Original subtitles

ON PREVIOUS EPISODES OF THE BOARDING SCHOOL LAS CUMBRES

In less than fifteen hours, we'll be at the beach eating fried fish.

[atmospheric music]

[gate crashing open]

- [Amaia] Run, run, run! - [Paul] No!

[atmospheric music]

[Amaia] Manu! Manu!

[loud thud]

[Mara] Where's Manuel?

A man in a crow mask took him away.

What a nice story.

It seems to me absolutely inconceivable

that two students disappeared from right under our very noses.

We have a commitment to their families.

[Darío] They put their trust in us.

They send their children to us to correct their behavior.

[laughter]

Don't make any more trouble, Paul. I can't bear it here.

Manuel might be in danger.

I'll do whatever it takes to help him, do you understand?

[Amaia] "High above the peaks,

the cawing crow's cries are heard."

[Paul] This building is full of crows.

[Alba] On the tops of the peaks the crows' cries...

their cries are heard.

[screaming]

[Amaia] There are dangerous people in that forest,

the same ones that took Manuel.

We think it's a kind of ancient lodge.

[Amaia] The Lodge of the Crow's Nest.

[ominous music]

[inhales]

That was how they took Manuel.

[Paul] Do you never get scared?

Sometimes I have nightmares about you.

You sure they're nightmares?

[Amaia] Are you teasing me?

[Paul] I wouldn't dare.

[heavy breathing]

[Elías] Each one of you,

each one deserves the same respect as the teachers for whom you stand up.

Every time they tell you you're here because you're worthless, they're lying.

[screams]

Stop it!

[Elvira] I think that you're unusual. [Elías] And why is that?

[Elvira] You smoke, drink, wear jeans under your habit.

What do you want me to wear?

[heavy breathing]

[Elías] Every time they tell you that nobody needs you out there,

they're lying.

[Elías] She was called Yolanda Pascual.

She was just a child in need of help.

That day I lost my faith

and I lost myself.

I've seen Yolanda's symptoms in other students.

[Elías] I know Corax Laboratory funds the school and uses the kids as guinea pigs.

What about those grants with which Corax Laboratory funded your studies, Elvira?

[Elvira] It's not exactly like that.

Give me one reason to believe you, Elvira.

Just one reason.

[Elvira] Elías, I ask only to see you one more time.

I'll give you the evidence.

[Elvira] Hello!

I've been locked in! Please!

[Elías] Don't believe them.

[Elías] Don't allow it.

Rebel against it.

Find yourself a good lawyer, Mara.

[bell chimes]

[guttural noise]

[gasps]

[Mara] Our colleague Elías [heavy breaths]

has taken his own life.

[Eric] Elías was the only teacher who cared about us!

[screaming]

[Fran] Have you had any more nightmares?

How's everything here?

They treat me well, Papa.

Is she starting to remember?

[Amaia] How about you, miss innocence?

Doesn't anything come to mind?

[Inés] I have amnesia, remember?

[Mara] Our objective is that, despite their problems,

they finish school with qualifications.

I like a challenge.

[gentle piano music]

SETTLED INTO BOARDING SCHOOL. LOOKED AROUND, IT'S BEAUTIFUL

[Inés] Why were you playing that piece? [inhales]

Because you like it.

[machine beeps]

[Darío] This is a result of the accident.

Your brain is trying to remember,

and when it can't it gets frustrated.

What you are seeing are just confused images. Nothing more.

[Inés] I think you and I knew each other before I lost my memory.

I think you are the only person who can tell me who I am.

Tell me who I am, León.

Everyone is lying to me.

- [León] Do you want to marry me? - [Inés] Every day.

I'm not even called Inés.

[Inés] Inés is dead!

CAR CRASH IN LISBON

Why won't anyone tell me the truth?

[dramatic music]

[rope creaks and cracks]

[screams and panting]

- [Inés] The girl you see doesn't exist. - [rope creaks]

[Inés] I didn't know you could see her.

I realized the other day, we were seeing the same thing.

[Paul] The Lodge of the Crow's Nest members made a pact with the devil.

Concealed by masks, they'd meet in a place they called The Nest.

[Amaia] It says Pope Nicholas V sent one of his men to investigate these mountains:

Father Malaquias...

[Paul] Malaquias did not find the door from the forest,

but he built a monastery over the place they took their victims.

