Original subtitles

[ominous music]

[Cavila] Out there is a serial killer just waiting to kill again.

[Don Arturo] Officer, tonight the congregation

are going to take the White Virgin to her shrine on the mountain.

From there we'll watch the first sunrise of spring,

just as people have done for the last 400 springs.

Father, these are orders from my sergeant.

The ceremony cannot go ahead.

Don't you know how important it is for the community?

You can't abolish a tradition.

What do you think about the Crow's Nest's tradition of killing girls?

I'll say it again.

The ceremony is cancelled.

Any woman who goes into the forest tonight could be killed.

OK, I'll go into the forest and find help.

Are you sure?

It's easier if it's just one of us.

Also Eric, you got free

but Paz is still in the freezers and we can't wait for her to get out.

During the ceremony, OK?

THE BOARDING SCHOOL: LAS CUMBRES

[girl whispers in Spanish] El Internado Las Cumbres.

[machine beeps]

Papa, I'm fine. That's enough tests.

[machine beeps again]

What are you doing with the watch?

Are you listening to me, Papa?

- What's wrong? - Nothing, my love. Nothing.

We're going to do a...

We're going to do a little procedure, OK?

- [phone rings] - I'll be right back.

[machine still beeping]

[door closes]

[ominous music]

Can you help me please?

Can I have a lift?

[pants]

[car door closes]

[chains rattle]

[muffled pants]

[muffled cry]

[whimpers]

[muffled scream]

[louder muffled cries]

[metal clattering]

[groans]

[pants]

[muffled gasps]

[driver] You're lucky I found you.

A young woman like you in the forest at this time, alone.

[car horn beeping]

What does he want?

[car horn becomes more insistent]

Come on, I'm in a hurry. Get out of the way.

[beeps horn]

[beeping continues]

[spooky music]

[choir practising]

I love you, baby.

[choir continues practising]

Amaia's going to join the choir with you, OK?

OK, but you owe me a box of fags.

- [Manu] Yeah. - [girl] Cheers, mate.

OK, but give me a couple of days, I'm skint.

[choir sings in Spanish] Virgen blanca

Gloria

Virgen blanca

Gloria

Virgen blanca

Gloria

O, señora

Gloria

[organ continues to play]

[animal calls]

[crows cawing]

[officer] Cavila. Here are the remains of a lantern.

Check for footprints.

[choir singing distantly]

I don't believe it.

Inform Sergeant Zamora.

[radio beeps]

Sergeant, do you copy me?

[sirens]

[choir still singing]

[choir sings, sirens blare]

[students chatter]

[police radio chatter]

[Zamora] I've told you loud and clear.

No one. Absolutely no one is going into the forest.

[cicadas chirrup]

[students chatter]

Have you seen Inés Mendoza?

[Elvira] I think he's better off in my room. No one will find him.

All this worries me as much as it does you. You have to trust me.

And you must trust me too, I've helped León before.

[suspenseful music]

León. I know you asked me for time.

But Darío wants to do something to my head.

León, we have to find the Crow's Nest.

Who are you?

[sad music]

[breathes deeply]

THE CROW'S NEST

[breathes deeply]

What the fuck is happening?

Nobody's realised that Amaia's in there.

- Hey, where are you going? - To see if I can work something out.

[Zamora] Yes, I want checkpoints at the exits of the villages in the valley.

- All of them. - [Pelayo] Is this legal?

It's an infringement on our religious freedom!

Do you want to file a complaint?

Any woman that goes into the forest tonight

is in danger of death.

Do you know what the lights in the sky mean?

[officer] Shall I request a court order, Sergeant?

Attention all units, this is Officer Díaz,

Sergeant Zamora is ordering checkpoints at all exits in the valley.

[groans]

[chains rattle]

[pants]

[strains]

[pants] OK.

[crows cawing]

[student chatter]

[student] Why have the police come?

- Manu, I couldn't do it. - What happened?

I couldn't do it.

The police have closed the route, there have been lanterns in the sky and...

And?

They kill girls when that happens.

They kill girls?

Come on.

OK, so while we were looking for you, we found out things I haven't told you.

Yeah, you and Paul, right?

And what are those things?

Why don't you tell me now?

For example, you explain to me how it is

you're such good friends with Paul, when you couldn't stand him before.

Well now I don't mind him so much.

Funny. I'm just starting to dislike him.

I'm sorry.

I'm sorry, OK?

I was so confused.

It was all so shit and you weren't there.

I was scared you were no more.

