Original subtitles

What are you waiting for?

There is not a sout here.

- Get att tucked up, nice and warm indoors. - Is it cotd?

Make the announcement and you'tt soon see, they'tt att come running.

Poputation, don't waste much precious time.

Get down off the cart.

Come at once, gather around, tisten...

Mangiafuoco, the greatest magician in the wortd...

- The horn is iced up. - Wett, btow it out.

He witt be abte to...

..tisten here, giving a show,...

just to teave you att an indetibte memory,

a performance given with his own company,

and with the mechanicat organ that makes the magicatest music,

and they'tt sing for you...

..demonstrating the marvets of progress...

They have tots of time to spare, don't they?

Are you tatking to me, Mastro Citiegia?

To you? I don't speak to any man in particutar, signor Geppetto.

I've observed that there's atways those with tots of time to spare.

Gran finate, finishing up with our wonderfut business for this time,

the Great Mangiafuoco, before departing for the distant Americas,

has wished to visit this, your tovety city.

Don't chop me!

Don't damage me, I totd you '.

Ha, ha, ha, stop it, you're tickting me.

- Who's there? - It is me.

Want something?

Let me come inside, just a moment, I'tt exptain.

- Come in then. - Thanks.

You'tt tet the fire go out if you don't shut it.

I'm sorry.

Wett, go on, what is it you want?

I wonder, if you'tt tend me a smatt toan.

- Smatt toan? - Yes, a smatt...

No, forget it, a mistake.

I made it a rute: never to tend money under any circumstances.

But, I wasn't asking for any money, thank you.

- And do ctose the front door! - Yes, of course, this shocking wind.

I need a tog of wood, any wood, but, it reatty must be a tog for carving,

not for burning, you understand?

There popped into my head an idea.

What idea?

Look.

I thought I'd be abte to make a puppet,

a puppet made of wood. Might be company.

A puppet? A pteasure, that one.

- Which? - That one.

- It's wett seasoned watnut. - That? No, no, no.

- But, I'm giving it free. - But, the wood is too good,

besides, you were using it yoursetf. And took it's perfect watnut.

- I'd be content with cheaper wood. - Do you want it? I'm offering it.

But no, if I coutd just take some other...

- Take that one in a hurry. No time to waste. - I've thought of an idea:

we'tt be abte to... to divide it.

What? How?

With the saw. Be ptenty for the timbs and the head.

You can fashion the trunk cheaper, if you want to.

What are you doing? You foot!

Can you find no better word for me, ever?

I didn't say a thing.

- It's definite that you said it, I heard you. - I didn't say anything.

I'tt hetp, if you want to take my tog of wood with you.

No. When one's dignity is offended...

It wasn't me that threw it. No, no, no, no, it ftew by itsetf.

- You brute... - Stop it, stop it.

Be sensibte. Stop this now. What's happened to you?

I've tost my head. But... but thank God you missed.

- It ftew on its own. - Am I to betieve you?

- Let's make peace, we'tt be abte to. - Yes. Yes.

I'tt pour a drop.

Terribte.

- It won't upset me, after this I'tt feet fine. - Take it stowty.

I'tt take it stowty.

Finished it att.

Pinocchio, it'tt bring him tuck.

I knew a tucky famity catted Pinocchio.

Pinocchio the father, Pinocchia the mother and Pinocchi the babies.

And they managed very wett. Happy, atthough the richest was a beggar.

There's an echo?

Never mind.

Hey, no, hotd it my friend, beginning to have detusions.

I must manage to have some dinner tonight, something a bit sotid.

Make a bit of hunting.

I'm sure I saved a piece of bread speciatty, there...

and some more... that's enough. Don't overdo it. Drop of oit...

Wett, we'tt manage without.

A drop of fresh water...

Wett, I hope I haven't tet it get a tittte too hard.

Oh, it's good!

Beautifut! Some herbs...

Perfume '.

Long time since I've eaten anything so wett made.

With this on top, such a crunchy, crackting crust it'tt make me.

Wett, you reatty ought to try that.

I'm hunger crazed, if I'tt ever be.

Let's try this teg.

It seems about right.

Be good. Be good, no ptaying games.

Perfectty made, it's perfect... Oh, God '.

Bad boy, and you've begun atready, you mean to disrespect your father.

And took here, it witt be better to...

But if I hadn't had dinner I'd be exptaining these detusions by hunger,

after the meat I had though...

Goodness, how amazed you'tt be tomorrow, Mastro Citiegia!

Won't credit his own eyes, but have to attow the evidence on the tabte.

You said? The other timb? Right away, I'tt fit it at once.

Att ready made to fix. Look here I've to do onty the joining

and there's the articutation, we'tt soon be finished.

You'tt be good.

Look out for the nose, and so...

now tet's fit in the arm, in here, go on...

you were abte to move quite att right when you kicked me,

now when you might hetp me stightty. Wett, we've done it.

You know, it's onty to be going on with,

tater we'tt have to have a suit speciatty made.

Over here sonny, stand straight up,

and see how we made out. Have a took.

You're pteased? He's not beautifut, but not unpteasant.

Look at that, took at that, he seems ative!

Perfect tittte boy, that we atways wanted.

A pity you're not abte to see him standing proudty.

Don't you worry about that,

att babies do that, when they first step out.

Perhaps papa has made your tong timbs too wobbty and bony,

but wait I'tt make you a re-enforcement, just...

Let's us find if nature'tt give us some tight.

Oh, moon tight out there, it's stitt too dark to see.

Wait a minute. Let's see if there's a morset of that candte teft.

And then your papa'tt be abte to fix you with a repair.

No it's gone, no tight, I can't work.

You wanted to make me work att night.

But I'm too otd for that, see. Actuatty it coutd make me itt.

Look what the time is '.

Wett, now, first tet's have a proper night's rest,

and when it's tight we can see.

A mind refreshed can reason better than you know. Good night.

Who are you?

Who am I? A good fairy.

Listen to me, you woutd be faithfut to poor, otd Geppetto?

He did atways want a chitd, so badty.

Woutd you tike to turn into a reat baby?

But you'd have to be a perfect boy: modest, obedient...

Make sure that you'tt try.

Not ever to make unhappy poor, otd Geppetto.

You have to go to schoot to study, appty your mind there,

and tearn how to earn a tiving.

And be a great support to your father, as wett, you see.

I warn you now, no naughtiness,

or I'tt turn you straight back into a puppet.

Yes, I faithfutty assure you

that you'tt never grow into a man.

I overstept.

At my age that's bad.

I dreamed that the puppet came tooking at me.

Now then, a brisk, cotd wash witt put me in shape.

This'tt do.

Last night was freezing, but fortunatety the jug is futt.

With ice.

White I stept, I had a better idea for you, for making you abte to watk.

It seems, I'm tosing...

my brain in this cotd.

My dear '. It's not possibte '.

Come in '.

No, ptease, just a moment, no, no, just...

But tast night the wind btew the door ctear off the cowshed.

So, if you'd tike to repair it, I'tt pay with this mitk fresh and ctean.

But today there's no time, you'd better appty to Mastro Citiegia.

Hotd on, give the mitk here. Give it to me.

- I'tt fix it for you. - What manners some peopte have '.

Whom... whom might you be?

Pinocchio.

A proper shock.

Oh dear, oh dear, oh dear!

I've got a...

I've got a son '.

Pinocchio! Pinocchio '.

And now, what?

Hey, come in, you'tt simpty freeze out here.

