Original subtitles

[eerie music]

(narrator) THERE IS A FIFTH DIMENSION

BEYOND THAT WHICH IS KNOWN TO MAN.

IT IS A DIMENSION AS VAST AS SPACE

AND AS TIMELESS AS INFINITY.

IT IS THE MIDDLE GROUND BETWEEN LIGHT AND SHADOW,

BETWEEN SCIENCE AND SUPERSTITION.

AND IT LIES BETWEEN THE PIT OF MAN'S FEARS

AND THE SUMMIT OF HIS KNOWLEDGE.

THIS IS THE DIMENSION OF IMAGINATION.

IT IS AN AREA WHICH WE CALL THE TWILIGHT ZONE.

PORTRAIT OF A MAN AT WORK.

THE ONLY WORK HE'S EVER DONE. THE ONLY WORK HE KNOWS.

HIS NAME IS HENRY FRANCIS VALENTINE, BUT HE CALLS HIMSELF ROCKY

BECAUSE THAT'S THE WAY HIS LIFE HAS BEEN.

ROCKY AND PERILOUS AND UPHILL AT A DEAD RUN ALL THE WAY.

HE'S TIRED NOW, TIRED OF RUNNING OR WANTING

OF WAITING FOR THE BREAKS THAT COME TO OTHERS BUT NEVER TO HIM.

NEVER TO ROCKY VALENTINE.

[Police sirens approaching]

[gunshots]

STOP! STOP OR I'LL SHOOT!

NOT THIS TIME, YOU LOUSY SCREW.

[gunshots]

(narrator) A SCARED, ANGRY LITTLE MAN.

HE THINKS IT'S ALL OVER NOW, BUT HE'S WRONG.

FOR ROCKY VALENTINE, IT'S JUST THE BEGINNING.

MR. VALENTIN E.

MR. VALENTIN E!

WHO ARE YOU?

MY NAME IS P I P. CAN I H ELP YOU?

HOW DO YOU KNOW MY NAME?

IT'S MY JOB TO KNOW EVERYTHING ABOUT YOU.

ARE YOU A COP?

OH, NO, NO, I'M A-- I'M YOUR GUIDE, AS IT WERE.

[chuckIes]

G U I DE, EH?

I NEED LIKE A HOLE IN THE H EAD.

WHOA.

WHAT HAPPENED?

YOU HAD A SLIGHT ACCIDENT. BUT DON'T WORRY. YOU'LL BE AS F IT AS A NEW F I DDLE SOON.

I'M SURE YOU'D LIKE TO CHANG E OUT OF THOSE RU M PLED CLOTH ES, EH, MR. VALENTIN E?

HOLD IT A MINUTE.

I WANNA KNOW HOW YOU KNOW MY NAME.

I'VE ALREADY TOLD YOU.

YOU TOLD ME NOTHING.

LET ME CLU E YOU, FATSO. I DON'T LIKE GAM ES.

OH, THAT ISN'T TRU E, MR. VALENTIN E.

WHY-WHY, YOU LIKE ROU LETTE, BLACKJACK, POKER, CRAPS,

AND BETWEEN THE AG ES OF SEVEN AND TEN

YOU WERE QU ITE FON D OF M U M BLETY-PEG.

WHAT ARE YOU AFTER, ANYWAY?

ONLY ONE THING, MR. VALENTIN E. YOUR COM FORT.

MY JOB IS TO SEE TO IT THAT YOU GET WHAT YOU WANT, WHATEVER IT MAY BE.

YEAH? IN EXCHANG E FOR WHAT?

NOTHING AT ALL, MR. VALENTIN E. IT'S ABSOLUTELY FREE.

DON'T PUT ME ON, FATSO. NOTHING'S FREE. NOTHING!

ANYTHING I EVER GOT IN THIS LOUSY WORLD I HAD TO DRAG OUT OF IT,

SO DON'T PUT ME ON.

NOW, WHAT'S THE P ITCH? YOU WANT ME TO DO A JOB FOR YOU, RIGHT?

I'M AFRAI D YOU DON'T UNDERSTAND.

NO? ALL RIGHT, LET'S SEE. GIVE ME YOUR WALLET, CRACKER. COME ON, COME ON.

I DON'T HAVE A WALLET.

COME ON, SANTA CLAUS.

