Original subtitles

I have your daughter.

What are you talking about? Who is this?

'You'll get another call with my demands.'

'It's about truth.'

It's about justice.

Jim told me that he'd give me the biggest story of my career.

He gave me this phone. I think we need to take that phone.

I'll go back to Mackie. Find out what he's mixed up in.

Whatever it is that you think you're doing,

you should stop for your own good.

And for Philip's.

You're accusing me of covering up a crime?

Gary McLean made a recording of that phone call.

And Gary was murdered.

I had to put my hand up for it.

If I didn't, they were gonna kill me for something that I did do.

It was a girl.

Julie... Julie Mackie.

It was an accident.

Who hired them to get rid of the body?

Who hired them? Robert Wallace.

This is the time for the people of Scotland to decide their future.

You're safe now.

THEY GRUNT

WHISPERING: I love you. I love you.

You let her go, Chris? You need to come home, Michelle.

PHONE VIBRATES, BEEPS

TRAIN WHISTLE BLOWS

Chris.

We need to go.

Come on, let's go. Let's go!

What's going on?

I'm being followed. What?

OK. This way, this way. Here.

Listen, there's a missing girl. Annabel Wallace.

She's the daughter of the Justice Minister.

The address of where she is is on this phone.

Those guys are looking for her, too.

DOOR SLAMS

THEY GRUNT

Whoa, Michelle.

It's OK. It's OK.

Let's go. Let's go, let's go. Come on.

Michelle, get in the car. What the hell is this, Chris?

DISTANT: Oi, you!

Get in the car!

TYRES SCREECH

# I don't mind You laughing in my face

# I don't mind The way you take me down

# Where in the world would you run?

# Raised by the seven daughter

# Born of the devil

# Gun. #

Please.

Please don't die. You need to pull yourself together.

This is what you wanted. This is what we both wanted.

For Julie, for Gary.

She's just a girl. So was your daughter.

Now, come on. HE PANTS HEAVILY

We need to make that call so we can get Wallace down here.

I'll do it.

I'll go out and find a signal.

PHONE RINGS

That's the call. Right, everyone. Quiet.

Standing by to trace the call.

Hello?

This is Robert Wallace.

CRACKLY: November... Hotel...

'..127 080 89. Come alone.

'Five pm.' PHONE DISCONNECTS

It's OK.

They want to meet, they want something.

Got him, Mr Mansoor. That's in Galloway.

Does that mean something to you?

Hm? No. I don't think so.

PAULINE: 'Robert, I want to talk to you.'

You have to tell them what you know about Julie.

If you don't tell them, I will.

No, you won't. I mean it.

I don't want to, but I will to protect Annabel. No.

I've told you what they'll do.

We can't say anything to anybody.

Do you understand?

I'm taking care of it.

I promise.

DOOR KNOCKS Is everything OK?

Yeah. Pauline was just upset.

You can understand that, can't you?

Those coordinates relate to an old lead mine.

It's about 30 miles from the school.

OK, you need to get me to that rendezvous point.

He's a good man.

Thank you for all your help.

We should go home.

Someone needs to be at home in case Olivia comes back.

She came back, and she's gone, I told you.

You know, I knew all about your little bag

you had tucked away all those years.

The credit card, your notebook, all ready for you bugging out.

I was worried that something would come back on me.

Oh, no, Olivia told me all about what you taught her.

You know, how to disappear.

I did that in case anything happened.

What's his name? Eh?

Olivia's real dad, what...? What's he called?

Did she say who she was with? What's his name?

Piers.

HE SIGHS He's a criminal.

He's dying.

OFFICER: Yes, I have the vehicle here.

Silver Volvo 240.

'There's been another development.

'That silver Volvo we've been tracking has shown up.

'Abandoned at some reservoir.'

The vehicle was empty,

but there was a Better Together sticker on the car.

Well, I think we can assume that anything on the car is incidental.

Well, this car has been causing us problems all the way through.

Distracting us with CCTV and ANPR tags.

Almost as if they want to get noticed.

Who's the local officer you're liaising with?

What was his name?

I think his name was, erm...

Gordon... Byrne?

PC Gordon Byrne.

Excuse me.

Beaten up by a wee girl?

Hm?

PHONE RINGS Yeah?

We're trying to catch up with Chris O'Neill.

We're tracking him now.

