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1
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♪ GOTTA BE, BE, GOTTA BE ♪
2
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♪ GOTTA BE, BE, GOTTA
BE A SUPERHERO ♪
3
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!STATIC SHOCK! SHOCK
4
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[[SCHOOL BELL RINGS
5
00:00:57,767 --> 00:00:59,601
♪ GOTTA BE, BE, GOTTA
BE A SUPERHERO ♪
6
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♪ GOTTA BE, BE, GOTTA BE, BE ♪
7
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CAPTIONING MADE POSSIBLE BY WARNER BROS. TV
ANIMATION AND THE U.S. DEPARTMENT OF EDUCATION
8
00:01:08,335 --> 00:01:11,368
BUT IF YOU WANT ONE THAT
.REALLY KICKS, CHECK THIS OUT
9
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IT'S THE KURTZENKOR
.800 MUSIC WORK STATION
10
00:01:14,933 --> 00:01:16,235
.SWEET
11
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,FULL MIDI
INTERFACE ,400 VOICES
12
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128 TRACKS, AND
.60 GIGS OF MEMORY
13
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?HOW MUCH FOR ALL THIS
14
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?YOU GOT A CAR
15
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.SELL IT
16
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.HEY! I WAS GONNA BUY THAT
17
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WELL, THAT'S TOUGH. I'M
.DOIN' MY OWN INVENTORY
18
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DUDE, IF HE WANTS TO BUY THE
19
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.HEY, MAN. YOU DON'T WORK HERE
20
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.NO FOOLIN', SHERLOCK
21
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!BAH
22
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.ANOTHER METAHUMAN FREAK OUT
23
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TIME FOR THIS HERO
.TO GET ON THE BALL
24
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.THE NAME'S REPLIKON
25
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.I CAN BE ANYONE OR ANYTHING
26
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.ALL I GOTTA DO IS THIS
27
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[[ROARS
28
00:01:59,301 --> 00:02:04,301
.THEN I CAN SQUASH
YOU LIKE A BUG !OOH
29
00:02:06,367 --> 00:02:07,367
.UH-OH
30
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?ADAM! STATIC
31
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?ADAM
32
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?MARVIN
33
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?YOU KNOW EACH OTHER
34
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HE AND I WERE
PRODUCING PARTNERS
35
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.BACK IN THE DAY
36
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.YO, MARV. REALITY CHECK
37
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.WE WERE STOCK CLERKS AT
STONE GAS .A RECORD STORE
38
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WE JUST JAMMED
SOMETIMES AFTER WORK
39
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TILL I FIGURED OUT HE
.WAS ALL TALK AND NO WALK
40
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WELL, WHY WALK
41
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?WHEN YOU CAN FLY
42
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!AAH
43
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.COME ON. HE'S GETTIN' AWAY
44
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.UNH! TALK ABOUT HEAVY METAL
45
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?WHICH WAY DID HE GO
46
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.DON'T KNOW. YOU TRY THE PARK
