Original subtitles

Good evening, doctor.

doctor?

Yes.

Dr. Hohner.

The theater physician.

He lives just around the corner.

What's he doin' around here this time of night?

Somebody sick?

Yes.

He is.

Marcellina.

Marcellina.

Oh yes.

Did the police ever find her?

no.

After 10 years, they've given up trying.

Marcellina, it has come.

At last, it has come.

What, Luise?

I couldn't wait, I opened it.

The king invites you, no, commands you to sing for him.

Luise, I'm going to faint.

Not now, my sweet.

After you sing for the king, you can faint all you like.

Will you find the maestro?

I want him to hear the good news.

Oh, this is the biggest moment of my life.

♫ Ah, tell me why this doubt should fall to me

♫ whose tragic power seems to call to me ♫

Friedrich, I asked you never to come here again.

I had to see you.

Well, I don't want to see you.

I thought you understood that.

But I love you, Marcellina.

No, Friedrich.

You love your own private, selfish world.

You want to lock me up there with you, give up my career.

That's what you've got to do.

I can't bear the thought that any man

can hear you sing, feast his eyes on you,

just for the price of a ticket.

I worked hard for my success, Friedrich.

Tonight, there were 11 solo curtain calls,

more than any other singer's ever had in this theater.

The king commands me to sing for him.

Why, I'd be a fool to give that up for you.

Darling, listen to me.

No, Friedrich. I've listened to you for the last time.

Now please go.

This isn't really you speaking, Marcellina.

You've forgotten how happy we've been, and will be again.

Now let me hear you say once more, just as you used to,

"I love you, Friedrich.”

I can't say it, because I don't love you.

I hate you.

I don't hate you.

I only hate the thing that's come between us, your voice.

Yes, I know.

You were out front tonight.

I felt your eyes on me.

Like you're looking at me now.

Go away.

Get out of here!

I'm afraid of you.

you needn't be.

I love you, my darling.

You know that.

I'd give my life for you.

This thing that shuts me out, I won't let it,

I tell you I won't let it.

It's here, now, between my fingers.

I've only to close them to silence it forever.

Friedrich, you're hurting me.

Friedrich, you're...

We'll always be together now.

Your voice will never come between us again.

Marcellina.

Dr. Hohner, are you all right?

Yes.

Yes.

I'm all right.

Good morning, count Seebruck.

Good morning.

Good morning, count Seebruck.

Good morning.

- Good morning. - Good morning, Jean.

Good morning, count Seebruck.

What a lovely morning.

The air is like wine.

Chestnut trees are in bloom.

All nature is in Harmony.

Well, even our friends the critics

have been kind to us this morning.

Oh, it's good to be alive.

Everything is serene, peaceful, quiet.

I have never been so insulted in all my life!

I positively will not stand for it.

I am the prima Donna of the royal theatre,

and I won't be insulted by...

I was not insulting you.

I was merely trying to show you...

You, show me.

Why, the insolence!

Now, children, children, please, please.

What's wrong?

Stop it, stop it!

Now you, Brunn.

What is it?

And stop bobbing.

Yes, madame.

Count Seebruck, if you please.

We were just rehearsing the duet between madame Jarmila

and signor Roselli, when for no apparent reason,

madame Jarmila...

For no apparent reason?

Why, this creature here was handling me

like a pan of unbaked dough.

it was not.

I merely put my arm around your waist.

Carl, you were in the prompter's box.

You saw it all.

I'm sorry.

You know how it goes, count Seebruck.

♫ I love you ♫

♫ la-la-la-la, la-la-la ♫

will you take your hands off my stomach?

Perhaps you'd rather I didn't touch you at all.

Nothing would please me better.

For 20 years, the baritone embraces the prima Donna

at that particular moment.

Now she's trying to tell...

I defy anyone to sing in one of your deathlike grips.

My dear, if you are unable to sing,

ti refuse to take the blame.

Unable to sing?

Just what do you mean by that insult?

Oh, stop it, stop it.

Roselli, you're as temperamental as a prima Donna.

And as for you, Jarmila, I'm getting a little bit tired

of your constant bickering.

So am I, count Seebruck.

And if you, as the impresario of this theater,

don't do something about it, I shall.

All right.

Is madame"s understudy ready?

Yes, count Seebruck.

Miss Metzger, please.

Miss Metzger.

Yes, count Seebruck.

Come in, my dear.

Do you know the soprano role?

Oh, yes, sir.

You shall sing it tonight in madame Jarmila's stead.

Tonight?

Oh.

oh.

If some composer would only write me an operetta

without any women, I'd make him immortal.

count Seebruck!

Count Seebruck!