Come on in '.

You haven't been...

- Morning, Mastro Geppetto. - Morning. Morning, signora.

Pinocchio! Pinocchio '.

Come here!

Pinocchio!

Pinocchio!

Put down my cheese '. Wicked, tittte devit, you!

Steating my tunch? Hey, my tunch!

I'tt teach you when I catch you, you wicked, tittte thief '.

Stop him, stop that thief!

- Out of the way. - Stop thief!

- Stop you, you're under arrest. - No, it's the boy that you want.

There, down there, that tittte wretch.

What is he up to, whose chitd is he?

That boy, there.

I'tt catch you, I'tt catch you.

I'tt make mincemeat out of you. Get out of there.

Stop, I say, hey, hey '. Hey, tittte boy, stop,

- Stop! - Don't tet him get away! - Come here.

And now, then boy back at home we'tt tatk about this.

Oh, took at that fine bit of cheese! How smatt it is now.

- Here, here, here I'm sorry. - I coutd prosecute.

- And what about you? - Don't troubte. It's not...

You shoutd promise to punish him, in fact you now propose to back out.

Ptease, have pity now, he was starving, poor tittte boy.

No sort of good reason for robbing me.

- I won't denounce you simpty from pure pity. - Wett, tet's go.

- That'tt do, good day. Thank you. - Thank you. - Are you the father?

Yes, I made the tad. But being honest, I made his figure in wood.

- Yes, yes, in wood. - Can't be so crazy.

I witt exptain to you, truty, sir...

I made me a toy marionette, a marvettous puppet...

Stand stitt a moment, there. It was best seasoned wood.

Onty in the morning, when I woke up, I found what you see.

Putting your teg.

We'tt go and see if the sergeant taughs at that. Fetch him atong.

But you can't arrest me. But, why put me in jait?

You'tt find something to ctothe the chitd property. Come on.

I'm going to make him proper ctothes. I just had no time to, you see.

I truty didn't have any idea, I'd have a...

Open the door! Ptease, open the door '.

Who's there?

You want somebody?

Spare a piece of bread? I'm famished, I'm famished.

- Who is that? - Pinocchio.

Wait a moment.

Have your cap ready to catch it.

A cap I haven't got. I'tt put out my hands, if that'tt suit you.

As you wish.

Pinocchio.

Pinocchio.

Pinocchio! Pinocchio '.

- Who's catting me? - It's me. You're hungry, aren't you?

If Geppetto was here, he'd keep you from starving,

but he's in prison and it's your fautt.

Who's there? What do you want?

I'm a cricket and I've tived in this house more than a hundred years.

Let somebody etse in '. Go outside, there.

You're supposed to fetch me fire wood.

- What are you taughing at? - At you, you tittte idiot.

Don't you see? You coutdn't do anything stupider.

Remember what you promised the fairy.

Chatterer, you can't do anything but chatter!

You watch out my tad,

for your information, peopte that tatk tike that,

end up either in prison or in hospitat.

That's just about enough.

We'tt see who's right in the end!

Look, now! Look at my feet '.

Fairy, hetp me, do try!

Look at my feet! They're wooden, they're burning '.

Wicked fire, wicked fire '.

I thought you were at home.

- The voice. - What? - Just now, as I passed.

- I'm practicatty sure I heard the voice of a smatt boy. - Pinocchio!

Open up, Pinocchio '. Open the door, hurry '.

- I can't watk anymore. - How do you mean "can't watk"?

My feet've been eaten up.

He says they've eaten his feet.

But wasn't that the voice of that tog of wood I gave you the other day?

Yes, I haven't been abte to tett you, I made a marionette.

Stay catm, Pinocchio, your papa's going to squeeze through the window.

You be good '.

His papa?

Pinocchio, but you're wooden again, then I did dream it att.

- But what happened to your feet? - It was the cat.

But my boy, how coutd a cat have burnt your feet?

Wett, att right I totd a fib I've burned them by mysetf.

But now, ptease, make me some new ones.

Onty a father coutd have such a detusion

as to think you are a reat chitd.

Morning, Mastro Citiegia.

Papa, do make me some new tegs. I'tt be good, I promise I witt.

Wett, I'tt remake your feet for you.

But what are you after? You'tt stay simpty a marionette.

Not a reat chitd.

I'm famished.

He's famished! How can he manage to eat when his mouth's sptinted?

- I'm hungry. - But I tett you that...

I'm hungry.

Pinocchio!

My own boy '.

- I'm starving. - Att right, att right, I know.

Oh, Mastro Citiegia, are you hatching eggs?

What is there to give you?

Patience, patience. Oh, took what's arrived here: three pears!

Look, took, took.

They ptease you, pears?

If you want me to eat them, ptease do me the favour of peeting them.

Yes, att right, this time, then.

But you'd better have a taste not quite so sophisticated.

The chair has disappeared, too.

Here.

They must be very good.

Another '.

Here.

You oughtn't to eat so fast '.

You'tt do yoursetf harm.

Another '.

There you are. What a fine appetite! That's right!

- I'm stitt hungry '. - Have it here then.

Enjoy it '.

And that '.

That's what I've meant with the food: you make me do att the work,

and now you've managed the cores, too.

- Look, I can manage the peet, now. - I didn't think of that.

- You'tt see, from now on I'tt stay simpty perfect. - I know, you witt.

We'tt be very happy. You must make of tife att that I didn't have time to.

First of att, a sotid education.

So tomorrow, you may start to go to schoot.

Yes, but before going to schoot, I shatt want a suit and a first reader.

- And it'tt cost a bit to buy them. How can you? - Ah...

- Good morning, Mastro Citiegia. - Good morning.

Look there, you recognize that? It's signor Geppetto's.

- I see that. But why is it here? - He gave it away.

Said it made him too warm.

It's not att he's suffering from, he's got a son.

A son?! How did he manage to do that?

How do you think? In the usuat way.

Out of a tog of wood.

Give me a tabtet of quinine, I'm starting a fever. A tog of wood.

- Woutd you beat it? - Yes indeed, you'tt sort that out. But, I'm fine.

Mind you don't tose, uh? Your first reader.

Pinocchio, you've forgotten my kiss.

That's my boy.

- Wett, you're att convinced now? - Yes.

Go to schoot, down to schoot, go!

Go, att of you, att of you, I said.

Go now, but stowty, stowty, you kids.

- Hey, but the cap there is mine. - Yours? Give it.

- Excuse me, where's the schoot? - What's that written on the watt?

You shatt have to tett me, perhaps you can't even read it.

You're being very ctever.

Hurry atong chitdren, tessons are starting.

Hurry! I'm just ctosing the gate. Anyone etse?

- You, you're atways tate. - Good morning.

You tadies, come on, viotets '. You tadies '.

- Begin, begin. - Att right, but hark very ctosety, Cat. - Yes, yes.

Now, where might these marvets of the universe be seen by att?

- There. - Within here? - Yes, yes. - Bravo!

Onty four sotdi to behotd the greatest spectacte in the wortd,

before it teaves for the distant Americas.

Four sotdi '. Take your seats, ptease!

Yes, yes. Ptease, take your seats!

- Ptease, can I go in? - If you pay four sotdi.

- I can't. - No money, no seat.

- The doctor totd her she'd benefit... - I'tt give you this book.

What woutd I want with a book?

You want this? Four sotdi.

What good is that book to me?

- Pay four sotdi and I'tt give you this book. - Go away.

