Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
♪♪
Once upon a time,
there were three beautiful girls.
Two of them graduated from the police academy.
The other graduated from a top school for models.
And they each reaped their rewards
of their exciting careers.
But I took them away from all that
and now they work for me.
My name is Charlie.
♪♪
Passengers for Lisbon may now board Flight 116
in Gate 4.
Julie. And Kelly.
KRIS
Shall we go?
I'll go round.
Angels, meet your driver, Kono.
Hi.
Good to see you.
Everyone, how are you?
All right.
Now, you're sure we're right about this, Pa?
That girl killed your mother.
She's dead and she's gone from us.
And she's gonna pay.
Here you are, girls.
Your home away from home.
It has its own beach.
Whoo.
I may never go home.
Wow, this is beautiful.
Do you always live like this?
No. But I think it's time we started.
Wait till you see the inside.
Oh, by the way, those cars are registered
in our names and in the agency name.
Bos, you think of everything.
I try. God knows I try.
And office never looked SO good.
Uh... Ooh.
It's beautiful.
Fantastic.
Bosley, this is fabulous.
We're gonna like this.
Look at that view.
Well, ahem, like you said I may never go home.
Mm, I think I could get used to it too.
Oh, don't you get too used to it.
We will be going home sooner or later.
Killjoy. Yes. Bosley always keeps us
in touch with reality.
You mean he keeps an eye on the bucks, huh?
Like a hawk.
It's easy to see that none of you know anything
about the loneliness of command.
Speaking of bucks, Bos,
did you spend any on champagne?
Champagne?
Well, we have to toast the new office.
Yeah. Not in the budget.
Well, forget it. I'll spring for it.
I saw a market on the way up.
Bos, where are the keys?
They're on the little table just in the entry.
Okay. Hurry back, will you?
We'll have a little splash of the bubbly around the pool.
Okay.
Listen, I'm kind of new here,
so maybe I don't know all the customs,
but that's a lousy way to drive a truck.
That's true.
But I was very anxious to speak with you, Miss Munroe.
You know my name?
Oh, I know a lot about you, Miss Munroe.
Have we met?
No, we've never met.
But we have something in common.
Oh?
My name is Tom Grainger.
You killed my wife.
Ah!
Ah!
Get her!
Get her!
Get her!
Get her! Hold her!
You're coming with us, Miss Munroe.
Who are you? What do you want?
I told you. I'm Tom Grainger, these are my children.
And we want you, Miss Munroe.
We want you.
What time is it now?
It's 10 after 12:00.
Thank you.
Thank you, operator.
Well, she didn't make it to the market.
And she's not answering her car phone.
Very odd.
Hello?
Hello.
Is this the Townsend Agency?
Ah, well, yes. Yes, it is.
Oh, I think we should talk.
Well, fine. Won't you come in, please?
Yes.
Miss Garrett, Miss Rogers.
Yeah, that's right.
I got your names from my friends
at the police department.
How can we help you, Miss, uh...?
Uh, Willard. Eleanor Willard.
I was hoping that I could help you.
Help us? In what way?
You have a friend. A Miss Munroe?
Yeah. What about her?
Well, I believe she's in danger.
Well, won't you sit down, Miss Willard,
and tell us what you mean?
No, thank you.
But I think we should take a drive to Miss Munroe's car.
I can explain along the way.
Well, could you be a little more specific?
No. Uh, not yet.
Could we please go?
I don't think we have much time.
Miss Willard, you said you drove by here,
you saw Kris' car
and you sensed something was wrong?
Yes.
But you never saw Kris?
No, no.
Never saw anyone else?
Uh, no. But I'm certain someone has been here.
Because... Well, something angry and very violent happened here.
Well, I know you think
that I'm acting rather strangely,
but I don't mind, it happens all the time.
But no matter what you think of me,
don't let it spoil your judgment.
Listen, I'm gonna check the car.
Look, Miss Willard, uh,
may we assume that in the past,
you have had similar intuitions?
Well, all of my life. I'm a registered psychic.
And these intuitions have been accurate?
