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Haha
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yeah those blues notes
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very tasty solos
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and now I'm not worrying
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that he won't get that tastiness in his playing
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because that is
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he plays tasty on his own already
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but I'm very curious what he will do with the solos
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because that is if I
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if I still got the blues
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it's those solos
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yeah finger style guitar amazing
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you guys said 2 main songs
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one was the Dream Theater cover
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but the one that got my attention
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is you said Gary Moore still got the blues
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that says everything
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nobody likes to show mistakes
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everybody's afraid these things of making a mistake
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because as soon as you make a mistake you're no good
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but we all make mistakes all of us
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it's just part of us
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no matter how much we practice
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some occasionally mistakes happen
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I love the fact that Alep but has left that mistake in
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it really shows the human side
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the human condition if you like
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that's refreshing
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that's officer
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very honest
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music
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music
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oh man stop stop killing me
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all fail this is the first time I've seen him
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with any sort of history Onyx in his face
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we call that stank face
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I make it a lot on my channel
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I think I was probably just doing it this oh yeah
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he's topping right into the emotion in this
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and he can't help it
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I actually think it's refreshing
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I like both
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I like to see this
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sort of stoic face where you know poker face
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Latin the music they all the talking
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but at the same time there's a humanity comes through
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whenever we get expression in the face
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he's letting it happen
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so it shows you that it's not forced
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because some people do force that
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and they're playing
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they try to perhaps make up for the lack of expression
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and they're playing by pulling cellular faces
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but the really good players only have it
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when it's really hitting them
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you know when they're really in the zone
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completely natural
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nothing about this is fake
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I've always really loved this song
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there's a very romantic chord progression in this
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you know very classical in nature
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it's got that sort of aching melancholy
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about it beautiful
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it's so subtle
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like I sometimes say this with
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with Alibata
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he sometimes uses more percussion than other times
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on his on his guitar
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but sometimes it's really subtle
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like right now
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you almost don't notice that he just taps
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with his pinky finger on the chest of his guitar
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it's just pretty softly as a slide tap
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just something
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but it adds
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it adds something
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it adds that little touch
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that you otherwise would not have
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the little rhythm in there
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yeah definitely very BB King style right
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I love it obviously dudes sounds great let's go
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music
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that was
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that was proper
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that was great
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all of the emotion that Gary
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conveyed in his without
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the vocals without the lyrics without
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rhythm tracks the bass or the drums
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just a phenomenal rendition
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of a song
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Gary would have loved that
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Gary was a master of the guitar
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probably the greatest
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or one of the greatest masters
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of the instrument that
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we've experienced in this
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over these generations that are alive today
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a skill set that was so far beyond
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what most guitar players will ever dream of achieving
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the guy was unmatched
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oh okay okay okay
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that was the intro and that is how I did that is
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yeah that is
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that is how I want to hear it
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if you do a finger style cover of Still Got the Blues
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that is how I want to hear it
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and he just does that
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so the chord progression of this song
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it's beautiful
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it's it's a standard bluesy thing
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especially Gary
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Moral uses this chord progression a lot
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so we have that d minor going into a G 7
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into a C major 7 and then
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we have and that is another very common chord
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that's a B half diminished
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so I'm not going to into much detail right now
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if you want to know more about that
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you can totally let me know that in the comments
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I will respond to you about what that exactly is
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and he just plays that
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he's not making a minor or different chord
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it's just the be my be half diminish right there
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yeah he's he saw it
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he knows his stuff
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and that is
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that is already amazing
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I do have to say
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right so there's lots of people that do covers of songs
131
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it's one thing to get the arrangement of a whole
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either an orchestra of its classical music or a band
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all the different instruments
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and put it onto one instrument
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that's not easy to do
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it's another thing to play it
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that's not easy to do
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it's another thing to then play it live right through
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that's not easy to do
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but what he's really doing here is
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despite everything being on one instrument
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I can still hear the separation
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so I can hear the melody coming through
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I can hear the accompaniment at different levels
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and more importantly
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I'm hearing the original song as he plays this
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so he's managing to transport me to the original
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at the same time as hearing this
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that's not easy to do
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like the technique he used to end that node
151
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by sliding upwards
152
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sometimes you have that
153
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with guitar players that do that at the end of a song
154
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they slide up to end the song or they slide down
155
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sometimes that is used for that
156
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situation but here he does it just to end a note
157
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to end a run to end
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melodic section there
159
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you can absolutely feel the emotion here dudes
160
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and this is what I love about the blues genre right
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I think he's doing it beautifully Bros
162
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beautifully completely
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excellent rendition of Still Got the Blues that's
164
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I'd love to see Alex play in a band
165
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with an electric guitar
166
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now I've seen in the comments that he does do this
167
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and has been in a band
168
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if there's any footage out there of him ripping it up
169
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live on an electric guitar with a band
170
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someone let me know where I can find the footage
171
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cause I'd love to see that kind of
172
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rock and roll on an electric style
173
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I bet he kills it
174
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always one of my favorite songs to play
175
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because I really can get into that blues vibe
176
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I really can get into that song
177
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I really can get
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I can I can feel it
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if that makes sense
180
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and I've based on the covers a leap has done
181
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I think we're quite in the same line
182
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as far as music goes
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music taste goes
184
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I think we love the same stuff
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if that makes sense
186
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music wise and
187
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yeah I'm again super excited to listen to a
188
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leap's version of Still Got the Blues
189
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music
190
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so the amount of emotion in here is unreal
191
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I'm really connecting with it
192
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I have to say
193
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obviously the blue
194
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style is all about sort of disenfranchisement
195
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you know melancholy pain you know
196
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and from what you guys have told me
197
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he's a working class guy
198
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he's a forklift driver
199
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but he's a world class musician
200
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obviously he can do all this stuff
201
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but something that has come to my head is
202
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know the emotion that you put into your music
203
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has to come from somewhere
204
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and I guess if you're born into money or
205
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you know you don't need to worry about anything
206
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that got any financial problems
207
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it's not to say that you can't have
208
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your own personal problems and difficulties in life
209
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of course you can
210
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but certainly when you work in class
211
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life can be hard to pay for your family and you know
212
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your home and all the rest of it
213
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so why am I getting into this
214
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because I don't think it's a coincidence that
215
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the expression that's coming out of this feels real
216
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you know we're hearing a lot of humanity in this plane
217
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you can't force that
218
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or you can't fake it either
219
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you might be able to find somebody else
220
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plan this arrangement
221
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and they may be able to do a good job as well
222
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but it's the same thing with classical piano
223
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a lot of people can play the notes
224
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but can they
225
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connect with you
226
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more more more don't end yet
227
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oh okay listen amazing
15141
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