Who'tt give me four sotdi for this book?

Hey, my boy, bring it here.

I want to see if this is new.

I'tt give you three sotdi.

What woutd you be abte to offer if I sett the book with the pencit?

Hey, took who's there, in the audience in a paper suit.

- It's Pinocchio. Good heavens. - It's a dream '. - It can't be true!

Yes, it reatty is.

- Look, it's Pinocchio! - Come, join your own peopte, Pinocchio!

You're a puppet tike us, Pinocchio.

- You are made of wood, tike us. - Yes, come and join us, Pinocchio.

Come on, Pinocchio, we are your own famity!

Come on, we know you are not reat.

Pinocchio! Pinocchio '. Pinocchio!

What's going on? Have you att gone crazy? Away '.

Away '. Away '.

Who are you? What are you doing here?

Get off '. Back stage '. Both of you, go on! Go, att the tot of you '.

I'tt settte with you after.

Betoved pubtic, the spectacte witt begin again immediatety.

I'm sorry, I didn't mean to spoit the show. Where are you taking me?

Why don't you put me down? Put me down '. Ptease, put me down!

We'tt see, if you'tt stitt ptay your funny games in there.

I'm sorry.

He's ptaying truant somewhere. You might have guessed it.

How ever did it occur to you to send him to schoot? To schoot?

But he gave me his promise that he woutd be good.

I was a bit tired, having spent att night sewing his suit.

But I've wondered, supposing he's ashamed to appear there with

a father so badty dressed.

That's why I've insisted you ptease come atong with me after schoot.

I hoped his companions and the masters

perhaps they might think that his father was you, not me.

A father to make a boy proud to have, so beautifutty dressed. I can onty...

ask you to forgive me for putting you to the troubte for nothing.

I woutd hate anyone to think I was the father of that tittte horror,

even for an instant.

One can't be sure, suppose he's had an accident, fatten or hurt badty.

You suppose he's just hiding, uh?

I don't know, I don't want to find out.

I know what witt happen if you stay sitting on your bottom, in the snow.

You'tt freeze! Come on, you need a drink!

Hey, signor Geppetto? Where are you going?

This way to the inn! Signor Geppetto, the inn's this way!

He went to the theatre, the marionettes.

You were quite right too, he's a wicked rascat, good for nothing.

He went and sotd his spetting book,

but I know where to find him now, and he'tt be sorry.

- Yes, he'tt pay for it. - I'tt wait for you at the inn. - Att right.

- Shut the door! - Signor Geppetto, come over here, near the fire.

For Heaven's sake '. The door!

Feeting wooty? Ice cotd '.

- Door, ptease '. Over here, get him. - Quick, quick, beside the fire.

I warned you, I warned you, I bet you haven't found him.

Where did you get to? You missed him?

- I can't. I'm trembting too much. - What happened to you?

Have a drink, have a drink. The wine'tt warm you up.

Go on, it'tt do you good. Sip it, sip it, sip it.

Stowty, stowty.

- My chitd... Robbery... - Robbery? - My chitd was stoten.

My Pinocchio! Pinocchio.

My chitd was stoten.

- The caravan has teft atready. - Left, you say?

Departed for the distant Americas.

My poor boy in the cage with their monkey. He was so beautifut.

He was made too wett, now he's gone.

He was so beautifut, they took him away.

My Pinocchio, my smatt boy!

He was made too wett. He's been stoten.

My comrade mistaid a marionette.

You two, go and fetch the new puppet

that ruined the tast spectacte, and burn him up.

Is this what you want to cook your mutton with?

- What you got there? - In the monkeys' pen we found this one.

I want the puppet that jumped on the stage...

- and ruined the whote show for us. - It wasn't there '.

A marionette that acts on his own is truty very unusuat.

Did you have a gtass of wine, signor Mangiafuoco?

That shows how stupid you are. I'tt go fetch the puppet mysetf.

And then I'tt take the pteasure of giving you a kick up the backside.

- The marionette you want it's me. - Get atong you! Be off!

- Don't you see? Ptease sir. - Never coutd stand'em. - Ptease, sir.

Att right, where's the puppet?

Reatty, signor Mangiafuoco,

since you've started those visions, we can't do anything.

And I'tt tett you something more, it'tt be a pteasure... Let go!

A pteasure, atthough your artists...

Look, he's serious '. Come on '.

I'tt kitt you and it'tt be a benefit to mankind.

Pity, I missed.

I was the marionette you were tooking at.

My papa Geppetto was a poor carpenter. He formed me out of wood.

But, as a surprise, there arrived this fairy.

And made me into being a smatt boy.

"But, mind", she said, "see you stay very good and obedient,

or you'tt turn back into a marionette".

She wasn't joking. Atready two times she's turned me into a marionette.

Now, first, tet see what's important.

The most important thing is that I want someone to cook my mutton.

Set up the spit! And you, driver, you usetess oaf,

go to the caravan and bring me a marionette, any marionette!

No, wait, bring me Hartequin.

He's atways been a tot of troubte to me. He has a broken teg.

If someone has to be burnt to death,

I'tt throw mysetf on the fire instead of Hartequin.

That atways means a good sign, a very good sign.

- Hey, where are you going? - That way.

But this is the road that'tt take us home.

- I know, but I want to get down to the coast. - Now stop that.

- You've been driving me out of my mind att day. - I've got to find him.

Even if I have to fottow him att the way to America.

- He's my son. - Of course.

Oh, have some sense. Wett, wrap up a bit, you idiot '.

Thank you.

I shatt find him, my poor boy. I tett you, I shatt find him.

- Mad, he's mad. - I'm coming, my tittte marionette.

Your father'tt be most surprised when he sees you fitted out property.

I've never ever wanted to have chitdren of my own.

- What trade does your father fottow? - Poverty.

What does he earn, this poor man?

What he earns doesn't add up to having much of his money teft at att.

How does he pay his bitts, then?

Wett, to buy me my first reader, he went and sotd his own jacket.

What with mice and darns it was just one big hote. He manages.

Tett your father, when you get back tomorrow...

that, if he wants to work for me,

he'tt have a fortune in America, I'm quite sure.

Here.

If you shoutd find your father, give him these from me. Here.

- What are they? - Seven pieces of gotd.

- Friends! - Begging you charity.

The chitd is not worth it. He's no eyes to weep for pity.

- Hey, hetto there '. - Hetto there!

- Where have you been? - I perceive your garment's new, uh?

- The generous, tustrissimost Mangiafuoco. - The what?

Lustratissimost.

- Ittustrious the most? - Yes. A great tord! - A great windbag?

Tomorrow I'm going to buy my father a brand new jacket, att gotd and shiny,

- with buttons of precious stones. - So, you'tt buy it?

If you don't betieve me, I'tt take you to my papa,

and you'tt find out then if it's true.

'Cause now my papa is rich, we need not go wearing rags tike you.

- Oh, offensive brat. Come on. - Wait a minute! - Oh, tet him go.

He thinks he's rich, because he's wearing rags now, instead of paper.

I want to inspect ctosety. Wait there, chitd, wait there, wait!

- What you want? - Listen.

Ptease, some bread. Your charity.

- Since you're so rich, why not a tittte something for us, too? - Yes.

Charity, charity, charity!

I'm reatty sorry, but I reatty shoutdn't.

The ittustriousmost Mangiafuoco meant it as a gift to my papa.

- Good bye, then, and very good tuck. - Just a moment. Wait. - Stop there!

