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1
00:00:03,180 --> 00:00:06,180
[sultry jazz music]
2
00:00:06,180 --> 00:00:18,200
♪ ♪
3
00:00:18,200 --> 00:00:28,240
♪ ♪
4
00:00:28,240 --> 00:00:42,230
♪ ♪
5
00:00:42,230 --> 00:00:53,080
♪ ♪
6
00:00:53,120 --> 00:01:03,060
♪ ♪
7
00:01:03,100 --> 00:01:08,150
(Jake)
I ALWAYS WANTED TO BE CLOSE
TO DANGEROUS GUYS.
8
00:01:08,150 --> 00:01:12,010
MAYBE I WANTED TO BE
A DANGEROUS GUY.
9
00:01:12,010 --> 00:01:18,060
TRUTH IS,
I DIDN''T KNOW WHAT I WANTED.
10
00:01:18,060 --> 00:01:21,240
[siren wailing]
11
00:01:21,240 --> 00:01:25,110
[alarm ringing]
12
00:01:25,110 --> 00:01:26,230
I''M TELLING YOU, JERRY,
13
00:01:26,230 --> 00:01:29,010
THESE ROBBERY CREWS ARE
OUTFITTED WITH WEAPONS OF WAR.
14
00:01:29,010 --> 00:01:30,130
THEY''RE NOT AFRAID
OF THE POLICE,
15
00:01:30,130 --> 00:01:31,240
AND THEY''RE
NOT AFRAID TO DIE.
16
00:01:31,240 --> 00:01:33,160
AND THAT''S THE HANDLE
FOR THE ARTICLE.
17
00:01:33,160 --> 00:01:35,250
HOW DO WE EXPECT THE COPS,
OUR FIRST LINE OF DEFENSE,
18
00:01:35,250 --> 00:01:37,120
TO COMPETE WITH THIS?
19
00:01:37,120 --> 00:01:39,100
ALL RIGHT, THIS IS ONE
OF MY BEST STORIES EVER, JER.
20
00:01:42,290 --> 00:01:44,000
THAT''S NEWS?
21
00:01:44,000 --> 00:01:45,020
WHY NOT?
22
00:01:45,020 --> 00:01:48,010
BANK ROBBERS
WITH HIGH-POWERED WEAPONS?
23
00:01:48,010 --> 00:01:49,270
WHAT ARE YOU SAYING?
24
00:01:49,270 --> 00:01:52,290
LOOK, I''M NOT YOUR PRIEST,
AND I''M NOT YOUR FATHER,
25
00:01:52,290 --> 00:01:54,120
BUT THIS GARBAGE
26
00:01:54,120 --> 00:01:55,270
THAT YOU''VE BEEN
BRINGING ME RECENTLY
27
00:01:55,270 --> 00:01:57,120
IS THE GODDAMN WORK
28
00:01:57,120 --> 00:02:01,130
OF A MAN WHO DOESN''T WANT TO BE
A JOURNALIST ANY LONGER.
29
00:02:07,110 --> 00:02:08,280
SO WHAT AM I
SUPPOSED TO DO?
30
00:02:13,150 --> 00:02:16,010
I SOLD A LOT OF MAGAZINES
FOR YOU, JERRY.
31
00:02:16,010 --> 00:02:17,100
YEAH, YOU DID.
32
00:02:17,100 --> 00:02:21,130
AND YOU STILL CAN,
I GUESS.
33
00:02:21,130 --> 00:02:23,210
GET YOURSELF A JOB
AT A NEWSSTAND.
34
00:02:25,270 --> 00:02:27,220
NOW, YOU EXCUSE ME.
35
00:02:27,220 --> 00:02:29,110
I''VE GOT TO MAKE
A PHONE CALL.
36
00:02:30,220 --> 00:02:31,220
GO ON.
37
00:02:31,220 --> 00:02:33,210
GO ON.
38
00:02:39,280 --> 00:02:42,280
[melancholy music]
39
00:02:42,280 --> 00:02:50,260
♪ ♪
40
00:03:05,000 --> 00:03:07,290
[sighing]
41
00:03:15,020 --> 00:03:17,090
[faint heavy breathing]
42
00:03:17,090 --> 00:03:19,070
[kissing]
43
00:03:37,090 --> 00:03:42,190
I, UH, I GOTTA GET
OUTTA HERE.
44
00:03:42,190 --> 00:03:49,100
NO.
YOU STAY.
45
00:03:50,220 --> 00:03:52,000
I''LL GO.
46
00:03:58,070 --> 00:03:59,160
(woman)
JAKE.
47
00:03:59,160 --> 00:04:00,230
JAKE, WAIT.
48
00:04:02,140 --> 00:04:04,180
WHERE WILL YOU GO?
49
00:04:06,270 --> 00:04:08,270
I ACTUALLY KNOW A PLACE
WHERE THEY LIKE LOSERS.
50
00:04:08,270 --> 00:04:11,080
I THINK
I''LL GO THERE.
51
00:04:22,100 --> 00:04:27,110
(man)
♪ FOUR MILES LONG
AND SIX BLOCKS WIDE, ♪
52
00:04:27,110 --> 00:04:31,290
♪ A LOT OF SPACE TO LOSE,
A LOT OF TIME TO DIE. ♪
53
00:04:31,290 --> 00:04:33,110
♪ SO GIVE ME A BOTTLE; ♪
54
00:04:33,110 --> 00:04:38,290
♪ THAT''S ALL I GOT
WORTH LIVING FOR. ♪
55
00:04:38,290 --> 00:04:40,230
♪ WHOA,
I''M BETTING IT ALL. ♪
56
00:04:40,230 --> 00:04:49,010
♪ THERE AIN''T NO FUTURE
ON THIS JERSEY SHORE. ♪
57
00:04:49,010 --> 00:04:54,110
♪ THERE''S THE OLD STEEL PIER
WHERE HORSES FLY; ♪
58
00:04:54,110 --> 00:04:59,110
♪ ATLANTIC CITY,
WHERE YOUR SOUL CAN DIE; ♪
59
00:04:59,110 --> 00:05:06,250
♪ YEAH, THERE AIN''T NO HEAVEN
AND THERE AIN''T NO DOOR. ♪
60
00:05:06,250 --> 00:05:08,070
♪ AND I''M BETTING IT ALL ♪
61
00:05:08,070 --> 00:05:16,020
♪ THERE AIN''T NO FUTURE
ON THIS JERSEY SHORE. ♪
62
00:05:16,020 --> 00:05:20,250
♪ NAKED TO GRAY, ♪
63
00:05:20,250 --> 00:05:26,150
♪ THE OLD WISE MEN SAY. ♪
64
00:05:26,150 --> 00:05:31,230
♪ BURN MY TICKET
FOR THE LAST TRAIN LEAVING. ♪
65
00:05:31,230 --> 00:05:34,080
♪ I CAN CLOSE MY EYES, ♪
66
00:05:34,080 --> 00:05:41,130
♪ ''CAUSE I AIN''T BELIEVIN''
ANYMORE. ♪
67
00:05:41,130 --> 00:05:49,050
♪ OH, THERE AIN''T NO HEAVEN,
AND THERE AIN''T NO DOOR. ♪
68
00:05:49,050 --> 00:05:50,200
♪ AND I''M BETTING IT ALL ♪
69
00:05:50,200 --> 00:05:54,290
♪ THERE AIN''T NO FUTURE
ON THIS JERSEY SHORE. ♪ ♪
70
00:05:54,290 --> 00:05:57,270
[thunder rumbling]
71
00:06:06,290 --> 00:06:08,210
HOW YOU DOIN'',
JAKE?
72
00:06:08,210 --> 00:06:09,230
THE USUAL?
73
00:06:09,230 --> 00:06:10,210
PLEASE.
74
00:06:14,250 --> 00:06:16,140
[liquid pouring]
75
00:06:24,260 --> 00:06:28,220
WHAT ARE YOU
LOOKIN'' AT?
76
00:06:28,220 --> 00:06:30,010
SIX BUCKS.
77
00:06:53,200 --> 00:06:55,080
(woman)
CAN I GET YOU
SOMETHING TO EAT?
78
00:06:55,080 --> 00:06:56,190
I''M NEW.
79
00:06:56,190 --> 00:06:57,250
NAME''S GRACE.
80
00:06:57,250 --> 00:06:59,010
NO FOOD, GRACE.
81
00:06:59,010 --> 00:07:00,190
I''LL TAKE
ANOTHER ONE OF THESE, THOUGH.
82
00:07:00,190 --> 00:07:03,230
YOU''RE JAKE BRIDGES,
RIGHT?
83
00:07:03,230 --> 00:07:04,290
SORRY?
84
00:07:04,290 --> 00:07:07,240
SOMEBODY SAID
YOU''RE A REGULAR IN HERE.
85
00:07:07,240 --> 00:07:09,150
PEOPLE ARE TALKING ABOUT ME
BEHIND MY BACK.
86
00:07:09,150 --> 00:07:10,150
I''M OUTRAGED.
87
00:07:10,150 --> 00:07:13,240
IT''S NOT LIKE THAT.
88
00:07:13,240 --> 00:07:16,000
YOU SEE,
MR. BRIDGES,
89
00:07:16,000 --> 00:07:17,200
I''M A JOURNALISM MAJOR.
90
00:07:17,200 --> 00:07:18,250
WE STUDY YOUR STUFF,
91
00:07:18,250 --> 00:07:21,050
AND YOU''RE A TERRIFIC
FEATURE WRITER.
92
00:07:21,050 --> 00:07:22,290
SO YOU''RE A WRITER, TOO, HUH?
93
00:07:22,290 --> 00:07:24,180
NO.
94
00:07:24,180 --> 00:07:27,050
WELL, I GUESS
I WANT TO BE A WRITER.
95
00:07:27,050 --> 00:07:28,200
AND YOU''VE WRITTEN
A FEW ARTICLES,
96
00:07:28,200 --> 00:07:30,150
AND YOU WERE WONDERING
97
00:07:30,150 --> 00:07:32,150
IF I MIGHT HAVE THE TIME
TO TAKE A LOOK AT THEM.
98
00:07:32,150 --> 00:07:34,110
AND YOU''D LIKE
TO HEAR MY OPINION,
99
00:07:34,110 --> 00:07:35,280
AND YOU WANT ME
TO BE HONEST.
100
00:07:35,280 --> 00:07:38,140
BUT WHEN I READ YOUR STUFF,
AND I TELL YOU THAT IT''S SHIT,
101
00:07:38,140 --> 00:07:40,020
YOU WON''T KNOW
HOW TO HANDLE IT, WILL YOU?
102
00:07:42,200 --> 00:07:44,130
LET''S JUST SKIP IT,
OKAY?
103
00:07:44,130 --> 00:07:46,220
GLADLY.
104
00:07:48,160 --> 00:07:51,180
MIKE, GIVE ME
ANOTHER DOUBLE BOURBON.
105
00:07:51,180 --> 00:07:53,160
THANKS.
106
00:08:01,150 --> 00:08:02,170
HERE.
FORGET IT.
107
00:08:02,170 --> 00:08:03,240
I DON''T WANT
ANYTHING FROM YOU.
108
00:08:03,240 --> 00:08:04,240
HEY, HEY, GRACE.
109
00:08:04,240 --> 00:08:05,260
WHAT?
110
00:08:05,260 --> 00:08:07,030
I APOLOGIZE.
111
00:08:07,030 --> 00:08:09,110
LOOK, I''M JUST
IN A BIT OF A SLUMP,
112
00:08:09,110 --> 00:08:10,210
VIS A VIS BEING PUBLISHED,
113
00:08:10,210 --> 00:08:13,080
AND HAVING PEOPLE COMPLIMENT ME
ABOUT MY PAST WORK--
114
00:08:13,080 --> 00:08:15,150
WELL, IT JUST--
115
00:08:15,150 --> 00:08:18,070
IT BOTHERS ME,
THAT''S ALL.
116
00:08:18,070 --> 00:08:21,280
IT SHOULDN''T.
117
00:08:21,280 --> 00:08:24,070
BUT ANYWAY, THERE''S NO NEED
TO APOLOGIZE.
118
00:08:24,070 --> 00:08:25,130
YES, THERE IS.
119
00:08:25,130 --> 00:08:27,120
I''LL BUY YOU A DRINK SOMETIME,
ALL RIGHT?
120
00:08:27,120 --> 00:08:28,150
THAT''D BE NICE.
121
00:08:33,210 --> 00:08:38,000
(man)
SO I TOLD HER
SHE AIN''T GETTING DOLLAR ONE.
122
00:08:38,000 --> 00:08:41,120
BITCHES THINK
THEY OWN THE WORLD,
123
00:08:41,120 --> 00:08:43,170
BUT IT DON''T WORK
THAT WAY WITH ME.
124
00:08:43,170 --> 00:08:45,230
(woman)
IT''S GETTING LATE.
125
00:08:45,230 --> 00:08:48,090
I''LL TELL YOU
WHEN IT''S LATE.
126
00:08:48,090 --> 00:08:50,040
GIVE ME ANOTHER
WHISKEY AND SODA.
127
00:08:50,040 --> 00:08:51,210
DON''T WATER IT DOWN
THIS TIME.
128
00:08:51,210 --> 00:08:54,050
OKAY?
129
00:08:57,070 --> 00:09:00,020
OKAY, WHAT ARE YOU
GOING TO HAVE?
130
00:09:00,020 --> 00:09:01,030
I DON''T FEEL
LIKE IT.
131
00:09:01,030 --> 00:09:02,080
(man)
LISTEN, GIRLY,
132
00:09:02,080 --> 00:09:05,260
I''M BUYING,
AND YOU''RE DRINKING.
133
00:09:05,260 --> 00:09:07,120
SO WHAT''S IT GOING TO BE?
134
00:09:07,120 --> 00:09:09,120
(Mike)
HEY, MISTER,
135
00:09:09,120 --> 00:09:13,060
WHY DON''T YOU
TAKE IT EASY?
136
00:09:13,060 --> 00:09:16,000
DO YOU WANT ME TO PUT
MY FIST DOWN YOUR MOUTH?
137
00:09:16,000 --> 00:09:17,180
YOU WANT ME
TO CALL THE COPS?
138
00:09:17,180 --> 00:09:20,070
YOU PICK UP THAT PHONE,
AND I''LL BREAK YOUR ARM.
139
00:09:24,030 --> 00:09:25,010
OKAY.
140
00:09:26,210 --> 00:09:28,190
NOW...
141
00:09:28,190 --> 00:09:33,020
WHAT ARE YOU GOING
TO HAVE?
142
00:09:33,020 --> 00:09:34,290
A SPRITZER.
143
00:09:34,290 --> 00:09:36,160
PERFECT.
144
00:09:36,160 --> 00:09:38,120
A SPRITZER--
OH, THAT''S GREAT.
145
00:09:38,120 --> 00:09:40,160
GIVE THE LADY
A SPRITZER.
146
00:09:40,160 --> 00:09:42,140
HEY, WHY DON''T YOU
LEAVE HER ALONE?
147
00:09:42,140 --> 00:09:43,210
IT''S OKAY,
MISTER.
148
00:09:43,210 --> 00:09:45,200
I CAN TAKE CARE
OF MYSELF.
149
00:09:49,170 --> 00:09:51,010
WHAT''D YOU
JUST SAY TO ME, PAL?
150
00:09:53,080 --> 00:09:55,290
I SAID,
"LEAVE HER ALONE."
151
00:09:55,290 --> 00:09:57,130
SHE DOESN''T WANT
TO DRINK WITH YOU.
152
00:09:57,130 --> 00:09:58,210
[chuckles quietly]
153
00:09:58,210 --> 00:09:59,210
WHY WOULD SHE?
154
00:09:59,210 --> 00:10:02,080
YOU''RE FAT, UGLY,
155
00:10:02,080 --> 00:10:03,180
AND GENERALLY DISGUSTING.
156
00:10:03,180 --> 00:10:05,140
WHY WOULD ANYBODY
WANT TO DRINK WITH YOU?
157
00:10:05,140 --> 00:10:08,000
(Mike)
HEY, JAKE,
BACK OFF.
158
00:10:08,000 --> 00:10:09,100
NO, NO, MIKE.
159
00:10:09,100 --> 00:10:11,130
I''M TRYING TO EXPLAIN
SOMETHING TO THIS PIG.
160
00:10:11,130 --> 00:10:15,160
BUTT OUT, ASSHOLE...
161
00:10:15,160 --> 00:10:17,100
BEFORE YOU GET HURT.
162
00:10:26,130 --> 00:10:29,150
[groaning]
163
00:10:29,150 --> 00:10:31,110
[thunder rumbling]
164
00:10:36,000 --> 00:10:37,210
YOU''RE DEAD,
BOY.
165
00:10:40,210 --> 00:10:42,250
[whimpering]
166
00:10:42,250 --> 00:10:44,220
WHAT DO YOU THINK,
YOU SON OF A BITCH, HUH?
167
00:10:44,220 --> 00:10:45,220
WHAT DO YOU THINK?
168
00:10:45,220 --> 00:10:46,200
YOU KNOW WHAT?
169
00:10:52,230 --> 00:10:54,090
WHO THE FUCK ARE YOU?
170
00:10:54,090 --> 00:10:55,260
I WORK FOR A GUY NAMED LYLE.
YOU KNOW HIM?
171
00:10:55,260 --> 00:10:57,000
YEAH, I''M WAITING
FOR HIM.
172
00:10:57,000 --> 00:10:58,070
YEAH, YOU GOT
HIS FUCKIN'' MONEY?
173
00:10:58,070 --> 00:10:59,140
WHERE''S HIS MONEY?
WHERE IS IT?
174
00:10:59,140 --> 00:11:01,050
(man #1)
I GOT IT
RIGHT IN MY POCKET.
175
00:11:01,050 --> 00:11:03,190
BUT I''M SUPPOSED
TO GIVE HIM THAT PERSONALLY.
176
00:11:03,190 --> 00:11:05,160
(man #2)
YOU''RE NOT GOING
TO GIVE HIM THE MONEY.
177
00:11:05,160 --> 00:11:07,020
YOU KNOW WHY?
''CAUSE YOUR LITTLE STORY
178
00:11:07,020 --> 00:11:08,160
DOWN IN JERSEY CITY
DIDN''T CHECK OUT,
179
00:11:08,160 --> 00:11:10,130
''CAUSE YOU''RE A FUCKIN'' LIAR.
YOU ASKED WHO I AM?
180
00:11:10,130 --> 00:11:11,170
I''M THE WRATH
OF GOD, LEW.
181
00:11:11,170 --> 00:11:13,000
DO NOT TELL ME
YOU WEREN''T WARNED.
182
00:11:13,000 --> 00:11:14,010
[bones cracking]
183
00:11:14,010 --> 00:11:16,140
[screaming]
184
00:11:17,260 --> 00:11:19,290
AH, YOU BROKE
MY FUCKIN'' ARM.
185
00:11:30,180 --> 00:11:33,290
[sirens wailing faintly]
186
00:11:33,290 --> 00:11:35,160
CAN YOU GET UP?
187
00:11:35,160 --> 00:11:38,140
[groaning]
188
00:11:54,260 --> 00:11:57,250
[slow swing music]
189
00:11:57,250 --> 00:12:04,280
♪ ♪
190
00:12:04,280 --> 00:12:06,250
[knocking]
191
00:12:06,250 --> 00:12:09,150
[man over television]
Who are you really,
and what were you before?
192
00:12:09,150 --> 00:12:10,220
What did you do,
and what--
193
00:12:10,220 --> 00:12:12,220
[television shuts off]
194
00:12:12,220 --> 00:12:13,230
FRANKIE?
195
00:12:13,230 --> 00:12:16,040
(Frankie)
IT''S ME.
196
00:12:22,220 --> 00:12:26,000
I RAN INTO THIS GUY
IN THE GYM.
197
00:12:27,180 --> 00:12:29,020
HERE YA GO.
198
00:12:29,020 --> 00:12:30,070
WHAT HAPPENED
TO HIM?
199
00:12:30,070 --> 00:12:34,000
HE TRIED TO TAKE
THE BUM OUT BEFORE I DID.
200
00:12:34,000 --> 00:12:35,150
TRIED TO DO
MY JOB FOR ME.
201
00:12:35,150 --> 00:12:37,130
(woman)
WELL, HE DIDN''T DO IT
VERY WELL, DID HE?
202
00:12:37,130 --> 00:12:39,000
NO, HE DID NOT.
203
00:12:48,020 --> 00:12:49,130
I''M A NURSE.
204
00:12:49,130 --> 00:12:51,150
I KNOW
WHAT I''M DOING.
205
00:12:55,210 --> 00:12:57,240
CAN YOU FOLLOW
MY FINGER?
206
00:13:05,140 --> 00:13:06,150
[groaning]
207
00:13:06,150 --> 00:13:07,250
THAT HURT?
208
00:13:07,250 --> 00:13:09,190
NO, FEELS GOOD.
209
00:13:09,190 --> 00:13:11,030
[footsteps approaching]
210
00:13:11,030 --> 00:13:15,140
(Frankie)
THIS IS MY MELISSA.
211
00:13:15,140 --> 00:13:18,040
YOU''RE A LUCKY GUY,
FRANK.
212
00:13:18,040 --> 00:13:20,150
(Frankie)
YEP.
213
00:13:20,150 --> 00:13:22,200
IS THAT BAD?
214
00:13:22,200 --> 00:13:24,240
SHOULD WE GET HIM
AWAKE OR SOMETHING?
215
00:13:24,240 --> 00:13:26,010
NO, HE''S IN SHOCK.
216
00:13:26,010 --> 00:13:27,090
HE NEEDS TO REST.
217
00:13:27,090 --> 00:13:29,010
RIGHT.
218
00:13:29,010 --> 00:13:30,210
WEIRD GUY.
219
00:13:34,230 --> 00:13:36,020
YOU WEREN''T HURT?
220
00:13:36,020 --> 00:13:37,280
PIECE OF CAKE.
221
00:13:37,280 --> 00:13:39,250
THAT''S MY FRANKIE.
222
00:13:48,210 --> 00:13:52,230
WHITE SIGNIFIES
PURITY.
223
00:13:52,230 --> 00:13:55,170
NO, IT SIGNIFIES
NURSE.
224
00:13:55,170 --> 00:13:57,050
I WORK
THE GRAVEYARD SHIFT,
225
00:13:57,050 --> 00:13:58,250
11:00 TO 7:00.
226
00:13:58,250 --> 00:14:00,190
DON''T TRY
TO GET UP.
227
00:14:00,190 --> 00:14:01,190
FRANKIE''S SLEEPING.
228
00:14:01,190 --> 00:14:04,170
YOU SHOULD
BE RESTING.
229
00:14:04,170 --> 00:14:06,030
WHERE ARE YOU GOING?
230
00:14:06,030 --> 00:14:07,230
I JUST TOLD YOU:
I''M GOING TO WORK.
231
00:14:07,230 --> 00:14:09,140
WHEN I COME BACK,
I''LL BRING YOU SOME DRUGS.
232
00:14:09,140 --> 00:14:11,280
THEY''LL MAKE YOU FEEL
MUCH BETTER, I PROMISE.
233
00:14:11,280 --> 00:14:14,050
ISN''T THIS WHERE
I''M SUPPOSED TO JUST SAY NO?
234
00:14:14,050 --> 00:14:16,160
NO, IT ISN''T.
235
00:14:16,160 --> 00:14:17,280
YOU AND FRANKIE
ARE NICE PEOPLE.
236
00:14:17,280 --> 00:14:19,120
I DON''T WANT
TO PUT YOU OUT ANYMORE.
237
00:14:19,120 --> 00:14:21,250
NO, FRANKIE''S
THE NICE ONE.
238
00:14:21,250 --> 00:14:24,040
WELL, YOU WOULDN''T
HAVE DONE WHAT HE DID?
239
00:14:24,040 --> 00:14:29,140
LET''S JUST SAY I WOULD NEVER
BE IN THE SAME POSITION TO.
240
00:14:29,140 --> 00:14:30,200
WHAT''S YOUR NAME AGAIN?
241
00:14:30,200 --> 00:14:32,250
JAKE BRIDGES.
242
00:14:32,250 --> 00:14:35,150
YOUR NAME IS, UH--
243
00:14:35,150 --> 00:14:37,280
I THINK YOU TOLD ME.