47
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IT'S NOT EASY TO HIDE
.SOMETHING THAT UGLY
48
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.CAN'T CATCH ME, FLY BOY
49
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[[YAWNS
50
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WAS THAT A YAWN OR AN
?ELEPHANT MATING CALL
51
00:03:18,268 --> 00:03:21,634
SORRY, MAN. I DIDN'T GET
.MUCH SLEEP LAST NIGHT
52
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AH, ALL THAT
?OVERTIME PATROL, HUH
53
00:03:24,434 --> 00:03:25,802
.THAT WAS NOTHING
54
00:03:25,869 --> 00:03:29,101
I HAD TO LISTEN TO SHARON PLAY
.ADAM'S MUSIC ALL NIGHT LONG
55
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MY HAND'S SORE FROM
.BANGING ON THE WALL
56
00:03:31,268 --> 00:03:33,767
I THOUGHT YOU
.LIKED ADAM'S BEATS
57
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A BROTHER GETS TIRED OF HEARING
58
00:03:34,834 --> 00:03:36,801
.THE SAME SONG OVER AND OVER
59
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EVEN COUNTRY WOULD HAVE
.BEEN A NICE CHANGE OF PACE
60
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NOW YOU KNOW WHAT YOU CAN
.GET SHARON FOR HER BIRTHDAY
61
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.A SET OF HEADPHONES
62
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.YEAH, AND A MUZZLE
63
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?HEY, WHAT ARE YOU DOIN'
64
00:03:50,868 --> 00:03:53,501
MR. C TOLD US TO UPDATE
.THE CLASS WEBSITE
65
00:03:53,567 --> 00:03:56,101
WITH 10 PAGES ON
?THE BACKSTREET BOYS
66
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.WE'RE NOT DOING A FAN MAGAZINE
67
00:03:57,667 --> 00:03:59,101
WE'RE SUPPOSED TO
.BE WRITING NEWS
68
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THIS IS NEWS. IT'S
A FEATURE ARTICLE
69
00:04:01,301 --> 00:04:04,001
ABOUT THE IMPACT POPULAR
.MUSIC HAS ON SOCIETY
70
00:04:04,068 --> 00:04:07,001
WE'RE JUST USING THE
.BACKSTREET BOYS AS AN EXAMPLE
71
00:04:07,068 --> 00:04:09,334
"CLICK HERE FOR
".NICK'S NEW HAIRCUT
72
00:04:09,400 --> 00:04:11,001
"." KEVIN AND BRIAN'S WEDDINGS
73
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"." HOWIE'S ACTING JOBS
74
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,AND, OF COURSE
"." A.J.'s TATTOOS
75
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!OOH! OOH
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YOU THINK WE'RE JUST
,A COUPLE OF MINDLESS
77
00:04:20,201 --> 00:04:21,801
?GIGGLING FANS, DON'T YOU
78
00:04:21,868 --> 00:04:23,300
YOU KNOW, I FIND
.THAT INSULTING
79
00:04:23,367 --> 00:04:25,334
.INSULTING AND DEMEANING
80
00:04:25,400 --> 00:04:27,167
.OK. OK. SORRY
81
00:04:27,234 --> 00:04:29,001
.HONEST, WE APOLOGIZE
82
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.WELL, YOU'D BETTER
83
00:04:31,434 --> 00:04:33,267
.THOUGH I DO THINK
A.J LOOKS BETTER
84
00:04:33,334 --> 00:04:34,434
.WITH JUST THE MUSTACHE
85
00:04:34,501 --> 00:04:35,844
DEFINITELY! YOU
KNOW, I DON'T MIND
86
00:04:35,868 --> 00:04:36,801
THAT'S WHAT I WAS
THINKING BEFORE
87
00:04:36,868 --> 00:04:39,601
.Both: HEY, WAIT A MINUTE
88
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[[LAUGHS
89
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.Virgil: OW
90
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.OPEN THE JAR. OPEN THE JAR
91
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♪ EVERYBODY ♪
92
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♪ AH ♪
93
00:04:55,001 --> 00:04:55,933
[[TELEPHONE RINGS
94
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?HUH
95
00:04:58,168 --> 00:04:59,334
.[FRENCH ACCENT] ZE PHONE
96
00:04:59,400 --> 00:05:01,001
