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These are the user uploaded subtitles that are being translated: 1 00:00:00,800 --> 00:00:11,390 ‫OK, let's start with probably the most widely used media fact, and that is an arpeggiated now arpeggiated 2 00:00:11,420 --> 00:00:14,540 ‫you'll find arpeggiated is actually built into a lot of sense. 3 00:00:14,540 --> 00:00:18,890 ‫But if it doesn't have one, if you're working with the Senate that doesn't have an arpeggiated built 4 00:00:18,890 --> 00:00:20,630 ‫in, then here you go. 5 00:00:20,750 --> 00:00:21,810 ‫This is your arpeggiated. 6 00:00:22,430 --> 00:00:23,320 ‫So here's what it does. 7 00:00:23,330 --> 00:00:26,930 ‫I'm going to go to this track that is just my chords and I'm going to solo it. 8 00:00:27,690 --> 00:00:29,110 ‫I'm going to put it in arpeggiated on it. 9 00:00:30,710 --> 00:00:34,970 ‫So you'll see that as predicted, it comes before the instrument. 10 00:00:35,300 --> 00:00:40,510 ‫So we have Medidata coming in, MIDI data coming out, and then it gets converted. 11 00:00:41,240 --> 00:00:45,380 ‫So an arpeggiated is going to take a chord progression and go and play it one note at a time. 12 00:00:45,920 --> 00:00:48,410 ‫It's effectively going to do this. 13 00:00:49,100 --> 00:00:50,330 ‫So here's our chords. 14 00:00:50,900 --> 00:00:53,810 ‫Right, if I do this. 15 00:00:58,240 --> 00:01:00,310 ‫And then this woops. 16 00:01:06,700 --> 00:01:12,810 ‫So I take this and do this, it's going to duplicate this cord, you don't have to do this to use our 17 00:01:12,860 --> 00:01:13,370 ‫president. 18 00:01:13,400 --> 00:01:16,840 ‫We're just trying to show you what it's going to do now. 19 00:01:16,840 --> 00:01:19,630 ‫It's going to play it one note at a time. 20 00:01:48,410 --> 00:01:50,180 ‫It's basically going to do this. 21 00:01:51,250 --> 00:01:57,370 ‫With our court, it's going to play it one note at a time, going up and then going back down, but 22 00:01:57,400 --> 00:02:02,290 ‫we don't need to do anything to our medy, so let's undo all of that, because it's just going to do 23 00:02:02,290 --> 00:02:02,980 ‫this for us. 24 00:02:04,150 --> 00:02:07,150 ‫And we have a lot of control over how it does it. 25 00:02:07,930 --> 00:02:13,440 ‫So it's going to take a chord progression and play it one note at a time going up. 26 00:02:13,450 --> 00:02:18,880 ‫So now that we've put in our perpetuator on this track, it sounds like this, 27 00:02:22,720 --> 00:02:24,070 ‫even though this is my many. 28 00:02:31,930 --> 00:02:38,530 ‫OK, neat, but let's make it a little more interesting, let's look at our controls here, so style 29 00:02:38,920 --> 00:02:40,600 ‫and our style here, it's going up. 30 00:02:40,600 --> 00:02:49,990 ‫So it's trying to go all the way up, are it's going through each note we've given it and going up. 31 00:02:51,220 --> 00:02:52,960 ‫We can change that and we can say go down. 32 00:03:01,110 --> 00:03:03,630 ‫It can say go up and then down. 33 00:03:11,800 --> 00:03:12,160 ‫Right. 34 00:03:12,340 --> 00:03:17,060 ‫Or any of these other ones that you want to play around with? 35 00:03:17,890 --> 00:03:19,090 ‫I like the random ones. 36 00:03:22,120 --> 00:03:26,890 ‫Random just means random notes, random other means 37 00:03:29,410 --> 00:03:30,250 ‫random. 38 00:03:30,250 --> 00:03:32,590 ‫But don't repeat a note. 39 00:03:34,000 --> 00:03:46,900 ‫And random once means, I believe, random, but only play each note one time, which if you have two 40 00:03:46,900 --> 00:03:54,850 ‫of the same note in it, random other will maybe play the same note if because it's going to play a 41 00:03:54,850 --> 00:03:55,710 ‫different spot. 42 00:03:56,560 --> 00:03:58,270 ‫So they're pretty similar. 43 00:03:59,820 --> 00:04:00,760 ‫Let's just stick to random. 44 00:04:03,590 --> 00:04:08,240 ‫So you can hear it repeating now turn away as you read them on air, so it's always changing. 