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These are the user uploaded subtitles that are being translated: 1 00:00:01,901 --> 00:00:06,373 [DRUMROLL] 2 00:00:08,308 --> 00:00:10,844 [FANFARE MUSIC] 3 00:00:21,921 --> 00:00:24,090 [FANFARE MUSIC ENDS] 4 00:00:42,442 --> 00:00:45,678 [FIDDLE MUSIC PLAYS] 5 00:01:17,710 --> 00:01:19,312 Man: ¡MIRA! ¡CARLOS AMADO! 6 00:01:19,312 --> 00:01:20,246 CARLOS AMADO? 7 00:01:20,246 --> 00:01:22,515 POR FAVOR, DEME UN AUTOGRAFO. 8 00:01:22,515 --> 00:01:23,683 [SPEAKING SPANISH] 9 00:01:23,683 --> 00:01:25,552 THAT'S CARLOS AMADO. 10 00:01:25,552 --> 00:01:27,520 [PEOPLE SPEAKING SPANISH] 11 00:01:27,520 --> 00:01:29,722 CARLOS AMADO. 12 00:02:01,387 --> 00:02:04,190 [MAN SINGING IN SPANISH] 13 00:02:20,039 --> 00:02:21,674 ♪ ♪ 14 00:02:40,093 --> 00:02:41,427 ♪ ♪ 15 00:03:11,591 --> 00:03:12,892 ♪ ♪ 16 00:03:32,312 --> 00:03:34,447 HEY. 17 00:03:37,483 --> 00:03:39,586 Woman: CARLOS, I'VE BEEN PUTTING MONEY AWAY, 18 00:03:39,586 --> 00:03:41,688 AND I'M GOING TO GET US AWAY FROM PEPE. 19 00:03:41,688 --> 00:03:43,523 PLEASE DON'T WORK FOR HIM AGAIN. 20 00:03:43,523 --> 00:03:46,025 I'M TELLING YOU, MARI, DON'T WORRY. 21 00:03:46,025 --> 00:03:49,596 HE'S GOING TO TAKE ADVANTAGE OF YOU. 22 00:03:50,496 --> 00:03:51,864 Carlos: MARIA, I'M GOING TO MAKE IT 23 00:03:51,864 --> 00:03:54,234 AND TAKE CARE OF US. 24 00:03:54,234 --> 00:03:55,568 LOOK. 25 00:03:55,635 --> 00:03:57,003 I CAN'T EXPLAIN WHAT IT WAS LIKE 26 00:03:57,003 --> 00:03:58,871 TO BE IN FRONT OF AN AUDIENCE. 27 00:03:58,871 --> 00:04:01,007 THIS IS WHAT I WANT TO DO. 28 00:04:01,007 --> 00:04:03,376 THEN DO IT, BUT NOT WITH PEPE. 29 00:04:03,376 --> 00:04:05,578 PEPE'S WELL-CONNECTED. 30 00:04:05,578 --> 00:04:07,413 I'VE SEEN HIM WITH IMPORTANT PEOPLE. 31 00:04:07,413 --> 00:04:08,748 AFTER EVERYTHING MOMMY WENT THROUGH 32 00:04:08,748 --> 00:04:09,749 TO GET YOU AWAY FROM HIM? 33 00:04:09,749 --> 00:04:11,618 IT DIDN'T KILL PEPE WHEN HE DID IT, 34 00:04:11,618 --> 00:04:14,587 AND IT'S NOT GOING TO KILL ME. 35 00:04:14,988 --> 00:04:17,757 I'M NOT GOING TO LET IT GET TO ME. 36 00:04:19,292 --> 00:04:21,461 HEY, THEY'RE PRETTY. 37 00:04:26,666 --> 00:04:30,203 Maria: GET UP AND SAY HI. 38 00:04:35,575 --> 00:04:36,743 HOLA. 39 00:04:37,677 --> 00:04:38,811 HELLO. 40 00:04:38,811 --> 00:04:40,713 Maria: COME SAY HELLO TO MOMMY. 41 00:04:54,060 --> 00:04:56,562 [CRIES] 42 00:04:56,562 --> 00:04:59,299 [SPEAKING SPANISH] 43 00:05:38,805 --> 00:05:40,740 SERVE YOURSELF THE WHOLE POT. 44 00:05:40,740 --> 00:05:44,877 GO AHEAD, IF YOU THINK IT'S SO FUNNY. 45 00:05:44,877 --> 00:05:46,479 HEY. 46 00:05:46,479 --> 00:05:48,781 LOOK WHO'S HERE. 47 00:05:50,950 --> 00:05:53,553 WELCOME HOME, HOMBRE. 48 00:05:54,787 --> 00:05:56,656 YOU LOOK GOOD. 49 00:05:56,956 --> 00:05:59,559 ARE YOU EATING HERE? 50 00:06:00,460 --> 00:06:02,962 HOW'S THE GRUB, PIG, HUH? 51 00:06:02,962 --> 00:06:05,064 [PEPE LAUGHS] 52 00:06:05,698 --> 00:06:07,767 NAH. I GOT TO GO BACK TO WORK. 53 00:06:07,767 --> 00:06:11,137 FIRST, I GOT TO TALK TO MY SON. 54 00:06:13,973 --> 00:06:16,676 WHAT'S THIS ABOUT YOU WANTING TO BE AN ACTOR? 55 00:06:16,676 --> 00:06:19,112 I'LL WORK HARD. 56 00:06:20,646 --> 00:06:21,180 YOU, AN ACTOR? 57 00:06:21,180 --> 00:06:23,583 WHO THE HELL DO YOU THINK YOU ARE, KID? 58 00:06:29,622 --> 00:06:30,089 I'M SORRY. 59 00:06:30,089 --> 00:06:31,090 I CAN'T HELP YOU, ALL RIGHT? 60 00:06:31,090 --> 00:06:31,958 I DON'T KNOW SHIT ABOUT ACTING. 61 00:06:31,958 --> 00:06:34,127 YOU KNOW PEOPLE IN THE BUSINESS THROUGH WORK. 62 00:06:34,127 --> 00:06:36,062 THESE PEOPLE ARE MY BUSINESS ASSOCIATES. 63 00:06:36,062 --> 00:06:36,996 I CAN'T BE RUNNING AROUND 64 00:06:36,996 --> 00:06:38,664 ASKING THEM FOR FAVORS. 65 00:06:40,032 --> 00:06:40,500 BESIDES, 66 00:06:40,500 --> 00:06:42,769 YOU HAVE TO HAVE TALENT TO BE AN ACTOR. 67 00:06:42,769 --> 00:06:45,037 WHAT MAKES YOU THINK YOU HAVE THAT? 68 00:06:46,172 --> 00:06:47,573 LOOK... 69 00:06:47,573 --> 00:06:50,910 I'M ASKING FOR YOUR HELP. 70 00:06:50,910 --> 00:06:52,879 ALL RIGHT. 71 00:06:52,879 --> 00:06:54,981 I'LL TELL YOU WHAT I'M GOING TO DO. 72 00:06:54,981 --> 00:06:57,216 YOU WORK FOR ME FOR A WHILE, 73 00:06:57,216 --> 00:06:59,218 AND LATER ON, IF EVERYTHING IS GOING OK, 74 00:06:59,218 --> 00:07:01,687 I'LL INTRODUCE YOU TO A COUPLE OF PEOPLE. 75 00:07:01,687 --> 00:07:03,022 ALL RIGHT? 76 00:07:03,022 --> 00:07:04,257 PROMISE? 77 00:07:04,257 --> 00:07:05,658 YOU HAVE MY WORD. 78 00:07:05,658 --> 00:07:08,528 JUANCITO, PEPE, DINNER. 79 00:07:08,528 --> 00:07:10,797 THANK YOU. 80 00:07:13,399 --> 00:07:15,501 WHERE'S MOMMY? 81 00:07:16,202 --> 00:07:19,138 I DON'T KNOW. SHE WAS RIGHT THERE. 82 00:07:23,209 --> 00:07:26,979 JUANCITO, CARLOS, GO LOOK OUTSIDE. 83 00:07:32,018 --> 00:07:33,453 ¡CHIN! 84 00:07:35,054 --> 00:07:37,657 [DOG BARKS] 85 00:07:56,275 --> 00:07:58,177 COME ON. 86 00:08:00,580 --> 00:08:02,014 PLEASE. 87 00:08:06,118 --> 00:08:09,722 [SPEAKING SPANISH] 88 00:08:11,691 --> 00:08:13,626 I'M SORRY. 89 00:08:19,899 --> 00:08:22,268 [SPEAKING SPANISH] 90 00:08:35,915 --> 00:08:37,950 YOU SEE? THIS IS WHAT I'M TELLING YOU GUYS. 91 00:08:37,950 --> 00:08:39,585 YOU ACTUALLY GOT GOOD CHOLESTEROL, 92 00:08:39,585 --> 00:08:40,253 AND YOU GOT BAD CHOLESTEROL. 93 00:08:40,253 --> 00:08:42,655 NOW, THOSE FRENCH FRIES YOU EAT ALL THE TIME, 94 00:08:42,655 --> 00:08:43,623 THAT'S BAD CHOLESTEROL. 95 00:08:43,623 --> 00:08:46,025 HEY, HEY, HEY. HOT DOGS HAVE CHOLESTEROL? 96 00:08:46,025 --> 00:08:47,126 NO, THAT'S BAD CHOLESTEROL. 97 00:08:47,126 --> 00:08:48,160 HOW ABOUT DOUGHNUTS? 98 00:08:48,160 --> 00:08:49,295 NAH, THAT'S BAD CHOLESTEROL. 99 00:08:49,295 --> 00:08:50,763 YOU CAN'T EAT THAT. 100 00:08:50,763 --> 00:08:51,631 PIZZA? 101 00:08:51,631 --> 00:08:52,265 PIZZA? WAKE UP. 102 00:08:52,265 --> 00:08:53,199 CHEESEBURGER? SPAGHETTI? 103 00:08:53,199 --> 00:08:56,068 NO, THAT'S BAD. THAT'S NOT GOOD. 104 00:08:56,068 --> 00:08:57,036 THAT'S RIGHT. 105 00:08:57,036 --> 00:08:57,703 TU MADRE-- 106 00:08:57,703 --> 00:08:59,805 DOES SHE HAVE CHOLESTEROL, OR IS SHE GOOD TO EAT? 107 00:08:59,805 --> 00:09:01,440 Pepe: WHAT ARE YOU, A FUCKING IDIOT? 108 00:09:14,854 --> 00:09:16,956 [MAN SINGING IN SPANISH] 109 00:09:30,870 --> 00:09:33,306 [MAN SINGING IN SPANISH] 110 00:09:43,082 --> 00:09:44,317 CARLOS. 111 00:09:45,117 --> 00:09:48,120 COME HERE. 112 00:09:48,287 --> 00:09:50,089 SOMEBODY'S GOING TO COME BY HERE IN A LITTLE WHILE 113 00:09:50,089 --> 00:09:51,691 AND SHOW YOU WHAT TO DO, OK? 114 00:09:51,691 --> 00:09:54,293 FOR RIGHT NOW, YOU JUST STAND HERE AND LOOK PRETTY. 115 00:09:54,293 --> 00:09:56,662 ALL RIGHT? 116 00:09:58,731 --> 00:10:01,968 [MAN AND WOMAN PANTING AND MOANING] 117 00:10:11,010 --> 00:10:13,212 [LAUGHS] 118 00:10:18,451 --> 00:10:19,552 YOU OK? 119 00:10:19,552 --> 00:10:20,886 YES. 120 00:10:21,387 --> 00:10:22,955 MMM... 121 00:10:23,055 --> 00:10:24,957 LETTI, I NEED YOU TO DO ME A FAVOR, OK? 122 00:10:24,957 --> 00:10:26,792 I NEED YOU TO SHOW CARLOS THE ROPES, OK? 123 00:10:26,792 --> 00:10:28,327 SHOW HIM HOW THINGS ARE DONE, OK? 124 00:10:28,327 --> 00:10:33,265 NOW, WHY SHOULD I DO THAT FOR YOU? 125 00:10:33,265 --> 00:10:34,166 MY WIFE IS DYING. 126 00:10:34,166 --> 00:10:37,937 THAT MEANS WE CAN GET MARRIED SOON, EH? 127 00:10:37,937 --> 00:10:40,306 SHE IS GETTING WEAK. 128 00:10:41,040 --> 00:10:43,109 HOW MUCH LONGER? 129 00:10:43,309 --> 00:10:46,145 SHE CAN HARDLY SIT UP ANYMORE. 130 00:10:46,145 --> 00:10:47,813 I GOT TO GO TO THE LOUNGE, BABY. 131 00:10:47,813 --> 00:10:49,815 IT'S GETTING LATE. 132 00:10:50,883 --> 00:10:51,884 TAKE ME INSIDE FOR A DRINK. 133 00:10:51,884 --> 00:10:54,053 LETTI, PLEASE, DON'T START WITH ME, OK? 134 00:10:54,053 --> 00:10:54,954 IT'S BUSINESS IN THERE. 135 00:10:54,954 --> 00:10:56,288 I CAN'T TAKE YOU IN THERE WITH ME. 136 00:10:56,288 --> 00:10:57,256 PLEASE? 137 00:10:57,256 --> 00:10:58,057 NO! 138 00:10:58,057 --> 00:10:59,925 YOU'RE EMBARRASSED. 139 00:10:59,925 --> 00:11:01,827 NO, BABY, THAT'S NOT IT. 140 00:11:01,827 --> 00:11:03,129 COME ON. 141 00:11:03,129 --> 00:11:04,830 TOMORROW NIGHT, I TAKE YOU OUT, 142 00:11:04,830 --> 00:11:07,133 AND WE HAVE A NICE TIME, HUH? 143 00:11:07,133 --> 00:11:08,034 OK? 144 00:11:08,034 --> 00:11:11,303 IF YOU LOVED ME, YOU'D TAKE ME AND BE PROUD OF ME. 145 00:11:11,303 --> 00:11:14,440 I'M PROUD OF YOU, I'M PROUD OF YOU. 146 00:11:14,440 --> 00:11:16,208 ¡HIJO DE PUTA! 147 00:11:21,881 --> 00:11:23,983 GUYS, WHAT'S UP? 148 00:11:23,983 --> 00:11:24,917 HEY, PEPE. 149 00:11:24,917 --> 00:11:27,119 HEY, HANDSOME, HOW YOU DOING? 150 00:11:27,119 --> 00:11:28,788 HOWDY-DO. 151 00:11:33,793 --> 00:11:35,961 MR. RIVERS, I'D LIKE YOU TO MEET THE FRIEND 152 00:11:35,961 --> 00:11:36,862 I TOLD YOU ABOUT. 153 00:11:36,862 --> 00:11:38,364 I'M SORRY YOU HAD TO WAIT. 154 00:11:38,364 --> 00:11:39,899 HEY, IT'S ALL RIGHT. 155 00:11:39,899 --> 00:11:41,067 MR. RIVERS, THIS IS PEPE. 156 00:11:41,067 --> 00:11:42,835 PEPE, THIS IS MR. RIVERS. 157 00:11:42,835 --> 00:11:44,003 HE'S LOOKING FOR A GUIDE TO SHOW HIM 158 00:11:44,003 --> 00:11:48,274 SOME OF THE MORE INTIMATE PARTS OF HOLLYWOOD. 159 00:11:48,274 --> 00:11:49,141 HOW YOU DO? 160 00:11:49,141 --> 00:11:50,242 OK. HOW YOU DOING? 161 00:11:50,242 --> 00:11:53,079 LUIS IS AN EXCELLENT GUIDE. 162 00:11:55,181 --> 00:11:57,917 Pepe: YOU CAN FIND HIM... 163 00:11:57,917 --> 00:11:58,884 RIGHT HERE AT THIS CORNER. 164 00:11:58,884 --> 00:12:01,987 HE HAS A FEW HOURS AVAILABLE, 165 00:12:01,987 --> 00:12:07,326 AND HE WILL SHOW YOU ANYTHING YOU LIKE. 166 00:12:07,326 --> 00:12:09,795 AND THIS IS FOR YOU. 167 00:12:12,031 --> 00:12:14,133 THANKS. 168 00:12:14,133 --> 00:12:16,202 ENJOY IT, HUH? 169 00:12:18,304 --> 00:12:19,371 THANK YOU. 170 00:12:19,371 --> 00:12:20,473 WAIT. WHAT'S THIS? 171 00:12:20,473 --> 00:12:23,008 YOU'RE LATE. I'M DOCKING YOU. 172 00:12:23,008 --> 00:12:24,143 WAIT A MINUTE, OK? 173 00:12:24,143 --> 00:12:24,844 I'M NOT HERE 174 00:12:24,844 --> 00:12:25,845 JUST BECAUSE I'M FUCKING AROUND. 175 00:12:25,845 --> 00:12:27,847 YOU'RE COCKY. I DON'T LIKE COCKY ANYMORE. 176 00:12:27,847 --> 00:12:30,816 I DON'T NEED COCKY, PEPE. 177 00:12:31,117 --> 00:12:33,452 LOOK. I WAS BREAKING IN A NEW KID, OK? 178 00:12:33,452 --> 00:12:35,354 NOW, THAT'S GOOD NEWS FOR BOTH OF US. 179 00:12:35,354 --> 00:12:37,857 I GOT A DOZEN OTHER GUYS I CAN CALL. 180 00:12:37,857 --> 00:12:40,159 DON'T BE LATE NO MORE. 181 00:12:40,159 --> 00:12:41,360 I GET TESTY. 182 00:12:41,360 --> 00:12:43,329 REMEMBER THAT. 183 00:12:45,264 --> 00:12:47,533 [TAKES MONEY] FINE. 184 00:13:09,221 --> 00:13:10,322 UHH! 185 00:13:26,338 --> 00:13:28,274 HI, FRED. 186 00:13:28,274 --> 00:13:29,575 OH, HI, MARIA. 187 00:13:30,276 --> 00:13:32,011 OH, I'VE GOT YOUR PRESCRIPTION 188 00:13:32,011 --> 00:13:33,312 ALL READY FOR YOU. 189 00:13:33,312 --> 00:13:34,013 THANKS. 190 00:13:34,013 --> 00:13:36,115 UM, HOW'S YOUR MOTHER DOING? 