NO, HON ESTLY. WAIT, WAIT, MR. VALENTIN E.

IT ISN'T A WALLET YOU WANT, IS IT? NO, NO. IT'S MONEY.

THREE H U N DRED, FIVE H U N DRED.

SEVEN H U N DRED BUCKS.

WILL THAT BE ENOUGH FOR NOW, THEN?

YOU GOT MORE?

OH, YES, AS MUCH AS YOU WANT. NOW, SHALL WE?

HEY, FATS.

NOW, DON'T TRY ANYTHING FU N NY, HM?

YOU LIKE IT?

YEAH.

YEAH, IT'S SOME PAD, ALL RIGHT.

WHO'S IT BELONG TO? SOME PHONY POLITICIAN?

WHY, IT BELONGS TO YOU, MR. VALENTIN E.

MM-HM.

THAT IS IF, UH, IF YOU APPROVE.

YEAH, I APPROVE.

OF COURSE, WE CAN MAKE ANY CHANG ES YOU WISH.

YOU SEE, I WASN'T TOO SURE ABOUT THE H I-F I RIGHT OVER THERE, BUT--

YOU MEAN, ALL THIS GETS THROWN INTO THE DEAL?

OH, IT'S ALREADY IN THE DEAL AS YOU CALL IT, MR. VALENTINE.

LOOK HERE.

YOU SEE?

AH.

THAT IS THE MASTER BEDROOM.

AH, AH, AH, AH. AFTER YOU.

THERE.

THE BATH ROOM'S IN THERE. I'M SURE YOU'D LIKE A CHANG E OF CLOTHING AND FRESH EN UP A B IT.

YEAH. YEAH, SURE.

BUT FIRST OF ALL, WHAT'S THE P ITCH?

COME ON, THE P ITCH, THE CATCH THE GI M M ICK. WHAT DO I GOTTA DO FOR ALL THIS?

NOTHING, I CAN'T TELL YOU MORE.

I GET IT. YOU'RE JUST A GOON, HUH?

YOU WORK FOR SOMEBODY ELSE, RIGHT?

IN A WAY, YEAH.

WHEN DO I MEET HIM? THE BIG BOY, YOUR BOSS?

[chuckIing] I REALLY COULDN'T SAY.

ALL RIGHT, GOON. I CAN WAIT.

ANY PARTICU LAR COLOR OR STYLE, S I R?

NO, YOU PICK IT.

OH, I COULD HARDLY PRESU ME TO DO THAT!

HOWEVER, BEARING IN MIND THAT YOU FAVOR A NICE CHECK, I THOUGHT PERHAPS--

YEAH, THAT'LL DO.

YEAH. WE HAVE QU ITE A WI DE SELECTION OF TI ES HERE,

AND I BELIEVE THAT YELLOW IS YOUR FAVORITE COLOR.

[chuckIes] WHAT'S THE MATTER WITH YOU?

YOU GOT NO TASTE?

NOW, THAT'S A TI E, SEE?

HEY. HUH?

[Iaughs] IT F ITS.

[Iaughing] OF COURSE.

YES, VERY IMPRESS IVE, S I R.

YEAH, WELL, I'LL SAY THIS, YOUR GUY KNOWS CLOTH ES.

MR. VALENTIN E.

WHERE DID THAT COME FROM?

I THOUGHT YOU MIGHT BE A LITTLE H U NG RY, SO I JUST ORDERED UP SOMETHING FOR YOU.

U H-U H. YOU EAT IT.

OH, BUT I DON'T EAT. I HAVEN'T EATEN I N--

IT MUST BE TWO OR THREE CENTU RI ES.

ANYTHING WRONG WITH IT?

NO.

THEN EAT IT.

BUT I CAN'T. I'VE FORGOTTEN HOW.

I GET IT. GIVE A GUY SOME N EW CLOTH ES AND A BATH

AND THEN PO ISON HIM, HUH? PRETTY SMART, PRETTY SMART, FATSO,

BUT NOT SMART ENOUGH!

A BU LLETPROOF VEST, HUH? LET'S SEE HOW YOUR H EAD HOLDS UP.

MR. VALENTIN E, PLEASE.

I COULDN'T HAVE MISSED, NOT AT THIS RANG E.

MAYBE--

HEY, WAIT A MINUTE.

WHERE DID THIS COME FROM? THIS WASN'T HERE BEFORE.