And when I saw you in the courtyard, I couldn't believe it.

It's you and me.

You and me against the world, remember?

[exhales]

[Manu sniffs]

Don't you want to start over again?

Do you really want to be with me?

Always.

And you with me?

Always.

[suspenseful music]

[Darío] Fran?

Fran.

[door slams]

[phone buttons beep]

Where the hell are you? I've been looking for Inés all day.

No, León isn't there either.

This school is at breaking point.

- Don't give me excuses. - [knocking]

Wait a moment.

- Mr Mendoza. - Yes?

Do you have anything for headaches? My friend feels absolutely terrible.

- Mm-hmm. - [Darío] Just this once.

But next time you'll have to wait for Fran.

[Darío sighs]

[pills rattle]

[Darío] Here you go.

Take it.

Not too many.

- Get to your room. - Thanks so much.

Fran?

No, you listen to me.

I want you here in five minutes.

I don't want any more excuses.

[door slams]

- I need to get down to the Crow's Nest. - What?

But why?

There have been lanterns in the sky today. They're going to meet in a secret place.

Inés, you do realise what you're saying? Those people are killers.

But they're the only ones that can help me. Please.

Wait, a moment. Since when were we best friends with this freak?

Do you know what they did to me because of her?

- Manu. - Don't you realise?

If you help me escape and get out of here, Darío will leave you in peace.

OK, Inés we'll go down to the Crow's Nest. And how do we find this place?

Because we've been down there and there's just mud, old things...

But I've found this.

What's that? A moth or something?

We're not the only ones looking for the Crow's Nest.

[ominous music]

This picture is on the cover of an ancient book by the Crow's Nest.

The dragonfly is some kind of compass or something.

A compass that nobody can understand.

Shit, look. Cerberus.

Like on the fireplace.

[Manu] Um, let's see if I've got this right: this picture of a moth...

It's going to guide us to a satanic basement,

entering via a magic fireplace.

[scoffs] That's great, guys.

[bells toll]

Me?

It's now or never, guys.

[bells toll, organ plays]

[Manu] You don't really think this is going to open do you?

[bells continue to toll]

[sighs]

One, two...

- [organ plays distantly] - [stone rumbles]

[Manu] Hey, it's opening!

It's opening.

[radio beeps]

Keep all of the roads closed. Don't let anyone through.

[suspenseful music]

Welcome to the Crow's Nest.

If someone is going to die, let them catch us dancing and unawares.

[both giggle]

[both continue giggling]

- [chains rattle] - [Paz strains]

[groans]

What's that smell?

Who's shitting themselves?

You.

It's the stagnant water. It makes you dizzy.

Look, Amaia.

According to this there should be a path to the left.

- [bat screeches] - [Amaia gasps]

- Are you all right? - Yeah I'm fine. Bring your torch closer.

Look.

This is bigger than what we've seen.

Look here!

Oh, shit.

[stones rumble]

[suspenseful music]

Fucking hell.

It's got to be here.

This has got to be where the Crow's Nest met.

[Manu] And what now? We sit and wait for them?

- [gasps] - [Paul] Oh God!

[Amaia] What is it?

[Inés exhales]

Oh my God. Look. This is the Lodge of the Crow's Nest.

They've been dead for years.

So...that just leaves León and you.

Nobody can help us.

We're alone.

[exhales] We're all alone.

[plays softly]

[door opens]

[Fran] León.

[footsteps approach]

What are you doing here?

Has Darío seen you?

León, are you OK?

I'm better.

[continues to play softly]

[Amaia] We're getting away from the school now.

There's an exit over there.

[Inés] I'm not leaving here without León.

[Amaia] We'll come back for him, Inés. I know what he means to you.

[Manu] And you? How much do you love me? A lot? A little? Some?

Not at all?

A lot.

What's up with him?

I told him.

You told him?

And you didn't tell me?

- Right. For fuck's sake, Amaia. - Paul...

Hey, hey, hey! It's this way!

I can see light! It's here! It's here!

- [Amaia] Manuel. Wait! - [Inés] Manuel, wait!

[girls shout]

- [Manuel strains] - [stones fall]

[all shouting]

[rumbling]

[rumbling stops]

[Julio] She's going to lose it when she hears about the procession.

[shouts] Paz, hey you're going to piss yourself!

[student 1] What you on about? I'm not Paz, you bell end!

[shouts] Paz, are you there?

[student 2] Which Paz? The short-haired one?

Yeah, is she there?