191 00:13:36,115 --> 00:13:38,117 THE DOCTOR SAYS SHE'S DOING BETTER. 192 00:13:38,117 --> 00:13:39,518 I'M REALLY PROUD OF HER. 193 00:13:39,518 --> 00:13:40,953 OH, THAT'S-- THAT'S GREAT. 194 00:13:40,953 --> 00:13:42,254 THAT'S GREAT. 195 00:13:42,254 --> 00:13:44,890 I'M REALLY HAPPY FOR YOU. 196 00:13:44,890 --> 00:13:45,891 UH, LET'S SEE. 197 00:13:45,891 --> 00:13:47,293 ESTOY, UH... 198 00:13:47,293 --> 00:13:49,328 ESTOY MUY CONTENTO. 199 00:13:49,328 --> 00:13:51,463 CONTENTO. 200 00:13:51,463 --> 00:13:53,098 MM-HMM. ASI PERFECTO. 201 00:13:56,135 --> 00:13:57,570 THERE YOU GO. 202 00:13:57,570 --> 00:13:58,838 THANKS. 203 00:14:01,607 --> 00:14:03,175 MARIA? 204 00:14:05,444 --> 00:14:06,245 I WAS WONDERING IF MAYBE 205 00:14:06,245 --> 00:14:09,148 YOU'D WANT TO GO SEE A MOVIE WITH ME SOMETIME, 206 00:14:09,148 --> 00:14:12,484 IF YOU HAVE THE TIME. 207 00:14:12,484 --> 00:14:14,286 SURE. 208 00:14:15,554 --> 00:14:16,455 GOOD. 209 00:14:16,455 --> 00:14:18,224 I'LL--I'LL CALL YOU. 210 00:14:18,224 --> 00:14:21,126 YOU'RE CARLOS, RIGHT? 211 00:14:21,126 --> 00:14:21,560 YES. 212 00:14:21,560 --> 00:14:23,195 I'M LETTI, PEPE'S GIRLFRIEND. 213 00:14:23,195 --> 00:14:25,331 EXCUSE ME, MA'AM, WE WERE HERE FIRST. 214 00:14:25,331 --> 00:14:27,266 IF YOU WANT TO BUY THE FUCKING MAP, 215 00:14:27,266 --> 00:14:29,235 THEN BUY IT. 216 00:14:31,270 --> 00:14:32,204 OH, DEAR. 217 00:14:32,204 --> 00:14:34,106 UH... 218 00:14:34,106 --> 00:14:36,041 OK. 219 00:14:36,041 --> 00:14:39,078 THANK YOU. 220 00:14:39,078 --> 00:14:39,678 COME ON. 221 00:14:39,678 --> 00:14:43,082 I'M GOING TO GIVE YOU AN INTRODUCTORY CLASS. 222 00:14:43,082 --> 00:14:45,284 INTRODUCTORY CLASS? 223 00:14:46,385 --> 00:14:48,354 YOU SAID THAT, UH... 224 00:14:48,354 --> 00:14:50,456 YOU WERE PEPE'S GIRLFRIEND. 225 00:14:50,456 --> 00:14:52,124 IS THAT WHAT HE CALLS YOU? 226 00:14:52,124 --> 00:14:53,325 GIRLFRIEND? 227 00:14:54,593 --> 00:14:58,297 CARLOS, YOU MIGHT AS WELL KNOW NOW. 228 00:14:58,297 --> 00:14:59,431 PEPE LOVES ME. 229 00:14:59,431 --> 00:15:02,101 YOU'LL BE SEEING A LOT OF ME. 230 00:15:02,101 --> 00:15:03,602 OH, I'M SURE HE LOVES YOU. 231 00:15:03,602 --> 00:15:06,272 I'M SURE HE LOVES YOU A WHOLE LOT. 232 00:15:06,272 --> 00:15:08,540 ALL RIGHT, SMART ASS. 233 00:15:08,540 --> 00:15:11,243 JUST SHUT UP. 234 00:15:19,585 --> 00:15:22,121 SIT DOWN AND LISTEN. 235 00:15:23,055 --> 00:15:25,024 I'M LISTENING. 236 00:15:25,024 --> 00:15:27,026 SIT DOWN. 237 00:15:29,161 --> 00:15:31,630 FIRST OF ALL, LISTEN TO THE CUSTOMER 238 00:15:31,630 --> 00:15:34,566 SO YOU CAN FIGURE OUT HOW THEY WANT YOU TO ACT. 239 00:15:34,566 --> 00:15:35,367 SOME PEOPLE WILL WANT YOU 240 00:15:35,367 --> 00:15:37,503 TO BE VERY DIFFERENT THAN OTHERS. 241 00:15:37,503 --> 00:15:38,971 LISTEN... 242 00:15:38,971 --> 00:15:40,005 I'M AN ACTOR. 243 00:15:40,005 --> 00:15:42,708 I KNOW HOW TO PUT ON A SHOW. 244 00:15:42,708 --> 00:15:43,542 I PROMISE YOU 245 00:15:43,542 --> 00:15:46,145 THE CUSTOMERS ARE GOING TO BE HAPPY. 246 00:15:46,145 --> 00:15:48,314 CAN WE GO NOW? 247 00:15:48,314 --> 00:15:49,615 WE'RE NOT TALKING ABOUT 248 00:15:49,615 --> 00:15:52,451 SOME DUMB TRICK FROM EL BARRIO. 249 00:15:52,451 --> 00:15:54,453 THESE ARE REAL CUSTOMERS, 250 00:15:54,453 --> 00:15:56,255 AND PEPE WANTS ME TO MAKE SURE 251 00:15:56,255 --> 00:15:58,023 THAT YOU ARE NOT GOING TO FUCK UP. 252 00:15:58,023 --> 00:16:00,426 SO SHUT THE FUCK UP AND PAY ATTENTION. 253 00:16:00,426 --> 00:16:02,127 BEEN WITH WOMEN? 254 00:16:02,127 --> 00:16:03,062 YES. 255 00:16:03,062 --> 00:16:04,129 BEEN WITH MEN? 256 00:16:04,129 --> 00:16:05,064 YES. 257 00:16:05,064 --> 00:16:06,332 AMERICAN MEN? 258 00:16:06,332 --> 00:16:07,199 YES. 259 00:16:07,199 --> 00:16:08,000 GOOD. 260 00:16:08,000 --> 00:16:11,036 NOW, LET'S TRY SOMETHING. 261 00:16:11,036 --> 00:16:13,305 I'M GOING TO ACT LIKE AN OLD GUY, 262 00:16:13,305 --> 00:16:16,108 AND YOU PLAY ALONG. 263 00:16:16,108 --> 00:16:17,242 AHEM. 264 00:16:18,210 --> 00:16:20,079 HEY, CARLOS, UH... 265 00:16:20,079 --> 00:16:21,480 MY NAME IS, UH, BRETT. 266 00:16:21,480 --> 00:16:24,516 UH, I'M--I'M A LITTLE NERVOUS ABOUT THIS. 267 00:16:24,516 --> 00:16:26,151 I'VE NEVER DONE THIS BEFORE, 268 00:16:26,151 --> 00:16:28,287 AND I'M OLDER. 269 00:16:28,287 --> 00:16:30,289 OH, MY BACK. 270 00:16:32,424 --> 00:16:33,625 UM... 271 00:16:34,760 --> 00:16:36,261 MMM... 272 00:16:36,261 --> 00:16:37,429 BRETT... 273 00:16:39,264 --> 00:16:41,300 YOU'RE SOME HOT HUNK. 274 00:16:41,300 --> 00:16:43,435 OH, THANK YOU. 275 00:16:43,435 --> 00:16:44,203 OH, YEAH. 276 00:16:44,203 --> 00:16:48,140 UH, MAYBE I WOULD, UM, FEEL MORE COMFORTABLE 277 00:16:48,140 --> 00:16:49,975 IF YOU HELPED ME, UM, YOU KNOW, 278 00:16:49,975 --> 00:16:51,510 TAKE MY CLOTHES OFF. 279 00:16:51,510 --> 00:16:52,778 OHH. 280 00:16:52,778 --> 00:16:54,380 AH, THESE OLD BONES. 281 00:16:54,380 --> 00:16:56,115 HEH HEH. 282 00:16:56,115 --> 00:16:57,082 OOH. 283 00:16:57,082 --> 00:16:58,117 [SNIFFS] 284 00:16:58,117 --> 00:16:59,651 OOH... 285 00:16:59,651 --> 00:17:01,553 YOU ARE HOT, BRETT. 286 00:17:01,553 --> 00:17:02,221 THANK YOU. 287 00:17:02,221 --> 00:17:05,190 OH! GO--SLOW DOWN! OH, YEAH. 288 00:17:05,190 --> 00:17:06,759 YOU'RE SCARING ME. 289 00:17:06,759 --> 00:17:07,626 IF YOU'RE SCARED NOW, 290 00:17:07,626 --> 00:17:09,228 WAIT TILL YOU SEE MY CRAZY MEAT. 291 00:17:09,228 --> 00:17:11,497 I'LL FUCK YOU HARD, BABY. 292 00:17:11,497 --> 00:17:13,332 UHH! 293 00:17:13,332 --> 00:17:14,166 STOP IT! 294 00:17:14,166 --> 00:17:17,102 STOP IT. JESUS CHRIST. 295 00:17:17,102 --> 00:17:19,738 YOU'RE A TERRIBLE ACTOR. 296 00:17:20,439 --> 00:17:21,407 WHY DO YOU GOT TO SAY THAT? 297 00:17:21,407 --> 00:17:23,776 I TELL YOU THAT I'M OLD AND NERVOUS. 298 00:17:23,776 --> 00:17:27,212 I ACT OLD AND NERVOUS, AND YOU JUMP MY BONES. 299 00:17:27,212 --> 00:17:28,714 I WAS SEXY, WASN'T I? 300 00:17:28,714 --> 00:17:31,150 YOU GOT TO BE SEXY WITH ME. 301 00:17:31,150 --> 00:17:32,584 LISTEN TO THE CUSTOMER. 302 00:17:32,584 --> 00:17:34,353 THAT'S HALF THE BATTLE. 303 00:17:34,353 --> 00:17:36,188 FUCK THIS GAME. 304 00:17:36,188 --> 00:17:39,224 WITH A REAL CUSTOMER, I KNOW WHAT TO DO. 305 00:18:04,149 --> 00:18:06,385 WHO DO YOU WANT ME TO BE? 306 00:18:06,385 --> 00:18:09,221 NOBODY. 307 00:18:10,622 --> 00:18:11,990 [TECHNO MUSIC] 308 00:18:35,747 --> 00:18:37,049 ♪ ♪ 309 00:18:44,490 --> 00:18:47,126 [MOTHER HUMMING] 310 00:19:05,210 --> 00:19:07,079 Man: TERESA. 311 00:19:07,679 --> 00:19:09,548 OYE, TERESA. 312 00:19:25,164 --> 00:19:27,533 [SPEAKING SPANISH] 313 00:19:49,855 --> 00:19:51,623 HI, ARE YOU CARLOS? 314 00:19:51,623 --> 00:19:52,457 YEAH. 315 00:19:52,457 --> 00:19:53,458 I'M JENNIFER. 316 00:19:53,458 --> 00:19:55,127 PEPE SENT ME. 317 00:20:03,835 --> 00:20:06,505 I GUESS YOU'VE NEVER SEEN ME BEFORE, HUH? 318 00:20:06,505 --> 00:20:06,872 NO. 319 00:20:06,872 --> 00:20:08,907 WE'LL GO BACK TO MY HOUSE NOW, 320 00:20:08,907 --> 00:20:10,209 IF YOU DON'T MIND. 321 00:20:10,209 --> 00:20:12,644 THAT'S FINE. 322 00:20:12,644 --> 00:20:14,213 OK. 323 00:20:49,414 --> 00:20:51,416 COME, COME. 324 00:20:53,852 --> 00:20:55,787 HI, SWEETIE. 325 00:20:56,922 --> 00:20:59,524 OH, CARLOS, THIS IS MY SON ALEX. 326 00:20:59,524 --> 00:21:01,460 HELLO. 327 00:21:01,460 --> 00:21:02,394 HI. 328 00:21:02,394 --> 00:21:03,328 Jennifer: LAURIE, THIS IS CARLOS. 329 00:21:03,328 --> 00:21:04,930 HE'S GOING TO FINISH SOME OF THE YARD WORK 330 00:21:04,930 --> 00:21:06,465 LUIS WAS DOING LAST WEEK. 331 00:21:06,465 --> 00:21:08,066 AND I NEED TO DO SOME WORK, 332 00:21:08,066 --> 00:21:09,468 SO WHY DON'T YOU AND ALEX 333 00:21:09,468 --> 00:21:12,004 GO TO THE PARK AND GET SOME ICE CREAM? 334 00:21:12,004 --> 00:21:13,405 SURE. 335 00:21:13,405 --> 00:21:15,340 WHEN YOU GET A CHANCE, I NEED TO TALK TO YOU 336 00:21:15,340 --> 00:21:16,675 ABOUT SOME DENTAL BENEFITS. 337 00:21:16,675 --> 00:21:19,311 UM, I NEED TO GET A BRIDGE. 338 00:21:19,311 --> 00:21:20,412 OK. 339 00:21:20,412 --> 00:21:21,713 LATER, LAURIE. 340 00:21:21,713 --> 00:21:23,315 GREAT. 341 00:21:31,657 --> 00:21:33,325 YOU'RE AN ACTRESS. 342 00:21:33,325 --> 00:21:34,526 BINGO. 343 00:21:34,526 --> 00:21:36,795 ARE YOU AN ACTOR, CARLOS? 344 00:21:36,795 --> 00:21:38,530 I'M GOING TO BE. 345 00:21:38,530 --> 00:21:40,499 WELL, GOOD FOR YOU. 346 00:21:48,040 --> 00:21:50,409 WHO DO YOU WANT ME TO BE? 347 00:21:51,510 --> 00:21:53,712 YOU SHOULD JUST BE YOURSELF. 348 00:21:54,579 --> 00:21:56,882 HOW DO YOU MEAN, MYSELF? 349 00:21:56,882 --> 00:21:58,317 UM... 350 00:21:58,317 --> 00:21:59,851 I JUST WANT A POOR MEXICAN BOY 351 00:21:59,851 --> 00:22:01,653 TO FUCK MY BRAINS OUT. 352 00:22:01,653 --> 00:22:03,055 OK? 353 00:22:03,989 --> 00:22:05,457 OH. 354 00:22:06,458 --> 00:22:06,792 OK. 355 00:22:06,792 --> 00:22:08,694 WHEN I WAS STARVING IN MEXICO, 356 00:22:08,694 --> 00:22:11,663 AND HOT GRINGAS LIKE YOU COME THERE, 357 00:22:11,663 --> 00:22:15,500 I GET SO HOT FOR THEIR CHILE RELLENOS. 358 00:22:15,500 --> 00:22:19,338 MY MACHETE IS SO HOT FOR YOU. 359 00:22:21,039 --> 00:22:22,007 OHH! 360 00:22:22,007 --> 00:22:25,344 CRAZY LOVE, I'VE GOT YOU! 361 00:22:25,344 --> 00:22:27,479 [APPLAUSE] 362 00:22:32,684 --> 00:22:34,519 THANK YOU VERY MUCH. 363 00:22:34,519 --> 00:22:35,620 I LOVE YOU. 364 00:22:35,620 --> 00:22:36,955 YES! 365 00:22:36,955 --> 00:22:38,657 I GOT IT! 366 00:22:39,524 --> 00:22:40,859 WAS IT OK? 367 00:22:40,859 --> 00:22:42,928 YES. 368 00:22:42,928 --> 00:22:44,062 GOSH, YOU WERE WONDERFUL. 369 00:22:44,062 --> 00:22:45,664 WHAT ARE YOU TALKING ABOUT? 370 00:22:45,664 --> 00:22:46,665 REALLY? 371 00:22:46,665 --> 00:22:48,400 MM-HMM. 372 00:22:52,938 --> 00:22:56,675 WHAT'S IT LIKE TO BE FAMOUS? 373 00:22:57,609 --> 00:22:58,910 MMM, WHEN IT COMES DOWN TO IT, 374 00:22:58,910 --> 00:23:02,748 IT'S REALLY NOT ALL THAT IMPORTANT. 375 00:23:03,348 --> 00:23:08,420 IT MUST BE GREAT TO BE LOVED BY SO MANY PEOPLE-- 376 00:23:08,420 --> 00:23:11,656 MAKE PEOPLE LAUGH, CRY. 377 00:23:12,991 --> 00:23:15,127 YOU REALLY WANT TO ACT? 378 00:23:15,127 --> 00:23:17,529 I'M GOING TO. 379 00:23:18,397 --> 00:23:20,165 SURE. 380 00:23:20,165 --> 00:23:21,967 WHY NOT? 381 00:23:25,537 --> 00:23:27,839 [TELEPHONE RINGS] 382 00:23:27,839 --> 00:23:28,774 HELLO? 383 00:23:28,774 --> 00:23:29,875 HI, HONEY. 384 00:23:29,875 --> 00:23:31,576 JENNIFER. 385 00:23:31,576 --> 00:23:32,611 HOW YOU DOING? 386 00:23:32,611 --> 00:23:33,145 FINE. 387 00:23:33,145 --> 00:23:34,679 LISTEN, I JUST MET THIS KID, 388 00:23:34,679 --> 00:23:36,515 AND I WAS WONDERING IF WE MIGHT NEED 389 00:23:36,515 --> 00:23:37,582 SOME BACKGROUND CHARACTERS 390 00:23:37,582 --> 00:23:38,850 ON THE SHOW NEXT WEEK. 391 00:23:38,850 --> 00:23:40,652 HE'S MEXICAN. 392 00:23:40,652 --> 00:23:41,820 MEXICAN? 393 00:23:41,820 --> 00:23:44,122 REALLY? WHERE'D YOU MEET HIM? 394 00:23:44,122 --> 00:23:44,990 WHERE? 