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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,519 --> 00:00:05,522 [PROJECTOR CLICKING, ♪...] 2 00:00:34,172 --> 00:00:35,759 [Woman] NO! NO! NO! 3 00:00:35,794 --> 00:00:36,898 ♪♪[Asie Payton singing I Love You] 4 00:00:36,933 --> 00:00:38,107 [Woman moaning] 5 00:00:38,659 --> 00:00:39,487 OH! 6 00:00:40,178 --> 00:00:41,627 YES. 7 00:00:41,662 --> 00:00:44,147 ♪ OOH, BABY 8 00:00:44,182 --> 00:00:45,942 ♪ I LOVE YOU 9 00:00:45,976 --> 00:00:47,116 [Woman moaning] 10 00:00:52,155 --> 00:00:54,606 ♪ I'VE BEEN WAITING ON YOU, GIRL ♪ 11 00:00:56,711 --> 00:00:59,473 ♪ HOPE YOU'LL BE BY MY SIDE ♪ 12 00:01:05,237 --> 00:01:08,068 ♪ LOVING, LOVING EYES 13 00:01:10,518 --> 00:01:13,349 ♪ OOH, BABY 14 00:01:14,212 --> 00:01:16,179 ♪ I LOVE YOU 15 00:01:16,214 --> 00:01:17,629 [Boy] HEY, YOU GUYS! 16 00:01:19,596 --> 00:01:21,115 ♪ OOH 17 00:01:21,150 --> 00:01:22,254 WAIT UP! 18 00:01:22,289 --> 00:01:23,566 ♪ BABY 19 00:01:23,600 --> 00:01:25,533 ♪ I LOVE YOU 20 00:01:33,507 --> 00:01:36,475 ♪ I'VE BEEN SITTIN' ROUND HERE ALL DAY LONG♪ 21 00:01:37,580 --> 00:01:38,684 [Woman moaning] 22 00:01:38,719 --> 00:01:41,308 ♪ WAITIN' ON YOU TILL DAWN ♪ 23 00:01:41,342 --> 00:01:42,999 [Woman moaning] 24 00:01:43,033 --> 00:01:46,658 ♪ I DIDN'T LEAVE UNTIL YOU CALLED ME, BABY ♪♪ 25 00:01:46,692 --> 00:01:47,762 [Woman] OH, GOD, YES. 26 00:01:59,809 --> 00:02:01,155 OH, GOD. 27 00:02:01,190 --> 00:02:02,363 MMM. 28 00:02:06,885 --> 00:02:08,162 [Woman] NO, NO, NO. 29 00:02:15,445 --> 00:02:16,929 [Honking] 30 00:02:16,964 --> 00:02:17,861 [Honking] 31 00:02:26,629 --> 00:02:27,664 [Woman moaning] 32 00:02:43,542 --> 00:02:44,819 OH, RIGHT THERE. 33 00:02:48,340 --> 00:02:49,652 [Woman] NO, NO, NO! 34 00:02:53,828 --> 00:02:55,899 [Woman] YES, YES... 35 00:03:01,560 --> 00:03:02,837 [Moaning] 36 00:03:08,740 --> 00:03:09,913 OH! 37 00:03:12,433 --> 00:03:13,745 WAIT. 38 00:03:14,366 --> 00:03:16,196 [Woman laughing] 39 00:03:18,025 --> 00:03:18,819 [Woman] WAIT. 40 00:03:20,303 --> 00:03:21,649 [Knock at door] 41 00:03:24,894 --> 00:03:26,309 HEY, BOBBY-BOY! 42 00:03:36,457 --> 00:03:37,631 AAAH. 43 00:03:39,253 --> 00:03:40,461 [Grunting] 44 00:03:50,644 --> 00:03:51,921 HEY, BOBBY! 45 00:03:56,995 --> 00:03:58,065 [Grunting] 46 00:04:03,829 --> 00:04:05,072 BOBBY-BOY. 47 00:04:11,803 --> 00:04:14,495 [Leon] SOME DREAMS RUIN BEING AWAKE, 48 00:04:14,530 --> 00:04:15,945 IF YOU KNOW THE DIFFERENCE. 49 00:04:17,084 --> 00:04:18,603 BEST NOT TO KNOW. 50 00:04:18,637 --> 00:04:19,500 [Coughing] 51 00:04:28,406 --> 00:04:29,614 BOBBY! 52 00:04:32,099 --> 00:04:33,480 BOBBY-BOY. 53 00:04:45,043 --> 00:04:46,113 YEAH? 54 00:04:47,010 --> 00:04:48,115 HEY. 55 00:04:48,149 --> 00:04:49,254 HEY. 56 00:04:49,289 --> 00:04:50,669 ARE YOU ALONE? 57 00:04:50,704 --> 00:04:51,843 YEAH. 58 00:04:53,085 --> 00:04:54,949 ARE YOU AWAKE? 59 00:04:54,984 --> 00:04:56,468 NO, I'M AWAKE NOW. 60 00:04:57,573 --> 00:04:58,850 I GOT SOME BEER. 61 00:04:58,884 --> 00:05:00,576 YEAH? 62 00:05:00,610 --> 00:05:01,473 I'LL JUST GET IT. 63 00:05:01,991 --> 00:05:02,888 ALL RIGHT. 64 00:05:09,964 --> 00:05:11,759 "DEAR MR. BARLOW, 65 00:05:11,794 --> 00:05:14,037 "THE SMALL SIZE OF OUR STAFF 66 00:05:14,072 --> 00:05:18,076 "PRECLUDES INDIVIDUAL COMMENTS ON SUBMISSIONS. 67 00:05:18,110 --> 00:05:20,803 "NEITHER THIS, NOR THE RETURN OF YOUR MANUSCRIPT 68 00:05:20,837 --> 00:05:22,391 "REFLECTS ON THE QUALITY OF YOUR WORK. 69 00:05:22,425 --> 00:05:25,186 "THANK YOU FOR THE SUBMISSIONS AND KEEP UP THE GOOD WORK." 70 00:05:28,258 --> 00:05:30,709 THANK YOU FOR YOUR SUBMISSION. 71 00:05:32,090 --> 00:05:33,160 [Coughs] 72 00:05:34,092 --> 00:05:35,369 YOU GOT SOME MAIL. 73 00:05:35,404 --> 00:05:36,922 ...HE SAID. 74 00:05:36,957 --> 00:05:39,339 POLITE OF HIM NOT TO CALL IT BATHROOM WALLPAPER. 75 00:05:47,208 --> 00:05:49,935 HEY, HOW THE HELL THEY PULL THAT OFF, ANYWAY? 76 00:05:51,385 --> 00:05:53,387 THESE REFUGEES. 77 00:05:53,422 --> 00:05:56,045 THERE'S HUNDREDS OF THOUSANDS OF THEM. 78 00:05:56,079 --> 00:05:59,359 TAKE 'EM FROM HERE, MOVE THEM OVER THERE. 79 00:05:59,393 --> 00:06:01,568 I MEAN, YOU KNOW HOW HARD IT IS JUST TO GET 2 PEOPLE 80 00:06:01,602 --> 00:06:03,190 TO AGREE TO DO THE SAME THING, 81 00:06:03,224 --> 00:06:04,502 SHOW UP AT THE SAME PLACE. 82 00:06:05,779 --> 00:06:07,712 HAVE THE SAME OBJECTIVE. 83 00:06:10,404 --> 00:06:11,888 WELL, YEAH, OF COURSE YOU DO. 84 00:06:14,926 --> 00:06:17,342 NO AMENDS MADE LAST NIGHT, HUH? 85 00:06:18,619 --> 00:06:19,862 WOMEN. 86 00:06:19,896 --> 00:06:20,897 YEAH. 87 00:06:22,140 --> 00:06:23,486 JESUS CHRIST. 88 00:06:24,936 --> 00:06:26,178 HIM, TOO. 89 00:06:27,456 --> 00:06:28,457 YEAH. 90 00:06:31,149 --> 00:06:32,530 YOU WANT A JOB? 91 00:06:37,776 --> 00:06:39,399 I COULD USE A JOB. 92 00:06:40,538 --> 00:06:42,022 I NEED SOME MONEY. 93 00:06:43,403 --> 00:06:45,819 GOT A BIG HOUSE NEEDS PAINTING. 94 00:06:50,996 --> 00:06:52,412 THANKS, MONROE. 95 00:06:56,036 --> 00:06:59,004 VELMA SAID SOME OLD BOY FLASHED HER AND MARILYN 96 00:06:59,039 --> 00:07:01,559 OVER AT THE FOOD WRANGLER THE OTHER DAY. 97 00:07:03,699 --> 00:07:06,426 PULLED IT OUT WHERE THEY WERE PARKED, 98 00:07:06,460 --> 00:07:08,980 BY THE CHARITY CLOTHES DROP. 99 00:07:11,396 --> 00:07:13,087 [Leon] CHARITY TROUSER DROP. 100 00:07:13,778 --> 00:07:15,089 WHERE'S THE HARM? 101 00:07:16,677 --> 00:07:18,438 JUST WHIPPED IT RIGHT ON OUT. 102 00:07:21,441 --> 00:07:22,821 HOW BIG WAS IT? 103 00:07:23,304 --> 00:07:25,375 [Chuckles] 104 00:07:25,410 --> 00:07:27,032 YEAH, I ASKED THE SAME QUESTION. 105 00:07:28,344 --> 00:07:30,864 VELMA SAID SHE DIDN'T LOOK. BUT MARILYN-- 106 00:07:30,898 --> 00:07:32,866 COULD PICK IT OUT OF A LINEUP. 107 00:07:32,900 --> 00:07:36,041 SAID IT WASN'T NO BIGGER THAN AN ACORN. 108 00:07:36,076 --> 00:07:39,838 WELL, YOU'RE THE BEST HOUSE PAINTER I EVER SAW, BOBBY. 109 00:07:39,873 --> 00:07:41,771 BUT YOU DON'T REALLY LIKE IT, DO YOU? 110 00:07:42,738 --> 00:07:44,429 SEE, I LOVE PAINTING. 111 00:07:44,464 --> 00:07:46,017 I LOVE EVERYTHING ABOUT IT. 112 00:07:47,605 --> 00:07:49,089 BUT I GOT NO TECHNIQUE. 113 00:07:50,090 --> 00:07:51,850 OF COURSE, FRANCIS BACON SAID, 114 00:07:51,885 --> 00:07:53,127 "IN PAINTING, 115 00:07:53,162 --> 00:07:55,198 "YOU HAVE TO KNOW WHAT YOU'RE DOING, NOT HOW." 116 00:07:57,028 --> 00:07:59,789 OF COURSE, HE COMMITTED SUICIDE. 117 00:07:59,824 --> 00:08:03,275 [Leon] EITHER ONE OF THOSE DAMES GET A LOOK AT THE ACCUSED? 118 00:08:03,310 --> 00:08:07,763 VELMA. MAKE, MODEL, YEAR, COLOR, PLATE. 119 00:08:07,797 --> 00:08:11,180 SHE'D HAVE GOTTEN HIS SHOE SIZE IF HE HADN'T OF BOOKED OUT OF THERE. 120 00:08:12,733 --> 00:08:15,771 CREAM-COLORED '78 CHEVY PICKUP. 121 00:08:16,254 --> 00:08:17,289 HUH. 122 00:08:17,324 --> 00:08:20,430 WITH A WHITE TAILGATE, KIND OF LIKE A BUNNY. 123 00:08:20,465 --> 00:08:22,053 SHIT. WE GOT HIM, NOW. 124 00:08:23,813 --> 00:08:24,849 VELMA. 125 00:08:26,057 --> 00:08:28,404 HELL, YEAH. SHE'S THOROUGH AS A BY-GOD. 126 00:08:29,370 --> 00:08:30,613 DON'T GET UP. 127 00:08:33,443 --> 00:08:35,307 YOU SAY YOU GOT NO TECHNIQUE. 128 00:08:36,067 --> 00:08:37,586 WHAT'S THAT MEAN? 129 00:08:37,620 --> 00:08:39,622 THAT YOU DON'T THINK YOU'RE ANY GOOD AT PAINTING, OR WHAT? 130 00:08:39,657 --> 00:08:41,382 [Monroe] NO, NO, NO. NOT THAT, SO MUCH. 131 00:08:41,417 --> 00:08:43,384 I--I MEAN, I GOT NO TECHNIQUE 132 00:08:43,419 --> 00:08:46,560 FOR GETTING UP IN THE MORNING, EITHER, BUT HERE I AM. 133 00:08:46,595 --> 00:08:47,803 YEAH, WHY IS THAT? 134 00:08:47,837 --> 00:08:50,184 I MEAN, YOU'RE SITTING ON FORT KNOX. 135 00:08:50,219 --> 00:08:52,532 WHAT ARE YOU DOING OUT HERE, BREAKING YOUR BACK? 136 00:08:52,566 --> 00:08:54,706 [Monroe] AH, FORT KNOX. 137 00:08:54,741 --> 00:08:57,537 EVERYBODY'S GOTTEN A JIG THEY GOTTA DANCE ABOUT WORK. 138 00:08:58,641 --> 00:09:01,299 FORT KNOX, HARD KNOCKS, PLAID SOCKS, 139 00:09:01,333 --> 00:09:04,026 CHINESE FUCKING PUZZLE BOX, IT DON'T MATTER. 140 00:09:04,060 --> 00:09:05,303 [Monroe] IN THE ABSENCE OF 141 00:09:05,337 --> 00:09:07,754 THE BENEVOLENT ARISTOCRACY, THOUGH, 142 00:09:07,788 --> 00:09:10,204 THE OLD COLOSSUS STILL GOT ONE FOOT 143 00:09:10,239 --> 00:09:12,137 PLANTED IN ART, AND THE OTHER IN COMMERCE. 144 00:09:13,173 --> 00:09:14,554 HE'S PISSING ON YOUR HEAD, 145 00:09:14,588 --> 00:09:16,417 WHILE HE'S WEARING YOUR WRISTWATCH. 146 00:09:16,452 --> 00:09:18,661 NOT TO KICK A METAPHOR IN THE WHAT-DO-YOU-CALL. 147 00:09:21,008 --> 00:09:23,942 WORK IS JUST WORK, BROTHER, AND I THANK YOU. 148 00:09:28,913 --> 00:09:30,155 [Man] HOW Y'ALL DOING? 149 00:09:35,505 --> 00:09:36,645 MR. AARON. 150 00:09:36,679 --> 00:09:37,818 YES, SIR. 151 00:09:37,853 --> 00:09:39,993 HEY.HEY. 152 00:09:40,027 --> 00:09:41,960 WHAT YOU GOT TO SAY FOR YOURSELVES? 153 00:09:43,237 --> 00:09:45,515 I CAN'T THINK OF A THING. 154 00:09:45,550 --> 00:09:46,827 [Aaron] NOW, LOOK HERE, NOW. 155 00:09:48,967 --> 00:09:50,244 YOU EVER HEAR OF THIS PLACE? 156 00:09:50,279 --> 00:09:51,625 I CAN'T EVEN SAY IT. 157 00:09:53,420 --> 00:09:55,525 WHAT'S THAT ALL ABOUT? 158 00:09:55,560 --> 00:09:58,943 WELL, LOOKS LIKE A WAR OF SOME KIND OR ANOTHER. 159 00:09:58,977 --> 00:10:01,808 NOW, WHAT THE HELL DO THESE PEOPLE GOT TO BE FIGHTING ABOUT? 160 00:10:01,842 --> 00:10:04,293 DON'T HARDLY NEED MUCH OF A REASON. 161 00:10:04,327 --> 00:10:06,571 YOUR DADDY AND I HAD A REASON. 162 00:10:06,606 --> 00:10:08,090 YOU AND MONROE DID, TOO. 163 00:10:08,124 --> 00:10:10,610 "DID, TOO," WHAT? 164 00:10:10,644 --> 00:10:12,508 TALKING ABOUT RE-ENLISTING. 165 00:10:12,542 --> 00:10:14,475 SHOOTIN' SOME OF THEM BOYS OVER THE SUB-SAHARA. 166 00:10:14,510 --> 00:10:17,168 OH, RIGHT IN THE SUB-SAHARA, HUH? 167 00:10:17,202 --> 00:10:18,756 HOW'S YOUR LEG? 168 00:10:18,790 --> 00:10:20,274 OH, IT'S ALL RIGHT. 169 00:10:20,309 --> 00:10:22,794 MIGHT HAVE TO CUT THE DAMN THING OFF AND GET RID OF IT. 170 00:10:22,829 --> 00:10:24,934 DID YOU GET THEM WAY BACK WHERE IT'S COOL? 171 00:10:24,969 --> 00:10:26,936 YOU BOYS LOOK LIKE YOU NEED SOME COOLIN'. 172 00:10:26,971 --> 00:10:29,663 HEY, I PUT THIS ONE TO WORK TODAY, MR. AARON. 173 00:10:29,698 --> 00:10:30,560 MMM. 174 00:10:31,700 --> 00:10:33,287 AND WHAT ELSE CAN I DO YOU FOR? 175 00:10:34,461 --> 00:10:35,876 I'LL JUST GET SOME ICE. 176 00:10:35,911 --> 00:10:37,291 ALL RIGHTY. 177 00:10:39,293 --> 00:10:40,260 HERE YOU GO. 178 00:10:40,294 --> 00:10:41,123 YES, SIR. 179 00:10:54,101 --> 00:10:55,344 [Honks horn] 180 00:11:07,218 --> 00:11:09,289 THANKS FOR THE ADVANCE. 181 00:11:09,323 --> 00:11:10,980 LET'S BEAT THE SUN UP TOMORROW. 182 00:11:31,138 --> 00:11:33,071 ♪♪[Blues music playing] 183 00:11:49,916 --> 00:11:52,401 [Man] "DEAR CONTRIBUTOR, WE'RE SORRY THAT WE CANNOT 184 00:11:52,435 --> 00:11:54,679 "USE THE ENCLOSED MATERIAL AT THIS TIME." 185 00:11:57,302 --> 00:11:58,821 [Woman] "DEAR WRITER, 186 00:11:58,856 --> 00:12:02,066 "YOUR MANUSCRIPT DOES NOT MEET OUR NEEDS AT THIS TIME." 187 00:12:02,100 --> 00:12:03,999 [Man] "...WE'RE SORRY THAT WE CANNOT ACCEPT 188 00:12:04,033 --> 00:12:06,829 [Woman] "...YOUR SUBMISSION FOR PUBLICATION AT THIS TIME." 189 00:12:06,864 --> 00:12:08,451 [Man] "...IN NO WAY A REFLECTION ON THE 190 00:12:08,486 --> 00:12:10,453 "LITERARY VALUE OF THE WORK ITSELF." 191 00:12:10,488 --> 00:12:12,214 [Woman speaks Spanish] 192 00:12:16,287 --> 00:12:17,667 [Dogs bark] 193 00:12:19,221 --> 00:12:21,810 [Radio DJ] THIS ONE GOES OUT TO LEON BARLOW. 