Well, what is it?

there's a...

well?

There's a dead man in one of the dressing rooms.

a dead man?

in which room?

22.

But, Jarmila, darling.

Oh, it's you, Dr. Hohner.

I must have fallen asleep.

Thank you.

Brunn, continue with the rehearsal,

I'll be there as soon as I can.

yes sir.

On stage, please.

Are you all right now?

That was silly of me to fall asleep in the dressing room.

Oh, I understand.

And as a doctor, you must realize that this

constant brooding over Marcellina is bad for you.

You've had a brilliant career.

Your clientele is most distinguished.

But you must put this tragedy out of your mind.

Who is that singing?

You hear it too?

♫ whose tragic power seems to call to me ♫

Who are you?

She's Angela Klatt, a music student.

We are both students.

Do you know what you were singing?

Of course, it's from "the magic voice."

- That music is sacred. - Sacred?

Sacred to the memory of Marcellina.

No one must ever sing it again.

Do you hear?

No one.

Hohner.

And now may I ask what you're doing in my music library?

Count Seebruck, forgive me, please.

I am altogether to blame.

You know these young people?

My nephew, Franz Munzer.

And this is Angela Klatt.

I've been smuggling them in here to study these old scores.

I shouldn't have done it without your permission.

It's quite all right, Carl.

There's no harm been done.

but Dr. Hohnev.

Ti met him in the corridor.

Yes, why was he so angry with me?

He was in love with Marcellina.

10 years ago, she disappeared.

But I still don't see why.

You know, it's a strange thing, my dear,

but as I came down the corridor,

I thought I heard Marcellina singing in here.

The doctor was convinced of it.

You mean my voice is anything like hers?

it's far more beautiful.

Did you ever hear Marcellina?

No, she was before my time, but there's never

been anything like Angela's voice.

It's the most beautiful voice in the world.

They are engaged to be married.

He could be right, you know.

How long have you been studying?

Eight years.

At the conservatory.

Franz is going to be a great composer.

indeed?

They have heard every performance in the theater

for the past three years.

They have season tickets, eh?

I smuggled them under the prompter's box.

Incorrigible.

There's an Aria in the second act of the boulevardier.

"Someday I know."

♫ Someday I know [♫

♫ my heart will know ♫

♫ the thrill of love ♫

♫ supreme ♫

♫ and so until ♫

♫ I know that thrill ♫

♫ I'll dream

♫ and gladly wait ♫

♫ for him whom fate ♫

♫ has said will be [♫

♫ for me ♫

♫ in some great plan ♫

♫ since time began ♫

♫ to be ♫

how are you to find him?

Where are you to go?

Will you recognize him?

How are you to know?

♫ Our eyes will meet”

♫ our lips will speak

♫ across some crowded hall &

what's the matter, dear?

Stifling in here, don't you think?

not for baritones.

♫ I'll touch his hand ♫

ah, Jarmila, Roselli.

Come in, come in.

Madame Jarmila, signor Roselli.

Miss Angela Klatt, Mr...

Munzer. Franz Munzer.

I'm sorry you didn't hear miss Klatt sing.

Ah, but we did hear.

May I congratulate you?

Thank you, signor.

And madame Jarmila is just as enthusiastic as I am.

am indeed.

You show promise, my dear, great promise.

Your voice is lovely, but don't force it.

Today it would be a folly to give it to the public.

Believe me.

Don't you agree with me, Seebruck?

I do, Jarmila.

As you say, today miss Klatt is not ready.

Not nearly ready.

But next week, Thursday, I will present her

in "the boulevardier."

And please don't faint, either of you.

Mama Hinzl.

Yes.

What have you got there?

Angela's supper.

Nightingales must have something solid to eat

if they are to sing.

Solid is right.

Fat sausages, buttered buns, and rich chocolate.

Take it away.

You mean you are going to let her

go to the theater without eating?

That's no good for Angela.

It'll only make her fat.

Suppose it does.

Whoever heard of a good prima Donna who wasn't fat?

Soprano and fat are one and the same thing.

Look at me.

Get her lemon juice and honey.

Lemon juice.

come in.

- Angela, are you ready? - Yes.

Where's my muff?

My muff.

Angela, don't be nervous now.

I'm not nervous, I feel fine.

Oh, you must be, 1 can't blame you for it.

You've been working so hard, and you're excited.

I'm not excited.

Good, I'm not either.

I'm as calm as can be.

There's one thing I must impress on you.

When you cross in the beginning of the number, you know,

when you cross to the girls, and you get the mirror

from the girls and you go over to Jarmila

and you hold it in front of her.

Yeah, yeah.

Please, Angela, hold the mirror low.