244
00:14:37,280 --> 00:14:39,240
I JUST CAN''T REMEMBER.
245
00:14:39,240 --> 00:14:42,170
YOU GOT TO STAY PUT.
246
00:14:45,170 --> 00:14:47,160
I KNOW
WHAT I''M TALKING ABOUT.
247
00:14:52,240 --> 00:14:54,110
WHAT''S YOUR NAME?
248
00:14:54,110 --> 00:14:56,230
THE NAME''S
MELISSA.
249
00:14:56,230 --> 00:14:58,230
LIE DOWN.
250
00:14:58,230 --> 00:15:00,030
THAT''S
WHAT YOU NEED.
251
00:15:00,030 --> 00:15:01,100
THERE,
THAT''S GOOD.
252
00:15:01,100 --> 00:15:02,120
LIE DOWN.
253
00:15:02,120 --> 00:15:04,120
YOU NEED
TO SLEEP.
254
00:15:12,060 --> 00:15:13,040
[quietly]
MELISSA.
255
00:15:22,090 --> 00:15:25,070
[groaning]
256
00:15:58,260 --> 00:16:00,180
(Frankie)
HEY, WHERE YOU GOIN''?
257
00:16:00,180 --> 00:16:02,250
WELL, I WAS GOING TO LEAVE YOU
A THANK-YOU NOTE, BUT I--
258
00:16:02,250 --> 00:16:04,140
DO I LOOK LIKE
THE KIND OF GUY
259
00:16:04,140 --> 00:16:05,190
WHO READS
THANK-YOU NOTES?
260
00:16:05,190 --> 00:16:06,280
ACTUALLY, NO.
261
00:16:06,280 --> 00:16:09,000
YOU WANT TO THANK SOMEBODY,
YOU THANK THEM IN PERSON.
262
00:16:09,000 --> 00:16:10,150
UNLESS YOU
GOT NO MANNERS.
263
00:16:10,150 --> 00:16:11,160
I''M SORRY.
264
00:16:11,160 --> 00:16:13,130
I LEFT MY ETIQUETTE BOOK
AT HOME TODAY.
265
00:16:13,130 --> 00:16:14,160
I GOTTA GO.
266
00:16:16,130 --> 00:16:18,010
WHAT''S WRONG WITH YOU?
267
00:16:18,010 --> 00:16:20,170
YOU DON''T WANT TO KNOW.
268
00:16:22,180 --> 00:16:24,160
I''M TALKING
TO YOU.
269
00:16:28,150 --> 00:16:32,180
LOOK, I DON''T EVEN WANT
TO BE TALKING TO YOU NOW.
270
00:16:32,180 --> 00:16:33,210
OKAY?
271
00:16:33,210 --> 00:16:34,240
SOMETIMES I GET
272
00:16:34,240 --> 00:16:36,270
A LITTLE ARROGANT,
A LITTLE POMPOUS.
273
00:16:36,270 --> 00:16:39,140
IT''S MY LIFE,
ALL RIGHT?
274
00:16:44,290 --> 00:16:47,290
[melancholy music]
275
00:16:47,290 --> 00:16:55,260
♪ ♪
276
00:17:19,120 --> 00:17:20,170
HOW WAS WORK?
277
00:17:20,170 --> 00:17:21,270
[Melissa sighs]
278
00:17:21,270 --> 00:17:23,170
DON''T ASK.
279
00:17:31,260 --> 00:17:35,090
THAT GUY
JUST UP AND LEFT.
280
00:17:35,090 --> 00:17:38,130
YEAH, I NOTICED.
281
00:17:38,130 --> 00:17:43,210
WHAT AN UNGRATEFUL
BASTARD.
282
00:17:43,210 --> 00:17:46,180
HE TALKED
PRETTY SMART.
283
00:17:46,180 --> 00:17:49,060
WHAT DOES THAT HAVE TO DO
WITH ANYTHING, FRANKIE?
284
00:17:52,200 --> 00:17:54,130
I''VE NEVER SEEN A GUY
IN MY WHOLE LIFE
285
00:17:54,130 --> 00:17:56,290
SO WILLING TO TAKE PAIN
AS THIS GUY, YOU KNOW?
286
00:17:56,290 --> 00:17:58,010
[chuckling]
287
00:17:58,010 --> 00:17:59,240
SOME PEOPLE
LIKE IT.
288
00:17:59,240 --> 00:18:01,230
THEY CALL THEM
MASOCHISTS.
289
00:18:01,230 --> 00:18:06,070
YEAH, BUT NOT LIKE THIS.
290
00:18:06,070 --> 00:18:08,170
FEEL LIKE SOMETHING
SPOOKED ME, YOU KNOW?
291
00:18:11,210 --> 00:18:15,160
OOH.
292
00:18:15,160 --> 00:18:17,210
WHERE DO YOU WANT ME,
HOT STUFF?
293
00:18:17,210 --> 00:18:19,190
ON TOP OF ME.
294
00:18:24,080 --> 00:18:28,120
WHY DO YOU ASK IF YOU KNOW
WHAT I''M GOING TO SAY?
295
00:18:28,120 --> 00:18:30,280
I LIKE TO HEAR YOU
SAY IT.
296
00:18:30,280 --> 00:18:32,260
[chuckling]
297
00:19:18,240 --> 00:19:21,250
(man)
LOOKIE HERE,
PLIMPTON.
298
00:19:21,250 --> 00:19:24,230
ASSHOLE''S RIGHT ON TIME.
299
00:19:27,220 --> 00:19:30,230
BUSINESS
MUST BE GOOD.
300
00:19:30,230 --> 00:19:33,090
FANCY GODDAMN CAR.
301
00:19:42,140 --> 00:19:45,080
WISEASS SON OF A BITCH.
302
00:19:48,080 --> 00:19:51,060
[man chortling]
303
00:19:53,250 --> 00:19:57,100
BUT WHEN YOU GOING TO MAKE ME
SOME BABIES, FRANKIE, HUH?
304
00:19:57,100 --> 00:19:58,170
WHEN I''M GOOD
AND READY.
305
00:19:58,170 --> 00:20:01,080
AW, NOW, LOOK HERE.
LOOK HERE.
306
00:20:01,080 --> 00:20:03,010
(Frankie)
THAT''S KEEYLEN?
307
00:20:03,010 --> 00:20:04,010
YEAH.
308
00:20:04,010 --> 00:20:05,010
TROUBLE.
309
00:20:05,010 --> 00:20:06,070
OH, THEY KEEPS ME
ALIVE.
310
00:20:06,070 --> 00:20:10,050
YOU KNOW, BERNARD,
I GET OFFERS EVERY MONTH
311
00:20:10,050 --> 00:20:16,250
TO TAKE MY CREW TO CHICAGO,
DETROIT, NEW ORLEANS.
312
00:20:16,250 --> 00:20:19,250
FLATTERING,
GENEROUS OFFERS--
313
00:20:19,250 --> 00:20:22,150
BUT I NEVER GO.
314
00:20:22,150 --> 00:20:25,090
DO YOU KNOW WHY?
315
00:20:25,090 --> 00:20:26,260
NO, SIR.
316
00:20:26,260 --> 00:20:29,190
ASIDE FROM THE FACT
THAT I LIKE THIS PLACE,
317
00:20:29,190 --> 00:20:31,110
THE SALT ON THE AIR,
318
00:20:31,110 --> 00:20:35,180
THOSE ARE THE PLACES THERE''S
SO MANY GODDAMNED PEOPLE,
319
00:20:35,180 --> 00:20:37,280
YOU CAN''T KEEP TRACK
OF ANYTHING AT ALL.
320
00:20:37,280 --> 00:20:41,260
YOU DON''T KNOW
WHO IS DOING WHAT TO WHO.
321
00:20:41,260 --> 00:20:43,260
YOU KNOW WHAT I MEAN?
322
00:20:43,260 --> 00:20:45,130
OH, YES, SIR.
YEP.
323
00:20:45,130 --> 00:20:50,000
THEN THAT MAKES IT EASY
TO SPOT A SILLY GUY LIKE YOU
324
00:20:50,000 --> 00:20:52,260
TRYING TO STEAL
FROM ME.
325
00:20:52,260 --> 00:20:54,110
[scoffs]
326
00:20:54,110 --> 00:20:56,270
[chuckling]
327
00:20:56,270 --> 00:20:59,010
WHERE''S THAT SHOT
OF YOUR FOLKS?
328
00:20:59,010 --> 00:21:01,080
NOW, LOOK, YOU KNOW WHY
THEY''RE SMILING IN THIS PICTURE?
329
00:21:01,080 --> 00:21:02,160
UH-UH.
330
00:21:02,160 --> 00:21:04,060
''CAUSE YOU DON''T
LIVE WITH THEM NO MORE.
331
00:21:04,060 --> 00:21:05,230
[laughing]
332
00:21:05,230 --> 00:21:08,180
I WILL PAY THE MONEY BACK,
I SWEAR.
333
00:21:08,180 --> 00:21:11,060
[crying]
PLEASE DON''T.
334
00:21:11,060 --> 00:21:16,050
WE DON''T KILL PEOPLE
FOR STEALING.
335
00:21:16,050 --> 00:21:17,270
WHAT DO YOU THINK
WE ARE?
336
00:21:17,270 --> 00:21:19,060
SAVAGES?
337
00:21:19,060 --> 00:21:21,090
WE LET THE PUNISHMENT
FIT THE CRIME.
338
00:21:25,090 --> 00:21:27,270
WHAT DO YOU LIKE TO DO?
339
00:21:27,270 --> 00:21:29,230
[crying]
DO?
340
00:21:29,230 --> 00:21:31,280
YOU KNOW,
"R" AND "R."
341
00:21:34,180 --> 00:21:36,090
I LIKE TO GO DANCING.
342
00:21:36,090 --> 00:21:38,070
(man)
OH.
343
00:21:38,070 --> 00:21:42,170
I DO A LITTLE DANCING
MESELF SOMETIMES.
344
00:21:42,170 --> 00:21:45,150
[struggling noises]
345
00:21:50,180 --> 00:21:53,080
AH, HAVE WE GOT
ANY SHEARS?
346
00:22:05,120 --> 00:22:06,110
THIS?
347
00:22:07,280 --> 00:22:09,230
UH...BIGGER.
348
00:22:09,230 --> 00:22:14,100
[muffled screaming
and crying]
349
00:22:14,100 --> 00:22:15,260
(man)
AH, JESUS,
350
00:22:15,260 --> 00:22:17,220
COME ON--
A BIG PAIR OF SHEARS.
351
00:22:25,220 --> 00:22:27,230
[pleasantly]
AHH.
352
00:22:27,230 --> 00:22:29,050
WELL, NOW YOU''RE TALKING.
353
00:22:29,050 --> 00:22:30,250
[muffled struggling]
354
00:22:38,140 --> 00:22:41,080
AH, I WANT
TO SEE HIS FEET.
355
00:22:54,240 --> 00:22:55,240
[shears snapping]
356
00:22:55,240 --> 00:22:57,030
[screaming]
357
00:22:57,030 --> 00:22:59,010
[shears snapping]
358
00:23:07,280 --> 00:23:09,220
HOW THEY
TREATING YOU, ANYWAY?
359
00:23:09,220 --> 00:23:11,080
OH, SAME OLD,
SAME OLD.
360
00:23:11,080 --> 00:23:12,290
ANOTHER DAY,
ANOTHER HALF DOLLAR.
361
00:23:12,290 --> 00:23:15,000
THE BOSS IS TOUGH,
BUT HE''S GOT TO BE.
362
00:23:15,000 --> 00:23:16,000
HE''S THE BOSS.
363
00:23:16,000 --> 00:23:18,280
[saw whining]
364
00:23:23,030 --> 00:23:25,060
SO THEY WOULD HANG
THIS CAT UPSIDE DOWN.
365
00:23:25,060 --> 00:23:26,220
[bell ringing]
AND IT WOULD, LIKE--
366
00:23:26,220 --> 00:23:27,270
COME ON IN.
367
00:23:27,270 --> 00:23:30,070
IT WOULD, LIKE, LICK
ITS OWN EYEBALL OR SOME SHIT.
368
00:23:30,070 --> 00:23:33,240
AH, COME IN AND TAKE A LOAD OFF,
FRANKIE BOY.
369
00:23:33,240 --> 00:23:34,250
HAPPY BIRTHDAY,
BOSS.
370
00:23:34,250 --> 00:23:35,240
AH, FRANKIE.
371
00:23:35,240 --> 00:23:37,050
HEY, SCUMBAG.
372
00:23:37,050 --> 00:23:39,010
HEY, NONE OF THAT!
373
00:23:39,010 --> 00:23:41,070
WE WERE TALKING ABOUT
THE LETTERMAN SHOW LAST NIGHT,
374
00:23:41,070 --> 00:23:42,070
FRANKIE.
375
00:23:42,070 --> 00:23:43,280
[giggling]
376
00:23:43,280 --> 00:23:50,020
HE HAD THIS GREAT
STUPID PETS ON.
377
00:23:50,020 --> 00:23:51,190
GOD, I WISH
I''D SEEN HIM.
378
00:23:51,190 --> 00:23:52,230
YEAH, I WISH
YOU''D SEEN IT.
379
00:23:52,230 --> 00:23:54,260
OH, I LOVE
TO LAUGH.
380
00:23:54,260 --> 00:23:58,000
[all laughing]
381
00:23:58,000 --> 00:24:00,230
(man)
FRANKIE, SO YOU FUCKED UP
AGAIN LAST NIGHT, HUH?
382
00:24:00,230 --> 00:24:02,170
HOW''S THAT?
383
00:24:02,170 --> 00:24:04,240
YOU INVOLVED SOMEBODY ELSE
IN OUR TRANSACTION WITH LEW.
384
00:24:04,240 --> 00:24:06,230
ACTUALLY, HE KIND OF
INVOLVED HIMSELF.
385
00:24:06,230 --> 00:24:08,110
WHO WAS THAT GUY?
386
00:24:08,110 --> 00:24:09,110
A GUY--
I KNOW HIM.
387
00:24:09,110 --> 00:24:10,110
I VOUCH FOR HIM.
388
00:24:10,110 --> 00:24:12,010
IT''S ALL RIGHT.
389
00:24:12,010 --> 00:24:13,290
THAT''S YOUR DEAL,
FRANKIE.
390
00:24:15,080 --> 00:24:18,160
THAT''S THE THOUSAND
THAT LEW HAD ON HIM.
391
00:24:18,160 --> 00:24:21,000
I DON''T THINK WE''LL HAVE
ANY TROUBLE GETTING THE REST.
392
00:24:21,000 --> 00:24:23,140
OH, HE DOESN''T THINK;
THAT''S A LAUGH.
393
00:24:23,140 --> 00:24:25,120
GWYNNE, THIS IS
A GOOD BOY.
394
00:24:25,120 --> 00:24:27,230
DON''T BE
HANDING HIM OUT SHITE.
395
00:24:27,230 --> 00:24:30,280
THIS BOY--
HE LOVES ME.
396
00:24:30,280 --> 00:24:32,250
YES, HE DOES.
397
00:24:32,250 --> 00:24:34,250
DON''T YOU WORRY
ABOUT GWYNNE.
398
00:24:34,250 --> 00:24:36,080
HE''S GOT A TINY DICK,
399
00:24:36,080 --> 00:24:38,090
AND IT''S RUINED
HIS OUTLOOK ON LIFE.
400
00:24:38,090 --> 00:24:39,150
[chuckling]
401
00:24:39,150 --> 00:24:40,150
TALKING OF WHICH,
402
00:24:40,150 --> 00:24:41,190
HOW''S MELISSA?
403
00:24:41,190 --> 00:24:43,190
SHE''S GOOD.
404
00:24:43,190 --> 00:24:45,130
WHEN ARE YOU
GETTING MARRIED?
405
00:24:45,130 --> 00:24:48,270
EH, IF IT AIN''T BROKE,
DON''T FIX IT.
406
00:24:48,270 --> 00:24:50,110
YOU KNOW WHAT I MEAN?
407
00:24:50,110 --> 00:24:52,040
WE''LL JUST LIVE TOGETHER
AS WE''RE DOING NOW.
408
00:24:52,040 --> 00:24:53,050
SEE HOW IT GOES.
409
00:24:53,050 --> 00:24:54,210
AYE, NOW,
FORGET ABOUT THAT!
410
00:24:54,210 --> 00:24:56,170
KIDS IS AMAZING;
I''VE HAD SEVEN.
411
00:24:56,170 --> 00:24:58,130
I KNOW.
412
00:24:58,130 --> 00:25:00,250
THE LOVE YOU GET FROM A SON
BEATS EVERYTHING.
413
00:25:00,250 --> 00:25:03,050
TRUST ME ON THIS.
MARRY HER.
414
00:25:04,280 --> 00:25:06,070
I GOT YOU SOMETHING.
415
00:25:06,070 --> 00:25:08,170
(Gwynne)
HEY,
416
00:25:08,170 --> 00:25:10,020
I GOT YOU SOMETHING TOO.
417
00:25:10,020 --> 00:25:11,170
HEY, TOMMY.
418
00:25:15,040 --> 00:25:16,090
IT''S--
IT''S A LIGHTER.
419
00:25:17,280 --> 00:25:20,100
YOU LET A MAN
OPEN IT HIMSELF
420
00:25:20,100 --> 00:25:23,040
AND SEE FOR HIMSELF
WHAT HIS PRESENT IS, GWYNNE.
421
00:25:23,040 --> 00:25:24,120
JAY-SUS GOD,
422
00:25:24,120 --> 00:25:26,050
DID NO ONE TEACH YOU
ANYTHING AT ALL?
423
00:25:32,180 --> 00:25:34,250
I FOUND THIS
ON BALTIC AVENUE.
424
00:25:51,100 --> 00:25:54,270
"TO POPS,
WITH LOVE ALWAYS,
425
00:25:54,270 --> 00:25:58,160
FRANKIE
AND MELISSA."
426
00:25:58,160 --> 00:26:01,150
IT''S BEAUTIFUL.
427
00:26:11,130 --> 00:26:14,040
HAPPY BIRTHDAY,
POP.
428
00:26:14,040 --> 00:26:15,170
(Lange)
GOD GO WITH YOU,
FRANKIE.
429
00:26:15,170 --> 00:26:17,070
(Frankie)
TAKE CARE.
430
00:26:20,020 --> 00:26:23,060
I''LL HAVE THAT OTHER JOB
DONE IN ABOUT A WEEK, OKAY?
431
00:26:23,060 --> 00:26:24,280
AND GET THAT GIRL
KNOCKED UP!
432
00:26:24,280 --> 00:26:26,200
[chuckling]
433
00:26:26,200 --> 00:26:28,210
YOU''RE NOT GOING TO LET ME
OFF THE HOOK, ARE YOU?
434
00:26:28,210 --> 00:26:30,240
I''LL SEE YOU, POPS.
435
00:26:46,200 --> 00:26:48,220
HOW''S IT GOING?
436
00:26:48,220 --> 00:26:50,290
OH, YOU''RE SHITTIN'' ME.
437
00:26:50,290 --> 00:26:54,110
WHY DON''T YOU
BUY ME A DRINK?
438
00:26:54,110 --> 00:26:55,120
I DON''T HAVE EXTRA MONEY.
439
00:26:55,120 --> 00:26:57,000
I HAVE BARELY ENOUGH
FOR MYSELF.
440
00:26:57,000 --> 00:26:58,030
I''LL GET THIS ROUND.
441
00:26:58,030 --> 00:27:00,020
EXCUSE ME.
442
00:27:00,020 --> 00:27:03,060
ANOTHER OF WHATEVER HE''S HAVING
AND ONE FOR HIM TOO.
443
00:27:03,060 --> 00:27:05,040
THANKS.
444
00:27:05,040 --> 00:27:09,010
SO YOU''VE
SEEN ME WORK.
445
00:27:09,010 --> 00:27:11,090
WHAT DO YOU DO?
446
00:27:11,090 --> 00:27:13,120
I DRINK.
447
00:27:13,120 --> 00:27:15,130
YOU''RE LIKE A TEACHER
448
00:27:15,130 --> 00:27:16,240
OR SOMETHING, RIGHT?
449
00:27:16,240 --> 00:27:17,240
WHAT GIVES YOU THAT IDEA?
450
00:27:17,240 --> 00:27:20,190
JUST TELL,
THAT''S ALL.
451
00:27:20,190 --> 00:27:25,000
LOOK, YOUR OPINIONS AND GUESSES
ABOUT WHAT I DO ARE BORING.
452
00:27:25,000 --> 00:27:27,100
NOW, LEAVE ME ALONE.
453
00:27:27,100 --> 00:27:30,180
YOU REALLY THINK
YOU''RE IN A POSITION
454
00:27:30,180 --> 00:27:32,180
TO BE TELLING
OTHER PEOPLE WHAT TO DO?
455
00:27:32,180 --> 00:27:36,010
[sighs]
456
00:27:36,010 --> 00:27:38,090
YOU DRINK
TOO MUCH, PAL.
457
00:27:38,090 --> 00:27:40,030
YOU BEAT PEOPLE UP
FOR A LIVING.
458
00:27:40,030 --> 00:27:42,140
SHOULD YOU REALLY BE TELLING ME
WHAT I SHOULD DO?
459
00:27:42,140 --> 00:27:44,080
IT''S A GOOD SKILL, YOU KNOW;
IT COMES IN HANDY.
460
00:27:44,080 --> 00:27:46,090
I MEAN, I SAVED YOU FROM GETTING
YOUR ASS HANDED TO YOU
461
00:27:46,090 --> 00:27:47,090
THE OTHER NIGHT.
462
00:27:47,090 --> 00:27:49,000
WAS I DREAMING THIS?
463
00:27:49,000 --> 00:27:51,120
DID YOU THINK THAT GUY
WAS GOING TO LET YOU WALK?
464
00:27:51,120 --> 00:27:52,130
I''D HAVE BEEN FINE.
465
00:27:52,130 --> 00:27:53,180
OH.
466
00:27:53,180 --> 00:27:54,250
I''VE BEEN
WALKING AROUND
467
00:27:54,250 --> 00:27:56,140
FOR 40 YEARS
WITHOUT YOUR HELP.
468
00:27:56,140 --> 00:27:58,010
YEAH, HOW MANY OF ''EM
469
00:27:58,010 --> 00:28:00,080
YOU PLANNING ON SPENDING
AT THE BOTTOM OF A BOTTLE?
470
00:28:00,080 --> 00:28:01,110
WHAT IS IT YOU WANT?
471
00:28:01,110 --> 00:28:03,090
YOU WANT TO SLEEP WITH ME
OR WHAT?
472
00:28:03,090 --> 00:28:04,280
HEY, I GOT A WOMAN FOR THAT,
ALL RIGHT?
473
00:28:04,280 --> 00:28:06,100
SHE TAKES CARE OF IT
BEAUTIFULLY.
474
00:28:06,100 --> 00:28:07,130
I GOT NO COMPLAINTS.
475
00:28:07,130 --> 00:28:09,000
YOU''RE A LUCKY GUY.
476
00:28:09,000 --> 00:28:10,280
YEAH.
477
00:28:15,210 --> 00:28:17,220
I''M JUST TRYING
TO HELP YOU.
478
00:28:17,220 --> 00:28:19,110
I DON''T WANT YOUR HELP.
479
00:28:27,100 --> 00:28:28,250
SO WHAT DO YOU DO?
480
00:28:28,250 --> 00:28:31,280
NOTHING.
I''M UNEMPLOYED.
481
00:28:31,280 --> 00:28:34,170
YEAH, I KNOW,
BUT BEFORE, WHAT''D YOU DO THEN?
482
00:28:34,170 --> 00:28:36,280
CHRIST,
I WAS A WRITER, OKAY?
483
00:28:36,280 --> 00:28:38,280
NOW YOU KNOW WHAT I DID;
ARE YOU HAPPY?
484
00:28:43,290 --> 00:28:45,060
WHY''D YOU STOP?
485
00:28:45,060 --> 00:28:46,290
FUCK, I GOT TO GET AWAY
FROM YOU.
486
00:28:46,290 --> 00:28:48,040
YOU''RE RELENTLESS.
487
00:28:53,270 --> 00:28:55,070
(Frankie)
HEY, JAKE!
JAKE!