194 00:12:21,844 --> 00:12:23,432 IT'S A REJECTION LETTER, OF COURSE, 195 00:12:23,466 --> 00:12:25,054 BY A NEW YORK AGENT 196 00:12:25,089 --> 00:12:27,367 IN WHOSE HANDS LEON PLACED HIS TRUST 197 00:12:27,401 --> 00:12:29,507 AND A 330-PAGE NOVEL. 198 00:12:30,853 --> 00:12:33,925 ♪ DEAR MR. BARLOW 199 00:12:33,960 --> 00:12:35,720 ♪ WE ARE RETURNING THE MANUSCRIPT ♪ 200 00:12:35,755 --> 00:12:38,171 ♪ BECAUSE THE MARKET AT THIS TIME IS NOT AMENABLE ♪ 201 00:12:38,205 --> 00:12:41,139 ♪ TO NOVELS ABOUT DRUNK PULPWOOD HAULERS ♪ 202 00:12:41,174 --> 00:12:44,142 ♪ AND REDNECKS IN HUNTING ACCIDENTS ♪ 203 00:12:44,177 --> 00:12:45,454 ♪ READERS HERE AT THE AGENCY ♪ 204 00:12:45,488 --> 00:12:47,387 ♪ FOUND YOUR WORK HILARIOUS AND TOUCHING ♪ 205 00:12:47,421 --> 00:12:49,458 ♪ WITH TERRIFIC CHARACTERS, GREAT DIALOGUE ♪ 206 00:12:49,492 --> 00:12:51,115 ♪ AND NO TYPOS 207 00:12:51,149 --> 00:12:52,841 ♪ BUT WE DON'T FEEL THIS COMPELLING NOVEL ♪ 208 00:12:52,875 --> 00:12:54,774 ♪ CAN BE PLACED WITH A PUBLISHER ♪ 209 00:12:54,808 --> 00:12:57,915 ♪ PLEASE CONTACT US IF WE CAN BE OF ANY FURTHER ASSISTANCE ♪ 210 00:12:57,949 --> 00:13:00,089 ♪ WHOO OOOO ♪ 211 00:13:01,194 --> 00:13:04,645 "DEAR MOTHERFUCKER, 212 00:13:04,680 --> 00:13:08,270 "YOU, SIR, ARE AN IGNORANT AND SPINELESS CRETIN. 213 00:13:08,304 --> 00:13:11,031 "HOW THE HELL DO YOU KNOW THAT MY BOOK WON'T SELL 214 00:13:11,066 --> 00:13:13,896 "UNLESS YOU GET OFF YOUR FAT CAN AND TRY TO SELL IT?" 215 00:13:13,931 --> 00:13:16,623 "YOU THINK I CAN JUST SHIT ANOTHER ONE OF THESE OUT? 216 00:13:16,657 --> 00:13:19,005 "I WORKED A SOLID YEAR ON THIS COCKSUCKER. 217 00:13:19,039 --> 00:13:21,973 "YOU KEPT MY MANUSCRIPT 3 GODDAMN MONTHS 218 00:13:22,008 --> 00:13:24,389 "AND DIDN'T EVEN SEND IT AROUND. 219 00:13:24,424 --> 00:13:27,565 "I'D LIKE TO STOMP A MUDHOLE IN YOUR ASS AND WALK IT DRY." 220 00:13:27,599 --> 00:13:28,531 ♪ WHOO-HOO ♪ 221 00:13:29,222 --> 00:13:30,154 COCKSUCKER! 222 00:13:30,188 --> 00:13:31,603 "SINCERELY..." 223 00:13:31,638 --> 00:13:33,226 [Radio DJ] LEON BARLOW, WHOSE GRITTY FICTION 224 00:13:33,260 --> 00:13:35,124 HAS ENTERTAINED SO FEW, FOR SO LONG, 225 00:13:35,159 --> 00:13:37,747 ISSUED A STATEMENT TO HIS WASTEBASKET TODAY, 226 00:13:37,782 --> 00:13:39,853 WHILE IGNORING A BILL FROM HIS EX-WIFE'S LAWYER. 227 00:13:41,855 --> 00:13:43,995 REACHED FOR COMMENT AT HIS SHITBOX HOME, 228 00:13:44,030 --> 00:13:46,308 THE DEADBEAT GAVE NO EXPLANATION. 229 00:13:46,342 --> 00:13:48,206 IN OTHER NEWS TODAY, A FLASHER TERRORIZED 230 00:13:48,241 --> 00:13:49,863 THE POPULACE NEAR A PIGGLY-WIGGLY. 231 00:13:52,141 --> 00:13:53,694 ♪ TAKE THIS HAMMER 232 00:13:57,422 --> 00:13:58,907 ♪ GIVE IT TO THE CAPTAIN 233 00:14:06,535 --> 00:14:08,019 ♪ TELL HIM I'M GONE 234 00:14:18,927 --> 00:14:20,687 "HIS NAME WAS... 235 00:14:32,388 --> 00:14:33,873 "HIS NAME..." 236 00:14:33,907 --> 00:14:35,529 GODDAMN. 237 00:15:08,666 --> 00:15:09,839 [Rattling noise] 238 00:15:21,403 --> 00:15:22,611 [Crashing] 239 00:15:29,031 --> 00:15:33,725 "HIS NAME WAS MBEMBE, WHICH MEANS 'SMOOTH TALKER'. 240 00:15:33,760 --> 00:15:37,212 "HE COULD GET ANYONE TO DO ANYTHING HE WANTED. 241 00:15:37,246 --> 00:15:40,387 "BUT HE DIDN'T KNOW WHAT HE WANTED. 242 00:15:40,422 --> 00:15:43,977 "THE EVIL SPIRIT THAT HAD POSSESSED ONE SIDE OF HIS BODY 243 00:15:44,012 --> 00:15:47,532 "HAD BEEN EXORCISED, AND HAD FLED TO MEXICO. 244 00:15:47,567 --> 00:15:49,465 "BUT WHEN THE SPIRIT LEFT, 245 00:15:49,500 --> 00:15:52,917 "IT HAD TAKEN MBEMBE'S WILL ALONG WITH IT. 246 00:15:52,952 --> 00:15:55,955 "HIS YOUNG BRIDE, HOMESICK FOR THE NORTH--" 247 00:15:55,989 --> 00:15:57,957 [Woman] "YOUR MANUSCRIPT DOES NOT MEET OUR NEEDS..." 248 00:16:06,275 --> 00:16:07,414 [Cow mooing] 249 00:16:11,832 --> 00:16:14,870 BARLOW, BARLOW, I'M TRAPPED. 250 00:16:14,904 --> 00:16:17,907 I'M TRAPPED IN A BOTTLE BEHIND THE BAR AT CINDY'S. 251 00:16:17,942 --> 00:16:19,564 HELP ME, I BEG YOU. 252 00:16:21,739 --> 00:16:23,120 A CRY FOR HELP. 253 00:16:24,845 --> 00:16:26,330 I MUST NOT TARRY. 254 00:16:32,405 --> 00:16:35,132 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 255 00:16:35,166 --> 00:16:37,272 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 256 00:16:37,306 --> 00:16:39,653 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 257 00:16:39,688 --> 00:16:42,070 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 258 00:16:42,104 --> 00:16:44,382 ♪ LOVE, YOU'RE THE DEVIL, WELL, YOU WON'T GET ME ♪ 259 00:16:53,805 --> 00:16:56,291 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 260 00:16:56,325 --> 00:16:58,741 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 261 00:16:58,776 --> 00:17:01,054 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 262 00:17:01,089 --> 00:17:03,298 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 263 00:17:03,332 --> 00:17:05,576 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 264 00:17:05,610 --> 00:17:07,474 ♪ LOVE, YOU'RE THE DEVIL, WELL YOU WON'T GET ME ♪ 265 00:17:29,255 --> 00:17:31,740 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 266 00:17:31,774 --> 00:17:34,122 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 267 00:17:34,156 --> 00:17:36,296 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 268 00:17:36,331 --> 00:17:38,436 ♪ MAN, WOULD YOU LET MY BABE RIDE ♪ 269 00:17:39,989 --> 00:17:41,163 ASSHOLE! 270 00:17:43,648 --> 00:17:46,030 ♪ LOVE, YOU'RE THE DEVIL, WELL, YOU WON'T GET ME ♪ 271 00:18:04,807 --> 00:18:07,051 ♪ GONNA LET MY BABE RIDE 272 00:18:14,196 --> 00:18:16,543 ♪ LOVE, YOU'RE THE DEVIL, WELL, YOU WON'T GET ME ♪♪ 273 00:18:19,167 --> 00:18:20,306 [Moaning] 274 00:18:25,759 --> 00:18:26,588 AHH. 275 00:18:28,555 --> 00:18:29,453 [Mrs. Barlow] LEON? 276 00:18:30,419 --> 00:18:31,765 GET AWAY. 277 00:18:31,800 --> 00:18:32,870 GET! 278 00:18:39,290 --> 00:18:40,395 [Sighs] 279 00:18:43,915 --> 00:18:46,194 [Mrs. Barlow] WILL YOU GET AWAY FROM THIS HOUSE, YOU MONGREL? 280 00:18:47,264 --> 00:18:48,886 LEON? 281 00:18:48,920 --> 00:18:51,647 ARE YOU GOING TO GET THIS BEAST AWAY FROM ME OR NOT? 282 00:18:54,133 --> 00:18:55,099 LEON? 283 00:19:01,657 --> 00:19:03,590 DAMN IT. LEON? 284 00:19:04,591 --> 00:19:05,454 GET AWAY. 285 00:19:06,283 --> 00:19:07,698 [Mrs. Barlow] GET. 286 00:19:08,768 --> 00:19:10,183 LEON! 287 00:19:10,218 --> 00:19:12,806 ARE YOU GONNA GET THIS BEAST AWAY FROM ME OR NOT? 288 00:19:12,841 --> 00:19:14,808 I'M NOT COMING IN UNTIL YOU DO. 289 00:19:14,843 --> 00:19:17,604 [Leon] "HIS MOTHER YELLED, ALMOST MEANING IT." 290 00:19:17,639 --> 00:19:19,227 [Leon] YELLOW DOG! 291 00:19:19,261 --> 00:19:21,160 YOU DON'T WANNA TANGLE WITH HER. GET! 292 00:19:29,029 --> 00:19:31,204 CAN'T A DECENT HUMAN BEING GET OUT OF A CAR 293 00:19:31,239 --> 00:19:33,758 WITHOUT BEING ATTACKED BY WILD ANIMALS? 294 00:19:39,868 --> 00:19:41,421 [Mrs. Barlow] THIS LITTLE TEA SET. 295 00:19:43,389 --> 00:19:44,459 WHERE'S THE CREAMER? 296 00:19:45,529 --> 00:19:46,944 IT WAS BROKEN. 297 00:19:47,910 --> 00:19:49,498 I DON'T WONDER. 298 00:19:49,533 --> 00:19:50,741 YOU BROKE IT. 299 00:19:51,983 --> 00:19:53,847 LONG AGO... 300 00:19:53,882 --> 00:19:54,986 I? 301 00:19:55,021 --> 00:19:57,023 ...BEFORE IT EVER CAME INTO MY CUSTODY. 302 00:19:57,472 --> 00:19:58,335 I? 303 00:20:00,578 --> 00:20:03,340 OH, YES. 304 00:20:03,374 --> 00:20:06,860 A RARE FIT OF SMALL PIQUE. 305 00:20:06,895 --> 00:20:09,104 SO SMALL, SO RARE, INDEED. 306 00:20:11,520 --> 00:20:12,418 LEON, 307 00:20:15,144 --> 00:20:17,457 WHAT DO YOU INTEND TO DO, LOVE? 308 00:20:17,492 --> 00:20:19,701 I TEND TO DO WHAT I DO. 309 00:20:19,735 --> 00:20:21,841 AFTER ALL IT'S COST YOU? 310 00:20:21,875 --> 00:20:25,154 WELL, IT WOULDN'T MAKE A WHOLE LOT OF SENSE TO QUIT NOW, WOULD IT? 311 00:20:25,189 --> 00:20:27,674 IT IS OF NO SIGNIFICANCE TO YOU 312 00:20:27,709 --> 00:20:31,264 WHAT OCCURS WHEN A DADDY RUNS OUT ON HIS FAMILY? 313 00:20:31,299 --> 00:20:32,921 I CUT MY TEETH... 314 00:20:32,955 --> 00:20:34,854 HOW WILL YOU LIVE?...ON ITS SIGNIFICANCE. 315 00:20:34,888 --> 00:20:36,856 YOU HAVE NO VOCATION. 316 00:20:36,890 --> 00:20:38,789 DON'T WORRY ABOUT ME. 317 00:20:38,823 --> 00:20:41,895 IT'S MY GRANDCHILDREN I WORRY ABOUT. 318 00:20:41,930 --> 00:20:45,036 HOW WILL YOU MEET YOUR SUPPORT OBLIGATION? 319 00:20:45,071 --> 00:20:46,728 WHEN WILL YOU SEE THEM? 320 00:20:46,762 --> 00:20:48,281 HAVE YOU SEEN THEM? 321 00:20:48,316 --> 00:20:50,732 I'LL GIVE THEM ALL THE MAMAW THEY CAN STAND, 322 00:20:50,766 --> 00:20:52,699 BUT IF THEY HAVE NO DADDY-- 323 00:20:52,734 --> 00:20:54,287 MOTHER. 324 00:20:54,322 --> 00:20:58,705 I SAT FOR MARILYN, FRIDAY LAST. 325 00:21:00,535 --> 00:21:01,984 HOW WERE THEY? 326 00:21:02,019 --> 00:21:03,296 WHAT DID THEY SAY? 327 00:21:05,712 --> 00:21:07,645 THEY WANTED TO KNOW 328 00:21:07,680 --> 00:21:09,785 WHEN YOU WERE COMING HOME. 329 00:21:32,049 --> 00:21:33,913 [Woman] "DEAR MR. BARLOW, 330 00:21:33,947 --> 00:21:35,915 "'THIS STORY CAME SO CLOSE. 331 00:21:35,949 --> 00:21:38,158 "WE HAD A 2-WEEK BATTLE OVER IT HERE, 332 00:21:38,193 --> 00:21:40,540 "BUT YOU AND I LOST. 333 00:21:40,575 --> 00:21:44,026 "SO DID OUR READERS, FEW THOUGH THEY BE. 334 00:21:44,061 --> 00:21:45,959 "I DID WANT TO ASK ABOUT THE TITLE. 335 00:21:45,994 --> 00:21:47,927 "NO ONE HERE WAS SURE WHAT 336 00:21:47,961 --> 00:21:50,757 "WHITE GIRLS WITH BLACK ASSES ACTUALLY MEANT. 337 00:21:50,792 --> 00:21:53,381 "THE STORY REALLY PUT SOME PEOPLE OFF. 338 00:21:53,415 --> 00:21:56,349 "IT'S THE STRONGEST THING I'VE SEEN IN YEARS. 339 00:21:56,384 --> 00:21:58,040 "I'D NEVER TELL YOU HOW TO WRITE, BUT 340 00:21:58,075 --> 00:22:00,180 "IF YOU CHANGE THE TITLE 341 00:22:00,215 --> 00:22:03,011 "ANOTHER MAGAZINE MIGHT BITE. 342 00:22:03,045 --> 00:22:06,290 "I'D LOVE TO SEE ANYTHING ELSE YOU WANNA SEND. 343 00:22:06,325 --> 00:22:09,466 "PLEASE KEEP WRITING, AND DON'T LET THIS BE DISAPPOINTING TO YOU. 344 00:22:09,500 --> 00:22:10,984 "YOU HAVE GREAT TALENT. 345 00:22:11,019 --> 00:22:12,538 "AND WITH MATERIAL LIKE THIS, 346 00:22:12,572 --> 00:22:14,194 "YOU WILL NEED GREAT STAMINA. 347 00:22:14,229 --> 00:22:15,541 "ALL WARMEST WISHES, 348 00:22:15,575 --> 00:22:16,887 "BETTI DELOREO." 349 00:22:28,347 --> 00:22:29,658 [Knocking at door] 350 00:22:39,323 --> 00:22:40,359 HI, DADDY. 351 00:22:49,954 --> 00:22:52,025 HEY, WHAT'S UP? 352 00:22:52,060 --> 00:22:53,855 YOURS FOR THE REST OF THE WEEKEND. 353 00:22:53,889 --> 00:22:55,235 WHAT? 354 00:22:55,270 --> 00:22:57,030 YOU PAYS YOUR MONEY, YOU GETS YOUR KIDS. 355 00:22:57,065 --> 00:22:59,585 PAYS MY MONEY? 356 00:22:59,619 --> 00:23:03,451 GOD. NOT A CLUE WHEN YOU FUCK UP, NOT A CLUE WHEN YOU DON'T. 357 00:23:03,485 --> 00:23:04,900 BILLS PAID. 358 00:23:04,935 --> 00:23:08,145 COURT ORDERS COMPLIED WITH, LAWYERS PAID IN FULL. 359 00:23:09,595 --> 00:23:12,494 CHILD SUPPORT, 3 MONTHS' WORTH. 360 00:23:12,529 --> 00:23:16,567 100-DOLLAR BILLS IN A MANILA ENVELOPE, UNDER THE DOOR. 361 00:23:16,602 --> 00:23:20,468 IS ANY OF THIS RINGING A BELL, LEON? HELLO? 362 00:23:20,502 --> 00:23:22,746 DRUNKEN-DEBT-PAYERS-R-US. 363 00:23:24,368 --> 00:23:25,404 IT'S ALL RIGHT, HONEY. 364 00:23:27,302 --> 00:23:29,200 [Bells ringing] 365 00:23:34,413 --> 00:23:35,897 [Leon whispers] MONROE. 366 00:23:44,457 --> 00:23:46,459 OH, I GOT EXTRA CLOTHES FOR BOTH OF 'EM 367 00:23:46,494 --> 00:23:48,150 AND I GOT EXTRA UNDERWEAR 368 00:23:48,185 --> 00:23:49,566 AND ALISHA'S MEDICINE. 369 00:23:49,600 --> 00:23:52,016 SHE'S ON A NEW STEROID, SO SHE NEEDS A LOT OF WATER. 