All language subtitles for Portrait in Terror 1965 BluRay 720p x264

(Low chatter)

- (Drum roll)
- (Cymbals clash)

(Raunchy music plays)

(Applause)

Mr. Tony, there's a table for you.

Thank you very much.

(Wolf-whistle)

(Crowd claps)

Vera.

Mm.

I wanted to talk to you. Sit down.

I don't want to talk to you
when you're like this.

I'm just celebrating
your coming marriage.

- I wish you meant that.
- I do, I do.

Come to the museum tomorrow
afternoon, have a drink with me,

and we'll toast to it.

I will if you stop drinking
and go home.

I would have stopped drinking forever
if you'd have married me.

- Stop drinking and go home, Tony.
- OK, OK.

Tomorrow at the museum?

Alright.

(Music continues)

(Applause)

(Wolf-whistles)

(Man) It's midnight here
as well as in Rome.

Yes, in Rome as well as here.

Got the stuff?

(Man) No, I haven't had
a chance to get it yet.

- You haven't changed your mind?
- (Man) No, I haven't.

You'd find it rather unhealthy
if you did.

(Applause)

(Sailor shouts)

(Wolf-whistles)

Soon isn't good enough for me.
Give me the key. I'll do it myself.

(Man) The money?

Wait a minute.

(Man) Something tells me
you don't trust me.

I was supposed to have
the painting tonight.

Half for the key.
Half when I get the painting.

(Sailors shout)

(Applause)

- (Applause)
- (Music ends)

(Laughter and applause)

(He chuckles)

(Glass shatters)

Let him go.

Over here.

- Yes, sir?
- If you please, my bill.

(Soft jazz plays)

It's for the lady.

- For the lady?
- For me?

Who's sending it?

(Pigeons cooing and flapping)

- Good morning.
- Good morning.

Hi, Tony.

Hello.

- I knew you'd come.
- I wasn't so sure, but I'm here.

Oh, I was. The old gentleman
whispered in my ear.

- Oh? He looks sick.
- (They chuckle)

Maybe he was. ljust try to make
these stupid dolls look human.

That is the figure of an authentic
18th-century Dubrovnik man.

- What's this?
- Surprise.

Madame.

Qh!

It's beautiful, Tony,
but what is all this?

The bridal chamber of Vlado Sordi,
my ancestor.

Oh! You're not serious?

Course I'm serious. Assistant curator
and direct descendant of the Sordis.

Who has a better right to restore it
to its original splendor?

You're not really a Sordi descendant.

Why do you say that?

Because you were born in America.

You didn't even know
who the Sordis were,

until your Uncle Ugo told you.

Oh...

(Clock ticking)

Never mind, Tony.

I'm sorry.

It isn't important.

It is. Yes, it is important.

Sometimes you sense things vaguely,
without reason.

Look.
Look at this picture.

Vlado Sordi, rector of Dubrovnik.

Look at his face. Look at mine.
Look at the eyes.

Yes, you do look alike,
but I don't understand you.

Vlado Sordi had everything
a man could wish for.

Youth. Great power. Extreme wealth.

The most beautiful woman
in Dubrovnik for his bride.

There's a legend regarding her.

It seems the painter Titian
attended the wedding of Vlado Sordi.

The bride was so beautiful
that he asked permission to paint her

as a holy woman
in sacred conversations.

The day the painting was completed,
she was found to be an adulteress.

Vlado Sordi killed his bride.

Then he locked himself
in this palace.

No one saw him for 3o years.

How did he kill his wife?

He poisoned her wine.

One day they found him dead,
next to the Titian.

The painting was spoiled
in a strange way.

Legend says it was stained
by the tears of Vlado Sordi.

It's a beautiful story, isn't it?

Hm.

Legends wouldn't be legends
if they were true.

Well, this painting is authentic.

So is everything else in this room,
including the wine service.

And what happened
to the Titian painting?

It was kept in the Church
of Our Lady of Mercy

and disappeared during the war.

Is the wine from Titian's time too?

I promise you,
the wine isn't poisoned.

(They laugh)

To our future happiness.