We want to see your face.

Yes.

Oh, Franz.

Oh, Angela.

Oh, you're going to be wonderful, and I'll be very proud.

Angela, Franz.

The carriage is here.

Coming.

Carl, a carriage?

Such extravagance.

Certainly.

Whoever heard of a prima Donna walking to the theater?

Here you are, my little thrush.

Lemon juice and honey, drink it all.

Of course, I wouldn't put this mess in my stomach,

but the maestro knows best.

Come, come, children.

You can't be late, Angela.

This is an event.

Good luck, darling.

Goodbye.

Lemon juice.

Excuse me, I'm sorry.

Oh.

Sorry.

Angela Klatt.

The greatest voice in the world.

Quiet.

All right, girls, all right.

Places, please.

Thank you, thank you.

Jill?

Hello, Jill.

Curtain.

♫ when madame is getting ready for her heavenly impression ♫

♫ then as models of discretion, we attend her ♫

♫ making madame beautiful ♫

♫ making madame sleek ♫

♫ there's a final bit of fixing »

♫ that we have to do with lip Rouge ♫

♫ and her lover doesn't sip Rouge in his ardor ♫

♫ madame must be beautiful ♫

♫ madame must be chic ♫

♫ so we carefully apply it 7

♫ with a bit of lace, we dry it ♫

♫ not too much

♫ or not.

♫ too little ♫

♫ I'm an artist ♫

♫ this is art ♫

♫ and, at last, madame is ready

♫ for the conquest of a heart ♫

♫ but, oh, before she goes

♫ look ♫

♫ the tip of madame's nose ♫

♫ the tip of madame's nose ♫

♫ it's shining, now how could we ♫

♫ disgraceful ♫

♫ powder for madame ♫

♫ yes, powder for madame ♫

♫ oh, hurry, he's here, he's here

♫ powder for madame ♫

Joh. ♫

♫ make me really beautiful 7

♫ make me glamorous ♫

♫ make him think that I'm divine ♫

joh. ♫

♫ make me irresistible ♫

♫ make him mine ♫

♫ the hours of waiting seem worthwhile ♫»

♫ now I'm here ♫

joh. ♫

♫ take me in your lonely arms ♫ ♫ I love you only ♫

♫ heart of mine ♫ I make me thine ♫

♫ we were certainly successful ♫

♫ yes, madame has made connections ♫

♫ but we're left with our reflection ♫

> to console us

♫ I'll find consolation ♫

♫ in my favorite dream ♫

♫ someday I know [♫

♫ my heart will know ♫

♫ the thrill of love ♫

♫ supreme ♫

♫ and so until ♫

♫ I know that thrill ♫

♫ I'll dream

♫ and gladly wait ♫

♫ for him whom fate ♫

♫ has said will be [♫

♫ for me ♫

♫ in some great plan ♫

♫ since time began ♫

♫ to be ♫

How are you to find him? ♫ How are you to find him ♫

where are you to go? ♫ where are you to go ♫

how are you to know? ♫ How are you to know ♫

♫ our eyes will meet”

♫ our lips will speak

♫ across some crowded hall &

♫ I'll touch his hand ♫

♫ and understand

♫ it all ♫

♫ when he comes near ♫

♫ I know I'll hear.

♫ Sweet music ♫

♫ from above ♫

♫ till then, I'll dream ♫

♫ my dream ♫

♫ off ♫

♫ love ♫

Miss Klatt alone, please.

Goodbye, my dear Jarmila.

Oh, are you going away?

No, but you are.

What do you think?

Count Seebruck, I don't think, I know.

A new star is born.

It's unbelievable.

Her voice, I could close my eyes and swear it's Marcellina.

You must feel it too.

I'm seriously thinking of reviving

"the magic voice" for her.

Wonderful, wonderful.

come to the office tomorrow.

I need to talk to you about something.

Meanwhile, tonight...

She was magnificent.

Weren't you nervous, excited?

Both, I ate my program.

Oh, Leon, I forgot to buy her a present.

oh.

A jeweler open till midnight?

Yes.

He sells gifts to the men while they wait

for their sweethearts to come out.

Then, next day, he buys them back from the girls

at one-half.

Each piece he sells over and over.

Well, he won't sell my present over again.

oh.

Is he expensive?

Very.

But men in love don't question prices.

That's right, Leon.

I beg your pardon.

But you're miss Klatt, aren't you?

Yes.

I'm Dr. Hohnev.

Oh, yes, doctor, I'm sorry, I didn't recognize you.

It's a rule of the theater to have your throat examined

after each performance.

Now, if you don't mind, my office is just around the corner.

Franz Munzer, my fiancé.

