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1
00:00:07,241 --> 00:00:09,077
MARY?
COMING TO LUNCH?
2
00:00:09,110 --> 00:00:11,479
A NEW SUSHI PLACE
JUST OPENED.
3
00:00:11,512 --> 00:00:12,846
DICK,
I CAN'T HAVE SUSHI.
4
00:00:12,880 --> 00:00:13,681
Dick: WHY NOT?
5
00:00:13,714 --> 00:00:16,050
I'M ALLERGIC.
IT MAKES ME VOMIT.
6
00:00:16,084 --> 00:00:17,885
WHO COULD HAVE PUT
THAT IDEA IN YOUR HEAD?
7
00:00:17,918 --> 00:00:20,621
THE PARAMEDICS.
8
00:00:20,654 --> 00:00:22,390
OH! I CAN'T
HAVE LUNCH ANYWAY.
9
00:00:22,423 --> 00:00:24,225
I'M LATE FOR
MY ACUPRESSURE
APPOINTMENT.
10
00:00:24,258 --> 00:00:26,227
ACUPRESSURE. HOW EXOTIC.
11
00:00:26,260 --> 00:00:27,928
HOW LONG
HAS THIS BEEN GOING ON?
12
00:00:27,961 --> 00:00:31,199
EVERY TUESDAY FOR 6 MONTHS
SINCE I HURT MY BACK BOWLING.
13
00:00:31,232 --> 00:00:36,437
BOWLING. WHEN DID
YOU TAKE UP BOWLING?
14
00:00:36,470 --> 00:00:39,340
OH, OUR MARY'S
FULL OF SURPRISES.
15
00:00:39,373 --> 00:00:42,210
THE BIG SURPRISE IS
THAT SHE STAYS WITH YOU.
16
00:00:42,243 --> 00:00:43,844
YOU DON'T KNOW ANYTHING
ABOUT HER.
17
00:00:43,877 --> 00:00:45,746
WELL, YOU DON'T KNOW
ANYTHING ABOUT ME.
18
00:00:45,779 --> 00:00:48,249
YEAH. THAT'S RIGHT.
19
00:00:48,282 --> 00:00:50,017
WHAT'S
HER FAVORITE FOOD?
20
00:00:50,050 --> 00:00:51,185
CHICKEN FRIED STEAK.
21
00:00:51,219 --> 00:00:52,286
THAT'S
YOUR FAVORITE.
22
00:00:52,320 --> 00:00:53,454
WHAT'S
HER FAVORITE MOVIE?
23
00:00:53,487 --> 00:00:55,223
UH, THAT'S EASY.
A RENTAL I KEPT
24
00:00:55,256 --> 00:00:57,891
CALLED GAS PUMP GIRLS.
25
00:00:59,127 --> 00:01:01,195
WHAT COLOR
ARE HER EYES?
26
00:01:01,229 --> 00:01:03,097
OH, OH,
UH...THAT I KNOW.
27
00:01:03,131 --> 00:01:05,833
UH...MOSTLY WHITE
ON THE OUTSIDE,
28
00:01:05,866 --> 00:01:10,604
AND IN THE MIDDLE...
SOMETHING NOT WHITE.
29
00:01:10,638 --> 00:01:12,039
HER FAVORITE FOOD
IS RATATOUILLE.
30
00:01:12,072 --> 00:01:14,875
HER EYES ARE BLUE
OR GREEN DEPENDING
ON WHAT SHE'S WEARING,
31
00:01:14,908 --> 00:01:18,879
AND HER FAVORITE MOVIE
IS PARDON MY SARONG
STARRING BOB HOPE.
32
00:01:18,912 --> 00:01:23,117
MY GOD! YOU SEEM
TO KNOW EVEN MORE
ABOUT MARY THAN I DO.
33
00:01:23,151 --> 00:01:24,952
DOES THAT TELL YOU
ANYTHING?
34
00:01:24,985 --> 00:01:26,387
YES, IT DOES.
35
00:01:26,420 --> 00:01:28,789
YOU'VE GOT A THING
FOR MY GIRLFRIEND!
36
00:02:05,193 --> 00:02:06,660
HA HA.
THANKS, RICHARD.
37
00:02:06,694 --> 00:02:08,996
SOUNDS LIKE
ONE HECK OF A GAME.
38
00:02:09,029 --> 00:02:12,400
ALL RIGHT.
NOW HERE'S SALLY STORM
WITH A WEATHER RECAP.
39
00:02:12,433 --> 00:02:13,133
SALLY?
40
00:02:13,167 --> 00:02:14,302
THANKS, CHAZ.
41
00:02:14,335 --> 00:02:15,669
WELL, THERE'S
NO RAIN IN SIGHT,
42
00:02:15,703 --> 00:02:18,206
BUT BY SUNDOWN, YOU
RUTHERFORD KITTENS
43
00:02:18,239 --> 00:02:19,440
BETTER FIND
YOUR MITTENS.
44
00:02:19,473 --> 00:02:21,209
IT'S GONNA BE COLD.
45
00:02:21,242 --> 00:02:23,677
26 DEGREES
BY MIDNIGHT.
46
00:02:23,711 --> 00:02:26,146
WOW. SEEMS LIKE A NICE NIGHT
TO CUDDLE UP BY THE FIRE
47
00:02:26,180 --> 00:02:28,516
WITH A LITTLE SWISS MISS.
48
00:02:31,051 --> 00:02:34,355
BUT, CHAZ, WHAT
YOU AND YOUR LITTLE
EURO-TRASH GIRLFRIEND DO
49
00:02:34,388 --> 00:02:36,824
IS REALLY NONE
OF OUR BUSINESS.
50
00:02:37,525 --> 00:02:39,660
I--I MEANT COCOA.
51
00:02:39,693 --> 00:02:43,197
AW. CAN'T EVEN KEEP
TRACK OF THEIR NAMES.
SO SAD.
52
00:02:43,231 --> 00:02:45,799
UH, YOU KNOW,
I'M ACTUALLY
STARTING TO THINK THAT
53
00:02:45,833 --> 00:02:46,667
THAT PLASTIC SURGEON
54
00:02:46,700 --> 00:02:48,402
GAVE YOU A LITTLE
TOO MUCH KNOCK-OUT GAS
55
00:02:48,436 --> 00:02:50,938
WHEN YOU WENT IN
FOR THAT FANNY TUCK.
56
00:02:51,639 --> 00:02:54,642
OK, I HAVE A HISTORY
OF WEAK GLUTES IN MY FAMILY.
57
00:02:54,675 --> 00:02:59,947
OK, WHATEVER.
ANYWAY, TUNE IN TOMORROW
FOR MY 45-DAY FORECAST.
58
00:02:59,980 --> 00:03:01,949
I'M SALLY STORM.
59
00:03:01,982 --> 00:03:03,784
AND WE'RE CLEAR.
60
00:03:03,817 --> 00:03:05,886
SALLY, I JUST GOT
THE LOCAL RATINGS.
61
00:03:05,919 --> 00:03:08,722
WE ARE NOW NUMBER 2
IN WEATHER.
