595 --> 00:53:42,097 OR THE SAME COLOR, DIFFERENT STYLES. 1259 00:53:42,138 --> 00:53:46,601 - I'M GOING TO--UH-OH. SHH! - WHAT HAPPENED? 1260 00:53:46,643 --> 00:53:48,520 - I WAS GONNA SAY, "HA HA." 1261 00:53:48,561 --> 00:53:50,313 THIS IS, LIKE, REALLY OLD SCHOOL. 1262 00:53:50,355 --> 00:53:52,107 MY MOM-- - DID HAIR FALL? 1263 00:53:52,148 --> 00:53:54,776 - NO. MY MOM TAUGHT ME HOW TO DO THIS, BUT-- 1264 00:53:54,818 --> 00:53:56,194 - I THINK IT'S A BETTER WAY, 1265 00:53:56,236 --> 00:53:58,613 BECAUSE IT MAKES YOUR HAIR MORE CURLY. 1266 00:53:58,655 --> 00:54:00,198 - YEAH, AND IT STAYS. 1267 00:54:00,240 --> 00:54:02,659 - THIS IS MY MOM'S UNDERWEAR. 1268 00:54:02,701 --> 00:54:05,245 - [laughs] 1269 00:54:05,286 --> 00:54:07,330 DON'T TELL THAT. 1270 00:54:07,372 --> 00:54:09,290 [laughs] 1271 00:54:09,332 --> 00:54:12,210 IT IS. IT'S CLEAN. 1272 00:54:12,252 --> 00:54:15,213 - WHEN I WALK INTO THE ROOM LIKE THIS, 1273 00:54:15,255 --> 00:54:16,464 THEY'RE, LIKE, REALLY JEALOUS OF ME, 1274 00:54:16,506 --> 00:54:20,969 AND THEN THEY, LIKE, UH, NOT BE REALLY NICE TO ME. 1275 00:54:21,011 --> 00:54:24,431 IT'S HARD, BUT IF YOU ACTUALLY GET TO THE POINT 1276 00:54:24,472 --> 00:54:26,850 WHERE YOU'RE KNOWN AND YOU'RE FAMOUS, 1277 00:54:26,891 --> 00:54:29,310 YOU'RE NOT GONNA HAVE THAT MUCH FRIENDS 1278 00:54:29,352 --> 00:54:30,812 THAT YOU CAN REALLY RELY ON. 1279 00:54:30,854 --> 00:54:35,191 YEAH, A LOT OF, UM, TIMES, WE'LL--WELL, MY MOM AND ME-- 1280 00:54:35,233 --> 00:54:37,777 WE'LL GO TO BED AND WE'LL, LIKE, START CRYING, 1281 00:54:37,819 --> 00:54:41,322 BECAUSE WE'RE LIKE, "WELL, IT'S NOT FAIR 1282 00:54:41,364 --> 00:54:43,867 THAT MY DAD HAS TO STAY BY HIMSELF," 1283 00:54:43,908 --> 00:54:47,620 AND WE'RE LIKE, "SHOULD WE STILL KEEP ON DOING THIS?" 1284 00:54:47,662 --> 00:54:50,832 I'M LIKE, "WELL, MOM, MY DAD WANTS ME 1285 00:54:50,874 --> 00:54:52,709 TO ACHIEVE MY DREAM," 1286 00:54:52,751 --> 00:54:55,337 AND WE'RE JUST CRYING AND STUFF, 1287 00:54:55,378 --> 00:54:58,381 BUT IF YOU REALLY WANT THIS, YOU HAVE TO STAY OUT HERE, 1288 00:54:58,423 --> 00:55:02,469 SO I JUST HAVE TO TOUGH IT OUT. 1289 00:55:02,510 --> 00:55:05,722 - IT'S NOT WORTH SACRIFICING YOUR FAMILY. 1290 00:55:05,764 --> 00:55:09,309 WHEN I LOOK AT THE-- THE FAMILIES THAT CAME HERE 1291 00:55:09,351 --> 00:55:12,020 ABOUT THE TIME THAT I DID WITH MY SON, 1292 00:55:12,062 --> 00:55:14,439 THE NUMBER OF DIVORCES 1293 00:55:14,481 --> 00:55:15,940 AND THINGS THAT OCCURRED IN THE FAMILY-- 1294 00:55:15,982 --> 00:55:17,567 IT'S, LIKE, WHAT DO YOU EXPECT? 1295 00:55:17,609 --> 00:55:19,778 YOU TAKE YOUR KIDS AND YOU LEAVE YOUR HUSBAND, 1296 00:55:19,819 --> 00:55:22,322 OR MAYBE IT'S A HUSBAND COMING OUT, LEAVING THE WIFE 1297 00:55:22,364 --> 00:55:24,115 FOR TEN MONTHS OF THE YEAR? 1298 00:55:24,157 --> 00:55:25,116 WHAT DO YOU EXPECT TO HAPPEN? 1299 00:55:25,158 --> 00:55:26,242 AND DO IT YEAR AFTER YEAR. 1300 00:55:26,284 --> 00:55:28,328 - OH, WAIT. THERE WE GO. 1301 00:55:28,370 --> 00:55:29,704 OH, WAIT. OKAY. 1302 00:55:29,746 --> 00:55:32,707 IT'S VERY--IT'S-- THAT'S THE HARDEST PART OF-- 1303 00:55:32,749 --> 00:55:34,918 YOU KNOW, OBVIOUSLY BEING AWAY FROM MY FAMILY, 1304 00:55:34,959 --> 00:55:36,544 BECAUSE WE'RE-- WE'RE VERY CLOSE. 1305 00:55:36,586 --> 00:55:37,545 - HEY. 1306 00:55:37,587 --> 00:55:39,047 - HI. 1307 00:55:39,089 --> 00:55:40,632 - MY SON, MAC-- 1308 00:55:40,674 --> 00:55:42,092 HE EVEN MENTIONED THAT HE MISSED HIS SISTER 1309 00:55:42,133 --> 00:55:43,093 THE OTHER DAY. 1310 00:55:43,134 --> 00:55:44,969 - THERE. - OH, THERE HE IS. 1311 00:55:45,011 --> 00:55:46,262 THERE HE IS. 1312 00:55:46,304 --> 00:55:47,806 - MAC. 1313 00:55:47,847 --> 00:55:49,349 - YAY, WE CAN SEE YOU, HONEY. CAN YOU HEAR US? 1314 00:55:49,391 --> 00:55:50,850 - I DON'T KNOW WHAT THE PROBLEM IS WITH THAT. 1315 00:55:50,892 --> 00:55:51,976 - OH, THERE WE ARE. - MM-HMM. 1316 00:55:52,018 --> 00:55:52,977 - OH, THERE WE GO. 1317 00:55:53,019 --> 00:55:55,146 OH, THAT'S OKAY. 1318 00:55:55,188 --> 00:55:57,023 IF THERE'S A WHITE BAR, THERE'S A WHITE BAR. 1319 00:55:57,065 --> 00:55:58,775 HI, HONEY. CAN YOU HEAR US? 1320 00:55:58,817 --> 00:55:59,818 - MM-HMM. 1321 00:55:59,859 --> 00:56:01,236 - CAN YOU? YAY. 1322 00:56:01,277 --> 00:56:02,696 YOU KNOW-- OH, DEAR. 1323 00:56:02,737 --> 00:56:05,365 IT JUST WENT AWAY, HONEY. 1324 00:56:05,407 --> 00:56:06,324 - [groans] - NO... 1325 00:56:06,366 --> 00:56:07,826 - [sighs] 1326 00:56:07,867 --> 00:56:09,285 - [groans] 1327 00:56:09,327 --> 00:56:11,371 - GEE WHIZ. 1328 00:56:11,413 --> 00:56:13,331 - THAT'S THE FIRST TIME MAC'S SEEN US. 1329 00:56:13,373 --> 00:56:16,084 - IN-- - A MONTH AND A HALF. 1330 00:56:16,126 --> 00:56:17,210 both: [sighing] 1331 00:56:17,252 --> 00:56:19,295 - THAT WAS SO CLOSE. 1332 00:56:19,337 --> 00:56:21,047 - DO YOU GET HOMESICK AT ALL? 1333 00:56:21,089 --> 00:56:24,092 - I DO EVERY ONCE IN A WHILE, 1334 00:56:24,134 --> 00:56:26,970 BUT SINCE I HAVE, LIKE, PICTURES OF MY FAMILY, 1335 00:56:27,012 --> 00:56:30,306 I SORT OF-- I'M OKAY. 1336 00:56:30,348 --> 00:56:33,226 - THE FAMILY, THE FAMILY. 1337 00:56:33,268 --> 00:56:35,645 THAT'S THE ONLY THING THAT I MISS. THE FAMILY. 1338 00:56:35,687 --> 00:56:38,023 - I JUST MISS THE WHOLE FEELING OF MISSOURI, 1339 00:56:38,064 --> 00:56:41,735 BECAUSE IT'S, LIKE, I MISS THE "COUNTRY" FEELING, 1340 00:56:41,776 --> 00:56:44,320 SO...YEAH. 1341 00:56:44,362 --> 00:56:46,990 AND A LOT OF MY RELATIVES, SO... 1342 00:56:47,032 --> 00:56:49,784 AND MY SISTER JUST HAD TWIN GIRLS, 1343 00:56:49,826 --> 00:56:53,288 AND I'M GOING TO HAVE TO WAIT, LIKE, TILL MAY TO SEE THEM. 1344 00:56:53,329 --> 00:56:57,000 SO I'M KIND OF UPSET ABOUT THAT, BUT... 1345 00:56:57,042 --> 00:56:59,294 I MISS THEM. 1346 00:57:02,339 --> 00:57:04,049 - OKAY, SO... 1347 00:57:04,090 --> 00:57:05,342 DO YOU HAVE THE LINES YET? 1348 00:57:05,383 --> 00:57:06,301 DO YOU HAVE THEM KIND OF MEMORIZED 1349 00:57:06,343 --> 00:57:08,053 WHERE YOU CAN DO IT WITHOUT LOOKING? 1350 00:57:08,094 --> 00:57:10,430 - YEAH, A LITTLE BIT. 1351 00:57:10,472 --> 00:57:12,599 I GUESS NOT REALLY. 1352 00:57:12,640 --> 00:57:15,060 - OKAY, LET'S DO IT ONE MORE TIME WITH LOOKING. 