- Tony, what do you mean?
- I still want to marry you.

Don't be foolish, Tony. What we had
together was a long time ago.

I can't lose you, Vera. I can't.

- (Knocking at door)
- Tony, please open the door.

Why did you lock it again? You know
the director's forbidden you to.

Ladies and gentlemen, please.

If you please, sir.

One lemon, one orange soda.

Both?

- Yes.
- Alright.

Pardon.

- (She murmurs)
- Alright.

- (Snapping fingers)
- (Waiter) Coming, coming.

Check.

(Lock clicks)

One hundred and...

Thank you.

(Do9 barks)

Johnny.

(He whistles)

Johnny.

Good afternoon.

(Bag POPS)

- Aah!
- (Screams)

(General uproar)

Here.

Thank you very much.

(Vera) Oh, Honey...

Dzoni.

How did it happen?

I don't know. I felt someone
push me from behind.

What are you talking about?
You mean...

- Yes.
- ...on purpose?

I don't know. I can't talk here.

- Good evening.
- There's Tony.

- Hello, Vera.
- Good evening, Tony.

Isn't there anywhere we can go
without finding him?

(Bell tolls)

(Bell tolls)

(Bell tolls)

(Bell tolls)

(Bell tolls)

(Bell tolls)

(Bell tolls)

(Bell tolls)

(Bell tolls)

(Distant laughter)

(Pigeons flapping)

(Audience chatters)

(Woman) Buy some lavender?

Lovely, sweet-scented lavender.

Buy some lavender flow...

- (Lock clicks)
- (Dog growls)

(Barks)

(Dog barks)

(Barks)

(Dog barks)

- (Growls and barks)
- Johnny? What's the matter, boy?

(Dog barks)

(Dog barks)

(Barks)

(Do9 barks)

(Dog barks and growls)

(Do9 barks)

(Do9 barks)

- (Silenced gunshot)
- (Dog whines)

(Creaks)

(Creaking)

(Creaking)

(Creaking)

(Creaking)

- Johnny!
- (Creaking gets louder)

Johnny!

(Creaking)

(Door shuts)

(Ugo) Johnny?

(Silenced gunshot)

(Applause)

(Door opens)

- Hello, Miha!
- Hi!

(Miha) Where have you been so long?
The cannon sounded long ago.

Oh, Miha, Dzoni almost fell in.

Did you win the championship?

Coach and captain
of the Adriatic trophy winners.

Oh, Miha!

You're the best fisherman
of all criminologists.

And the best criminologist
of all the fishermen.

- Just look at that.
- Thank you. Thank you.

Now, let's drink a little toast
to your wedding.

(She chuckles)

- Thank you.
- Cheers.

(Door opens)

Hm.

Who's that?

Probably your friend Tony.

- Oh, it's you, Vyeko. Come in.
- Good evening.

- Good evening.
- Good evening.

Excuse me. Well, boss.

I've got to talk to you in private.
Sorry.

- What's the matter?
- It's sort of confusing.

I don't think this was used.
Check it for fingerprints.

Full stop.

This is recorded
by the examining official,

at 11 a.m.

On 6th September

1962.

We'll go on.

You say there was...

only one key.

Yes.

Are you certain you locked the door
last night before you went away?

Yes, I am.

How could someone enter
and go without the key?

I don't know.

All the windows have bars

and the locksmith says this is
an antique Dubrovnik lock,

which can only be opened
with a special key.

Oh, an old lock?
This is not an old lock?

Master Ugo had it made
three years ago.

- Who made it for him?
- Uh...itwas...

I forget his name.

- What did he look like?
- Uh...

an...an old man.

- Where's his shop?
- I don't know where the shop is.

He's here.

It's Ugo's only relative.
Watch his reactions.

I'm sorry.

Excuse me. I have to ask you
a few questions.

Yes.

Please, calm down.

You understand we're trying
to find out who did this?

Yes, I know.

Do you have the key to the house?

Oh, no. Ugo always had it with him.

- Why?
- Oh, he was strange, eccentric.

He never liked visitors in his house.
Wanted to be alone all the time.