[Amaia] This monastery, I've found the door.

A door to the Crow's Nest.

DINING HALL

It's in the dining hall fireplace.

[Inés] There are musical notes here.

[Amaia] I think the church organ is on the other side.

What if they're connected?

[grating noise]

[dog barks]

[flames blaze]

[Paz] What the fuck is this?

[Amaia] The Crow's Nest. Manu has got to be there.

[hissing noise]

[screams]

What the fuck are you doing to me?

[scraping noise]

[running water]

[grunts]

[grunts and pants]

[Manu] Kill me now!

Or let me do it!

FUCKING SONS OF BITCHES

[Zamora] Stop! Police!

Police!

[grunts]

[grunts]

[shot]

[grunts]

[shot]

[Manu] Police!

[screams]

[shot]

[splash]

[Paul] That's Manu's t-shirt.

He wore it when he escaped.

[Cavilla] And the tranquilizer darts in the river?

Probably a poacher.

- Paul, I must talk to you now. - Adèle, I can't right now.

Go!

[suspenseful music]

[Adèle] You're not alone now.

Do you want to come with me to Paris? To my uncle's wedding?

Yes. Come here.

[Adèle] I'm going back, Rita.

I can't leave Paul there.

My brother is all I have.

[Rita] Adèle!

[Amaia] The Crow's Nest summons the lodge by launching lights into the sky.

And every time this happens,

a young virgin is sacrificed.

[ominous music, crescendo]

[scared panting]

[gasps]

[crow caws]

[low exhalation]

[rapid breaths]

- [footsteps running] - [dramatic music]

[whimpers]

[branches crackle]

[thud]

[rapid breaths]

[low exhalation]

[metal jangling]

[low exhalation]

[dramatic music]

[low exhalation gets louder]

- [gasp] - [scream]

[thud]

- [muffled whimpers] - [car engine]

[muffled sobs]

[muffled grunts]

[ominous music]

[gasps]

[rapid breaths and whimpers]

[regular beep of machine]

[screams and rapid breathing]

[hissing noise]

[regular beep continues]

[footsteps]

[noise of liquid in tube]

[ominous music]

[muffled breaths]

[muffled grunts]

[rapid breaths]

[chokes for air]

[gulps air]

[rapid breaths]

[ominous music]

[rapid breaths]

Manu.

Manu?

Manu!

Manu, wake up, please!

Manu! Manu!

[whimpers]

[suspenseful music]

What are you doing here, Adèle?

[whimpers]

Are you really here? You have to go.

[whimpers]

Go before they take you to Room 3.

How do we get out of here?

Here, help me.

[grunts, thud]

[metal scraping noise]

You have to get out before they take you to that place. You have to go.

- But we'll both go, no? - No.

I don't fit in there.

Okay? You have to go, Adèle.

- No, I can't. - Look at me. Get help, okay?

- [sobs] - [sad music]

I don't have much time left.

But what is Room 3?

Who's doing this to you?

[whimpers]

Did Amaia manage to escape?

No.

Do they remember me?

They've never stopped looking for you. Not for one day.

[music continues]

[whimpers]

I promise I'll come back for you, okay?

Go!

[sobs]

[dramatic music]

[grunts]

[loud dramatic music]

[grunts]

[rapid breaths]

[loud dramatic music]

[grunts]

[rapid breaths]

[running water]

[sobs and gasps]

[sobs]

[gasps]

[sobs]

[whimpers]

[gasps]

[crow caws]

[gasps]

[crow caws]

[whimpers]

[rapid breaths]

[gasps]

[dripping noise]

[rope creaking]

[ominous music, crescendo]

[rapid breaths]

[ominous music continues]

[Adèle] Rita?

[rope creaks]

[gasps]

[car tires]

My sister has been lost in the woods since yesterday.

She could be dead for fuck's sake!

If anything happens to Adèle, I will make you pay.

[tires screech]

[engine running]

Adèle.

[car door opens]

Adèle!

Adèle.

[sobs]

- [sobs] - [emotional music]

It's okay.

[sobs]

It's okay.

I escaped.

Manu helped me to escape.

[sobs]

Manu?

Manu?

Manu?

Shhh.

I saw Rita.