370 00:23:52,051 --> 00:23:53,777 JUST REMEMBER TO KEEP HER DRINKING. 371 00:23:53,811 --> 00:23:55,606 ALAN, YOU'RE GONNA HELP WITH ALISHA, TOO. 372 00:23:55,641 --> 00:23:57,332 I LOVE YOU. BYE. HAVE A GOOD TIME. 373 00:23:57,366 --> 00:23:59,507 LEON, DO YOU REMEMBER HOW TO DO THIS? 374 00:23:59,541 --> 00:24:01,543 IT'S ALL COMING BACK TO ME, NOW. 375 00:24:01,578 --> 00:24:02,717 [Marilyn] THAT'S GOOD. 376 00:24:02,751 --> 00:24:05,202 I PICKED UP 2 EXTRA SHIFTS AT THE HOSPITAL, 377 00:24:05,236 --> 00:24:07,618 NOT KNOWING OF MY IMMINENT WINDFALL. 378 00:24:07,653 --> 00:24:08,447 C'MON, HONEY. 379 00:24:09,275 --> 00:24:10,621 WE'RE AT DADDY'S. 380 00:24:10,656 --> 00:24:12,002 C'MON. 381 00:24:12,036 --> 00:24:14,280 I'LL BE THERE IF YOU NEED ME, ALL RIGHT? 382 00:24:14,314 --> 00:24:16,247 YOU CALL ANYTIME, OR... 383 00:24:17,179 --> 00:24:19,561 GREAT, MY OWN LOST WEEKEND. 384 00:24:19,596 --> 00:24:22,530 OH, ALL THE MISSED OPPORTUNITIES. 385 00:24:22,564 --> 00:24:23,910 [Leon] ARE YOU SEEING SOMEBODY? 386 00:24:23,945 --> 00:24:25,015 WHAT? 387 00:24:25,049 --> 00:24:26,188 ARE YOU SEEING SOMEBODY? 388 00:24:26,879 --> 00:24:27,845 WHAT? 389 00:24:27,880 --> 00:24:28,881 HUH? 390 00:24:39,961 --> 00:24:42,308 Y'ALL CAN SLEEP IN YOUR OWN ROOM TONIGHT, 391 00:24:42,342 --> 00:24:44,517 OR YOU CAN SLEEP IN HERE WITH ME. 392 00:24:52,974 --> 00:24:54,631 I'LL TELL YOU WHAT. 393 00:24:54,665 --> 00:24:58,220 SO ONE DAY, A TRAIN COME THROUGH THE WOODS. 394 00:24:59,981 --> 00:25:04,088 WILD BOY HISSED TO ALL THE SNAKES. 395 00:25:04,123 --> 00:25:07,264 TOLD THEM TO LINE UP ON THE RAILS. 396 00:25:07,298 --> 00:25:11,544 AND THE TRAIN COME OFF ON NEW SNAKE TRACK. 397 00:25:13,097 --> 00:25:16,238 WHY, THE SNAKES TOOK THEM ALL THE WAY 398 00:25:17,136 --> 00:25:18,724 THROUGH THE WOODS 399 00:25:20,726 --> 00:25:22,037 TO THE CAVE. 400 00:25:23,487 --> 00:25:26,421 WELL, WILD BOY CALLED OUT TO HIS NUMBER ONE, MAGIC DOG. 401 00:25:26,455 --> 00:25:27,905 [Barks like a dog] 402 00:25:27,940 --> 00:25:29,735 AND OLD MAGIC DOG COME RUNNING UP. 403 00:25:29,769 --> 00:25:33,566 WILD BOY SAID, "I'M GOING TO TELL YOU THE PLAN." 404 00:25:33,601 --> 00:25:36,569 THEY WERE GOING TO TAKE ALL THE COAL FROM THE COAL CAR, 405 00:25:36,604 --> 00:25:40,435 AND THE BEAR WOULD SQUEEZE EVERY LUMP WITH A BIG STRONG PAW 406 00:25:40,469 --> 00:25:42,851 UNTIL THEY ALL TURNED INTO DIAMONDS. 407 00:25:51,170 --> 00:25:54,207 HEY, DAD, ME AND MAGIC DOG CAN RUN FASTER THAN A TRAIN! 408 00:25:54,242 --> 00:25:55,830 [Leon] STAY BACK FROM THAT A LITTLE BIT. 409 00:25:55,864 --> 00:25:57,659 COME ON OVER THIS WAY. 410 00:26:03,354 --> 00:26:05,356 ♪♪[Robert Belfour singing My Baby's Gone] 411 00:26:05,391 --> 00:26:08,290 ♪ MY BABY'S GONE 412 00:26:08,325 --> 00:26:11,155 ♪ MY BABY DONE LEFT ME 413 00:26:11,190 --> 00:26:14,158 ♪ MY WOMAN IS GONE 414 00:26:14,193 --> 00:26:15,677 ♪ I WONDER WHERE SHE'S BEEN 415 00:26:17,196 --> 00:26:19,025 ♪ I WONDER WHERE SHE'S BEEN ♪ 416 00:26:20,130 --> 00:26:22,995 ♪ SHE GONE AND LEFT ME 417 00:26:23,029 --> 00:26:26,136 ♪ SHE DONE GONE AND LEFT ME 418 00:26:26,170 --> 00:26:28,310 ♪ I WONDER WHERE SHE'S BEEN 419 00:26:32,591 --> 00:26:34,731 "STILL LIFE WITH BOXCAR," HUH? 420 00:26:34,765 --> 00:26:35,766 HEY! 421 00:26:35,801 --> 00:26:36,595 HEY. 422 00:26:39,011 --> 00:26:40,633 I DIDN'T HEAR YOU COME UP. 423 00:26:40,668 --> 00:26:43,153 I'VE JUST BEEN WATCHING. IT'S BEEN A WHILE, LEON. 424 00:26:43,187 --> 00:26:44,672 [Alan] LOOK WHAT I GOT! 425 00:26:44,706 --> 00:26:46,777 HI, HONEY. WHAT DO YOU GOT? 426 00:26:46,812 --> 00:26:48,676 OH, MY GOD, LOOK AT THOSE. 427 00:26:48,710 --> 00:26:52,231 THOSE ARE AS FLAT AS MAMAW'S PANCAKES. YOU KNOW THEY ARE. 428 00:26:52,265 --> 00:26:54,785 LISTEN, WOULD YOU GET ALISHA'S BACKPACK AND HER NEBULIZER 429 00:26:54,820 --> 00:26:56,649 AND YOUR BACKPACK AND PUT THEM IN THE CAR? 430 00:26:56,684 --> 00:26:58,409 GO DO THAT FOR MAMA, ALL RIGHT? 431 00:26:59,548 --> 00:27:01,274 DOES THAT DOG HAVE ITS SHOTS, LEON? 432 00:27:01,309 --> 00:27:02,379 WAIT A MINUTE. 433 00:27:02,413 --> 00:27:03,380 IT'S A MANGY-LOOKING THING. 434 00:27:03,414 --> 00:27:04,553 WHAT ARE YOU DOING? 435 00:27:04,588 --> 00:27:06,210 WHAT DO YOU MEAN? IT'S SUNDAY, P.M. 436 00:27:06,245 --> 00:27:08,281 I'M PICKING UP THE KIDS, JUST LIKE THE PAPERS SAY. 437 00:27:08,316 --> 00:27:09,904 I WAS SUPPOSED TO GET A WHOLE WEEKEND. 438 00:27:09,938 --> 00:27:12,044 I WAS SUPPOSED TO GET A WHOLE WEEKEND, LEON! 439 00:27:12,078 --> 00:27:14,391 IT JUST DIDN'T TURN OUT THAT WAY. WE GOT A LATE START. 440 00:27:14,425 --> 00:27:16,220 I GOT A BARBECUE GOING. SHE'S TAKING A NAP. 441 00:27:16,255 --> 00:27:17,428 SHE'S TAKING A NAP. 442 00:27:17,463 --> 00:27:20,431 I GAVE YOU A COUPLE EXTRA HOURS, ALL RIGHT? 443 00:27:20,466 --> 00:27:22,641 WELL, WHY DON'T YOU JUST LET 'EM STAY? THEY GOT TO EAT. 444 00:27:22,675 --> 00:27:26,610 WELL, I'LL FEED THEM. I WANNA GET BACK HOME NOW. I'M TIRED. 445 00:27:26,645 --> 00:27:28,094 THEY GOT TO EAT. LET ME FEED 'EM. 446 00:27:28,129 --> 00:27:30,579 IT'S GONNA RAIN. I WANNA GET HOME. 447 00:27:30,614 --> 00:27:31,580 PLEASE, DON'T-- 448 00:27:31,615 --> 00:27:32,789 WHAT? W-WHY? 449 00:27:34,066 --> 00:27:35,239 WHAT DO YOU MEAN, "WHY?" 450 00:27:35,274 --> 00:27:36,689 WELL, YOU-- IS SOMEBODY COMING OVER? 451 00:27:36,724 --> 00:27:37,690 WHAT? 452 00:27:37,725 --> 00:27:39,036 [Thunder claps] 453 00:27:39,519 --> 00:27:40,555 WHAT? 454 00:27:40,589 --> 00:27:41,867 ARE YOU SEEING SOMEBODY? 455 00:27:41,901 --> 00:27:44,214 OH, DON'T YOU DO THIS. DON'T DO... 456 00:27:44,248 --> 00:27:47,320 YES. YES. I AM, I'M SEEING SOMEBODY. 457 00:27:48,908 --> 00:27:50,945 [Whispers] I'M SEEING A LOT OF HIM, TOO. 458 00:27:50,979 --> 00:27:53,775 ESPECIALLY OVER AT THE DRUGSTORE DUMPSTER. 459 00:27:54,603 --> 00:27:55,743 COME ON, ALISHA. 460 00:27:56,605 --> 00:27:57,676 COME ON, ALISHA. 461 00:27:57,710 --> 00:27:58,677 OH, BIG GIRL. 462 00:27:58,711 --> 00:27:59,885 THAT FLASHER. 463 00:28:01,024 --> 00:28:03,129 OH, IS HE A FRIEND OF YOURS? 464 00:28:03,164 --> 00:28:04,510 THAT MAKES SENSE. 465 00:28:06,754 --> 00:28:08,065 DID YOU HAVE A GOOD TIME? 466 00:28:09,584 --> 00:28:10,827 BYE-BYE, BABY. 467 00:28:10,861 --> 00:28:12,691 SO, HOW BIG WAS IT? 468 00:28:12,725 --> 00:28:14,002 WHAT? 469 00:28:14,037 --> 00:28:15,832 HOW BIG WAS THIS FLASHER? 470 00:28:15,866 --> 00:28:19,076 YOU'RE NOT SERIOUS? GO. MOVE AWAY. 471 00:28:19,111 --> 00:28:22,528 COME ON, HONEY, ALAN. ALL RIGHT, PUT ON YOUR SEAT BELT. 472 00:28:24,288 --> 00:28:25,151 OH. 473 00:28:26,463 --> 00:28:27,395 WOW! 474 00:28:33,366 --> 00:28:36,542 WHOO! WHOO-HOO-HOO! 475 00:28:36,576 --> 00:28:38,786 ♪♪[Robert Belfour singing My Baby's Gone] 476 00:28:38,820 --> 00:28:40,580 ♪ I WONDER WHERE COULD SHE BE ♪ 477 00:28:41,858 --> 00:28:43,549 ♪ I WONDER WHERE COULD SHE BE ♪ 478 00:28:44,999 --> 00:28:46,932 ♪ I WONDER WHERE COULD SHE BE ♪♪ 479 00:29:13,890 --> 00:29:15,961 [Leon] "EVERYTHING HAD UNWOUND, 480 00:29:15,995 --> 00:29:18,066 "AND NOW WOUND BACK AGAIN, 481 00:29:18,101 --> 00:29:20,379 "AS IF THE YEARS HAD STUMBLED BACK 482 00:29:20,413 --> 00:29:22,243 "IN HORROR FROM THEIR OWN REFLECTION. 483 00:29:26,661 --> 00:29:29,560 "AS IF ALL THE WORDS WERE, ONE BY ONE, 484 00:29:29,595 --> 00:29:33,047 "UNSAID, UNTHOUGHT, THE LOVE UNMADE. 485 00:29:35,497 --> 00:29:39,432 "NO DECAY, THEN NO ATTACK, THEN SILENCE. 486 00:29:43,264 --> 00:29:45,507 "SO THAT IF IT WERE POSSIBLE TO DREAM, 487 00:29:45,542 --> 00:29:48,994 "THE DREAM MIGHT BE ALL THAT WAS POSSIBLE AGAIN, 488 00:29:49,028 --> 00:29:52,307 "THE SCATTERED PIECES REASSEMBLED INTO ONE. 489 00:29:55,759 --> 00:29:58,244 "EFFECT STRIPPED BACK TO CAUSE 490 00:29:58,279 --> 00:30:01,040 "AND CAUSE STILL UNCONCEIVED. 491 00:30:01,075 --> 00:30:04,630 "DIM STIRRINGS OF ELECTRONS IN THEIR ORBITS. 492 00:30:04,664 --> 00:30:07,426 "THE GLEAM NOW DRAINING FROM HIS EYE, 493 00:30:07,460 --> 00:30:10,498 "RESTORED TO INNOCENCE OR EMPTINESS. 494 00:30:11,568 --> 00:30:13,018 "BLIND HOPE... 495 00:30:14,674 --> 00:30:17,643 "WITH NO TAINT OF THE FAILURE YET TO COME, 496 00:30:17,677 --> 00:30:21,923 "NO HINT OF THE HIDEOUS STRANGER WHO LAY INSIDE HIM 497 00:30:21,958 --> 00:30:23,545 "WAITING TO BE BORN." 498 00:30:37,628 --> 00:30:39,389 "DEAR MS. DELOREO, 499 00:30:39,423 --> 00:30:41,287 "THANKS FOR TAKING SO MUCH TIME 500 00:30:41,322 --> 00:30:43,600 "TO EXPLAIN THE REJECTION OF MY STORY. 501 00:30:43,634 --> 00:30:45,809 "MOST EDITORS DON'T. 502 00:30:45,844 --> 00:30:48,605 "I APPRECIATE YOUR ADVICE AND QUESTIONS. 503 00:30:48,639 --> 00:30:50,089 "INSTEAD OF ANSWERING THEM, 504 00:30:50,124 --> 00:30:52,022 "I'M GOING TO REORGANIZE MY LIFE 505 00:30:52,057 --> 00:30:54,300 "AND WRITE SOMETHING BETTER FOR YOU. 506 00:30:54,335 --> 00:30:55,715 "SOMETHING THAT'LL MAKE YOU STAND UP 507 00:30:55,750 --> 00:30:57,338 "AND PUT ON THE GLOVES. 508 00:30:57,372 --> 00:31:00,168 "BEST WISHES, LEON BARLOW. 509 00:31:00,203 --> 00:31:02,999 "P.S. I KNOW THE ENCLOSED STORY 510 00:31:03,033 --> 00:31:05,139 "IS NOT YOUR MAGAZINE'S CUP OF TEA, 511 00:31:05,173 --> 00:31:06,968 "BUT IT MIGHT TICKLE YOU." 512 00:31:10,420 --> 00:31:12,456 RUB-A-DUB-DUB. 513 00:31:27,678 --> 00:31:28,541 [Cow mooing] 514 00:31:34,754 --> 00:31:35,617 [Cow mooing] 515 00:31:41,278 --> 00:31:43,832 ♪ GONNA FIND ME SOME WEDDING BELLS ♪ 516 00:31:53,842 --> 00:31:56,673 ♪ GONNA FIND ME SOME WEDDING BELLS ♪ 517 00:32:00,401 --> 00:32:02,610 ♪ 'CAUSE I DIDN'T HAVE TIME 518 00:32:02,644 --> 00:32:05,026 ♪ TELL ME BABY WHERE YOU'VE GONE ♪ 519 00:32:05,993 --> 00:32:07,063 ♪ HEY! 520 00:32:07,097 --> 00:32:08,098 ♪ HEY! 521 00:32:08,133 --> 00:32:09,030 ♪ HEY! 522 00:32:09,065 --> 00:32:10,100 [Siren blaring] 523 00:32:10,135 --> 00:32:11,791 ♪ HEY! HEY! 524 00:32:11,826 --> 00:32:13,483 [Policeman] TAKE HER IN THE HOUSE. 525 00:32:17,452 --> 00:32:18,557 ♪ HEY! 526 00:32:18,591 --> 00:32:19,627 ♪ HEY! 527 00:32:19,661 --> 00:32:20,731 ♪ HEY! 528 00:32:20,766 --> 00:32:21,801 ♪ HEY! 529 00:32:21,836 --> 00:32:22,871 ♪ HEY! 530 00:32:22,906 --> 00:32:23,872 ♪ HEY! 531 00:32:23,907 --> 00:32:24,977 ♪ HEY! 532 00:32:25,012 --> 00:32:25,771 ♪ HEY! 533 00:32:30,017 --> 00:32:31,018 ♪ HEY! 534 00:32:31,052 --> 00:32:32,088 ♪ HEY! 535 00:32:32,122 --> 00:32:33,192 ♪ HEY! 536 00:32:33,227 --> 00:32:33,952 ♪ HEY! ♪ 537 00:32:35,091 --> 00:32:36,368 [Door closes] 538 00:32:46,895 --> 00:32:49,933 [Steppenwolf on radio] ♪ ...ALL AROUND, A LOUSY CANDLE WAS ALL I FOUND ♪ 539 00:32:49,968 --> 00:32:52,280 ♪ WELL, YOU DON'T KNOW WHAT ♪ 540 00:32:52,315 --> 00:32:54,558 ♪ WE CAN FIND 541 00:32:54,593 --> 00:32:56,664 ♪ WHY DON'T YOU COME WITH ME, LITTLE GIRL ♪ 542 00:32:56,698 --> 00:32:58,597 ♪ ON A MAGIC CARPET RIDE 543 00:32:58,631 --> 00:33:00,979 ♪ WELL, YOU DON'T KNOW WHAT WE-- ♪♪ 544 00:33:12,024 --> 00:33:13,405 GOING IN. 545 00:33:13,439 --> 00:33:14,993 ♪♪[Steppenwolf singing Magic Carpet Ride] 546 00:33:15,027 --> 00:33:17,857 ♪ I LIKE TO DREAM 547 00:33:19,790 --> 00:33:21,447 CORPSMAN. CORPSMAN. 548 00:33:21,482 --> 00:33:23,449 CORPSMAN. 549 00:33:23,484 --> 00:33:25,865 ♪ ON A CLOUD OF SOUND I DRIFT IN THE NIGHT ♪ 550 00:33:27,936 --> 00:33:30,387 ♪ GOES FAR, FLIES NEAR 551 00:33:31,423 --> 00:33:32,389 CORPSMAN. 552 00:33:33,701 --> 00:33:36,600 [Shortwave radio sounds] 553 00:33:38,499 --> 00:33:40,121 DID YOU SEE HIM? 554 00:33:41,329 --> 00:33:42,675 CORPSMAN. 