When did you see him last?

Oh...

about"

three months ago
when I got back from Italy.

- Had you ever quarreled?
- Oh, no.

- He was an old man, invalid.
- Hm.

It was very difficult
dealing with him.

(Inspector) Why did you go to Italy?

(Tony) I went there
for the Dalmatians' frescoes exhibit.

I was sent there by my museum.

Mm?

What was there behind the curtain?

Oh, a copy, a reproduction
of a Titian painting.

A copy?

- A valuable one?
- Oh, no, no, no, no.

It was painted by a Czech.
Navrat was his name. Jaroslav Navrat.

He painted it badly too.

You're the only heir to his estate?

Well, l...l don't know about that.

But I am his only relative.

(Music plays)

What about the money?

Tomorrow, when I'm authorized
by Rome, I'll come to see you.

How was last night?

I beg your pardon?
I don't understand.

You just returned the key
to someone's apartment?

A lady's, of course. Had fun?

Yes, generally speaking.

(She chuckles)

Show me your hand.

- Why?
- Have to see if you have a knife.

This time, tie me up, please.

You depend too much
on dressing and undressing.

- You're clever with a knife.
- It's myjob.

Surgeon?

Aren't you very curious?

An interesting man
always makes women curious.

(Phone rings)

(Woman) 'Hello? Hello?
Mr. Mauricio Zaroni?'

lam.

'Rome calling you.'

Yes, please.

Rome? Hello, Rome?

Yes?

Professor Mauricio Zaroni speaking.

No, no complications.

The, uh...the old gentleman
had to go to sleep.

- To sleep.
- (Man) 'Alright, alright.'

He was most upset.

Huh? No, no, I haven't checked.
It looks old enough.

It corresponds with the photo.

Yes, yes, I can. Hold on a moment.

Hello? No, it isn't.

I'm quite certain. Not even patched.

That's a possibility
I couldn't have foreseen.

Don't worry, don't worry.

Yeah, I understand.
Don't worry. I'll put it right.

Hello, Rome? Hello? Hello, Rome?

Who hung the receiver?
I didn't...

It's not necessary.

Ah, good morning.

- Good morning.
- Good morning.

- What will you have?
- Lemon soda.

- And you?
- Uh...orange soda.

I know the man you want.

- Know what?
- That American. He ordered both.

A lemon and orange soda
at the same time.

Conclusive evidence.

This is the table he was sitting at

and was watching Ugo
go for his walk.

(Waiter) The day of the murder in fact.

This is the only table
from which you can see Ugo's house.

The table's been in the sun
the whole afternoon?

(Waiter) Yes.

And the American fellow
was sitting right here?

(Waiter) I'm positive.

What did he look like?

He was wearing black glasses,

like those blind Vlado wears
in the theater.

What was he dressed like?

He's got panama hat, white suit...

...striped tie.

That must be the guy that got
into the fight at the nightclub.

Mm, mm.

Mm, mm. What is the time?

Let me sleep just a little longer.

That's a beautiful dressing gown
you're wearing.

(She sighs)

- This one's from Chicago.
- Chicago?

I lived there till five years ago.
I had eight of them.

- Eight? Ooh.
- And two cars too.

Oh, Doctor,
I had no idea you were so rich.

Mm.

Sleep. Sleep.

Mm.

Here's your ticket, sir.

Caronia is a fine ship.
I hope you will have good weather.

I hope so.

- There, have a drink.
- Thank you.

- Thank you.
- Thanks.

- Good morning.
- Good morning.

You have Mauricio Zaroni
staying here?

Mauricio Zaroni?
Yes, he's our guest.

Just a moment.

Room number ten.

He was here a moment ago.

He hasn't left his key.

He must have gone back to his room.
Shall I call him?

- Yes, please.
- Yes.

In fact he is leaving today
by the ship Caronia.

Morning, miss.

Open it up.

(Low chatter)

- Did he have breakfast?
- No.

- Did he leave in haste?
- I haven't seen him myself.

Hi8 gun?

Someone's been through here already.

Look at this.

