All language subtitles for From.Russia.with.Love.(Dzeimss.Bonds.Ar.milestibu.no.Krievijas).1963.x264.BDRip.1080p.DUAL.LAT.ENG.ENG-SUB-QUANTRIP_track5_[eng]

(JAMES BOND THEME PLAYING)

(TWlG SNAPS)

(SHOUTS)

(SPEAKlNG SPANlSH)

Exactly one minute, 52 seconds.

That's excellent.

(MEN CHATTERlNG)

Check.

Knight takes bishop.

King to rook two.

Queen to king four.

My congratulations, sir.

A brilliant coup.

NUMBER ONE: Siamese fighting fish,
fascinating creatures.

Brave, but on
the whole, stupid.

Yes, they're stupid.

Except for the occasional ones
such as we have here,

who lets the other two fight

while he waits.

Waits until the survivor is so exhausted

that he cannot defond himself.

And then, like SPECTRE,

he strikes.

l find the parallel amusing.

NUMBER ONE:
Our organization did not arrange for you

to come over from the Russians

just for amusement. Number Three.

(BUZZER BUZZlNG)

Come in, Kronsteen.

Sit down, Number Three,

while we listen to what Number Five

has devised for us.

l hope Kronsteen's efferts
as Director of Planning

will continue to be
as successful as his chess.

They will be.

According to your instructions,

l've planned for SPECTRE
to steal from the Russians

their new Lektor decoding machine.

For this we need the services

of a fomale member of the Russian
Cryptograph section in Turkey

and the help of the British Secret Service.

Naturally, neither the
Russians nor the British will be aware

that they are now working for us.

NUMBER ONE: Number Three,

is your section ready
to carry out Kronsteen's directives?

Yes, Number One.

The operation will be organized

according to Kronsteen's plan.

l've selected a suitable girl

from the Russian Consulate in lstanbul.

She's capable, cooperative,

and her loyalty to the state
is beyond question.

NUMBER ONE: And you're absolutely sure

she believes you're still
Head of Operations

for Soviet lntelligence?

lt is unlikely she would know

l'm now working for SPECTRE.

Moscow has kept
my defoction secret from everyone

but a fow members of the presidium.

NUMBER ONE:
For your sake, l hope so.

Kronsteen, you are sure
this plan is foolproof?

Yes, it is,

because l have anticipated
every possible variation

of countermove.

NUMBER ONE: What makes you think
that M, the Head of British lntelligence,

will oblige you
by falling in with your plan?

For the simple reason
that this is so obviously a trap.

My reading of the British mentality

is that they always
treat a trap as a challenge.

ln any case, they couldn't
possibly pass up

even the slightest chance of getting
their hands on the Lektor decoder.

They've wanted one for years.

NUMBER ONE: Mmm-hmm.
All that could be true.

What else?

As an added refinement,

l think that SPECTRE would probably
have the chance of personal revenge

for the killing of our operative Dr. No,

because the man the British
will almost certainly use

on a mission of this sort

would be their agent James Bond.

NUMBER ONE: Let his death be

a particularly unpleasant
and humiliating one.

Good.

l shall put my plan
into operation straightaway.

And there will be no failure.

(HELlCOPTER APPROACHlNG)

Hurry!

Welcome to SPECTRE lsland. Great honor.

l hope you had a pleasant flight.

My time is limited.

ls the man l requested ready?

His dossier.

Good.

"Donald Grant, convicted murderer,

"escaped Dartmoor Prison in 1 960,

"recruited in Tangier, 1 962."

Excellent. Where is he now?

At the lake.

Bring him to my office, will you?

Take me to the lake.

Through the training area.

This Grant's
one of the best men we've ever had.

Homicidal paranoiac. Superb material.

Though his methods were a little crude,

his response to our training
and indoctrination

have been remarkable.

(AUTOMATlC GUN FlRlNG)

(MEN SHOUTlNG)

l hope our work here
meets with your approval.

Training is useful,

but there is no substitute for experience.

l agree. We use live targets as well.

Call him.

Grant!

He seems fit enough.

Have him report to me
in lstanbul in 24 hours.

(PEOPLE CHATTERlNG)

(SPEAKlNG RUSSlAN)

(SPEAKlNG TURKlSH)

Corporal of State Security
Tatiana Romanova.

Come in.

You know who l am?

Colonel Klebb,

Head of Operations for SMERSH.

l saw you once in Moscow

when l worked for
the English Decoding Room.

Did you tell anyone
at the Consulate you were coming?

No. The message said. . .

Yes, yes, l know. l sent it.

Your work record is excellent.

The state is proud of you.

Thank you, Comrade Colonel.

Take off your jacket.

Turn around.

You're a fine-looking girl.

Sit down.

l see you trained for the ballet.

But l grew an inch
over the regulation height and so. . .

Then you have had three lovers.

What is the purpose
of such an intimate question?

You're not here to ask questions!

You forget to whom you're speaking?

l was in love.

And if you were not in love?

l suppose that would depend on the man.

Sensible answer.

This man, for instance?

l cannot tell.

Perhaps if he was kind
and good toward me.

Corporal, l have selected you

for a most important assignment.

lts purpose is to give false information

to the enemy.

lf you complete it successfully,

you will be promoted.

From now on you will do
anything he says.

And if l refuse?

Then you will not leave this room alive.

l will obey your orders.

Good. Now these are your instructions.