395 00:23:44,990 --> 00:23:46,091 OH. I--UH, WHILE I WAS 396 00:23:46,091 --> 00:23:48,427 DROPPING OFF SOME STUFF AT THE FOOD BANK. 397 00:23:48,927 --> 00:23:51,696 WELL, I GUESS WE CAN WORK HIM IN SOMEHOW. 398 00:23:51,696 --> 00:23:53,031 GREAT. 399 00:23:53,031 --> 00:23:53,999 OK. 400 00:23:53,999 --> 00:23:55,700 BYE. 401 00:23:57,169 --> 00:23:59,604 [SIGHS] 402 00:24:00,639 --> 00:24:03,041 I'M GOING TO BE IN YOUR SHOW? 403 00:24:03,041 --> 00:24:05,177 NEXT WEEK, AS AN EXTRA. 404 00:24:05,177 --> 00:24:05,811 IF IT WORKS OUT, 405 00:24:05,811 --> 00:24:09,648 YOU MIGHT WORK ONCE IN A WHILE, AND... 406 00:24:09,648 --> 00:24:11,016 WOW. 407 00:24:12,984 --> 00:24:14,619 HEY, DON'T GET SO EXCITED. 408 00:24:14,619 --> 00:24:15,887 IT'S JUST EXTRA WORK. 409 00:24:15,887 --> 00:24:18,957 I'M HAPPY. THIS-- 410 00:24:18,957 --> 00:24:21,660 YOU'RE SO NICE. 411 00:24:23,061 --> 00:24:24,563 VERY, VERY NICE. 412 00:24:24,563 --> 00:24:25,730 [LAUGHS] 413 00:24:25,730 --> 00:24:28,166 [DOORBELL RINGS] 414 00:24:33,672 --> 00:24:34,639 HI. 415 00:24:34,639 --> 00:24:36,141 HELLO. 416 00:24:36,141 --> 00:24:37,108 YOU LOOK... 417 00:24:37,108 --> 00:24:38,643 YOU LOOK NICE. 418 00:24:38,643 --> 00:24:39,478 THANKS. 419 00:24:39,478 --> 00:24:40,612 I'LL BE RIGHT BACK. 420 00:24:40,612 --> 00:24:41,046 I'D LET YOU IN, 421 00:24:41,046 --> 00:24:42,948 BUT MY HOUSE IS A BIT MESSY RIGHT NOW. 422 00:24:42,948 --> 00:24:44,449 OH, NO, THERE'S NO HURRY. 423 00:24:44,449 --> 00:24:45,617 OK. 424 00:24:59,998 --> 00:25:00,899 [SLAP] 425 00:25:00,899 --> 00:25:06,605 YOU'D BETTER TAKE CARE OF MOMMY WHILE I'M GONE. 426 00:25:08,240 --> 00:25:12,444 YOU BETTER NOT FALL ASLEEP BEFORE I GET HOME. 427 00:25:13,245 --> 00:25:14,713 HI. HI. 428 00:25:14,713 --> 00:25:15,814 EVERYTHING OK? 429 00:25:15,814 --> 00:25:17,148 YEAH. 430 00:25:17,148 --> 00:25:18,917 READY TO GO? ALL RIGHT. 431 00:25:18,917 --> 00:25:20,685 OH, AND I ALSO LIKED THE GUY-- 432 00:25:20,685 --> 00:25:22,921 THE GUY WITH THE ANTENNAS AND-- 433 00:25:22,921 --> 00:25:24,155 EL CHAPULIN COLORADO. 434 00:25:24,155 --> 00:25:25,223 THAT'S IT. 435 00:25:25,223 --> 00:25:26,057 UM... 436 00:25:26,057 --> 00:25:29,661 NO CANTABAN CON MI ASTUCIA. 437 00:25:30,829 --> 00:25:33,331 I DIDN'T THINK YOU'D BE THIS FUNNY. 438 00:25:33,331 --> 00:25:36,067 WELL, THANK YOU. 439 00:25:43,108 --> 00:25:44,976 DON'T TOUCH THE FOOD, OK? 440 00:25:44,976 --> 00:25:46,811 YOU AND ME ARE GOING TO EAT AT HOME. 441 00:25:46,811 --> 00:25:49,214 THAT'S FOR THE BOYS. 442 00:25:52,250 --> 00:25:54,786 YOU WERE LATE FOR YOUR SECOND DATE. 443 00:25:54,786 --> 00:25:57,122 IN FACT, YOU DIDN'T EVEN SHOW UP. 444 00:25:57,122 --> 00:25:59,124 WELL, I WAS WITH JENNIFER, 445 00:25:59,124 --> 00:26:02,827 AND SHE TOOK A LONG TIME. 446 00:26:02,827 --> 00:26:03,995 DID YOU BOTHER HER? 447 00:26:03,995 --> 00:26:04,262 WHAT? 448 00:26:04,262 --> 00:26:06,898 DID YOU BOTHER HER WITH YOUR ACTING CRAP? 449 00:26:06,898 --> 00:26:09,668 NO, I DIDN'T BOTHER HER. 450 00:26:16,541 --> 00:26:18,109 SHE TOLD ME THAT YOU BEGGED HER 451 00:26:18,109 --> 00:26:20,011 TO BE AN EXTRA ON HER SHOW. 452 00:26:20,011 --> 00:26:21,012 NO, I DIDN'T-- 453 00:26:21,012 --> 00:26:23,148 DON'T FUCK WITH ME! 454 00:26:23,148 --> 00:26:25,016 YOU ARE SUPPOSED TO GO OUT AND DO THE JOB 455 00:26:25,016 --> 00:26:27,052 AND GET BACK TO YOUR CORNER, 456 00:26:27,052 --> 00:26:28,153 AND THAT'S IT. 457 00:26:28,153 --> 00:26:29,321 IT WON'T HAPPEN AGAIN. 458 00:26:29,321 --> 00:26:30,889 YOU'RE RIGHT. IT WON'T HAPPEN. 459 00:26:30,889 --> 00:26:32,257 BECAUSE FROM NOW ON, I'M GOING TO SEND 460 00:26:32,257 --> 00:26:33,325 THE GUYS OUT WITH JENNIFER. 461 00:26:33,325 --> 00:26:36,161 IF YOU WANT TO WORK FOR ME, 462 00:26:36,161 --> 00:26:37,262 YOU DO WHAT I SAY. 463 00:26:37,262 --> 00:26:38,029 AND BELIEVE ME, 464 00:26:38,029 --> 00:26:39,297 YOU WILL MEET 10 TIMES MORE PEOPLE 465 00:26:39,297 --> 00:26:40,732 THAN YOU WILL WITH JENNIFER. 466 00:26:40,732 --> 00:26:41,266 AND IF YOU DON'T, 467 00:26:41,266 --> 00:26:43,568 THEN I WILL SHIP YOUR SKINNY ASS 468 00:26:43,568 --> 00:26:44,636 BACK TO MEXICO. 469 00:26:44,636 --> 00:26:48,139 YOU GOT THAT, MR. HASSELHOFF? 470 00:27:10,662 --> 00:27:12,230 I THOUGHT YOU RESPECTED ME. 471 00:27:12,230 --> 00:27:16,034 Man: I DO. I JUST CAN'T MARRY YOU. 472 00:27:18,169 --> 00:27:22,073 IS THAT HOW MUCH MY LOVE IS WORTH TO YOU? 473 00:27:22,073 --> 00:27:24,709 YOU'RE GOING TO BE ON CARMEL COUNTY? 474 00:27:24,709 --> 00:27:26,611 SHE SAID I'D BE AN EXTRA. 475 00:27:26,611 --> 00:27:30,048 I DON'T KNOW. DO YOU THINK SHE WAS SERIOUS? 476 00:27:30,048 --> 00:27:32,050 I THINK SO. SHE SAID IT. 477 00:27:32,050 --> 00:27:33,151 I HOPE IT'S TRUE. 478 00:27:33,151 --> 00:27:35,220 WHY DON'T YOU QUIT WITH PEPE NOW? 479 00:27:35,220 --> 00:27:38,289 PEPE WOULD RUIN THINGS FOR ME SOMEHOW. 480 00:27:38,289 --> 00:27:39,991 I KNOW HE WOULD. 481 00:27:39,991 --> 00:27:41,359 I JUST GOT TO KEEP HIM OUT OF IT 482 00:27:41,359 --> 00:27:42,961 UNTIL I DO THE SHOW. 483 00:27:42,961 --> 00:27:45,163 YOU'RE CRAZY. 484 00:27:45,163 --> 00:27:47,098 SO, TELL ME ABOUT THIS GUY. 485 00:27:47,098 --> 00:27:49,067 WHAT'S HE LIKE? 486 00:27:50,402 --> 00:27:52,237 WELL... 487 00:27:52,237 --> 00:27:53,638 HE'S NICE. 488 00:27:53,638 --> 00:27:55,140 HE'S UGLY, HUH? 489 00:27:55,140 --> 00:27:57,876 NO, HE'S NOT. SHUT UP. 490 00:27:57,876 --> 00:28:00,078 YOU LIKE HIM, DON'T YOU? 491 00:28:01,046 --> 00:28:02,313 I GUESS SO, 492 00:28:02,313 --> 00:28:03,381 BUT I'D BE STUPID TO THINK 493 00:28:03,381 --> 00:28:04,382 THAT I COULD GET INVOLVED 494 00:28:04,382 --> 00:28:05,884 WITH ANYONE RIGHT NOW. 495 00:28:05,884 --> 00:28:07,919 YOU CAN SEE HIM. 496 00:28:07,919 --> 00:28:10,155 I SHOULD WAIT. 497 00:28:10,989 --> 00:28:13,358 [TELEVISION ON] 498 00:28:13,992 --> 00:28:16,361 [SPEAKING SPANISH] 499 00:28:57,268 --> 00:28:59,738 [LAUGHS] 500 00:29:01,372 --> 00:29:02,774 HEY! 501 00:29:02,774 --> 00:29:09,080 HOW MANY TIMES HAS MAMITA TOLD YOU NOT TO SIT ON HER? 502 00:29:09,080 --> 00:29:10,014 OHH! 503 00:29:10,014 --> 00:29:11,783 [LAUGHS] 504 00:29:11,783 --> 00:29:14,219 YOU ARE A BAD, BAD BOY. 505 00:29:14,219 --> 00:29:17,856 YOU ARE GOING TO GROW UP TO BE A BIG, DUMB MAN. 506 00:29:17,856 --> 00:29:20,158 YEAH, BUT A HORNY ONE. 507 00:29:21,192 --> 00:29:22,193 MMM... 508 00:29:22,193 --> 00:29:23,394 OHH... 509 00:29:24,162 --> 00:29:25,196 PEPE... 510 00:29:25,196 --> 00:29:28,032 ARE YOU SURE YOU WANT CARLOS WORKING FOR YOU? 511 00:29:28,867 --> 00:29:30,835 I DIDN'T ASK HIM TO COME BACK. 512 00:29:30,835 --> 00:29:31,803 I KNOW, BUT... 513 00:29:31,803 --> 00:29:33,538 MAYBE LATER ON, YOU MIGHT REGRET IT. 514 00:29:33,538 --> 00:29:35,206 HE'S A SMART KID, AND... 515 00:29:35,206 --> 00:29:38,009 WHAT'S WRONG WITH HIS LIFE NOW, LETTI? 516 00:29:38,009 --> 00:29:38,476 I TAKE CARE OF HIM 517 00:29:38,476 --> 00:29:40,378 LIKE I TAKE CARE OF THE REST OF MY FAMILY, 518 00:29:40,378 --> 00:29:41,045 INCLUDING YOU. 519 00:29:41,045 --> 00:29:42,480 SO WHY CAN'T HE BE HAPPY WITH THAT? 520 00:29:42,480 --> 00:29:44,048 I WAS 4 YEARS YOUNGER THAN HIM 521 00:29:44,048 --> 00:29:46,251 WHEN MY FATHER PUT ME ON THE STREETS OF NEW YORK. 522 00:29:46,251 --> 00:29:50,088 I'M NOT EXACTLY THE POPE, BUT I THINK I'M DOING FINE. 523 00:29:50,088 --> 00:29:51,256 I KNOW. 524 00:29:52,257 --> 00:29:54,025 LOOK. HE'S GOT SOME SILLY IDEAS 525 00:29:54,025 --> 00:29:55,527 ABOUT BECOMING A MOVIE STAR. 526 00:29:55,527 --> 00:29:58,496 HE'S JUST COCKY. THAT'S HIS WAY. 527 00:29:58,496 --> 00:30:01,065 DON'T WORRY. 528 00:30:04,803 --> 00:30:06,171 HI, SILLY. 529 00:30:07,105 --> 00:30:07,839 HI. 530 00:30:07,839 --> 00:30:09,774 ARE YOU AFRAID OF ME? 531 00:30:09,774 --> 00:30:11,543 WHY SHOULD I BE AFRAID? 532 00:30:11,543 --> 00:30:12,377 I DON'T KNOW. 533 00:30:12,377 --> 00:30:13,244 I TALKED TO PEPE YESTERDAY, 534 00:30:13,244 --> 00:30:15,146 AND HE SAID I CAN'T SEE YOU ANYMORE. 535 00:30:15,146 --> 00:30:15,880 YEAH? 536 00:30:15,880 --> 00:30:18,149 THOUGHT MAYBE YOU GOT SCARED. 537 00:30:18,149 --> 00:30:18,449 NO. 538 00:30:18,449 --> 00:30:20,418 PEPE DOESN'T WANT ME TO BOTHER YOU. 539 00:30:20,418 --> 00:30:22,353 WHY DON'T YOU JUST COME WITH ME NOW? 540 00:30:22,353 --> 00:30:23,154 I'LL EXPLAIN TO PEPE 541 00:30:23,154 --> 00:30:26,524 YOU'RE NOT BOTHERING ME AT ALL. 542 00:30:26,524 --> 00:30:28,226 I HAVE TO DO THIS. 543 00:30:28,226 --> 00:30:29,494 BUT ANY TIME I'M NOT WORKING, 544 00:30:29,494 --> 00:30:31,029 I MEAN, I'LL TAKE THE BUS ANYWHERE, 545 00:30:31,029 --> 00:30:32,831 MEET YOU ANYWHERE YOU WANT. 546 00:30:33,331 --> 00:30:34,098 I'LL PICK YOU UP TONIGHT, 547 00:30:34,098 --> 00:30:35,500 EVEN THOUGH I THINK YOU SHOULD DROP 548 00:30:35,500 --> 00:30:37,502 ANY OTHER COMMITMENTS. 549 00:30:38,169 --> 00:30:40,505 I'M A PRIZE, KID. 550 00:30:42,841 --> 00:30:45,376 [WOMAN SINGING IN SPANISH] 551 00:30:58,156 --> 00:30:59,524 [MAN TAKES PICTURES] 552 00:31:05,897 --> 00:31:08,499 [TAKES PICTURE] 553 00:31:24,482 --> 00:31:27,085 COME GET IT, ROMEO. 554 00:31:33,091 --> 00:31:34,392 HERE COMES PEPE. 555 00:31:34,392 --> 00:31:35,927 CALL STEWART. 556 00:31:35,927 --> 00:31:37,962 HEY, HEY, GENTLEMEN. 557 00:31:37,962 --> 00:31:38,963 HEY. HEY. 558 00:31:38,963 --> 00:31:40,365 HEY! 559 00:31:40,365 --> 00:31:41,666 WHAT'S GOING ON, DONALD? 560 00:31:41,666 --> 00:31:43,201 I'M SORRY, PEPE. 561 00:31:43,201 --> 00:31:45,236 YOU'RE NOT ALLOWED IN HERE NO MORE. 562 00:31:45,236 --> 00:31:46,237 SAYS WHO? 563 00:31:46,237 --> 00:31:47,305 STEWART. 564 00:31:47,305 --> 00:31:48,439 HE SAYS YOU SHOULD WAIT OUT HERE, 565 00:31:48,439 --> 00:31:51,075 AND HE'LL COME OUT TO TALK TO YOU. 566 00:31:51,075 --> 00:31:51,943 YOU'RE KIDDING ME, RIGHT? 567 00:31:51,943 --> 00:31:53,478 COME ON, I GOT BUSINESS IN THERE. 568 00:31:53,478 --> 00:31:54,646 WHERE IS THAT FUCKING ASSHOLE? 569 00:31:54,646 --> 00:31:55,613 YOU'RE NOT COMING IN HERE, PEPE! 570 00:31:55,613 --> 00:31:58,950 HEY! DON'T LET THAT WETBACK EYESORE 571 00:31:58,950 --> 00:31:59,517 COME IN HERE. 572 00:31:59,517 --> 00:32:01,019 WAIT A MINUTE. WAIT A MINUTE. 573 00:32:01,019 --> 00:32:02,987 WHAT CRAWLED UP YOUR ASS AND DIED? 574 00:32:02,987 --> 00:32:05,123 YOU'RE LATE AGAIN. 575 00:32:05,256 --> 00:32:08,259 15 MINUTES. COME ON, GIVE ME A BREAK. 576 00:32:08,259 --> 00:32:09,093 YOU WANT A BREAK? 577 00:32:09,093 --> 00:32:10,595 FROM NOW ON, YOU WORK OUT HERE. 578 00:32:11,329 --> 00:32:12,297 YOU WANT ME TO HANG OUT HERE 579 00:32:12,297 --> 00:32:14,399 AND WAIT TILL YOU THROW ME A BONE? 580 00:32:15,266 --> 00:32:16,567 YEAH. 581 00:32:20,571 --> 00:32:22,473 HEY, MAN, YOU LOOKING FOR A GUIDE? 582 00:32:22,473 --> 00:32:24,108 WHAT DO YOU GOT? 583 00:32:24,108 --> 00:32:25,510 NEVER MIND. GET LOST, HUH? 584 00:32:25,510 --> 00:32:26,644 WELL, GOOD MORNING TO YOU, 585 00:32:26,644 --> 00:32:28,646 YOU FUCKING ASSHOLE. 