45 00:04:16,870 --> 00:04:23,980 ‫OK, we can apply a groove to get a little bit of a swing on it, let's do a swing 16, which we're 46 00:04:23,980 --> 00:04:26,290 ‫not really going to hear because we're only doing eighth notes. 47 00:04:26,770 --> 00:04:27,690 ‫So let's speed it up. 48 00:04:28,300 --> 00:04:30,730 ‫Rate is how fast it's going. 49 00:04:30,730 --> 00:04:31,120 ‫Right now. 50 00:04:31,120 --> 00:04:33,550 ‫It's on eighth notes, so I would see one eighth there. 51 00:04:34,280 --> 00:04:34,930 ‫Let's speed it up. 52 00:04:34,930 --> 00:04:35,960 ‫Sixteenth notes. 53 00:04:36,220 --> 00:04:37,720 ‫Now we'll hear the swing. 54 00:04:41,440 --> 00:04:42,780 ‫That's a little annoying. 55 00:04:43,120 --> 00:04:46,990 ‫So we turn that off, giving me a faster 56 00:04:54,100 --> 00:04:54,350 ‫go. 57 00:04:56,860 --> 00:05:00,070 ‫OK, that's the main part of arpeggiated. 58 00:05:00,100 --> 00:05:04,050 ‫That's like 90 percent of our perpetuator, the style and the rate. 59 00:05:04,420 --> 00:05:08,550 ‫OK, there are some other weird things you can do here, like transposition. 60 00:05:08,590 --> 00:05:15,400 ‫You can do some things to the velocity and you can set this really trigger to do some interesting things. 61 00:05:16,000 --> 00:05:18,800 ‫This has to do with when the pattern starts over. 62 00:05:18,970 --> 00:05:22,630 ‫So if you have the pattern to go up, it's going doo doo doo doo doo doo doo doo doo. 63 00:05:23,260 --> 00:05:23,680 ‫Then. 64 00:05:24,950 --> 00:05:30,270 ‫If it's set to beat on the on every beat, it's going to start the pattern over. 65 00:05:30,860 --> 00:05:31,460 ‫So. 66 00:05:33,410 --> 00:05:35,320 ‫It's always going to basically be going up. 67 00:05:36,450 --> 00:05:37,140 ‫Norgay's. 68 00:05:38,080 --> 00:05:40,690 ‫If you started to note on every note, it's going to start over. 69 00:05:43,220 --> 00:05:49,580 ‫Which in our case would be the start of every bar, right, because here's where we get a new note. 70 00:05:51,980 --> 00:06:00,380 ‫And we started to off it's going to go for the whole duration of the court, which is what it's doing 71 00:06:00,380 --> 00:06:03,540 ‫now, the gate sets the length of the notes. 72 00:06:03,540 --> 00:06:08,360 ‫So if you have sustained notes, you can kind of tighten them up at this speed. 73 00:06:08,360 --> 00:06:09,470 ‫We're not going to hear that. 74 00:06:09,980 --> 00:06:14,030 ‫But if we go down to maybe eighth notes. 75 00:06:17,420 --> 00:06:18,340 ‫Can make them shorter, 76 00:06:21,700 --> 00:06:23,080 ‫which can be valuable. 77 00:06:29,590 --> 00:06:36,400 ‫One thing I like to do with our PGA Tour is to do something like random other and then duplicate the 78 00:06:36,400 --> 00:06:36,940 ‫track. 79 00:06:40,100 --> 00:06:42,450 ‫And set that one to random other also. 80 00:06:42,470 --> 00:06:43,850 ‫Now you're getting two notes at once 81 00:06:49,970 --> 00:06:52,890 ‫and I'm getting some kind of bass tones in there from some of the lower notes. 82 00:06:52,910 --> 00:06:56,420 ‫So select one of these and move it up an octave. 83 00:07:02,630 --> 00:07:03,350 ‫Kind of cool sound. 84 00:07:07,850 --> 00:07:09,460 ‫Maybe I'll duplicate it a third time. 85 00:07:12,670 --> 00:07:19,840 ‫And take the arpeggiated off this one, so one time just playing the notes and then to arpeggiated 86 00:07:22,470 --> 00:07:23,040 ‫sit down, 87 00:07:34,270 --> 00:07:35,090 ‫kind of a cool effect. 88 00:07:35,140 --> 00:07:40,930 ‫So arpeggiated is really, really common to use just to give a chord. 89 00:07:40,930 --> 00:07:43,780 ‫Sunlife now, Arpeggiated is going to do very much on this melody. 90 00:07:43,780 --> 00:07:49,210 ‫Right, because there's only one note happening at once in this melody, nothing to arpeggiated. 91 00:07:50,500 --> 00:07:52,030 ‫So use it on chords. 8292

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