1353 00:57:15,101 --> 00:57:16,561 READY? 1354 00:57:16,603 --> 00:57:18,146 "HEY, WHAT ARE YOU DOING?" 1355 00:57:18,188 --> 00:57:20,648 - "DON'T YOU WANT SOME HELP?" 1356 00:57:20,690 --> 00:57:22,776 - "NO, THERE ARE SOME VALUABLE THINGS IN THAT BOX." 1357 00:57:22,817 --> 00:57:24,527 - "HOW ABOUT THIS ONE?" 1358 00:57:24,569 --> 00:57:26,237 - "YOUR MOTHER IS PROBABLY WONDERING WHERE YOU ARE." 1359 00:57:26,279 --> 00:57:28,948 - NO, SHE'S AT-- 1360 00:57:28,990 --> 00:57:31,576 - AND IT SHOULD BE, "OH, MY MOM KNOWS WHERE I AM. 1361 00:57:31,618 --> 00:57:32,786 SHE SAID IT WAS FINE." 1362 00:57:32,827 --> 00:57:34,412 - "OH, MY MOM KNOWS WHERE I AM. 1363 00:57:34,454 --> 00:57:36,331 SHE SAID IT WAS FINE." 1364 00:57:36,373 --> 00:57:38,166 - GOOD. VERY GOOD. 1365 00:57:38,208 --> 00:57:40,126 I LIKE YOUR-- I LIKE YOUR ATTITUDE ON THIS. 1366 00:57:40,168 --> 00:57:44,381 - WHEN HE ASKS FOR A HEADSHOT, I HAVE IT IN THERE? 1367 00:57:44,422 --> 00:57:46,257 - WELL, YOU DON'T EVEN WAIT FOR HIM TO ASK. 1368 00:57:46,299 --> 00:57:48,343 YOU JUST GIVE IT TO HIM, AND YOU TAKE OUT YOUR SCRIPT. 1369 00:57:48,385 --> 00:57:50,345 OKAY? 1370 00:57:59,437 --> 00:58:01,564 SO DID ROB ACTUALLY READ WITH YOU? 1371 00:58:01,606 --> 00:58:04,734 - HE'S LIKE, "PERFECT, PERFECT, PERFECT." 1372 00:58:04,776 --> 00:58:07,362 - SHE SAID THAT ROB SAID-- 1373 00:58:07,404 --> 00:58:08,738 I MEAN, SHE SHOWED ME THE HAND MOVEMENTS, 1374 00:58:08,780 --> 00:58:10,365 LIKE, THREE TIMES. 1375 00:58:10,407 --> 00:58:13,076 SHE SAID HE SAID, "PERFECT, PERFECT, PERFECT." 1376 00:58:13,118 --> 00:58:15,662 YEAH. 1377 00:58:24,337 --> 00:58:26,464 - [laughs mockingly] 1378 00:58:26,506 --> 00:58:28,174 NO ONE ELSE MET ROB. 1379 00:58:28,216 --> 00:58:29,175 [hums mockingly] 1380 00:58:29,217 --> 00:58:30,427 - WHAT? 1381 00:58:30,468 --> 00:58:32,429 - SAVANNAH. - SAVANNAH DAWN. 1382 00:58:32,470 --> 00:58:34,472 - JUST KIDDING. 1383 00:58:34,514 --> 00:58:37,267 - COME ON. 1384 00:58:47,527 --> 00:58:49,529 - I HIGHLY RECOMMEND IT. 1385 00:58:49,571 --> 00:58:51,865 IT'S JUST AMAZING. 1386 00:58:51,906 --> 00:58:53,783 MOST SUCCESSFUL PEOPLE LIKE TOM CRUISE 1387 00:58:53,825 --> 00:58:55,493 AND MOST OF THE CELEBRITIES IN HOLLYWOOD 1388 00:58:55,535 --> 00:58:57,537 ACTUALLY PRACTICE DIANETICS. 1389 00:58:57,579 --> 00:59:00,206 AND, UM, YEAH. 1390 00:59:00,248 --> 00:59:01,458 SO I DECIDED TO TRY IT, 1391 00:59:01,499 --> 00:59:04,419 AND THIS IS THE TRAINING CLASS WHICH I'VE TAKEN. 1392 00:59:04,461 --> 00:59:06,504 WAS VERY PROUD OF IT, BECAUSE IT TAKES USUALLY SIX MONTHS 1393 00:59:06,546 --> 00:59:09,007 TO FINISH IT, AND I FINISHED IT IN ONE DAY. 1394 00:59:09,049 --> 00:59:13,178 THEY ALSO ADVISED ME TO TAKE ADDITIONAL TRAINING CLASS. 1395 00:59:13,219 --> 00:59:17,474 THIS IS CONTINUATION-- IS DIANETICS EXTENSION COURSE. 1396 00:59:17,515 --> 00:59:19,142 AND I WILL BE DOING IT ONLINE. 1397 00:59:19,184 --> 00:59:20,143 AND THIS IS ACTUALLY-- 1398 00:59:20,185 --> 00:59:22,479 [laughs] 1399 00:59:22,520 --> 00:59:24,647 THIS IS-- UH, SEE-- 1400 00:59:24,689 --> 00:59:27,484 THIS IS ACTUALLY ANOTHER BOOK WHICH I'LL HAVE TO READ 1401 00:59:27,525 --> 00:59:28,651 IN THE NEXT TWO WEEKS. 1402 00:59:28,693 --> 00:59:30,278 [laughs] 1403 00:59:32,238 --> 00:59:33,406 - LET ME SEE... 1404 00:59:33,448 --> 00:59:35,575 A SILLY, HAPPY FACE. HAPPY. 1405 00:59:35,617 --> 00:59:38,578 - UM... 1406 00:59:38,620 --> 00:59:40,205 - ROLLING. 1407 00:59:40,246 --> 00:59:41,414 - AND ACTION. 1408 00:59:41,456 --> 00:59:44,250 [Tchaikovsky's Swan's Theme] 1409 00:59:44,292 --> 00:59:52,258 * * 1410 00:59:52,300 --> 00:59:53,718 AND CUT. 1411 00:59:53,760 --> 00:59:56,554 OKAY GUYS, THAT WAS GREAT. THANK YOU. 1412 00:59:56,596 --> 01:00:01,559 [cheers and applause] 1413 01:00:01,601 --> 01:00:04,938 - * HERE COMES PETER COTTONTAIL... * 1414 01:00:04,979 --> 01:00:06,439 - HAPPY EASTER. HAPPY SPRING, EVERYBODY. 1415 01:00:06,481 --> 01:00:08,066 - WOW. 1416 01:00:08,108 --> 01:00:10,151 - * HIPPITY HOPPIN' EASTER'S ON IT'S WAY * 1417 01:00:10,193 --> 01:00:11,152 - CAN I HAVE AN EVERYTHING BAGEL? 1418 01:00:11,194 --> 01:00:14,280 - EVERYTHING-- YOU GOT IT. 1419 01:00:14,322 --> 01:00:15,573 - THANK YOU. 1420 01:00:15,615 --> 01:00:16,950 - THINK THAT'S EVERYTHING. - YUP. 1421 01:00:16,991 --> 01:00:18,660 - HELLO, THERE, EVERYBODY. 1422 01:00:18,702 --> 01:00:21,079 HAPPY EASTER, HAPPY EASTER. 1423 01:00:21,121 --> 01:00:24,124 WOW, ARE YOU GUYS NEW ACTRESSES? 1424 01:00:24,165 --> 01:00:26,459 ARE YOU GUYS GOING TO BE IN THE MOVIES? 1425 01:00:26,501 --> 01:00:29,295 - WOW. - MAYBE ON TV, HUH? 1426 01:00:29,337 --> 01:00:30,630 - I WAS ON TV ONCE. 1427 01:00:30,672 --> 01:00:32,716 I HAVE A COUPLE OF CARTOON SPECIALS 1428 01:00:32,757 --> 01:00:34,050 THAT I'VE DONE. 1429 01:00:34,092 --> 01:00:35,552 NOW, AFTER YOU GUYS EAT YOUR CANDY, 1430 01:00:35,593 --> 01:00:38,388 YOU PRACTICE TO HOP AS HIGH AS YOU CAN, OKAY? 1431 01:00:38,430 --> 01:00:41,433 THAT WAY YOU CAN HOP OVER ALL OF THOSE OTHER STARS 1432 01:00:41,474 --> 01:00:42,934 WHO ARE TRYING TO MAKE IT 1433 01:00:42,976 --> 01:00:44,686 IN THIS DIFFICULT AND COMPETITIVE WORLD 1434 01:00:44,728 --> 01:00:46,146 OF LOS ANGELES, OKAY? 1435 01:00:46,187 --> 01:00:47,564 - HAPPY EASTER, EVERYBODY. - [laughs] 1436 01:00:47,605 --> 01:00:49,065 - IS THIS THE BAR? 1437 01:00:49,107 --> 01:00:52,110 I WILL COME BACK WHEN THERE ARE COCKTAILS. 1438 01:00:55,530 --> 01:00:58,283 - "KIDS LOVE CAPRI SUN BEVERAGES 1439 01:00:58,324 --> 01:01:00,869 "IN 14 REFRESHING FLAVORS. 1440 01:01:00,910 --> 01:01:05,165 "AND THEY'RE MADE WITH NO ARTIFICIAL COLORS, FLAVORS, 1441 01:01:05,206 --> 01:01:08,251 "OR PRESERVATIVES. 1442 01:01:12,255 --> 01:01:16,509 "AND THEY'RE MADE WITH NO ARTIFICIAL COLORS, FLAVORS, 1443 01:01:16,551 --> 01:01:17,844 "OR PRESERVATIVES. 1444 01:01:17,886 --> 01:01:20,764 "SO MOM DOESN'T NEED TO WORRY ABOUT ME 1445 01:01:20,805 --> 01:01:23,350 "HAVING THE GREAT TASTE I ENJOY. 