586 00:32:32,383 --> 00:32:35,153 Man: I THINK I WANT TO TRY SOMETHING NEW. 587 00:32:35,620 --> 00:32:37,989 YOU KNOW WHAT I'M THINKING OF DOING? 588 00:32:37,989 --> 00:32:40,425 PRODUCING A DOCUMENTARY. 589 00:32:41,192 --> 00:32:42,260 GREAT. 590 00:32:42,260 --> 00:32:44,095 WHEN ARE YOU QUITTING? 591 00:32:45,363 --> 00:32:47,365 YOU KNOW, THERE ARE A LOT OF ISSUES 592 00:32:47,365 --> 00:32:49,167 THAT I REALLY CARE ABOUT. 593 00:32:49,167 --> 00:32:50,668 IT'S A GREAT IDEA, HONEY. 594 00:32:50,668 --> 00:32:52,503 DO IT. 595 00:32:53,271 --> 00:32:54,505 YEAH, WELL, UH... 596 00:32:58,209 --> 00:33:00,111 I JUST MIGHT. 597 00:33:03,314 --> 00:33:05,116 I CAN'T. 598 00:33:10,254 --> 00:33:13,257 I JUST NEED SOME TIME. 599 00:33:16,227 --> 00:33:18,529 I GOT TO GO. 600 00:33:18,529 --> 00:33:19,597 WHERE ARE YOU GOING? 601 00:33:19,597 --> 00:33:21,165 I DON'T KNOW. 602 00:33:47,225 --> 00:33:48,559 WHAT'S THE MATTER? 603 00:33:50,595 --> 00:33:52,296 HELLO? 604 00:33:56,167 --> 00:33:58,102 CARLOS. 605 00:33:58,102 --> 00:33:59,337 HELLO? 606 00:34:18,356 --> 00:34:20,091 "PRINCESS..." 607 00:34:20,591 --> 00:34:22,060 "THE GREAT DIFFERENCE 608 00:34:22,060 --> 00:34:24,695 "BETWEEN PEOPLE IN THIS WORLD 609 00:34:24,695 --> 00:34:25,830 "IS NOT THE DIFFERENCE 610 00:34:25,830 --> 00:34:28,332 "BETWEEN THE RICH AND THE POOR 611 00:34:28,332 --> 00:34:30,668 "OR THE GOOD AND THE EVIL. 612 00:34:30,668 --> 00:34:32,537 "THE BIGGEST OF ALL DIFFERENCES 613 00:34:32,537 --> 00:34:34,105 "IN THIS WORLD 614 00:34:34,105 --> 00:34:35,740 "IS BETWEEN THOSE... 615 00:34:35,740 --> 00:34:39,644 "THAT HAD OR HAVE PLEASURE IN LOVE 616 00:34:39,644 --> 00:34:41,412 "AND THOSE THAT HAVEN'T 617 00:34:41,412 --> 00:34:43,181 "OR HADN'T ANY PLEASURE IN LOVE. 618 00:34:43,181 --> 00:34:46,551 "I DON'T MEAN JUST ORDINARY LOVE 619 00:34:46,551 --> 00:34:49,487 "OR THE KIND YOU CAN BUY. 620 00:34:49,487 --> 00:34:52,123 I MEAN GREAT LOVE." 621 00:34:52,690 --> 00:34:54,058 WHAT'S THAT FROM? 622 00:34:54,058 --> 00:34:56,494 SWEET BIRD OF YOUTH. 623 00:34:57,562 --> 00:35:00,798 MAYBE YOU DO BELONG IN FRONT OF THE CAMERA. 624 00:35:01,833 --> 00:35:02,834 YEAH? 625 00:35:02,834 --> 00:35:04,569 YEAH. 626 00:35:05,436 --> 00:35:06,370 COME ON. 627 00:35:06,370 --> 00:35:09,574 SHOW ME HOW MUCH YOU WANT IT. 628 00:35:09,574 --> 00:35:11,142 COME ON. 629 00:35:11,809 --> 00:35:14,112 DO ME. 630 00:35:15,313 --> 00:35:16,647 YEAH. 631 00:35:17,715 --> 00:35:19,517 COME ON. 632 00:35:47,278 --> 00:35:49,614 I HAD FUN, MARIA. 633 00:35:51,149 --> 00:35:53,284 MARIA, WHAT'S WRONG? 634 00:35:53,284 --> 00:35:55,920 I'M SO WORRIED ABOUT MY BROTHER. 635 00:35:55,920 --> 00:35:58,256 HOW COME? 636 00:35:59,423 --> 00:36:00,625 MY FATHER, 637 00:36:00,625 --> 00:36:02,426 HE'S NOT A GOOD MAN, AND... 638 00:36:02,426 --> 00:36:05,730 I'VE ALWAYS MANAGED TO KEEP AWAY FROM HIM, 639 00:36:05,730 --> 00:36:07,431 BUT CARLOS HASN'T. 640 00:36:07,431 --> 00:36:12,203 MY MOTHER FOUGHT SO HARD TO GET HIM AWAY IN MEXICO. 641 00:36:12,203 --> 00:36:14,605 THAT'S WHEN SHE HAD HER BREAKDOWN. 642 00:36:14,605 --> 00:36:15,773 AND NOW CARLOS IS BACK, 643 00:36:15,773 --> 00:36:18,509 AND MY FATHER WON'T TURN HIM LOOSE. 644 00:36:18,509 --> 00:36:20,211 MARIA, I WANT YOU TO KNOW 645 00:36:20,211 --> 00:36:23,447 THAT NO MATTER HOW BAD THE PROBLEMS GET, 646 00:36:23,447 --> 00:36:24,882 YOU DON'T EVER HAVE TO BE EMBARRASSED 647 00:36:24,882 --> 00:36:26,817 OF YOUR FAMILY WITH ME. 648 00:36:28,452 --> 00:36:29,554 OK? 649 00:36:29,554 --> 00:36:32,456 THANKS FOR SAYING THAT. 650 00:36:32,456 --> 00:36:33,591 SURE. 651 00:36:35,660 --> 00:36:37,795 I'LL CALL YOU? 652 00:36:37,795 --> 00:36:39,297 OK. 653 00:36:52,510 --> 00:36:55,213 [SPEAKING SPANISH] 654 00:37:09,427 --> 00:37:10,695 HI, IT'S JENNIFER. 655 00:37:10,695 --> 00:37:15,299 COULD YOU GET ME ANY OF THE WRITERS, PLEASE? 656 00:37:15,299 --> 00:37:16,834 HI, ZACK. IT'S JENNIFER. 657 00:37:16,834 --> 00:37:19,403 LISTEN. YOU KNOW THAT MEXICAN KID 658 00:37:19,403 --> 00:37:20,705 I TOLD MARTIN ABOUT? 659 00:37:20,705 --> 00:37:21,872 UH, THE EXTRA? 660 00:37:21,872 --> 00:37:22,506 YEAH. 661 00:37:22,506 --> 00:37:24,475 COULD YOU THROW SOME LINES HIS WAY? 662 00:37:24,475 --> 00:37:26,844 YOU KNOW, GIVE HIM A BIT OF BUSINESS TO DO. 663 00:37:26,844 --> 00:37:29,380 OK. MEXICAN BUSINESS. 664 00:37:29,380 --> 00:37:31,282 I THINK IT WOULD BE FUN. 665 00:37:31,282 --> 00:37:31,983 WHAT DO YOU THINK? 666 00:37:31,983 --> 00:37:34,885 FUN MEXICAN BUSINESS. YOU GOT IT. 667 00:37:34,885 --> 00:37:36,887 WHAT'D YOU DO TO JENNIFER, MAN? 668 00:37:36,887 --> 00:37:38,723 SHE DON'T COME TO SEE US NO MORE. 669 00:37:38,723 --> 00:37:41,292 YOU'RE NOT ALLOWED TO SEE HER, HUH? 670 00:37:41,292 --> 00:37:42,360 I SEE HER. 671 00:37:42,360 --> 00:37:43,628 WHEN? 672 00:37:43,628 --> 00:37:45,563 I MAKE TIME. 673 00:37:45,563 --> 00:37:48,299 SHE IS ONE CRAZY, KINKY BITCH. 674 00:37:48,299 --> 00:37:49,934 YEAH, MAN. SHE'S MAD, TWISTED. 675 00:37:49,934 --> 00:37:52,603 Boy: YOU THINK SHE'S GOING TO MAKE YOU A STAR, HUH? 676 00:37:52,603 --> 00:37:56,407 THE NEXT ANTONIO BANDERAS AND SHIT. 677 00:37:58,609 --> 00:38:00,344 WHAT MAKES YOU THINK YOU'RE SO SPECIAL, MAN? 678 00:38:00,344 --> 00:38:01,746 YEAH, IF YOU'RE GOING TO BE SUCH A BIG STAR, 679 00:38:01,746 --> 00:38:03,914 WHAT ARE YOU STILL DOING HERE, MAN? 680 00:38:03,914 --> 00:38:04,849 YOUR SHIT STILL STINKS, BRO. 681 00:38:04,849 --> 00:38:07,551 I'M ONLY DOING IT FOR A WHILE. 682 00:38:07,551 --> 00:38:08,986 [LAUGHTER] 683 00:38:08,986 --> 00:38:10,955 A WHILE. 684 00:38:11,756 --> 00:38:14,425 [BOTH SINGING LA LUNA] 685 00:38:29,807 --> 00:38:32,443 [SINGING CONTINUES] 686 00:38:39,750 --> 00:39:02,340 ♪ LA LUNA ♪ 687 00:39:03,908 --> 00:39:04,642 MARTIN. 688 00:39:04,642 --> 00:39:06,677 WE'VE GOT SOMETHING FOR THE LATINO GUY. 689 00:39:06,677 --> 00:39:08,412 YOU'RE GOING TO LOVE THIS, ALL RIGHT? 690 00:39:08,412 --> 00:39:09,080 2 WORDS-- 691 00:39:09,080 --> 00:39:10,781 MEXICAN GARDENER. 692 00:39:10,781 --> 00:39:11,415 GARDENER? 693 00:39:11,415 --> 00:39:13,050 GREASY GARDENER OUT IN THE GARDEN 694 00:39:13,050 --> 00:39:13,951 CLIPPING THE HEDGES. 695 00:39:13,951 --> 00:39:15,820 GINA INVITES HIM IN FOR LEMONADE... 696 00:39:15,820 --> 00:39:16,954 Writer: THEY BOOM. 697 00:39:16,954 --> 00:39:17,922 Zack: THEY BOOM. 698 00:39:17,922 --> 00:39:19,457 DOES IT ALWAYS HAVE TO BE ABOUT SEX 699 00:39:19,457 --> 00:39:20,891 WITH YOU GUYS? 700 00:39:20,891 --> 00:39:23,928 WHAT DO YOU WANT IT TO BE ABOUT, POLITICS? 701 00:39:24,895 --> 00:39:25,863 COME ON, GUYS. 702 00:39:25,863 --> 00:39:28,332 TELEVISION CAN ENTERTAIN AND EDUCATE. 703 00:39:28,332 --> 00:39:28,833 THAT'S A GOOD POINT. 704 00:39:28,833 --> 00:39:31,502 WELL, HOW ABOUT IF RIGHT BEFORE THEY HAVE SEX, 705 00:39:31,502 --> 00:39:32,636 HE PULLS A CONDOM OUT AND SAYS, 706 00:39:32,636 --> 00:39:35,673 "HEY, LOOK WHAT THEY HANDED OUT IN SCHOOL TODAY"? 707 00:39:35,673 --> 00:39:37,708 OR WHEN THEY'RE FUCKING ON HER DESK, 708 00:39:37,708 --> 00:39:39,610 SHE CAN KNOCK OVER A RECYCLING BIN. 709 00:39:39,610 --> 00:39:40,678 THAT'S GOOD. 710 00:39:40,678 --> 00:39:42,413 GUYS. 711 00:39:42,413 --> 00:39:43,981 WELL, LOOK, I MEAN, 712 00:39:43,981 --> 00:39:44,915 HE'S AN ILLEGAL IMMIGRANT. 713 00:39:44,915 --> 00:39:46,550 YOU KNOW, SHE'S HELPING HIM OUT. 714 00:39:46,550 --> 00:39:49,053 GETS YOUR POINT ACROSS. 715 00:39:49,854 --> 00:39:53,991 HEY, ARE YOU CARLOS? PEPE SENT ME. 716 00:39:53,991 --> 00:39:54,592 OK. 717 00:39:54,592 --> 00:39:56,660 LOOK, I'M SORRY, KID. COULD-- 718 00:39:56,660 --> 00:39:57,995 HEY, STUD. 719 00:39:57,995 --> 00:39:58,963 HI. 720 00:39:58,963 --> 00:39:59,597 HELLO. 721 00:39:59,597 --> 00:40:02,900 HOW ABOUT TAKING THE DAY OFF AND SPENDING IT WITH ME? 722 00:40:02,900 --> 00:40:03,834 I CAN'T. 723 00:40:03,834 --> 00:40:05,603 I WANT TO TAKE YOU TO THE STUDIO. 724 00:40:05,603 --> 00:40:06,871 THE SCRIPT FOR THE SHOW IS READY. 725 00:40:06,871 --> 00:40:08,372 YOU'VE GOT LINES AND EVERYTHING. 726 00:40:08,372 --> 00:40:10,408 Man: HEY, COME ON. 727 00:40:11,542 --> 00:40:12,076 I COULD COME LATER. 728 00:40:12,076 --> 00:40:13,844 CARLOS, THERE'S PEOPLE YOU'RE GOING TO HAVE TO MEET 729 00:40:13,844 --> 00:40:15,980 IF YOU WANT TO DO WHAT YOU REALLY WANT TO DO. 730 00:40:15,980 --> 00:40:17,548 NOW, YOU'RE TELLING ME YOU DON'T HAVE THE BALLS 731 00:40:17,548 --> 00:40:18,849 TO BLOW OFF YOUR DAY JOB? 732 00:40:18,849 --> 00:40:20,017 Man: CARLOS. 733 00:40:20,017 --> 00:40:23,354 YOU WANT SOME BUSINESS OR NOT? 734 00:40:24,889 --> 00:40:25,523 Man: HEY. 735 00:40:25,523 --> 00:40:27,158 HEY, COME ON. WHAT DID I SAY? 736 00:40:27,158 --> 00:40:27,892 THAT'S BETTER. 737 00:40:27,892 --> 00:40:29,894 HEY, WHERE YOU GOING, CARLOS? 738 00:40:29,894 --> 00:40:31,896 YOU LITTLE TRAMP! 739 00:40:31,896 --> 00:40:33,998 FUCK YOU! 740 00:40:39,703 --> 00:40:40,971 Jennifer: HI, JOE. 741 00:40:47,111 --> 00:40:48,078 THANKS, HON. 742 00:40:48,078 --> 00:40:50,047 HAVE A GOOD ONE. 743 00:40:50,114 --> 00:40:52,483 ♪ LET ME HEAR YOU SAY, LET ME HEAR YOU SAY ♪ 744 00:40:52,483 --> 00:40:53,184 ♪ LET ME HEAR YOU SAY ♪ 745 00:40:53,184 --> 00:40:54,885 ♪ LET ME HEAR YOU SAY YEAH ♪ 746 00:40:54,885 --> 00:40:57,154 ♪ LET ME HEAR YOU SAY, LET ME HEAR YOU SAY ♪ 747 00:40:57,154 --> 00:40:58,556 ♪ LET ME HEAR YOU SAY YEAH ♪ 748 00:40:58,556 --> 00:41:00,891 ♪ LET ME HEAR YOU SAY, LET ME HEAR YOU SAY ♪ 749 00:41:00,891 --> 00:41:02,860 ♪ LET ME HEAR YOU SAY YEAH ♪ 750 00:41:02,860 --> 00:41:04,929 ♪ LET ME HEAR YOU SAY, LET ME HEAR YOU SAY ♪ 751 00:41:04,929 --> 00:41:07,731 ♪ LET ME HEAR YOU SAY YEAH ♪ 752 00:41:08,732 --> 00:41:11,202 THIS IS GOOD, GUYS. 753 00:41:11,202 --> 00:41:12,203 YEAH, IT'S, UH... 754 00:41:12,203 --> 00:41:14,538 THE WHOLE ILLEGAL IMMIGRANT THING 755 00:41:14,538 --> 00:41:15,873 IS JUST REALLY... 756 00:41:15,873 --> 00:41:17,475 UH, TOPICAL AND HOT. 757 00:41:17,475 --> 00:41:19,944 PRETTY EXCITING WAY TO START YOUR CAREER. 758 00:41:19,944 --> 00:41:20,911 YES, IT'S GREAT. 759 00:41:20,911 --> 00:41:23,380 WHAT OTHER WORK HAVE YOU DONE? 760 00:41:24,081 --> 00:41:28,619 OH, HE DID SOME REGIONAL THEATER IN MEXICO. 761 00:41:28,986 --> 00:41:31,021 I'M JUST SORT OF GOING ON A HUNCH HERE, GUYS. 762 00:41:31,021 --> 00:41:32,857 I CAN FEEL THESE THINGS. 763 00:41:32,857 --> 00:41:34,458 YEAH. WELCOME. 764 00:41:34,458 --> 00:41:35,025 THANKS. 765 00:41:35,025 --> 00:41:37,528 OK, WELL, SEE YOU SOON. 766 00:41:37,528 --> 00:41:39,964 UH, GOOD MEETING YOU. 767 00:41:39,964 --> 00:41:41,532 GOOD TO MEET YOU. 768 00:41:41,532 --> 00:41:42,533 BYE, GUYS. 769 00:41:42,533 --> 00:41:43,634 YOU DON'T EVEN HAVE TO TELL ME. 770 00:41:43,634 --> 00:41:45,269 OK, WE'RE GOING TO NEED YOU ON WEDNESDAY, 771 00:41:45,269 --> 00:41:46,203 SO WE'LL HAVE SOMEONE CALL YOU 772 00:41:46,203 --> 00:41:48,572 ON TUESDAY AFTERNOON, ALL RIGHT? 