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1
00:00:01,368 --> 00:00:02,068
MEET YOU.
I'M LOU.
2
00:00:02,069 --> 00:00:03,839
HEY.
3
00:00:03,838 --> 00:00:04,938
TY:
I'M THINKING ABOUT WORKING
AT BRIAR RIDGE.
4
00:00:05,005 --> 00:00:05,935
WELL, THAT'S A BIG DECISION,
TY.
5
00:00:06,006 --> 00:00:07,506
YOU MIGHT WANT TO THINK
ABOUT THAT.
6
00:00:07,574 --> 00:00:08,874
THE SOONER YOU GET
OUT OF HERE,
7
00:00:08,942 --> 00:00:10,212
THE BETTER.
8
00:00:10,277 --> 00:00:12,007
LOU SAID I SHOULD STOP
TREATING YOU LIKE A CHILD.
9
00:00:12,013 --> 00:00:13,313
HE'S MY FATHER.
10
00:00:13,314 --> 00:00:17,054
I'VE GOT A RIGHT
TO MAKE UP MY OWN MIND.
11
00:00:17,117 --> 00:00:18,317
AMY!
12
00:00:18,319 --> 00:00:20,949
AMY, WAIT!
13
00:00:21,021 --> 00:00:24,161
I'D SAY THE HORSE
IS DRUGGED.
14
00:00:24,224 --> 00:00:25,464
OLDEST TRICK
IN THE BOOK:
15
00:00:25,459 --> 00:00:27,389
GET A ROGUE HORSE, SEDATE HIM,
16
00:00:27,461 --> 00:00:38,971
MAKE IT LOOK LIKE YOU'VE WORKED A MIRACLE.
17
00:00:39,039 --> 00:00:42,469
(CAR DOOR SLAMS SHUT)
18
00:00:42,476 --> 00:00:43,406
AMY:
(ANNOYED SIGH)
PERFECT.
19
00:00:43,477 --> 00:00:49,577
ASHLEY'S HERE.
20
00:00:49,650 --> 00:00:56,890
(TV PLAYS QUIETLY IN THE RESTAURANT)
21
00:00:56,891 --> 00:00:59,831
WHICH ONE'S THE HORSE?
22
00:00:59,827 --> 00:01:00,827
BRITTANY: LOOK AT THE JACKET.
23
00:01:00,894 --> 00:01:03,604
CARDINAL IS SO '80S.
24
00:01:03,663 --> 00:01:05,403
ASHLEY: THAT HORSE IS WORTH SO MUCH MONEY.
25
00:01:05,465 --> 00:01:08,765
IT IS A COMPLETE WASTE
FOR HER TO RIDE HIM.
26
00:01:08,769 --> 00:01:12,769
WHAT?
27
00:01:12,773 --> 00:01:13,773
TY: YOU GUYS JUST...
28
00:01:13,840 --> 00:01:15,970
JUST...?
29
00:01:16,042 --> 00:01:16,582
TY:
YOU DON'T GET IT.
30
00:01:16,643 --> 00:01:18,483
GET WHAT?
31
00:01:18,545 --> 00:01:19,705
TY: NOTHING, OKAY?
32
00:01:19,713 --> 00:01:20,983
MAGGIE: YOUR ORDER'S READY, LOU.
33
00:01:21,047 --> 00:01:22,207
I'LL GET ONE OF THE BOYS
TO TAKE IT OUT.
34
00:01:22,282 --> 00:01:24,652
COFFEE?
35
00:01:24,652 --> 00:01:26,792
OH, I ORDERED IN SOME OF THAT
SPECIAL CAPPUCCINO MIX FOR YOU.
36
00:01:26,787 --> 00:01:30,517
UH, GREEN TEA, PLEASE.
37
00:01:30,591 --> 00:01:32,861
THEY'RE MAKING ME CRAZY.
38
00:01:32,926 --> 00:01:34,456
THEY'VE BEEN SITTING THERE
FOR OVER AN HOUR
39
00:01:34,462 --> 00:01:36,062
AND ALL THEY'VE ORDERED IS A BOTTLE OF WATER.
40
00:01:36,097 --> 00:01:40,867
(ANNOYED SIGH)
41
00:01:40,934 --> 00:01:42,034
SORAYA: YOU AND TY NEED TO TALK.
42
00:01:42,102 --> 00:01:43,742
WHY?
43
00:01:43,803 --> 00:01:44,973
HE'S THE ONE WHO LEFT.
44
00:01:45,038 --> 00:01:48,008
SORAYA: COME ON, AMY.
45
00:01:48,075 --> 00:01:50,405
WHAT TIME
DO YOU GET OFF?
46
00:01:50,477 --> 00:01:51,207
SORAYA:
(ASKING HOPEFULLY)
IN AN HOUR?
47
00:01:51,278 --> 00:01:54,078
MAGGIE:
(CHUCKLES)
48
00:01:54,081 --> 00:01:54,611
AMY:
YOU WANT TO GO FOR A RIDE?
49
00:01:54,681 --> 00:01:56,651
ABSOLUTELY.
50
00:01:56,716 --> 00:01:59,946
BUT I STILL THINK
YOU SHOULD TALK TO HIM.
51
00:01:59,954 --> 00:02:01,324
(GASPS)
52
00:02:01,388 --> 00:02:02,948
VAL: WANT THE PERFECT PONY?
53
00:02:02,957 --> 00:02:05,787
ONE THAT WILL WIN LOTS
OF RIBBONS?
54
00:02:05,859 --> 00:02:08,259
VAL:OUR RECORD OF PRODUCING WINNERS SPEAKS FOR ITSELF.
55
00:02:08,328 --> 00:02:10,228
IF YOU'VE EVER WANTED THE PERFECT PONY
56
00:02:10,297 --> 00:02:11,957
TRAINED BY THE WORLD'S TOP PROFESSIONALS...
57
00:02:11,966 --> 00:02:13,666
JADE: OH MY GOD, ASHLEY!
58
00:02:13,733 --> 00:02:15,403
YOU LOOK LIKE
SO INCREDIBLE.
59
00:02:15,468 --> 00:02:19,368
ASHLEY:
I KNOW, RIGHT?
60
00:02:19,439 --> 00:02:20,369
VAL: COME TO US.
61
00:02:20,374 --> 00:02:22,044
JOIN THE WINNER'S CIRCLE.
62
00:02:22,108 --> 00:02:24,178
BRIAR RIDGE:
63
00:02:24,244 --> 00:02:27,154
WHERE YOUR DREAMS BECOME A BEAUTIFUL REALITY.
64
00:02:27,148 --> 00:02:36,688
GIRLS:
(SQUEAL EXCITEDLY)
65
00:02:36,756 --> 00:02:44,696
♪♪
66
00:02:44,764 --> 00:02:52,374
♪♪
67
00:02:52,439 --> 00:02:54,709
♪ And at the break of day ♪
68
00:02:54,774 --> 00:02:59,284
♪ You sink into your dreams ♪
69
00:02:59,346 --> 00:03:00,876
♪ You dreamer ♪
70
00:03:00,948 --> 00:03:03,348
♪ Oh, oh, oh, oh... ♪
71
00:03:03,350 --> 00:03:07,550
♪ You dreamer ♪
72
00:03:07,621 --> 00:03:12,761
♪ You dreamer ♪
73
00:03:12,826 --> 00:03:22,126
♪♪
74
00:03:22,202 --> 00:03:23,572
SORAYA:
SHE WANTS TO MAKE A VIDEO?
75
00:03:23,637 --> 00:03:25,667
AMY:
YEAH.
76
00:03:25,739 --> 00:03:28,409
IT'S HER LATEST THING.
SHE'S TOTALLY OBSESSED.
77
00:03:28,409 --> 00:03:29,309
I THINK IT'S GONNA
BE COOL.
78
00:03:29,376 --> 00:03:30,006
ARE YOU GONNA BE
IN IT?
79
00:03:30,076 --> 00:03:32,176
NO WAY.
80
00:03:32,245 --> 00:03:34,105
I'M STAYING AS FAR AWAY
FROM LOU AS POSSIBLE.
81
00:03:34,180 --> 00:03:35,750
IT'S GONNA BE A NIGHTMARE.
82
00:03:35,815 --> 00:03:37,915
I THINK YOU'RE OVERREACTING.
I THINK IT WILL BE AWESOME.
83
00:03:37,984 --> 00:03:39,254
AH, YOU DON'T KNOW MY SISTER.
84
00:03:39,319 --> 00:03:41,919
TRUST ME - NIGHTMARE.
85
00:03:41,989 --> 00:03:44,659
PASS THAT BY ME AGAIN.
YOU WANT TO DO A WHAT?
86
00:03:44,725 --> 00:03:47,185
A PROMOTIONAL VIDEO.
87
00:03:47,260 --> 00:03:49,600
A KIND OF DAY-IN-THE-LIFE
VIRTUAL TOUR OF HEARTLAND.
88
00:03:49,663 --> 00:03:50,903
NO, LOU...
89
00:03:50,964 --> 00:03:52,604
CARL HAS A FRIEND
WHO DIRECTS COMMERCIALS.
90
00:03:52,666 --> 00:03:53,526
HE'S ALREADY
TALKED TO HIM
91
00:03:53,600 --> 00:03:54,400
AND HE'S GONNA
GET BACK TO ME.
92
00:03:54,468 --> 00:03:56,398
LOU, SLOW DOWN.
93
00:03:56,403 --> 00:03:57,643
I'VE GOT WORK COMING
OUT MY EARS.
94
00:03:57,704 --> 00:03:58,944
TY'S GONE.
95
00:03:59,005 --> 00:04:00,165
BEN'S NOT PULLING
HIS WEIGHT.
96
00:04:00,240 --> 00:04:01,440
GRANDPA,
REMEMBER HOW SUCCESSFUL
97
00:04:01,508 --> 00:04:02,938
THE OPEN HOUSE WAS?
98
00:04:03,010 --> 00:04:04,310
THIS IS GONNA BE
EVEN BIGGER!
99
00:04:04,377 --> 00:04:06,207
THAT'S WHAT I'M AFRAID OF.
100
00:04:06,213 --> 00:04:08,083
(CELL PHONE RINGS)
BELIEVE ME,
IT'LL BE AMAZING.
101
00:04:08,148 --> 00:04:09,808
BESIDES,
WE NEED THIS EXPOSURE.
102
00:04:09,817 --> 00:04:11,547
I NEED SOME FRESH AIR.
103
00:04:11,552 --> 00:04:12,552
WAIT!
104
00:04:12,619 --> 00:04:15,219
HELLO, HEARTLAND RANCH?
105
00:04:15,222 --> 00:04:17,422
DYLAN CARVER,
THANKS FOR GETTING BACK TO ME.
106
00:04:17,424 --> 00:04:19,464
(MOUTHING)
IT'S THE DIRECTOR.
107
00:04:19,526 --> 00:04:21,286
YEAH.
108
00:04:21,361 --> 00:04:22,261
YOU'RE SHOOTING IN BANFF?
THAT'S GREAT.
109
00:04:22,630 --> 00:04:25,060
IT'S ONLY ABOUT
AN HOUR AWAY.
110
00:04:25,131 --> 00:04:27,431
YEAH, I'LL EMAIL YOU A MAP.
NO PROBLEM.
111
00:04:27,501 --> 00:04:29,431
GREAT.
112
00:04:29,503 --> 00:04:31,103
SEE YOU THEN.
BYE!
113
00:04:31,105 --> 00:04:32,765
GRANDPA?!
(CELL PHONE RINGS)
114
00:04:32,839 --> 00:04:34,869
HELLO?
115
00:04:34,941 --> 00:04:36,641
HI, MR. STRICKLAND.
116
00:04:36,710 --> 00:04:38,040
YEAH, THANKS FOR INCLUDING ME
IN THE CONFERENCE CALL
117
00:04:38,045 --> 00:04:41,105
ON THE ADAM'S ACCOUNT.
118
00:04:41,181 --> 00:04:47,251
YEAH, SURE,
I'VE GOT A MINUTE.
119
00:04:47,320 --> 00:04:50,920
I SEE.
120
00:04:50,924 --> 00:04:52,894
HEY, UH...
121
00:04:52,959 --> 00:04:53,689
SORAYA, RIGHT?
122
00:04:53,760 --> 00:04:54,590
YEAH, HI.
123
00:04:54,661 --> 00:04:56,361
HEY, I'M BEN.
124
00:04:56,430 --> 00:04:57,730
I KNOW.
I'VE HEARD A LOT ABOUT YOU.
125
00:04:57,798 --> 00:04:59,658
OH YEAH?
126
00:04:59,733 --> 00:05:02,203
YEAH,
I BET YOU HAVE.
127
00:05:02,202 --> 00:05:07,642
SEE YA.
