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OK, let's start with probably the most widely used media fact, and that is an arpeggiated now arpeggiated
you'll find arpeggiated is actually built into a lot of sense.
But if it doesn't have one, if you're working with the Senate that doesn't have an arpeggiated built
in, then here you go.
This is your arpeggiated.
So here's what it does.
I'm going to go to this track that is just my chords and I'm going to solo it.
I'm going to put it in arpeggiated on it.
So you'll see that as predicted, it comes before the instrument.
So we have Medidata coming in, MIDI data coming out, and then it gets converted.
So an arpeggiated is going to take a chord progression and go and play it one note at a time.
It's effectively going to do this.
So here's our chords.
Right, if I do this.
And then this woops.
So I take this and do this, it's going to duplicate this cord, you don't have to do this to use our
president.
We're just trying to show you what it's going to do now.
It's going to play it one note at a time.
It's basically going to do this.
With our court, it's going to play it one note at a time, going up and then going back down, but
we don't need to do anything to our medy, so let's undo all of that, because it's just going to do
this for us.
And we have a lot of control over how it does it.
So it's going to take a chord progression and play it one note at a time going up.
So now that we've put in our perpetuator on this track, it sounds like this,
even though this is my many.
OK, neat, but let's make it a little more interesting, let's look at our controls here, so style
and our style here, it's going up.
So it's trying to go all the way up, are it's going through each note we've given it and going up.
We can change that and we can say go down.
It can say go up and then down.
Right.
Or any of these other ones that you want to play around with?
I like the random ones.
Random just means random notes, random other means
random.
But don't repeat a note.
And random once means, I believe, random, but only play each note one time, which if you have two
of the same note in it, random other will maybe play the same note if because it's going to play a
different spot.
So they're pretty similar.
Let's just stick to random.
So you can hear it repeating now turn away as you read them on air, so it's always changing.
OK, we can apply a groove to get a little bit of a swing on it, let's do a swing 16, which we're
not really going to hear because we're only doing eighth notes.
So let's speed it up.
Rate is how fast it's going.
Right now.
It's on eighth notes, so I would see one eighth there.
Let's speed it up.
Sixteenth notes.
Now we'll hear the swing.
That's a little annoying.
So we turn that off, giving me a faster
go.
OK, that's the main part of arpeggiated.
That's like 90 percent of our perpetuator, the style and the rate.
OK, there are some other weird things you can do here, like transposition.
You can do some things to the velocity and you can set this really trigger to do some interesting things.
This has to do with when the pattern starts over.
So if you have the pattern to go up, it's going doo doo doo doo doo doo doo doo doo.
Then.
If it's set to beat on the on every beat, it's going to start the pattern over.
So.
It's always going to basically be going up.
Norgay's.
If you started to note on every note, it's going to start over.
Which in our case would be the start of every bar, right, because here's where we get a new note.
And we started to off it's going to go for the whole duration of the court, which is what it's doing
now, the gate sets the length of the notes.
So if you have sustained notes, you can kind of tighten them up at this speed.
We're not going to hear that.
But if we go down to maybe eighth notes.
Can make them shorter,
which can be valuable.
One thing I like to do with our PGA Tour is to do something like random other and then duplicate the
track.
And set that one to random other also.
Now you're getting two notes at once
and I'm getting some kind of bass tones in there from some of the lower notes.
So select one of these and move it up an octave.
Kind of cool sound.
Maybe I'll duplicate it a third time.
And take the arpeggiated off this one, so one time just playing the notes and then to arpeggiated
sit down,
kind of a cool effect.
So arpeggiated is really, really common to use just to give a chord.
Sunlife now, Arpeggiated is going to do very much on this melody.
Right, because there's only one note happening at once in this melody, nothing to arpeggiated.
So use it on chords.
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