773 00:41:48,572 --> 00:41:48,939 OK. 774 00:41:48,939 --> 00:41:50,908 DO YOU WANT TO STAY AND REHEARSE FOR A BIT? 775 00:41:50,908 --> 00:41:52,610 IT MIGHT BE GOOD TO GO OVER YOUR SCENE. 776 00:41:52,610 --> 00:41:53,544 I'D LIKE THAT. 777 00:41:53,544 --> 00:41:54,678 I'M GOING TO LEAVE. 778 00:41:54,678 --> 00:41:55,813 UH, I'LL TURN THE LIGHTS OUT HERE, 779 00:41:55,813 --> 00:41:57,114 AND I'LL JUST LEAVE THE LIGHTS ON 780 00:41:57,114 --> 00:41:58,482 ON THE SET, OK? 781 00:41:58,482 --> 00:41:59,817 OK. 782 00:41:59,817 --> 00:42:00,651 LUCY... 783 00:42:00,651 --> 00:42:02,820 IS MARTIN AROUND? 784 00:42:02,820 --> 00:42:04,822 I HAVEN'T SEEN HIM, NO. 785 00:42:04,822 --> 00:42:06,423 OK. THANKS FOR EVERYTHING. 786 00:42:06,423 --> 00:42:08,993 ALL RIGHT. BYE-BYE. 787 00:42:19,136 --> 00:42:22,540 WOULD YOU LIKE SOME MORE LEMONADE? 788 00:42:25,276 --> 00:42:26,644 RIGHT NOW, 789 00:42:26,644 --> 00:42:28,879 I'M THIRSTY 790 00:42:28,879 --> 00:42:30,848 FOR A KISS. 791 00:42:30,848 --> 00:42:33,851 YOU'RE OUT OF LINE, PANCHO. 792 00:42:33,851 --> 00:42:37,721 YOU KNOW MY INTEREST IN YOU IS PURELY POLITICAL. 793 00:42:37,721 --> 00:42:39,557 GINA... 794 00:42:41,759 --> 00:42:42,960 THIS IS POLITICAL. 795 00:42:42,960 --> 00:42:46,096 [JENNIFER AND CARLOS PANTING AND MOANING] 796 00:42:46,964 --> 00:42:49,600 Jennifer: OH, MY GOD! 797 00:42:50,134 --> 00:42:52,136 OH, YOU ANIMAL. 798 00:42:56,907 --> 00:42:59,510 [MAN SINGING IN SPANISH] 799 00:43:05,683 --> 00:43:06,584 I GOT TO GO. 800 00:43:06,584 --> 00:43:07,885 I'LL TALK TO YOU LATER. 801 00:43:07,885 --> 00:43:09,053 BYE. 802 00:43:15,359 --> 00:43:18,128 [MAN SINGING IN SPANISH] 803 00:43:31,775 --> 00:43:33,877 OH, HI, HONEY. 804 00:43:33,877 --> 00:43:36,246 WE'VE BEEN REHEARSING. 805 00:43:37,948 --> 00:43:38,949 OH. 806 00:43:38,949 --> 00:43:42,052 MARTIN, THIS IS CARLOS. 807 00:43:42,686 --> 00:43:44,188 HI. NICE TO MEET YOU. 808 00:43:44,188 --> 00:43:45,189 HELLO. 809 00:43:45,189 --> 00:43:46,890 I'M SO EXCITED. 810 00:43:46,890 --> 00:43:47,391 THIS IS GOING TO BE 811 00:43:47,391 --> 00:43:49,693 ONE OF THE MOST SOCIALLY RESPONSIBLE SHOWS 812 00:43:49,693 --> 00:43:50,327 WE'VE EVER DONE. 813 00:43:50,327 --> 00:43:51,729 YEP. I THINK THAT'S TRUE. 814 00:43:51,729 --> 00:43:53,931 AND WE'RE LUCKY TO HAVE RUN INTO CARLOS. 815 00:43:53,931 --> 00:43:54,632 HE'S VERY TALENTED. 816 00:43:54,632 --> 00:43:57,334 WELL, HE CERTAINLY LOOKS THE PART, HUH? 817 00:43:57,334 --> 00:43:58,202 THANK YOU. 818 00:43:58,202 --> 00:43:59,803 LISTEN, IF YOU WANT A RIDE HOME, 819 00:43:59,803 --> 00:44:00,904 IT'S NOT A PROBLEM. 820 00:44:00,904 --> 00:44:02,873 NO, I'LL TAKE THE BUS. 821 00:44:02,873 --> 00:44:05,309 I'M A BIG MAN. I CAN TAKE CARE OF MYSELF. 822 00:44:05,309 --> 00:44:06,810 OK. THROUGH THAT DOOR 823 00:44:06,810 --> 00:44:08,679 WILL TAKE YOU RIGHT TO THE STREET. 824 00:44:08,679 --> 00:44:10,848 CARLOS, NICE MEETING YOU AGAIN. 825 00:44:10,848 --> 00:44:11,849 GOOD LUCK. 826 00:44:11,849 --> 00:44:13,283 THANK YOU. 827 00:44:13,283 --> 00:44:13,917 BYE, CARLOS. 828 00:44:13,917 --> 00:44:18,055 GOOD-BYE, AND THANKS FOR EVERYTHING. 829 00:44:21,725 --> 00:44:23,027 Woman: MARRY ME! 830 00:44:23,027 --> 00:44:25,262 Man: A DEAL WITH FOX. 831 00:44:25,262 --> 00:44:27,698 $1 MILLION FOR 3 YEARS. 832 00:44:27,698 --> 00:44:29,967 Woman: OVER HERE, CARLOS! 833 00:44:29,967 --> 00:44:32,202 [SHOUTS BECOME INCOHERENT] 834 00:44:46,717 --> 00:44:48,719 THINK YOU'RE A BIG MOVIE STAR NOW. 835 00:44:48,719 --> 00:44:49,820 FUCK ME OVER, HUH? 836 00:44:49,820 --> 00:44:51,321 I HAD TO. THIS IS MY CHANCE. 837 00:44:51,321 --> 00:44:53,257 YOU THINK JENNIFER'S GONNA HELP YOU WITH THIS SHIT, 838 00:44:53,257 --> 00:44:55,993 BUT THESE PEOPLE ARE GONNA MAKE AN ASSHOLE OUT OF YOU. 839 00:44:55,993 --> 00:44:56,994 YOU DON'T KNOW HER. 840 00:44:56,994 --> 00:44:57,661 I DO KNOW HER! 841 00:44:57,661 --> 00:45:00,030 SHE'S GONNA PRETEND TO PUT YOU IN HER SHOW 842 00:45:00,030 --> 00:45:01,632 SO YOU CAN GET GOOD AND EXCITED 843 00:45:01,632 --> 00:45:02,633 FOR WHEN SHE FUCKS YOU. 844 00:45:02,633 --> 00:45:04,702 THAT WOMAN IS A DICK FIEND. 845 00:45:04,702 --> 00:45:06,437 THIS IS WHERE YOUR TALENT LIES. 846 00:45:06,437 --> 00:45:06,970 FUCK YOU! 847 00:45:06,970 --> 00:45:09,606 WE DON'T HAVE TO FIGHT LIKE THIS. 848 00:45:10,941 --> 00:45:12,943 NOW, I KNOW... 849 00:45:12,943 --> 00:45:16,113 THAT DEEP DOWN INSIDE... 850 00:45:16,113 --> 00:45:18,949 YOU KNOW I'M RIGHT. 851 00:45:18,949 --> 00:45:20,751 I HAD DREAMS... 852 00:45:20,751 --> 00:45:24,021 BUT MY FATHER TAUGHT ME TO BE A MAN. 853 00:45:24,388 --> 00:45:27,925 AND THE SON OF A BITCH WAS RIGHT. 854 00:45:27,925 --> 00:45:29,393 YOU'RE MY SON. 855 00:45:30,227 --> 00:45:33,363 I LOVE YOU, AND I CARE FOR YOU. 856 00:45:37,501 --> 00:45:39,737 NOBODY ELSE DOES. 857 00:46:00,891 --> 00:46:02,092 THIS TIME... 858 00:46:02,092 --> 00:46:03,026 [VIEWER GASPS] 859 00:46:03,026 --> 00:46:06,029 YOU ARE GONNA LOSE. 860 00:46:06,296 --> 00:46:08,832 WHAT THE FUCK YOU DO THAT FOR? 861 00:46:08,832 --> 00:46:12,503 BECAUSE SHE'S A FUCKING CUNT AND HER FUCKING SHOW STINKS. 862 00:46:12,503 --> 00:46:15,172 WHAT'S THE MATTER, PAPI? 863 00:46:15,472 --> 00:46:17,474 I DON'T WANNA TALK ABOUT IT. 864 00:46:17,474 --> 00:46:18,408 COME HERE. 865 00:46:18,408 --> 00:46:20,210 COME TO MOMMY. 866 00:46:31,421 --> 00:46:34,057 IT'S TERESA, ISN'T IT? 867 00:46:34,291 --> 00:46:36,160 SHE'S GETTING SICKER, I BET. 868 00:46:36,160 --> 00:46:39,029 IT MUST BE HARD TO SEE HER IN THE HOSPITAL. 869 00:46:39,029 --> 00:46:40,831 YEAH, MAYBE THAT'S IT. 870 00:46:42,866 --> 00:46:45,135 NENA, CARLOS HAS BEEN SCREWING UP AT WORK A LOT. 871 00:46:45,135 --> 00:46:47,337 I NEED YOU TO GO OUT ON DOUBLE DATES WITH HIM 872 00:46:47,337 --> 00:46:48,539 AS MUCH AS YOU CAN, OK? 873 00:46:48,539 --> 00:46:50,107 KEEP HIM IN LINE. 874 00:46:50,107 --> 00:46:52,476 BOY NEEDS TO GET HIS HEAD IN CHECK REAL QUICK. 875 00:46:52,476 --> 00:46:54,077 YOU KNOW SOMETHING? 876 00:46:54,077 --> 00:46:57,181 IT'S NOT LIKE I EXPECT MY FAMILY TO KISS MY ASS. 877 00:46:57,181 --> 00:46:58,415 I KNOW THAT. 878 00:46:58,415 --> 00:46:59,516 BUT YOU'D THINK ONCE IN A WHILE 879 00:46:59,516 --> 00:47:00,651 THEY WOULD GIVE ME A LITTLE CREDIT 880 00:47:00,651 --> 00:47:02,319 FOR EVERYTHING I DO FOR THEM. 881 00:47:02,319 --> 00:47:03,887 I RENT THEM A GOOD HOUSE, 882 00:47:03,887 --> 00:47:05,956 I PAY FOR EVERYTHING... 883 00:47:05,956 --> 00:47:08,025 THEY NEVER SAY THANK YOU. 884 00:47:11,061 --> 00:47:14,464 [SINGING IN SPANISH] 885 00:47:26,910 --> 00:47:29,246 [HUMMING TUNE] 886 00:47:32,216 --> 00:47:34,451 I DON'T KNOW IF I DID THE RIGHT THING 887 00:47:34,451 --> 00:47:36,053 INVITING FRED OVER. 888 00:47:36,053 --> 00:47:39,022 I DON'T KNOW IF I'M READY TO HAVE HIM COME HERE. 889 00:47:39,022 --> 00:47:41,058 DO YOU WANNA CANCEL IT? 890 00:47:41,892 --> 00:47:43,060 NO. 891 00:47:43,060 --> 00:47:45,095 GOOD. THEN GO WITH IT. 892 00:47:45,095 --> 00:47:46,396 IT'LL BE ALL RIGHT. 893 00:47:46,396 --> 00:47:47,931 PEPE'S WORKING ANYWAY. 894 00:47:47,931 --> 00:47:50,067 YOU'RE GONNA BE HERE, RIGHT? 895 00:47:50,067 --> 00:47:52,502 I'LL BE HERE. DON'T WORRY. 896 00:47:53,470 --> 00:47:54,872 GUESS WHAT. 897 00:47:54,872 --> 00:47:56,173 WHAT? 898 00:47:56,173 --> 00:47:57,574 I GOT THE SCRIPT. 899 00:47:57,574 --> 00:47:58,876 "YOU KNOW, PANCHO, 900 00:47:58,876 --> 00:48:01,311 SOME OF MY BEST FRIENDS ARE MEXICAN." 901 00:48:01,311 --> 00:48:03,480 NONE OF YOUR OTHER MEXICAN FRIENDS 902 00:48:03,480 --> 00:48:06,917 COULD EVER MOW YOUR LAWN THE WAY I CAN, GINA. 903 00:48:06,917 --> 00:48:12,890 I AM LIKE A MATADOR WITH MY LEAF BLOWER. 904 00:48:12,890 --> 00:48:15,525 LIKE A MATADOR WITH M Y L EAF BLOWER. 905 00:48:15,525 --> 00:48:17,327 MY LEAF--W ITH MY-- 906 00:48:17,327 --> 00:48:18,862 WITH--WITH... 907 00:48:18,862 --> 00:48:20,030 OOH! 908 00:48:20,030 --> 00:48:22,232 MY GRASS IS OVERGROWN. 909 00:48:22,232 --> 00:48:25,068 TAKE ME, YOU LATIN STUD. 910 00:48:25,068 --> 00:48:26,270 TAKE ME, PLEASE. 911 00:48:26,270 --> 00:48:28,138 I'M HELPLESS, AND I'M WHITE. 912 00:48:28,138 --> 00:48:30,073 YOU'RE NOT HELPING. 913 00:48:30,073 --> 00:48:30,674 PANCHO. 914 00:48:30,674 --> 00:48:33,343 PANCHO, TAKE ME, PLEASE. 915 00:48:33,343 --> 00:48:36,480 IT'S MY JOB TO PLAY A STUD. 916 00:48:36,480 --> 00:48:39,216 FINE. I'LL PLAY A STUD. 917 00:48:39,216 --> 00:48:41,018 I'M SORRY. 918 00:48:41,084 --> 00:48:43,420 WHO THE HELL ARE YOU TO MAKE FUN OF THIS? 919 00:48:43,420 --> 00:48:46,490 YOU'VE NEVER EVEN DONE ANYTHING REMOTELY ARTISTIC. 920 00:48:46,490 --> 00:48:49,092 HOW WOULD YOU KNOW? 921 00:48:51,261 --> 00:48:53,230 SHIT. 922 00:48:53,230 --> 00:48:54,598 I'M SORRY. 923 00:48:55,365 --> 00:48:57,701 I DON'T KNOW WHY I SAID THAT. 924 00:48:57,701 --> 00:49:01,104 CARLOS, WHY DON'T YOU QUIT WITH PEPE NOW? 925 00:49:01,104 --> 00:49:02,339 WHAT IS HE GONNA DO? 926 00:49:02,339 --> 00:49:05,409 NO, I CAN'T PISS HIM OFF RIGHT NOW. 927 00:49:05,409 --> 00:49:08,345 I CAN'T TAKE THAT CHANCE. 928 00:49:09,046 --> 00:49:11,315 [HORN HONKS] 929 00:49:11,315 --> 00:49:13,183 [HONK] 930 00:49:13,183 --> 00:49:15,218 I GOTTA GO. 931 00:49:21,925 --> 00:49:24,528 YOU REALLY SCREWED PEPE OVER YESTERDAY. 932 00:49:24,528 --> 00:49:28,198 YOU'RE MAKING HIM TREAT YOU LIKE A BABY. 933 00:49:28,198 --> 00:49:29,399 WHAT FOR? 934 00:49:29,399 --> 00:49:31,134 ACTING. 935 00:49:31,134 --> 00:49:32,536 YOU THINK THAT RICH BITCH 936 00:49:32,536 --> 00:49:34,037 IS REALLY GONNA HELP YOU. 937 00:49:34,037 --> 00:49:34,805 AY. 938 00:49:34,805 --> 00:49:36,173 IF IT WAS THAT EASY, 939 00:49:36,173 --> 00:49:36,907 DON'T YOU THINK 940 00:49:36,907 --> 00:49:38,608 THAT EVERYBODY WOULD BE ACTING? 941 00:49:38,608 --> 00:49:40,711 I KNOW IT'S NOT PRETTY, 942 00:49:40,711 --> 00:49:44,381 BUT YOU STAND TO MAKE SOME MONEY WITH PEPE. 943 00:49:44,381 --> 00:49:47,184 AND BELIEVE ME, I KNOW HE CARES FOR YOU. 944 00:49:47,184 --> 00:49:49,920 THAT'S IT. STOP THE FUCKING CAR. 945 00:49:49,920 --> 00:49:50,821 ARE YOU SURE? 946 00:49:50,821 --> 00:49:52,489 STOP THE FUCKING CAR. 947 00:49:52,489 --> 00:49:53,023 WHY? 948 00:49:53,023 --> 00:49:54,691 STOP THE FUCKING CAR! 949 00:49:54,691 --> 00:49:55,459 WHAT THE FUCK? 950 00:49:55,459 --> 00:49:57,961 WHAT, ARE YOU FUCKING NUTS? 951 00:49:58,462 --> 00:50:00,197 FUCKING CRAZY. 952 00:50:00,197 --> 00:50:01,598 SO... 953 00:50:01,598 --> 00:50:02,666 YOU GETTING OUT? 954 00:50:02,666 --> 00:50:04,167 NO, I'M NOT GETTING OUT. 955 00:50:04,167 --> 00:50:07,204 I'M TIRED OF YOU AND YOUR HIJA-DE-PUTA LECTURES. 956 00:50:07,204 --> 00:50:08,605 WELL... 957 00:50:08,605 --> 00:50:09,573 I AM SO SORRY 958 00:50:09,573 --> 00:50:12,275 TO HAVE INCONVENIENCED YOU IN ANY WAY AT ALL. 959 00:50:12,275 --> 00:50:14,311 I GUESS THAT YOU DON'T WANNA GRACE US WHORES 960 00:50:14,311 --> 00:50:16,513 WITH YOUR PRESENCE, HUH? 961 00:50:17,047 --> 00:50:19,282 GOD FORBID THAT SOME DUMB WHORE, 962 00:50:19,282 --> 00:50:22,152 WHO ALSO HAPPENS TO BE YOUR FATHER'S GIRLFRIEND, 963 00:50:22,152 --> 00:50:24,321 SHOULD TRY AND HELP YOU MAKE SENSE OF THINGS. 