.ZIS IS CHEF VIRGIL
97
00:05:01,068 --> 00:05:03,101
.VIRGIL, IT'S ADAM
?IS SHARON THERE
98
00:05:03,168 --> 00:05:06,201
NO, SHE'S NOT. CAN'T YOU
?TELL BY MY GOOD MOOD
99
00:05:06,268 --> 00:05:08,501
SHOOT. I LEFT SHARON
,MY NEW DEMO CD
100
00:05:08,567 --> 00:05:10,267
.BUT I NEED IT BACK NOW
101
00:05:10,334 --> 00:05:14,900
.WELL, I CAN BRING IT
102
00:05:14,967 --> 00:05:16,901
?ADAM
103
00:05:16,968 --> 00:05:18,934
,OK, I'LL GIVE YOU DIRECTIONS
104
00:05:19,001 --> 00:05:22,734
BUT YOU GOTTA COME BY
?YOURSELF, UNDERSTAND
105
00:05:22,801 --> 00:05:24,868
.THIS MUST BE IT
106
00:05:24,934 --> 00:05:28,567
?WHY ALL THE SECRECY
107
00:05:28,634 --> 00:05:31,235
SABROS STUDIOS. HOW
?MAY I DIRECT YOUR CALL
108
00:05:31,301 --> 00:05:34,034
?SABROS STUDIOS
.ONE MOMENT, PLEASE
109
00:05:34,101 --> 00:05:36,934
.SABROS STUDIOS? NO,
MR BIGGS CAN BE REACHED
110
00:05:37,001 --> 00:05:38,567
.AT E-TOWN RECORDS
111
00:05:38,634 --> 00:05:40,900
?VIRGIL, GOT THE CD
112
00:05:40,967 --> 00:05:41,968
.RIGHT HERE
113
00:05:42,034 --> 00:05:43,467
.THANKS, MAN. CATCH YOU LATER
114
00:05:43,534 --> 00:05:44,601
AH, I DIDN'T KNOW
115
00:05:44,667 --> 00:05:45,677
THERE WAS A RECORDING
.STUDIO HERE
116
00:05:45,701 --> 00:05:47,300
UH, YEAH. IT'S KIND
.OF A TRADE SECRET
117
00:05:47,367 --> 00:05:48,300
NOW, IF YOU DON'T MIND
118
00:05:48,367 --> 00:05:50,134
SLOW DOWN.
I .WANNA CHECK IT OUT
119
00:05:50,201 --> 00:05:52,634
YO, ADAM. YOU GOT
?THE NEW TUNES YET
120
00:05:52,701 --> 00:05:55,701
!WHOA! YOU'RE A.J. McLEAN
121
00:05:55,767 --> 00:05:57,300
!YOU'RE A BACKSTREET BOY
122
00:05:57,367 --> 00:05:58,634
.RIGHT ON BOTH COUNTS
123
00:05:58,701 --> 00:06:01,033
.NOW, LET ME GUESS
?YOU HAVE ALL OUR CDs
124
00:06:01,100 --> 00:06:03,200
.WELL, ACTUALLY, NO
125
00:06:03,267 --> 00:06:04,934
[[GASPS
126
00:06:05,001 --> 00:06:07,534
,BUT ALL THE GIRLS AT SCHOOL
.THEY'RE CRAZY ABOUT YOU
127
00:06:07,601 --> 00:06:10,201
,THAT'S COOL. WELL
.I'LL CATCH YOU LATER
128
00:06:10,268 --> 00:06:13,034
ONE QUESTION. WHY
?ARE YOU WITH HIM
129
00:06:13,101 --> 00:06:16,034
WE'RE THINKING ABOUT USING ONE
.OF ADAM'S SONGS ON OUR NEXT CD
130
00:06:16,101 --> 00:06:18,100
.P.A.: A.J. McLEAN TO STUDIO 1
131
00:06:18,167 --> 00:06:21,801
.LATER
132
00:06:21,868 --> 00:06:22,801
!NO WAY
133
00:06:22,868 --> 00:06:25,201
ADAM, THIS COULD
!BE IT FOR YOU, MAN
134
00:06:25,268 --> 00:06:28,034
I KNOW. THAT'S WHY WE GOTTA
.KEEP THIS ON THE DOWN LOW
135
00:06:28,101 --> 00:06:31,033
,NO ONE KNOWS A.J.'s IN TOWN
.AND I WANT IT TO STAY THAT WAY
136
00:06:31,100 --> 00:06:32,634
.GOT IT. NO PROBLEM
137
00:06:32,701 --> 00:06:35,068
.TRUST ME. MY LIPS ARE SEALED
138
00:06:35,134 --> 00:06:40,134
RICHIE! YOU WILL NOT
.BELIEVE WHO I JUST SAW
139
00:06:41,868 --> 00:06:44,968
,NO. I'M TELLIN' YOU
.HE'S GONNA WANNA SEE ME
140
00:06:45,034 --> 00:06:46,801
.I GOT MY DEMO RIGHT HERE
141
00:06:46,868 --> 00:06:49,301
.THE NAME'S MARVIN ROPER
142
00:06:49,368 --> 00:06:51,535
I DON'T CARE IF
.YOU'RE STEVIE WONDER
143
00:06:51,602 --> 00:06:54,301
,YOU DON'T HAVE AN APPOINTMENT
.YOU DON'T SEE MR. BIGGS
144
00:06:54,368 --> 00:06:57,133
NOW LEAVE THE BUILDING, OR WE
.WILL HAVE TO CALL THE POLICE
145
00:06:57,200 --> 00:06:58,534
?OH, YEAH
146
00:06:58,601 --> 00:07:00,434
WELL, SOME DAY I'M
GONNA RUN THIS JOINT
147
00:07:00,501 --> 00:07:05,151
.AND YOU TWO ARE GONNA BE SORRY
148
00:07:09,000 --> 00:07:09,934
?MR. BIGGS
149
00:07:10,001 --> 00:07:11,868
?HEY, BOYS. EARNING YOUR PAY
150
00:07:11,934 --> 00:07:13,200
?KEEPING THE RIFFRAFF OUT
151
00:07:13,267 --> 00:07:14,767
.UH, YES, SIR
152
00:07:14,834 --> 00:07:16,267
,GOOD. BY THE WAY
153
00:07:16,334 --> 00:07:17,967
.YOU'RE FIRED
154