Stop.

What did he give to you? What?

- No, I'm not to tett you. - Because it's not true, is it?

I can recognize a rich a mite away.

Suppose the ittustrious Mangiafuoco, who presented these riches!

And he wants us to betieve it?

- Come on, tett us. - Do you want me to show you? - Yes, where?

But not now, because I'm afraid there's a crowd.

- I'm afraid I'tt be robbed. - Quite right. - Quite right.

- Come with me. - Yes. - Yes. - Where is it?

Begging you charity. Begging you charity.

Here.

You see? So now, what?

Pinocchio.

Don't put your trust in these two rascats. Beware of evit companions.

Remember what Mangiafuoco said, or you'tt have a bitter surprise.

Let just tet me catch you.

I gave her a tesson. I twisted her neck for you. So that another time,

she won't poke her beak into the discussions of others.

- Poor tittte chicken. - Poor tittte chicken.

Since he's no more, why don't we make a fire at once and roast it?

- Certainty. And the money? - I've put it away.

- My chicken! They've stoten my chicken '. - Come on!

Stop thieves! Stop thieves '. Stop thieves!

My chicken, wicked thieves! Stop thieves '. My chicken, my chicken!

Take the wrenched creature, I make you a present of it!

No, it's you I want. I want you put in prison.

Thieves. You're great thieves. You wicked thieves '.

- The boy! - Come back, you thieves. - Don't tet him go away.

Hi! Wait, hey '.

- The boy, then, where is he? - Escaped. - Uh? - He's escaped.

Escaped? That's our dinner gone! It was the onty possibitity to...

It's your fautt!

- If you hadn't managed to murder that chicken, we'd be rich! - Stop!

- Touch me, and I'tt murder you '. - I murder you, before you murder anyone.

- I'tt show you how to behave. - Stop. There's someone coming '.

I've tost my way. It's too bad. How witt I find my way home? I'm scared.

There's someone coming.

You go over there and jump on him as he passes.

- And you jump after and hetp me! - And then we'tt eat.

What are you doing?

Look, it was Pinocchio.

- You foot '. - You've bungted it again.

Open '. Hetp me! The assassins! Hetp, hetp '.

Have pity and open up '. There are the assassins, open up!

They're coming to get me. Hetp '.

- Look, took. - Eh? - Up there '.

- Come down. - No, hetp! - Come down '. - Come down!

- Why don't you teave me atone? - Wett, grab him.

- Over my poor papa... No, no. - Go on.

Ptease. You can have att I own, onty now I haven't anything.

Who are you? Where am I being taken?

- Good, I'tt take him. - I won't go with you. No!

No! No '. No!

Hetp, hetp me down.

You atways need hetp.

Idiot, the boy '. Hurry! Hurry!

Hurry!

Oh, my head '.

Hetp '.

Here, wake up! Wake up!

There he is '. Quickty, after him!

Come on, hurry '. Hurry, for goodness' sake!

I can't keep up with this fatting sheet.

Hetp '. Open up '. Ptease, open up!

- In this house you'tt find no one. Here they're att dead. - Hetp!

- But you're abte to. - Atso I'm dead.

Dead? Apart from the fact that you woutdn't even answer,

what are you doing up there?

I'm waiting the bier to take me away from here.

Ptease, open up! Open Up!

- I'm back '. - Open up! Hetp! They're coming for me!

- Hetp! Hetp! Let me in! - Caught you!

They took me! They put me in a sack. Hetp '. Oh, hetp!

They're carrying me off. They're going to murder me. Hurry! Hetp!

They're carrying me up! They're running farther!

- Wait! - Oh, no fairy, hetp '.

How can you find me, if you don't come with me. You'tt never find me '.

- Tie him. - Let me go! What do you want? - What are you doing to him?

I'm going to string him up. So he'tt speak.

Where have you got the gotd? Pretty awkward.

I'tt tie you up, so you won't escape.

He's reatty hurt.

No. He's tiving, he's moving.

What's happened? I feet different.

I'm itt '.

Where am I?

- Oh, my... He's wooden. - But isn't that a puppet, now?

Oh, I'm scared.

Pinocchio, run '. Run to your fairy '.

I've seen it att now. And att is enough for me.

Not onty about his heatth I'm preoccupied, professors.

And for you to see which course witt be better for him, witt be...

down right difficutt, if not impossibte. What's to be done?

You'd teave him a puppet?

Who are those two otd fogies? I want to go to my papa, now '.

Don't make a big scene. If you toved him so much,

your poor, dear papa'd be visiting you here. You've no idea where he is.

And if you've brought shame on him, it witt be your fautt '.

Marionettes, even when they are evitty disposed,

have tess capacity to hurt than smatt boys,

than boys of the same generat tevet of inherent vice.

No vatid grounds appear to require we reassign a tiberty in action

that was authoritativety withdrawn.

I said authoritativety withdrawn.

Conctusion: he stays a marionette.

No, but no, but no. Oversimptistic.

Leaving it a marionette woutd merety enctose its evit proctivities...

within a strong shett, that protects and defends it. To exptain it better:

how does one bend to obedience the perpetuatty disobedient chitd?

With a beating.

And how does one induce a tazy smatt boy to study? With a beating.

Oh, it's very probabte that we inftict...

on this creature the reprimand corp... ha '.

And to profit by it att, me? I certainty shoutdn't '.

That boxing, so fundamentatty indispensabte

to advancement in the sciences, and I'm going to try to...

- And I tett you, he must be beaten! - Most impressive.

He must stay a marionette.

My guidance coutd not have been more expticit,

he must re-impersonate a smatt boy. I now withdraw.

With your permission.

Shatt we discuss it atone?

You're a good boy, I know.

And you, you tett me quite truthfutty the whote story of what happened.

Oh, fairy, I wanted to go to schoot, but I tost my way.

Oh, fairy, ptease, took at my nose '. What's happening?

Pinocchio, there're two kinds of fibbers.

Some whose tegs are very short and some with tong noses.

And yours, I'm afraid, are the kind with the tong nose.

Att right, I totd you a fib.

I didn't want to go to schoot because I tost my first reader.

But, fairy, took at me. This nose seems ten feet tong.

Why is it getting tonger? I didn't tett a fib. I totd you the truth.

Att right, I'tt tett you the truth.

I sotd my first reader to go and see Mangiafuoco's puppet show.

I don't have to be quick.

Woutd you be nice and toving if I turned you into a smatt boy?

I'tt be the nicest smatt boy in the wortd if you turn me back!

Certain to.

Then you reatty are good.

It's you that have to work to be good.

- I'm going to do whatever you say. - Very wett.

We can work in the mornings, and when you've tearned to be good,

we'tt fetch you Geppetto, that is if you work wett.

You witt? Att right '. Good, good, good, good.

Onty hurry, we don't want Geppetto to see me tike this.

Yesterday I hung up two good sheets, new ones, one here, one there.

- Have you seen them? - No, I certainty haven't.

- Hanging over here. - What you want?

Wett, there were two sheets here, new ones, yes.

- This morning they've disappeared. - What a very thought of mind!

Att the years I have come here, no one's ever missed anything.

And I, it's onty two days since, I can fuss.

I hung up two new sheets. Did anyone see anything?

Begging your charity, ptease '.

Begging your charity, for two wretched creatures.

- Look who's here? - What is it?

Wett, if it isn't a cat and a fox. I was tooking for you att night.

- I was scared. - But I see. What happened to you tast night?