I think he knows where Annabel is.

Gordon Byrne?

OK. Tell him we're on it. PHONE DISCONNECTS

Change of plan.

Shall I stop tracking them?

No. No.

Let's just see where they're going.

Gogsy fucking Byrne.

She bashed you good, eh?

We need to call an ambulance. No, come on. She's just unconscious.

You don't know that. You don't know, it could be anything.

Internal bleeding. It's not internal bleeding!

She fell down, she banged her head, and now she's passed out.

I didn't want anything to happen to her.

I didn't want that. It's too late, Jim.

I don't know if I can do this.

The journalist's not here.

She was meant to be here. Well, she's not.

So, like I told you,

you're just gonna have to try record Wallace on your phone.

We'll give her everything later.

How did she look? Fine.

I mean, she doesn't know who she is any more,

but apart from that, she looks fine, you know.

She... She said that?

She said she didn't know who she is any more?

Michelle, you lied to her all her life.

I lied to her all her life.

I didn't even know that I was lying to her.

Stop the car. Chris. I'm not stopping.

Chris, can you stop the car? I'm not stopping.

Will you stop the car, Chris? I wanna get out! Stop the car!

Oh, yeah, yeah, there she goes. Running away as usual.

You need to tell Olivia about her dad.

Who he really is. No, I don't.

He's a criminal,

and I don't want her to know anything about him.

He's dying, she has a right to know, and it's the truth.

Everything has to be the truth now, Michelle. OK?

No more letting things go to keep people happy,

no more sparing people's feelings, that's always been the problem.

I let things go, I let things sit there,

I push things down.

I went soft on you.

I'm just...

I'm just this mug, just trying to be the good guy.

SCOFFING: The good guy?

What about what you did to me? What about that was...?

What was that? Was that the good guy? Huh?

I wish I could change that. Yeah, well, you can't change it.

You betrayed me, and you betrayed Olivia.

Why didn't you just tell me? Oh, God...

You know, that is what I do not understand.

Why did you wait all this time?

All of her life until now? If you'd just told me...

How could I tell you, Chris? I came to Scotland.

My life was in danger.

I met you, everything happened so fast.

We shouldn't have done what we did, but we did.

We shouldn't have got together, but we did.

We were there, we were right at the start of something,

and I found out I was pregnant, and I didn't know what to do.

I mean, first, it was too... too soon to tell you,

and then it was too late to tell you.

I was trapped.

I didn't want to be the one who spoiled things, Chris.

I wanted you to be Olivia's dad.

SOFTLY: Chris.

SHE BREATHES SHAKILY

SHE WHIMPERS

You don't think Olivia's coming back again?

No.

No, not any time soon.

Well, let's go find this girl instead.

Guys, he's here.

HE CLEARS THROAT Any news?

A decoy?

You've been chasing after the wrong car?

'Not quite.'

The car had the same number plate as a car on CCTV,

near the location Annabel disappeared.

Because of the location of the vehicle,

and because of your position and public profile,

we wondered if there was a political angle?

Some sort of loyalist group perhaps?

Er... We-We think that was a mistake.

'That those were deliberate attempts to confuse our investigation.'

But we do have a different suspect in mind.

Jim Mackie.

'We still haven't located Mr Mackie.'

'I'm sorry to ask, but...'

..when we spoke to Stuart Simpson, Mr Wallace,

he said that Annabel told him that you had information

that Jim Mackie's daughter, Julie, was dead?

All this time. Is that true?

HE SCOFFS I mean, that's ridiculous.

How would I possibly know that?

I know you and Mr Mackie were close in the past.

We were close. He was my mentor.

And did you ever fall out? 'I know what this is.

'I know what's going on here.

'It's an attempt to smear me and discredit me.'

Who knows if this teacher has any political affiliation?

'Does he hate the SNP?'

This is coming from your own daughter, Mr Wallace.

Annabel can be a bit of a fantasist at times.

She sometimes exaggerates to impress people.

Lies. Doesn't she?

Doesn't she, Pauline?

Yes.

You see, that's coming from her own mother.

Now, you need to get me to the location

so that I can meet with whoever it is that is behind this.

'So we can find out what they actually want.'

Mr Wallace, as long as you understand the risk

you're exposing yourself to.

I understand the risk,

and I'm willing to accept it... for Annabel, to find her.

