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[dramatic music]
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♪ ♪
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[sirens wail]
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- even for the most experienced detectives,
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a homicide investigation could take a turn
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they didn't see coming.
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Tonight, on "the first 48:
Critical minutes"...
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- This is the boat that rusinque was on.
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- A marina that's involved in two different murders.
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- This could all
be interrelated.
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- Then...
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- I'll take it, just in case.
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- An unlikely clue provides detectives with answers.
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- Who's number four?
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- You got to be kidding me!
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♪ ♪
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- and a double homicide leads to a shocking turn.
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♪ ♪
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- there's definitely
something wrong here.
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Good lord.
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[dramatic music]
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♪ ♪
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- they're in the back?
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- Sometimes homicide cases become more complicated
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as you dig deeper into the evidence.
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When kansas city detectives
responded
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to the murder of two women
found in an abandoned garage,
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they had no idea how big of a case
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this would turn out to be.
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- Take a look over here.
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- I don't have my flashlight
on me.
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Do you?
- I got one.
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- Do we know if that's
a male or a female?
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- Don't know.
- Shoot.
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Somebody's stacking them up
like cords of wood.
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- Yeah.
Y.
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- No homicide is normal, but for us,
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you know, you have the typical homicide scene,
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and then you have some that things are different.
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And this is different.
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Damn.
Dang it.
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Narrator: They discover the body on top
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is of an african-american female.
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- Good lord.
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Narrator: So is the body underneath.
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- Hold on, the bottom's
been there for--
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- we can call that advanced
stage of decomposition,
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I think, safely.
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- I say the one
on the bottom's
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been there for three weeks.
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- Mm-hmm.
- Ooh.
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When you see two bodies,
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one on the bottom is more decomposed
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than the one on the top, you have to tell yourself
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there's definitely something wrong here.
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Narrator: The victims have no obvious signs of trauma,
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nothing that could explain how they died.
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- They don't have any wounds. We have nothing.
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We collected several samples from the bodies.
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Dna is such a huge part of any investigation.
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You look for hair, you look for a fiber,
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you look for a skin cell.
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That's better than a fingerprint, if you have dna.
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♪ ♪
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- this is a match.
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And it responds back
to the person
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by the name
of sheliah mckinzie.
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Narrator: 38-year-old sheliah mckinzie,
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whose name was in the system
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for drug possession and prostitution,
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lived in the prospect avenue area.
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♪ ♪
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the second victim is 53-year-old patricia wilson,
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also from the prospect avenue area.
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♪ ♪
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- kmbc-tv kansas city.
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- Two bodies found yesterday.
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- Police urge you to call the tips hotline.
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♪ ♪
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narrator: 911 gets a call from a man
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who reports a woman's body.
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- [distorted voice] I don't know her name.
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- [distorted voice]
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- [distorted voice]
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narrator: The man makes another admission.
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He's the one who hid the two bodies
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the police found in the garage the night before.
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- [distorted voice] I killed them all.
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I killed them.
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[dial tone]
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narrator: 29th and park
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is just four blocks away from the first crime scene.
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♪ ♪
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- [sighs]
[dog barking]
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and there's
that fence right there,
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right back here
in this very corner,
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but you can't see it.
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Around here.
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♪ ♪
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- there's a leg right there.
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- Yeah, ok.
Yeah.
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- That's been there a while.
- Oh, it's been a while, yeah.
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Narrator: It's too dark to properly process
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the overgrown crime scene.
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- All right, luke.
Come on.
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There ain't nothing we can do
looking back here.
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Let's figure out
what we're gonna do.
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I'm furious.
I'm absolutely furious.
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I mean, especially when the guy's mocking you,
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saying, "hey, you missed one."
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♪ ♪
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narrator: 20 minutes after the 6:00 news...
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Narrator: The killer calls again.
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Narrator: He directs police to another two bodies
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in alleys just off prospect avenue.
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Narrator: The caller says both bodies are covered
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and hidden under brush.
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Narrator: He says he'll give his name
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when he calls the next day with more bodies.
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- [distorted voice] there's six more already have.
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[dramatic musical sting]
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narrator: As the first 48 runs out,
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niemeier's investigation is just beginning.
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- This is unbelievable.
This is unbelievable.
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We have a serial killer.
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♪ ♪
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narrator: The next day,
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detectives buck williams and joe marinella
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have found the woman who was recently attacked
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off prospect avenue.
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- Hopefully,
she can shed some light
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on a possible suspect for us.
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Narrator: Aleah tells detectives
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she was sitting in an alleyway when she was attacked.
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Narrator: After she passed out,
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he left her for dead in an abandoned garage.
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- What did he look like?
White, black?
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- What was he wearing
the night you saw him?
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- What color was that?
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♪ ♪
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narrator: Just blocks away, patrol officer verne hoof
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is out canvassing the neighborhood
143
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when he gets an unexpected tip about a potential suspect.
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- Yeah, he just
got out of prison.
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He sliced his wife's throat
22 years ago.
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- I don't know.
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- He's tall and slim.
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But you know, he made
a statement to me
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and a few other girls out here,
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he was gonna kill us
one by one.
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- Nope, but I know
what he wears.
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He wears a black jacket
with white stripes
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all the time, and a black hat.
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His mother lived up there
in that apartment.
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- I don't know.
It's black.
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Narrator: At headquarters,
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detective rick hart searches the police database
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for a terry with an address on 24th and prospect.
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♪ ♪
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- terry blair.
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- Ok, great.
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- Homicide.
Niemeier.
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- He's been released
from prison on murder,
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and right now,
he's on the run since February.
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And his name is terry blair.
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Narrator: Blair has been on the run
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from his parole violation for seven months.
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♪ ♪
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in the sub-basement of headquarters,
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detective jeff downing searches for the file
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on terry blair's murder case from 22 years ago.
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- It would be
this file right here.
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♪ ♪
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there's a lot of consistencies.