555 00:33:43,780 --> 00:33:45,195 [Screaming] 556 00:33:50,338 --> 00:33:52,547 ♪ CLOSE YOUR EYES, GIRL 557 00:33:52,582 --> 00:33:54,791 ♪ LOOK INSIDE, GIRL 558 00:33:54,825 --> 00:33:56,689 ♪ LET THE SOUND TAKE YOU AWAY ♪♪ 559 00:33:56,724 --> 00:33:57,897 [Ringing] 560 00:34:00,003 --> 00:34:01,108 [Crickets chirping] 561 00:34:04,628 --> 00:34:06,147 WHAT? 562 00:34:06,182 --> 00:34:07,666 WHAT ARE YOU DOING HERE? 563 00:34:07,700 --> 00:34:09,702 I JUST... CAN I COME IN? 564 00:34:11,325 --> 00:34:12,774 YOU'RE... NO. 565 00:34:13,637 --> 00:34:15,432 HELL, NO. 566 00:34:15,467 --> 00:34:17,572 HELL, NO, AND A RESTRAINING ORDER, NO. 567 00:34:17,607 --> 00:34:19,747 JUST FOR A MINUTE. I JUST WANT TO LOOK IN ON THE KIDS. 568 00:34:19,781 --> 00:34:21,921 100 YARDS AWAY, YOU'RE SUPPOSED TO BE-- 569 00:34:21,956 --> 00:34:23,268 JUST LET ME COME IN FOR A MINUTE. 570 00:34:23,302 --> 00:34:25,097 I JUST WANT TO LOOK IN ON THEM. 571 00:34:25,132 --> 00:34:26,788 WELL, NEXT TIME THEY'RE AT YOUR PLACE, 572 00:34:26,823 --> 00:34:28,583 YOU CAN LOOK IN ON THEM ALL YOU WANT. 573 00:34:28,618 --> 00:34:30,551 HEY, HEY, HEY! BUDDY! 574 00:34:30,585 --> 00:34:33,001 ALAN, THIS DOESN'T CONCERN YOU. THERE, YOU SAW HIM. 575 00:34:33,036 --> 00:34:33,968 LET ME JUST COME IN. 576 00:34:34,002 --> 00:34:35,211 WHAT THE HELL? 577 00:34:35,245 --> 00:34:37,696 JUST LET ME GIVE HIM THIS. IT'S A MAGIC DOG DOLL. 578 00:34:37,730 --> 00:34:39,249 YOU SMELL WEIRD. 579 00:34:39,284 --> 00:34:43,081 I TOOK A BATH. JUST LET ME GIVE HIM THIS. TELL ALISHA I GAVE-- 580 00:34:43,115 --> 00:34:45,600 WHY DO YOU ALWAYS SHOW UP LIKE THIS? 581 00:34:45,635 --> 00:34:47,982 IT'S SHIT LIKE THIS. ALAN! 582 00:34:48,016 --> 00:34:49,501 IT'S FORCED ENTRY. 583 00:34:49,535 --> 00:34:52,435 I'M GOING TO HAVE YOU AND THIS DOG ARRESTED. 584 00:34:52,469 --> 00:34:55,714 WILL YOU JUST... JUST GIVE HIM THE DOG. 585 00:34:56,784 --> 00:34:58,268 ♪♪[Piano tinkling] 586 00:35:18,875 --> 00:35:20,048 GOOD NIGHT, HONEY. 587 00:35:49,595 --> 00:35:54,048 "HIS NAME WAS HONED, OR 'HORSEFLY WITH ONE WING,' 588 00:35:54,082 --> 00:35:56,015 "BUT THEY CALLED HIM SMOOTH TALKER. 589 00:35:56,050 --> 00:35:59,295 "HE COULD GET ANYONE TO DO ANYTHING HE WANTED. 590 00:35:59,329 --> 00:36:01,676 "BUT HE DIDN'T KNOW WHAT HE WANTED. 591 00:36:01,711 --> 00:36:03,678 "FROM THE RED CREEKS AT ANTIETAM, 592 00:36:03,713 --> 00:36:05,266 "TO THE GLAZED GREEN CATHEDRALS 593 00:36:05,301 --> 00:36:07,165 "OF THE RUONG RUONG VALLEY, 594 00:36:07,199 --> 00:36:09,236 "THE MEN IN HIS FAMILY HAD SOLDIERED UP 595 00:36:09,270 --> 00:36:10,858 "AND COME HOME BROKEN, 596 00:36:10,892 --> 00:36:13,999 "TRAILING HOMESICK YANKEE BRIDES IN THEIR WAKE. 597 00:36:14,033 --> 00:36:16,001 "ONE SHELL-SHOCKED UNCLE 598 00:36:16,035 --> 00:36:18,072 "HAD IMPORTED KUDZU TO THE SOUTH 599 00:36:18,106 --> 00:36:20,661 "AS A PROMISE TO END SOIL EROSION 600 00:36:20,695 --> 00:36:22,766 "AND MAYBE A FEED CROP TO BOOT. 601 00:36:22,801 --> 00:36:24,803 "BUT IT SWALLOWED THE LAND 602 00:36:24,837 --> 00:36:26,943 "AND THE LIVESTOCK WOULDN'T TOUCH IT. 603 00:36:26,977 --> 00:36:30,049 "NOW HIS HOUSE HAD BEEN ENGULFED BY IT, 604 00:36:30,084 --> 00:36:33,605 "HIS FAMILY LOST, ALL OF THEM, SEARCHING FOR EACH OTHER, 605 00:36:33,639 --> 00:36:36,055 "BLIND AMONG THE VINES. 606 00:36:36,090 --> 00:36:38,575 "'IF I EVER ESCAPE,' HE THOUGHT, 607 00:36:38,610 --> 00:36:41,613 "'I THINK I'LL GO TO MEXICO AND JOIN THE CIRCUS.'" 608 00:37:02,910 --> 00:37:05,740 YOU DON'T CALL. YOU DON'T WRITE. 609 00:37:07,086 --> 00:37:08,778 MR. AARON. 610 00:37:08,812 --> 00:37:12,195 YOU BOYS LOOK LIKE EXTRA-STRONG VAMPIRES. 611 00:37:12,230 --> 00:37:14,093 THAT SUN DON'T QUITE KILL YOU, BUT IT SURE 612 00:37:14,128 --> 00:37:16,544 MAKES YOU LOOK LIKE HOMEMADE SHIT. 613 00:37:16,579 --> 00:37:18,684 OH, WELL, HOW YOU DOING, MR. AARON? 614 00:37:19,306 --> 00:37:20,824 TAKE THE HIGHWAY, SON. 615 00:37:25,657 --> 00:37:27,762 WHEN A LADY CAN'T GO TO A BEAUTY SHOP 616 00:37:27,797 --> 00:37:31,145 WITHOUT SOME SICK BASTARD JUMPING OUT FROM BEHIND A DUMPSTER. 617 00:37:32,180 --> 00:37:34,942 HOW BIG A PECKER WE TALKING ABOUT? 618 00:37:34,976 --> 00:37:38,117 FEW INCHES SHY OF MEMORABLE, I THINK. 619 00:37:38,152 --> 00:37:41,811 HAVING A LITTLE DICK IS LIKE HAVING A MEXICAN-MADE VOLKSWAGEN. 620 00:37:41,845 --> 00:37:44,227 YOU CAN DRIVE IT AROUND THE HOUSE, 621 00:37:44,262 --> 00:37:46,194 BUT YOU DON'T WANT TO TAKE IT ON THE ROAD. 622 00:37:49,197 --> 00:37:50,406 [Laughing] 623 00:37:53,754 --> 00:37:56,791 OUGHT TO FIND THAT FELLOW AND SLAP SOME MANNERS INTO HIM. 624 00:37:56,826 --> 00:37:58,310 WELL, THAT'LL HAVE TO WAIT. 625 00:37:59,898 --> 00:38:02,866 ME AND BOBBY GOT A DATE WITH VELMA. 626 00:38:13,498 --> 00:38:17,191 GOD, LOOK AT HER. SHE'S AMAZING. 627 00:38:17,225 --> 00:38:18,710 [Leon] SHE'S A HELL OF A GARDENER. 628 00:38:20,367 --> 00:38:22,300 YOU SEE WHAT I'M SEEING HERE? 629 00:38:23,335 --> 00:38:24,992 WELL, YEAH, OF COURSE YOU DO. 630 00:38:28,029 --> 00:38:30,860 SO, UH, ABOUT HER COMING OUT WITH US, SEE-- 631 00:38:30,894 --> 00:38:32,137 THAT'S FINE. THAT'S FINE. 632 00:38:32,171 --> 00:38:33,034 WELL... 633 00:38:36,244 --> 00:38:39,178 I BEEN LOOKING AT HER A LONG TIME, YOU KNOW? 634 00:38:39,213 --> 00:38:41,388 BUT INSTEAD OF IT WEARING OUT, 635 00:38:41,422 --> 00:38:43,804 IT SEEMS LIKE LATELY IT'S GETTING STRONGER. 636 00:38:46,220 --> 00:38:49,637 I DON'T KNOW WHAT I'M SEEING HERE. I'M TOO OLD TO BE INFATUATED. 637 00:38:51,432 --> 00:38:52,468 LOOK AT HER. 638 00:38:54,297 --> 00:38:55,160 [Chuckling] 639 00:38:56,230 --> 00:38:58,612 JUST, YOU KNOW, LIKE 640 00:38:59,337 --> 00:39:01,131 OBSERVE US. OK? 641 00:39:01,166 --> 00:39:04,411 JUST TELL ME WHAT YOU SEE WHEN YOU SEE ME AND HER. 642 00:39:09,519 --> 00:39:10,727 OK? 643 00:39:10,762 --> 00:39:11,728 OK. 644 00:39:23,464 --> 00:39:24,362 HI. 645 00:39:26,812 --> 00:39:29,436 MISS VELMA, HERE'S LOOKING AT YOU. 646 00:39:29,470 --> 00:39:31,472 AND WHAT A PLEASURE THAT IS THIS EVENING. 647 00:39:52,044 --> 00:39:54,115 ♪♪[Marching band plays] 648 00:40:15,896 --> 00:40:17,242 [Velma] CINDY, HONEY, 649 00:40:17,276 --> 00:40:19,796 TAKE ONE OF THEM POLAROIDS. 650 00:40:19,831 --> 00:40:23,697 TAKE ONE OF THEM POLAROIDS WITH--WITH ME AND MY BABY BABY BROTHER BROTHERS. 651 00:40:24,698 --> 00:40:25,733 THANK YOU. 652 00:40:25,768 --> 00:40:26,631 JIMMY. 653 00:40:28,633 --> 00:40:31,774 [Monroe] THE LIMMAT RIVER RUNS ALL THE WAY THROUGH TOWN 654 00:40:31,808 --> 00:40:33,638 ALL THE WAY OUT TO LAKE ZURICH. 655 00:40:33,672 --> 00:40:35,363 SEE? AND THERE'S ALL THESE RIVERBANKS 656 00:40:35,398 --> 00:40:36,606 AND A LOT OF BANKS, TOO. 657 00:40:36,641 --> 00:40:38,436 A LITTLE WORDPLAY FOR YOU THERE. 658 00:40:38,470 --> 00:40:42,474 YOU WANT A RIVER? YOU TRY THE AENEID, BOOKS 7, 8. 659 00:40:42,509 --> 00:40:45,615 GOD OF THE TIBER SHOWS UP IN A DREAM-- 660 00:40:45,650 --> 00:40:48,135 WE'RE A FEW CLICKS NORTH OF THE TIBER HERE, BOBBY. 661 00:40:48,169 --> 00:40:50,517 HE SAYS, "AENEAS, YOU GO DOWN TO THE RIVER, 662 00:40:50,551 --> 00:40:52,726 "YOU'RE GOING TO SEE A BIG WHITE SOW." 663 00:40:52,760 --> 00:40:55,487 THE WHOLE DREAM TURNS OUT TO BE A PROPHECY 664 00:40:55,522 --> 00:40:58,525 ABOUT WHITE SWINE ON THE TIBER. 665 00:40:58,559 --> 00:41:01,251 NO, NO. THE LIMMAT. AND THERE'S THESE 2 CATHEDRALS, 666 00:41:01,286 --> 00:41:04,669 UH, GROSSMUNSTER AND FRAUMUNSTER. 667 00:41:04,703 --> 00:41:08,845 FUCK IT. YOU KNOW, VIRGIL STOLE ALL THAT FROM HOMER ANYWAY. 668 00:41:08,880 --> 00:41:11,192 START WITH THE ILIAD. 669 00:41:11,227 --> 00:41:15,611 NOW THERE IS A BOOK YOU CAN WEAR LIKE BY-GOD HIP WADERS. 670 00:41:15,645 --> 00:41:17,509 THERE'S THESE WINDOWS PAINTED BY CHAGALL. 671 00:41:17,544 --> 00:41:19,166 I MEAN, YOU CAN'T EVEN BELIEVE IT. 672 00:41:30,384 --> 00:41:31,627 ♪♪[Playing jazz music] 673 00:41:55,236 --> 00:41:56,272 [Woman giggling] 674 00:41:57,204 --> 00:41:58,619 [Man laughs] 675 00:42:01,519 --> 00:42:02,623 WHOO.... 676 00:42:03,279 --> 00:42:05,039 LOOK, SHE'S GOT... 677 00:42:05,074 --> 00:42:06,489 SHE'S A HELL OF A PROM QUEEN. 678 00:42:08,698 --> 00:42:09,768 LOOK AT HER. 679 00:42:10,528 --> 00:42:12,771 OHHH... I LOVE HER. 680 00:42:28,580 --> 00:42:29,892 [Velma] SAYONARA. 681 00:42:29,926 --> 00:42:30,927 SHE'S A HELL OF A DANCER. 682 00:42:32,204 --> 00:42:34,793 [Leon] JUMP OUTSIDE. 683 00:42:34,828 --> 00:42:39,142 DOWN THE WORMHOLE PILGRIMAGE OF TIME 684 00:42:39,177 --> 00:42:42,698 AS TIME BENT BACK AND TURNED ON ITSELF. 685 00:42:42,732 --> 00:42:45,839 COMET GAS FIERY TRAIL OF EXHAUST. 686 00:42:45,873 --> 00:42:48,807 IT'S WAKE OF DARK ROWS AND YOUR SEA RIVERS. 687 00:42:48,842 --> 00:42:52,362 ARE YOU LISTENING TO ME? EARTH OF AMERICANS. 688 00:42:52,397 --> 00:42:54,226 DARK MOTHER! 689 00:42:54,261 --> 00:42:57,920 CROSSED YOUR WIDE SEA OF AMERICA TO BE BORN. 690 00:43:00,025 --> 00:43:02,856 [Leon] YOU KNOW WHEN YOU'RE A KID 691 00:43:02,890 --> 00:43:05,444 DRIVING AT NIGHT WITH YOUR FOLKS? 692 00:43:05,479 --> 00:43:08,827 YOU'RE LYING IN THE BACK. YOU FEEL SO SAFE. 693 00:43:09,759 --> 00:43:11,623 THIS IS NOT LIKE THAT. 694 00:43:13,798 --> 00:43:15,834 THIS IS NOT LIKE THAT AT ALL. 695 00:43:18,043 --> 00:43:19,631 [Monroe] THEY GOT MY LADDER, BOBBY. 696 00:43:22,254 --> 00:43:23,911 WHERE'S VELMA? 697 00:43:23,946 --> 00:43:24,947 [Man laughing] 698 00:43:26,500 --> 00:43:27,639 WHERE'S VELMA? 699 00:43:28,502 --> 00:43:29,537 [Monroe] OHH! 700 00:43:30,538 --> 00:43:31,609 [Monroe] SATURDAY! 701 00:43:32,679 --> 00:43:33,956 ♪♪[Radio music playing] 702 00:43:47,279 --> 00:43:48,384 [Leon] I'LL SEE YOU LATER. 703 00:44:12,511 --> 00:44:13,651 WELL, 704 00:44:14,997 --> 00:44:17,793 WE HAVE HAD A NICE LONG CHAT 705 00:44:17,827 --> 00:44:19,587 ON THE PORCH HERE, HAVEN'T WE? 706 00:44:21,589 --> 00:44:23,695 WE TALKED ABOUT THE GARDEN CLUB MEETING 707 00:44:23,730 --> 00:44:25,559 I HAD TO CANCEL, 708 00:44:25,593 --> 00:44:28,527 ABOUT THE PHONE CALLS I HAD TO MAKE TO CANCEL IT. 709 00:44:28,562 --> 00:44:30,564 HOW MANY CALLS DID WE MAKE ON THIS PHONE, ALAN? 710 00:44:30,598 --> 00:44:31,703 12, MAMAW. 711 00:44:31,738 --> 00:44:33,015 12. 712 00:44:33,049 --> 00:44:34,672 AND AS THE SUN 713 00:44:34,706 --> 00:44:38,952 WENT FROM A FRIENDLY- MORNING SMILEY FACE OVER THERE 714 00:44:38,986 --> 00:44:41,886 TO A HOT, ANGRY BLAZE UP THERE, 715 00:44:41,920 --> 00:44:45,130 WE DISCUSSED THE SUMMER WEATHER 716 00:44:46,131 --> 00:44:48,030 AND BEING HERE IN IT 717 00:44:48,064 --> 00:44:52,413 WITH NEITHER A HOUSE KEY NOR A DADDY IN SIGHT. 718 00:44:52,448 --> 00:44:54,450 [Mrs. Barlow] WHAT ELSE DID WE DISCUSS? 719 00:44:54,484 --> 00:44:56,107 BIKES, MAMAW. 720 00:44:56,141 --> 00:44:57,177 BIKES. 721 00:44:57,211 --> 00:45:01,250 WE SAW A BICYCLE RACE, RIGHT OUT HERE. 722 00:45:01,284 --> 00:45:03,770 AND WE COUNTED THEM AS THEY WENT BY. 723 00:45:03,804 --> 00:45:05,737 ONE OF THE GROUPS OF CYCLISTS 724 00:45:05,772 --> 00:45:09,776 WAS SO LARGE, WE LOST COUNT. 725 00:45:09,810 --> 00:45:14,090 AND WE WONDERED, WHAT DO YOU CALL A GROUP OF CYCLISTS? 726 00:45:15,126 --> 00:45:16,852 A... A CLUSTER? 727 00:45:16,886 --> 00:45:18,646 A HERD? 728 00:45:18,681 --> 00:45:19,786 A GAGGLE. 729 00:45:20,752 --> 00:45:21,995 PELOTON. 730 00:45:22,029 --> 00:45:25,343 A PELOTON OF CYCLISTS. 731 00:45:26,516 --> 00:45:28,518 YOU KNOW A WORD LIKE THAT, 732 00:45:28,553 --> 00:45:31,314 AND YOU DON'T KNOW THE MEANING OF "MORNING." 