-You report to me here.
-Yes.

But the Consulate security man

must not know that l'm in lstanbul.

This is classified far above his level.

l will say nothing to anyone.

lf you do you will be shot!

Come. Come, my dear.

You're very fortunate to have been chosen

for such a simple, delightful duty.

A real labor of love,

as we say.

(MUSlC PLAYlNG)

Great sport, this.

WOMAN: What did you say?

l said, great sport, this punting.

l couldn't agree with him more.

l may even give up golf for it.

Really?

Not quite.

Souvenir from another jealous woman?

Yes, but l haven't
turned my back on one since.

(CHUCKLlNG)

(BEEPlNG)

-Excuse me.
-What?

Give me my shirt, will you?

What's going on?

l have to make a phone call.

But we haven't eaten yet!

l'm starving !

Come in, UNlVEX.

James Bond here. Over.

He's been asking for you all morning.

Where in the world are you, James?

l've just been reviewing an old case.

So l'm an old case now, am l?

(SHUSHlNG) lt's the office.

Tell him l'm on my way, will you.

He is not on his way.

Sylvia, behave.

We'll do this again some other time soon.

Do what?

Last time you said that,
you went off to Jamaica.

l haven't seen you for six months.

-l'll be there in an hour.
-l'll tell him.

Your old case sounds interesting, James.

Make that an hour and a half.

Now, about that lunch.

(GlGGLES)

For my next miracle, l. . .

lt'll be a miracle if he can explain

where he's been all day.

But l've never
even heard of a Tatiana Romanova.

Ridiculous, isn't it?

lt's absolutely crazy.

Of course, girls do fall in love
with pictures of film stars.

But not a Russian cipher clerk

with a file photo of a British agent.

Unless she's mental.

No, it's some sort of trap.

Well, obviously it's a trap

and the bait is
a cipher machine, a brand new Lektor.

A Lektor, no less.

The ClA's been after
one of those for years.

Yes, so have we.

When she contacted Kerim Bey,

Head of Station T, Turkey,

and told him she wanted to defoct,

she said she'd turn it over to us

on one condition.

That you went out to lstanbul

and brought her
and the machine back to England.

Here's a snapshot
Kerim managed to get of her.

l don't know too much
about cryptography,

but a Lektor could decode
their top-secret signals.

The whole thing's
so fantastic, it just could be true.

That had occurred to me.

Besides, the Russians
haven't been up to any tricks recently.

Really, l'm not too busy
at the moment, sir.

You're booked
on the 8:30 plane in the morning.

lf there's any chance
of us getting a Lektor,

we simply must look into it.

Suppose when she meets me in the flesh,

l don't come up to her expectations?

Just see that you do.

Miss Moneypenny,

ask the Equipment Officer
to come in, please.

Q branch has put together

a smart-looking piece of luggage for us.

We're issuing this
to all double 0 personnel.

An ordinary black leather case

with 20 rounds
of ammunition here and here.

Now, if you take the top off, you'll find
the ammunition inside.

On the side here, flat throwing knifo.

Press that button there,
and out she comes.

lnside the case you will find

an AR-7 folding sniper's rifle,

.25 caliber,

with an infrared telescopic sight.

Then if you pull out these straps,

inside are 50 gold sovereigns,

25 in either side.

Now, watch very carefully.

An ordinary tin of talcum powder.

lnside, a tear gas cartridge.

That goes in the case
against the side here like that.

lt's magnetized so it won't fall.

Shut the case.

Now, normally, to open a case like that,

you move the catches to the side.

lf you do, the cartridge
will explode in your face.

Now, to stop the cartridge exploding,

turn the catches horizontally,

like that,

then open normally.

Now you try it.

Turn the catches like that?

That's right.

And open ordinarily.

-You got it?
-Yes, l think so.

-ls that all, sir?
-Yes. Thanks very much.

Thank you.

That's a nasty little Christmas present.

l shouldn't think l'd need it
on this assignment, sir.

All the same, take it with you.

Good luck, 007 .

Thank you, sir.

Once more into the breach, dear friends.

And one plane ticket, lucky man.

l've never been to lstanbul.

-You've never been to lstanbul?
-No.

Where the moonlight
on the Bosporus is irresistible?

Maybe l should get you
to take me there someday.

l've tried everything else.

Darling Moneypenny,

you know
l never even look at another woman.

Really, James?

Mmm-hmm.

(WHlSPERlNG) Let me tell you
the secret of the world.

(lNTERCOM BUZZES)

M: Miss Moneypenny, ask 007
to leave the photograph.

l'm sure he'll recognize
the lady when he sees her.

Good luck.

-Ciao.
-Ciao.

Hello, London.
Your flight PA-1 just landed in lstanbul.

Mr. Bond.

(SPEAKlNG TURKlSH)

Kerim Bey sent a car for you, sir.

Fine. Can l borrow a match?

l use a lighter.

That's better still.

Until they go wrong.

Exactly.

l'll get the car, sir.

Kerim Bey suggested that you see him

before going to the hotel, sir.

Would that be convenient?

Fine.

l suppose it's customary

to have people tailing you in these parts.

Yes, sir.

Today it's Citroen H31 854 on duty.

They are Bulgarians
working for the Russians.

They follow us, we follow them.

lt's a sort of understanding we have.

That's very friendly.

(MEN SHOUTlNG)

(CHATTERlNG lNDlSTlNCTLY)

My friend. Come in. Come in.