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He says that him and his wife,
they have kids together,
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and he finds out
that she's a prostitute,
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sees her prostituting,
and gets pissed off.
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He picks up a stick
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and whacks her in the head
and walks off.
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Narrator: The most striking similarity-
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blair called police himself to report his wife's murder.
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- They get a call from a party
that has information
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on this homicide.
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It's him.
[laughs in disbelief]
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he confesses.
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- This is the break we've been looking for.
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♪ ♪
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- his mother just recently
got evicted out of a house
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right here in this block.
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♪ ♪
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narrator: Two hours after the 10:00 p.M. News,
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niemeier is unexpectedly called back to headquarters.
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- Dave, I wanted to call
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and let you know
he's in custody.
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[dramatic musical sting]
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♪ ♪
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s
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look like they're very common,
but they're not.
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Most homicide investigators go their entire career
200
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not catching a serial killer case.
201
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But, when you get one,
202
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it could be either something
that makes your career,
203
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or it could be something
that breaks your career.
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♪ ♪
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narrator: A woman called police in a panic
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after she and blair watched the news together
207
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at her house.
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- She tell me, "when
we were looking at the news,
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"his picture flashes up, and I play it off
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because I know that's him."
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and he doesn't say anything.
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And immediately
after the news went off,
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he got up and left the house.
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00:10:29,363 --> 00:10:31,229
Then, she tell me she's afraid, and that she's scare,
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00:10:31,331 --> 00:10:32,464
and that he might be out there.
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00:10:32,566 --> 00:10:34,366
- [indistinct]
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- so we go out there.
218
00:10:36,637 --> 00:10:38,436
We go back and check
in the back of the garage,
219
00:10:38,538 --> 00:10:40,005
up under the back of the cars.
220
00:10:40,107 --> 00:10:41,373
All of the sudden,
I hear dennis say,
221
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"show me your hands!"
I'm like, "oh, wow!"
222
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he was back in the garage,
223
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hiding under the back of the car.
224
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♪ ♪
225
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- what I'm going to do now
is show him
226
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some pictures of the victims
227
00:11:00,427 --> 00:11:01,793
and see what he thinks
about these.
228
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♪ ♪
229
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when we get the pictures out
230
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and lay out the dead girls...
231
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Nothing. No emotion.
232
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No nothing. Just nothing.
233
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♪ ♪
234
00:11:21,548 --> 00:11:23,014
it was at that point,
235
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you could see the wheels turning.
236
00:11:24,818 --> 00:11:26,084
"how do they know about that"
237
00:11:26,186 --> 00:11:28,219
"how do they know about that one?"
238
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'cause I think that he had thought
239
00:11:29,923 --> 00:11:32,190
he had scared them enough that they would never tell u.
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♪ ♪
241
00:11:54,681 --> 00:11:56,347
that line, it'll probably stick with me
242
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for the rest of my life.
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We know there are more bodies out there.
244
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♪ ♪
245
00:12:22,709 --> 00:12:24,109
- when investigating a homicide,
246
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you have to follow the evidence
247
00:12:25,846 --> 00:12:27,679
wherever it takes you.
248
00:12:27,781 --> 00:12:30,215
In dallas, detective rick duggan
249
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encountered a surprising clue
250
00:12:32,285 --> 00:12:34,552
when a man was shot on a service road.
251
00:12:34,654 --> 00:12:36,287
- All I know right now is,
252
00:12:36,389 --> 00:12:38,356
there's two victims shot.
253
00:12:38,458 --> 00:12:41,926
One died, one survived.
254
00:12:42,028 --> 00:12:44,529
And the shooting,
I guess, took place down here.
255
00:12:44,631 --> 00:12:46,164
♪ ♪
256
00:12:46,266 --> 00:12:49,033
who was the first officer
out here?
257
00:12:49,136 --> 00:12:51,136
- We spoke to the driver
258
00:12:51,238 --> 00:12:53,371
of the victims' vehicle.
259
00:12:53,473 --> 00:12:54,539
- Was he shot?
260
00:12:54,641 --> 00:12:55,840
- No, no.
- Ok.
261
00:12:55,942 --> 00:12:58,176
Do you know the victim's name?
262
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♪ ♪
263
00:13:00,013 --> 00:13:01,279
narrator: The deceased victim
264
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is 19-year-old mikael hudson.
265
00:13:04,451 --> 00:13:06,951
He was the youngest son of 10 children.
266
00:13:07,053 --> 00:13:09,020
♪ ♪
267
00:13:09,122 --> 00:13:12,557
a few months ago, one of his brothers was murdered.
268
00:13:12,659 --> 00:13:15,293
♪ ♪
269
00:13:15,395 --> 00:13:17,495
- have all the witnesses been
transported to the office,
270
00:13:17,597 --> 00:13:18,696
or are they still
at the hospital?
271
00:13:18,799 --> 00:13:21,499
- Yeah, they transported.
- Ok.
272
00:13:21,601 --> 00:13:22,967
♪ ♪
273
00:13:23,069 --> 00:13:24,502
we'll know a lot more
once we start talking
274
00:13:24,604 --> 00:13:25,837
to these witnesses.
275
00:13:25,939 --> 00:13:27,539
♪ ♪
276
00:13:27,641 --> 00:13:30,241
all right.
Let's go.
277
00:13:30,343 --> 00:13:37,215
♪ ♪
278
00:13:38,018 --> 00:13:40,185
- how are you doing, man?
- Good.
279
00:13:40,287 --> 00:13:42,387
- Tell me what happened, jason.
280
00:13:43,990 --> 00:13:44,956
- Uh-huh.
281
00:13:45,058 --> 00:13:51,696
♪ ♪
282
00:13:59,573 --> 00:14:01,206
narrator: Off-duty police officers
283
00:14:01,308 --> 00:14:03,641
broke up the confrontation.
284
00:14:10,350 --> 00:14:11,516
Narrator: A few minutes later,
285
00:14:11,618 --> 00:14:13,952
the other car pulled in behind them.