[crow caws]

[crow caws]

THE BOARDING SCHOOL: LAS CUMBRES

[ominous music]

[students] I deserved the punishment that I received,

and I promise not to break the rules again.

We are grateful to this institution for correcting us and showing us the way.

[cutlery on plates]

[Mara] It is possible that a serial killer is responsible for the death of a student,

Rita Ramírez.

The similarities between this crime and the murder of little Alba

have led the police to believe there's a crazed murderer out there.

I don't know who wants to replicate crimes that happened in these valleys long ago,

centuries ago...

We're talking about a copycat murderer.

It's said they belonged to a strange lodge,

the Lodge of the Crow's Nest.

They wore bird masks, they murdered girls and tore out their eyes.

And they all had the same tattoo on their bodies: the Rune of Death.

The authorities will want to talk to every one of us in the next few hours.

[Professor 1] But...that's impossible.

[Mara] Please, come on. They're asking for our collaboration

and we will give it.

For my part, I'm asking you for a greater commitment than ever to this school.

Things here need to change...

radically.

- [whistle blows] - [Mario] Come on!

[Mara] I won't allow even one more lapse in discipline.

Under any circumstances.

[Mario] Keep going! Faster!

[Mara] The students need to end each day too exhausted to organize revolts.

[Mario] Come on, let's go!

[Mara] Maintaining order and maximum discipline is,

and will be, our priority.

[whistle blows] [Mario] Keep going!

Adèle needs time.

[Mario] Come on!

[Mario] Did I tell you to stop?

[Julio] No, sir.

[Mara] The students' pain over Elías' death is understandable.

[Fraile] Our Father, who art in heaven...

[Mara] We all loved him here,

but that doesn't justify destruction or uncontrolled rage

[bell chimes]

- [Mara] As of today, - [students moan]

cold showers every day, until they lose the desire to rebel.

[crowd] It's so cold.

Adèle, say something.

I just want to help you.

Say something, Adèle.

[crowd whimpering]

Do we really need to be guarded morning, noon and night?

[Mara] We will impose order,

silence,

discipline enforced.

They will learn that in this school nothing and no one can move

without my permission.

These seem to me very necessary and appropriate measures.

Pelayo, this is outrageous.

Do you really not see that these measures won't do any good.

I think we can look for alternatives to help us get along better with the kids.

That is all.

Good day.

[rhythmic music]

[music continues]

[regular pulse of machine]

[Inés] Do you know what my oldest memory is?

- [Inés] You. - Me?

Cleaning my face with a sponge and warm water while my father watched me.

You were happy.

[exhales] Of course I was,

you were waking from a coma.

How long have you been my father's shadow?

Shadow?

We met a long time ago. But he hired me after your accident.

And what was the accident?

Umhe was driving,

it had rained,

the road was wet and on a bend the car

Blah, blah, blah...

Tell me something I haven't heard a thousand times.

It's not about what I can tell you

we're stimulating your brain so you can remember for yourself.

[knocking at the door]

[Darío| Hello. How is everything here?

How's my girl?

Fine.

Fran, any improvement in her long-term memory

by stimulating the temporal lobes?

I don't know.

[rhythmic pulsing gets faster]

[Fran] Yes, it's working.

[breaths heavily]

[ominous music]

- [rapid rhythmic pulsing] - [gasps]

What do you remember, Inés?

[rapid breaths]

[slamming noise]

[Fran] - What happened, Inés? [Darío] - Send me everything,

we may have reached a critical point.

[Inés] Enough! We're done.

I don't want to know. I don't want to remember, hear me?

I'm not interested.

Darling. Darling!

[students chatting]

[footsteps]

[loudspeaker] All students make their way to the dining room immediately.

Punctuality is a sign of respect to oneself and others.

[crowd] - Come on, throw it out. [crowd] - So annoying, get rid of it.

[heartbeat, heavy breaths]

[heartbeat and breaths get louder]

- [dramatic music] - [heartbeat and breaths get faster]

Adèle.

[Adèle, heartbeat and breaths]

Adèle, it's not your fault.

Calm down.

[rapid breaths]

Adèle, look at me, look at me.

Look at me and breathe, you have to breathe.

Breathe.

[slow breaths together]

That's right,

that's right.

Paul, it could be any one of them.

Any one of the teachers.

[ominous music]

[inhales] We have to get out of here.