964 00:50:24,321 --> 00:50:26,623 I MEAN, THAT WOULD REALLY SUCK. 965 00:50:26,623 --> 00:50:27,157 SHUT UP! 966 00:50:27,157 --> 00:50:29,526 IF YOU'RE SO FUCKING HOT, WHY DON'T YOU GET OUT? 967 00:50:29,526 --> 00:50:30,660 JUST SHUT UP! 968 00:50:30,660 --> 00:50:33,563 I'M HERE TO DO THE JOB, AND THAT'S IT. 969 00:50:33,563 --> 00:50:36,166 I'LL DO ALL THE FUCKING THAT I'M REQUIRED TO DO. 970 00:50:36,166 --> 00:50:38,101 BUT ANYTHING ELSE, WHATEVER I DO, 971 00:50:38,101 --> 00:50:40,237 IS NONE OF YOUR FUCKING BUSINESS. 972 00:50:40,237 --> 00:50:42,372 JUST BECAUSE YOU'RE DUMB ENOUGH TO BE WITH PEPE 973 00:50:42,372 --> 00:50:44,808 DOESN'T MAKE YOU MY MOTHER NOR MY GODMOTHER. 974 00:50:44,808 --> 00:50:46,777 YOU ARE NOT MI FAMILIA, 975 00:50:46,777 --> 00:50:49,179 SO JUST DRIVE THE FUCKING CAR 976 00:50:49,179 --> 00:50:50,247 TO THE FUCKING PLACE 977 00:50:50,247 --> 00:50:52,582 AND STOP YOUR FUCKING CEREMONIES. 978 00:50:58,755 --> 00:51:00,357 SURE. 979 00:51:00,690 --> 00:51:03,493 WHATEVER FLOATS YOUR BOAT. 980 00:51:23,146 --> 00:51:23,847 OH, HI. 981 00:51:23,847 --> 00:51:26,483 BUMCAKES, THEY'RE HERE! 982 00:51:34,858 --> 00:51:36,193 THERE'S NO HURRY. 983 00:51:36,193 --> 00:51:38,495 YEAH, PLEASE, TAKE YOUR TIME. 984 00:51:38,495 --> 00:51:39,629 IT'S GROOVY, YOU KNOW? 985 00:51:39,629 --> 00:51:43,567 WE'D LIKE IT BETTER IF YOU JUST DID IT. 986 00:51:45,368 --> 00:51:47,270 MY MACHETE... 987 00:51:47,270 --> 00:51:49,272 IS GONNA CUT YOU OPEN. 988 00:51:49,272 --> 00:51:49,840 CARLOS. 989 00:51:49,840 --> 00:51:51,541 FUCK YOU. I'LL FUCK YOU. 990 00:51:51,541 --> 00:51:52,676 CARLOS, STOP IT. 991 00:51:52,676 --> 00:51:53,443 HEY, DUDE, 992 00:51:53,443 --> 00:51:55,479 THAT'S NOT COOL, ALL RIGHT? 993 00:51:55,479 --> 00:51:57,681 STOP IT. CARLOS, STOP. 994 00:52:03,253 --> 00:52:05,322 Woman: IS HE ALL RIGHT? 995 00:52:05,322 --> 00:52:06,857 HE'S--HE'S FINE. 996 00:52:06,857 --> 00:52:10,160 CARLOS, THESE PEOPLE JUST WANT US 997 00:52:10,160 --> 00:52:12,362 TO MAKE LOVE NICE, OK? 998 00:52:12,362 --> 00:52:16,133 YOU JUST GOTTA TAKE IT EASY. 999 00:52:27,611 --> 00:52:29,546 ARE YOU READY? 1000 00:52:32,349 --> 00:52:35,719 UH, MAYBE WE HAVE A PROBLEM HERE. 1001 00:52:35,719 --> 00:52:36,386 MAYBE. 1002 00:52:36,386 --> 00:52:39,689 PLEASE, UM, JUST GIVE ME A MINUTE. 1003 00:52:41,725 --> 00:52:44,161 CARLOS. 1004 00:52:45,462 --> 00:52:47,297 CARLOS. 1005 00:52:47,631 --> 00:52:50,300 [POUNDING] 1006 00:53:01,845 --> 00:53:04,314 [POUNDING] 1007 00:53:06,316 --> 00:53:08,351 CARLOS. 1008 00:53:09,619 --> 00:53:11,288 HI. 1009 00:53:18,695 --> 00:53:20,397 CARLOS. 1010 00:53:21,631 --> 00:53:25,402 I WOULD REALLY ENJOY KISSING YOU RIGHT NOW. 1011 00:53:25,969 --> 00:53:29,139 WOULD IT BE ALL RIGHT IF I KISSED YOU? 1012 00:53:42,552 --> 00:53:46,223 WOULD IT BE ALL RIGHT IF I HOLD YOU? 1013 00:54:17,654 --> 00:54:21,258 WOULD IT BE ALL RIGHT IF I TOUCH YOU? 1014 00:54:27,964 --> 00:54:29,599 Man: ♪ TAKE CARE ♪ 1015 00:54:29,599 --> 00:54:34,271 ♪ NOT TO HURT YOURSELF ♪ 1016 00:54:34,571 --> 00:54:37,574 ♪ BEWARE OF THE NEED ♪ 1017 00:54:37,574 --> 00:54:39,943 ♪ FOR HELP ♪ 1018 00:54:40,677 --> 00:54:42,679 ♪ YOU MIGHT ♪ 1019 00:54:42,679 --> 00:54:46,283 ♪ NEED TOO MUCH ♪ 1020 00:54:46,716 --> 00:54:49,986 ♪ AND PEOPLE ARE SUCH-- ♪ 1021 00:54:49,986 --> 00:54:51,621 ♪ TAKE CARE ♪ 1022 00:54:51,621 --> 00:54:52,589 ♪ PLEASE ♪ 1023 00:54:52,589 --> 00:54:55,292 ♪ TAKE CARE ♪ 1024 00:54:57,627 --> 00:55:00,263 ♪ SOME PEOPLE READ ♪ 1025 00:55:00,263 --> 00:55:03,300 ♪ IDEA BOOKS ♪ 1026 00:55:03,600 --> 00:55:05,735 ♪ AND SOME PEOPLE ♪ 1027 00:55:05,735 --> 00:55:09,572 ♪ HAVE PRETTY LOOKS ♪ 1028 00:55:10,607 --> 00:55:11,875 ♪ BUT IF ♪ 1029 00:55:11,875 --> 00:55:15,979 ♪ YOUR EYES ARE WIDE ♪ 1030 00:55:16,780 --> 00:55:19,449 ♪ THEN ALL WORDS ASIDE ♪ 1031 00:55:19,449 --> 00:55:21,484 ♪ TAKE CARE ♪ 1032 00:55:21,484 --> 00:55:25,322 ♪ PLEASE TAKE CARE ♪ 1033 00:55:25,889 --> 00:55:27,991 ♪ MMM... ♪ 1034 00:55:40,036 --> 00:55:42,605 [SPEAKING SPANISH] 1035 00:55:46,943 --> 00:55:48,411 HOLA, M'IJA. 1036 00:55:48,678 --> 00:55:51,047 [SPEAKING SPANISH] 1037 00:56:00,457 --> 00:56:02,926 [SPEAKING SPANISH] 1038 00:56:40,096 --> 00:56:42,599 HEY, NENA, WHAT'S WITH ALL THE ROSES? 1039 00:56:42,599 --> 00:56:44,734 WHAT IS IT, MY BIRTHDAY OR SOMETHING, HUH? 1040 00:56:44,734 --> 00:56:47,137 I'M HAVING A FRIEND OVER FOR DINNER. 1041 00:56:47,137 --> 00:56:48,371 A FRIEND? 1042 00:56:48,371 --> 00:56:49,606 YES, A FRIEND. 1043 00:56:49,606 --> 00:56:52,942 MAYBE I SHOULD STICK AROUND AND MEET THIS FRIEND, HUH? 1044 00:56:52,942 --> 00:56:55,945 AND MAYBE I'LL KILL YOU. 1045 00:56:56,746 --> 00:56:59,582 I'M KIDDING. I'M JUST KIDDING, OK? 1046 00:57:00,817 --> 00:57:02,085 JUANCITO, STAY HERE 1047 00:57:02,085 --> 00:57:05,054 AND KEEP AN EYE ON THIS FRIEND, OK? 1048 00:57:05,054 --> 00:57:06,523 [CHUCKLING] 1049 00:57:07,123 --> 00:57:09,125 I USED TO WANT A LOT OF THINGS, 1050 00:57:09,125 --> 00:57:10,360 BUT... 1051 00:57:10,360 --> 00:57:13,830 I STILL DREAM OF HAVING A LITTLE MORE SOMETHING. 1052 00:57:13,830 --> 00:57:15,165 I DON'T KNOW. 1053 00:57:15,165 --> 00:57:17,233 MAYBE JUST A LITTLE GESTURE 1054 00:57:17,233 --> 00:57:19,969 FROM THOSE WHO LOVE ME. 1055 00:57:20,036 --> 00:57:22,172 LIKE IF PEPE WASN'T SO EMBARRASSED 1056 00:57:22,172 --> 00:57:23,940 TO TAKE ME OUT IN PUBLIC. 1057 00:57:23,940 --> 00:57:25,842 SOMETIMES THAT BIG FUCK 1058 00:57:25,842 --> 00:57:28,945 CAN MAKE ME FEEL SO SMALL. 1059 00:57:29,446 --> 00:57:31,681 HE'S BAD. 1060 00:57:31,981 --> 00:57:32,715 HE'S GOOD. 1061 00:57:32,715 --> 00:57:36,085 YOU JUST HAVE TO TRY TO UNDERSTAND HIM. 1062 00:57:36,085 --> 00:57:38,154 HE HAS A LOT TO DEAL WITH. 1063 00:57:38,154 --> 00:57:40,690 HIS BUSINESS IS GROWING FAST, 1064 00:57:40,690 --> 00:57:42,058 AND... 1065 00:57:42,058 --> 00:57:45,728 EVEN THOUGH HE'S KNOWN FOR A WHILE, 1066 00:57:45,728 --> 00:57:48,865 I'M SURE IT'S NOT VERY EASY FOR HIM 1067 00:57:48,865 --> 00:57:51,134 WITH YOUR MOTHER DYING. 1068 00:57:52,402 --> 00:57:55,104 MY MOTHER DYING? 1069 00:57:55,104 --> 00:57:56,906 I'M SORRY. 1070 00:57:57,707 --> 00:57:58,074 LETTI... 1071 00:57:58,074 --> 00:58:00,243 MY MOTHER HAD A MENTAL BREAKDOWN, 1072 00:58:00,243 --> 00:58:03,179 BUT THE DOCTOR SAYS SHE'S ON HER WAY UP. 1073 00:58:03,179 --> 00:58:05,715 I SWEAR TO GOD. 1074 00:58:06,316 --> 00:58:10,119 YOUR MOTHER IS NOT DYING OF CANCER? 1075 00:58:11,421 --> 00:58:13,890 IS THAT WHAT PEPE TOLD YOU? 1076 00:58:13,890 --> 00:58:14,424 MY GOD. 1077 00:58:14,424 --> 00:58:16,759 YOUR MOTHER IS NOT DYING? 1078 00:58:16,759 --> 00:58:17,961 NO. 1079 00:58:17,961 --> 00:58:20,396 THIS IS VERY IMPORTANT, CARLOS. 1080 00:58:20,396 --> 00:58:22,765 ARE YOU TELLING ME THE TRUTH? 1081 00:58:22,765 --> 00:58:24,968 MY MOTHER IS NOT DYING. 1082 00:58:24,968 --> 00:58:26,870 THAT FUCKER! 1083 00:58:26,870 --> 00:58:29,072 I'VE BEEN TELLING YOU HE'S A-- 1084 00:58:29,072 --> 00:58:31,774 LISTEN, JUST SHUT UP AND GET YOUR CLOTHES ON. 1085 00:58:31,774 --> 00:58:32,976 HEY, YOU GUYS WERE GREAT. 1086 00:58:32,976 --> 00:58:35,211 OH, YEAH? BIG FUCKING WOW! 1087 00:58:35,211 --> 00:58:37,580 WHERE ARE WE GOING? 1088 00:58:48,992 --> 00:58:51,194 SO YOU FIND A JOB YET, FRANK? 1089 00:58:51,194 --> 00:58:53,162 YEAH. I'M TAKING OVER JENNIFER UPLAND'S SHOW. 1090 00:58:53,162 --> 00:58:54,931 CARMEL COUNTY? 1091 00:58:54,931 --> 00:58:55,398 REALLY? 1092 00:58:55,398 --> 00:58:57,200 YEAH, HER HUSBAND WAS PRODUCING IT, 1093 00:58:57,200 --> 00:58:58,201 BUT HE'S QUITTING. 1094 00:58:58,201 --> 00:58:59,135 THAT'S INTERESTING. 1095 00:58:59,135 --> 00:59:00,403 YOU KNOW, I LOVE THAT SHOW. 1096 00:59:00,403 --> 00:59:02,071 OH, I'M A BIG FAN. 1097 00:59:02,071 --> 00:59:02,972 REALLY? 1098 00:59:02,972 --> 00:59:03,973 OH, BIG FAN. 1099 00:59:03,973 --> 00:59:05,708 OH, THAT'S GREAT. 1100 00:59:36,906 --> 00:59:41,377 CARLOS SAYS THAT TERESA IS NOT DYING. 1101 00:59:42,779 --> 00:59:43,546 CARLOS IS AN IDIOT. 1102 00:59:43,546 --> 00:59:46,349 HE DOESN'T KNOW WHAT HE'S TALKING ABOUT. 1103 00:59:47,984 --> 00:59:51,054 YOU ARE A FUCKING LIAR. 1104 00:59:51,054 --> 00:59:52,288 COME ON, CARLOS, 1105 00:59:52,288 --> 00:59:56,359 WE'RE GOING INSIDE FOR A FUCKING DRINK! 1106 01:00:02,599 --> 01:00:06,436 UH, ISN'T HE A LITTLE BIT YOUNG TO BE IN HERE? 1107 01:00:06,436 --> 01:00:07,470 OH, JEEZ. 1108 01:00:07,470 --> 01:00:08,504 LET'S GET OUT OF HERE. 1109 01:00:08,504 --> 01:00:10,340 WE ARE STAYING. 1110 01:00:11,374 --> 01:00:12,842 OW! 1111 01:00:12,842 --> 01:00:15,111 Carlos: HEY! STOP! 1112 01:00:17,413 --> 01:00:20,316 [CURSING IN SPANISH] 1113 01:00:21,918 --> 01:00:23,386 GET OFF OF HER! 1114 01:00:23,386 --> 01:00:25,054 [SPEAKING SPANISH] 1115 01:00:25,054 --> 01:00:26,489 I SHOULD HAVE LEFT YOU IN MEXICO, 1116 01:00:26,489 --> 01:00:28,958 YOU LITTLE PIECE OF SHIT! 1117 01:00:28,958 --> 01:00:30,259 GET OUT! 1118 01:00:40,036 --> 01:00:42,138 [WHIMPERING] 1119 01:00:44,007 --> 01:00:46,809 YOU'RE DEAD. 1120 01:00:49,512 --> 01:00:51,147 MMM. 1121 01:00:51,948 --> 01:00:54,584 THIS IS REALLY, REALLY DELICIOUS. 1122 01:00:54,584 --> 01:00:55,385 GREAT. 1123 01:00:55,385 --> 01:00:57,420 I'M GLAD YOU LIKE IT. 1124 01:00:57,420 --> 01:00:58,855 THE TAMALES ARE A LITTLE DRY. 1125 01:00:58,855 --> 01:01:01,057 IT'S KIND OF HARD TO GET THEM JUST RIGHT. 1126 01:01:01,057 --> 01:01:02,592 NO, NO, NO. THESE ARE GREAT. 1127 01:01:02,592 --> 01:01:04,227 THEY'RE DELICIOUS. 1128 01:01:04,227 --> 01:01:05,695 THANKS. 1129 01:01:05,695 --> 01:01:06,496 ¿MAMI... 1130 01:01:06,496 --> 01:01:08,364 TIENES HAMBRE, HUH? 1131 01:01:08,364 --> 01:01:09,565 MMM. 1132 01:01:10,633 --> 01:01:12,068 ¿UH, SEÑOR? 1133 01:01:12,068 --> 01:01:13,269 MMM? 1134 01:01:13,269 --> 01:01:14,437 MY UNCLE... 1135 01:01:14,437 --> 01:01:16,172 HE LOVE TAMALES. 1136 01:01:16,172 --> 01:01:18,341 HE ATE THEM ALL THE TIME. 1137 01:01:18,341 --> 01:01:20,610 BUT ONE DAY, THE CORN WAS GREEN, 1138 01:01:20,610 --> 01:01:22,145 AND HE CHOKE... 1139 01:01:22,145 --> 01:01:23,146 DEAD... 1140 01:01:23,146 --> 01:01:25,548 WE THINK. 1141 01:01:25,548 --> 01:01:28,284 UH, NEXT WE BURY HIM. 1142 01:01:28,284 --> 01:01:29,485 YEARS LATER, 1143 01:01:29,485 --> 01:01:31,554 THEY HAD TO MOVE THE COFFIN 1144 01:01:31,554 --> 01:01:33,356 FROM THE CEMENTERIO. 1145 01:01:33,356 --> 01:01:36,559 THEY SAY THAT HIS FINGERS-- 1146 01:01:36,559 --> 01:01:38,461 BLOODY FROM SCRATCHING-- 1147 01:01:38,461 --> 01:01:41,531 WAS COMING THROUGH THE WOOD. 1148 01:01:41,531 --> 01:01:43,199 BURIED ALIVE. 1149 01:01:43,199 --> 01:01:45,134 [LAUGHING] 1150 01:01:53,543 --> 01:01:56,079 MARIA, WHEN YOU BURY ME, 1151 01:01:56,079 --> 01:01:57,980 MAKE SURE I'M REAL DEAD. 1152 01:01:57,980 --> 01:02:00,249 ALL RIGHT, ENOUGH STORIES. 1153 01:02:00,249 --> 01:02:01,951 VAMONOS. 