WHAT'S GOING ON HERE?

WHERE AM I?

MR. VALENTIN E, DO YOU REMEMBER WHEN WE MET EARLI ER TODAY?

I TOLD YOU I WAS, IN A SENSE, YOUR GU I DE,

AND YOU SAID YOU NEEDED A GU I DE LIKE A HOLE IN THE H EAD?

AS A MATTER OF STRICT FACT, YOU HAD A HOLE IN THE H EAD, ONLY A SHORT TIME BEFORE.

A BU LLET HOLE.

OH, YEAH, THAT'S RIGHT. THE COPS, THEY--

THEN IMUST-- I MUST BE DEAD.

M M-H M.

WELL, IF I'M DEAD,

TH EN-THEN ALL OF THIS,

THE JO I NT, TH E-THE CLOTH ES, TH E-THE BOOZE.

THEN IMUST BE IN H EAVEN.

YEAH, THAT'S IT. THAT'S IT, I'M IN H EAVEN, RIGHT?

YOU'RE MY GUARDIAN ANGEL OR SOMETHING LIKE THAT.

SOMETHING LIKE THAT, YEAH.

ANYTHING I WANT, EH?

ANYTHING, ANYTHING.

YEAH, BIG TALK, FATSO. I WANNA SEE A LITTLE ACTION NOW.

RIGHT NOW I WANT A M I LLION BUCKS IN FIVE "G" NOTES.

AN D, UH, AND A CH ICK THAT WON'T QU IT.

I MEAN, I MEAN, JUST LIKE STACKED,

LIKE, LIKE, LIKE, LIKE, BEAUTIFUL, HUH?

WELL?

AS FOR THE M ILLION, LOOK IN THAT DRAWER.

THERE?

M M-H M M.

A M I LLION. A M I LLION BUCKS!

[Iaughs] HEY, BUT WHAT ABOUT, UH, UH?

[lively dance music playing]

NOW I KNOW I'M IN H EAVEN.

WILL THERE BE ANYTHING ELSE, S I R?

YEAH, THERE WILL BE, FATS. THERE WILL BE, JUST STICK AROUND.

H IYA, DOLL.

OOO-HOO-HOO!

YEE! OOO-HOO-HOO!

YEE! [Iaughs]

(croupier) PLACE YOUR BETS, LADI ES AND GENTLEM EN.

NO MORE BETS, PLEASE.

THIRTY-THREE BLACK.

HEY, HOW ABOUT THAT. I WIN AGAIN. HEY, FATS, COME HERE, COME HERE.

PUT YOUR MONEY ON THE TABLE, FATS. RIGHT THERE, NUMBER 1 4 RED.

ROCKY IS HOT TONIGHT. AM I RIGHT, DOLLS?

I'M AFRAI D I DON'T HAVE ANY MONEY, S I R.

YOU DON'T HAVE ANY MONEY? WHAT DO THEY PAY YOU, IN HALOS OR SOMETHING?

PLACE YOUR BETS, LADIES AND GENTLEMEN. PLACE YOUR BETS.

[Iaughs]

NO MORE BETS, LADI ES AND G ENTLEM EN, NO MORE BETS.

FOURTEEN RED.

WHOO-HOO!

[shouting joyfuIIy]

THAT MAKES WHAT, WHAT, HUH? 40 GRAND IN AN HOUR.

HOW ABOUT IT? IS ROCKY HOT OR IS ROCKY HOT?

ROCKY'S HOT.

GO TRADE THIS IN FOR GOLD, BABY. AND I TELL YOU I'M GONNA BUY AND SELL THIS JO I NT.

HERE, GO GET THEM. HEY, HEY, HEY, BABY.

THERE'S 40 GRAND IN THERE AND I COU NT REAL GOOD. YOU KNOW WHAT I MEAN?

ALL RIGHT. AH.

I GOT THIS TABLE SPOOKED. LET'S GO SEE WHAT'S SHAKING WITH THE CU BES, HUH?

PLACE YOUR BETS, LADIES AND GENTLEMEN.

HERE, BABY, GO GET ME SOME J U ICE.

WHOO-HOO!

HEY, LOOK AT THIS! LOOK AT THIS!

THERE MUST BE 600 BUCKS HERE, HUH? HOW ABOUT THAT, FATS?

