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1
00:00:04,796 --> 00:00:06,881
[ Cheers and applause ]
2
00:00:06,923 --> 00:00:09,467
[ Scatting ]
3
00:00:09,509 --> 00:00:11,177
Whoo!
4
00:00:12,554 --> 00:00:14,347
* He fills me up *
Yeah!
5
00:00:14,389 --> 00:00:16,016
* He fills me up *
6
00:00:16,057 --> 00:00:18,018
Daly: That is the sound
of a steal!
7
00:00:18,059 --> 00:00:20,687
Blake: The knockouts this year
are just next-level.
8
00:00:20,729 --> 00:00:23,189
**
9
00:00:23,231 --> 00:00:25,108
These are the last knockouts
10
00:00:25,150 --> 00:00:27,027
that I'll ever get
a chance to coach,
11
00:00:27,068 --> 00:00:29,154
and I am absolutely blown away
12
00:00:29,195 --> 00:00:31,031
because our Mega Mentor
this season
13
00:00:31,072 --> 00:00:33,908
is one of the greatest
country artists of all time.
14
00:00:33,950 --> 00:00:35,160
Oh, my God.
15
00:00:35,201 --> 00:00:36,369
She's a legend
in the industry.
16
00:00:36,411 --> 00:00:37,787
No.
[ Chuckles ]
17
00:00:37,829 --> 00:00:39,205
She has had her own TV show.
18
00:00:39,247 --> 00:00:40,415
Oh, my God!
19
00:00:40,457 --> 00:00:42,000
So the Mega Mentor
this season
20
00:00:42,042 --> 00:00:43,752
is [rolls tongue]
21
00:00:43,793 --> 00:00:45,754
Reba McEntire!
22
00:00:45,795 --> 00:00:49,215
* Here's your one chance, Fancy,
don't let me down *
23
00:00:49,257 --> 00:00:52,052
I see Reba McEntire,
and I faint.
24
00:00:52,093 --> 00:00:53,511
Oh, my gosh.
25
00:00:53,553 --> 00:00:56,014
She's been in film
and television and music.
26
00:00:56,056 --> 00:00:58,725
You really touched
my heart.
Thank you so much.
27
00:00:58,767 --> 00:01:00,643
Niall:
She is the queen of country.
28
00:01:00,685 --> 00:01:02,437
Blake:
She performed on Broadway.
29
00:01:02,479 --> 00:01:04,898
Kelly: She's won every award
you could possibly win.
30
00:01:04,939 --> 00:01:06,691
She's such a pioneer
for women in music,
31
00:01:06,733 --> 00:01:08,360
and I'm excited
for these performers
32
00:01:08,401 --> 00:01:09,652
to get to grow a little bit more
with her.
33
00:01:09,694 --> 00:01:12,405
* Ain't living lo-o-o-ng
like this *
34
00:01:12,447 --> 00:01:13,907
[ Laughs ]
That was pretty slick.
35
00:01:13,948 --> 00:01:16,284
Whatever the story is,
I see it in my mind.
36
00:01:16,326 --> 00:01:17,911
You just got, like,
advice from, like,
37
00:01:17,952 --> 00:01:19,621
one of the greatest artists
in the whole world.
I know.
38
00:01:19,662 --> 00:01:21,915
She's the ultimate storyteller,
hands down.
39
00:01:21,956 --> 00:01:25,669
You need to almost be
that brink of, "God, help me."
40
00:01:25,710 --> 00:01:27,712
If you do it that way,
we'll feel it.
41
00:01:27,754 --> 00:01:29,631
I'm getting goosebumps
even talking about it now.
42
00:01:29,673 --> 00:01:31,508
It's amazing
to be in her presence.
43
00:01:31,549 --> 00:01:33,426
I'm pretending that I don't have
to pee my pants right now, so...
44
00:01:33,468 --> 00:01:36,888
* Here's your one chance, Fancy,
don't let me down *
[ Laughter ]
45
00:01:36,930 --> 00:01:38,473
**
46
00:01:38,515 --> 00:01:40,975
Well, this is a full-circle
moment for me
47
00:01:41,017 --> 00:01:44,437
'cause you were my adviser
Season 1.
Uh-huh.
48
00:01:44,479 --> 00:01:46,606
Now it's my last season
49
00:01:46,648 --> 00:01:48,441
and you're mentoring me
one more time.
50
00:01:48,483 --> 00:01:50,985
What does that say
about our relationship?
51
00:01:51,027 --> 00:01:54,030
You brought me into this,
and now you're taking me out.
52
00:01:54,072 --> 00:01:55,907
[ Laughs ]
That's what it means.
53
00:01:55,949 --> 00:01:58,576
Oh, it's so much fun
to be back on "The Voice" again.
54
00:01:58,618 --> 00:02:01,788
It's always a lot of fun
to give advice
55
00:02:01,830 --> 00:02:04,958
because I study people
when they perform,
56
00:02:05,000 --> 00:02:08,962
and I want to be touched
when they're singing to me.
57
00:02:09,004 --> 00:02:10,338
Come on in
to my office here.
58
00:02:10,380 --> 00:02:12,882
I let Kelly use
this office of mine, too.
59
00:02:12,924 --> 00:02:16,678
Well, that was very nice of you
to let Kelly be a part.
60
00:02:16,720 --> 00:02:21,975
This world exposure
for these kids -- phenomenal.
61
00:02:22,017 --> 00:02:23,768
What an education.
62
00:02:23,810 --> 00:02:26,021
I mean, they get to work
with the greatest coaches.
63
00:02:26,062 --> 00:02:29,482
It's just an opportunity
and a chance of a lifetime.
64
00:02:29,524 --> 00:02:32,861
I'm -- I'm excited to see
who our Mega Mentor is, too.
65
00:02:32,902 --> 00:02:34,487
Who this person is...
66
00:02:34,529 --> 00:02:37,741
So, this is one of my steals,
a guy named NOIVAS.
67
00:02:37,782 --> 00:02:40,660
He's a Texas guy.
He's kind of a soul guy.
68
00:02:40,702 --> 00:02:44,122
And then I have Tasha,
who is also very soulful.
69
00:02:44,164 --> 00:02:48,376
And she can cover a lot of
different ground artistically.
Uh-huh.
70
00:02:48,418 --> 00:02:51,504
In the knockouts, artists
are picking their own songs
71
00:02:51,546 --> 00:02:54,466
and this is their chance to show
what lane they want to be in.
72
00:02:54,507 --> 00:02:56,801
Let's bring 'em out here
and see what happens.
Okay. Yeah, let's see.
73
00:02:56,843 --> 00:02:59,012
I hope these artists realize
how lucky they are.
74
00:02:59,054 --> 00:03:02,557
There's really nothing
that Reba hasn't done
75
00:03:02,599 --> 00:03:04,517
andhasn't done well.
76
00:03:04,559 --> 00:03:07,145
Oh, he's got
the cowboy hat on.
What?
77
00:03:07,187 --> 00:03:09,356
Get on out here.
[ Laughs ]
78
00:03:09,397 --> 00:03:11,483
Oh, my God.
79
00:03:11,524 --> 00:03:15,153
Reba McEntire --
the queen of country.
80
00:03:15,195 --> 00:03:17,113
I used to watch her show
back home.
81
00:03:17,155 --> 00:03:20,784
* A single mom
who works two jobs *
Reba: Hi. How you doing?
82
00:03:20,825 --> 00:03:23,453
* Who loves her kids
and never stops *
Hello, hello. How are you?
83
00:03:23,495 --> 00:03:25,205
Oh, my God! Reba!
So nice to meet you.
84
00:03:25,246 --> 00:03:26,873
Nice to meet you, too.
85
00:03:26,915 --> 00:03:27,874
I froze.
86
00:03:27,916 --> 00:03:30,043
I didn't believe
that she was real,
87
00:03:30,085 --> 00:03:31,378
and I started, like, crying.
88
00:03:31,419 --> 00:03:34,422
I had tears in my eyes.
She's a legend.
89
00:03:34,464 --> 00:03:36,383
I mean, it's Reba.
Oh, my God. I know.
90
00:03:36,424 --> 00:03:38,385
Like, oh, okay.
91
00:03:38,426 --> 00:03:39,594
[ Laughs ]
92
00:03:39,636 --> 00:03:41,262
So who's going first?
93
00:03:41,304 --> 00:03:42,639
I'm going first.
Alright. Okay.
94
00:03:42,681 --> 00:03:45,475
So, Reba, Chance
actually blocked Blake.
95
00:03:45,517 --> 00:03:47,519
[ Cheers and applause ]
96
00:03:47,560 --> 00:03:50,313
And so, during my battles,
he stole me.
Perfect.
97
00:03:50,355 --> 00:03:53,650
So I'm ready to do this.
He looks like me up there.
He's got his cowboy boots on.
98
00:03:53,692 --> 00:03:55,485
He's got his hat,
his mullet.
Look at that.
99
00:03:55,527 --> 00:03:57,570
For me to get
one of the last steals
100
00:03:57,612 --> 00:03:59,739
that Blake will ever give
on this show...
101
00:03:59,781 --> 00:04:02,534
I'm gonna take him.
...it's an absolute honor.
102
00:04:02,575 --> 00:04:04,411
I'm singing
"I Put a Spell on You"
103
00:04:04,452 --> 00:04:05,954
by
Screamin' Jay Hawkins.
104
00:04:05,995 --> 00:04:09,416
But I am doing both
Nina Simone's version
105
00:04:09,457 --> 00:04:12,168
and Annie Lennox.
Love her version.
106
00:04:12,210 --> 00:04:15,130
I'm also a girl dad,
so I love the feminine energy.
107
00:04:15,171 --> 00:04:17,757
Good deal.
So, I want to bring that
into this.
108
00:04:17,799 --> 00:04:18,591
Okay.
109
00:04:18,633 --> 00:04:25,473
* I put a spell on you *
110
00:04:25,515 --> 00:04:28,560
I am doing one of the most
iconic songs of all time.
111
00:04:28,601 --> 00:04:32,981
* I ain't lyin' *
112
00:04:33,023 --> 00:04:35,942
* You know I can't
stand it *
113
00:04:35,984 --> 00:04:37,402
* You've been
runnin' around *
114
00:04:37,444 --> 00:04:39,195
I grew up
listening to Nina Simone.
115
00:04:39,237 --> 00:04:41,698
I started to really study her.
116
00:04:41,740 --> 00:04:44,117
She immersed herself
into the music,
117
00:04:44,159 --> 00:04:47,495
and that was the challenge
that I wanted to try.
118
00:04:47,537 --> 00:04:50,790
Can I be that vessel
in this song
119
00:04:50,832 --> 00:04:53,001
and be able to touch everyone?
120
00:04:53,043 --> 00:04:56,254
I think it could move me
to the playoff rounds.
121
00:04:56,296 --> 00:04:59,799
[ Scatting ]
122
00:04:59,841 --> 00:05:00,800
Holy crap.
123
00:05:00,842 --> 00:05:02,218
* Miiiiiine *
124
00:05:02,260 --> 00:05:06,014
NOIVAS -- I had no idea
a guy would have the range,
125
00:05:06,056 --> 00:05:07,474
which is powerful.
126
00:05:07,515 --> 00:05:08,850
Man, I didn't expect that
from you.
127
00:05:08,892 --> 00:05:10,477
That's -- That's incredible.
Incredible.
128
00:05:10,518 --> 00:05:11,811
And you looked
right at me.
129
00:05:11,853 --> 00:05:14,564
You're not afraid
of eye contact. Loved it.
130
00:05:14,606 --> 00:05:16,649
NOIVAS kinda has it all.
I'm figuring that out.
131
00:05:16,691 --> 00:05:17,984
He's got stage presence.
132
00:05:18,026 --> 00:05:19,944
He's not afraid to mean
what he's singing,
133
00:05:19,986 --> 00:05:21,112
and that goes a long way.
134
00:05:21,154 --> 00:05:24,324
So you end with the big
head-voice thing,
135
00:05:24,366 --> 00:05:26,826
and then you went back
into chest voice,
136
00:05:26,868 --> 00:05:29,829
and the transition between
the two goes off the rails.
137
00:05:29,871 --> 00:05:32,999
Got you.
I can guarantee you
she's gonna come up here
138
00:05:33,041 --> 00:05:34,751
and everything's gonna
be put together.
139
00:05:34,793 --> 00:05:36,211
This is the best
of the best now.
140
00:05:36,252 --> 00:05:37,587
And -- And you're
one of them.
141
00:05:37,629 --> 00:05:39,589
I just don't want you
to leave any stone unturned.
142
00:05:39,631 --> 00:05:41,800
Yes, sir.
Blake: Each coach
only has one steal.
143
00:05:41,841 --> 00:05:44,010
That puts extra pressure
on these artists
144
00:05:44,052 --> 00:05:46,012
to bring their A-game
because we're going
145
00:05:46,054 --> 00:05:48,848
to the playoffs from here,
and that's a big step.
146
00:05:48,890 --> 00:05:50,517
Do you think it would be
more powerful
147
00:05:50,558 --> 00:05:52,769
to leave out
the last adlib singing?
148
00:05:52,811 --> 00:05:54,688
Oh, the * Ohhhh *
149
00:05:54,729 --> 00:05:56,523
Like, the outro?
End there and take the adoration
150
00:05:56,564 --> 00:05:57,899
that everybody's gonna be
giving you.
151
00:05:57,941 --> 00:05:59,359
This is an amazing
opportunity
152
00:05:59,401 --> 00:06:01,653
from, like,
the queen of country.
153
00:06:01,695 --> 00:06:02,821
Thank you. Thanks.
You know?
154
00:06:02,862 --> 00:06:05,115
What is some
of the best advice
155
00:06:05,156 --> 00:06:06,282
that you've received?
156
00:06:06,324 --> 00:06:08,660
A woman
named Mae Boren Axton
157
00:06:08,702 --> 00:06:12,038
always told me,
"Show up on time. Be prepared.
158
00:06:12,080 --> 00:06:14,582
Don't waste
anybody else's time."
Awesome.
159
00:06:14,624 --> 00:06:17,544
Two of country's biggest stars
160
00:06:17,585 --> 00:06:19,671
gave me some
really great advice.
161
00:06:19,713 --> 00:06:21,756
I'm definitely gonna
take advantage
162
00:06:21,798 --> 00:06:24,134
and knock out my knockout song.
163
00:06:24,175 --> 00:06:26,177
Good job.
That was amazing.
Thank you. Thank you.
164
00:06:26,219 --> 00:06:27,554
Tasha: I'm really nervous.
165
00:06:27,595 --> 00:06:30,015
NOIVAS' magic,
but I just want to show Blake
166
00:06:30,056 --> 00:06:31,641
that I am a storyteller.
167
00:06:31,683 --> 00:06:34,310
And I hope I get to continue
on his team.
168
00:06:34,352 --> 00:06:36,730
It would be incredible
if I made it to the playoffs.
169
00:06:36,771 --> 00:06:39,190
Maybe I should leave it
right here.
[ Laughs ]
170
00:06:39,232 --> 00:06:42,318
I'm singing
"Take Me to Church" by Hozier.
171
00:06:42,360 --> 00:06:43,319
I'm really excited.
172
00:06:43,361 --> 00:06:44,612
Hozier is so good
173
00:06:44,654 --> 00:06:45,905
with his songwriting
and his storytelling,
174
00:06:45,947 --> 00:06:47,574
and I just want
to be able to do that.
175
00:06:47,615 --> 00:06:49,075
It kind of reminds me
of my husband
176
00:06:49,117 --> 00:06:50,618
and singing it to him.
177
00:06:50,660 --> 00:06:53,038
* My lover's got humor *
178
00:06:53,079 --> 00:06:55,707
Moving from Pakistan
to the United States,
179
00:06:55,749 --> 00:06:57,250
it's a huge culture shock.
180
00:06:57,292 --> 00:07:00,003
* Amen *
181
00:07:00,045 --> 00:07:02,630
Western music
is not a big thing in Pakistan,
182
00:07:02,672 --> 00:07:05,300
and so I slowly just started
getting into more
183
00:07:05,342 --> 00:07:06,926
soul and gospel music.
184
00:07:06,968 --> 00:07:08,511
* Take me to church *
185
00:07:08,553 --> 00:07:12,015
* I'll worship like a dog
at the shrine of your lies *
186
00:07:12,057 --> 00:07:14,267
Having lived so many things
in my life,
187
00:07:14,309 --> 00:07:17,437
I'm able to just emote
the story of a song.
188
00:07:17,479 --> 00:07:20,732
And if everybody's feeling what
I'm feeling during that song,
189
00:07:20,774 --> 00:07:23,693
I'm gonna win this knockout,
hopefully.
190
00:07:23,735 --> 00:07:27,364
[ Vocalizing ]
191
00:07:27,405 --> 00:07:29,407
Whoo! Whoo!
192
00:07:29,449 --> 00:07:31,117
Thank you!
Yes.
193
00:07:31,159 --> 00:07:32,786
How did
that big voice come out
194
00:07:32,827 --> 00:07:35,372
of a little old bitty gal
like you?
[ Laughs ]
195
00:07:35,413 --> 00:07:36,915
Tasha is so cute.
196
00:07:36,956 --> 00:07:40,001
I thought she'll be
a little timid, but huge voice.
197
00:07:40,043 --> 00:07:42,962
Great range.
Just amazingly talented.
198
00:07:43,004 --> 00:07:45,382
My only concern
is the key.
199
00:07:45,423 --> 00:07:46,675
You're having
to get down there,
200
00:07:46,716 --> 00:07:48,802
and it just felt like
losing you a little bit.
201
00:07:48,843 --> 00:07:52,222
But the key you're in takes you
way up there, too, you know?
202
00:07:52,263 --> 00:07:53,556
Stratosphere.
203
00:07:53,598 --> 00:07:55,642
So it might just be
breathing.
Yeah.
204
00:07:55,684 --> 00:07:57,644
'Cause I've heard you hit
the low stuff before.
205
00:07:57,686 --> 00:07:59,229
This is a tough song.
206
00:07:59,270 --> 00:08:01,147
It's got the lowest of lows
and -- and highest of highs.
207
00:08:01,189 --> 00:08:03,733
But I do think this is
a good choice for Tasha
208
00:08:03,775 --> 00:08:05,694
to show
what she's capable of.
209
00:08:05,735 --> 00:08:07,195
How do you connect
with the audience
210
00:08:07,237 --> 00:08:09,114
and make them feel
what you are feeling?
211
00:08:09,155 --> 00:08:12,325
Reba: I've got a video
running in my mind of this song,
212
00:08:12,367 --> 00:08:14,994
so I'm telling the audience
the story as I see it.
213
00:08:15,036 --> 00:08:18,331
Got it.
Bring 'em on stage
with that eye contact
214
00:08:18,373 --> 00:08:21,668
so they think you're there
especially for them.
215
00:08:21,710 --> 00:08:23,837
Mm.
Garth stole that from Reba.
216
00:08:23,878 --> 00:08:27,841
[ Laughs ]
Copied you in every way.
217
00:08:27,882 --> 00:08:29,384
Well, this is an honor.
Well, come on up here.
218
00:08:29,426 --> 00:08:30,593
Oh, thank you.
219
00:08:30,635 --> 00:08:32,220
I can't hit a fourth
of the notes
220
00:08:32,262 --> 00:08:33,471
you guys have,
221
00:08:33,513 --> 00:08:36,016
so I was always giving more
222
00:08:36,057 --> 00:08:37,851
just to be friends
with the audience.
223
00:08:37,892 --> 00:08:39,227
Doing television
helped me with that
224
00:08:39,269 --> 00:08:41,980
'cause when you see somebody
on a sitcom,
225
00:08:42,022 --> 00:08:43,189
you think they're
your best friend
226
00:08:43,231 --> 00:08:45,025
because they were
in your living room.
227
00:08:45,066 --> 00:08:48,111
Doesn't matter if you're playing
for 12 people or 70,000.
228
00:08:48,153 --> 00:08:51,114
Make 'em feel like
you're so glad they're here.
229
00:08:51,156 --> 00:08:52,157
Great advice.
230
00:08:52,198 --> 00:08:53,575
They've got great ranges.
231
00:08:53,616 --> 00:08:56,494
I think what will help Blake
is how the audience react
232
00:08:56,536 --> 00:08:58,038
to each of them.
233
00:08:58,079 --> 00:09:00,665
I'm not gonna lie, Reba.
I follow you on TikTok.
234
00:09:00,707 --> 00:09:02,042
So...
Oh, no kidding?
235
00:09:02,083 --> 00:09:03,626
Blake: Tasha has been
one of my favorites
236
00:09:03,668 --> 00:09:05,128
from the beginning,
and then NOIVAS
237
00:09:05,170 --> 00:09:07,172
coming out of nowhere
with this massive talent --
238
00:09:07,213 --> 00:09:10,050
this may be the hardest decision
I have this season.
239
00:09:10,091 --> 00:09:11,718
I don't know
what I'm gonna do.
240
00:09:11,760 --> 00:09:14,220
He's incredible.
Oh, my gosh.
241
00:09:14,262 --> 00:09:15,305
He's on the radar now.
242
00:09:15,347 --> 00:09:16,598
He looked me in the eye.
243
00:09:16,639 --> 00:09:18,224
I can't even do it
with you right now.
244
00:09:18,266 --> 00:09:20,560
I'm trying to --
I'm looking away.
[ Laughs ]
245
00:09:20,602 --> 00:09:22,312
[ Laughs ]
246
00:09:22,354 --> 00:09:23,605
[ Cheers and applause ]
247
00:09:23,646 --> 00:09:24,856
Daly: How about a quick
hello to our four
248
00:09:24,898 --> 00:09:26,608
Playoff Pass artists
right up here?
249
00:09:26,649 --> 00:09:30,153
D.Smooth, Ryley, Manasseh,
and Mary Kate.
250
00:09:30,195 --> 00:09:32,155
Alright, alright,
D.Smooth!
251
00:09:32,197 --> 00:09:33,615
Kelly!
They get to sit out
this week
252
00:09:33,656 --> 00:09:34,949
because they were sent directly
253
00:09:34,991 --> 00:09:36,284
to the playoffs
by their coaches.