488
00:28:55,070 --> 00:28:56,160
HEY--
489
00:28:56,160 --> 00:28:58,220
WILL YOU
LEAVE ME ALONE?
490
00:28:58,220 --> 00:29:00,060
LOOK, LET ME
ASK YOU SOMETHING.
491
00:29:00,060 --> 00:29:01,100
YOU''RE A SMART GUY,
RIGHT?
492
00:29:01,100 --> 00:29:02,190
I''M NOT SUCH
A SMART GUY,
493
00:29:02,190 --> 00:29:04,030
BUT YOU KNOW
A LOT ABOUT BOOKS AND ART
494
00:29:04,030 --> 00:29:05,100
AND THAT KIND
OF THING, RIGHT?
495
00:29:05,100 --> 00:29:06,130
YOU DO.
496
00:29:06,130 --> 00:29:08,040
AND YOU CAN TEACH ME
THOSE THINGS, YOU KNOW?
497
00:29:08,040 --> 00:29:09,210
''CAUSE THERE''S THINGS
I COULD TEACH YOU:
498
00:29:09,210 --> 00:29:11,180
LIFE THINGS, IMPORTANT THINGS,
USEFUL THINGS.
499
00:29:11,180 --> 00:29:13,160
IT''D BE
LIKE A DEAL, RIGHT?
500
00:29:13,160 --> 00:29:14,190
YOU KNOW
WHAT I''M SAYING?
501
00:29:14,190 --> 00:29:15,190
COME ON,
WHAT DO YOU SAY?
502
00:29:15,190 --> 00:29:17,010
WHAT DO YOU GOT
TO LOSE?
503
00:29:17,010 --> 00:29:19,090
WHAT DO YOU GOT
TO LOSE?
504
00:29:19,090 --> 00:29:21,100
WHAT THE FUCK ARE YOU DOING
IN THIS SHITHOLE ANYWAY?
505
00:29:21,100 --> 00:29:22,100
I WAS BORN HERE.
506
00:29:22,100 --> 00:29:23,210
I DON''T KNOW
WHAT YOUR EXCUSE IS.
507
00:29:23,210 --> 00:29:26,070
I''M OBSERVING
THE HUMAN COMEDY.
508
00:29:26,070 --> 00:29:27,210
EVERY FACE HAS A STORY.
509
00:29:27,210 --> 00:29:29,030
THAT''S WHERE
YOU''RE WRONG, SEE,
510
00:29:29,030 --> 00:29:30,190
''CAUSE THESE PEOPLE
DON''T GOT A STORY.
511
00:29:30,190 --> 00:29:32,030
THIS IS ATLANTIC CITY.
512
00:29:32,030 --> 00:29:33,230
WELL, WHY DON''T YOU
LEAVE THEN?
513
00:29:33,230 --> 00:29:35,100
MAKE MY MOVE
WHEN THE TIME COMES,
514
00:29:35,100 --> 00:29:37,150
BUT, YOU KNOW, YOU COULD LEAVE,
AND YOU DON''T.
515
00:29:37,150 --> 00:29:39,070
I THINK YOU SHOULD.
WHY DON''T YOU?
516
00:29:39,070 --> 00:29:40,180
I DON''T WANT TO.
517
00:29:40,180 --> 00:29:43,280
LOOK, I REALIZE THAT MY WORLD
IS NOT AS FABULOUS AS YOURS.
518
00:29:43,280 --> 00:29:45,180
WHAT, ARE YOU
MAKING FUN OF ME NOW?
519
00:29:45,180 --> 00:29:47,110
I MAKE FUN OF
EVERYBODY.
520
00:29:47,110 --> 00:29:48,280
YEAH, BUT THAT
INCLUDES ME, RIGHT?
521
00:29:48,280 --> 00:29:50,220
LOOK, PAL,
522
00:29:50,220 --> 00:29:52,070
I DIDN''T ASK YOU
TO FOLLOW ME.
523
00:29:52,070 --> 00:29:54,090
IF MY BLACK-HEARTED HUMOR
IS NOT TO YOUR TASTE,
524
00:29:54,090 --> 00:29:56,030
THERE''S A LOT OF OTHER PLACES
WHERE I''M NOT
525
00:29:56,030 --> 00:29:57,130
WHERE YOU COULD BE.
526
00:29:57,130 --> 00:29:59,090
I''M JUST SAYING
DON''T LAUGH AT ME, THAT''S ALL.
527
00:29:59,090 --> 00:30:00,100
I''M NOT LAUGHING.
528
00:30:00,100 --> 00:30:01,250
DON''T BE SO SCARED
OF ME, COME ON.
529
00:30:01,250 --> 00:30:03,090
WHY NOT?
YOU''RE SCARY.
530
00:30:03,090 --> 00:30:04,120
I''M NOT SCARY.
531
00:30:04,120 --> 00:30:05,290
I JUST DON''T LIKE
TO BE MADE FUN OF, OKAY?
532
00:30:05,290 --> 00:30:07,060
I''M SORRY.
533
00:30:07,060 --> 00:30:10,000
OH, GOD, WHAT THE FUCK
IS THE PURPOSE OF THIS?
534
00:30:10,000 --> 00:30:11,100
I TOLD YOU ALREADY.
535
00:30:11,100 --> 00:30:13,010
TELL ME AGAIN.
536
00:30:13,010 --> 00:30:14,150
TO BE YOUR FRIEND--
COME ON.
537
00:30:14,150 --> 00:30:16,270
GOT A LOT OF FRIENDS,
DO YOU, FRANKIE?
538
00:30:16,270 --> 00:30:18,190
NO, NOT THAT MANY,
REALLY.
539
00:30:18,190 --> 00:30:19,260
WHY DO YOU THINK
THAT IS?
540
00:30:19,260 --> 00:30:20,260
I DON''T KNOW.
541
00:30:20,260 --> 00:30:22,130
NEVER REALLY
THOUGHT ABOUT IT BEFORE.
542
00:30:22,130 --> 00:30:23,130
BAD LUCK OR SOMETHING.
543
00:30:23,130 --> 00:30:24,130
THERE''S ANOTHER REASON.
544
00:30:24,130 --> 00:30:25,140
YEAH, WHAT''S THAT?
545
00:30:25,140 --> 00:30:27,010
YOU SCARE PEOPLE.
546
00:30:32,100 --> 00:30:34,010
(Frankie)
I DO GOT ONE GUY
YOU SHOULD MEET.
547
00:30:34,010 --> 00:30:35,050
HE''S A FRIEND OF MINE.
548
00:30:35,050 --> 00:30:36,230
I KNOW YOU DON''T THINK
I HAVE ANY FRIENDS,
549
00:30:36,230 --> 00:30:38,050
BUT MY BOSS--
HE CAN HELP YOU OUT
550
00:30:38,050 --> 00:30:39,110
YOU CAN MAKE
SOME MONEY.
551
00:30:39,110 --> 00:30:40,120
I MEAN,
IT''LL HELP, OKAY?
552
00:30:40,120 --> 00:30:41,270
I MEAN, WHAT DO YOU
WANT ME TO SAY?
553
00:30:41,270 --> 00:30:44,090
YOU WANT TO STICK AROUND THIS
SHITHOLE COUNTIN'' COCKROACHES?
554
00:30:44,090 --> 00:30:45,270
IS THAT WHAT GOD PUT YOU
ON THE PLANET FOR?
555
00:30:45,270 --> 00:30:47,090
LISTEN, LET ME
TELL YOU SOMETHING.
556
00:30:47,090 --> 00:30:48,290
PEOPLE ONLY WANT HELP
WHEN THEY ASK FOR IT.
557
00:30:48,290 --> 00:30:50,240
OTHERWISE, IT''S JUST
ANOTHER FUCKIN'' RACKET.
558
00:30:50,240 --> 00:30:51,260
THAT''S IT.
SEE?
559
00:30:51,260 --> 00:30:53,120
THAT''S THE SORT OF STUFF.
I LIKE THAT.
560
00:30:53,120 --> 00:30:54,280
YOU CAN TEACH ME
HOW TO SPEAK LIKE THAT.
561
00:30:54,280 --> 00:30:55,280
LET ME GET
THIS STRAIGHT:
562
00:30:55,280 --> 00:30:57,020
YOU''RE FOLLOWING
ME AROUND
563
00:30:57,020 --> 00:30:58,200
BECAUSE YOU WANT ME
TO BE YOUR TEACHER?
564
00:30:58,200 --> 00:30:59,220
WHAT I SAID.
565
00:30:59,220 --> 00:31:01,250
LET ME ASK YOU
SOMETHING.
566
00:31:01,250 --> 00:31:03,200
WHEN WAS THE LAST TIME
YOU GOT LAID?
567
00:31:03,200 --> 00:31:04,200
WHAT?
568
00:31:04,200 --> 00:31:05,240
YOU HEARD
WHAT I SAID.
569
00:31:05,240 --> 00:31:07,150
A MAN CAN''T BE BOTHERED
TO GET HIMSELF LAID,
570
00:31:07,150 --> 00:31:08,270
SOMETHING''S WRONG,
ISN''T IT?
571
00:31:08,270 --> 00:31:09,280
HE''S REACHED
THE BOTTOM.
572
00:31:09,280 --> 00:31:10,290
IT''S A SIGNAL.
573
00:31:10,290 --> 00:31:12,100
YOU''RE A SINGULAR GUY,
FRANKIE,
574
00:31:12,100 --> 00:31:15,020
I''M TELLING YOU,
ONE IN A MILLION.
575
00:31:15,020 --> 00:31:17,250
TELL YOU WHAT,
WHY DON''T YOU MEET ME TOMORROW?
576
00:31:17,250 --> 00:31:19,280
28th STREET GYM, COFFEY''S.
YOU KNOW THE PLACE?
577
00:31:19,280 --> 00:31:21,260
I''LL PUT YOU IN TOUCH
WITH MY BOSS.
578
00:31:21,260 --> 00:31:23,010
GET THE BALL ROLLING.
579
00:31:23,010 --> 00:31:24,260
YOU''LL MAKE SOME MONEY.
YOUR LIFE WILL CHANGE.
580
00:31:24,260 --> 00:31:25,260
YOU''LL SEE.
581
00:31:25,260 --> 00:31:29,010
TOMORROW,
NOON.
582
00:31:43,230 --> 00:31:45,280
[giggling nervously]
583
00:31:52,120 --> 00:31:55,110
[melancholy music]
584
00:31:55,110 --> 00:32:03,120
♪ ♪
585
00:32:29,010 --> 00:32:31,290
[water running]
586
00:32:55,210 --> 00:32:58,070
[groaning]
587
00:32:58,070 --> 00:32:59,050
[bell dings]
588
00:33:06,050 --> 00:33:09,120
(Jake)
I APPRECIATE THIS,
YOU KNOW.
589
00:33:09,120 --> 00:33:11,120
HOW DID THIS HAPPEN?
590
00:33:13,090 --> 00:33:14,230
I DID IT TO MYSELF.
591
00:33:18,100 --> 00:33:21,220
I FIGURED IT WAS A GOOD WAY
TO GET TO BE WITH YOU ALONE.
592
00:33:22,280 --> 00:33:24,150
ARE YOU INSANE?
593
00:33:24,150 --> 00:33:27,210
I JUST KEEP THINKING ABOUT YOU,
MELISSA.
594
00:33:27,210 --> 00:33:29,200
I MEAN,
SOMETHING HAPPENED
595
00:33:29,200 --> 00:33:31,130
THE OTHER NIGHT,
YOU KNOW,
596
00:33:31,130 --> 00:33:32,260
THE WAY YOU TOOK CARE OF ME--
597
00:33:32,260 --> 00:33:34,210
WHAT AM I SUPPOSED TO DO?
598
00:33:34,210 --> 00:33:36,230
WHAT DO YOU WANT?
599
00:33:36,230 --> 00:33:38,290
YOU.
600
00:33:38,290 --> 00:33:41,040
LOOK, I LOVE FRANKIE.
601
00:33:41,040 --> 00:33:42,160
GET AWAY FROM ME.
602
00:33:42,160 --> 00:33:44,130
WHAT IF I CAN''T?
603
00:33:44,130 --> 00:33:46,010
WHAT IF
I DON''T WANT TO?
604
00:33:46,010 --> 00:33:48,120
[whispering]
Sal, can you cover for me
for a little while?
605
00:33:48,120 --> 00:33:49,250
I''m not feeling
too good.
606
00:33:49,250 --> 00:33:50,290
ANYTHING SERIOUS?
607
00:33:50,290 --> 00:33:52,170
NO, NO, I JUST GOT
A SPLITTING HEADACHE,
608
00:33:52,170 --> 00:33:53,260
AND I NEED
SOME TIME ALONE.
609
00:33:53,260 --> 00:33:55,280
OH, TAKE YOUR TIME.
610
00:33:55,280 --> 00:33:59,030
[woman over intercom]
Nursing supervisor
to second floor.
611
00:34:02,150 --> 00:34:04,030
SO WHAT DO YOU THINK
OF THIS NOTION
612
00:34:04,030 --> 00:34:05,110
YOUR BOYFRIEND
GOT IN HIS HEAD
613
00:34:05,110 --> 00:34:06,260
ABOUT REDEEMING ME, HUH?
614
00:34:06,260 --> 00:34:08,020
THAT''S FRANKIE''S THING.
615
00:34:08,020 --> 00:34:09,050
I DON''T INVOLVE MYSELF.
616
00:34:09,050 --> 00:34:10,220
YOU MUST HAVE THOUGHT
ABOUT IT, THOUGH.
617
00:34:10,220 --> 00:34:12,040
YOU GOT AN OPINION,
RIGHT?
618
00:34:12,040 --> 00:34:15,110
NO, IN ALL HONESTY,
I NEVER GAVE IT A THOUGHT.
619
00:34:15,110 --> 00:34:18,040
I THINK
THE GUY''S NUTS.
620
00:34:18,040 --> 00:34:19,190
YOU TRYING
TO SCORE POINTS WITH ME
621
00:34:19,190 --> 00:34:21,130
BY INSULTING
MY BOYFRIEND''S INTELLIGENCE?
622
00:34:21,130 --> 00:34:23,150
NO, I''M JUST TRYING
TO FIGURE OUT
623
00:34:23,150 --> 00:34:25,160
WHY THE GUY KEEPS
FOLLOWING ME AROUND.
624
00:34:25,160 --> 00:34:29,120
WHAT?
625
00:34:29,120 --> 00:34:33,020
OH, WHAT, I SHOULD BE WORRIED
THAT HE''S QUEER FOR YOU?
626
00:34:33,020 --> 00:34:36,040
YOU KNOW, SOME PEOPLE HAVE BEEN
KNOWN TO FIND ME ATTRACTIVE.
627
00:34:36,040 --> 00:34:37,210
PEOPLE OF BOTH SEXES,
ACTUALLY.
628
00:34:37,210 --> 00:34:38,290
[snickering]
629
00:34:38,290 --> 00:34:40,150
I''M SURE.
630
00:34:40,150 --> 00:34:41,150
YOU''RE SMILING.
631
00:34:41,150 --> 00:34:42,210
SEE, THAT''S A GOOD SIGN.
632
00:34:42,210 --> 00:34:45,140
WHY ARE YOU WITH HIM?
633
00:34:45,140 --> 00:34:46,210
[chuckling]
634
00:34:46,210 --> 00:34:48,030
WHY ARE YOU WITH HIM?
635
00:34:48,030 --> 00:34:49,220
BECAUSE I LOVE TO FUCK HIM.
636
00:34:49,220 --> 00:34:51,220
[chuckling]
637
00:34:51,220 --> 00:34:53,140
HE''S GOT A PRICK
LIKE THIS,
638
00:34:53,140 --> 00:34:56,000
LIKE A LOAF
OF ITALIAN BREAD.
639
00:34:56,000 --> 00:34:57,230
COME ON.
640
00:34:57,230 --> 00:35:00,120
[sighs]
641
00:35:00,120 --> 00:35:02,050
BECAUSE HE NEVER
LIES TO ME.
642
00:35:02,050 --> 00:35:03,180
NEVER.
643
00:35:03,180 --> 00:35:07,030
A PSYCHOPATH WITH INTEGRITY--
EVERY GIRL''S FANTASY.
644
00:35:07,030 --> 00:35:09,270
YOU SAY ONE MORE INSULTING ITEM
OF VOCABULARY LIKE THAT
645
00:35:09,270 --> 00:35:12,070
ABOUT MY FRANKIE,
AND THIS CONVERSATION IS OVER.
646
00:35:12,070 --> 00:35:13,070
YOU GOT IT?
647
00:35:13,070 --> 00:35:16,050
I''M SORRY.
648
00:35:16,050 --> 00:35:17,060
LOOK,
649
00:35:17,060 --> 00:35:18,180
I''M NOBODY.
650
00:35:18,180 --> 00:35:22,120
I''M A FUCKED-UP HACK WRITER.
I''M NOTHIN''.
651
00:35:22,120 --> 00:35:25,180
BUT JUST NOW, SITTING HERE,
STARING AT YOU,
652
00:35:25,180 --> 00:35:27,290
SITTING THIS CLOSE
TO YOU--
653
00:35:27,290 --> 00:35:30,220
[sighs]
654
00:35:30,220 --> 00:35:34,000
I STARTED TO FEEL LIKE
I MIGHT HAVE SOME POSSIBILITIES,
655
00:35:34,000 --> 00:35:35,140
YOU KNOW?
656
00:35:35,140 --> 00:35:39,090
YOU THINK WAY TOO HIGHLY
OF ME, PAL.
657
00:35:39,090 --> 00:35:41,210
NO, I DON''T.
658
00:35:41,210 --> 00:35:44,070
I THINK JUST AS HIGHLY OF YOU
AS YOU DESERVE TO BE THOUGHT OF.
659
00:35:46,030 --> 00:35:48,120
LOOK, WE MEET PEOPLE--
660
00:35:48,120 --> 00:35:51,040
ATTRACTIVE, INTELLIGENT,
NICE PEOPLE--
661
00:35:51,040 --> 00:35:52,180
THEY DON''T DO IT
FOR US.
662
00:35:52,180 --> 00:35:53,180
WHY?
663
00:35:53,180 --> 00:35:56,100
''CAUSE THEY DON''T HAVE IT,
664
00:35:56,100 --> 00:35:59,140
THAT THING,
665
00:35:59,140 --> 00:36:02,110
THE POWER.
666
00:36:02,110 --> 00:36:04,130
YOU HAVE IT.
667
00:36:07,110 --> 00:36:08,240
KEEP TALKING.
668
00:36:08,240 --> 00:36:10,050
OKAY, SO...
669
00:36:10,050 --> 00:36:14,020
SO FRANKIE''S HONEST,
AND FRANKIE''S TOUGH,
670
00:36:14,020 --> 00:36:16,050
AND FRANKIE''S
WHATEVER,
671
00:36:16,050 --> 00:36:18,010
BUT HE DOESN''T
SEE YOU,
672
00:36:18,010 --> 00:36:20,070
WHO YOU ARE.
673
00:36:20,070 --> 00:36:22,090
NOT LIKE I DO.
674
00:36:22,090 --> 00:36:24,280
SO PLEASE,
TELL ME,
675
00:36:24,280 --> 00:36:26,080
WHY ARE YOU WITH HIM?
676
00:36:28,270 --> 00:36:32,270
BECAUSE--
BECAUSE HE SAVED MY LIFE.
677
00:36:32,270 --> 00:36:34,140
HMM.
678
00:36:34,140 --> 00:36:36,090
WELL, THEN YOU AND I
HAVE SOMETHING IN COMMON.
679
00:36:36,090 --> 00:36:38,070
HE SEEMS TO WANT
TO SAVE MINE TOO.
680
00:36:38,070 --> 00:36:41,070
AND I JUST MIGHT
LET HIM.
681
00:36:41,070 --> 00:36:44,160
IT''S A FREE COUNTRY.
682
00:36:44,160 --> 00:36:47,040
IT MEANS
I''M GOING TO SEE YOU AGAIN.
683
00:36:50,160 --> 00:36:53,190
WELL, I HOPE NOT--
684
00:36:53,190 --> 00:36:56,240
FOR YOUR SAKE.
685
00:37:02,280 --> 00:37:06,080
SO I''VE DECIDED
TO LET YOU CHANGE MY LIFE.
686
00:37:06,080 --> 00:37:07,110
YEAH.
687
00:37:07,110 --> 00:37:09,130
I AIN''T
SO SURPRISED.
688
00:37:09,130 --> 00:37:10,290
I KNEW YOU''D SHOW.
689
00:37:10,290 --> 00:37:14,040
WHAT''D YOU DO
TO YOUR HAND?
690
00:37:14,040 --> 00:37:15,100
I WAS CHOPPING
VEGETABLES;
691
00:37:15,100 --> 00:37:16,110
THE KNIFE SLIPPED.
692
00:37:16,110 --> 00:37:18,020
[chuckling dryly]
693
00:37:18,020 --> 00:37:19,190
FIRST THING IS,
694
00:37:19,190 --> 00:37:21,130
I''M GOING TO HAVE
TO GET YOU SOME NEW CLOTHES.
695
00:37:21,130 --> 00:37:23,140
WE''RE GOING TO BE HITTING
SOME PRETTY SHARP PLACES,
696
00:37:23,140 --> 00:37:25,010
SO YOU CAN''T GO
LOOKING LIKE THIS.
697
00:37:25,010 --> 00:37:27,140
COME ON.
698
00:37:27,140 --> 00:37:28,200
IT''S NOTHING
PERSONAL.
699
00:37:31,230 --> 00:37:33,160
HOW LONG
YOU KNOWN ME?
700
00:37:33,160 --> 00:37:34,180
LOOK AT YOU.
701
00:37:34,180 --> 00:37:36,260
ALREADY YOUR LIFE
IS IMPROVED, HUH?
702
00:37:36,260 --> 00:37:38,050
I DO LIKE
HOW IT FEELS, FRANKIE.
703
00:37:38,050 --> 00:37:39,050
THANKS.
704
00:37:39,050 --> 00:37:41,050
YOU''RE WELCOME.
705
00:37:41,050 --> 00:37:42,230
A MAN WEARS
MATERIAL LIKE THAT,
706
00:37:42,230 --> 00:37:46,020
YOUR LIFE GOES
NOWHERE BUT UP, YOU SEE.
707
00:37:46,020 --> 00:37:48,200
I DO HAVE A SORT OF A PRACTICAL
QUESTION FOR YOU, THOUGH.
708
00:37:48,200 --> 00:37:51,050
YEAH, WHAT''S THAT?
709
00:37:51,050 --> 00:37:53,210
HOW MUCH AM I MAKING?
IN CASH?
710
00:37:53,210 --> 00:37:56,120
DON''T START GETTING
TOO AMBITIOUS ON ME, ALL RIGHT?
711
00:37:56,120 --> 00:37:59,190
AN HOUR AGO,
YOU WERE AN OUT-OF-WORK LUSH.
712
00:37:59,190 --> 00:38:02,060
YOU''RE ON COMMISSION
FOR NOW.
713
00:38:02,060 --> 00:38:05,000
NICE WORK,
JERRY.
714
00:38:05,000 --> 00:38:08,180
BINGO.
715
00:38:08,180 --> 00:38:09,190
IT''S NICE,
FRANKIE.
716
00:38:09,190 --> 00:38:11,150
I WOULD SAY SO.
717
00:38:11,150 --> 00:38:12,240
HEY, RHODE,
BRING IT UP.
718
00:38:12,240 --> 00:38:15,260
(Rhode)
RIGHT AWAY,
MR. McGREGOR.
719
00:38:15,260 --> 00:38:17,020
OH, YOU''RE GOING
TO LOVE THIS.
720
00:38:17,020 --> 00:38:18,080
LOOK AT THE FUCKER
ON THE LEFT.
721
00:38:18,080 --> 00:38:19,080
SEE HIM?
THE MALE MODEL?
722
00:38:19,080 --> 00:38:20,150
THAT''S WARD.
723
00:38:20,150 --> 00:38:22,050
THE DIAL TONE THAT''S WITH HIM
IS PLIMPTON.
724
00:38:22,050 --> 00:38:24,180
HEY, WHAT?
725
00:38:24,180 --> 00:38:25,200
WHAT''S WITH
THE LONG FACE?