1446 01:01:23,391 --> 01:01:24,642 "CAPRI SUN-- 1447 01:01:24,684 --> 01:01:28,980 25% LESS SUGAR, 100% COOL." 1448 01:01:29,022 --> 01:01:32,025 [whimsical music] 1449 01:01:50,710 --> 01:01:52,253 - YOU CAN GO AHEAD ALL THE WAY IN. 1450 01:01:52,295 --> 01:01:55,507 TELL EVERYONE TO GET IN HERE. 1451 01:01:58,718 --> 01:02:03,139 - HI, MY NAME IS KENYA. [indistinct] 1452 01:02:05,141 --> 01:02:08,812 * OH, NIGHT * 1453 01:02:08,853 --> 01:02:13,024 * WHEN CHRIST WAS BORN * 1454 01:02:13,066 --> 01:02:17,654 * OH NIGHT * 1455 01:02:17,696 --> 01:02:24,786 [sings loud, high-pitched note] 1456 01:02:24,828 --> 01:02:26,496 * OH, NIGHT * 1457 01:02:26,538 --> 01:02:29,582 [continues singing indistinct] 1458 01:02:34,671 --> 01:02:38,425 [applause] - THANK YOU. 1459 01:02:38,466 --> 01:02:40,593 - I DID SAY WE CAN JUST LEAVE. 1460 01:02:40,635 --> 01:02:42,721 WE CAN JUST SAY, "OOPS, SORRY." 1461 01:02:42,762 --> 01:02:43,722 - NO, I WASN'T GOING TO DO THAT. 1462 01:02:43,763 --> 01:02:45,306 - WELL, THAT'S ALWAYS OKAY. 1463 01:02:45,348 --> 01:02:46,349 - [sighs] 1464 01:02:49,936 --> 01:02:53,815 - THIS ISN'T AN IDEA WORLD, AND--AND I'M VERY, UM, 1465 01:02:53,857 --> 01:02:56,776 I--I'M VERY NAIVE IN KNOWING, YOU KNOW, 1466 01:02:56,818 --> 01:02:58,737 WHAT SOMEBODY WOULD BE WILLING TO DO FOR SHANNA 1467 01:02:58,778 --> 01:03:00,113 WITHOUT THE EXPERIENCE, BUT I JUST-- 1468 01:03:00,155 --> 01:03:02,365 IF WE COULD GET-- GO OUT ON MORE AUDITIONS, 1469 01:03:02,407 --> 01:03:04,951 I--I JUST FIRMLY BELIEVE SHE'LL DO WELL. 1470 01:03:04,993 --> 01:03:06,286 YOU KNOW-- 1471 01:03:06,327 --> 01:03:08,747 - SO YOU'RE WANTING TO CHANGE YOUR AGENCY? 1472 01:03:08,788 --> 01:03:11,750 - BILL'S A SUPER, SUPER GOOD GUY. 1473 01:03:11,791 --> 01:03:14,794 IF WE COULD FIND SOMEBODY WHO REALLY HAS--IS-- 1474 01:03:14,836 --> 01:03:17,714 - SPECIALIZED MORE IN THEATRICAL-- 1475 01:03:17,756 --> 01:03:21,718 - IT COULD BE A CONFLICT FOR HIM. 1476 01:03:21,760 --> 01:03:23,678 - I'M KIND OF HAVING TO REMOVE MYSELF AT THIS POINT. 1477 01:03:23,720 --> 01:03:26,765 I AM TO THE POINT WHERE I'M NOT HELPING. 1478 01:03:26,806 --> 01:03:29,142 I--YOU KNOW, I MAY BE EVEN HINDERING MORE THAN I'M HELPING. 1479 01:03:29,184 --> 01:03:30,643 - RIGHT. 1480 01:03:30,685 --> 01:03:32,771 - YOU KNOW, I'M JUST TRYING TO DO WHAT'S BEST TO-- 1481 01:03:32,812 --> 01:03:35,857 YOU KNOW, TO HELP HER ALONG. 1482 01:03:35,899 --> 01:03:37,776 - WELL, FIRST OFF, WE DON'T HAVE AN AGENT. 1483 01:03:37,817 --> 01:03:39,611 I HAVE SUBMITTED MEGAN TO, I DON'T KNOW, 1484 01:03:39,652 --> 01:03:43,740 SOMETHING STUPID, LIKE, 65 PROJECTS THIS YEAR, 1485 01:03:43,782 --> 01:03:47,410 AND NOT GOTTEN ONE CALL, 1486 01:03:47,452 --> 01:03:50,121 UH, FOR AN AUDITION. 1487 01:03:50,163 --> 01:03:52,332 - EXCEPT NOW. - EXCEPT FOR NOW. 1488 01:03:52,374 --> 01:03:56,044 AND WHEN WE GOT THE AUDITION, THEY SAID TO READ THE SCRIPT. 1489 01:03:56,086 --> 01:03:58,713 I JUST ABOUT DIED. 1490 01:03:58,755 --> 01:04:00,840 MEGAN AND I STAYED UP UNTIL 2:00 IN THE MORNING. 1491 01:04:00,882 --> 01:04:02,175 I COULDN'T BELIEVE IT. 1492 01:04:02,217 --> 01:04:05,804 WHEN I FIRST READ IT, I COULDN'T BELIEVE THE LANGUAGE. 1493 01:04:05,845 --> 01:04:08,431 MEGAN KEPT SAYING, "OH MY GOSH, OH MY GOSH." 1494 01:04:08,473 --> 01:04:10,100 AND I EXPLAINED TO HER-- I SAID, 1495 01:04:10,141 --> 01:04:14,187 "MEGAN, THIS LITTLE GIRL IS A HERMAPHRODITE..." 1496 01:04:14,229 --> 01:04:16,189 DITE--I DON'T KNOW HOW YOU SAY IT, 1497 01:04:16,231 --> 01:04:17,565 BUT SHE SAID, "I'M NOT DOING IT. 1498 01:04:17,607 --> 01:04:18,775 I'M NOT AUDITIONING FOR THAT." 1499 01:04:18,817 --> 01:04:21,111 I GET UP THE NEXT DAY, I CALL HER DAD. 1500 01:04:21,152 --> 01:04:22,862 OH, HER DAD GOES, "WELL, YOU TELL HER 1501 01:04:22,904 --> 01:04:25,115 "THAT IF SHE DOESN'T AUDITION FOR THIS MOVIE, 1502 01:04:25,156 --> 01:04:27,951 SHE'S COMING HOME." 1503 01:04:27,992 --> 01:04:29,369 SO... 1504 01:04:29,411 --> 01:04:31,663 - AND SO WE'RE GOING TO THE AUDITION RIGHT NOW, 1505 01:04:31,705 --> 01:04:33,373 AND YEAH. 1506 01:04:33,415 --> 01:04:34,791 WE'RE GOING TO THE AUDITION. 1507 01:04:34,833 --> 01:04:37,877 - WHEN SHE WALKS IN, THEY'RE GOING TO FLIP THEIR LID. 1508 01:04:37,919 --> 01:04:39,087 WHO CARES? 1509 01:04:39,129 --> 01:04:40,422 YOU KNOW WHAT? 1510 01:04:40,463 --> 01:04:43,800 TRISHA SIMMONS SAYS, "YOU KNOW WHAT? 1511 01:04:43,842 --> 01:04:47,512 "SOMETIMES YOU JUST HAVE TO TAKE IT OVER THE TOP, BECAUSE--" 1512 01:04:47,554 --> 01:04:48,930 NOT WAY OVER THE TOP, 1513 01:04:48,972 --> 01:04:49,889 BUT THAT'S PRETTY WAY OVER THE TOP. 1514 01:04:49,931 --> 01:04:52,142 I SAID, "WHO CARES?" [scoffs] 1515 01:04:52,183 --> 01:04:55,186 EITHER THEY WANT HER OR THEY DON'T. 1516 01:05:02,944 --> 01:05:04,529 - [laughs] OH, LOOK AT YOU ALL DOLLED UP. 1517 01:05:04,571 --> 01:05:06,281 - THANK YOU. THANK YOU VERY MUCH. 1518 01:05:06,322 --> 01:05:08,158 - I LOVE THE GLASSES, BUT WE JUST NEED TO TAKE 'EM OFF. 1519 01:05:08,199 --> 01:05:09,492 - YEAH, I KNOW. - [indistinct] 1520 01:05:09,534 --> 01:05:11,161 - "OH, WOW! 1521 01:05:11,202 --> 01:05:13,079 J.LO USED TO BE A DANCER ON IN LIVING COLOR?" 1522 01:05:13,121 --> 01:05:14,622 SO GHETTO. 1523 01:05:14,664 --> 01:05:16,624 - "I'M GONNA CHOP OFF THAT BITCH'S LITTLE PECKER 1524 01:05:16,666 --> 01:05:18,209 "THE NEXT TIME I SEE HER. 1525 01:05:18,251 --> 01:05:19,794 "I MEAN, WHO CARES ABOUT HER EFFIN' WEE-WEE? 1526 01:05:19,836 --> 01:05:21,796 I NEED TO SCAR HER FOR LIFE LIKE SHE DID MOI." 1527 01:05:21,838 --> 01:05:24,341 - "OH, DID YOU SEE THOSE BLACKIES BREAKING IT DOWN? 1528 01:05:24,382 --> 01:05:25,675 LIKE, OH, MY GOD." 1529 01:05:25,717 --> 01:05:26,843 - "MELLOW YELLOW, LUCY GOOSEY." 1530 01:05:26,885 --> 01:05:29,346 - "YOU'RE ACTING KIND OF CRAZY, BETSY BIOTCH. 1531 01:05:29,387 --> 01:05:31,598 "MAYBE YOU SHOULD MAX AND RELAX A BIT? 1532 01:05:31,639 --> 01:05:32,891 YOU DON'T WANT TO GET WRINKLES." 1533 01:05:32,932 --> 01:05:34,559 "PIPE IT, BITCH. 1534 01:05:34,601 --> 01:05:36,728 I MADE YOU, AND I CAN BREAK YOU IN AN INSTANT." 