Original subtitles

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Man: ¡MIRA! !CARLOS AMADO!

CARLOS AMADO?

POR FAVOR, DEME UN AUTOGRAFO.

[SPEAKING SPANISH]

THAT'S CARLOS AMADO.

[PEOPLE SPEAKING SPANISH]

CARLOS AMADO.

[MAN SINGING IN SPANISH]

HEY.

Woman: CARLOS, I'VE BEEN PUTTING MONEY AWAY,

AND I'M GOING TO GET US AWAY FROM PEPE.

PLEASE DON'T WORK FOR HIM AGAIN.

I'M TELLING YOU, MARI, DON'T WORRY.

HE'S GOING TO TAKE ADVANTAGE OF YOU.

Carlos: MARIA, I'M GOING TO MAKE IT

AND TAKE CARE OF US.

LOOK.

I CAN'T EXPLAIN WHAT IT WAS LIKE

TO BE IN FRONT OF AN AUDIENCE.

THIS IS WHAT I WANT TO DO.

THEN DO IT, BUT NOT WITH PEPE.

PEPE'S WELL-CONNECTED.

I'VE SEEN HIM WITH IMPORTANT PEOPLE.

AFTER EVERYTHING MOMMY WENT THROUGH

TO GET YOU AWAY FROM HIM?

IT DIDN'T KILL PEPE WHEN HE DID IT,

AND IT'S NOT GOING TO KILL ME.

I'M NOT GOING TO LET IT GET TO ME.

HEY, THEY'RE PRETTY.

Maria: GET UP AND SAY HI.

HOLA.

HELLO.

Maria: COME SAY HELLO TO MOMMY.

[CRIES]

[SPEAKING SPANISH]

SERVE YOURSELF THE WHOLE POT.

GO AHEAD, IF YOU THINK IT'S SO FUNNY.

HEY.

LOOK WHO'S HERE.

WELCOME HOME, HOMBRE.

YOU LOOK GOOD.

ARE YOU EATING HERE?

HOW'S THE GRUB, PIG, HUH?

[PEPE LAUGHS]

NAH. I GOT TO GO BACK TO WORK.

FIRST, I GOT TO TALK TO MY SON.

WHAT'S THIS ABOUT YOU WANTING TO BE AN ACTOR?

I'LL WORK HARD.

YOU, AN ACTOR?

WHO THE HELL DO YOU THINK YOU ARE, KID?

I'M SORRY.

I CAN'T HELP YOU, ALL RIGHT?

I DON'T KNOW SHIT ABOUT ACTING.

YOU KNOW PEOPLE IN THE BUSINESS THROUGH WORK.

THESE PEOPLE ARE MY BUSINESS ASSOCIATES.

I CAN'T BE RUNNING AROUND

ASKING THEM FOR FAVORS.

BESIDES,

YOU HAVE TO HAVE TALENT TO BE AN ACTOR.

WHAT MAKES YOU THINK YOU HAVE THAT?

LOOK...

I'M ASKING FOR YOUR HELP.

ALL RIGHT.

I'LL TELL YOU WHAT I'M GOING TO DO.

YOU WORK FOR ME FOR A WHILE,

AND LATER ON, IF EVERYTHING IS GOING OK,

I'LL INTRODUCE YOU TO A COUPLE OF PEOPLE.

ALL RIGHT?

PROMISE?

YOU HAVE MY WORD.

JUANCITO, PEPE, DINNER.

THANK YOU.

WHERE'S MOMMY?

I DON'T KNOW. SHE WAS RIGHT THERE.

JUANCITO, CARLOS, GO LOOK OUTSIDE.

¡CHIN!

[DOG BARKS]

COME ON.

PLEASE.

[SPEAKING SPANISH]

I'M SORRY.

[SPEAKING SPANISH]

YOU SEE? THIS IS WHAT I'M TELLING YOU GUYS.

YOU ACTUALLY GOT GOOD CHOLESTEROL,

AND YOU GOT BAD CHOLESTEROL.

NOW, THOSE FRENCH FRIES YOU EAT ALL THE TIME,

THAT'S BAD CHOLESTEROL.

HEY, HEY, HEY. HOT DOGS HAVE CHOLESTEROL?

NO, THAT'S BAD CHOLESTEROL.

HOW ABOUT DOUGHNUTS?

NAH, THAT'S BAD CHOLESTEROL.

YOU CAN'T EAT THAT.

PIZZA?

PIZZA? WAKE UP.

CHEESEBURGER? SPAGHETTI?

NO, THAT'S BAD. THAT'S NOT GOOD.

THAT'S RIGHT.

TU MADRE--

DOES SHE HAVE CHOLESTEROL, OR IS SHE GOOD TO EAT?

Pepe: WHAT ARE YOU, A FUCKING IDIOT?

[MAN SINGING IN SPANISH]

[MAN SINGING IN SPANISH]

CARLOS.

COME HERE.

COME HERE.

SOMEBODY'S GOING TO COME BY HERE IN A LITTLE WHILE

AND SHOW YOU WHAT TO DO, OK?

FOR RIGHT NOW, YOU JUST STAND HERE AND LOOK PRETTY.

ALL RIGHT?

[MAN AND WOMAN PANTING AND MOANING]

[LAUGHS]

YOU OK?

YES.

MMM...

LETTI, I NEED YOU TO DO ME A FAVOR, OK?

I NEED YOU TO SHOW CARLOS THE ROPES, OK?

SHOW HIM HOW THINGS ARE DONE, OK?

NOW, WHY SHOULD I DO THAT FOR YOU?

MY WIFE IS DYING.

THAT MEANS WE CAN GET MARRIED SOON, EH?

SHEGETTING WEAK.

HOW MUCH LONGER?

SHE CAN HARDLY SIT UP ANYMORE.

I GOT TO GO TO THE LOUNGE, BABY.

IT'S GETTING LATE.

TAKE ME INSIDE FOR A DRINK.

LETTI, PLEASE, DON'T START WITH ME, OK?

IT'S BUSINESS IN THERE.

I CAN'T TAKE YOU IN THERE WITH ME.

PLEASE?

NO!

YOU'RE EMBARRASSED.

NO, BABY, THAT'S NOT IT.

COME ON.

TOMORROW NIGHT, I TAKE YOU OUT,

AND WE HAVE A NICE TIME, HUH?

OK?

IF YOU LOVED ME, YOU'D TAKE ME AND BE PROUD OF ME.

I'M PROUD OF YOU, I'M PROUD OF YOU.

¡HIJO DE PUTA!

GUYS, WHAT'S UP?

HEY, PEPE.

HEY, HANDSOME, HOW YOU DOING?

HOWDY-DO.

MR. RIVERS, I'D LIKE YOU TO MEET THE FRIEND

I TOLD YOU ABOUT.

I'M SORRY YOU HAD TO WAIT.

HEY, IT'S ALL RIGHT.

MR. RIVERS, THIS IS PEPE.

PEPE, THIS IS MR. RIVERS.

HE'S LOOKING FOR A GUIDE TO SHOW HIM

SOME OF THE MORE INTIMATE PARTS OF HOLLYWOOD.

HOW YOU DO?

OK. HOW YOU DOING?

LUIS IS AN EXCELLENT GUIDE.

Pepe: YOU CAN FIND HIM...

RIGHT HERE AT THIS CORNER.

HE HAS A FEW HOURS AVAILABLE,

AND HE WILL SHOW YOU ANYTHING YOU LIKE.

AND THIS IS FOR YOU.

THANKS.

ENJOY IT, HUH?

THANK YOU.

WAIT. WHAT'S THIS?

YOU'RE LATE. I'M DOCKING YOU.

WAIT A MINUTE, OK?

I'M NOT HERE

JUST BECAUSE I'M FUCKING AROUND.

YOU'RE COCKY. I DON'T LIKE COCKY ANYMORE.

I DON'T NEED COCKY, PEPE.

LOOK. I WAS BREAKING IN A NEW KID, OK?

NOW, THAT'S GOOD NEWS FOR BOTH OF US.

I GOT A DOZEN OTHER GUYS I CAN CALL.

DON'T BE LATE NO MORE.

I GET TESTY.

REMEMBER THAT.

[TAKES MONEY] FINE.