62
00:03:08,756 --> 00:03:09,957
OH!
AND NUMBER 3 IN NEWS.
63
00:03:09,990 --> 00:03:11,525
OH!
YOU COULD BE
GOING PLACES, SALLY.
64
00:03:11,559 --> 00:03:12,226
YOU'RE HOT!
65
00:03:12,260 --> 00:03:14,295
SO HOT.
66
00:03:14,328 --> 00:03:16,163
SOUNDS LIKE WE'RE
A PRETTY GOOD TEAM,
BUDDY.
67
00:03:16,196 --> 00:03:18,632
YEAH, LIKE
JOHN AND YOKO.
68
00:03:19,433 --> 00:03:21,635
SACCO AND VANZETTI.
69
00:03:21,669 --> 00:03:25,339
BOB CLEASBY AND
HIS 64th CHILDREN'S CHOIR.
70
00:03:25,906 --> 00:03:26,907
WHO ARE YOU AGAIN?
71
00:03:26,940 --> 00:03:28,242
OH, THAT'S JUST
MY BROTHER HARRY.
72
00:03:28,276 --> 00:03:29,610
OH, WELL, YOU KNOW,
UNLESS YOU WORK HERE,
73
00:03:29,643 --> 00:03:30,711
YOU REALLY SHOULDN'T
BE HANGING AROUND.
74
00:03:30,744 --> 00:03:32,079
WELL, IF THAT'S
AN OFFER TO WORK HERE,
75
00:03:32,112 --> 00:03:32,980
THEN I'D LOVE TO.
76
00:03:33,013 --> 00:03:35,483
HEY, UH...
77
00:03:35,516 --> 00:03:37,851
HEY, MAYBE HE COULD
BE A GO-FER.
78
00:03:37,885 --> 00:03:38,619
A GOPHER?
79
00:03:38,652 --> 00:03:39,887
YEAH, EVERY STATION'S
GOT ONE.
80
00:03:39,920 --> 00:03:41,489
EVERY STATION'S
GOT A GOPHER?
81
00:03:41,522 --> 00:03:43,491
YEAH, YEAH.
YOU'D BE SURPRISED
82
00:03:43,524 --> 00:03:44,492
AT HOW USEFUL
THEY CAN BE.
83
00:03:44,525 --> 00:03:45,459
OH, YEAH, YEAH.
84
00:03:45,493 --> 00:03:47,861
I--I COULD SEE THAT.
85
00:03:47,895 --> 00:03:50,498
OH, WELL, IT'S SETTLED.
START TOMORROW.
86
00:03:50,531 --> 00:03:52,833
THAT WAS REALLY
NICE OF YOU, CHAZ.
THANKS.
87
00:03:52,866 --> 00:03:55,436
SURE. ANYTHING FOR YOU,
TEAMMATE, AND I MEAN THAT.
88
00:03:55,469 --> 00:03:57,505
ANYTHING.
89
00:03:57,538 --> 00:04:02,075
OK, WELL, YOU KNOW,
I REALLY ENJOY
PREDICTING THE WEATHER,
90
00:04:02,109 --> 00:04:06,380
BUT, UH...I'D LOVE
TO MOVE UP AND START
PREDICTING THE NEWS.
91
00:04:06,414 --> 00:04:08,081
OH.
92
00:04:08,115 --> 00:04:09,983
YOU KNOW, YOU MIGHT
BE AT THE TOP OF
THE WEATHER GAME,
93
00:04:10,017 --> 00:04:11,685
BUT THERE'S A LOT
TO LEARN ABOUT THE NEWS.
94
00:04:11,719 --> 00:04:12,620
WILL YOU
TEACH ME?
95
00:04:12,653 --> 00:04:13,587
OH, SURE, I'LL
SHOW YOU THE ROPES.
96
00:04:13,621 --> 00:04:15,623
THEY'RE SLIPPERY,
BUT I'LL SHOW YOU.
97
00:04:15,656 --> 00:04:17,291
OK, ON YOUR WAY IN
TOMORROW,
98
00:04:17,325 --> 00:04:18,726
WHY DON'T YOU PICK UP
A COUPLE OF DOZEN DOUGHNUTS?
99
00:04:18,759 --> 00:04:20,961
OH, YOU KNOW WHAT?
I'LL PROBABLY
ONLY NEED 2,
100
00:04:20,994 --> 00:04:26,634
BUT, UH...MAYBE I'LL
BRING IN THE REST
FOR YOU GUYS.
101
00:04:31,071 --> 00:04:33,307
AND LEAVE A LOT
OF EXTRA ROOM
IN THE LEGS.
102
00:04:33,341 --> 00:04:37,411
I WANT TO ABLE
TO MOVE FAST
IN MY THICK GOPHER PELT.
103
00:04:38,812 --> 00:04:41,382
SURE, SURE.
SO, UH...
104
00:04:41,415 --> 00:04:43,351
WHY ARE YOU DRESSING
LIKE A RODENT?
105
00:04:43,384 --> 00:04:49,256
OH, UM, NO,
WE PREFER TO BE CALLED
VARMINT AMERICANS.
106
00:04:49,289 --> 00:04:51,425
HARRY'S GOT A JOB
DOWN AT THE STATION.
107
00:04:51,459 --> 00:04:54,261
OH, DO YOU MEAN LIKE
SOME KIND OF A MASCOT?
108
00:04:54,294 --> 00:04:58,632
OH, YEAH!
THAT WOULD BE GREAT!
109
00:04:58,666 --> 00:05:00,768
YOU KNOW,
I TWISTED MY ANKLE
110
00:05:00,801 --> 00:05:02,836
IN A GOPHER HOLE
9 YEARS AGO.
111
00:05:02,870 --> 00:05:05,205
GOD, THAT REMINDS ME.
112
00:05:05,238 --> 00:05:09,577
I HAVE TO REFILL THAT
PAIN MEDICATION ON THAT.
113
00:05:10,944 --> 00:05:13,213
DICK, GREAT NEWS
FROM THE STATION.
114
00:05:13,246 --> 00:05:14,715
I'M NUMBER 2
IN WEATHER.
115
00:05:14,748 --> 00:05:16,083
OH, BIG DEAL.
116
00:05:16,116 --> 00:05:17,818
YOU'RE FORECASTING
ATMOSPHERIC CONDITIONS
117
00:05:17,851 --> 00:05:19,653
ON A PLANET
THAT ONLY HAS ONE SUN.
118
00:05:19,687 --> 00:05:22,022
WELL, YEAH, BUT,
I MEAN, YOU KNOW,
119
00:05:22,055 --> 00:05:25,659
IF I LEARN FROM CHAZ,
I CAN BECOME
A SERIOUS NEWSPERSON.
120
00:05:25,693 --> 00:05:27,194
WELL, HERE'S A NEWS FLASH.
121
00:05:27,227 --> 00:05:29,830
NINA TOLD ME THAT
I DON'T KNOW ANYTHING
ABOUT MARY.
122
00:05:29,863 --> 00:05:31,164
WHAT'S NOT TO KNOW?