Well, I have worked with Honolulu police occasionally.
Oh, so that's how you traced Miss Munroe's
driver's registration to our office?
Yes. They told me you had just arrived.
I'm gonna help Kelly. Yeah.
Uh, there's something up here I'd like to show you.
I believe that there was someone else here
in another vehicle.
You see, those tire tracks, they look fresh.
It's a truck.
Possibly.
As a matter of fact, the tread is wide and deep.
Yes, it could be a truck.
Bos, we could get the Honolulu police lab
to do a plaster cast of the tracks.
Yeah, it might help.
It's moving.
What?
The truck IS moving now.
Moving where?
I don't know.
But Miss Munroe is in the truck,
and she's in danger.
I'm gonna get us something to eat.
Yeah, well, I gotta use the ladies' room.
Okay. Ted, you watch her good.
And keep her quiet.
Mr. Grainger.
You said I killed your wife. When was this? Where?
You're saying you don't... You don't even remember?
Look, I'm saying I don't understand any of this,
any of it.
You gotta tell me what's going on.
Well, you think back.
You think back to three years ago in San Francisco.
You think about that.
Maybe it'll come to you.
Three years ago in San Francisco
I was a police officer.
Then maybe you do remember arresting my mother.
I arrested a lot of people.
Oh, I see.
She was just another name and another face to forget.
What did your mother look like?
What was she arrested for? What was the charge?
Well, the charge that you put on the arrest report
was that she was a prostitute.
A prostitute?
That's what you said.
Well, what did the court say?
The court?
She never got to court.
She killed herself in her cell that night.
Killed herself?
We didn't even find out what happened until last year,
and then we started putting the pieces together
and finding out what happened and your part in it.
And then we came looking for you.
Look, this doesn't make any sense.
First you tell me that I killed her
and then you tell me that she killed herself.
Well, you might as well have killed her.
You gave her no choice.
You arrested her and you said those things about her.
You gave her no choice. She...
Just don't say any more until my father comes back.
You just wait until my father gets back.
Just be quiet.
Right now we're dusting Kris' car for fingerprints, Charlie,
and taking a plaster cast of the tire tracks.
Did you check out this woman, Eleanor Willard?
Yes. And she seems to be legit.
The Honolulu police
have consulted her on two occasions.
Ah. Did she help them?
Well, they said that there was no way
to properly evaluate her contribution.
And how do evaluate her contribution, Bosley?
I don't know, Charlie.
I just don't know.
But I'll stay in touch.
What's our next move, Bos?
Well, until the lab men come up with something,
Miss Willard is our one link to Kris.
Could you take me to Miss Munroe's home?
Her home?
Well, I want to see where she lives.
Well, at the moment, all her luggage is back at the office.
Well, I... I'd like to see some of her personal things.
Now, let's get something very clear.
I can't help you unless you trust me.
All right, we'll take you there.
What do you think you're doing?
She's gotta eat.
No, she don't.
Why waste food on a dead person?
Dead person.
How can I make you trust me?
Miss Willard, try to understand
we appreciate everything you're doing.
It's just that in our profession,
we only know how to deal in facts.
And your approach, it's very difficult for us.
Well, Miss Garrett, it's very difficult for me too.
I like to keep very much to myself.
I think the world is a very difficult
and violent place.
Well, then why are you doing this?
Why are you helping us?
If I can, I must.
I'm sure you'd do the same thing
if you were in my position.
Miss Willard.
This is very important.
Hansel and Gretel?
This is very important to Miss Munroe.
Is that true?
Yes.
Her mother gave it to her.
She considers it a good luck charm.
She takes it with her wherever she goes.
What does that mean? How can that help?
Well, I don't know.
We'll see.
But we can go now.
Go where?
Well, I'm not sure. We'll just drive.
You beginning to put it together, Miss Munroe?
Three years ago in San Francisco,
I worked Vice for two weeks.
Our team picked up several women
in the Fillmore district,
and I remember signing the arrest report that night.
Fillmore district.
That's right.
We got the information on that.