Glad to see you. Welcome to lstanbul.

Thank you for sending the car,

but it does rather tie you in with me.

You're in the Balkans now, Mr. Bond.

The game with the Russians is played
a little differently here.

The day-to-day routine matters,

we don't make it too difficult
to keep a tab on each other.

So l gathered from your chauffeur.

He's a rather intelligent young man.

He should be. He's my son.

(BELL RlNGlNG)

Coffee?

Medium sweet.

Two, medium sweet.

He also is my son.

All of my key employees are my sons.

Blood is the best security in this business.

You must have
quite an establishment here.

Biggest family payroll in Turkey.

Not bad for a man
who started lifo breaking chains

and bending bars
with his teeth in a circus.

But let's talk about this business of yours.

M thinks l'm wasting my time here.

And so do l.

This is an old friend of mine

and it tells me something smells.

Maybe, but if
there's a chance of getting a Lektor. . .

Now, you tell me,

where can l contact this girl?

She said she would make
her own arrangements.

You'll have to wait.

(DOOR OPENS)

Ah !

Thank you.

My friend, if you really want my advice,

you should spend a fow pleasant days
with us here in lstanbul,

and then. . .

Then go home.

(GRUNTlNG)

James Bond. You have
a reservation for me.

Mr. Bond,
your room is ready. Number 32.

Thirty-two for Mr. Bond.

Hope you enjoy your stay.

Thank you.

(BELLBOY CLEARlNG THROAT)

Will there be anything else, sir?

No. Only this.

Thank you.

Thank you, sir.

(STATlC CRACKLlNG)

-Mr. Bond here.
-WOMAN: Yes.

l'm afraid the room won't do.

l'm sorry.

The bed's too small.

One moment, sir.

(WHlSPERlNG) Did you hear that?

Tell him that's all there is

unless he would like the bridal suite.

l'm sorry sir. That's all we have available,

except the bridal suite.

Let's have a look at it. l may like it.

The porter will show it to you.

He'll be up immediately.

(DlNGS)

Good.

(STATlC CRACKLlNG)

(PHONE LlNE CLlCKS)

(WHlSTLE BLOWS)

Good work.

Who can
the Russians suspect but the British?

The Cold War in lstanbul

will not remain cold very much longer.

(MUEZZlN CALLlNG TO PRAYER)

Ali Kerim Bey.

You are not glad
to see me this morning, cheri?

Overjoyed.

l. . .

l no longer please you?

Be still.

(SlGHS)

Back to the salt mines.

(EXPLOSlON)

(SCREAMS)

KERlM: Careful with those papers.

Well ! Who won?

l had visitors.

A limpet mine
on the wall outside

timed to catch me at my desk.

But by good fortune,

l was relaxing
on the settee for a fow moments.

The girl left in hysterics.

Found your technique too violent?

l cannot understand
this sudden breach of the truce.

lt's unlike our Russian friends

to break the peace this way.

Most inconsiderate.

l think my visit
might have something to do with it.

Let's try and find out.

Close up afterwards.

Quite a place you've got here.

The Emperor Constantine
built it as a reservoir

1 ,600 years ago.

Really?

Here.

My daily exercise.

At 1 1 :00 in the morning,
at 3:00 in the afternoon.

Tie her up, will you?

Mind your head, now.

Underneath the Russian Consulate.

A present from your navy.

Our friends were turned out

while the Public Works Ministry

conducted a survey.

The story was that the heavy traffic was
shaking the foundations.

By the time the place was declared safo,

l had this installed.

l can see
everything M said about you is right.

Know why l stay in this mad business?

lt could be
that you find selling rugs a bore.

My friend, you should be a mind reader.

Head of the table is General Vassili,

Director of Military lntelligence.

On his left, Koslovski, Chief of Security.

Opposite him, Benz, one of his agents.

l can't see the face of the other man,

the one the General is shouting at.

He's giving him
a hell of a blowing-up for something.

lt's too bad we can't hear as well as see.

Tell me,

does our girl Romanova
ever come to this room?

Sometimes, with messages.

l can see the face of the other man now.

Krilencu ! So, he's back.

Another Bulgarian they use as a killer.

Just the man for the limpet mine job.

l've had trouble with him before.

But he's stayed
out of lstanbul for over a year now.

Take a look. You should remember him.

This man kills for pleasure.

Nice face.

Just a moment. A girl's just come in.

Probably Romanova.

She's the only one who's allowed to.

How does she look to you?

From this angle,

things are shaping up nicely.

l'd like to see her in the flesh.

Yes.

Could you get me a plan of that place?

l wish l could.

But there must be
the original architect's drawing

registered somewhere.

l'll get onto that.

Now, l need a little time

to deal with this stinking Krilencu.

lt will be better
if you didn't stay at the hotel tonight.

Come.

l see now why you keep the Rolls.

One of my sons is driving it

with two dummies in the back

in the opposite direction.

They'll follow it for hours.

You'll like my gypsy friends.

l use them
like the Russians use the Bulgars.

l'm afraid it's created
a blood foud between them.

(GYPSY MUSlC PLAYlNG)

(MAN YELLlNG lN TURKlSH)

(SPEAKlNG TURKlSH)

Hello, Krilencu.

(SPEAKlNG RUSSlAN)

(MAN SPEAKlNG TURKlSH)

lt seems we've come on the wrong night.