UHH!

HI, FRED.

OH, HI, MARIA.

OH, I'VE GOT YOUR PRESCRIPTION

ALL READY FOR YOU.

THANKS.

UM, HOW'S YOUR MOTHER DOING?

THE DOCTOR SAYS SHE'S DOING BETTER.

I'M REALLY PROUD OF HER.

OH, THAT'S-- THAT'S GREAT.

THAT'S GREAT.

I'M REALLY HAPPY FOR YOU.

UH, LET'S SEE.

ESTOY, UH...

ESTOY MUY CONTENTO.

CONTENTO.

CONTENTO.

MM-HMM. ASI PERFECTO.

THERE YOU GO.

THANKS.

MARIA?

I WAS WONDERING IF MAYBE

YOU'D WANT TO GO SEE A MOVIE WITH ME SOMETIME,

IF YOU HAVE THE TIME.

SURE.

GOOD.

I'LL--I'LL CALL YOU.

YOU'RE CARLOS, RIGHT?

YES.

I'M LETTI, PEPE'S GIRLFRIEND.

EXCUSE ME, MA'AM, WE WERE HERE FIRST.

IF YOU WANT TO BUY THE FUCKING MAP,

THEN BUY IT.

OH, DEAR.

UH...

OK.

THANK YOU.

THANK YOU.

COME ON.

I'M GOING TO GIVE YOU AN INTRODUCTORY CLASS.

INTRODUCTORY CLASS?

YOU SAID THAT, UH...

YOU WERE PEPE'S GIRLFRIEND.

IS THAT WHAT HE CALLS YOU?

GIRLFRIEND?

CARLOS, YOU MIGHT AS WELL KNOW NOW.

PEPE LOVES ME.

YOU'LL BE SEEING A LOT OF ME.

OH, I'M SURE HE LOVES YOU.

I'M SURE HE LOVES YOU A WHOLE LOT.

ALL RIGHT, SMART ASS.

JUST SHUT UP.

SIT DOWN AND LISTEN.

I'M LISTENING.

SIT DOWN.

FIRST OF ALL, LISTEN TO THE CUSTOMER

SO YOU CAN FIGURE OUT HOW THEY WANT YOU TO ACT.

SOME PEOPLE WILL WANT YOU

TO BE VERY DIFFERENT THAN OTHERS.

LISTEN...

I'M AN ACTOR.

I KNOW HOW TO PUT ON A SHOW.

I PROMISE YOU

THE CUSTOMERS ARE GOING TO BE HAPPY.

CAN WE GO NOW?

WE'RE NOT TALKING ABOUT

SOME DUMB TRICK FROM EL BARRIO.

THESE ARE REAL CUSTOMERS,

AND PEPE WANTS ME TO MAKE SURE

THAT YOU ARE NOT GOING TO FUCK UP.

SO SHUT THE FUCK UP AND PAY ATTENTION.

BEEN WITH WOMEN?

YES.

BEEN WITH MEN?

YES.

AMERICAN MEN?

YES.

GOOD.

NOW, LET'S TRY SOMETHING.

I'M GOING TO ACT LIKE AN OLD GUY,

AND YOU PLAY ALONG.

AHEM.

HEY, CARLOS, UH...

MY NAME IS, UH, BRETT.

UH, I'M--I'M A LITTLE NERVOUS ABOUT THIS.

I'VE NEVER DONE THIS BEFORE,

AND I'M OLDER.

OH, MY BACK.

UM...

MMM...

BRETT...

YOU'RE SOME HOT HUNK.

OH, THANK YOU.

OH, YEAH.

UH, MAYBE I WOULD, UM, FEEL MORE COMFORTABLE

IF YOU HELPED ME, UM, YOU KNOW,

TAKE MY CLOTHES OFF.

OHH.

AH, THESE OLD BONES.

HEH HEH.

OOH.

[SNIFFS]

OOH...

YOU ARE HOT, BRETT.

THANK YOU.

OH! GO--SLOW DOWN! OH, YEAH.

YOU'RE SCARING ME.

IF YOU'RE SCARED NOW,

WAIT TILL YOU SEE MY CRAZY MEAT.

I'LL FUCK YOU HARD, BABY.

UHH!

STOP IT!

STOP IT. JESUS CHRIST.

YOU'RE A TERRIBLE ACTOR.

WHY DO YOU GOT TO SAY THAT?

I TELL YOU THAT I'M OLD AND NERVOUS.

I ACT OLD AND NERVOUS, AND YOU JUMP MY BONES.

I WAS SEXY, WASN'T I?

YOU GOT TO BE SEXY WITH ME.

LISTEN TO THE CUSTOMER.

THAT'S HALF THE BATTLE.

FUCK THIS GAME.

WITH A REAL CUSTOMER, I KNOW WHAT TO DO.

WHO DO YOU WANT ME TO BE?

NOBODY.

[MOTHER HUMMING]

Man: TERESA.

OYE, TERESA.

TERESA.

ESTOY HABLANDO.

[SPEAKING SPANISH]

HI, ARE YOU CARLOS?

YEAH.

I'M JENNIFER.

PEPE SENT ME.

I GUESS YOU'VE NEVER SEEN ME BEFORE, HUH?

NO.

WE'LL GO BACK TO MY HOUSE NOW,

IF YOU DON'T MIND.

THAT'S FINE.

OK.

COME, COME.

HI, SWEETIE.

OH, CARLOS, THIS IS MY SON ALEX.

HELLO.

HI.

Jennifer: LAURIE, THIS IS CARLOS.

HE'S GOING TO FINISH SOME OF THE YARD WORK

LUIS WAS DOING LAST WEEK.

AND I NEED TO DO SOME WORK,

SO WHY DON'T YOU AND ALEX

GO TO THE PARK AND GET SOME ICE CREAM?

SURE.

WHEN YOU GET A CHANCE, I NEED TO TALK TO YOU

ABOUT SOME DENTAL BENEFITS.

UM, I NEED TO GET A BRIDGE.

OK.

LATER, LAURIE.

GREAT.

YOU'RE AN ACTRESS.

BINGO.

ARE YOU AN ACTOR, CARLOS?

I'M GOING TO BE.

WELL, GOOD FOR YOU.

WHO DO YOU WANT ME TO BE?

YOU SHOULD JUST BE YOURSELF.

HOW DO YOU MEAN, MYSELF?

UM...

I JUST WANT A POOR MEXICAN BOY

TO FUCK MY BRAINS OUT.

OK?

OH.

OK.

WHEN I WAS STARVING IN MEXICO,

AND HOT GRINGAS LIKE YOU COME THERE,

I GET SO HOT FOR THEIR CHILE RELLENOS.

MY MACHETE IS SO HOT FOR YOU.

OHH!

CRAZY LOVE, I'VE GOT YOU!

[APPLAUSE]

THANK YOU VERY MUCH.

I LOVE YOU.

YES!

I GOT IT!

WAS IT OK?

YES.

GOSH, YOU WERE WONDERFUL.

WHAT ARE YOU TALKING ABOUT?

REALLY?

MM-HMM.

WHAT'S IT LIKE TO BE FAMOUS?

MMM, WHEN IT COMES DOWN TO IT,

IT'S REALLY NOT ALL THAT IMPORTANT.

IT MUST BE GREAT TO BE LOVED BY SO MANY PEOPLE--

MAKE PEOPLE LAUGH, CRY.

YOU REALLY WANT TO ACT?

I'M GOING TO.

SURE.

WHY NOT?

[TELEPHONE RINGS]

HELLO?

HI, HONEY.

JENNIFER.

HOW YOU DOING?

FINE.

LISTEN, I JUST MET THIS KID,

AND I WAS WONDERING IF WE MIGHT NEED

SOME BACKGROUND CHARACTERS

ON THE SHOW NEXT WEEK.

HE'S MEXICAN.

MEXICAN?

REALLY? WHERE'D YOU MEET HIM?

WHERE?

OH. I--UH, WHILE I WAS

DROPPING OFF SOME STUFF AT THE FOOD BANK.

WELL, I GUESS WE CAN WORK HIM IN SOMEHOW.

GREAT.

OK.

BYE.

[SIGHS]

I'M GOING TO BE IN YOUR SHOW?