What is this for?

To hide something. Interesting.

He could have gotten out this way,
over the balcony.

Sound the alarm, Vyeko.

I've got to meet Dr. Mauricio Zaroni
as soon as possible.

(Police siren wails)

(Brakes screech)

(Knock at door)

(Knock at door)

Hello. Hello, darling.

You didn't expect me?

(She chuckles)

Seems you forgot your invitation.

Invitation?

I don't understand.

I came to have my portrait done.

Why the sudden interest in art?

I wanted my portrait
hanging over my bed.

But I think I'll put it off,
after seeing these pictures.

Ah. How should I pose?

It's your face I want to see
above my bed.

And maybe a bit lower.

Look here. I don't feel well.

I feel sick.

Let's leave this for another time.

Only the old bearded man is missing.

Do you know this painting?

Yes, I think I do.

- How do you know it?
- (Chuckles)

I have a friend
who collects these paintings.

An awful lot, don't you think?
One, two hundred thousand dollars.

The painting you saw
isn't worth a thing.

It's just a bad copy.
The original doesn't exist anymore.

And what would it be worth?

It's priceless! Why you ask that?

No reason. Ha!

No reason at all.

When you see my friend who
collects paintings, give him this.

My phone number,
and have him call me immediately.

Bye, my lovely.

You'll paint me another time,
when you're in a better mood.

(Tourists chatter)

I told you not to drink
while I was in Dubrovnik.

Hm. You shouldn't have killed
the old man.

Who told the old man I was coming?

- How should I know?
- The old man was ready for me.

Somebody switched the pictures.
A little trap.

Where's the painting?

- Haven't you taken it?
- Where's the painting?

Where is the Titian you promised me?

Now, I give you five minutes
to tell me where the original is.

If you haven't got it,
that means Ugo must have hidden it.

- This the dancer?
- Mm.

I saw her leaving, but she didn't
see me. What was she doing here?

She was pumping me about the Titian.

Wanted to know what it was worth.

She left you a phone number.

She put the police on me.

(Phone rings)

Hello?

Just a minute. I'll call her.

Hello? Hello, Linda?

Yes, this is the, uh...doctor.

Yes, yeS, Yes, Yes-

Some visitors came to see me
at the Excelsior.

You wouldn't know who sent them,
would you?

I haven't told them a thing.

But their idea sounds interesting.

Your Linda needs money, you know.

The police are after the painting
as much as Dr. Zaroni.

The doctor is rich
and the police are not.

Tell me a nice quiet spot
to meet her.

On the walls by the old church.

By the old church?

At two?

But let the doctor be polite to me.

The painting is in a safe place.

Hello? Hello?

She'll pay for that.

Now, for the last time,
where's the original?

I don't know, I tell you.
I don't know.

You were sure in Rome.

Now, if you don't give it to me,
I'll kill you carefully and quietly.

Be sure of that.

Ifslocked.

(Cocks 9U“)

(Cork DOPS)

Could I have another drink, please?

You're hitting it
a little heavy today.

What's your act gonna look like?

I undress easier drunk than sober.

Listen, Charlie.

- What? What is it?
- You've got to do me a favor.

Sure. Whatever you say.

But you've got to keep it quiet.

Mm-hm.

- Hide it.
- Mm.

- Is that the old church?
- Yes, this is the way.

How do I climb up
on the wall from here?

- Right up there.
- Thank you.

(Ship's horn sounds)

Listen, Miha.

The steward says
that these are the last passengers.

The ship leaves in a few minutes.

Alright.

The moment I find a clue,
it disappears, sunk into the earth.

There he is.

Over here.
Someone might contact him.

But it's not him.

Excuse me.

Sorry.

Ladies and gentlemen!

We are very sorry,
but owing to a sudden illness,

the star of our program, Linda
Moreno, will not appear tonight.

You were the last person
she talked to in the morning.

Did she tell you where she was going?

No, she only asked me
about the old church up on the walls.

And that was all?

She gave me this.

She asked me to take care of it,
unless a Dr. Mauricio came,

and to tell me
that Linda had sent him.

