All language subtitles for 1A_15

I hope it was a lot of fun rather than frustration
to use the Cycles path tracing right within

the viewport, there is definitely a performance
gradient depending on the gpu.

anyway, denoising should help with lowering
the render times greatly, so we have the denoising

turned on.

and as for the light bounces, I think for
the final render we can crank it up ever so

slightly, it will make a minor visual difference
if any, but anyway we can do it.

than as a precation to not lose the precious
raytraced lighting details I usually increase

the indirect light clamping amount, this is
my kind of personal superstition in Cycles

because the default value of 10 more often
than not is no different than 50 or 100, the

indirect light intensities or values pretty
rarely go above the threshold of 10 anyway,

so nothing really gets clamped, but if it
was, it would look like that.

see?

probably that's why I feel that typing in
50 there is safer.

0 completely removes the limit so feel free
to with 0 instead if you feel like it.

filter glossy at its default value...

what else do we have here worth talking about?

the number of samples for the final render
can obviously be slightly more ambitious,

256.

currently the resolution is set to 1920 by
816 wide, the percentage field can be used

to increase or decrease this amount.

I think we should be good to go, we can hit
this render button!

oh yes :) we will wrap it up here and have
a look at the compositor and where we can

take this lighting setup in the next tutorial.

it'll be all about taking this scene-referred
lighting information that we are rendering

out currently and passing it over to the Blender
compositor, adding post-processing to it,

maybe color grading it a bit to extend our
Cinematic Lighting workflow into the post-processing

zone ever so slightly.

and now let's do a quick recap.