NEXT WEEK, AS AN EXTRA.

IF IT WORKS OUT,

YOU MIGHT WORK ONCE IN A WHILE, AND...

WOW.

HEY, DON'T GET SO EXCITED.

IT'S JUST EXTRA WORK.

I'M HAPPY. THIS--

YOU'RE SO NICE.

VERY, VERY NICE.

[LAUGHS]

[DOORBELL RINGS]

HI.

HELLO.

YOU LOOK...

YOU LOOK NICE.

THANKS.

I'LL BE RIGHT BACK.

I'D LET YOU IN,

BUT MY HOUSE IS A BIT MESSY RIGHT NOW.

OH, NO, THERE'S NO HURRY.

OK.

[SLAP]

YOU'D BETTER TAKE CARE OF MOMMY WHILE I'M GONE.

YOU BETTER NOT FALL ASLEEP BEFORE I GET HOME.

HI. HI.

EVERYTHING OK?

YEAH.

READY TO GO? ALL RIGHT.

OH, AND I ALSO LIKED THE GUY--

THE GUY WITH THE ANTENNAS AND--

EL CHAPULIN COLORADO.

THAT'S IT.

UM...

NO CANTABAN CON MI ASTUCIA.

I DIDN'T THINK YOU'D BE THIS FUNNY.

WELL, THANK YOU.

DON'T TOUCH THE FOOD, OK?

YOU AND ME ARE GOING TO EAT AT HOME.

THAT'S FOR THE BOYS.

YOU WERE LATE FOR YOUR SECOND DATE.

IN FACT, YOU DIDN'T EVEN SHOW UP.

WELL, I WAS WITH JENNIFER,

AND SHE TOOK A LONG TIME.

DID YOU BOTHER HER?

WHAT?

DID YOU BOTHER HER WITH YOUR ACTING CRAP?

NO, I DIDN'T BOTHER HER.

SHE TOLD ME THAT YOU BEGGED HER

TO BE AN EXTRA ON HER SHOW.

NO, I DIDN'T--

DON'T FUCK WITH ME!

YOU ARE SUPPOSED TO GO OUT AND DO THE JOB

AND GET BACK TO YOUR CORNER,

AND THAT'S IT.

IT WON'T HAPPEN AGAIN.

YOU'RE RIGHT. IT WON'T HAPPEN.

BECAUSE FROM NOW ON, I'M GOING TO SEND

THE GUYS OUT WITH JENNIFER.

IF YOU WANT TO WORK FOR ME,

YOU DO WHAT I SAY.

AND BELIEVE ME,

YOU WILL MEET 10 TIMES MORE PEOPLE

THAN YOU WILL WITH JENNIFER.

AND IF YOU DON'T,

THEN I WILL SHIP YOUR SKINNY ASS

BACK TO MEXICO.

YOU GOT THAT, MR. HASSELHOFF?

I THOUGHT YOU RESPECTED ME.

Man: I DO. I JUST CAN'T MARRY YOU.

IS THAT HOW MUCH MY LOVE IS WORTH TO YOU?

YOU'RE GOING TO BE ON CARMEL COUNTY?

SHE SAID I'D BE AN EXTRA.

I DON'T KNOW. DO YOU THINK SHE WAS SERIOUS?

I THINK SO. SHE SAID IT.

I HOPE IT'S TRUE.

WHY DON'T YOU QUIT WITH PEPE NOW?

PEPE WOULD RUIN THINGS FOR ME SOMEHOW.

I KNOW HE WOULD.

I JUST GOT TO KEEP HIM OUT OF IT

UNTIL I DO THE SHOW.

YOU'RE CRAZY.

SO, TELL ME ABOUT THIS GUY.

WHAT'S HE LIKE?

WELL...

HE'S NICE.

HE'S UGLY, HUH?

NO, HE'S NOT. SHUT UP.

YOU LIKE HIM, DON'T YOU?

I GUESS SO,

BUT I'D BE STUPID TO THINK

THAT I COULD GET INVOLVED

WITH ANYONE RIGHT NOW.

YOU CAN SEE HIM.

I SHOULD WAIT.

[TELEVISION ON]

[SPEAKING SPANISH]

[LAUGHS]

HEY!

HOW MANY TIMES HAS MAMITA TOLD YOU NOT TO SIT ON HER?

OHH!

[LAUGHS]

YOU ARE A BAD, BAD BOY.

YOU ARE GOING TO GROW UP TO BE A BIG, DUMB MAN.

YEAH, BUT A HORNY ONE.

MMM...

OHH...

PEPE...

ARE YOU SURE YOU WANT CARLOS WORKING FOR YOU?

I DIDN'T ASK HIM TO COME BACK.

I KNOW, BUT...

MAYBE LATER ON, YOU MIGHT REGRET IT.

HE'S A SMART KID, AND...

WHAT'S WRONG WITH HIS LIFE NOW, LETTI?

I TAKE CARE OF HIM

LIKE I TAKE CARE OF THE REST OF MY FAMILY,

INCLUDING YOU.

SO WHY CAN'T HE BE HAPPY WITH THAT?

I WAS 4 YEARS YOUNGER THAN HIM

WHEN MY FATHER PUT ME ON THE STREETS OF NEW YORK.

I'M NOT EXACTLY THE POPE, BUT I THINK I'M DOING FINE.

I KNOW.

LOOK. HE'S GOT SOME SILLY IDEAS

ABOUT BECOMING A MOVIE STAR.

HE'S JUST COCKY. THAT'S HIS WAY.

DON'T WORRY.

HI, SILLY.

HI.

ARE YOU AFRAID OF ME?

WHY SHOULD I BE AFRAID?

I DON'T KNOW.

I TALKED TO PEPE YESTERDAY,

AND HE SAID I CAN'T SEE YOU ANYMORE.

YEAH?

THOUGHT MAYBE YOU GOT SCARED.

NO.

PEPE DOESN'T WANT ME TO BOTHER YOU.

WHY DON'T YOU JUST COME WITH ME NOW?

I'LL EXPLAIN TO PEPE

YOU'RE NOT BOTHERING ME AT ALL.

I HAVE TO DO THIS.

BUT ANY TIME I'M NOT WORKING,

I MEAN, I'LL TAKE THE BUS ANYWHERE,

MEET YOU ANYWHERE YOU WANT.

I'LL PICK YOU UP TONIGHT,

EVEN THOUGH I THINK YOU SHOULD DROP

ANY OTHER COMMITMENTS.

I'M A PRIZE, KID.

[WOMAN SINGING IN SPANISH]

[MAN TAKES PICTURES]

[TAKES PICTURE]

COME GET IT, ROMEO.

HERE COMES PEPE.

CALL STEWART.

HEY, HEY, GENTLEMEN.

HEY. HEY.

HEY!

WHAT'S GOING ON, DONALD?

I'M SORRY, PEPE.

YOU'RE NOT ALLOWED IN HERE NO MORE.

SAYS WHO?

STEWART.

HE SAYS YOU SHOULD WAIT OUT HERE,

AND HE'LL COME OUT TO TALK TO YOU.

YOU'RE KIDDING ME, RIGHT?

COME ON, I GOT BUSINESS IN THERE.

WHERE IS THAT FUCKING ASSHOLE?

YOU'RE NOT COMING IN HERE, PEPE!

HEY! DON'T LET THAT WETBACK EYESORE

COME IN HERE.

WAIT A MINUTE. WAIT A MINUTE.

WHAT CRAWLED UP YOUR ASS AND DIED?

YOU'RE LATE AGAIN.

15 MINUTES. COME ON, GIVE ME A BREAK.

YOU WANT A BREAK?

FROM NOW ON, YOU WORK OUT HERE.

YOU WANT ME TO HANG OUT HERE

AND WAIT TILL YOU THROW ME A BONE?

YEAH.

HEY, MAN, YOU LOOKING FOR A GUIDE?

WHAT DO YOU GOT?

NEVER MIND. GET LOST, HUH?

WELL, GOOD MORNING TO YOU,

YOU FUCKING ASSHOLE.

Man: I THINK I WANT TO TRY SOMETHING NEW.

YOU KNOW WHAT I'M THINKING OF DOING?