128
00:05:07,708 --> 00:05:08,708
NOT A GOOD IDEA.
129
00:05:08,709 --> 00:05:10,809
WHY?
130
00:05:10,811 --> 00:05:11,711
HE'S ALREADY INVOLVED.
131
00:05:11,778 --> 00:05:13,508
WITH WHO?
132
00:05:13,514 --> 00:05:14,514
AMY:
WITH HIS HORSE.
133
00:05:14,581 --> 00:05:15,951
OH, YEAH, AND HIMSELF.
134
00:05:16,015 --> 00:05:18,845
(CELL PHONE RINGS)
135
00:05:18,918 --> 00:05:20,018
HELLO?
136
00:05:20,086 --> 00:05:22,146
HEY, SCOTT.
137
00:05:22,222 --> 00:05:24,022
YEAH.
138
00:05:24,024 --> 00:05:26,424
OKAY, SURE.
BRING HIM OVER.
139
00:05:26,493 --> 00:05:29,163
THAT'S GREAT.
OKAY, BYE BYE.
140
00:05:29,229 --> 00:05:31,659
SO WHAT'S THE STORY
ON BEN?
141
00:05:31,731 --> 00:05:32,461
I MEAN NO ONE
THAT GOOD-LOOKING
142
00:05:32,532 --> 00:05:34,432
CAN BE ALL BAD.
143
00:05:34,435 --> 00:05:35,165
LET'S JUST SAY
HE'S THE REASON
144
00:05:35,235 --> 00:05:37,565
WHY TY LEFT.
145
00:05:37,637 --> 00:05:42,637
COME ON.
146
00:05:42,709 --> 00:05:47,579
(HORSE HOOVES CLOP)
147
00:05:47,647 --> 00:05:54,517
(HORSE WHINNIES)
148
00:05:54,521 --> 00:05:56,921
HEY.
149
00:05:56,990 --> 00:05:58,590
HOW'RE THINGS GOIN'?
150
00:05:58,658 --> 00:06:00,928
OH, CAN'T COMPLAIN.
151
00:06:00,928 --> 00:06:02,758
THREE MEALS A DAY
AND MY OWN ROOM.
152
00:06:02,829 --> 00:06:04,399
TV WITH LIKE
A MILLION CHANNELS.
153
00:06:04,464 --> 00:06:06,264
NICE.
154
00:06:06,332 --> 00:06:07,332
SO YOU'RE STAYING ON?
155
00:06:07,334 --> 00:06:09,674
NO REASON NOT TO.
156
00:06:09,670 --> 00:06:10,400
(HORSE WHINNIES)
157
00:06:10,404 --> 00:06:13,074
WELL, THEN UH...
158
00:06:13,140 --> 00:06:14,510
THEN I HATE
TO BRING IT UP,
159
00:06:14,574 --> 00:06:18,514
BUT I'M STILL
YOUR OFFICIAL SPONSOR.
160
00:06:18,578 --> 00:06:20,148
SINCE YOU'RE WORKIN'
HERE NOW,
161
00:06:20,147 --> 00:06:23,417
VAL HAS TO SIGN FOR YOU.
162
00:06:23,483 --> 00:06:24,753
SHE'LL NEED TO DO
THE PAPER WORK.
163
00:06:24,818 --> 00:06:27,548
OH.
164
00:06:27,621 --> 00:06:28,951
OKAY.
165
00:06:29,022 --> 00:06:32,822
I UH...
166
00:06:32,893 --> 00:06:35,693
WELL, I DIDN'T BRING
ANYTHING WITH ME.
167
00:06:35,696 --> 00:06:38,026
YEAH, I THOUGHT
I'D FEEL YOU OUT A BIT
168
00:06:38,098 --> 00:06:43,298
BEFORE I MADE THE CHANGES.
169
00:06:43,369 --> 00:06:46,239
OKAY.
170
00:06:46,306 --> 00:06:49,906
JACK, UH...
171
00:06:49,976 --> 00:06:52,676
IT WASN'T BECAUSE OF YOU
THAT I LEFT HEARTLAND.
172
00:06:52,746 --> 00:06:55,846
I'M SURE YOU GOT
YOUR REASONS.
173
00:06:55,915 --> 00:07:00,115
I'LL BRING THOSE PAPERS BY LATER.
174
00:07:00,120 --> 00:07:02,320
SEE YA.
175
00:07:02,389 --> 00:07:10,599
YEAH,
I'LL SEE YOU LATER.
176
00:07:10,663 --> 00:07:12,603
ASHLEY:
AWWW...
177
00:07:12,666 --> 00:07:16,896
DO THEY MISS YOU
AT THE POVERTY BARN?
178
00:07:16,904 --> 00:07:18,444
IS APOLLO READY?
179
00:07:18,439 --> 00:07:20,639
NO, I'VE BEEN BUSY.
180
00:07:20,641 --> 00:07:22,371
I ASKED YOU TO SADDLE HIM UP
AN HOUR AGO.
181
00:07:22,442 --> 00:07:25,212
JUST DO IT,
182
00:07:25,278 --> 00:07:32,818
OR I'LL HAVE TO FIRE
YOUR CUTE ASS.
183
00:07:32,886 --> 00:07:33,986
MARNIE: I THINK IT'S A GREAT IDEA. GO FOR IT.
184
00:07:34,053 --> 00:07:35,153
THANK YOU.
185
00:07:35,221 --> 00:07:37,091
I GET NO SUPPORT
FROM MY FAMILY.
186
00:07:37,156 --> 00:07:39,816
IT'S LIKE PULLING TEETH
WITH MY GRANDPA.
187
00:07:39,893 --> 00:07:41,893
I JUST HAD
THE BEST IDEA.
188
00:07:41,962 --> 00:07:45,432
MY JERRY COULD SHOOT IT
FOR YOU.
189
00:07:45,466 --> 00:07:47,196
BUT HE MUST BE SO BUSY
190
00:07:47,267 --> 00:07:48,127
WITH THE SUMMER
WEDDING SEASON.
191
00:07:48,201 --> 00:07:49,531
I MEAN,
ALL THOSE VIDEOS AND...
192
00:07:49,602 --> 00:07:51,772
OH YEAH, HE'S BUSY,
193
00:07:51,838 --> 00:07:54,768
BUT I KNOW HE'D LOVE
TO HELP YOU OUT.
194
00:07:54,775 --> 00:07:56,875
THAT IS SO SWEET,
BUT ACTUALLY,
195
00:07:56,943 --> 00:07:58,043
I HAVE A REAL DIRECTOR
INTERESTED.
196
00:07:58,111 --> 00:08:02,011
THIS GUY CARL KNOWS.
197
00:08:02,015 --> 00:08:03,175
BY "REAL DIRECTOR"
198
00:08:03,249 --> 00:08:05,849
I MEAN HE MAKES
BIG COMMERCIALS
199
00:08:05,919 --> 00:08:08,349
FOR LIKE MAJOR COMPANIES,
YOU KNOW?
200
00:08:08,421 --> 00:08:10,521
LIKE THAT'S WHAT HE DOES.
201
00:08:10,590 --> 00:08:12,790
OH, WELL...
202
00:08:12,793 --> 00:08:15,733
WELL, THAT'S GOOD THEN.
203
00:08:15,795 --> 00:08:16,685
THAT'S GREAT.
204
00:08:16,763 --> 00:08:18,063
I HOPE SO.
205
00:08:18,131 --> 00:08:19,801
HE'S COMING BY TOMORROW.
206
00:08:19,866 --> 00:08:22,026
I REALLY NEED THIS TO WORK.
207
00:08:22,101 --> 00:08:25,941
(HORSE WHINNIES)
208
00:08:26,005 --> 00:08:29,305
(HORSE CLOPS AROUND CORRAL)
209
00:08:29,309 --> 00:08:30,809
SCOTT:
BURT OPAUSKY FOUND HIM
IN HIS FIELD.
210
00:08:30,877 --> 00:08:33,077
NO IDEA WHERE HE CAME FROM.
211
00:08:33,080 --> 00:08:34,710
AMY:
HE LOOKS PRETTY WILD.
212
00:08:34,781 --> 00:08:36,311
SCOTT:
HE'S WILD ALL RIGHT.
213
00:08:36,383 --> 00:08:37,623
HE'S NEVER BEEN
RIDDEN BEFORE.
214
00:08:37,684 --> 00:08:40,084
NO PEOPLE SKILLS.
215
00:08:40,087 --> 00:08:41,087
BURT'LL PAY YOU
TO GENTLE HIM.
216
00:08:41,154 --> 00:08:42,494
INTERESTED?
217
00:08:42,523 --> 00:08:46,963
WELL, I CAN TRY.
218
00:08:47,026 --> 00:08:49,586
HMM.
219
00:08:49,662 --> 00:08:50,432
DOES HE HAVE A NAME?
220
00:08:50,497 --> 00:08:51,697
SCOTT: NO.
221
00:08:51,765 --> 00:08:52,895
YOU CAN HAVE THE HONOURS.
222
00:08:52,966 --> 00:08:55,226
(HORSE SNUFFLES)
223
00:08:55,235 --> 00:08:56,695
AMY:
(CLICKING TEETH)
224
00:08:56,770 --> 00:08:58,770
(HORSE WHINNIES)
225
00:08:58,838 --> 00:09:00,808
AMY: HE'S PRETTY SHY.
226
00:09:00,873 --> 00:09:03,113
HE THINK HE WAS SEPARATED
FROM HIS HERD.
227
00:09:03,176 --> 00:09:08,246
YOU'RE GONNA HAVE TO BE
HIS ALPHA HORSE.
228
00:09:08,314 --> 00:09:10,924
(HORSE SNORTS)
229
00:09:10,984 --> 00:09:13,254
AMY:
(CLICKING TEETH)
230
00:09:13,253 --> 00:09:14,853
SCOTT: GIVE HIM TIME. HE'LL COME AROUND.
231
00:09:14,921 --> 00:09:19,921
AMY:
(CLICKING TEETH)
232
00:09:19,927 --> 00:09:21,727
SCOTT: I SAW TY IN TOWN.
233
00:09:21,795 --> 00:09:22,925
HE SEEMED HAPPY ENOUGH.
234
00:09:22,930 --> 00:09:23,930
(HORSE WHINNIES)
235
00:09:23,997 --> 00:09:25,727
GOOD FOR HIM.
236
00:09:25,798 --> 00:09:27,498
STUBBORN AS A MULE.
237
00:09:27,567 --> 00:09:33,567
(HORSE SNORTS)
238
00:09:33,574 --> 00:09:39,114
(TRUCK RUMBLES UP)
239
00:09:39,179 --> 00:09:40,809
SCOTT, JUST THE MAN
I WANTED TO SEE.
240
00:09:40,814 --> 00:09:42,484
THAT'S ALWAYS NICE TO HEAR.
241
00:09:42,549 --> 00:09:44,279
THAT DIRECTOR,
CARL'S FRIEND,
242
00:09:44,351 --> 00:09:45,881
HE'S COMING BY TOMORROW.
243
00:09:45,952 --> 00:09:47,022
SO IT'S TIME FOR
THE CLEAN UP TOUR.
244
00:09:47,086 --> 00:09:48,086
AMY: WELL...
245
00:09:48,154 --> 00:09:49,294
I'VE GOT A PAYING CUSTOMER,
246
00:09:49,289 --> 00:09:50,019
SO THE TOUR WILL HAVE TO LEAVE
WITHOUT ME.
247
00:09:50,089 --> 00:09:51,889
GREAT. FINE.
248
00:09:51,892 --> 00:09:53,892
ARE YOU BUSY?
249
00:09:53,894 --> 00:09:55,234
I WAS GOING TO TAKE
THE AFTERNOON OFF, BUT-
250
00:09:55,294 --> 00:09:57,034
I COULD USE A HAND.
PLEASE?
251
00:09:57,097 --> 00:10:00,157
RUN. RUN WHILE YOU CAN.
252
00:10:00,233 --> 00:10:01,303
I GUESS I COULD STAY
A LITTLE BIT.
253
00:10:01,368 --> 00:10:04,198
EXCELLENT.
THESE GO IN THE BARN.
254
00:10:04,204 --> 00:10:06,304
DON'T SAY I DIDN'T WARN YOU.
255
00:10:06,306 --> 00:10:09,166
OH, HEY, BEN,
CAN YOU UNLOAD THAT WOOD?
256
00:10:09,242 --> 00:10:11,212
BEN:
UH, YEAH, I GUESS.
257
00:10:11,277 --> 00:10:12,907
WHAT'S IT FOR?
258
00:10:12,979 --> 00:10:14,579
LOU:
NEW TACK BOXES.
AND UH...
259
00:10:14,647 --> 00:10:15,907
YOU NEED TO MOVE
THE MANURE PILE.