[student 2] She wasn't with us when they brought us here.

But how come?

She isn't here.

[shouts] Paz, are you there?

[shouts] Come on, this isn't funny.

[shouts] Hello, is Paz Espinosa there? The girl with the shaved head?

[shouts] Paz!

[student 1 shouts] Your mate isn't in the freezers, you bell end!

[muffled groans]

[pants]

[strains]

[knife blade scrapes]

[whimpers]

[pants]

[sound distortions]

- Paul. - What?

What?

- It's your sister. - What wrong?

What's wrong?

Adèle! Hey, hey!

- Adèle! Look at me! - Adèle.

Adèle!

[whimpers]

- You've been taking pills again. - I found her like this.

I couldn't find you and I haven't told anyone,

because they would have punished her!

- Do you think that matters now? - [Paul] Water!

[Paul gasps]

- Adèle. Adèle! - Paul, your fingers!

- [Paul] What? - Put your fingers in her mouth!

- [Paul] Yes, OK. Adèle! - [Adèle splutters]

- Adèle! - [Adèle gasps]

[wretches]

- [Amaia] That's it. - That's it, Adèle.

[exhales] That's it.

- [Adèle whimpers] - [Paul exhales] OK.

Thank you.

[whimpers]

I'm going to get some dry clothes.

[Adèle] Paul, you're hurting me.

[Paul] What?

You're squeezing me too tight.

- [Paul laughs weakly] - [Adèle groans]

[Paul] I'm sorry.

Take me to Mama, please.

- [Adèle cries] - [Paul] Adèle.

She's gone.

No, she's at Celia's.

She can help us to escape. Paul, please.

Paul.

Can you go find your fucking mother already, bro?

Cos she can help you.

My mother's a murderer, mate.

- [sighs] - [Paul] You don't understand anything.

You're the one who doesn't understand

For once... Hey, for once you don't understand.

She saved my fucking life.

[Julio] What if something's happened to her?

[Eric] Pelayo.

Excuse me, it's just, well we heard a rumour that the police believe

that a woman could be in danger tonight.

Yeah, well we can't find Paz Espinosa.

If you're not involved in the vigil then get yourselves to bed.

Hey, a bit of respect! This is not a toy.

Celia, have you seen my daughter and the music teacher?

No, I'm sorry.

[sighs]

It must be hard, no?

I mean having to live every day

with the prime suspect in your daughter's murder.

[ominous music]

Where are you going? Mmm?

Can you tell me what's going in this school?

There's a vigil. Didn't you realise?

- Let me past. - Hmm.

A vigil?

What's up with you?

Get your bloody hand off me.

I've seen how you look at the friar.

How pathetic.

You're hurting me.

What do you want?

You've lost control of the school.

I've spent hours looking for my daughter and can't find her.

I hold you responsible. Where is she?

I haven't seen your daughter.

I haven't seen her because...

your daughter died years ago.

And I'm the pathetic one?

[scoffs] Take a look in the mirror.

Look at what you've become.

[León] At first you go blank for a few seconds.

And then minutes.

Hours.

The same happened to you in Lisbon.

[León sighs]

[Inés sighs]

Let's go now.

They're all dead and no one can help us here.

No, Fran and Elvira can help us.

All they want is the secret to what keeps us young.

They don't know how to help our memories.

And what then?

If we're going to forget each other,

then I want to be the first thing you see each day.

We'll start over every day.

[exhales]

Every day?

[whispers] Every day.

[gentle piano music swells]

[León chuckles]

And Darío?

I know how to stop him.

[ominous music]

I'm sorry, Celia.

I am sorry, but I need your help.

Did you see whether Darío had a watch?

Was he wearing it?

[loud knocking]

[loud knocking again]

Hide.

- [door opens] - [Paul] Where's my mother?

[Celia] According to your sister, she's dead. Go back to school, Paul.

[Paul] My sister said she was with you.

Paul.

Is it true you can get us out of here?

- That there are people who can help you? - Yes.

Then do it now.

I'm going to Paul, OK? All three of us are going to get out.

- As soon as I find-- - As soon as what, Mama?

I'm on the brink of something important. It's a matter of hours, days at most.

- But I need you to wait for me. - [Paul] Do you really think we can wait?

Do you know what they do to us here? Do you?

- Do you know how Adèle is? - Paul, I need this evidence.

OK? I need it so I can take care of you properly. Without it I have...

[sighs] ...nothing.

Do you remember when we were in Paris?