Manu doesn't have much time.

|inhales] I promised him I'd come back.

Can you take us to the place?

[Inhale]

Yes,

yes, I think so.

[suspenseful music]

[door opens]

[Pelayo] Why are you here?

That's it, no dinner tonight.

[suspenseful music continues]

[students chat]

[cutlery on plates]

[metal jangles]

[footsteps]

[footsteps]

[dramatic music crescendo]

[gentle music]

[exhales]

[rapid breaths]

[thud]

[door slams]

[rapid breaths]

[exhales sharply]

[frantic rubbing of hands]

[frantic rubbing of hands continues]

[running water]

[students chatting]

[footsteps]

We'll do it tonight.

At 12, when the bells ring.

[students stand]

- Good morning. - [students] Good morning.

[door shuts]

[Pelayo] From now on, I'll teach your Latin class.

We'll start with an exam to see what level you're at.

Oh great.

[Pelayo] I won't be as indulgent with you as our dear Elías was.

[footsteps]

[bell chimes]

[bell chimes]

- [footsteps] - [bell chimes]

- [footsteps] - [bell chimes]

[Elvira] Don Arturo, can I come in?

Don Arturo?

[footsteps]

[exhales]

[gentle music]

[doctor] Dear Elias,

I can only imagine how awful it must be

to open the tomb of a student to take a hair sample.

I applaud your commitment to the truth

and to Yolanda Pascual.

The analysis leaves no room for doubt:

[ominous music]

an extremely toxic substance

caused her death.

[ominous music]

[León] And you? Why do you think she was poisoned?

[sighs]

I don't know.

[inhales] But what I do know is that she had taken strychnine,

a poison that causes spasms,

vomiting, neurological changes,

terrible pain

and death.

Very similar to demonic possession.

[dramatic music crescendo]

[Elvira] Elías never stopped believing it,

[low breath]

and he was right.

- Okay. - I really don't believe it was suicide.

Okay.

But why would they kill her?

I don't know.

[Elvira] They came into my room the night that Elías died.

[opens cupboard]

- [exhales] - [cupboard door slams]

[Elvira] And not just to steal the envelope with the proof

I was going to give to him.

It was a threat.

[ambient music]

They wanted me to know that they had been there.

Okay.

Stay calm,

We'll be careful, it'll be fine.

- [Elvira sobs] - Hey.

[dramatic music]

I'm here to relieve you.

Go, go to bed.

What?

They told me I still had two hours.

Oh, shit, then I'm going to bed. Alright.

Hey,

since you're here now, I'll be going to bed.

- I'm fed up of guard duty. - Yeah, alright then,

rest up mate.

- [Sapo] Take it easy. - |Eric] Night.

[Eric exhales]

[dramatic music]

[knocks]

Okay. Go, go guy's.

[door squeaks and closes]

[atmospheric music]

[sudden loud violin]

[suspenseful music]

[suspenseful music]

[Paul] Let's go.

- [Inés] Amaia. - [Amaia] What?

I'm going this way.

- [Inés] I'm going to the church. - Remember the music to open the door?

[humming melody]

[drum beat]

I hope you find Manuel.

Why don't you leave Darío.

He's not your dad, you don't owe him anything.

He's all I have.

Or not?

[gentle music]

I hope that one day you find who you are.

I don't think I want to.

[whispers] I already know who you are, Inés.

And I, you.

- Since when were you such good pals? - She's helping us.

- We have to go. - Okay.

Hey, what is it?

I don't want to go.

I don't want to go back to my mom.

Do you know what I have out there?

Paz, now is not the time.

You don't have to go back to her. You're with us.

But they're gonna look for us. Where are we going to hide?

We'll find a living. I've stolen thousands of times.

Breaking into a car or house isn't hard, Paz.

And I'm not going to go without you, this time.

[Light breathy reactions]

[Adèle] Let's go, come on.

[suspenseful music]

[footsteps]

[door creaks]

[door creaks]

[footstep thuds]

Is there a traitor party I haven't been invited to?

[Paz] Eva, leave us alone, this is none of your business.

Go away!

If they're gonna punish us, I'd rather be part of the fun.

[Amaia] Listen, fuck off, you little brat!

Shall I tell Mara that you steal Prozac from the infirmary?

Hm. I hate you.

Thank you.