286
00:14:14,054 --> 00:14:16,154
One of the men got out.
287
00:14:29,536 --> 00:14:31,102
Narrator: The suspects fired at them.
288
00:14:31,204 --> 00:14:33,605
Then, jason swerved into the other car
289
00:14:33,707 --> 00:14:36,040
and ran them off the road.
290
00:14:36,142 --> 00:14:37,375
♪ ♪
291
00:14:37,477 --> 00:14:39,310
- the guy with the gun,
292
00:14:39,412 --> 00:14:41,412
do you know who the guy is?
293
00:14:41,514 --> 00:14:45,283
♪ ♪
294
00:14:47,554 --> 00:14:48,887
♪ ♪
295
00:14:48,989 --> 00:14:50,088
- ok.
296
00:14:50,190 --> 00:14:56,828
♪ ♪
297
00:15:02,335 --> 00:15:04,102
- jason said that he ran
298
00:15:04,204 --> 00:15:06,404
the suspect's vehicle
off the road,
299
00:15:06,506 --> 00:15:09,474
but we didn't find any evidence
of that last night.
300
00:15:09,576 --> 00:15:11,242
But it was really dark,
301
00:15:11,344 --> 00:15:13,945
so hopefully,
we'll find something
302
00:15:14,047 --> 00:15:15,280
now that it's daytime.
303
00:15:15,382 --> 00:15:18,449
♪ ♪
304
00:15:18,551 --> 00:15:19,817
- is that where a car
went through?
305
00:15:19,920 --> 00:15:21,419
Right in through here?
306
00:15:21,521 --> 00:15:23,021
Narrator: They examine the spot
307
00:15:23,123 --> 00:15:25,657
where they think the suspect's car went off the road.
308
00:15:28,328 --> 00:15:29,427
- Look at this.
309
00:15:39,973 --> 00:15:41,172
- Hey, mike!
310
00:15:41,274 --> 00:15:45,843
♪ ♪
311
00:15:45,946 --> 00:15:49,013
you don't think this came
out of the car, do you?
312
00:15:49,115 --> 00:15:51,416
Oh, it's just a bunch of mail.
313
00:15:51,518 --> 00:15:53,451
- It could have fallen out.
- How would it have fallen out?
314
00:15:55,088 --> 00:15:56,521
- I'll take it, just in case.
315
00:15:56,623 --> 00:15:58,723
♪ ♪
316
00:16:02,329 --> 00:16:06,264
♪ ♪
317
00:16:06,366 --> 00:16:09,667
narrator: A few hours later, mendez looks through the mail
318
00:16:09,769 --> 00:16:10,902
duggan found at the crash site.
319
00:16:11,004 --> 00:16:13,571
- [sighs]
320
00:16:13,673 --> 00:16:16,474
there's a cederick peterson
right there.
321
00:16:16,576 --> 00:16:18,409
And there's a po box.
322
00:16:18,511 --> 00:16:20,912
Um, it's a real long shot,
323
00:16:21,014 --> 00:16:24,349
but it's about the only thing
we got right now.
324
00:16:24,451 --> 00:16:29,620
♪ ♪
325
00:16:29,723 --> 00:16:31,990
narrator: 22-year-old cederick peterson
326
00:16:32,092 --> 00:16:34,025
has one prior misdemeanor.
327
00:16:34,127 --> 00:16:36,828
- I'm gonna show a six-photo lineup
328
00:16:36,930 --> 00:16:39,664
to the off-duty officers who were at the club that night.
329
00:16:39,766 --> 00:16:41,099
Cederick's number four.
330
00:16:41,201 --> 00:16:42,900
If they identify cederick,
331
00:16:43,003 --> 00:16:44,435
then I'll show the lineup
to leonard,
332
00:16:44,537 --> 00:16:45,703
one of the eyewitnesses.
333
00:16:45,805 --> 00:16:52,477
♪ ♪
334
00:17:11,698 --> 00:17:13,031
- number four.
335
00:17:13,133 --> 00:17:15,933
- Who's number four?
- That's the driver.
336
00:17:16,036 --> 00:17:17,835
♪ ♪
337
00:17:17,937 --> 00:17:20,138
narrator: The officer picks out cederick peterson
338
00:17:20,240 --> 00:17:22,807
as the driver of the suspect's car.
339
00:17:22,909 --> 00:17:24,742
- You got to be kidding me!
[laughs]
340
00:17:28,515 --> 00:17:30,815
a crime scene to pay attention
to every single detail.
341
00:17:30,917 --> 00:17:32,650
Have things been moved?
342
00:17:32,752 --> 00:17:35,286
Does where the bodies lay make sense?
343
00:17:35,388 --> 00:17:37,588
You're literally trying to put together a puzzle,
344
00:17:37,690 --> 00:17:39,557
and one small piece of evidence
345
00:17:39,659 --> 00:17:42,360
might be the key thing to break the whole case open.
346
00:17:42,462 --> 00:17:44,028
♪ ♪
347
00:17:44,130 --> 00:17:48,232
- [laughs]
what?
348
00:17:48,334 --> 00:17:50,468
What are the odds?
349
00:17:50,570 --> 00:17:53,104
- Rick saw that mail out there.
350
00:17:53,206 --> 00:17:54,972
Of course I said,
"no, there's no way
351
00:17:55,075 --> 00:17:57,341
the suspect dropped his mail
out here."
352
00:17:57,444 --> 00:17:58,676
rick was right.
353
00:17:58,778 --> 00:17:59,944
It was a long shot,
and it panned out,
354
00:18:00,046 --> 00:18:02,246
so that's--that's a good thing.
355
00:18:02,348 --> 00:18:03,748
♪ ♪
356
00:18:06,853 --> 00:18:07,718
- number four?
- Mm-hmm.
357
00:18:07,821 --> 00:18:10,154
- Who's number four?