1535 01:05:39,439 --> 01:05:40,940 [laughs] - AND CUT. 1536 01:05:40,982 --> 01:05:42,275 - GOOD JOB. - THANK YOU. 1537 01:05:42,317 --> 01:05:44,110 - GREAT OUTFIT. - THANK YOU. 1538 01:05:44,152 --> 01:05:45,695 - THAT'S IT. IT WAS REALLY NICE TO MEET YOU. 1539 01:05:45,737 --> 01:05:47,864 - THANKS. NICE TO MEET YOU TOO. 1540 01:05:47,906 --> 01:05:49,282 HUH? - TAKE CARE. 1541 01:05:49,324 --> 01:05:50,909 - OKAY. - [laughs] 1542 01:05:50,950 --> 01:05:52,660 - [laughs] I WAS, LIKE--OKAY. 1543 01:05:52,702 --> 01:05:55,705 - BYE. - BYE. 1544 01:05:57,707 --> 01:06:00,585 - I THINK THAT WENT REALLY GOOD. WHAT DO YOU THINK, MOM? 1545 01:06:00,627 --> 01:06:01,586 - MEGAN-- 1546 01:06:01,628 --> 01:06:02,796 - WHAT DO YOU THINK, MOM? 1547 01:06:02,837 --> 01:06:04,714 - I THINK IT SOUNDS LIKE IT WENT REALLY GOOD. 1548 01:06:04,756 --> 01:06:06,549 - 'CAUSE I THINK THEY'LL GIVE ME A CALLBACK 1549 01:06:06,591 --> 01:06:09,844 BECAUSE--AT LEAST A CALLBACK, BECAUSE OF HOW I DRESSED. 1550 01:06:09,886 --> 01:06:10,845 - YEAH. 1551 01:06:10,887 --> 01:06:12,055 - 'CAUSE THEY'LL REMEMBER ME. 1552 01:06:12,097 --> 01:06:13,348 - LET'S SEE. 1553 01:06:13,390 --> 01:06:16,226 HOPEFULLY YOU'LL GET A CALLBACK. 1554 01:06:20,021 --> 01:06:21,231 - THIS IS A SAYING-- 1555 01:06:21,272 --> 01:06:23,566 "LOS ANGELES IS THE ONLY CITY 1556 01:06:23,608 --> 01:06:25,568 WHERE YOU CAN DIE OF ENCOURAGEMENT." 1557 01:06:25,610 --> 01:06:26,945 - [laughs] 1558 01:06:26,986 --> 01:06:28,780 YOU KNOW, IT'S TRUE. 1559 01:06:28,822 --> 01:06:29,823 - YOU KNOW, I SEE STILL WITH ACTORS, 1560 01:06:29,864 --> 01:06:31,449 YOU KNOW, MY AGE AND OLDER. 1561 01:06:31,491 --> 01:06:33,535 WHO STILL ARE-- "IT'S GOING TO HAPPEN." 1562 01:06:33,576 --> 01:06:35,620 NO, IT'S NOT. IT'S JUST NOT GOING TO HAPPEN. 1563 01:06:35,662 --> 01:06:38,707 AND YOU DON'T--YOU DON'T WANT TO TELL THAT TO A KID. 1564 01:06:38,748 --> 01:06:42,752 - UM, WE HAVE A SPRING BREAK PROGRAM WHICH IS NEXT WEEKEND 1565 01:06:42,794 --> 01:06:44,129 THAT WAS IN YOUR PACKET. 1566 01:06:44,170 --> 01:06:47,424 WE HAVE SEVERAL COUPONS HERE THAT YOU CAN APPLY 1567 01:06:47,465 --> 01:06:50,552 TO ANY FACILITY AND OR RESOURCE AT THE EXPOSURE STUDIO. 1568 01:06:50,593 --> 01:06:51,970 THESE ARE $50 COUPONS. 1569 01:06:52,012 --> 01:06:54,431 SO, LITERALLY SPEAKING, WE CAN GIVE YOU EVERYTHING 1570 01:06:54,472 --> 01:06:56,266 THAT YOU NEED ALL IN THE SAME BUILDING. 1571 01:06:56,307 --> 01:06:58,893 I AM A HEADSHOT PHOTOGRAPHER AND A FASHION PHOTOGRAPHER. 1572 01:06:58,935 --> 01:07:01,104 RPM TALENT AGENCY, WHICH IS TIFFANY, 1573 01:07:01,146 --> 01:07:03,356 AND THEN WE HAVE THE ACTOR'S ANNEX, 1574 01:07:03,398 --> 01:07:05,025 WHICH IS OUR ACTING SCHOOL. 1575 01:07:05,066 --> 01:07:06,818 - ACTORS DON'T FAIL. THEY QUIT. 1576 01:07:06,860 --> 01:07:09,237 - AND YOU'RE NOT QUITTERS. YOU'RE ACTORS. 1577 01:07:09,279 --> 01:07:10,822 IT'S WHAT YOU DO. 1578 01:07:10,864 --> 01:07:12,198 - BECAUSE YOU'RE JUST ONE MORE AUDITION AWAY 1579 01:07:12,240 --> 01:07:13,366 FROM BOOKING THAT BIG JOB. 1580 01:07:13,408 --> 01:07:15,118 - MM-HMM. 1581 01:07:15,160 --> 01:07:16,703 - ALL OF YOU, HOW MANY OF YOU HAD CALLBACKS RECENTLY? 1582 01:07:16,745 --> 01:07:18,997 OKAY. BOOKINGS? BOOKINGS? 1583 01:07:19,039 --> 01:07:20,874 - I GOT A CALLBACK FOR A SPEAKING ROLE 1584 01:07:20,915 --> 01:07:22,876 ON CURB YOUR ENTHUSIASM WITH LARRY DAVID. 1585 01:07:22,917 --> 01:07:24,377 - GREAT. 1586 01:07:24,419 --> 01:07:26,504 - EARLIER TODAY, I SHOT FOR THIS SHOW CALLED 1587 01:07:26,546 --> 01:07:27,881 SOUTHLAND. 1588 01:07:27,922 --> 01:07:29,507 [laughter] 1589 01:07:29,549 --> 01:07:31,593 - ...PLAYHOUSE DISNEY CALLED DANCE-A-LOT, 1590 01:07:31,634 --> 01:07:33,887 AND I THINK I'M ON THE LAST CALLBACK FOR THEM. 1591 01:07:33,928 --> 01:07:35,347 - YEAH. - GOOD. 1592 01:07:35,388 --> 01:07:38,725 - I'M HAPPY TO MEET WITH ANYBODY WHO'S LOOKING FOR AN AGENT. 1593 01:07:38,767 --> 01:07:40,477 I'M HERE TO ANSWER ANY QUESTIONS. 1594 01:07:40,518 --> 01:07:42,854 ONE OF THE REASONS WHY I LOVE THE EXPOSURE STUDIO 1595 01:07:42,896 --> 01:07:44,689 IS THAT THEY GENUINELY CARE, 1596 01:07:44,731 --> 01:07:46,608 AND REALLY HAVE GREAT STUFF TO OFFER. 1597 01:07:46,649 --> 01:07:49,527 SO IT'S KIND OF A MECCA. 1598 01:07:49,569 --> 01:07:51,071 YOU GUYS SHOULD COME CHECK IT OUT. 1599 01:07:56,159 --> 01:07:58,036 - WHEN I SEE YOU, SHANNA, 1600 01:07:58,078 --> 01:08:00,121 YOU LOOK LIKE YOU WERE BORN TO DO THIS BUSINESS. 1601 01:08:00,163 --> 01:08:02,040 - [laughs] 1602 01:08:02,082 --> 01:08:03,917 - OKAY? YOU LOOK LIKE YOU'RE-- I MEAN, YOU GOT A GREAT LOOK, 1603 01:08:03,958 --> 01:08:05,251 THE SHOTS ARE REALLY GREAT. 1604 01:08:05,293 --> 01:08:07,462 I THINK THERE'S SOME MORE STUFF THAT WE COULD ADD TO IT, 1605 01:08:07,504 --> 01:08:10,090 BUT THE ONES THAT YOU DO HAVE ARE VERY BEAUTIFUL. 1606 01:08:10,131 --> 01:08:13,551 I THINK WHAT YOU'RE MISSING IS SOME PONYTAILS... 1607 01:08:13,593 --> 01:08:14,886 - MM-HMM. 1608 01:08:14,928 --> 01:08:16,763 - MAYBE SOME BRAIDS WITH, LIKE, 1609 01:08:16,805 --> 01:08:20,100 A SCHOOLGIRL OUTFIT AND GLASSES. 1610 01:08:20,141 --> 01:08:21,267 HAVE YOU HAD ANY BOOKINGS YET? 1611 01:08:21,309 --> 01:08:22,268 - NO BOOKINGS YET. 1612 01:08:22,310 --> 01:08:24,938 - OKAY, THAT WILL HAPPEN. 1613 01:08:24,979 --> 01:08:26,523 THAT WILL HAPPEN FOR SURE. 1614 01:08:26,564 --> 01:08:28,108 - I WOULD LOVE TO OFFER YOU REPRESENTATION. 1615 01:08:28,149 --> 01:08:29,484 - YAY. 1616 01:08:29,526 --> 01:08:31,277 - I THINK WE COULD DO SO MUCH FOR YOU. 1617 01:08:31,319 --> 01:08:33,613 UM, I THINK YOU'VE GOT A BEAUTIFUL FUTURE AHEAD. 1618 01:08:33,655 --> 01:08:35,115 - AWESOME. THANK YOU. 1619 01:08:35,156 --> 01:08:36,366 - YOU'RE SO WELCOME. WELCOME ABOARD. 1620 01:08:36,408 --> 01:08:40,912 - THANK YOU VERY SO MUCH. - ABSOLUTELY. 1621 01:08:40,954 --> 01:08:42,997 - I'LL INTRODUCE YOU GUYS TO SOMEBODY 1622 01:08:43,039 --> 01:08:45,500 WHO IS IN OUR BUILDING DOWNSTAIRS, WHO'S FABULOUS. 1623 01:08:45,542 --> 01:08:46,584 OKAY, GREAT. ALL RIGHT. 1624 01:08:46,626 --> 01:08:51,131 COME WITH ME. 1625 01:08:51,172 --> 01:08:52,716 BUT I THINK YOU'VE GOT A GREAT LOOK. 1626 01:08:52,757 --> 01:08:54,509 I THINK WITH THE RIGHT MARKETING TOOLS 1627 01:08:54,551 --> 01:08:57,137 AND WITH AN AGENCY THAT'S, YOU KNOW, REALLY PUSHING 1628 01:08:57,178 --> 01:08:59,305 AND PITCHING YOU, YOU'RE GOING TO GO VERY FAR. 1629 01:08:59,347 --> 01:09:02,142 YOU NEED NEW HEADSHOTS BAD. 1630 01:09:02,183 --> 01:09:07,147 WHAT YOU WANT IS THIS GIRL IN BRAIDS WITH MAYBE GLASSES, 1631 01:09:07,188 --> 01:09:09,107 MAYBE A LITTLE SCHOOLGIRL OUTFIT. 