733 00:45:31,349 --> 00:45:33,006 I'VE BEEN PRETTY BUSY. 734 00:45:33,040 --> 00:45:36,768 AND I HAVE ABSOLUTELY NOTHING TO DO, GETTING THEM FED, 735 00:45:36,803 --> 00:45:39,012 MAKING AN EMERGENCY RUN TO THE DRUGSTORE. 736 00:45:39,046 --> 00:45:40,047 EMERGENCY RUN? 737 00:45:40,082 --> 00:45:41,014 NEVER MIND. 738 00:45:41,048 --> 00:45:43,016 HOT, BLAZING SUN HALF THE DAY. 739 00:45:43,050 --> 00:45:44,603 I SAID I WAS SORRY. 740 00:45:44,638 --> 00:45:46,019 NO, YOU DIDN'T. 741 00:45:47,952 --> 00:45:49,539 NOT A WHIFF OF IT. 742 00:45:52,922 --> 00:45:55,166 I'M SORRY. I'M SORRY. I'M SORRY. 743 00:46:08,075 --> 00:46:09,836 I'M SORRY. I'M SORRY. I'M SORRY I'M LATE. 744 00:46:12,010 --> 00:46:13,667 [Marilyn] THE POINT IS THAT YOUR MOTHER 745 00:46:13,701 --> 00:46:15,531 BROUGHT THE KIDS TO YOUR HOUSE 746 00:46:15,565 --> 00:46:18,051 AND SHE HAD TO CANCEL HER ENTIRE DAY 747 00:46:18,085 --> 00:46:19,742 WHILE YOU WERE, I DON'T KNOW, 748 00:46:19,777 --> 00:46:22,469 CRAWLING OUT OF SOME DITCH SOMEWHERE, NO DOUBT? 749 00:46:24,885 --> 00:46:27,923 SO WHY ARE YOU CALLING ME? HMM? 750 00:46:27,957 --> 00:46:30,408 DO YOU KNOW THAT THIS IS THE FIRST NIGHT 751 00:46:30,442 --> 00:46:32,306 THAT I'VE HAD TO MYSELF IN 2 WEEKS? 752 00:46:33,411 --> 00:46:35,516 HERE YOU ARE, CHATTING ME UP. 753 00:46:36,655 --> 00:46:38,174 YOU IN THE BATHTUB? 754 00:46:39,072 --> 00:46:39,935 NO. 755 00:46:44,387 --> 00:46:45,250 NO. 756 00:46:46,942 --> 00:46:50,048 THAT'S JUST THE SOUND OF YOU PISSING UP A ROPE. 757 00:46:50,083 --> 00:46:51,084 [Giggles] 758 00:46:54,604 --> 00:46:56,296 WHY DON'T YOU COME OVER? 759 00:47:07,203 --> 00:47:08,308 MARILYN? 760 00:47:14,797 --> 00:47:15,833 MARILYN? 761 00:47:18,180 --> 00:47:19,491 [Sobbing] 762 00:47:33,057 --> 00:47:34,058 MONROE. 763 00:47:34,092 --> 00:47:35,162 ♪♪[Jazz music playing] 764 00:47:35,197 --> 00:47:37,061 THAT'S ME AND MONROE. 765 00:47:38,441 --> 00:47:39,926 THAT'S ME AND MONROE. 766 00:47:47,209 --> 00:47:48,831 I'VE GOT TO MEET MONROE. 767 00:47:52,524 --> 00:47:53,387 MONROE. 768 00:47:58,945 --> 00:47:59,980 [Men laughing] 769 00:48:39,433 --> 00:48:40,814 [Car approaches] 770 00:48:40,848 --> 00:48:41,953 [Car door opens] 771 00:48:49,305 --> 00:48:51,066 [Monroe] WHAT DO YOU THINK? 772 00:48:51,100 --> 00:48:53,723 CAN'T THINK AT ALL WITH YOUR JACKET TURNED UP SO LOUD. 773 00:48:53,758 --> 00:48:55,035 [Monroe chuckling] 774 00:48:55,070 --> 00:48:57,969 LITTLE PARTY OUT AT THE RANCH TONIGHT. 775 00:48:58,004 --> 00:48:59,798 UH, WELL, UH, IT'S NOT REALLY A PARTY. 776 00:48:59,833 --> 00:49:02,077 IT'S MORE LIKE A RECEPTION. 777 00:49:02,111 --> 00:49:05,632 WE WENT OUT TO VEGAS TO MAKE IT LEGAL ON THE CHEAP. 778 00:49:05,666 --> 00:49:07,772 WELL, SHE DIDN'T WANT HER OLD MAN PULLING 779 00:49:07,806 --> 00:49:09,981 SOME CRAZY SHIT DURING THE VOWS, AND 780 00:49:10,016 --> 00:49:13,398 I WAS GOING TO ASK YOU TO STAND UP WITH ME, BUT... 781 00:49:13,433 --> 00:49:15,366 WHEN YOU'RE IN THE FUNERAL GAME, 782 00:49:15,400 --> 00:49:17,471 LIKE VELMA'S FAMILY, IT'S HARD FOR HER TO SEE A WEDDING 783 00:49:17,506 --> 00:49:19,301 AS ANYTHING BUT BUSINESS. 784 00:49:19,335 --> 00:49:20,440 BUT NOW THIS PARTY-- 785 00:49:20,474 --> 00:49:21,820 [Leon] SORRY, 786 00:49:21,855 --> 00:49:24,582 I CAN'T TAKE ANYTHING YOU SAY SERIOUSLY 787 00:49:24,616 --> 00:49:26,066 WITH THAT HAT ON. 788 00:49:31,865 --> 00:49:32,555 [Sighs] 789 00:49:33,418 --> 00:49:34,902 SAID VOWS, HUH? 790 00:49:34,937 --> 00:49:37,560 YEAH, YEAH. I DID. NOW LOOK-- 791 00:49:37,595 --> 00:49:39,528 NOPE, NOPE, CAN'T LOOK. 792 00:49:42,600 --> 00:49:43,773 I CAN'T EVEN SEE YOU. 793 00:49:46,397 --> 00:49:49,987 YOUR FACE IS SO SUNNY. 794 00:49:50,021 --> 00:49:51,919 SO EBULLIENT. 795 00:49:51,954 --> 00:49:55,751 HEY, I PUT THE "BULL" IN "EBULLIENT," BROTHER. COME ON. 796 00:49:55,785 --> 00:49:57,891 LITTLE DRINKING, LITTLE DANCING, 797 00:49:57,925 --> 00:49:59,858 LITTLE MARIACHI BAND. 798 00:49:59,893 --> 00:50:01,550 YOU CAN SLEEP IN THE BARN LIKE YOU LIKE. 799 00:50:01,584 --> 00:50:03,448 I'M BUSY. 800 00:50:03,483 --> 00:50:06,589 LITTLE TECHNOLOGICAL FIX TO A SPIRITUAL PROBLEM. 801 00:50:06,624 --> 00:50:08,281 WELL, THAT SOUNDS REAL PROMISING. 802 00:50:08,315 --> 00:50:10,248 WELL, NOTHING TO IT, JUST A LITTLE... 803 00:50:11,180 --> 00:50:14,425 TINKERING, A LITTLE SOLITUDE, 804 00:50:14,459 --> 00:50:15,564 NAVEL-GAZING. 805 00:50:22,605 --> 00:50:25,367 "MEN MET EACH OTHER WITH ERECTED LOOK 806 00:50:25,401 --> 00:50:27,955 "THE STEPS WERE HIGHER THAT THEY TOOK 807 00:50:27,990 --> 00:50:31,097 "FRIENDS TO CONGRATULATE THEIR FRIENDS 808 00:50:32,098 --> 00:50:33,478 "MADE HASTE" 809 00:50:33,513 --> 00:50:37,655 THAT SHIT NEVER HAPPENED! BUT THOSE WERE THE DAYS! 810 00:50:51,979 --> 00:50:53,498 INCOMING, BROTHER. 811 00:51:26,186 --> 00:51:27,946 ♪♪[Music playing on radio] 812 00:51:29,189 --> 00:51:31,847 ♪ BROKEN LINES, BROKEN STRINGS ♪ 813 00:51:33,159 --> 00:51:35,816 ♪ BROKEN THREADS, BROKEN SPRINGS ♪ 814 00:51:37,059 --> 00:51:40,925 ♪ BROKEN IDOLS, BROKEN HEADS ♪ 815 00:51:40,959 --> 00:51:43,859 ♪ PEOPLE SLEEPING IN BROKEN BEDS ♪♪ 816 00:51:44,894 --> 00:51:46,655 [Leon] NOW, YOUR CHEST FREEZER 817 00:51:48,691 --> 00:51:50,659 CAN GO DOWN IN YOUR BASEMENT. 818 00:51:53,593 --> 00:51:55,560 NOT IN YOUR GARAGE. 819 00:51:56,596 --> 00:51:59,323 IT'S SUB-SUBTERRANEAN. 820 00:51:59,357 --> 00:52:02,429 BUT YOUR--YOUR UPRIGHT FREEZER GOES IN YOUR KITCHEN 821 00:52:03,637 --> 00:52:05,812 OR TUCKED IN BEHIND YOUR DOOR 822 00:52:05,846 --> 00:52:07,779 IN YOUR DEN OR SOMETHING. 823 00:52:07,814 --> 00:52:09,264 WHY IS THAT? 824 00:52:13,199 --> 00:52:14,441 [Panting] 825 00:52:16,374 --> 00:52:17,720 [Coughs] 826 00:52:18,273 --> 00:52:19,377 OH. 827 00:52:19,412 --> 00:52:20,275 OH. 828 00:52:21,310 --> 00:52:22,415 THANK GOD. 829 00:52:23,209 --> 00:52:25,072 IT FELL OUT. 830 00:52:25,107 --> 00:52:26,798 DIDN'T EVEN KNOW. 831 00:52:26,833 --> 00:52:29,767 TRUCK'S ON UP THE ROAD. WENT TO TURN AROUND. 832 00:52:29,801 --> 00:52:33,840 RAN OUT OF GAS. FUCKING STUPID! RUN BACK HERE. 833 00:52:33,874 --> 00:52:36,187 MUST HAVE BEEN HALF A MILE. 834 00:52:36,222 --> 00:52:38,224 YOU GONNA WATCH IT FOR ME? 835 00:52:38,258 --> 00:52:39,811 UH... NO. 836 00:52:39,846 --> 00:52:41,882 GIVE ME YOUR KEYS. GIVE ME YOUR KEYS. 837 00:52:41,917 --> 00:52:43,436 I'LL BORROW YOUR CAR. 838 00:52:43,470 --> 00:52:46,370 I'LL GO GET SOME GAS. THEN I'LL COME BACK HERE. 839 00:52:46,404 --> 00:52:48,510 YOU GOING TO HELP ME LOAD IT, RIGHT? 840 00:52:48,544 --> 00:52:49,442 NO. 841 00:52:51,237 --> 00:52:54,550 HERE. YOU GO GET SOME GAS. 842 00:52:54,585 --> 00:52:56,621 ALL RIGHT. I'LL GO GET SOME GAS. 843 00:52:58,692 --> 00:53:01,281 YOU WEREN'T GOING TO TAKE IT, WERE YOU? DON'T TAKE IT. 844 00:53:02,351 --> 00:53:04,215 DON'T TAKE IT, ALL RIGHT? 845 00:53:04,250 --> 00:53:08,564 [Leon] CHEST FREEZERS SEEM LIKE IT'S SEPULCHRAL. 846 00:53:12,534 --> 00:53:14,398 IT'S SEPULCHRAL. 847 00:53:19,161 --> 00:53:21,301 "SOME SAY 848 00:53:21,336 --> 00:53:25,236 "AND SOME FEW MAY STILL BELIEVE IS LOST... 849 00:53:25,271 --> 00:53:27,273 "SOME SAY. 850 00:53:27,307 --> 00:53:30,310 "IS LOST A PLUMMETING OF SUNS." 851 00:53:30,345 --> 00:53:31,863 "SHADOWS PAST... " 852 00:53:31,898 --> 00:53:34,314 SO LOVELY AREN'T THEY? 853 00:53:34,349 --> 00:53:36,351 DON'T THEY DRIVE YOU MAD? 854 00:53:36,385 --> 00:53:39,285 THEIR SELF-CONTAINED, IMPLACABLE GREEN CALM. 855 00:53:39,319 --> 00:53:42,253 YOU WANT TO PICK ONE. UPROOT WORLDS. 856 00:53:42,288 --> 00:53:43,875 YOU'VE HAD YOUR HAND OUT NOW FOR 8 YEARS... 857 00:53:43,910 --> 00:53:45,946 [Woman] ...TOWARD DARKENED POOLS OF EVENING. 858 00:53:45,981 --> 00:53:48,466 YET IF THE BLOOD TIDE RISES, 859 00:53:48,501 --> 00:53:51,987 THE MOON DRAWS BACK THE SILVER MYSTERIES. 860 00:53:52,021 --> 00:53:54,265 IF HANDS REACH UPWARDS 861 00:53:54,300 --> 00:53:57,924 TOWARDS THE BREAST OF LIFE DESIRES PARABOLA. 862 00:53:59,477 --> 00:54:01,479 DESIRES PARABOLA. 863 00:54:01,514 --> 00:54:03,101 PARABOLA. PARABOLA. 864 00:54:03,136 --> 00:54:04,551 [Woman] HOPES. EARTHWARD. 865 00:54:05,449 --> 00:54:07,796 PLUNGE, DESCEND... 866 00:54:10,143 --> 00:54:11,731 ...COMES THE FALL OF NIGHT. 867 00:54:11,765 --> 00:54:13,250 [Man] COMES THE FALL OF NIGHT. 868 00:54:15,113 --> 00:54:17,840 [Man] HEY, MOTHERFUCKER, GET OUT OF THE ROAD! 869 00:54:17,875 --> 00:54:20,360 [Incoherent reciting] 870 00:54:23,639 --> 00:54:26,780 [Leon] MEN'S TONGUES DROWN IN THE HONEY OF YOUR NAMES. 871 00:54:27,885 --> 00:54:28,610 CORPSMAN! 872 00:54:29,611 --> 00:54:30,577 CORPSMAN! 873 00:54:30,612 --> 00:54:31,475 CORPSMAN! 874 00:54:32,338 --> 00:54:33,511 [Heartbeat pounds] 875 00:54:34,650 --> 00:54:35,755 CORPSMAN! 876 00:54:42,796 --> 00:54:43,763 [Creaking] 877 00:54:52,323 --> 00:54:53,704 [Car engine starts] 878 00:55:00,193 --> 00:55:01,159 [Trickling] 879 00:55:04,784 --> 00:55:05,923 [Groans] 880 00:55:07,925 --> 00:55:09,202 [Birds singing] 881 00:55:37,403 --> 00:55:39,301 THERE'S POEMS, AND THERE'S POEMS. 882 00:55:40,302 --> 00:55:42,615 I NEVER READ ANYTHING LIKE IT. 883 00:55:44,306 --> 00:55:45,721 CONGRATULATIONS. 884 00:55:46,446 --> 00:55:48,172 I WISH YOU BOTH THE BEST. 885 00:55:51,831 --> 00:55:52,797 ALL RIGHT, THAT'S ENOUGH. 886 00:55:52,832 --> 00:55:53,660 ALL RIGHT. 887 00:56:00,702 --> 00:56:02,393 HERE'S LOOKING AT YOU... 888 00:56:02,428 --> 00:56:03,808 [Both] ASKANCE! 889 00:56:05,051 --> 00:56:06,466 OH! 890 00:56:06,501 --> 00:56:09,814 I REMEMBER THIS LITTLE EXPERIMENTAL PIECE OF CRAP. 891 00:56:09,849 --> 00:56:12,541 I BET THEY DO, TOO. THEY JUST DIDN'T KNOW HOW TO HANDLE IT. 892 00:56:12,576 --> 00:56:14,957 WITH RUBBER GLOVES. 893 00:56:14,992 --> 00:56:16,994 "DEEP IN THE DREAM OF ANDROMEDA, 894 00:56:17,028 --> 00:56:18,927 "THE QUEEN OF THE VOID MOUNTS HER HORSE 895 00:56:18,961 --> 00:56:22,655 "OF FIRE AND DUST, HER NEBULOUS MAYFLOWER STEED 896 00:56:22,689 --> 00:56:26,417 "FULL CARGO OF LONG-AGO LIGHT." 897 00:56:26,452 --> 00:56:27,901 "FULL CARGO." 898 00:56:29,972 --> 00:56:32,561 "FULL CARGO OF LONG AGO LIGHT!" 899 00:56:32,596 --> 00:56:34,045 YEAH. 900 00:56:34,080 --> 00:56:39,499 "DRINK DEEP, DREAMER, AND TAKE THE BURNING ONE INSIDE YOU. 901 00:56:39,534 --> 00:56:43,227 "HOLD HIM UNDER, HOLD HIM, MAKE HIM SHOUT, 'I SURRENDER!'" 902 00:56:43,261 --> 00:56:43,952 [Siren blares] 903 00:56:49,509 --> 00:56:50,476 ♪♪[Music playing] 904 00:57:13,533 --> 00:57:15,397 YOU BOYS GO ON HOME NOW. 905 00:57:16,398 --> 00:57:17,572 AND MONROE, 906 00:57:17,606 --> 00:57:19,539 DON'T LET BARLOW GET BEHIND THAT WHEEL. 907 00:57:25,890 --> 00:57:28,824 [Monroe] "THE ANNUNCIATION OF VIRGINS, 908 00:57:28,859 --> 00:57:32,103 "OF MAIDEN VOYAGES. 909 00:57:32,138 --> 00:57:36,142 "MAPS THAT CURL AT THEIR EDGES LIKE SPACE" 910 00:57:36,176 --> 00:57:38,420 [Monroe] THE WHOLE BASEMENT'S A STUDIO. 911 00:57:38,455 --> 00:57:41,527 I TOOK ALL THE FURNITURE OUT AND IT'S ALL SET UP. 912 00:57:41,561 --> 00:57:44,357 I GOT SOUNDPROOFING OUT THE ASS DOWN THERE. 913 00:57:44,391 --> 00:57:46,842 IF I HAD YOUR ASS, I'D SOUNDPROOF IT, TOO. 914 00:57:48,637 --> 00:57:51,157 THE BOARD'S A MONSTER, TOO. IT'S ALL DIGITAL. 915 00:57:51,191 --> 00:57:55,644 I CAN RECORD MAJOR ARTISTS, ONCE I FIGURE OUT WHAT I'M DOING. 916 00:57:58,371 --> 00:58:00,235 ANYWAY, I'LL GET A CD PLAYER IN HERE, 917 00:58:00,269 --> 00:58:02,720 I WON'T HAVE TO FUCK WITH THESE TAPES. LOOK AT THIS. 918 00:58:02,755 --> 00:58:03,928 HEY.SHIT. 919 00:58:03,963 --> 00:58:05,205 HEY LOOK--LOOK HERE. 920 00:58:06,517 --> 00:58:08,312 IS THAT... THAT'S THAT GUY. 921 00:58:08,864 --> 00:58:10,417 WHAT GUY? 922 00:58:10,452 --> 00:58:13,420 THAT GUY, THE FLASHER. MR. POINT-AND-SHOOT. 