Original subtitles

No time for that special effect I was talking about.

Oh, I remember also also those who have a drug.

Drop effects, what this guy.

I think these two.

So let's listen to it and see.

I don't want to go into that.

So this is how.

So this we also have the same effects with the.

We deliver a car, so we go to deliver a car.

Remember, when you have cars with the SIM card or characteristics, instead of like going over it again,

you just see yourself time by copying it.

So I think this is it's, um, I think was the name of its giving name.

So the U.S. recipe lead.

Of course, he came before the sleepwalks leadership really works.

I should be dealing with NASA.

I don't want to get a shot of what you can do.

No, but I'll keep on trying not to.

I mean, if you notice, I didn't do much against aging in the mix.

Does.

Because while recording, I recorded with the compressor and I did also against aging while recording.

So that was kind of like a little bit a little bit premixed while recording.

So I recorded remix Debrett, the ESA to get all those noise on everything under control before mixing.

So that's typically higher record vocals in the studio.

So yeah, that's why it looks kind of perfect.

But in decompressive, when I open the conference, we can salvage what we need to compress.

Already like this we have against aging, but some others do have gained staging in them.

Let's see this house, some gains, about six DB has done so.

So boosting its shareholders up to 60.

You know, you don't cross zero and I reduce or you use your compressor or a gain again, plug in to

increase the overall loudness of it.

So, yeah.

So coming back to biffo at the drop down effects, there's special effects I want to add.

To get that done, we select our group trucks, our main lead, so control shifts, harmonies, then

our harmony group, our main.

I think the Harmony's Nazi Germany is not linked.

This is not links.

This is not linked because are not linked.

These are not linked.

But these are.

So from here to here, here, here, here, this guy, though, all the links to.

I'll just name it Fox Group.

Can see changed color, I don't know if the judge does that, so I'll change your color now.

See, maybe cul psychological standards on what I will do is this a nice of many nice plugins by the

special and I like adding.

Excuse me, um, he's by Wavves.

So consider shall we pick it out to see Vocale plugin?

It's actually more organized in Cuba than the NFL.

Let's see if we can find it here.

If she's not here.

Check the other.

Um.

Show plugins, I see.

Kate, I don't think it's here.

I don't think it's here.

So let's check.

We replaced seats which show to.

Also not here were places we show three Muslims and must visit in Cubase, so I'm not familiar with

its location in efforts to do here.

And I think Shell for.

Your show for.

Our feelings would be here.

Let's see.

Vocale.

We believe I totally forgot I forgot to plug in because, like, I don't always know where it is, you

know?

OK.

I see.

Six zero six six lucky number no show six is not a lucky number.

Show seven, show seven, the lucky number.

I think this one of the earlier.

Plugins, let's check Barcott show.

Three.

I see show three.

Um.

See, I can't believe I'm forgetting the name of this plug in pardon me for the time.

I'm trying to remember it myself as well.

Such an amazing plugin.

I think Neumi boccie vego so.

I see Butch Vig, Butch Vig.

A, b.

Butch.

I see.

All right, if he's not here, I'm going to ask about an easy way for snow here.

Yes, it's here, took us a while, we got it.

It's a very heavy plug in, so take some time to load.

Wow, I don't think.

I don't think he works with a studio.

OK, let me just reload this, I think this is.

I mean, looking back, I think it was in show three or four, was it shot three or four?

I think you should, Richelle, for.

Oh, he's not it's not even.

Coming up in.

I feel.

All right, it is not coming up, let me go for the alternative.

Which is also a good plug in, by the way, I prefer Butch Vig.

Be patient, this guy.

This is taking surprisingly too long.

All right, it's here.

So this is basically digital, so I typically come to voxels.

And I come to one vocables.

Listen to the one vocalisations.

I don't want to get into my shot, but you make it sound like a stunt, I go shooting.

I can do enough.

If he does whatever, I'll keep on trying to go

on I your show.

No, no, no.

Oh, no.

Oh, no, no.

I put my head on your shoulders to make my

face not.

So what is the worst kind of medieval cause, Bryton.

Create this character from shining Islamic.

You sound more fresh in recent times.

Sounds a little bit too sharp.

So I'll use an excuse here to just dance it a little to make it sound maybe round around there and openly

Vectron me, Shrock 300, which you guys this is an IQ, a compressor or Ossana, that IQ.

And this is also a kind of like saturated plug in.

You can increase the thickness, increase the shine.

So I just want to make sure the low end is not being robbed of.

I don't want them to I don't want this plug into robot is going great.

Does that's quite a lot.

So you respect what you do and I'm sure there's no cuts.

You and.

All right, Democrats in the.

So let's listen again, I sounds I don't want to launch what I see on TV trashing my shot, but you

make it sound like you're stuck with Senator McCain.

You know, if you don't drive, I'll keep on trying until I read your

on when I get your show.

Oh, no, no, no, no, no, no.

I put my head on your shoulders

to make my

mistakes that I don't want to lose what I see on TV trashing my shot of.

But you make it sound like a stock market thing.

You for carbuncles are lagging behind, so I'll boost it some more say sounds.

No, I don't want to do that.

I wasn't going to try to shoot my shot.

But you make it so your

when I get your show.

No, no, no, no, no, no, no.

I put my head on your shoulder to make my

motto and.

My motto, motto, good.

I don't I don't want to do that that's going to get into my shot, but you make it sound like I stop

when I go shoot, I'm doing all right.

I'll keep on trying not to go

on when I get.

Oh, no, no, no, no, no, no.

I put my head on your shoulder, you know, to make my

mistakes that I've got.