Look, Mr. Grainger, look, I don't remember your wife.
And you've gotta understand these women were booked
under suspicion of prostitution.
It was up to a court to decide.
I knew it.
You're running true to form, aren't you?
You're putting the blame on somebody else.
You with your nice clothes.
You're running true to form.
Money in the bank.
You don't care who you hurt
as long as you get what you want.
You seem to know me very well.
Yes, I do.
I was coming looking for you.
Mm-hm. A stroke of luck.
I found out that you were coming here.
This all happened three years ago.
What took you so long to figure it out?
That's of no concern to you.
Wait. A few minutes ago, you said I was a dead person.
If you're gonna kill me,
you could at least fill in the details.
I mean, if you live in Hawaii,
why was your wife running around in San Francisco?
Look, I told you, it's none of your concern!
It's none of your business!
You stop talking!
Your friend is still moving in the truck.
There seems to be a light ahead of her.
A light?
Yes. It's a... It's very large and very bright.
The sun.
That could be.
All right, we'll head west.
Stop the truck!
Get her!
She's over here!
Hold it!
You're gonna die, Miss Munroe.
But I'll choose the time, not you.
Put her in the truck.
Lady, get up.
"Suddenly Gretel stood up.
"Oh, Hansel she said,
"it's getting so dark.
"I do not see our father and mother.
"Now we are really lost.'
"Don't be afraid, Gretel.
"I scattered breadcrumbs along our path.
"Wait until the moon comes out,
"and I shall find the way home.
"Don't be afraid, Gretel.
"I scattered breadcrumbs along our path.
"Bread crumbs along our path.
Breadcrumbs..."
I wanna tell you something.
I'm listening.
My father is not a bad man.
He sure does a good impersonation of one.
He just hurts inside.
He's been hurting for a long time.
But you have to understand that he is not a bad man.
When did your mother leave you?
She did leave you, didn't she?
Was your father mean to her?
No.
Did he chase her away?
My father loved my mother.
How often did he beat her, Ted?
Only when she hurt him.
He would hit all of us sometimes.
That didn't mean that he didn't love us.
He didn't want her to go. He loved her.
Sometimes that isn't enough.
When you were in San Francisco,
why did you do that to my mother?
Why did you say those things about her?
Ted, listen to me.
Whatever your mother was, whatever she became,
it didn't have anything to do with you
or your father or your sister or me.
People have to make their own choices.
You have to make a choice.
What do you mean?
Well, your father said I was a dead person.
Are you gonna be part of that?
I know he said that, but he didn't mean it.
He'll probably just think about it for a while.
But he'll change his mind.
He wouldn't do that.
He's just confused.
Like me.
No. I don't think he is anything like you.
Well, something's changed.
What do you mean?
I'm not sure.
It's got something to do with this book
and this picture.
But we're getting closer.
You mean this road is getting us closer?
Yes. And this is the only road in the area that heads west.
Well, then, what is it? What's changed?
I...
Well, I think I see the breadcrumbs.
Breadcrumbs?
Yes. I see a white line.
What do you mean a white line?
Well, I see a white line.
Where? What is the line?
It's from Miss Munroe.
What does it mean?
Well, it may mean her life.
We're almost to where we're going.
And where would that be, Mr. Grainger?
End of the line, Miss Munroe.
End of the line.
Come on, get in here.
Charlene, you and Ted start watering the place, now.
Well, if there's gonna be a discussion,
I wanna hear it.
I gotta have some private time with Miss Munroe.
The chores gotta be done. Nothing will change that.
Get at it!
You heard me, boy?
Now...
what was you...?
What were you saying to my boy in the truck?
Nothing you'd understand, Mr. Grainger.
You were trying to turn my boy against me, weren't you?
Well, you didn't figure I'd be throwing any roses your way.
Oh, boy.
You're something.
You are really something, Miss Munroe.
First, you get my wife killed,
and then you try to turn my son,
my only son, against me?
Just stop it!
I told your son and I'll tell you,
your wife died out of her choice,
not mine.