1632 01:09:09,149 --> 01:09:10,817 - MM-HMM. - YEAH. 1633 01:09:10,859 --> 01:09:12,652 - YOU KNOW, YOU WANT THIS GIRL TO BE THE, YOU KNOW, 1634 01:09:12,694 --> 01:09:14,404 TOP OF THE CHEERLEADING TRIANGLE. 1635 01:09:14,446 --> 01:09:18,241 SO CURLIER HAIR, YOU KNOW, SASSY PINK OUTFIT. 1636 01:09:18,283 --> 01:09:20,118 OR MAYBE EVEN A CHEERLEADING OUTFIT. 1637 01:09:20,160 --> 01:09:21,578 - SO YOU'RE INTERESTED IN HER? - VERY MUCH. 1638 01:09:21,619 --> 01:09:24,497 - OKAY, BECAUSE I DIDN'T WANT TO GO AND TAKE PICTURES 1639 01:09:24,539 --> 01:09:27,459 AND THEN GO TO ANOTHER AGENCY, 1640 01:09:27,500 --> 01:09:29,044 AND THEN THEY GO, "NO, WE WANT TO--" 1641 01:09:29,085 --> 01:09:30,670 OKAY, YOU'RE SAYING THAT YOU'RE REAL INTERESTED. 1642 01:09:30,712 --> 01:09:32,005 - YEAH, ABSOLUTELY. 1643 01:09:32,047 --> 01:09:34,549 [laughter] 1644 01:09:34,591 --> 01:09:36,134 - WHY DON'T I TAKE YOU DOWNSTAIRS? 1645 01:09:36,176 --> 01:09:38,011 I'D LIKE TO INTRODUCE YOU GUYS 1646 01:09:38,053 --> 01:09:39,888 TO A WONDERFUL PHOTOGRAPHER IN OUR BUILDING. 1647 01:09:39,929 --> 01:09:42,349 WE'VE GOT A WONDERFUL ACTING SCHOOL TOO. 1648 01:09:42,390 --> 01:09:45,268 AND THEY GIVE OUR CLIENTS REALLY GOOD DISCOUNTS AND DEALS. 1649 01:09:45,310 --> 01:09:48,063 AND NO WAY ARE YOU PRESSURED TO DO ANYTHING. 1650 01:09:48,104 --> 01:09:49,230 YOU KNOW, AND AGAIN, WE'RE ALL SEPARATE. 1651 01:09:49,272 --> 01:09:51,107 THIS IS JUST A GOOD PLACE TO REFER YOU. 1652 01:09:51,149 --> 01:09:53,068 - OKAY, WELL THAT'S GREAT. - WELL, GOOD. 1653 01:09:53,109 --> 01:09:55,904 - WELL, IT'S REAL NICE-- WELCOME ABOARD, MY DEAR. 1654 01:09:59,115 --> 01:10:00,075 - SO THESE ARE THE SETS THAT WE USE. 1655 01:10:00,116 --> 01:10:01,910 - OH, THIS IS SUPER. 1656 01:10:01,951 --> 01:10:04,996 - AND WE CAN EVEN--WE CAN EVEN GO BACK HERE TO THE BEACH. 1657 01:10:05,038 --> 01:10:06,373 YOU WANT TO LOOK LIKE YOU'RE-- 1658 01:10:06,414 --> 01:10:08,958 YOU'RE IN FRONT OF A GRASS HUT AT TAHITI? 1659 01:10:09,000 --> 01:10:10,043 - WHOA. - WELL, WE'VE GOT IT. 1660 01:10:10,085 --> 01:10:12,212 - AWESOME, AWESOME. 1661 01:10:12,253 --> 01:10:14,047 - CAN I SEE-- CAN I SEE YOUR PORTFOLIO? 1662 01:10:14,089 --> 01:10:15,048 IS THAT YOUR PORTFOLIO? 1663 01:10:15,090 --> 01:10:16,049 - YEAH. - WHERE ARE YOU FROM? 1664 01:10:16,091 --> 01:10:17,509 - DENVER. 1665 01:10:17,550 --> 01:10:18,843 - OKAY, I DON'T KNOW THE DENVER PEOPLE. 1666 01:10:18,885 --> 01:10:22,013 - IF WE SHOOT, I'M GOING TO CHANGE FIVE DIFFERENT MOVIES, 1667 01:10:22,055 --> 01:10:26,101 FIVE DIFFERENT CAMPAIGNS SO THAT YOU SHOW YOUR AGENT 1668 01:10:26,142 --> 01:10:29,604 THAT YOU HAVE FIVE DIFFERENT CATEGORIES OF MONEY. 1669 01:10:29,646 --> 01:10:31,481 - THAT'S KEY. - THAT'S KEY. 1670 01:10:31,523 --> 01:10:34,317 OTHERWISE, GOD BLESS YOU, YOU LOOK GORGEOUS 1671 01:10:34,359 --> 01:10:35,819 AND THE PHOTOGRAPHER WAS VERY GOOD. 1672 01:10:35,860 --> 01:10:38,488 HE KIND OF GETS SOME SIMILAR KIND OF STUFF 1673 01:10:38,530 --> 01:10:40,073 THAT REALLY DOESN'T GO, "OH, MY GOSH, 1674 01:10:40,115 --> 01:10:41,574 "IS THAT THE SAME PERSON? 1675 01:10:41,616 --> 01:10:44,035 LOOK HOW DIFFERENT SHE IS IN THIS SHOT." 1676 01:10:44,077 --> 01:10:47,831 MOST PHOTOGRAPHERS DON'T GIVE YOU THAT INSPIRATION 1677 01:10:47,872 --> 01:10:49,416 TO GUIDE YOU AND DIRECT YOU. 1678 01:10:49,457 --> 01:10:51,292 MOST OF THEM GO, "GOOD LUCK." 1679 01:10:51,334 --> 01:10:53,211 YOU KNOW, I'M NOT TRYING TO SELL THEM ANYTHING, 1680 01:10:53,253 --> 01:10:54,254 BUT YOU SHOULD MENTION THAT OUR WEEKEND BOOT CAMP 1681 01:10:54,295 --> 01:10:56,089 WE HAVE COMING UP. 1682 01:10:56,131 --> 01:10:57,924 WE ACTUALLY HAVE THE HEAD CASTER FROM WIZARDS OF WAVERLY. 1683 01:10:57,966 --> 01:10:59,884 AMAZING, I MEAN, DON'T GET IN FRONT OF HIM 1684 01:10:59,926 --> 01:11:00,885 IF YOU'RE NOT READY TO BOOK. 1685 01:11:00,927 --> 01:11:02,554 - RIGHT, RIGHT. 1686 01:11:02,595 --> 01:11:04,222 - WE HAVE ALL THESE SETS. - OH, THIS IS SO COOL. 1687 01:11:04,264 --> 01:11:05,265 - WE GOT 15 SETS OUT HERE 1688 01:11:05,306 --> 01:11:07,100 THAT JIM USES FOR BACKGROUNDS 1689 01:11:07,142 --> 01:11:08,643 FOR HIS PHOTOGRAPHY AND EVERYTHING. 1690 01:11:08,685 --> 01:11:10,603 AND WE ALSO BRING OUR ACTORS OUT HERE. 1691 01:11:10,645 --> 01:11:12,689 - OH, THAT'S SO-- 1692 01:11:12,731 --> 01:11:14,357 - SHE'S GOING TO FIND THESE CLASSES ARE SO MUCH DIFFERENT 1693 01:11:14,399 --> 01:11:15,442 THAN WHAT SHE'S TAKING. 1694 01:11:15,483 --> 01:11:16,776 - OH, YEAH, SHE'LL LOVE IT. 1695 01:11:16,818 --> 01:11:18,278 - I CAN GUARANTEE IT. - SHE'LL LOVE IT. 1696 01:11:18,319 --> 01:11:19,320 - I LOVE THIS ALREADY. 1697 01:11:19,362 --> 01:11:20,947 - SINCE SHE WAS EIGHT YEARS OLD, 1698 01:11:20,989 --> 01:11:23,033 SHE WAS PUT IN AN ALL-ADULT ACTING CLASS... 1699 01:11:23,074 --> 01:11:24,034 - OH, NO. 1700 01:11:24,075 --> 01:11:25,410 - THIS WOULD BE LIKE A PICNIC. 1701 01:11:25,452 --> 01:11:27,162 [laughs] 1702 01:11:27,203 --> 01:11:29,372 - WELL, I'LL TELL YOU, IT'S GOING TO BE CHALLENGING. 1703 01:11:29,414 --> 01:11:30,957 FOR US, IT'S ALL ABOUT GETTING THE CALLBACK. 1704 01:11:30,999 --> 01:11:32,208 WE WANT THEM TO GET THE CALLBACK. 1705 01:11:32,250 --> 01:11:35,086 - THIS IS SO--THIS IS-- I'M GOING TO START CRYING. 1706 01:11:35,128 --> 01:11:36,421 - [laughs] - OH, MY GOD. 1707 01:11:36,463 --> 01:11:38,131 THANK YOU. 1708 01:11:38,173 --> 01:11:41,092 - THIS IS SO AWESOME, SO AWESOME. 1709 01:11:41,134 --> 01:11:42,844 - OH, WOW. 1710 01:11:42,886 --> 01:11:44,429 - THAT'S AWESOME, ISN'T IT? 1711 01:11:44,471 --> 01:11:47,098 - OH, I'M SO EXCITED. 1712 01:11:47,140 --> 01:11:48,350 - OKAY, OKAY. 1713 01:11:48,391 --> 01:11:50,518 [laughs] DAD, SERIOUSLY, 1714 01:11:50,560 --> 01:11:52,062 ISN'T THAT AWESOME? 1715 01:11:52,103 --> 01:11:54,564 [laughs] I LOVE YOU. 1716 01:11:54,606 --> 01:11:56,900 BYE. 1717 01:11:56,941 --> 01:11:58,568 OH, YEAH. 1718 01:11:58,610 --> 01:12:00,945 OH, YEAH, I'M CELEBRATING. 