923 00:58:13,455 --> 00:58:14,283 YEAH? 924 00:58:16,113 --> 00:58:17,148 TURN AROUND. 925 00:58:17,183 --> 00:58:19,944 LET'S JUST HAVE A RUN AT THAT FELLOW. 926 00:58:19,979 --> 00:58:21,498 TURN AROUND. TURN AROUND. 927 00:58:21,532 --> 00:58:23,120 YEAH. OK, PENIS-BOY. 928 00:58:23,154 --> 00:58:25,985 LEGION OF DECENCY IS ON YOUR ASS. 929 00:58:27,296 --> 00:58:28,988 SICK BASTARD. 930 00:58:29,022 --> 00:58:30,610 YOU KNOW, HE JUST CAN'T GET ANY. 931 00:58:32,232 --> 00:58:35,235 CLEAN HIM UP, A NEW PAIR OF LEVI'S, A LITTLE EDUCATION, 932 00:58:35,270 --> 00:58:38,445 WHO'S TO SAY HE COULDN'T QUALIFY FOR A BLOWJOB IN ATLANTA? 933 00:58:40,586 --> 00:58:42,519 JUST NEEDS A WARM PLACE TO PUT IT. 934 00:58:42,553 --> 00:58:43,934 GIVE ME A BEER, WON'T YOU? 935 00:58:43,968 --> 00:58:44,866 YEAH. 936 00:58:44,900 --> 00:58:45,798 YOU KNOW, 937 00:58:46,868 --> 00:58:48,835 I KIND OF FEEL SORRY FOR HIM. 938 00:58:48,870 --> 00:58:51,493 KIND OF, BUT NOT THAT MUCH. 939 00:58:51,528 --> 00:58:54,531 THAT'S RIGHT. LET'S KNOCK HIS DICK RIGHT IN THE DIRT. 940 00:58:55,117 --> 00:58:56,187 LITTLE DICK, 941 00:58:56,222 --> 00:58:59,018 LIKE A MEXICAN-MADE VOLKSWAGEN. 942 00:58:59,052 --> 00:59:01,296 [Laughs] 943 00:59:01,330 --> 00:59:04,575 NO, NO, NO. IT'S LIKE AN INDOCHINESE CUSTOMS AGENT. 944 00:59:04,610 --> 00:59:07,889 YOU WAVE ENOUGH MONEY AROUND, HE'LL JUST LOAD THE DUFFLE BAG HIMSELF. 945 00:59:07,923 --> 00:59:10,029 LIKE A CLARKSDALE BLUES JOINT. 946 00:59:10,063 --> 00:59:12,963 IT'S TOO DARK TO SEE THE MUSIC, YOU GOT TO HEAR IT TWICE. 947 00:59:13,446 --> 00:59:14,309 HUH? 948 00:59:16,449 --> 00:59:19,763 LET'S LIGHT HIM UP. THERE WE GO. 949 00:59:19,797 --> 00:59:22,662 PULL AROUND, BOBBY. PULL AROUND. LET'S TAKE A LOOK AT HIM. 950 00:59:22,697 --> 00:59:23,836 LET'S TAKE A GOOD LOOK AT HIM. 951 00:59:23,870 --> 00:59:25,113 HEY, YOU LITTLE SHIT! 952 00:59:27,080 --> 00:59:28,426 PULL UP! PULL UP! 953 00:59:28,461 --> 00:59:30,118 [Tires squeal] 954 00:59:31,671 --> 00:59:34,018 DID YOU SEE HIS FACE? DID YOU SEE WHO IT WAS? 955 00:59:34,053 --> 00:59:35,606 NO. I CAN'T TELL. 956 00:59:35,641 --> 00:59:37,746 TURN AROUND. NO, BACK UP. 957 00:59:38,920 --> 00:59:41,094 HE GO DOWN ROBERT FORD ROAD? DID YOU SEE HIM? 958 00:59:41,129 --> 00:59:42,371 NO, HE'S GONE. 959 00:59:43,510 --> 00:59:44,719 HE'S GONE, BOBBY, YOU LOST HIM. 960 00:59:44,753 --> 00:59:46,997 NO, I DIDN'T LOSE HIM. WE GOT HIM NOW. 961 00:59:48,999 --> 00:59:50,932 THERE WE GO. ALL RIGHT. 962 00:59:50,966 --> 00:59:52,554 A LITTLE DICK-- 963 00:59:52,589 --> 00:59:56,316 A LITTLE DICK'S LIKE A-- A FOREIGN EXCHANGE STUDENT ON CRACK. 964 00:59:56,351 --> 00:59:59,872 IT DON'T MAKE FOR MUCH OF A SLIDE SHOW WHEN YOU GET BACK HOME. 965 01:00:01,149 --> 01:00:02,599 THERE HE IS NOW! 966 01:00:03,738 --> 01:00:05,187 RIGHT. BACK UP. BACK UP. BACK UP. 967 01:00:07,017 --> 01:00:08,294 I'M GONNA KNOCK HIS ASS OUT. 968 01:00:09,502 --> 01:00:10,917 THERE HE GOES. 969 01:00:10,952 --> 01:00:13,299 OOH, YOU CAN GET HIM. YOU CAN GET HIM. 970 01:00:13,333 --> 01:00:14,334 OOH, TURN AROUND. 971 01:00:14,369 --> 01:00:15,542 WE GOT HIM NOW. 972 01:00:15,577 --> 01:00:17,096 HE'S GOING. SEE HIM? 973 01:00:23,205 --> 01:00:24,275 ALL RIGHT. 974 01:00:24,310 --> 01:00:25,311 GOT HIM NOW. 975 01:00:26,001 --> 01:00:27,693 STEP ON IT! 976 01:00:27,727 --> 01:00:28,970 NO, NO, STEP ON IT! 977 01:00:29,798 --> 01:00:31,144 [Car stalls] 978 01:00:31,697 --> 01:00:33,284 WHAT THE HELL? 979 01:00:33,319 --> 01:00:34,527 [Laughs] 980 01:00:34,561 --> 01:00:35,942 WE OUT OF GAS? 981 01:00:38,048 --> 01:00:39,670 [Laughs] 982 01:00:41,845 --> 01:00:43,501 WELL, SHIT THE BED. 983 01:00:47,505 --> 01:00:49,266 [Laughs] 984 01:00:49,300 --> 01:00:50,923 I'M GOING TO TAKE ME A TRAVELER. 985 01:00:50,957 --> 01:00:52,925 I'M GONNA GET SOMETHING TO READ, 986 01:00:52,959 --> 01:00:54,789 I'M GONNA WALK OUT OF HERE, GET SOME GAS. 987 01:00:54,823 --> 01:00:56,273 NO, YOU GOT TO HELP ME. 988 01:00:56,307 --> 01:01:00,001 WE GOT TO PUSH IT OUT OF THE STREET. 989 01:01:00,035 --> 01:01:02,244 [Monroe] IT WON'T OPEN LIKE THAT. 990 01:01:02,279 --> 01:01:04,522 YOU CAN'T REACH OUTSIDE. OPEN THE... 991 01:01:04,557 --> 01:01:05,731 [Laughs] 992 01:01:06,697 --> 01:01:08,630 ALL RIGHT, I'LL JUST GO OUT. 993 01:01:09,079 --> 01:01:10,356 [Laughs] 994 01:01:16,327 --> 01:01:18,053 [Monroe] WHERE YOU GOING? 995 01:01:18,088 --> 01:01:19,399 [Truck approaches] 996 01:01:21,401 --> 01:01:22,989 [Tires squeal] 997 01:01:34,725 --> 01:01:36,589 [Shortwave radio] DR. CLAYBURN'S GONNA HAVE TO REFUEL, 998 01:01:36,623 --> 01:01:38,591 SO HE'LL BE BREAKING STATION SHORTLY. 999 01:01:38,625 --> 01:01:42,146 I JUST WANT YOU TO CHECK FOR PROBLEMS, SEE IF HE CAN, UH, 1000 01:01:42,181 --> 01:01:45,425 PUT AN ADJUSTMENT ON THIS OR TELL HIM THAT WE GOT PROGRAM... 1001 01:01:45,460 --> 01:01:47,013 [Man, distorted] ♪ CRAZY 1002 01:01:48,981 --> 01:01:53,364 ♪ I'M CRAZY FOR FEELING 1003 01:01:56,160 --> 01:01:59,439 ♪ SO LONELY 1004 01:02:05,549 --> 01:02:08,932 ♪ I'M CRAZY 1005 01:02:12,625 --> 01:02:16,629 ♪ CRAZY FOR FEELING 1006 01:02:18,976 --> 01:02:22,497 ♪ SO BLUE 1007 01:02:22,531 --> 01:02:24,533 ♪♪[Song speeds up] 1008 01:02:25,742 --> 01:02:27,985 [Woman] ♪ I KNEW 1009 01:02:28,020 --> 01:02:32,783 ♪ YOU'D LOVE ME AS LONG AS YOU WANT ME ♪ 1010 01:02:34,474 --> 01:02:35,682 I'M PISSING. 1011 01:02:35,717 --> 01:02:38,409 ♪ AND THEN SOMEDAY 1012 01:02:38,444 --> 01:02:39,790 ♪ YOU'D LEAVE ME... 1013 01:02:39,825 --> 01:02:41,758 WHEN IT GETS TO $28, SELL IT. 1014 01:02:46,486 --> 01:02:48,109 ♪ WORRY 1015 01:02:49,317 --> 01:02:52,803 ♪ WHY DO I LET MYSELF WORRY? ♪ 1016 01:02:57,152 --> 01:02:59,914 ♪ WONDERING 1017 01:02:59,948 --> 01:03:03,262 ♪ WHAT IN THE WORLD DID I DO? ♪ 1018 01:03:04,608 --> 01:03:06,437 GET UP, FUCKER! 1019 01:03:06,472 --> 01:03:08,163 GET UP! 1020 01:03:08,198 --> 01:03:09,578 ♪ CRAZY 1021 01:03:10,441 --> 01:03:13,168 STAY RIGHT HERE. 1022 01:03:13,203 --> 01:03:15,101 ♪ COULD HOLD YOU 1023 01:03:15,861 --> 01:03:17,621 GO OVER THERE. 1024 01:03:17,655 --> 01:03:20,762 ♪ I'M CRAZY FOR TRYIN' 1025 01:03:20,797 --> 01:03:23,385 ♪ AND CRAZY FOR CRYIN' 1026 01:03:23,420 --> 01:03:26,388 ♪ AND I'M CRAZY FOR LOVING YOU ♪ 1027 01:03:26,423 --> 01:03:27,769 MONROE? 1028 01:03:27,804 --> 01:03:28,805 MONROE? 1029 01:03:29,357 --> 01:03:30,427 MONROE? 1030 01:03:30,945 --> 01:03:31,842 MONROE? 1031 01:03:34,672 --> 01:03:35,708 I NEED SOME HELP, HERE. 1032 01:03:36,226 --> 01:03:37,330 MONROE? 1033 01:03:37,779 --> 01:03:38,815 MONROE? 1034 01:03:39,505 --> 01:03:40,747 MONROE! 1035 01:03:41,265 --> 01:03:42,508 MONROE! 1036 01:03:42,542 --> 01:03:43,923 ♪ AND CRAZY FOR CRYIN' 1037 01:03:43,958 --> 01:03:45,822 ♪♪[Song resumes normal speed] 1038 01:03:45,856 --> 01:03:47,409 ♪ AND I'M CRAZY 1039 01:03:47,444 --> 01:03:50,896 ♪ FOR LOVIN' 1040 01:03:52,483 --> 01:03:54,623 ♪ YOU ♪ 1041 01:04:04,357 --> 01:04:05,600 MY HAT. 1042 01:04:05,634 --> 01:04:06,808 MY HAT. 1043 01:04:06,843 --> 01:04:08,085 YOUR HAT? 1044 01:04:08,120 --> 01:04:09,293 I LOST MY HAT. 1045 01:04:09,328 --> 01:04:10,191 [Woman] LEON BARLOW? 1046 01:04:11,640 --> 01:04:12,641 MY HAT. 1047 01:04:13,573 --> 01:04:14,643 IT'S MISS MURPHY. 1048 01:04:16,128 --> 01:04:19,372 MISS MURPHY, FROM THE 3RD GRADE? 1049 01:04:19,407 --> 01:04:23,273 LEON, LEON! SHH! WE NEED TO GET YOU HOME. ALL RIGHT? 1050 01:04:23,307 --> 01:04:25,931 M-I, A CROOKED LETTER? CROOKED LETTER? 1051 01:04:25,965 --> 01:04:27,656 I... CROOKED LETTER. 1052 01:04:27,691 --> 01:04:29,451 CROOKED LETTER. I... 1053 01:04:29,486 --> 01:04:31,798 HUMPBACK. HUMPBACK. I... 1054 01:04:31,833 --> 01:04:34,525 LOOK, LISTEN TO ME. MONROE'S ALIVE. 1055 01:04:34,560 --> 01:04:37,528 ALL RIGHT? HE'S BREATHING ON HIS OWN. HE COULD WAKE UP ANY TIME. 1056 01:04:37,563 --> 01:04:38,771 MONROE? 1057 01:04:38,805 --> 01:04:40,946 LET'S KEEP HIM BREATHING, BREATHING. 1058 01:04:40,980 --> 01:04:42,637 LET'S GO! HURRY UP, DAMN IT! 1059 01:04:42,671 --> 01:04:44,777 GET SOME REST. THAT'S THE BEST YOU CAN DO. 1060 01:04:44,811 --> 01:04:46,123 I'M DOING IT! 1061 01:04:46,158 --> 01:04:48,022 YOUR EX-MOTHER-IN-LAW'S ON THE PHONE. 1062 01:04:48,056 --> 01:04:50,576 ALL RIGHT, I'LL GET BACK TO HER. STOP IT. 1063 01:04:52,026 --> 01:04:54,718 WH-WHAT? GOD, LEON! 1064 01:04:58,204 --> 01:04:59,481 [Woman giggling] 1065 01:05:05,108 --> 01:05:06,109 LEON? 1066 01:05:11,321 --> 01:05:14,427 SHE'S GOT CF. SHE'S ASTHMATIC. SHE'S GOT A PORT ON HER RIGHT SIDE. 1067 01:05:14,462 --> 01:05:17,154 LEON, MOVE! 1068 01:05:17,189 --> 01:05:19,570 SHE DIDN'T EVEN CR-- SHE DIDN'T EVEN CRY WHEN SHE WENT TO SLEEP. 1069 01:05:19,605 --> 01:05:22,125 [Marilyn] ALMA, I NEED YOU! LEON, GET ALAN. 1070 01:05:22,159 --> 01:05:23,471 GO GET ALAN! 1071 01:05:23,505 --> 01:05:25,783 [Mrs. Barlow] SHE WAS FINE. 1072 01:05:25,818 --> 01:05:28,062 [Marilyn] WAS SHE BREATHING WHEN YOU FOUND HER? 1073 01:05:28,096 --> 01:05:30,996 DID SHE DO HER TREATMENT? 1074 01:05:31,030 --> 01:05:33,999 [Woman on radio] ONE-BETA-12? DID YOU GET THE BARLOW GIRL? 1075 01:05:35,138 --> 01:05:36,898 ONE-BETA-12, DO YOU COPY? 1076 01:05:36,933 --> 01:05:39,004 DID YOU GET THE BARLOW GIRL? 1077 01:05:39,038 --> 01:05:40,453 [Marilyn] WHERE ARE HER SHOES? 1078 01:05:41,489 --> 01:05:43,456 [Priest] "SEE THEY RISE 1079 01:05:43,491 --> 01:05:45,942 "AND BECOME THE FIRST FRUITS OF THEM THAT SLEPT. 1080 01:05:47,667 --> 01:05:50,739 "FOR WE ARE BORN OF WOMAN AND LIVE BUT A SHORT TIME. 1081 01:05:52,120 --> 01:05:55,641 "WE COME UP LIKE A FLOWER. WE FLEE AS SHADOW. 1082 01:05:57,436 --> 01:06:00,957 "SO GRANT TO THE CHILDREN A TABERNACLE IN THE SUN. 1083 01:06:04,788 --> 01:06:07,273 "AND THE DISCIPLES CAME UNTO JESUS 1084 01:06:07,308 --> 01:06:09,344 "AND SAID, 'WHO SHALL BE GREATEST?' 1085 01:06:10,967 --> 01:06:13,970 "HE SET A CHILD IN THEIR MIDST 1086 01:06:14,004 --> 01:06:17,697 "AND SAID 'EXCEPT YE BECOME AS LITTLE CHILDREN, 1087 01:06:17,732 --> 01:06:21,736 "'YE SHALL NOT ENTER THE KINGDOM OF HEAVEN. 1088 01:06:21,770 --> 01:06:27,121 "'SO SUFFER THE LITTLE CHILDREN TO COME UNTO ME AND FORBID THEM NOT.' 1089 01:06:27,155 --> 01:06:30,262 "FOR OF SUCH... FOR OF SUCH IS THE KINGDOM. 1090 01:06:32,057 --> 01:06:34,335 "FOR WE ARE BORN OF WOMAN 1091 01:06:34,369 --> 01:06:36,682 "AND LIVE BUT A SHORT TIME. 1092 01:06:37,476 --> 01:06:38,995 "WE COME UP LIKE A FLOWER. 1093 01:06:40,134 --> 01:06:43,930 "WE FLEE AS SHADOW. SEE THEY RISE. 1094 01:06:43,965 --> 01:06:47,141 "AND ARE BECOME THE FIRST FRUITS OF THEM THAT SLEPT. 1095 01:06:47,175 --> 01:06:53,147 "BLAH, BLAH, SHE SHALL SUFFER NO MORE. BLAH, BLAH. 1096 01:06:53,181 --> 01:06:57,220 "PLATITUDE ABOUT THE MYSTERIOUS WAYS IN WHICH GOD WORKS. 1097 01:06:57,254 --> 01:07:00,257 "PLATITUDE ABOUT FAITH. 1098 01:07:00,292 --> 01:07:04,434 "PLATITUDE ABOUT GRIEF. 1099 01:07:04,468 --> 01:07:08,783 "CLICHE ABOUT GOD CALLING HIS CHILDREN HOME. 1100 01:07:08,817 --> 01:07:12,649 "CLICHE ABOUT ANGELS. BLAH, BLAH. 1101 01:07:13,857 --> 01:07:17,654 "SHE SHALL SUFFER NO MORE, BLAH, BLAH. 1102 01:07:17,688 --> 01:07:19,759 "IN THE TWINKLING OF AN EYE, BLAH. 1103 01:07:21,278 --> 01:07:25,006 "FOR THE TRUMPET SHALL SOUND, BLAH, BLAH. 1104 01:07:25,041 --> 01:07:28,147 "AND THE DEAD SHALL BE RAISED INCORRUPTIBLE, BLAH, BLAH. 1105 01:07:28,803 --> 01:07:29,700 "BLAH. 1106 01:07:31,392 --> 01:07:33,256 "AND WE SHALL BE CHANGED." 