00:07:18,033 --> 00:07:19,033
?WHAT
155
00:07:30,767 --> 00:07:32,701
.ADAM'S GOT IT, LESTER
156
00:07:32,767 --> 00:07:34,101
.I'D SIGN HIM IF I WERE YOU
157
00:07:34,168 --> 00:07:37,201
.THAT'S HIGH PRAISE
COMIN' FROM A.J .McLEAN
158
00:07:37,268 --> 00:07:40,301
,HI. RITA VELASQUEZ
.ARTIST AND RELATIONS
159
00:07:40,368 --> 00:07:43,234
SO, ADAM, DO YOU HAVE
?A DEMO TAPE OR A CD
160
00:07:43,300 --> 00:07:44,300
.RIGHT HERE
161
00:07:44,335 --> 00:07:45,934
A.J.: I'M TELLIN'
.YOU, IT'S HOT
162
00:07:46,001 --> 00:07:48,534
I'LL GIVE IT A LISTEN
?AND WELL TALK LATER, OK
163
00:07:48,601 --> 00:07:50,267
[[CELL PHONE RINGS
164
00:07:50,334 --> 00:07:51,267
.EXCUSE ME
165
00:07:51,334 --> 00:07:52,601
!YO, J-LO
166
00:07:52,667 --> 00:07:53,601
.THANKS, MAN
167
00:07:53,667 --> 00:07:54,934
.GLAD TO HELP
168
00:07:55,001 --> 00:07:59,834
.I HOPE IT ALL WORKS OUT
169
00:07:59,901 --> 00:08:03,051
.NOT IF I CAN HELP IT
170
00:08:06,335 --> 00:08:08,768
AND WHILE THE BACKSTREET BOYS
MAY NOT BE FULLY APPRECIATED
171
00:08:08,835 --> 00:08:13,701
BY A VERY FEW OF OUR MORE
CLOSE-MINDED, IMMATURE, REACTIONARY
172
00:08:13,767 --> 00:08:14,701
.MM-HMM
173
00:08:14,767 --> 00:08:16,268
PEERS, MERELY THEY HAVE BECOME
174
00:08:16,335 --> 00:08:19,268
THE PREEMINENT MUSICAL
.PERFORMERS OF THEIR GENERATION
175
00:08:19,335 --> 00:08:21,934
STILL WORKING ON YOUR
?BACKSTREET BOYS SHRINE
176
00:08:22,001 --> 00:08:23,435
.WE'RE BUSY, RICHIE
177
00:08:23,502 --> 00:08:25,502
,UH, THAT'S TOO BAD
'CAUSE I KNOW SOMETHING
178
00:08:25,568 --> 00:08:28,033
ABOUT A CERTAIN GROUP
.THAT YOU MIGHT WANNA HEAR
179
00:08:28,100 --> 00:08:32,601
.BUT I AIN'T TALKIN'
180
00:08:32,667 --> 00:08:34,268
WHAT COULD YOU POSSIBLY KNOW
181
00:08:34,335 --> 00:08:37,534
ABOUT THE BACKSTREET
?BOYS THAT WE DON'T KNOW
182
00:08:37,601 --> 00:08:40,100
.2 WORDS, LO-CATION
183
00:08:40,167 --> 00:08:41,434
?WHAT DO YOU MEAN
184
00:08:41,501 --> 00:08:43,201
.AH, I WILL SAY NO MORE
185
00:08:43,268 --> 00:08:46,067
YEP. ONCE I LOCK A SECRET
,IN THE OLD FOLEY VAULT
186
00:08:46,133 --> 00:08:47,367
.IT STAYS LOCKED
187
00:08:47,434 --> 00:08:48,734
.MM-HMM
188
00:08:48,801 --> 00:08:51,034
WELL, THEN
189
00:08:51,101 --> 00:08:55,301
?WHO'S UP FOR A CHEESEBURGER
190
00:08:59,701 --> 00:09:01,868
.THAT LOOKS GOOD
191
00:09:01,934 --> 00:09:03,968
!HEY! WE'RE EATING IN AN HOUR
192
00:09:04,034 --> 00:09:05,601
YEAH, I SAW WHAT
.YOU WERE MAKING
193
00:09:05,667 --> 00:09:08,000
.I'M BUILDING UP MY STRENGTH
194
00:09:08,067 --> 00:09:09,834
.OH. DAISY CALLED
195
00:09:09,901 --> 00:09:14,101
.SOMETHING ABOUT A BIG SCOOP
196
00:09:18,200 --> 00:09:19,534
!?WHAT ARE YOU DOING
197
00:09:19,601 --> 00:09:21,801
LOGGING ON TO
.THE CLASS WEBSITE
198
00:09:21,868 --> 00:09:22,801
.YOU CAN'T DO THAT
199
00:09:22,868 --> 00:09:24,301
.UH, THE WHOLE SITE CRASHED
200
00:09:24,368 --> 00:09:25,968
TRUST ME, THERE'S
.NOTHING TO SEE
201
00:09:26,034 --> 00:09:28,800
.RICHIE, LET GO OF THE CHAIR
202
00:09:28,867 --> 00:09:30,101
.OHHH
203
00:09:30,168 --> 00:09:32,034
.UH, SEE, V, IT'S LIKE THIS
204
00:09:32,101 --> 00:09:33,968
,YOU'RE WITH FRIENDS
,YOU RELAX A LITTLE
205
00:09:34,034 --> 00:09:35,534
!NEXT THING YOU KNOW... RICHIE
206
00:09:35,601 --> 00:09:37,834
?.YOU TOLD 'EM ABOUT A.J
207
00:09:37,901 --> 00:09:39,868
.ME? NO. OF COURSE NOT
208
00:09:39,934 --> 00:09:43,133
.INFORMED SOURCES INDICATE THAT
A.J .McLEAN IS HERE IN DAKOTA
209
00:09:43,200 --> 00:09:44,134
!RICHIE
210
00:09:44,201 --> 00:09:45,968
THAT'S AN UNCONFIRMED
.RUMOR, THAT'S ALL
211
00:09:46,034 --> 00:09:48,868
THEY POSTED THE ADDRESS
.OF THE RECORDING STUDIO
212
00:09:48,934 --> 00:09:52,101
IT'S NOT MY FAULT! DAISY AND
.FRIEDA, THEY FORCED ME TO TALK
