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OK, let's start with probably the most widely used media fact, and that is an arpeggiated now arpeggiated
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you'll find arpeggiated is actually built into a lot of sense.
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But if it doesn't have one, if you're working with the Senate that doesn't have an arpeggiated built
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in, then here you go.
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This is your arpeggiated.
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So here's what it does.
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I'm going to go to this track that is just my chords and I'm going to solo it.
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I'm going to put it in arpeggiated on it.
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So you'll see that as predicted, it comes before the instrument.
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So we have Medidata coming in, MIDI data coming out, and then it gets converted.
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So an arpeggiated is going to take a chord progression and go and play it one note at a time.
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It's effectively going to do this.
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So here's our chords.
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Right, if I do this.
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And then this woops.
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So I take this and do this, it's going to duplicate this cord, you don't have to do this to use our
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president.
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We're just trying to show you what it's going to do now.
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It's going to play it one note at a time.
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It's basically going to do this.
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With our court, it's going to play it one note at a time, going up and then going back down, but
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we don't need to do anything to our medy, so let's undo all of that, because it's just going to do
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this for us.
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And we have a lot of control over how it does it.
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So it's going to take a chord progression and play it one note at a time going up.
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So now that we've put in our perpetuator on this track, it sounds like this,
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even though this is my many.
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OK, neat, but let's make it a little more interesting, let's look at our controls here, so style
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and our style here, it's going up.
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So it's trying to go all the way up, are it's going through each note we've given it and going up.
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We can change that and we can say go down.
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It can say go up and then down.
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Right.
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Or any of these other ones that you want to play around with?
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I like the random ones.
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Random just means random notes, random other means
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random.
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But don't repeat a note.
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And random once means, I believe, random, but only play each note one time, which if you have two
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of the same note in it, random other will maybe play the same note if because it's going to play a
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different spot.
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So they're pretty similar.
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Let's just stick to random.
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So you can hear it repeating now turn away as you read them on air, so it's always changing.
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OK, we can apply a groove to get a little bit of a swing on it, let's do a swing 16, which we're
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not really going to hear because we're only doing eighth notes.
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So let's speed it up.
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Rate is how fast it's going.
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Right now.
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It's on eighth notes, so I would see one eighth there.
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Let's speed it up.
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Sixteenth notes.
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Now we'll hear the swing.
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That's a little annoying.
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So we turn that off, giving me a faster
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go.
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OK, that's the main part of arpeggiated.
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That's like 90 percent of our perpetuator, the style and the rate.
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OK, there are some other weird things you can do here, like transposition.
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You can do some things to the velocity and you can set this really trigger to do some interesting things.
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This has to do with when the pattern starts over.
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So if you have the pattern to go up, it's going doo doo doo doo doo doo doo doo doo.
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Then.
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If it's set to beat on the on every beat, it's going to start the pattern over.
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So.
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It's always going to basically be going up.
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Norgay's.
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If you started to note on every note, it's going to start over.
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Which in our case would be the start of every bar, right, because here's where we get a new note.
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And we started to off it's going to go for the whole duration of the court, which is what it's doing
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now, the gate sets the length of the notes.
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So if you have sustained notes, you can kind of tighten them up at this speed.
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We're not going to hear that.
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But if we go down to maybe eighth notes.
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Can make them shorter,
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which can be valuable.
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One thing I like to do with our PGA Tour is to do something like random other and then duplicate the
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track.
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And set that one to random other also.
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Now you're getting two notes at once
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and I'm getting some kind of bass tones in there from some of the lower notes.
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So select one of these and move it up an octave.
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Kind of cool sound.
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Maybe I'll duplicate it a third time.
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And take the arpeggiated off this one, so one time just playing the notes and then to arpeggiated
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sit down,
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kind of a cool effect.
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So arpeggiated is really, really common to use just to give a chord.
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Sunlife now, Arpeggiated is going to do very much on this melody.
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Right, because there's only one note happening at once in this melody, nothing to arpeggiated.
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So use it on chords.
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