Two girls in love with the same man

have threatened to kill each other.

lt must be settled the gypsy way.

As l'm a old friend of the family,

l think we will be allowed to stay.

(SPEAKlNG TURKlSH)

We're bidden to table.

l hope you're good
at eating with your fingers.

MAN: Kerim Bey!

Rachi, filthy stuff.

(SPEAKlNG TURKlSH)

(MUSlC PLAYlNG)

(MEN CHEERlNG)

Quick!

(MEN CHEERlNG)

(PEOPLE CLAPPlNG)

Tell our host
his hospitality overwhelms me.

(SPEAKlNG TURKlSH)

Thank you. Thank you.

(ALL LAUGHlNG)

(SPEAKlNG TURKlSH)

No matter what happens now,

say and do nothing.

(SPEAKlNG TURKlSH)

He's asking whether they will cease their
blood foud and give up their fight.

The elders of the tribe will then decide

who in the end will marry the chief's son.

(SPEAKlNG TURKlSH)

She's saying that. . .

Yes, l think l got it without the subtitles.

(SHOUTS)

(GUN FlRlNG)

(SHOUTlNG)

(SHOUTS)

Thank you !

(YELLlNG lN TURKlSH)

-Did you get Krilencu?
-No.

Just a minute. Here. Thank you.

You fought well.

l'm nothing but a clumsy old man.

(MAN SCREAMlNG)

They're making
one of the wounded Bulgars talk.

(SPEAKlNG TURKlSH)

lt was me they were after.

Why would they want me out of the way?

Tomorrow we will
have to find Krilencu's hideout.

Meantime, l'll take care of this filthy stuff.

(SPEAKlNG TURKlSH)

(LAUGHlNG)

Vavra thanks you for saving his lifo.

You are now his son.

Thank you.

l'd like to ask him a favor.

Could he stop the girl fight?

(SPEAKlNG TURKlSH)

(LAUGHlNG)

He says your heart is too soft

to be a real gypsy

but he'll let you decide the matter.

As if l didn't have enough problems.

Vavra said for you to decide.

So decide. They're both yours.

(LAUGHlNG)

This might take some time.

(SPEAKlNG TURKlSH)

Did you pick up
that package at the hotel?

lt's on the seat.

Thank you.

(ALL SPEAKlNG TURKlSH)

(TRAlN CHUGGlNG)

Twice that Krilencu has tried to kill me.

The third time, he will succeed

unless l get him first.

That l'll do tonight.

Not with that arm, you won't.

You'd better leave it to me.

l'm already too much in your debt.

How can a friend be in debt?

Here.

lnfrared lens.

(SHUSHlNG)

(FOOTSTEPS APPROACHlNG)

My sons.

They will ring his doorbell.

He has a private escape hatch.

Try this for size.

-Do you notice anything?
-Not yet.

She has a lovely mouth, that Anita.

Yes, l see what you mean.

(WHlSPERlNG) Arm or no arm,

l have to pull that trigger.

lf you think you can.

You've got one shot, remember.

lt will have to do.

(BELL RlNGS)

BOND: Quick. He's coming.

Quick.

(GUN FlRES)

(SCREAMlNG)

(SlGHS CONTENTEDLY)

That pays many debts.

She should have kept her mouth shut.

Hello?

Breakfast for one at 9:00, please.

Green figs, yogurt,

coffee, very black.

Thank you.

(SNlFFS)

(SOFT THUD)

(CLATTERlNG)

You look surprised.

l thought you were expecting me.

So you're Tatiana Romanova.

My friends call me Tania.

Mine call me James Bond.

Now that
we've been properly introduced. . .

Careful ! Guns upset me.

l'm sorry.

l'm a bit upset myself.

You look just like your photograph.

You're one of
the most beautiful girls l've ever seen.

Thank you, but l think
my mouth is too big.

No, it's the right size.

For me, that is.

(WHlSPERlNG) Yes.

-ls it here?
-What?

The decoding machine, Lektor.

Must we talk about it now?

Or is it at the Russian Consulate?

Yes.

Yes. l would need a plan of the place.

lf you could get one,
we could meet at the St. Sofia Mosque,

like we were tourists.

Why don't you ask me that later?

Now what are you looking for?

Your scar.

You see, l know all about you

from your file.

You do?

l hope you're not disappointed.

l will tell you

in the morning.

(CAMERA WHlRRlNG)

(HORN HONKlNG)

(PEOPLE CHATTERlNG)

GUlDE: We are now approaching

the most interesting corner of St. Sophia,

including these two
great red porphyry columns

stolen and brought from Egypt.

ln front of them, an alabaster urn

was brought from Bergamo,

a famous historical city near Smyrna.

lt dates back from the
Alexander the Great period.

About 1 648,

Sultan Murad lV brought it from Bergamo.

lt was used

as an ablution fountain.

lt contains

1 ,000 liters of water.

Right after the ablution fountain,

we are going to

a highly interesting column, over there,

known for centuries

as the St. Sophia

wishing column.

Tens of thousands of people

have wished here,

putting their right hand

and middle finger in the hole.

(GUlDE CONTlNUES TALKlNG)

(GRUNTS)

l promise you it wasn't
one of my men who killed him.

He didn't die of old age.

All l know is that it saved me the job.

Once he'd seen the girl,

she was obviously compromised, so. . .

And he wasn't killed because of that.

Let's just say
that lstanbul's a rough town.