726
00:38:25,200 --> 00:38:27,000
SOMEBODY THREATEN YOU
WITH A BAT?
727
00:38:27,000 --> 00:38:28,040
FUNNY.
728
00:38:28,040 --> 00:38:30,170
GUESS WHAT; I RAN INTO
LEW COLLINS THE OTHER DAY.
729
00:38:30,170 --> 00:38:32,290
(man)
YEAH, HE ACTED LIKE HE HAD
HIS DICK CAUGHT IN A BLENDER.
730
00:38:32,290 --> 00:38:34,090
COULDN''T HAPPEN
TO A NICER GUY.
731
00:38:34,090 --> 00:38:35,260
THAT''S A LOT
OF WORDS FOR YOU, PLIMPTON.
732
00:38:35,260 --> 00:38:37,280
YOU KNOW, YOU MIGHT WANT
TO STICK TO THE ONES YOU KNOW
733
00:38:37,280 --> 00:38:39,240
LIKE "FIRE BAD,
FOOD GOOD."
734
00:38:39,240 --> 00:38:42,210
WHO''S THIS
WITH OPINIONS?
735
00:38:42,210 --> 00:38:43,290
THIS IS A FRIEND,
736
00:38:43,290 --> 00:38:46,000
SOMETHING ELSE FOR WHICH
YOU HAVE NO CONCEPT, WARD,
737
00:38:46,000 --> 00:38:48,110
UNLESS OF COURSE YOU INCLUDE,
WHAT, THE SCUMBAGS YOU RIP OFF.
738
00:38:48,110 --> 00:38:50,150
SO NOW YOU''RE GOING TO GIVE ME
LESSONS IN GOOD CONDUCT?
739
00:38:50,150 --> 00:38:52,170
MAYBE,
IF YOU''RE LUCKY.
740
00:38:52,170 --> 00:38:54,050
I DON''T KNOW
WHO YOU ARE.
741
00:38:54,050 --> 00:38:55,230
YOU''RE PLAYING STOOGE
TO THIS FELLOW,
742
00:38:55,230 --> 00:38:57,190
YOU CAN EXPECT
A WHOLE LOT OF HURT FROM ME.
743
00:38:57,190 --> 00:38:58,260
TALK IS CHEAP, WARD,
ALL RIGHT?
744
00:38:58,260 --> 00:39:00,060
YOU''RE THE CHEAPEST PRICE
I KNOW.
745
00:39:00,060 --> 00:39:01,110
KEEP MOUTHING OFF,
FRANKIE.
746
00:39:01,110 --> 00:39:02,270
I''M GOING TO LOVE IT
ALL THAT MUCH MORE
747
00:39:02,270 --> 00:39:03,270
WHEN THE WHIP COMES DOWN.
748
00:39:03,270 --> 00:39:05,000
(Frankie)
WHO YOU KIDDING, WARD?
749
00:39:05,000 --> 00:39:06,200
WHO ARE YOU KIDDING?
750
00:39:06,200 --> 00:39:08,190
YOU''VE BEEN GUNNING FOR ME
FOR TWO YEARS NOW.
751
00:39:08,190 --> 00:39:10,060
I AIN''T NEVER
BEEN GOT.
752
00:39:10,060 --> 00:39:11,220
WELL, LEW COLLINS
TOLD US ALL ABOUT YOU
753
00:39:11,220 --> 00:39:12,230
AND WHAT YOU DID TO HIM.
754
00:39:12,230 --> 00:39:13,260
COLLINS IS
A COWARD,
755
00:39:13,260 --> 00:39:15,100
WILL NOT SAY WORD ONE
IN OPEN COURT.
756
00:39:15,100 --> 00:39:17,100
SO QUIT WASTING MY TIME,
ALL RIGHT?
757
00:39:17,100 --> 00:39:19,160
NOW, IF YOU''LL PARDON ME,
MY CAR IS HERE.
758
00:39:19,160 --> 00:39:21,120
LET''S GO.
759
00:39:21,120 --> 00:39:25,080
FUCKING COPS ARE UNBELIEVABLE--
BUMS WITH BADGES.
760
00:39:25,080 --> 00:39:26,240
YOU TAKE AWAY
THE D.A.s AND THE JUDGES,
761
00:39:26,240 --> 00:39:28,160
THEY WON''T LAST FIVE MINUTES
OUT HERE, I TELL YA.
762
00:39:28,160 --> 00:39:30,080
THE SHIT THEY THINK
OF THEMSELVES.
763
00:39:30,080 --> 00:39:31,150
YOU GET OFF ON THAT,
DON''T YOU?
764
00:39:31,150 --> 00:39:32,220
TELLING COPS WHAT''S WHAT.
765
00:39:32,220 --> 00:39:34,180
I GET OFF ON TELLING ANYBODY
WHAT''S WHAT.
766
00:39:34,180 --> 00:39:35,230
GUY STANDING THERE
DROOLING
767
00:39:35,230 --> 00:39:36,280
WITH HIS PANTS
TO HIS ANKLES,
768
00:39:36,280 --> 00:39:38,170
YOU''RE AN IDIOT.
DON''T CALL HIM A GENIUS.
769
00:39:38,170 --> 00:39:40,020
I MEAN, OTHERWISE,
WHAT''S THE POINT?
770
00:39:40,020 --> 00:39:41,150
YEAH, RIGHT.
771
00:39:41,150 --> 00:39:43,250
SO WHERE WE GOING NOW?
772
00:39:43,250 --> 00:39:45,200
NOW WE MEET THE BOSS.
773
00:39:45,200 --> 00:39:49,160
JAKE, THIS IS
MR. LANGE.
774
00:39:49,160 --> 00:39:50,240
GWYNNE, ONE
OF HIS ASSOCIATES.
775
00:39:54,030 --> 00:39:55,140
HOW DO YOU DO?
776
00:40:07,070 --> 00:40:09,050
FRANKIE HERE IS JUST
A LITTLE SHY ON THE DETAILS
777
00:40:09,050 --> 00:40:11,250
OF WHAT CREWS YOU WORKED
FOR BEFORE, JAKE.
778
00:40:11,250 --> 00:40:15,000
I BEG YOUR PARDON?
779
00:40:15,000 --> 00:40:17,070
WE NEED TO KNOW WHO YOU''VE
DONE BUSINESS WITH IN THE PAST,
780
00:40:17,070 --> 00:40:18,200
MR. BRIDGES.
781
00:40:22,170 --> 00:40:26,250
I THOUGHT FRANKIE
WOULD HAVE TOLD YOU THAT.
782
00:40:26,250 --> 00:40:29,270
IF HE HAD TOLD US,
783
00:40:29,270 --> 00:40:32,170
WHY THE FUCK
WOULD I BE ASKING YOU?
784
00:40:37,150 --> 00:40:38,170
SURPRISE,
SURPRISE.
785
00:40:38,170 --> 00:40:40,010
FRANKIE DRAGS IN
A REAL DING-A-LING.
786
00:40:40,010 --> 00:40:41,020
SHUT UP,
GWYNNE.
787
00:40:41,020 --> 00:40:44,220
ANSWER THE QUESTION,
JAKE.
788
00:40:44,220 --> 00:40:49,130
I, UH--
789
00:40:49,130 --> 00:40:51,090
WORKED AS A WRITER MOSTLY--
790
00:40:51,090 --> 00:40:55,290
IN NEW YORK DOING
HUMAN INTEREST STORIES,
791
00:40:55,290 --> 00:40:57,200
MEAT-AND-POTATOES KIND OF STUFF,
YOU KNOW?
792
00:40:59,200 --> 00:41:01,130
I WAS GOOD AT IT
FOR A WHILE,
793
00:41:01,130 --> 00:41:03,080
AND THEN...
794
00:41:03,080 --> 00:41:08,030
I WASN''T GOOD AT IT.
795
00:41:08,030 --> 00:41:10,230
SO HERE I AM.
796
00:41:12,180 --> 00:41:14,020
A WRITER?
797
00:41:14,020 --> 00:41:15,200
(Gwynne)
WHAT ARE YOU
GOING TO DO, JAKE?
798
00:41:15,200 --> 00:41:17,220
WRITE ABOUT ALL THE SECRETS
OF OUR OUTFIT?
799
00:41:17,220 --> 00:41:21,010
SELL ''EM
TO THE MOVIES?
800
00:41:21,010 --> 00:41:22,290
I WASN''T THAT KIND OF WRITER.
801
00:41:22,290 --> 00:41:24,120
(Lange)
WELL, NOW,
TELL ME, JAKE,
802
00:41:24,120 --> 00:41:26,270
WHO DO YOU THINK THEY''D GET
TO PLAY ME
803
00:41:26,270 --> 00:41:30,020
IN THE MOVIE VERSION
OF ME LIFE?
804
00:41:30,020 --> 00:41:34,020
LIKE CLINT EASTWOOD,
MAYBE.
805
00:41:34,020 --> 00:41:35,100
[chuckling]
806
00:41:37,140 --> 00:41:39,100
AH, COME HERE.
807
00:41:39,100 --> 00:41:41,020
IT''S BEEN
A GRAND PLEASURE,
808
00:41:41,020 --> 00:41:42,170
JAKE BRIDGES.
809
00:41:42,170 --> 00:41:44,290
CAN YOU GIVE ME A COUPLE
OF MINUTES WITH FRANKIE?
810
00:41:46,250 --> 00:41:48,190
CERTAINLY.
811
00:41:53,250 --> 00:41:55,040
HE''S ALL RIGHT.
812
00:41:55,040 --> 00:41:57,270
COME HERE,
YOU.
813
00:41:57,270 --> 00:42:00,040
NOW, FRANKIE,
LISTEN.
814
00:42:00,040 --> 00:42:02,160
HE''S YOUR
RESPONSIBILITY.
815
00:42:02,160 --> 00:42:04,050
HE SCREWS UP
JUST ONE TIME,
816
00:42:04,050 --> 00:42:07,140
AND YOU''RE BOTH FUCKED.
817
00:42:13,190 --> 00:42:15,260
HOW''D I DO?
818
00:42:15,260 --> 00:42:19,020
GOOD.
819
00:42:19,020 --> 00:42:23,090
(Jake)
SO, UH, THIS GUY GWYNNE
SEEMS TO BE A PIECE OF SHIT
820
00:42:23,090 --> 00:42:24,220
WRAPPED IN HUMAN SKIN,
ISN''T HE?
821
00:42:24,220 --> 00:42:27,150
YEAH.
822
00:42:27,150 --> 00:42:30,150
WELL, UNFORTUNATELY
FOR MR. LANGE,
823
00:42:30,150 --> 00:42:33,090
HE''S GOT TO HAVE THINGS IN
HIS LIFE LIKE GWYNNE, YOU KNOW.
824
00:42:33,090 --> 00:42:36,010
SHIT GETS OUTTA HAND,
GETS OUT OF CONTROL,
825
00:42:36,010 --> 00:42:38,020
YOU GET A GUY
LIKE GWYNNE,
826
00:42:38,020 --> 00:42:39,180
WHO APPARENTLY KNOWS SHIT.
827
00:42:42,220 --> 00:42:43,270
SO...
828
00:42:43,270 --> 00:42:45,200
TO BE A WRITER,
829
00:42:45,200 --> 00:42:47,140
YOU GOTTA READ
A LOT OF BOOKS?
830
00:42:47,140 --> 00:42:49,160
IT HELPS TO READ
A LOT OF BOOKS.
831
00:42:49,160 --> 00:42:51,250
WHAT WAS THE BEST ONE
YOU EVER READ?
832
00:42:55,060 --> 00:42:57,270
MOBY DICK
BY HERMAN MELVILLE.
833
00:42:57,270 --> 00:43:00,150
GREGORY PECK MOVIE,
RIGHT?
834
00:43:00,150 --> 00:43:03,070
I DIDN''T SEE THAT.
835
00:43:03,070 --> 00:43:04,280
WHITE WHALE THING.
836
00:43:04,280 --> 00:43:08,180
YEAH, AND CRAZY CAPTAIN AHAB
WHO WANTS TO KILL HIM.
837
00:43:08,180 --> 00:43:09,180
IS HE, LIKE, REALLY CRAZY?
838
00:43:09,180 --> 00:43:10,230
I MEAN, REALLY CRAZY,
839
00:43:10,230 --> 00:43:13,270
LIKE WHY DO WE EVEN GIVE A SHIT
ABOUT HIM?
840
00:43:13,270 --> 00:43:17,120
NO, CRAZY
IN A KIND OF HEROIC WAY.
841
00:43:17,120 --> 00:43:18,140
OH.
842
00:43:18,140 --> 00:43:19,210
SEE, THIS WHALE,
843
00:43:19,210 --> 00:43:22,140
MOBY DICK,
TORE HIS LEG OFF,
844
00:43:22,140 --> 00:43:26,080
AND AHAB BELIEVES THAT BY
TAKING VENGEANCE ON THE WHALE,
845
00:43:26,080 --> 00:43:30,270
HE CAN CHANGE THE WHOLE BALANCE
OF THINGS IN THE WORLD.
846
00:43:30,270 --> 00:43:32,180
CAPTAIN TAKES HIMSELF
A LITTLE SERIOUSLY,
847
00:43:32,180 --> 00:43:33,230
DON''T YOU THINK?
848
00:43:33,230 --> 00:43:34,280
VERY SERIOUSLY.
849
00:43:34,280 --> 00:43:36,190
AHAB IS A VERY SERIOUS GUY.
850
00:43:36,190 --> 00:43:37,270
[exhales]
851
00:43:37,270 --> 00:43:39,100
SO WHAT''S SO GOOD
ABOUT THIS BOOK?
852
00:43:39,100 --> 00:43:40,190
I MEAN, WHAT''S THE POINT?
853
00:43:40,190 --> 00:43:43,000
TAKES YOU ON A JOURNEY,
854
00:43:43,000 --> 00:43:45,030
AN INCREDIBLE JOURNEY.
855
00:43:45,030 --> 00:43:46,180
I DON''T KNOW
HOW ELSE TO PUT IT.
856
00:43:46,180 --> 00:43:49,210
WHAT''S SO INCREDIBLE ABOUT IT,
I MEAN?
857
00:43:49,210 --> 00:43:53,040
YOU LEARN A LOT.
858
00:43:53,040 --> 00:43:55,210
THE BOOK''S ABOUT EVERYTHING:
859
00:43:55,210 --> 00:43:58,260
LIFE, DEATH,
MAN, GOD, NATURE.
860
00:43:58,260 --> 00:44:02,060
EVERYTHING WE UNDERSTAND
861
00:44:02,060 --> 00:44:05,110
AND EVERYTHING
WE''LL NEVER UNDERSTAND.
862
00:44:05,110 --> 00:44:08,170
I DON''T GET IT.
863
00:44:08,170 --> 00:44:11,200
YOU GOT TO READ THE BOOK.
864
00:44:14,030 --> 00:44:15,220
WHERE WERE YOU
WHEN GOD MADE THE WHALE?
865
00:44:15,220 --> 00:44:17,090
(Frankie)
I''D LIKE TO KNOW WHERE I WAS
866
00:44:17,090 --> 00:44:18,120
WHEN GOD MADE ATLANTIC CITY.
867
00:44:18,120 --> 00:44:19,200
IF I HAD MORE CASH BEHIND ME,
868
00:44:19,200 --> 00:44:21,000
I''D GET THE FUCK
OUT OF THIS DUMP,
869
00:44:21,000 --> 00:44:22,130
I''LL TELL YOU THAT.
870
00:44:22,130 --> 00:44:24,040
(Jake)
WHAT ABOUT YOUR FAMILY?
871
00:44:24,040 --> 00:44:27,000
DEAD.
872
00:44:27,000 --> 00:44:28,210
[sirens wailing faintly]
873
00:44:28,210 --> 00:44:30,110
I DON''T REALLY
MISS ''EM ALL THAT MUCH.
874
00:44:30,110 --> 00:44:33,110
I MEAN,
I GOT MELISSA, YOU KNOW?
875
00:44:35,110 --> 00:44:38,200
WHAT MORE COULD YOU WANT?
876
00:44:38,200 --> 00:44:40,180
[siren wailing]
877
00:44:49,080 --> 00:44:51,120
SO WHAT AM I
SUPPOSED TO DO?
878
00:44:51,120 --> 00:44:53,230
JUST STAND THERE
LIKE YOU MEAN BUSINESS.
879
00:44:56,120 --> 00:44:58,240
[up-tempo rock music]
880
00:44:58,240 --> 00:45:00,210
WHERE''S KWAI?
I''M SORRY.
881
00:45:00,210 --> 00:45:01,240
YOU''LL HAVE TO TAKE A SEAT.
882
00:45:01,240 --> 00:45:03,260
I''M ON THE PHONE
WITH A CUSTOMER.
883
00:45:06,100 --> 00:45:08,130
NO, NO, MILLIE HAS
A CLIENT AT 3:00.
884
00:45:08,130 --> 00:45:11,240
I CAN GIVE YOU
A 3:45.
885
00:45:11,240 --> 00:45:13,290
WE WANT YOU
TO BE PLEASED.
886
00:45:13,290 --> 00:45:16,160
YOU''RE
A RESPECTED CUSTOMER.
887
00:45:16,160 --> 00:45:19,070
LET ME JUST
CHECK FOR YOU.
888
00:45:23,060 --> 00:45:24,160
ARE YOU CRAZY?
889
00:45:24,160 --> 00:45:25,250
I''M CALLING THE COPS!
890
00:45:25,250 --> 00:45:27,050
WITH WHAT, HUH?
891
00:45:27,050 --> 00:45:28,190
NOW, YOU ASK YOUR BOSS
892
00:45:28,190 --> 00:45:30,120
IF HE WANTS ME TALKING
TO THE COPS, ALL RIGHT?
893
00:45:30,120 --> 00:45:31,220
NOW, WHERE THE FUCK IS HE?
894
00:45:31,220 --> 00:45:34,060
HE ISN''T HERE.
895
00:45:34,060 --> 00:45:35,290
HONEY, YOU''RE A LIAR.
896
00:45:35,290 --> 00:45:37,250
I HATE LIARS.
897
00:45:37,250 --> 00:45:38,250
LET''S GO.
898
00:45:43,040 --> 00:45:45,020
(man)
HEY, WHAT DO YOU THINK
YOU''RE DOING?
899
00:45:51,120 --> 00:45:53,140
SOMEBODY WANTS ME TO BELIEVE
YOU''RE NOT HERE, HUH?
900
00:45:53,140 --> 00:45:56,150
GET UP.
[whimpering]
901
00:45:56,150 --> 00:45:58,010
NOW,
902
00:45:58,010 --> 00:45:59,150
YOU GOING TO OFFER ME SOME,
AIN''T YA?
903
00:45:59,150 --> 00:46:00,220
BUT I AIN''T GONNA ACCEPT.
904
00:46:00,220 --> 00:46:02,200
YOU KNOW WHY?
I WILL NOT BE BRIBED BY YOU.
905
00:46:02,200 --> 00:46:04,020
I''M TOO FUCKING SMART.
906
00:46:04,020 --> 00:46:05,170
WE SUPPLY YOU.
WE HAVE EXPENSES.
907
00:46:05,170 --> 00:46:07,110
YOU HAVE NOT BEEN
MEETING THEM.
908
00:46:07,110 --> 00:46:09,170
(Kwai)
THE COST IS TOO HIGH.
909
00:46:09,170 --> 00:46:12,190
YOU LOST 25 FUCKIN'' "K."
YOU UNDERSTAND ME?
910
00:46:12,190 --> 00:46:14,290
25 FUCKIN'' "K," PAL.
911
00:46:14,290 --> 00:46:16,160
(Kwai)
I DON''T HAVE THAT KIND
OF MONEY.
912
00:46:16,160 --> 00:46:18,090
(Frankie)
WHEN DO YOU THINK
YOU''LL HAVE IT?
913
00:46:18,090 --> 00:46:19,090
WHEN BUSINESS
PICKS UP.
914
00:46:19,090 --> 00:46:20,090
WHEN BUSINESS
PICKS UP.
915
00:46:20,090 --> 00:46:21,100
SORRY, NOT GOOD ENOUGH.
916
00:46:21,100 --> 00:46:22,140
(Kwai)
MORE TIME, PLEASE!
917
00:46:22,140 --> 00:46:23,170
I''LL SELL MORE.
918
00:46:23,170 --> 00:46:25,140
RIGHT NOW,
I''VE GOT FIVE GRAND.
919
00:46:25,140 --> 00:46:26,170
YOU GOT FIVE GRAND?
920
00:46:26,170 --> 00:46:28,010
YOU GOT FIVE GRAND
IN CASH RIGHT NOW?
921
00:46:28,010 --> 00:46:29,110
YOU GIVE IT TO ME.
922
00:46:29,110 --> 00:46:31,110
FOR FIVE GRAND,
THEY DON''T WANT ME TO HURT YOU,
923
00:46:31,110 --> 00:46:32,170
WHICH IS FINE BY ME.
924
00:46:32,170 --> 00:46:33,170
HEY, HEY!
925
00:46:33,170 --> 00:46:34,260
[gunshot]
926
00:46:34,260 --> 00:46:36,130
[screaming]
927
00:46:36,130 --> 00:46:37,230
YOU BROKE
MY HAND!
928
00:46:37,230 --> 00:46:39,270
YOU BROKE
MY HAND!
929
00:46:39,270 --> 00:46:41,150
SEE WHAT I''M SAYING, JAKE?
930
00:46:41,150 --> 00:46:42,280
HE TRIES TO SHOOT ME,
931
00:46:42,280 --> 00:46:45,020
BUT HE WANTS ME TO CRY
ABOUT HIS BROKEN HAND.
932
00:46:45,020 --> 00:46:46,180
YOU PIECE OF SHIT.
933
00:46:46,180 --> 00:46:50,020
THAT BETTER BE
FIVE GRAND, PAL.
934
00:46:50,020 --> 00:46:51,220
IT BETTER BE
FIVE GRAND!
935
00:46:51,220 --> 00:46:53,040
LET''S GO.
936
00:46:55,290 --> 00:46:58,250
THANKS.
937
00:47:00,190 --> 00:47:04,030
(Jake)
"WHY DID THE OLD PERSIANS
HOLD THE SEA HOLY?
938
00:47:04,030 --> 00:47:06,000
"WHY DID THE GREEKS
GIVE IT A SEPARATE DEITY?
939
00:47:06,000 --> 00:47:08,230
"SURELY ALL THIS
IS NOT WITHOUT MEANING.
940
00:47:08,230 --> 00:47:11,290
"IT IS THE IMAGE OF THE
UNGRASPABLE PHANTOM OF LIFE.
941
00:47:11,290 --> 00:47:14,240
AND THIS IS THE KEY
TO IT ALL."
942
00:47:16,220 --> 00:47:20,030
"THE UNGRASPABLE
PHANTOM OF LIFE."
943
00:47:20,030 --> 00:47:22,240
IT''S LIKE THE--
IT''S THE POINT OF THE BOOK.
944
00:47:22,240 --> 00:47:24,010
RIGHT.
945
00:47:24,010 --> 00:47:26,210
TRYING TO GRASP
THE UNGRASPABLE PHANTOM OF LIFE.
946
00:47:26,210 --> 00:47:28,100
RIGHT.
947
00:47:28,100 --> 00:47:30,120
[seagulls crying]
948
00:47:30,120 --> 00:47:33,010
WHAT IS IT?
949
00:47:33,010 --> 00:47:34,150
IT''S NOT SOMETHING
I CAN EXPLAIN.
950
00:47:34,150 --> 00:47:38,010
IT''S SOMETHING
YOU FEEL.
951
00:47:38,010 --> 00:47:40,000
YOU HAVE TO READ IT.
952
00:47:40,000 --> 00:47:42,120
(Frankie)
"''GOOD NIGHT, LANDLORD,''
SAID I.
953
00:47:42,120 --> 00:47:43,210
"''YOU MAY GO.''
954
00:47:43,210 --> 00:47:47,040
I TURNED IN AND NEVER
SLEPT BETTER IN MY LIFE."
955
00:47:47,040 --> 00:47:50,130
THAT''S GOOD.
THAT''S GOOD.
956
00:47:50,130 --> 00:47:51,280
GOOD WRITER,
THIS GUY, HUH?
957
00:47:51,280 --> 00:47:53,190
YEAH.