He should be waiting for you.

but if I'm not here...

- He'll wait. - But, doctor, I...

I'm sorry, my dear, but count Seebruck

expects the report tonight.

I won't keep you a moment.

You know, I heard you sing tonight.

I haven't heard a voice like that in 10 years.

Thank you, doctor.

You have a great career ahead of you, my dear.

I hadn't thought a throat examination

would be necessary after the performance.

It's a rule of the royal theatre.

You are part of that theater now, my dear,

and you must obey its rules.

From now on, your music must come before everything.

but what about Franz?

Oh, Franz, of course.

But that will come later.

It's hard to believe that it's 10 years

since I brought Marcellina here after a great triumph.

Ah, Luise, his is miss Klatt.

How do you do, Luise?

Is that Marcellina?

Yes.

Perhaps I shouldn't say it, and I don't say it boastfully,

but count Seebruck told me that my voice

reminded him of hers.

it's true.

That's why I behaved so rudely that morning in the library.

T was certain it was Marcellina's voice

come back to life again.

That's a wonderful compliment, doctor.

You knew her very well, didn't you?

no one knew her better.

Now will you come with me?

Excuse me.

don't mind Luise.

She was Marcellina's maid and companion.

She worshiped her.

And as a reward for her devotion, I brought her here

to keep house for me.

You're handy to the theater, aren't you?

t have to be.

You songbirds are my official responsibility.

And if I'm too busy to get away,

I can still hear the opera through these ventilators.

It's like a private performance, isn't it?

Oh, this is lovely.

that's Marcellina as Isolde.

She sang it beautifully.

She must be very real to you, doctor.

Yes.

Let me show you.

I have souvenirs here of every role she ever sang.

What do you think became of Marcellina, doctor?

That is a mystery that has never been solved.

She used this fan in Romeo and Juliet.

And this slipper is one of a pair

she wore in Mozart's nozze di figaro.

oh.

What tiny feet she must have had.

Like a child.

that's true.

A child.

What exquisite pearls.

She always wore them in "the magic voice."

She had them on the night she disappeared.

How would you like to wear them

when you sing "the magic voice?"

I?

Perhaps I'm talking out of turn.

Seebruck told me tonight he plans on reviving it with you.

oh.

Oh, I can't believe it.

Shall we try them on for luck?

She always wound them around her throat, like this.

Her slender, graceful throat.

Exquisite to the touch.

I shouldn't keep Franz waiting so long.

I'm sorry.

I forgot all about him.

Now let's take a look at your throat.

I won't keep you another moment.

You'll be coming here regularly, you know.

From now on, I'm responsible for your physical welfare.

Oh, just sit down there, my dear.

Then you're not going to operate on me?

of course not.

Well, all these things are rather frightening.

I know exactly what you mean.

I feel the same way when I go to the dentist's.

Now then, if you'll remove your hat and loosen your cape.

Now then, sit back in the chair and be comfortable.

This is only a routine examination.

It won't take long.

The light.

We're ready.

Now watch the light.

No, no, watch it.

I can't, it hurts my eyes.

It'll only be for a minute.

I want to relax you before I examine your throat.

You don't mind it now, do you?

Rest, my dear.

Restore those tired and broken nerves.

Drive out all fear and weariness.

Chase away the shadows and forms that exhaust our emotions

and enfeeble us.

That's better.

You're relaxing now.

Body, muscles, nerves, brain.

You don't resist anymore.

Gently slipping into another world,

a world of my design, where you will be helpless without me.

Can you hear me?

Can you hear me?

Yes.

I hear you, doctor.

You don't want to sing again, ever.

Tonight you give your voice and your will to me.

I'm in control.

Your voice will no longer answer your brain,

it will obey mine instead.

Look at the mirror.

Keep looking at it.

You will never try to sing again.

Say it.

I will never try to sing again.

That voice was never yours.

It belongs to Marcellina, but it's leaving you.

I'm sending it back to her now.

It must be silenced forever.

I forbid you to sing again.

My throat.

t'll take care of that.

You will take this atomizer with you

and never be without it.

It will remind you of my control.

Shall we get up now?

I must have fallen asleep.

just what I wanted.

And my throat?

perfect.

I don't think it's going to give us a bit of trouble.

Can I help you, doctor?

Yes, Luise.

Send miss Klatt home in the carriage.

♫ Ah, tell me why this doubt should fall to me

♫ whose tragic ♫

♫ ah, tell me why this doubt should

jah ♫

♫ Ah, tell me why this doubt should fall to me

♫ Ah, tell me why this doubt should fall to me

♫ whose tragic power seems to call to me ♫

jah ♫

Marcellina, it's come back.