254
00:09:36,326 --> 00:09:37,952
They're gonna be here
all night long.
255
00:09:37,994 --> 00:09:41,122
Let's kick it off.
The knockouts begin right now.
256
00:09:41,164 --> 00:09:42,332
Yeah!
257
00:09:42,374 --> 00:09:44,876
[ Cheers and applause ]
258
00:09:44,918 --> 00:09:48,797
Singing "I Put a Spell on You",
here's NOIVAS.
259
00:09:48,838 --> 00:09:51,049
I love this song.
260
00:09:53,468 --> 00:09:56,513
**
261
00:09:56,554 --> 00:10:03,561
* I put a spell on you *
262
00:10:03,603 --> 00:10:09,651
* Because you're mine *
263
00:10:11,277 --> 00:10:16,282
* You better stop
the things you do *
264
00:10:18,618 --> 00:10:23,039
* I tell you, I ain't lyin' *
265
00:10:23,081 --> 00:10:25,250
Come on, lyin'.
Come on, lyin'. Come on.
266
00:10:25,291 --> 00:10:28,670
* I ain't lyin' *
267
00:10:28,712 --> 00:10:31,631
* You know I can't stand it *
268
00:10:31,673 --> 00:10:33,091
* You've been runnin' around *
269
00:10:33,133 --> 00:10:36,094
* You know better, baby *
270
00:10:36,136 --> 00:10:38,930
* I can't stand it,
'cause you're putting me down *
271
00:10:38,972 --> 00:10:40,056
Hey!
272
00:10:40,098 --> 00:10:46,563
* Oh, I put a spell on you *
273
00:10:46,604 --> 00:10:48,648
**
274
00:10:48,690 --> 00:10:53,611
* Because you're mine *
275
00:10:53,653 --> 00:10:57,282
* Oh-oh-oh-oh-oh,
ohh-ohh-ohh *
276
00:10:57,323 --> 00:10:58,366
Yes!
277
00:10:59,200 --> 00:11:00,869
* You know I love you *
278
00:11:00,910 --> 00:11:03,830
* I love you, I love you *
279
00:11:03,872 --> 00:11:06,082
* I love you anyhow *
280
00:11:06,124 --> 00:11:10,211
* And I don't care
if you don't want me *
281
00:11:10,253 --> 00:11:13,048
* 'Cause I'm yours forever now *
282
00:11:13,089 --> 00:11:16,009
Oh!
* I put a spell on you *
283
00:11:16,051 --> 00:11:17,635
Ha-ha-ha-ha-ha-ha-ha.
284
00:11:17,677 --> 00:11:19,137
[ Laughs ]
285
00:11:19,179 --> 00:11:25,643
* Because you're miiiiiiine *
286
00:11:25,685 --> 00:11:28,021
[ Cheers and applause ]
287
00:11:28,063 --> 00:11:33,401
* Becaaaaaause *
288
00:11:33,443 --> 00:11:34,527
Whoo!
289
00:11:34,569 --> 00:11:37,530
[ Scatting ]
290
00:11:37,572 --> 00:11:38,656
Yeah!
291
00:11:38,698 --> 00:11:48,458
* You're miiiiiiiiiine *
292
00:11:48,500 --> 00:11:51,211
[ Cheers and applause ]
293
00:11:51,252 --> 00:11:52,295
You're mine.
294
00:11:52,337 --> 00:11:54,881
Yo, wait.
295
00:11:54,923 --> 00:11:57,634
Yo,
he's still on his knees!
296
00:11:57,676 --> 00:12:00,512
That boy a actor!
Geez!
297
00:12:00,553 --> 00:12:03,014
[ Cheers and applause ]
298
00:12:03,056 --> 00:12:04,891
Look at him,
going all the way back!
299
00:12:04,933 --> 00:12:06,559
[ Laughs ]
300
00:12:06,601 --> 00:12:07,894
Good job, man.
301
00:12:07,936 --> 00:12:09,813
[ Cheers and applause ]
302
00:12:09,854 --> 00:12:11,022
[ Sighs ]
303
00:12:11,064 --> 00:12:12,649
And now with
"Take Me to Church",
304
00:12:12,691 --> 00:12:14,818
here's Tasha Jessen.
305
00:12:14,859 --> 00:12:16,069
Mary Kate:
Come on, Tash!
306
00:12:16,111 --> 00:12:18,738
Ryley:
Come on, Tasha!
307
00:12:18,780 --> 00:12:22,867
**
308
00:12:22,909 --> 00:12:25,578
* My lover's got humor *
309
00:12:25,620 --> 00:12:28,373
* She's the giggle
at a funeral *
310
00:12:28,415 --> 00:12:31,292
* Knows everybody's
disapproval *
311
00:12:31,334 --> 00:12:34,087
* Should have
worshiped her sooner *
312
00:12:34,129 --> 00:12:37,007
* If the Heavens
ever did speak *
313
00:12:37,048 --> 00:12:39,801
* She's the last
true mouthpiece *
314
00:12:39,843 --> 00:12:42,804
* Every Sunday's
getting more bleak *
315
00:12:42,846 --> 00:12:45,265
* Fresh poison each week *
316
00:12:45,306 --> 00:12:48,977
* I was born sick,
but I love it *
317
00:12:49,019 --> 00:12:51,646
* Command me to be well *
318
00:12:51,688 --> 00:12:54,482
* A-A-A-A-A *
319
00:12:54,524 --> 00:12:57,360
* Amen *
320
00:12:57,402 --> 00:12:59,946
* Amen *
321
00:12:59,988 --> 00:13:03,616
* Amen *
322
00:13:03,658 --> 00:13:05,243
* Take me to church *
323
00:13:05,285 --> 00:13:08,705
* I'll worship like a dog
at the shrine of your lies *
324
00:13:08,747 --> 00:13:12,459
* I'll tell you my sins
so you can sharpen your knife *
325
00:13:12,500 --> 00:13:15,295
* Offer me
that deathless death *
326
00:13:15,337 --> 00:13:18,715
* Good God,
let me give you my life *
327
00:13:18,757 --> 00:13:26,806
* In the madness and soil
of that sad earthly scene *
328
00:13:26,848 --> 00:13:30,643
* Only then I am human *
Come on!
329
00:13:30,685 --> 00:13:34,064
* Only then I am clean *
330
00:13:34,105 --> 00:13:37,817
* And only then I am human *
331
00:13:37,859 --> 00:13:41,821
* And only then I am clean *
332
00:13:41,863 --> 00:13:43,156
Go, Tasha!
333
00:13:43,198 --> 00:13:44,783
* Take me to chuuuuuurch *
334
00:13:44,824 --> 00:13:47,911
* I'll worship like a dog
at the shrine of your lies *
335
00:13:47,952 --> 00:13:52,040
* I'll tell you my sins
so you can sharpen your knife *
336
00:13:52,082 --> 00:13:54,876
* Offer me
that deathless death *
337
00:13:54,918 --> 00:13:57,921
* Good God,
let me give you my life *
338
00:13:57,962 --> 00:13:59,506
* Take me to church *
339
00:13:59,547 --> 00:14:03,051
* I'll worship like a dog
at the shrine of your lies *
340
00:14:03,093 --> 00:14:07,055
* I'll tell you my sins
so you can sharpen your knife *
341
00:14:07,097 --> 00:14:09,641
* Offer me
that deathless death *
342
00:14:09,683 --> 00:14:13,019
* And Good God,
let me give you my life *
343
00:14:13,061 --> 00:14:19,943
* Take me to chuuuuuurch, ohh *
344
00:14:19,984 --> 00:14:21,861
[ Cheers and applause ]
345
00:14:21,903 --> 00:14:22,862
Damn!
346
00:14:22,904 --> 00:14:24,364
Great stuff.
347
00:14:27,659 --> 00:14:29,369
That was crazy.
348
00:14:29,411 --> 00:14:30,662
Both of you.
349
00:14:30,704 --> 00:14:33,665
[ Cheers and applause ]
350
00:14:34,457 --> 00:14:36,960
NOIVAS, you have got to pay
for a floor cleaning bill.
351
00:14:37,002 --> 00:14:38,545
[ Laughter ]
352
00:14:38,586 --> 00:14:40,714
You've just scraped up
that stage with that mic stand.
353
00:14:40,755 --> 00:14:43,341
That's beyond cleaning.
It's damaged.
Yeah.
354
00:14:43,383 --> 00:14:45,385
NOIVAS, every time,
you just bring it.
355
00:14:45,427 --> 00:14:48,972
Dude, you're impressive.
Wow. Appreciate it.
356
00:14:49,014 --> 00:14:52,684
Tasha, I remember turning
and losing.
357
00:14:52,726 --> 00:14:54,894
[ Laughter ]
I'm sorry.
358
00:14:54,936 --> 00:14:57,439
To take a huge song on
like that,
359
00:14:57,480 --> 00:14:59,274
and to take it
to another level,
360
00:14:59,315 --> 00:15:01,317
stuff that Hozier didn't even
manage to get on the record,
361
00:15:01,359 --> 00:15:04,404
he'd be very proud
of that rendition.
Thank you so much.
Thank you.
362
00:15:04,446 --> 00:15:06,239
Blakey boy,
you've been doing this
363
00:15:06,281 --> 00:15:07,574
for a very long time.
364
00:15:07,615 --> 00:15:10,744
Too long,
some would say.
[ Laughter ]
365
00:15:10,785 --> 00:15:12,912
But, um, I'd lean
towards Tasha.
366
00:15:12,954 --> 00:15:15,165
Okay.
Thank you so much.
367
00:15:15,206 --> 00:15:17,500
Tasha, what I'm really
impressed with is the control
368
00:15:17,542 --> 00:15:19,210
when you're in
that lower register.
369
00:15:19,252 --> 00:15:21,212
Yeah.
It was so fire
to just see you, like,
370
00:15:21,254 --> 00:15:23,423
hold in that space.
Thank you, Chance.
371
00:15:23,465 --> 00:15:25,592
NOIVAS,
you were on my team.
372
00:15:25,633 --> 00:15:28,094
I blocked you
from being on Blake's team,
373
00:15:28,136 --> 00:15:30,096
and you're like,
"You may not have loved me,
374
00:15:30,138 --> 00:15:31,765
but now you're mine,"
and I felt the lyrics
375
00:15:31,806 --> 00:15:33,099
coming towards me.
376
00:15:33,141 --> 00:15:35,352
[ Laughter ]
377
00:15:35,393 --> 00:15:37,645
It was teetering
in the diss record category,
378
00:15:37,687 --> 00:15:38,980
but I was like --
379
00:15:39,022 --> 00:15:40,774
But I just wanted
to let you know, like,
380
00:15:40,815 --> 00:15:42,359
I'm a fan.
381
00:15:42,400 --> 00:15:44,277
The icing on the cake
is that you will do something,
382
00:15:44,319 --> 00:15:47,364
like, swing the mic stand around
in the song, on your knees,
383
00:15:47,405 --> 00:15:48,948
which I thought
was so fire.
384
00:15:48,990 --> 00:15:51,659
I would probably
lean towards NOIVAS.
385
00:15:51,701 --> 00:15:53,787
Your height difference
is just incredible.
386
00:15:53,828 --> 00:15:58,541
It's literally like
if I'm standing next to Blake.
387
00:15:58,583 --> 00:16:00,335
NOIVAS, you, like,
totally embodied
388
00:16:00,377 --> 00:16:01,711
what the message
was about.
389
00:16:01,753 --> 00:16:03,296
We're all fans of you.
390
00:16:03,338 --> 00:16:04,839
Tasha, like,
you shocked me.
391
00:16:04,881 --> 00:16:07,842
Like, a whole other Tasha
came out in this performance.
392
00:16:07,884 --> 00:16:11,638
It sounded perfectly raw
and beautiful.
Thanks, Kelly.
393
00:16:11,680 --> 00:16:14,683
Blake, I think either one
you'd do great with.
394
00:16:14,724 --> 00:16:17,102
Thank you, Coaches.
395
00:16:17,143 --> 00:16:19,104
Alright, cowboy,
it comes down to you.
396
00:16:19,145 --> 00:16:20,355
Blake:
Just flip a coin here.
397
00:16:20,397 --> 00:16:23,066
It was that impressive
on both ends.
398
00:16:23,108 --> 00:16:24,776
NOIVAS, I thought
there was a chance
399
00:16:24,818 --> 00:16:27,821
that you took
the word knockouts literally.
400
00:16:27,862 --> 00:16:29,406
[ Laughter ]
401
00:16:29,447 --> 00:16:31,950
Got a little bit wild,
and it scared me,
402
00:16:31,991 --> 00:16:33,201
and I liked that,
yeah, yeah.
403
00:16:33,243 --> 00:16:34,494
[ Laughter ]
404
00:16:34,536 --> 00:16:37,330
Your talent is shocking,
and it's fearless.
405
00:16:37,372 --> 00:16:38,665
[ Cheers and applause ]
406
00:16:38,707 --> 00:16:41,251
And then, Tasha,
I'm never surprised by you
407
00:16:41,292 --> 00:16:42,627
because you got that
out of the way
408
00:16:42,669 --> 00:16:44,838
when you chose me
as your coach to begin with.
409
00:16:44,879 --> 00:16:49,134
Nobody was more surprised
than I was that you picked me.
I was.
410
00:16:49,175 --> 00:16:51,594
[ Laughter ]
411
00:16:51,636 --> 00:16:53,847
Sorry.
And so it's great
to have, you know,
412
00:16:53,888 --> 00:16:56,057
artists that come
and audition for this show
413
00:16:56,099 --> 00:16:57,517
that you wonder
how in the hell
414
00:16:57,559 --> 00:17:00,645
has this person
not already made it?
Yeah.
415
00:17:00,687 --> 00:17:02,188
Thank you, Blake.
416
00:17:02,230 --> 00:17:03,648
[ Applause ]
417
00:17:03,690 --> 00:17:05,567
Blake, who's the winner
of this knockout?
418
00:17:05,608 --> 00:17:10,947
**
419
00:17:10,989 --> 00:17:16,327
**
420
00:17:16,369 --> 00:17:18,413
Winner of this knockout
is NOIVAS.
421
00:17:18,455 --> 00:17:21,332
NOIVAS,
congratulations!
422
00:17:21,374 --> 00:17:23,209
You are moving on
to the playoffs!
423
00:17:23,251 --> 00:17:25,712
NOIVAS and Tasha has been
the toughest decision
424
00:17:25,754 --> 00:17:28,423
that I've had to make
so far this season.
425
00:17:28,465 --> 00:17:31,634
There was no way for me
to not pick NOIVAS.
Wow.
426
00:17:31,676 --> 00:17:34,471
The guy can sing circles
around anybody.
427
00:17:34,512 --> 00:17:36,514
Thank you, Blake.
Good job, brother.
Come here.
428
00:17:36,556 --> 00:17:38,266
But now I'm realizing
he can also
429
00:17:38,308 --> 00:17:39,809
outperform anybody on the show.
430
00:17:39,851 --> 00:17:41,436
I mean, I really think
this guy has a shot
431
00:17:41,478 --> 00:17:42,645
at winning this thing.
432
00:17:42,687 --> 00:17:44,397
So impressive, dude.
Thank you.
433
00:17:44,439 --> 00:17:46,858
See you next time.
Hey, you caught that.
434
00:17:46,900 --> 00:17:48,026
[ Laughter ]
435
00:17:48,068 --> 00:17:49,986
I was one of Blake's last
steals,
436
00:17:50,028 --> 00:17:52,530
and now I'm going
to the playoffs.
437
00:17:52,572 --> 00:17:53,990
I'm so grateful.
438
00:17:54,032 --> 00:17:56,618
Coach, let me remind you that
Tasha is available to steal.
439
00:17:56,659 --> 00:17:58,703
Tasha, anything you want
to say to your coach?
440
00:17:58,745 --> 00:18:01,289
Steal!
Tasha: Blake,
I've had so much fun.
441
00:18:01,331 --> 00:18:03,583
You call me your little buddy,
and I'm just so glad
442
00:18:03,625 --> 00:18:05,543
I got to have this experience
on your last season.
443
00:18:05,585 --> 00:18:07,712
Like, what an honor.
I'm just so grateful.
Love her.
444
00:18:07,754 --> 00:18:11,132
Give it up for Tasha Jessen,
ladies and gentlemen.
445
00:18:11,174 --> 00:18:12,467
Come on up, Tasha!
446
00:18:12,509 --> 00:18:14,803
There it is!
We got a steal!
447
00:18:14,844 --> 00:18:15,929
[ Cheers and applause ]
448
00:18:15,970 --> 00:18:18,640
Yes! Yes, yes, yes!
449
00:18:18,682 --> 00:18:21,101
Niall: I was gonna
get you at some point.
450
00:18:21,142 --> 00:18:23,520
Tasha, the one
that nearly got away.
451
00:18:23,561 --> 00:18:24,479
Group hug.
452
00:18:24,521 --> 00:18:26,398
[ Cheers and applause ]
453
00:18:26,439 --> 00:18:27,774
Both
my little buddies.
454
00:18:27,816 --> 00:18:30,568
After NOIVAS'
incredible performance,
455
00:18:30,610 --> 00:18:32,862
most people,
including this guy,
456
00:18:32,904 --> 00:18:34,489
would have absolutely
pooped their pants.
457
00:18:34,531 --> 00:18:37,158
Yeah, Tashy!
I love you, baby!
458
00:18:37,200 --> 00:18:38,451
But she smashed it.
459
00:18:38,493 --> 00:18:40,328
I was looking
for a big female voice,
460
00:18:40,370 --> 00:18:41,329
and I got one.
461
00:18:41,371 --> 00:18:43,039
NOIVAS is so fun.
462
00:18:43,081 --> 00:18:45,125
Chance: Yeah, yeah.
Niall:
That was intense.
463
00:18:45,166 --> 00:18:46,459
When he was just
walking out, though,
464
00:18:46,501 --> 00:18:47,877
he was like,
"I'm glad you caught that."
465
00:18:47,919 --> 00:18:49,671
Like, he was --
he was sending shots at me.
466
00:18:49,713 --> 00:18:51,006
He was like
Conor McGregor.
Oh, he was?
467
00:18:51,047 --> 00:18:52,716
Through his --
Through his song.
468
00:18:59,014 --> 00:19:00,348
* This is "The Voice" *
469
00:19:00,390 --> 00:19:02,892
Daly: Welcome back
to the knockouts premiere.
470
00:19:02,934 --> 00:19:06,354
Are you ready
for knockouts?
I'm knocking
myself out.
471
00:19:06,396 --> 00:19:08,064
No. The show.
Yes.
472
00:19:08,106 --> 00:19:10,316
So far, so good,
Chance.
Doing pretty well.
473
00:19:10,358 --> 00:19:11,985
Not bad
for the new guys.
I know.
474
00:19:12,027 --> 00:19:13,611
I think we've got
two of the better teams.
475
00:19:13,653 --> 00:19:15,530
I feel like these guys
are probably in here right now,
476
00:19:15,572 --> 00:19:16,740
like, trying to get
a game plan together.
477
00:19:16,781 --> 00:19:18,908
I feel like
between the two of us...
478
00:19:18,950 --> 00:19:20,535
Look at 'em.
[ Laughs ]
479
00:19:20,577 --> 00:19:22,203
Kelly: What's up, y'all?
Hey. We love y'all.
480
00:19:22,245 --> 00:19:23,371
What's up? Oh.
How's it going?
481
00:19:23,413 --> 00:19:24,748
How are you doing?
You alright?
482
00:19:24,789 --> 00:19:26,291
Yeah, no.
Just hanging out.
483
00:19:26,332 --> 00:19:28,543
We were just saying that
we're gonna win.
484
00:19:28,585 --> 00:19:30,712
It looks like
the piranhas won.
[ Laughs ]
485
00:19:30,754 --> 00:19:33,214
That's funny.
Well, you didn't let her
in anything, obviously.
486
00:19:33,256 --> 00:19:34,883
[ Laughter ]
487
00:19:34,924 --> 00:19:37,302
You were good at nothing
in high school.
[ Laughs ]
488
00:19:37,344 --> 00:19:39,679
Do you feel confident, though,
in your team for knockouts?
Chance:
I'm pretty excited.
489
00:19:39,721 --> 00:19:41,222
Yeah, I think it's good
that they got
490
00:19:41,264 --> 00:19:42,849
to pick their own songs,
you know?
491
00:19:42,891 --> 00:19:44,559
How do you feel about this
personally, Blake?
492
00:19:44,601 --> 00:19:46,561
Mm, I'm just ready
for the knockouts.
493
00:19:46,603 --> 00:19:47,854
You guys ready?
Last knockout.
494
00:19:47,896 --> 00:19:49,564
You ready, America?
495
00:19:49,606 --> 00:19:51,941
Let's go knock it out!
Great segue. Come on.
496
00:19:51,983 --> 00:19:53,568
**
497
00:19:53,610 --> 00:19:55,070
Kelly: You're gonna have fun.
Niall's really fun.
498
00:19:55,111 --> 00:19:56,654
Reba: Oh, my gosh.
I've been --
Chance is hilarious.
499
00:19:56,696 --> 00:19:58,031
I've been sitting by him
this season.
500
00:19:58,073 --> 00:19:59,574
He's maybe my favorite person
to sit next to.
501
00:19:59,616 --> 00:20:01,242
He's funny.
Oh, great.
Can't wait.
502
00:20:01,284 --> 00:20:02,577
Kelly:
I've known Reba, actually,
503
00:20:02,619 --> 00:20:03,953
since the beginning
of my career.
504
00:20:03,995 --> 00:20:05,622
I got to sing with her
in Vegas 20 years ago.
505
00:20:05,663 --> 00:20:07,874
I'm really happy
for Blake being his last season.
506
00:20:07,916 --> 00:20:09,501
It's just been
a really good vibe.
507
00:20:09,542 --> 00:20:10,919
Oh, that's nice.
Yeah.
508
00:20:10,960 --> 00:20:12,629
And also,
I've been able to work with her
509
00:20:12,671 --> 00:20:14,839
and tour with her
and learn from her.