260
00:10:15,916 --> 00:10:17,646
MOVE IT?
261
00:10:17,717 --> 00:10:19,647
LOU:
YEAH, MOVE IT.
IT'S TOO FRONT AND CENTER.
262
00:10:19,719 --> 00:10:21,489
AH YEAH, SORRY, LOU,
263
00:10:21,554 --> 00:10:23,124
I'VE GOT SOME WORK
TO DO WITH RED SO...
264
00:10:23,156 --> 00:10:25,256
RED CAN WAIT, OKAY?
265
00:10:25,324 --> 00:10:26,934
AND WHERE'S MALLORY
WHEN WE ACTUALLY NEED HER?
266
00:10:26,993 --> 00:10:29,263
CAN SOMEONE GIVE HER A CALL?
267
00:10:29,329 --> 00:10:30,189
AMY:
I TOLD YOU.
268
00:10:30,197 --> 00:10:32,127
NIGHTMARE.
269
00:10:32,198 --> 00:10:38,498
(SHOVEL SCRAPES)
270
00:10:38,571 --> 00:10:40,471
(WOOD CLATTERS)
271
00:10:40,474 --> 00:10:42,644
LOU:
THANKS, SCOTT.
272
00:10:42,676 --> 00:10:44,106
HEY, MALLORY,
WHERE HAVE YOU BEEN?
273
00:10:44,177 --> 00:10:45,607
MALLORY:
NOWHERE.
274
00:10:45,612 --> 00:10:47,482
LOU:
GRAB A SHOVEL AND GIVE BEN
A HAND, OKAY?
275
00:10:47,547 --> 00:10:48,347
AND JUST REMEMBER,
PUT IT SOMEWHERE
276
00:10:48,348 --> 00:10:51,218
IT CAN'T BE SEEN.
277
00:10:51,284 --> 00:10:53,554
I'D LIKE TO TELL HER
WHERE SHE CAN PUT IT.
278
00:10:53,620 --> 00:10:55,320
I'D LIKE TO TELL YOU
WHERE YOU CAN PUT IT.
279
00:10:55,388 --> 00:10:56,918
EXCUSE ME?
280
00:10:56,957 --> 00:10:58,817
YOU GOT A PROBLEM,
LITTLE GIRL?
281
00:10:58,891 --> 00:11:04,501
WHAT DO YOU THINK,
JERK-FACE?
282
00:11:04,564 --> 00:11:06,364
YOU UH,
YOU DON'T LIKE BEN?
283
00:11:06,433 --> 00:11:07,103
NOT SO MUCH.
284
00:11:07,100 --> 00:11:08,830
WHY?
285
00:11:08,835 --> 00:11:10,325
BECAUSE IF IT
WASN'T FOR HIM,
286
00:11:10,403 --> 00:11:17,043
TY WOULD STILL
BE HERE.
287
00:11:17,044 --> 00:11:18,314
SEE, THAT'S WHAT
AMY SAID TOO,
288
00:11:18,377 --> 00:11:20,547
BUT I TALKED TO TY
AT THE DINER.
289
00:11:20,613 --> 00:11:34,393
HE'S GOT A BIT
OF A DIFFERENT STORY.
290
00:11:34,461 --> 00:11:41,531
HE'S GOT A BIT
OF A DIFFERENT STORY.
291
00:11:41,601 --> 00:11:42,671
WHAT ARE YOU DOING?
292
00:11:42,703 --> 00:11:45,743
THIS PLACE IS FILTHY.
293
00:11:45,805 --> 00:11:47,135
LOOK, I KNOW YOU'RE ALL
CRAZED ABOUT THIS VIDEO,
294
00:11:47,206 --> 00:11:48,636
BUT DON'T TOUCH
MOM'S STUFF.
295
00:11:48,642 --> 00:11:50,682
LOOK AT THIS.
1998.
296
00:11:50,743 --> 00:11:53,443
WOULD YOU RELAX? UST LEAVE IT!
297
00:11:53,513 --> 00:11:54,453
YOU HAVE BEEN
A TOTAL NIGHTMARE
298
00:11:54,448 --> 00:11:56,078
EVER SINCE TY LEFT!
299
00:11:56,083 --> 00:11:57,283
WELL, IT'S NOT LIKE YOU
EVEN CARE THAT HE LEFT.
300
00:11:57,350 --> 00:11:58,780
I CARE ALL RIGHT.
301
00:11:58,851 --> 00:11:59,881
I CARE THAT GRANDPA
IS TOTALLY OVERWORKED
302
00:11:59,953 --> 00:12:01,553
BECAUSE OF IT.
303
00:12:01,555 --> 00:12:02,285
YOU SHOULD HAVE THOUGHT
ABOUT THAT WHEN YOU-
304
00:12:02,355 --> 00:12:03,345
WHEN I WHAT?!
305
00:12:03,422 --> 00:12:06,162
(CELL PHONE RINGS)
306
00:12:06,159 --> 00:12:08,089
HELLO?
307
00:12:08,095 --> 00:12:10,595
YES, THIS IS LOU FLEMING.
308
00:12:10,663 --> 00:12:13,533
OH, YOU'RE DYLAN'S AGENT.
309
00:12:13,599 --> 00:12:16,929
LISTEN, WE ARE SO EXCITED HE'S DOING THIS PROJECT.
310
00:12:17,003 --> 00:12:18,773
OH.
311
00:12:18,838 --> 00:12:22,308
OKAY.
WELL, WOULD HE-
312
00:12:22,309 --> 00:12:26,239
OH, REALLY.
313
00:12:26,312 --> 00:12:28,252
WELL,
THANKS FOR CALLING.
314
00:12:28,314 --> 00:12:30,014
BYE.
315
00:12:30,082 --> 00:12:32,452
WELL, YOU'LL BE
VERY HAPPY.
316
00:12:32,518 --> 00:12:35,088
DYLAN CAN'T DO IT.
HE GOT A JOB IN TORONTO.
317
00:12:35,154 --> 00:12:46,604
SO WE'LL JUST FORGET
THE WHOLE THING.
318
00:12:46,666 --> 00:12:53,636
SO WE'LL JUST FORGET
THE WHOLE THING.
319
00:12:53,706 --> 00:12:56,536
OKAY, I KNOW EVERYONE
WORKED HARD TODAY
320
00:12:56,609 --> 00:12:59,679
AND I'M SORRY IF YOU THOUGHT
I WAS BEING PUSHY.
321
00:12:59,679 --> 00:13:01,449
IT'S JUST THAT IN THE WORLD
I COME FROM,
322
00:13:01,514 --> 00:13:03,414
WHEN THERE'S A JOB TO BE DONE I WANT TO MOVE ON IT.
323
00:13:03,416 --> 00:13:06,946
BUT HEY, THAT'S JUST ME.
324
00:13:07,020 --> 00:13:08,620
I'M THE FIRST TO ADMIT
325
00:13:08,688 --> 00:13:10,288
THAT WE CAN'T DO IT WITHOUT A DIRECTOR.
326
00:13:10,356 --> 00:13:16,726
SO LET'S JUST FORGET ABOUT THE WHOLE THING.
327
00:13:16,796 --> 00:13:18,296
BUT, YOU KNOW,
I GOTTA SAY,
328
00:13:18,364 --> 00:13:19,164
IT WOULD HAVE BEEN NICE
IF EVERYONE HAD BEEN
329
00:13:19,232 --> 00:13:23,102
JUST A LITTLE MORE SUPPORTIVE.
330
00:13:23,169 --> 00:13:25,469
'CAUSE I TALKED TO A WOMAN AT C.J.O.T.
331
00:13:25,538 --> 00:13:26,238
AND SHE SAID SHE WOULD
HAVE BEEN MORE THAN HAPPY
332
00:13:26,305 --> 00:13:28,765
TO AIR OUR VIDEO.
333
00:13:28,842 --> 00:13:31,612
THEY'RE TOTALLY UP FOR HELPING
LOCAL BUSINESSES ADVERTISE.
334
00:13:31,677 --> 00:13:34,177
SO YOU MEAN IT WOULD HAVE
ACTUALLY BEEN ON TV?
335
00:13:34,247 --> 00:13:36,077
YEAH, THAT WAS THE IDEA.
336
00:13:36,148 --> 00:13:38,178
WHEN?
337
00:13:38,251 --> 00:13:39,521
LOU: EVERY EVENING AFTER THE NEWS.
338
00:13:39,585 --> 00:13:40,885
THAT'S A BIG AUDIENCE.
339
00:13:40,953 --> 00:13:42,493
YEAH, THAT'S HUGE.
340
00:13:42,555 --> 00:13:44,455
WE'D BE FAMOUS.
341
00:13:44,523 --> 00:13:45,693
ANYWAY, IT'S NOT GONNA HAPPEN,
342
00:13:45,758 --> 00:13:48,658
SO LET'S JUST NOT TALK
ABOUT IT.
343
00:13:48,695 --> 00:13:49,855
WELL, WAIT,
MAYBE THERE'S ANOTHER WAY
344
00:13:49,929 --> 00:13:51,829
WE CAN GET IT DONE.
345
00:13:51,865 --> 00:13:58,535
HIRE SOMEONE ELSE TO DIRECT.
346
00:13:58,538 --> 00:14:00,408
MARNIE:
SO YOU'RE SURE MY JERRY
347
00:14:00,473 --> 00:14:01,273
IS A "REAL" ENOUGH
DIRECTOR FOR YOU?
348
00:14:01,274 --> 00:14:03,114
OH, COME ON, MARNIE,
349
00:14:03,175 --> 00:14:05,935
YOU KNOW I DIDN'T MEAN IT
THE WAY IT SOUNDED.
350
00:14:06,012 --> 00:14:07,152
WELL, I REALIZE YOU THINK
WEDDING VIDEOS
351
00:14:07,213 --> 00:14:09,113
ARE A LESSER ART FORM.
352
00:14:09,181 --> 00:14:11,181
NO, NO,
ARE YOU KIDDING ME?
353
00:14:11,250 --> 00:14:12,380
I'M SURE THEY'RE REALLY
HARD TO DO.
354
00:14:12,451 --> 00:14:16,491
ALL THOSE BRIDE-ZILLAS.
MY GOD.
355
00:14:16,555 --> 00:14:18,215
YOU HAVE NO IDEA
WHAT THIS MEANS TO ME.
356
00:14:18,291 --> 00:14:21,161
YOU ARE SUCH
A GOOD FRIEND.
357
00:14:21,161 --> 00:14:26,501
YOU ARE SUCH A PIECE OF WORK.
358
00:14:26,566 --> 00:14:28,166
JERRY, I AM SO SORRY
ABOUT THIS MESS,
359
00:14:28,234 --> 00:14:29,574
BUT DON'T WORRY,
360
00:14:29,635 --> 00:14:31,295
WE CAN DEFINITELY GET RID
OF SOME OF THIS JUNK.
361
00:14:31,304 --> 00:14:33,914
NO, IT'S AWESOME.
DON'T MOVE A THING.
362
00:14:33,973 --> 00:14:35,973
NO, SERIOUSLY.
DON'T TOUCH IT.
363
00:14:36,042 --> 00:14:38,042
I COULDN'T PROP IT
ANY BETTER IF I TRIED.
364
00:14:38,110 --> 00:14:39,610
JACK: HELLO THERE, FOLKS.
365
00:14:39,679 --> 00:14:42,409
THIS IS MY GRANDPA,
JACK BARTLETT.
366
00:14:42,481 --> 00:14:44,451
GRANDPA, THIS IS JERRY,
MARNIE'S HUSBAND
367
00:14:44,517 --> 00:14:46,717
AND NOW OUR DIRECTOR.
368
00:14:46,720 --> 00:14:48,790
JACK:
WELL, GOOD TO MEET YA.
369
00:14:48,855 --> 00:14:51,055
JERRY:
WOW, JACK.
370
00:14:51,057 --> 00:14:52,857
YOU'VE GOT A GREAT FACE.
371
00:14:52,926 --> 00:14:55,426
THE FACE OF A HORSE FARM.
372
00:14:55,494 --> 00:14:57,304
AS LONG AS I DON'T HAVE
THE FACE OF A HORSE.
373
00:14:57,363 --> 00:14:58,933
ALL:
(CHUCKLE)
374
00:14:58,998 --> 00:15:00,728
YOU'D MAKE A GREAT
MASTER OF CEREMONIES.
375
00:15:00,800 --> 00:15:03,500
HOST, I MEAN.
376
00:15:03,569 --> 00:15:04,169
JACK: (CHUCKLING)
377
00:15:04,236 --> 00:15:05,696
YEAH, SURE I WOULD.
378
00:15:05,705 --> 00:15:07,035
SO WILL YOU DO IT?