358
00:18:10,256 --> 00:18:12,323
Narrator: The surviving victim, leonard bisor,
359
00:18:12,425 --> 00:18:14,725
also ids cederick peterson
360
00:18:14,828 --> 00:18:17,428
as the driver of the suspect's car.
361
00:18:22,769 --> 00:18:25,903
Narrator: Leonard didn't get a good look at the shooter.
362
00:18:26,005 --> 00:18:29,674
♪ ♪
363
00:18:29,776 --> 00:18:32,810
- that right there is enough to get a warrant.
364
00:18:32,912 --> 00:18:34,612
Cederick may not be
the shooter,
365
00:18:34,714 --> 00:18:36,981
but he should be able
to tell us who is.
366
00:18:37,083 --> 00:18:42,019
♪ ♪
367
00:18:42,122 --> 00:18:44,122
narrator: The next day, the gang unit
368
00:18:44,224 --> 00:18:46,524
brings cederick's wife to headquarters.
369
00:18:46,626 --> 00:18:49,193
♪ ♪
370
00:18:49,295 --> 00:18:52,230
detectives hope she will lead them to cederick.
371
00:18:54,734 --> 00:18:55,700
- Who does?
372
00:18:58,905 --> 00:19:01,339
♪ ♪
373
00:19:01,441 --> 00:19:02,673
- where are you at, cederick?
374
00:19:06,179 --> 00:19:08,713
- Well, how far away
from dallas are you?
375
00:19:08,815 --> 00:19:10,982
- Uh, about three hours.
376
00:19:11,084 --> 00:19:13,251
- We need to talk to you,
cederick.
377
00:19:19,559 --> 00:19:25,163
♪ ♪
378
00:19:25,265 --> 00:19:27,365
narrator: A few hours later,
379
00:19:27,467 --> 00:19:29,534
the alleged driver, cederick peterson,
380
00:19:29,636 --> 00:19:31,636
arrives at headquarters.
381
00:19:31,738 --> 00:19:36,741
♪ ♪
382
00:19:36,843 --> 00:19:39,043
- I appreciate
you coming up her.
383
00:19:39,145 --> 00:19:41,112
- Got to. Got to do what's right.
384
00:19:41,214 --> 00:19:44,282
- Well, I'd like to hear
your story about what happened.
385
00:19:44,384 --> 00:19:46,317
Narrator: He claims that some people in the parking lt
386
00:19:46,419 --> 00:19:49,053
told him the victims had a gun.
387
00:19:52,392 --> 00:19:53,824
Narrator: He suddenly found himself
388
00:19:53,927 --> 00:19:56,827
following the victims' car down the service road.
389
00:20:01,100 --> 00:20:04,068
- Are you the one that shot?
[dramatic musical sting]
390
00:20:05,371 --> 00:20:06,837
- who's the one that shot?
391
00:20:06,940 --> 00:20:09,240
Who's the that shot at those
people and killed that boy?
392
00:20:09,342 --> 00:20:11,108
- Him.
- Who?
393
00:20:11,211 --> 00:20:13,678
♪ ♪
394
00:20:16,749 --> 00:20:19,016
narrator: Cederick gives up his friend, eric,
395
00:20:19,118 --> 00:20:20,318
as the shooter.
396
00:20:20,420 --> 00:20:23,254
- We know that you are the one
397
00:20:23,356 --> 00:20:25,656
that actually chased
that green car.
398
00:20:26,693 --> 00:20:28,626
- Yeah, out of the parking lot,
onto the service road.
399
00:20:30,563 --> 00:20:32,730
You're what we call
an accomplice.
400
00:20:35,735 --> 00:20:37,635
- Right now, it's murder.
401
00:20:39,772 --> 00:20:41,005
- Yeah.
402
00:20:41,107 --> 00:20:42,807
♪ ♪
403
00:20:45,178 --> 00:20:46,644
♪ ♪
404
00:20:46,746 --> 00:20:48,312
[sighs] oh, god.
405
00:20:59,025 --> 00:21:01,492
So...
Mm-mm-mm.
406
00:21:01,594 --> 00:21:03,761
- Well, um,
407
00:21:03,863 --> 00:21:06,063
a kid named mikael hudson
is dead.
408
00:21:06,165 --> 00:21:07,431
That's who's dead.
409
00:21:07,533 --> 00:21:14,171
♪ ♪
410
00:21:15,608 --> 00:21:17,375
- eric edwards.
411
00:21:17,477 --> 00:21:20,611
Narrator: The alleged shooter is 18-year-old eric edwards.
412
00:21:20,713 --> 00:21:22,613
He has no prior record.
413
00:21:22,715 --> 00:21:25,583
- Well, right now, we're
gonna take cederick to jail.
414
00:21:25,685 --> 00:21:26,951
He may not have done the shooting,
415
00:21:27,053 --> 00:21:29,453
but according to witnesses,
416
00:21:29,555 --> 00:21:31,656
he's the one who started the confrontation.
417
00:21:31,758 --> 00:21:34,925
Now our top priority
is gonna be finding eric.
418
00:21:35,028 --> 00:21:41,599
♪ ♪
419
00:21:55,882 --> 00:21:57,415
well, eric,
420
00:21:57,517 --> 00:21:59,817
the best thing you can do for yourself
421
00:21:59,919 --> 00:22:02,486
is to be truthful with me.
422
00:22:02,588 --> 00:22:04,889
Tell me the truth.
Tell me exactly what happened.
423
00:22:04,991 --> 00:22:06,824
♪ ♪
424
00:22:12,765 --> 00:22:14,065
narrator: Eric says he and cederick
425
00:22:14,167 --> 00:22:16,834
were at the gas station when cederick spotted
426
00:22:16,936 --> 00:22:19,704
the car he collided with at the nightclub.
427
00:22:23,843 --> 00:22:24,942
- Ok.
428
00:22:30,983 --> 00:22:33,918
Narrator: Instead, eric clais he got back in the car
429
00:22:34,020 --> 00:22:37,321
and told cederick to take him home.