Let's see how Tania's map
of the Russian Consulate

compares with your architect's plans.

This is the conforence room

in the Russian Consulate.

That checks.

And this here is the communication room.

That's the same.

Now, she says
she works there with the Lektor

every day between 2:00 and 3:00.

How is she going to get
the machine over to us?

She's leaving that to me.
She'll do anything l say.

(CHUCKLlNG)

Anything?

My dear James, you're not using this.

lt all sounds too easy to me.

We don't even know
if she's telling the truth.

-l intend to find out.
-Where?

ln the hotel?

No, she won't go there again.

She says it's too dangerous.

The old game,

give a wolf a taste, then keep him hungry.

My friend, she's got you dangling.

That doesn't matter.

-All l want is that Lektor.
-All?

Are you sure that's all you want?

Well. . .

(LAUGHlNG)

(HORN BLOWlNG)

(PEOPLE CHATTERlNG)

(BELL RlNGlNG)

Lovely view.

James, we must leave here now.

lf that agent reports my meeting you. . .

Don't worry. He won't.

But you don't understand ! lt's a danger!

(WHlSPERlNG) James, look up!

Smile.

(FOOTSTEPS APPROACHlNG)

Another one, further back.

About the machine.

That's all you're interested in, not me.

Business first.

l know, once you've got what you want. . .

l haven't got it yet.

But if you tell me about the machine,

afterwards, we won't always be working
on the company's time.

All right. What do you want to know?

Talk into this. Answer my questions

quietly but clearly.

How large is the machine?

Like. . .

Like a typewriter.

Weight?

About 1 0 kilos, in a brown case.

Brown, like your eyes.

Keep it technical.

Self-calibrating or manual?

Both, with an inbuilt compensator.

James, couldn't we. . .

Not now.

Talk into the camera.

How many keys?

Symbol or code keys?

Both.

There are 24 symbols, 1 6 code keys.

lt is inserted in a slot

and the message comes out in a paper roll

from another slot on the other side.

The mechanism is... James.

James, will you
make love to me all the time in England?

BOND: Day and night.
Go on about the mechanism.

TATlANA: Yes, the mechanism.

Once when it was
being repaired, l saw the insides.

There were many pertorated disks,

made, l think, of copper,

with a small light.

Dooshka, tell me the truth,

am l as exciting
as all those western girls?

BOND: Once when l was with M in Tokyo,

we had an interesting experience.

Thank you,
Miss Moneypenny. That's all. That's all.

BOND: Later! Later!

Those copper disks and the light.

TATlANA: The light, the light.

James, come closer.

l want to whisper something.

BOND: Go on
with what you were telling me.

No, not that, the mechanism.

M: Miss Moneypenny,
as you're no doubt listening,

perhaps you'd take
this cable. Text reads...

"Merchandise appears genuine. Stop.

"Go ahead with deal." Signed, M.

Now, all l have to do
is tell the girl the date.

The 1 3th?

The 1 4th.

Visas?

-Come.
-Thank you.

(SPEAKlNG RUSSlAN)

Visa, please.

Your clock, is it correct?

Always.

Of course.

Excuse me.

You did say your clock was correct?

Russian clocks are always. . .

(EXPLOSlON)

(PEOPLE SHOUTlNG)

(ALARM BELL CLANGlNG)

(MAN SHOUTS)

(GUN FlRES)

-ls this the Lektor?
-Yes.

(COUGHS)

Here, take this. lt's only tear gas.

l thought it was for tomorrow

but today's the 1 3th, isn't it?

lt's a hell of a time
to be superstitious. Come on !

(COUGHlNG)

Come on. Quickly!

(SlRENS WAlLlNG)

(WHlSTLE BLOWlNG)

Keep your head down.

(TATlANA SCREAMS)

Back inside.

This way! Quickly!

(BANGlNG)

(SlRENS WAlLlNG)

(WHlSTLE BLOWlNG)

(MAN ANNOUNClNG
lN TURKlSH OVER P.A.)

(WHlSTLlNG)

What's the matter?

Benz, the Russian security man.

Come on. Never mind.

(TRAlN WHlSTLE BLOWlNG)

Hurry! Hurry!

(SHOUTlNG lN RUSSlAN)

Here's one of them,
and there's the other one.

Your passports.

The pictures do not do you justice.

l've rarely seen a handsomer couple.

Mr. And Mrs. David Somerset.

Your name's Caroline.

Caroline. l like that name.

You're accompanying me
on a business trip

on the way back to Derbyshire.

Twelve children?

-No children.
-Not even one little boy?

Niet.

l like big families myself.

ln fact, my whole lifo
has been a crusade for larger families.

So l heard.

-Tania.
-Yes?

Keep the door locked.
l'll knock three times.

Okay.

l'll go see the conductor now.

You're sure he'll cooperate?

We've done business before.

He'll stop the train
near the Bulgarian frontier,

where my sons will be waiting with a car.

We'll be there about 6:00.

And the airstrip?

Twenty miles.

The plane is chartered to Athens.

You'll be in London tomorrow morning.

We'll drink to that in London.

So, we're really on our way to England.

Yes, with a lovely
two-day honeymoon before us.

Honeymoon? And l've nothing to wear.

Your trousseau.

James.

One moment.

(ASTONlSHED) Oh ! Oh, no!

James! James!

Look!

(COOlNG)

(CLlCKlNG TONGUE)

There.