But he hasn't come.

What else did she say?

No more.
I don't know what's going on.

Vera?

- Vera?
- (Vera) Who...who is it?

It's me, Miha. Please wake up.

It's important.

(She sighs)

Why bother coming home?

You won't be furious
when I show you what we've found.

- Where did you find this?
- At the nightclub.

Is it the original?

I don't think it's good enough
for a Titian.

It must be the copy.

Tony said
that the original was stained.

I can't believe
that Ugo was killed for a copy.

The lady would like
to tell you something.

Old Peter told me that
you're looking for a young woman.

I saw her passing.

She came up here on the wall,
to meet a man.

Well, we're at least sure
Mauricio is still on the walls,

that he can't escape.

- Have the area searched.
- Alright.

- What's happened?
- Nothing.

He could have thrown her
from the wall.

I think she reached these walls.

In 15 minutes, the singles
championship is going to begin.

Let's go have a look.

(Crowd cheering and shouting)

(Crowd shouts)

- (Crowd cheers)
- Alright.

- Hello.
- Hello.

Dzoni, I'd like you to meet
the fellows of the team.

(Man shouts)

The Danes have found
something in the water!

Look, there's the Red Cross boat.

May l?

Will you inform the port authority?

It must be very important
if they're coming back.

Someone should go to their section!

What did they find in the water?

It looks like a corpse.

There! There is the place
we were just talking about, there!

I'll go first!

Vera!

No use calling her. She's out. Look.

"Only the post office still believes
you're living in this house.

"We shall meet
once upon a time. Vera."

Silly. She should understand
the situation by now.

- Bad news?
- Not really. From my chief editor.

Uh...not very important.

Well, don't blow the whole case
with your report, will you?

Don't worry. I'll be discreet.

Well, guess I'll go up and shave.
Vyeko might call any time now.

(Electric razor whirs)

(Electric razor stops)

I'm worried about Vera.

A storm is coming.

I'll go see if I can find her.

I'll talk to you later on.

(Women chatter)

- Here she comes.
- Here she comes.

Bye-bye.

- Has Mr. Tony come?
- No, Miss Vera.

I wonder where he is. Why don't you
look for him at the museum?

I wanted to check
on something with him.

Oh, it's past four o'clock.

He usually comes at this time.

He wasn't here yesterday either.
He must be very busy.

Thanks anyway.

I'll go over to the museum.

You'd better hurry.
There's a storm coming.

Qh, yes, goodbye.

(Thunder rolls)

(Thunderclap)

(Wind whistles)

(Door rattles)

Excuse me. Looking for Tony?

Yes.

He's up the stairs, maybe.

Oh, thank you. I'll look for him.

Is anybody here?

(Clink)

(Bang)

(Windows bang)

(Windows bang)

(Thunder rolls)

(Distant footsteps)

(She gasps)

(Thunder cracks)

(Thunder rolls)

Haven't we waited long enough?
It's half-past five already.

- Did you follow me?
- I gave Vyeko the pleasure.

Did you like the trick
with the razor?

The next time you get a letter
from your office in Belgrade,

it shouldn't be postmarked Dubrovnik.

Show me the letter.

- I wanted to help.
- I thought so.

But I won't use you as a decoy
to catch a murderer.

I still have the sister to marry.

"If you're really a newspaperman,

"come along to the old Palazzo Sordi
today at five o'clock.

"You may learn all about the Titian
painting which is missing."

So, you see,

if you'd let me come along as I was
supposed to, Mauricio would...

Could have made
a third notch on his gun.

That's the old Palazzo Sordi.

But there's something funny.

(Thunder rolls)

If he thought you'd come alone,

he'd probably plan
to shoot you from up there.

Looking from the walls,
you're a perfect target.

Only Vyeko's watching
prevented his proving it.

Watch out!

- Are you hurt?
- No.

Help me.

I was lucky he didn't come sooner.
I never thought he'd come this way.

- Nor did I.
- Now we're too late.

Strange. Same lock.

But this time, he's overdone it.

Too late.

Tell Vyeko to stop the search.

Yes.