PRODUCING A DOCUMENTARY.

GREAT.

WHEN ARE YOU QUITTING?

YOU KNOW, THERE ARE A LOT OF ISSUES

THAT I REALLY CARE ABOUT.

IT'S A GREAT IDEA, HONEY.

DO IT.

YEAH, WELL, UH...

I JUST MIGHT.

I CAN'T.

I JUST NEED SOME TIME.

I GOT TO GO.

WHERE ARE YOU GOING?

I DON'T KNOW.

WHAT'S THE MATTER?

HELLO?

CARLOS.

HELLO?

"PRINCESS..."

"THE GREAT DIFFERENCE

"BETWEEN PEOPLE IN THIS WORLD

"IS NOT THE DIFFERENCE

"BETWEEN THE RICH AND THE POOR

"OR THE GOOD AND THE EVIL.

"THE BIGGEST OF ALL DIFFERENCES

"IN THIS WORLD

"IS BETWEEN THOSE...

"THAT HAD OR HAVE PLEASURE IN LOVE

"AND THOSE THAT HAVEN'T

"OR HADN'T ANY PLEASURE IN LOVE.

"I DON'T MEAN JUST ORDINARY LOVE

"OR THE KIND YOU CAN BUY.

I MEAN GREAT LOVE."

WHAT'S THAT FROM?

SWEET BIRD OF YOUTH.

MAYBE YOU DO BELONG IN FRONT OF THE CAMERA.

YEAH?

YEAH.

COME ON.

SHOW ME HOW MUCH YOU WANT IT.

COME ON.

DO ME.

YEAH.

COME ON.

I HAD FUN, MARIA.

MARIA, WHAT'S WRONG?

I'M SO WORRIED ABOUT MY BROTHER.

HOW COME?

MY FATHER,

HE'S NOT A GOOD MAN, AND...

I'VE ALWAYS MANAGED TO KEEP AWAY FROM HIM,

BUT CARLOS HASN'T.

MY MOTHER FOUGHT SO HARD TO GET HIM AWAY IN MEXICO.

THAT'S WHEN SHE HAD HER BREAKDOWN.

AND NOW CARLOS IS BACK,

AND MY FATHER WON'T TURN HIM LOOSE.

MARIA, I WANT YOU TO KNOW

THAT NO MATTER HOW BAD THE PROBLEMS GET,

YOU DON'T EVER HAVE TO BE EMBARRASSED

OF YOUR FAMILY WITH ME.

OK?

THANKS FOR SAYING THAT.

SURE.

I'LL CALL YOU?

OK.

[SPEAKING SPANISH]

HI, IT'S JENNIFER.

COULD YOU GET ME ANY OF THE WRITERS, PLEASE?

HI, ZACK. IT'S JENNIFER.

LISTEN. YOU KNOW THAT MEXICAN KID

I TOLD MARTIN ABOUT?

UH, THE EXTRA?

YEAH.

COULD YOU THROW SOME LINES HIS WAY?

YOU KNOW, GIVE HIM A BIT OF BUSINESS TO DO.

OK. MEXICAN BUSINESS.

I THINK IT WOULD BE FUN.

WHAT DO YOU THINK?

FUN MEXICAN BUSINESS. YOU GOT IT.

WHAT'D YOU DO TO JENNIFER, MAN?

SHE DON'T COME TO SEE US NO MORE.

YOU'RE NOT ALLOWED TO SEE HER, HUH?

I SEE HER.

WHEN?

I MAKE TIME.

SHE IS ONE CRAZY, KINKY BITCH.

YEAH, MAN. SHE'S MAD, TWISTED.

Boy: YOU THINK SHE'S GOING TO MAKE YOU A STAR, HUH?

THE NEXT ANTONIO BANDERAS AND SHIT.

WHAT MAKES YOU THINK YOU'RE SO SPECIAL, MAN?

YEAH, IF YOU'RE GOING TO BE SUCH A BIG STAR,

WHAT ARE YOU STILL DOING HERE, MAN?

YOUR SHIT STILL STINKS, BRO.

I'M ONLY DOING IT FOR A WHILE.

[LAUGHTER]

A WHILE.

[BOTH SINGING LA LUNA]

[SINGING CONTINUES]

* LA LUNA

* LA LUNA

* LA LUNA

* LA LUNA

* LA LUNA

* LA LUNA

* LA LUNA

* LA LUNA

MARTIN.

WE'VE GOT SOMETHING FOR THE LATINO GUY.

YOU'RE GOING TO LOVE THIS, ALL RIGHT?

2 WORDS--

MEXICAN GARDENER.

GARDENER?

GREASY GARDENER OUT IN THE GARDEN

CLIPPING THE HEDGES.

GINA INVITES HIM IN FOR LEMONADE...

Writer: THEY BOOM.

Zack: THEY BOOM.

DOES IT ALWAYS HAVE TO BE ABOUT SEX

WITH YOU GUYS?

WHAT DO YOU WANT IT TO BE ABOUT, POLITICS?

COME ON, GUYS.

TELEVISION CAN ENTERTAIN AND EDUCATE.

THAT'S A GOOD POINT.

WELL, HOW ABOUT IF RIGHT BEFORE THEY HAVE SEX,

HE PULLS A CONDOM OUT AND SAYS,

"HEY, LOOK WHAT THEY HANDED OUT IN SCHOOL TODAY"?

OR WHEN THEY'RE FUCKING ON HER DESK,

SHE CAN KNOCK OVER A RECYCLING BIN.

THAT'S GOOD.

GUYS.

WELL, LOOK, I MEAN,

HE'S AN ILLEGAL IMMIGRANT.

YOU KNOW, SHE'S HELPING HIM OUT.

GETS YOUR POINT ACROSS.

HEY, ARE YOU CARLOS? PEPE SENT ME.

OK.

LOOK, I'M SORRY, KID. COULD--

HEY, STUD.

HI.

HELLO.

HOW ABOUT TAKING THE DAY OFF AND SPENDING IT WITH ME?

I CAN'T.

I WANT TO TAKE YOU TO THE STUDIO.

THE SCRIPT FOR THE SHOW IS READY.

YOU'VE GOT LINES AND EVERYTHING.

Man: HEY, COME ON.

I COULD COME LATER.

CARLOS, THERE'S PEOPLE YOU'RE GOING TO HAVE TO MEET

IF YOU WANT TO DO WHAT YOU REALLY WANT TO DO.

NOW, YOU'RE TELLING ME YOU DON'T HAVE THE BALLS

TO BLOW OFF YOUR DAY JOB?

Man: CARLOS.

YOU WANT SOME BUSINESS OR NOT?

Man: HEY.

HEY, COME ON. WHAT DID I SAY?

THAT'S BETTER.

HEY, WHERE YOU GOING, CARLOS?

YOU LITTLE TRAMP!

FUCK YOU!

Jennifer: HI, JOE.

THANKS, HON.

HAVE A GOOD ONE.

* LET ME HEAR YOU SAY, LET ME HEAR YOU SAY *

* LET ME HEAR YOU SAY

* LET ME HEAR YOU SAY YEAH *

* LET ME HEAR YOU SAY, LET ME HEAR YOU SAY *

* LET ME HEAR YOU SAY YEAH *

* LET ME HEAR YOU SAY, LET ME HEAR YOU SAY *

* LET ME HEAR YOU SAY YEAH *

* LET ME HEAR YOU SAY, LET ME HEAR YOU SAY *

* LET ME HEAR YOU SAY YEAH *

THIS IS GOOD, GUYS.

YEAH, IT'S, UH...

THE WHOLE ILLEGAL IMMIGRANT THING

IS JUST REALLY...

UH, TOPICAL AND HOT.

PRETTY EXCITING WAY TO START YOUR CAREER.

YES, IT'S GREAT.

WHAT OTHER WORK HAVE YOU DONE?

OH, HE DID SOME REGIONAL THEATER IN MEXICO.

I'M JUST SORT OF GOING ON A HUNCH HERE, GUYS.

I CAN FEEL THESE THINGS.

YEAH. WELCOME.

THANKS.

OK, WELL, SEE YOU SOON.

UH, GOOD MEETING YOU.

GOOD TO MEET YOU.

BYE, GUYS.