123
00:05:31,198 --> 00:05:33,634
WELL, I MEAN, SHE'S
STUCK UP, BORING--
124
00:05:33,667 --> 00:05:35,969
AND AN EXCELLENT BOWLER.
125
00:05:36,003 --> 00:05:37,971
I KNOW ALL THAT,
BUT WHAT ELSE?
126
00:05:38,005 --> 00:05:40,608
SHE LIKES NEEDLEPOINT
AND FLAVORED COFFEES.
127
00:05:40,641 --> 00:05:42,376
HER ZEAL FOR
WALKING IN THE RAIN
128
00:05:42,410 --> 00:05:45,546
IS ECLIPSED
ONLY BY HER FERVOR
FOR STAMP-COLLECTING.
129
00:05:45,579 --> 00:05:47,180
WHY DON'T I KNOW
ANY OF THAT?
130
00:05:47,214 --> 00:05:49,116
WELL, BECAUSE
YOU'RE A TYPICAL GUY.
131
00:05:49,149 --> 00:05:50,684
YA PIG!
132
00:05:50,718 --> 00:05:53,521
OH, DICK, DICK,
DICK, SIT DOWN.
133
00:05:53,554 --> 00:05:54,922
ALL RIGHT, LOOK,
134
00:05:54,955 --> 00:05:56,890
I'VE BEEN A WOMAN
FOR 5 YEARS NOW.
135
00:05:56,924 --> 00:05:59,192
SO, LISTEN TO ME,
OK?
136
00:05:59,226 --> 00:06:00,661
IF YOU WANT
TO KEEP ALBRIGHT,
137
00:06:00,694 --> 00:06:02,362
YOU'VE GOT TO START
PAYING ATTENTION
138
00:06:02,396 --> 00:06:04,097
TO THE THINGS
SHE LIKES TO DO.
139
00:06:04,131 --> 00:06:07,768
I MEAN, JUST LET HER
KNOW THAT IN YOUR LIFE
140
00:06:07,801 --> 00:06:09,503
SHE COMES FIRST.
141
00:06:09,537 --> 00:06:10,571
BUT I THOUGHT THAT HONESTY
142
00:06:10,604 --> 00:06:13,574
WAS THE MOST IMPORTANT THING
IN A RELATIONSHIP.
143
00:06:21,181 --> 00:06:22,583
GOOD MORNING, MARY.
144
00:06:22,616 --> 00:06:24,251
WHAT ARE THESE?
145
00:06:24,284 --> 00:06:26,119
YOUR FAVORITE FLOWERS.
146
00:06:26,153 --> 00:06:28,288
LILACS AREN'T
MY FAVORITE FLOWERS.
147
00:06:28,321 --> 00:06:29,389
WELL, OF COURSE
THEY ARE.
148
00:06:29,423 --> 00:06:31,091
I SAW YOU BUYING THEM
JUST YESTERDAY.
149
00:06:31,124 --> 00:06:35,629
I BOUGHT LILACS
YESTERDAY TO PUT ON
MY GRANDMOTHER'S GRAVE.
150
00:06:35,663 --> 00:06:37,565
AND AS LUCK
WOULD HAVE IT,
151
00:06:37,598 --> 00:06:40,468
THEY WERE
STILL THERE.
152
00:06:40,501 --> 00:06:42,102
WELL, AND
THERE'S MORE.
153
00:06:42,135 --> 00:06:44,738
HOW'S THIS
FOR COMBINING
YOUR INTERESTS?
154
00:06:44,772 --> 00:06:46,507
A STAMP FOR
YOUR COLLECTION
155
00:06:46,540 --> 00:06:49,376
CELEBRATING
NEEDLEPOINT.
156
00:06:51,178 --> 00:06:54,081
DICK,
I DON'T COLLECT STAMPS,
157
00:06:54,114 --> 00:06:56,183
AND I HAVE NO INTEREST
IN NEEDLEPOINT.
158
00:06:56,216 --> 00:06:58,952
YEAH.
I KNOW THAT.
159
00:06:59,987 --> 00:07:01,889
DAMN THAT HARRY!
160
00:07:02,856 --> 00:07:06,560
MARY, DO I
LOOK LIKE A QUEEN
IN A SAILOR'S DREAM?
161
00:07:06,594 --> 00:07:08,596
YOU GOT THE TICKETS!
162
00:07:08,629 --> 00:07:09,697
THE TICKETS?
OH!
163
00:07:09,730 --> 00:07:12,700
TENTH ROW. YOU AND I
AND AN EVENING
164
00:07:12,733 --> 00:07:15,002
WITH
WOODSY BALLADEER
GORDON LIGHTFOOT.
165
00:07:15,035 --> 00:07:17,838
[BOTH SQUEALING]
166
00:07:17,871 --> 00:07:20,273
IT'S AN EXCITING DAY
FOR US ALL.
167
00:07:20,307 --> 00:07:22,610
ANYBODY UP
FOR A DUMB-ASS
BOB HOPE MOVIE?
168
00:07:22,643 --> 00:07:25,078
OH, THANK YOU
FOR DOING THIS, JUDITH.
169
00:07:25,112 --> 00:07:28,281
WELL, MARY,
IF ANYONE DIGS LIGHTFOOT
AS HARD AS I DO,
170
00:07:28,315 --> 00:07:29,650
IT'S MARY ALBRIGHT.
171
00:07:29,683 --> 00:07:31,418
YOU KNOW ME SO WELL.
172
00:07:31,451 --> 00:07:34,054
WE ALL DO, MARY.
173
00:07:34,087 --> 00:07:37,525
JUDITH,
WE ARE SO TOUCHED
BY YOUR ALTRUISM,
174
00:07:37,558 --> 00:07:38,792
BUT HERE,
TAKE THESE BACK.
175
00:07:38,826 --> 00:07:39,893
WHAT ARE YOU DOING?
176
00:07:39,927 --> 00:07:42,129
OH, I KNOW HOW MUCH
YOU LOVE GORDON
LIGHTFOOT, MARY.
177
00:07:42,162 --> 00:07:44,632
SO I'VE ALREADY
GOT US 2 TICKETS,
178
00:07:44,665 --> 00:07:45,699
BUT THEY'RE
IN THE FRONT ROW.
179
00:07:45,733 --> 00:07:48,435
YOU DID? WHY DIDN'T
YOU SAY ANYTHING?
180
00:07:48,468 --> 00:07:52,439
WELL, I'M NOT
A SHOWY PERSON, MARY.
181
00:07:52,472 --> 00:07:54,007
JUDITH, I'M SURE
THERE ARE A PLETHORA
182
00:07:54,041 --> 00:07:55,709
OF ELIGIBLE BACHELORS
OUT THERE
183
00:07:55,743 --> 00:07:57,911
WHO'D BE HAPPY TO TAKE
THAT EXTRA TICKET.
184
00:07:57,945 --> 00:07:58,946
OF COURSE THERE ARE.
185
00:07:58,979 --> 00:08:00,714
NINA, YOU WANT
TO COME WITH?
186
00:08:00,748 --> 00:08:02,583
I THOUGHT
YOU'D NEVER ASK,
187
00:08:02,616 --> 00:08:04,184
AND I WAS HAPPY
ABOUT THAT.