379
00:15:07,106 --> 00:15:08,036
WHAT?
380
00:15:08,041 --> 00:15:09,841
JERRY: EMCEE THE VIDEO.
381
00:15:09,843 --> 00:15:12,813
SORT OF LIKE BEING
THE BEST MAN OF HEARTLAND.
382
00:15:12,878 --> 00:15:15,148
(CHUCKLING)
YOU MEAN TALK INTO THE CAMERA?
383
00:15:15,214 --> 00:15:17,154
NO.
384
00:15:17,216 --> 00:15:18,716
I'M NOT CUT OUT
FOR THAT SORT OF THING.
385
00:15:18,784 --> 00:15:19,484
C'MON, GRANDPA,
YOU KNOW WHAT?
386
00:15:19,552 --> 00:15:20,522
I THINK IT'S A GOOD IDEA.
387
00:15:20,586 --> 00:15:23,286
FORGET IT.
388
00:15:23,356 --> 00:15:24,656
YOU WON'T CATCH ME YAKKING IT UP
389
00:15:24,658 --> 00:15:26,888
LIKE THOSE GUYS ON TV. NO WAY.
390
00:15:26,959 --> 00:15:31,499
I'D RATHER BE DRAGGED
BEHIND A TRUCK.
391
00:15:31,564 --> 00:15:33,464
WELCOME...
WELCOME TO HEARTLAND.
392
00:15:33,532 --> 00:15:37,302
WELCOME TO HEARTLAND.
393
00:15:37,304 --> 00:15:39,344
WELCOME TO HEARTLAND,
394
00:15:39,405 --> 00:15:41,435
A 600-ACRE RANCH THAT'S BEEN
IN THE BARTLETT FAMILY
395
00:15:41,507 --> 00:15:45,777
FOR SIX GENERATIONS.
396
00:15:45,845 --> 00:15:48,445
(CHUCKLES)
397
00:15:48,514 --> 00:15:51,224
(HORSE WHINNIES)
398
00:15:51,283 --> 00:15:53,123
(SUCKING TEETH)
399
00:15:53,185 --> 00:15:55,515
(HORSE WHINNIES)
400
00:15:55,588 --> 00:15:57,518
(SUCKING TEETH)
401
00:15:57,590 --> 00:16:00,390
(HORSE HOOVES CANTERING)
402
00:16:00,459 --> 00:16:05,599
(TIRES CRUNCHING)
403
00:16:05,665 --> 00:16:12,765
(HORSE WHINNIES)
404
00:16:12,772 --> 00:16:16,412
THAT'S IT,
YOU KEEP HIM MOVIN'.
405
00:16:16,476 --> 00:16:19,406
AMY:
SCOTT WAS RIGHT,
THIS GUY IS STUBBORN.
406
00:16:19,479 --> 00:16:23,249
WELL,
HE'S MET HIS MATCH.
407
00:16:23,249 --> 00:16:24,579
AMY:
THANKS.
408
00:16:24,650 --> 00:16:26,820
I THINK.
409
00:16:26,886 --> 00:16:27,786
(SUCKING TEETH)
410
00:16:27,854 --> 00:16:29,894
(HORSE WHINNIES)
411
00:16:29,889 --> 00:16:33,289
(HORSE GALLOPS)
412
00:16:33,359 --> 00:16:35,589
(HORSE WHINNIES)
413
00:16:35,661 --> 00:16:41,931
(HORSE NICKERS)
414
00:16:42,001 --> 00:16:43,571
(HORSE NICKERS)
415
00:16:43,570 --> 00:16:46,500
(HORSE WHINNIES)
416
00:16:46,572 --> 00:16:50,712
AMY:
(SIGHS)
417
00:16:50,776 --> 00:16:51,776
JACK:
I'VE STILL GOT A FEW MORE
ERRANDS TO RUN.
418
00:16:51,844 --> 00:16:52,984
YOU WANT TO KEEP ME COMPANY?
419
00:16:52,979 --> 00:16:54,109
I DON'T KNOW.
420
00:16:54,180 --> 00:16:56,680
I'M NOT MAKING
MUCH PROGRESS HERE.
421
00:16:56,749 --> 00:17:02,649
C'MON THEN.
GIVE THIS PONY A BREAK.
422
00:17:02,655 --> 00:17:05,815
(HORSE SNORTS)
423
00:17:05,891 --> 00:17:17,201
(HORSE WHINNIES)
424
00:17:17,269 --> 00:17:18,839
JACK: NICE TO SPEND A LITTLE TIME WITH YOU, YOUNG LADY.
425
00:17:18,838 --> 00:17:20,138
YOU'VE BEEN PRETTY BUSY.
426
00:17:20,206 --> 00:17:22,306
YEAH.
427
00:17:22,374 --> 00:17:23,274
I GUESS I'VE JUST BEEN
TRYING TO KEEP BUSY.
428
00:17:23,342 --> 00:17:24,842
IT'S BETTER THAT WAY.
429
00:17:24,911 --> 00:17:26,811
A LOT ON YOUR MIND?
430
00:17:26,813 --> 00:17:28,483
YEAH.
431
00:17:28,481 --> 00:17:30,821
JACK: WELL, LIKE WHAT?
432
00:17:30,883 --> 00:17:33,683
I DON'T KNOW.
433
00:17:33,752 --> 00:17:35,422
TY.
434
00:17:35,422 --> 00:17:37,352
(SIGHS)
435
00:17:37,357 --> 00:17:39,917
AND DAD.
436
00:17:39,992 --> 00:17:43,932
YOU KNOW, I TRIED TO GO SEE HIM THE OTHER DAY,
437
00:17:43,996 --> 00:17:47,626
UP AT BIG RIVER RANCH,
BUT I TOTALLY WUSSED OUT.
438
00:17:47,700 --> 00:17:49,430
I GUESS I'M JUST NOT READY.
439
00:17:49,502 --> 00:17:53,042
WELL, I GUESS YOU'RE
THE BEST JUDGE OF THAT.
440
00:17:53,106 --> 00:17:55,166
AND I WANT YOU TO KNOW
441
00:17:55,241 --> 00:18:01,211
THAT I WON'T STAND
IN YOUR WAY ANYMORE.
442
00:18:01,280 --> 00:18:03,180
NOW, YOUR DAD IS ONE STORY,
443
00:18:03,249 --> 00:18:08,589
BUT TY,
HE'S ANOTHER.
444
00:18:08,654 --> 00:18:10,794
GRANDPA.
445
00:18:10,857 --> 00:18:12,357
WHAT ARE WE DOING AT BRIAR RIDGE?
446
00:18:12,424 --> 00:18:18,204
JACK:
OH, ONE OF MY ERRANDS.
447
00:18:18,264 --> 00:18:19,134
(HORSE WHINNIES)
448
00:18:19,198 --> 00:18:20,868
OW!
449
00:18:20,867 --> 00:18:22,867
DAMN, A SLIVER.
450
00:18:22,935 --> 00:18:24,965
POOR BABY.
451
00:18:25,037 --> 00:18:25,937
YOU KNOW WHAT?
I'M SICK OF THIS!
452
00:18:25,939 --> 00:18:28,209
YOU ARE?!
453
00:18:28,274 --> 00:18:29,874
I HATE THE SMELL OF PAINT.
IT'S MAKING ME SICK!
454
00:18:29,876 --> 00:18:31,536
AND THE FLIES DON'T HELP.
455
00:18:31,611 --> 00:18:32,711
THIS IS ALL YOUR FAULT.
456
00:18:32,778 --> 00:18:33,908
MY FAULT?
457
00:18:33,913 --> 00:18:36,783
YEAH,
YOU ENCOURAGED HER.
458
00:18:36,849 --> 00:18:39,049
(MANLY VOICE)
"MAYBE WE CAN GET SOMEBODY
ELSE TO DIRECT."
459
00:18:39,052 --> 00:18:40,282
YEAH,
AND LIKE YOU DIDN'T?
460
00:18:40,353 --> 00:18:41,423
(GIRL'S VOICE)
"OH, WE'LL BE FAMOUS!"
461
00:18:41,487 --> 00:18:42,487
MALLORY: OKAY.
462
00:18:42,555 --> 00:18:44,485
SO WE WERE BOTH FATALLY
ATTRACTED TO FAME
463
00:18:44,491 --> 00:18:47,221
LIKE MOTHS TO A FLAME.
464
00:18:47,293 --> 00:18:49,663
YEAH, SOMETHING LIKE THAT.
465
00:18:49,729 --> 00:18:51,899
MALLORY:
OH. HERE COMES THE DIRECTOR.
466
00:18:51,964 --> 00:18:53,964
YEAH, HE ONLY THINKS HE IS.
467
00:18:54,033 --> 00:18:55,503
JERRY: MOST COUPLES REALLY LIKE IT
468
00:18:55,568 --> 00:18:57,438
WHEN I START WITH A BIG
ESTABLISHING BEAUTY SHOT
469
00:18:57,503 --> 00:18:58,573
OF THE LOCATION,
470
00:18:58,571 --> 00:18:59,771
YOU KNOW,
THE CHURCH
471
00:18:59,772 --> 00:19:00,772
OR WHEREVER THE WEDDING'S
BEING HELD.
472
00:19:00,839 --> 00:19:02,709
WEDDING VIDEOS
ARE ONE THING, JERRY,
473
00:19:02,775 --> 00:19:05,375
AND I KNOW YOU'RE THE BEST
THAT THERE IS IN HUDSON,
474
00:19:05,378 --> 00:19:07,678
BUT I WANT YOU TO REACH
FOR THE BIGGER PICTURE HERE,
475
00:19:07,746 --> 00:19:09,576
CAPTURE THE ESSENCE
OF THIS PLACE,
476
00:19:09,582 --> 00:19:12,482
THE SPIRIT, THE BEAUTY.
477
00:19:12,551 --> 00:19:13,551
OH, DON'T WORRY ABOUT
THE MANURE PILE.
478
00:19:13,619 --> 00:19:14,919
WE'RE MOVING IT.
479
00:19:14,987 --> 00:19:16,147
JERRY: YOU DON'T REALLY NEED TO.
480
00:19:16,189 --> 00:19:16,849
LOU: BUT IT'S RIGHT IN THE SHOT.
481
00:19:16,923 --> 00:19:18,463
BELIEVE ME,
482
00:19:18,524 --> 00:19:20,264
I'VE HAD RABID
EX-MOTHER-IN-LAWS TO DEAL WITH.
483
00:19:20,326 --> 00:19:23,386
I CAN SHOOT AROUND IT.
484
00:19:23,396 --> 00:19:24,826
BEN:
HEY, YOU HEARD THE DIRECTOR.
485
00:19:24,897 --> 00:19:26,357
HE CAN SHOOT AROUND IT.
486
00:19:26,399 --> 00:19:31,539
I TOLD YOU TO MOVE IT,
SO MOVE IT.
487
00:19:31,604 --> 00:19:39,484
(FLIES BUZZING)
488
00:19:39,545 --> 00:19:40,745
JACK: IT'S MY EXPERIENCE
489
00:19:40,813 --> 00:19:42,613
THAT THE LONGER
YOU PUT SOMETHING OFF
490
00:19:42,682 --> 00:19:44,552
THE HARDER IT IS
TO GET TO IT.
491
00:19:44,617 --> 00:19:46,047
WHAT AM I PUTTING OFF?
492
00:19:46,118 --> 00:19:55,428
YOU KNOW DARN WELL.
493
00:19:55,494 --> 00:20:06,244
(HORSE WHINNIES)
494
00:20:06,305 --> 00:20:07,605
HEY.
495
00:20:07,673 --> 00:20:09,013
HEY.
496
00:20:09,008 --> 00:20:12,738
NICE.
497
00:20:12,745 --> 00:20:13,905
HOW ARE THINGS
AT HEARTLAND?
498
00:20:13,913 --> 00:20:15,483
THEY'RE GREAT.
499
00:20:15,547 --> 00:20:17,717
YEAH, UM...
500
00:20:17,717 --> 00:20:19,447
BEN'S WORKING OUT
REALLY WELL.
501
00:20:19,518 --> 00:20:20,818
AND YOU?
502
00:20:20,886 --> 00:20:21,946
FINE, YEAH.
503
00:20:22,021 --> 00:20:27,021
YEAH, GOOD.
504
00:20:27,092 --> 00:20:28,362
ASHLEY:
HI, AMY.
505
00:20:28,427 --> 00:20:29,927
HOW'S THE VIDEO COMING?
506
00:20:29,995 --> 00:20:31,355
VIDEO?
507
00:20:31,430 --> 00:20:34,130
LOU'S IDEA.
DON'T ASK.
508
00:20:34,199 --> 00:20:35,269
ASHLEY: WELL, I GUESS IMITATION
509
00:20:35,334 --> 00:20:37,074
IS THE SINCEREST FORM
OF FLATTERY.