958
00:47:53,190 --> 00:47:55,000
GOOD CHAPTER,
959
00:47:55,000 --> 00:47:56,240
THAT ONE THERE WITH ISHMAEL
AND THE CANNIBAL.
960
00:47:56,240 --> 00:47:59,030
I LIKE THAT.
961
00:47:59,030 --> 00:48:00,270
I SHOULD HAVE READ THIS STUFF
A LONG TIME AGO.
962
00:48:00,270 --> 00:48:01,270
I TELL YOU.
963
00:48:01,270 --> 00:48:05,120
TOO BUSY DOING OTHER THINGS
WITH MY LIFE.
964
00:48:05,120 --> 00:48:08,020
LIKE WHAT?
965
00:48:08,020 --> 00:48:10,040
GETTIN'' THE SHIT
KICKED OUT OF ME
966
00:48:10,040 --> 00:48:11,190
AND LEARNING
HOW TO FIGHT FOR MY LIFE,
967
00:48:11,190 --> 00:48:13,170
THAT''S WHAT, BUT--
968
00:48:13,170 --> 00:48:16,160
YOU LIKE
HURTING PEOPLE?
969
00:48:18,070 --> 00:48:20,020
I LIKE HURTING PEOPLE
WHO DESERVE TO GET HURT.
970
00:48:20,020 --> 00:48:22,030
I LIKE KNOWING
WHEN I''M GOING TO GO FIGHT,
971
00:48:22,030 --> 00:48:23,110
I''M GOING TO WIN,
972
00:48:23,110 --> 00:48:24,180
AND THE OTHER GUY''S
GONNA LOSE.
973
00:48:24,180 --> 00:48:25,200
THAT I LIKE.
974
00:48:25,200 --> 00:48:26,280
KNOW WHAT A GUY
ONCE SAID TO ME?
975
00:48:26,280 --> 00:48:28,180
HE SAID,
976
00:48:28,180 --> 00:48:30,250
"THE ONLY THING IN THIS WORLD
THAT YOU''LL EVER REALLY OWN
977
00:48:30,250 --> 00:48:33,260
IS A PIECE OF GROUND
THE SIZE OF YOUR SHOES."
978
00:48:33,260 --> 00:48:36,110
SEE WHAT I''M SAYING?
979
00:48:36,110 --> 00:48:38,150
YOU GOT TO FIGHT FOR THAT.
980
00:48:38,150 --> 00:48:39,250
RIGHT?
981
00:48:39,250 --> 00:48:41,020
RIGHT.
THAT''S RIGHT.
982
00:48:47,220 --> 00:48:48,200
[Frankie clears throat]
983
00:48:51,030 --> 00:48:52,210
GOOD EVENING,
SIR.
984
00:48:52,210 --> 00:48:53,280
DO YOU HAVE
A RESERVATION?
985
00:48:53,280 --> 00:48:55,010
NO.
986
00:48:55,010 --> 00:48:56,220
OH, SORRY, SIR.
987
00:48:56,220 --> 00:48:59,050
THERE''S NO TABLE SERVICE
WITHOUT A RESERVATION.
988
00:48:59,050 --> 00:49:00,270
WE''RE NOT HERE TO EAT;
WHERE''S WILLIS?
989
00:49:00,270 --> 00:49:04,000
MR. WILLIS IS CONFERRING
WITH THE CHEF.
990
00:49:04,000 --> 00:49:05,130
HE CANNOT BE DISTURBED.
991
00:49:05,130 --> 00:49:06,230
CAN I ASK YOU SOMETHING?
992
00:49:06,230 --> 00:49:08,170
DO YOU THINK I''M DRESSED RIGHT
FOR THIS PLACE?
993
00:49:08,170 --> 00:49:09,260
WHY DON''T YOU
TAKE A WALK WITH ME?
994
00:49:09,260 --> 00:49:11,090
AH, COME ON,
TAKE A WALK.
995
00:49:11,090 --> 00:49:12,090
TAKE A WALK WITH ME!
996
00:49:14,030 --> 00:49:15,030
MAURICE,
997
00:49:15,030 --> 00:49:16,080
IS THIS MAN
BOTHERING YOU?
998
00:49:16,080 --> 00:49:17,130
SIT DOWN.
999
00:49:17,130 --> 00:49:18,240
DO YOU KNOW WHO
YOU''RE TALKING TO?
1000
00:49:18,240 --> 00:49:19,270
HUH?
1001
00:49:19,270 --> 00:49:21,110
YOU KNOW WHO YOU''RE
TALKING TO HERE?
1002
00:49:21,110 --> 00:49:23,050
OH--[sputters]--
JAKE, WHO KNEW?
1003
00:49:23,050 --> 00:49:24,050
IT''S MEL GIBSON.
1004
00:49:35,170 --> 00:49:36,290
WHAT IS THIS?
1005
00:49:36,290 --> 00:49:38,230
IT''S PAYDAY IS WHAT IT IS.
WHERE IS IT?
1006
00:49:38,230 --> 00:49:41,090
(Willis)
ASSHOLE, DO YOU KNOW
WHO YOU''RE DEALING WITH HERE?
1007
00:49:41,090 --> 00:49:43,050
I''M DEALING WITH A THIEF
DON''T PAY HIS BILLS.
1008
00:49:43,050 --> 00:49:45,210
NOW, YOU CAME TO US
FOR 50 FUCKIN'' GRAND.
1009
00:49:45,210 --> 00:49:48,060
FRONT THOSE ROCKS SOME HOTSHOT
L.A. FRIEND OF YOURS SHOWED YOU.
1010
00:49:48,060 --> 00:49:49,240
I AIN''T SEEN DOLLAR ONE
OF MY INVESTMENT.
1011
00:49:49,240 --> 00:49:50,240
WHERE THE FUCK IS IT?
1012
00:49:50,240 --> 00:49:52,230
WHAT DO YOU THINK, ASSWIPE?
1013
00:49:52,230 --> 00:49:54,240
THAT I''M ONE
OF THESE TWO-BIT HUSTLERS
1014
00:49:54,240 --> 00:49:56,190
THAT USED TO SELL
NICKEL BAGS ON THE STREET?
1015
00:49:58,160 --> 00:49:59,230
YOU TAKE MONEY
FROM MR. LANGE,
1016
00:49:59,230 --> 00:50:01,160
YOU ARE THE LOWEST
PIECE OF SHIT IN THE WORLD.
1017
00:50:01,160 --> 00:50:03,110
YOU MEAN NOTHING TO ME.
FUCKIN'' UNDERSTAND ME?
1018
00:50:03,110 --> 00:50:05,080
LANGE DOESN''T
WANT ME HANDLED THIS WAY!
1019
00:50:05,080 --> 00:50:06,290
(Frankie)
LANGE WANTS
HIS FUCKIN'' MONEY!
1020
00:50:06,290 --> 00:50:08,050
YOU UNDERSTAND?
1021
00:50:08,050 --> 00:50:09,200
I DON''T GIVE A FUCK
HOW HE GETS IT.
1022
00:50:09,200 --> 00:50:11,070
COME HERE!
COME HERE!
1023
00:50:11,070 --> 00:50:13,120
[Willis screaming]
1024
00:50:15,220 --> 00:50:16,240
YOU''RE BREAKING
MY ARM!
1025
00:50:16,240 --> 00:50:19,020
YOU''RE RIGHT
I''M BREAKING YOUR ARM.
1026
00:50:19,020 --> 00:50:21,010
50 GRAND
IS A LOT OF CASH.
1027
00:50:21,010 --> 00:50:23,110
[screaming]
1028
00:50:23,110 --> 00:50:25,020
(Frankie)
JAKE!
1029
00:50:25,020 --> 00:50:26,020
COME ON!
1030
00:50:26,020 --> 00:50:27,030
COME ON,
THAT''S ENOUGH!
1031
00:50:27,030 --> 00:50:28,280
LET''S GO!
LET''S GO!
1032
00:50:28,280 --> 00:50:32,010
[pan clattering]
1033
00:50:32,010 --> 00:50:34,210
[chuckling]
THAT WAS GREAT.
1034
00:50:34,210 --> 00:50:37,120
SEE, WHEN YOU NEED IT,
IT''S THERE.
1035
00:50:37,120 --> 00:50:38,290
"I''D STRIKE THE SUN
IF IT OFFENDED ME."
1036
00:50:38,290 --> 00:50:40,000
WHAT''S THAT?
1037
00:50:40,000 --> 00:50:41,070
SOMETHING
CAPTAIN AHAB SAID.
1038
00:50:41,070 --> 00:50:43,020
OH, YEAH?
I AIN''T GOT TO HIM YET.
1039
00:50:45,070 --> 00:50:47,240
♪ AND IF YOU DON''T LOVE ME,
YOU JUST LEAVE ME ALONE. ♪ ♪
1040
00:50:47,240 --> 00:50:49,050
HOW YOU DOING,
POPS?
1041
00:50:49,050 --> 00:50:51,170
[whistling]
1042
00:50:51,170 --> 00:50:52,180
MEL!
1043
00:50:52,180 --> 00:50:53,180
MEL!
1044
00:50:53,180 --> 00:50:54,180
[Melissa shushing]
1045
00:50:54,180 --> 00:50:55,180
HI.
1046
00:50:55,180 --> 00:50:56,180
HEY.
HI.
1047
00:50:56,180 --> 00:50:57,180
GOOD.
1048
00:50:57,180 --> 00:50:58,180
GOOD DAY?
BAD DAY?
1049
00:50:58,180 --> 00:51:00,020
BAD.
1050
00:51:00,020 --> 00:51:01,280
(Frankie)
YEAH, BAD DAY.
YEAH.
1051
00:51:01,280 --> 00:51:03,230
(Frankie)
GIVE THE MAN
A KISS.
1052
00:51:03,230 --> 00:51:05,180
WHAT?
1053
00:51:05,180 --> 00:51:07,110
REMEMBER OUR OLD FRIEND HERE,
JAKE BRIDGES?
1054
00:51:07,110 --> 00:51:09,230
GIVE HIM A KISS.
1055
00:51:09,230 --> 00:51:11,210
HE SAVED
MY LIFE.
1056
00:51:16,040 --> 00:51:17,050
GO ON.
1057
00:51:17,050 --> 00:51:18,030
[sighing]
1058
00:51:19,150 --> 00:51:20,210
GOOD.
1059
00:51:20,210 --> 00:51:23,030
NOW, CHANGE YOUR SHOES,
CHANGE YOUR OUTFIT--
1060
00:51:23,030 --> 00:51:24,100
LET''S GO DANCING.
1061
00:51:24,100 --> 00:51:25,260
HONEY, I--
1062
00:51:25,260 --> 00:51:26,260
AH, COME ON.
1063
00:51:26,260 --> 00:51:28,060
THERE WAS A RUMBLE
UP THE STREET.
1064
00:51:28,060 --> 00:51:29,280
THREE GUYS DIED
IN HERE TONIGHT.
1065
00:51:29,280 --> 00:51:30,280
I KNOW.
I UNDERSTAND.
1066
00:51:30,280 --> 00:51:32,020
BUT THIS IS
WHAT I''M SAYING.
1067
00:51:32,020 --> 00:51:33,080
THIS''LL
MAKE YOU FEEL BETTER,
1068
00:51:33,080 --> 00:51:34,080
DON''T YOU THINK?
1069
00:51:34,080 --> 00:51:35,230
GET YOUR
DANCING SHOES ON.
1070
00:51:35,230 --> 00:51:36,290
IT''D BE
A GOOD IDEA FOR YOU.
1071
00:51:36,290 --> 00:51:39,180
I PROMISE.
1072
00:51:39,180 --> 00:51:41,020
I''VE SEEN YOU
WHEN YOU HAD NO SLEEP.
1073
00:51:41,020 --> 00:51:42,180
YOU''RE A BARREL
OF LAUGHS.
1074
00:51:42,180 --> 00:51:46,260
[mouthing words]
I THINK HE NEEDS TO GET LAID.
1075
00:51:46,260 --> 00:51:49,260
[techno music]
1076
00:51:49,260 --> 00:51:57,230
♪ ♪
1077
00:52:08,000 --> 00:52:09,150
A PLETHORA
OF LADIES IN HERE.
1078
00:52:09,150 --> 00:52:10,280
A WHAT?
1079
00:52:10,280 --> 00:52:12,040
IT MEANS
THERE''S A LOT OF ''EM.
1080
00:52:12,040 --> 00:52:14,080
OH, OKAY. GOTCHA.
THANKS, JAKE.
1081
00:52:14,080 --> 00:52:16,030
(man)
HOW DID I GET MIXED UP
IN THIS?
1082
00:52:16,030 --> 00:52:17,280
I CAN''T BELIEVE
YOU LIKE THAT SONG.
1083
00:52:17,280 --> 00:52:19,140
I MEAN,
YOU LIKE THAT SONG,
1084
00:52:19,140 --> 00:52:21,080
AND YOU WANT
TO BE A SINGER?
1085
00:52:21,080 --> 00:52:22,290
WELL, NO, LOOK,
I WANT TO TRY TO SING.
1086
00:52:22,290 --> 00:52:24,250
I MEAN, FORGET ABOUT IT,
ALL RIGHT?
1087
00:52:24,250 --> 00:52:26,120
FIRST OF ALL,
YOU''RE NOT PRETTY ENOUGH.
1088
00:52:26,120 --> 00:52:27,200
YOU DON''T HAVE THE GUTS.
1089
00:52:27,200 --> 00:52:28,280
AND YOU HAVE,
LIKE,
1090
00:52:28,280 --> 00:52:30,190
THE WORST TASTE
I''VE EVER SEEN IN ANYBODY.
1091
00:52:30,190 --> 00:52:32,150
HEY, BUDDY!
1092
00:52:32,150 --> 00:52:33,250
IT''S HOT
IN HERE, ISN''T IT?
1093
00:52:33,250 --> 00:52:36,100
WHY DON''T YOU
GO OUTSIDE AND GET SOME AIR?
1094
00:52:36,100 --> 00:52:38,190
WHY DON''T YOU GO OUTSIDE
AND GET SOME AIR?
1095
00:52:38,190 --> 00:52:40,170
[groaning]
1096
00:52:44,070 --> 00:52:46,100
YOU''RE NOT GOING
TO MISS HIM, ARE YOU?
1097
00:52:46,100 --> 00:52:48,080
HARDLY.
1098
00:52:50,020 --> 00:52:52,080
SO FIRST HE TELLS ME
1099
00:52:52,080 --> 00:52:54,200
I WAS THE MOST
BEAUTIFUL GIRL HE EVER SAW,
1100
00:52:54,200 --> 00:52:56,270
NEXT I WAS
A SKANK FROM HELL.
1101
00:52:56,270 --> 00:52:58,210
(Jake)
YOU KNOW, YOU SHOULD ALWAYS
TAKE A BEAT
1102
00:52:58,210 --> 00:53:00,160
BEFORE YOU BELIEVE
WHAT ANYONE SAYS ABOUT YOU,
1103
00:53:00,160 --> 00:53:01,170
GOOD OR BAD.
1104
00:53:01,170 --> 00:53:02,250
HMM, I DON''T KNOW.
1105
00:53:02,250 --> 00:53:04,090
HE''S A LAWYER.
1106
00:53:04,090 --> 00:53:05,140
(Frankie)
SO WHAT?
1107
00:53:05,140 --> 00:53:06,270
JAKE TELL YOU
HE''S A WRITER?
1108
00:53:06,270 --> 00:53:12,140
DO YOU WRITE
FOR TV?
1109
00:53:12,140 --> 00:53:13,180
I''M RETIRED.
1110
00:53:13,180 --> 00:53:15,200
(woman)
GOD, YOU''RE KIDDING!
1111
00:53:15,200 --> 00:53:18,060
YOU''RE TOO YOUNG
TO BE RETIRED.
1112
00:53:20,240 --> 00:53:21,270
WHAT WAS
YOUR NAME AGAIN?
1113
00:53:21,270 --> 00:53:23,080
JENNY.
1114
00:53:23,080 --> 00:53:25,100
(Jake)
JENNY,
HERE''S 40 BUCKS.
1115
00:53:25,100 --> 00:53:27,190
TAKE A CAB HOME,
OKAY?
1116
00:53:27,190 --> 00:53:30,070
(Jenny)
HEY, IT DOESN''T
TAKE THIS MUCH.
1117
00:53:30,070 --> 00:53:33,180
SO BUY YOURSELF
SOME BRUNCH TOMORROW.
1118
00:53:33,180 --> 00:53:36,290
THANKS.
1119
00:53:36,290 --> 00:53:38,210
NICE MEETING YOU.
SEE YOU.
1120
00:53:38,210 --> 00:53:39,220
WHATEVER.
1121
00:53:39,220 --> 00:53:40,220
SEE YOU LATER.
1122
00:53:40,220 --> 00:53:43,120
[Frankie chuckling]
1123
00:53:46,140 --> 00:53:47,180
WHAT?
1124
00:53:47,180 --> 00:53:50,010
I DON''T KNOW.
FUCK.
1125
00:53:50,010 --> 00:53:52,030
ALL THE HEROICS
AT THE BAR AND WHATNOT,
1126
00:53:52,030 --> 00:53:53,130
AND THEN YOU JUST
SEND HER HOME.
1127
00:53:53,130 --> 00:53:54,220
I MEAN, COME ON.
1128
00:53:54,220 --> 00:53:56,090
(Jake)
THE LAST THING
THAT GIRL NEEDS
1129
00:53:56,090 --> 00:53:57,240
IS ANOTHER NIGHT
OF MEANINGLESS SEX.
1130
00:53:57,240 --> 00:53:59,290
SENDING HER HOME
MAKES ME FEEL...
1131
00:53:59,290 --> 00:54:01,020
USEFUL.
1132
00:54:01,020 --> 00:54:02,220
OH.
1133
00:54:02,220 --> 00:54:04,100
WHICH IS NOT
A BAD WAY TO FEEL.
1134
00:54:04,100 --> 00:54:05,210
FUCKIN'' YOUR BRAINS OUT
ALL NIGHT
1135
00:54:05,210 --> 00:54:07,180
AIN''T EXACTLY A TERRIBLE
FEELING EITHER, JAKE.
1136
00:54:07,180 --> 00:54:09,190
I LOVE IT
WHEN YOU TALK LIKE THAT.
1137
00:54:11,210 --> 00:54:12,230
COME ON.
1138
00:54:12,230 --> 00:54:13,230
WHAT?
1139
00:54:13,230 --> 00:54:14,270
I LIKE THIS ONE.
1140
00:54:14,270 --> 00:54:16,170
AH, I ASKED YOU
TO DANCE EARLIER.
1141
00:54:16,170 --> 00:54:17,220
DANCE WITH ME,
STUPID.
1142
00:54:17,220 --> 00:54:19,120
I''M TIRED, HONEY.
COME ON, COME ON.
1143
00:54:19,120 --> 00:54:20,270
ASK JAKE HERE.
1144
00:54:25,090 --> 00:54:27,260
WANNA DANCE WITH ME,
JAKE?
1145
00:54:27,260 --> 00:54:30,210
[sultry jazz music]
1146
00:54:30,210 --> 00:54:33,090
(woman)
♪ OOH, DO YOU KNOW-- ♪
1147
00:54:33,090 --> 00:54:34,110
SURE.
1148
00:54:34,110 --> 00:54:38,180
♪ HOW MUCH DO YOU SEE? ♪
1149
00:54:38,180 --> 00:54:42,080
♪ WHEN YOU CLOSE YOUR EYES, ♪
1150
00:54:42,080 --> 00:54:46,040
♪ DO YOU DREAM
THIS DREAM WITH ME? ♪
1151
00:54:46,040 --> 00:54:50,100
♪ I WALKED FIRE FOR YOU, ♪
1152
00:54:50,100 --> 00:54:54,110
♪ THOUGH I''M NOT
SUPPOSED TO SAY. ♪
1153
00:54:54,110 --> 00:54:58,210
♪ I''LL TAKE MY CHANCE
TONIGHT, ♪
1154
00:54:58,210 --> 00:55:01,000
♪ IF YOU LEAD THE WAY. ♪
1155
00:55:01,000 --> 00:55:03,020
YOU KNOW, RIDING AROUND
WITH FRANKIE ALL DAY
1156
00:55:03,020 --> 00:55:04,230
AND THINKING ABOUT YOU
IS GETTING TOUGHER
1157
00:55:04,230 --> 00:55:07,250
THAN I THOUGHT
IT WAS GOING TO BE.
1158
00:55:07,250 --> 00:55:10,220
WHY?
1159
00:55:10,220 --> 00:55:14,290
''CAUSE I''M STARTING
TO LIKE FRANKIE.
1160
00:55:14,290 --> 00:55:17,280
I''M WORRIED ABOUT
WHAT''S GOING TO HAPPEN TO HIM.
1161
00:55:17,280 --> 00:55:20,130
WELL, EVERYONE
LIKES FRANKIE.
1162
00:55:20,130 --> 00:55:23,010
FRANKIE''S A GENUINELY
LIKEABLE GUY.
1163
00:55:24,270 --> 00:55:26,250
DOESN''T KEEP ME
FROM WANTING YOU, THOUGH.
1164
00:55:32,020 --> 00:55:34,230
STOP IT.
1165
00:55:34,230 --> 00:55:36,170
I CAN''T.
1166
00:55:39,070 --> 00:55:40,130
I CAN''T STOP.
1167
00:55:40,130 --> 00:55:46,210
(woman)
♪ NO ONE HAS TO KNOW. ♪ ♪
1168
00:55:46,210 --> 00:55:48,200
AND REMEMBER
ONE LINE, ALL RIGHT?
1169
00:55:48,200 --> 00:55:52,100
SIGHT THE WEAPON
IN YOUR ARM.
1170
00:55:52,100 --> 00:55:54,030
SQUEEZE.
1171
00:55:57,080 --> 00:55:58,200
AUTOMATIC--
1172
00:55:58,200 --> 00:56:00,250
NEVER KNOW WHEN YOU MIGHT
NEED ONE OF THESE, ALL RIGHT?
1173
00:56:00,250 --> 00:56:03,270
SO NOW, GOT A LITTLE MORE
KICK ON IT.
1174
00:56:03,270 --> 00:56:07,180
SAME THING, BUT JUST PULL
AND HOLD ON, ALL RIGHT?
1175
00:56:16,040 --> 00:56:17,160
WHENEVER I WAS
SHOWN ONE OF THESE,
1176
00:56:17,160 --> 00:56:19,100
I USED TO FEEL QUEASY.
1177
00:56:19,100 --> 00:56:21,010
YOU''RE JUST
A LITTLE GUN-SHY, THAT''S ALL.
1178
00:56:21,010 --> 00:56:22,070
NOW I KNOW
WHAT I WAS AFRAID OF.
1179
00:56:22,070 --> 00:56:23,090
OH, YEAH,
WHAT WAS THAT?
1180
00:56:23,090 --> 00:56:24,270
HOW GOOD IT FEELS.
1181
00:56:39,100 --> 00:56:41,080
[clattering]
1182
00:56:50,150 --> 00:56:53,150
[gentle music]
1183
00:56:53,150 --> 00:57:01,150
♪ ♪
1184
00:57:09,260 --> 00:57:12,010
(Melissa)
WHY DON''T YOU
UNPACK LATER?
1185
00:58:20,070 --> 00:58:21,220
(Jake)
I DON''T KNOW.
1186
00:58:21,220 --> 00:58:22,290
ONE DAY IT JUST
GOT TO THE POINT
1187
00:58:22,290 --> 00:58:26,210
WHERE I''D GONE TO BED
WITH TOO MANY WOMEN.
1188
00:58:26,210 --> 00:58:28,020
AM I ACTUALLY
GETTING OFF,
1189
00:58:28,020 --> 00:58:29,230
OR AM I JUST REPLAYING
SOME FLIMSY OLD TAPE
1190
00:58:29,230 --> 00:58:31,200
OF GETTING OFF?
1191
00:58:31,200 --> 00:58:33,240
AND THEN WHAT?
1192
00:58:33,240 --> 00:58:36,040
THEN I COULDN''T
WRITE ANYMORE.
1193
00:58:36,040 --> 00:58:39,180
I''M NOT FOLLOWING YOU.
1194
00:58:39,180 --> 00:58:41,230
[inhales slowly]
1195
00:58:41,230 --> 00:58:44,090
CREATIVITY FOR ME
IS LIKE A BAD DRUG.