1719 01:12:00,987 --> 01:12:02,030 [laughs] 1720 01:12:02,072 --> 01:12:03,031 [lip-syncing] 1721 01:12:03,073 --> 01:12:04,157 - * NEXT THING YOU KNOW * 1722 01:12:04,199 --> 01:12:06,034 * SHORTY GOT LOW, LOW, LOW * 1723 01:12:06,076 --> 01:12:07,786 - AND THAT'S AN OLD SONG, RIGHT? 1724 01:12:07,827 --> 01:12:08,787 - [laughs] 1725 01:12:08,828 --> 01:12:10,997 - GET UP, YOU WEIRDO. 1726 01:12:11,039 --> 01:12:12,040 - [laughs] 1727 01:12:16,211 --> 01:12:17,379 - UH-UH. 1728 01:12:17,420 --> 01:12:19,172 I'M CANCELING PAYMENT ON THAT CHECK. 1729 01:12:19,214 --> 01:12:20,590 - YEAH. 1730 01:12:20,632 --> 01:12:21,508 - WHICH IS WHAT I TOLD THE GUY TODAY. 1731 01:12:21,549 --> 01:12:22,175 - THAT'S ACTUALLY WHAT SHE SAID. 1732 01:12:22,217 --> 01:12:23,551 SHE WAS, LIKE, "I'M CANCELING THE PAYMENT 1733 01:12:23,593 --> 01:12:25,261 ON THE CHECK." 1734 01:12:25,303 --> 01:12:26,805 UM, IF YOU WANT ME TO PAY FOR THAT CLASS, I WILL, 1735 01:12:26,846 --> 01:12:28,390 BUT I'M CANCELING THE REST OF THE PAYMENT. 1736 01:12:28,431 --> 01:12:31,184 - I SAID, "BECAUSE THIS IS JUST NOT WHAT WE THOUGHT IT WAS. 1737 01:12:31,226 --> 01:12:33,103 AND THIS IS NOT WHERE MY DAUGHTER IS." 1738 01:12:33,144 --> 01:12:35,397 - HE GOES, "WELL, I GUESS WE CAN LOOK FORWARD TO HER 1739 01:12:35,438 --> 01:12:39,067 BOOKING SOMETHING REALLY BIG, REALLY SOON." 1740 01:12:39,109 --> 01:12:40,944 - AND I GO, "WELL, I GUESS WE CAN." 1741 01:12:40,985 --> 01:12:45,115 I'M THINKING THOUGH ALL HELL'S GOING TO BREAK LOOSE 1742 01:12:45,156 --> 01:12:48,118 WHEN THIS AGENT FINDS OUT THAT WE SAID 1743 01:12:48,159 --> 01:12:49,953 "NO, WE'RE NOT DOING THIS ACTING CLASS." 1744 01:12:49,994 --> 01:12:52,205 - AND YOU'RE NOT, UH, WE'RE GOING TO CANCEL THE CHECK. 1745 01:12:52,247 --> 01:12:54,916 - OKAY, NOW THE NEXT STEP... 1746 01:12:54,958 --> 01:12:55,917 - AND PLUS-- 1747 01:12:55,959 --> 01:12:56,918 - IS THE PHOTOGRAPHER. 1748 01:12:56,960 --> 01:12:58,128 - WHICH-- 1749 01:12:58,169 --> 01:12:59,629 - HE'S RIGHT IN THE SAME BUILDING. 1750 01:12:59,671 --> 01:13:02,590 - NO, WHICH IS THE, UH--WHICH IS THE, UH... 1751 01:13:02,632 --> 01:13:04,801 THE--OUR AGENT'S HUSBAND. 1752 01:13:04,843 --> 01:13:06,261 - YEAH. 1753 01:13:06,302 --> 01:13:08,805 - IF--IF WE TAKE PHOTOS WITH THE HUSBAND, 1754 01:13:08,847 --> 01:13:10,265 WE'RE PROBABLY BE GOING ON A LOT, 1755 01:13:10,306 --> 01:13:12,183 BUT IF WE DON'T TAKE THINGS FROM HER HUSBAND, 1756 01:13:12,225 --> 01:13:13,601 THEN WE PROBABLY WON'T. 1757 01:13:13,643 --> 01:13:16,479 - [sighs] THAT'S THE WHOLE THING RIGHT THERE. 1758 01:13:16,521 --> 01:13:18,106 - 'CAUSE SHE'LL BE, LIKE, 1759 01:13:18,148 --> 01:13:19,274 "WHAT, DO YOU HAVE A PROBLEM WITH MY HUSBAND?" 1760 01:13:19,315 --> 01:13:20,859 - NO, SHE'LL BE SAYING THAT YOU'RE--YOU'RE-- 1761 01:13:20,900 --> 01:13:22,527 "I DON'T GET IT. 1762 01:13:22,569 --> 01:13:24,362 YOUR PICTURES JUST MIGHT-- MUST NOT BE WORKING." 1763 01:13:24,404 --> 01:13:28,324 I'M NOT QUESTIONING THE FACT THAT WE'RE STILL IN THE GAME, 1764 01:13:28,366 --> 01:13:31,077 BUT I'M QUESTIONING THE FACT AS TO WHETHER OR NOT 1765 01:13:31,119 --> 01:13:33,830 YOU CAN REALLY WIN THE GAME. 1766 01:13:33,872 --> 01:13:36,249 EVEN IF YOU'VE GOT ALL THE TALENT, 1767 01:13:36,291 --> 01:13:39,210 I DON'T KNOW IF YOU CAN REALLY WIN THE GAME. 1768 01:13:39,252 --> 01:13:44,090 I'VE LITERALLY BEEN STANDING HERE THROWING UP IN THIS SINK. 1769 01:13:44,132 --> 01:13:47,677 THAT IS WHAT THIS TOWN WILL DO TO YOU. 1770 01:13:55,977 --> 01:13:59,397 - THANK YOU. 1771 01:13:59,439 --> 01:14:00,440 THE OTHER ONE. 1772 01:14:00,482 --> 01:14:02,317 LET ME EXPLAIN THIS TO YOU. 1773 01:14:02,359 --> 01:14:04,361 THIS ONE RIGHT HERE, IT'S JUST KIND OF LIKE 1774 01:14:04,402 --> 01:14:05,820 YOU'RE GOING, "CHEESE." 1775 01:14:05,862 --> 01:14:07,697 AND THIS ONE SHOWS YOU HAVE A PERSONALITY. 1776 01:14:07,739 --> 01:14:08,990 - YEAH. - OKAY? 1777 01:14:11,826 --> 01:14:13,078 - [laughs] - YEAH, WE NOTICED THAT. 1778 01:14:20,627 --> 01:14:22,671 - HELLO, MY MAN. HOW ARE YOU? 1779 01:14:22,712 --> 01:14:23,672 HI, SWEETIE PIE. 1780 01:14:23,713 --> 01:14:25,131 HOW ARE YOU? - GOOD. 1781 01:14:25,173 --> 01:14:27,008 - NICE MEETING YOU. - BYE. 1782 01:14:27,050 --> 01:14:28,718 - [whistles] HELLO? 1783 01:14:28,760 --> 01:14:30,637 - [laughs] - SORRY, SORRY. 1784 01:14:30,679 --> 01:14:31,763 - I DON'T KNOW. 1785 01:14:31,805 --> 01:14:32,847 - PRETTY GIRL, GET OVER HERE. 1786 01:14:32,889 --> 01:14:34,724 - HI. - HELLO. 1787 01:14:34,766 --> 01:14:36,393 - DID I TELL YOU ABOUT HOW MUCH I LIKE YOUR BOW IN YOUR HAIR? 1788 01:14:36,434 --> 01:14:37,310 - DID I TELL YOU THAT? - THANK YOU. 1789 01:14:37,352 --> 01:14:39,604 - I THOUGHT I DID. YOU'RE WELCOME. 1790 01:14:42,273 --> 01:14:43,316 - SHE IS VERY COMPOSED. 1791 01:14:43,358 --> 01:14:46,444 - YES. - THANK YOU. 1792 01:14:46,486 --> 01:14:47,779 - THANK YOU FOR POINTING IT OUT. 1793 01:14:47,821 --> 01:14:48,488 - YOU PRESENT YOURSELF VERY WELL. 1794 01:14:48,530 --> 01:14:49,823 [laughter] - THANK YOU. 1795 01:14:49,864 --> 01:14:51,324 - OH, DID I MENTION THE BOW IN YOUR HAIR? 1796 01:14:51,366 --> 01:14:52,325 - I LIKE IT TOO. I MEAN, YEAH. 1797 01:14:52,367 --> 01:14:54,035 - I LIKE THAT BOW. 1798 01:14:54,077 --> 01:14:55,328 - YOU CAN BORROW IT SOME TIME. - ALL RIGHT. 1799 01:14:55,370 --> 01:14:56,329 - YOU'RE GOING OUT COMMERCIALLY? 1800 01:14:56,371 --> 01:14:57,872 - YES. 1801 01:14:57,914 --> 01:14:59,457 - YOU JUST HAVEN'T GONE OUT ON ANY PILOTS OR ANYTHING? 1802 01:14:59,499 --> 01:15:01,126 - NO. - OKAY. 1803 01:15:05,296 --> 01:15:07,382 - OKAY. GREAT. 1804 01:15:07,424 --> 01:15:08,466 - THANK YOU. 1805 01:15:08,508 --> 01:15:10,552 - TELL CINDY WHAT YOU ARE. 1806 01:15:10,593 --> 01:15:11,761 WHAT ARE YOU? 1807 01:15:11,803 --> 01:15:13,596 - AN OUT-OF-WORK ACTOR. 1808 01:15:13,638 --> 01:15:14,764 - AN OUT-OF-WORK ACTOR. 1809 01:15:14,806 --> 01:15:16,057 - YOU'RE AN OUT-OF-WORK ACTOR? 1810 01:15:16,099 --> 01:15:17,058 [laughter] 1811 01:15:17,100 --> 01:15:18,852 YEAH, JOIN THE CLUB. 1812 01:15:18,893 --> 01:15:21,604 JOIN THE CLUB, BUDDY. 1813 01:15:21,646 --> 01:15:24,315 - AS MY DAUGHTER SAYS, "FROM WOMB TO THE TOMB," 1814 01:15:24,357 --> 01:15:27,110 YES. 1815 01:15:27,152 --> 01:15:31,489 WE HAD SOMEBODY SEND A LIVE BIRTH TO US ON THE INTERNET. 