188
00:08:04,217 --> 00:08:05,753
OH, YOU'RE GOING
TO LOVE IT, NINA.
189
00:08:05,786 --> 00:08:06,787
ONCE WHEN
I WAS IN COLLEGE,
190
00:08:06,820 --> 00:08:09,056
I SNUCK INTO
A GORDON LIGHTFOOT CONCERT.
191
00:08:09,089 --> 00:08:12,192
IT WAS THE MOST FUN
I HAVE EVER HAD!
192
00:08:12,225 --> 00:08:15,362
WELL, YOU WON'T
HAVE TO SNEAK IN
THIS TIME, PUMPKIN.
193
00:08:15,395 --> 00:08:18,298
OH, GOD. IF HE SINGS
THE WRECK OF
THE EDMUND FITZGERALD,
194
00:08:18,331 --> 00:08:21,969
I WILL THROW MY PANTIES
ON THE STAGE...
195
00:08:22,002 --> 00:08:23,604
AGAIN.
196
00:08:23,637 --> 00:08:24,572
MARY,
WE'LL BE SO CLOSE
197
00:08:24,605 --> 00:08:26,439
THAT YOU'LL BE ABLE
TO SNATCH GORDON'S PANTIES
198
00:08:26,473 --> 00:08:28,876
AND THROW THEM BACK
TO JUDITH.
199
00:08:28,909 --> 00:08:30,578
SEE YOU THERE, GIRLS.
200
00:08:30,611 --> 00:08:32,145
OHH!
201
00:08:36,917 --> 00:08:38,886
AAH!
202
00:08:38,919 --> 00:08:41,388
HARRY,
YOU'RE HERE EARLY.
203
00:08:41,421 --> 00:08:45,458
IT'S MY NATURE
TO RISE AT DAWN
AND FORAGE.
204
00:08:47,494 --> 00:08:48,729
BUT I CAN'T OFFICIALLY
START WORK YET.
205
00:08:48,762 --> 00:08:51,498
I'M HAVING
A SPECIAL SUIT MADE,
AND IT'S NOT READY YET.
206
00:08:51,531 --> 00:08:53,300
THAT'S NICE BUT IT'S NOT
NECESSARY
207
00:08:53,333 --> 00:08:55,335
WE'RE VERY CASUAL
AROUND HERE.
208
00:08:55,368 --> 00:08:58,839
WITHOUT THE SUIT,
HOW ARE PEOPLE GOING
TO KNOW I'M A GOPHER?
209
00:08:59,573 --> 00:09:00,540
IT DOESN'T MATTER
WHAT YOU WEAR
210
00:09:00,574 --> 00:09:03,110
AS LONG AS YOU'RE HERE
BEING OUR GOFER.
211
00:09:03,143 --> 00:09:04,344
OH, I SEE, I SEE.
212
00:09:04,377 --> 00:09:08,248
SO IT'S MORE
OF A METHOD GOPHER.
213
00:09:08,281 --> 00:09:10,217
WHATEVER METHOD
WORKS FOR YOU.
214
00:09:10,250 --> 00:09:13,253
ALL RIGHT.
215
00:09:13,286 --> 00:09:15,956
HEY, HARRY.
CAN YOU RUN THIS TAPE
UP TO EDITING FOR ME?
216
00:09:15,989 --> 00:09:18,759
I CAN RUN. I GOT
STRONG HIND LEGS
217
00:09:18,792 --> 00:09:21,729
AND A LOW CENTER
OF GRAVITY.
218
00:09:21,762 --> 00:09:25,332
COMES IN HANDY
WHEN ELUDING
MY NATURAL PREDATOR...
219
00:09:25,365 --> 00:09:27,300
MAN.
220
00:09:28,068 --> 00:09:30,070
OK. SEE, I JUST
NEED THAT TO GO
UP TO EDITING.
221
00:09:30,103 --> 00:09:30,904
ALL RIGHT.
YEAH, THANKS.
222
00:09:30,938 --> 00:09:32,305
OH HEY CHAZ
223
00:09:32,339 --> 00:09:35,342
HEY SALLY. DID YOU DO THE
ANCHORMAN VOCAL EXCERCISES I
TOLD YOU ABOUT?
224
00:09:35,375 --> 00:09:36,844
YEAH I DID
225
00:09:36,877 --> 00:09:38,812
BUT, YOU KNOW, I DON'T SEE
HOW IT'S GOING TO MAKE ME
A BETTER REPORTER
226
00:09:38,846 --> 00:09:41,314
BY REPEATING "OH CHAZ"
227
00:09:41,348 --> 00:09:42,215
"OH CHAZ"
228
00:09:42,249 --> 00:09:45,052
OVER AND OVER AGAIN INTO
THIS TAPE RECORDER
229
00:09:45,085 --> 00:09:47,921
UH, HARD NEWS REQUIRES
HARD DICTION
230
00:09:47,955 --> 00:09:49,823
I-- I'LL TAKE THIS.
OH.
231
00:09:49,857 --> 00:09:51,558
SO, UH, YOU THINK
I'M READY TO GO OUT
IN THE FIELD?
232
00:09:51,591 --> 00:09:53,794
YES, WE'RE GONNA
THROW YOU IN THE DEEP END.
233
00:09:53,827 --> 00:09:56,730
DINNER AND THEN
A GORDON LIGHTFOOT SHOW
AT THE RUTHERDOME.
234
00:09:56,764 --> 00:09:58,365
THE STATION'S
GOT A LUXURY BOX.
235
00:09:58,398 --> 00:10:00,701
OK. GORDON LIGHTFOOT.
236
00:10:00,734 --> 00:10:03,270
UM, OK, I KNOW JUST WHAT
I'D ASK HIM.
237
00:10:03,303 --> 00:10:05,372
UM, AHEM.. UH, MR LIGHTFOOT,
238
00:10:05,405 --> 00:10:08,308
YOU'VE BEEN IN THE MUSIC
INDUSTRY FOR THREE DECADES
239
00:10:08,341 --> 00:10:13,046
UM, GIVEN THE RECENT CHANGES
IN MUSIC DISTRIBUTION VIA
THE INTERNET
240
00:10:13,080 --> 00:10:17,284
WOULD YOU RATHER BE
ATTACKED BY A BEAR OR
A BEAR WITH A GUN?
241
00:10:21,221 --> 00:10:26,159
EXCUSE ME. ARE YOU THE
TICKET MIAETRO?
242
00:10:26,193 --> 00:10:27,627
NOW I AM.
243
00:10:27,661 --> 00:10:30,030
OH, GOOD
244
00:10:30,063 --> 00:10:33,233
CAN I HAVE TWO TICKETS TO GORDON
LIGHTFOOT, FRONT ROW
245
00:10:33,266 --> 00:10:36,369
EQUAL DISTANCE FROM THE AISLE
AND THE CONCESSION STAND.
246
00:10:36,403 --> 00:10:38,205
THAT SHOULDN'T
BE A PROBLEM.