213
00:09:52,168 --> 00:09:57,168
IT WAS A DOUBLE CHILI
.CHEESEBURGER WITH GRILLED ONIONS
214
00:10:05,268 --> 00:10:08,534
.I'M GONNA GET VIRGIL
.I AM SO GONNA GET HIM
215
00:10:08,601 --> 00:10:10,667
LESTER, WE HAVE A
.REAL SITUATION HERE
216
00:10:10,734 --> 00:10:12,168
?WHAT IF THEY WRECK THE STUDIO
217
00:10:12,235 --> 00:10:14,801
.THINK OF THE EXPENSE
.THINK OF THE LAWSUITS
218
00:10:14,868 --> 00:10:16,701
.THINK OF THE PUBLICITY
219
00:10:16,767 --> 00:10:18,368
.IN DAKOTA TODAY, A.J. McLEAN
220
00:10:18,435 --> 00:10:19,901
AND HIS NEW
,DISCOVERY, ADAM EVANS
221
00:10:19,968 --> 00:10:22,634
WERE SURROUNDED
.BY DEVOTED FANS
222
00:10:22,701 --> 00:10:25,068
,LESTER, CANCEL THE CALL TO 911
223
00:10:25,134 --> 00:10:26,701
.BUT SEND A PHOTOGRAPHER
224
00:10:26,767 --> 00:10:28,133
.THERE'S A BACK WAY OUT
225
00:10:28,200 --> 00:10:29,200
.LEAD ON
226
00:10:29,267 --> 00:10:31,817
[[GIRLS SCREAMING
227
00:10:40,868 --> 00:10:42,868
!THAT'S HIM
228
00:10:42,934 --> 00:10:44,634
!OK, LET'S BE COOL
229
00:10:44,701 --> 00:10:46,968
REMEMBER, WE'RE
.MEMBERS OF THE PRESS
230
00:10:47,034 --> 00:10:51,234
.RIGHT. TOTAL PROFESSIONALS
231
00:10:51,300 --> 00:10:53,250
[[BOTH SCREAM
232
00:10:57,801 --> 00:10:59,000
.RUN! I'LL HOLD 'EM BACK
233
00:10:59,067 --> 00:11:01,167
.IF YOU SAY SO
234
00:11:15,167 --> 00:11:16,501
!Adam: AAH
235
00:11:16,567 --> 00:11:19,400
!WAIT! WE'RE REPORTERS
236
00:11:19,467 --> 00:11:20,967
.HE'S SO CUTE
237
00:11:21,033 --> 00:11:22,083
!I KNOW
238
00:11:26,501 --> 00:11:28,767
[[GIRLS SCREAMING
239
00:11:28,834 --> 00:11:30,784
.OK, I'M DEAD
240
00:11:38,767 --> 00:11:40,801
THANKS FOR GETTIN'
.ME OUT OF THERE, MAN
241
00:11:40,868 --> 00:11:42,434
GUESS YOU GOT A
.LOT OF FANS, TOO
242
00:11:42,501 --> 00:11:47,301
OH, YEAH. CAN'T
.KEEP 'EM OFF ME
243
00:11:50,734 --> 00:11:52,435
SO, YOU GUYS ON
?TOUR OR SOMETHIN'
244
00:11:52,502 --> 00:11:54,300
NO, I'M HERE MEETING
,WITH THIS SONGWRITER
245
00:11:54,367 --> 00:11:55,701
?ADAM EVANS. YOU EVER MET HIM
246
00:11:55,767 --> 00:11:57,434
UH-HUH. WHEN HE'S
,NOT WRITIN' TUNES
247
00:11:57,501 --> 00:12:00,168
,HE'S MY, UH, SIDEKICK
.RUBBERBAND MAN
248
00:12:00,235 --> 00:12:02,502
THAT EXPLAINS THE
.PURPLE UNDERPANTS
249
00:12:02,568 --> 00:12:04,510
ANYWAY, I THINK THAT ADAM'S
,BEATS ARE ON THE ONE
250
00:12:04,534 --> 00:12:05,934
.AND HE'S GREAT TO WORK WITH
251
00:12:06,001 --> 00:12:08,501
WELL, I MIGHT DISAGREE
,ABOUT THE WORK-WITH PART
252
00:12:08,567 --> 00:12:10,934
BUT I GOTTA ADMIT I
.LIKE ADAM'S MUSIC
253
00:12:11,001 --> 00:12:14,201
.ANYWAY, I BETTER JET
254
00:12:14,268 --> 00:12:17,400
?UH, WOULD YOU MIND
.IT'S FOR A FRIEND
255
00:12:17,467 --> 00:12:18,968
?WHAT'S HER NAME
256
00:12:19,034 --> 00:12:21,933
.UH, JUST MAKE IT OUT TO V
257
00:12:22,000 --> 00:12:22,933
.THANKS
258
00:12:23,000 --> 00:12:25,601
.ANYTIME
259
00:12:25,667 --> 00:12:26,717
!SEE YA
260
00:12:31,634 --> 00:12:32,567
[[GASPS
261
00:12:32,634 --> 00:12:36,301
.WHAT'S UP, A.J.? MEET A.J
262
00:12:36,368 --> 00:12:38,434
I CAN'T BELIEVE
YOU LOST ADAM EVANS
263
00:12:38,501 --> 00:12:39,834
.AND A.J. McLEAN
264
00:12:39,901 --> 00:12:42,100
.I DIDN'T LOSE THEM
.THEY RAN AWAY
265
00:12:42,167 --> 00:12:43,534
?RAN WHERE
266
00:12:43,601 --> 00:12:46,534
HOW ABOUT RIGHT
?HERE, LESTER, BABE
267
00:12:46,601 --> 00:12:48,334
?A.J., WHERE HAVE YOU BEEN
268
00:12:48,400 --> 00:12:50,234
.IN MY HOTEL ROOM, CHILLIN'
269
00:12:50,300 --> 00:12:52,235
.BUT I CALLED AND CALLED
270
00:12:52,301 --> 00:12:55,133
THEN YOU MUST HAVE CALLED
.THE WRONG NUMBER, SWEETIE
271
00:12:55,200 --> 00:12:56,435
?HUH
272
00:12:56,502 --> 00:12:58,643
SEE, I'VE BEEN THINKING OVER
,THIS ADAM EVANS DEAL, LESTER