YOU DON'T EVEN HAVE TO TELL ME.

OK, WE'RE GOING TO NEED YOU ON WEDNESDAY,

SO WE'LL HAVE SOMEONE CALL YOU

ON TUESDAY AFTERNOON, ALL RIGHT?

OK.

DO YOU WANT TO STAY AND REHEARSE FOR A BIT?

IT MIGHT BE GOOD TO GO OVER YOUR SCENE.

I'D LIKE THAT.

I'M GOING TO LEAVE.

UH, I'LL TURN THE LIGHTS OUT HERE,

AND I'LL JUST LEAVE THE LIGHTS ON

ON THE SET, OK?

OK.

LUCY...

IS MARTIN AROUND?

I HAVEN'T SEEN HIM, NO.

OK. THANKS FOR EVERYTHING.

ALL RIGHT. BYE-BYE.

WOULD YOU LIKE SOME MORE LEMONADE?

RIGHT NOW,

I'M THIRSTY

FOR A KISS.

YOU'RE OUT OF LINE, PANCHO.

YOU KNOW MY INTEREST IN YOU IS PURELY POLITICAL.

GINA...

THIS IS POLITICAL.

[JENNIFER AND CARLOS PANTING AND MOANING]

Jennifer: OH, MY GOD!

OH, YOU ANIMAL.

[MAN SINGING IN SPANISH]

I GOT TO GO.

I'LL TALK TO YOU LATER.

BYE.

[MAN SINGING IN SPANISH]

OH, HI, HONEY.

WE'VE BEEN REHEARSING.

OH.

MARTIN, THIS IS CARLOS.

HI. NICE TO MEET YOU.

HELLO.

I'M SO EXCITED.

THIS IS GOING TO BE

ONE OF THE MOST SOCIALLY RESPONSIBLE SHOWS

WE'VE EVER DONE.

YEP. I THINK THAT'S TRUE.

AND WE'RE LUCKY TO HAVE RUN INTO CARLOS.

HE'S VERY TALENTED.

WELL, HE CERTAINLY LOOKS THE PART, HUH?

THANK YOU.

LISTEN, IF YOU WANT A RIDE HOME,

IT'S NOT A PROBLEM.

NO, I'LL TAKE THE BUS.

I'M A BIG MAN. I CAN TAKE CARE OF MYSELF.

OK. THROUGH THAT DOOR

WILL TAKE YOU RIGHT TO THE STREET.

CARLOS, NICE MEETING YOU AGAIN.

GOOD LUCK.

THANK YOU.

BYE, CARLOS.

GOOD-BYE, AND THANKS FOR EVERYTHING.

Woman: MARRY ME!

Man: A DEAL WITH FOX.

$1 MILLION FOR 3 YEARS.

Woman: OVER HERE, CARLOS!

[SHOUTS BECOME INCOHERENT]

THINK YOU'RE A BIG MOVIE STAR NOW.

FUCK ME OVER, HUH?

I HAD TO. THIS IS MY CHANCE.

YOU THINK JENNIFER'S GONNA HELP YOU WITH THIS SHIT,

BUT THESE PEOPLE ARE GONNA MAKE AN ASSHOLE OUT OF YOU.

YOU DON'T KNOW HER.

I DO KNOW HER!

SHE'S GONNA PRETEND TO PUT YOU IN HER SHOW

SO YOU CAN GET GOOD AND EXCITED

FOR WHEN SHE FUCKS YOU.

THAT WOMAN IS A DICK FIEND.

THIS IS WHERE YOUR TALENT LIES.

FUCK YOU!

WE DON'T HAVE TO FIGHT LIKE THIS.

NOW, I KNOW...

THAT DEEP DOWN INSIDE...

YOU KNOW I'M RIGHT.

I HAD DREAMS...

BUT MY FATHER TAUGHT ME TO BE A MAN.

AND THE SON OF A BITCH WAS RIGHT.

YOU'RE MY SON.

I LOVE YOU, AND I CARE FOR YOU.

NOBODY ELSE DOES.

THIS TIME...

[VIEWER GASPS]

YOU ARE GONNA LOSE.

WHAT THE FUCK YOU DO THAT FOR?

BECAUSE SHE'S A FUCKING CUNT AND HER FUCKING SHOW STINKS.

WHAT'S THE MATTER, PAPI?

I DON'T WANNA TALK ABOUT IT.

COME HERE.

COME TO MOMMY.

IT'S TERESA, ISN'T IT?

SHE'S GETTING SICKER, I BET.

IT MUST BE HARD TO SEE HER IN THE HOSPITAL.

YEAH, MAYBE THAT'S IT.

NENA, CARLOS HAS BEEN SCREWING UP AT WORK A LOT.

I NEED YOU TO GO OUT ON DOUBLE DATES WITH HIM

AS MUCH AS YOU CAN, OK?

KEEP HIM IN LINE.

BOY NEEDS TO GET HIS HEAD IN CHECK REAL QUICK.

YOU KNOW SOMETHING?

IT'S NOT LIKE I EXPECT MY FAMILY TO KISS MY ASS.

I KNOW THAT.

BUT YOU'D THINK ONCE IN A WHILE

THEY WOULD GIVE ME A LITTLE CREDIT

FOR EVERYTHING I DO FOR THEM.

I RENT THEM A GOOD HOUSE,

I PAY FOR EVERYTHING...

THEY NEVER SAY THANK YOU.

[SINGING IN SPANISH]

[HUMMING TUNE]

I DON'T KNOW IF I DID THE RIGHT THING

INVITING FRED OVER.

I DON'T KNOW IF I'M READY TO HAVE HIM COME HERE.

DO YOU WANNA CANCEL IT?

NO.

GOOD. THEN GO WITH IT.

IT'LL BE ALL RIGHT.

PEPE'S WORKING ANYWAY.

YOU'RE GONNA BE HERE, RIGHT?

I'LL BE HERE. DON'T WORRY.

GUESS WHAT.

WHAT?

I GOT THE SCRIPT.

"YOU KNOW, PANCHO,

SOME OF MY BEST FRIENDS ARE MEXICAN."

NONE OF YOUR OTHER MEXICAN FRIENDS

COULD EVER MOW YOUR LAWN THE WAY I CAN, GINA.

I AM LIKE A MATADOR WITH MY LEAF BLOWER.

I AM LIKE A MATADOR WITH MY LEAF BLOWER.

LIKE A MATADOR WITH MY LEAF BLOWER.

MY LEAF- WITH MY--

WITH--WITH...

OOH!

MY GRASS IS OVERGROWN.

TAKE ME, YOU LATIN STUD.

TAKE ME, PLEASE.

I'M HELPLESS, AND I'M WHITE.

YOU'RE NOT HELPING.

PANCHO.

PANCHO, TAKE ME, PLEASE.

IT'S MY JOB TO PLAY A STUD.

FINE. I'LL PLAY A STUD.

I'M SORRY.

WHO THE HELL ARE YOU TO MAKE FUN OF THIS?

YOU'VE NEVER EVEN DONE ANYTHING REMOTELY ARTISTIC.

HOW WOULD YOU KNOW?

SHIT.

I'M SORRY.

I DON'T KNOW WHY I SAID THAT.

CARLOS, WHY DON'T YOU QUIT WITH PEPE NOW?

WHAT IS HE GONNA DO?

NO, I CAN'T PISS HIM OFF RIGHT NOW.

I CAN'T TAKE THAT CHANCE.

[HORN HONKS]

[HONK]

I GOTTA GO.

YOU REALLY SCREWED PEPE OVER YESTERDAY.

YOU'RE MAKING HIM TREAT YOU LIKE A BABY.

WHAT FOR?

ACTING.

YOU THINK THAT RICH BITCH

IS REALLY GONNA HELP YOU.

AY.

IF IT WAS THAT EASY,

DON'T YOU THINK

THAT EVERYBODY WOULD BE ACTING?

I KNOW IT'S NOT PRETTY,

BUT YOU STAND TO MAKE SOME MONEY WITH PEPE.

AND BELIEVE ME, I KNOW HE CARES FOR YOU.

THAT'S IT. STOP THE FUCKING CAR.

ARE YOU SURE?

STOP THE FUCKING CAR.