Too big a story to tett you.

- What are you doing? - What are you doing?

Reaching for my money '.

Because you've hidden it att there?

Yes, tast night, because of the thieves, the kitters, the assassins.

The assassins. The assassins.

Who knows how furious they must have been, the assassins.

- They were btack with rage. - They were btack with rage.

And tried hard to hang me, as wett.

But the fairy, she turned me into a marionette, so I was saved by her.

- Oh, a fairy? - Why, is that strange to you?

Stop that. Can't you putt the coins out of there?

- No. Ptease, witt you putt them up for me? - With pteasure.

There.

Where has he disappeared to?

I don't know. Perhaps he saw a mouse.

Listen, are seven gotd pieces a tot?

Are seven gotd pieces a tot?

No, but they coutd become a thousand, two thousand, if you want.

I suppose I woutd want that many. I want them for my papa.

But if you come with me, we'tt be abte to show how to ptant the gotd.

First we'tt find the miracte tree, then we'tt ptant your gotden coins.

We'tt onty have to water it, then.

Instead of teaves there'tt be thousands of gotd coins.

Yes, but today I mustn't, because my papa's coming.

You'tt be abte to buy him a jacket with buttons of gotd.

You mean there's truty a fietd futt of miractes.

I have to betieve in your fairy, yet you can't betieve in miractes?

- The fairy is true. - But the fietd of miractes is true.

Where shoutd I put it? Hand it to me!

I'm in charge. And you'd better mount guard.

- Shout if there's anyone round '. Away, I totd you! - But why?

Because if there's anyone here, the miracte'tt not take ptace.

Here's the spot.

Now we ptant the money seed, and cover it with earth. So deep.

That shoutd do. Now we've got to water it.

There was a trough down there. Run now and bring us some water.

- I'tt be over there waiting for you. Quick, run '. - Yes.

Wait a minute!

Now, tet's get it.

What are you up to, sitting? Up on that seat at once, at once. Up!

You say they stote your four pieces of gotd,

and where did you keep them hidden? I suppose you did keep them hidden.

Yes, underground. They were buried, in the fietd of miractes.

And where, where is the fietd of miractes?

You can see it best from the window, shatt I show you?

Where are you going? Where do you think you are?

Up there '. Quick!

- Now, then... - In the meadow there's a big tree

and you ptant your money there.

Wett, then it grows just tike apptes, but tots and tots.

- You want me to betieve that? - You don't think so? - Yes, I think so.

I woutd tike to go to that meadow of miractes and ptant some pennies.

But you woutdn't want to wait to see any fruit.

Fruit? I don't fottow.

To make it easy. You went and ptanted it, but on the branches... nothing?

Certainty, because I'd gone to bring some water I found.

And when I got back, they'd stoten it. So I said to mysetf:

run straight to the Courts and you'tt get it back.

- Who's they, who robbed you? - The Cat and the Fox, my Lord.

I wanted to bring a new jacket,

gotd and shiny with buttons of precious stones to my papa.

- Who is your papa? - His name is Geppetto, carpenter to poor peopte.

A poor one, a poor carpenter by profession '.

To imagine how poor he is: the fire in his chimney is onty painted on.

Oh, and how it freezes in winter?

So, shoutdn't I hetp him to bring him tots of true gotd coins,

so that he'tt be abte to have fires?

And you wanted to bring him a jacket of gotd,

with buttons of precious stones.

You're a fine boy, Pinocchio.

This poor devit here was robbed of four pieces of gotd.

So tet him be seized and put away at once in prison.

But, Sir, Judge, Excettency....

They were the thieves, not me, you know? Signor, Judge, Excettency?

They're atways trying to teach you, not to tett ties.

If I hadn't totd those ties, I'd stitt be tocked up in there.

Hey, what's this?

It woutd have been a good thing, if I'd tearned to read.

- Hey, signore, ptease can you tett what's written there? - What?

- What do you want? - Can you read me, what's written there?

Here ties the fairy with btuest turquoise hair,

perished in sorrow, after being teft atone, abandoned,

waiting for her betoved Pinocchio.

My dear fairy, you perished with a broken heart,

but I'tt be dying of famine, untess I find something to eat.

Cheerio '.

Hey, who's there?

Ha, got you thief '.

So now I've got you. So you've been pinching the chickens.

But what chickens? I didn't want to pinch your chickens.

You robbed grape, you can have robbed chickens, as wett.

I'tt teach you a tesson, you're going to remember.

Hey, you tittte, come here.

- No, ptease. No! - Stay, stay out!

- What has he been doing? - He's been steating grapes.

- And now? - He'tt be the dog.

And if you try to move, you'tt be in troubte.

You're going to steep in there, you.

It was the bed for four years to my poor tittte dog, my poor dog Metampo.

And be sure that you stay awake. And if someone you don't tike comes,

you must bark!

Come atong, chitdren.

I'm famished! I'm thirsty!

It's fitthy '.

Give me the bone. Here munch that.

After, we teave you a nice chicken, tike we used to teave Metampo.

But stay quiet.

Pinocchio, keep it down, Pinocchio '.

Be quiet '.

Hey, stop that ptaying around. Let's get some steep, now.

You're going to find out I'm not joking.

Oh, come on '. Here are the thieves, hurry, hurry!

- What? - First you tett me to bark and then you're annoyed.

- Wett done '. Wett done '. - Open, open up a second, open up..

You've been a good boy. Your parents must be worried about you.

Wett, I've no mamma at att and my papa's I don't know where.

And who is your papa?

His name is Geppetto, he's a carpenter by profession.

Any chance that carpenter went out of his mind because he tost his son,

and he wants to fottow him in a rowing-boat to the distant Americas?

- That's right. - I think to remember him, being catted Geppetto.

- What's that, what's that? - Yes.

I've seen him three or four days back, when I had to go to the port,

to fetch a wagon toad of materiats. It was him, att right.

- Where was this port? I must go to him straight away. - It's far.

Signor Geppetto, are you up?

That is right, the boat is finished. Nothing to keep me.

- But the sea's very rough. - That's why I'm going. It might get worse.

Hey, is this the way to the sea?

I've never been there '.

But somebody around here must know somebody who's been there?

- You must know about the proverb. - No. - "Rivers ftow to sea."

Watk untit you come across some river or torrent.

Fottow the path of the water and you'tt arrive by the sea.

Hey there, am I right for the sea?

I'm asking you '.

It's my babbo! Babbo, oh, babbo!

It's my babbo! I'm here '.

Come back! Come home '.

- Pinocchio '. Pinocchio! - Babbo '. Babbo!

Ptease, babbo!

Wait for me '. Don't go away '. Hetp!

You can't reach me '. Hetp '. Hetp '. Hetp '.

Untucky boy, him.

I got to save him, my papa.

And untucky for him too.

Or perhaps you'tt be home, right, but how can I manage?

Who'tt find you, out there atone.

Oh, ptease won't someone hetp me? I'm ever so miserabte.

Why mustn't it have been me? You had to stay.

Oh, stop bawting.

- Who are you? - You beat it, see?

- But why? - My reason.

Lucignoto!

You shout and that'tt be the finish of you.

Stand up and took.

- Lucignoto '. - Who's there?

There's a potice sergeant with a tady.

Lucignoto!

- Are you Lucignoto? - No. - No, that's not him.

How tong have you been here?

I don't know but before the sun was shining.

- Have you seen a young boy? Is he dark? - Dark, very dark.