How Adèle would go onto the balcony every morning

to smell the fresh baked croissants.

[sad music]

Do you remember how happy her face was?

[sighs]

Yes, I remember.

Well, ten minutes ago she overdosed on pills.

- What? - [Paul] She nearly died.

Tell me she's OK.

You tell me. You think she's OK, Mama?

How is Adèle going to be? Do you think she's OK?

Do you know how Papa was when you disappeared?

I didn't disappear.

Paul, I'm an innocent woman and they locked me up!

Mama if you want to do something for us, get us out of here, but do it now!

I can't.

Well, I'm taking the gun.

Paul! Let go, Paul.

Let go.

[footsteps recede, door closes]

[cries]

Paul!

[León] I heard you were looking for me.

[Darío] León.

Where is Inés?

- Shh. - What are you doing?

Hey.

- Stay calm. - Put that down, León. Put it down.

You'll never see Alicia again.

When I was a kid,

the only clock in the whole valley was the one in the village church.

Give me your watch.

Please.

Take off your watch.

- Shh. - [Darío growls]

Take it off.

Now.

Isn't it amazing the amount of data it can store?

Some of which...

will ensure that you spend the rest of your life in prison.

You know perfectly well that you depend on me.

No.

Don't come after us.

You have so much to lose.

- You don't know what you're doing, León. - Mmm.

I love the esoteric classics.

Sergeant Zamora, we've got it.

Father, it's over. This is a court order.

Now break up this circus and go back inside.

We will continue in the church with a mass of reparation...

for this insult.

[choir sings in Spanish] Virgen blanca...

Make sure no one leaves their post in the forest.

[radio beeps]

[Officer Díaz] All units, no one leaves their post in the forest.

[loudspeaker] The ceremony has been cancelled.

All students should go to their dormitories.

I'm going to end this shit.

[zips bag]

When I get out of here, I'll find a police station...

and report the bald bastard.

Good luck.

[gentle pop song]

Goodbye, Manu.

Why didn't you say goodbye?

[song gets louder]

[Amaia] Paul.

[exhales]

I'm going to miss you.

Go now.

[sad music]

Manu.

Amaia.

- Amaia. - Amaia.

What?

We can't find Paz.

- What? - She's not there. Come on.

We're going to Mara's office to tell her she's gone.

[Amaia cries out]

[distorted high-pitched scraping]

[Eric distantly] Amaia?

Amaia, are you...

Amaia!

- Go, I'll be right there. - [scraping stops]

[gentle pop song returns]

[slams door]

[grunts]

[roars]

[pants]

[whimpers]

[pants]

Stay right behind me, OK?

Have you seen Adèle?

What?

They wouldn't have gone without saying goodbye.

- Who? - Paul and Adèle.

Where have they gone?

They went out of school with their mum.

[sad Spanish pop song]

[pills rattle]

[sniffs]

[suspenseful music]

Headmistress!

Mara!

It's locked.

Open up, it's urgent!

Where the fuck is she?

What if Darío's taken Paz?

I'm going to look downstairs, you look in the church, OK?

OK, in the church.

- [Julio] Yeah. - Yeah?

Where is Paz?

What are you doing with her? Let her go.

In exchange for what?

You and I had a pact, didn't we?

Please. Wait.

Hmm? Go on.

Paul and Adèle Uribe are going to escape.

They're going to the police to report you.

And their mother is here to help them.

Patricia Brun.

Patricia Brun.

With all due respect to...Paz?

I have no idea who she is.

So I have even less an idea of where she could be.

Good luck.

[footsteps recede]

[breathes deeply]

[chains rattle]

[strains]

[muffled groan]

[metal clattering]

[inhales]

[strains]

[whimpers]

- [metallic echoes] - [breathes rapidly]

[whispers] No, no, no...

[whimpers]

[metallic echoes continue]

No!

[whimpers]

[gasps, whimpers]

[cries]

Let me out. Let me out, please!

Please let me out!

[clatter]

[pants]

[ominous music]

[scraping]

Please!

- [scraping] - [gasps]

Please don't do anything!

[whimpers]

[scraping]

[silence]

[distant scraping]

[pants]

[scraping continues]

[distorted high-pitched scraping]

[friars sing prayers]

[Salvador] The body of Christ.

[both] The body of Christ.

The body of Christ.

[both] The body of Christ.

You're the only friend I have here.

You have to keep going.

Preserve our history.

[soft music]

[Elvira sighs]

[Paz whimpers]

[muffled cry]

[muffled grunt]

[whimpers]

- [Paul] Is this it? - Yes.