1196
00:58:44,090 --> 00:58:45,160
AT FIRST
IT GETS YOU HIGH,
1197
00:58:45,160 --> 00:58:47,250
AND THEN IT TRIES
TO DESTROY YOUR LIFE.
1198
00:58:47,250 --> 00:58:49,290
MOST WRITERS DON''T CARE
HOW UNREAL THEIR LIVES GET
1199
00:58:49,290 --> 00:58:53,040
AS LONG AS IT MAKES IT
EASIER TO WRITE ABOUT.
1200
00:58:53,040 --> 00:58:54,060
BUT THEN ONE DAY
YOU WAKE UP
1201
00:58:54,060 --> 00:58:56,070
AND THE WORLD''S EMPTY.
1202
00:58:56,070 --> 00:58:59,130
ALL THE LOVE
I HAD FOR WRITING IS GONE.
1203
00:58:59,130 --> 00:59:02,250
WHAT''S THE SOLUTION?
1204
00:59:02,250 --> 00:59:05,150
YOU.
1205
00:59:07,210 --> 00:59:09,160
YEAH, RIGHT.
1206
00:59:11,180 --> 00:59:13,220
[scoffs]
1207
00:59:38,200 --> 00:59:45,150
I WAS ONE OF A MILLION CHICKS
THAT COME TO THE BIG APPLE,
1208
00:59:45,150 --> 00:59:47,030
AND I HAD THESE VISIONS
OF MYSELF
1209
00:59:47,030 --> 00:59:51,140
AS SOME KIND OF CREATIVE PERSON,
QUOTE UNQUOTE.
1210
00:59:51,140 --> 00:59:53,240
AND I GOT PICKED UP
AND FUCKED OVER
1211
00:59:53,240 --> 00:59:56,260
BY THE USUAL GUYS
FOR THE USUAL REASONS.
1212
00:59:56,260 --> 00:59:58,140
WHAT ARE THE USUAL REASONS?
1213
01:00:02,100 --> 01:00:04,270
WHAT CAN I TELL YOU
ABOUT MEN?
1214
01:00:04,270 --> 01:00:08,080
THEY WANT YOU TO BE
THEIR DAUGHTER, THEIR MOTHER,
1215
01:00:08,080 --> 01:00:11,150
THEIR ADDICTION.
1216
01:00:11,150 --> 01:00:12,190
THEY WANT YOU
TO WANT THEM,
1217
01:00:12,190 --> 01:00:14,070
THEN THEY DON''T
WANT YOU.
1218
01:00:14,070 --> 01:00:15,040
[inhales sharply]
1219
01:00:18,190 --> 01:00:19,200
I DON''T KNOW.
1220
01:00:19,200 --> 01:00:20,270
I GOT TURNED INSIDE OUT.
1221
01:00:20,270 --> 01:00:23,070
I GOT USED UP.
1222
01:00:23,070 --> 01:00:26,020
[sighs]
1223
01:00:26,020 --> 01:00:28,260
ONE NIGHT I WAS SCREAMING
IN THE MIDDLE OF THE STREET,
1224
01:00:28,260 --> 01:00:33,040
"WHAT THE FUCK DO YOU ALL
WANT FROM ME?"
1225
01:00:33,040 --> 01:00:34,280
AND I COULDN''T STOP.
1226
01:00:34,280 --> 01:00:38,110
SO WHAT HAPPENED?
1227
01:00:38,110 --> 01:00:43,130
THEY PUT ME IN A HOME
FOR SIX MONTHS.
1228
01:00:43,130 --> 01:00:44,140
[sighs]
1229
01:00:44,140 --> 01:00:46,180
AND WHEN THAT ENDED,
1230
01:00:46,180 --> 01:00:50,030
I WAS JUST
A GHOST.
1231
01:00:50,030 --> 01:00:52,210
AND THEN I MET THIS BOY.
1232
01:00:52,210 --> 01:00:54,110
HE TALKED TO ME.
1233
01:00:54,110 --> 01:00:56,120
AND HE SAID ALL THE SAME THINGS
1234
01:00:56,120 --> 01:00:59,140
THAT THE GUYS
WHO''D FUCKED ME OVER HAD SAID,
1235
01:00:59,140 --> 01:01:00,140
BUT HE MEANT IT.
1236
01:01:00,140 --> 01:01:04,010
YOU KNOW, HE STOOD BEHIND IT.
1237
01:01:04,010 --> 01:01:07,040
FRANKIE MEANS
EVERYTHING HE SAYS.
1238
01:01:07,040 --> 01:01:10,090
HE BROUGHT YOU BACK?
1239
01:01:10,090 --> 01:01:14,050
YEAH, AND THIS IS
HOW I REPAY HIM.
1240
01:01:14,050 --> 01:01:16,290
WAIT A MINUTE.
1241
01:01:16,290 --> 01:01:19,200
FRANKIE HELPED YOU OUT
AT A TIME WHEN YOU NEEDED HELP.
1242
01:01:19,200 --> 01:01:21,010
THAT DOESN''T MEAN
1243
01:01:21,010 --> 01:01:24,040
YOU''RE SUPPOSED TO SPEND
THE REST OF YOUR LIFE WITH HIM.
1244
01:01:24,040 --> 01:01:27,090
IF YOU''RE SUGGESTING
WHAT I THINK YOU ARE--
1245
01:01:29,230 --> 01:01:33,030
YOU''RE SMART,
BUT YOU''RE NOT BULLETPROOF.
1246
01:01:33,030 --> 01:01:35,130
FRANKIE''D KILL YOU.
1247
01:01:35,130 --> 01:01:37,280
SO RUN AWAY WITH ME.
1248
01:01:37,280 --> 01:01:40,100
[scoffs]
1249
01:01:40,100 --> 01:01:42,000
YOU ARE MOVING TOO FAST.
1250
01:01:42,000 --> 01:01:43,160
YOU ARE MOVING WAY TOO FAST.
1251
01:01:43,160 --> 01:01:44,180
ALL RIGHT.
1252
01:01:44,180 --> 01:01:45,250
I GOT ALL THE TIME
IN THE WORLD.
1253
01:01:45,250 --> 01:01:49,280
I''LL WAIT
AS LONG AS IT TAKES,
1254
01:01:49,280 --> 01:01:54,190
OR UNTIL FRANKIE''S
NOT AN ISSUE.
1255
01:01:54,190 --> 01:01:56,220
WHAT DOES THAT MEAN?
1256
01:01:56,220 --> 01:01:59,130
FRANKIE''S NOT GOING TO LIVE
VERY LONG.
1257
01:02:02,070 --> 01:02:05,030
DON''T SAY THAT.
1258
01:02:05,030 --> 01:02:07,170
DO YOU HATE ME
FOR DOING THIS TO YOU?
1259
01:02:10,230 --> 01:02:13,020
YOU KNOW I DON''T.
1260
01:02:19,120 --> 01:02:22,120
[melancholy jazz music]
1261
01:02:22,120 --> 01:02:30,090
♪ ♪
1262
01:03:17,000 --> 01:03:19,280
[woman moaning
and gasping on film]
1263
01:03:24,260 --> 01:03:27,240
Ooh, yeah,
give it to me!
1264
01:03:43,170 --> 01:03:45,050
[door opening]
1265
01:03:45,050 --> 01:03:48,160
[door closing]
1266
01:03:48,160 --> 01:03:51,030
[door opening]
1267
01:03:51,030 --> 01:03:54,290
[footsteps approaching
slowly]
1268
01:03:54,290 --> 01:03:56,270
[florescent lights buzzing]
1269
01:04:03,060 --> 01:04:04,200
SO TELL ME,
1270
01:04:04,200 --> 01:04:08,150
DOES THE POPCORN BUTTER AID
IN YOUR MASTURBATION PROCESS?
1271
01:04:08,150 --> 01:04:12,120
[chuckling]
1272
01:04:12,120 --> 01:04:16,130
GOT A LITTLE ATTITUDE
WORKING, JAKE?
1273
01:04:16,130 --> 01:04:19,170
THIS PLACE
IS SO YOU, WARD.
1274
01:04:19,170 --> 01:04:21,150
GET DOWN TO IT.
1275
01:04:21,150 --> 01:04:23,100
WHEN YOU MEETING
LANGE AGAIN?
1276
01:04:23,100 --> 01:04:25,000
TOMORROW.
1277
01:04:25,000 --> 01:04:26,000
[flushing]
1278
01:04:26,000 --> 01:04:28,080
SCARED?
1279
01:04:28,080 --> 01:04:30,220
SHOULD BE.
1280
01:04:30,220 --> 01:04:33,070
I WATCH
MY MANNERS.
1281
01:04:33,070 --> 01:04:35,140
I GIVE THESE PEOPLE
NO REASON TO BE UPSET WITH ME.
1282
01:04:35,140 --> 01:04:38,200
WELL, THAT''S GOOD,
JAKE.
1283
01:04:38,200 --> 01:04:40,040
''CAUSE YOU SLIP UP,
1284
01:04:40,040 --> 01:04:43,210
YOUR PAL FRANKIE''S GOING TO DO
SOME LONG, HARD TIME.
1285
01:04:43,210 --> 01:04:44,220
WHAT IS THAT?
1286
01:04:44,220 --> 01:04:45,230
THAT''S NOT THE DEAL.
1287
01:04:45,230 --> 01:04:48,070
OH, FUCK THE DEAL.
1288
01:04:48,070 --> 01:04:51,210
FROM NOW ON,
YOU DO WHAT I SAY, ASSHOLE.
1289
01:04:51,210 --> 01:04:54,120
YOU HAVE SERIOUSLY JEOPARDIZED
YOUR VALUE AS A WITNESS
1290
01:04:54,120 --> 01:04:57,040
SINCE THE DAY YOU STARTED
PARTICIPATING IN THE COMMISSION.
1291
01:04:57,040 --> 01:04:59,010
PLEASE.
1292
01:04:59,010 --> 01:05:02,080
THAT PRICK
DESERVED EVERYTHING HE GOT.
1293
01:05:02,080 --> 01:05:04,210
[laughing menacingly]
1294
01:05:04,210 --> 01:05:09,130
LISTEN TO YOU.
1295
01:05:09,130 --> 01:05:13,080
SOUNDIN'' LIKE
100% THUG NOW.
1296
01:05:13,080 --> 01:05:15,110
GUESS I WAS RIGHT
COMING AFTER YOU.
1297
01:05:15,110 --> 01:05:16,160
LET ME TELL YOU
SOMETHING.
1298
01:05:16,160 --> 01:05:17,280
I AGREED
TO DO THIS FOR YOU,
1299
01:05:17,280 --> 01:05:19,250
''CAUSE I NEEDED
A STORY.
1300
01:05:19,250 --> 01:05:21,070
I DID WHAT YOU ASKED.
1301
01:05:21,070 --> 01:05:24,110
YOU KEEP UP
YOUR END OF THE DEAL.
1302
01:05:24,110 --> 01:05:25,290
[whispering]
You owe me.
1303
01:05:25,290 --> 01:05:27,110
[chuckling]
1304
01:05:27,110 --> 01:05:29,020
I CAN''T BELIEVE
I''M STANDING IN A URINAL
1305
01:05:29,020 --> 01:05:30,080
TALKING TO THIS IDIOT.
1306
01:05:30,080 --> 01:05:33,120
[growling]
1307
01:05:33,120 --> 01:05:36,290
THINK YOU''RE
PRETTY CLEVER, DON''T YOU?
1308
01:05:38,210 --> 01:05:41,040
[Jake over recorder]
So run away with me.
1309
01:05:41,040 --> 01:05:43,030
[Melissa over recorder]
You are moving too fast.
1310
01:05:43,030 --> 01:05:44,080
You are moving way too fast.
1311
01:05:44,080 --> 01:05:45,100
[recorder rewinding]
1312
01:05:45,100 --> 01:05:46,250
IT GETS BETTER, JAKE.
1313
01:05:46,250 --> 01:05:48,030
[Melissa moaning]
Jake.
1314
01:05:48,030 --> 01:05:49,110
[Melissa and Jake panting]
1315
01:05:49,110 --> 01:05:51,000
OOH.
1316
01:05:51,000 --> 01:05:55,240
[giggling]
1317
01:05:55,240 --> 01:05:57,040
OOH.
1318
01:05:57,040 --> 01:05:58,140
RATTING A GUY
TO THE COPS,
1319
01:05:58,140 --> 01:05:59,230
THAT''S ONE THING.
1320
01:05:59,230 --> 01:06:04,290
FUCKIN'' HIS GIRL!
JAKE!
1321
01:06:04,290 --> 01:06:07,090
[chuckling menacingly]
1322
01:06:07,090 --> 01:06:10,040
YOU HAD NO BUSINESS
BUGGING--
1323
01:06:10,040 --> 01:06:12,160
I HAD NO BUSINESS.
1324
01:06:12,160 --> 01:06:14,090
YOU HAD NO BUSINESS
JEOPARDIZING THIS CASE.
1325
01:06:14,090 --> 01:06:16,270
WITH THAT WAYWARD DICK
OF YOURS.
1326
01:06:16,270 --> 01:06:18,130
WHAT DO YOU THINK''S
GOING TO HAPPEN
1327
01:06:18,130 --> 01:06:20,240
WHEN FRANKIE HEARS THIS?
1328
01:06:20,240 --> 01:06:23,120
HE''LL PROBABLY
KILL ME.
1329
01:06:23,120 --> 01:06:26,140
BUT WITHOUT ME,
YOU''VE GOT NO CASE.
1330
01:06:26,140 --> 01:06:30,220
SO I''LL FINISH THIS FOR YOU,
BUT FRANKIE WALKS.
1331
01:06:30,220 --> 01:06:33,060
[breathing heavily]
1332
01:06:33,060 --> 01:06:35,190
YOU''RE MINE.
1333
01:06:35,190 --> 01:06:41,030
YOUR EYES ARE MINE;
YOUR EARS ARE MINE.
1334
01:06:41,030 --> 01:06:42,030
YOUR DICK IS MINE.
1335
01:06:42,030 --> 01:06:44,110
[florescent lights buzzing]
1336
01:06:44,110 --> 01:06:49,230
FACT IS, EVERY STEP YOU TAKE,
YOU TAKE FOR ME, JAKE.
1337
01:06:49,230 --> 01:06:52,060
YOU GOT THAT?
1338
01:06:55,010 --> 01:06:56,010
YEAH.
1339
01:07:04,190 --> 01:07:06,160
(Jake)
DID YOU GET
TO MY FAVORITE PART YET?
1340
01:07:06,160 --> 01:07:09,110
WHAT''S THAT?
1341
01:07:09,110 --> 01:07:11,290
IT''S CALLED
THE TRYWORKS.
1342
01:07:11,290 --> 01:07:14,130
ISHMAEL STANDS AT
THE STEERING WHEEL OF THE SHIP
1343
01:07:14,130 --> 01:07:16,130
WATCHING THE HARPOONERS
STOKE A FIRE,
1344
01:07:16,130 --> 01:07:19,000
TURNING THE WHALE BLUBBER
INTO OIL.
1345
01:07:19,000 --> 01:07:20,020
NO, I AIN''T
GOT THERE YET.
1346
01:07:20,020 --> 01:07:22,020
WHAT HAPPENS?
1347
01:07:22,020 --> 01:07:24,150
WELL, HE GETS HYPNOTIZED
BY THE FIRE.
1348
01:07:24,150 --> 01:07:25,200
[quietly]
RIGHT.
1349
01:07:25,200 --> 01:07:27,180
AND HE LOSES CONTROL
OF THE SHIP.
1350
01:07:27,180 --> 01:07:30,210
BUT AT THE LAST SECOND,
HE SNAPS BACK TO REALITY.
1351
01:07:30,210 --> 01:07:33,280
SO WHAT''S
THE POINT THERE?
1352
01:07:33,280 --> 01:07:35,180
LET ME
READ YOU SOMETHING.
1353
01:07:39,080 --> 01:07:40,060
[clears throat]
1354
01:07:44,090 --> 01:07:48,040
"LOOK NOT TOO LONG
IN THE FACE OF THE FIRE, O MAN!
1355
01:07:48,040 --> 01:07:49,280
"NEVER DREAM WITH THY HAND
ON THE HELM!
1356
01:07:49,280 --> 01:07:52,210
"TURN NOT THY BACK
TO THE COMPASS;
1357
01:07:52,210 --> 01:07:55,070
"BELIEVE NOT
THE ARTIFICIAL FIRE,
1358
01:07:55,070 --> 01:07:57,280
"WHEN ITS REDNESS MAKES
ALL THINGS LOOK GHASTLY.
1359
01:07:57,280 --> 01:08:02,170
"THE GLORIOUS, GOLDEN SUN,
THE ONLY TRUE LAMP--
1360
01:08:02,170 --> 01:08:06,020
ALL OTHERS ARE
BUT LIARS!"
1361
01:08:06,020 --> 01:08:09,030
I''M A LITTLE LOST.
1362
01:08:09,030 --> 01:08:10,150
HE''S SAYING
1363
01:08:10,150 --> 01:08:15,070
CHOOSE WHAT''S REAL,
NOT WHAT''S FALSE.
1364
01:08:15,070 --> 01:08:18,020
THERE''S MORE TO LIFE
THAN JUST SURVIVING IT.
1365
01:08:18,020 --> 01:08:19,260
LIKE WHAT?
1366
01:08:22,050 --> 01:08:24,170
LIKE THE PEOPLE
THAT WE CARE ABOUT,
1367
01:08:24,170 --> 01:08:26,120
THAT WE TRULY LOVE.
1368
01:08:26,120 --> 01:08:27,290
SO YOU''RE SAYING,
LIKE,
1369
01:08:27,290 --> 01:08:30,110
LANGE, LIKE WHEN HE TOOK ME
OFF THE STREET WHEN I WAS A KID,
1370
01:08:30,110 --> 01:08:34,060
AND, LIKE, SO HE HELPED ME OUT,
SO I OWE HIM NOW, RIGHT?
1371
01:08:35,160 --> 01:08:36,290
THAT''S NOT
WHAT I MEANT.
1372
01:08:36,290 --> 01:08:38,290
WHAT''D YOU MEAN?
1373
01:08:38,290 --> 01:08:43,160
I MEAN THAT CARING ABOUT SOMEONE
AND LOVING SOMEONE,
1374
01:08:43,160 --> 01:08:46,060
THAT CONNECTION
IS MORE IMPORTANT
1375
01:08:46,060 --> 01:08:49,250
THAN WHETHER WE LIVE OR DIE,
WHETHER WE''RE RICH OR POOR,
1376
01:08:49,250 --> 01:08:54,100
OR WHETHER WE OWE SOMEBODY
SOMETHING OR NOT.
1377
01:08:54,100 --> 01:08:58,240
LOOK, IF MELISSA
GOT INTO TROUBLE,
1378
01:08:58,240 --> 01:09:01,090
YOU''D DO ANYTHING IN THE WORLD
TO HELP HER, WOULDN''T YOU?
1379
01:09:01,090 --> 01:09:02,110
RIGHT.
1380
01:09:02,110 --> 01:09:04,060
THERE YOU GO.
1381
01:09:04,060 --> 01:09:07,050
YOU LOVE HER,
1382
01:09:07,050 --> 01:09:10,110
WHETHER THERE''S
A POINT TO IT OR NOT.
1383
01:09:10,110 --> 01:09:12,210
I DON''T KNOW.
1384
01:09:12,210 --> 01:09:15,240
SHE CAN PRETTY MUCH TAKE CARE
OF HERSELF.
1385
01:09:15,240 --> 01:09:18,160
THAT''S NOT WHAT SHE SAID.
1386
01:09:18,160 --> 01:09:20,090
SHE SAYS YOU SAVED HER LIFE.
1387
01:09:20,090 --> 01:09:23,020
WHEN''D SHE SAY THAT?
1388
01:09:25,080 --> 01:09:28,240
UM, THE OTHER NIGHT
WHEN WE WERE DANCING,
1389
01:09:28,240 --> 01:09:31,050
WE WERE TALKING
ABOUT YOU.
1390
01:09:31,050 --> 01:09:35,170
SHE''S SO FULL OF SHIT.
1391
01:09:35,170 --> 01:09:38,040
SHE CAN GET ALONG FINE
WITHOUT ME, BELIEVE ME.
1392
01:09:38,040 --> 01:09:41,030
WE COULD ALL GET ALONG FINE
WITHOUT EACH OTHER, FRANKIE.
1393
01:09:41,030 --> 01:09:44,180
THERE''S MORE TO IT
THAN THAT, ISN''T THERE?
1394
01:09:48,210 --> 01:09:50,040
YOU KNOW, IT''S FUNNY.
1395
01:09:50,040 --> 01:09:55,050
I FEEL NO MATTER HOW MUCH I READ
OR WHATEVER I WOULD LEARN--
1396
01:09:55,050 --> 01:09:57,100
I DON''T KNOW, HER AND ME,
WE''RE JUST DIFFERENT PEOPLE,
1397
01:09:57,100 --> 01:09:58,100
THAT''S ALL.
1398
01:09:58,100 --> 01:10:01,080
WE''RE JUST DIFFERENT.
1399
01:10:04,050 --> 01:10:07,030
[melancholy music]
1400
01:10:12,040 --> 01:10:13,230
(Frankie)
WHAT''S UP, POP?
1401
01:10:17,080 --> 01:10:21,070
[sighing]
1402
01:10:21,070 --> 01:10:22,140
THE RESTAURANT JOB,
FRANKLIN.
1403
01:10:22,140 --> 01:10:25,080
YOU FUCKED IT UP.
1404
01:10:25,080 --> 01:10:27,020
GUY DOESN''T PAY UP;
I HIT HIM.
1405
01:10:27,020 --> 01:10:28,100
WHAT''S SO UNUSUAL?
1406
01:10:28,100 --> 01:10:31,290
YOU ATTACKED SOMEONE ELSE
IN THE RESTAURANT.
1407
01:10:31,290 --> 01:10:33,230
A GEEK WHO GOT
IN OUR WAY?
1408
01:10:33,230 --> 01:10:37,170
(Lange)
THAT GEEK HAPPENED TO BE
AN ASSISTANT DISTRICT ATTORNEY.
1409
01:10:37,170 --> 01:10:40,100
YOU FRACTURED
A D.A.''S JAW, BOY!
1410
01:10:40,100 --> 01:10:43,000
SORRY,
I DIDN''T KNOW.
1411
01:10:43,000 --> 01:10:45,030
IGNORANCE IS NO EXCUSE,
FRANKIE.
1412
01:10:45,030 --> 01:10:47,030
(Lange)
AM I SUPPOSED TO SIT HERE
1413
01:10:47,030 --> 01:10:50,020
WORRYING ABOUT
WHAT YOU DON''T KNOW?
1414
01:10:50,020 --> 01:10:52,240
DO YOU KNOW WHAT IT COST ME
TO PUT A THING LIKE THIS RIGHT?
1415
01:10:52,240 --> 01:10:55,050
FUCK OF A LOT MORE
THAN YOU''RE WORTH, SHITHEAD.
1416
01:10:55,050 --> 01:10:57,080
BRING HIM NEAR ME.
1417
01:11:11,150 --> 01:11:13,070
WAIT A MINUTE,
THIS ISN''T RIGHT.
1418
01:11:13,070 --> 01:11:14,210
FRANKIE DIDN''T--
JAKE, JAKE.
1419
01:11:14,210 --> 01:11:16,090
YOU WANT SOME NEXT?
1420
01:11:22,120 --> 01:11:24,010
(Lange)
THAT HURT, RIGHT?
GOOD.
1421
01:11:24,010 --> 01:11:27,020
MAYBE NOW YOU''LL GET
YOUR THING TOGETHER.
1422
01:11:27,020 --> 01:11:29,220
GWYNNE SAYS
YOU''RE OUT OF CONTROL,
1423
01:11:29,220 --> 01:11:31,070
CRAZY.
1424
01:11:31,070 --> 01:11:33,170
NOW YOU''VE GOT TO PROVE TO ME
THAT HE''S WRONG.
1425
01:11:33,170 --> 01:11:36,160
LOOK AT ME,
FRANKIE.