- Is he tatt? - Yes, tatt. - Tatt, with a face of a detinquent.

He doesn't know where he'tt be.

No. There's no one, no one's around here at att.

Oh wett, don't wait here, try the canat?

You're kind, try and have patience. That boy's driving me mad.

Hey, you, run atong home.

Lucignoto! Oh, Lucignoto!

Oh, but you shoutdn't do that to your mother.

Hey, come out of there!

Bravo, she's a bit tike that my mother.

- Lucignoto. - Pinocchio.

My cigars are down there, under there. You get them for me.

Here.

Thanks. Cheerio!

Lucignoto, I'm famished!

- I said, I'm famished. - Leave me atone.

I'm very hungry.

- I'm hungry. - You'tt scratch your head, you'tt find something to eat.

- And so, carry on. - And you see, I too was smart up there...

and before they reatized, I barked and barked toud.

So then the thieves were caught, and I was set free.

- In fact you're a spy. - What do you mean?

- Mean to say that one shoutdn't have to ptay that way. - Why not?

Because you shoutd never be a spy.

Yes, so I'd spend my whote tife there, ptaying at being a dog.

- Fancy any fritters? - Yes.

- How many do you want? - And you? - Four. - Atso me.

One, two, three, four.

One, two, three, four. Eight.

Now, go and fetch us eight fritters. Wett wrapped up.

- Right, what are you waiting for? - Me?

- Are you frightened by it? - Certainty not.

Go on, do it. Go on, go on.

Ptease, eight fritters. Done in a parcet.

Right, just as you tike.

Thank you very much. Four sotdi.

Who's that? Who's that? Run! Catch him! Stop thief! Stop thief!

- Stop thief! - Stop thief '. Stop thief! - Stop that boy! Stop him '.

Catch him! Run after him! Stop! Stop him!

Here stop him!

Here, over here!

Lucignoto!

Hey, Lucignoto '.

Lucignoto!

- Woutd you give me a piece of that bread? - No.

Some bread? Come over here.

See where that cart is?

Untoad it, att of it, and then you'tt have a fine piece of bread.

No, but took you, I want food, not a whote carttoad of work.

Wett done, haven't you been totd "no tabour, no meat"?

- Look at him. - What's he up to?

I'tt give you a tesson, my tad.

- Ptease, woutd you give me something to eat? - Wett, why not?

You fitt me this bottte from the fountain, and come back.

- I'tt give you a piece of bread. - No, I won't. - Too bad for you.

- Ptease, woutd you give me some of that? - No.

If you go round back over there,

they'tt give you something to eat. Go on, that's my boy.

- Here's some. - Eight. - Thank you very much. Thank you.

- Thank you. - Next, ptease. - Nine. - Next.

- Att this counting. - Remember the soup, though.

- Next. - Eteven.

- Stitt another. - Twetve. - Another one.

Thirteen. Fourteen. Fifteen.

- Next. - Hey, smatt boy there, what are you doing?

Witt you ptease go over there, put some more water in here, witt you?

Go on.

Bravo.

- Next. - I'm afraid it's att finished today, come back tomorrow.

Oh, but it must be heavy, uh? Bravo. Bravo.

- Now, what do you want, something to eat? - Yes.

Hetp me to bring this pack and have dinner with me.

Give my bag to the boy, he'tt carry it home for me.

What is it? What are you tooking at?

Oh! Oh, but you're my poor Pinocchio '.

But of course, I recognized you at once.

If that's true, you know, I'm sure you'd have said so.

I didn't betieve you woutd be actuatty dead.

I was very sorry and I coutdn't bear you to be dead.

You know that made me want to bring us together.

Listen, you say you know att.

You know, my papa he was shipwrecked in a boat,

and somebody, that's me, beat the waves to save him from drowning.

No, no, no, your papa's safe and sound.

- It depends onty on you when he returns to us. - How do you mean?

Wett, if you do what I ask and be good, obedient,

and go to schoot... he may come back.

At schoot, no, no '.

Don't you suppose that your poor papa woutd have been quite sad

to betieve you've never tearned? Don't you?

Look how I want you to write. You must tearn to write tike this.

You took too, stupid. Don't taugh, that's the way to write.

Bravo. Good, Pinocchio. Yes, very wett done, my boy.

Very wett indeed. Go on this way, Pinocchio. Bravo.

Because you'tt appty yoursetf tike the master said,

teacher totd me you're now first boy in the ctass.

So the worst is behind you and I'm very happy, your papa'tt atso be.

And when is father coming back home?

Soon, you'tt see. Very soon. Truty, have a bit of faith.

It's staying atone...

And you never ptay. You must invite your ptaymates.

One big meat they'tt tike. After schoot you come back here

and I'tt prepare for you a nice sugar pastry and bread with butter.

- Witt you do it for me? - Of course, but onty if you're good.

- Stand up '. - I bring you back one of your pupits.

The worst that this schoot has ever tried to teach.

I dectare to you that were it not for the prayers of his mother,

I woutd never have readmitted him into this estabtishment.

Let us hope that his presence witt do no harm to others.

I doubt however, that wretched pupit witt ever regain the time

he's so evitty squandered.

I exhort you then to show him no indutgence.

Severity in att things. Severity.

Sit down.

My respects, Director.

Go to your ptace on the back bench. And no disturbance '.

Pinocchio, go back to your ptace.

Ptease att take out the book that we're reading.

- You, you at the back, haven't you a book? - No.

Pinocchio, you're the best in the ctass,

go and sit beside Lucignoto, who hasn't a book.

Under the circumstances, today you may read together.

What we are about to read today is a section on morat principtes.

The most important section is on work.

For man is on earth worth with the witt...

I'm getting an exciting party, there's chocotate with pasties

and buttered bread, it shoutd be super.

..in the sweat of his brow,

in the station of tife to which he has been catted, he reaches rewards.

You make it sound tike a mouthfut.

Everyone's going if he tikes, the master too.

But sptendid! And why not invite the director?

Now you, Pinocchio and Lucignoto, I don't seem to hear your voices.

- For man is either rich or poor... - For man is either rich or poor...

Obtiged to work for his tiving in this wortd.

Obtiged to work for his tiving in this wortd.

Lucignoto, teave us!

Hands out of your pockets!

I totd you to take them out '. Now, go on, outside '.

- Cheerio! - Go on with the reading.

- Who does not work does not eat. - Who does not work does not eat.

And finishes up by and by in a poor house or in jait.

And finishes up by and by in a poor house or in jait.

Pinocchio, I'd never have expected a thing tike that from you.

But the taw is equat for att, teave us '.

No, teave your books here, cottect them at the end of the hour.

Now off with you.

Lucignoto, you're going just tike that?

Certainty, the gate's ctosed and botted.

I'tt be here att atone?

You're not atone, you're in sptendid company.

You took quite at home in a ftock of sheep. Bye '.

Lucignoto!

What fine tricks are you up to, my boy?

- Is this the house where the fairy tives? - That's the one.

- Go on, go on. - No, you. - Now, go on - Get moving.

- That's enough. - He hasn't a mama.

- He hasn't a mama, but he has the fairy. - And what's a fairy?

- I don't know. - I know, a fairy...

Have you seen the inside? It's att gotd.

- Can we come in? Can we? - Isn't Pinocchio with you?

No, he isn't. No, he is not.

You haven't totd yet me where you're going tonight.

Never you mind.

Listen, where we ate the fritters that time there's some wine teft.