510
00:20:37,136 --> 00:20:40,336
GOOD LUCK WITH IT.
511
00:20:40,406 --> 00:20:42,266
WE'RE HAVING A FIELD PARTY
ON SATURDAY NIGHT.
512
00:20:42,275 --> 00:20:46,105
TELL BEN TO DROP BY.
513
00:20:46,112 --> 00:20:48,012
AND... I GUESS
IF YOU WANT TO COME
514
00:20:48,080 --> 00:20:55,550
THAT'S OKAY TOO.
515
00:20:55,555 --> 00:21:05,295
YOU KNOW,
I THINK I'M BUSY.
516
00:21:05,364 --> 00:21:07,034
VAL: STAFF IS THE MOST IMPORTANT PART OF BRIAR RIDGE.
517
00:21:07,099 --> 00:21:09,169
WE HAVE NOTHING
BUT THE BEST HERE -
518
00:21:09,168 --> 00:21:12,168
IMPECCABLE RESUMES,
TOTALLY BONDABLE.
519
00:21:12,171 --> 00:21:14,311
IN THIS BUSINESS,
YOU CAN NEVER BE TOO CAREFUL.
520
00:21:14,373 --> 00:21:15,313
ABSOLUTELY.
521
00:21:15,374 --> 00:21:16,444
(KNOCK AT DOOR)
522
00:21:16,442 --> 00:21:19,082
JACK, HI!
523
00:21:19,144 --> 00:21:20,444
I DON'T MEAN
TO INTERRUPT ANYTHING.
524
00:21:20,512 --> 00:21:21,982
VAL: OH, NOT AT ALL.
525
00:21:21,981 --> 00:21:23,251
JACK, THIS IS LAURA MCBRADDEN
526
00:21:23,249 --> 00:21:24,919
OF CANTOR AND GALLOP MAGAZINE.
527
00:21:24,983 --> 00:21:26,783
JACK BARTLETT,
528
00:21:26,786 --> 00:21:27,846
A VERY DEAR NEIGHBOUR OF BRIAR RIDGE.
529
00:21:27,920 --> 00:21:28,820
NICE TO MEET YOU.
530
00:21:28,887 --> 00:21:29,987
LAURA: AND YOU.
531
00:21:30,055 --> 00:21:30,685
DRINK, JACK?
532
00:21:30,690 --> 00:21:33,260
AH NO, NO THANKS.
533
00:21:33,259 --> 00:21:35,059
I'VE GOT SOME PAPERS
FOR YOU TO SIGN,
534
00:21:35,127 --> 00:21:38,257
BUT I COULD
COME BACK LATER.
535
00:21:38,330 --> 00:21:40,260
NO, NO, NONSENSE.
DON'T GO ALL THE WAY HOME
536
00:21:40,332 --> 00:21:42,802
JUST TO MAKE THE TRIP BACK.
(CHUCKLES)
537
00:21:42,868 --> 00:21:44,268
YOU DON'T MIND,
DO YOU, LAURA?
538
00:21:44,337 --> 00:21:46,567
OH, NOT AT ALL.
539
00:21:46,572 --> 00:21:48,172
SO WHAT KIND
OF PAPERS?
540
00:21:48,240 --> 00:21:50,410
PAPERS THAT SAY
541
00:21:50,410 --> 00:21:52,410
YOU'RE WILLING
TO SPONSOR TY BORDEN.
542
00:21:52,478 --> 00:21:54,348
SPONSOR HIM FOR WHAT?
543
00:21:54,347 --> 00:21:57,847
HIS PROBATION.
544
00:21:57,916 --> 00:22:00,676
HIS PROBATION?
545
00:22:00,753 --> 00:22:10,493
HIS PROBATION OFFICER
NEEDS THESE SIGNED.
546
00:22:10,563 --> 00:22:11,633
(HORSE WHINNIES)
547
00:22:11,697 --> 00:22:13,827
VAL:
YOU HAVE A RECORD!
548
00:22:13,899 --> 00:22:14,899
WE DO NOT HIRE FELONS AT BRIAR RIDGE!
549
00:22:14,901 --> 00:22:16,731
JACK: OH, COME ON, VAL.
550
00:22:16,736 --> 00:22:19,066
YOU SAID YOU TOLD HER!
551
00:22:19,072 --> 00:22:20,702
VAL:JACK, DO YOU KNOW THE POSITION HE'S PUT ME IN?
552
00:22:20,773 --> 00:22:22,343
I FIND OUT IN FRONT
OF A REPORTER THAT I-
553
00:22:22,342 --> 00:22:24,072
I AM SORRY ABOUT THAT.
554
00:22:24,143 --> 00:22:25,713
OH YEAH.
555
00:22:25,778 --> 00:22:27,748
THAT I HAVE A CRIMINAL
UNDER MY ROOF
556
00:22:27,813 --> 00:22:29,683
WITH ACCESS TO SOME
OF THE MOST EXPENSIVE HORSES
557
00:22:29,748 --> 00:22:32,118
IN THE ENTIRE WORLD!
558
00:22:32,118 --> 00:22:33,318
NOW HOW DO YOU THINK MY BOARDERS ARE GONNA FEEL
559
00:22:33,386 --> 00:22:35,246
WHEN THEY READ
ABOUT THAT?
560
00:22:35,320 --> 00:22:36,750
(ANGRY SIGH)
561
00:22:36,822 --> 00:22:38,862
I HAVE NO INTENTION
OF SIGNING THESE.
562
00:22:38,858 --> 00:22:40,258
I WANT YOU OUT OF HERE
563
00:22:40,325 --> 00:22:41,855
AND I DON'T WANT
TO SEE YOU AGAIN.
564
00:22:41,927 --> 00:22:43,257
JACK:
THIS IS RIDICULOUS.
565
00:22:43,262 --> 00:22:47,332
FORGET IT, JACK.
I'M GONE.
566
00:22:47,333 --> 00:22:49,273
VAL: YOU BET YOU ARE.
567
00:22:49,334 --> 00:22:50,474
ONE OF MY TRAINERS WILL SEE YOU OFF THE PROPERTY
568
00:22:50,470 --> 00:22:51,500
AND HE'LL WANT TO CHECK
YOUR SUITCASE
569
00:22:51,570 --> 00:22:53,240
BEFORE YOU LEAVE!
570
00:22:53,239 --> 00:22:54,969
YEAH, 'CAUSE ONE OF YOUR
FANCY HORSES
571
00:22:54,974 --> 00:22:56,814
WOULD FIT IN MY SUITCASE!
572
00:22:56,875 --> 00:23:04,045
(LAUGHING)
573
00:23:04,116 --> 00:23:07,476
(TRUCK DOORS SLAM SHUT)
574
00:23:07,553 --> 00:23:09,953
LOU:
WHERE DID YOU DISAPPEAR TO?
575
00:23:09,956 --> 00:23:13,286
I NEED YOUR HELP
WITH DINNER.
576
00:23:13,358 --> 00:23:18,658
(HORSE WHINNIES)
577
00:23:18,664 --> 00:23:20,734
WHAT ARE YOU TWO
GRINNING AT?
578
00:23:20,799 --> 00:23:22,229
NOTHING.
579
00:23:22,235 --> 00:23:24,095
BEN AND MALLORY:
(GIGGLE)
580
00:23:24,169 --> 00:23:26,839
HMM...
581
00:23:26,905 --> 00:23:30,935
(DOOR SQUEAKS OPEN)
582
00:23:31,009 --> 00:23:36,409
(HORSE WHINNIES)
583
00:23:36,482 --> 00:23:39,452
(WINDOW RATTLES)
584
00:23:39,518 --> 00:23:43,988
(WINDOW SLIDES UP)
585
00:23:43,990 --> 00:23:49,860
(HORSE WHINNIES)
586
00:23:49,929 --> 00:23:58,399
(SNIFFS)
587
00:23:58,438 --> 00:24:01,438
(FLIES BUZZING)
588
00:24:01,441 --> 00:24:11,521
BEN?! MALLORY?!
589
00:24:11,583 --> 00:24:14,123
RRYOY:
JEU GOOD TO DO A TAKE, JACK?
WE'RE ROLLING.
590
00:24:14,186 --> 00:24:16,746
OKAY.
591
00:24:16,756 --> 00:24:27,356
AND ACTION.
592
00:24:27,433 --> 00:24:29,673
UM...
593
00:24:29,735 --> 00:24:30,465
UH...
594
00:24:30,536 --> 00:24:32,666
JERRY:
CUT!
595
00:24:32,738 --> 00:24:35,368
IT'S OKAY.
JUST GO AGAIN.
596
00:24:35,440 --> 00:24:36,370
JACK: SORRY ABOUT THAT.
597
00:24:36,442 --> 00:24:39,912
JERRY: IT'S NO PROBLEM.
598
00:24:39,978 --> 00:24:41,508
OKAY, JUST GO AGAIN.
599
00:24:41,580 --> 00:24:42,880
YEAH.
600
00:24:42,948 --> 00:24:44,448
JERRY:
YOU READY?
601
00:24:44,450 --> 00:24:48,390
AND ACTION.
602
00:24:48,454 --> 00:24:50,594
WELCOME TO HEARTLAND,
603
00:24:50,656 --> 00:24:53,016
A 600-ACRE RANCH THAT'S BEEN
IN THE BARTLETT FAMILY
604
00:24:53,091 --> 00:24:55,031
FOR SIX GENERATIONS.
605
00:24:55,093 --> 00:24:56,863
IT USED TO BE A CATTLE RANCH,
606
00:24:56,863 --> 00:24:59,703
BUT MY DAUGHTER MARION
GAVE IT A NEW DIRECTION.
607
00:24:59,765 --> 00:25:01,395
NOW IT'S A PLACE
WHERE FRIGHTENED
608
00:25:01,400 --> 00:25:04,670
AND ABUSED HORSES
CAN LEARN TO TRUST AGAIN;
609
00:25:04,737 --> 00:25:07,667
WHERE SCARS FROM THE PAST
CAN BE HEALED.
610
00:25:07,673 --> 00:25:11,213
FOR MANY OF THESE HORSES,
HEARTLAND IS THEIR LAST CHANCE.
611
00:25:11,210 --> 00:25:12,110
JERRY: AND CUT.
612
00:25:12,177 --> 00:25:13,177
THAT WAS GREAT!
613
00:25:13,245 --> 00:25:14,405
MARNIE:
GO JACK!
614
00:25:14,479 --> 00:25:15,279
ALL:
(APPLAUDING)
615
00:25:15,347 --> 00:25:16,607
LOU:
CAN WE GO AGAIN?
616
00:25:16,682 --> 00:25:18,152
JERRY:
I THOUGHT IT WAS PRETTY GOOD.
617
00:25:18,216 --> 00:25:21,546
NO, HE SLURRED A BIT
ON THE WORD "GENERATIONS."
618
00:25:21,554 --> 00:25:25,064
JUST ONE MORE TAKE
WOULD BE GREAT.
619
00:25:25,123 --> 00:25:27,563
OKAY.
620
00:25:27,626 --> 00:25:31,626
WE'RE ROLLING.
621
00:25:31,697 --> 00:25:33,797
WE'RE READY.
622
00:25:33,865 --> 00:25:36,125
YOU OKAY, SCOTT?
623
00:25:36,135 --> 00:25:39,095
I DON'T KNOW...
I GUESS SO.
624
00:25:39,171 --> 00:25:40,701
JERRY:
OKAY.
625
00:25:40,706 --> 00:25:45,176
AND ACTION.
626
00:25:45,244 --> 00:25:48,054
(STIFF)
HEARTLAND COMBINES TRADITIONAL
VETERINARY PRACTICES
627
00:25:48,047 --> 00:25:50,507
WITH ALTERNATIVE TH-THERAPIES
AND HERBS.
628
00:25:50,550 --> 00:25:52,550
(CLEARS THROAT)
629
00:25:52,585 --> 00:25:55,345
HEARTLAND COMBINES TRADITIONAL
VETERINARY PRACTICES
630
00:25:55,420 --> 00:26:00,960
WITH ALTERNATIVE THERAPIES
AND HERBS.
631
00:26:01,026 --> 00:26:03,856
I'VE BEEN A VET FOR SIX YEARS
632
00:26:03,929 --> 00:26:12,939
AND I GIVE HEARTLAND
MY SEAL OF APPROVAL.
633
00:26:13,005 --> 00:26:15,165
LOU: OKAY, CUT. WE NEED ANOTHER TAKE.
634
00:26:15,240 --> 00:26:15,910
LOOK, LOU,
I'M TERRIBLE AT THIS.
635
00:26:15,975 --> 00:26:17,405
NO, YOU'RE NOT.