[KEYBOARD CLICKS]
247
00:10:38,238 --> 00:10:39,439
ARE YOU INTERESTED
IN SUBSCRIBING
248
00:10:39,472 --> 00:10:40,941
TO OUR ENTERTAINMENT
MAGAZINE?
249
00:10:40,974 --> 00:10:43,176
NO, I'M NOT INTERESTED
IN ENTERTAINMENT,
250
00:10:43,210 --> 00:10:46,313
I'M INTERESTED IN
SEEING GORDON LIGHTFOOT.
251
00:10:46,346 --> 00:10:47,781
CAN I GET
YOUR ZIP CODE,
PLEASE?
252
00:10:47,815 --> 00:10:49,917
ZIP CODE? LOOK,
I'M ON MY LUNCH BREAK HERE.
253
00:10:49,950 --> 00:10:51,284
CAN'T YOU JUST
GIVE ME THE TICKETS?
254
00:10:51,318 --> 00:10:52,252
WELL, I CAN'T
ORDER THE TICKETS
255
00:10:52,285 --> 00:10:53,887
UNTIL YOU'RE IN
THE CUSTOMER DATABASE.
256
00:10:53,921 --> 00:10:56,289
BUT I DON'T WANT TO BE
IN THE CUSTOMER DATABASE.
257
00:10:56,323 --> 00:10:57,858
THAT'S BIZARRE.
[KEYBOARD CLICKS]
258
00:10:57,891 --> 00:11:01,528
OK, I'M SHOWING 2 SEATS
TO GORDON LIGHTFOOT
AT THE RUTHERDOME.
259
00:11:01,561 --> 00:11:03,897
OH, THANK GOD!
260
00:11:03,931 --> 00:11:05,298
LAST ROW, BALCONY.
261
00:11:05,332 --> 00:11:06,834
LAST ROW? BALCONY?
262
00:11:06,867 --> 00:11:07,968
DON'T YOU HAVE
ANYTHING CLOSER?
263
00:11:08,001 --> 00:11:09,102
ONLY SOME
SCATTERED SINGLES.
264
00:11:09,136 --> 00:11:11,805
OH, WELL, THEN...
265
00:11:11,839 --> 00:11:15,275
I GUESS I'LL TAKE
THE BALCONY SEATS.
266
00:11:16,209 --> 00:11:18,578
SORRY, THE BALCONY
SEATS ARE GONE.
267
00:11:18,611 --> 00:11:21,314
GONE? THEN
I'LL TAKE THE SINGLES.
268
00:11:21,348 --> 00:11:22,449
OH,
NOW THEY'RE GONE.
269
00:11:22,482 --> 00:11:24,317
WE'RE SOLD OUT.
270
00:11:25,986 --> 00:11:27,988
HOW CAN THAT BE?
271
00:11:28,021 --> 00:11:29,589
I'M NOT THE ONLY
TICKET MAESTRO, DUDE.
272
00:11:29,622 --> 00:11:32,425
YOU'RE NOT
A TICKET MAESTRO AT ALL!
273
00:11:32,459 --> 00:11:33,693
DON'T YOU HAVE ANYTHING?
274
00:11:33,727 --> 00:11:35,195
[KEYBOARD CLICKS]
275
00:11:35,228 --> 00:11:37,831
I GOT A 2-FOR-1
SPECIAL FOR
THE ICE CAPADES.
276
00:11:37,865 --> 00:11:40,333
SAME NIGHT
AT THE WAR MEMORIAL.
277
00:11:40,367 --> 00:11:42,569
ICE CAPADES.
278
00:11:42,602 --> 00:11:44,972
MY TREASURED RELATIONSHIP
HANGS IN THE BALANCE,
279
00:11:45,005 --> 00:11:48,008
AND ALL YOU CAN OFFER ME
ARE WASHED-UP OLYMPIANS,
280
00:11:48,041 --> 00:11:50,710
SOME OF THEM
NOT EVEN MEDALISTS,
281
00:11:50,744 --> 00:11:55,916
MINCING AROUND ON THE ICE
WITH A BUNCH OF FUZZY
CARTOON CHARACTERS!
282
00:11:55,949 --> 00:11:58,285
THEY'RE GOING FAST.
283
00:11:58,318 --> 00:11:59,787
2, PLEASE.
284
00:12:04,624 --> 00:12:05,492
HEY, SALLY,
HOW'S THE WEATHER?
285
00:12:05,525 --> 00:12:06,493
OH, LISTEN, CHAZ,
286
00:12:06,526 --> 00:12:08,295
I WAS WONDERING,
UM...
287
00:12:08,328 --> 00:12:10,363
IF I REALLY NAIL
THIS WHOLE NEWS THING,
288
00:12:10,397 --> 00:12:12,699
DO YOU THINK I COULD
GET A JOB ON THE VIEW?
289
00:12:12,732 --> 00:12:13,767
BECAUSE I WATCH
THAT SHOW,
290
00:12:13,801 --> 00:12:18,105
AND I COULD KICK
THE CRAP OUT OF
ANY ONE OF THEM.
291
00:12:18,138 --> 00:12:20,507
WELL, MAYBE
NOT THE BIG ONE.
292
00:12:20,540 --> 00:12:22,509
YOU KNOW, SALLY,
I DON'T MEAN TO BRAG HERE,
293
00:12:22,542 --> 00:12:25,779
BUT I HAPPEN TO KNOW
THE LADY FINDER
OVER AT THE VIEW.
294
00:12:25,813 --> 00:12:27,380
REALLY?
YES, ABSOLUTELY.
295
00:12:27,414 --> 00:12:29,716
I MEAN, INSIDE CONNECTIONS
ARE EVERYTHING IN THIS BUSINESS.
296
00:12:29,749 --> 00:12:31,051
AND ALONG THOSE SAME LINES,
297
00:12:31,084 --> 00:12:33,186
I GOT YOU A CORSAGE.
298
00:12:33,220 --> 00:12:38,658
HEY!
A PIN-ON FLOWER!
299
00:12:38,691 --> 00:12:42,162
THIS IS LIKE SOMETHING
BARBARA WALTERS
WOULD WEAR.
300
00:12:42,195 --> 00:12:43,997
THIS JOB'S SO COOL.
YEAH.
301
00:12:44,031 --> 00:12:47,067
HEY, UH, ALSO,
LISTEN, UH, AFTER DINNER,
WE'RE GONNA STOP BY MY HOME
302
00:12:47,100 --> 00:12:48,335
SO YOU CAN MEET MY MOM.
303
00:12:48,368 --> 00:12:49,837
YOUR MOM?
YEAH.
304
00:12:49,870 --> 00:12:51,972
THAT DOESN'T SOUND
LIKE A WORK THING.
305
00:12:52,005 --> 00:12:56,910
SALLY, MY MOM WAS
THE FIRST WOMAN ON THE MOON.
306
00:12:58,812 --> 00:13:00,613
OH, MY GOD!
I HAD NO IDEA.
307
00:13:00,647 --> 00:13:05,485
YEAH, NOBODY DOES.
THAT'S WHY I'M GIVING
YOU THE EXCLUSIVE.