HERE YOU ARE, SWEETHEART. GO BUY YOURSELF A DRESS FOR FREE.

A PRESENT FROM ROCKY. [Iaughs]

NEED A CAR, S I R?

YES, A BIG CONVERTI BLE. BE CAREFU L ON THE WAY, YOU KI D.

YES, S I R.

SOMETHING BOTHER YOU, MR. VALENTIN E?

YEAH, HIM. LOUSY SCREW.

THlNKS HE'S [inaudible] JUST 'CAUSE HE'S GOT A COUPLE ON INCHES ON ME.

OH, DEAR, THAT WAS IN DISCREET OF ME.

BETTER?

YEAH!

HEY, SCREW, COME HERE.

YOU GOT YOUR HAT ON, CROOKED TROOPER.

[Iaughs]

READY, S I R.

COME ON, GET I N, GIRLS.

[grunts]

HERE YOU ARE, KI D. KEEP THE CHANG E.

ALL RIGHT NOW, LET'S OPEN THIS BABY UP AND SEE WHAT SHE CAN DO.

[women squeal]

[Iaughs] ALL RIGHT, GIRLS. HERE WE GO, HERE WE GO.

INTO THE CRACKER BOX. ON E, TWO, THREE. IT'S MAGIC TIME.

HEY, FATS, I WANT YOU TO GET RID OF THAT H EAP I'VE BEEN DRIVING.

IT GOES FAST ENOUGH. IS SOMETHING WRONG?

YEAH, THE ASHTRAYS ARE FU LL.

HEY, GIRLS, COULD YOU WAIT IN HERE FOR A MINUTE?

I WANNA TALK TO FATS FOR A MINUTE, ALL RIGHT?

IN WE GO.

HEY, FATS, HOW ABOUT TOMORROW WE LOOK UP SOME OF MY OLD BU DDI ES?

LIKE MATT GORMAN OR F IN K M ITCH ELL, S I LKY ARMSTRONG, HUH?

WHAT'S THE MATTER? THEY DIDN'T MAKE IT?

OH, IT'S NOT THAT, MR. VALENTIN E. IT'S, UH--

IT'S RATHER DI FF ICU LT TO EXPLAIN, REALLY. ALL OF THIS,

ALL IT'S YOUR OWN PRIVATE DOMAI N.

IT WAS MADE ESPECIALLY FOR YOU ALON E.

OH, WHAT ABOUT THEM? YOU MEAN THEY'RE PROPS LIKE IN A MOVIE?

IN A SENSE, YES. EVERYTHING HERE IS, EXCEPT OF COURSE, YOU AND ME.

U H-HUH. LOOK, S IT DOWN FOR A MINUTE, FATSO. I WANNA ASK YOU SOMETHING.

IT'S BEEN KIND OF BUGGING ME ANYWAY. I MEAN,

HOW COME THEY LET ME IN HERE, HUH?

I THOUGHT THIS WAS ONLY FOR SCHOOLTEACH ERS AND LIKE THAT.

OH, WE HAVE SOME SCHOOLTEACH ERS HERE.

THERE M UST'VE BEEN SOMETHING REAL GOOD I DONE SOMETIME,

SOMETHING THAT MADE UP FOR EVERYTHING ELSE, HUH? YEAH, THAT'S IT.

BUT, UH, BUT WHAT?

WHEN DID I EVER DO ANYTHING GOOD?

U H, WELL, LISTEN, HOW DO IF IN D ABOUT TH IS, HUH?

WELL, WE HAVE A HALL OF RECORDS HERE. WOULD YOU LIKE ME TO TAKE YOU THERE?

IS IT OPEN AT THIS HOUR? IT'S ALMOST LIGHT.

IT'S ALWAYS OPEN.

WELL, ALL RIGHT, LET'S GO. [Iaughs]

HEY, DOLLS, DON'T GO AWAY, WILL YA? I'LL BE RIGHT BACK.

I JUST WANNA GET SOMETHING CLEARED UP WITH FATS.

COME ON, LET'S GO.

AH.

"HENRY FRANCIS VALENTIN E." [chuckIes]

"BORN 1 923, BROOKLYN, NEW YORK.

AG E OF SIX, SLAUGHTERED SMALL DOG."

WELL, WHY NOT? HE BIT ME.

"AG E OF SEVEN, STOLE 1 4 TOYS FROM DI ME STORE.