OK, so long as you understand.

I understand!

Why isn't she answering? I don't know.

I sent a message to her burner phone,

but whether she comes here or not, you have to get yourself to the RV.

She was part of the plan. She was gonna expose him.

Plans change. Now, come on.

Come on.

We don't even know if he'll show up.

We've got his daughter. He'll be there.

GORDON: 'It'll all be over soon.'

ROBERT: Everything's gonna be OK. Just be calm.

Don't do anything.

And don't say anything.

Just get her back, Robert.

Just this way, sir.

The meeting point's extremely exposed,

so no-one can go with you.

We don't know if he's armed,

so be cautious of any sudden movements.

We've got a car ready for you to take.

DOOR CRASHES OPEN

Gordon!

HE SIGHS

OFFICER: Nobody up here. Let's go.

We'll keep tracking Chris O'Neill's car.

You stay here in case Gordon Byrne comes back.

CAR STARTS

PHONE PAD BEEPS

Jesus!

Here, wait.

Hold on. Don't get up too quickly.

Let me just make sure you're OK.

WIND HOWLS OUTSIDE

OK. Go on. That's it.

Sit up now slowly.

Right, look at me for a minute.

Come on, now. Do as I say.

Ah.

You're freezing. It's the damp, you see.

Could be 100 degrees out there, it'd still be cold in here.

Let me make you a cup of tea.

I don't like tea. Well, you'll like my tea.

I'm a master of tea. GAS HOB CLICKS

You make a lot of tea when you're in the police.

Drink lots of tea, make lots of tea.

What about kidnapping people?

Do you do a lot of that?

Aye.

It was me who grabbed you in the forest.

Sent you messages pretending to be the teacher.

Why are you helping him?

I was one of the policemen on the case

when Jim's daughter went missing.

It's got nothing to do with me.

Well, it had a terrible effect on someone I was very close to.

And I want the person who did that...

your father...

to pay for what he did.

Who was the person?

Someone I loved very much.

'His name was Gary.

'He tried to do the right thing, but...

'..he was murdered.

'I'm helping Jim for the same reason.

'He deserves justice.

'It's what Gary would've wanted.'

Where's Wallace?

PHONE VIBRATES

'Yes?'

It's me.

Remember what's at stake here, Philip.

'Whatever happens, we help each other.'

LINE DISCONNECTS

Let me out here. Why?

You don't go marching through the front door

when you don't know what you're walking into.

You go in the front, I'll go round the back.

Chris. Gordon.

It's been a while. Aye.

What are you doing here?

Er...

I'm looking for Jim Mackie.

Well, you better come in, then.

OK.

Annabel? Annabel!

Are you OK?

DOOR SHUTS You're OK. Everything's OK.

It's OK. GUN COCKS

Sorry, Chris.

CHRIS: Everything's going to be OK, Annabel. All right? I promise.

I'm a police officer, OK?

So is he! Yeah, I know.

You remember that you're a policeman, don't you?

I was, Chris. I was.

Not any more.

Have you got a phone?

Aye.

Yeah, I've got this one.

Where did you get that? Just got it.

Right. So, what?

You're the cavalry, are you? I just need to find Jim Mackie.

Well, he's not here.

He was here.

Huh.

So, where is he now, Gordon?

He's gone to meet Wallace.

SURVEILLANCE OFFICER: 'Suspect in building.

'Principal approaching on foot to building.

'Principal entering the building.'

Where is she, Jim? Where's Annabel?

Why didn't you tell me?

Tell you what?

You knew Julie was dead.

All these years you knew, and you didn't tell me.

I don't know what you're talking about, Jim.

Liar.

You knew they'd killed her

when they broke into my house.

How could you do that to me?

How could you betray me?

Betray Joyce?

We trusted you.

You were my friend.

I'm still your friend.

I spoke to you after and you said... HE PANTS

..that you would do anything to help find her.

And all the time, you knew she was dead!

Where had she been?

All these years.

Where is she buried?!

CHRIS: 'I know what happened to Mackie's daughter.'

Do you? What happened?

A man called Stephen Bryce killed her.

Bryce? The man that killed Gary.

No. No, he didn't.

Bryce told me that he didn't kill Gary.

He swears that the police forced him to confess to Gary's murder,

or they would reveal that he was the one that actually killed Julie.

