All language subtitles for 1. MIXING LEAD VOCALS

Why should you make it sound like a stock market?

And you know what, I'll keep on drawing until I win.

The focus now for the legal council start with the EQM.

And then we try and take our Genizah Frequency's.

I'm going to try my shot, but you make it sound like started working, you know, feed off each other,

I'll keep on trying until I win your S.A.T., shoot my shot.

But you make it so I do are stunt when I go shoot my game.

You know, if you dodge forever, I'll keep on trying until I win your S.A.T., shoot my shot.

But you make it so that you are stunned when I go shoot my and you know, if you dodge forever, I'll

keep on trying until I win your S.A.T. shoot my shot.

But you make it so that you are stunned when I go shoot the mark and you know, if you dodge ever.

So why do this, because I just sweep across the low frequency band A to somewhere around here to check

out the low end and the rumbling in the low end, then I did this, too, because the Nesar frequencies

and also it sounded a bit rather sharp.

So this is just a door to door, literally to the.

That's why here primarily with the echo.

So now are a compressor.

Our business stock plugins for the basic things like IQ compression and reverb and delay.

So let's try some comprehensive plan to try from our own, let's see, minus 20 something to keep my

talkfests and keep my release fairly, fairly low, 400 milliseconds in Afghanistan, of course, Marisha,

like our own four point five to five.

Let's try 4.5 hour and 45 and see let's listen, I say sounds.

I C.A.T. shot my shot, but you make it, so do I stand when I go shoot, I can do it all figured out

for you.

You can hear the sounds of UNCOMPRESS, so I think that's too much.

So reduce the threshold.

Let's listen again.

As a young guy, I did try to shoot my shot, but you make it so hard, you are stunned where I go shoot

my gun, you know, feed us for ever.

I'll keep on trying until I win it.

All right.

That sounds fine.

That sounds more natural.

Let me take you around.

Three milliseconds gets three milliseconds as they attack.

So you make it sound more natural, correct?

This is fine.

This is fine.

Also not have full length courses that explain these things in detail on Udemy so you can check the

link if only watching this on YouTube.

Check the link in the description below for links to the courses to explain these things in detail.

And also, if you can just check my instructor page and see my list of courses that teach mixing, mastering,

how to make beats everything in great detail so you can learn a lot.

But this is just kind of like to show you my process is a free cost to show you how my process, how

I get things done.

So it is compressed.

So it's nice, it's intense already.

So let's do some leveling with the lead vocal.

How are things like delay if need be reverb and order, special effects, maybe saturation as well?

As a young Gilardi treasured mailshot, what you make, it can't stop working.

You know what?

I'll keep on trying until I got my shot, but you make it sound like a stock when I go shoot the market

and, you know, I'll keep on trying until I'm.

All right, so they've been trying to delay and see if it's going to be nice or try a ping pong delay

because of the way it bounces, hence the name ping pong.

So I'll try.

Sorry, after said the offsets, I also said let's all try to milliseconds and reduce the amount of

the delay of sound effects and reduce the feedback volume and of course, the costs.

So let's listen.

I'm sorry.

Sounds.

Nishat.

You might not, but you make it sound like a stock market.

You know, I'll keep on trying until I got my shot, but you make it sound like a stock market.

And you know what?

I'll keep on trying until I got my shot.

But you make it sound like a stock where I go shoot the market and, you know.

All right, that sounds nice.

I love the way bouncy sound is just kind of like in the background.

Let me take a bit of let's say listen to its.

As a Yankee, I did try to shoot my shot, but you make it so hard, you are stunned.

When I go shoot my game, you know, feed us five, I'll keep on trying until I win.

So, yeah, the feedback is not much on the delay effect.

Also, he's not of yours is just in the background, adding some bounce to difficulty beats.

Why, but you make it sound like a stock market.

And you know what, I'll keep on trying until I win your.

So we add auto tune.

So do I typically you get the key for the assignment was to get the key, for example, that you can

try the trial by clicking different zones, you see, which works by one up on my phone, I think is

available for Android.

Also is called called I.

She listens to a song and tells you the key of the song.

So let me just grab my phone.

So the ABS just listing Iveta trillion, that's on my YouTube channel.

