Original subtitles

FACE TO FACE

CC!

Hello!

It's me, Susanne.

CC?

Go away. You shouldn't come here.

- I've been trying to reach you. - Leave, Susanne.

I need your help. I was shot at! Someone's trying to kill me.

- So go to the police. - They can't be trusted.

You're unbelievable.

I wouldn't have come if it weren't necessary.

CC, I know you don't want to see me and...

that you hate me, and think that I...

- That you what? - That I let you down.

But you didn't?

I want you to know that you've always been very important to me.

- It wasn't because I didn't care. - You tried to have me locked up!

- I was afraid of what you might do. - You were afraid. Of what? Of me?

- Yes, is that so strange? - You said you trusted me.

And that you understood me.

I gave you the impression that I was something which I wasn't.

So what were you?

I was your therapist. I wasn't your friend.

- So locking me up was for your sake. - I didn't know what to do.

Can you blame me? You were wild, CC!

- Because you let me down. - That wasn't the only reason!

You're a good man.

But you're also terrifying with your black-and-white view of the world.

I'm not making excuses.

I was unprofessional, and I let you down.

When you first came to me, I was convinced I could help you.

There are therapeutic processes for people who've killed in a war.

But the way our process unfolded...

You took me in, and I became someone you trusted.

I wasn't able to honour that.

- So it was my fault. - No, it was my fault.

I should've handled it better, but I couldn't.

And before it all came crashing down, I sent you away.

My mistake, Susanne...

was to trust you.

Your mistake was to present yourself as something you weren't.

Please leave.

I developed feelings for you.

My feelings for you scared me.

I'm sorry.

Why should I trust you now?

Gauntlet!

Come on. 20 lashes. Go on!

What do you want me to do? I have nothing to give.

My daughter is dead. My husband's in prison.

The police are after me,

and a young girl dies if I do nothing.

That's why I'm here asking for your help!

I'm sorry about what happened to your daughter, Susanne.

Thank you.

Okay.

Tell me about the girl.

It's a young prostitute

who stole from her pimp

and blamed her friend.

The friend was killed, and the killer is going after Sapphire

because she knows who he is.

- Why are you involved? - I had the killer, John, in therapy.

He outed himself during hypnosis.

I found Sapphire, but she fled.

Why can't you go to the police?

I think they're in cahoots with John.

I spoke to the Commissioner.

But that was before I figured out how it's all connected.

And now they're trying to stop me.

That's why they shot at me.

Sapphire fled, and I chased after her.

And... I fell...

- How do I find the girl? - I have her phone.

- But it's dead. - No problem.

- That John fella. Is he a pro? - Yes.

Did he talk about his method of operation?

He carries a weapon. A Glock.

But he prefers to strangle them, so he pacifies them with chloroform.

- He then brings them to his place. - Where's that?

- I don't know. - Not a clue? Stretch out your arms.

- What are you doing? - Checking if you're bugged.

If the Commissioner wants you... turn around... they'll track you.

- Anything? - No. Give me your phone.

Come. If John's MO is as you say, he needs to be close to the girl.

So first, we need to find the girl.

If we can't, our job will be to free her.

So our priorities are: Find the girl, you lead her away

and if John's there, I'll handle him. Got it?

- Yes. - Hey. We only have each other.

- So you're my backup. Got that? - Of course.

- Do you know her pin code? - Maybe.

Good.

She's in the North Harbour. Come.

She has AirPods. As long as they're connected, we can track them.

Quick stop before we go.

Is that necessary?

If something goes wrong, and I'm down

and John has a gun to the girl's head, what do you do?

You need to be able to cock a gun, point it at him and pull the trigger.

I'm down. John has a gun to the girl's head, what do you do?

- Shoot him. - You shoot him?

- Yes. - And you're ready to do that?

I shoot him.

Everyone can kill under the right circumstances.

That's all theory. This is reality, Susanne. My reality.

Out here theories only work if you can carry them out.

You can't just say: I'm scared. I'm pulling out.

I won't let you down.

This is the magazine. Push it all the way in.

Pull back the slide in one movement and let go.

Yes, good. Grab the slide.

Shoot it. It's not loaded.

You didn't pull the slide back enough.

No fiddling with...

- What was that? - Get in the boat!

Hold on.

Come back!

Do you think they'll follow us?

They can't get the boat in fast enough.

Susanne, get the gun from the bag.

Cock it.

Aim between the windmills.

Imagine it's John and pull the trigger.

Come on! Shoot!

Aim a bit lower than your target and pull the trigger!

- Pull the trigger! - I can't!

This is not about your feelings! Give me that!

You want to save the girl, so you have to fire the damn gun!

Like that! Got it? Take it. Aim!

Pull the trigger.

Good.

- What now? - She's in that building.

In here.

- What's up? - Don't you have dishes to do?

Come.

What's Sapphire doing here?

We need to get in there. It's the only way.

She must be in there.

This is it.

I understand that this feels wrong.

You've lost your daughter, and now find yourself in all this.

You have a core, Susanne, in here which is healthy.

And when you're off to war,

it's good to believe you're doing the right thing.

What you're doing is the right thing. I believe that.

We're doing this. Stay close to me.

This is the last place she can be.

Is she here?

- What about up there? - Follow me.

Come.

- Sapphire's bag. - Are her AirPods in there?

- No. - Shit.

We lost the signal. She must've left the building.

But her bag is still here.

I've got a signal. She's down at the end of the road.

Shit... It's the police.

Hey, you! Stop!

Visual of man behind the dumpster.

They think I'm alone. I'll go out and distract them.

Run that way as fast as you can.

Do you hear me?

- No, we'll do it together... - They're on both sides of us.

If we both run, they'll get us. Susanne, you know the girl.

You'll see this through. You're not giving up now.

Police! Come out slowly with your hands in the air.

Save the girl.

You don't owe me anything.

- I know. - Come out or we're going in!

Don't start running till they have me.

We're going in!

- I'm coming out! - Raise your hands above your head!

- Are you armed? - I have a gun. It's not cocked.

I'll take it out slowly with my right hand and throw it on the ground.

Get him in the car!

Hurry! Get him in the car.

Go, go!

Subtitles: Tina Goldberg Edited by: Evelyn Antelo - www.plint.com