308
00:13:07,487 --> 00:13:09,622
THE EXCLUSIVE.
309
00:13:12,359 --> 00:13:15,996
REPORTING LIVE FROM
THE FIRST WOMAN ON THE MOON.
310
00:13:16,029 --> 00:13:18,598
I'M SALLY STORM.
311
00:13:23,603 --> 00:13:25,839
Radio: OK, OUR LAST PAIR
OF TICKETS TO GORDON LIGHTFOOT
312
00:13:25,873 --> 00:13:28,508
ARE WAITING
FOR CALLER NUMBER 29!
313
00:13:28,541 --> 00:13:30,543
THAT'S IT! GO!
AAH!
314
00:13:30,577 --> 00:13:31,945
FASTER, HARRY!
315
00:13:31,979 --> 00:13:34,047
MY WHOLE FUTURE
WITH MARY
IS RIDING ON THIS!
316
00:13:34,081 --> 00:13:35,582
WELL, THEN
WHY DON'T YOU DIAL?
317
00:13:35,615 --> 00:13:37,117
NO, I'M
EMOTIONALLY TAXED,
318
00:13:37,150 --> 00:13:40,653
AND I JUST
HAD A MANICURE
FOR THE CONCERT.
319
00:13:40,687 --> 00:13:45,492
GUYS, WISH ME LUCK.
I'M GOING ON A FIELD
ASSIGNMENT WITH CHAZ.
320
00:13:45,525 --> 00:13:46,726
WE'RE VERY BUSY, SALLY.
321
00:13:46,759 --> 00:13:49,362
I-I-I'VE GOT TO WIN TICKETS
TO GORDON LIGHTFOOT.
322
00:13:49,396 --> 00:13:53,066
GORDON LIGHTFOOT?
DICK, THE STATION
OWNS--
323
00:13:53,100 --> 00:13:57,070
SALLY, PLEASE!
NOT ANOTHER WORD
ABOUT THAT INSIPID STATION.
324
00:13:57,104 --> 00:14:00,040
AT LEAST WHEN YOU'RE ON TV,
I CAN HIT THE MUTE BUTTON.
325
00:14:03,510 --> 00:14:04,912
FINE!
I WAS GOING TO SAY
326
00:14:04,945 --> 00:14:08,448
I COULD GET YOU
INTO A LUXURY BOX
FOR THE CONCERT,
327
00:14:08,481 --> 00:14:09,983
BUT JUST FORGET IT!
328
00:14:10,017 --> 00:14:11,651
OH, I WILL!
329
00:14:14,721 --> 00:14:16,890
WHAT?! SALLY, WAIT!
330
00:14:16,924 --> 00:14:20,093
OH, OH, OH, DICK!
I'M THE 29th CALLER!
331
00:14:20,127 --> 00:14:21,694
SHUT YOUR PIE TRAP,
HARRY!
332
00:14:21,728 --> 00:14:24,597
I JUST LOST TICKETS
BECAUSE I WAS RUDE
TO SALLY!
333
00:14:26,366 --> 00:14:27,667
WHAT?!
334
00:14:29,937 --> 00:14:32,105
Radio: ALL RIGHT, WE HAVE
HARRY SOLOMON ON THE LINE.
335
00:14:32,139 --> 00:14:33,106
ARE YOU READY?
336
00:14:33,140 --> 00:14:34,241
YES, I AM!
337
00:14:34,274 --> 00:14:36,376
OK, HARRY. FOR 2 TICKETS,
338
00:14:36,409 --> 00:14:40,047
WHAT WAS GORDON LIGHTFOOT'S
FIRST AMERICAN SINGLE?
339
00:14:43,083 --> 00:14:44,451
I HAVE NO IDEA.
340
00:14:44,484 --> 00:14:46,686
OK, IF YOU COULD READ
MY MIND, LOVE.
341
00:14:46,719 --> 00:14:48,555
NOW, DON'T GET
ALL TENDER NOW, HARRY.
342
00:14:48,588 --> 00:14:51,724
Radio: CORRECT! IF YOU
COULD READ MY MIND, LOVE!
343
00:14:51,758 --> 00:14:53,126
JUST BRING YOUR PHOTO I.D.
DOWN TO WILL-CALL,
344
00:14:53,160 --> 00:14:54,627
AND THE TICKETS ARE YOURS.
345
00:14:54,661 --> 00:14:56,763
YOU MEAN I WON?
YOU WON, ALL RIGHT.
346
00:14:56,796 --> 00:14:58,365
AND NOW, LESS TALK,
MORE LIGHTFOOT.
347
00:14:58,398 --> 00:15:03,036
I WON! HARRY, I WON.
OH, THANK GOD!
348
00:15:03,070 --> 00:15:04,571
LOOK, I'VE GOT
TO GET DRESSED
AND PICK UP MARY.
349
00:15:04,604 --> 00:15:05,538
I'LL MEET YOU
DOWN THERE.
350
00:15:05,572 --> 00:15:06,873
YOU GO
FOR THE TICKETS.
351
00:15:06,906 --> 00:15:08,141
YOU KNOW WHAT?
I'M GETTING TIRED
352
00:15:08,175 --> 00:15:11,211
OF EVERYONE ALWAYS
TELLING ME WHAT TO DO.
353
00:15:11,244 --> 00:15:14,047
GO FOR THIS.
GO FOR THAT.
354
00:15:14,081 --> 00:15:16,749
HOW AM I SUPPOSED
TO BE A SERIOUS GOPHER
355
00:15:16,783 --> 00:15:20,787
WHEN EVERYONE'S
ALWAYS TREATING ME
LIKE AN ERRAND BOY?
356
00:15:26,326 --> 00:15:29,929
HEY, BUDDY.
I'LL GIVE YOU 50 BUCKS
APIECE FOR THOSE.
357
00:15:29,963 --> 00:15:32,765
YOU MUST BE STUPID.
358
00:15:32,799 --> 00:15:34,334
ALL RIGHT, I'LL
GIVE YOU 60 BUCKS.
359
00:15:34,367 --> 00:15:37,404
YEAH, HAVE YOU BOUGHT
CONCERT TICKETS LATELY?
360
00:15:37,437 --> 00:15:38,805
HOW MUCH DO YOU WANT
FOR 'EM, MAN?
361
00:15:38,838 --> 00:15:43,143
WELL, IT SAYS RIGHT HERE
THEY COST $28.
362
00:15:44,344 --> 00:15:47,014
OK, THEN I'LL GIVE
YOU $28 FOR THEM.
363
00:15:47,047 --> 00:15:48,381
THAT'S MORE LIKE IT.
364
00:15:48,415 --> 00:15:50,950
OH, BUT NO, NO, NO,
I CAN'T SELL THESE.
365
00:15:50,984 --> 00:15:53,020
I'M SUPPOSED TO
HOLD ON TO THEM
UNTIL DICK GETS HERE.
366
00:15:53,053 --> 00:15:55,622
HEY, YOU KNOW WHAT?
I JUST TALKED TO DICK.
367
00:15:55,655 --> 00:15:56,956
HE SAID HE'S NOT COMING.