(HUMMlNG)

(SlGHS) l will wear this
one in Piccadilly.

You won't.

They've just passed some new laws there.

BOND: You're nearest.

All right.

Charming !

Let's go to the restaurant car, James,

for that drink.

Surely.

Charming !

We'll continue the fashion show later.

Everything's arranged
for me to stop the train.

We'll get off at the restaurant car.

-lt's at that end.
-Fine.

We'll meet you at 6:00.

Make it just a little later.

But there are slight complications.

One of the Russian security men, Benz,

he watches the airports
and the stations. He's on the train.

But he wouldn't have had time to contact
the Consulate before he boarded.

Well just in case, l'll keep him company
for the next two hours,

until it's time to get off.

Perhaps you'd like me to introduce you?

Charming.

(KNOCK ON DOOR)

MAN: Ticket control.

Do not be alarmed, my friend.

We will make you as
comfortable as possible.

Now l'm sure Commissar Benz

will have a much safor journey.

l'm not mad about his tailor, are you?

James, lifo in lstanbul will never
be the same without you.

See you in the restaurant car.

l've had a particularly fascinating lifo.

Would you like to hear about it?

(GROANS)

You would?

(KNOCKS THREE TlMES)

You like it?

(APPREClATlVELY) Yes.

lt does rather suit you.

l will save everything else for England.

lt is 4:00, you know.

This is not good to wear in the afternoon?

Even on the honeymoon?

Then l will take it off.

l think we're talking
at cross purposes again.

Tania.

Mmm-hmm?

We'd better get dressed now.

Why?

lt's almost 6:00.

(SlGHlNG) So?

Well, it's teatime.

We'll have it in here.

We'll have all our meals here.

Yes, that would be splendid

but l've arranged
to meet Kerim in the restaurant car.

You go alone. l will stay here.

My dear Mrs. Somerset,

we're supposed to be
a respectable English couple.

We would certainly have tea
in the restaurant.

Now, listen.

Just do as l say, will you?

Yes, James.

(SMACKS)

But there are some English customs

that are going to be changed.

But of course, darling.

(GlGGLlNG)

Do l look right, Mr. Somerset?

Yes.

Mrs. Somerset.

(SPEAKlNG RUSSlAN)

Mr. Somerset! Mr. Somerset!

You are the friend of Kerim Bey?

Yes.

There's been a terrible accident.
Please come with me.

No tea?

Later. Keep the door locked.

(LOCKS DOOR)

They killed each other.

This must be kept quiet
until we reach Trieste.

lt will be difficult.

l'm sure.

Kerim Bey was a very important man.

He has many influential friends.

l'm sure they also will reward you.

l will try.

(SPEAKlNG TURKlSH)

(KNOCKS THREE TlMES)

What is it?

Kerim's dead.

Dead?

Now, l want the truth.

James, you're hurting me!

l'll do worse than that if you don't tell me.

You're doing this
under orders, l know. What are they?

l don't know what you mean.

Liar!

(YELPS)

Even if you kill me, l can say nothing.

l did not know anything like Kerim's death
would happen.

But when we get to England, l'll tell you.

Go on.

No!

Tania, maybe they didn't
let you in on all of it,

but whatever you do know, tell me.

l know l love you, James.

-l love you.
-Just tell me.

l love you. l love you. lt's true!

Sure.

(SOBBlNG)

PORTER: Belgrade!

Belgrade! Belgrade!

Excuse me.

Can l borrow a match?

l use a lighter.

Better still.

Until they go wrong.

My brother telephoned me.

Why did the train not stop?

l. . . l have some bad news.

Your father's dead.

Who did it? Tell me.

He took care of that himself.

The other man died first.

Now, listen.

l'll need some help
to get across the frontier strip

between Yugoslavia and Trieste.

l want you to send
a message to M in London.

Tell him to send someone
from station "Y"

to meet me in Zagreb, all right?

l will.

Good.

You'll. . .

l think you'll want these.

MAN: Monsieur Somerset! Le train part!

-Thank you.
-Ciao.

The train is leaving !

(WHlSTLE BLOWS)

(PEOPLE CHATTERlNG)

(TRAlN WHlSTLE HOOTlNG)

(MAN ANNOUNClNG OVER P.A.)

(STEAM HlSSlNG)

(lNAUDlBLE)

(WHlSTLE BLOWS)

(TRAlN ACCELERATlNG)

Nash. Captain Nash.

Bond, traveling as Somerset.

My card.

What kept you?

l'm so sorry.
l only got M's wire an hour ago.

l busted every record getting here.

What were M's orders?

Only to contact
you and the lady on the train.

Good. Come this way.

Thank you.

(KNOCKS THREE TlMES)

This is my wifo, Caroline, Captain Nash.

How do you do?
l'm so pleased to meet you.

This way, Nash.

-Sit down, will you?
-Thank you.

(SlGHS)

Been long in Yugoslavia?

About three years.

lnteresting work?

Yes. Sometimes.
You know how it is, old man.

You look very fit, Nash.

Yes. l try to keep in shape.

So what's our problem, sir?

l can't risk taking this
through the customs

at the Yugoslav-Trieste border.

No stops till then. We'll have to jump off.

Can you get us across?

Any of the opposition around?

Not in any condition to worry about.

Good. We'll make it.

l know this territory
like the back of my hand.

Sir, do you mind
if we have a bite to eat first?

l've been on the go since breakfast.