WHY?

STOP THE FUCKING CAR!

WHAT THE FUCK?

WHAT, ARE YOU FUCKING NUTS?

FUCKING CRAZY.

SO...

YOU GETTING OUT?

NO, I'M NOT GETTING OUT.

I'M TIRED OF YOU AND YOUR HIJA-DE-PUTA LECTURES.

WELL...

I AM SO SORRY

TO HAVE INCONVENIENCED YOU IN ANY WAY AT ALL.

I GUESS THAT YOU DON'T WANNA GRACE US WHORES

WITH YOUR PRESENCE, HUH?

GOD FORBID THAT SOME DUMB WHORE,

WHO ALSO HAPPENS TO BE YOUR FATHER'S GIRLFRIEND,

SHOULD TRY AND HELP YOU MAKE SENSE OF THINGS.

I MEAN, THAT WOULD REALLY SUCK.

SHUT UP!

IF YOU'RE SO FUCKING HOT, WHY DON'T YOU GET OUT?

JUST SHUT UP!

I'M HERE TO DO THE JOB, AND THAT'S IT.

I'LL DO ALL THE FUCKING THAT I'M REQUIRED TO DO.

BUT ANYTHING ELSE, WHATEVER I DO,

IS NONE OF YOUR FUCKING BUSINESS.

JUST BECAUSE YOU'RE DUMB ENOUGH TO BE WITH PEPE

DOESN'T MAKE YOU MY MOTHER NOR MY GODMOTHER.

YOU ARE NOT MI FAMILIA,

SO JUST DRIVE THE FUCKING CAR

TO THE FUCKING PLACE

AND STOP YOUR FUCKING CEREMONIES.

SURE.

WHATEVER FLOATS YOUR BOAT.

OH, HI.

BUMCAKES, THEY'RE HERE!

THERE'S NO HURRY.

YEAH, PLEASE, TAKE YOUR TIME.

IT'S GROOVY, YOU KNOW?

WE'D LIKE IT BETTER IF YOU JUST DID IT.

MY MACHETE...

IS GONNA CUT YOU OPEN.

CARLOS.

FUCK YOU. I'LL FUCK YOU.

CARLOS, STOP IT.

HEY, DUDE,

THAT'S NOT COOL, ALL RIGHT?

STOP IT. CARLOS, STOP.

Woman: IS HE ALL RIGHT?

HE'S--HE'S FINE.

CARLOS, THESE PEOPLE JUST WANT US

TO MAKE LOVE NICE, OK?

YOU JUST GOTTA TAKE IT EASY.

ARE YOU READY?

UH, MAYBE WE HAVE A PROBLEM HERE.

MAYBE.

PLEASE, UM, JUST GIVE ME A MINUTE.

CARLOS.

CARLOS.

[POUNDING]

[POUNDING]

CARLOS.

HI.

CARLOS.

I WOULD REALLY ENJOY KISSING YOU RIGHT NOW.

WOULD IT BE ALL RIGHT IF I KISSED YOU?

WOULD IT BE ALL RIGHT IF I HOLD YOU?

WOULD IT BE ALL RIGHT IF I TOUCH YOU?

Man: * TAKE CARE

* NOT TO HURT YOURSELF

* BEWARE OF THE NEED

* FOR HELP

* YOU MIGHT

* NEED TOO MUCH

* AND PEOPLE ARE SUCH--

* TAKE CARE

* PLEASE

* TAKE CARE

* SOME PEOPLE READ

* IDEA BOOKS

* AND SOME PEOPLE

* HAVE PRETTY LOOKS

* BUT IF

* YOUR EYES ARE WIDE

* THEN ALL WORDS ASIDE

* TAKE CARE

* PLEASE TAKE CARE

* MMM...

[SPEAKING SPANISH]

HOLA, M'IJA.

[SPEAKING SPANISH]

Pepe: HEY. CANTINFLAS.

[SPEAKING SPANISH]

HEY, NENA, WHAT'S WITH ALL THE ROSES?

WHAT IS IT, MY BIRTHDAY OR SOMETHING, HUH?

I'M HAVING A FRIEND OVER FOR DINNER.

A FRIEND?

YES, A FRIEND.

MAYBE I SHOULD STICK AROUND AND MEET THIS FRIEND, HUH?

AND MAYBE I'LL KILL YOU.

I'M KIDDING. I'M JUST KIDDING, OK?

JUANCITO, STAY HERE

AND KEEP AN EYE ON THIS FRIEND, OK?

[CHUCKLING]

I USED TO WANT A LOT OF THINGS,

BUT...

I STILL DREAM OF HAVING A LITTLE MORE SOMETHING.

I DON'T KNOW.

MAYBE JUST A LITTLE GESTURE

FROM THOSE WHO LOVE ME.

LIKE IF PEPE WASN'T SO EMBARRASSED

TO TAKE ME OUT IN PUBLIC.

SOMETIMES THAT BIG FUCK

CAN MAKE ME FEEL SO SMALL.

HE'S BAD.

HE'S GOOD.

YOU JUST HAVE TO TRY TO UNDERSTAND HIM.

HE HAS A LOT TO DEAL WITH.

HIS BUSINESS IS GROWING FAST,

AND...

EVEN THOUGH HE'S KNOWN FOR A WHILE,

I'M SURE IT'S NOT VERY EASY FOR HIM

WITH YOUR MOTHER DYING.

MY MOTHER DYING?

I'M SORRY.

LETTI...

MY MOTHER HAD A MENTAL BREAKDOWN,

BUT THE DOCTOR SAYS SHE'S ON HER WAY UP.

I SWEAR TO GOD.

YOUR MOTHER IS NOT DYING OF CANCER?

IS THAT WHAT PEPE TOLD YOU?

MY GOD.

YOUR MOTHER IS NOT DYING?

NO.

THIS IS VERY IMPORTANT, CARLOS.

ARE YOU TELLING ME THE TRUTH?

MY MOTHER IS NOT DYING.

THAT FUCKER!

I'VE BEEN TELLING YOU HE'S A--

LISTEN, JUST SHUT UP AND GET YOUR CLOTHES ON.

HEY, YOU GUYS WERE GREAT.

OH, YEAH?

BIG FUCKING WOW!

WHERE ARE WE GOING?

SO YOU FIND A JOB YET, FRANK?

YEAH. I'M TAKING OVER JENNIFER UPLAND'S SHOW.

CARMEL COUNTY?

REALLY?

YEAH, HER HUSBAND WAS PRODUCING IT,

BUT HE'S QUITTING.

THAT'S INTERESTING.

YOU KNOW, I LOVE THAT SHOW.

OH, I'M A BIG FAN.

REALLY?

OH, BIG FAN.

OH, THAT'S GREAT.

CARLOS SAYS THAT TERESA IS NOT DYING.

CARLOS IS AN IDIOT.

HE DOESN'T KNOW WHAT HE'S TALKING ABOUT.

YOU ARE A FUCKING LIAR.

COME ON, CARLOS,

WE'RE GOING INSIDE FOR A FUCKING DRINK!

UH, ISN'T HE A LITTLE BIT YOUNG TO BE IN HERE?

OH, JEEZ.

LET'S GET OUT OF HERE.

WE ARE STAYING.

OW!

Carlos: HEY! STOP!

[CURSING IN SPANISH]

GET OFF OF HER!

[SPEAKING SPANISH]

I SHOULD HAVE LEFT YOU IN MEXICO,

YOU LITTLE PIECE OF SHIT!

GET OUT!

[WHIMPERING]

YOU'RE DEAD.

MMM.

THIS IS REALLY, REALLY DELICIOUS.

GREAT.

I'M GLAD YOU LIKE IT.

THE TAMALES ARE A LITTLE DRY.

IT'S KIND OF HARD TO GET THEM JUST RIGHT.

NO, NO, NO. THESE ARE GREAT.

THEY'RE DELICIOUS.

THANKS.

¿MAMI...

TIENES HAMBRE, HUH?

MMM.

¿UH, SEÑOR?

MMM?

MY UNCLE...

HE LOVE TAMALES.

HE ATE THEM ALL THE TIME.

BUT ONE DAY, THE CORN WAS GREEN,

AND HE CHOKE...

DEAD...