430
00:22:44,230 --> 00:22:46,864
- So you're saying
ced actually sh?
431
00:22:48,501 --> 00:22:49,633
[dramatic musical sting]
432
00:22:57,944 --> 00:23:01,679
- the physical evidence
on the street
433
00:23:01,781 --> 00:23:04,949
disproves what you just said.
434
00:23:05,051 --> 00:23:07,318
The evidence does not match up
435
00:23:07,420 --> 00:23:10,988
with the driver of your car
shoot.
436
00:23:11,090 --> 00:23:14,959
So that's where we're at here.
437
00:23:20,199 --> 00:23:21,599
- Hmm?
438
00:23:21,701 --> 00:23:22,833
♪ ♪
439
00:23:27,507 --> 00:23:28,939
- so you're telling me you were driving?
440
00:23:31,677 --> 00:23:32,943
- And what,
cederick was shooting
441
00:23:33,045 --> 00:23:34,712
from the passenger side?
442
00:23:34,814 --> 00:23:36,981
- Yes.
[dramatic musical sting]
443
00:23:37,083 --> 00:23:38,883
- no.
444
00:23:38,985 --> 00:23:40,985
Now that's not true either.
445
00:23:41,087 --> 00:23:44,555
♪ ♪
446
00:23:44,657 --> 00:23:48,292
I need you to be honest,
totally honest.
447
00:23:48,394 --> 00:23:49,593
Do you hear me?
448
00:23:49,695 --> 00:23:53,497
♪ ♪
449
00:23:53,599 --> 00:23:56,267
two people were shot.
450
00:23:56,369 --> 00:23:58,235
One died.
451
00:23:58,337 --> 00:24:00,504
♪ ♪
452
00:24:00,606 --> 00:24:03,641
left behind
several brothers and sisters--
453
00:24:07,113 --> 00:24:08,045
- sure did.
454
00:24:10,783 --> 00:24:13,250
[dramatic musical sting]
- the one you shot?
455
00:24:14,821 --> 00:24:15,820
- Ok, listen to me,
you just said,
456
00:24:15,922 --> 00:24:17,254
"the one I shot," all right?
457
00:24:19,992 --> 00:24:21,892
- No, you already said it.
458
00:24:21,994 --> 00:24:24,795
♪ ♪
459
00:24:29,435 --> 00:24:30,501
- ok.
460
00:24:36,509 --> 00:24:39,143
To me, I don't think there's
any doubt he's the shooter
461
00:24:39,245 --> 00:24:42,646
'cause he's doing everything
he can to switch--
462
00:24:42,748 --> 00:24:43,848
change his story up.
463
00:24:43,950 --> 00:24:46,717
He even put himself
as the driver, you know,
464
00:24:46,819 --> 00:24:49,153
and cederick as the passenger.
465
00:24:49,255 --> 00:24:53,123
Then he slipped up and said,
"when I shot mikael."
466
00:24:53,226 --> 00:24:59,930
♪ ♪
467
00:25:00,032 --> 00:25:02,600
- hey, for real,
for all y'all out there,
468
00:25:02,702 --> 00:25:04,835
live your life, go to school,
you know what I'm saying?
469
00:25:04,937 --> 00:25:06,303
Don't get caught up
in these streets.
470
00:25:06,405 --> 00:25:08,939
It ain't no place to be, man.
For real.
471
00:25:09,041 --> 00:25:11,041
You end up looking like me.
472
00:25:11,143 --> 00:25:17,715
♪ ♪
473
00:25:30,730 --> 00:25:33,764
- in miami, detectives found
a man bound by rope
474
00:25:33,866 --> 00:25:35,733
and floating
near a fishing pier.
475
00:25:35,835 --> 00:25:38,068
Their investigation led them to a marina
476
00:25:38,170 --> 00:25:39,737
and a shocking discovery.
477
00:25:39,839 --> 00:25:45,543
♪ ♪
478
00:25:45,645 --> 00:25:47,678
♪ ♪
479
00:25:47,780 --> 00:25:49,547
- he's naked.
480
00:25:51,250 --> 00:25:53,684
It looked like he was fold
in the fetal position.
481
00:25:53,786 --> 00:25:55,753
♪ ♪
482
00:25:55,855 --> 00:25:58,122
narrator: The victim is tied up with rope,
483
00:25:58,224 --> 00:25:59,924
his neck bound to his ankles.
484
00:26:00,026 --> 00:26:01,492
♪ ♪
485
00:26:05,498 --> 00:26:06,764
- yeah.
486
00:26:06,866 --> 00:26:13,537
♪ ♪
487
00:26:19,679 --> 00:26:21,879
- wow.
488
00:26:21,981 --> 00:26:23,147
That's nasty.
489
00:26:26,319 --> 00:26:27,718
- Until we get him identified,
490
00:26:27,820 --> 00:26:29,386
we don't have a whole lot
to go on.
491
00:26:29,488 --> 00:26:31,155
And unless we know who he is,
492
00:26:31,257 --> 00:26:33,490
it's gonna be like
493
00:26:33,593 --> 00:26:37,061
pissing in the wind
trying to find a crime scene.
494
00:26:37,163 --> 00:26:43,801
♪ ♪
495
00:26:56,282 --> 00:26:58,048
narrator: The security at the local marina
496
00:26:58,150 --> 00:27:00,651
keeps a record of the homeless that live nearby.
497
00:27:00,753 --> 00:27:04,054
♪ ♪
498
00:27:04,156 --> 00:27:05,589
- have you ever
seen him around?
499
00:27:11,263 --> 00:27:12,496
Narrator: But security officers say
500
00:27:12,598 --> 00:27:14,898
that another man named jorge
501
00:27:15,001 --> 00:27:17,401
has allegedly threatened people in the area.
