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Hi, I'm Sara Classy, and I want to show you how I'm going to mix this song from start to finish.
I've not said the tempo of N renamed the songs.
So this is a free tutorial.
If you are watching it on YouTube, me on YouTube, this is completely free and I want to show you my
process from start to finish.
I want to show you how I renamed the tracks appropriately because as you can see, I know we're named
some of it seemed to well name, but out of it I just like copy or do you copy audio like one named.
And I want to show you how I do the problem linking to the mics are processing and possibly the mushroom
stage.
If we have to set examples, I show you how I find it.
Ten point felsted you and how my effect on how and how to get the whole thing done.
So let's get started shall we.
So part of me.
So this will be largely unedited, but at the same time it's packed with quality.
So please pardon some of my bloopers that we're going to have, if any at all.
So let's get started.
So listen to the song on the outside sounds, then we talk about it.
Let's listen.
Your new motto is no longer my motto.
I don't know, I don't I don't want to.
I'm not going to with my shot, but you make it.
So I doing you know, I'll keep on driving until I die.
And when I got you.
Oh, no, no, no, no, no, no.
Oh, my God.
Your shoulder is going to make
mistakes that I've got.
All right, so that's pretty much the song is just a one minute cover, the original song was by Elex.
It's an Afro Beat, Artists Lose My Mind and the name of the song.
So this song was covered by an artist called Hakimullah, an amazing artist, by the way.
And The Beatles are produced by an amazing producer as well, by Makes Sense.
Now, the Beatles is on mixed, obviously.
So this is a very common scenario.
We get to try mixing engineer and artist brings in a beats.
That is, maybe they buy it online or from a producer, doesn't know how to mix properly and they have
to mix the vocals on it to sound great songs to show you.
This starts to end process.
Completely raw, completely unrefined, just raw process marro process on how to get this done.
So let's start with finding the tempo before we link you to the mix, before we will rename it accordingly.
So what typically do is I simply double click the.
The beats are right, click the text ampoule.
Let's try 75 to 150.
So it's about one eight BPM, so we listen to it, if it matches the matches, then we'll stick with
it.
So turn on the metronome and listen.
I might go look
for my shot, but you make it seem like you're.
All right, that sounds perfect if it's you know, when you play the metronome here in the beginning,
somewhere in the middle to make sure it stays the same.
So it's the same.
There are many ways to find tempo by doing so because we use the top method one really good.
With that, I'll stick with this.
The method I just showed you, if that works, fine.
If it doesn't work, I play around with it a little bit unless I also use the top the top keys where
I really do use it, because this is most times correct.
All right.
So far it's impossible.
One or eight point two, two point zero to two BPM.
All right.
That's fine.
So.
Less nameless, probably in the mix.
This is the beats our enemies to.
Beats.
And from, I think their names, her lead vox.
So OK, so last name is let's stick with
real world style, so lead vox.
They're, um.
In true.
So, yes, writes Cleek intro rename.
So you're pretty well named ultraliberal.
I think this this seems more pleasing, like it's easier to navigate the way through many punch, I
think, mean punch.
All right, main point, what else, what else, what else?
Drop affects the artist, and my dad is telling me that he won't get like a drop down effects there.
So put on your vocal on only beats or whatever.
Sounds nice.
So this is just kind of like a reminder to get that done.
Drug effects we've done all the way here.
Mean punch.
I think we've done mean punch.
Think don't mean punch.
Yes, we have.
So I think secondary punch is next.
I want days on any secondary, but it is what it needs punch.
All right, I think.
I think it's on a secondary point.
So just name point to secondary points to.
All right, um, Harmony's.
Your name, its I'm only one hour and one.
This will be our M-2.
And.
Is that accurate?
Well, no, that's not accurate.
It's my bad.
Message are one.
This would be Hajari to all these members are here.
Ah, and one day.
They're.
So.
All right, I think the harmonies are linked already.
One, two, three.
Yeah, I think they are linked already, so I think I can take this off.
Think there are links already?
This week, your control shift.
You can set up multiple clips on the mixer, on multiple channels, on the mix.
Rather, they are just going to reset, select their tracks to defaults.
Yes, so we don't need those here, so yeah, so this will be working out mostly.
So what we do is we start with the lead vocalist who selects a region.
Let's see here for the lead vocal, then come here.
I mean, maximize this and make these really big.
Which I think which means bigger.
I think this is as big as he's going gets.
I don't like this view.
Well, let's let's work with it like this and see how far we can go with this view so we to salute on
the orders of Tom this of.
It's only paunches the intraday drop affects just the beats on the lead vocalist here.
So let's listen.
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