510
00:20:14,881 --> 00:20:17,467
She can offer these artists
a wealth of knowledge --
511
00:20:17,509 --> 00:20:19,636
singing, writing,
being on stage.
512
00:20:19,678 --> 00:20:21,304
And I love that
all these artists are gonna get
513
00:20:21,346 --> 00:20:22,972
that same
kind of experience today.
514
00:20:23,014 --> 00:20:26,768
What's up?
Reba McEntire!
Oh, my goodness.
515
00:20:26,810 --> 00:20:28,770
Wow.
516
00:20:28,812 --> 00:20:30,939
Everyone in Texas loves Reba.
517
00:20:30,980 --> 00:20:32,941
My hometown is going
to freak out.
518
00:20:32,982 --> 00:20:35,610
This is the raddest Mega Mentor
we've ever had.
519
00:20:35,652 --> 00:20:37,779
Aww, now.
Amazing.
520
00:20:37,821 --> 00:20:39,781
I paired Ali and Marcos together
521
00:20:39,823 --> 00:20:42,033
because I find them both
to be incredibly soulful.
522
00:20:42,075 --> 00:20:45,120
So I'll be singing "Best Part"
by Daniel Caesar and H.E.R.
523
00:20:45,161 --> 00:20:47,789
Yeah.
And my favorite love story
to sing about is my parents.
524
00:20:47,831 --> 00:20:51,376
* It's the sweetest thing,
ohh *
525
00:20:51,418 --> 00:20:52,752
Ow!
526
00:20:52,794 --> 00:20:55,380
* And it don't change *
527
00:20:55,422 --> 00:20:57,465
My dad was a drummer.
My mom was a singer.
528
00:20:57,507 --> 00:21:00,427
And from there, they just
fell in love. [ Laughs ]
529
00:21:00,468 --> 00:21:02,512
* Won't you
give yourself to me *
530
00:21:02,554 --> 00:21:04,931
* Give it all *
531
00:21:04,973 --> 00:21:06,474
I would not be here
without my parents.
532
00:21:06,516 --> 00:21:09,102
They believed in me,
even at my lowest points.
533
00:21:09,144 --> 00:21:10,520
I do hope that one day
534
00:21:10,562 --> 00:21:12,063
I-I do fall in love
the way that they did.
535
00:21:12,105 --> 00:21:13,314
* If you love me,
won't you... *
536
00:21:13,356 --> 00:21:14,816
It's always been a dream of mine
537
00:21:14,858 --> 00:21:17,819
to be at least
one person's inspiration.
538
00:21:17,861 --> 00:21:20,864
Being deaf has always
been a challenge,
539
00:21:20,905 --> 00:21:24,576
so it would be an honor
to be able to be that person
540
00:21:24,617 --> 00:21:26,327
for those that are like me.
541
00:21:26,369 --> 00:21:32,667
* Won't you
loooooooove *
542
00:21:32,709 --> 00:21:34,711
It's incredible.
Wow.
543
00:21:34,753 --> 00:21:36,504
[ Chuckles ] Thank you.
But just try
something different.
544
00:21:36,546 --> 00:21:38,173
Just in this -- this
repetitive spot.
545
00:21:38,214 --> 00:21:40,300
Yeah.
* If you love me,
won't you say something? *
546
00:21:40,342 --> 00:21:41,593
You -- You say it
over and over.
547
00:21:41,634 --> 00:21:42,844
Just 'cause
it's a competition,
548
00:21:42,886 --> 00:21:44,429
do something just
a little different
549
00:21:44,471 --> 00:21:46,056
than the vibe
that's already there.
Okay.
550
00:21:46,097 --> 00:21:48,641
When you're singing the lyrics,
live 'em.
551
00:21:48,683 --> 00:21:51,061
If you love me,
say something.
Got it.
552
00:21:51,102 --> 00:21:53,605
Yeah.
Dab blame it,
do it now.
553
00:21:53,646 --> 00:21:55,023
'Cause you deserve it.
Suggest heavily.
554
00:21:55,065 --> 00:21:57,108
Suggest heavily.
[ Laughs ]
Suggest heavily.
555
00:21:57,150 --> 00:21:58,526
Got it.
556
00:21:58,568 --> 00:22:00,862
Kelly: Cool thing about Ali is,
as an artist,
557
00:22:00,904 --> 00:22:02,781
it's like she hears
and feels the music
558
00:22:02,822 --> 00:22:04,991
differently than all of us.
559
00:22:05,033 --> 00:22:06,076
She just stands out.
560
00:22:06,117 --> 00:22:08,036
So I'm singing
"Jesus, Take the Wheel",
561
00:22:08,078 --> 00:22:08,995
by Carrie Underwood.
562
00:22:09,037 --> 00:22:10,497
I have always
had a very strong
563
00:22:10,538 --> 00:22:12,165
relationship with God...
Love.
564
00:22:12,207 --> 00:22:13,708
...and despite being told
565
00:22:13,750 --> 00:22:16,044
that I wasn't worthy
of that relationship,
566
00:22:16,086 --> 00:22:17,712
I still have always
had one anyway.
567
00:22:17,754 --> 00:22:19,464
Great. Love that.
Oh, my gosh.
I love that.
568
00:22:19,506 --> 00:22:20,882
That's a great
testimony.
569
00:22:20,924 --> 00:22:23,093
* Going home to see
her mama and her daddy *
570
00:22:23,134 --> 00:22:25,804
* With the baby
in the backseat *
571
00:22:25,845 --> 00:22:28,890
Marcos: I'm Texas born
and raised, so country is in me.
572
00:22:28,932 --> 00:22:30,934
"Jesus, Take the Wheel"
is about
573
00:22:30,975 --> 00:22:33,978
giving the steering wheel
over to God.
574
00:22:34,020 --> 00:22:35,939
Music was my dream
my whole life.
575
00:22:35,980 --> 00:22:40,402
And when I came out,
I lost the support of my family,
576
00:22:40,443 --> 00:22:42,195
and I left music.
577
00:22:42,237 --> 00:22:43,863
I felt like it was
a part of an old life
578
00:22:43,905 --> 00:22:45,532
that I wasn't allowed
to live anymore.
579
00:22:45,573 --> 00:22:48,159
* She was so scared *
580
00:22:48,201 --> 00:22:51,329
Kelly has definitely given me
the confidence
581
00:22:51,371 --> 00:22:53,915
to reboot this whole dream.
582
00:22:53,957 --> 00:22:57,168
* Oh, Jesus,
take the wheel *
583
00:22:57,210 --> 00:23:00,338
Ali: Marcos has that fire in him
whenever he's singing.
584
00:23:00,380 --> 00:23:03,049
And he definitely brought his
A-game. And I'm like, "Alright."
585
00:23:03,091 --> 00:23:05,719
To make it to the playoffs,
I gotta bring mine, too.
586
00:23:05,760 --> 00:23:08,388
* ...on *
587
00:23:08,430 --> 00:23:11,016
* Jesus,
take the wheel *
588
00:23:11,057 --> 00:23:13,476
You can even pause longer.
Just take a breath.
589
00:23:13,518 --> 00:23:17,647
* Jesus,
take...the wheel *
590
00:23:17,689 --> 00:23:19,274
Everything is wonderful.
591
00:23:19,315 --> 00:23:22,152
But I didn't feel it
because you weren't letting me.
592
00:23:22,193 --> 00:23:25,363
You're in a really
desperate time in your life,
593
00:23:25,405 --> 00:23:29,617
and you need to almost to be
to that brink of "God, help me."
594
00:23:29,659 --> 00:23:31,953
If you do it that way,
we'll feel it.
595
00:23:31,995 --> 00:23:35,248
Having Reba connect with me
on a deeper level,
596
00:23:35,290 --> 00:23:38,168
it made me emotional, but I was
fighting back the tears.
597
00:23:38,209 --> 00:23:39,336
[ Laughs ]
598
00:23:39,377 --> 00:23:41,338
Make it more of, like,
a storyteller
599
00:23:41,379 --> 00:23:42,922
and like you're broken
600
00:23:42,964 --> 00:23:44,883
'cause you're asking Jesus
to take the wheel
601
00:23:44,924 --> 00:23:46,676
'cause the load is
too much.
602
00:23:46,718 --> 00:23:49,220
Reba, she's the ultimate
storyteller, hands down,
603
00:23:49,262 --> 00:23:52,640
and she knows how to really
break those walls down.
604
00:23:52,682 --> 00:23:54,768
That's why she's so powerful
as a Mega Mentor,
605
00:23:54,809 --> 00:23:56,061
and I knew she'd be
really good at this.
606
00:23:56,102 --> 00:23:58,104
Really lean into
the storyteller in you.
607
00:23:58,146 --> 00:23:59,147
That is who I am.
608
00:23:59,189 --> 00:24:00,273
It's just gonna come down
609
00:24:00,315 --> 00:24:02,525
to whoever is comfortable
in the moment
610
00:24:02,567 --> 00:24:04,361
and just be the vessel
for the message.
611
00:24:04,402 --> 00:24:05,653
That's what always wins
with me.
612
00:24:05,695 --> 00:24:07,113
You just got, like,
advice from, like,
613
00:24:07,155 --> 00:24:08,448
one of the greatest artists
in the whole world, so...
614
00:24:08,490 --> 00:24:09,824
I know. So epic.
615
00:24:09,866 --> 00:24:11,534
I've totally enjoyed this.
Y'all are great.
616
00:24:11,576 --> 00:24:12,744
Good luck
to both of you.
617
00:24:12,786 --> 00:24:13,995
Thank you so much.
Yeah.
618
00:24:14,037 --> 00:24:15,372
[ Cheers and applause ]
You got this.
619
00:24:15,413 --> 00:24:17,290
I love you. I love you.
I love you. I love you.
620
00:24:17,332 --> 00:24:19,292
I can't wait for this.
Me, too.
621
00:24:19,334 --> 00:24:21,711
With "Best Part", here's Ali.
622
00:24:23,463 --> 00:24:27,217
**
623
00:24:27,258 --> 00:24:30,762
[ Vocalizing ]
624
00:24:30,804 --> 00:24:32,931
* You don't know, babe *
625
00:24:34,057 --> 00:24:38,812
* When you hold me
and kiss me slowly *
626
00:24:38,853 --> 00:24:43,650
* It's the sweetest thing,
ohhhhh *
627
00:24:43,692 --> 00:24:45,568
* And it don't change *
628
00:24:45,610 --> 00:24:46,695
Yeah!
629
00:24:46,736 --> 00:24:50,031
* If I had it my way, yeah *
630
00:24:50,073 --> 00:24:55,453
* You would know
that you are, no *
631
00:24:55,495 --> 00:24:58,540
* You're the coffee
that I need in the morning *
632
00:24:58,581 --> 00:25:01,751
* You're my sunshine in the rain
when it's pouring *
633
00:25:01,793 --> 00:25:04,212
* Won't you give yourself
to me? *
634
00:25:04,254 --> 00:25:06,840
* Give it all *
635
00:25:06,881 --> 00:25:08,842
* I just want to see *
636
00:25:08,883 --> 00:25:15,056
* I just want to see
how beautiful you are *
637
00:25:15,098 --> 00:25:18,476
* You know that I see it *
638
00:25:18,518 --> 00:25:21,604
* I know you're a star *
639
00:25:21,646 --> 00:25:28,111
* Where you go, I'll follow,
no matter how far *
640
00:25:28,153 --> 00:25:34,909
* If life is a movie,
oh, you're the best part *
641
00:25:34,951 --> 00:25:37,996
* Oh-oh-oh-oh-oh *
642
00:25:38,038 --> 00:25:41,041
* You're the best part *
643
00:25:41,082 --> 00:25:45,337
* Oh-oh-oh-oh, yeah *
644
00:25:45,378 --> 00:25:46,755
Whoa!
645
00:25:46,796 --> 00:25:49,591
* If you love me,
won't you say something? *
646
00:25:49,632 --> 00:25:51,551
* If you love me, won't you? *
647
00:25:51,593 --> 00:25:56,431
* Ooh, if you love me,
won't you say something? *
648
00:25:56,473 --> 00:25:58,016
* If you love me, won't you? *
649
00:25:58,058 --> 00:26:04,272
* Lo-o-o-o-ve, ooh, oh *
650
00:26:04,314 --> 00:26:06,274
* Lo-o-o-o-o-o-ve *
651
00:26:06,316 --> 00:26:07,650
Dang!
652
00:26:07,692 --> 00:26:17,160
* Oh, if you love me,
won't you lo-o-o-o-o-o-ve *
653
00:26:17,202 --> 00:26:18,953
[ Cheers and applause ]
Yeah!
654
00:26:18,995 --> 00:26:20,663
Whoo!
655
00:26:22,165 --> 00:26:25,085
Whoo!
656
00:26:25,126 --> 00:26:26,127
You got this.
657
00:26:26,169 --> 00:26:27,671
You got this.
You did so good.
658
00:26:27,712 --> 00:26:29,756
Come on, Marcos!
Yeah!
659
00:26:29,798 --> 00:26:31,883
[ Cheers and applause ]
660
00:26:38,515 --> 00:26:39,683
* This is "The Voice" *
661
00:26:39,724 --> 00:26:41,935
Daly: Welcome back
to the knockouts.
662
00:26:41,976 --> 00:26:43,144
[ Cheers and applause ]
663
00:26:43,186 --> 00:26:45,188
Go, Marcos!
Go, Marcos!
664
00:26:45,230 --> 00:26:46,690
Yeah, Marcos!
665
00:26:46,731 --> 00:26:48,525
Now with
"Jesus, Take the Wheel",
666
00:26:48,566 --> 00:26:50,360
here's Marcos Covos.
667
00:26:50,402 --> 00:26:52,362
Come on, Marcos!
668
00:26:55,740 --> 00:27:01,121
**
669
00:27:01,162 --> 00:27:04,290
* She was driving last Friday
on her way to Cincinnati *
670
00:27:04,332 --> 00:27:08,294
* On a snow-white
Christmas Eve *
671
00:27:08,336 --> 00:27:10,922
* Going home to see
her mama and her daddy *
672
00:27:10,964 --> 00:27:14,009
* With the baby
in the back seat *
673
00:27:14,050 --> 00:27:17,512
* 50 miles to go,
and she was running low *
674
00:27:17,554 --> 00:27:20,015
* On faith and gasoline *
675
00:27:20,056 --> 00:27:23,226
* It'd been a long, hard year *
676
00:27:23,268 --> 00:27:26,771
* She had a lot on her mind,
and she didn't pay attention *
677
00:27:26,813 --> 00:27:29,315
* She was going way too fast *
678
00:27:30,483 --> 00:27:32,944
* Before she knew it,
she was spinning *
679
00:27:32,986 --> 00:27:35,572
* On a thin black
sheet of glass *
680
00:27:35,613 --> 00:27:39,826
* She saw both their lives flash
before her eyes *
681
00:27:39,868 --> 00:27:42,454
* She didn't even have time
to cry *
682
00:27:42,495 --> 00:27:45,331
* She was so scared *
683
00:27:45,373 --> 00:27:50,545
* She threw her hands up
in the air *
684
00:27:50,587 --> 00:27:53,840
* Jesus, take the wheel *
685
00:27:53,882 --> 00:27:56,926
* Take it from my hands *
686
00:27:56,968 --> 00:28:01,931
* I can't do this on my own *
687
00:28:01,973 --> 00:28:04,768
* I'm letting go *
688
00:28:04,809 --> 00:28:07,604
* Give me one more chance *
689
00:28:07,645 --> 00:28:19,199
* Save me from this road
I'm o-o-o-o-o-o-o-on *
690
00:28:19,240 --> 00:28:21,117
[ Cheers and applause ]
691
00:28:21,159 --> 00:28:25,372
* Jesus, take...the wheel *
692
00:28:26,915 --> 00:28:29,668
* Mmm *
693
00:28:29,709 --> 00:28:31,002
[ Cheers and applause ]
694
00:28:31,044 --> 00:28:32,545
[ Speaks indistinctly ]
695
00:28:35,465 --> 00:28:36,925
You did so amazing.
696
00:28:36,966 --> 00:28:38,635
You did, too.
697
00:28:38,677 --> 00:28:39,886
Blake:
I'll start with Ali.
698
00:28:39,928 --> 00:28:41,179
Am I saying
the name right?
699
00:28:41,221 --> 00:28:42,764
Is it Ali?
Yeah. Okay.
Ali. Mm-hmm.
700
00:28:42,806 --> 00:28:44,641
You looked at me like,
"Don't say the name like that."
701
00:28:44,683 --> 00:28:46,476
I just don't like
when you talk.
Okay.
702
00:28:46,518 --> 00:28:48,436
[ Laughter ]
703
00:28:48,478 --> 00:28:51,648
You're so special in the way
that you deliver a song.
704
00:28:51,690 --> 00:28:54,859
You really nail
your intention every time.
705
00:28:54,901 --> 00:28:56,528
Great job.
My gosh. Yeah.
Thank you.
706
00:28:56,569 --> 00:28:58,029
[ Cheers and applause ]
707
00:28:58,071 --> 00:29:00,281
Marcos, there might have been
a little too much
708
00:29:00,323 --> 00:29:02,367
in runs and stuff,
just for my taste.
709
00:29:02,409 --> 00:29:05,370
For that reason,
I'd be going with Ali.
710
00:29:05,412 --> 00:29:06,955
Okay.
711
00:29:06,996 --> 00:29:08,498
Niall: Marcos,
you're always in control.
712
00:29:08,540 --> 00:29:10,166
The low register
and the high stuff,
713
00:29:10,208 --> 00:29:12,877
you always seem to find a way
to make a song work.
714
00:29:12,919 --> 00:29:15,171
And, Ali, every time
you turn up here,
715
00:29:15,213 --> 00:29:17,132
they never feel like
anyone else's songs.
716
00:29:17,173 --> 00:29:18,508
They always just
feel like yours.
717
00:29:18,550 --> 00:29:20,093
We know exactly
who you are as an artist
718
00:29:20,135 --> 00:29:21,845
and the style
that you bring to the stage.
719
00:29:21,886 --> 00:29:23,388
Thank you.
Thank you.
720
00:29:23,430 --> 00:29:26,683
Ali, you're an amazing,
amazing vocalist.
721
00:29:26,725 --> 00:29:28,977
It shines through every time
you get on stage.
722
00:29:29,019 --> 00:29:31,438
It just feels like somebody
that's in control
723
00:29:31,479 --> 00:29:34,858
and has a grasp of what
they're trying to convey.
724
00:29:34,899 --> 00:29:37,444
I think, Marcos, the same thing
could be said about you.
725
00:29:37,485 --> 00:29:40,530
I think the beginning of the
song was a little bit shaky,
726
00:29:40,572 --> 00:29:43,158
but towards the end of it,
you were very much in control.
727
00:29:43,199 --> 00:29:44,951
And I just love moments
like that.
728
00:29:44,993 --> 00:29:46,411
Both of you guys
729
00:29:46,453 --> 00:29:49,873
gave very memorable performances
in "Voice" history.
730
00:29:49,914 --> 00:29:51,041
Thank you.
Daly: Thank you, Coaches.
731
00:29:51,082 --> 00:29:52,667
[ Cheers and applause ]
732
00:29:52,709 --> 00:29:55,211
Alright, Kel, this is not gonna
be an easy one for you.
733
00:29:55,253 --> 00:29:56,254
Kelly:
First of all, Marcos,
734
00:29:56,296 --> 00:29:57,422
you did have
some pitchy moments,
735
00:29:57,464 --> 00:29:59,007
but you sang
the hell out of it, man.
736
00:29:59,049 --> 00:30:01,301
Your voice is just crazy,
and I'm in love with it.
737
00:30:01,343 --> 00:30:03,345
So I'm so proud
that you're Team Kelly.
738
00:30:03,386 --> 00:30:06,264
Ali, you move us,
like, so deeply.
739
00:30:06,306 --> 00:30:08,808
Even at the end of the song,
you were like, "Yeah!"
740
00:30:08,850 --> 00:30:10,643
[ Laughs ]
It was so good.
741
00:30:10,685 --> 00:30:14,689
I love both of you for
completely different reasons.
742
00:30:14,731 --> 00:30:15,815
Kelly,
the time has come.
743
00:30:15,857 --> 00:30:17,400
Who is the winner
of this knockout?
744
00:30:17,442 --> 00:30:19,944
**
745
00:30:19,986 --> 00:30:21,863
Such a bummer.
Um...
746
00:30:21,905 --> 00:30:25,241
**
747
00:30:25,283 --> 00:30:27,285
The winner of this knockout
is Ali.
748
00:30:27,327 --> 00:30:28,870
Ali, congratulations!
749
00:30:28,912 --> 00:30:32,082
You're moving on
to the playoffs!
750
00:30:33,041 --> 00:30:34,834
I won't. Thank you.
751
00:30:34,876 --> 00:30:38,588
I love Marcos, but I had to pick
Ali just because every time,
752
00:30:38,630 --> 00:30:40,882
she delivers,
even in a subtle way.
753
00:30:40,924 --> 00:30:43,093
She has no choice
but to sing,
754
00:30:43,134 --> 00:30:45,970
and that's such
a beautiful gift.
755
00:30:46,012 --> 00:30:47,097
Kelly: Oh, my God!
756
00:30:47,138 --> 00:30:48,556
Thank you.
You did so great.
757
00:30:48,598 --> 00:30:49,516
Thank you so much.
758
00:30:49,557 --> 00:30:51,601
I'm so grateful
and so blessed
759
00:30:51,643 --> 00:30:53,436
to be able to have
this kind of opportunity
760
00:30:53,478 --> 00:30:56,606
and just do what I love to do
and show the entire world.
761
00:30:56,648 --> 00:31:00,610
Daly: Give it up one more time
for Marcos Covos!
762
00:31:00,652 --> 00:31:02,112
Great job, Marcos.
763
00:31:02,153 --> 00:31:03,113
Chance:
This is the knockouts.
764
00:31:03,154 --> 00:31:04,489
The talent level is so high,
765
00:31:04,531 --> 00:31:06,282
everybody's, like,
coming with their A-game.
766
00:31:06,324 --> 00:31:07,409
You only get one steal.