636
00:26:17,476 --> 00:26:19,006
I CAN'T DO THIS.
637
00:26:19,011 --> 00:26:19,811
WELL, YOU PICKED A GREAT TIME
TO TELL ME.
638
00:26:19,878 --> 00:26:20,778
OF COURSE YOU CAN.
639
00:26:20,846 --> 00:26:21,846
I SUCK.
640
00:26:21,913 --> 00:26:23,283
SCOTT, YOU HAVE TO.
641
00:26:23,282 --> 00:26:24,952
WHY? YOU DO IT.
642
00:26:25,017 --> 00:26:28,187
I'M NOT A VET.
I NEED AN ENDORSEMENT.
643
00:26:28,253 --> 00:26:29,893
I DON'T WANT TO DO THIS
AND DON'T ARGUE WITH ME.
644
00:26:29,955 --> 00:26:30,745
I'M NOT ARGUING!
645
00:26:30,822 --> 00:26:32,162
YES, YOU ARE.
646
00:26:32,224 --> 00:26:37,534
JERRY: HEY, GUYS, RELAX.
647
00:26:37,596 --> 00:26:39,796
IT'S NATURAL TO ARGUE.
648
00:26:39,865 --> 00:26:41,765
EVERYONE'S A BIT TENSE
ON THE BIG DAY.
649
00:26:41,833 --> 00:26:45,603
THIS IS NOT A WEDDING,
JERRY!
650
00:26:45,671 --> 00:26:48,441
(SIGHS)
651
00:26:48,507 --> 00:26:49,407
(WHISPERS)
WHAT'S THAT?
652
00:26:49,475 --> 00:26:51,605
YOU WANT THAT?
653
00:26:51,677 --> 00:26:53,677
IT'S NOT GONNA HURT YA.
654
00:26:53,745 --> 00:26:55,375
(BLANKET SCRATCHES)
655
00:26:55,447 --> 00:26:57,777
OH, YOU'RE SUCH A BRAVE BOY.
656
00:26:57,783 --> 00:26:59,883
SEE?
657
00:26:59,951 --> 00:27:01,921
(CHUCKLES)
THAT'S A GOOD BOY.
658
00:27:01,921 --> 00:27:08,261
IT'S NOT GONNA HURT YOU NOW,
IS IT?
659
00:27:08,326 --> 00:27:09,356
LOU:
(WHISPERING)
THIS IS PERFECT!
660
00:27:09,428 --> 00:27:11,198
(GATE LATCH CLANKS)
661
00:27:11,263 --> 00:27:12,103
CAN WE GET THIS?
662
00:27:12,164 --> 00:27:14,874
ABSOLUTELY.
663
00:27:14,933 --> 00:27:17,203
NO CAMERA.
IT'LL SPOOK HIM.
664
00:27:17,269 --> 00:27:20,399
LOU:
WE'LL BE VERY QUIET.
665
00:27:20,472 --> 00:27:21,142
DO YOU KNOW HOW LONG
IT'S TAKEN ME
666
00:27:21,206 --> 00:27:22,806
TO GET HIM THIS FAR?
667
00:27:22,808 --> 00:27:24,338
LOU:
JUST KEEP DOING WHATEVER
IT IS YOU'RE DOING.
668
00:27:24,409 --> 00:27:25,479
AMY:
LOU!
669
00:27:25,544 --> 00:27:26,944
JERRY:
ACTION!
670
00:27:27,012 --> 00:27:27,542
LOU:
OKAY, DESCRIBE WHAT
YOU'RE DOING.
671
00:27:27,613 --> 00:27:28,283
WHAT'S IT CALLED?
672
00:27:28,346 --> 00:27:31,346
UM...
673
00:27:31,416 --> 00:27:35,216
(CLEARS THROAT)
THIS IS CALLED
THE SACKING METHOD.
674
00:27:35,221 --> 00:27:37,351
A LITTLE BIT LOUDER PLEASE.
I CAN'T HEAR YOU.
675
00:27:37,423 --> 00:27:39,493
CAN YOU SAY IT AGAIN,
THE SACKING THING?
676
00:27:39,558 --> 00:27:41,228
AMY:
THE SACKING METHOD?
677
00:27:41,293 --> 00:27:42,893
LOU: GREAT.NOW JUST PUT THE SADDLE ON HIM.
678
00:27:42,961 --> 00:27:44,231
WE NEED TO SEEWHAT THIS IS BUILDING TOWARDS.
679
00:27:44,230 --> 00:27:51,370
HE'S NOT READY
FOR THE SADDLE, LOU!
680
00:27:51,436 --> 00:27:53,196
LOU:
AMY, LOOK.
681
00:27:53,271 --> 00:27:54,501
WE NEED TO SEE YOU WORKING
WITH A HORSE
682
00:27:54,573 --> 00:27:56,243
IN ORDER FOR THIS VIDEO
TO WORK.
683
00:27:56,242 --> 00:27:57,272
IT'S NOT GONNA HURT
IF YOU JUST WALK TOWARDS HIM
684
00:27:57,342 --> 00:27:58,582
WITH THE SADDLE
685
00:27:58,643 --> 00:27:59,343
AS IF YOU'RE GONNA
PUT IT ON HIM.
686
00:27:59,411 --> 00:28:00,541
(HORSE WHINNIES)
687
00:28:00,612 --> 00:28:01,982
LOU:
(SHRIEKS)
688
00:28:02,047 --> 00:28:02,907
(SHRIEKS)
689
00:28:02,915 --> 00:28:04,445
(HORSES HOOVES THUNDER)
690
00:28:04,516 --> 00:28:09,386
OH GOD!
691
00:28:09,454 --> 00:28:11,594
OH GOD!
(HORSE WHINNIES)
692
00:28:11,656 --> 00:28:13,986
NO, NO!
693
00:28:14,059 --> 00:28:15,589
(GASPS)
694
00:28:15,594 --> 00:28:16,534
OH MY GOD!
695
00:28:16,529 --> 00:28:19,959
(PANTING)
696
00:28:20,031 --> 00:28:22,471
CUT!
697
00:28:22,534 --> 00:28:24,944
I SAID CUT!
(LOUD THUMP)
698
00:28:25,003 --> 00:28:26,343
NOW ARE YOU SURE YOU GOT
EVERYTHING YOU NEED?
699
00:28:26,404 --> 00:28:28,014
HE'S SURE.
700
00:28:28,073 --> 00:28:29,543
LOU:
THANK YOU SO MUCH.
701
00:28:29,608 --> 00:28:31,008
JERRY:
DON'T MENTION IT.
702
00:28:31,010 --> 00:28:32,540
LOU:
OH, I TOLD THE GIRL
AT C.J.O.T.
703
00:28:32,545 --> 00:28:34,105
SHE'D HAVE IT BY SATURDAY.
IS THAT-?
704
00:28:34,179 --> 00:28:35,409
JERRY:
AND SHE WILL.
705
00:28:35,414 --> 00:28:37,614
LOU:
FANTASTIC! SEE YOU!
706
00:28:37,682 --> 00:28:39,152
OH, I WANT TO SEE IT
FIRST THOUGH
707
00:28:39,217 --> 00:28:43,087
FOR SURE!
708
00:28:43,155 --> 00:28:46,085
THAT WAS AMAZING, HUH?
709
00:28:46,158 --> 00:28:47,828
I'LL TELL YOU THAT ONE SHOT
OF THE LIGHT HITTING THE POND
710
00:28:47,893 --> 00:28:49,763
IS GONNA MAKE THIS VIDEO.
711
00:28:49,828 --> 00:28:51,358
AND THE BARN DIDN'T LOOK HALF AS BAD
712
00:28:51,363 --> 00:28:55,573
AS I THOUGHT IT WAS GOING TO. MIRACULOUSLY.
713
00:28:55,634 --> 00:29:01,714
WHAT?
714
00:29:01,741 --> 00:29:05,181
(EXHALES)
715
00:29:05,177 --> 00:29:05,937
(HORSE WHINNIES)
716
00:29:06,011 --> 00:29:10,911
OH, COME ON.
717
00:29:10,916 --> 00:29:13,176
(HUFFY SIGH)
718
00:29:13,252 --> 00:29:15,652
(PARTY MUSIC BLASTS)
719
00:29:15,654 --> 00:29:16,424
ASHLEY: HEY, HELP YOURSELF.
720
00:29:16,422 --> 00:29:18,522
BOOZE IS OVER THERE.
721
00:29:18,590 --> 00:29:20,060
WE'RE JUST STARTING
THE BONFIRE.
722
00:29:20,125 --> 00:29:21,625
GIRL:
EXCELLENT.
723
00:29:21,693 --> 00:29:23,763
HEY, TANNER!
724
00:29:23,829 --> 00:29:26,929
MOVE UP OFF YOUR BUTT AND GET SOME FIREWOOD!
725
00:29:26,998 --> 00:29:38,708
TANNER: ALL RIGHT, ALL RIGHT, I'LL GET RIGHT ON IT.
726
00:29:38,777 --> 00:29:41,277
YOU SHOULDN'T BE HERE,
727
00:29:41,346 --> 00:29:44,206
BUT I'M GLAD YOU ARE.
728
00:29:44,283 --> 00:29:45,283
I JUST WANT TO GET
ONE THING STRAIGHT.
729
00:29:45,284 --> 00:29:45,954
WHY'D YOU LIE TO ME?
730
00:29:46,018 --> 00:29:47,848
ABOUT WHAT?
731
00:29:47,853 --> 00:29:48,993
YOU SAID YOU TALKED
TO YOUR MOTHER ABOUT ME,
732
00:29:49,054 --> 00:29:50,594
ABOUT MY PROBATION DEAL.
733
00:29:50,655 --> 00:29:52,285
OH, COME ON.
734
00:29:52,357 --> 00:29:55,727
SO I DIDN'T TELL HER.
SO WHAT?
735
00:29:55,794 --> 00:29:57,494
LOOK, DO YOU REALLY BELIEVE
SHE WOULD HAVE HIRED YOU
736
00:29:57,562 --> 00:29:58,632
IF I TOLD HER?
737
00:29:58,697 --> 00:30:00,957
I DON'T THINK SO.
738
00:30:00,966 --> 00:30:02,866
AND I WANTED TO HAVE
YOU AROUND.
739
00:30:02,934 --> 00:30:05,174
SO CHILL,
GRAB A DRINK,
740
00:30:05,237 --> 00:30:06,967
AND LET'S GET TO KNOW
EACH OTHER BETTER.
741
00:30:07,039 --> 00:30:07,639
NO, I DON'T THINK SO.
742
00:30:07,706 --> 00:30:08,766
WHY?
743
00:30:08,774 --> 00:30:11,714
LOOK, I DON'T BITE.
744
00:30:11,776 --> 00:30:14,076
JUST GET SOME FOOD AND BOOZE
AT MY MOTHER'S EXPENSE.
745
00:30:14,145 --> 00:30:20,575
THAT'LL MAKE IT ALL BETTER.
746
00:30:20,652 --> 00:30:28,532
(KNOCK AT DOOR)
747
00:30:28,527 --> 00:30:35,997
(KNOCK AT DOOR)
748
00:30:36,067 --> 00:30:37,397
HI.
749
00:30:37,403 --> 00:30:40,273
HI.
750
00:30:40,272 --> 00:30:42,042
HAVEN'T SEEN YOU
IN A WHILE.
751
00:30:42,107 --> 00:30:48,007
BEEN BUSY.
752
00:30:48,079 --> 00:30:50,209
YOU LOOK ALL DRESSED UP.
WHERE ARE YOU GOING?
753
00:30:50,282 --> 00:30:51,212
SAME PLACE YOU ARE.
754
00:30:51,217 --> 00:30:53,217
WHAT?
755
00:30:53,285 --> 00:30:54,845
COME ON,
I'M GONNA TAKE YOU OUT.
756
00:30:54,920 --> 00:30:56,820
(CHUCKLES)
757
00:30:56,822 --> 00:30:58,792
I DON'T FEEL LIKE IT.
758
00:30:58,857 --> 00:31:01,687
I WON'T TAKE NO
FOR AN ANSWER.
759
00:31:01,694 --> 00:31:04,794
I'M NOT EVEN DRESSED.
760
00:31:04,863 --> 00:31:10,533
I'LL GIVE YOU A MINUTE.
761
00:31:10,602 --> 00:31:11,132
SORAYA:
I'M SORRY I COULDN'T HELP
WITH THE VIDEO.
762
00:31:11,202 --> 00:31:13,142
I HAD TO WORK.
763
00:31:13,204 --> 00:31:15,874
AMY:
WELL, YOU'RE LUCKY
YOU MISSED IT.
764
00:31:15,941 --> 00:31:18,071
HEY, YOU GIRLS READY?