Bryce was paid to break into Mackie's house

to steal a document from the safe.

Julie Mackie was not meant to be there.

He panicked, tried to stop her, but she fell and hit her head.

The folk he was working for needed time to get rid of her body,

so they made Bryce call the house to make it look like a kidnapping.

Gary...

..kept a recording of the call.

Sent that copy to me, a copy to Wallace.

He thought Wallace was someone who could make a change.

Someone who could help Jim.

But he was wrong.

Now, tell me what you want, Jim.

Tell me what I need to do to get Annabel back.

I want you to go public with...

the recording Gary McLean sent you.

That and my evidence proves you're a murderer.

HE SCOFFS What recording?

The recording of the phone call the police said never happened.

The call from the man you paid to break into my house.

You had Gary McLean murdered because he sent you that recording.

This is crazy. I didn't have anyone murdered.

He started asking questions about the documents.

Documents about what?

There were copies of emails. Evidence.

About MI5 attempts to infiltrate the party to stop independence.

I couldn't go to the police

because they'd been leaked from the security services.

Their agent was meant to split the SNP,

and his code name was Six Four.

Jim, this is crazy.

Listen to yourself. Come on, please.

Code names. Agents.

And then I heard the recording.

The kidnapper mentioned you by name.

You must have ordered the burglary

because you're Six Four!

Jim, please stop.

You have to see sense.

Just tell me where Annabel is.

CAR APPROACHES

Do you know what the documents were in Mackie's safe?

Why Bryce burgled the house in the first place? No.

They were MI5 emails. About Wallace.

Who he is. What he is.

About a plan to use him, to stop independence.

I was gonna give this to the reporter when she got here.

It's a copy of the recording and scans of the emails. We...

DOOR BURSTS OPEN, SHE GASPS

MICHELLE: Chris!

CHRIS: No. No, no, no, no. Gordon, Gordon, that's my wife.

That's my wife!

OK, Michelle.

MICHELLE: Come on now, Gordon.

You need to put the gun down and let Annabel go.

No. I can't do that.

Not yet, I need to give Jim more time.

You don't have time for that any more.

The men from the station, the ones that followed us, they're here.

That's Bill Martin's men.

If you just come with us, he can't do anything to you.

I won't let him.

I'm not going back, Chris. I'm ending this.

Here. Today.

Gordon, we can do this together, with that evidence,

and you tell them the truth about what happened,

there can still be justice here.

Not for Gary.

But you can let Annabel go. You can do that.

Here.

Take it.

It's up to you now, Chris.

Do you want the truth to be known?

Aye. Go on, then.

Get her home.

It's OK. It's OK. Let's go.

You're safe now. It's OK.

She's to come with us. No, she's not.

Chris...

you tell this person who we are. GORDON: Bill!

Billy. Billy, it's me you want, not them.

I'm the one who knows everything.

I'm the man who's pushing for independence.

I'm the person the British Government is scared of.

No, you're working for them.

And you're trying to destroy

everything we worked so hard to build.

He needs to stay back.

OVER RADIO: 'Moving towards subject.'

I was with you the night Julie disappeared.

Don't you remember?

We went out for a meal...

to celebrate her leaving school.

No... you're Six Four.

Julie was supposed to come, too.

You admit you're Six Four,

and I will tell you where Annabel is.

But you'd had an argument with her, and she wouldn't come out.

Tell me the truth!

An argument about a dress.

Yeah.

We bought her a dress for the prom. She loved... She loved it...

What's he doing? What's in the bag?

'He's reaching into the bag.'

Except she wouldn't come out.

You called her ungrateful.

Can someone tell me what's in his hand?

You killed her, Jim.

If she'd come with you, she'd still be alive.

No! GUNSHOT

HE GROANS

Fuck's sake, you didn't actually think

you were gonna get away with this, Gogsy.

Did you?

Not for one fucking minute, Bill.

Aye... Very good.

Killing us is not gonna bring Gary back.

I know.

I just want to see him again.

GUNSHOT

JIM SPLUTTERS

I'm sorry, Jim.

THUD

MALE REPORTER: 'A surprise change at the top of

'the Scottish Government as Justice Secretary

'Robert Wallace is made Deputy First Minister of Scotland.'