[bell chimes]

[door slams shut]

[bell chimes loudly]

[suspenseful music]

[bell chimes]

[footsteps]

- [bell chimes] - [Inés gasps]

[Fraile 1] We found someone who can fix the organ.

- They'll come tomorrow. [Inés] - Shit!

- [bell chimes] - No, no, no.

[Paz] Why won't it open?

[Eric] I don't know. What's going on?

[Paul] Shit!

Shit, why won't it open?

[panic breaths]

[Amaia] What if Inés couldn't get to the organ?

[panic breaths]

[Paul] Why isn't it opening now?

Come on, Inés!

- [Eric] It's not working. - [Paz] Fuck, fuck!

- [Julio] Is it not working now? - [Mario] Luis, open it!

- [Door opens] - [Paul] Look out!

[Dog barks]

Stop! Stop! What's going on here?

[Mario] What's going on in here?

[Eric] Nothing, we were going back to our guard posts.

[Mario] You're not on duty tonight.

[Dog growls and barks]

- [Friar 1] It's the forbidden references! - [Inés] Shit!

[Friar 2] Yes, definitely.

- [Inés panic breaths] - [dog barks]

[knocking on door]

[Paz] It's not fair, we've done nothing.

[Mario] Tell that to the headmistress tomorrow, Paz.

And how well you were tucked in your beds.

Now you have a cold night ahead of you in the freezers.

- [dramatic music] - [dog barks]

[dog barks]

[Mario] Something's not right.

[dog barks]

I'll be right back.

[Mario] Go on, keep going.

[dog barks]

[Inés, breathy gasps]

[fast footsteps]

[keys jangle]

[metal door creaks open]

There, in you go.

Don't you see, there's six of us

and one of you?

[Paul] Fucking get in there.

- [Paz] Push! - [Paul] Close it!

[Amaia] I've got the keys!

[Paul] Close it! Close it!

- [Luis] Open up you brats! - [Paz] Let's go!

[Julio] Let's go, let's go. Run, run!

Dickhead!

Good night!

Go, go!

Let me out of here!

- [keys opening door] - [dog barks in distance]

[Paul] We have to get to the gate!

[Paz] Go, go, go, go!

[Running breaths and footsteps]

[loud dog bark]

[Mario] Where do you think you're going? And the others?

Where are they?

[dog barks and growls viciously]

[Paz] Amaia, run!

[Mario] You're crazy!

- [Mario] Go boy. Go! - [Paz] Amaia, run!

[dogs footsteps running]

[dramatic music crescendo]

- [Amaia] Let's go, let's go! - [Paul] Run!

[Amaia] Run, Adèle!

[running breaths]

[dramatic music]

[Amaia] Shit!

[Adèle] Please!

[Paul] Come on, Amaia!

[Amaia] Shit, not this one, fuck!

- [Adèle] Come on! Let's go! - [Paul] Open it!

[Amaia] - Adèle, quickly. Shut it! [Paul] - Quick!

- [door slams] - [dog barks]

[panic breaths]

[Mario] Stop!

[shouting]

[Mario] Amaia!

[Mario] Come here!

Open the gate!

- [Mario] Open the gate! - [students laugh]

[all] Go, go!

[Mario] Come here!

[dog barks]

[dramatic music]

[owl hoots]

[keys jangle]

[music crescendo]

[metal ripping]

[Amaia screams]

[Paul] Amaia! Are you okay?

[Amaia screams]

[Paul] Amaia!

[Amaia screams]

[metal lock jangles]

[ominous music]

Find them!

[whistle blows]

[Mario] Get in line!

[Mario] Did I tell you I suffer from insomnia?

- [Mario] You won't stop until I sleep. - [whistle blows]

Continue the circuit! Let's go!

Get to it! Come on, harder, Julio,

Let's go!

I'm gonna have a great night with you. I wanna see you broken!

Let's go, let's go, I said!

I've got all the time in the world to make you suffer!

Come on, Julio.

[ominous music]

[strange rustling noise]

[dripping noise]

[thud]

[creaking]

[rustling gets louder]

[bang]

[dramatic music]

[panic breaths]

[continuous loud slithering noise]

[whimpering]

[slithering, slimy noise]

[Inés gasps]

[panic breaths]

[student] Hey, can you stop being so loud?

[student] Go to bed, loser.