No, of course not.
Leave your things there.

We'll go to the restaurant car.

Caroline, you go on
with Captain Nash to the restaurant car.

l'll join you there in a fow minutes.

Whatever you say, old man.

Excuse me.

(PEOPLE CHATTERlNG)

Excuse me.

There you are, old man.

l was worried something
had happened to you.

WAITER: Voilá, monsieur.

Thank you.

l'll have the grilled sole.

And for madam. What about you Nash?

Yes, it sounds very nice.

-Make that three of those, will you?
-Cui, monsieur.

l'll have a bottle of the Blanc du Blanc.

-Cui, monsieur.
-Make mine Chianti.

-White Chianti, monsleur?
-No, the red kind.

Enjoy your dinner, old man.

l think l've got the answer to our
problems. Very simple, really.

Good.

We should
reach the border in about an hour.

l'm terribly sorry, Mrs. Somerset.

How clumsy of me.

-Waiter?
-Monsieur?

Waiter!

(WAlTER SPEAKlNG FRENCH)

Excuse me. Merci.

You will find Trieste quite interesting.

Of course, it's not London.

(CHUCKLES)

Cheer-o.

(CHUCKLlNG)

l don't foel very well.

My head.

The lady's come over faint.

-Bring her in here.
-May l?

(GROGGlLY) What is wrong with me?

Let's go next door.

Exhaustion, l'd say.

What was it,
that stuff you put in her drink?

Chloral hydrate. Quick but mild.

And?

Take it easy, 007 .

My escape route's only for one.

What are you after?
The girl or the Lektor?

All right.

What is your plan?

Explain it better on a map.

All right?

Now, we're here, you see?

When we reach there,
there's a steep gradient.

The train slows down there.

We'll block the line,
make for that main road,

pick up a car there,

a truck, in fact.

That must be about 20 miles from here.

(TRAlN WHlSTLE BLOWlNG)

Keep still.

All right, now get up on your knees.

Put your hands in your pockets.

Keep them there.

Red wine with fish.

Now, that should have told me something.

You may know the right wines,

but you're the one on your knees.

How does it foel, old man?

"Old man?"

ls that what you
chaps in SMERSH call each other?

SMERSH?

Of course. SPECTRE.

Then it wasn't a Russian show at all.

You've been playing us off
against each other, haven't you?

Then it was SPECTRE who killed
the Russian agent in the mosque.

You?

Mmm-hmm.

Kerim and the other man?

Mmm-hmm.

And Nash?

l don't mind talking.

l get a kick out of watching
the great James Bond

find out what a bloody fool
he's been making of himself.

We're pros, Mr. Bond.

We sweated your recognition code

out of one of your men in Tokyo

before he died.

l've been keeping tabs on you.

l've been your guardian angel.

Saved your lifo at the gypsy camp.

Yes.

l'm much obliged.

We were keeping you alive

until you could get us the Lektor.

So you had me deliver it on a plate.

That's brilliant.

Go on. l'm fascinated.

Now that we've got it,

you and the girl are expendable.

Between here and Trieste.

The girl?

lsn't she working for SPECTRE, too?

No.

She thinks she's doing it all
for Mother Russia.

She takes her orders from Colonel Klebb.

Rosa Klebb's Russian,

Head of operations for SMERSH.

Was.

Klebb works for SPECTRE now.

The girl doesn't know that.

Then why kill her?

Orders.

That's only half of it, old man.

Here's a roll of film.

She'll have this in her handbag.

And on you, they'll find this letter.

lt's from her,

threatening to give the film to the press

unless you marry her
for helping you get the Lektor.

What film?

Taken in the bridal suite at your hotel.

Something else the girl didn't know about.

Or you.

(SNlGGERS)

lt must be a pretty sick collection of minds

to dream up a plan like that.

Do you see the headlines?

"British agent murders
beautiful Russian spy,

"then commits suicide."

Tell me,

which lunatic asylum
did they get you out of?

(WHlSPERlNG) Don't make it
tougher on yourself.

My orders are to kill you
and deliver the Lektor.

How l do it is my business.

lt'll be slow and painful.

How much are they paying you?

What's it to you?

We'll double it.

Your word of honor?

As an English gentleman?

(SNORTS)

The first one won't kill you.

Not the second.

Not even the third.

Not till you crawl over here

and you kiss my foot.

How about a cigarette?

Not a chance.

l'll pay for it.

What with?

Fifty gold sovereigns.

Where are they?

Up there, in my case.

(TRAlN WHlSTLE HOOTlNG)

You show me.

Here you are.

What about that cigarette?

Throw them down there.

Any more in the other case?

l should imagine so. lt's a standard kit.

l'll have a look.

Put your hands back in your pockets.

Keep them there.

(COUGHlNG)

(GUN FlRES)

(GRUNTlNG)

(GRUNTS)

(EXCLAlMS lN PAlN)

You won't be needing this,

old man.

(TRAlN WHlSTLE HOOTlNG)

(SOFTLY) Tania!

Wake up!

Wake up, or l'll leave you behind.

(MOANS)

Tania, wake up or l'll leave you behind.

Do you hear me?

(GROGGlLY) Don't leave me.
Never leave me.

(WHlSTLE HOOTlNG)

Tania!

This is Nash's
escape route, do you understand?

We have to get off here.

Take this.

Come on.

(MEN SHOUTlNG)

We must get to the other side of the train.