1154 01:02:04,287 --> 01:02:07,090 UH, IS, UH... 1155 01:02:07,090 --> 01:02:08,424 VERY NICE MEETING YOU. 1156 01:02:08,424 --> 01:02:11,127 [SPEAKING SPANISH AWKWARDLY] 1157 01:02:11,961 --> 01:02:14,263 UH, EXCUSE ME. 1158 01:02:14,731 --> 01:02:16,566 BUENAS NOCHES, JUANCHO. 1159 01:02:16,566 --> 01:02:17,667 GOOD NIGHT, MOMMY. 1160 01:02:17,667 --> 01:02:19,268 I'LL BE RIGHT BACK. 1161 01:02:19,268 --> 01:02:21,137 UH, TAKE YOUR TIME. 1162 01:02:27,610 --> 01:02:29,545 [NERVOUS LAUGH] 1163 01:02:35,685 --> 01:02:38,688 HEY. PSST. 1164 01:02:39,555 --> 01:02:41,657 HEY. 1165 01:02:50,233 --> 01:02:51,634 YOU... 1166 01:02:51,634 --> 01:02:53,636 AND HER. 1167 01:02:54,704 --> 01:02:57,173 [GRUNTING] 1168 01:03:07,583 --> 01:03:10,186 [GRUNTING LOUDLY] 1169 01:03:16,058 --> 01:03:18,161 [BREATHING HEAVILY] 1170 01:03:18,995 --> 01:03:20,229 OHH. 1171 01:03:20,229 --> 01:03:21,564 OOF. 1172 01:03:22,799 --> 01:03:24,967 [FRED GIGGLES NERVOUSLY] 1173 01:03:25,334 --> 01:03:27,436 ISN'T IT GREAT SHE'S GETTING BETTER? 1174 01:03:27,436 --> 01:03:30,173 OH, YEAH. SHE'S--SHE'S GREAT. 1175 01:03:31,274 --> 01:03:33,442 SHE--SHE'S VERY LUCKY TO HAVE YOU AROUND 1176 01:03:33,442 --> 01:03:34,710 TO HELP HER AND EVERYTHING. 1177 01:03:34,710 --> 01:03:38,247 I'D DO ANYTHING FOR HER TO GET BETTER. 1178 01:03:38,247 --> 01:03:39,682 LET ME TAKE THIS. 1179 01:03:39,682 --> 01:03:41,517 OH, THANKS. 1180 01:03:53,196 --> 01:03:55,064 YOU BETTER GO. 1181 01:03:56,365 --> 01:04:00,403 IT'S NOT GOOD FOR YOU TO BE ALONE RIGHT NOW. 1182 01:04:00,403 --> 01:04:01,571 IT'S OK. 1183 01:04:01,571 --> 01:04:03,639 I DON'T THINK SO. 1184 01:04:03,639 --> 01:04:04,707 DON'T WORRY. 1185 01:04:04,707 --> 01:04:06,609 I'LL BE FINE. 1186 01:04:10,279 --> 01:04:12,715 I SHOULD'VE STOPPED HIM. 1187 01:04:13,783 --> 01:04:16,052 IT'S NOT YOUR FAULT, CARLOS. 1188 01:04:16,052 --> 01:04:17,553 I SHOULD'VE. 1189 01:04:29,298 --> 01:04:31,534 WHAT ARE YOU GONNA DO NOW? 1190 01:04:33,769 --> 01:04:37,673 I'M GONNA GO STAY WITH MY SISTER. 1191 01:04:37,673 --> 01:04:39,809 I'LL BE FINE. 1192 01:04:41,744 --> 01:04:44,780 TELL ME WHERE TO CALL YOU. 1193 01:04:55,424 --> 01:04:57,260 GO. 1194 01:05:02,732 --> 01:05:04,600 GOOD-BYE. 1195 01:05:17,480 --> 01:05:20,182 [TIRES SQUEALING] 1196 01:05:24,186 --> 01:05:26,222 I HOPE CARLOS IS ALL RIGHT. 1197 01:05:26,222 --> 01:05:27,556 HEY, I HOPE HE'S ALL RIGHT, TOO. 1198 01:05:27,556 --> 01:05:29,625 HEY, I'M MARIA'S FATHER. 1199 01:05:29,625 --> 01:05:30,359 OH. FRED MARIN. 1200 01:05:30,359 --> 01:05:33,629 FRED MARIN. HOW YOU DOING? SIT DOWN. ENJOY YOUR FLAN. 1201 01:05:33,629 --> 01:05:35,164 HEY, VATO LOCO. 1202 01:05:35,164 --> 01:05:37,233 MI CASA ES SU CASA, FRED MARIN. 1203 01:05:37,233 --> 01:05:37,900 WHERE'S CARLOS? 1204 01:05:37,900 --> 01:05:39,602 HE SAID HE WOULD BE HERE FOR DINNER. 1205 01:05:39,602 --> 01:05:41,737 HE'S GREAT. HE'S FINE. I SAW HIM THIS AFTERNOON. 1206 01:05:41,737 --> 01:05:44,707 SOMETHING HAPPENED TO HIM, DIDN'T IT? 1207 01:05:44,707 --> 01:05:45,675 NO. NO WAY. 1208 01:05:45,675 --> 01:05:47,310 COME ON. HE'S GLORIOUS. 1209 01:05:47,310 --> 01:05:48,544 I'M SURE OF IT, EH? 1210 01:05:48,544 --> 01:05:49,779 WHAT DID YOU DO TO HIM? 1211 01:05:49,779 --> 01:05:52,481 THIS IS A NICE FAMILY, ISN'T IT? 1212 01:05:52,481 --> 01:05:54,650 SHE CAN COOK SO GOOD. 1213 01:05:54,650 --> 01:05:58,387 SHE'S PROBABLY A VIRGIN STILL, YOU KNOW? 1214 01:05:58,387 --> 01:05:59,622 [SOBBING] 1215 01:05:59,622 --> 01:06:03,659 SIR, THIS IS NO WAY TO TREAT YOUR DAUGHTER. 1216 01:06:06,562 --> 01:06:07,897 I'M SORRY. YOU'RE RIGHT. 1217 01:06:07,897 --> 01:06:11,667 I'M SORRY, OK? I DIDN'T MEAN TO WORRY YOU ABOUT CARLITOS. 1218 01:06:11,667 --> 01:06:12,535 HE'S FINE, OK? 1219 01:06:12,535 --> 01:06:13,869 TE LO JURO POR MI MADRE. 1220 01:06:13,869 --> 01:06:16,505 YOU'RE REALLY GOOD FOR HER. I CAN TELL THESE THINGS. 1221 01:06:16,505 --> 01:06:18,908 YOU'D PROBABLY BE ABLE TO TAKE CARE OF THE LITTLE BITCH 1222 01:06:18,908 --> 01:06:19,742 ALL BY YOURSELF. 1223 01:06:19,742 --> 01:06:21,877 WHY DON'T YOU JUST SHUT UP? 1224 01:06:22,979 --> 01:06:25,748 [SPEAKING SPANISH BOASTFULLY] 1225 01:06:27,583 --> 01:06:28,918 STOP IT! 1226 01:06:30,953 --> 01:06:32,588 STOP IT! 1227 01:06:32,588 --> 01:06:33,789 [MAKING ANIMAL GRUNTS] 1228 01:06:33,789 --> 01:06:34,357 THAT'S IT! 1229 01:06:34,357 --> 01:06:37,326 I'M NOT COOKING FOR YOU! YOU CAN ALL GO TO HELL! 1230 01:06:37,326 --> 01:06:38,060 MARIA, WAIT. 1231 01:06:38,060 --> 01:06:39,328 THAT GOES FOR YOU, TOO! 1232 01:06:39,328 --> 01:06:42,565 I DON'T NEED ANY MORE PEOPLE TO WORRY ABOUT! 1233 01:06:42,565 --> 01:06:44,533 [PEPE AND JUANCITO CACKLING] 1234 01:06:44,533 --> 01:06:44,900 YOU KNOW... 1235 01:06:44,900 --> 01:06:48,404 YOU KEEP TRYING TO BE CHARMING AND EVERYTHING 1236 01:06:48,404 --> 01:06:49,271 BUT THAT'S NO GOOD HERE, OK? 1237 01:06:49,271 --> 01:06:51,374 SO I DON'T KNOW WHAT YOU'RE LOOKING FOR, 1238 01:06:51,374 --> 01:06:52,074 BUT WHY DON'T YOU 1239 01:06:52,074 --> 01:06:53,909 JUST GET THE FUCK OUT OF HERE, OK? 1240 01:06:53,909 --> 01:06:54,844 WHAT'S WRONG WITH YOU? 1241 01:06:54,844 --> 01:06:56,645 YOU DON'T CARE FOR MARIA AT ALL. 1242 01:06:56,645 --> 01:06:58,414 YOU'RE THE ONE WHO'S COMING HERE 1243 01:06:58,414 --> 01:06:59,815 LOOKING FOR A FREE PIECE OF ASS. 1244 01:06:59,815 --> 01:07:02,385 THERE'S NOTHING IN THIS HOUSE THAT'S GONNA BE FREE. 1245 01:07:02,385 --> 01:07:04,553 IT'S GONNA COST YOU 50 BUCKS. 1246 01:07:04,553 --> 01:07:06,522 YOU'RE SICK. SHUT UP. 1247 01:07:06,522 --> 01:07:09,792 HEY, 50 BUCKS IS A BARGAIN. 1248 01:07:12,728 --> 01:07:14,663 YOU GOT 50 BUCKS? 1249 01:07:15,765 --> 01:07:16,732 YOU'RE SICK. 1250 01:07:16,732 --> 01:07:18,768 YOU'RE ALL SICK! 1251 01:07:18,768 --> 01:07:19,902 [CHUCKLING] 1252 01:07:19,902 --> 01:07:21,937 ¡COBARDE, PENDEJO! 1253 01:07:23,039 --> 01:07:25,474 SHUT THE FUCK UP, ASSHOLE. 1254 01:07:25,474 --> 01:07:28,611 YOU DON'T TAKE CARE OF THIS FAMILY, HUH? 1255 01:07:28,611 --> 01:07:30,613 YOU BETTER START THINKING OF WAYS TO MAKE MONEY, 1256 01:07:30,613 --> 01:07:33,649 'CAUSE I AM NOT GONNA BE PAYING FOR ANYTHING ANYMORE! 1257 01:07:33,649 --> 01:07:35,017 I AM OUT OF HERE, 1258 01:07:35,017 --> 01:07:37,620 AND IT'S YOUR FUCKING FUNERAL! 1259 01:07:37,620 --> 01:07:40,356 LOSE SOME FUCKING WEIGHT. 1260 01:07:40,356 --> 01:07:41,690 [SCREECH] 1261 01:08:00,042 --> 01:08:04,313 THESE PEOPLE ARE GONNA MAKE AN ASSHOLE OUT OF YOU. 1262 01:08:10,352 --> 01:08:13,622 YOU THINK JENNIFER'S GONNA HELP YOU? 1263 01:08:13,956 --> 01:08:17,626 THAT WOMAN IS A DICK FIEND, CARLOS. 1264 01:08:18,461 --> 01:08:19,595 OHH. 1265 01:08:19,595 --> 01:08:22,031 YOU HAVE THE NICEST COCK. 1266 01:08:24,800 --> 01:08:26,635 [BZZT] 1267 01:08:37,746 --> 01:08:39,515 WHAT HAPPENED? 1268 01:08:39,515 --> 01:08:40,783 PEPE SAID THAT YOU WERE GOING 1269 01:08:40,783 --> 01:08:42,918 TO PUT ME IN THE SHOW JUST TO BE NICE 1270 01:08:42,918 --> 01:08:45,354 AND THEN CUT ME OUT LATER. 1271 01:08:46,989 --> 01:08:48,624 LET'S GO IN HERE. 1272 01:08:56,899 --> 01:08:59,034 AM I GONNA REALLY BE IN YOUR SHOW, 1273 01:08:59,034 --> 01:09:00,603 OR IS IT JUST BULLSHIT? 1274 01:09:00,603 --> 01:09:01,504 YOU'RE IN IT, 1275 01:09:01,504 --> 01:09:03,639 AND NO ONE'S GONNA CUT YOU OUT. 1276 01:09:03,639 --> 01:09:06,442 QUIT BEING SUCH A BABY. 1277 01:09:06,442 --> 01:09:08,777 YOU NEED TO RELAX. 1278 01:09:09,945 --> 01:09:12,114 I'VE DONE MY PART. 1279 01:09:12,114 --> 01:09:13,916 NOW YOU DO YOURS. 1280 01:09:13,916 --> 01:09:16,619 LET'S DO IT TOGETHER. 1281 01:09:16,619 --> 01:09:18,053 THIS IS NOT GOOD. 1282 01:09:18,053 --> 01:09:20,022 BUT I NEED IT. 1283 01:09:20,956 --> 01:09:21,991 MAYBE I SHOULD GO. 1284 01:09:21,991 --> 01:09:24,860 CARLOS, I'VE BEEN TAKING CARE OF YOU. 1285 01:09:24,860 --> 01:09:27,863 WHAT ABOUT ME? I HAVE NEEDS, TOO. 1286 01:09:28,531 --> 01:09:29,265 WHAT ARE YOU GONNA DO 1287 01:09:29,265 --> 01:09:30,966 IF I DON'T FOOL AROUND WITH YOU, 1288 01:09:30,966 --> 01:09:33,502 TAKE THE PART AWAY FROM ME? 1289 01:09:35,037 --> 01:09:36,372 NO. 1290 01:09:36,372 --> 01:09:38,407 OF COURSE NOT. 1291 01:09:39,842 --> 01:09:41,577 I'M SORRY. 1292 01:10:07,002 --> 01:10:09,138 [SPEAKING SPANISH] 1293 01:10:55,851 --> 01:10:57,152 IS MARIA UP? 1294 01:10:57,152 --> 01:10:59,121 SHE'S IN HER BEDROOM. 1295 01:11:22,778 --> 01:11:26,181 I THOUGHT YOU WERE WITH PEPE. 1296 01:11:28,851 --> 01:11:30,152 MARI, 1297 01:11:30,152 --> 01:11:32,288 IF PEPE COMES BACK HERE AGAIN 1298 01:11:32,288 --> 01:11:34,123 OR TRIES TO HURT US, 1299 01:11:34,123 --> 01:11:36,659 I SWEAR I'LL KILL HIM. 1300 01:11:38,193 --> 01:11:40,195 DON'T TALK LIKE THAT. 1301 01:11:41,830 --> 01:11:44,466 WE GOTTA GET OUT OF HERE. 1302 01:11:46,535 --> 01:11:49,071 I'M GONNA DO IT WITHOUT HIM. 1303 01:11:58,914 --> 01:12:01,216 [MURKY VOICES] 1304 01:12:04,887 --> 01:12:07,256 [SPEAKING SPANISH] 1305 01:13:09,818 --> 01:13:13,355 ♪ LONELY TRAIL SO LONG ♪ 1306 01:13:13,355 --> 01:13:18,394 ♪ A LONG AND TIRED PAST ♪ 1307 01:13:18,394 --> 01:13:19,962 Maria: SHUT UP, JUANCHO! 1308 01:13:19,962 --> 01:13:21,597 ♪ EMPTINESS IS GONE ♪ 1309 01:13:21,597 --> 01:13:24,099 ♪ I FOUND MY PLACE ♪ 1310 01:13:24,099 --> 01:13:25,601 ♪ AT LAST ♪ 1311 01:13:25,601 --> 01:13:27,336 Maria: SHUT UP! 1312 01:13:39,348 --> 01:13:41,216 [RING] 1313 01:13:43,886 --> 01:13:44,920 HELLO. 1314 01:13:44,920 --> 01:13:46,188 HI. 1315 01:13:46,188 --> 01:13:48,090 WHERE ARE YOU? 1316 01:13:48,090 --> 01:13:49,992 I'M AT THE OFFICE. 1317 01:13:49,992 --> 01:13:51,827 WHAT ARE YOU DOING THERE? 1318 01:13:51,827 --> 01:13:54,663 JUST CAME BY TO PACK UP SOME STUFF. 1319 01:13:54,663 --> 01:13:56,899 I QUIT MY JOB. 1320 01:13:56,899 --> 01:13:58,300 WHEN? 1321 01:13:58,300 --> 01:14:01,103 I WANT A DIVORCE. 1322 01:14:04,740 --> 01:14:06,809 DO YOU WANNA TALK? 1323 01:14:07,776 --> 01:14:08,343 I NEED TO KNOW 1324 01:14:08,343 --> 01:14:11,680 WHETHER YOU'RE COMING IN TO WORK TODAY. 1325 01:14:14,783 --> 01:14:16,685 I'LL BE THERE. 1326 01:14:24,760 --> 01:14:25,994 BUENA SUERTE. 1327 01:14:25,994 --> 01:14:27,930 MMM. THANK YOU. 1328 01:14:28,096 --> 01:14:30,199 YOU'RE GONNA DO GOOD. 1329 01:14:30,199 --> 01:14:32,201 [INHALES DEEPLY] 1330 01:14:32,201 --> 01:14:33,702 OOH. 1331 01:14:53,455 --> 01:14:56,258 [SPEAKING SPANISH ON TELEVISION] 1332 01:15:17,813 --> 01:15:18,847 AND YOU ARE? 1333 01:15:18,847 --> 01:15:20,282 I'M CARLOS AMADO. 1334 01:15:20,282 --> 01:15:21,049 I PLAY PANCHO. 1335 01:15:21,049 --> 01:15:24,086 WOULD YOU MIND COMING OVER HERE WITH ME FOR A MINUTE? 1336 01:15:24,086 --> 01:15:25,287 I WANNA TALK TO YOU. 1337 01:15:25,287 --> 01:15:26,889 LOOK, I HAVE BAD NEWS. 1338 01:15:26,889 --> 01:15:28,590 THE PRODUCER QUIT THE SHOW YESTERDAY. 1339 01:15:28,590 --> 01:15:29,391 WE'RE A NEW CREW 1340 01:15:29,391 --> 01:15:31,793 JUST BROUGHT IN BY THE NEW PRODUCER. 