AG E OF EIGHT, ORGAN IZED STREET GANG, THE ANGELS."

HOW ABOUT THAT, HUH? THAT'S WHAT WE CALLED OU RSELVES, THE ANGELS.

THERE WAS A G REAT LITTLE BU NCH.

"AG E OF N IN E, BROKE INTO B ICYCLE STORE."

W-WHAT IS THIS ANYWAY?

YOUR RECORD.

YOU DON'T THINK THERE'S BEEN SOME M ISTAKE, DO YOU?

NOT LIKELY.

I CAN'T F IG U RE IT. BUT I F IT DON'T BOTHER HIM, I AIN'T GONNA LET IT BOTHER ME.

WHAT ARE YOU GOING TO DO NOW, MR. VALENTIN E?

U H. GEE, I DON'T KNOW.

FOOL AROUND WITH THE DOLLS.

SHOOT SOME MORE CRAPS, MAYBE. I DON'T KNOW.

IF YOU NEED ME FOR ANYTHING, MR. VALENTIN E, J UST DIAL P-I-P.

YEAH.

TH I RTEEN BLACK, LADI ES AND GENTLEM EN. TH I RTEEN BLACK.

THANKS.

WHAT ABOUT YOUR CH I P, S I R?

MAI L 'EM TO ME.

WHAT DO YOU GOT?

STRAIG HT FLUSH.

ROYAL FLUSH.

YOU WIN AGAIN, MR. VALENTIN E.

YEAH, I KNOW. THAT'S ALL I EVER DO IN THIS N UTTY JO I NT

IS WI N, WI N, WI N.

IS THERE ANYTHING ELSE I CAN DO FOR YOU?

YEAH, GET OUT OF HERE, WI LL, YA? I'M S ICK OF LOOKING AT YOU.

COME ON, OUT, OUT. YOU, TOO. COME ON, OUT, OUT. LET'S GO.

COME ON, GET OUT.

COME ON, COME ON, COME ON! KEEP MOVING. STEP IT UP.

COME ON, COME ON. OUT, OUT, OUT. DU M B BROADS.

WHO NEEDS THEM?

[chuckIing] HEY.

YES, MR. VALENTIN E? WHAT CAN I DO FOR YOU?

WILL YOU STOP CREEPING AROUND?

ANYTHING YOU SAY, S I R.

ANYTHING I SAY. ANYTHING I SAY. KNOCK IT OFF, WILL YOU?

WHY, IS SOMETHING WRONG?

NO, NOTHING'S WRONG. EVERYTHING IS JUST PEACHY!

I'VE BEEN IN THIS DU M P FOR A MONTH AND I CAN'T STAND IT ANYMORE!

BUT I DON'T UNDERSTAND.

ALL RIGHT, I'LL SPELL IT OUT FOR YOU, FATS. I'M BORED, BORED!

THERE'S NO EXCITEM ENT AROUND HERE. NO KICKS!

YEAH, BUT THE GAMBLING. I THOUGHT YOU ENJOYED THAT.

I DO, BUT WHEN YOU WIN EVERY TIME,

THAT AIN'T GAMBLING, THAT'S CHARITY.

I COULD ARRANG E FOR YOU TO LOSE OCCAS IONALLY I F YOU'D LIKE. WOULD THAT H ELP?

IT MIGHT. NO, NO, IT'S NO GOOD. IT AIN'T THE SAM E.

I WOULD KNOW.

AH, PERHAPS YOU MISS YOUR OLD VOCATION. IS THAT IT?

NOW YOU'RE GETTING IT.

THERE'S A BAN K AT THE CORN ER THAT YOU COULD ROB.

OR WOULD YOU PREFER A J EWELRY STORE?

NO, BAN K'S OKAY.

F IN E, F IN E. AS TO THE GETAWAY CAR,

WE HAVE QU ITE A LARGE VARI ETY TO CHOOSE FROM. SOMETHING I NCONSP ICUOUS.

WAIT A MINUTE. IS THERE A CHANCE THAT I COULD GET CAUG HT?

OF COURSE, IF THAT'S WHAT YOU'D LIKE. LET ME J UST MAKE A NOTE OF IT.

COME ON, S IT DOWN, FATS, S IT DOWN.

NOW, LOOK, I DON'T KNOW HOW TO EXPLAIN THIS,

BUT IT JUST AIN'T THE SAME THING.