767
00:31:07,450 --> 00:31:08,660
And I'm just looking to see
768
00:31:08,702 --> 00:31:11,204
who's gonna show up
and show out.
769
00:31:11,246 --> 00:31:12,706
Daly: Still to come...
770
00:31:12,747 --> 00:31:14,874
If I really get into it,
they're gonna get into it.
771
00:31:14,916 --> 00:31:17,502
Tell us what you're thinking
in this with your face.
772
00:31:17,544 --> 00:31:19,587
Daly: ...Reba continues
to share her wisdom...
773
00:31:19,629 --> 00:31:21,923
I'm having a hard time
understanding your words.
774
00:31:21,965 --> 00:31:23,425
[ Gasps ] Yeah.
Niall: Keep those words
separate.
775
00:31:23,466 --> 00:31:26,011
* When we were together *
776
00:31:26,052 --> 00:31:27,637
Oh, I like that.
777
00:31:27,679 --> 00:31:30,932
Daly: ...bringing the artists'
performances to new heights.
778
00:31:30,974 --> 00:31:33,768
* Anymo-o-o-o-o-re *
779
00:31:33,810 --> 00:31:34,811
What?!
780
00:31:34,853 --> 00:31:36,396
It's my coaching.
781
00:31:42,861 --> 00:31:43,862
* This is "The Voice" *
782
00:31:43,903 --> 00:31:45,864
Daly: Welcome back.
783
00:31:45,905 --> 00:31:47,115
Niall:
Ryley Tate Wilson.
784
00:31:47,157 --> 00:31:48,950
Hey, what's up, Niall?
What's up, bud?
785
00:31:48,992 --> 00:31:50,577
How you doing?
Good to see you.
786
00:31:50,618 --> 00:31:52,328
You guys up there
are really annoying today.
[ Laughs ]
787
00:31:52,370 --> 00:31:54,456
You're being like --
They're just so smug.
788
00:31:54,497 --> 00:31:55,874
I'm just --
Just sat there,
just like,
789
00:31:55,915 --> 00:31:57,250
"Yeah, we're not
knocking out.
790
00:31:57,292 --> 00:31:58,418
We're going straight
to the playoffs."
791
00:31:58,460 --> 00:32:00,170
I'm just trying
to be relaxed.
792
00:32:00,211 --> 00:32:01,671
I'm not trying --
not trying to be mean.
No, you deserve it.
793
00:32:01,713 --> 00:32:03,173
That's why you got
the Playoff Pass.
794
00:32:03,214 --> 00:32:04,632
They invented it
for people like you.
795
00:32:04,674 --> 00:32:06,551
Got it.
This guy --
Ryley Tate Wilson.
796
00:32:06,593 --> 00:32:08,386
Remember the name,
people.
797
00:32:08,428 --> 00:32:09,804
Someone told me
you play golf.
798
00:32:09,846 --> 00:32:11,139
Reba: I play really good
after one beer.
799
00:32:11,181 --> 00:32:12,557
[ Laughs ] Really?
800
00:32:12,599 --> 00:32:14,517
I'm Tiger Woods-level
at two beers.
Really?
801
00:32:14,559 --> 00:32:15,810
Yeah.
What happens at three?
802
00:32:15,852 --> 00:32:16,978
I better quit.
803
00:32:17,020 --> 00:32:18,438
[ Laughter ]
804
00:32:18,480 --> 00:32:20,273
Niall: To work
with Reba McEntire,
805
00:32:20,315 --> 00:32:21,733
the queen of country music --
806
00:32:21,775 --> 00:32:23,234
I'm getting goosebumps
even talking about it now.
807
00:32:23,276 --> 00:32:24,611
It's amazing
to be in her presence.
808
00:32:24,652 --> 00:32:26,321
Well, the next time
I'm down in Nashville --
809
00:32:26,363 --> 00:32:27,697
Let's go play.
100%.
810
00:32:27,739 --> 00:32:29,532
She's an absolute legend,
811
00:32:29,574 --> 00:32:34,412
and she could pass on her wisdom
not only to my team, but to me.
812
00:32:34,454 --> 00:32:36,498
And you don't get
to do that every day.
813
00:32:36,539 --> 00:32:39,668
Alright, Reba.
Gina, she's really shy.
814
00:32:39,709 --> 00:32:41,378
Aww.
You're going to have
to tell her to...
815
00:32:41,419 --> 00:32:43,171
Speak up?
Speak up?
[ Laughs ]
Yeah.
816
00:32:43,213 --> 00:32:44,464
And then she sings,
817
00:32:44,506 --> 00:32:46,049
and it's like a different person
comes out.
818
00:32:46,091 --> 00:32:47,258
Oh.
It's really cool.
819
00:32:47,300 --> 00:32:48,551
And then Kate's
kinda got, like,
820
00:32:48,593 --> 00:32:51,304
that jazzy
kind of Amy Winehouse-y vibe.
821
00:32:51,346 --> 00:32:52,597
Let's see
what they've got.
822
00:32:52,639 --> 00:32:53,640
Okay.
823
00:32:54,641 --> 00:32:55,392
Here they are.
824
00:32:55,433 --> 00:32:56,851
I paired Gina and Kate
825
00:32:56,893 --> 00:32:59,771
because they're my two female
character singers.
826
00:32:59,813 --> 00:33:00,772
Hello.
Hi, ladies.
827
00:33:00,814 --> 00:33:02,774
Hi!
Look who I've got.
828
00:33:02,816 --> 00:33:03,817
Oh, my God.
829
00:33:03,858 --> 00:33:05,777
I saw the red hair,
and I said --
830
00:33:05,819 --> 00:33:07,612
Please, please. It's Reba.
831
00:33:07,654 --> 00:33:08,655
How are you?
832
00:33:08,697 --> 00:33:10,407
Gina:
I did not expect Reba
833
00:33:10,448 --> 00:33:12,826
to be in the room
with Niall.
834
00:33:12,867 --> 00:33:14,619
I was very starstruck.
835
00:33:14,661 --> 00:33:16,913
I'm gonna sing
"Somebody That I Used to Know."
836
00:33:16,955 --> 00:33:18,123
I'm really close
with my dad.
837
00:33:18,164 --> 00:33:19,666
Love my dad.
Oh, that's nice.
838
00:33:19,708 --> 00:33:21,960
And he was a deejay,
and it was, like,
839
00:33:22,002 --> 00:33:23,294
a song
that we always loved.
840
00:33:23,336 --> 00:33:24,462
Wonderful.
841
00:33:24,504 --> 00:33:26,047
Gina:
My dad was a single dad,
842
00:33:26,089 --> 00:33:31,428
and I feel like it's hard
sometimes to be able to tell him
843
00:33:31,469 --> 00:33:33,805
how much I appreciate
and love him.
844
00:33:33,847 --> 00:33:36,725
So, music is one of the ways
that I can do that.
845
00:33:36,766 --> 00:33:38,351
You always
make me proud,
846
00:33:38,393 --> 00:33:40,270
and I think it's gonna
go fantastic.
847
00:33:40,311 --> 00:33:42,522
Thanks, Dad.
You're pretty awesome.
848
00:33:42,564 --> 00:33:44,733
Well, you're right.
She's very soft-spoken.
Yeah.
849
00:33:44,774 --> 00:33:47,610
Niall told me about Gina
being very soft-spoken.
850
00:33:47,652 --> 00:33:48,987
And then he said,
"Wait till she sings."
851
00:33:49,029 --> 00:33:55,368
* Somebody that you used
to kno-o-o-o-o-o-w *
852
00:33:55,410 --> 00:33:57,579
And he was right --
a powerhouse.
853
00:33:57,620 --> 00:34:00,957
* ...that we were nothin',
and I don't even need... *
854
00:34:00,999 --> 00:34:04,419
She was very in her little world
when she was singing.
855
00:34:04,461 --> 00:34:05,503
And then she'd do this...
856
00:34:05,545 --> 00:34:07,047
* ...change your number *
857
00:34:07,088 --> 00:34:08,465
"Oh, yeah, she's into it."
858
00:34:08,506 --> 00:34:10,508
It was just cute as a button.
859
00:34:10,550 --> 00:34:11,384
Whoo!
860
00:34:11,426 --> 00:34:12,677
Very good.
Kate: Whoo-hoo!
861
00:34:12,719 --> 00:34:14,471
And that sass that you've got
this week.
862
00:34:14,512 --> 00:34:15,847
Really?
I wasn't expecting that.
863
00:34:15,889 --> 00:34:17,349
Excellent.
Thank you.
864
00:34:17,390 --> 00:34:19,309
I'm having a hard time
understanding your words.
865
00:34:19,351 --> 00:34:22,479
[ Gasps ] Yeah?
If you put -- right between
your two teeth, like that,
866
00:34:22,520 --> 00:34:24,022
and you say,
"A-E-I-O-U,"
867
00:34:24,064 --> 00:34:26,441
for some reason, it brings
it all out to the front.
868
00:34:26,483 --> 00:34:27,525
Okay.
And you can understand.
869
00:34:27,567 --> 00:34:29,027
And keep those words
separate.
870
00:34:29,069 --> 00:34:31,237
It's very easy to go
* Now and then, I think about *
871
00:34:31,279 --> 00:34:32,489
Mm-hmm. Yeah.
You know what I mean?
872
00:34:32,530 --> 00:34:34,157
So, give yourself
a bit of space.
873
00:34:34,199 --> 00:34:35,617
Oh, I like that.
I like that.
874
00:34:35,658 --> 00:34:39,037
* Now and then, I think of
when we were together *
875
00:34:39,079 --> 00:34:40,538
Not staccato.
Well done.
876
00:34:40,580 --> 00:34:42,624
From her first audition
to right now,
877
00:34:42,665 --> 00:34:43,708
it's like
a different human.
[ Laughs ]
878
00:34:43,750 --> 00:34:45,543
Gina, she's completely grown.
879
00:34:45,585 --> 00:34:48,213
She just needs to take
that confidence and go for it.
880
00:34:48,254 --> 00:34:50,340
Come on, Kate.
Get up here.
881
00:34:50,382 --> 00:34:53,385
I wish you guys liked
each other. [ Laughs ]
882
00:34:53,426 --> 00:34:54,469
Too much hatred
going on here.
883
00:34:54,511 --> 00:34:56,304
I know.
It's just awful.
884
00:34:56,346 --> 00:34:58,056
[ Laughs ]
885
00:34:58,098 --> 00:35:00,100
Oh, back to the guitar.
886
00:35:00,141 --> 00:35:01,101
It is my baby.
887
00:35:01,142 --> 00:35:02,352
What are you singing?
888
00:35:02,394 --> 00:35:03,812
I'm singing "Call Me"
by Blondie.
889
00:35:03,853 --> 00:35:04,979
Let's hear it.
890
00:35:05,021 --> 00:35:08,733
* Color me your color,
darling *
891
00:35:08,775 --> 00:35:12,028
Whoo!
* I know who you are *
892
00:35:12,070 --> 00:35:17,075
As a kid, I played
music video games all the time,
893
00:35:17,117 --> 00:35:19,411
and that was one of the songs
where I was like,
894
00:35:19,452 --> 00:35:21,121
"Someday, it's gonna be me."
895
00:35:21,162 --> 00:35:23,581
* Call me on the line *
896
00:35:23,623 --> 00:35:25,083
I'm doing a jazzier take,
897
00:35:25,125 --> 00:35:27,752
which is something I try
to embody in my artistry.
898
00:35:27,794 --> 00:35:29,587
* Call me on the line *
899
00:35:29,629 --> 00:35:30,797
Gina: Seeing Kate rehearse,
900
00:35:30,839 --> 00:35:34,050
she's just this amazing,
big personality.
901
00:35:34,092 --> 00:35:36,970
So, hopefully I can also
bring some stage presence.
902
00:35:37,012 --> 00:35:39,889
It's a really big goal
to get to the playoffs.
903
00:35:39,931 --> 00:35:43,268
Kate's stage presence
is really good.
904
00:35:43,309 --> 00:35:45,270
Gina is more timid.
905
00:35:45,311 --> 00:35:47,814
When she does get
more experience on stage,
906
00:35:47,856 --> 00:35:49,482
Gina's gonna be
a powerhouse.
907
00:35:49,524 --> 00:35:51,151
Right now, Kate's got it.
908
00:35:51,192 --> 00:35:53,486
* Call me *
Mm.
909
00:35:53,528 --> 00:35:55,572
Very good.
Thank you.
910
00:35:55,613 --> 00:35:57,323
My favorite parts
are when it's chill.
Yep.
911
00:35:57,365 --> 00:35:58,575
Don't stay with
* Call me! *
912
00:35:58,616 --> 00:36:00,118
With the shouty.
* La di da da *
913
00:36:00,160 --> 00:36:02,370
Yep.
Towards the end,
it gets a bit crashy for me.
914
00:36:02,412 --> 00:36:04,289
I wonder, is there a way
of toning it back?
915
00:36:04,330 --> 00:36:06,374
Trade out the crashing
for more, like, toms
or something like that?
916
00:36:06,416 --> 00:36:08,460
Yeah, maybe.
[ Imitates drums ]
Yeah, yeah, yeah, yeah.
917
00:36:08,501 --> 00:36:11,046
That could be cool.
So we can hear more
of that jazziness.
918
00:36:11,087 --> 00:36:12,422
Want to come back up,
Gina?
919
00:36:12,464 --> 00:36:14,132
Return to me.
Are you happy?
920
00:36:14,174 --> 00:36:15,508
I'm thrilled to pieces.
921
00:36:15,550 --> 00:36:17,761
I asked a billionaire
one time,
922
00:36:17,802 --> 00:36:21,139
I said, "What is the best piece
of advice you can give me?"
923
00:36:21,181 --> 00:36:23,308
He said, "Have fun."
Mm-hmm.
924
00:36:23,350 --> 00:36:25,810
So, I hope you're having fun
and getting to meet people
925
00:36:25,852 --> 00:36:28,772
that you're gonna
remain friends with forever.
926
00:36:28,813 --> 00:36:30,982
Oh, that makes
my heart happy.
927
00:36:31,024 --> 00:36:32,108
You're the best, ladies.
928
00:36:32,150 --> 00:36:33,902
Playoffs are one step away,
929
00:36:33,943 --> 00:36:36,404
and I thought the battles
were hard on decisions.
930
00:36:36,446 --> 00:36:38,365
This is even harder.
931
00:36:38,406 --> 00:36:40,241
[ Cheers and applause ]
932
00:36:40,283 --> 00:36:41,242
So cute.
933
00:36:41,284 --> 00:36:42,577
Come on, Gina!
934
00:36:43,536 --> 00:36:44,996
With "Somebody That
I Used to Know",
935
00:36:45,038 --> 00:36:46,331
here is Gina Miles.
936
00:36:46,373 --> 00:36:47,832
Whoo-whoo-whoo!
937
00:36:50,251 --> 00:36:54,089
**
938
00:36:54,130 --> 00:36:59,886
* Now and then, I think
of when we were together *
939
00:37:01,262 --> 00:37:07,185
* Like when you said you felt
so happy, you could die *
940
00:37:07,227 --> 00:37:09,020
* Mm *
941
00:37:09,062 --> 00:37:12,607
* Told myself that you were
right for me *
942
00:37:12,649 --> 00:37:16,194
* But felt so lonely
in your company *
943
00:37:16,236 --> 00:37:21,991
* That was love, and it's
an ache I still remember *
944
00:37:24,035 --> 00:37:27,706
* But you didn't have to
cut me off *
945
00:37:27,747 --> 00:37:29,541
* Make out
like it never happened *
946
00:37:29,582 --> 00:37:31,710
* And that we were nothing *
947
00:37:31,751 --> 00:37:34,170
* And I don't even
need your love *
948
00:37:34,212 --> 00:37:36,256
* But you treat me
like a stranger *
949
00:37:36,297 --> 00:37:38,842
* And that feels so rough *
950
00:37:38,883 --> 00:37:42,095
* No, you didn't have to
stoop so low *
951
00:37:42,137 --> 00:37:44,556
* Have your friends
collect your records *
952
00:37:44,597 --> 00:37:46,349
* And then change your number *
953
00:37:46,391 --> 00:37:49,352
* I guess that I don't
need that, though *
954
00:37:49,394 --> 00:37:53,690
* Now you're just somebody
that I used to know *
955
00:37:53,732 --> 00:37:56,026
[ Cheers and applause ]
956
00:37:56,067 --> 00:37:59,195
* I don't want to
live that way *
957
00:37:59,237 --> 00:38:03,158
* Reading into
every word you say *
958
00:38:03,199 --> 00:38:05,577
* You said that
you could let it go *
959
00:38:05,618 --> 00:38:07,245
* And I wouldn't catch you *
960
00:38:07,287 --> 00:38:14,085
* Hung up on somebody that you
used to kno-o-o-o-o-w *
961
00:38:14,127 --> 00:38:16,004
* Make out
like it never happened *
962
00:38:16,046 --> 00:38:18,131
* And that we were nothing *
963
00:38:18,173 --> 00:38:20,925
* And I don't even
need your love *
964
00:38:20,967 --> 00:38:24,137
* You treat me like a stranger
and that feels so rough *
965
00:38:25,305 --> 00:38:28,933
* No, you didn't have to
stoop so low *
966
00:38:28,975 --> 00:38:31,019
* Have your friends
collect your records *
967
00:38:31,061 --> 00:38:32,979
* And then change your number *
968
00:38:33,021 --> 00:38:36,024
* I guess that I don't
need that, though *
969
00:38:36,066 --> 00:38:42,655
* Now you're just somebody
that I used to kno-o-o-o-o-w *
970
00:38:42,697 --> 00:38:48,078
* Oh, now you're just somebody
that I used to kno-o-o-w *
971
00:38:48,119 --> 00:38:51,414
[ Cheers and applause ]
Yeah! Alright, Gina!
972
00:38:51,456 --> 00:38:52,957
Yes, Gina!
973
00:38:52,999 --> 00:38:54,542
That's my girl!
974
00:38:54,584 --> 00:38:55,919
I liked that.
975
00:38:57,170 --> 00:38:58,713
That was cool.
976
00:38:58,755 --> 00:39:01,174
[ Cheers and applause ]
977
00:39:11,351 --> 00:39:12,519
* This is "The Voice" *
978
00:39:12,560 --> 00:39:14,729
Daly:
Welcome back to "The Voice."
979
00:39:14,771 --> 00:39:17,023
[ Cheers and applause ]
980
00:39:18,274 --> 00:39:22,946
Now singing "Call Me",
here's Kate Cosentino.
981
00:39:24,197 --> 00:39:26,741
Come on, Katie!
Alright, Kate!
982
00:39:28,118 --> 00:39:33,623
* Color me your color, baby *
983
00:39:33,665 --> 00:39:38,378
* Color me your car *
984
00:39:38,420 --> 00:39:43,883
* Color me your color, darling *
985
00:39:43,925 --> 00:39:48,388
* I know who you are *
986
00:39:48,430 --> 00:39:52,976
* Come up off your color chart *
987
00:39:53,018 --> 00:40:00,191
* I know where
you're coming fr-o-o-o-om *
988
00:40:00,233 --> 00:40:02,652
**
989
00:40:02,694 --> 00:40:05,572
* Call me on the line *
990
00:40:05,613 --> 00:40:09,451
* You can call me any, anytime *
991
00:40:09,492 --> 00:40:12,245
* Call me, I'll arrive *
992
00:40:12,287 --> 00:40:16,166
* You can call me
any day or night *
993
00:40:16,207 --> 00:40:17,417
* Call me *
994
00:40:17,459 --> 00:40:23,423
**
995
00:40:23,465 --> 00:40:25,258
* Ooh, ooh, ooh, ooh, ooh *
996
00:40:25,300 --> 00:40:30,013
* He speaks in languages
of love *
997
00:40:30,055 --> 00:40:32,057
* Ooh, ooh, ooh, ooh, ooh *
998
00:40:32,098 --> 00:40:36,644
* Amore, chiamami, chiamami *
999
00:40:36,686 --> 00:40:38,855
* Ooh, ooh, ooh, ooh, ooh *
1000
00:40:38,897 --> 00:40:42,567
* Appelle-moi mon cheri,
appelle-moi *
1001
00:40:42,609 --> 00:40:48,740
* Any time, any place,
anywhere, any way *
1002
00:40:48,782 --> 00:40:55,455
* Any time, any place,
anywhere, any da-a-a-a-a-a-y *
1003
00:40:55,497 --> 00:40:58,667
* Call me, my love *
1004
00:40:58,708 --> 00:41:02,629
* You can call me any, anytime *
1005
00:41:02,671 --> 00:41:05,423
* Call me, I'll arrive *
1006
00:41:05,465 --> 00:41:09,469
* You can call me
for some overtime *
1007
00:41:09,511 --> 00:41:11,012
* Call me *
1008
00:41:11,054 --> 00:41:16,101
* Call me for your lover's
lover's alibi *
1009
00:41:16,142 --> 00:41:22,857
* Call me-e-e-e-e-e-e *
1010
00:41:22,899 --> 00:41:24,192
* Call me *
1011
00:41:24,234 --> 00:41:26,861
**
1012
00:41:26,903 --> 00:41:31,825
* Color me your color, baby *
1013
00:41:31,866 --> 00:41:37,539
* Color me your car *
1014
00:41:37,580 --> 00:41:39,332
That was cool.
1015
00:41:39,374 --> 00:41:42,419
[ Cheers and applause ]
[ Laughs ]
1016
00:41:42,460 --> 00:41:45,255
That was crazy.
Cool.
1017
00:41:46,548 --> 00:41:47,674
I don't know, man.
1018
00:41:47,716 --> 00:41:49,509
That was insane.
1019
00:41:49,551 --> 00:41:52,679
Whoa, Gina.
That was so cool.
1020
00:41:52,721 --> 00:41:54,222
I love that song.
1021
00:41:54,264 --> 00:41:56,599
That song came out when I was
in high school, and --
1022
00:41:56,641 --> 00:41:57,767
Me, too.