765
00:31:18,143 --> 00:31:19,843
AMY:
FOR WHAT?
766
00:31:19,911 --> 00:31:20,641
BEN: ASHLEY'S FIELD PARTY.
767
00:31:20,712 --> 00:31:22,782
LIKE I'D GO TO THAT.
768
00:31:22,847 --> 00:31:23,777
WELL, I DON'T WANT
TO GO ALONE.
769
00:31:23,848 --> 00:31:24,708
SORAYA: AND YOU WON'T.
770
00:31:24,783 --> 00:31:25,583
WE'LL BE READY
IN TWO SECONDS.
771
00:31:25,651 --> 00:31:27,181
WHAT? NO.
772
00:31:27,252 --> 00:31:28,552
(QUIETLY)
AMY.
773
00:31:28,620 --> 00:31:30,890
UM, JUST DON'T LEAVE
WITHOUT US.
774
00:31:30,956 --> 00:31:32,716
AMY, PLEASE?
775
00:31:32,725 --> 00:31:35,185
THERE IS NO WAY I WOULD GO
TO BRIAR RIDGE.
776
00:31:35,194 --> 00:31:36,264
(QUIETLY)
I'M NOT MISSING OUT
ON A CHANCE
777
00:31:36,328 --> 00:31:38,598
TO GET TO KNOW
BEN BETTER.
778
00:31:38,597 --> 00:31:43,197
YOU HAVE TO DO THIS
FOR ME.
779
00:31:43,268 --> 00:31:50,608
YOU OWE ME BIG.
780
00:31:50,676 --> 00:32:04,416
YOU E ME BIG.
781
00:32:04,489 --> 00:32:12,459
(LOUD PARTY MUSIC AND LAUGHTER)
782
00:32:12,531 --> 00:32:19,671
I'M GLAD YOU STAYED.
783
00:32:19,738 --> 00:32:23,738
(LOW BARROOM CHATTER)
784
00:32:23,808 --> 00:32:27,538
(CROWD APPLAUDS)
785
00:32:27,612 --> 00:32:35,322
(COUNTRY MUSIC STARTS)
786
00:32:35,387 --> 00:32:36,987
TO YOU.
787
00:32:36,989 --> 00:32:39,719
FOR HAVING AN IDEA
AND GOING FOR IT.
788
00:32:39,791 --> 00:32:41,791
AND LOSING EVERY FRIEND
I HAD ALONG THE WAY.
789
00:32:41,860 --> 00:32:45,460
NOT EVERY FRIEND.
790
00:32:45,530 --> 00:32:47,360
MARNIE HASN'T SPOKEN
TO ME SINCE
791
00:32:47,432 --> 00:32:48,702
AND I HAVEN'T SEEN
ANY SIGN OF JERRY
792
00:32:48,767 --> 00:32:49,797
OR THE VIDEO.
793
00:32:49,868 --> 00:32:52,238
SO...
794
00:32:52,303 --> 00:32:55,373
(SIGHING)
OH WELL.
795
00:32:55,440 --> 00:32:57,610
YOU KNOW WHAT?
TO YOU.
796
00:32:57,675 --> 00:32:59,935
THIS WAS A GREAT IDEA.
(GLASSES CLINK)
797
00:33:00,012 --> 00:33:04,682
I NEEDED TO GET OUT.
798
00:33:04,750 --> 00:33:17,560
I GUESS YOU KNOW ME
TOO WELL.
799
00:33:17,563 --> 00:33:20,163
CAN I HAVE ANOTHER ONE?
800
00:33:20,165 --> 00:33:23,825
SURE.
801
00:33:23,836 --> 00:33:26,236
YOU'RE DRIVIN'.
802
00:33:26,304 --> 00:33:29,974
(NERVOUS EXHALE)
803
00:33:30,042 --> 00:33:37,982
(PARTY MUSIC BLARES)
804
00:33:38,017 --> 00:33:38,847
CAN I GET YOU
ANYTHING?
805
00:33:38,917 --> 00:33:39,877
I'D LOVE A MARSHMALLOW.
806
00:33:39,951 --> 00:33:41,551
ALL RIGHT, DONE.
807
00:33:41,619 --> 00:33:42,849
AMY?
808
00:33:42,921 --> 00:33:44,391
OH, NOTHING.
809
00:33:44,456 --> 00:33:47,716
DON'T BURN IT.
(LAUGHING)
810
00:33:47,726 --> 00:33:55,026
OH MY GOD,
HE'S GORGEOUS.
811
00:33:55,100 --> 00:33:57,500
AMY, TALK TO HIM. YOU HAVE TO.
812
00:33:57,503 --> 00:34:00,243
(CHUCKLES)
WHY?
813
00:34:00,305 --> 00:34:02,865
(CHUCKLES)GO DO IT NOW.
814
00:34:02,941 --> 00:34:10,551
(LAUGHING)
GRR, GO.
815
00:34:10,549 --> 00:34:16,519
LOU: (SINGING) ♪ I NEVER MEANT TO MAKE YOU CRY ♪
816
00:34:16,588 --> 00:34:22,858
♪ AND THOUGH I KNOW
I SHOULDN'T CALL ♪
817
00:34:22,927 --> 00:34:26,627
♪ IT JUST REMINDS US
OF THE COST ♪
818
00:34:26,698 --> 00:34:29,628
♪ FOR EVERYTHING WE'VE LOST ♪
819
00:34:29,668 --> 00:34:35,708
♪ BAD TIMING THAT'S ALL ♪
820
00:34:35,773 --> 00:34:42,153
♪ AND MAYBE SOON
THERE'LL COME A DAY ♪
821
00:34:42,213 --> 00:34:48,693
♪ WHEN NO MORE TEARS
WILL FALL ♪
822
00:34:48,753 --> 00:34:52,693
♪ WE EACH FORGIVE
A LITTLE BIT ♪
823
00:34:52,757 --> 00:34:55,457
♪ AND WE'LL BOTH LOOK
BACK ON IT ♪
824
00:34:55,527 --> 00:35:01,127
♪ BAD TIMING THAT'S ALL ♪
825
00:35:01,199 --> 00:35:05,939
(HARMONICA PLAYS)
826
00:35:05,938 --> 00:35:08,808
CROWD:
(CHEERING AND CLAPPING)
WOO HOO! YEAH!
827
00:35:08,874 --> 00:35:13,014
ALL RIGHT! WOO!
828
00:35:13,078 --> 00:35:16,878
(CLAPPING)
829
00:35:16,882 --> 00:35:21,752
CAN I TALK TO YOU?
830
00:35:21,753 --> 00:35:22,953
WHY DID YOU TAKE THE JOB
AT BRIAR RIDGE?
831
00:35:23,021 --> 00:35:24,351
YOU KNOW WHY.
832
00:35:24,422 --> 00:35:26,492
BECAUSE BEN GOT UNDER
YOUR SKIN?
833
00:35:26,558 --> 00:35:28,558
YEAH, LIKE SOME PONY BOY
COULD GET TO ME.
834
00:35:28,627 --> 00:35:30,427
THE MONEY? ASHLEY?
835
00:35:30,495 --> 00:35:32,925
I MEAN I HEARD YOU
TALKING TO GRANDPA.
836
00:35:32,997 --> 00:35:34,257
I TOLD HIM I WAS THINKING
ABOUT THE JOB AT BRIAR RIDGE.
837
00:35:34,332 --> 00:35:35,232
(LAUGHING)
THAT'S CRAZY.
838
00:35:35,300 --> 00:35:35,970
YOU HAD ALREADY MADE UP
YOUR MIND.
839
00:35:36,034 --> 00:35:37,174
NOT UNTIL YOU WALKED IN
840
00:35:37,169 --> 00:35:39,499
AND TOLD ME TO GET
THE HELL OUT!
841
00:35:39,505 --> 00:35:41,835
YOU KNOW,
YOU DRIVE ME CRAZY.
842
00:35:41,906 --> 00:35:44,706
YOU ALWAYS HAVE
TO HAVE IT YOUR WAY.
843
00:35:44,776 --> 00:35:46,436
I'M DONE.
844
00:35:46,511 --> 00:35:48,111
I'M OUTTA HERE.
845
00:35:48,113 --> 00:35:49,453
RUN AWAY.
846
00:35:49,448 --> 00:35:51,378
THAT'S WHAT YOU ALWAYS DO,
847
00:35:51,383 --> 00:35:56,393
EVEN WHEN PEOPLE-
WHEN I WANT YOU TO STAY.
848
00:35:56,454 --> 00:36:01,894
YOU COULD CARE LESS.
849
00:36:01,960 --> 00:36:03,130
YOU WERE GREAT.
850
00:36:03,128 --> 00:36:03,858
WAS I?
851
00:36:03,928 --> 00:36:05,598
YEAH, YOU WERE.
852
00:36:05,597 --> 00:36:07,257
CRAZY, BUT GREAT.
853
00:36:07,332 --> 00:36:11,132
(LAUGHING)
854
00:36:11,136 --> 00:36:20,536
HOST: GOOD NIGHT AND DRIVE SAFE.
855
00:36:20,612 --> 00:36:23,012
JACK: (NARRATING) WELCOME TO HEARTLAND,
856
00:36:23,081 --> 00:36:25,421
A 600-ACRE RANCH THAT'S BEEN
IN THE BARTLETT FAMILY
857
00:36:25,450 --> 00:36:28,790
FOR SIX GENERATIONS.
858
00:36:28,787 --> 00:36:30,517
IT USED TO BE A CATTLE RANCH,
859
00:36:30,588 --> 00:36:34,818
BUT MY DAUGHTER MARION
GAVE IT A NEW DIRECTION.
860
00:36:34,892 --> 00:36:36,762
NOW IT'S A PLACE WHERE FRIGHTENED AND ABUSED HORSES
861
00:36:36,828 --> 00:36:39,628
CAN LEARN TO TRUST AGAIN;
862
00:36:39,697 --> 00:36:42,967
WHERE SCARS FROM THE PAST CAN BE HEALED.
863
00:36:43,034 --> 00:36:44,974
AMY: (TEARFUL) GRANDPA!
864
00:36:45,036 --> 00:36:47,236
I NEED TO TALK TO YOU.
865
00:36:47,305 --> 00:36:48,705
JACK: (NARRATING) FOR MANY OF THESE HORSES
866
00:36:48,707 --> 00:36:52,207
HEARTLAND IS THEIR LAST CHANCE.
867
00:36:52,277 --> 00:36:56,077
JERRY: (NARRATING) BUT LIFE AT HEARTLAND ISN'T ALL SERIOUS.
868
00:36:56,081 --> 00:36:57,381
SCOTT ON CAMERA: I'VE BEEN A VET FOR SIX YEARS...
869
00:36:57,449 --> 00:36:59,049
JERRY: (NARRATING) NO MARRIAGE IS PERFECT,
870
00:36:59,117 --> 00:37:01,617
BUT THE PEOPLE AT HEARTLAND MAKE A VOW TO HELP YOUR HORSE
871
00:37:01,686 --> 00:37:03,686
AND THEY KEEP IT.
872
00:37:03,755 --> 00:37:04,715
LOU ON CAMERA: OH MY GOD!
873
00:37:04,789 --> 00:37:06,789
CUT!
874
00:37:06,858 --> 00:37:10,558
I SAID CUT!
875
00:37:10,562 --> 00:37:13,262
HE DELIVERED IT
WITHOUT SHOWING IT TO ME.
876
00:37:13,265 --> 00:37:14,655
I'LL KILL HIM.
877
00:37:14,666 --> 00:37:16,096
(CHUCKLING)
878
00:37:16,167 --> 00:37:17,227
JERRY: (NARRATING) WHERE PEOPLE AND HORSES,
879
00:37:17,269 --> 00:37:19,139
OLD WAYS AND THE FUTURE,
880
00:37:19,204 --> 00:37:22,674
COME TOGETHER WITH HOPE AND FAITH.
881
00:37:22,674 --> 00:37:24,214
HEARTLAND:
882
00:37:24,209 --> 00:37:27,879
HEALING HORSES, HEALING HEARTS.
883
00:37:27,879 --> 00:37:29,249
JACK: THAT'S NOT BAD,
884
00:37:29,248 --> 00:37:30,748
NOT BAD AT ALL.
885
00:37:30,815 --> 00:37:32,545
(CHUCKLING)
886
00:37:32,551 --> 00:37:33,981
LOU: DISASTER.
887
00:37:34,052 --> 00:37:37,652
IT'S A TOTAL DISASTER.
888
00:37:37,722 --> 00:37:39,092
I THOUGHT IT WAS GREAT.
I SUCKED, BUT...
889
00:37:39,091 --> 00:37:42,761
IT WAS AWFUL!
890
00:37:42,827 --> 00:37:44,687
I'VE FAILED.