So the average listens to his Cordia listens to the beats and he tells you the key and even the chord

progression.

So I'm all for listening to it right now while he tells me the key of the song.

Trisha.

All right, so let's see, the key is saying, if Lotte's.

So I think he's saying the case is flat, so let's see, autotuning, if that's correct.

Selects E flat major.

So take the resumes, be first from his hands if he's accurate.

I did shot, but you make it sound like when I go shoot the logging, you know, I'll keep on trying

until I win your second shot, but you make it sound like a stop when I go shoot John McCain, you know,

but I'll keep on trying until I get it right, my shot.

But you make it sound like John McCain.

You know, I'll keep on trying until.

All right, that sounds correct, that sounds correct.

So I was supposed to have the opportunity first, my signature in second rule is over here, my signature.

And also to you first, the Vatican press compressor circle by the ECU for the back on Présidente DeLay.

So the reason why I've met with you first is I don't want to confuse maybe the delay or driver coming

in for other tunes or notes.

So I want you to have the whole process vocal as 029 coming into the auto tune so it transcends the

processed pitch corrected vocals to the rest of the chain.

So that's why I have it there.

So next, I can add maybe a delay, also a reverb, it's a reverb.

No, I will not add reverb yet.

Less CD tracks if there are other things that OK, this is only lead vocal here, so I can't hear reverb

on it directly.

So I the reverb here.

Reverb reverb reverberates my reverb.

OK, yes, my reverb here, Adelita Rivera on High Sounds.

And I'm going to, of course, my local since this is a local truck.

I my local Moluccas saw working from our of our heads on up to Leslie, we thought, let's see, for

cooler heads are in fact, let's make the room size really wide.

Of course, I want to say that the river doesn't wash the vocals up completely once the song focuses

on the role of front and half the reverb to the lane a little while just listening.

But it's just like my my common settings.

I have the capability to balance it one point five seconds around to take all the bars and the bars

take it out.

And yeah, so listen, I see you are using words about 30 percent.

Let's listen.

I say sounds.

You might not, but you make it sound like a stock market, and, you know, if you keep on trying to,

I will get one shot.

But you make it sound like a stock market.

And, you know, if you keep on trying to win your.

All right, that sounds really nice.

I like that, I like that, I just I just added to the wetness by about five percent to about the three.

About a three percent.

Pardon me.

Yeah.

So now this is very dependent vocal texture, the artist and the style of music.

Most commonly this is the settings I use for most vocal Charline, a singer in Afrobeat, many different

artists from that type of sound or the style of music.

But this is my go to settings and it's hard to keep seats up front but doesn't wash it to make it sound

too thin or to give you too much ambience just upfront and sweet at the same time.

So that's typically why I go for when mixing my lead vocals reverb.

So most times add a saturation plug into my vocals, make it popular right now and do the added special

effects later to my entire vocal chain.

So I'm going to leave that role for now.

So let's go to the back of the main punch.

Which I think is most will for the harmonies, so I listen to that and say, sounds like a lot of what

you make it sound like I when I can do for you, but I'll keep on trying until I going to let try to

touch your.

All right, so that's how it sounds, what we do is we do it again, staging a Q compression party,

what to punish how slightly to the right not to far less than 20 percent of the rights.

No ad Equiano, Arcudi, ParkerVision, follow the lead vocal.

We just do the sweep across Seismo Side National collide with the main vehicle.

How do you sound like he's complimenting you.

So fighting each other a little bit of a shine to each.

Of course, a compressor to tame its.

Malcolm Fraser, dynamic's.

All right, so.

Somewhere around, he'll be fine since the bulk of Wilkow.

The issue around for.

Voice Fine, we can have release around 400 as well.

So let's listen, let's take down the talk to you about Leslie five milliseconds.

Yeah, it sounds I don't know what else to do until my shot, but you make it sound like I'm sure I

can, you know, if you.

But I'll keep on trying until I get in touch with my shot.

But you make it sound like I'm not sure I can do it, but I'll keep on trying until I will shoot my

shot.

But you make it sound like I'm going to shoot my shot.

But you make it sound like I stop when I go shoot.

I can do enough to shoot my shot.