WE THINK.

UH, NEXT WE BURY HIM.

YEARS LATER,

THEY HAD TO MOVE THE COFFIN

FROM THE CEMENTERIO.

THEY SAY THAT HIS FINGERS--

BLOODY FROM SCRATCHING--

WAS COMING THROUGH THE WOOD.

BURIED ALIVE.

[LAUGHING]

MARIA, WHEN YOU BURY ME,

MAKE SURE I'M REAL DEAD.

ALL RIGHT, ENOUGH STORIES.

VAMONOS.

UH, IS, UH...

VERY NICE MEETING YOU.

[SPEAKING SPANISH AWKWARDLY]

UH, EXCUSE ME.

BUENAS NOCHES, JUANCHO.

GOOD NIGHT, MOMMY.

I'LL BE RIGHT BACK.

UH, TAKE YOUR TIME.

[NERVOUS LAUGH]

HEY. PSST.

HEY.

YOU...

AND HER.

[GRUNTING]

[GRUNTING LOUDLY]

[BREATHING HEAVILY]

OHH.

OOF.

[FRED GIGGLES NERVOUSLY]

ISN'T IT GREAT SHE'S GETTING BETTER?

OH, YEAH. SHE'S--SHE'S GREAT.

SHE--SHE'S VERY LUCKY TO HAVE YOU AROUND

TO HELP HER AND EVERYTHING.

I'D DO ANYTHING FOR HER TO GET BETTER.

LET ME TAKE THIS.

OH, THANKS.

YOU BETTER GO.

IT'S NOT GOOD FOR YOU TO BE ALONE RIGHT NOW.

IT'S OK.

I DON'T THINK SO.

DON'T WORRY.

I'LL BE FINE.

I SHOULD'VE STOPPED HIM.

IT'S NOT YOUR FAULT, CARLOS.

I SHOULD'VE.

WHAT ARE YOU GONNA DO NOW?

I'M GONNA GO STAY WITH MY SISTER.

I'LL BE FINE.

TELL ME WHERE TO CALL YOU.

GO.

GOOD-BYE.

[TIRES SQUEALING]

I HOPE CARLOS IS ALL RIGHT.

HEY, I HOPE HE'S ALL RIGHT, TOO.

HEY, I'M MARIA'S FATHER.

OH. FRED MARIN.

FRED MARIN. HOW YOU DOING? SIT DOWN. ENJOY YOUR FLAN.

HEY, VATO LOCO.

MI CASA ES SU CASA, FRED MARIN.

WHERE'S CARLOS?

HE SAID HE WOULD BE HERE FOR DINNER.

HE'S GREAT. HE'S FINE. I SAW HIM THIS AFTERNOON.

SOMETHING HAPPENED TO HIM, DIDN'T IT?

NO. NO WAY.

COME ON. HE'S GLORIOUS.

I'M SURE OF IT, EH?

WHAT DID YOU DO TO HIM?

THIS IS A NICE FAMILY, ISN'T IT?

SHE CAN COOK SO GOOD.

SHE'S PROBABLY A VIRGIN STILL, YOU KNOW?

[SOBBING]

SIR, THIS IS NO WAY TO TREAT YOUR DAUGHTER.

I'M SORRY. YOU'RE RIGHT.

I'M SORRY, OK? I DIDN'T MEAN TO WORRY YOU ABOUT CARLITOS.

HE'S FINE, OK?

TE LO JURO POR MI MADRE.

YOU'RE REALLY GOOD FOR HER. I CAN TELL THESE THINGS.

YOU'D PROBABLY BE ABLE TO TAKE CARE OF THE LITTLE BITCH

ALL BY YOURSELF.

WHY DON'T YOU JUST SHUT UP?

[SPEAKING SPANISH BOASTFULLY]

STOP IT!

STOP IT!

[MAKING ANIMAL GRUNTS]

THAT'S IT!

I'M NOT COOKING FOR YOU! YOU CAN ALL GO TO HELL!

MARIA, WAIT.

THAT GOES FOR YOU, TOO!

I DON'T NEED ANY MORE PEOPLE TO WORRY ABOUT!

[PEPE AND JUANCITO CACKLING]

YOU KNOW...

YOU KEEP TRYING TO BE CHARMING AND EVERYTHING

BUT THAT'S NO GOOD HERE, OK?

SO I DON'T KNOW WHAT YOU'RE LOOKING FOR,

BUT WHY DON'T YOU

JUST GET THE FUCK OUT OF HERE, OK?

WHAT'S WRONG WITH YOU?

YOU DON'T CARE FOR MARIA AT ALL.

YOU'RE THE ONE WHO'S COMING HERE

LOOKING FOR A FREE PIECE OF ASS.

THERE'S NOTHING IN THIS HOUSE THAT'S GONNA BE FREE.

IT'S GONNA COST YOU 50 BUCKS.

YOU'RE SICK. SHUT UP.

HEY, 50 BUCKS IS A BARGAIN.

YOU GOT 50 BUCKS?

YOU'RE SICK.

YOU'RE ALL SICK!

[CHUCKLING]

¡COBARDE, PENDEJO!

SHUT THE FUCK UP, ASSHOLE.

YOU DON'T TAKE CARE OF THIS FAMILY, HUH?

YOU BETTER START THINKING OF WAYS TO MAKE MONEY,

'CAUSE I AM NOT GONNA BE PAYING FOR ANYTHING ANYMORE!

I AM OUT OF HERE,

AND IT'S YOUR FUCKING FUNERAL!

LOSE SOME FUCKING WEIGHT.

[SCREECH]

THESE PEOPLE ARE GONNA MAKE AN ASSHOLE OUT OF YOU.

YOU THINK JENNIFER'S GONNA HELP YOU?

THAT WOMAN IS A DICK FIEND, CARLOS.

OHH.

YOU HAVE THE NICEST COCK.

[BZZT]

WHAT HAPPENED?

PEPE SAID THAT YOU WERE GOING

TO PUT ME IN THE SHOW JUST TO BE NICE

AND THEN CUT ME OUT LATER.

LET'S GO IN HERE.

AM I GONNA REALLY BE IN YOUR SHOW,

OR IS IT JUST BULLSHIT?

YOU'RE IN IT,

AND NO ONE'S GONNA CUT YOU OUT.

QUIT BEING SUCH A BABY.

YOU NEED TO RELAX.

I'VE DONE MY PART.

NOW YOU DO YOURS.

LET'S DO IT TOGETHER.

THIS IS NOT GOOD.

BUT I NEED IT.

MAYBE I SHOULD GO.

CARLOS, I'VE BEEN TAKING CARE OF YOU.

WHAT ABOUT ME? I HAVE NEEDS, TOO.

WHAT ARE YOU GONNA DO

IF I DON'T FOOL AROUND WITH YOU,

TAKE THE PART AWAY FROM ME?

NO.

OF COURSE NOT.

I'M SORRY.

[SPEAKING SPANISH]

IS MARIA UP?

SHE'S IN HER BEDROOM.

I THOUGHT YOU WERE WITH PEPE.

MARI,

IF PEPE COMES BACK HERE AGAIN

OR TRIES TO HURT US,

I SWEAR I'LL KILL HIM.

DON'T TALK LIKE THAT.

WE GOTTA GET OUT OF HERE.

I'M GONNA DO IT WITHOUT HIM.

[MURKY VOICES]

¿COMO ESTAS?

[SPEAKING SPANISH]

* LONELY TRAIL SO LONG

* A LONG AND TIRED PAST

Maria: SHUT UP, JUANCHO!

* EMPTINESS IS GONE

* I FOUND MY PLACE

* AT LAST

Maria: SHUT UP!

[RING]

HELLO.

HI.

WHERE ARE YOU?

I'M AT THE OFFICE.

WHAT ARE YOU DOING THERE?

JUST CAME BY TO PACK UP SOME STUFF.

I QUIT MY JOB.

WHEN?

I WANT A DIVORCE.

DO YOU WANNA TALK?

I NEED TO KNOW

WHETHER YOU'RE COMING IN TO WORK TODAY.

I'LL BE THERE.

BUENA SUERTE.

MMM. THANK YOU.

YOU'RE GONNA DO GOOD.