And if you're looking for somebody to blame,
you can blame yourself.
That woman, she ran out on me, on us.
Yeah, well, most women who get beaten do.
You better be quiet.
I'm telling you, you better be quiet.
Oh, you can shoot me with that gun, Mr. Grainger,
but before you do, you're gonna know
that I think you are a self-pitying coward and a liar.
Be quiet! I tell you be quiet!
You lie to yourself, you lie to your kids.
Your kids live in terror of you.
They live in terror of you
and your wife probably lived in terror of you.
And I have lived in terror of you all day.
And in short, Mr. Grainger, you can go straight to hell.
It's really odd, you know?
What do you mean?
I mean, a few days ago, I was alone.
And then all of a sudden, we're here together.
And now, I'm being torn up inside
about a girl I hardly even know.
Well, you can get to like Kris very quickly.
I remember I did.
If anything happens to her...
Look, nothing's happened.
We've gotta believe that, okay?
Okay.
Hey, thanks.
For what?
For caring.
It's okay. Yeah.
What's wrong? Just slow down.
What is it, Eleanor?
Slow down, please.
Eleanor, are you okay?
Your friend has been here.
How do you know?
I just know.
Well, when? How long ago?
It was just recently.
And there was more violence.
Are you saying she was hurt?
I don't know.
Kelly, Bos, look.
It looks like Kris' purse.
Bos, what's that?
That's the line.
The white line I saw.
What does it mean?
It means we're getting closer. Just follow it.
I...
I was very good to my wife.
Mary. I...
Even sometimes she'd get discouraged,
and she needed persuading.
But, uh, I was fair.
Fair.
But sometimes, Mary would get mad.
And, well, she'd run out on us.
Me and the kids.
But she'd al...
She'd always come back.
Always.
Exc...
Except the last time
when you didn't give her a chance to.
I'm sorry, I...
I didn't know.
No. No.
No, don't say that you're sorry to me.
Oh, no.
You already told me what you think of me.
You don't like me.
But that doesn't matter.
I mean, it doesn't change anything.
You are still responsible.
Hey.
Come back! Come back!
Drop that thing and help, Ted!
Come on! Come on, you idiot! Get her!
Get her! Find her!
Now what? Straight or to the left?
Where, Eleanor? Which direction?
Well, I don't know, but she's close.
She's very, very close.
Bos, let's split up.
You and Julie take the car straight,
circle the area.
Eleanor and I will go left and meet you coming round.
All right, well, be careful.
All right.
Hey. There she is!
Jump on!
Come back here!
Come back!
Hold it!
I don't know who you are,
but you've got about two seconds
to drop that gun.
And one of them's already gone.
Turn around.
Are you all right? Oh, yeah.
Oh.
Oh, Kelly.
I'm okay.
The one in the truck helped me. Will you see if he's all right?
Who are you?
I'm a friend.
I know.
Well, I can see that this is gonna be a big problem.
A problem? What do you mean?
All this indecision.
Should we spend the day at the beach or at the pool?
I like it.
That kind of problem I can live with.
Well, hello.
Hi. KRIS: Hi.
Eleanor, what a nice surprise.
I hope you don't mind my dropping by like this.
Oh, mind? Are you kidding?
You're our very first visitor.
And I couldn't think of anyone more welcome.
Neither could I.
Well, I'm so grateful to all of you
that I just wanted to stop by and tell you that.
Grateful to us?
I think you have that backwards.
You saved my life.
Well, in a way, all four of you saved my life too.
I don't think I follow you.
Well, I've always kept pretty much to myself,
and I've told myself that I like it that way.
But the truth is that everybody needs friends.
And people they can be close to.
Well, I hope you know you'll always be our friend.
I think we should all drink to that.
I Think so. - Okay.
Oh, Eleanor, you know what?
We do need a tour guide.
A tour guide?
Right. You are looking at four very touristy types.
And since you know the island, right?
Yes, I do.
Then you are our guide.
Oh, that's going to please me.
The most important thing is, uh...
Where's the best place to shop?
♪♪
♪♪
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.