502
00:27:17,503 --> 00:27:19,169
♪ ♪
503
00:27:21,907 --> 00:27:26,176
♪ ♪
504
00:27:26,278 --> 00:27:29,913
this here is--
we call this waterworld.
505
00:27:36,722 --> 00:27:42,326
♪ ♪
506
00:27:42,428 --> 00:27:43,861
- hey, which boat
jorge stays at?
507
00:27:45,531 --> 00:27:47,498
- Jorge, what boat
does he stay on?
508
00:27:51,203 --> 00:27:53,671
♪ ♪
509
00:27:57,743 --> 00:27:59,176
[dramatic musical sting]
510
00:27:59,278 --> 00:28:01,178
narrator: The men say jorge packed up
511
00:28:01,280 --> 00:28:03,814
and drove away from the dock in a u-haul.
512
00:28:03,916 --> 00:28:05,115
♪ ♪
513
00:28:08,320 --> 00:28:09,386
♪ ♪
514
00:28:13,059 --> 00:28:15,292
♪ ♪
515
00:28:15,394 --> 00:28:16,960
- it's very unusual for somebody
516
00:28:17,063 --> 00:28:18,462
to just pick up like that and leave.
517
00:28:18,564 --> 00:28:23,200
♪ ♪
518
00:28:23,302 --> 00:28:25,169
ok.
519
00:28:25,271 --> 00:28:30,941
♪ ♪
520
00:28:35,081 --> 00:28:37,848
[dramatic musical sting]
521
00:28:44,190 --> 00:28:46,824
our focus now is
to identify jorge,
522
00:28:46,926 --> 00:28:48,592
get a last name,
523
00:28:48,694 --> 00:28:50,527
and see if we can talk to him.
524
00:28:50,629 --> 00:28:57,267
♪ ♪
525
00:29:13,819 --> 00:29:20,424
♪ ♪
526
00:29:25,664 --> 00:29:26,797
[dramatic musical sting]
527
00:29:31,670 --> 00:29:33,804
♪ ♪
528
00:29:33,906 --> 00:29:35,305
- I'm gonna have rusinque
come in.
529
00:29:35,407 --> 00:29:37,941
This could all be interrelated.
530
00:29:38,043 --> 00:29:39,710
- Damn.
531
00:29:39,812 --> 00:29:40,577
♪ ♪
532
00:29:42,047 --> 00:29:46,583
♪
533
00:29:46,685 --> 00:29:50,154
narrator: Detectives turn their attention to the victim.
534
00:29:50,256 --> 00:29:52,823
- We have what appears to be
a white male facedown.
535
00:29:52,925 --> 00:29:59,496
♪ ♪
536
00:30:03,736 --> 00:30:07,104
[sighs]
- [grunts]
537
00:30:07,206 --> 00:30:08,772
narrator: Detective frankie sanchez
538
00:30:08,874 --> 00:30:10,741
examines jorge's houseboat.
539
00:30:10,843 --> 00:30:13,143
♪ ♪
540
00:30:13,245 --> 00:30:15,312
- oh, look at that.
541
00:30:15,414 --> 00:30:17,347
Those are spatter?
542
00:30:20,386 --> 00:30:23,387
Narrator: Unlike the day before,
543
00:30:23,489 --> 00:30:25,556
this time, there are bloodstains
544
00:30:25,658 --> 00:30:27,558
throughout the cabin.
545
00:30:27,660 --> 00:30:30,961
♪ ♪
546
00:30:31,063 --> 00:30:33,564
- there's definitely obvious signs of a struggle.
547
00:30:33,666 --> 00:30:36,567
It looks like the victim
was trying to, like,
548
00:30:36,669 --> 00:30:38,902
claw his way.
549
00:30:39,004 --> 00:30:45,576
♪ ♪
550
00:30:49,215 --> 00:30:52,349
narrator: Back on shore, detectives catch a break.
551
00:30:52,451 --> 00:30:54,751
[walkie-talkie beeps]
- we have the witness here.
552
00:30:54,854 --> 00:30:56,420
♪ ♪
553
00:30:56,522 --> 00:30:59,089
narrator: Andrew beard, the 911 caller,
554
00:30:59,191 --> 00:31:01,859
comes forward with more information.
555
00:31:01,961 --> 00:31:03,894
Andrew claims the alleged killer
556
00:31:03,996 --> 00:31:06,463
is hiding out on a boat in waterworld.
557
00:31:06,565 --> 00:31:09,867
♪ ♪
558
00:31:09,969 --> 00:31:12,469
- that's the guy.
559
00:31:12,571 --> 00:31:14,204
- We need to get people
over there now, man.
560
00:31:14,306 --> 00:31:16,406
This guy's gonna disappear.
561
00:31:16,508 --> 00:31:18,809
- Tell him to intercept him.
Just stop him.
562
00:31:18,911 --> 00:31:25,482
♪ ♪
563
00:31:40,599 --> 00:31:42,699
narrator: Detective anthony reyes has identified
564
00:31:42,801 --> 00:31:45,736
the man pinpointed as the potential suspect.
565
00:31:45,838 --> 00:31:47,671
Arthur johnson.
566
00:31:47,773 --> 00:31:49,740
♪ ♪
567
00:31:49,842 --> 00:31:50,908
- I think we should take
a statement
568
00:31:51,010 --> 00:31:52,676
from our witness first.
569
00:31:52,778 --> 00:31:54,311
- All right, ready?
- Got it?
570
00:31:54,413 --> 00:31:56,914
♪ ♪
571
00:31:57,016 --> 00:31:59,683
narrator: Detectives head in to speak with the 911 caller,
572
00:31:59,785 --> 00:32:01,018
andrew beard.
573
00:32:01,120 --> 00:32:02,586
♪ ♪
574
00:32:02,688 --> 00:32:05,455
- ok, who was in that group?
575
00:32:11,664 --> 00:32:18,268
♪ ♪
576
00:32:26,111 --> 00:32:27,811
narrator: Andrew says later that night,
577
00:32:27,913 --> 00:32:30,781
he saw arthur on jorge's houseboat.