Under here.

(TRAlN WHlSTLES)

(WHlSTLES)

MAN: (lN ACCENTED ENGLlSH)
Grant, where are you?

Grant!

(WHlSTLES)

Excuse me.

Now, don't run away.

Come on !

(MOANlNG)

Come on or l'll leave you here.

Stay here with me.

(GROANlNG)

Sleep it off in there.

You'll foel better in the morning.

(CLOSES TAlLGATE)

Come on, wake up.

(HELlCOPTER APPROACHlNG)

Try and straddle the truck.

l'll get them away from here.

You hide under the truck.

(GRENADE CLATTERlNG)

Quick!

(MUTTERlNG)

James!

l'd say one of their aircraft is missing.

Tania.

Here, take this and cast the rope off.

All right.

Where's the key?

ln my coat. ln the pocket.

All right. Get out. Move.

ln the boat.

(ENGlNE STARTS)

Do you swim?

Here, take the wheel.

This way, please.

Mind the step.

Just isn't your day, is it?

(SHOUTlNG)

Where are we going?

Venice.

Go look in that locker, will you?

Charts, pistol, some flares.

Now give me those charts.

Yes. We're here, near lstria.

We've got plenty of fuel.

With a bit of luck
we should be there by tomorrow morning.

NUMBER ONE: Three men were found dead
on the train at Trieste.

One of them was Grant.

What have you to say, Number Five?

lt was Klebb's choice. Her people failed.

lt was your plan.
They followed it implicitly.

lmpossible. lt was perfect.

Except for one thing.

They were dealing with Bond.

Who is Bond compared with Kronsteen?

Exactly. What have you
to say to that, Number Three?

Bond is still alive,

and the Lektor
is not yet in our possession.

l have already negotiated
with the Russians

to return it to them.

We've agreed a price.

And SPECTRE
always delivers what he promises.

Our whole organization
depends on our keeping those promises.

l warned you.

We do not tolerate failure, Number Three.

You know the penalty.

(RESlGNEDLY) Yes, Number One.

Our rules are very simple. lf you fail. . .

(SCREAMS)

(GASPlNG SHALLOWLY)

Twelve seconds.

One day, we must invent
a faster-working venom.

-Number Three.
-Yes, sir.

l do not wish to have to tell the Russians

that there will be another delay.

There will be no delay, Number One.

There is still time.

Which way are we going?

The shortest route,

which is between those two mountains

and straight along the coast.

(ACCELERATlNG)

MAN ON MEGAPHONE: Ahoy, Mr. Bond.

Ahoy, Mr. Bond.

Heave to. Heave to.

You're trapped, Mr. Bond. You're trapped.

You cannot escape.

Rifle grenade, prepare to fire.

We're coming through.
Pull over SPECTRE Green.

Get out of the way!

Give them a warning shot.

Rifle grenade, fire!

Forward machine gun fire!

(MACHlNE GUN FlRlNG)

You're firing too close!

SPECTRE Red, SPECTRE Green,
you're firing too close.

You're trying to stop them,
not to sink them!

(MACHlNE GUNS FlRlNG)

Here, take the wheel.

Slow down.

Slow down. Slow down, all boats.

Green, go alongside
while we keep you covered.

Hands up, Mr. Bond.

Why are you giving up?

Without those drums,
the boat must be lighter.

-We can go faster. . .
-Hand me that pistol.

Keep your hands up, Mr. Bond.

We're sending a boat along to take you off.

There's a saying in England.

"Where there's smoke, there's fire."

(MEN SHOUTlNG)

Green, change your course!

Change course!

All boats, throw out your ammunition !

Get rid of it, quick!

Get rid of it!

Jump! Jump!

(EXPLOSlON)

Quick as you can, jump!

(SCREAMlNG)

(TELEPHONE RlNGlNG)

Don't go away.

Yes.

Thanks. Tell him to wait, will you?

And send up a porter
for the luggage. Thank you.

(SPEAKlNG lTALlAN)

And also get me
the British Consul. Thank you.

(TELEPHONE RlNGlNG)

Yes. Mr. Maxwell, please.

James Bond.

James, we will
miss the plane, and we will. . .

Hello, Paul? Bond here.

Just to tell you we're off in a fow minutes

and l wanted to thank you for everything.

And signal the office
we're on our way back, will you?

What was that?

Here, leave that! l'll take it.

(CHUCKLES) No.

lt should be routine from here on in.

Also many thanks. . .

Hello? What was that you were saying?

Hello? Hello?

Klebb.

James, you still there? Hello?

Romanova, the door.

Romanova!

Take this.

(SHOUTlNG)

(GRUNTlNG)

(SHOUTlNG)

Horrible woman.

Yes. She's had her kicks.

(FROM RUSSlA WlTH LOVE PLAYING)

(SlNGlNG) From Russia with love

l fly to you...

Here you are,
in case you ever need it again.

Yes. All government property
has to be accounted for.

But as l said before,

we won't always be working
on the company's time, will we?

No.

l've traveled the world...

James, behave yourself.
We are being filmed.

Not again.

...from Russia with love

He was right, you know.

What is it?

l'll show you.

And smiled for a moment

But, oh, you haunted me so

Still my tongue-tied
young pride

Would not let

My love for you show

ln case you'd say no

To Russia l flew

But there and then

l suddenly knew

You'd care again

My running around

ls through

l fly to you

From Russia with love