But you make it sound like I start shooting.

All right, that's fine.

You know, because it's the backup vocals, there's not a lot of lead vocal.

So you should how to really go further down its route for a lead vocal.

So we had about twenty four shows who take all the way down to about negative forty.

That's minus 40.

So I can really go down there and work on it, you know, cause the backup is not as loud as the lead

vocal.

I know.

So I just had the game to compensate for the loss of loudness.

Just add about six DB because you really took a chunk out of it cause those high dynamic range between

the loudest and most quiet parts.

There was significant difference there.

So we had to take threshold for that down to clamp down and of course, compensate for that loss of

loudness we just gain here.

So let's move on.

Listen again and see if we need to add maybe a reverb or, yeah, we need to tune, keep forgetting

about the auto tune.

Well, I don't forget it has to always come first to my signal chamber.

I'm always so eager to get the compress on AQ done.

So I have a full tutorial on my age.

You shall know how to use the auto tune plugin.

Also explained my vocal mixing cause I explained in Foody to Salties auto tune.

So I think the key was E flat major.

So take this all the way down here and listen.

A young man shot, but you make it sound like a stock market, you know, I'll keep on trying until

I will get my shot, but you make it sound like a stock when I go shoot the market.

All right, so now I not developed for the Berkovic, I'll be more more noticeable with no bias Kudo's

relaxed as lead vocal.

So I did a lot of reverb on.

Yeah.

Of course, the higher costs would be less, about five kilohertz, what about Krsek shots?

We take out the bars always the bars always increase.

The size won't touch the delay once delayed.

So we don't want you to come and attack it at once.

We don't want to delay the reverby facts.

So let's, let's boost its about 60 say it sounds also increase the kids about 2.5.

How it sounds.

Lady was shot, I've got you make it sound like a stock market, you know, if you keep on trying until

I got my shot.

But you make it sound like a stock where you're going to get a shot, but you make it sound like a stock

where I can do no wrong.

But I'll keep on trying until I got my shot.

But you make it sound like a stock market.

You know, I'll keep on trying until I read your.

All right, that sounds fine for now.

You can always come back to the things as time goes on, but for now, that sounds fine for the back

of car.

So.

I think it's the secondary punch.

OK, I don't think there's any information.

Let's see if there's any more information.

All right, to me, secondary point and the secondary point here, but it came in the harmony, so coming

that is once we get the harmony sorted out.

So see the intro?

All right, that's how the interview sounds like.

I knew my daughter in law, mother in law, I don't I don't know, I don't know.

I don't Mrs..

All right, so the lead vocal, sorry to interest, seems.

Character with delivered.

So we just copy the effects that we had in the lead.

Vocale by simply doing this, come to file.

Come to save me sidetracks, to hold down your left click drug use to interview.

I just frenemies to ensure.

I don't know why raising the drug war true.

So let's listen to what I say.

Sounds good.

Your new motto and motto, no new motto.

So we need to increase the reversibility since the intro, we need a little bit of reverb, let's see,

about 45, 50 somewhere on their there and a new motto, in my opinion and my motto, ever new motto

in my town near my door and my my my daughter and my daughter in law, in my opinion and my motto,

too much to my daughter in law, my dog.

All right, so the idea was an increase, the high costs to get more of that up to about five point

six kilohertz to get more of that high shinton out of reach and increase the wetness and increase the

decay to about two point three seconds on your witnesses, around 50 percent to get more of it out.

I also sprayed the river to get more interest, you feel your spirits that lead to CIA sons and my daughter

in law and my daughter in law.

Yeah, so that made it sound more spreadable, just a little bit more Gladio to more just to cement

your website a little bit heavier, like full of the ambiance, make it feel like more fun ambient sound

just a little in the high end region.

So that's not necessary for the shelf just getting started.

But sometimes I decided for backups on harmonies when I got Malonis into a single channel putting the

reverb out.

So I think for now the intro is set.

We can always come back if we go far, conceivably megaphone and mix and come back.

And I'm like, this is not sitting properly.

So for now is fine.

All right, so.

Let's see the sound here, since we have the interview, so so-called secondary points.

Now let's listen in and say sounds.