578
00:32:39,358 --> 00:32:42,192
[dramatic musical sting]
579
00:32:45,397 --> 00:32:48,298
♪ ♪
580
00:32:48,400 --> 00:32:49,766
- why'd you call us?
581
00:32:53,539 --> 00:33:00,177
♪ ♪
582
00:33:04,616 --> 00:33:06,717
- I believe him.
583
00:33:06,819 --> 00:33:08,118
- It appears that
he's telling the truth.
584
00:33:08,220 --> 00:33:12,322
♪ ♪
585
00:33:12,424 --> 00:33:13,824
- ok.
586
00:33:13,926 --> 00:33:16,927
Narrator: Then, the case takes a turn.
587
00:33:17,029 --> 00:33:19,029
- Hey john, yeah, we've
got a little curveball here.
588
00:33:19,131 --> 00:33:22,499
Narrator: Patrol has located a second witness
589
00:33:22,601 --> 00:33:26,036
and brought him back to homicide.
590
00:33:26,138 --> 00:33:28,138
- Ok.
591
00:33:28,240 --> 00:33:31,108
♪ ♪
592
00:33:31,210 --> 00:33:33,844
narrator: Meanwhile, detective john rusinque
593
00:33:33,946 --> 00:33:36,613
and team 5 return to the station.
594
00:33:36,715 --> 00:33:40,283
♪ ♪
595
00:33:40,386 --> 00:33:41,818
- what's your name, buddy?
596
00:33:43,188 --> 00:33:46,056
[dramatic musical sting]
597
00:33:46,158 --> 00:33:47,724
♪ ♪
598
00:33:47,826 --> 00:33:51,094
- I spent all freaking day looking for this guy.
599
00:33:51,196 --> 00:33:52,629
♪ ♪
600
00:33:52,731 --> 00:33:55,165
narrator: The second witness is jorge.
601
00:33:55,267 --> 00:33:57,067
♪ ♪
602
00:34:01,407 --> 00:34:03,974
♪ ♪
603
00:34:04,076 --> 00:34:06,410
- two men found floating.
604
00:34:06,512 --> 00:34:08,311
Seems both of them
were murdered.
605
00:34:08,414 --> 00:34:09,913
♪ ♪
606
00:34:10,015 --> 00:34:12,516
- ok, could we interview jorge?
607
00:34:12,618 --> 00:34:14,651
- Yeah, you're definitely
gonna wanna question him.
608
00:34:14,753 --> 00:34:18,355
♪ ♪
609
00:34:18,457 --> 00:34:20,524
narrator: In the case of ernesto puentes,
610
00:34:20,626 --> 00:34:22,559
the team's person of interest,
611
00:34:22,661 --> 00:34:25,128
jorge, is brought in for questioning.
612
00:34:25,230 --> 00:34:29,733
♪ ♪
613
00:34:29,835 --> 00:34:32,569
jorge says he's never seen the victim before
614
00:34:32,671 --> 00:34:36,173
and tells detectives he had nothing to do with his death.
615
00:34:36,275 --> 00:34:38,542
[dramatic musical sting]
616
00:34:38,644 --> 00:34:41,411
he says that he did not suddenly leave waterworld,
617
00:34:41,513 --> 00:34:43,213
but that he had saved up his money
618
00:34:43,315 --> 00:34:45,449
to get a permanent home off the water.
619
00:34:45,551 --> 00:34:52,022
♪ ♪
620
00:34:52,124 --> 00:34:55,292
- the information that he gave
us is very credible.
621
00:34:55,394 --> 00:34:58,695
And I think we're back
to ground zero on this.
622
00:34:58,797 --> 00:35:01,398
- You can't force a narrative
to fit a particular person.
623
00:35:01,500 --> 00:35:03,100
You may develop a suspect
624
00:35:03,202 --> 00:35:06,203
at the beginning of a homicide investigation,
625
00:35:06,305 --> 00:35:07,938
but that person that you had as a suspect
626
00:35:08,040 --> 00:35:11,108
might very well be a witness.
627
00:35:11,210 --> 00:35:13,009
In this case, you have two victims that are killed
628
00:35:13,112 --> 00:35:15,278
in two completely different manners.
629
00:35:15,380 --> 00:35:17,080
You have to make sure
that the facts add up
630
00:35:17,182 --> 00:35:20,383
before drawing
any particular conclusions.
631
00:35:20,486 --> 00:35:22,819
- With jorge eliminated as a suspect,
632
00:35:22,921 --> 00:35:25,889
it's definitely looking like
the two cases are unrelated.
633
00:35:25,991 --> 00:35:28,125
It just so happened to be so ironic
634
00:35:28,227 --> 00:35:31,128
that a body comes floating up in the same place
635
00:35:31,230 --> 00:35:32,362
that we're looking for this guy.
636
00:35:32,464 --> 00:35:34,064
♪ ♪
637
00:35:34,166 --> 00:35:38,301
narrator: Jorge was a false lead in team 5's cas.
638
00:35:38,403 --> 00:35:41,304
But now, in the murder of cleo register,
639
00:35:41,406 --> 00:35:43,240
team one is hoping he can
640
00:35:43,342 --> 00:35:46,009
verify andrew beard's story.
641
00:35:46,111 --> 00:35:48,078
- How is it that you become
involved in this investigation?
642
00:35:48,180 --> 00:35:49,079
- Well...
643
00:35:52,184 --> 00:35:58,822
♪ ♪
644
00:36:07,132 --> 00:36:10,867
♪ ♪
645
00:36:12,704 --> 00:36:13,570
♪ ♪
646
00:36:21,647 --> 00:36:23,380
♪ ♪
647
00:36:23,482 --> 00:36:25,382
narrator: Jorge says that the 911 caller,
648
00:36:25,484 --> 00:36:29,286
andrew beard, was present during the murder.