1426
01:11:36,160 --> 01:11:38,010
[controlled crying]
1427
01:11:38,010 --> 01:11:44,020
OTHERWISE, WE CAN''T BE
AS CLOSE AS WE ONCE WAS.
1428
01:11:44,020 --> 01:11:47,220
NOW I''M GIVING YOU
AND YOUR PAL, IF YOU LIKE,
1429
01:11:47,220 --> 01:11:50,000
TO GWYNNE
FOR AN IMPORTANT JOB.
1430
01:11:50,000 --> 01:11:52,080
AND YOU''RE TO DO
WHAT HE SAYS
1431
01:11:52,080 --> 01:11:54,050
LIKE HIS WAS
THE WORD OF GOD.
1432
01:11:54,050 --> 01:11:55,050
WE''RE GOING TO STEAL
1433
01:11:55,050 --> 01:11:57,020
ABOUT $100,000 WORTH
OF BEARER BONDS.
1434
01:11:57,020 --> 01:11:58,100
THEY''RE AS GOOD AS CASH.
1435
01:11:58,100 --> 01:12:00,150
WE KNOW A GUY
THAT WORKS IN A BROKERAGE.
1436
01:12:00,150 --> 01:12:02,290
IT''LL BE
A PIECE OF CAKE.
1437
01:12:02,290 --> 01:12:05,060
OUR CONTACT SAYS
TO MAKE THE HIT TOMORROW.
1438
01:12:05,060 --> 01:12:06,130
THAT''S THE NIGHT
1439
01:12:06,130 --> 01:12:09,080
BEFORE THEY SHIP
EVERYTHING THEY GET OVERSEAS.
1440
01:12:09,080 --> 01:12:10,090
GOT IT?
1441
01:12:10,090 --> 01:12:13,150
I GOT IT.
1442
01:12:21,000 --> 01:12:21,280
[quietly]
Thanks.
1443
01:12:24,270 --> 01:12:26,110
THANK YOU, MELISSA.
1444
01:12:34,040 --> 01:12:37,100
FRANKLIN McGREGOR,
YOU DON''T EAT THAT FOOD,
1445
01:12:37,100 --> 01:12:40,100
I SWEAR TO GOD
YOU''RE GOING TO BE WEARING IT.
1446
01:12:40,100 --> 01:12:42,110
WHY ARE YOU SO UNHAPPY?
1447
01:12:44,230 --> 01:12:47,040
YOU DON''T THINK GWYNNE
HAS IT IN FOR ME?
1448
01:12:47,040 --> 01:12:51,120
FRANKIE, LANGE TRUSTS YOU
AS MUCH AS HE TRUSTS GWYNNE.
1449
01:12:54,040 --> 01:12:55,100
THAT''S NOT THE POINT.
1450
01:12:55,100 --> 01:12:56,270
THAT GWYNNE IS A KILLER,
ALL RIGHT?
1451
01:12:56,270 --> 01:12:59,130
I NEVER HAD TO DO A JOB
WITH THIS GUY BEFORE.
1452
01:12:59,130 --> 01:13:00,250
WHO''S GOING TO GET KILLED?
1453
01:13:00,250 --> 01:13:02,130
WHO''S GOING TO GET KILLED?
I DON''T KNOW.
1454
01:13:02,130 --> 01:13:04,180
I''M JUST SAYING
HE KILLS PEOPLE.
1455
01:13:04,180 --> 01:13:07,250
ME, I PULLED A FEW GUNS
ON A FEW PEOPLE IN MY TIME,
1456
01:13:07,250 --> 01:13:09,070
BUT I NEVER HAD
TO KILL NOBODY.
1457
01:13:09,070 --> 01:13:10,240
I NEVER DID.
I''D LIKE TO KEEP IT THAT WAY.
1458
01:13:10,240 --> 01:13:12,100
BELIEVE IT OR NOT,
I''M KIND OF PROUD OF THAT,
1459
01:13:12,100 --> 01:13:13,200
ALL RIGHT?
1460
01:13:13,200 --> 01:13:14,220
I BELIEVE YOU,
HONEY.
1461
01:13:14,220 --> 01:13:17,070
I BELIEVE YOU TOO.
1462
01:13:23,240 --> 01:13:26,040
YOU KNOW, FRANKIE, THERE IS
A SIMPLE SOLUTION TO THIS.
1463
01:13:26,040 --> 01:13:28,120
YEAH, WHAT''S THAT?
1464
01:13:30,050 --> 01:13:31,150
QUIT.
1465
01:13:31,150 --> 01:13:32,160
STOP.
1466
01:13:32,160 --> 01:13:35,160
DON''T DO IT
ANYMORE.
1467
01:13:35,160 --> 01:13:38,150
I OWE THESE PEOPLE,
PAL.
1468
01:13:38,150 --> 01:13:40,200
I OWE ''EM EVERYTHING.
1469
01:13:40,200 --> 01:13:44,190
FRANKIE, IF THEY''RE ALL
A BUNCH OF SHIT,
1470
01:13:44,190 --> 01:13:46,090
YOU DON''T OWE ''EM ANYTHING.
1471
01:13:46,090 --> 01:13:49,050
AND THEY ARE A BUNCH OF SHIT.
1472
01:13:52,190 --> 01:13:55,040
DO YOU KNOW WHAT THE FUCK
YOU''RE SAYING ABOUT MY LIFE?
1473
01:13:55,040 --> 01:13:56,240
HUH?
YOU UNDERSTAND?
1474
01:13:56,240 --> 01:13:59,090
STOP IT!
YOU''RE GOING TO KILL HIM!
1475
01:13:59,090 --> 01:14:00,120
STOP IT!
1476
01:14:02,120 --> 01:14:04,170
NOW, EVERYBODY''S GOING TO
SIT DOWN AND SHUT UP.
1477
01:14:04,170 --> 01:14:06,190
WE''RE JUST GOING
TO COOL DOWN,
1478
01:14:06,190 --> 01:14:08,190
NOT SAY
ANOTHER WORD.
1479
01:14:15,180 --> 01:14:18,180
[melancholy jazz music]
1480
01:14:18,180 --> 01:14:23,070
♪ ♪
1481
01:14:23,070 --> 01:14:25,210
BUT COULDN''T YOU
NOT DO THIS?
1482
01:14:25,210 --> 01:14:29,050
COULDN''T WE
GET AWAY AND--
1483
01:14:34,130 --> 01:14:39,260
I COULDN''T RUN
FAST ENOUGH.
1484
01:14:39,260 --> 01:14:44,260
(woman)
♪ YOU''RE STILL
HANGING ON. ♪ ♪
1485
01:14:44,260 --> 01:14:46,090
JIM BEAM,
PLEASE.
1486
01:14:46,090 --> 01:14:49,270
SINGLE.
1487
01:14:49,270 --> 01:14:53,140
HEY, DIDN''T I OFFER
TO BUY YOU A DRINK ONE TIME?
1488
01:14:53,140 --> 01:14:56,160
YEAH, THAT WAS ME.
1489
01:14:56,160 --> 01:15:00,190
LET ME--LET ME
BUY YOU THAT DRINK.
1490
01:15:03,120 --> 01:15:04,100
WHY NOT?
1491
01:15:06,040 --> 01:15:07,020
THANKS.
1492
01:15:20,100 --> 01:15:24,040
SO HOW''S YOUR
WRITING CAREER GOING?
1493
01:15:24,040 --> 01:15:26,100
COULD BE BETTER.
1494
01:15:26,100 --> 01:15:28,240
WELL, MAYBE I COULD TAKE A LOOK
AT YOUR WORK SOMETIME.
1495
01:15:28,240 --> 01:15:29,240
REALLY?
1496
01:15:29,240 --> 01:15:32,150
I''D LIKE THAT.
1497
01:15:37,160 --> 01:15:39,150
YOU KNOW, YOU SURE
LOOK DIFFERENT.
1498
01:15:39,150 --> 01:15:41,020
YEAH?
1499
01:15:41,020 --> 01:15:44,040
GUESS ALL THAT PLASTIC SURGERY
PAID OFF, HUH?
1500
01:15:44,040 --> 01:15:46,100
MAN, THE LAST TIME
YOU WERE IN HERE,
1501
01:15:46,100 --> 01:15:47,110
YOU WERE DEAD.
1502
01:15:47,110 --> 01:15:49,020
YEAH?
1503
01:15:49,020 --> 01:15:50,290
YEAH.
1504
01:15:50,290 --> 01:15:54,130
ALL YOU NEEDED
WAS A TOE TAG.
1505
01:15:58,230 --> 01:16:01,230
[woman speaking faintly
over intercom]
1506
01:16:09,030 --> 01:16:11,000
YOU''RE CRAZY.
1507
01:16:31,140 --> 01:16:33,100
GOD, I MISS THAT.
1508
01:16:36,080 --> 01:16:38,010
WHAT IF YOU JUST DON''T GO?
1509
01:16:38,010 --> 01:16:39,260
EH, IT WOULDN''T
STOP HIM.
1510
01:16:39,260 --> 01:16:42,180
HE THINKS
HE OWES THESE PEOPLE.
1511
01:16:42,180 --> 01:16:44,020
BESIDES, IT WOULDN''T
HELP FRANKIE,
1512
01:16:44,020 --> 01:16:45,120
ME NOT BEING THERE.
1513
01:16:45,120 --> 01:16:48,190
HOW DANGEROUS
IS THIS THING GOING TO GET?
1514
01:16:48,190 --> 01:16:50,060
I HAVE NO WAY
OF KNOWING THAT.
1515
01:16:50,060 --> 01:16:51,190
I JUST WISH
I COULD MAKE SURE
1516
01:16:51,190 --> 01:16:54,010
THAT FRANKIE WAS GOING TO GET
THROUGH THIS THING IN ONE PIECE.
1517
01:16:54,010 --> 01:16:55,260
THEN I COULD GET OFF THE HOOK
FOR EVERYTHING ELSE.
1518
01:16:57,140 --> 01:16:59,200
WHAT EVERYTHING ELSE?
1519
01:17:03,100 --> 01:17:07,010
HURTIN'' HIM...
1520
01:17:07,010 --> 01:17:10,140
AND LOVIN'' YOU.
1521
01:17:10,140 --> 01:17:14,080
YOU REGRET THAT ALREADY,
HUH?
1522
01:17:14,080 --> 01:17:17,130
I KNEW YOU WOULD.
1523
01:17:17,130 --> 01:17:21,100
MELISSA, YOU''RE THE ONE THING
IN MY LIFE THAT I DON''T REGRET.
1524
01:17:21,100 --> 01:17:26,210
YOU ARE THE ONE THING
THAT MAKES SENSE TO ME.
1525
01:17:26,210 --> 01:17:28,200
THAT''S MY PROBLEM.
1526
01:17:28,200 --> 01:17:34,230
I DON''T KNOW HOW TO FIT US IN.
1527
01:17:34,230 --> 01:17:39,000
I MEAN,
YOU AND FRANKIE--
1528
01:17:39,000 --> 01:17:40,190
JAKE--
1529
01:17:40,190 --> 01:17:43,000
DON''T.
1530
01:17:43,000 --> 01:17:44,200
I HEAR YOU,
1531
01:17:44,200 --> 01:17:47,030
WHAT YOU''RE SAYING.
1532
01:17:47,030 --> 01:17:49,190
[sighs heavily]
YEAH.
1533
01:18:06,290 --> 01:18:08,040
HARRY?
1534
01:18:08,040 --> 01:18:09,210
HARRY?
HUH?
1535
01:18:09,210 --> 01:18:12,070
I''M GOING TO SEND DOWN
FOR COFFEE AND SANDWICHES.
1536
01:18:12,070 --> 01:18:13,110
THEY DELIVER.
1537
01:18:13,110 --> 01:18:14,260
THEY SEND A KID OVER.
1538
01:18:14,260 --> 01:18:15,270
DO YOU WANT SOMETHING?
1539
01:18:15,270 --> 01:18:17,040
NO, THANKS,
MR. WILMER.
1540
01:18:17,040 --> 01:18:18,210
OKAY.
1541
01:18:18,210 --> 01:18:20,020
ON SECOND THOUGHT,
1542
01:18:20,020 --> 01:18:25,020
I''LL HAVE SOME DECAF,
NO MILK, TWO SUGARS.
1543
01:18:25,020 --> 01:18:27,200
OKAY, HARRY.
1544
01:18:27,200 --> 01:18:29,120
♪ WHAT DO YOU DO
WITH A DRUNKEN SAILOR? ♪
1545
01:18:29,120 --> 01:18:31,130
♪ WHAT DO YOU DO
WITH A DRUNKEN SAILOR? ♪
1546
01:18:31,130 --> 01:18:33,070
♪ WHAT DO YOU DO
WITH A DRUNKEN SAILOR ♪
1547
01:18:33,070 --> 01:18:34,150
♪ EAR-LAY IN THE MORN? ♪
1548
01:18:34,150 --> 01:18:39,120
WHY DON''T YOU SHUT
THE FUCK UP, ASSHOLE?
1549
01:18:47,240 --> 01:18:49,120
YO, BUDDY,
YOU GOT A LIGHT?
1550
01:18:49,120 --> 01:18:51,190
SORRY,
I DON''T SMOKE.
1551
01:18:51,190 --> 01:18:53,080
(Jake)
♪ WHAT DO YOU DO
WITH A DRUNKEN SAILOR? ♪
1552
01:18:53,080 --> 01:18:55,060
♪ WHAT DO YOU DO
WITH A DRUNKEN SAILOR ♪
1553
01:18:55,060 --> 01:18:57,010
♪ EAR-LAY IN THE MORNING? ♪
1554
01:18:57,010 --> 01:18:58,290
♪ PUT ''EM IN A LONGBOAT
TILL HE''S SOBER. ♪
1555
01:18:58,290 --> 01:19:00,250
♪ PUT ''EM IN A LONGBOAT
TILL HE''S SOBER. ♪
1556
01:19:00,250 --> 01:19:02,280
♪ PUT ''EM IN A LONGBOAT
TILL HE''S SOBER ♪
1557
01:19:02,280 --> 01:19:04,200
♪ EAR-LAY IN THE MORNING. ♪
1558
01:19:04,200 --> 01:19:06,050
[knocking]
1559
01:19:06,050 --> 01:19:07,170
LOOK,
I GOT TO GO.
1560
01:19:07,170 --> 01:19:10,240
[groaning]
1561
01:19:10,240 --> 01:19:12,010
WHO''S THERE?
1562
01:19:12,010 --> 01:19:13,250
(Frankie)
YOU ORDERED
SOME FOOD?
1563
01:19:18,020 --> 01:19:19,020
HEY.
1564
01:19:19,020 --> 01:19:20,080
HI, GUY.
1565
01:19:20,080 --> 01:19:26,050
RIGHT BACK IN THERE;
MR. WILBER''LL PAY YOU.
1566
01:19:26,050 --> 01:19:28,280
[punching]
1567
01:19:33,140 --> 01:19:35,000
SEE?
1568
01:19:35,000 --> 01:19:38,070
NO WORRIES.
1569
01:19:38,070 --> 01:19:39,090
[whispering]
Hey, psst!
1570
01:19:39,090 --> 01:19:41,090
Come on in here.
1571
01:19:46,080 --> 01:19:47,230
♪ HOO-RAY,
AND UP SHE''S RISING. ♪
1572
01:19:47,230 --> 01:19:49,150
♪ HOO-RAY,
AND UP SHE''S RISING ♪
1573
01:19:49,150 --> 01:19:52,000
♪ EAR-LAY IN THE MORNING. ♪ ♪
1574
01:19:52,000 --> 01:19:55,090
[ominous music]
1575
01:19:59,060 --> 01:20:01,100
YOU KNOW,
THAT''S A LOT MORE.
1576
01:20:01,100 --> 01:20:03,110
WHAT DO YOU MEAN?
1577
01:20:03,110 --> 01:20:06,190
I MEAN, THAT''S TEN TIMES
MORE THAN WE THOUGHT.
1578
01:20:06,190 --> 01:20:09,080
I DON''T BELIEVE THIS.
1579
01:20:09,080 --> 01:20:11,140
MOORE, YOU FUCKIN'' DICK.
1580
01:20:11,140 --> 01:20:13,120
SON OF A BITCH.
1581
01:20:13,120 --> 01:20:14,240
[engine starting]
1582
01:20:14,240 --> 01:20:16,100
(Frankie)
THAT''S IT.
1583
01:20:16,100 --> 01:20:17,230
OKAY, YOU KNOW
WHERE MY PLACE IS.
1584
01:20:17,230 --> 01:20:20,220
I''LL BE GOING
WITH THE COPS LATER TONIGHT.
1585
01:20:25,010 --> 01:20:27,290
[tires squealing]
1586
01:20:45,140 --> 01:20:47,110
[sirens wailing]
1587
01:20:47,110 --> 01:20:50,010
[tires squealing]
1588
01:21:05,010 --> 01:21:07,290
[engine accelerating rapidly]
1589
01:21:13,100 --> 01:21:14,110
(Frankie)
ANYWAY,
1590
01:21:14,110 --> 01:21:16,010
WE''RE ALIVE AND WELL.
1591
01:21:20,200 --> 01:21:24,020
HOW THE HELL DO YOU THINK
THE COPS KNEW WHERE WE WERE?
1592
01:21:24,020 --> 01:21:25,200
(Gwynne)
LET''S GO.
1593
01:21:25,200 --> 01:21:27,240
WE''RE PAYING
ONE MORE OFF TONIGHT.
1594
01:21:27,240 --> 01:21:28,260
TONIGHT?
I THOUGHT--
1595
01:21:28,260 --> 01:21:29,290
IT''S THE WORD
FROM LANGE.
1596
01:21:29,290 --> 01:21:31,030
HE''S TALKING
TO WILMER NOW.
1597
01:21:31,030 --> 01:21:32,080
WE''RE EXPECTED.
1598
01:21:32,080 --> 01:21:34,200
NO PROBLEMS, BOY,
JUST DO AS YOU''RE TOLD.
1599
01:21:44,240 --> 01:21:45,270
HI.
1600
01:21:45,270 --> 01:21:46,250
COME IN.
1601
01:21:54,200 --> 01:21:55,270
(Gwynne)
WHAT''S IN THERE?
1602
01:21:55,270 --> 01:21:56,270
BEDROOM.
1603
01:22:00,250 --> 01:22:02,180
I DIDN''T KNOW
THAT YOU WERE GOING TO HIT ME.
1604
01:22:02,180 --> 01:22:04,150
I''M SORRY, WILMER.
1605
01:22:04,150 --> 01:22:07,250
I MUST NOT HAVE BEEN
THINKING CLEARLY.
1606
01:22:07,250 --> 01:22:10,050
I DON''T KNOW
WHY WE HAVE TO DO THIS SO FAST.
1607
01:22:10,050 --> 01:22:12,070
I JUST LISTEN
TO WHAT I''M TOLD, WILMER.
1608
01:22:12,070 --> 01:22:15,050
I DO IT LIKE ANY OTHER
WORKING STIFF.
1609
01:22:22,240 --> 01:22:25,000
I FIGURE MY CUT
IS 250 "K."
1610
01:22:28,140 --> 01:22:30,090
(Gwynne)
THAT''S A LOT.
1611
01:22:30,090 --> 01:22:32,180
WELL, THERE WAS TEN TIME MORE
THAN WE THOUGHT WAS IN THERE.
1612
01:22:32,180 --> 01:22:33,230
I MEAN, THERE WAS
$1 MILLION.
1613
01:22:36,180 --> 01:22:38,240
MY BOSSES WERE BIGGER CROOKS
THAN I THOUGHT.
1614
01:22:38,240 --> 01:22:40,180
(Gwynne)
HOW ''BOUT SOME MUSIC,
WILMER?
1615
01:22:40,180 --> 01:22:42,190
A DRINK?
1616
01:22:42,190 --> 01:22:44,100
(Wilmer)
IT''S LATE.
1617
01:22:44,100 --> 01:22:45,170
(Gwynne)
COME ON, WILMER.
1618
01:22:45,170 --> 01:22:47,130
FANCY PLACE
LIKE THIS?
1619
01:22:47,130 --> 01:22:50,100
THE SOUNDPROOFING IN HERE
MUST BE TREMENDOUS.
1620
01:22:50,100 --> 01:22:51,230
OH, REALLY?
1621
01:22:51,230 --> 01:22:55,050
[Vesti La Giubba
from I Pagliacci plays]
1622
01:22:55,050 --> 01:22:56,180
(Gwynne)
250 GRAND--
1623
01:22:56,180 --> 01:23:00,020
THAT SOUND RIGHT
FOR A GUY LIKE YOU?
1624
01:23:00,020 --> 01:23:01,190
WHAT DO YOU MEAN?
1625
01:23:01,190 --> 01:23:03,040
(Gwynne)
I MEAN,
1626
01:23:03,040 --> 01:23:05,180
YOU''RE NOT GOING TO MAKE
THAT KIND OF MONEY--
1627
01:23:05,180 --> 01:23:06,260
NOT YOU.
1628
01:23:06,260 --> 01:23:15,180
(man)
♪ E RIDER VUOLE QUA. ♪
1629
01:23:15,180 --> 01:23:17,000
THOSE YOUR WIFE
AND KIDS?
1630
01:23:17,000 --> 01:23:21,150
YEAH, THEY''RE WITH
THEIR MOM''S MOM.
1631
01:23:21,150 --> 01:23:22,170
♪ RIDI PAGLIACCO! ♪
1632
01:23:22,170 --> 01:23:25,060
SAY GOOD-BYE!
1633
01:23:25,060 --> 01:23:26,160
FRANKIE, SHOOT HIM!
1634
01:23:26,160 --> 01:23:27,250
NOW!
1635
01:23:27,250 --> 01:23:30,260
SHOOT HIM!
1636
01:23:30,260 --> 01:23:34,250
SHOOT HIM
IN THE FACE, FRANKIE!
1637
01:23:35,260 --> 01:23:36,260
NOW!
1638
01:23:36,260 --> 01:23:38,230
NOW, FRANK!
1639
01:23:38,230 --> 01:23:40,160
SHOOT HIM
IN THE FACE!
1640
01:23:40,160 --> 01:23:43,140
DO IT NOW!
1641
01:23:43,140 --> 01:23:47,140
♪ IN UNA SMORFIA
IL SINGHIOZZO E''L DOLOR. ♪
1642
01:23:47,140 --> 01:23:50,090
FRANKIE, I''LL DO IT.
1643
01:23:51,120 --> 01:23:52,120
JAKE!
1644
01:23:52,120 --> 01:23:53,180
HEY, FRANKIE,
1645
01:23:53,180 --> 01:23:55,020
GOT TO TAKE AFTER
YOUR FRIEND THERE,
1646
01:23:55,020 --> 01:23:56,020
GROW SOME BALLS.
1647
01:23:56,020 --> 01:23:57,000
[gunshot]
1648
01:23:59,160 --> 01:24:09,110
♪ SUL TUO AMORE
INFRANTO! ♪
1649
01:24:09,110 --> 01:24:17,140
♪ RIDI DEL DUOL
CHE T''AWELENA IL COR. ♪ ♪
1650
01:24:17,140 --> 01:24:20,130
YOU ARE OUT
OF YOUR FUCKIN'' MIND.
1651
01:24:20,130 --> 01:24:21,280
YOU''RE IN A LOT OF TROUBLE,
FRANKIE.
1652
01:24:21,280 --> 01:24:24,080
I TOLD YOU TO TAKE
WHATEVER ORDERS GWYNNE GAVE YOU
1653
01:24:24,080 --> 01:24:26,220
LIKE IT WAS COMING FROM ME,
BUT YOU WON''T LISTEN.
1654
01:24:26,220 --> 01:24:28,180
THIS GUY''S A FUCKIN'' ANIMAL,
ALL RIGHT?
1655
01:24:28,180 --> 01:24:30,140
WE HAVE TO HAUL OFF
AND SHOOT THE GUY IN THE FACE.
1656
01:24:30,140 --> 01:24:32,240
WHAT THE FUCK WAS THAT ABOUT?
WHAT WAS THE REASON FOR THAT?
1657
01:24:32,240 --> 01:24:34,290
(Lange)
I TOLD HIM TO!
1658
01:24:34,290 --> 01:24:38,030
THAT WAS THE REASON.
1659
01:24:38,030 --> 01:24:43,190
WHAT AM I GOING TO DO
WITH YOU, FRANKIE?