368
00:15:56,990 --> 00:15:59,426
OH, REALLY?
369
00:16:00,727 --> 00:16:02,895
ENJOY THE SHOW.
370
00:16:04,097 --> 00:16:05,332
EXCUSE ME.
371
00:16:05,365 --> 00:16:07,300
FRONT ROW,
LIGHTFOOT, 250.
372
00:16:07,334 --> 00:16:08,801
HARRY! HARRY!
373
00:16:08,835 --> 00:16:11,471
HEY. HEY, ALBRIGHT,
NICE JACKET.
374
00:16:11,504 --> 00:16:12,805
WHO IS THAT ON THERE?
375
00:16:12,839 --> 00:16:14,207
IT'S A PIRATE.
I ACTUALLY DREW
THIS PIRATE MYSELF.
376
00:16:14,241 --> 00:16:16,843
YEAH, YEAH,
NO ONE CARES, MARY.
377
00:16:16,876 --> 00:16:19,746
OH, LOOK. GORDON
LIGHTFOOT T-SHIRTS.
378
00:16:19,779 --> 00:16:22,182
DOUBLE XL FOR ME,
PLEASE.
379
00:16:23,183 --> 00:16:24,917
HARRY, QUICK.
WHERE'S THE TICKETS?
380
00:16:24,951 --> 00:16:26,619
I SOLD THEM!
381
00:16:26,653 --> 00:16:27,887
BUT I NEED
THOSE TICKETS.
382
00:16:27,920 --> 00:16:29,856
WELL, THEN YOU SHOULDN'T
HAVE TOLD THAT GUY
YOU WEREN'T COMING.
383
00:16:29,889 --> 00:16:31,891
I NEVER TOLD ANYBODY
I WASN'T COMING.
384
00:16:31,924 --> 00:16:33,060
WELL, DICK, THAT'S
JUST BAD PLANNING.
385
00:16:33,093 --> 00:16:35,762
IF YOU'RE NOT GONNA
COME, YOU ALWAYS
GOTTA TELL SOMEBODY.
386
00:16:41,068 --> 00:16:43,370
OH, WOW, CHAZ!
387
00:16:43,403 --> 00:16:47,240
THIS IS THE PERFECT
PLACE TO INTERVIEW
GORDON LIGHTFOOT.
388
00:16:47,274 --> 00:16:50,210
YEAH, UH,
ABOUT THAT, UM...
389
00:16:50,243 --> 00:16:51,678
THERE'S SOME BAD NEWS.
390
00:16:51,711 --> 00:16:54,181
GORDO IS A NO-GO
ON THAT. SORRY.
391
00:16:54,214 --> 00:16:56,716
OH, NO.
392
00:16:56,749 --> 00:17:00,487
SO, UH, WHAT?
WE JUST, UH,
WE WATCH THE CONCERT
393
00:17:00,520 --> 00:17:02,522
AND THEN
REPORT ON IT LATER?
394
00:17:02,555 --> 00:17:07,026
SALLY, ONE OF THE MOST
IMPORTANT ARROWS IN
A NEWSPERSON'S QUIVER
395
00:17:07,060 --> 00:17:09,496
IS THE ARROW
OF PATIENCE.
396
00:17:09,529 --> 00:17:11,564
YEAH.
YES.
397
00:17:12,665 --> 00:17:14,967
AND CANDLES.
398
00:17:16,136 --> 00:17:18,371
AND CHAMPAGNE.
399
00:17:18,405 --> 00:17:20,240
WHAT?
400
00:17:20,273 --> 00:17:25,678
THIS IS CHAZ MONTANA
REPORTING LIVE FROM
THE RUTHERDOME WHERE...
401
00:17:25,712 --> 00:17:28,681
I'M FALLING IN LOVE.
402
00:17:29,649 --> 00:17:32,018
OH, MY GOD.
WHAT IS GOING ON?
403
00:17:32,051 --> 00:17:35,522
SALLY, YOU CAN'T REPORT
THE NEWS TO THE PEOPLE
404
00:17:35,555 --> 00:17:38,591
UNLESS YOU LOVE THE PEOPLE.
405
00:17:38,625 --> 00:17:41,194
START WITH ME.
406
00:17:43,463 --> 00:17:44,131
UH, OK.
407
00:17:44,164 --> 00:17:46,166
UM, STOP IT, CHAZ,
408
00:17:46,199 --> 00:17:49,902
BECAUSE I AM
REPULSED BY YOU
SEXUALLY.
409
00:17:51,138 --> 00:17:52,472
THEN WHY ARE YOU HERE?
410
00:17:52,505 --> 00:17:54,507
FOR THE STORY,
BUT YOU KNOW WHAT?
411
00:17:54,541 --> 00:17:55,708
I'M BEGINNING
TO THINK YOUR MOTHER
412
00:17:55,742 --> 00:17:58,611
WASN'T THE FIRST
WOMAN ON THE MOON.
413
00:17:58,645 --> 00:18:01,681
OK. THIS IS NEWS SCHOOL,
AND I AM A PROFESSOR.
414
00:18:01,714 --> 00:18:04,050
SO WHAT I SAY GOES.
415
00:18:04,083 --> 00:18:06,353
PLEASE DON'T LEAVE ME.
416
00:18:06,386 --> 00:18:09,322
LEAVE YOU? CHAZ.
417
00:18:09,356 --> 00:18:12,058
YOU'RE MY MENTOR,
MAN.
418
00:18:12,091 --> 00:18:14,093
I'D NEVER LEAVE YOU.
419
00:18:14,127 --> 00:18:15,862
YOU'VE TAUGHT ME
SO MUCH.
420
00:18:15,895 --> 00:18:19,399
I MEAN, YOU TAUGHT
ME THAT NEWS COULD
HAPPEN ANYWHERE
421
00:18:19,432 --> 00:18:21,834
TO A MAN STANDING
IN HIS UNDERWEAR
422
00:18:21,868 --> 00:18:24,537
IN FRONT OF
THOUSANDS OF PEOPLE.
423
00:18:28,408 --> 00:18:29,442
Man: NICE GLUTES!
424
00:18:29,476 --> 00:18:32,445
HI. YEAH,
THIS IS SALLY STORM.
425
00:18:32,479 --> 00:18:33,913
SEND A CAMERA CREW.
426
00:18:33,946 --> 00:18:38,084
I'VE GOT A NEWS STORY
DOWN HERE AT THE RUTHERDOME.
427
00:18:38,117 --> 00:18:41,588
A BIG ASS NEWS STORY.
428
00:18:44,857 --> 00:18:47,794
I'M STANDING OUTSIDE
A GORDON LIGHTFOOT CONCERT
429
00:18:47,827 --> 00:18:50,330
HOLDING A PAIR OF TICKETS
TO THE ICE CAPADES.
430
00:18:50,363 --> 00:18:52,199
THIS IS ALL YOUR FAULT.
431
00:18:52,232 --> 00:18:54,033
YOU KNOW WHAT?
THOSE WERE MY TICKETS.
432
00:18:54,066 --> 00:18:55,902
I MADE THE CALL.