[ Laughs ]
1023
00:41:57,809 --> 00:41:58,977
[ Laughter ]
1024
00:41:59,019 --> 00:42:00,478
The way that
you interpreted it,
1025
00:42:00,520 --> 00:42:03,606
like, kept your identity alive
through the whole thing,
1026
00:42:03,648 --> 00:42:05,358
which I-I can always respect.
1027
00:42:05,400 --> 00:42:07,027
Kate, I know that song.
1028
00:42:07,068 --> 00:42:08,403
I've probably, like,
heard that song,
1029
00:42:08,445 --> 00:42:10,113
on, like, a skateboard
video game or something.
1030
00:42:10,155 --> 00:42:11,990
You weren't in high school
when that one came out.
1031
00:42:12,032 --> 00:42:13,366
You weren't born.
1032
00:42:13,408 --> 00:42:14,576
Were you in high school
when that song came out?
1033
00:42:14,617 --> 00:42:15,827
Probably.
Yeah.
1034
00:42:15,869 --> 00:42:17,078
[ Laughter ]
1035
00:42:17,120 --> 00:42:19,289
I loved the incorporation
of the guitar.
1036
00:42:19,330 --> 00:42:21,041
I felt like you were
just controlling,
1037
00:42:21,082 --> 00:42:22,375
like, the whole room.
1038
00:42:22,417 --> 00:42:23,501
It felt intimate,
1039
00:42:23,543 --> 00:42:25,170
but it kept
getting bigger and bigger.
1040
00:42:25,211 --> 00:42:26,880
And you really surprised me.
1041
00:42:26,921 --> 00:42:28,631
I thought that was, like,
your best performance.
1042
00:42:28,673 --> 00:42:30,633
Thanks.
[ Cheers and applause ]
1043
00:42:30,675 --> 00:42:32,218
Gina, I got, like,
1044
00:42:32,260 --> 00:42:34,512
Florence + the Machine vibes
from you.
Yep.
1045
00:42:34,554 --> 00:42:36,473
Thank you.
What you did with it
was so cool.
1046
00:42:36,514 --> 00:42:40,226
Your vocal breaks, like going
all angelic but painful.
1047
00:42:40,268 --> 00:42:42,520
You could feel the ache
in your voice.
1048
00:42:42,562 --> 00:42:43,897
I loved this performance.
1049
00:42:43,938 --> 00:42:46,858
Kate, this is, like,
the lane for you.
1050
00:42:46,900 --> 00:42:48,902
What you did
in the beginning and end
1051
00:42:48,943 --> 00:42:51,196
let me know
who you were as an artist.
1052
00:42:51,237 --> 00:42:53,239
You're just very
rock 'n' roll.
1053
00:42:53,281 --> 00:42:54,157
Thank you.
1054
00:42:54,199 --> 00:42:55,408
I mean,
here's the thing.
1055
00:42:55,450 --> 00:42:58,370
If I were to base it
on the whole time,
1056
00:42:58,411 --> 00:42:59,746
I would go with Gina.
1057
00:42:59,788 --> 00:43:00,914
[ Cheers and applause ]
1058
00:43:00,955 --> 00:43:02,290
Kate, I feel like this
1059
00:43:02,332 --> 00:43:05,585
is the first time
I've ever actually seen you.
1060
00:43:05,627 --> 00:43:07,253
Like,
that was incredible
1061
00:43:07,295 --> 00:43:09,881
because it was just so weird
and out there,
1062
00:43:09,923 --> 00:43:11,716
and you just sounded
so good.
1063
00:43:11,758 --> 00:43:13,927
Thank you.
And, Gina, every time
you come out here, it's great.
1064
00:43:13,968 --> 00:43:15,387
Tonight was great.
1065
00:43:15,428 --> 00:43:17,764
Kate just took it
to the next level.
1066
00:43:17,806 --> 00:43:19,849
I'd be going with Kate
if it was me.
1067
00:43:19,891 --> 00:43:21,434
Thank you, Coaches.
1068
00:43:21,476 --> 00:43:23,353
Alright, Niall, another
tough decision here.
1069
00:43:23,395 --> 00:43:25,271
Kate, you were amazing
today.
1070
00:43:25,313 --> 00:43:27,941
Like, when you sing in that
jazzy tone and play the guitar,
1071
00:43:27,982 --> 00:43:29,943
it reminds me
of your first audition.
1072
00:43:29,984 --> 00:43:31,194
You know, you're
a quirky character,
1073
00:43:31,236 --> 00:43:32,987
and that's why
everyone loves you.
1074
00:43:33,029 --> 00:43:36,032
Gina, belief
has been your thing.
1075
00:43:36,074 --> 00:43:38,910
And I think the longer
this competition has gone on,
1076
00:43:38,952 --> 00:43:40,328
the more confident
you've got in yourself.
1077
00:43:40,370 --> 00:43:41,996
I wouldn't have picked
that song for you,
1078
00:43:42,038 --> 00:43:45,291
but I think you
absolutely nailed it.
1079
00:43:45,333 --> 00:43:47,293
And that's why these
knockout pairings are horrible,
1080
00:43:47,335 --> 00:43:49,462
'cause I have to put two people
I really love against each other
1081
00:43:49,504 --> 00:43:51,798
and then have to stand here
and make a decision.
1082
00:43:51,840 --> 00:43:52,966
Niall, the time has come.
1083
00:43:53,008 --> 00:43:54,426
Who is the winner
of this knockout?
1084
00:43:54,467 --> 00:43:58,805
**
1085
00:43:58,847 --> 00:44:01,182
I just have this, like,
gut feeling.
1086
00:44:03,393 --> 00:44:04,644
Ugh.
1087
00:44:04,686 --> 00:44:06,396
The winner of the knockout...
1088
00:44:13,695 --> 00:44:14,863
* This is "The Voice" *
1089
00:44:14,904 --> 00:44:17,323
Daly: Welcome back
to the knockouts.
1090
00:44:17,365 --> 00:44:19,367
Niall, who is the winner
of this knockout?
1091
00:44:19,409 --> 00:44:23,163
**
1092
00:44:23,204 --> 00:44:24,748
The winner of the knockout
is Gina.
1093
00:44:24,789 --> 00:44:27,334
Gina, congratulations!
1094
00:44:27,375 --> 00:44:30,337
Niall: Kate and Gina --
I really struggled with it.
1095
00:44:30,378 --> 00:44:31,838
Gina is just so consistent.
1096
00:44:31,880 --> 00:44:35,633
The playoffs is Gina's chance
now to step forward
1097
00:44:35,675 --> 00:44:37,260
and just trust in her ability.
1098
00:44:37,302 --> 00:44:39,012
She's an unbelievable talent.
1099
00:44:39,054 --> 00:44:40,722
Niall's been here for me
since day one
1100
00:44:40,764 --> 00:44:42,140
and always in my corner.
1101
00:44:42,182 --> 00:44:45,101
Yay, Team Niall! Ahh!
1102
00:44:45,143 --> 00:44:47,395
Kate, anything you want
to say to your coach?
1103
00:44:47,437 --> 00:44:51,066
Thanks for letting me show
the goofy person that I am
1104
00:44:51,107 --> 00:44:53,151
and giving me the chance
to show it on stage.
1105
00:44:53,193 --> 00:44:54,444
Thank you.
Give it up
one more time
1106
00:44:54,486 --> 00:44:56,613
for Kate Cosentino,
ladies and gentlemen.
1107
00:44:56,654 --> 00:44:58,239
[ Cheers and applause ]
1108
00:44:58,281 --> 00:45:01,368
The talent level at this stage
is just off the scale.
1109
00:45:01,409 --> 00:45:05,580
It's so hard to see really,
really gifted people leave.
1110
00:45:05,622 --> 00:45:07,207
Oh, that sucked.
I'm sorry, Niall.
1111
00:45:07,248 --> 00:45:08,625
Oh, I hate this.
I get it, though.
1112
00:45:08,667 --> 00:45:11,252
Like, consistently,
I think Gina has been better.
1113
00:45:11,294 --> 00:45:13,129
She's still so good.
1114
00:45:13,963 --> 00:45:16,549
[ Knock on door ]
1115
00:45:16,591 --> 00:45:17,717
Hi!
Reba!
1116
00:45:17,759 --> 00:45:18,927
[ Laughs ]
Yo.
1117
00:45:18,968 --> 00:45:21,262
Reba, she's a legend
in the industry,
1118
00:45:21,304 --> 00:45:22,931
Grammy Award-winning artist.
1119
00:45:22,972 --> 00:45:24,474
Kelly told me
all about you.
1120
00:45:24,516 --> 00:45:26,017
Kelly told -- What did --
What did she say?
1121
00:45:26,059 --> 00:45:28,019
She said she loves you.
Oh, I love Kelly.
1122
00:45:28,061 --> 00:45:30,605
Her being a top-tier artist
for so long
1123
00:45:30,647 --> 00:45:34,442
and -- and having
so many experiences
1124
00:45:34,484 --> 00:45:36,653
is something
that we could all grow from.
1125
00:45:36,695 --> 00:45:38,279
We have Ray.
1126
00:45:38,321 --> 00:45:41,282
He's got, like, a new,
contemporary R&B sound to him.
1127
00:45:41,324 --> 00:45:45,286
And then, Nariyella -- a very
big voice, very charismatic.
1128
00:45:45,328 --> 00:45:48,081
I put Nariyella and Ray
together
1129
00:45:48,123 --> 00:45:49,958
specifically
so that I could see,
1130
00:45:50,000 --> 00:45:52,669
you know, who stands
in their own identity the best.
1131
00:45:52,711 --> 00:45:55,505
Not Reba. She's an icon.
I know. I'm shook.
1132
00:45:55,547 --> 00:45:57,632
Nariyella: Reba,
she's won several Grammys.
1133
00:45:57,674 --> 00:46:00,010
She's been nominated
for a Golden Globe.
1134
00:46:00,051 --> 00:46:01,761
I love your hair.
Thank you.
1135
00:46:01,803 --> 00:46:03,430
Oh, my gosh.
We're both rocking
the red today.
1136
00:46:03,471 --> 00:46:04,305
Yes.
1137
00:46:04,347 --> 00:46:05,306
It was just an honor
1138
00:46:05,348 --> 00:46:06,641
to be in her presence.
1139
00:46:06,683 --> 00:46:07,767
So, I am singing
1140
00:46:07,809 --> 00:46:09,811
"Bust Your Windows"
by Jazmine Sullivan.
1141
00:46:09,853 --> 00:46:11,187
Reba: Ooh, okay.
1142
00:46:11,229 --> 00:46:15,066
* I bust the windows
out your car *
1143
00:46:15,108 --> 00:46:17,318
Nariyella:
I just love Jazmine Sullivan.
1144
00:46:17,360 --> 00:46:18,903
I look up to her
not only as a vocalist,
1145
00:46:18,945 --> 00:46:21,823
but as another Black woman
out here, making it happen.
1146
00:46:21,865 --> 00:46:26,327
* I'm glad I did it
'cause you had to learn *
1147
00:46:26,369 --> 00:46:29,414
I can relate to being
so heartbroken that I was like,
1148
00:46:29,456 --> 00:46:30,999
"Look, I'm ready
to make you feel
1149
00:46:31,041 --> 00:46:32,375
the same hurt that I feel."
1150
00:46:32,417 --> 00:46:34,586
It's not gonna make me
feel that much better,
1151
00:46:34,627 --> 00:46:37,464
but, shoot, it helped
a little bit, you know?
1152
00:46:37,505 --> 00:46:40,091
* You don't know pain *
1153
00:46:40,133 --> 00:46:42,886
I'm more
of a powerhouse vocalist,
1154
00:46:42,927 --> 00:46:45,847
so Jazmine Sullivan
is definitely a go-to artist.
1155
00:46:45,889 --> 00:46:48,391
Your singing's
incredible.
Yeah.
Thank you.
1156
00:46:48,433 --> 00:46:50,143
Would you feel good
about doing the next one
1157
00:46:50,185 --> 00:46:52,979
with just the microphone
without the stand?
With no stand? Yeah.
1158
00:46:53,021 --> 00:46:54,189
Yeah.
1159
00:46:54,230 --> 00:46:56,483
That person that
you're singing about,
1160
00:46:56,524 --> 00:46:57,859
you turn
into that character.
1161
00:46:57,901 --> 00:47:00,362
You said it.
Come in there
looking sassy,
1162
00:47:00,403 --> 00:47:03,698
and you've done something
to pay him back.
Okay.
1163
00:47:03,740 --> 00:47:06,534
You have, like, the
technical skill of a vocalist.
1164
00:47:06,576 --> 00:47:08,578
Whatever you can pull
from the lyrics is gonna,
1165
00:47:08,620 --> 00:47:10,455
like, carry
the song even further.
1166
00:47:10,497 --> 00:47:13,875
Nari absolutely knows
who she is as an artist,
1167
00:47:13,917 --> 00:47:17,045
and she's going to work hard
to get to that next level.
1168
00:47:17,087 --> 00:47:18,171
Alright, Ray.
You ready?
1169
00:47:18,213 --> 00:47:20,215
Come on, Ray.
Ray. Let's go.
1170
00:47:20,256 --> 00:47:22,384
Ray: Nariyella is
a four-chair turn.
1171
00:47:22,425 --> 00:47:23,885
You know, it kind of
makes me an underdog,
1172
00:47:23,927 --> 00:47:26,137
but I have a history
of beating four-chair turns.
1173
00:47:26,179 --> 00:47:27,597
Ray is moving on.
1174
00:47:27,639 --> 00:47:29,307
Ray: I want to make it
to the playoffs,
1175
00:47:29,349 --> 00:47:30,975
so I'm planning on winning
this, too. [ Chuckles ]
1176
00:47:31,017 --> 00:47:32,644
So, what you singing
for us?
1177
00:47:32,686 --> 00:47:34,729
I'm singing "Lately"
by Stevie Wonder.
1178
00:47:34,771 --> 00:47:36,106
Why'd you pick that song?
1179
00:47:36,147 --> 00:47:38,566
The way he writes his songs
is mind-blowing to me.
1180
00:47:38,608 --> 00:47:40,527
* Lately, I have had... *
1181
00:47:40,568 --> 00:47:41,820
Ray:
When I found this song,
1182
00:47:41,861 --> 00:47:44,155
I had actually just went
through a breakup,
1183
00:47:44,197 --> 00:47:45,365
and this song was just, like,
1184
00:47:45,407 --> 00:47:46,866
perfectly describing
that for me.
1185
00:47:46,908 --> 00:47:49,077
My younger brother was, like,
huge support for me.
1186
00:47:49,119 --> 00:47:52,038
He actually flew out
to Arizona from Gary, Indiana,
1187
00:47:52,080 --> 00:47:53,164
to help me get through that.
1188
00:47:53,206 --> 00:47:54,416
I moved out on my own,
1189
00:47:54,457 --> 00:47:55,542
all the way across the country.
1190
00:47:55,583 --> 00:47:56,584
So, to have my brother there,
1191
00:47:56,626 --> 00:47:58,253
it felt like a piece of home.
1192
00:47:58,294 --> 00:47:59,713
* Yeah *
1193
00:47:59,754 --> 00:48:02,632
This song, it's not, like,
super crazy vocally,
1194
00:48:02,674 --> 00:48:05,593
but I think the passion that's
gonna be put into the song
1195
00:48:05,635 --> 00:48:07,262
is gonna make
a lot of difference.
1196
00:48:07,303 --> 00:48:09,639
* Goodbye *
1197
00:48:09,681 --> 00:48:11,391
You got
a smooth voice.
1198
00:48:11,433 --> 00:48:12,809
Great choice
of song, man.
1199
00:48:12,851 --> 00:48:14,561
The thing that I was really
wanting to work on
1200
00:48:14,602 --> 00:48:16,521
was being a communicator
and a storyteller.
1201
00:48:16,563 --> 00:48:19,274
When I'm singing a song,
if I really get into it,
1202
00:48:19,315 --> 00:48:20,984
they're gonna
get into it.
1203
00:48:21,026 --> 00:48:23,111
And if I'm just
phoning it in,
1204
00:48:23,153 --> 00:48:26,031
they're gonna be looking at me
like, "Why do I care?"
1205
00:48:26,072 --> 00:48:29,367
So, tell us what you're thinking
in this, with your face.
1206
00:48:29,409 --> 00:48:31,619
* Goodbye *
1207
00:48:31,661 --> 00:48:34,330
Ray is
a singer/songwriter.
1208
00:48:34,372 --> 00:48:35,999
He pays attention to lyrics,
1209
00:48:36,041 --> 00:48:39,544
bring songs to life through
understanding human experience.
1210
00:48:39,586 --> 00:48:42,797
And I hope he shows off
his intentionality and control.
1211
00:48:42,839 --> 00:48:45,258
Even though some people have
never heard that Stevie record,
1212
00:48:45,300 --> 00:48:47,427
they'll be like,
"I felt it."
1213
00:48:47,469 --> 00:48:49,512
Same thing with the Jazmine
record. Like, I felt it.
1214
00:48:49,554 --> 00:48:52,057
Y'all are just great
communicators in that.
1215
00:48:52,098 --> 00:48:54,517
Nari, you want to
come back on stage?
Yes, please.
1216
00:48:54,559 --> 00:48:55,977
It's gonna be
a tough decision.
1217
00:48:56,019 --> 00:48:57,312
They're both so different.
1218
00:48:57,354 --> 00:48:58,521
It's just gonna come down
1219
00:48:58,563 --> 00:49:01,649
to what Chance needs
for his team.
1220
00:49:01,691 --> 00:49:03,902
* This is "The Voice" *
1221
00:49:03,943 --> 00:49:05,028
[ Cheers and applause ]
1222
00:49:05,070 --> 00:49:06,196
Here we go.
1223
00:49:06,237 --> 00:49:07,989
These are both great songs.
Yeah.
1224
00:49:08,031 --> 00:49:11,159
With "Bust Your Windows",
here is Nariyella.
1225
00:49:11,201 --> 00:49:14,245
[ Cheers and applause ]
1226
00:49:14,287 --> 00:49:18,750
**
1227
00:49:18,792 --> 00:49:23,171
* I bust the windows
out your car *
1228
00:49:23,213 --> 00:49:27,801
* And, no, it didn't
mend my broken heart *
1229
00:49:27,842 --> 00:49:32,138
* I'll probably always
have these ugly scars *
1230
00:49:32,180 --> 00:49:36,685
* But right now,
I don't care about that part *
1231
00:49:36,726 --> 00:49:40,939
* I bust the windows
out your car *
1232
00:49:40,980 --> 00:49:45,694
* After I saw you laying
next to her *
1233
00:49:45,735 --> 00:49:49,864
* I didn't wanna,
but I took my turn *
1234
00:49:49,906 --> 00:49:56,538
* I'm glad I did it
'cause you had to learn *
1235
00:49:56,579 --> 00:49:58,915
* Ooooh, ohhhhh *
1236
00:49:58,957 --> 00:50:03,169
* I must admit it helped
a little bit *
1237
00:50:03,211 --> 00:50:07,716
* To think of how you'd feel
when you saw it *
1238
00:50:07,757 --> 00:50:12,387
* I didn't know that I had
that much strength *
1239
00:50:12,429 --> 00:50:16,808
* But I'm glad you'll see
what happens when *
1240
00:50:16,850 --> 00:50:21,062
* You see, you can't just play
with people's feelings *
1241
00:50:21,104 --> 00:50:25,525
* Tell them you love 'em
and don't mean it *
1242
00:50:25,567 --> 00:50:29,821
* You'll probably say
that it was juvenile *
1243
00:50:29,863 --> 00:50:33,700
* But I think that
I deserve to smile *
1244
00:50:33,742 --> 00:50:36,619
* I bust the windows
on out your car *
1245
00:50:36,661 --> 00:50:40,165
* But it don't compare
to my broken heart *
1246
00:50:40,206 --> 00:50:42,250
Come on!
1247
00:50:42,292 --> 00:50:45,545
* After what you did to me *
1248
00:50:45,587 --> 00:50:48,798
* Best believe I ain't sorry *
1249
00:50:48,840 --> 00:50:53,428
* I bust the windows
out your car *
1250
00:50:53,470 --> 00:50:56,306
[ Cheers and applause ]
1251
00:50:58,475 --> 00:51:00,477
[ Laughs ]
1252
00:51:01,770 --> 00:51:03,313
Come on, Ray!
1253
00:51:03,355 --> 00:51:06,691
Mary Kate: Come on, Ray!
1254
00:51:14,157 --> 00:51:15,492
* This is "The Voice" *
1255
00:51:15,533 --> 00:51:17,118
Daly: Welcome back
to the knockouts
1256
00:51:17,160 --> 00:51:18,453
at Universal Studios Hollywood.
1257
00:51:18,495 --> 00:51:19,704
Come on, Ray!
1258
00:51:19,746 --> 00:51:22,791
Now singing "Lately",
here's Ray Uriel.
1259
00:51:22,832 --> 00:51:25,126
[ Applause ]
1260
00:51:25,168 --> 00:51:26,461
**
1261
00:51:26,503 --> 00:51:28,588
Oh, yes.
I love this song.
1262
00:51:28,630 --> 00:51:33,843
* Oooooh, yeah *
1263
00:51:33,885 --> 00:51:40,517
* Lately, I have had
the strangest feeling *
1264
00:51:40,558 --> 00:51:46,731
* With no vivid reason
here to find *
1265
00:51:46,773 --> 00:51:52,195
* Yet the thought
of losing you's been handing *
1266
00:51:52,237 --> 00:51:56,199
* 'Round my mind *
1267
00:51:56,241 --> 00:51:59,703
* My mind *
1268
00:51:59,744 --> 00:52:02,997
* Well, I'm a man
of many wishes *
1269
00:52:03,039 --> 00:52:06,751
* Hope my premonition misses *
1270
00:52:06,793 --> 00:52:11,881
* But what I really feel
my eyes won't let me hide *
1271
00:52:11,923 --> 00:52:21,808
* 'Cause they always
start to cry *
1272
00:52:21,850 --> 00:52:24,811
[ Cheers and applause ]
1273
00:52:24,853 --> 00:52:34,320
* 'Cause this time
could mean goodbye *
1274
00:52:34,362 --> 00:52:38,491
* Goodbye *
1275
00:52:38,533 --> 00:52:41,453
* Oh,
I'm a man of many wishes *
1276
00:52:41,494 --> 00:52:42,704
Yeah!