- Dzoni, let's go.
- Where?

Come on.

(Thunder rolls)

(Thunder cracks)

Tony?

Tony?

(Wind whistles)

Say, where do you exhibit
the old locks?

Up...upstairs.

We must go see them. Quickly.

(Lock clicks)

- Where are they?
- Uh...right over here.

Open it up.

Do you see?

- Where's the key for this lock?
- Uh...

it must be in the case somewhere.
It must be here somewhere.

Um...there. It's on the list.

It's on the list
but it's not in the case.

Um...l remember.

This afternoon in the hall.
I'll go check.

- (She gasps)
- (Thunder rolls)

(Thunder rolls)

Tony!

(Clicks)

Yes, that's how it was done.

What do you mean?

There are identical locks
on the door of Ugo's house

and on the ruins
at the old Sordi palace.

Tony must have
craftily persuaded Ugo

to copy the lock
of the ruined palace.

He gave him the designs.

But he didn't tell him

that here in the museum
there existed not only another lock,

but also another key,

which enabled Tony
to enter Ugo's house at any time.

He gave the key to Mauricio?
But why? To kill Ugo?

There must be a reason.

(Rain pouring)

- ls he here?
- l...l don't believe he's gone.

L...l saw him
just before the storm began.

Come back later.

So, you found the Titian.

I thought fate would repeat itself
and I'd have to kill you too.

Who did you kill?

Don't worry. Not your fiancé.

He was lucky on the stairs
before Hamlet

and a while ago below the fortress.

But I promise you
I won't miss him the next time.

Don't touch me!

(Cries out)

(Screams)

- (Thunder rolls)
- (Rain pours)

- Listen.
- What?

Someone SCFGGITIGd.

It's your imagination.
I didn't hear any scream.

- Come on, let's go.
- Hold on.

We have to wait for Vyeko.
He should be here any minute now.

There's only one true Sordi.

The one that has this painting.

Ugo wouldn't give it to me.

He was the one who stole it
during the war.

Then I went to Rome
and met some people who wanted it.

(LaUghs)

The fools! I'd never give it up.

But then they offered me $2o,ooo.

I accepted their deal.

But they never considered
my intelligence.

When Mauricio arrived, I...
I took my Titian from Ugo's house...

...and substituted this copy for it!

(LaUghs)

When he discovered he'd killed
the old man for a worthless painting,

he tried to kill me.

He wanted 2oo,ooo for 2o,ooo.

That's what he got!

A harpoon in the chest.

Ah, he was...he was so violent
when he died.

Look at him now, so calm
and peaceful in his wax shroud.

Perhaps you'd like to join him.

(Harpoon clinks)

Such a pleasant little thing.

So silent.

And quick!

Ah.

(LaUghs)

You're frightened, aren't you?

Just like the dancer was.
Linda Moreno.

She too was astonished
to see my face,

instead of that of Mauricio.

Vlado Sordi killed the woman
he loved above all.

You doubted I was a true Sordi.

Now I'm going to prove it to you.

Pleasant journey, my darling.

- In here!
- Come on!

- (Door rattles)
- Open up!

I'll break the lock. Step back.

(Gunshot)

Oh! Vera!

Oh! He went that way! He's insane!

It's alright now.

We were told to report to the museum.
Here we are.

- Oh, Dzoni.
- There is no one here. He escaped.

(Gunshot)

Please be careful!

(Gunshot)

(Silenced gunshots)

(Silenced gunshots)

Tony!

Vyeko, this way!

After him!

Look up there!

He's insane.

Tony, stop! You're cornered!

Hurry, surround the tower.
Got that?

Tony! Tony!

There's no way you can go!
Come down!

- Should we go up?
- He's harmless now.

(Silenced gunshot)

Watch out!

Don't shoot.
There's no place he can go but down.

(LaUghs)

Tony!

The bell's going to strike!
Take care!

(Gasps)

(Screams)

(Woman screams)

(Crowd shouts)

(Ambulance siren wails)

(Ambulance siren wails)

(Police siren wails)

(Bell tolls)

(Bell tolls)