1107 01:08:59,583 --> 01:09:01,171 [Television playing] 1108 01:09:08,247 --> 01:09:09,421 GOOD TO SEE YOU. 1109 01:09:11,561 --> 01:09:13,356 MUCH OBLIGED. 1110 01:09:14,046 --> 01:09:15,806 GLAD YOU COULD MAKE IT. 1111 01:09:15,841 --> 01:09:18,292 [Mrs. Barlow] I JUST LOVE THE SMELL OF FRESH-CUT LEMONS. 1112 01:09:19,465 --> 01:09:22,330 I REMEMBER I WAS ON A TRIP 1113 01:09:22,365 --> 01:09:24,953 IN A BEAUTIFUL HOTEL IN PORTUGAL AND... 1114 01:09:26,507 --> 01:09:29,579 AND THIS YOUNG MAN BROUGHT IN MY BREAKFAST. 1115 01:09:30,442 --> 01:09:33,272 AND RIGHT THERE, 1116 01:09:33,307 --> 01:09:36,724 HE CUT THE LEMON FOR MY TEA, 1117 01:09:36,758 --> 01:09:38,243 AND I SHALL NEVER... 1118 01:10:01,266 --> 01:10:02,508 [Sighs] 1119 01:10:30,985 --> 01:10:32,538 EXCUSE ME. 1120 01:10:46,897 --> 01:10:48,278 AUNT SALLY, 1121 01:10:49,106 --> 01:10:51,281 MISS HARRISON, MISS GRACE, 1122 01:10:53,041 --> 01:10:54,319 AUNT BETSY, I... 1123 01:10:57,701 --> 01:10:59,738 Y'ALL OUGHT TO COME OUTSIDE. 1124 01:11:03,466 --> 01:11:04,812 PRETTY NICE OUTSIDE. 1125 01:11:07,470 --> 01:11:08,643 [Church bell chiming] 1126 01:11:12,613 --> 01:11:14,200 [Alan] BIG BLACK CAR ON A GRAVEL ROAD. 1127 01:11:14,235 --> 01:11:16,133 BIG BLACK CAR ON A GRAVEL ROAD. 1128 01:11:16,168 --> 01:11:17,928 BIG BLACK CAR ON A GRAVEL ROAD. 1129 01:11:17,963 --> 01:11:19,827 BIG BLACK CAR ON A GRAVEL ROAD. 1130 01:11:19,861 --> 01:11:21,760 BIG BLACK CAR ON A GRAVEL ROAD. 1131 01:11:21,794 --> 01:11:23,727 BIG BLACK CAR ON A GRAVEL ROAD. 1132 01:11:23,762 --> 01:11:25,591 BIG BLACK CAR ON A GRAVEL ROAD. 1133 01:11:25,626 --> 01:11:26,592 [Coughs] 1134 01:11:30,320 --> 01:11:31,597 OH, HEY. 1135 01:11:35,325 --> 01:11:36,809 IT'S NOT RAINING, IS IT? 1136 01:11:36,844 --> 01:11:37,741 NO. 1137 01:11:41,918 --> 01:11:43,678 WERE YOU SAYING SOMETHING? 1138 01:11:44,300 --> 01:11:45,128 NO.HUH? 1139 01:11:47,717 --> 01:11:49,063 WHAT WERE YOU SAYING? 1140 01:11:49,546 --> 01:11:50,616 STORY. 1141 01:11:50,651 --> 01:11:52,238 WHAT?STORY. 1142 01:11:52,273 --> 01:11:53,343 WHAT STORY? 1143 01:11:53,378 --> 01:11:54,171 I DON'T KNOW. 1144 01:11:55,932 --> 01:11:57,313 WHAT WAS YOUR STORY? 1145 01:11:57,347 --> 01:11:58,210 I DON'T KNOW. 1146 01:11:59,832 --> 01:12:01,109 YOU DON'T WANT TO TALK TO ME? 1147 01:12:01,144 --> 01:12:02,179 NO. 1148 01:12:03,560 --> 01:12:04,941 TELL ME YOUR STORY. 1149 01:12:04,975 --> 01:12:06,114 NO. 1150 01:12:12,017 --> 01:12:13,018 WHAT? 1151 01:12:13,052 --> 01:12:13,743 THIS IS BROKE.WHAT? 1152 01:12:15,434 --> 01:12:16,401 ALAN. 1153 01:12:17,022 --> 01:12:17,919 ALAN. 1154 01:12:19,887 --> 01:12:20,853 ALAN! 1155 01:12:20,888 --> 01:12:22,372 [Thunder claps] 1156 01:12:22,407 --> 01:12:23,269 ALAN. 1157 01:12:25,789 --> 01:12:27,273 [Voices whispering] 1158 01:12:35,109 --> 01:12:36,317 [Children giggling] 1159 01:12:54,162 --> 01:12:55,025 HEY. 1160 01:13:02,447 --> 01:13:03,758 [Woman sobbing] 1161 01:13:11,145 --> 01:13:12,215 MAMA? 1162 01:13:21,086 --> 01:13:22,259 MOTHER? 1163 01:13:34,962 --> 01:13:37,067 VELMA AND HER FRIEND ARE HERE. 1164 01:13:49,666 --> 01:13:51,116 [Car approaches] 1165 01:14:02,714 --> 01:14:05,751 FIRST WOMAN IN SPACE, MY ASS. I BEEN THERE ALL MY LIFE. 1166 01:14:08,064 --> 01:14:10,756 SO SORRY WE DIDN'T MAKE IT TO THE CEMETERY. 1167 01:14:10,791 --> 01:14:12,344 I'M SO, SO SORRY WE'RE LATE. 1168 01:14:13,310 --> 01:14:14,380 MONROE? 1169 01:14:17,556 --> 01:14:18,695 HE WON'T GET OUT NOW. 1170 01:14:20,179 --> 01:14:24,011 MADE ME HAUL HIM ALL OVER, ALL UPSET ABOUT ALISHA. 1171 01:14:24,045 --> 01:14:26,600 HALFWAY HERE, HE CAN'T REMEMBER WHY HE'S IN THE CAR. 1172 01:14:26,634 --> 01:14:29,499 THEN WE PULL UP AND HE SAID THE PLACE IS HAUNTED. 1173 01:14:31,225 --> 01:14:34,642 NOW HE'S ON ABOUT, "GOING TO GET BACK IN THE DOPE BUSINESS. 1174 01:14:34,677 --> 01:14:38,059 "GOING TO SELL THAI STICK TO RUSSIAN COSMONAUTS." 1175 01:14:38,094 --> 01:14:40,510 BE NICE IF WE COULD BE A LITTLE SUPPORTIVE, YOU KNOW. 1176 01:14:43,996 --> 01:14:46,447 DID I TELL YOU HOW SORRY I AM? 1177 01:14:46,482 --> 01:14:48,104 IS THERE ANYTHING I CAN DO? 1178 01:14:48,138 --> 01:14:48,829 OH! 1179 01:14:50,347 --> 01:14:52,280 BLEEDING WOUNDS OF THE MARTYRS. 1180 01:14:58,528 --> 01:14:59,736 AW, SWEETIE. 1181 01:15:03,568 --> 01:15:06,122 HEY, VEL. THANKS FOR COMING. 1182 01:15:09,401 --> 01:15:11,023 HOW'S THE BIG GUY DOING? 1183 01:15:11,058 --> 01:15:14,302 WELL, YOU KNOW, HIS BRAINS ARE ALL MIX-MASTERED ALL TO HELL. 1184 01:15:15,890 --> 01:15:17,651 YOU GOT TO HELP HIM, BARLOW! 1185 01:15:17,685 --> 01:15:19,618 HE'S GOT NO... WHAT DO YOU CALL IT? 1186 01:15:19,653 --> 01:15:20,964 EQUILIBRIUM. 1187 01:15:26,832 --> 01:15:27,937 COME ON NOW. 1188 01:15:30,249 --> 01:15:31,319 COME ON. 1189 01:15:34,702 --> 01:15:35,910 LET GO. 1190 01:15:38,292 --> 01:15:39,189 OH, CHRIST. 1191 01:15:40,777 --> 01:15:43,573 STOP IT! JACOB BITES GABRIEL. STOP IT! 1192 01:15:48,129 --> 01:15:49,683 SHOULD WE STOP IT? 1193 01:15:51,892 --> 01:15:53,169 NO, NO, NO. WHY? 1194 01:15:54,170 --> 01:15:55,067 YEAH. 1195 01:15:55,102 --> 01:15:57,000 SEE, THIS IS IT. 1196 01:15:58,519 --> 01:16:00,348 THIS IS IT, EXACTLY. 1197 01:16:03,455 --> 01:16:07,079 SEE, YOU ALWAYS, ALWAYS THINK THAT SOMETHING ELSE IS MEANT TO HAPPEN. 1198 01:16:09,116 --> 01:16:11,705 TINY LITTLE COFFIN, TINY LITTLE GRAVE. 1199 01:16:12,326 --> 01:16:14,708 GET ALL DRESSED UP. 1200 01:16:14,742 --> 01:16:18,159 YOU'D THINK THAT THE TWO OF THEM COULD JUST SIT TOGETHER AND, 1201 01:16:18,194 --> 01:16:19,989 I DON'T KNOW, MURMUR? 1202 01:16:20,748 --> 01:16:22,267 BUT INSTEAD, THIS. 1203 01:16:27,203 --> 01:16:29,792 WE'VE LIVED FOR 4 YEARS KNOWING SHE'LL DIE. 1204 01:16:29,826 --> 01:16:33,416 BUT WHEN THE DAY COMES, YOU JUST DON'T KNOW ANYTHING. 1205 01:16:35,556 --> 01:16:37,593 YOU'D THINK, ON A DAY LIKE TODAY, 1206 01:16:37,627 --> 01:16:39,560 HE COULD JUST STOP AND TAKE A BREATH. 1207 01:16:40,872 --> 01:16:42,425 BUT INSTEAD, THIS. 1208 01:16:44,703 --> 01:16:46,636 STOP TELLING US THIS STORY. 1209 01:16:53,850 --> 01:16:55,231 STOP-- 1210 01:16:55,265 --> 01:16:56,957 STOP TELLING US THIS. 1211 01:16:56,991 --> 01:16:58,165 STOP 1212 01:16:58,199 --> 01:16:59,649 TELLING US THIS! 1213 01:17:02,790 --> 01:17:04,067 SORRY. 1214 01:17:04,102 --> 01:17:05,690 OK. 1215 01:17:05,724 --> 01:17:08,071 IT'S A BEAUTIFUL FRUIT SALAD. 1216 01:17:08,106 --> 01:17:10,591 COME ON, LET'S GO INSIDE. 1217 01:17:10,626 --> 01:17:12,662 WE'LL HELP ALMA RUN THE SHOW. 1218 01:17:14,077 --> 01:17:16,459 WE'LL SIT WITH THE MATRIARCHY AND WHISPER. 1219 01:17:18,047 --> 01:17:20,083 WE'LL WHISPER OURSELVES INSANE. 1220 01:17:27,608 --> 01:17:29,852 [Aaron] WHAT DO YOU BET, WHEN IT'S THE END OF THE WORLD, 1221 01:17:32,717 --> 01:17:35,616 SOME DAMN FOOL'S GOING TO SAY, "WELL, IT AIN'T THE END OF THE WORLD." 1222 01:17:36,997 --> 01:17:39,896 PEOPLE USED TO KNOW WHAT TO DO TO GET YOU THROUGH IT. 1223 01:17:39,931 --> 01:17:41,484 LITTLE CEREMONIES, YOU KNOW? 1224 01:17:41,518 --> 01:17:43,141 LIGHT A CANDLE FOR THE DEAD. 1225 01:17:43,175 --> 01:17:45,384 PIN A MEDAL ON YOU FOR BRAVERY. 1226 01:17:45,419 --> 01:17:47,697 DUNK YOU IN THE RIVER TO SAVE YOUR SOUL. 1227 01:17:47,732 --> 01:17:50,666 [Leon] I JUST GO THROUGH THE GODDAMN MOTIONS. 1228 01:17:50,700 --> 01:17:52,840 YOU GOT A GOOD HEAD ON YOUR SHOULDERS. 1229 01:17:52,875 --> 01:17:55,049 YOU GOT TO START USING IT. 1230 01:17:55,084 --> 01:17:57,293 GOT TO THINK BEFORE YOU TALK TO YOUR BOY. 1231 01:17:57,327 --> 01:17:59,571 YOU GOT TO THINK BEFORE WE FIND SOME 1232 01:17:59,605 --> 01:18:03,126 CROW PICKING WHAT'S LEFT OF YOU OFF THE PAVEMENT. 1233 01:18:03,161 --> 01:18:04,610 OR SHOVELING YOU OFF SOME 1234 01:18:06,371 --> 01:18:08,235 COUNTY 2-LANE LIKE YOUR... 1235 01:18:10,271 --> 01:18:11,894 LOST, DRUNK DADDY. 1236 01:18:15,863 --> 01:18:17,693 FAMILY'S NOT YOUR ENEMY, BOY. 1237 01:18:20,488 --> 01:18:22,007 YOUR FAMILY'S NOT THE ENEMY. 1238 01:18:37,989 --> 01:18:40,198 [Man] SHE HAD GERANIUMS. 1239 01:18:40,232 --> 01:18:41,268 GERANIUMS. 1240 01:18:41,302 --> 01:18:42,752 [Horn honks] 1241 01:18:42,787 --> 01:18:46,756 GERANIUMS. LITTLE BLACK NOTEBOOKS CRAMMED FULL OF THEM. 1242 01:18:46,791 --> 01:18:51,554 DON'T KNOW HOW MANY. STARTED COUNTING ONE DAY AT 11:45 P.M. 1243 01:18:51,588 --> 01:18:54,764 I GOT UP TO 372, DOORBELL RANG. 1244 01:18:56,559 --> 01:18:59,804 I GO TO THE DOOR, I'M THINKING 372. 1245 01:18:59,838 --> 01:19:01,184 372. 1246 01:19:01,667 --> 01:19:02,979 372. 1247 01:19:03,497 --> 01:19:04,912 372. 1248 01:19:05,430 --> 01:19:06,914 372. 1249 01:19:07,432 --> 01:19:08,329 BORN WRONG. 1250 01:19:08,744 --> 01:19:09,952 372. 1251 01:19:10,849 --> 01:19:13,541 DROWNING FROM DAY ONE. 1252 01:19:13,576 --> 01:19:17,925 FELLOW FROM CLARK'S, LITTLE BLACK MUSTACHE, LITTLE SLEAZY EYES... 1253 01:19:17,960 --> 01:19:20,065 CRACKED LITTLE HEART. 1254 01:19:20,100 --> 01:19:21,895 HE'S LOOKING ALL AROUND BEHIND ME, 1255 01:19:21,929 --> 01:19:22,965 TRYING TO SEE IN THE HOUSE. 1256 01:19:22,999 --> 01:19:24,173 [Leon] BORN WRONG. 1257 01:19:24,207 --> 01:19:25,691 I STABBED HIM WITH MY PENCIL. 1258 01:19:25,726 --> 01:19:27,245 CHILD OF GOD. 1259 01:19:27,279 --> 01:19:30,386 [Man] A BAKER'S DOZEN CHRYSANTHEMUMS FOR MRS. ROSE DALE BOURDEAUX. 1260 01:19:30,420 --> 01:19:31,663 WAFTING... 1261 01:19:32,837 --> 01:19:34,390 INTO SPACE. 1262 01:19:34,424 --> 01:19:36,461 [Man] ...GERANIUMS. 1263 01:19:36,495 --> 01:19:37,911 I STABBED HIM WITH MY PENCIL. 1264 01:19:39,188 --> 01:19:41,397 [Man #2] 9 SHOTS OUGHT TO BE ENOUGH. 1265 01:19:41,431 --> 01:19:43,813 KEEP IT IN SINGLE DIGITS. 1266 01:19:43,848 --> 01:19:47,990 I'M NO STRANGER TO UNDERACHIEVEMENT, DADDY. 1267 01:19:48,024 --> 01:19:50,268 WHAT'S-HIS-NAME SAYS YOU'RE A PRETTY GOOD WRITER. 1268 01:19:50,302 --> 01:19:52,788 THAT FRIEND OF YOURS. MONROE. 1269 01:19:52,822 --> 01:19:54,582 HE HAD A BRAIN INJURY. 1270 01:19:55,376 --> 01:19:57,033 NO, BEFORE. 1271 01:19:57,068 --> 01:19:59,415 HE SAID THAT WAY BEFORE YOU DID THAT NUMBER ON HIM. 1272 01:20:03,522 --> 01:20:05,628 I'D LIKE TO READ SOME OF YOUR STUFF SOMETIME. 1273 01:20:05,662 --> 01:20:07,250 NOBODY READS MY STUFF. 1274 01:20:09,735 --> 01:20:11,392 EXCEPT MONROE. 1275 01:20:11,427 --> 01:20:13,187 TAKE THE HIGHWAY, SON. 1276 01:20:16,777 --> 01:20:17,882 I'M SORRY. 1277 01:20:44,736 --> 01:20:46,324 [Car approaches] 1278 01:20:47,532 --> 01:20:49,154 [Siren blares] 1279 01:21:01,891 --> 01:21:03,237 BARLOW. 1280 01:21:03,272 --> 01:21:05,722 BARLOW? BARLOW? YOU ALL RIGHT? 1281 01:21:10,072 --> 01:21:12,315 YOU LOOK LIKE YOU DONE COME BACK FROM THE DEAD ONCE. 1282 01:21:13,454 --> 01:21:15,008 YOU OUGHT NOT PUSH YOUR LUCK. 1283 01:21:18,563 --> 01:21:20,151 [Man] I'M SORRY ABOUT YOUR LITTLE GIRL. 1284 01:21:20,185 --> 01:21:22,118 I WAS FISHING UP NORTH. 1285 01:21:22,153 --> 01:21:23,395 DIDN'T GET A SINGLE BITE. 1286 01:21:24,603 --> 01:21:26,536 HOW'S YOUR MAMA? 1287 01:21:26,571 --> 01:21:27,848 SHE'S STEADY. 1288 01:21:28,711 --> 01:21:30,126 YES, SHE IS. 1289 01:21:31,921 --> 01:21:35,683 WELL, SON, YOU'RE LOOKING AT 30 DAYS. 1290 01:21:35,718 --> 01:21:39,273 IF I WERE YOU, I'D TAKE THE COMMUNITY SERVICE OPTION. 1291 01:21:40,102 --> 01:21:41,413 CUT YOUR TIME IN HALF. 1292 01:21:42,759 --> 01:21:44,313 GET OUT OF JAIL DAYTIME. 1293 01:21:45,797 --> 01:21:46,902 IT'S UP TO YOU. 1294 01:22:03,849 --> 01:22:06,024 WORST PART FOR YOU IS BEING RIGHT UP THE ROAD 1295 01:22:06,059 --> 01:22:08,613 FROM THAT DEVIL'S DEN, AIN'T IT? 1296 01:22:08,647 --> 01:22:11,754 IT DOES SEEM BOTH CRUEL AND UNUSUAL. 