273
00:12:58,667 --> 00:13:02,567
.AND YOU AND ME GOTTA TALK
274
00:13:07,033 --> 00:13:09,534
.AH, GRUB
275
00:13:09,601 --> 00:13:10,801
![GASPS] ADAM
276
00:13:10,868 --> 00:13:13,335
MAN, I'M SORRY FOR
RUNNIN' MY BIG, FAT MOUTH
277
00:13:13,401 --> 00:13:15,041
ABOUT A.J., ESPECIALLY
TO THE ONE PERSON
278
00:13:15,068 --> 00:13:17,801
,WITH A BIGGER
.FATTER MOUTH THAN ME
279
00:13:17,868 --> 00:13:20,234
[[SIGHS
280
00:13:20,300 --> 00:13:21,300
.ZIP IT, VIRGIL
281
00:13:21,335 --> 00:13:23,368
HEY, I'M JUST
.TRYING TO APOLOGIZE
282
00:13:23,435 --> 00:13:25,267
HE DOESN'T WANT TO
.HEAR IT RIGHT NOW
283
00:13:25,334 --> 00:13:26,267
?WHAT HAPPENED
284
00:13:26,334 --> 00:13:27,334
.THE DEAL'S OFF
285
00:13:27,368 --> 00:13:29,267
A.J. DOESN'T LIKE
.MY STUFF AFTER ALL
286
00:13:29,334 --> 00:13:30,268
?WHAT
287
00:13:30,335 --> 00:13:31,810
THAT'S WHAT THE
.RECORD COMPANY SAID
288
00:13:31,834 --> 00:13:33,068
,I THOUGHT HE WAS FEELIN' ME
289
00:13:33,134 --> 00:13:35,434
BUT I WAS GETTIN' PLAYED LIKE
.A SUCKA' THIS WHOLE TIME
290
00:13:35,501 --> 00:13:37,201
.I CAN'T BELIEVE IT
291
00:13:37,268 --> 00:13:39,601
.YOUR MUSIC'S TIGHT, ADAM
.THERE'S GOTTA BE SOME MISTAKE
292
00:13:39,667 --> 00:13:42,701
NAH. THIS CAME STRAIGHT
.FROM THE HORSE'S MOUTH
293
00:13:42,767 --> 00:13:43,701
!URGH
294
00:13:43,767 --> 00:13:44,767
!ADAM
295
00:13:50,400 --> 00:13:51,901
♪ ONE, I'M NUMBER ONE ♪
296
00:13:51,968 --> 00:13:53,934
♪ I'M NUMBER ONE ♪
297
00:13:54,001 --> 00:13:56,851
♪ ONE, NUMBER ONE ♪
298
00:13:59,367 --> 00:14:01,300
♪ ONE, I'M NUMBER ONE ♪
299
00:14:01,367 --> 00:14:02,968
♪ I'M NUMBER ONE ♪
300
00:14:03,034 --> 00:14:04,934
♪ YO-YO, YO, YO ♪
301
00:14:05,001 --> 00:14:06,710
,SO, WHAT DO YOU THINK
?THERE, LES, MY MAN
302
00:14:06,734 --> 00:14:07,834
?SLAMMIN', RIGHT
303
00:14:07,901 --> 00:14:11,667
UH, IT'S NOT QUITE WHAT I
.THOUGHT IT WAS GONNA BE
304
00:14:11,734 --> 00:14:13,001
.I HEAR YA, L.B
305
00:14:13,068 --> 00:14:14,001
IT GETS BETTER AND BETTER
306
00:14:14,068 --> 00:14:15,143
.EVERY TIME I HEAR IT, TOO
307
00:14:15,167 --> 00:14:16,667
.THAT'S NOT WHAT I MEAN
308
00:14:16,734 --> 00:14:18,001
?DO YOU REALLY LIKE THIS
309
00:14:18,068 --> 00:14:20,434
BECAUSE IT'S NOT WHAT I WAS
.EXPECTING TO GET FROM YOU
310
00:14:20,501 --> 00:14:21,934
?ARE YOU DISSIN' THIS DEMO
311
00:14:22,001 --> 00:14:25,034
LOOK, A.J., I'VE BEEN IN
.THIS BUSINESS A LONG TIME
312
00:14:25,101 --> 00:14:27,435
.THIS EAR HAS MADE ME BIG MONEY
313
00:14:27,502 --> 00:14:30,601
FRANKLY, THIS TRACK ISN'T IN
.THE SAME LEAGUE WITH ADAM'S
314
00:14:30,667 --> 00:14:32,267
YOU'RE FORGETTIN'
!WHO I AM, MAN
315
00:14:32,334 --> 00:14:34,301
.I WANT THIS MARVIN GUY SIGNED
316
00:14:34,368 --> 00:14:35,801
THAT'S WHAT'S GONNA
,MAKE ME HAPPY
317
00:14:35,868 --> 00:14:37,767
,AND IF I'M NOT HAPPY
.I'M OUTTA HERE
318
00:14:37,834 --> 00:14:39,168
.LIKE THAT
319
00:14:39,235 --> 00:14:41,601
.HEY! WHATEVER YOU WANT, A.J
320
00:14:41,667 --> 00:14:42,834
.HE'S AS GOOD AS SIGNED
321
00:14:42,901 --> 00:14:47,901
PLEASURE DOIN'
.BUSINESS WITH YOU, L.B
322
00:14:53,701 --> 00:14:58,201
[LOOKIN' GOOD, BABY. [CHUCKLES
323
00:15:00,467 --> 00:15:01,844
I DON'T CARE WHAT
.YOU SAY, VIRGIL
324
00:15:01,868 --> 00:15:03,301
.A.J.'s NOT LIKE THAT
325
00:15:03,368 --> 00:15:05,734
I KNOW YOU AND DAISY HAVE
,MAD LOVE FOR THE GUY
326
00:15:05,801 --> 00:15:08,034
BUT HE IS JUST
.FICKLE AND TWO-FACED
327
00:15:08,101 --> 00:15:11,634
JUST BECAUSE WE ALL LIKE ADAM'S
.SOUND DOESN'T MEAN A.J. HAS TO
328
00:15:11,701 --> 00:15:13,467
.SHE'S GOT A POINT, V
329
00:15:13,534 --> 00:15:15,634
.WAY TO BE ON MY SIDE, BRO
330
00:15:15,701 --> 00:15:18,133
.SHH! HE'S ON THE NEWS
331