1277
00:52:42,746 --> 00:52:45,749
* Hope my premonition misses *
1278
00:52:45,790 --> 00:52:50,837
* But what I really feel
my eyes won't let me hide *
1279
00:52:50,879 --> 00:53:01,473
* 'Cause they always
start to cry *
1280
00:53:01,514 --> 00:53:03,975
**
1281
00:53:04,017 --> 00:53:16,821
* 'Cause this time
could mean goodbye *
1282
00:53:17,614 --> 00:53:21,451
* Good *
1283
00:53:21,493 --> 00:53:24,037
* Goodbye *
1284
00:53:24,079 --> 00:53:26,122
Whoo!
1285
00:53:26,164 --> 00:53:28,291
[ Cheers and applause ]
1286
00:53:28,333 --> 00:53:30,293
Oh, my gosh.
1287
00:53:30,335 --> 00:53:33,922
**
1288
00:53:33,963 --> 00:53:36,257
Yeah, man!
Good job, Ray!
Good job, Ray!
1289
00:53:36,299 --> 00:53:37,926
Oh, yeah.
1290
00:53:37,967 --> 00:53:40,178
Whoo.
Kelly: Nariyella,
I want to start with you.
1291
00:53:40,220 --> 00:53:42,847
I think that you're so gifted
to get up there
1292
00:53:42,889 --> 00:53:44,683
and almost act it out
as you're singing it.
1293
00:53:44,724 --> 00:53:46,976
It's so captivating.
I love it.
1294
00:53:47,018 --> 00:53:47,894
Thank you.
1295
00:53:47,936 --> 00:53:50,480
Ray,
that was so tasteful.
1296
00:53:50,522 --> 00:53:51,940
And the runs
were beautiful.
1297
00:53:51,981 --> 00:53:53,316
And before
y'all got out here,
1298
00:53:53,358 --> 00:53:55,068
I thought I was definitely
gonna go with Nariyella,
1299
00:53:55,110 --> 00:53:58,363
but it's hard for anybody to
beat that song, so I'd go Ray.
1300
00:53:58,405 --> 00:54:01,449
Thank you.
I thought I was gonna
go Nariyella, too.
1301
00:54:01,491 --> 00:54:03,243
And I do think that you had
a good performance.
1302
00:54:03,284 --> 00:54:05,912
I feel like today there's
something holding you back.
1303
00:54:05,954 --> 00:54:08,832
And in Ray, there's something
so '90s about your performance.
1304
00:54:08,873 --> 00:54:11,626
Yeah.
I'd be going with Ray,
if it was me.
1305
00:54:11,668 --> 00:54:14,963
Ray, there's some huge male
voices in this competition,
1306
00:54:15,005 --> 00:54:16,965
and I feel like you'd slide in
under the radar
1307
00:54:17,007 --> 00:54:18,800
because of how slick
everything is.
1308
00:54:18,842 --> 00:54:20,510
And, Nariyella,
your voice is, you know,
1309
00:54:20,552 --> 00:54:22,178
arguably the best
in this competition.
1310
00:54:22,220 --> 00:54:23,763
I think I'd just
lean towards Nariyella.
1311
00:54:23,805 --> 00:54:25,974
Thanks, Niall.
Daly: Thank you, Coaches.
1312
00:54:26,016 --> 00:54:27,809
Alright, buddy,
give us some thoughts first
1313
00:54:27,851 --> 00:54:29,519
and then tell us
who won the knockout.
1314
00:54:29,561 --> 00:54:31,938
Ray, you did go bigger
in certain moments on this song.
1315
00:54:31,980 --> 00:54:33,857
And this song is, like,
has a lot of movement,
1316
00:54:33,898 --> 00:54:35,150
so I know that's difficult.
1317
00:54:35,191 --> 00:54:36,985
You really smashed it.
Thank you.
1318
00:54:37,027 --> 00:54:40,405
Nari, I think everybody
knows you for the ability
1319
00:54:40,447 --> 00:54:41,823
to, like, go big on songs.
1320
00:54:41,865 --> 00:54:43,992
But I like that you
focused a lot more
1321
00:54:44,034 --> 00:54:45,869
on the attitude of the record.
1322
00:54:45,910 --> 00:54:47,120
If I'm going straight off
the voice
1323
00:54:47,162 --> 00:54:49,080
and what you guys
have done previously,
1324
00:54:49,122 --> 00:54:50,874
Nari would be
the right way to go.
1325
00:54:50,915 --> 00:54:54,044
But I think Ray had
the most compelling performance.
1326
00:54:54,085 --> 00:54:55,712
It's tough for me
to do this.
1327
00:54:55,754 --> 00:54:57,422
Chance, who is the winner
of this knockout?
1328
00:54:57,464 --> 00:55:01,760
**
1329
00:55:01,801 --> 00:55:02,927
This is very tough.
1330
00:55:02,969 --> 00:55:04,554
The winner
of this knockout...
1331
00:55:04,596 --> 00:55:07,057
**
1332
00:55:07,098 --> 00:55:08,224
...is Ray.
1333
00:55:09,476 --> 00:55:11,770
Daly: Ray,
congratulations.
1334
00:55:11,811 --> 00:55:13,313
Chance: It's the knockout round
for a reason.
1335
00:55:13,355 --> 00:55:15,857
It's who can give a knockout
performance in that moment.
1336
00:55:15,899 --> 00:55:17,108
And Ray really did that.
1337
00:55:17,150 --> 00:55:18,943
No, great stuff, man.
Thank you, man.
1338
00:55:18,985 --> 00:55:20,904
He really showed us his ability
to kind of shapeshift
1339
00:55:20,945 --> 00:55:22,572
and take on different songs.
1340
00:55:22,614 --> 00:55:25,867
And I look forward to seeing
some of his takes on some more,
1341
00:55:25,909 --> 00:55:27,202
like, contemporary work.
1342
00:55:27,243 --> 00:55:28,870
You know, Chance was
a one-chair turn for me.
1343
00:55:28,912 --> 00:55:30,580
He really believed in me,
and I feel like, you know,
1344
00:55:30,622 --> 00:55:33,208
I've been coming out here week
after week and just showing him
1345
00:55:33,249 --> 00:55:35,085
that, like, you know,
he didn't make the wrong choice.
1346
00:55:35,126 --> 00:55:37,003
Daly: Nariyella, anything you
want to say to Chance?
1347
00:55:37,045 --> 00:55:39,881
I'm just grateful to have
been able to work with you.
1348
00:55:39,923 --> 00:55:41,424
This is
just the beginning.
1349
00:55:41,466 --> 00:55:42,759
[ Cheers and applause ]
1350
00:55:42,801 --> 00:55:44,177
Niall:
If I had a second steal,
1351
00:55:44,219 --> 00:55:46,179
I would have went Nariyella
all day long.
1352
00:55:46,221 --> 00:55:48,181
Any song that she sings
could be on her record.
1353
00:55:48,223 --> 00:55:50,433
And that's a sign
of a true artist.
1354
00:55:50,475 --> 00:55:52,268
Ray was amazing.
Right?
1355
00:55:52,310 --> 00:55:53,978
God.
That's not easy.
1356
00:55:54,020 --> 00:55:57,148
Daly: Still to come...
* By myself anymore *
1357
00:55:57,190 --> 00:55:58,566
Holy crap.
1358
00:55:58,608 --> 00:56:00,777
Daly: ...the artists blow
Reba and our coaches away...
1359
00:56:00,819 --> 00:56:02,570
Did my toupee
fly off just then?
1360
00:56:02,612 --> 00:56:03,988
Thank you.
1361
00:56:04,030 --> 00:56:07,283
Daly: ...leading to steal-worthy
performances.
1362
00:56:07,325 --> 00:56:09,035
It's a double steal!
1363
00:56:09,077 --> 00:56:11,204
[ Cheers and applause ]
1364
00:56:17,502 --> 00:56:18,712
* This is "The Voice" *
1365
00:56:18,753 --> 00:56:20,547
Daly: Welcome back to
the knockouts.
1366
00:56:20,588 --> 00:56:25,176
* 'Cause I got friends
in low places *
1367
00:56:25,218 --> 00:56:30,348
* Where the whiskey drowns
and the beer chases *
1368
00:56:30,390 --> 00:56:33,018
* My blues away *
1369
00:56:33,059 --> 00:56:35,186
Come on and sing,
* And I'll be okay *
1370
00:56:35,228 --> 00:56:38,273
[ Laughter ]
* I'll be okay *
1371
00:56:38,314 --> 00:56:39,816
[ Laughs ]
1372
00:56:39,858 --> 00:56:41,192
Niall: * O-ro,
the rattlin' bog *
1373
00:56:41,234 --> 00:56:42,944
* The bog down
in the valley-o *
1374
00:56:42,986 --> 00:56:44,738
* O-ro,
the rattlin' bog *
1375
00:56:44,779 --> 00:56:46,239
* The bog
down in the valley-o *
1376
00:56:46,281 --> 00:56:48,074
* And in that bog
there was a hole *
1377
00:56:48,116 --> 00:56:50,118
* A rare hole,
a rattlin' hole *
1378
00:56:50,160 --> 00:56:51,036
[ Laughs ]
1379
00:56:51,077 --> 00:56:52,746
I'm Irish.
Do you want to be?
1380
00:56:52,787 --> 00:56:54,247
[ Laughter ]
1381
00:56:54,289 --> 00:56:56,541
Alright,
so check this out.
1382
00:56:56,583 --> 00:56:58,043
This is Season 1.
1383
00:56:58,084 --> 00:57:00,253
Reba: Do you sing at home?
I do. All the time.
1384
00:57:00,295 --> 00:57:01,755
In front of people?
Oh, my God, it's Xenia.
1385
00:57:01,796 --> 00:57:03,214
Oh, I remember her.
1386
00:57:03,256 --> 00:57:05,258
Blake: Reba was the person
that I looked to the most
1387
00:57:05,300 --> 00:57:08,303
as I was trying to make it
in country music.
1388
00:57:08,345 --> 00:57:11,056
Look at us.
We look like babies.
[ Laughs ]
1389
00:57:11,097 --> 00:57:13,183
Oh, my God. [ Laughs ]
Oh, my God. Who's that?
1390
00:57:13,224 --> 00:57:16,895
After all these years, it's just
fun to have a buddy here.
1391
00:57:16,936 --> 00:57:18,772
Oh, my God. I can't.
This is embarrassing.
1392
00:57:18,813 --> 00:57:20,148
No, it's cute.
1393
00:57:20,190 --> 00:57:21,900
It's embarrassing.
Stop it.
1394
00:57:21,941 --> 00:57:23,902
[ Laughs ]
1395
00:57:23,943 --> 00:57:26,321
So this pairing
is Kylee and Walker.
1396
00:57:26,363 --> 00:57:29,199
Because they have so much
character in their voices.
1397
00:57:29,240 --> 00:57:30,742
Bring 'em on.
1398
00:57:30,784 --> 00:57:32,577
Oh. [ Giggles ]
1399
00:57:32,619 --> 00:57:33,828
Oh, my gosh.
1400
00:57:33,870 --> 00:57:35,121
Hi.
Oh, my God.
1401
00:57:35,163 --> 00:57:36,414
I, like,
can't even look.
1402
00:57:36,456 --> 00:57:38,166
Do you always get
this kind of response
1403
00:57:38,208 --> 00:57:39,584
when they walk out
to see you?
1404
00:57:39,626 --> 00:57:41,336
Not to see me. No.
Hi.
1405
00:57:41,378 --> 00:57:44,923
Kylee: To, like, see
Reba McEntire in real life...
How are you?
1406
00:57:44,964 --> 00:57:47,092
...the country legend,
the queen of country,
1407
00:57:47,133 --> 00:57:48,343
the country everything,
1408
00:57:48,385 --> 00:57:50,011
it took the breath
out of my lungs.
1409
00:57:50,053 --> 00:57:51,388
It's great to meet you.
I'm Kylee.
1410
00:57:51,429 --> 00:57:52,722
Hi, Kylee, I'm Reba.
Nice to meet you.
1411
00:57:52,764 --> 00:57:54,474
Girl, I know you are.
[ Laughs ]
1412
00:57:54,516 --> 00:57:56,518
Never in my wildest dreams
did I imagine
1413
00:57:56,559 --> 00:57:58,895
I would be face-to-face
with Reba McEntire.
1414
00:57:58,937 --> 00:58:00,146
Hi, Walker.
Nice to meet you.
1415
00:58:00,188 --> 00:58:01,940
And I was like, Reba,
I love you.
1416
00:58:01,981 --> 00:58:04,150
[ Laughs ] I really do.
1417
00:58:04,192 --> 00:58:06,027
Kylee, what are you gonna
be singing for us?
1418
00:58:06,069 --> 00:58:08,154
I'm singing "All By Myself"
by Eric Carmen.
1419
00:58:08,196 --> 00:58:09,489
I'm doing
Celine Dion's version.
1420
00:58:09,531 --> 00:58:10,782
Okay, great.
1421
00:58:10,824 --> 00:58:13,159
I've always felt kind of
like the outcast.
1422
00:58:13,201 --> 00:58:15,286
Outcast?
Everybody loves you.
But I'm just excited.
1423
00:58:15,328 --> 00:58:17,205
You sound like my parents.
Okay.
1424
00:58:17,247 --> 00:58:21,418
* All by myself *
1425
00:58:21,459 --> 00:58:24,462
Kylee: I never fit super cleanly
into my groups of friends
1426
00:58:24,504 --> 00:58:26,381
in middle school and high school
and even college.
1427
00:58:26,423 --> 00:58:28,258
* Sometimes
I feel so insecure *
1428
00:58:28,299 --> 00:58:31,219
Feeling like you're lonely,
it's hard to, like, speak that.
1429
00:58:31,261 --> 00:58:33,555
And singing a song like this
is definitely healing.
1430
00:58:33,596 --> 00:58:35,098
* And obscure *
1431
00:58:35,140 --> 00:58:37,100
Coming on "The Voice",
being around other musicians,
1432
00:58:37,142 --> 00:58:38,560
I feel included and loved,
1433
00:58:38,601 --> 00:58:41,771
and it's really
stretching me as a person
1434
00:58:41,813 --> 00:58:42,981
and as a musician.
1435
00:58:43,023 --> 00:58:47,402
* All by myself *
1436
00:58:47,444 --> 00:58:51,197
When Kylee came on,
she was real cute, real shy,
1437
00:58:51,239 --> 00:58:52,615
and I thought, "Well,
1438
00:58:52,657 --> 00:58:54,909
she's gonna have a little
bitty voice probably."
1439
00:58:54,951 --> 00:58:55,910
Wrong.
1440
00:58:55,952 --> 00:58:59,956
* Anymore *
1441
00:58:59,998 --> 00:59:01,416
Holy crap.
1442
00:59:01,458 --> 00:59:03,460
Did my toupee
fly off just now?
1443
00:59:03,501 --> 00:59:04,961
Thank you.
1444
00:59:05,003 --> 00:59:06,004
Oh, my God.
1445
00:59:06,046 --> 00:59:07,589
That was so good.
1446
00:59:07,630 --> 00:59:08,840
Thank you so much.
1447
00:59:08,882 --> 00:59:10,550
You really touched my heart.
1448
00:59:10,592 --> 00:59:12,135
That's the biggest thing...
Thank you so much.
1449
00:59:12,177 --> 00:59:15,180
...is to capture somebody
in the audience
1450
00:59:15,221 --> 00:59:17,182
to where they're sobbing
or laughing.
1451
00:59:17,223 --> 00:59:20,518
Get some emotion out of them,
and you did it for me.
1452
00:59:20,560 --> 00:59:22,854
Kylee definitely
has a connection to this song.
1453
00:59:22,896 --> 00:59:24,439
She made Reba cry.
1454
00:59:24,481 --> 00:59:28,026
So that tells you the effect
that this song has on people
1455
00:59:28,068 --> 00:59:29,527
when they hear Kylee singing it.
1456
00:59:29,569 --> 00:59:31,946
Reba: The only thing I would
play with on this song
1457
00:59:31,988 --> 00:59:34,532
is to be totally still.
Okay.
1458
00:59:34,574 --> 00:59:36,326
When you watch an actor
sometimes,
1459
00:59:36,368 --> 00:59:38,828
the better they perform
is when they're still
1460
00:59:38,870 --> 00:59:40,372
and it all comes from here.
Mm-hmm.
1461
00:59:40,413 --> 00:59:42,707
What you're doing vocally is...
Mind blowing.
1462
00:59:42,749 --> 00:59:44,000
...so I would
play it simple
1463
00:59:44,042 --> 00:59:45,502
and then just blow
their faces off.
1464
00:59:45,543 --> 00:59:48,713
Literally
melt faces off.
[ Laughs ]
1465
00:59:48,755 --> 00:59:50,548
She's bitten off a lot here.
1466
00:59:50,590 --> 00:59:52,133
Good job.
Thanks.
1467
00:59:52,175 --> 00:59:55,679
It's important for Kylee to step
out and get on people's radar.
1468
00:59:55,720 --> 00:59:58,348
Did you know that Walker
in another lifetime
1469
00:59:58,390 --> 01:00:00,517
was a member
of The Kentucky Headhunters?
1470
01:00:00,558 --> 01:00:02,394
[ Laughs ]
Look at him. Come on.
1471
01:00:02,435 --> 01:00:04,229
Tell me he wouldn't
fit in in that band.
1472
01:00:04,270 --> 01:00:06,272
He's a lot better-looking.
[ Laughter ]
1473
01:00:06,314 --> 01:00:07,524
Are y'all both
from Oklahoma?
1474
01:00:07,565 --> 01:00:08,566
Yeah.
Same part.
1475
01:00:08,608 --> 01:00:10,318
Like, literally
the next county over
1476
01:00:10,360 --> 01:00:11,736
is where she was born
and raised.
1477
01:00:11,778 --> 01:00:15,240
And I know people who knew Reba
before she was Reba.
1478
01:00:15,281 --> 01:00:18,493
And she made it, so it was like,
this can really happen.
1479
01:00:18,535 --> 01:00:20,370
Well, what
are you singing for us?
1480
01:00:20,412 --> 01:00:22,163
I'm singing
"Ain't Living Long Like This"
1481
01:00:22,205 --> 01:00:23,748
originally by Waylon.
1482
01:00:23,790 --> 01:00:26,668
Love that song.
I relate to it
as just a wild kid.
1483
01:00:26,710 --> 01:00:28,128
Love it.
1484
01:00:28,169 --> 01:00:29,587
Walker:
The opening line is...
1485
01:00:29,629 --> 01:00:32,507
* I look for trouble
and I found it, son *
1486
01:00:32,549 --> 01:00:35,343
And that was pretty much
us as kids.
1487
01:00:35,385 --> 01:00:38,221
I lived in a town, the city
limits were a square mile.
1488
01:00:38,263 --> 01:00:39,597
There's not much to do.
1489
01:00:39,639 --> 01:00:41,099
Yeah, we got in trouble.
1490
01:00:41,141 --> 01:00:45,228
It was never bad, but it
wasn't never good, either.
1491
01:00:45,270 --> 01:00:46,855
* Can I, baby? *
1492
01:00:46,896 --> 01:00:49,399
This song is honky-tonk history.
1493
01:00:49,441 --> 01:00:52,360
It's like, almost country,
almost rock, almost blues,
1494
01:00:52,402 --> 01:00:54,571
somewhere in the middle,
and that's where my voice is.
1495
01:00:54,612 --> 01:00:57,782
* I live with Angel,
she's a roadhouse queen *
1496
01:00:57,824 --> 01:00:59,117
* Makes Texas Ruby... *
1497
01:00:59,159 --> 01:01:00,535
Reba: Walker had a little
swagger to him,
1498
01:01:00,577 --> 01:01:02,996
and I loved the gravel
in his voice.
1499
01:01:03,038 --> 01:01:05,165
It's really cool, really sexy.
1500
01:01:05,206 --> 01:01:07,292
* I'm at the bottom
of the jailhouse... *
1501
01:01:07,334 --> 01:01:08,918
Watching Walker perform
definitely puts a little
1502
01:01:08,960 --> 01:01:10,503
fire under my feet.
1503
01:01:10,545 --> 01:01:12,797
There it is.
Reba: Very good.
Thank y'all.
1504
01:01:12,839 --> 01:01:16,217
When you smile,
it reminds me of Patrick Swayze.
1505
01:01:16,259 --> 01:01:18,011
[ Laughs ]
Oh, my goodness.
1506
01:01:18,053 --> 01:01:20,430
The only thing
that I would say is,
1507
01:01:20,472 --> 01:01:23,475
* Can't live at all *
that note is the highest note
1508
01:01:23,516 --> 01:01:25,101
I think that you have
in the song,
1509
01:01:25,143 --> 01:01:28,188
and you just keep going back
to that same spot.
Mm-hmm.
1510
01:01:28,229 --> 01:01:30,523
If there's one extra gear
you can find --
1511
01:01:30,565 --> 01:01:33,401
* Ain't living lo-o-o-ng
like this *
1512
01:01:33,443 --> 01:01:34,903
I could probably do that.
Waylon did that.
1513
01:01:34,944 --> 01:01:36,279
He did, didn't he?
1514
01:01:36,321 --> 01:01:37,947
That was pretty slick.
Thanks.
1515
01:01:37,989 --> 01:01:41,701
And even though this is kind of
a rocked-up version of the song,
1516
01:01:41,743 --> 01:01:44,662
Walker is showing that he does
have a country side.
1517
01:01:44,704 --> 01:01:46,831
At this point
in the competition, it's tough,
1518
01:01:46,873 --> 01:01:49,709
and he's gonna have to show us
what he's capable of vocally.
1519
01:01:49,751 --> 01:01:51,461
Great job for both of you.
1520
01:01:51,503 --> 01:01:53,171
I'm just happy
we got to meet you.
Yeah.
1521
01:01:53,213 --> 01:01:55,298
I'm telling you.
Aww, listen at you.