[panic breaths]

[breaths slow down]

[loud effort grunts]

- [Amaia sobs] - [effort grunts]

[Paul] Come on!

[grunts and screams]

[Paul] That's it, Amaia, that's it.

[Paul] That's it.

[Paul] Look at me. That's it.

That's it. Are you okay?

[Adèle] That's it.

[whimpering]

- [Paul] That's it. - [Adèle] Lean on me, Amaia.

[dog barks]

[Adèle] They're looking for us. We've got to go.

[Paul] Let's go!

- [Adèle] Let's go! - [dog barks]

[Paul] Move, move!

- [effort breaths] - [dog barks]

[crow caws]

[Mario] One! Two!

Turn!

Defense. Hup!

[all] Hup!

[Mario] One, two!

[scared breath]

I didn't mean to frighten you.

The door was open

and I saw you're an early bird like me.

[Mara] Good morning, Arturo.

Elías was a man of contradictions

and he was terribly confused,

but he cared a lot about the kids.

He has left a big hole at this school.

It doesn't matter.

I don't need the approval of all my teachers.

Not even your blessing, Don Arturo.

It would benefit you to have it.

We will see how far you can go

with these extreme measures.

[ominous music]

[door creaks open and shuts]

[effort grunts]

[Paul] Haven't we walked here already?

[Amaia] Adèle, don't you recognize this?

[Adèle] It was all just so dark. Okay?

[Amaia whimpers]

[Amaia gasps with pain]

[Paul] Fuck, it's bleeding a lot. Listen,

she needs a doctor now.

We have to do something.

[heavy breaths]

Fuck!

[running water]

Do you hear that?

What?

Water.

Amaia, come on.

[gentle music]

[footsteps on leaves]

[Paul] Come on, come on. [grunts]

[Adèle] I remember this.

[running water]

- It's here! - [Paul] What?

It's here!

[Paul] Let's go!

- [Paul] Here? - [Adèle] Yes.

[effort breaths]

[Paul] Come on! Shit!

Okay.

Are you sure this is it?

Yes.

[Paul] Let's go.

[kiss]

[Adèle] Come on.

[Adèle] Help me, Paul.

[Paul] Come on.

- [Paul] Do you wanna go in? - Uh huh.

[effort grunt]

[Paul] Shit!

[effort grunts]

- [effort grunts] - [dramatic music]

[Paul] Shit, I can't.

I don't fit!

[efforts]

Shit, are you in?

[Amaia] Yes!

[Paul] On God, fuck.

[loud ominous music]

[effort breaths]

[ceramic smashes]

[low atmospheric music]

[whimpers] We got here too late.

[Adèle sobs] They've taken him to room 3.

[sobbing]

[sad music]

[screams]

[drum bangs]

[rope tears]

[Inés] The assassins of the Lodge of the Crow's Nest

tattooed the rune of death on their bodies as a sign of their pact with the devil.

[ominous music]

[bang]

|hair clippers whir]

[whirring continues]

[breaths]

[glass breaks]

[glass hits sink]

- [ominous music] - [blood gushes]

[student] Hey, what's happened?

[music crescendo]

[bangs]

[exhales sharply]

We'll call the Police, get them to come to this fucking place,

- blow up Room fucking 3! - [Amaia moans]

- Amaia. - [Amaia moans]

Hey, look at me.

- [Paul] Amaia! - Paul!

She's burning up.

- Amaia, hey, Amaia! - [ominous music]

Oh no, no, no.

[effort grunts]

[breathes heavily]

[Adèle] Paul.

- Paul! - [Paul] Amaia! Hey!

- [Adèle] Paul, what do we do? - [Paul] Listen to me!

[Paul breathes heavily]

[effort grunts]

Okay. [Breath] Paul, I'm going to find help!

No, Adèle!

Adèle! Don't go anywhere.

[suspenseful music]

I'll be right back. [rapid breath]

Amaia, Amaia, hey.

[Amaia gasps]

Look at me. That's it, okay?

I'm here, okay? Hey, look at me.

Paul, it really hurts. They'll have to cut it off.

It's okay. If they cut off your foot, I'll still be your friend.

Aren't I so lucky you idiot.

[happy gasps]

I don't even care that you're deaf.

You're an arsehole.

And you're a cripple.