I'VE FAILED AT EVERYTHING.
891
00:37:44,696 --> 00:37:45,756
LOU, DON'T.
892
00:37:45,764 --> 00:37:47,234
NO, IT'S TRUE!
893
00:37:47,266 --> 00:37:49,696
I AM A TOTAL LOSER!
894
00:37:49,701 --> 00:37:50,971
NO, YOU'RE NOT.
YOU'RE AMAZING.
895
00:37:51,036 --> 00:37:54,466
DON'T SAY THAT!
896
00:37:54,539 --> 00:37:57,209
IF YOU KNEW...
897
00:37:57,275 --> 00:37:58,435
KNEW WHAT?
898
00:37:58,443 --> 00:38:01,583
(CHUCKLES)
899
00:38:01,580 --> 00:38:03,650
YOU KNOW YOU CAN
TELL ME ANYTHING.
900
00:38:03,715 --> 00:38:07,845
(CRICKETS CHIRP OUTSIDE)
901
00:38:07,853 --> 00:38:10,693
I GOT FIRED.
902
00:38:10,689 --> 00:38:12,359
WHAT?
903
00:38:12,423 --> 00:38:14,193
(TEARFUL)
FROM MY JOB...
904
00:38:14,192 --> 00:38:17,292
IN NEW YORK.
905
00:38:17,329 --> 00:38:17,989
WHEN?
906
00:38:17,996 --> 00:38:19,326
THEY LET ME GO.
907
00:38:19,397 --> 00:38:20,727
WHEN?
908
00:38:20,799 --> 00:38:25,299
LOU: ALMOST A WEEK AGO.
909
00:38:25,370 --> 00:38:31,870
I STILL HAVEN'T TOLD ANYONE YET.
910
00:38:31,877 --> 00:38:36,947
DO YOU KNOW HOW HARD
I'VE WORKED TO GET THERE?
911
00:38:37,015 --> 00:38:50,355
TO GET OUT OF HERE?
912
00:38:50,428 --> 00:38:57,828
TO GET OUT OF HERE?
913
00:38:57,902 --> 00:38:59,772
IT'S NOT THE END
OF THE WORLD.
914
00:38:59,838 --> 00:39:02,768
YES, IT IS.
915
00:39:02,841 --> 00:39:07,511
IT IS TO ME.
916
00:39:07,579 --> 00:39:09,509
(EMOTIONAL SIGH)
917
00:39:09,548 --> 00:39:14,318
(CRICKETS CHIRP)
918
00:39:14,319 --> 00:39:16,349
(CRICKETS CHIRP)
919
00:39:16,421 --> 00:39:19,621
(TELEPHONE RINGS)
920
00:39:19,690 --> 00:39:22,330
(TELEPHONE RINGS)
921
00:39:22,393 --> 00:39:24,793
HELLO, HEARTLAND.
922
00:39:24,862 --> 00:39:27,462
YEAH. OH REALLY?
923
00:39:27,466 --> 00:39:29,796
WELL, I'M GLAD YOU LIKED IT.
924
00:39:29,801 --> 00:39:32,301
UH YEAH,
WE'VE GOT SOME SPACE.
925
00:39:32,370 --> 00:39:35,210
UM, NEXT WEEK?
926
00:39:35,273 --> 00:39:36,343
OKAY, SURE.
927
00:39:36,341 --> 00:39:37,141
YEAH, JUST LET ME TALK
TO MY SISTER
928
00:39:37,142 --> 00:39:38,212
AND I'LL GET BACK TO YOU.
929
00:39:38,276 --> 00:39:43,476
OKAY, WHAT'S YOUR NUMBER?
930
00:39:43,548 --> 00:39:44,948
OKAY, PERFECT. OKAY, THANKS.
931
00:39:44,950 --> 00:39:46,950
BYE BYE.
932
00:39:46,952 --> 00:39:49,092
(BEEPS OFF PHONE)
933
00:39:49,153 --> 00:39:50,093
GOOD MORNING.
934
00:39:50,155 --> 00:39:53,315
(COFFEE POURS)
935
00:39:53,391 --> 00:39:55,331
YOU LOOK UH...
NOT SO GREAT.
936
00:39:55,393 --> 00:39:57,863
WHAT'S WRONG?
937
00:39:57,929 --> 00:39:59,299
WHAT'S WRONG?
938
00:39:59,363 --> 00:40:01,433
I GUESS YOU DIDN'T
SEE THE VIDEO.
939
00:40:01,499 --> 00:40:02,059
GRANDPA AND I SAW IT
LAST NIGHT.
940
00:40:02,133 --> 00:40:03,833
IT WAS AMAZING.
941
00:40:03,901 --> 00:40:06,501
COME ON, AMY,
IT WAS COMPLETELY HUMILIATING.
942
00:40:06,571 --> 00:40:08,341
IT WAS FUNNY
AND PEOPLE LOVED IT.
943
00:40:08,406 --> 00:40:09,966
I MEAN THE PHONE'S BEEN
RINGING ALL MORNING.
944
00:40:10,041 --> 00:40:11,841
THE WEBSITE'S NEVER
HAD SO MANY HITS.
945
00:40:11,910 --> 00:40:13,780
IT'S INSANE.
WE'RE FAMOUS.
946
00:40:13,845 --> 00:40:16,805
(SCREEN DOOR BANGS SHUT)
947
00:40:16,881 --> 00:40:20,581
JACK:
WELL GOOD MORNING, SLEEPY.
948
00:40:20,585 --> 00:40:22,185
BOTH:
(CHUCKLE)
949
00:40:22,253 --> 00:40:24,553
GOOD JOB, LOU.
950
00:40:24,622 --> 00:40:25,922
YOU KNOW, I MIGHT NOT HAVE BEEN
YOUR BIGGEST CHEERLEADER,
951
00:40:25,990 --> 00:40:28,060
BUT...
952
00:40:28,125 --> 00:40:29,925
NEXT TIME YOU HAVE
ONE OF YOUR BIG IDEAS,
953
00:40:29,994 --> 00:40:39,944
I MIGHT LISTEN.
954
00:40:40,004 --> 00:40:42,874
(SIGHS)
955
00:40:42,940 --> 00:40:45,810
JACK:
AND I WASN'T HALF BAD,
WAS I?
956
00:40:45,877 --> 00:40:47,177
BETTER THAN VAL STANTON,
THAT'S FOR SURE.
957
00:40:47,245 --> 00:40:48,405
(CHUCKLING)
958
00:40:48,480 --> 00:40:50,980
(TELEPHONE RINGS)
959
00:40:51,048 --> 00:41:00,018
HELLO, HEARTLAND.
960
00:41:00,025 --> 00:41:07,625
HELLO, HEARTLAND.
961
00:41:07,632 --> 00:41:08,632
JACK: SO THEY LET YOU GO.
962
00:41:08,633 --> 00:41:12,543
THAT'S NOTHING TO BE
ASHAMED OF.
963
00:41:12,603 --> 00:41:14,373
YOU TRIED YOUR BEST
TO DO EVERYTHING.
964
00:41:14,439 --> 00:41:16,369
I KNOW, BUT...
965
00:41:16,374 --> 00:41:21,644
SOMETIMES SOMETHING
HAS TO GIVE.
966
00:41:21,712 --> 00:41:34,192
AT LEAST NOW YOU WON'T
BE SO TORN.
967
00:41:34,258 --> 00:41:41,328
AT LEAST NOW YOU WON'T
BE SO TORN.
968
00:41:41,399 --> 00:41:55,139
(TRUCK RUMBLES DOWN DRIVEWAY)
969
00:41:55,146 --> 00:42:03,616
(TRUCK RUMBLES DOWN DRIVEWAY)
970
00:42:03,622 --> 00:42:05,762
I'M NOT STEALING.
971
00:42:05,823 --> 00:42:09,433
MALLORY GAVE THIS
TO ME.
972
00:42:09,493 --> 00:42:11,533
I JUST THOUGHT
I'D TAKE IT WITH ME
973
00:42:11,563 --> 00:42:14,203
IN CASE I EVER NEED
TO RIDE AGAIN.
974
00:42:14,265 --> 00:42:16,925
YOU KNOW,
MAKE A QUICK GETAWAY.
975
00:42:17,001 --> 00:42:19,471
WHERE ARE YOU GOING?
976
00:42:19,537 --> 00:42:22,737
I DON'T KNOW.
977
00:42:22,807 --> 00:42:26,077
YOU COULD STAY.
978
00:42:26,144 --> 00:42:28,444
BECAUSE?
979
00:42:28,513 --> 00:42:30,383
BECAUSE...
980
00:42:30,382 --> 00:42:33,852
I WAS WRONG.
981
00:42:33,918 --> 00:42:35,948
BECAUSE I WANT YOU TO.
982
00:42:36,020 --> 00:42:39,120
WHY?
983
00:42:39,124 --> 00:42:44,364
BECAUSE...
984
00:42:44,428 --> 00:42:48,628
I DON'T KNOW.
(CHUCKLES)
985
00:42:48,699 --> 00:42:51,669
(WHISPERING)
JUST STAY.
986
00:42:51,736 --> 00:42:55,736
PLEASE.
987
00:42:55,807 --> 00:42:59,577
OKAY.
988
00:42:59,611 --> 00:43:03,751
IF IT'S FINE
WITH JACK.
989
00:43:03,814 --> 00:43:07,154
LIKE HE'LL SAY NO.
(LAUGHS)
990
00:43:07,218 --> 00:43:07,818
NOTHING HE LOVES MORE
THAN BOSSING YOU AROUND.
991
00:43:07,885 --> 00:43:12,815
(CHUCKLES)
992
00:43:12,824 --> 00:43:19,364
(FLIES BUZZING)
993
00:43:19,364 --> 00:43:22,834
I THINK YOU OUGHTA DO
THE RIGHT THING.
994
00:43:22,900 --> 00:43:25,200
JUST MOVE IT BACK.
995
00:43:25,203 --> 00:43:28,073
IT'LL HELP LOU...
996
00:43:28,139 --> 00:43:30,639
WELL, IT'LL MAKE HER
FEEL BETTER.
997
00:43:30,708 --> 00:43:32,708
SURE. DOWNSIZING.
998
00:43:32,777 --> 00:43:34,977
THAT'S WHAT MY DAD SAID
WHEN HE GOT FIRED.
999
00:43:35,046 --> 00:43:35,976
HOW DO YOU KNOW
ABOUT THAT?
1000
00:43:36,047 --> 00:43:43,317
I GOT EARS.
1001
00:43:43,355 --> 00:43:45,585
OH MY GOD!
TY, YOU'RE BACK!
1002
00:43:45,657 --> 00:43:46,617
TY:
(CHUCKLING)
1003
00:43:46,691 --> 00:43:47,791
(LAUGHING)
1004
00:43:47,859 --> 00:43:49,689
TY:
HEY.
1005
00:43:49,760 --> 00:43:50,890
MALLORY:
I MISSED YOU SO MUCH.
DID YOU SEE THE BARN DOOR?
1006
00:43:50,961 --> 00:43:52,061
I PAINTED IT.
1007
00:43:52,130 --> 00:43:53,330
NOT BECAUSE I WANTED TO,
1008
00:43:53,397 --> 00:43:55,527
BUT BECAUSE LOU WENT ALL TYPE-A
1009
00:43:55,533 --> 00:43:58,503
AND DECIDED THE PLACE NEEDED
AN EXTREME MAKEOVER.
1010
00:43:58,569 --> 00:44:02,199
AMY:
GOOD BOY.
1011
00:44:02,207 --> 00:44:04,807
SCOTT:
YOU'VE DONE AN AWESOME JOB.
1012
00:44:04,809 --> 00:44:06,979
AMY:
THANKS. YEAH, HE'S...
1013
00:44:07,045 --> 00:44:09,875
HE'S PRETTY GREAT.
1014
00:44:09,881 --> 00:44:13,221
SCOTT: DO YOU HAVE A NAME FOR THE ANIMAL YET?
1015
00:44:13,284 --> 00:44:15,494
YEAH, WELL, LIKE YOU SAID,
1016
00:44:15,553 --> 00:44:17,453
HE'S AS STUBBORN AS A MULE
1017
00:44:17,521 --> 00:44:20,891
AND HAS ALMOST ZERO
PEOPLE SKILLS.
1018
00:44:20,958 --> 00:44:24,188
SO I DECIDED
TO CALL HIM...
1019
00:44:24,261 --> 00:44:25,961
LOU.
1020
00:44:26,030 --> 00:44:31,430
ALL:
(LAUGHING)
1021
00:44:31,436 --> 00:44:33,736
YOU THINK THAT'S FUNNY?
1022
00:44:33,804 --> 00:44:34,574
OTHERS:
(LAUGHING)
64574
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