1660
01:24:43,190 --> 01:24:45,210
I DON''T KNOW, POPS.
1661
01:24:45,210 --> 01:24:47,250
YOU JUST GOT TO BE SENSIBLE,
THAT''S ALL.
1662
01:24:47,250 --> 01:24:50,120
(Lange)
EVERYTHING WE DO
IS SENSIBLE!
1663
01:24:50,120 --> 01:24:51,280
I NEED PEOPLE
I CAN COUNT ON.
1664
01:24:51,280 --> 01:24:54,080
I''M THE ONE YOU COUNT ON,
NOT HIM!
1665
01:24:54,080 --> 01:24:55,260
I CAN''T
COUNT ON YOU
1666
01:24:55,260 --> 01:24:57,270
UNLESS I CAN
CONTROL YOU!
1667
01:24:57,270 --> 01:25:00,270
(Gwynne)
FRANKIE CAN''T
BE CONTROLLED.
1668
01:25:00,270 --> 01:25:03,150
HE''S TOO SMART NOW.
1669
01:25:03,150 --> 01:25:09,130
[ominous music]
1670
01:25:15,000 --> 01:25:16,260
HOW ABOUT THAT,
FRANKIE?
1671
01:25:16,260 --> 01:25:19,070
ARE YOU TOO SMART?
1672
01:25:27,030 --> 01:25:32,160
YOU''RE GOING TO KILL ME,
AREN''T YOU, POPS?
1673
01:25:32,160 --> 01:25:34,010
AFTER ALL I DONE FOR YOU.
1674
01:25:35,220 --> 01:25:38,200
[gunshots]
1675
01:25:42,070 --> 01:25:43,200
AYE, I''LL KILL YA!
1676
01:25:47,240 --> 01:25:48,240
[shouting]
1677
01:25:58,160 --> 01:26:01,160
[breathing heavily]
1678
01:26:14,110 --> 01:26:16,120
OH, MY GOD,
FRANKIE.
1679
01:26:19,010 --> 01:26:21,070
[whispering]
Oh, no.
1680
01:26:24,160 --> 01:26:26,010
I''VE FALLEN, JAKE.
1681
01:26:26,010 --> 01:26:27,220
NO, NO, NO.
1682
01:26:27,220 --> 01:26:30,110
NO, THIS IS WHERE
WE CAME IN, REMEMBER?
1683
01:26:30,110 --> 01:26:33,110
WARD, THIS IS 6-1,
COME IN.
1684
01:26:33,110 --> 01:26:34,230
[Ward over radio]
Go, 6-1.
1685
01:26:34,230 --> 01:26:36,010
(man)
EVERYTHING LOOKED GOOD
1686
01:26:36,010 --> 01:26:37,140
WHEN THEY WENT IN
WITH THE MONEY,
1687
01:26:37,140 --> 01:26:39,010
BUT THEN I THINK
SOMETHING WENT WRONG.
1688
01:26:39,010 --> 01:26:40,120
I DON''T KNOW FOR SURE,
1689
01:26:40,120 --> 01:26:42,110
BUT IT LOOKS LIKE
FRANKIE''S HURTING PRETTY BAD.
1690
01:26:42,110 --> 01:26:44,210
[tires squealing]
1691
01:26:44,210 --> 01:26:46,240
[lock clicking]
1692
01:26:46,240 --> 01:26:49,110
(Jake)
MELISSA!
1693
01:26:49,110 --> 01:26:52,030
EASY, EASY!
YEP, YEP, YEP, YEP, YEP.
1694
01:26:53,220 --> 01:26:54,230
WE DON''T HAVE
ANY TIME.
1695
01:26:54,230 --> 01:26:55,260
YOU GOT TO FIX HIM UP,
1696
01:26:55,260 --> 01:26:58,290
AND THEN YOU GUYS
GOT TO GET OUT OF HERE.
1697
01:27:03,040 --> 01:27:05,030
YOU GOT THAT?
1698
01:27:05,030 --> 01:27:09,040
[moaning quietly]
1699
01:27:09,040 --> 01:27:11,290
[sirens wailing]
1700
01:27:13,090 --> 01:27:14,170
FRANKIE.
1701
01:27:14,170 --> 01:27:15,180
FRANKIE, WAKE UP!
1702
01:27:15,180 --> 01:27:17,050
YEAH, WHAT?
1703
01:27:17,050 --> 01:27:18,170
MELISSA BANDAGED
YOUR WOUND.
1704
01:27:18,170 --> 01:27:19,190
COME ON.
YOU GOT TO SIT UP.
1705
01:27:19,190 --> 01:27:20,190
[groaning]
1706
01:27:20,190 --> 01:27:22,080
I DON''T--
1707
01:27:22,080 --> 01:27:24,040
COME ON.
1708
01:27:24,040 --> 01:27:26,110
COME ON.
1709
01:27:26,110 --> 01:27:27,110
NOW, LISTEN TO ME.
1710
01:27:27,110 --> 01:27:28,230
YOU GOT TO GO NOW.
1711
01:27:28,230 --> 01:27:29,280
YOU GOTTA GET OUT OF TOWN.
1712
01:27:29,280 --> 01:27:31,030
WHY DO I...
1713
01:27:31,030 --> 01:27:34,060
BECAUSE THEY''RE ON YOU--
THE COPS.
1714
01:27:34,060 --> 01:27:36,170
UH-UH.
1715
01:27:36,170 --> 01:27:39,220
HOW DO YOU
KNOW THAT?
1716
01:27:39,220 --> 01:27:41,220
I KNOW THAT THEY''RE ON YOU
BECAUSE I PUT THEM THERE.
1717
01:27:45,160 --> 01:27:48,040
(Frankie)
JAKE,
1718
01:27:48,040 --> 01:27:50,000
WHAT ARE YOU
TELLING ME?
1719
01:27:50,000 --> 01:27:51,070
WHAT?
1720
01:27:51,070 --> 01:27:53,290
WHAT''S GOING ON?
1721
01:27:53,290 --> 01:27:55,210
(Frankie)
JAKE...
1722
01:28:00,160 --> 01:28:02,060
THAT FIRST NIGHT
THAT YOU HELPED ME--
1723
01:28:02,060 --> 01:28:04,220
THE NIGHT IN THE BAR
WITH LEW--
1724
01:28:04,220 --> 01:28:06,110
YOU WERE BEING SET UP.
1725
01:28:06,110 --> 01:28:09,030
WARD WAS
FOLLOWING YOU.
1726
01:28:11,100 --> 01:28:14,140
AFTER THAT,
HE CAME TO ME,
1727
01:28:14,140 --> 01:28:16,050
AND HE ASKED ME
TO STAY CLOSE TO YOU.
1728
01:28:16,050 --> 01:28:18,090
FUCK, FRANKIE,
1729
01:28:18,090 --> 01:28:19,280
I WANTED A STORY,
1730
01:28:19,280 --> 01:28:23,140
AND WARD WANTED LANGE.
1731
01:28:23,140 --> 01:28:25,210
MY DEAL WITH HIM
WAS THAT YOU''D GO FREE.
1732
01:28:31,190 --> 01:28:32,250
FRANKIE--
1733
01:28:32,250 --> 01:28:35,000
[breathing heavily]
1734
01:28:35,000 --> 01:28:36,120
LISTEN TO ME,
FRANKIE.
1735
01:28:36,120 --> 01:28:37,170
HALF AN HOUR AGO,
1736
01:28:37,170 --> 01:28:39,070
YOUR BEST FRIEND
WANTED TO KILL YOU.
1737
01:28:39,070 --> 01:28:41,170
I SET YOU UP
BEFORE I EVER GOT TO KNOW YOU,
1738
01:28:41,170 --> 01:28:42,250
AND NOW I''M YOUR FRIEND,
1739
01:28:42,250 --> 01:28:44,120
AND I JUST WANT
TO HELP YOU.
1740
01:28:44,120 --> 01:28:45,120
YEAH, RIGHT.
1741
01:28:47,290 --> 01:28:49,120
(Melissa)
FRANKIE, DON''T.
1742
01:28:56,150 --> 01:28:59,060
YOU SHOOT HIM,
YOU MAY AS WELL SHOOT ME.
1743
01:29:01,260 --> 01:29:04,070
THERE''S THINGS
YOU DON''T KNOW, FRANKIE.
1744
01:29:04,070 --> 01:29:07,070
WHAT ARE YOU SAYING?
1745
01:29:10,050 --> 01:29:11,030
I CARE ABOUT HIM.
1746
01:29:13,000 --> 01:29:15,100
FRANKIE...
1747
01:29:18,000 --> 01:29:19,120
WHAT THE FUCK ARE YOU SAYING?
1748
01:29:19,120 --> 01:29:21,270
NO, FRANKIE.
NO, DON''T.
1749
01:29:21,270 --> 01:29:24,110
NO, PLEASE DON''T.
1750
01:29:24,110 --> 01:29:26,020
FRANKIE, DON''T!
1751
01:29:35,220 --> 01:29:37,070
PLEASE DON''T.
1752
01:29:38,250 --> 01:29:40,270
(Frankie)
YOU GIVE ME A FUCKIN'' REASON,
JAKE.
1753
01:29:43,070 --> 01:29:44,140
BECAUSE YOU LOVE HER.
1754
01:29:48,010 --> 01:29:50,050
AND BECAUSE SHE LOVES YOU.
1755
01:29:58,050 --> 01:30:03,120
[Frankie screaming
and firing gun]
1756
01:30:03,120 --> 01:30:04,250
[empty cartridge
clicking]
1757
01:30:04,250 --> 01:30:06,050
GET YOUR HANDS UP!
1758
01:30:06,050 --> 01:30:07,040
GET ''EM UP!
1759
01:30:11,190 --> 01:30:14,140
YOU ARE UNDER ARREST,
YOU PIECE OF SHIT,
1760
01:30:14,140 --> 01:30:15,180
FOR THE MURDER
1761
01:30:15,180 --> 01:30:17,160
OF BYRON LANGE
AND CLARENCE GWYNNE.
1762
01:30:17,160 --> 01:30:18,200
HOW YOU DOIN'', WARD?
1763
01:30:18,200 --> 01:30:20,070
SHUT UP.
1764
01:30:20,070 --> 01:30:22,150
(Jake)
THAT WAS A REAL SMART MOVE
YOU PULLED TONIGHT.
1765
01:30:22,150 --> 01:30:24,010
YOU KNOW,
1766
01:30:24,010 --> 01:30:26,110
IT''S GETTING ALMOST ABSOLUTELY
IMPOSSIBLE TO TRUST YOU ANYMORE.
1767
01:30:26,110 --> 01:30:27,120
CUFF ''EM, PLIMPTON.
1768
01:30:27,120 --> 01:30:29,040
CHECK THE REST
OF THE HOUSE.
1769
01:30:29,040 --> 01:30:31,070
I''M PUTTIN'' THIS ASSHOLE
IN JAIL FOR LIFE.
1770
01:30:31,070 --> 01:30:34,140
I DON''T GIVE A FLYING FUCK
IF YOU TRUST ME OR NOT.
1771
01:30:34,140 --> 01:30:35,270
(Plimpton)
HEY, HEY, GIVE ME THAT!
1772
01:30:35,270 --> 01:30:39,090
[gunshot]
1773
01:30:39,090 --> 01:30:40,270
[screaming]
1774
01:30:40,270 --> 01:30:41,270
JAKE, DON''T--
1775
01:30:41,270 --> 01:30:43,100
GET ON YOUR KNEES!
1776
01:30:43,100 --> 01:30:44,220
ON YOUR FACE!
1777
01:30:44,220 --> 01:30:46,140
YOU ARE DIGGING
YOUR OWN GRAVE.
1778
01:30:46,140 --> 01:30:47,270
MOVE ONE MUSCLE,
AND I''LL BLOW A HOLE
1779
01:30:47,270 --> 01:30:49,110
THROUGH
YOUR EMPTY FUCKIN'' HEAD.
1780
01:30:49,110 --> 01:30:50,260
WHAT THE HELL ARE YOU
THINKING, JAKE?
1781
01:30:50,260 --> 01:30:52,260
STUPID SON OF A BITCH.
1782
01:30:52,260 --> 01:30:54,180
YOU ALL RIGHT, FRANKIE?
YOU GOT TO GO.
1783
01:30:54,180 --> 01:30:56,040
(Ward)
JESUS, JAKE,
THINK ABOUT THIS.
1784
01:30:56,040 --> 01:30:57,130
THERE''S NO TIME
TO BE PISSED OFF.
1785
01:30:57,130 --> 01:30:58,190
YOU GOT TO GO.
1786
01:30:58,190 --> 01:30:59,250
(Ward)
GIVE IT UP,
FRANKIE.
1787
01:30:59,250 --> 01:31:01,200
I''LL SHOOT YOU
IN THE BACK, WARD!
1788
01:31:01,200 --> 01:31:03,220
YOU''RE MINE.
GOD, I SWEAR YOU''RE MINE.
1789
01:31:18,030 --> 01:31:20,010
EVERYTHING I EVER SAID TO YOU,
I MEANT.
1790
01:31:22,200 --> 01:31:24,190
YOU GOTTA BELIEVE THAT.
1791
01:31:31,260 --> 01:31:33,050
YOU TAKE CARE OF HER,
FRANKIE.
1792
01:31:37,180 --> 01:31:38,210
I THOUGHT I WAS.
1793
01:31:46,270 --> 01:31:48,110
FRANK,
WE''RE GOING.
1794
01:31:48,110 --> 01:31:49,120
WE''RE GOING.
1795
01:31:49,120 --> 01:31:50,100
GO.
1796
01:31:53,100 --> 01:31:54,290
(Jake)
I''LL BEAT
THIS RAP.
1797
01:31:54,290 --> 01:31:57,170
YOU GOT TO GET OUT OF HERE.
GO.
1798
01:31:57,170 --> 01:31:59,100
JUST GO ON.
GET OUT OF HERE!
1799
01:31:59,100 --> 01:32:01,180
(Ward)
WE''LL FIND YOU,
McGREGOR.
1800
01:32:06,180 --> 01:32:09,180
[melancholy jazz music]
1801
01:32:09,180 --> 01:32:17,160
♪ ♪
1802
01:32:20,090 --> 01:32:22,030
I GUESS YOU THINK
YOU''RE PRETTY DAMN SMART,
1803
01:32:22,030 --> 01:32:24,140
DON''T YOU, JAKE?
1804
01:32:24,140 --> 01:32:37,260
(man)
♪ OOH, THAT NIGHT TRAIN
REFLECTED IN THE WATER. ♪
1805
01:32:37,260 --> 01:32:51,070
♪ WHEN ALL THE RAINY PAVEMENT
LEADS TO YOU. ♪
1806
01:32:51,070 --> 01:32:57,000
♪ IT''S OVER NOW. ♪
1807
01:32:57,000 --> 01:33:03,210
♪ I KNOW IT''S OVER, ♪
1808
01:33:03,210 --> 01:33:10,160
♪ BUT I CAN''T LET GO. ♪
1809
01:33:16,030 --> 01:33:19,010
[reporters clamoring]
1810
01:33:24,110 --> 01:33:29,140
♪ IT''S OVER NOW. ♪
1811
01:33:29,140 --> 01:33:34,050
♪ I KNOW IT''S OVER. ♪ ♪
1812
01:33:34,050 --> 01:33:36,020
[flashbulb popping]
1813
01:33:58,250 --> 01:34:00,100
HEY, BRIDGES,
1814
01:34:00,100 --> 01:34:02,220
YOU MUST HAVE SOME KIND OF PULL
WITH THE WARDEN.
1815
01:34:02,220 --> 01:34:04,290
ANOTHER PHONE CALL.
1816
01:34:08,140 --> 01:34:10,020
YOU GOT FIVE MINUTES.
1817
01:34:10,020 --> 01:34:11,290
HOLLYWOOD AGAIN?
1818
01:34:11,290 --> 01:34:13,010
YEAH, RIGHT.
1819
01:34:13,010 --> 01:34:14,070
COME ON.
LET''S GO.
1820
01:34:14,070 --> 01:34:17,170
[calypso music]
1821
01:34:17,170 --> 01:34:25,150
♪ ♪
1822
01:34:38,060 --> 01:34:39,100
THIS IS JAKE.
1823
01:34:39,100 --> 01:34:41,080
SO YOU WEREN''T SO SMART
AFTER ALL, JAKE.
1824
01:34:41,080 --> 01:34:42,220
I MEAN,
YOU DIDN''T BEAT THE RAP.
1825
01:34:42,220 --> 01:34:44,020
[chuckling]
H-HEY!
1826
01:34:44,020 --> 01:34:45,230
I WANT TO CHOKE YOU
TO DEATH.
1827
01:34:45,230 --> 01:34:46,260
YOU KNOW THAT?
1828
01:34:46,260 --> 01:34:49,280
I''M SORRY TO HEAR THAT.
1829
01:34:49,280 --> 01:34:51,290
DON''T THINK I DON''T KNOW
GUYS ON THE INSIDE
1830
01:34:51,290 --> 01:34:53,030
WHO COULD DO IT.
1831
01:34:53,030 --> 01:34:55,050
I DON''T DOUBT THAT.
1832
01:34:55,050 --> 01:34:59,070
I''D HAVE IT DONE IN A SNAP
IF I FELT LIKE IT.
1833
01:34:59,070 --> 01:35:01,080
But you don''t feel like it,
''cause you just said--
1834
01:35:01,080 --> 01:35:04,270
DON''T TELL ME
WHAT I SAID.
1835
01:35:04,270 --> 01:35:07,240
I FEEL WHAT I WANT TO FEEL
WHEN I FEEL LIKE IT.
1836
01:35:07,240 --> 01:35:11,100
LOOK NOT TOO LONG
UPON THE FIRE, JAKE.
1837
01:35:14,160 --> 01:35:18,070
SO HOW''S MEXICO?
1838
01:35:18,070 --> 01:35:20,020
It''s cheap, you know.
1839
01:35:20,020 --> 01:35:21,040
SINCE THE DEVALUATION,
1840
01:35:21,040 --> 01:35:22,250
THE AMERICAN DOLLAR
GOES PRETTY FAR.
1841
01:35:22,250 --> 01:35:24,040
Since the devaluation?
1842
01:35:24,040 --> 01:35:27,190
What are you, an expert
on monetary policy now?
1843
01:35:27,190 --> 01:35:30,220
I''M AN EXPERT
AT A LOT OF THINGS.
1844
01:35:30,220 --> 01:35:32,230
How''s Melissa?
1845
01:35:32,230 --> 01:35:34,210
SHE''S GOOD.
1846
01:35:37,150 --> 01:35:40,220
JUST FOUND OUT
SHE''S PREGNANT, SO...
1847
01:35:43,040 --> 01:35:45,020
THAT''S GREAT.
1848
01:35:47,250 --> 01:35:49,230
I MISS YOU BOTH.
1849
01:35:49,230 --> 01:35:53,060
[waves crashing]
1850
01:35:53,060 --> 01:35:55,130
JAKE.
1851
01:35:55,130 --> 01:35:57,120
Jake!
1852
01:35:57,120 --> 01:35:59,070
WHAT?
1853
01:35:59,070 --> 01:36:01,290
WHAT--
1854
01:36:01,290 --> 01:36:03,140
WHAT SHOULD I READ NEXT?
1855
01:36:03,140 --> 01:36:09,190
I''m looking for a good book
to read, you know?
1856
01:36:18,230 --> 01:36:19,240
HEY.
1857
01:36:19,240 --> 01:36:21,210
HEY, TOUGH GUY.
1858
01:36:25,030 --> 01:36:26,170
COME ON.
1859
01:36:28,100 --> 01:36:33,020
[woman vocalizing]
1860
01:36:33,020 --> 01:36:40,260
♪ LOVING YOU, ♪
1861
01:36:40,260 --> 01:36:47,070
♪ ONLY YOU. ♪
1862
01:36:47,070 --> 01:36:48,140
(Jake)
TWO YEARS,
I''M OUT.
1863
01:36:48,140 --> 01:36:51,170
I''LL PROBABLY NEVER
SEE THEM AGAIN.
1864
01:36:51,170 --> 01:36:54,270
(woman)
♪ NOTHING CAN COME
BETWEEN YOU AND ME. ♪
1865
01:36:54,270 --> 01:36:59,210
(Jake)
IT''S FUNNY.
1866
01:36:59,210 --> 01:37:02,270
PEOPLE YOU DON''T EXPECT TO LOVE
ARE THE ONES YOU NEVER FORGET.
1867
01:37:08,060 --> 01:37:15,070
(woman)
♪ LOVING YOU. ♪
1868
01:37:15,070 --> 01:37:21,290
♪ ONLY YOU ♪
1869
01:37:21,290 --> 01:37:30,070
[woman vocalizing]
1870
01:37:30,070 --> 01:37:38,260
♪ THREE HEARTS
ONE DAY WILL BE FREE AGAIN. ♪
1871
01:37:38,260 --> 01:37:43,040
♪ OOH, OH, OH. ♪
1872
01:37:47,290 --> 01:37:51,250
♪ JUST THE WAY I FEEL, BABY. ♪
1873
01:37:51,250 --> 01:37:55,250
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1874
01:37:55,250 --> 01:37:59,150
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1875
01:37:59,150 --> 01:38:07,070
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1876
01:38:07,070 --> 01:38:11,060
♪ JUST THE WAY I FEEL,
BABY. ♪
1877
01:38:11,060 --> 01:38:15,040
♪ JUST THE WAY I FEEL,
BABY. ♪
1878
01:38:15,040 --> 01:38:18,270
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1879
01:38:18,270 --> 01:38:22,220
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1880
01:38:22,220 --> 01:38:30,110
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1881
01:38:30,110 --> 01:38:34,100
♪ IT''S JUST THE WAY I FEEL,
BABY. ♪
1882
01:38:34,100 --> 01:38:38,160
♪ IT''S JUST THE WAY I FEEL,
BABY. ♪
1883
01:38:38,160 --> 01:38:46,040
♪ ♪
1884
01:38:46,040 --> 01:38:49,290
♪ IT''S JUST THE WAY. ♪
1885
01:38:49,290 --> 01:38:58,040
♪ IT''S JUST THE WAY I FEEL,
BABY. ♪
1886
01:38:58,040 --> 01:39:03,040
♪ OH, OH, OH. ♪
1887
01:39:03,040 --> 01:39:11,250
♪ THREE HEARTS ONE DAY
WILL BE FREE AGAIN. ♪
1888
01:39:11,250 --> 01:39:14,260
[vocalizing]
1889
01:39:14,260 --> 01:39:22,240
♪ ♪
1890
01:39:47,250 --> 01:39:51,230
♪ IT''S JUST THE WAY I FEEL,
BABY. ♪
1891
01:39:51,230 --> 01:39:55,280
♪ IT''S JUST THE WAY I FEEL. ♪
1892
01:39:55,280 --> 01:39:59,140
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1893
01:39:59,140 --> 01:40:03,100
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1894
01:40:03,100 --> 01:40:09,120
♪ THREE HEARTS
ARE HARD TO HOLD. ♪ ♪
1895
01:40:09,120 --> 01:40:18,220
♪ ♪
1896
01:40:18,220 --> 01:40:22,170
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1897
01:40:22,170 --> 01:40:26,140
♪ THREE HEARTS
ARE HARD TO HOLD. ♪
1898
01:40:26,140 --> 01:40:34,130
♪ THREE HEARTS
ARE HARD TO HOLD. ♪ ♪
1899
01:40:34,130 --> 01:40:37,080
♪ IT''S JUST THE WAY I FEEL,
BABY. ♪
1900
01:40:37,080 --> 01:40:38,110
♪ JUST THE WAY I FEEL ♪
1901
01:40:38,110 --> 01:40:40,200
♪ JUST THE WAY I FEEL,
BABY. ♪
1902
01:40:40,200 --> 01:40:44,120
♪ JUST THE WAY I FEEL,
BABY, ♪
1903
01:40:44,120 --> 01:40:46,010
♪ BABY. ♪
1904
01:40:46,010 --> 01:40:51,220
[woman vocalizing]
1905
01:40:51,220 --> 01:40:56,030
♪ IT''S JUST THE WAY I FEEL,
BABY. ♪
1906
01:40:56,030 --> 01:40:57,250
♪ BABY. ♪ ♪
131275
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