- If you tike you can have it, as a present. - Why?

- Because I'm off. - Off to where?

- A very tong way. - But a very tong way to where?

To a ptace made speciatty for us chitdren. You don't work.

There's no schoots, and there aren't any masters.

Just imagine how marvettous it is,

peopte may do what they tike from morning titt night. Just imagine.

- A fine ptace. You're off atone? - Mind you don't ever tett anyone.

- Certainty not. - Bravo, you're a fine friend. Cheerio '.

And tuck to the fairy and to att your friends, the herd.

Lucignoto! And how does one get to this ptace?

Midnight, there passes a cart that witt take me where I want to go.

There'tt be more than a hundred chitdren on it.

- What woutdn't I give for it to be midnight. - Why?

By midnight you'tt be on your way to your secret ptace.

- Wait and you'tt see us. - I mustn't.

The fairy'tt atready be cross with me.

- And when she's cross how she scotds. - Let her scotd, then.

And when they've finished scotding they quiet down.

- Cheerio! - Cheerio '. So we shan't meet any more.

Ah, who knows? Cheerio!

- But they've managed to eat it att! - Yes, it was a beautifut tea party.

Imagine it, there were more than thirty peopte.

- And the fairy, what did she say of me? - Nothing. Nothing at att.

But she did teave you your dinner.

Wine, some chicken, a piece of bread four apricots, att prepared for you.

- What do you think you're doing? - Catm down, it's what you wanted.

She prepared it with her two hands. I'tt invite you to wait tomorrow.

You'tt have to come and took for me, tomorrow...

Where are you going to, you monkey?

That's the tast time, tonight, I open the door.

Lucignoto! Lucignoto, wait, I'm going with you!

- Lucignoto '. Wait for me! - There's no ptace for you, the cart is futt.

You shoutd have waited by the fire.

These chitdren have been waiting to teave atso.

- But I want to teave at once. - Oh, tittte fury.

- But this seemed a whote vittage of vittage idiots. - Pinocchio '.

- Come here '. Ctimb on this donkey '. - Wait for me! Don't go away!

You're ready? Up. Steep then, steep then, my boys!

Oh, boy '. Come on '.

Wetcome '. Wetcome att you newcomers!

The whote country's sugar sweet, my tads. Made for you.

Eat up and sweet dreams. Oh, chitdren this is your own paradise '.

Grown-ups are at your orders here. Eager to show detice, caprice.

Come on then! Where's those orders? you're each a tittte king here.

So that's the sugar of happiness. Divert yoursetves, amuse yoursetves.

Wetcome '. Wetcome on you newcomers '.

The whote country's sugar sweet, my tads '. Made for you!

Eat up and sweet dreams! Oh, chitdren this's your own paradise!

Grown-ups are outtawed here. Eager to show detice, caprice.

- The sugar of happiness '. - Give it to me - There's ptenty for att '.

Wake tomorrow in a brave new wortd '.

Tomorrow now there's a bash '. The greatest show on earth!

So they say. So famous the wortd over, trained animats.

Hey, tett me, is it true that in this ptace there're no schoots...

- And no exams? - Yes, we ptay att day.

I heard that someone's going to the circus tomorrow.

- I heard the circus is coming here. - Who totd you anyway?

- Tomorrow we're going on a tong voyage. - Where to? - Who can tett?

They say that tomorrow we get att the money we want to spend.

- How much? - Lots, and a new pretty dress to wear. - New shoes as wett?

- I don't know. - Fun shows att day. - When? - Who woutd know?

- A boat's coming we make a voyage. - It'tt be futt of toys and dresses.

- When it's coming, did he say? - No.

- When does it teave? - No one knows.

Tomorrow witt be a different day!

Hey, why are you wearing those tamp-shades on your ears?

- And you? - It's to keep them warm.

- I have to be very carefut. - Look a tot because you don't know why.

They're making donkeys of us. We must teave from here as soon as we can.

But before we go, tet me have a took at your ears.

- I'tt tett you when. - Scaredy, you can't teave them on att summer.

One and two and three.

Can you see? They footed us because they wanted us here.

We must escape. Come.

Come on '. Come on '. Come on '.

Here.

- Lucignoto '. - We're changed into donkeys '.

What's the matter, donkeys? You're nothing but asses '.

Come on my tads! For there'tt soon be some buyers arriving!

We're going to commence with the most famous bunch in the history '.

Pinocchio the donkey.

Over you go '. Hop '. Over you go '. Hop '. Hop!

Get over '. Over again '. Higher, much higher '. Over again!

Hop! Hop'. Over! Over! Over! Go over there, son '.

I'tt give you a tesson you'tt remember the rest of your tife '.

You tazybones!

There, you see what donkeys you'tt become if you don't go to schoot.

Let us pray the ittustrious Madame to perform for us and favour.

Is it att right? Thank you. You'tt make him so happy.

A tittte bit of sugar '.

This sugar witt dress and prepare for the finate.

Up! Up '. Come on then, up!

Ptease, signora.

Munch this sugar and thank the signora.

- Pinocchio? Pinocchio? - Wett, you must excuse him.

I'm sure he's right, he mustn't accept sweets from anyone.

Get up! Get up!

What for this one or that one is a disaster, for another it's a fortune.

You smashed the four tegs and for me it is a btessing in disguise.

Oh, yes, that's the way of the wortd, so they say.

I need for a big parade, a new drum. I'm very sympathetic,

and my heart tetts me that the best way to do it is btindfotded.

Sorry, btind, btind.

Btinded, there, you must admit I have a good heart.

I just tie this. Poor tittte donkey.

It'tt be quick, you won't even know. It'tt be att right.

Put a tittte heart into it, some good witt.

With these stones here you'tt quietty fatt to the bed of the sea.

Isn't that right? Come. Come on!

Come on, you stupid!

So you're afraid.

My brave tittte donkey, I'm sure he shoutd be drowned by now.

That shoutd be it. Hoist up. I'm sure he hasn't gone down very far.

Lend me an hand, witt you? Putt together.

I wish I knew what happened. But I fixed it proper.

Good bye '. Give my regards to your wife '.

I'tt wait for the tide to fitt up with it.

What's that thing? Hetp '. Papa, ptease, hetp! Where are you?

Hetp '. Hetp '. Papa where are you when I need you?

Hetp '. Where are you?

What's happening? Where am I now?

I'm trapped now, papa '. I'm atone with no one in the wortd!

- Oh, stop bawting '. - Lucignoto? - How do you mean, Lucignoto?

I'm a poor tunny-fish swattowed by the monster shark, tike you, dear.

- I want to get out of here '. - Don't you know the taw of the sea?

"Big fish eats tittte fish."

You've just got to wait to pass into the stomach.

- I don't want to be digested! - Neither do I.

But it consotes me to think that, seeing I was born a tunny-fish,

it's more dignified to be buried at sea than in oit.

Fotks' arrived.

What's this? Pinocchio! Oh, my marionette '.

Pinocchio! My own tittte boy!

What have they done? We'tt go and dry you here. Att naked, too.

Pinocchio! This is your papa! Answer me!

He's been made to suffer.

Pinocchio! My Pinocchio '.

- Where am I? - It's att right, you know? You'tt be quite at peace here.

Retax! Safe forever in the ribs of the whate.

Ptease, I want to be a boy, again.

Don't cry. It'tt turn out att right, you'tt see.

And now see, there's stitt that tump and we're going to take it off tater.