- Can you open the gate? - Of course, come with me.

Patricia Brun. What a surprise.

Give me the watch or I'll shoot.

Too late, as ever.

Paul, look in his pockets.

Patricia, please. What have you become?

Are you serious?

Done, happy, satisfied?

Do me a favour and put that down.

[Patricia] Make no mistake.

I will prove my innocence, Darío.

I'm not like you.

- I've got nothing to do with your crimes. - My crimes?

Scientific achievements.

Achievements that you never reached. That's for sure.

You're right. I would never have put anyone's life at risk.

The sacrifice of a few for the good of many.

- Put that down now, I mean it. - No closer.

- Let's go. - Give me the key.

Give it to me! Come on.

[Patricia] Let's go.

[Darío] The police are coming. Where do you think you're going?

[engine starts]

[strains]

[Paul] Come on, Adèle, get in!

Get in, hurry!

Go, go, go!

Close it! Close it, close it!

Sergeant, where the hell are you? They're escaping.

[sirens]

- No, no, no. - Shit.

[Paul] Oh, God.

[Cavila] Patricia Brun, get out of the car with your hands up.

- Mama. - It's OK.

[emotional music]

[Amaia shouts] Paz?

Paz!

[pants]

[ominous music]

[muffled whimpers]

- [Paz kicks] - [man grunts]

[pants]

[still panting]

- [muffled groan] - It's me, it's me! Look at me!

[both gasp]

[inhales, wails]

[both cry]

Patricia Brun. Get out of the car with your hands up.

No. Mama, no, no, no.

- Please-- - It's all right. Don't worry, stay here.

- Mama, no. Please, no. - No, Mama, Mama!

[handcuffs rattle]

[Cavila] You have the right to remain silent and refuse to answer questions.

Anything you do say can be used against you in court.

You have the right to talk to a lawyer for advice

before we ask you any questions,

and you have the right to have a lawyer with you during questions.

Let her go.

- [Paul] Adèle! - My mother is innocent!

Young lady.

Put down the gun.

[Patricia] Adèle, look at me. Put the gun down.

I have to go now, but I'll come back for you.

- OK? Please. - [whimpers] No.

- [Paul] Adèle. - No.

Look at me, Adèle.

Adèle, look at me.

I'm sorry.

[whimpers]

[cries]

[cries] I'm sorry.

[cries] No, I'm sorry. I should have come sooner.

That bastard won't always win.

- [Patricia] I'm sorry! - [Paul] I'm so sorry!

- I'm sorry. - Let's go.

- I promise you. I promise you... - [Cavila] Let's go.

[Adèle weeps]

[Celia shouts] León!

- You killed my daughter! - [gunshot]

[sad piano music]

[Paul distantly] Celia?

What have you done, Celia?

[sniffs, cries]

Please. Stay with me. León, don't you die.

- [Officer Díaz shouts] Freeze! - [Cavila] Celia, don't move.

[Darío] Inés!

Inés!

[gasps]

[watch rattles]

- [Inés whispers] Please. - I'm going to call an ambulance.

[cries]

[ominous music]

[whimpers]

[exhales]

[both scream]

Let me go! Let me go!

[screaming]

[Amaia shouts] Paz!

[Paz gasps]

[screams] No!

Amaia, no!

[pants, screams] No!

[Paz's screams fade]

Amaia!

Amaia!

Amaia! Are you OK?

Amaia, what happened?

- Amaia! - [weakly] They're going to kill her.

[shouts] They're going to kill her!

- Paz! - Amaia!

- Come on, Paz! - Amaia!

[Amaia shouts] Paz!

[pants] They're going to kill her!

- Amaia, what the fuck is happening? - [screams] They're going to kill her!

- [knife scrapes] - [Amaia gasps]

- [knife scrapes] - [whimpers]

[Manu] Hey, you! Hey!

Let her go, you son of a bitch! Let her go!

Put that on the floor. Drop it!

- [knife lands] - [Manu] The rope! Get the rope off her.

- [whimpers] - Don't move, arsehole!

[Amaia shouts] Paz, it's OK!

Manu, I can't!

[screaming]

[silence]

[gentle piano music]

[gunshot]

[second gunshot]

[Amaia breathes rapidly]

[Manu] It's Pelayo.

[swelling music plays over crying]

FOR OUR FRIEND TXEMA AREIZAGA IN MEMORIAM

Subtitling: DUBBING BROTHERS