00:15:18,200 --> 00:15:19,467
.Daisy: TURN IT UP
332
00:15:19,534 --> 00:15:21,834
YEAH, I WAS WORKING
,WITH THIS EVANS DUDE
333
00:15:21,901 --> 00:15:23,535
BUT IT JUST WASN'T
?HAPPENING, YOU KNOW
334
00:15:23,602 --> 00:15:27,134
,OK, MAYBE HE HAD SOME FLOW
.BUT IT WAS LIKE, GENERIC
335
00:15:27,201 --> 00:15:29,801
.ME, I'M ALL ABOUT THE
REAL ?KNOW WHAT I'M SAYIN'
336
00:15:29,868 --> 00:15:30,968
.YEAH, RIGHT
337
00:15:31,034 --> 00:15:32,801
?THAT'S WEIRD. WHAT
338
00:15:32,868 --> 00:15:34,134
.HIS TATTOO
339
00:15:34,201 --> 00:15:36,434
I THOUGHT THE CHINESE SYMBOLS
.WERE ON THE OTHER ARM
340
00:15:36,501 --> 00:15:39,801
.Daisy: YEAH, THEY ARE
341
00:15:53,767 --> 00:15:57,817
!ADAM! YO, IT'S STATIC, MAN
342
00:16:07,434 --> 00:16:08,434
?ADAM
343
00:16:18,667 --> 00:16:19,934
[[TELEPHONE RINGS
344
00:16:20,001 --> 00:16:20,934
?WHA? CHA? HELLO
345
00:16:21,001 --> 00:16:23,701
.RICH? V. I COULDN'T SLEEP
346
00:16:23,767 --> 00:16:26,201
OH. THANK YOU FOR SHARING
347
00:16:26,268 --> 00:16:29,267
.THAT IMPORTANT
INFORMATION .GOOD NIGHT
348
00:16:29,334 --> 00:16:31,334
?RICH, STAY FOCUSED, WILL YOU
349
00:16:31,400 --> 00:16:33,368
THIS A.J. THING
.IS REALLY BUGGIN'
350
00:16:33,435 --> 00:16:36,601
I THINK THAT WAS REPLIKON
.WE SAW ON TV, NOT A.J
351
00:16:36,667 --> 00:16:37,601
?ARE YOU SERIOUS
352
00:16:37,667 --> 00:16:39,334
,I CHECKED. LIKE FRIEDA SAID
353
00:16:39,400 --> 00:16:41,602
HIS TATTOO WAS
.ON THE WRONG ARM
354
00:16:41,668 --> 00:16:44,767
.I FIGURE REPLIKON WAS FACING
A.J ,WHEN HE DISGUISED HIMSELF
355
00:16:44,834 --> 00:16:46,534
.SO EVERYTHING GOT FLIP-FLOPPED
356
00:16:46,601 --> 00:16:49,267
.YEAH, SURE. LIKE IN A MIRROR
357
00:16:49,334 --> 00:16:50,934
?.THEN WHERE'S THE REAL A.J
358
00:16:51,001 --> 00:16:53,400
.I CHECKED THE RECORDING STUDIO .A.J.
WASN'T THERE
359
00:16:53,467 --> 00:16:55,034
.WENT BY HIS HOTEL, SAME THING
360
00:16:55,101 --> 00:16:57,567
,NOW I'M AT ADAM'S PLACE
.AND HE'S GONE, TOO
361
00:16:57,634 --> 00:16:59,901
AW, POOR ADAM'S
PROBABLY STILL DOWN
362
00:16:59,968 --> 00:17:01,368
.ABOUT HIS DEAL GOIN' BAD
363
00:17:01,435 --> 00:17:04,134
THERE HE WAS, SO CLOSE
TO SEEING HIS FACE
364
00:17:04,201 --> 00:17:05,968
IN EVERY RECORD STORE
.ACROSS THE COUNTRY
365
00:17:06,034 --> 00:17:08,368
!RECORD STORES! THAT'S IT
366
00:17:08,435 --> 00:17:12,200
RICH, I NEED AN ADDRESS FOR A
.STORE CALLED STONE GAS RECORDS
367
00:17:12,267 --> 00:17:15,134
.ON IT
368
00:17:15,201 --> 00:17:18,534
MAN, I ONLY HOPE REPLIKON
.HASN'T GONE WACKO ON A.J
369
00:17:18,601 --> 00:17:21,751
.YOU AND ME BOTH, BRO
370
00:17:41,968 --> 00:17:44,201
.YO, BACKSTREET BUM, GOOD NEWS
371
00:17:44,268 --> 00:17:46,701
LESTER BIGGS IS GONNA
,SIGN MARVIN ROPER
372
00:17:46,767 --> 00:17:49,001
.ME, TO AN OVERALL DEAL
373
00:17:49,068 --> 00:17:51,367
.MANSIONS, SUPER-STRETCH LIMOS
374
00:17:51,434 --> 00:17:53,634
.I'M MOVIN' WAY UP ON YOU
375
00:17:53,701 --> 00:17:55,300
YEAH. TO A PENTHOUSE
.PRISON CELL
376
00:17:55,367 --> 00:17:57,001
!AH-HA HA HA
377
00:17:57,068 --> 00:17:59,001
.PEEP AT THE FUNNY POP STAR
378
00:17:59,068 --> 00:18:01,400
,AFTER I'M DONE WITH YOU
.YOU WON'T BE LAUGHIN'
379
00:18:01,467 --> 00:18:02,467
.TRUST ME
380
00:18:02,501 --> 00:18:03,434
?IS THAT RIGHT
381
00:18:03,501 --> 00:18:05,268
SEE, I WAS JUST
KEEPIN' YOU AROUND
382
00:18:05,335 --> 00:18:08,134
SO I CAN MAKE SURE MY
.IMITATION OF YOU LOOKED REAL
383
00:18:08,201 --> 00:18:10,267
BUT NOW THAT I GOT MY CONTRACT
384
00:18:10,334 --> 00:18:12,934
[[ROARS
385
00:18:13,001 --> 00:18:15,701
ALL YOU'RE GOOD
.FOR IS LUNCH MEAT
386
00:18:15,767 --> 00:18:17,267
[[GROWLING
387
00:18:29,701 --> 00:18:30,868
[[GROWLS
388
00:18:30,934 --> 00:18:34,234