That voice, that voice to take you away from me.

But I won't let it.

T won't let it.

Carl, how can you sit there

when we don't even know what's happened to her?

We know what happened.

She made a great success.

That is no reason to disappear into thin air.

I'm going to the police.

here she is.

Angela, where have you been?

I'm sorry, Franz, really.

We were worried about you.

Please forgive me.

Of course, but won't you tell me what happened?

t don't know.

you don't know?

Angela, I waited for you at the theater for hours.

You must have gone someplace.

Let's not talk about it tonight, Franz.

I'm very tired.

Some other time.

Angela, forgive me.

I was so worried about you, I forgot to tell you

how wonderful you were.

I was in the audience, you know.

You got five curtain calls.

Then when I left and waited for you, I didn't wait so long.

Leon told me that across the street

there was a little jewelry shop

where men bought their present, and then they,

well, for you.

To remind you of your first success.

My first success.

Oh, Franz.

Oh, my darling.

Please hold me tight.

Franz, I'm afraid.

Afraid of what?

t don't know.

They tell me she's young, beautiful and really can sing.

Good morning, count.

May I have a statement for my newspaper?

Now, gentlemen, please.

But "the magic voice" has been out of the repertory

for 10 years, hasn't it?

Yes, ever since la Marcellina's strange disappearance.

And then you found the new soprano.

Then I found miss Klatt.

Did you say "Klatt?"

Franz.

> Warriors bold ♫

♫ we are come to this garden fete ♫

♫ marching to love as we march to war ♫

good morning, my dear Jarmila.

Well, our baritone is positively glowing this morning.

Glowing with new admiration for you, my dear.

Few prima Donnas would confess so openly

they had anything to learn.

I salute you.

Anything to learn?

It takes character to understudy a newcomer.

Understudy?

Your new soprano will never sing "the magic voice."

no?

nol!

Seebruck's insane to even consider letting a young,

inexperienced girl like that...

You forget, my dear, that once upon a time,

you were young.

♫ the greatest game of all ♫

♫ love is no trifling thing to a maid in the spring ♫

♫ So best be wary, lad, or you will be had »

♫ yes, you'll be had, and that is bad for men of arms ♫

♫ ah, yes, that is bad for men of arms

thank you, gentlemen.

Thank you.

This is followed by the baritone solo and ballet.

Up there we have the sketches of the set.

Would you like to see them?

Not now.

The ballet is followed by the soprano Aria.

We'll omit the baritone solo and the ballet.

I want these gentlemen of the press to hear miss Klatt.

of course.

Gentlemen.

We take it from the soprano Aria.

Signor Roselli on stage, please.

Attention, gentlemen.

The ladder back, please.

Miss Klatt!

On stage, please.

♫ I was all alone

♫ a blindly groping maid ♫

♫ my heart was still my own ♫

♫ just hoping, vet afraid ♫

♫ of love ♫

♫ then I came and found you there ♫

♫ I called your name and breathed a prayer

♫ I began to live

♫ the moment that I knew

♫ the clouds began to give

♫ the sun came shining through

♫ above ♫

♫ you were mine to have and hold ♫

♫ but even then, the sun grew cold ♫

♫ ah ♫

I tell me why this doubt should fall to me ♫

♫ whose tragic power ♫

"Whose tragic power calls for me."

I'm sorry.

May I try that last part again?

Of course, my dear, of course.

♫ ah ♫

♫ tell me why this

Why, darling, what happened?

Angela, what happened?

My voice, it's gone.

that's ridiculous.

My voice, it's, it's gone!

Stop saying that and come here.

Franz.

What's the matter with me?

Nothing, people don't lose their voices like that.

You've got to sing.

I can't, Franz.

For some reason, I don't want to sing.

Angela!

For me, darling.

Now, from the same place.

Jah ♫

I tell me why this doubt should fall to me ♫

♫ whose tragic power ♫

Young man, how did you get in this dressing room?

Do you realize that by forcing her voice,

you might ruin it forever?

I'm only trying to help.

She lost her confidence, that's all.

Is that true, doctor?

Why do you think her voice broke?

High tension, nerves.

And it could be serious?

It could be if not taken care of.

What do you advise, doctor?

A few days, at least, of absolute rest.

but rehearsal.

You can rehearse with the understudy.

But you won't have to.

I tell you she's perfectly all right.

It's quite obvious she's not perfectly all right.

Her voice did break.

We all heard it.

I would suggest that we leave it to miss Klatt herself.

What with your nerves in this condition,

do you think you ought to sing?

t don't know.

Ti never felt like this before.

We'd better send her home, Brunn.

Where does she live?