So I'm still concerned about the law and how on I think it is a piece of law and the harmony, so that's

open to it again.

And.

Take the street somewhere around here, this thing.

Drop this down here.

Set to sound fuller, you know, like when you sound Chinese and I may sound as if it's two lights on,

if it sounds a bit like make it sound more like let's see, more fuller.

Let's use that term for now.

So let's listen to the harmonies again.

I see.

No, no, no, no, no.

I don't want to look to.

I don't, but I'll keep on trying until I go

on when I get your job.

Oh, no, no, no, no, no, no.

I put my head on your shoulder.

To make it make sense not

to shoot the monkey, do not feed.

So let's appoint the lead vocal advocate sounding too harsh.

So let's take it down some more.

This is because why did the Vietnamese progressively you change the characteristics of the forecast,

so I don't mean to sound harsh.

I want to sound honest.

I don't I don't want to sound Dobos, you know, you just not sound harsh.

Let's listen again and see the stock market doing all right.

But I'll keep on trying not to

unwind.

Oh, no, no, no, no, no, no, no.

I put my head on your shoulders

to make.

Makes sense that I'm not sure I can do enough.

I don't want to go into that shot, but you make it sound like a stock market.

Now, that sounds just fine.

I had the same effect on the interview.

Also after that interview, I make sure it's right.

So just copy.

It is drop it down here some more or listen to the interview and make sure it's perfect.

Your new motto.

And no, I know my motto.

Motto.

I don't I don't want to lose what a second to get my shot, but you make it sound like I stop when I

go shoot, I'm lucky.

You know, if you don't drive, I'll keep on trying not to die when you go

on with your life.

Oh, no, no, no, no, no, no.

I put my head on your shoulder.

I don't want to make my

mistakes not got.

All right, so I think that sounds good.

Overall, I think that sounds good.

So let's get that effect that the artist wanted, which is the drop down effect.

So that's.

Motto.

I don't want to lose, but I don't want to lose.

So I think it would be ideal for the beach instead of the Vocale, that is have different thoughts later

on when I send it to him, but I think for the beach, we better make things not

too much.

Don't I don't want to not

make things not.

So Oletta is grosbeaks.

Grosbeaks is the easiest way to do to get it done in a studio, so get Grosbeaks right, click on preset

timetable lists, deck of.

Mrs..

So to get Adonal figures, automation rights click, create automation, realize there's this year inside,

automation doesn't spread automatically, just has this year and this year secon.

Easily control the automation.

So.

Justs.

Time each year, right, click here again to you have to get our breaking points I like it's easier

to.

Control.

I think it's four I think four bars or eight bars.

So I'm I think is for four beats or eight beats.

So.

They sounds MySpace, Facebook, MySpace.

No, I don't want to lose weight.

I don't I don't want to lose.

Don't I don't want to lose weight.

I don't want him, I don't know.

I don't know.

I don't I don't want to lose weight.

I've got to get it right.

So I think.

The forecast, too, will need defects.

So let's see if I can copy the Crosby's effects plugin.

Oh, yes, you can copy the fake plugin, so I think that really works.

Sorry about that.

That is not going to matter a lot.

I don't want to rush to.

OK, OK, does this recall the weight vocal opponent of the Mixu?

There, this vehicle here.

Comes across beats.

This guy here.

And.

Yeah, so let's see how they sound together.

I don't I don't want to rush into.

All right, so let's pitch it down and see you down.

Animoto.

I don't I don't want to know.

I'm going to let it go.

I don't want to go into.

So I don't want to lose.

So I don't want to lose that guarantee that I don't want to lose that.

I don't want to lose much time, but I don't want to lose to.

So I think to get out perfect, I mean, and I need to chop up this clip a little.

To get you sounding right, it's almost there.

I don't think he's there yet, so take this as.

So I think for the sake of progression, so just a similar point, I don't I don't want to lose.

I wasn't going to get in front my shot.

I don't I don't want to lose what I see going to.

Yeah, I think that's fine.

I think that's fine.

So but that's just me have an idea, but I wouldn't be too far from this.

Should be far from this.

Well, I think that's fine.

Look to.

I don't I don't want to lose that I'm going to try shoot my shot, but you make it sound like when I

go shoot them, I can do no damage.

But I'll keep on trying.

I will go

on.

What can I get you like?

Oh, no, no, no, no, no, no.

I put my head on your shoulder

to make my

mistakes that I've got.

And of course, time to put my signature tag.

And we'll be done.

You'd be surprised that I actually lost my own tags, also get my tags from beads that are made.

So just take this out here, take this out here.

So let's listen in on see, it makes sense that a lot of

reading.

It makes sense that I've got gonna

be

all right, that's fine, really loud.

That's fine.

That's good.

So, yeah, that's pretty much how to get your vocals mixed.

So, of course, when you maybe come back to check it out tomorrow.

I thought it would be different with the changes you make wouldn't be far off.

And it wouldn't be far off and this is a great start to any mix, really, so even if you make it change,

even if you make a change to more or some other time, you're going to project against just maybe something

slight, not insignificant, just a slight change, maybe to add or reduce a little bit of reverb by

less than five to 10 percent or to add or remove a simple vocal, just an I'm.

It won't be anything much longer to change anything here just to be released.

So it really is almost unnoticeable by the average listener.

So, yeah, so that's pretty much how to get it done.

And I hope this helps you in making better mixing decisions somehow a process.

I didn't hide anything.

Everything I showed you, everything and everything else makes life was not like I didn't cut the video

stop anyway.

It was all done.

So you got to see my mistakes, my bloopers, if there are any is there any bloopers?

So this has been done live.

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