1522
01:01:55,340 --> 01:01:57,467
Reba: Kylee and Walker
are in two different lanes,
1523
01:01:57,509 --> 01:01:59,094
maybe two different
interstates.
1524
01:01:59,135 --> 01:02:00,345
They're just great.
1525
01:02:00,387 --> 01:02:02,180
I would not want to be
in his position.
1526
01:02:02,222 --> 01:02:04,057
I'm wondering if
the first time I ever met you
1527
01:02:04,099 --> 01:02:06,184
was when you guys
did the grand opening
1528
01:02:06,226 --> 01:02:07,686
of the Starstruck
building.
1529
01:02:07,727 --> 01:02:10,063
That was '96 is
when we built it.
1530
01:02:10,105 --> 01:02:11,815
I may have
shook your hand.
1531
01:02:11,856 --> 01:02:13,233
I remember it vividly.
1532
01:02:13,274 --> 01:02:15,985
[ Laughs ]
1533
01:02:16,027 --> 01:02:18,530
[ Cheers and applause ]
1534
01:02:18,571 --> 01:02:19,864
Go, Kylee!
1535
01:02:19,906 --> 01:02:24,077
With "All By Myself",
here's Kylee Dayne.
1536
01:02:24,744 --> 01:02:26,663
Alright, Ky-Ky!
1537
01:02:26,705 --> 01:02:30,125
**
1538
01:02:30,166 --> 01:02:33,128
* When I was young *
1539
01:02:33,169 --> 01:02:38,383
* I never needed anyone *
1540
01:02:38,425 --> 01:02:43,972
* And making love
was just for fun *
1541
01:02:44,014 --> 01:02:46,891
* Those days are gone *
1542
01:02:46,933 --> 01:02:54,024
**
1543
01:02:54,065 --> 01:02:59,696
* All by myself *
1544
01:02:59,738 --> 01:03:06,077
* Don't wanna be
all by myself *
1545
01:03:06,119 --> 01:03:09,080
* Anymore *
1546
01:03:09,122 --> 01:03:11,750
* Hard to be sure *
1547
01:03:11,791 --> 01:03:16,087
Oh, my God!
I didn't know she had that.
* Sometimes I feel so insecure *
1548
01:03:16,129 --> 01:03:17,881
**
1549
01:03:17,922 --> 01:03:22,510
* And love's so distant
and obscure *
1550
01:03:22,552 --> 01:03:26,890
* Remains the cure *
1551
01:03:26,931 --> 01:03:29,684
* Ohhhh *
1552
01:03:29,726 --> 01:03:35,190
* All by myself *
1553
01:03:35,231 --> 01:03:41,404
* Don't wanna be
all by myself *
1554
01:03:41,446 --> 01:03:44,741
* Anymore *
1555
01:03:44,783 --> 01:03:50,372
* All by myself *
1556
01:03:50,413 --> 01:03:57,128
* Don't wanna live
all by myself *
1557
01:03:57,170 --> 01:04:04,803
* Anymo-o-o-o-o-o-o-re *
1558
01:04:04,844 --> 01:04:08,139
* Ohh-oh-ohh *
1559
01:04:08,181 --> 01:04:12,310
* By myself *
1560
01:04:12,352 --> 01:04:22,362
* I don't wanna be by myself,
by myself anymo-o-o-o-o-o-re *
1561
01:04:23,822 --> 01:04:25,031
[ Niall laughs ]
1562
01:04:25,073 --> 01:04:27,325
[ Cheers and applause ]
1563
01:04:27,367 --> 01:04:29,452
What?!
Pretty good.
1564
01:04:29,494 --> 01:04:31,162
Where did that
come from?
1565
01:04:31,204 --> 01:04:32,330
That's my coaching.
1566
01:04:32,372 --> 01:04:33,998
Oh, you did that?
Well done.
1567
01:04:34,040 --> 01:04:35,542
You're welcome.
1568
01:04:35,583 --> 01:04:37,669
Yes!
1569
01:04:37,711 --> 01:04:39,254
Come on, Walker!
1570
01:04:46,052 --> 01:04:47,470
* This is "The Voice" *
1571
01:04:47,512 --> 01:04:49,389
Daly: Welcome back
to night one of the knockouts.
1572
01:04:49,431 --> 01:04:52,892
[ Cheers and applause ]
1573
01:04:52,934 --> 01:04:55,270
Daly: Now singing
"I Ain't Living Long Like This",
1574
01:04:55,311 --> 01:04:57,772
here's Walker Wilson.
1575
01:05:00,275 --> 01:05:09,034
**
1576
01:05:09,075 --> 01:05:12,579
* I look for trouble
and I found it, son *
1577
01:05:12,620 --> 01:05:15,832
* Straight down the barrel
of a law man's gun *
1578
01:05:15,874 --> 01:05:19,252
* I tried to run,
but I don't think I can *
1579
01:05:19,294 --> 01:05:22,255
* You make one move
and you're a dead man, friend *
1580
01:05:22,297 --> 01:05:25,842
* Ain't livin' long like this *
1581
01:05:25,884 --> 01:05:28,720
**
1582
01:05:28,762 --> 01:05:34,392
* Can't live at all like this,
can I, baby? *
1583
01:05:34,434 --> 01:05:36,770
**
1584
01:05:36,811 --> 01:05:40,273
* He slipped the handcuffs on
behind my back *
1585
01:05:40,315 --> 01:05:43,026
* Then left me reeling
on a steel reel rack *
1586
01:05:43,068 --> 01:05:47,989
* They got 'em all
in the jailhouse, baby, yeah *
1587
01:05:48,031 --> 01:05:49,741
**
1588
01:05:49,783 --> 01:05:55,038
* Ain't livin' long like this,
am I, baby? *
1589
01:05:55,080 --> 01:05:57,665
**
1590
01:05:57,707 --> 01:06:01,002
* You know the story
'bout the jailhouse rock? *
1591
01:06:01,044 --> 01:06:03,838
* Don't want to do it,
just don't get caught *
1592
01:06:03,880 --> 01:06:08,677
* They got 'em all
in the jailhouse, baby, yeah *
1593
01:06:08,718 --> 01:06:10,637
**
1594
01:06:10,679 --> 01:06:16,142
* Ain't livin' long like this,
am I, baby? *
1595
01:06:17,352 --> 01:06:24,150
* Can't live at a-a-all like
this, can I, baby? *
1596
01:06:24,192 --> 01:06:25,568
Yah!
1597
01:06:25,610 --> 01:06:30,156
[ Cheers and applause ]
1598
01:06:30,198 --> 01:06:31,741
Blake: Yeah!
1599
01:06:31,783 --> 01:06:34,035
**
1600
01:06:34,077 --> 01:06:35,787
He did a "Yah!"
1601
01:06:35,829 --> 01:06:37,080
Yah!
1602
01:06:37,122 --> 01:06:38,498
**
1603
01:06:38,540 --> 01:06:40,834
Come on, Kylee.
Yeah, Walker!
1604
01:06:40,875 --> 01:06:43,503
My heart's pounding.
Yeah.
1605
01:06:43,545 --> 01:06:44,838
That was impressive.
1606
01:06:44,879 --> 01:06:46,548
Um, two completely
different ways
1607
01:06:46,589 --> 01:06:49,050
to rip the roof off the joint.
1608
01:06:49,092 --> 01:06:50,677
Walker, dude,
I felt like that was
1609
01:06:50,719 --> 01:06:52,178
in your wheelhouse
right there.
1610
01:06:52,220 --> 01:06:54,597
Every time you come out here,
you're fully committed
1611
01:06:54,639 --> 01:06:56,516
to getting the -- a good vibe
going in the room.
1612
01:06:56,558 --> 01:06:57,726
Kylee...
Thank you, Niall.
1613
01:06:57,767 --> 01:06:59,644
...I thought
you absolutely nailed it.
1614
01:06:59,686 --> 01:07:02,272
You really got in there
and you just kept going,
1615
01:07:02,313 --> 01:07:03,815
and it was incredible.
1616
01:07:03,857 --> 01:07:05,692
Walker, you're
technically skilled
1617
01:07:05,734 --> 01:07:07,944
in a way where, like,
your pitch is always perfect.
1618
01:07:07,986 --> 01:07:09,571
And, yeah, you just felt
comfortable up there.
1619
01:07:09,612 --> 01:07:12,449
For Kylee, you completely
blew me away.
1620
01:07:12,490 --> 01:07:15,160
That was so raw to me.
Thank you so much.
1621
01:07:15,201 --> 01:07:17,162
There were moments
where it got a little pitchy,
1622
01:07:17,203 --> 01:07:19,789
but, like, what I respect
the most out of performers
1623
01:07:19,831 --> 01:07:22,959
is when they're so in tune
with what they're doing
1624
01:07:23,001 --> 01:07:25,128
that they don't let those
kinda things derail them.
1625
01:07:25,170 --> 01:07:26,629
Like, you kept going.
1626
01:07:26,671 --> 01:07:28,673
And then the last note
that you hit was right on.
1627
01:07:28,715 --> 01:07:30,175
And if I had to lean
one way or the other,
1628
01:07:30,216 --> 01:07:33,136
I would suggest Kylee
as the winner of this.
1629
01:07:34,846 --> 01:07:36,890
Kelly: Walker,
I love this sound for you.
1630
01:07:36,931 --> 01:07:39,851
This is, like,
where you are on fire.
1631
01:07:39,893 --> 01:07:41,853
I love this lane for you.
It was perfect.
1632
01:07:41,895 --> 01:07:44,022
Thank you, Kelly.
Now we'll get to you, ma'am.
1633
01:07:44,064 --> 01:07:45,273
[ Laughter ]
1634
01:07:45,315 --> 01:07:47,734
You showed not only that
you could, like, conquer
1635
01:07:47,776 --> 01:07:49,569
a Celine Dion song,
1636
01:07:49,611 --> 01:07:51,863
your little Mariah
riffs in there,
1637
01:07:51,905 --> 01:07:53,782
like,
you're 20 years old.
1638
01:07:53,823 --> 01:07:55,492
[ Cheers and applause ]
1639
01:07:55,533 --> 01:07:57,243
The fact that you're
that kind of bold singer
1640
01:07:57,285 --> 01:07:59,079
shows that you want
to win, one,
1641
01:07:59,120 --> 01:08:02,040
and, two, shows that you're
capable of doing that.
1642
01:08:02,082 --> 01:08:05,585
Mm-hmm.
Thank you so much.
Oh, my God.
1643
01:08:05,627 --> 01:08:07,253
Daly: Thank you, Coaches.
1644
01:08:07,295 --> 01:08:08,963
Alright, Blake,
it comes down to you, buddy.
1645
01:08:09,005 --> 01:08:10,757
I've been dreading
this knockout
1646
01:08:10,799 --> 01:08:13,510
because you guys
are so much alike.
1647
01:08:13,551 --> 01:08:15,428
Just kidding.
[ Laughter ]
1648
01:08:15,470 --> 01:08:18,640
This is tough because it is two
completely different lanes.
1649
01:08:18,682 --> 01:08:21,476
Walker, it's probably
a little easier
1650
01:08:21,518 --> 01:08:24,104
to define
what it is that you do.
1651
01:08:24,145 --> 01:08:27,065
And Kylee, she's
a singer/songwriter artist.
1652
01:08:27,107 --> 01:08:29,275
That can kill
a diva pop ballad.
1653
01:08:29,317 --> 01:08:32,404
Yeah, but that is like one
small little part
1654
01:08:32,445 --> 01:08:33,780
of what
you're capable of.
1655
01:08:33,822 --> 01:08:35,949
But because you guys
are so different
1656
01:08:35,990 --> 01:08:37,701
and you're both
just so good,
1657
01:08:37,742 --> 01:08:39,786
I just kinda got
to base this off
1658
01:08:39,828 --> 01:08:41,454
what happens
in the moment.
1659
01:08:41,496 --> 01:08:43,123
Blake, who's the winner
of this knockout?
1660
01:08:43,164 --> 01:08:45,000
Um...
1661
01:08:45,041 --> 01:08:47,627
**
1662
01:08:47,669 --> 01:08:49,295
Winner of this knockout
is Kylee.
1663
01:08:49,337 --> 01:08:51,715
Kylee, congratulations!
1664
01:08:51,756 --> 01:08:53,550
Blake: I had to pick Kylee.
1665
01:08:53,591 --> 01:08:55,176
She sang the hell
out of the song.
1666
01:08:55,218 --> 01:08:57,470
You want somebody who's willing
to lay it all out there
1667
01:08:57,512 --> 01:08:58,888
and swing for the fence
like that.
1668
01:08:58,930 --> 01:09:00,432
Yeah, Ky!
1669
01:09:00,473 --> 01:09:02,892
I'm so grateful for Blake to
push me through to the playoffs.
1670
01:09:02,934 --> 01:09:04,686
I'm just excited to show him
what else I can do.
1671
01:09:04,728 --> 01:09:06,229
Daly: Walker, anything
you want to say to Blake?
1672
01:09:06,271 --> 01:09:08,565
Thank you, dude.
I wouldn't be here without you.
1673
01:09:08,606 --> 01:09:10,066
And to be able to do
what I love,
1674
01:09:10,108 --> 01:09:11,818
can't nobody take
that away from me.
1675
01:09:11,860 --> 01:09:13,653
And that's -- that's how
I'm going home.
1676
01:09:13,695 --> 01:09:16,740
Give it up for Walker Wilson,
ladies and gentlemen.
1677
01:09:16,781 --> 01:09:17,824
Blake: It never gets easier,
1678
01:09:17,866 --> 01:09:19,409
watching talented people
go home.
1679
01:09:19,451 --> 01:09:22,203
But we all want to take the best
team we can to the playoffs.
1680
01:09:22,245 --> 01:09:24,622
Kelly: Kylee -- I didn't know
that she had that.
1681
01:09:24,664 --> 01:09:27,208
She's great.
Yeah, I know.
1682
01:09:27,250 --> 01:09:28,668
I didn't know, either,
by the way.
Why are you being weird?
1683
01:09:28,710 --> 01:09:29,961
No, no, because
I was agreeing with you.
1684
01:09:30,003 --> 01:09:31,421
I didn't know, either,
until she --
1685
01:09:31,463 --> 01:09:33,256
You're not used to
that feeling?
[ Laughter ]
1686
01:09:33,298 --> 01:09:35,800
I told Chance that's one --
one coaching session with me.
1687
01:09:35,842 --> 01:09:37,344
Oh, my God.
One.
1688
01:09:37,385 --> 01:09:39,846
She -- She --
He said she didn't
even speak English
1689
01:09:39,888 --> 01:09:42,098
when they first met.
[ Laughter ]
1690
01:09:48,396 --> 01:09:49,564
* This is "The Voice" *
1691
01:09:49,606 --> 01:09:51,399
Daly:
Welcome back to "The Voice."
1692
01:09:51,441 --> 01:09:53,860
Reba: You've got a great team.
Great team.
Kelly: I love my team.
1693
01:09:53,902 --> 01:09:55,403
Well, speaking of team,
we have Cait.
Who we got?
1694
01:09:55,445 --> 01:09:58,073
She's got a really great voice.
It's an incredible range.
1695
01:09:58,114 --> 01:10:00,742
And then, also, I've actually
never worked with Kala before.
1696
01:10:01,368 --> 01:10:04,245
I turned for her in the blinds,
but Niall blocked me.
1697
01:10:05,497 --> 01:10:06,831
That is a steal!
1698
01:10:06,873 --> 01:10:08,917
I stole her from Niall's team
in the battles.
1699
01:10:08,958 --> 01:10:09,918
She's incredible.
1700
01:10:09,959 --> 01:10:11,252
Excellent.
Yeah.
1701
01:10:11,294 --> 01:10:12,253
What's up, y'all?
1702
01:10:12,295 --> 01:10:14,047
Reba -- Look at them.
[ Laughter ]
1703
01:10:14,089 --> 01:10:17,008
Reba McEntire!
[ Mimics air horn ]
1704
01:10:17,050 --> 01:10:18,343
Oh, my gosh.
1705
01:10:18,385 --> 01:10:23,223
I see Reba McEntire standing
there, and I faint.
1706
01:10:23,264 --> 01:10:24,933
Oh, my gosh.
1707
01:10:24,974 --> 01:10:27,268
She's been in film
and television and music.
1708
01:10:27,310 --> 01:10:29,771
She has done everything
that there is to do
1709
01:10:29,813 --> 01:10:31,564
in the entertainment industry
1710
01:10:31,606 --> 01:10:34,150
and is still so kind
and so humble.
1711
01:10:34,192 --> 01:10:36,152
Well, I'm really excited
to hear y'all sing.
1712
01:10:36,194 --> 01:10:37,987
Kelly:
I paired Kala and Cait
1713
01:10:38,029 --> 01:10:40,532
because Cait is one of the
strong front-runners on my team
1714
01:10:40,573 --> 01:10:41,991
and Carla is a steal.
1715
01:10:42,033 --> 01:10:43,284
So I'm like,
I'm gonna put you against
1716
01:10:43,326 --> 01:10:45,161
one of the better people
on my team
1717
01:10:45,203 --> 01:10:47,038
'cause I want to see if you're
gonna rise to the occasion.
1718
01:10:47,080 --> 01:10:48,665
Whitney Houston.
This is a great one.
1719
01:10:48,707 --> 01:10:49,749
Why this song?
1720
01:10:49,791 --> 01:10:51,543
A lot of
my nuance in my tone
1721
01:10:51,584 --> 01:10:52,961
comes from studying Whitney.
1722
01:10:53,003 --> 01:10:54,963
I'm singing
"All The Man That I Need."
1723
01:10:55,005 --> 01:10:58,383
Now that I've got a little bit
of love under my wings...
1724
01:10:58,425 --> 01:11:00,218
Yeah.
...that really makes me
be able to,
1725
01:11:00,260 --> 01:11:02,846
like, give my soul
when I sing it.
1726
01:11:03,722 --> 01:11:07,809
* He fills me up *
1727
01:11:07,851 --> 01:11:09,644
* He gives me love *
1728
01:11:09,686 --> 01:11:11,813
I'm finally experiencing
the love
1729
01:11:11,855 --> 01:11:14,024
that she's
talking about in this song.
1730
01:11:14,065 --> 01:11:17,861
My boyfriend Cameron has been
such a great support system.
1731
01:11:17,902 --> 01:11:20,155
I could not have
a better partner
1732
01:11:20,196 --> 01:11:22,949
to be with me
for this entire process.
1733
01:11:22,991 --> 01:11:25,452
Hi, my love.
I'm doing this song for you.
1734
01:11:25,493 --> 01:11:28,329
Babe, you're gonna
kill it out there.
1735
01:11:28,371 --> 01:11:29,664
I love you.
1736
01:11:29,706 --> 01:11:32,834
* I need *
1737
01:11:32,876 --> 01:11:35,170
Wow, wow, wow, wow, wow.
1738
01:11:35,211 --> 01:11:36,421
Oh, my God.
1739
01:11:36,463 --> 01:11:38,631
And I liked you taking
the mic off the stand.
1740
01:11:38,673 --> 01:11:40,258
That was really cool.
Thank you.
1741
01:11:40,300 --> 01:11:42,802
My only thing,
it's a little sharp.
1742
01:11:42,844 --> 01:11:44,471
* He fills me up *
1743
01:11:44,512 --> 01:11:47,682
Either throw it or add
a little bit of vibrato.
1744
01:11:47,724 --> 01:11:50,393
Or hold it.
It gets so big with the band
1745
01:11:50,435 --> 01:11:53,188
that sometimes it's hard
to find the center, right?
Mm-hmm. Yeah.
1746
01:11:53,229 --> 01:11:55,482
For Cait to pick
a Whitney Houston song,
1747
01:11:55,523 --> 01:11:57,233
I thought, she's brave.
1748
01:11:58,234 --> 01:12:01,696
I was blown away
not only with her vocals,
1749
01:12:01,738 --> 01:12:02,906
but her stage presence.
1750
01:12:02,947 --> 01:12:05,533
I know she's going to blossom.
1751
01:12:05,575 --> 01:12:07,369
I love how sweet
and intense you are.
Lunch. Yeah.
1752
01:12:07,410 --> 01:12:10,288
Yeah, it was just --
Golly wow.
1753
01:12:10,330 --> 01:12:12,123
I love that she was like,
"Well, let's go to lunch.
1754
01:12:12,165 --> 01:12:14,626
I don't have any notes."
[ Laughter ]
1755
01:12:14,668 --> 01:12:16,461
I love Cait.
1756
01:12:16,503 --> 01:12:18,421
Gorgeous.
Oh. Stop.
1757
01:12:18,463 --> 01:12:21,800
But I'm a little bit
intimidated because I don't have
1758
01:12:21,841 --> 01:12:23,718
a lot of professional experience
under my belt.
1759
01:12:23,760 --> 01:12:25,804
Alright, Kala, it's my first
time to get to work with you.
Hi!
1760
01:12:25,845 --> 01:12:27,722
I'm so excited.
Why did you pick this song?
1761
01:12:27,764 --> 01:12:29,349
It's traditionally
a relationship song,
1762
01:12:29,391 --> 01:12:32,018
but for me, it's more about
my relationship with music,
1763
01:12:32,060 --> 01:12:33,728
wanting to give it
everything that I have
1764
01:12:33,770 --> 01:12:35,146
and being here
is really scary.
1765
01:12:35,188 --> 01:12:37,023
It shouldn't be.
You belong here.
1766
01:12:37,065 --> 01:12:38,983
* And I'd give up
forever... *
1767
01:12:39,025 --> 01:12:41,778
I am choosing to sing "Iris"
by Goo Goo Dolls.
1768
01:12:41,820 --> 01:12:45,407
This song, at its core, is just
about wanting something so much
1769
01:12:45,448 --> 01:12:47,784
that you're willing
to give up anything
1770
01:12:47,826 --> 01:12:49,411
and everything to have it.
1771
01:12:49,452 --> 01:12:51,579
Yeah.
* I'll ever be,
and I don't want... *
1772
01:12:51,621 --> 01:12:53,790
I'm trying to convince Kelly
1773
01:12:53,832 --> 01:12:55,667
I should be there
in the playoffs.