15 Hahnen street.

I'm afraid that won't do.

She must have professional care.

The hospital?

How would you like to come home with me for a few days?

I'll come and see you, Angela.

I'd wait, my boy.

She needs complete rest.

That woman must have blackmailed Seebruck

into giving her the part.

After the papers have been full of nothing

but "the magic voice," Seebruck will have to produce it.

but it isn't for her.

She can never sing the Aria.

They can lower the key.

But it's Angela's part.

There was nothing wrong with her, until she met Hohner.

Dr. Hohner wants to help Angela.

Then why does he keep her locked up?

Why can't I go and see her?

She hasn't even answered my letters.

I'm going to take her back where she belongs.

Franz!

Yes?

t would like to see Dr. Hohner.

Dr. Hohner never sees patients at this hour.

But I'm not a patient.

It's a personal matter, and it's very important.

What is it about?

Angela Klatt.

Angela Klatt?

I've got to see her.

I'm afraid you'll have to come another time.

The doctor is just leaving for the theater.

I've decided not to go to the theater tonight, Luise.

Oh, but that was a message from count Seebruck.

The new tenor has a sore throat.

oh.

Why don't you go home?

Now, why don't you go to the theater?

You should be there by now.

But, Franz...

Go on, don't worry about me.

I just want to see what happens.

Go on.

She's upstairs.

Hurry.

Angela.

Angela, it's Franz.

Angela, what's the matter, don't you know me?

Good evening, Dr. Hohner.

Good evening, Leon.

Who is that singing?

that's the new tenor.

Well, there's nothing wrong with his throat.

no sir.

Get her out of here now before it's too late.

Angela, we're getting out of here.

t mustn't leave.

He doesn't want me to leave.

Let me stay, Franz, please let me stay.

I'll take you home to mama hinzl and Carl.

Hurry.

Please hurry.

The back door.

Quickly.

To the left, out the door and through the gate.

Thank you, Luise.

Dr. Hohner!

Dr. Hohner!

Dr. Hohner, she's gone.

How?

Where were you?

After you left, I went down to the kitchen

to look after some things.

A little later, I came up to see her.

She wasn't here.

I searched everywhere, but she was gone.

They must have been watching the house for days,

waiting for their chance.

Who brought that message from the theater?

I don't know, I never saw him before.

Franz, the young fool.

What are you going to do?

Nothing.

That girl will obey me no matter where she is.

I fixed you some nice hot soup, dear.

No, Franz.

You mustn't touch it.

Angela, it's just an atomizer.

He told me something about it.

Franz, what did he tell me?

Can't you remember?

t can't.

But I must.

It was very important.

Don't worry about it now.

Mama hinzl is going to give you your soup.

Franz, don't leave me.

All right, darling.

Now close your eyes and try to sleep.

Think of nothing else.

You saw the chemist?

It's water, uncle Carl, plain everyday water.

Water?

Yes.

You are sure this came out of the atomizer?

Yes, I took it out when Angela was asleep.

I was sure there was something in there

that had stopped her from singing, but now I,

oh, uncle Carl, what is it, her imagination?

when did her voice break first?

When she was singing the Aria.

At rehearsal, with Hohner watching her.

Yes.

and the next time?

In her dressing room.

and Hohner walked in.

All this after she had been to his office for treatment.

He must have frightened the child.

But why?

Marcellina.

The Aria.

Who can tell what goes on in a man's mind?

And who can prove it?

Oh, Carl, what are we going to do?

t don't know.

In the army, when a man was thrown from a horse,

we put him right back on the horse and made him ride.

and it worked?

Usually.

The longer a man waited, the more difficult it became.

Something in his mind grew into a terrible mental hazard.

Men, horses, I know.

But it's different with singers.

Why should it be different with singers?

The same hazard.

Of course

that's it.

Franz, where are you going?

Wait for me!

What you ask is not only impossible, it's fantastic.

But the girl is very ill.

We not only ask you to save her career,

but her life as well.

Dr. Hohner tells me she's lost her voice beyond recovery.

Dr. Hohner is wrong.

Let's be reasonable about this thing.

All I demand is a chance to hear her sing.

I've asked you to bring her here to my office.

But no, you must have my company, my orchestra, lights,

a full performance for your experiment before an audience.

It's absolutely out of the question.

That will be all, gentlemen.

But, count Seebruck...

Franz.

I told you it was a hopeless task.

Well we gave him his chance.

Now he has only himself to blame.

We're going over his head.

but who is over his head?

The king.

The king?

Do you mean to say we should ask the king himself?

Hundreds of us got the same decoration.

And it wasn't him.

It was his father who gave it to me.

Just stick your chest out.