FEMALE REPORTER: 'Wallace's appointment seeds even more control

'to the party's radical fringe and lays bare

'the deepening divides within the independence...'

MALE REPORTER: 'The new First Minister

'must now tread carefully or the party may become

'irrevocably split.'

HE CLEARS THROAT

You... You look great.

Oh, thanks.

Have you decided what you're going to do yet? No.

We don't have to go if you don't want.

I think I need to. I need to see Philip.

MUSIC: 'You Never Can Tell' by Chuck Berry

Here, that's for Esme.

MUSIC CONTINUES

CHATTERING

Hey, so, just what the world needs, eh?

Another lawyer.

PHIL: Oh, you're here. At last.

Yeah, we wouldn't miss this. Great to see you both.

Hey. Congratulations.

Hey, er...

..can I have a word?

Yeah, of course you can.

MUSIC CONTINUES

I hope he's not bitter.

Chris, I mean.

Why would he be bitter?

Exactly.

There's no need.

He did good.

You did good.

No thanks to you.

I'm glad he's here.

Family's important. I mean...

These do's are murder.

Chris isn't the only one that knows, remember that.

I do.

Everyone else... is in house.

All on our side. The teacher?

Oh, the teacher's just relieved that he's not been defrocked.

And I hear he had his gambling debts paid off.

But it's not that simple. Is it, Bill?

'How do you suppose the teacher knew about Wallace in the first place?'

'Oh, you mean Annabel?

'She's fine.

'Just... happy to be home.'

Thank you.

'It's just you and Chris I need to know are happy.'

Because I would hate for Chris to do anything

to wreck his brother's career.

Chris is fine.

I asked you not to lie to me, Philip.

BRYCE ON RECORDING: 'Is that Jim Mackie?'

PHILIP: 'Yes.'

'If you want to see Julie again, you need to do exactly what I say.'

'OK.'

'I've fucked up. Jesus...

INDISTINCT 'Wallace knows.

'Ask Wallace or the polis.'

'The police? What...'

'Who is this?'

'Mackie. It's Jim Mackie.'

'Is it fuck. I said no fucking polis.'

GARY: 'He's hung up.'

GORDON: 'You shouldn't have answered it, Philip.

'Not without Mackie here.' 'What was I supposed to do?

'I had to.' BILL: 'Everybody just calm down.'

'This didn't happen. OK?'

'What about the girl? And who's Wallace?'

'I'll deal with it, Gary, but we did not get this call.

'Gordon, Gary, agreed?

'Is that thing on? Turn that off, right now!'

I made one mistake, Chris.

I picked up the phone when I shouldn't have.

You lied to me. Twice. Twice!

I asked you if there was a phone call, you said no.

What would you have thought of me if I told the truth? I trusted you!

You can still trust me.

It's one thing, one mistake, Chris,

and my career, my life... is over?

Is that right?

Do I deserve that?

WHISPERING: A girl died.

WHISPERING: I know.

And I think about her every day.

And you can do something about it. OK?

Wallace was responsible for Julie's death, Jim's death,

he should face the consequences.

There's no consequences for someone like him.

Come on, Chris, you're a copper, you know how it works.

There's certain people...

..certain things you just have to swallow.

Right, so Wallace got to you

after he got the recording from Gary McLean?

"We can help each other."

That old cliche.

Do you know what was in those documents?

What documents?

The ones in Mackie's safe, the ones that Wallace wanted.

The ones that Stephen Bryce stole, the reason Julie died,

do you know what was in them?

I don't want to know.

Yeah, well, I do.

Well, keep your mouth shut, Chris.

Because if they knew, they would come after you.

You or the people you love, that's how it works.

Sometimes... it's better not to know the truth.

What are you gonna do? It's not about me, Philip.

It's about what you're gonna do.

It's all on here. Everything.

You're the Assistant Chief Constable.

You're either one of us, Philip...

..or you're one of them.

Chris...

DOOR SLAMS

DISTANT CHATTERING

FOOTSTEPS APPROACHING UPSTAIRS

Chris?

HE SIGHS

You've done the right thing, Chris.

They were all the same, you know.

Julie's room, Gary McLean's room, just...

..untouched.

They didn't come back.

Olivia will come back.

She said she's only gonna come back if we can sort ourselves out.

Let's do that, then.

Subtitles by accessibility@itv.com

Preuzeto sa www.titlovi.com