[INHALES DEEPLY]

OOH.

[SPEAKING SPANISH ON TELEVISION]

AND YOU ARE?

I'M CARLOS AMADO.

I PLAY PANCHO.

WOULD YOU MIND COMING OVER HERE WITH ME FOR A MINUTE?

I WANNA TALK TO YOU.

LOOK, I HAVE BAD NEWS.

THE PRODUCER QUIT THE SHOW YESTERDAY.

WE'RE A NEW CREW

JUST BROUGHT IN BY THE NEW PRODUCER.

AND I KNOW

YOU WERE SUPPOSED TO PLAY PANCHO,

BUT THEY'VE RECAST THE PART.

I DON'T HAVE THE PART?

I'M SORRY.

I DON'T HAVE THE PART?

I SAID I'M SORRY.

NOW, IF YOU'LL EXCUSE ME, I HAVE TO GO BACK TO WORK.

WHERE'S JENNIFER?

I DON'T KNOW.

NONE OF YOUR OTHER MEXICAN FRIENDS

COULD EVER MOW YOUR LAWN THE WAY I CAN, GINA.

I AM LIKE A MATADOR WITH MY LEAF BLOWER...

LUCY!

LUCY, GET SECURITY, PLEASE.

THAT IS MY PART!

Lucy: ALL RIGHT, TAKE IT EASY.

THAT IS MY PART!

DON'T TOUCH ME!

DON'T TOUCH ME!

DON'T TOUCH ME!

LEAVE HIM ALONE.

YOU LIED TO ME!

SHUT UP!

OK?

JENNIFER, FRANK RIVERS. I'M REPLACING MARTIN.

IS THERE A PROBLEM HERE?

YES. I WANT THIS KID BACK IN THE SHOW.

WE REWROTE THE SCRIPT.

THE CHARACTER'S A LOT OLDER NOW.

WELL, WRITE HIM BACK IN.

I DON'T CARE WHAT ELSE YOU DO.

WELL, I GUESS WE COULD HAVE 2 LATINO CHARACTERS.

WHAT THE FUCK?

GET ME ANY OF THE WRITERS ON THE PHONE.

WE'LL STRAIGHTEN THIS SHIT OUT.

YOU HAPPY?

THANK YOU.

[GASPING]

CARLITOS, YOU LITTLE FOOL,

YOU DOUBTED ME.

I HAVE A DIFFERENT SCRIPT NOW?

I THINK SO.

I HAVE TO LEARN MY LINES.

WHEN CAN I SEE IT?

DON'T WORRY.

THERE'S GONNA BE A TELEPROMPTER.

COME ON. COME WITH ME.

WAKE UP, MA.

WAKE UP.

MOMMY?

DON'T DO THIS, MOMMY.

MOM?

WAKE UP, PLEASE.

MOM.

[SOBBING]

WAKE UP.

DON'T DO THIS, PLEASE.

PLEASE DON'T.

JUANCHO!

GO CALL AN AMBULANCE!

JUANCHO!

I DON'T WANT YOU TO--

HEY! ROLL OVER, ROVER.

LET PEPE TAKE OVER, HUH?

Frank: CUTE, HUH?

Jennifer: WHAT THE FUCK IS THIS?

DID MARTIN SET THIS SHIT UP?

WHAT THE HELL ARE YOU DOING ON MY SET?

WHO THE FUCK LET YOU IN HERE?

GET HIM OUT OF HERE!

GET THE FUCK OUT OF HERE.

Woman: OH! STOP IT! SOMEBODY CALL 911.

HEY, YOU KNOW,

IF YOU WANT SOMETHING IN THIS WORLD, CARLOS,

YOU HAVE TO TAKE IT, OK?

I TRIED TO TEACH YOU ABOUT IT...

OH! AAH!

BUT YOU KEEP SUCKING UP TO THE PUTA BITCH.

Jennifer: ALL RIGHT, GET SECURITY!

DO SOMETHING!

PLEASE! HURRY!

COME ON, EH?

BE A MAN, HUH?

Woman: OH, MY GOD! STOP IT!

HYAH!

[COUGHING]

Jennifer: WOULD SOMEBODY GET OUT HERE, PLEASE?

I JUST DEALT WITH SECURITY,

AND THEY WON'T BE BOTHERING YOU.

IT WASN'T EASY, CARLOS.

I HAD TO TELL THEM THE TRUTH.

MAYBE WE SHOULD GO BACK TO MY PLACE

AND TAKE CARE OF THOSE WOUNDS.

I DON'T THINK SO.

[SPEAKING SPANISH ON TELEVISION]

HI, JUANCITO.

HI, IS MARIA HERE?

IS MARIA HERE?

MARIA?

MARIA?

TERESA.

TERESA.

TERESA.

TERESA.

OH.

CANTINFLAS!

[SPEAKING SPANISH]

AY.

[GIGGLING]

[ROCK AND ROLL MUSIC PLAYING]

Lysa Flores: * I'D DO ANYTHING FOR YOU

* HE SAID

* KICKING CAUTION TO THE WIND *

* BUT HE WAS TOO DRUNK

* WITH EGO BACK THEN

* AND THE WAY HE LAUGHED WITH HIS HEAD THROWN BACK *

* AS HE SAID

* I WILL BEG

* BORROW

* AND STEAL FOR YOU

* HE SAID

* I WOULD BEG

* BORROW

* AND STEAL

* FOR YOU

* BUT I SHOULD'VE KNOWN

* THAT I'VE HEARD IT BEFORE *

* HE SAID, STAY STRONG AND BEAUTIFUL *

* LIKE A WILD, THORNED FLOWER *

* HE SAID, STAY STRONG AND BEAUTIFUL *

* OH, YEAH, HUH

* LIKE A WILD, THORNED FLOWER *

* PARKED UNDER THE SHADOWS *

* OF A SPANISH MANSION

* YOU SAID YOUR MOTHER WAS KILLED *

* WHEN YOU WERE 15

* THIS BLUE FUNK GOT TREATED *

* WITH BATTER AND TABOR

* BY THE WOMEN PULLING YOU UNDER THEIR WINGS *

* HE SAID, I'LL BEG

* BORROW

* AND STEAL

* FOR YOU

* HE SAID, I WOULD BEG

* BORROW

* AND STEAL

* FOR YOU

* BUT I SHOULD'VE KNOWN

* THAT I'VE HEARD IT BEFORE *

* HE SAID STAY STRONG AND BEAUTIFUL *

* LIKE A WILD, THORNED FLOWER *

* HE SAID STAY STRONG AND BEAUTIFUL *

* LIKE A WILD, THORNED FLOWER *

* TOSSIN' BACK A SHOT OF ROTGUT WHISKEY *

* I SAID WITH A PAST LIKE YOURS *

* I'M BOUND TO BE THE VICTIM *

* YOU'VE GOT A HOLE TO GET OUT OF *

* BUT THERE'S NO EXIT

* WHEN YOU'RE LIVING IN HELL'S KITCHEN *

* PARKED UNDER THE SHADOWS *

* OF A SPANISH MANSION

* YOU SAID YOUR MOTHER WAS KILLED *

* WHEN YOU WERE 15

* THIS BLUE FUNK GOT TREATED *

* WITH BATTER AND TABOR

* BY THE WOMEN PULLING YOU *

* UNDER THEIR WINGS

* HE SAID, I'D BEG

* BORROW

* AND STEAL

* FOR YOU

* HE SAID, I WOULD BEG

* BORROW

* AND STEAL

* FOR YOU

* BEG

* BORROW

* AND STEAL

* FOR YOU

* HE SAID, I WOULD BEG

* BORROW

* AND STEAL

* FOR YOU

* WELL, I SHOULD HAVE KNOWN *

* THAT I'VE HEARD IT BEFORE *

* HE SAID STAY STRONG AND BEAUTIFUL *

* LIKE A WILD, THORNED FLOWER *

* HE SAID STAY STRONG AND BEAUTIFUL *

* LIKE A WILD, THORNED FLOWER *

* STRONG AND BEAUTIFUL

* LIKE A WILD, THORNED FLOWER *

* STRONG AND BEAUTIFUL

* LIKE A WILD, THORNED FLOWER *

[CHANTING IN SPANISH]