[exhales]

[Amaia groans]

[Paul grunts]

[people chatting in background]

[León] Why are you showing me these?

I didn't really know the girls.

[police siren]

What do you know about the Crow's Nest?

[León] Mara told us it was a medieval sect

and the killer is imitating it.

I'd hoped that you could tell us more.

[suspenseful music]

I understand that you're from the area.

[León] I was born here, but I left years ago.

I was very young.

The crow

it sounds like the stories they told us as kids to scare us.

Do you have family left here?

No.

[inhales] But why did you decide to come back just now?

I needed to reconnect with my past.

That's bad luck too.

That two days after you arrived, a wave of crime and death began.

[gentle music]

[Amaia shivers] Adèle.

[Amaia shivers and moans]

Paul!

[Paul] Adèle!

[rapid breaths]

[Paul] Amaia, hey, come on.

[birdsong]

[hunter] Bloody traps.

Hunting like this is for cowards.

- [Amaia moans] Paul. - [Hunter] You destroy the flesh this way.

[Paul] Amaia.

Paul, we have to call the Police.

- Girl, girl. - [Adèle] Yeah?

Bring me some more water please.

[Adèle] Okay.

There.

Amaia, this man will take us to the village.

[Paul] We'll find a doctor to treat your wound.

Then we'll go to the Police and find Manu.

[quiet ominous music]

[Amaia moans] Manu...

[footsteps]

[dramatic drum beat]

Paul!

- Paul, we have to leave! - [car engine]

[tires screech]

[ominous music]

[breaths]

[Fran] I don't understand how you managed to cut yourself so deeply.

[Fran] Did you fall onto the glass or something like that?

[Inés] No.

You didn't have to come, Papa.

What are you saying?

How could I not come?

You're my daughter and you're hurt. Hmm?

Lie down.

It'll help you calm down.

[Darío] There's something I wanted to tell you.

Look.

[Darío] I was analyzing Inés' latest sessions.

If you look on the EEG, it's not noticeable

but I'm absolutely certain the terrain

we saw where we found her, there, yes

Where did you find me?

This student needs urgent help.

[Fran] On the bed.

[pained moans and groans]

[pain groan]

Shhh.

[pain groan]

Paul and Adèle Uribe.

In my office.

Now.

[whimpers]

- How is she? - [Fran] She'll be okay

once the antibiotics kick in.

[Amaia rapid breaths]

Honestly, I'm so happy that you have friends.

But you could have chosen better, no?

[kiss]

[Fran] Try and sleep, okay?

[faint moan]

[ominous music]

[door creaks]

Come in.

We'll talk about your punishment later.

You have a family phone call.

Just what we need right now.

- Uncle? - [Patricia] Paul?

[suspenseful music]

What do you want?

I'm so happy to hear your voice.

How are you?

[Patricia] And your sister?

Fine.

You're still angry.

- Paul, you have to listen... - I'm not interested in listening to you.

Mama?

- [Exhale] Your uncle will ask you to sign - [Paul] I'm not interested.

Let me explain.

- [Patricia] It's vital. There are papers - Can you get us out of here?

[sniffs]

Then don't call us again.

[door creaks and closes]

[phone replaced on hook]

[phone replaced on hook]

[cell door ] bangs

Paul.

Mama is dead to us do you remember?

[emotional music]

[quiet sobs]

[groans]

Inés...

What are you doing?

- [Darío] I'll be back later. - [Inés] It's Darío's tablet.

[Darío] I'll take care of it.

I thought I didn't want to remember as it's all horrible, but they're lying.

They pretended I had an accident.

It's a lie.

It all has to be here, in my medical history, something about who I am,

about what happened.

Wait, wait... Room 3!

[Inés] What?

It's where the maniacs from the Crow's Nest are keeping Manu.

[Drum beat]

Manu.

[Amaia] Darío is the one that has Manu.

[ominous music crescendo]

[Darío] We'll revisit this, later.

[Darío] Pass me my coat, I'll head off now.

[Darío] Good.

I'm off, Inés.

And you should rest.

- I don't want her getting dizzy, okay? - Yes.

[dramatic music crescendo]

[loud drum bangs]

[rhythmic pulsing of machine]

IN MEMORY OF OUR FRIEND ÓSCAR ZAFRA

Subtitling: DUBBING BROTHERS