I'm going to lose my job.

Seebruck will discharge me.

You must have been much braver when you were young.

No one is permitted in this corridor

until his majesty has left the theater.

Oh, but his majesty will Grant him an audience.

you should know better.

You will have to make your petition in writing.

Gentlemen, his majesty the king.

Well, one of the heroes from Sadova.

Yes, your majesty.

Second cavalry, blue hussars.

Yes, your majesty.

I am sorry, your majesty.

This corridor should have been cleared of petitioners.

One of my father's old guard may talk to me at any time.

Now, what can I do for you?

It's about a singer.

A young lady.

We are in love.

No, the young lady and I are in love.

Oh, I see.

Well, in that case, shall we step in here?

Oh, this performance will be known

as the most dismal fiasco in the entire history

of the royal theatre.

This will really make me immortal.

Seebruck, I want to talk to you.

This is the last straw, and I don't intend

to stand for it any longer.

There's no clause in my contract that calls for insults.

Why, my name is on every billboard, and this,

this nobody is singing in my place.

Do you know what I'm going to do?

I'm going to leave here and never come back.

I wish to heaven I could go with you.

Oh, you sent for me?

Yes.

Here, read this.

A command performance.

It's unbelievable.

what shall I do?

What can I do?

I would suggest that you have madame Jarmila stand by.

Stand by, and let her make a fool of me?

you don't have to bother about that.

It will not be possible for that girl to sing.

How'd she take it?

t don't know.

I haven't told her anything except

that we're going to the theater.

Oh, mama hinzl, I don't want to go.

You run along with Franz.

See your friends.

Hear some music.

It will do you good.

You look wonderful, Angela.

Good night, mama hinzl.

Good night.

But how will I get to the theater?

Just walk if you have to, but leave them alone.

but mama hinzl.

Good evening, miss Klatt.

Good evening, Leon.

Count Seebruck wants to see you.

Where is he?

Dressing room 22.

Thank you, Leon.

Good evening, miss Klatt.

Please come in.

This is Count Romborg, aide-de-camp to his majesty.

enchanted.

Miss Klatt, you are commanded by his majesty

to sing "the magic voice" tonight.

I?

Sing?

Yes, a command performance.

but I can't.

But it his his majesty's orders.

My congratulations, miss Klatt.

This is a great honor, my dear.

But, count Seebruck...

The king.

I'll send a maid to you.

Mr. Brunn.

Now, now, your wardrobe is all ready.

I'll see you on the stage.

Good luck.

Franz, I'm afraid.

No, you're not.

You're probably as surprised as I am.

As count Seebruck said, this is a great honor.

The king sends his aide-de-camp to command you to sing.

But that's why I'm afraid.

I can't sing.

Of course you can.

The minute you're out there before the audience

and hear that music, you'll sing.

Everybody wants you to.

Look, they're all thinking of you.

They send you their good wishes.

Here.

Here, flowers from Seebruck, from Brunn, from Roselli.

Flowers even from his majesty.

Franz, what's that?

Another present, I suppose, we'll soon find out.

That is just like the one you have at home.

Now I broke your present.

I'm sorry, that was very clumsy of me.

Angela.

Was that very important?

Dr. Hohner told me something about it.

My voice.

Oh, that's just broken glass and a little colored water.

Listen.

Whatever Dr. Hohner said is past and gone, just like that.

Tonight is the night you've worked and studied for,

the night we dreamed of.

Do you know why "the magic voice"

hasn't been performed for 10 years?

Because there was no one to sing it,

and now the king commands you to sing it.

That's what you've got to do.

So forget Dr. Hohner, forget everything.

Everything but me.

Of course, Franz.

And I'll really try.

I know you will.

And you'll be wonderful.

Now get dressed.

I'll call you when I'm changed.

How is she?

fine.

Everything is going to work out as we planned.

I have fixed a place in the wings for you,

where Angela can see you while she sings.

Come, I'll show you.

just a moment.

Count Seebruck sent me to miss Klatt.

You may help the ballet girls.

yes madame.

I came to help you dress.

The last time I saw Marcellina, she was standing right here,

in a dress just like that.

You're as beautiful as she was.

Thank you, Luise.

I'll take this.

Would you ask Franz to come in now, please?

Yes.

I've come to help you, my dear.

It's cruel of them to do this to you.

You don't want to sing, do you?

But I promised Franz I'd try.

Of course you did, my dear.

But Franz doesn't understand.

You're in no condition to sing, are you?

t don't know.

I only know I promised Franz I'd try.

Dr. Hohner, don't look at me like that!

Franz!

what does Franz know about it?

Why, you're trembling, shaking.