1816 01:15:31,531 --> 01:15:32,449 - EW. 1817 01:15:32,490 --> 01:15:35,243 - WE HAVE PEOPLE SENDING ULTRASOUNDS. 1818 01:15:35,285 --> 01:15:37,287 I LOVE STARTING THEM AT FIVE. 1819 01:15:37,328 --> 01:15:39,622 I KNOW THAT--WHY THAT'S THE MAGIC AGE. 1820 01:15:39,664 --> 01:15:41,124 THEY STILL HAVE THEIR INSTINCTS. 1821 01:15:41,166 --> 01:15:43,293 NOBODY HAS MADE THEM SECOND-GUESS THEMSELVES. 1822 01:15:43,335 --> 01:15:46,296 AND IF YOU CAN KEEP THAT MAGIC IN YOUR CHILD, 1823 01:15:46,338 --> 01:15:48,006 IT'S WORTH GOLD FOR LIFE. 1824 01:15:48,048 --> 01:15:50,884 IT'S A HARD TIME RIGHT NOW. 1825 01:15:50,925 --> 01:15:52,635 IT'S A REALLY HARD TIME. 1826 01:15:52,677 --> 01:15:55,347 THEY HAD 52 PILOTS THAT CAME OUT. 1827 01:15:55,388 --> 01:15:59,434 37 OF THEM WENT TO NAME STARS, AND WHEN YOU'RE BOOKING A JOB, 1828 01:15:59,476 --> 01:16:01,478 YOU'RE ONE IN A MILLION RIGHT NOW. 1829 01:16:01,519 --> 01:16:04,397 PILOT SEASON BASICALLY ENDED TODAY. 1830 01:16:04,439 --> 01:16:06,274 MOST OF THE NETWORKS ARE DONE. 1831 01:16:06,316 --> 01:16:09,027 WE HAVE OUR LAST TEST AN HOUR AGO. 1832 01:16:09,069 --> 01:16:11,821 SO IT'S FOR THE LAST TEST, THE LAST ROLE, 1833 01:16:11,863 --> 01:16:15,700 AND THE PILOTS ARE FILLED. 1834 01:16:15,742 --> 01:16:17,369 BUT YOU KNOW WHAT? 1835 01:16:17,410 --> 01:16:19,412 IF THIS IS YOUR DREAM, AND THIS IS WHAT YOU LOVE, 1836 01:16:19,454 --> 01:16:21,039 THERE'S NOTHING BETTER IN LIFE. 1837 01:16:21,081 --> 01:16:23,458 THERE IS NOTHING BETTER IN LIFE. 1838 01:16:23,500 --> 01:16:25,919 - THAT, YOU KNOW, IT'S ANOTHER THING. 1839 01:16:25,960 --> 01:16:29,547 THERE ARE THOUSANDS OF TALENTED KIDS OUT HERE. 1840 01:16:29,589 --> 01:16:31,341 AND THAT, YOU KNOW, THAT'S ONE THING I LEARNED, 1841 01:16:31,383 --> 01:16:33,927 THAT IT'S-- YET ANOTHER THING. 1842 01:16:33,968 --> 01:16:37,222 THAT THERE ARE JUST SO MANY KIDS. 1843 01:16:37,263 --> 01:16:39,641 AND THEY ARE PHENOMENAL. 1844 01:16:39,683 --> 01:16:41,726 IT'S NOT GOING TO HAPPEN OVERNIGHT. 1845 01:16:41,768 --> 01:16:43,895 IT--IT TAKES A LONG TIME, REALLY, 1846 01:16:43,937 --> 01:16:45,355 FOR THIS WHOLE THING TO GROW. 1847 01:16:45,397 --> 01:16:47,649 SO SHOULD WE STAY, I MEAN... 1848 01:16:47,691 --> 01:16:49,359 [indistinct] 1849 01:16:49,401 --> 01:16:50,819 YOU KNOW, I KNOW THAT I DEFINITELY WANT TO GO HOME 1850 01:16:50,860 --> 01:16:51,861 AND BE WITH MY FAMILY. 1851 01:16:51,903 --> 01:16:54,072 OH, MY SON. 1852 01:16:54,114 --> 01:16:57,742 I JUST-- I JUST MISSED THEM SO MUCH. 1853 01:16:57,784 --> 01:16:58,993 [sniffles] 1854 01:16:59,035 --> 01:17:03,123 SHE'S A GOOD KID. 1855 01:17:03,164 --> 01:17:05,500 SORRY. 1856 01:17:05,542 --> 01:17:06,751 - IT'S OKAY. 1857 01:17:06,793 --> 01:17:11,047 YEAH, WE'RE DEFINITELY REALLY HAPPY. 1858 01:17:11,089 --> 01:17:14,134 - YEAH, IT'S TIME TO GO HOME AND SEE EVERYBODY, I THINK. 1859 01:17:14,175 --> 01:17:15,593 - MM-HMM. 1860 01:17:15,635 --> 01:17:18,638 - PATRICK, YOU TAKE THIS TO THE TRASH. 1861 01:17:18,680 --> 01:17:21,558 THANK YOU. 1862 01:17:21,599 --> 01:17:25,186 - I'VE GOT MY EMERGENCY WATERMELON. 1863 01:17:25,228 --> 01:17:28,606 I FOUND MY MAGIC WATERMELON. 1864 01:17:28,648 --> 01:17:29,524 - OH, DEAR. 1865 01:17:29,566 --> 01:17:32,360 - GRAB IT BEFORE IT BREAKS MY ARMS. 1866 01:17:32,402 --> 01:17:36,197 - OKAY, I THINK WE'VE FOUND A HOME FOR THE WATERMELON. 1867 01:17:36,239 --> 01:17:37,741 TAKE A SEAT OVER THERE. 1868 01:17:37,782 --> 01:17:38,783 YOU'RE GOING TO BE OKAY LIKE THAT? 1869 01:17:38,825 --> 01:17:40,410 YOUR FEET AREN'T STRAIGHT. 1870 01:17:40,452 --> 01:17:42,746 - I'LL BE OKAY. - OKAY. 1871 01:17:42,787 --> 01:17:44,539 - READY? - YUP. 1872 01:17:44,581 --> 01:17:48,877 - YUP. 1873 01:17:51,296 --> 01:17:55,633 - YOU HEAR THAT PEOPLE ARE LEAVING, AND THAT'S GOOD FOR US. 1874 01:17:55,675 --> 01:17:57,552 - WHY IS IT GOOD FOR US, MOM? 1875 01:17:57,594 --> 01:18:00,096 - BECAUSE THEN YOUR CHANCES ARE BETTER 1876 01:18:00,138 --> 01:18:02,140 OF GETTING SOMETHING. 1877 01:18:02,182 --> 01:18:06,936 - RIGHT, MOM? - YOU GOT IT. 1878 01:18:06,978 --> 01:18:09,898 - BYE, L.A. - BYE. 1879 01:18:09,939 --> 01:18:11,649 [shrieks] 1880 01:18:11,691 --> 01:18:14,944 - BYE. WE LOVE YOU. 1881 01:18:14,986 --> 01:18:17,155 AND JUST-- SEE YOU LATER. 1882 01:18:17,197 --> 01:18:20,533 - IF YOU ARE CHASING A STRATOSPHERIC DREAM, 1883 01:18:20,575 --> 01:18:23,203 THERE'S NO SHAME IN SAYING, "ENOUGH IS ENOUGH." 1884 01:18:23,244 --> 01:18:26,456 YOU KNOW, IT'S TIME TO STOP HERE. 1885 01:18:30,460 --> 01:18:31,795 - OKAY, EVERYONE, WE'RE GOING TO GO AHEAD 1886 01:18:31,836 --> 01:18:32,962 AND GET STARTED SOON. 1887 01:18:33,004 --> 01:18:34,839 SO IF EVERYONE CAN FIND A SEAT. 1888 01:18:34,881 --> 01:18:37,050 THERE SOME SEATS OVER THERE, THERE'S SOME SEATS BACK HERE. 1889 01:18:37,092 --> 01:18:39,469 SO YOU GUYS ARE IN FOR A TREAT. 1890 01:18:39,511 --> 01:18:41,179 YOU'RE GOING TO GET TO GO IN 1891 01:18:41,221 --> 01:18:42,472 AND MEET WITH SOME CASTING DIRECTORS. 1892 01:18:42,514 --> 01:18:44,641 IT'S LIKE SPEED DATING FOR KIDS. 1893 01:18:44,683 --> 01:18:49,771 - ALL RIGHT, COME ON IN. 1894 01:18:49,813 --> 01:18:51,189 - CALL IT SELLING OUT IF YOU LIKE, 1895 01:18:51,231 --> 01:18:52,565 BUT I'M GOING TO BE A STAR. 1896 01:18:52,607 --> 01:18:53,650 - * SOME DAY * 1897 01:18:53,692 --> 01:18:55,026 * TAKE ME TO NEW YORK * 1898 01:18:55,068 --> 01:18:56,736 - [with Australian accent] AUSTRALIAN ACCENT-- 1899 01:18:56,778 --> 01:19:01,116 I'M NOT TOO GOOD WITH IT, YOU KNOW, BUT I TRY. 1900 01:19:03,868 --> 01:19:04,828 - OKAY. 1901 01:19:04,869 --> 01:19:06,579 - HI. 1902 01:19:06,621 --> 01:19:08,623 - HI, HOW ARE YOU? - GOOD. 1903 01:19:08,665 --> 01:19:09,624 - WHO'S THIS? - ME. 1904 01:19:09,666 --> 01:19:10,667 - OKAY. - [laughs] 1905 01:19:10,709 --> 01:19:12,961 - THAT MAKES SENSE, RIGHT? - YEAH. 1906 01:19:13,003 --> 01:19:14,921 - PRESLEY CA$H. - YES. 1907 01:19:14,963 --> 01:19:18,258 I'M KIND OF LIKE A CYNDI LAUPER IN COUNTRY MUSIC. 