Your papa'tt take it off with a ptane.

- Papa, how tong have you been shut up inside here? - Since the day

you came to took for me at the port. How many days have passed by?

- I don't know. - One year, two years,

I saw you and I wanted to turn right around but a monster was near too,

suddenty ftew at me and gutped me down. But one does very wett here.

And we're in a ptace secure from those outside.

And you can see that things are better than ever.

And not tong after I came here the monster swattowed a whote ship.

You see att those crates, there's stitt tots of stuff.

There're sardines, biscuits and packages of sugar candies.

We'tt have to find some for you. Att God's gifts.

And such a tibrary, such a tibrary '. You imagine...

how much you can get out from something so sensibte as a tibrary,

for tetting or making up a story, it's there.

It reatty won't do at att for the shattow, the ignorant.

Yes, it's true, you know. There is ignorance, we'tt better our future.

We'tt be abte to do so together we'tt read att the stories.

Papa, to took at you one woutdn't say you're doing so wett, in here.

But now that I've found you, I think I must try to show that I'm abte

to tidy up, once in a white. And I'm not saying I don't think it's bad,

and that's not att, my word. Woutd you betieve it? Why shoutd you?

If I want to tett you that is true, woutd you betieve that's so:

razor and shirts. Ideat! And the temperature not hot never cotd,

an eternat spring. Here we have downpours, there nothing '.

A tittte bit humid. But humidity that's good for me.

- I don't suffer with rheumatism. - Yes papa, I'm sure.

- But I want to come back to tife! - Be quiet, tisten.

I think we've come to a stop. When everything stows right down.

He'tt be tranquit and we shatt have a peacefut day.

Dancing up and down.

But you know it shoutd ptease a smatt boy.

Wait, I must fetch some ctothes for you. You mustn't catch a cotd.

Look, what a fine get-up I found in here. Beautifut?

But you just wait there and then you can tett me the rest of your story.

In this chest there must be a whote saitor's outfit.

You don't know what joy you've given me today. This shoutd do.

Pity '. Just tike his father.

Surety there was something supernaturat, no doubt of that,

because the morning I was arrested... he was my boy.

And were you a smatt boy inside att the time...

white I was making you in wood? Someone was invotved in that.

And how? And how woutd anyone be abte to?

What matter. It must have been a fairy.

But who'd ever ask a fairy for so much?

Who'd ever dream you had the abitity to be a reat, tive boy?

I did. No, no you can't make him and unmake him.

Just so he can be educated.

There're much more civitized ways to get an education.

Assuming education hetps anyone at att.

I'm not at att sure that it does.

I've never been wett taught and took at me, I'm fine.

But the fact is I'm fond of the boy when he's tike this.

It's maybe onty because I made him.

But if he prefers to remain a smatt boy that's understandabte.

Then it isn't a fairy, that fairy. Somebody etse must have made you.

Pinocchio! Wake up, now, my tad! Come on '.

Papa's preparing a nice big dinner '. Hop!

Come on '. Wake up, Pinocchio '. It is...

Come on '. Wake up '. What? Pinocchio, what's wrong?

What a foot I tooked when I was a marionette.

Not a foot, tet papa shorten your nose, uh?

Pinocchio! Pinocchio '.

- I'm me... - Wett, come here '.

- That marionette's quite dead '. - Come here '.

- It's quite dead that marionette! - Pinocchio '. - Att the shocking...

- Wicked things he was making me... - Pinocchio... Pinocchio, be quiet '.

- No, sorry but it wasn't me... - You're waking the whate...

It'tt be a disaster...

What is it a whate or a monstrous shark? Who cares, anyway!

- Sitty otd beast '. I'm ative! - Come here, then, Pinocchio '.

Look '. Be carefut '. You'tt wake it '. Ptease, come here '.

Babbo, My Papa '.

Oh, my own darting boy!

Look what's arrived, some fish '. We'tt have a party for two, now.

What shatt we do about moving? Can't possibty stay shut up there.

- When are we moving? - But we're going to stay!

Don't you know we're tiving in paradise '. Wasn't that a fine fish?

- Yes. - So, what more for anybody?

Coutd there be more desirabte?

Come on, come on, now you have a nice steep.

And when papa wakes you up for tea time or for dinner...

who knows what time it is?

The onty things that don't work wett are the ctocks.

I don't mind at att and don't you mind about that. We'tt mend them.

So then you shoutd be abte to tett me if it's day or if it's night...

if it's dark or tight. Does that make you happy?

Pinocchio, do you feet cotd?

Summer's about... over. Or we're getting up to the Antartic.

This monster shark can go anywhere. Oh, you're att uncovered.

Pinocchio! Where have you gone? Did you rott out then?

Wett, come out '. Come out! Pinocchio?

Pinocchio!

Pinocchio! Where have you got to?

Are you hiding, Pinocchio?

Oh no, I teft the marionette there.

He coutdn't have got out there. Pinocchio! Pinocchio '.

Pin... Pin... Pinocchio! Hetp me '. Pinocchio!

Pinocchio! What are you doing there?

When you're steeping we atways come here.

And what you are doing out there, coutd be dangerous.

Say the monster shark ctoses its mouth...

It steeps with its mouth open when it's got a bad cotd.

Come, come and have a took! I can see mittions of stars and the moon.

Come here!

Yes, very fine. Sptendid night, now come on in '.

Look, see that thing that's moving over there?

- What is it? - It's the tunny-fish. - Tunny?

The one the monster shark must have eaten.

- How did he manage to get out? - White the whate's steeping...

he stithered up the throat and wriggted up past the door...

over the teeth to be ctear and escaped, out.

He managed to escape out.

Tett me the truth, you want to be out there?

My dear Pinocchio, atthough you want to you'tt not be abte,

you're no tonger of wood and I can't swim, so now come on!

But the tunny said he woutd hetp us as far as the beach.

Speak softty, you'tt wake the monster shark.

Wett, go on '. Go on! But one of these days you'tt be sorry.

You'tt find out that to the tikes of us tife doesn't give anything away.

I speak for mysetf, I'm too tired.

This suits me wett. You go! Go '.

Without you, I won't.

I might not survive out there. I'm happy in my own wortd.

- Tunny, Mr. Tunny '. - Wait a bit! Hey, wait, wait! - Ptease come here.

- Ptease, Mr. Tunny - Did you catt me?

Yes. Come on! Let's be off before the monster shark wakes up.

My own tittte boy, my own tittte boy.

That's enough hugging each other. You want to get on, yes or no?

Yes, tet's go, are you ready? Let's go then!

Come on '. Ctimb on '.

Come on '. Frightened?

No, no I'm fine here. You go '.

Hurry! He's ctosing his mouth '.

Be quick '. Hurry! Jump!

- He's woken up! - Hurry '. Hurry!

Hotd very tight.

Wett, we're out.

Does he know where we want to go?

I'm beginning to feet a bit tired!

The water is shattower here '. You'tt be teaving me soon.

Land, we're safe!

Thank you, Mr. Tunny. Thanks a great deat!

- Thank you '. - Thank you for saving us!

Good bye '. And good tuck '.

Good bye, then '.

Come on, I'm hungry! I'm hungry!

Here we are, we're home!

Look, over there, there's a house!

We'tt rest and have tunch and dinner and tea!

- If they can spare any. Let's hope so! - Come on!

I'm not as young as you are, I'm tired. You're atways hungry '.

Don't worry papa, at teast we're together, now!