649
00:36:29,388 --> 00:36:31,488
- Ok.
All right.
650
00:36:31,590 --> 00:36:32,689
♪ ♪
651
00:36:32,791 --> 00:36:34,791
did he say what went on?
652
00:36:37,062 --> 00:36:38,628
♪ ♪
653
00:36:38,730 --> 00:36:40,897
- all right.
Just give us a few.
654
00:36:40,999 --> 00:36:46,703
♪ ♪
655
00:36:46,805 --> 00:36:49,172
- a little different story
this time, huh?
656
00:36:49,274 --> 00:36:51,241
♪ ♪
657
00:36:51,343 --> 00:36:52,943
- all right.
658
00:36:53,045 --> 00:36:56,213
♪ ♪
659
00:36:56,315 --> 00:36:59,082
we need to verify some things.
- Ok.
660
00:36:59,184 --> 00:37:01,885
- Did you ever convey to jorge
661
00:37:01,987 --> 00:37:05,322
that you were there on the boat
when the murder occurred?
662
00:37:05,424 --> 00:37:06,723
♪ ♪
663
00:37:08,393 --> 00:37:12,128
♪ ♪
664
00:37:12,231 --> 00:37:14,931
- listen, I'm not a new cop.
665
00:37:15,033 --> 00:37:17,500
I've been doing this,
you feel me?
666
00:37:17,603 --> 00:37:18,868
- Yeah.
667
00:37:18,971 --> 00:37:20,570
- If you were there
and you saw I,
668
00:37:20,672 --> 00:37:21,705
let me know this now.
669
00:37:21,807 --> 00:37:23,773
It's cool!
670
00:37:23,875 --> 00:37:26,810
You're scared,
and I understand that.
671
00:37:26,912 --> 00:37:28,478
This [bleep] ain't supposed
to happen to people.
672
00:37:28,580 --> 00:37:30,213
It does.
673
00:37:30,315 --> 00:37:34,317
♪ ♪
674
00:37:34,419 --> 00:37:38,188
and it's pent up inside of you,
and I see it.
675
00:37:38,290 --> 00:37:39,723
I see it.
676
00:37:39,825 --> 00:37:44,327
♪ ♪
677
00:37:44,429 --> 00:37:46,663
- andrew, look at me.
678
00:37:46,765 --> 00:37:48,265
♪ ♪
679
00:37:48,367 --> 00:37:49,933
what really happened?
680
00:37:50,035 --> 00:37:56,573
♪ ♪
681
00:37:58,877 --> 00:38:05,482
♪ ♪
682
00:38:22,634 --> 00:38:24,501
♪ ♪
683
00:38:38,116 --> 00:38:41,017
♪ ♪
684
00:38:49,261 --> 00:38:51,361
- well, just hold tight.
685
00:38:55,534 --> 00:38:57,934
♪ ♪
686
00:39:01,707 --> 00:39:03,540
- we are investigating
a homicide.
687
00:39:05,444 --> 00:39:07,510
♪ ♪
688
00:39:07,612 --> 00:39:08,778
- we're investigating
a homicide--
689
00:39:09,881 --> 00:39:11,815
- ok.
690
00:39:11,917 --> 00:39:13,083
- All right, sir.
Ok.
691
00:39:18,724 --> 00:39:20,323
- Well, that was quick.
692
00:39:20,425 --> 00:39:22,992
♪ ♪
693
00:39:23,095 --> 00:39:25,395
narrator: Andrew beard's eyewitness account
694
00:39:25,497 --> 00:39:28,465
gives detectives enough to charge arthur johnson
695
00:39:28,567 --> 00:39:30,300
with first-degree murder.
696
00:39:30,402 --> 00:39:32,435
♪ ♪
697
00:39:32,537 --> 00:39:34,070
- as far as beard is concerned,
698
00:39:34,172 --> 00:39:37,073
he's a witness, and I believe him,
699
00:39:37,175 --> 00:39:39,609
but if we find that he did lie
700
00:39:39,711 --> 00:39:41,044
and that he had
more involvement,
701
00:39:41,146 --> 00:39:42,579
he's gonna have to answer
for those actions.
702
00:39:42,681 --> 00:39:44,247
Most definitely.
703
00:39:44,349 --> 00:39:50,954
♪ ♪
704
00:39:58,663 --> 00:40:02,265
narrator: Six months after the death of cleo register,
705
00:40:02,367 --> 00:40:05,335
several witnesses from waterworld have come forward
706
00:40:05,437 --> 00:40:09,072
implicating andrew beard in the robbery/murder.
707
00:40:09,174 --> 00:40:11,541
[dramatic musical sting]
708
00:40:11,643 --> 00:40:13,576
andrew is brought back to homicide
709
00:40:13,678 --> 00:40:15,612
for further questioning.
710
00:40:15,714 --> 00:40:18,581
- How much was your cut?
711
00:40:18,683 --> 00:40:20,450
- A hundred.
712
00:40:20,552 --> 00:40:23,186
♪ ♪
713
00:40:23,288 --> 00:40:25,722
- for a human life?
714
00:40:25,824 --> 00:40:28,758
That's--that's sad.
715
00:40:28,860 --> 00:40:35,498
♪ ♪
716
00:40:59,124 --> 00:41:01,191
- no matter how long
you work homicide,
717
00:41:01,293 --> 00:41:03,960
there's always gonna be a piece of evidence,
718
00:41:04,062 --> 00:41:05,895
there's always gonna be a witness to surface
719
00:41:05,997 --> 00:41:07,530
that kind of shocks you and just take you
720
00:41:07,632 --> 00:41:10,467
in a completely different direction.
721
00:41:10,569 --> 00:41:12,035
What's important as an investigator,
722
00:41:12,137 --> 00:41:14,137
that you have to be impartial.
723
00:41:14,239 --> 00:41:16,139
I got to go where the evidence takes me.
724
00:41:16,241 --> 00:41:22,879
♪ ♪
57113
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