1341 01:15:31,793 --> 01:15:32,528 AND I KNOW 1342 01:15:32,528 --> 01:15:33,996 YOU WERE SUPPOSED TO PLAY PANCHO, 1343 01:15:33,996 --> 01:15:37,165 BUT THEY'VE RECAST THE PART. 1344 01:15:37,165 --> 01:15:39,167 I DON'T HAVE THE PART? 1345 01:15:39,167 --> 01:15:41,236 I'M SORRY. 1346 01:15:41,236 --> 01:15:43,171 I DON'T HAVE THE PART? 1347 01:15:43,171 --> 01:15:43,872 I SAID I'M SORRY. 1348 01:15:43,872 --> 01:15:48,176 NOW, IF YOU'LL EXCUSE ME, I HAVE TO GO BACK TO WORK. 1349 01:15:48,176 --> 01:15:49,478 WHERE'S JENNIFER? 1350 01:15:49,478 --> 01:15:50,979 I DON'T KNOW. 1351 01:15:50,979 --> 01:15:52,848 NONE OF YOUR OTHER MEXICAN FRIENDS 1352 01:15:52,848 --> 01:15:55,517 COULD EVER MOW YOUR LAWN THE WAY I CAN, GINA. 1353 01:15:55,517 --> 01:15:58,220 I AM LIKE A MATADOR WITH MY LEAF BLOWER... 1354 01:15:58,220 --> 01:15:59,888 LUCY! 1355 01:15:59,888 --> 01:16:01,290 LUCY, GET SECURITY, PLEASE. 1356 01:16:01,290 --> 01:16:02,391 THAT IS MY PART! 1357 01:16:02,391 --> 01:16:04,293 Lucy: ALL RIGHT, TAKE IT EASY. 1358 01:16:04,293 --> 01:16:05,260 THAT IS MY PART! 1359 01:16:05,260 --> 01:16:08,997 DON'T TOUCH ME! 1360 01:16:08,997 --> 01:16:10,532 LEAVE HIM ALONE. 1361 01:16:10,766 --> 01:16:12,100 YOU LIED TO ME! 1362 01:16:12,100 --> 01:16:13,201 SHUT UP! 1363 01:16:13,535 --> 01:16:13,802 OK? 1364 01:16:13,802 --> 01:16:17,072 JENNIFER, FRANK RIVERS. I'M REPLACING MARTIN. 1365 01:16:17,072 --> 01:16:18,507 IS THERE A PROBLEM HERE? 1366 01:16:18,507 --> 01:16:21,476 YES. I WANT THIS KID BACK IN THE SHOW. 1367 01:16:21,476 --> 01:16:22,911 WE REWROTE THE SCRIPT. 1368 01:16:22,911 --> 01:16:24,513 THE CHARACTER'S A LOT OLDER NOW. 1369 01:16:24,513 --> 01:16:25,314 WELL, WRITE HIM BACK IN. 1370 01:16:25,314 --> 01:16:28,483 I DON'T CARE WHAT ELSE YOU DO. 1371 01:16:29,084 --> 01:16:32,187 WELL, I GUESS WE COULD HAVE 2 LATINO CHARACTERS. 1372 01:16:32,187 --> 01:16:33,021 WHAT THE FUCK? 1373 01:16:33,021 --> 01:16:34,957 GET ME ANY OF THE WRITERS ON THE PHONE. 1374 01:16:34,957 --> 01:16:36,358 WE'LL STRAIGHTEN THIS SHIT OUT. 1375 01:16:36,358 --> 01:16:37,359 YOU HAPPY? 1376 01:16:37,359 --> 01:16:38,760 THANK YOU. 1377 01:16:42,230 --> 01:16:45,033 [GASPING] 1378 01:17:27,109 --> 01:17:29,611 CARLITOS, YOU LITTLE FOOL, 1379 01:17:29,611 --> 01:17:31,380 YOU DOUBTED ME. 1380 01:17:31,380 --> 01:17:33,882 I HAVE A DIFFERENT SCRIPT NOW? 1381 01:17:33,882 --> 01:17:34,483 I THINK SO. 1382 01:17:34,483 --> 01:17:36,184 I HAVE TO LEARN MY LINES. 1383 01:17:36,184 --> 01:17:37,252 WHEN CAN I SEE IT? 1384 01:17:37,252 --> 01:17:37,719 DON'T WORRY. 1385 01:17:37,719 --> 01:17:39,254 THERE'S GONNA BE A TELEPROMPTER. 1386 01:17:39,254 --> 01:17:41,857 COME ON. COME WITH ME. 1387 01:17:57,906 --> 01:17:59,574 WAKE UP, MA. 1388 01:17:59,574 --> 01:18:00,575 WAKE UP. 1389 01:18:00,575 --> 01:18:01,777 MOMMY? 1390 01:18:01,777 --> 01:18:04,012 DON'T DO THIS, MOMMY. 1391 01:18:04,012 --> 01:18:05,280 MOM? 1392 01:18:05,280 --> 01:18:07,582 WAKE UP, PLEASE. 1393 01:18:07,582 --> 01:18:08,550 MOM. 1394 01:18:08,550 --> 01:18:09,584 [SOBBING] 1395 01:18:09,584 --> 01:18:10,152 WAKE UP. 1396 01:18:10,152 --> 01:18:12,854 DON'T DO THIS, PLEASE. 1397 01:18:12,854 --> 01:18:14,589 PLEASE DON'T. 1398 01:18:14,589 --> 01:18:15,757 JUANCHO! 1399 01:18:15,757 --> 01:18:17,993 GO CALL AN AMBULANCE! 1400 01:18:17,993 --> 01:18:19,995 JUANCHO! 1401 01:18:21,897 --> 01:18:23,165 I DON'T WANT YOU TO-- 1402 01:18:23,165 --> 01:18:25,167 HEY! ROLL OVER, ROVER. 1403 01:18:25,167 --> 01:18:27,836 LET PEPE TAKE OVER, HUH? 1404 01:18:27,836 --> 01:18:29,137 Frank: CUTE, HUH? 1405 01:18:29,137 --> 01:18:31,139 Jennifer: WHAT THE FUCK IS THIS? 1406 01:18:31,139 --> 01:18:33,141 DID MARTIN SET THIS SHIT UP? 1407 01:18:33,141 --> 01:18:35,077 WHAT THE HELL ARE YOU DOING ON MY SET? 1408 01:18:35,077 --> 01:18:37,212 WHO THE FUCK LET YOU IN HERE? 1409 01:18:37,212 --> 01:18:38,680 GET HIM OUT OF HERE! 1410 01:18:38,680 --> 01:18:42,117 GET THE FUCK OUT OF HERE. 1411 01:18:53,762 --> 01:18:56,865 Woman: OH! STOP IT! SOMEBODY CALL 911. 1412 01:18:56,865 --> 01:18:57,799 HEY, YOU KNOW, 1413 01:18:57,799 --> 01:19:00,736 IF YOU WANT SOMETHING IN THIS WORLD, CARLOS, 1414 01:19:00,736 --> 01:19:02,604 YOU HAVE TO TAKE IT, OK? 1415 01:19:02,604 --> 01:19:04,940 I TRIED TO TEACH YOU ABOUT IT... 1416 01:19:04,940 --> 01:19:06,675 OH! AAH! 1417 01:19:06,675 --> 01:19:10,011 BUT YOU KEEP SUCKING UP TO THE PUTA BITCH. 1418 01:19:10,011 --> 01:19:12,614 Jennifer: ALL RIGHT, GET SECURITY! 1419 01:19:12,614 --> 01:19:13,782 DO SOMETHING! 1420 01:19:13,782 --> 01:19:14,983 PLEASE! HURRY! 1421 01:19:14,983 --> 01:19:16,551 COME ON, EH? 1422 01:19:16,551 --> 01:19:18,787 BE A MAN, HUH? 1423 01:19:20,021 --> 01:19:22,657 Woman: OH, MY GOD! STOP IT! 1424 01:19:22,657 --> 01:19:24,126 HYAH! 1425 01:19:44,312 --> 01:19:47,015 [COUGHING] 1426 01:19:59,828 --> 01:20:03,932 Jennifer: WOULD SOMEBODY GET OUT HERE, PLEASE? 1427 01:20:14,075 --> 01:20:16,011 I JUST DEALT WITH SECURITY, 1428 01:20:16,011 --> 01:20:18,780 AND THEY WON'T BE BOTHERING YOU. 1429 01:20:22,684 --> 01:20:25,187 IT WASN'T EASY, CARLOS. 1430 01:20:27,656 --> 01:20:29,958 I HAD TO TELL THEM THE TRUTH. 1431 01:20:31,960 --> 01:20:34,196 MAYBE WE SHOULD GO BACK TO MY PLACE 1432 01:20:34,196 --> 01:20:37,199 AND TAKE CARE OF THOSE WOUNDS. 1433 01:20:39,267 --> 01:20:41,803 I DON'T THINK SO. 1434 01:20:58,053 --> 01:21:00,822 [SPEAKING SPANISH ON TELEVISION] 1435 01:21:03,325 --> 01:21:05,260 HI, JUANCITO. 1436 01:21:05,260 --> 01:21:07,162 HI, IS MARIA HERE? 1437 01:21:08,730 --> 01:21:10,866 IS MARIA HERE? 1438 01:21:12,400 --> 01:21:13,902 MARIA? 1439 01:21:20,976 --> 01:21:22,244 MARIA? 1440 01:21:32,387 --> 01:21:39,427 TERESA. 1441 01:21:40,228 --> 01:21:42,430 TERESA. 1442 01:21:42,430 --> 01:21:43,932 OH. 1443 01:21:48,436 --> 01:21:51,439 CANTINFLAS! 1444 01:21:51,439 --> 01:21:54,009 [SPEAKING SPANISH] 1445 01:22:07,355 --> 01:22:09,891 AY. 1446 01:22:21,136 --> 01:22:23,872 [GIGGLING] 1447 01:23:36,811 --> 01:23:39,614 [ROCK AND ROLL MUSIC PLAYING] 1448 01:23:52,861 --> 01:23:55,296 Lysa Flores: ♪ I'D DO ANYTHING FOR YOU ♪ 1449 01:23:55,296 --> 01:23:56,431 ♪ HE SAID ♪ 1450 01:23:56,431 --> 01:24:00,168 ♪ KICKING CAUTION TO THE WIND ♪ 1451 01:24:00,168 --> 01:24:01,569 ♪ BUT HE WAS TOO DRUNK ♪ 1452 01:24:01,569 --> 01:24:03,004 ♪ WITH EGO BACK THEN ♪ 1453 01:24:03,004 --> 01:24:05,874 ♪ AND THE WAY HE LAUGHED WITH HIS HEAD THROWN BACK ♪ 1454 01:24:05,874 --> 01:24:07,175 ♪ AS HE SAID ♪ 1455 01:24:07,175 --> 01:24:09,544 ♪ I WILL BEG ♪ 1456 01:24:09,544 --> 01:24:11,012 ♪ BORROW ♪ 1457 01:24:11,012 --> 01:24:13,515 ♪ AND STEAL FOR YOU ♪ 1458 01:24:13,515 --> 01:24:14,582 ♪ HE SAID ♪ 1459 01:24:14,582 --> 01:24:16,584 ♪ I WOULD BEG ♪ 1460 01:24:16,584 --> 01:24:18,119 ♪ BORROW ♪ 1461 01:24:18,119 --> 01:24:20,155 ♪ AND STEAL ♪ 1462 01:24:20,155 --> 01:24:22,991 ♪ FOR YOU ♪ 1463 01:24:22,991 --> 01:24:25,960 ♪ BUT I SHOULD'VE KNOWN ♪ 1464 01:24:25,960 --> 01:24:29,631 ♪ THAT I'VE HEARD IT BEFORE ♪ 1465 01:24:29,631 --> 01:24:32,667 ♪ HE SAID, STAY STRONG AND BEAUTIFUL ♪ 1466 01:24:32,667 --> 01:24:37,072 ♪ LIKE A WILD, THORNED FLOWER ♪ 1467 01:24:37,138 --> 01:24:40,075 ♪ HE SAID, STAY STRONG AND BEAUTIFUL ♪ 1468 01:24:40,075 --> 01:24:41,109 ♪ OH, YEAH, HUH ♪ 1469 01:24:41,109 --> 01:24:44,446 ♪ LIKE A WILD, THORNED FLOWER ♪ 1470 01:24:45,947 --> 01:24:47,515 ♪ PARKED UNDER THE SHADOWS ♪ 1471 01:24:47,515 --> 01:24:48,616 ♪ OF A SPANISH MANSION ♪ 1472 01:24:48,616 --> 01:24:51,086 ♪ YOU SAID YOUR MOTHER WAS KILLED ♪ 1473 01:24:51,086 --> 01:24:53,288 ♪ WHEN YOU WERE 15 ♪ 1474 01:24:53,288 --> 01:24:55,123 ♪ THIS BLUE FUNK GOT TREATED ♪ 1475 01:24:55,123 --> 01:24:56,491 ♪ WITH BATTER AND TABOR ♪ 1476 01:24:56,491 --> 01:25:00,528 ♪ BY THE WOMEN PULLING YOU UNDER THEIR WINGS ♪ 1477 01:25:00,528 --> 01:25:03,298 ♪ HE SAID, I'LL BEG ♪ 1478 01:25:03,298 --> 01:25:04,966 ♪ BORROW ♪ 1479 01:25:04,966 --> 01:25:06,234 ♪ AND STEAL ♪ 1480 01:25:06,234 --> 01:25:07,669 ♪ FOR YOU ♪ 1481 01:25:07,669 --> 01:25:10,605 ♪ HE SAID, I WOULD BEG ♪ 1482 01:25:10,605 --> 01:25:12,240 ♪ BORROW ♪ 1483 01:25:12,240 --> 01:25:13,575 ♪ AND STEAL ♪ 1484 01:25:13,575 --> 01:25:16,411 ♪ FOR YOU ♪ 1485 01:25:16,411 --> 01:25:19,948 ♪ BUT I SHOULD'VE KNOWN ♪ 1486 01:25:19,948 --> 01:25:23,651 ♪ THAT I'VE HEARD IT BEFORE ♪ 1487 01:25:23,651 --> 01:25:26,988 ♪ HE SAID STAY STRONG AND BEAUTIFUL ♪ 1488 01:25:26,988 --> 01:25:30,492 ♪ LIKE A WILD, THORNED FLOWER ♪ 1489 01:25:31,025 --> 01:25:34,662 ♪ HE SAID STAY STRONG AND BEAUTIFUL ♪ 1490 01:25:34,662 --> 01:25:40,101 ♪ LIKE A WILD, THORNED FLOWER ♪ 1491 01:25:43,605 --> 01:25:46,741 ♪ TOSSIN' BACK A SHOT OF ROTGUT WHISKEY ♪ 1492 01:25:46,741 --> 01:25:48,409 ♪ I SAID WITH A PAST LIKE YOURS ♪ 1493 01:25:48,409 --> 01:25:50,345 ♪ I'M BOUND TO BE THE VICTIM ♪ 1494 01:25:50,345 --> 01:25:53,081 ♪ YOU'VE GOT A HOLE TO GET OUT OF ♪ 1495 01:25:53,081 --> 01:25:54,616 ♪ BUT THERE'S NO EXIT ♪ 1496 01:25:54,616 --> 01:25:58,453 ♪ WHEN YOU'RE LIVING IN HELL'S KITCHEN ♪ 1497 01:25:58,453 --> 01:26:00,588 ♪ PARKED UNDER THE SHADOWS ♪ 1498 01:26:00,588 --> 01:26:01,723 ♪ OF A SPANISH MANSION ♪ 1499 01:26:01,723 --> 01:26:04,159 ♪ YOU SAID YOUR MOTHER WAS KILLED ♪ 1500 01:26:04,159 --> 01:26:05,994 ♪ WHEN YOU WERE 15 ♪ 1501 01:26:05,994 --> 01:26:08,096 ♪ THIS BLUE FUNK GOT TREATED ♪ 1502 01:26:08,096 --> 01:26:10,265 ♪ WITH BATTER AND TABOR ♪ 1503 01:26:10,265 --> 01:26:11,966 ♪ BY THE WOMEN PULLING YOU ♪ 1504 01:26:11,966 --> 01:26:13,535 ♪ UNDER THEIR WINGS ♪ 1505 01:26:13,535 --> 01:26:16,571 ♪ HE SAID, I'D BEG ♪ 1506 01:26:16,571 --> 01:26:18,072 ♪ BORROW ♪ 1507 01:26:18,072 --> 01:26:19,107 ♪ AND STEAL ♪ 1508 01:26:19,107 --> 01:26:20,775 ♪ FOR YOU ♪ 1509 01:26:20,775 --> 01:26:23,678 ♪ HE SAID, I WOULD BEG ♪ 1510 01:26:23,678 --> 01:26:25,246 ♪ BORROW ♪ 1511 01:26:25,246 --> 01:26:27,015 ♪ AND STEAL ♪ 1512 01:26:27,015 --> 01:26:30,118 ♪ FOR YOU ♪ 1513 01:26:30,118 --> 01:26:32,053 ♪ BEG ♪ 1514 01:26:32,053 --> 01:26:33,254 ♪ BORROW ♪ 1515 01:26:33,254 --> 01:26:34,589 ♪ AND STEAL ♪ 1516 01:26:34,589 --> 01:26:36,157 ♪ FOR YOU ♪ 1517 01:26:36,157 --> 01:26:39,160 ♪ HE SAID, I WOULD BEG ♪ 1518 01:26:39,160 --> 01:26:40,628 ♪ BORROW ♪ 1519 01:26:40,628 --> 01:26:42,297 ♪ AND STEAL ♪ 1520 01:26:42,297 --> 01:26:45,400 ♪ FOR YOU ♪ 1521 01:26:45,400 --> 01:26:48,036 ♪ WELL, I SHOULD HAVE KNOWN ♪ 1522 01:26:48,036 --> 01:26:51,739 ♪ THAT I'VE HEARD IT BEFORE ♪ 1523 01:26:51,739 --> 01:26:55,376 ♪ HE SAID STAY STRONG AND BEAUTIFUL ♪ 1524 01:26:55,376 --> 01:26:59,480 ♪ LIKE A WILD, THORNED FLOWER ♪ 1525 01:26:59,480 --> 01:27:03,117 ♪ HE SAID STAY STRONG AND BEAUTIFUL ♪ 1526 01:27:03,117 --> 01:27:08,189 ♪ LIKE A WILD, THORNED FLOWER ♪ 1527 01:27:08,189 --> 01:27:10,658 ♪ STRONG AND BEAUTIFUL ♪ 1528 01:27:10,658 --> 01:27:15,163 ♪ LIKE A WILD, THORNED FLOWER ♪ 1529 01:27:15,563 --> 01:27:18,566 ♪ STRONG AND BEAUTIFUL ♪ 1530 01:27:18,566 --> 01:27:24,172 ♪ LIKE A WILD, THORNED FLOWER ♪ 1531 01:27:36,284 --> 01:27:38,720 [CHANTING IN SPANISH] 96319

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