1908 01:19:18,299 --> 01:19:19,509 - THAT'S A GOOD-- THAT'S A GOOD HOOK. 1909 01:19:19,551 --> 01:19:22,470 - * HILLBILLY NATION * 1910 01:19:22,512 --> 01:19:25,765 * IS A COUNTRY THING * 1911 01:19:25,807 --> 01:19:29,144 * HILLBILLY NATION * 1912 01:19:29,185 --> 01:19:33,606 * IS A LITTLE TWANG, TWANG, TWANG * 1913 01:19:33,648 --> 01:19:34,607 - VERY NICE. - THANK YOU. 1914 01:19:34,649 --> 01:19:35,608 - [laughs] 1915 01:19:35,650 --> 01:19:36,609 - YAY. 1916 01:19:36,651 --> 01:19:40,488 - [laughs] 1917 01:19:40,530 --> 01:19:44,993 - HELLO? 1918 01:19:45,035 --> 01:19:49,247 UM, WHO'S THIS? 1919 01:19:49,289 --> 01:19:50,457 OH, HANG ON. 1920 01:19:50,498 --> 01:19:51,708 [whispers] IT'S JESSICA FROM... 1921 01:19:51,750 --> 01:19:53,877 UM, YES. HERE SHE IS. 1922 01:19:53,918 --> 01:19:55,170 I WONDER WHAT'S GOING ON. 1923 01:19:55,211 --> 01:19:58,465 - HELLO? 1924 01:19:58,506 --> 01:20:00,467 HELLO. YEAH? 1925 01:20:15,565 --> 01:20:16,983 - YES. 1926 01:20:17,025 --> 01:20:19,277 - SURE, THAT WOULD BE GREAT. YEAH. 1927 01:20:19,319 --> 01:20:20,653 THAT WOULD BE GREAT. 1928 01:20:20,695 --> 01:20:23,490 OKAY, THANKS A LOT. 1929 01:20:23,531 --> 01:20:25,617 SEE YOU THEN. BYE. 1930 01:20:25,658 --> 01:20:29,579 [screaming and laughter] 1931 01:20:29,621 --> 01:20:34,626 OH, MY GOD. OH, MY GOD. 1932 01:20:34,668 --> 01:20:35,669 I'M FREAKING OUT. 1933 01:20:35,710 --> 01:20:36,961 * LA-DI-DA-DI-DA * 1934 01:20:37,003 --> 01:20:40,715 WE'RE FAMOUS, WE'RE FAMOUS. MEGAN, YOU'RE FAMOUS. 1935 01:20:40,757 --> 01:20:42,926 - I WONDER WHAT I CAN GET WITH $25 AT BEST BUY. 1936 01:20:42,967 --> 01:20:43,927 - AT BEST BUY, NOTHING. 1937 01:20:43,968 --> 01:20:45,804 both: [laughing] 1938 01:20:45,845 --> 01:20:48,765 [slow guitar music] 1939 01:20:48,807 --> 01:20:50,934 * * 1940 01:20:50,975 --> 01:20:53,395 - [indistinct] 1941 01:20:53,436 --> 01:20:56,690 WE'RE BACK NOW, AND IT'S--IT'S NICE TO BE HOME. 1942 01:20:56,731 --> 01:20:58,191 - THANK YOU. 1943 01:20:58,233 --> 01:21:00,568 - IT'S JUST REALLY BEAUTIFUL OUT HERE. 1944 01:21:00,610 --> 01:21:02,070 I REALLY LOVE IT IN COLORADO. 1945 01:21:02,112 --> 01:21:06,574 [laughs] 1946 01:21:06,616 --> 01:21:09,160 AS OF NOW, I'VE PAID OFF A LEG. 1947 01:21:09,202 --> 01:21:14,124 SO THAT IS MY LEG. IT BELONGS TO ME. 1948 01:21:14,165 --> 01:21:15,500 IT'S JUST REALLY AMAZING. 1949 01:21:15,542 --> 01:21:17,585 THE DIFFERENT OPPORTUNITIES I HAVE, 1950 01:21:17,627 --> 01:21:19,295 MY SUPPORTIVE FAMILY, 1951 01:21:19,337 --> 01:21:22,757 AND I'M INCREDIBLY, INCREDIBLY, LUCKY. 1952 01:21:22,799 --> 01:21:28,555 - MUCH BETTER. GOOD GIRL. 1953 01:21:28,596 --> 01:21:30,140 - IT'S PRETTY NORMAL. 1954 01:21:30,181 --> 01:21:35,395 SOME NORMAL STUFF IS KIND OF NICE. 1955 01:21:37,856 --> 01:21:40,817 [opera music] 1956 01:21:40,859 --> 01:21:48,867 * * 1957 01:21:56,541 --> 01:22:00,462 - IF YOU COULD BE ANY ACTOR, WHO WOULD IT BE? 1958 01:22:00,503 --> 01:22:01,504 - BILL COSBY. 1959 01:22:01,546 --> 01:22:02,797 - HMM... 1960 01:22:02,839 --> 01:22:04,758 - HE OPENED DOORS FOR YOUNG BLACK MALES 1961 01:22:04,799 --> 01:22:06,593 TO DO DIFFERENT THINGS, AS WE KNOW OF 1962 01:22:06,634 --> 01:22:10,930 AS BARACK OBAMA TODAY. 1963 01:22:10,972 --> 01:22:12,557 - I CATCH YOU... 1964 01:22:12,599 --> 01:22:14,100 IT'S DETENTION. 1965 01:22:14,142 --> 01:22:16,853 CATCH YOU IN THE COMMON ROOM-- IT'S DETENTION. 1966 01:22:16,895 --> 01:22:21,816 I CATCH YOU IN THE BATHROOM-- IT'S DETENTION. 1967 01:22:21,858 --> 01:22:23,193 YOU DON'T MESS WITH ME. 1968 01:22:23,234 --> 01:22:27,238 I DON'T MESS WITH YOU. 1969 01:22:27,280 --> 01:22:28,782 - PROBABLY JIM CARREY. 1970 01:22:28,823 --> 01:22:32,369 HE'S JUST--SUPER COOL GUY, AND I, LIKE, WANT TO BE HIM. 1971 01:22:32,410 --> 01:22:34,204 [laughter] 1972 01:22:34,245 --> 01:22:38,708 - OH, THANK YOU. 1973 01:22:40,669 --> 01:22:42,337 DAD? 1974 01:22:42,379 --> 01:22:44,631 IT'S ME. 1975 01:22:44,673 --> 01:22:47,217 - I'M NOT YOUR DAD. 1976 01:22:47,258 --> 01:22:50,220 - I WANT TO BE JAY LENO. HE HAS SUCH AN AWESOME JOB. 1977 01:22:50,261 --> 01:22:51,930 I'D LOVE TO HOST THE TONIGHT SHOW, 1978 01:22:51,971 --> 01:22:53,306 BECAUSE I'M A COMEDIAN TOO. 1979 01:22:53,348 --> 01:22:56,351 [screaming and cheering] 1980 01:22:58,228 --> 01:23:02,899 - FOR A TOTAL OF $14,255! 1981 01:23:02,941 --> 01:23:04,818 THEY'RE THE GRAND PRIZE WINNERS! 1982 01:23:04,859 --> 01:23:06,778 CONGRATULATIONS ON ALL YOU WON. 1983 01:23:06,820 --> 01:23:08,196 THANK YOU VERY MUCH. 1984 01:23:08,238 --> 01:23:10,657 - I WOULD LIKE TO BE ANGELINA JOLIE. 1985 01:23:10,699 --> 01:23:14,411 SHE'S SMART, SHE'S PRETTY, SHE CAN DO EVERYTHING. 1986 01:23:22,752 --> 01:23:24,754 - YOU MIGHT THINK YOU'RE DOING THE RIGHT THING 1987 01:23:24,796 --> 01:23:27,215 BY SPENDING THE MAJORITY OF YOUR TIME AT WORK. 1988 01:23:27,257 --> 01:23:28,842 - PERFECT. THAT WORKS. 1989 01:23:28,883 --> 01:23:32,012 - IT'S NOT A SOLUTION THAT ENHANCES THE GREATEST NUMBER 1990 01:23:32,053 --> 01:23:34,180 OF YOUR DYNAMICS. 1991 01:23:34,222 --> 01:23:36,599 - EASY. DAKOTA FANNING. 1992 01:23:36,641 --> 01:23:39,436 SHE'S BEEN MY IDOL SINCE I WAS, LIKE, FOUR. 1993 01:23:39,477 --> 01:23:41,229 - I LIKE SELENA GOMEZ 1994 01:23:41,271 --> 01:23:46,860 BECAUSE SHE'S PRETTY. 1995 01:23:46,901 --> 01:23:49,529 - I NEVER SAID HOW MUCH. - KEEP IT GOING. 1996 01:23:49,571 --> 01:23:50,780 [screaming] 1997 01:23:50,822 --> 01:23:53,742 - READY, AND BACKGROUND! 1998 01:23:53,783 --> 01:23:56,578 - SAVANNAH! - ACTION. 1999 01:23:56,619 --> 01:23:58,913 - WE'RE ONE OF THE LUCKY FAMILIES 2000 01:23:58,955 --> 01:24:01,958 WHERE SAVANNAH HAS BEEN FAR MORE SUCCESSFUL 2001 01:24:02,000 --> 01:24:04,586 THAN THE AVERAGE CHILD WHO'S TRIED TO GO DOWN THIS PATH. 2002 01:24:04,627 --> 01:24:05,962 SHE NOW HAS A DEBIT CARD, 2003 01:24:06,004 --> 01:24:08,048 AND SHE'S VERY FRUGAL WITH HER MONEY. 2004 01:24:08,089 --> 01:24:09,966 - I WANT A HORSE. 2005 01:24:10,008 --> 01:24:12,135 THAT IS ONE THING THAT I REALLY, REALLY WANT. 2006 01:24:12,177 --> 01:24:15,930 - I DON'T REALLY KNOW WHO I WOULD WANT TO BE LIKE. 2007 01:24:15,972 --> 01:24:18,933 'CAUSE I WOULD WANT TO BE LIKE ME. 2008 01:24:18,975 --> 01:24:22,103 BECAUSE I LOVE ME. 2009 01:24:22,145 --> 01:24:23,938 THAT'S WHY I WANT TO BE ME. 2010 01:24:23,980 --> 01:24:25,857 [laughs] 148281

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.