Your nerves have gone to pieces.

I warned Franz what would happen if he forced you to sing.

You don't want to ruin that voice, do you?

It isn't yours, remember?

Now tell me.

Whose voice is it?

Tell me.

Marcellina's.

♫ Warriors bold ♫

♫ we are come to this fete

♫ marching to love as we march to war ♫

♫ ready for any fate ♫

♫ we await duty's call 7

♫ eager to meet the foe ♫

♫ even though we know

♫ that we may all be captured by the lovely foe

We gladly go to meet in this fairy garden ♫

♫ where we pirouette and posture

♫ here where romance seems to call ♫

♫ in the measures of a dance ♫

♫ we bow and we smile and we preen for the ladies we adore ♫

♫ and pray that they soon may heed our pleas of love ♫

♫ meanwhile, we know, as they sigh most romantically ♫

♫ they have their minds on the greatest game of all »

♫ love is no trifling thing to a maid in the spring ♫

♫ So best be wary, lad, or you will be had »

♫ yes, you'll be had, and that is bad for men of arms ♫

♫ ah, yes, that is bad for men of arms

she ought to be ready by now.

Yes, I want to rehearse the Aria once more, anyway.

Angela, are you ready?

Angela.

Angela!

Angela!

where is she?

Hohnev.

Have you seen Dr. Hohner?

Not tonight.

I want to borrow this.

Carll

this time, I'll silence it forever.

murderer.

I suspected you from the first

and came here as your servant to make sure.

For 10 years, I've watched and waited.

You kept your secret well until the first night

you brought Angela here, when you showed the pearls

Marcellina had on when she disappeared.

You took them off her body.

I'm not afraid of you.

I needed more evidence for the police.

I got it tonight when I followed you here

from the dressing room, in time to save this child.

You killed Marcellina.

You'll never say that again.

Dr. Hohner!

Angela, are you all right?

You should be at the theater.

You're singing "the magic voice" tonight.

She can't sing.

Ti won't let her.

She will sing, and you can't stop her.

If this girl sings, I won't be responsible.

it will.

Carl, watch him.

Get back, doctor.

This way.

My dear Jarmila, what a great night for you.

Yes, when your little miss nobody breaks down,

I go on to save your face.

Why no, not at all.

You've always wanted to sing "the magic voice."

This is your great opportunity.

and what an audience!

Haven't I always said that hers

is the greatest voice in the country?

In the country, count Seebruck?

In the world, in the world.

What about your brilliant new discovery?

Forget about her.

Forget about everything.

Go out there and cover yourself with glory.

Thrill the king and that distinguished audience

with the golden voice of the great Jarmila.

All right.

I'll do it.

But not for you, or for the king.

For Jarmila.

Brava.

Send the police to Dr. hohner's.

yes sir.

Where have you been?

We've looked everywhere for you.

This is a command performance for the king.

You've just time to make your entrance.

There's nothing to be afraid of anymore.

Luise, take care of her.

What about me and my golden voice?

Do you think I'm going to stand here and let that little...

shh!

The king.

She ought to be there by now.

Don't go on that stage.

Your voice will break, I warn you.

Don't go on that stage.

I forbid you to sing.

Do you hear?

I forbid you to sing.

sit down.

Repeat the cue.

♫ Aah, we bid you welcome to this fete

♫ ah, we're sorry if we made you wait ♫

♫ ah, let violins begin the dance ♫

♫ ah, let there be joy and gay romancing ♫

♫ I was all alone

♫ a blindly groping maid ♫

♫ my heart was still my own ♫

♫ just hoping, vet afraid ♫

♫ of love ♫

♫ then I came and found you there ♫

♫ I called your name and breathed a prayer

♫ I began to live

♫ the moment that I knew

♫ the clouds began to give

♫ the sun came shining through

♫ above ♫

♫ you were mine to have and hold ♫

♫ but even then, the sun grew cold ♫

jah ♫

I tell me why this doubt should fall to me ♫

♫ whose tragic power seems to call to me ♫

she made it.

Her fear of you is gone.

♫ this says it all for me ♫

♫ I love you ♫

sing, Angela!

Sing!

♫ everything is clearing ♫

♫ now, at last ♫

♫ paradise is nearing ♫

♫ I cling ♫

♫ to your love ♫

♫ while I sing ♫

up the stairs.

♫ Of my yearning ♫

Marcellina, they're here.

They're here.

♫ now, at last ♫

♫ gone is all confusion ♫

♫ and the past'

♫ fades like some illusion ♫

♫ and you ♫

♫ are my life ♫

♫ and my dream ♫

♫ come.

♫ true ♫

♫ is you ♫

Brava