WHAT'S THE KICK KNOCKING OFF A BAN K IF EVERYBODY KNOWS ABOUT IT, HUH?

AND THE DAM ES. I--

I NEVER THOUGHT I WOULD GET BORED WITH BEAUTIFUL DAM ES, BUT--

LOOK, I WOULDN'T EXPECT AN ANGEL TO U N DERSTAND THIS, SEE?

BUT-BUT BEING A BIG GUY WITH A CH ICK,

IT DON'T MEAN ANYTHING IF IT'S ALL SET UP IN ADVANCE.

AND I MEAN, EVERYTHING IS GREAT HERE, SEE? REALLY GREAT.

IT'S JUST THE WAY I ALWAYS I MAG IN ED IT EXCEPT THAT, THAT--

JUST BETWEEN YOU AND ME, FATS,

I DON'T THINK I BELONG HERE. I DON'T THINK IF IT IN.

OH, NONSENSE, OF COURSE YOU DO.

NO, I MEAN IT, I MEAN IT. J UST SOMEBODY M UST'VE GOOFED.

IF I GOTTA STAY HERE ANOTHER DAY I'M GONNA GO N UTS!

LOOK, LOOK, I DON'T BELONG IN H EAVEN, SEE?

I WANNA GO TO THE OTHER PLACE.

H EAVEN?

WHATEVER GAVE YOU THE IDEA YOU WERE IN H EAVEN, MR. VALENTIN E?

THIS IS THE OTHER PLACE!

[Iaughs maniacaIIy]

(narrator) A SCARED, ANGRY LITTLE MAN WHO NEVER GOT A BREAK.

NOW HE HAS EVERYTHING HE'S EVER WANTED,

AND HE'S GOING TO HAVE TO LIVE WITH IT FOR ETERNITY

IN THE TWILIGHT ZONE.

ROD SERLING, THE CREATOR OF TWILIGHT ZONE

WILL TELL YOU ABOUT NEXT WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR.

AND NOW, MR. SERLING.

NEXT WEEK, YOU'LL SPEN D A FEW RATHER U N FORG ETTABLE HOURS IN THIS LIVING ROOM

WATCHING MISS JANICE RU LE AND MR. SH EPPERD STRU DWICK

PARTAKE OF A DRAMATIC DELICACY THAT IT IS ONE PART N U RSERY RHYM E,

ONE PART TERROR.

THIS IS DESIGN ED FOR THOSE OF YOU WHO ARE GETTING TOO MUCH SLEEP.

NEXT WEEK ON THE TWILIGHT ZONE NIGHTMARE AS A CHILD.

I HOPE WE'LL SEE YOU THEN. THANK YOU AND GOOD NIGHT.

[eerie music]

BE SURE TO SEE THE FUN-FILLED FAMILY LIFE

OF ONE OF AMERICA'S GREATEST ENTERTAINERS, THE DAN NY THOMAS SHOW.

MONDAY NIGHTS OVER MOST OF THESE STATIONS.

THE TWILIGHT ZONE IS BROUGHT TO YOU TONIGHT

BY THE NEWEST COFFEE SENSATION ON THE MODERN SCENE.

NEW AROMA-ROAST SANKA COFFEE.

THE TWILIGHT ZONE BROUGHT TO YOU TONIGHT

BY THE COFFEE WITH THE BEST OF THE COFFEE BEAN.

AROMA, FLAVOR, BUT NOT CAFFEINE.

NEW AROMA-ROAST SANKA COFFEE.

AND THE PERFECT COFFEE ON THE MODERN SCENE,

BRAND NEW AROMA-ROAST SANKA.

GIVES YOU THE BEST OF THE COFFEE BEAN.

RICH, RARE AROMA,

HARDY FULL-BODIED FLAVOR AND NO CAFFEINE.

YES, THE RICHEST AROMA, THE HARDIEST FLAVOR.

ALL THE BEST OF THE COFFEE BEAN.

AND GREATEST OF ALL, YOU CAN DRINK ALL YOU WANT.

NEW AROMA-ROAST SANKA IS STILL 97% CAFFEINE FREE.

SANKA COFFEE, AROMA, FLAVOR, BUT NO CAFFEINE.

SQU EEZE THE PACKAG E. GO AHEAD.