.SHOW'S OVER, POP STAR
389
00:18:42,000 --> 00:18:45,068
!AAH
390
00:18:45,134 --> 00:18:50,067
KEEP YOUR PAWS TO
.YOURSELF, FUR-FUR
391
00:18:50,133 --> 00:18:51,301
?HOW'D YOU FIND US
392
00:18:51,368 --> 00:18:53,408
ADAM MENTIONED THAT HE
WORKED IN THIS RECORD STORE
393
00:18:53,467 --> 00:18:54,901
.WITH REPLIKON A LONG TIME AGO
394
00:18:54,968 --> 00:18:59,734
.NOW TO GET YOU OUT OF HERE
395
00:18:59,801 --> 00:19:03,068
!UNH
396
00:19:03,134 --> 00:19:08,134
ELECTRICITY DOESN'T
.WORK ON WOOD, STATIC
397
00:19:12,534 --> 00:19:16,034
YOU'RE RUNNING
.OUT OF ROOM, HERO
398
00:19:16,101 --> 00:19:17,701
♪ GOTTA BE, BE, GOTTA
BE A SUPERHERO ♪
399
00:19:17,767 --> 00:19:19,001
♪ GOTTA BE, BE, GOTTA BE ♪
400
00:19:19,068 --> 00:19:21,234
♪ GOTTA BE, BE, GOTTA
BE A SUPERHERO ♪
401
00:19:21,300 --> 00:19:23,001
.THAT TICKLES
402
00:19:23,068 --> 00:19:24,901
.NOW LET'S SEE HOW THIS FEELS
403
00:19:24,968 --> 00:19:27,133
[[FEEDBACK BLARES
404
00:19:27,200 --> 00:19:31,000
!AAH
405
00:19:31,067 --> 00:19:35,167
!AAH
406
00:19:35,234 --> 00:19:36,634
♪ STATIC SHOCK ♪
407
00:19:36,701 --> 00:19:38,467
THANKS. THAT MUST HAVE BEEN
408
00:19:38,534 --> 00:19:40,134
.SOME WICKED REVERB YOU FED HIM
409
00:19:40,201 --> 00:19:44,551
.NOPE. JUST HIS OWN BAD MUSIC
410
00:19:49,468 --> 00:19:52,168
,I'VE WAITED A LONG TIME
BUT THIS DEAL PROVES
411
00:19:52,235 --> 00:19:54,400
THAT IF YOU STICK TO YOUR
.DREAMS, THEY'LL COME TRUE
412
00:19:54,467 --> 00:19:57,300
.OUR FRIEND IS GONNA
BE A STAR !HA HA
413
00:19:57,367 --> 00:19:58,634
.THINK OF THE POSSIBILITIES, V
414
00:19:58,701 --> 00:20:01,200
.BACKSTAGE PASSES
.HOBNOBBING WITH CELEBS
415
00:20:01,267 --> 00:20:02,601
.CRAFT SERVICE MUNCHIES
416
00:20:02,667 --> 00:20:05,034
RICHIE, HE'S IN
.A TOUGH BUSINESS
417
00:20:05,101 --> 00:20:06,211
,YOU KNOW, ONE DAY YOU'RE A HIT
418
00:20:06,235 --> 00:20:09,901
THE NEXT, YOU'RE IN
.THE CLOSE-OUT BIN
419
00:20:09,968 --> 00:20:12,234
.HEY, GUYS. HEY, GUYS
420
00:20:12,300 --> 00:20:13,901
?WHO'S THAT ON YOUR SHIRT
421
00:20:13,968 --> 00:20:15,234
.Daisy: ADAM, OF COURSE
422
00:20:15,300 --> 00:20:17,068
.HE IS SO COOL
423
00:20:17,134 --> 00:20:18,834
THEN AGAIN, THERE'S
NOTHING WRONG
424
00:20:18,901 --> 00:20:19,977
.WITH BEING A ONE-HIT WONDER
425
00:20:20,001 --> 00:20:22,367
♪ MY NAME IS VIRGIL
AND I'M HERE TO SAY ♪
426
00:20:22,434 --> 00:20:23,701
♪ NOBODY SINGS AND RAPS ♪
427
00:20:23,767 --> 00:20:24,934
♪ MY WAY ♪
428
00:20:25,001 --> 00:20:27,201
♪ I'M HIS PAL RICHIE
AND I MUST AGREE ♪
429
00:20:27,268 --> 00:20:29,602
♪ TOGETHER WE MAKE
GREAT HARMONY ♪
430
00:20:29,668 --> 00:20:32,900
,Both: ♪ HARMONY, HARMONY
HARMONY, HARMONY, HARMONY ♪
431
00:20:32,967 --> 00:20:34,300
!WAH WAH WAH
432
00:20:34,367 --> 00:20:37,067
[[BOTH BEAT-BOXING
433
00:20:40,300 --> 00:20:41,501
?FRIENDS OF YOURS
434
00:20:41,567 --> 00:20:45,901
.NOPE. NEVER SEEN 'EM
435
00:20:45,968 --> 00:20:48,901
.CAPTIONING MADE POSSIBLE
BY WARNER BROS TV ANIMATION
436
00:20:48,968 --> 00:20:52,001
.AND THE U.S
DEPARTMENT OF EDUCATION
437
00:20:52,068 --> 00:20:53,201
♪ STATIC SHOCK ♪
438
00:20:53,268 --> 00:20:54,377
♪ GOTTA BE, BE, GOTTA
BE A SUPERHERO ♪
439
00:20:54,401 --> 00:20:55,481
♪ GOTTA BE, BE, GOTTA BE ♪
440
00:20:55,534 --> 00:20:56,667
♪ LET 'EM KNOW ♪
441
00:20:56,734 --> 00:20:58,211
♪ GOTTA BE, BE, GOTTA
BE A SUPERHERO ♪
442
00:20:58,235 --> 00:21:03,185
♪ STATIC SHOCK ♪
♪ STATIC SHOCK ♪
443
00:21:09,868 --> 00:21:11,435
♪ GOTTA BE, BE, GOTTA
BE A SUPERHERO ♪
444
00:21:11,502 --> 00:21:14,300
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE. Www.ncicap.org
445
00:21:14,367 --> 00:21:16,700
♪ STATIC SHOCK ♪
32519
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