I KNEW THE SONG.
433
00:18:55,935 --> 00:18:58,004
IT'S ABOUT TIME I GOT
REWARDED FOR MY WORK.
434
00:18:58,037 --> 00:18:59,739
THEY DON'T EVEN PAY ME
DOWN AT THE STATION.
435
00:18:59,772 --> 00:19:00,873
WHY ARE WE
TALKING ABOUT YOU?
436
00:19:00,907 --> 00:19:02,008
THIS IS ABOUT ME.
437
00:19:02,041 --> 00:19:03,443
WELL, IT'S
ALWAYS ABOUT YOU.
438
00:19:03,476 --> 00:19:04,977
YOU, YOU, YOU.
439
00:19:05,011 --> 00:19:06,979
WELL, YOU WOULDN'T
BE IN THIS MESS
440
00:19:07,013 --> 00:19:10,950
IF IT HADN'T
BEEN FOR...YOU.
441
00:19:10,983 --> 00:19:13,520
THINK ABOUT IT.
442
00:19:13,553 --> 00:19:15,455
Ladies: LIGHTFOOT!
LIGHTFOOT! LIGHTFOOT!
443
00:19:15,488 --> 00:19:18,658
COME ON, DICK.
IT'S TIME TO GO IN.
444
00:19:18,691 --> 00:19:19,892
WHAT'S WRONG?
445
00:19:19,926 --> 00:19:22,262
WHAT'S WRONG?
446
00:19:22,295 --> 00:19:24,297
WHAT'S WRONG IS ME.
447
00:19:24,331 --> 00:19:26,165
I'VE FAILED YOU,
MARY.
448
00:19:26,199 --> 00:19:27,734
I'VE IGNORED
YOUR NEEDS.
449
00:19:27,767 --> 00:19:29,769
I'VE BELITTLED
YOUR PASSIONS.
450
00:19:29,802 --> 00:19:32,839
I'VE NEGLECTED YOU
AND THOUGHT ONLY
OF MYSELF.
451
00:19:32,872 --> 00:19:34,674
BUT ALL OF THAT
CHANGES.
452
00:19:34,707 --> 00:19:36,142
RIGHT NOW!
453
00:19:36,175 --> 00:19:37,143
WHAT ARE YOU DOING?
454
00:19:37,176 --> 00:19:39,178
MARY, I WOULD
LIKE NOTHING MORE
455
00:19:39,212 --> 00:19:41,781
THAN TO WALK INTO
THIS CONCERT RIGHT NOW,
456
00:19:41,814 --> 00:19:43,750
SETTLE INTO MY CUSHY
FRONT ROW SEAT,
457
00:19:43,783 --> 00:19:47,654
AND LET THE NOSTALGIC
SOUNDS WAFT OVER ME.
458
00:19:47,687 --> 00:19:49,088
BUT THAT'S
NOT WHAT YOU WANT.
459
00:19:49,121 --> 00:19:50,089
YES, IT IS!
460
00:19:50,122 --> 00:19:54,361
NO. YOU THINK IT IS,
BUT I KNOW YOU, MARY.
461
00:19:54,394 --> 00:20:00,166
WHAT YOU REALLY WANT
IS TO RECAPTURE
THE EXCITEMENT OF YEARS AGO
462
00:20:00,199 --> 00:20:04,203
WHEN A YOUNG AND REBELLIOUS
MARY ALBRIGHT RISKED IT ALL
463
00:20:04,237 --> 00:20:08,074
BY SNEAKING INTO HER FIRST
GORDON LIGHTFOOT CONCERT.
464
00:20:08,107 --> 00:20:09,976
OH, DICK.
465
00:20:10,009 --> 00:20:13,846
WE WERE YOUNG, AND
THERE WAS A WAR ON.
466
00:20:14,781 --> 00:20:15,915
COME ON, WILD CHILD.
467
00:20:15,948 --> 00:20:17,116
YOU WANT US
TO SNEAK IN?
468
00:20:17,149 --> 00:20:20,687
NO, YOU WANT US
TO SNEAK IN.
469
00:20:20,720 --> 00:20:22,221
COME ON, MARY.
470
00:20:22,255 --> 00:20:25,191
CROUCH WITH ME
IN THE DARKNESS AND FILTH.
471
00:20:25,224 --> 00:20:28,595
LET'S SEE GORDON LIGHTFOOT
THE WAY HE WAS MEANT
TO BE SEEN
472
00:20:28,628 --> 00:20:30,830
THROUGH THE GRIMY SLATS
OF A HEATING VENT.
473
00:20:30,863 --> 00:20:32,465
WHAT DO YOU SAY?
474
00:20:33,700 --> 00:20:35,435
LET'S DO IT!
475
00:20:36,436 --> 00:20:38,204
YES!
476
00:20:41,308 --> 00:20:43,175
YOU KNOW, I REALLY
LEARNED SOMETHING TONIGHT.
477
00:20:43,209 --> 00:20:43,976
HMM.
HMM.
478
00:20:44,010 --> 00:20:44,977
TO PUT OTHERS
FIRST?
479
00:20:45,011 --> 00:20:46,879
WELL, YEAH...
480
00:20:46,913 --> 00:20:49,549
AND THAT MARY CAN
CLIMB A DRAINPIPE.
481
00:20:49,582 --> 00:20:52,885
NOW THAT I KNOW THAT,
WE'LL BE GOING
TO A LOT MORE CONCERTS.
482
00:20:52,919 --> 00:20:56,088
I STILL CANNOT BELIEVE THAT
YOU AND ALBRIGHT SNUCK IN.
483
00:20:56,122 --> 00:20:58,190
AND I CAN'T BELIEVE
THAT CHAZ MONTANA
484
00:20:58,224 --> 00:21:01,861
TURNED OUT TO BE
AN OBSESSIVE, NAKED
GORDON LIGHTFOOT FAN.
485
00:21:01,894 --> 00:21:04,497
YEAH, I KNOW,
AND IT'S SUCH A SHAME.
486
00:21:04,531 --> 00:21:07,367
I MEAN, HE IS WITHOUT
A DOUBT THE BEST NEWSMAN
487
00:21:07,400 --> 00:21:08,835
I'VE EVER WORKED WITH.
488
00:21:08,868 --> 00:21:10,102
OH, YEAH.
489
00:21:10,136 --> 00:21:12,539
I'M SORRY THAT GOPHER
THING DIDN'T WORK OUT,
HARRY.
490
00:21:12,572 --> 00:21:14,140
OH, NO, IT'S OK.
491
00:21:14,173 --> 00:21:16,843
ACTUALLY, THIS REPORTER
HIRED ME TO DIG UP SOME DIRT.
492
00:21:16,876 --> 00:21:19,446
SO TOMORROW,
I'M GONNA BE A MOLE.
493
00:21:19,479 --> 00:21:20,813
SEE, NOW THAT
I CAN SEE.
494
00:21:20,847 --> 00:21:21,714
GOOD HONEST WORK.
495
00:21:21,748 --> 00:21:24,083
THAT'S BETTER.
THAT'S MUCH BETTER.
36021
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