1774
01:12:55,709 --> 01:13:01,423
* Ohhh, and I don't want
the world to see me *
1775
01:13:01,464 --> 01:13:02,841
Yeah!
1776
01:13:02,882 --> 01:13:05,093
I was working for a PR agency,
1777
01:13:05,135 --> 01:13:07,762
and if I want
to make music my career,
1778
01:13:07,804 --> 01:13:10,974
I have to put aside
my career in PR.
1779
01:13:11,016 --> 01:13:13,560
It's worth it to know
that I'm having this
1780
01:13:13,601 --> 01:13:14,769
once-in-a-lifetime opportunity
1781
01:13:14,811 --> 01:13:16,146
to pursue
what I've always wanted.
1782
01:13:16,187 --> 01:13:17,439
* When everything's
made...*
1783
01:13:17,480 --> 01:13:18,982
Reba: When Kala first came on,
I thought,
1784
01:13:19,024 --> 01:13:22,527
wow, the emotion
that she showed, I got chills.
1785
01:13:22,569 --> 01:13:26,531
Kelly cried, and that's what
you want from a performer.
1786
01:13:26,573 --> 01:13:28,158
Wow. Whew.
1787
01:13:28,199 --> 01:13:30,160
I felt your pain on that.
That was so good.
1788
01:13:30,201 --> 01:13:32,787
I'm, like, crying.
Oh, my God.
1789
01:13:32,829 --> 01:13:34,748
You tell a great story
when you sing.
1790
01:13:34,789 --> 01:13:35,957
Oh, I appreciate
that so much.
1791
01:13:35,999 --> 01:13:38,084
I love all your choices.
1792
01:13:38,126 --> 01:13:41,129
I'm gonna push you
to make a couple more choices.
1793
01:13:41,171 --> 01:13:43,214
Any kind of
just deviation
1794
01:13:43,256 --> 01:13:45,216
to where it's able
to give that ache.
1795
01:13:45,258 --> 01:13:48,928
* And you can't fight the tears
that ain't coming *
1796
01:13:48,970 --> 01:13:51,473
Like, just get
a little bit hurt, you know,
1797
01:13:51,514 --> 01:13:54,017
with the intensity
of your head voice.
Yeah.
1798
01:13:54,059 --> 01:13:55,685
Kelly:
Kala surprised me most.
1799
01:13:55,727 --> 01:13:59,481
She can make you cry, um,
after the first three notes.
1800
01:13:59,522 --> 01:14:00,648
That's rare.
1801
01:14:00,690 --> 01:14:01,775
You guys, great job.
1802
01:14:01,816 --> 01:14:03,485
I'm probably
gonna cry, like,
1803
01:14:03,526 --> 01:14:05,278
this is gonna be horrible to
pick between you two.
You should.
1804
01:14:05,320 --> 01:14:06,821
Yeah, you will.
I know!
1805
01:14:06,863 --> 01:14:08,823
Kelly: Cait chose a song,
you know, by Whitney Houston,
1806
01:14:08,865 --> 01:14:11,159
which is, like, one of
the greatest vocalists
in all the lands.
1807
01:14:11,201 --> 01:14:13,870
But I will say
I have all the faith in her
1808
01:14:13,912 --> 01:14:15,872
because she has the range.
1809
01:14:15,914 --> 01:14:18,375
That's gonna be my hardest
knockout on who to choose.
1810
01:14:18,416 --> 01:14:20,710
Reba: Those two,
I still have chills.
1811
01:14:20,752 --> 01:14:22,504
I don't know
about those two.
1812
01:14:22,545 --> 01:14:23,338
That's gonna be tough.
1813
01:14:23,380 --> 01:14:25,924
Thanks.
Yeah. [ Laughs ]
1814
01:14:25,965 --> 01:14:29,219
[ Cheers and applause ]
1815
01:14:34,224 --> 01:14:35,809
Singing
"All The Man That I Need",
1816
01:14:35,850 --> 01:14:38,103
here's Cait Martin.
1817
01:14:44,109 --> 01:14:49,322
[ Vocalizing ]
1818
01:14:49,364 --> 01:14:55,245
* I used to cry myself
to sleep at night *
1819
01:14:55,286 --> 01:15:02,502
* But that was all
before he came *
1820
01:15:02,544 --> 01:15:07,716
* I thought love had to hurt
to turn out right *
1821
01:15:07,757 --> 01:15:14,347
* But now he's here,
it's not the same *
1822
01:15:14,389 --> 01:15:20,145
* It's not the same *
1823
01:15:20,186 --> 01:15:23,356
* He fills me up *
1824
01:15:23,398 --> 01:15:26,526
* He gives me love *
1825
01:15:27,569 --> 01:15:32,365
* More love
than I've ever seen *
1826
01:15:32,407 --> 01:15:36,036
* He's all I've got *
1827
01:15:36,077 --> 01:15:39,372
* He's all I've got
in this world *
1828
01:15:39,414 --> 01:15:40,540
Ooh!
1829
01:15:40,582 --> 01:15:47,964
* But he's all the man
that I need *
1830
01:15:48,006 --> 01:15:50,467
[ Cheers and applause ]
1831
01:15:50,508 --> 01:15:55,722
* And in the evening
when the moon is high *
1832
01:15:55,764 --> 01:16:02,270
* He holds me close
and won't let go *
1833
01:16:02,312 --> 01:16:07,275
* He won't let go *
1834
01:16:07,317 --> 01:16:09,778
* He fills me up *
Yeah!
1835
01:16:09,819 --> 01:16:11,279
* He fills me up *
1836
01:16:11,321 --> 01:16:13,990
* He gives me love *
1837
01:16:14,032 --> 01:16:15,450
Whoo!
1838
01:16:15,492 --> 01:16:20,288
* More love than
I've ever seen *
1839
01:16:20,330 --> 01:16:21,122
Yeah!
1840
01:16:21,164 --> 01:16:22,665
* He's all that I've got *
1841
01:16:22,707 --> 01:16:24,376
* He's all I've got *
1842
01:16:24,417 --> 01:16:27,796
* He's all I've got
in this world *
1843
01:16:27,837 --> 01:16:30,465
* But he is all the man *
1844
01:16:30,507 --> 01:16:35,845
* All the ma-a-a-a-a-a-a-n *
1845
01:16:35,887 --> 01:16:37,639
Hey!
1846
01:16:38,306 --> 01:16:41,810
* That I, I need *
1847
01:16:41,851 --> 01:16:43,228
Oh!
1848
01:16:43,269 --> 01:16:45,647
You gotta sing!
1849
01:16:45,689 --> 01:16:48,149
[ Cheers and applause ]
1850
01:16:48,191 --> 01:16:49,859
Chance: Oh!
Yeah.
1851
01:16:49,901 --> 01:16:51,486
That was crazy.
I know.
1852
01:16:51,528 --> 01:16:53,488
She's got that Whitney tone.
I know.
1853
01:16:53,530 --> 01:16:55,240
Oh, man.
1854
01:17:01,871 --> 01:17:03,039
* This is "The Voice" *
1855
01:17:03,081 --> 01:17:04,332
Daly: Welcome back.
1856
01:17:04,374 --> 01:17:07,877
[ Cheers and applause ]
1857
01:17:07,919 --> 01:17:09,045
Come on, Kala!
1858
01:17:09,087 --> 01:17:11,297
Come on, Kala!
Come on, Kala!
1859
01:17:13,174 --> 01:17:16,052
Now with "Iris",
here's Kala Banham.
1860
01:17:16,094 --> 01:17:19,472
[ Cheers and applause ]
1861
01:17:19,514 --> 01:17:24,769
**
1862
01:17:24,811 --> 01:17:29,399
* And I'd give up forever
to touch you *
1863
01:17:29,441 --> 01:17:33,945
* 'Cause I know that
you feel me somehow *
1864
01:17:33,987 --> 01:17:38,408
* You're the closest to Heaven
that I'll ever be *
1865
01:17:38,450 --> 01:17:43,371
* And I don't want to go home
right now *
1866
01:17:43,413 --> 01:17:47,792
* And all I can taste
is this moment *
1867
01:17:47,834 --> 01:17:52,422
* And all I can breathe
is your life *
1868
01:17:52,464 --> 01:17:56,551
* 'Cause sooner or later,
it's over *
1869
01:17:56,593 --> 01:18:00,430
* I just don't wanna miss you
tonight *
1870
01:18:00,472 --> 01:18:01,681
Yeah!
1871
01:18:01,723 --> 01:18:05,602
* And I don't want the world
to see me *
1872
01:18:05,643 --> 01:18:10,440
* 'Cause I don't think
that they'd understand *
1873
01:18:10,482 --> 01:18:14,778
* When everything's made
to be broken *
1874
01:18:14,819 --> 01:18:19,616
* I just want you to know
who I am *
1875
01:18:19,657 --> 01:18:23,995
* And you can't fight the tears
that ain't coming *
1876
01:18:24,037 --> 01:18:28,541
* Or a moment of truth
in your lies *
1877
01:18:28,583 --> 01:18:32,837
* When everything
feels like the movies *
1878
01:18:32,879 --> 01:18:39,844
* Yeah, you bleed just to know
you're ali-i-i-i-i-ve *
1879
01:18:39,886 --> 01:18:44,391
* And I don't want the world
to see me *
1880
01:18:44,432 --> 01:18:49,229
* 'Cause I don't think
that they'd understand *
1881
01:18:49,270 --> 01:18:53,400
* When everything's made
to be broken *
1882
01:18:53,441 --> 01:18:57,821
* I just want you to know
who I am *
1883
01:18:57,862 --> 01:19:02,617
* I just want you to know
who I am *
1884
01:19:02,659 --> 01:19:07,580
* I just want you to know
who I am *
1885
01:19:07,622 --> 01:19:14,796
* I just want you to know
who I am *
1886
01:19:14,838 --> 01:19:16,840
Damn, girl.
1887
01:19:16,881 --> 01:19:19,801
[ Cheers and applause ]
1888
01:19:19,843 --> 01:19:23,555
Come on, girl!
Yes! Come on!
There you go, Kala.
1889
01:19:25,140 --> 01:19:26,516
Oh, man.
1890
01:19:26,558 --> 01:19:28,810
Wow, look. Everybody's giddy
over here. Look at this.
1891
01:19:28,852 --> 01:19:31,312
I'm so angry, you both
did such a great job!
1892
01:19:31,354 --> 01:19:32,856
[ Laughter ]
1893
01:19:32,897 --> 01:19:34,774
Well, I'll throw in
my two cents,
1894
01:19:34,816 --> 01:19:38,361
which is not going to matter
to Kelly of all people.
[ Laughter ]
1895
01:19:38,403 --> 01:19:39,696
I'll start with Cait.
1896
01:19:39,738 --> 01:19:41,614
There was a lot
of sharp notes in that.
1897
01:19:41,656 --> 01:19:43,491
I don't know
if that's just nerves,
1898
01:19:43,533 --> 01:19:46,411
but, Kala, that was a very
passionate performance,
1899
01:19:46,453 --> 01:19:48,413
a lot of emotion in there,
a lot of dynamics,
1900
01:19:48,455 --> 01:19:50,373
so I'd be going
with -- with Kala.
1901
01:19:50,415 --> 01:19:51,875
Thank you.
1902
01:19:51,916 --> 01:19:53,418
Niall: Oh, my God.
1903
01:19:53,460 --> 01:19:55,295
Any person that takes on
a Whitney song,
1904
01:19:55,337 --> 01:19:56,629
you're already scared,
1905
01:19:56,671 --> 01:19:58,173
but you absolutely smashed it,
I thought.
1906
01:19:58,214 --> 01:20:01,634
Kala, your storytelling ability
is just insane,
1907
01:20:01,676 --> 01:20:04,387
and that's what I lean towards,
so Kala for me.
1908
01:20:04,429 --> 01:20:06,848
[ Cheers and applause ]
Thank you.
1909
01:20:06,890 --> 01:20:09,392
Kala, I've been trying to get
you on my team this whole show,
1910
01:20:09,434 --> 01:20:11,227
but I just want
to emphasize the fact
1911
01:20:11,269 --> 01:20:12,979
that Cait just smashed that.
1912
01:20:13,021 --> 01:20:14,439
It was spot-on Whitney.
1913
01:20:14,481 --> 01:20:15,774
I'm trying so hard
not to curse.
1914
01:20:15,815 --> 01:20:17,984
I'm just so, like, floored.
[ Laughter ]
1915
01:20:18,026 --> 01:20:22,197
Who took that round by the
throat is Cait all the way.
1916
01:20:22,238 --> 01:20:24,407
Thank you.
Daly: Thank you, Coaches.
1917
01:20:24,449 --> 01:20:26,242
Oh, man!
1918
01:20:26,284 --> 01:20:27,744
Alright, Kel,
it all comes down to you.
1919
01:20:27,786 --> 01:20:29,579
You're like two
different ninjas.
1920
01:20:29,621 --> 01:20:31,664
One of you, just right in the
face, just knocked 'em out,
1921
01:20:31,706 --> 01:20:34,417
and then one of you,
just sneakily from afar,
was like a sniper.
1922
01:20:34,459 --> 01:20:36,252
[ Laughter ]
1923
01:20:36,294 --> 01:20:38,797
Cait, I'm with Chance.
I thought you killed it.
1924
01:20:38,838 --> 01:20:40,382
I thought
it was incredible.
1925
01:20:40,423 --> 01:20:41,841
[ Cheers and applause ]
1926
01:20:41,883 --> 01:20:44,803
Like, not many people could
have done what you just did.
1927
01:20:44,844 --> 01:20:48,348
And, Kala, you're, like,
one of my favorite storytellers
1928
01:20:48,390 --> 01:20:49,933
I've ever worked with.
Thank you so much.
1929
01:20:49,974 --> 01:20:53,478
You gave me goosebumps.
You totally made me tear up.
1930
01:20:53,520 --> 01:20:55,563
You don't deserve to go home,
either one of you.
1931
01:20:55,605 --> 01:20:57,107
Kelly, the time has come.
1932
01:20:57,148 --> 01:20:59,442
Who is the winner
of this knockout?
1933
01:20:59,484 --> 01:21:03,363
**
1934
01:21:03,405 --> 01:21:04,781
Oh, man.
1935
01:21:04,823 --> 01:21:06,032
You're both
different singers,
1936
01:21:06,074 --> 01:21:08,827
but you both impress
the hell out of me.
1937
01:21:08,868 --> 01:21:11,955
**
1938
01:21:11,996 --> 01:21:13,456
The winner of the knockout
is Cait.
1939
01:21:13,498 --> 01:21:15,750
Cait, congratulations!
1940
01:21:15,792 --> 01:21:17,085
You're moving on
to the playoffs!
1941
01:21:17,127 --> 01:21:18,962
Kelly: Cait came out here,
she killed it.
1942
01:21:19,004 --> 01:21:21,756
She loves big, huge songs,
she loves the challenge of it,
1943
01:21:21,798 --> 01:21:23,466
and she loves tackling it
in her own way,
1944
01:21:23,508 --> 01:21:25,468
and that is what
this competition is about.
1945
01:21:25,510 --> 01:21:28,680
Oh, my God. You killed it.
Killed it.
1946
01:21:28,722 --> 01:21:32,308
And she is not only one of the
strongest singers on my team,
1947
01:21:32,350 --> 01:21:33,768
but in the competition.
1948
01:21:33,810 --> 01:21:35,937
Cait: Getting the chance
to go to the playoffs
1949
01:21:35,979 --> 01:21:40,233
and keep representing my girl
Kels is all I want to do.
1950
01:21:40,275 --> 01:21:41,735
I'm so happy.
1951
01:21:41,776 --> 01:21:43,528
Coaches, let me remind you
that Kala is available to steal.
1952
01:21:43,570 --> 01:21:45,155
Kala, anything you want
to say to Kelly?
1953
01:21:45,196 --> 01:21:47,657
You are such an inspiration
to me not only as a singer,
1954
01:21:47,699 --> 01:21:49,784
but just as a person,
so I can't thank you enough.
1955
01:21:49,826 --> 01:21:51,494
Kelly:
Oh, you're so great!
1956
01:21:51,536 --> 01:21:52,746
I'm going in.
Give it up one more time!
1957
01:21:52,787 --> 01:21:55,290
Yes!
That is the sound
of a steal!
1958
01:21:55,331 --> 01:21:57,459
From Blake Shelton!
1959
01:21:57,500 --> 01:21:58,668
[ Chuckles ]
1960
01:21:58,710 --> 01:22:02,380
That...is a double steal!
1961
01:22:02,422 --> 01:22:04,507
Chance the Rapper!
1962
01:22:04,549 --> 01:22:06,968
I'm hugging you!
I'm hugging you!
1963
01:22:07,010 --> 01:22:08,511
Yes, my little Blakey.
1964
01:22:08,553 --> 01:22:11,848
One of us was very clear
that you were the winner
1965
01:22:11,890 --> 01:22:15,101
and one of us was painfully
clear that you weren't.
1966
01:22:15,143 --> 01:22:16,686
I would be proud --
1967
01:22:16,728 --> 01:22:18,772
Wouldn't I be proud
to have her on Team Blake?
1968
01:22:18,813 --> 01:22:20,982
Yeah, come on.
Come on! Blake!
I mean, come on.
Don't you want her?
1969
01:22:21,024 --> 01:22:23,151
There you go. Hey, do it with
me. Do it with me. Come on.
1970
01:22:23,193 --> 01:22:25,528
Here we go.
Uh-huh. Yeah, yeah,
let's go. Come on.
1971
01:22:25,570 --> 01:22:27,447
Or you can take
a Chance.
[ Laughter ]
1972
01:22:27,489 --> 01:22:29,491
[ Chuckling ] You know what I'm
sayin'? I don't know, just --
1973
01:22:29,532 --> 01:22:31,951
Do you remember when
Blake turned around
for you in the blinds?
1974
01:22:31,993 --> 01:22:33,661
No, I don't.
I don't remember that.
Oh, you don't remember that,
1975
01:22:33,703 --> 01:22:35,246
'cause it didn't happen.
'Cause he didn't do it!
1976
01:22:35,288 --> 01:22:36,956
It didn't happen.
1977
01:22:36,998 --> 01:22:39,000
I did turn around for you
in the blinds
1978
01:22:39,042 --> 01:22:41,211
andI tried to steal you
at battles,
1979
01:22:41,252 --> 01:22:44,339
so I was playing
the long game.
That's smart, okay.
[ Laughs ]
1980
01:22:44,381 --> 01:22:47,050
We could win together.
Or you could go with Blake.
1981
01:22:47,092 --> 01:22:48,385
[ Laughter ]
1982
01:22:48,426 --> 01:22:49,886
Daly: Kala, it's all
up to you.
1983
01:22:49,928 --> 01:22:51,888
Who do you pick
as your new coach?
1984
01:22:51,930 --> 01:22:54,766
I gotta say...
[ Chuckles ]
1985
01:22:54,808 --> 01:22:58,645
Blake! Blake!
Chance! Chance!
1986
01:22:58,687 --> 01:23:01,022
Kala: ...it's an honor
either way,
1987
01:23:01,064 --> 01:23:03,900
but I'm the kind of person
who appreciates the long game,
1988
01:23:03,942 --> 01:23:06,111
so I gotta go
with Team Chance.
1989
01:23:06,152 --> 01:23:08,238
Ohhh!
1990
01:23:08,279 --> 01:23:09,614
Nice.
Daly: Chance the Rapper!
1991
01:23:09,656 --> 01:23:11,032
I finally got Kala.
1992
01:23:11,074 --> 01:23:13,243
I've been working on that angle
for a while.
1993
01:23:13,284 --> 01:23:14,869
Oh, my God!
1994
01:23:14,911 --> 01:23:17,580
I'm so glad you chose me. I'm so
glad you're still here, man.
1995
01:23:17,622 --> 01:23:19,040
Congratulations.
1996
01:23:19,082 --> 01:23:22,043
She adds a different,
smoother take to my team,
1997
01:23:22,085 --> 01:23:23,837
a lot of control,
but a softer tone,
1998
01:23:23,878 --> 01:23:26,506
and now she's down
with the winning team.
1999
01:23:26,548 --> 01:23:28,425
[ Laughs ]
Kelly: Great job, Kala!
2000
01:23:28,466 --> 01:23:30,677
Kala:
I loved working with Niall,
I loved working with Kelly,
2001
01:23:30,719 --> 01:23:32,262
and I know that Chance
is amazing.
2002
01:23:32,303 --> 01:23:33,930
I'm so excited to work with you,
man. It's gonna be amazing.
2003
01:23:33,972 --> 01:23:35,807
I'm excited to have you.
Yes, thank you.
2004
01:23:35,849 --> 01:23:37,684
I can't wait to see
what we do together.
Thank you, me too!
2005
01:23:37,726 --> 01:23:39,769
Alright, Kala.
See you soon.
See you later!
2006
01:23:41,146 --> 01:23:43,440
Way to go, Chance.
Blake: That was nice.
2007
01:23:43,481 --> 01:23:45,483
Niall: Well done.
That was well done.
2008
01:23:45,525 --> 01:23:47,027
[ Laughs ]
2009
01:23:47,068 --> 01:23:50,030
Blake: Chance ended up choosing
Cait in the knockout
2010
01:23:50,071 --> 01:23:53,283
in order to get Kala on his team
as a steal.
2011
01:23:53,324 --> 01:23:56,244
I had no idea. I did not see
that coming at all.
2012
01:23:56,286 --> 01:23:58,997
Just when I thought nobody
would play any dirtier than me,
2013
01:23:59,039 --> 01:24:00,290
here comes Chance.
2014
01:24:00,331 --> 01:24:02,292
I was using tactics, okay?
2015
01:24:02,334 --> 01:24:04,044
I was using strategy.
2016
01:24:04,085 --> 01:24:05,253
Man: Team Chance!
2017
01:24:05,295 --> 01:24:07,172
[ Cheering ]
2018
01:24:07,213 --> 01:24:17,140
**
2019
01:24:17,182 --> 01:24:27,150
**
2020
01:24:27,192 --> 01:24:37,202
**
142908
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