1297 01:22:13,618 --> 01:22:15,137 WAKE UP, MAURICE! 1298 01:22:40,886 --> 01:22:42,543 DON'T YOU SMOKE IN MY KITCHEN. 1299 01:22:45,098 --> 01:22:48,273 WELL, LORD HAVE MERCY. 1300 01:22:48,308 --> 01:22:52,381 CLEANEST POTS I'VE SEEN IN 135 YEARS OF GOVERNMENT COOKING. 1301 01:22:55,971 --> 01:22:56,937 COULD I... 1302 01:22:58,214 --> 01:23:01,010 COULD I TROUBLE YOU TO USE YOUR PHONE? 1303 01:23:02,046 --> 01:23:02,978 NO. 1304 01:23:33,111 --> 01:23:34,768 I LOST SOMEBODY ONCE, TOO. 1305 01:23:36,597 --> 01:23:37,805 I KNOW WHAT IT'S LIKE. 1306 01:23:39,635 --> 01:23:42,534 ALL THOSE SURPRISE VISITS IN YOUR MIND. 1307 01:23:45,296 --> 01:23:46,849 OOPS, LOOKY THERE. 1308 01:23:48,023 --> 01:23:50,680 ME TURNING MY BACK, 1309 01:23:50,715 --> 01:23:53,511 NOT KNOWING IF YOU STEP OUT FOR ONE COLD BEER 1310 01:23:53,545 --> 01:23:56,617 AND ONLY ONE ON SUCH A HOT DAY. 1311 01:23:56,652 --> 01:23:59,275 WORKING SINCE DAWN. MM! 1312 01:23:59,310 --> 01:24:00,656 MM, MM, MM. 1313 01:24:11,115 --> 01:24:12,323 ♪♪[Humming] 1314 01:24:19,847 --> 01:24:23,230 [Woman] HEY, THERE! WHERE YOU BEEN SO LONG, STRANGER? 1315 01:24:23,265 --> 01:24:24,059 [Leon] JAIL. 1316 01:24:25,853 --> 01:24:28,028 SO WHAT'D YOU DO? 1317 01:24:28,063 --> 01:24:30,513 JUMP THE FENCE JUST SO YOU COULD COME SEE ME? 1318 01:24:31,859 --> 01:24:34,276 COMMUNITY SERVICE, UP THE ROAD. 1319 01:24:36,347 --> 01:24:38,659 BY THE WAY, YOUR CAR KEYS WERE TURNED IN HERE. 1320 01:24:39,902 --> 01:24:42,560 SOME GUY FOUND THEM IN THE PARKING LOT. 1321 01:24:42,594 --> 01:24:44,872 AND I HAD THEM HERE, BUT, UH, 1322 01:24:44,907 --> 01:24:47,289 THIS GIRL SAID SHE WOULD KEEP THEM FOR YOU. 1323 01:24:47,323 --> 01:24:49,118 UH, WHAT'S HER NAME? UM, 1324 01:24:49,153 --> 01:24:51,258 YOU KNOW, THE ONE WITH THE TWIN BROTHERS? 1325 01:24:52,846 --> 01:24:54,572 WHAT'S HER NAME? UH... 1326 01:24:54,606 --> 01:24:56,677 VELMA! VELMA HAS YOUR KEYS. 1327 01:24:58,300 --> 01:24:59,473 HEY! 1328 01:24:59,508 --> 01:25:02,235 GODDAMN IT, YOU TWO! CUT IT OUT! 1329 01:25:02,269 --> 01:25:04,340 YOUR CAR IS STILL IN THE PARKING LOT. 1330 01:25:04,375 --> 01:25:06,584 CUT IT OUT! QUIT FIGHTING IN HERE! 1331 01:25:06,618 --> 01:25:08,482 YOU KNOW I DON'T ALLOW FIGHTING IN HERE! 1332 01:25:08,517 --> 01:25:10,898 QUIT IT! STOP IT! I MEAN NOW! 1333 01:25:32,403 --> 01:25:34,129 ♪ I REMEMBER 1334 01:25:35,647 --> 01:25:38,995 ♪ HOLDING ON TO YOU 1335 01:25:45,243 --> 01:25:48,281 ♪ ALL THEM LONG AND 1336 01:25:48,315 --> 01:25:50,593 ♪ LONELY NIGHTS I'VE 1337 01:25:50,628 --> 01:25:52,457 ♪ PUT YOU THROUGH 1338 01:25:57,738 --> 01:25:59,326 ♪ SOMEWHERE IN THERE 1339 01:26:00,914 --> 01:26:02,674 ♪ I'M SURE I MADE 1340 01:26:02,709 --> 01:26:04,089 ♪ YOU CRY 1341 01:26:08,749 --> 01:26:10,199 ♪ WELL, I 1342 01:26:10,234 --> 01:26:13,168 ♪ CAN'T REMEMBER 1343 01:26:13,202 --> 01:26:16,964 ♪ IF WE SAID GOODBYE 1344 01:26:20,761 --> 01:26:23,350 ♪ WELL, I RECALL 1345 01:26:25,249 --> 01:26:27,389 ♪ ALL OF THEM NIGHTS 1346 01:26:27,423 --> 01:26:30,633 ♪ DOWN IN MEXICO 1347 01:26:30,668 --> 01:26:32,601 [Sobbing] 1348 01:26:32,635 --> 01:26:36,191 ♪ ONE PLACE I MAY NEVER GO ♪ 1349 01:26:38,434 --> 01:26:41,196 ♪ IN MY LIFE AGAIN 1350 01:26:42,404 --> 01:26:43,577 [Sobbing] 1351 01:26:46,062 --> 01:26:47,961 ♪ WAS I 1352 01:26:47,995 --> 01:26:51,309 ♪ JUST OFF SOMEWHERE 1353 01:26:51,344 --> 01:26:53,967 ♪ OR JUST TOO HIGH 1354 01:26:58,489 --> 01:27:00,180 ♪ BUT I 1355 01:27:00,215 --> 01:27:03,045 ♪ CAN'T REMEMBER 1356 01:27:03,079 --> 01:27:06,393 ♪ IF WE SAID GOODBYE 1357 01:27:22,409 --> 01:27:24,273 [Barlow sobbing] 1358 01:27:26,965 --> 01:27:28,173 [Barlow] OH, GOD. 1359 01:27:29,140 --> 01:27:30,659 [Sobbing] 1360 01:27:32,488 --> 01:27:33,696 [Sniffles] 1361 01:27:41,877 --> 01:27:43,430 ♪ I ONLY MISS YOU 1362 01:27:44,949 --> 01:27:48,435 ♪ EVERY NOW AND THEN 1363 01:27:54,338 --> 01:27:57,789 ♪ LIKE THE SOFT BREEZE 1364 01:27:57,824 --> 01:28:01,966 ♪ BLOWIN' UP FROM THE CARIBBEAN ♪ 1365 01:28:07,282 --> 01:28:09,214 ♪ MOST NOVEMBERS 1366 01:28:10,630 --> 01:28:12,839 I HEARD YOU WAS GETTING OUT TODAY. 1367 01:28:12,873 --> 01:28:15,324 I NEVER HAD A CHANCE TO TELL YOU, 1368 01:28:15,359 --> 01:28:17,015 I'M SORRY ABOUT YOUR LITTLE GIRL. 1369 01:28:17,050 --> 01:28:18,258 I KNOW WHAT THAT'S LIKE. 1370 01:28:19,570 --> 01:28:20,881 GOOD LUCK TO YOU. 1371 01:28:22,814 --> 01:28:25,748 ♪ IF WE SAID GOODBYE 1372 01:28:30,028 --> 01:28:32,652 ♪ BUT I RECALL 1373 01:28:34,412 --> 01:28:36,656 ♪ ALL OF THEM NIGHTS 1374 01:28:36,690 --> 01:28:39,969 ♪ DOWN IN MEXICO 1375 01:28:41,626 --> 01:28:45,078 ♪ THAT'S ONE PLACE I'LL NEVER GO ♪ 1376 01:28:47,218 --> 01:28:50,325 ♪ IN MY LIFE AGAIN 1377 01:28:54,225 --> 01:28:55,951 ♪ OH, WAS I 1378 01:28:57,124 --> 01:28:59,644 ♪ OFF SOMEWHERE 1379 01:28:59,679 --> 01:29:02,854 ♪ OR MAYBE JUST TOO HIGH 1380 01:29:07,169 --> 01:29:08,895 ♪ BUT I 1381 01:29:08,929 --> 01:29:11,725 ♪ CAN'T REMEMBER 1382 01:29:11,760 --> 01:29:15,246 ♪ IF WE SAID GOODBYE 1383 01:29:19,354 --> 01:29:20,941 ♪ BUT I 1384 01:29:20,976 --> 01:29:23,841 ♪ CAN'T REMEMBER 1385 01:29:23,875 --> 01:29:26,775 ♪ IF WE SAID GOODBYE 1386 01:29:28,915 --> 01:29:30,088 ♪ GOODBYE 1387 01:29:31,642 --> 01:29:33,402 ♪ GOODBYE ♪ 1388 01:29:35,646 --> 01:29:37,130 [Birds sing] 1389 01:30:27,732 --> 01:30:29,251 [DeLoreo] "BRAVO, LEON BARLOW. 1390 01:30:29,285 --> 01:30:31,874 "BACKWARDS WEDDING KNOCKED US ALL OUT. 1391 01:30:31,909 --> 01:30:34,429 "HOW'S IT FEEL NOT GETTING THE STORY BACK? 1392 01:30:34,463 --> 01:30:37,086 "WINTER ISSUE, FRONT AND CENTER. 1393 01:30:37,121 --> 01:30:40,193 "NEED A BIO TO PRINT, SOCIAL SECURITY NUMBER TO PAY. 1394 01:30:40,227 --> 01:30:44,473 "SEND THOSE A.S.A.P. BUT YOU NOW HAVE BIGGER FISH TO FRY. 1395 01:30:44,508 --> 01:30:45,923 "THAT NEW YORK FRIEND OF MINE 1396 01:30:45,957 --> 01:30:47,580 "WANTS TO SEE THE REST OF THE BOOK. 1397 01:30:47,614 --> 01:30:49,133 "IF IT'S ALL GENUINE BARLOW, 1398 01:30:49,167 --> 01:30:51,204 "YOU'RE OUT OF THE SLUSH PILE. ARE YOU READY?" 1399 01:30:51,238 --> 01:30:52,343 AM I READY? 1400 01:30:52,377 --> 01:30:54,241 "CHEERS. BETTI D." 1401 01:31:02,180 --> 01:31:04,562 ♪♪[Tom Waits singing Long Way Home] 1402 01:31:04,597 --> 01:31:08,532 ♪ WELL, I STUMBLED IN THE DARKNESS ♪ 1403 01:31:08,566 --> 01:31:11,155 ♪ LOST AND ALONE 1404 01:31:12,536 --> 01:31:15,849 ♪ THOUGH I SEEN HER GO BEFORE ♪ 1405 01:31:17,092 --> 01:31:20,267 ♪ SHOW THE WAY BACK HOME 1406 01:31:21,648 --> 01:31:25,963 ♪ IS THERE A LIGHT UP AHEAD? 1407 01:31:25,997 --> 01:31:28,759 ♪ CAN'T HOLD ON VERY LONG 1408 01:31:30,381 --> 01:31:32,521 ♪ FORGIVE ME, PRETTY BABY 1409 01:31:32,556 --> 01:31:34,765 ♪ BUT I ALWAYS TAKE THE LONG WAY HOME ♪♪ 1410 01:31:41,323 --> 01:31:42,842 IT'S SOMETHING, AIN'T IT? 1411 01:31:44,568 --> 01:31:46,190 GET IN, I'LL TELL YOU ALL ABOUT IT. 1412 01:31:48,019 --> 01:31:49,400 HE'S REALLY OUT OF IT. 1413 01:32:02,413 --> 01:32:05,968 YOU KNOW HOW HARD IT IS TO REPLACE SOMETHING SO OLD AND BEAT-UP? 1414 01:32:06,003 --> 01:32:07,763 YOU WOULD NOT BELIEVE. 1415 01:32:09,282 --> 01:32:11,422 A FEW DETAILS ARE OFF, BUT, 1416 01:32:11,456 --> 01:32:13,458 IT'S CLOSE ENOUGH TO THE ORIGINAL TO BE A MINOR MIRACLE. 1417 01:32:13,493 --> 01:32:14,529 ISN'T IT, HONEY BOY? 1418 01:32:16,082 --> 01:32:19,188 HE WAS SO HYPER ABOUT GOING FOR A DRIVE. 1419 01:32:19,223 --> 01:32:21,259 I HAD TO GIVE HIM AN EXTRA DOSE. 1420 01:32:21,294 --> 01:32:22,675 I MIGHT'VE OVERDONE IT. 1421 01:32:26,437 --> 01:32:28,612 OH, HEY, MY CAR'S BACK THAT WAY. 1422 01:32:31,407 --> 01:32:32,616 SLIDE OVER. 1423 01:32:38,000 --> 01:32:40,175 WHY DON'T YOU TAKE ME WHERE I TELL YOU? 1424 01:32:42,936 --> 01:32:44,766 [Velma] TRY GETTING US THERE IN ONE PIECE. 1425 01:32:44,800 --> 01:32:45,974 [Velma chuckling] 1426 01:32:49,287 --> 01:32:50,530 [Pig squeals] 1427 01:32:58,918 --> 01:33:01,783 I THOUGHT WE'D TAKE A DRIVE OUT TO THE BOULEVARD OF BROKEN HUMAN HEADS. 1428 01:33:04,302 --> 01:33:06,373 YOU REMEMBER THE FIRST TIME WE COME OUT HERE? 1429 01:33:08,962 --> 01:33:11,309 NO. 1430 01:33:11,344 --> 01:33:14,589 I SWEAR, NOTHING'S REAL TO YOU, EXCEPT WHAT'S IN YOUR HEAD. 1431 01:33:20,595 --> 01:33:21,975 YOU GET RAPED IN JAIL? 1432 01:33:24,944 --> 01:33:28,257 MET A COUPLE OF NICE GUYS, IT NEVER WENT ANYWHERE. 1433 01:33:28,292 --> 01:33:29,465 [Laughs] 1434 01:33:30,432 --> 01:33:32,814 GUESS IT'S NOT EXACTLY STATE PEN. 1435 01:33:35,851 --> 01:33:37,094 BUT YOU KNOW, 1436 01:33:38,129 --> 01:33:39,648 YOU EVER NOTICE HOW, 1437 01:33:41,512 --> 01:33:43,100 YOU KNOW, THERE HE IS? 1438 01:33:45,930 --> 01:33:49,900 YOU EVER HAVE A JOB HE DIDN'T GET FOR YOU OR WORK RIGHT ALONGSIDE YOU? 1439 01:33:51,177 --> 01:33:54,249 EVEN PULPWOOD AND LUMBERJACKING. 1440 01:33:54,283 --> 01:33:57,390 BET YOU NEVER KNEW HOW MUCH HE HATED THAT. 1441 01:33:57,424 --> 01:34:00,082 IF YOU'D HAVE JUST LET HIM GIVE YOU A MILLION OR 2, 1442 01:34:00,117 --> 01:34:03,914 NEITHER ONE OF YOU WOULD HAVE HAD TO WORK SO HARD. 1443 01:34:03,948 --> 01:34:08,125 COURSE NOW, HE MIGHT NOT EVEN REMEMBER HE'S RICH. 1444 01:34:08,159 --> 01:34:10,334 YOU KNOW, HE'S MISSING WHOLE CHUNKS OF HIS LIFE. 1445 01:34:13,268 --> 01:34:15,615 I KNOW HE REMEMBERS THE WAR, 'CAUSE I QUIZ HIM. 1446 01:34:17,617 --> 01:34:19,930 BUT, YOU KNOW, HE MIGHT NOT REMEMBER OWING HIS LIFE TO YOU. 1447 01:34:19,964 --> 01:34:21,552 NO. NO. 1448 01:34:22,104 --> 01:34:23,519 HE SAVED MY LIFE. 1449 01:34:24,831 --> 01:34:26,833 HALF OF ONE, 6 A DOZEN THE OTHER. 1450 01:34:40,122 --> 01:34:42,366 I DON'T THINK HE'S EVER COMING BACK. 1451 01:34:44,161 --> 01:34:45,058 I MEAN... 1452 01:34:46,404 --> 01:34:47,889 HE'LL PROBABLY BE BETTER THAN HE IS NOW, 1453 01:34:47,923 --> 01:34:49,787 BUT IF HE WAS COMING ALL THE WAY BACK, 1454 01:34:50,823 --> 01:34:52,894 HE'D BE WAY FARTHER ALONG BY NOW. 1455 01:34:56,863 --> 01:34:59,866 IT'S ONLY PEOPLE WHO KNEW HIM BEFORE WILL REMEMBER THAT HE... 1456 01:35:01,109 --> 01:35:02,800 WASN'T ALWAYS LIKE THIS. 1457 01:35:05,182 --> 01:35:06,701 THEN AFTER A WHILE, 1458 01:35:08,288 --> 01:35:09,704 WE WON'T REMEMBER EITHER. 1459 01:35:13,086 --> 01:35:13,949 IF... 1460 01:35:16,020 --> 01:35:17,884 OK, OK, HERE'S THE THING. 1461 01:35:20,024 --> 01:35:21,681 I--I CAN'T ASK NOBODY ELSE. 1462 01:35:22,406 --> 01:35:23,718 IT'S GOT TO BE YOU. 1463 01:35:25,512 --> 01:35:26,997 WHAT I REALLY WANT 1464 01:35:28,343 --> 01:35:31,173 IS FOR THE KIND OF MAN HE WAS TO BE KNOWN. 1465 01:35:32,899 --> 01:35:36,109 WILL YOU TELL THE STORIES? WRITE SOME THINGS, 1466 01:35:36,144 --> 01:35:37,593 SO THAT WE DON'T EVER FORGET. 1467 01:35:39,043 --> 01:35:40,010 [Crying] 1468 01:35:44,221 --> 01:35:45,809 [Leon] FRIENDLY PERSUASION. 1469 01:35:46,810 --> 01:35:48,466 WE SAW HALF THE SHOW. 1470 01:35:50,986 --> 01:35:53,333 [Velma] IT EVENTUALLY ALL COMES BACK TO YOU, DOESN'T IT? 1471 01:35:55,301 --> 01:35:58,822 ♪ WATER'S JUST SOAKING THROUGH ♪ 1472 01:35:58,856 --> 01:36:03,688 ♪ OFF THE BACK OF A TRAIN 1473 01:36:03,723 --> 01:36:06,795 ♪ THOUGHT WE'RE HEADED FOR LIGHTENING ♪ 1474 01:36:08,003 --> 01:36:11,006 ♪ HAT FULL OF RAIN 1475 01:36:12,525 --> 01:36:16,771 ♪ AND I KNOW THAT I SAID 1476 01:36:16,805 --> 01:36:19,428 ♪ I'D NEVER DO IT AGAIN 1477 01:36:22,052 --> 01:36:26,746 ♪ I LOVE YOU, PRETTY BABY, BUT I ALWAYS TAKE THE LONG WAY HOME ♪ 1478 01:36:31,786 --> 01:36:34,443 [Marilyn] YOU'D BETTER GET UP HERE BEFORE YOU SINK. 1479 01:36:50,908 --> 01:36:53,497 GOD, THIS IS HOW BEAT I AM. 1480 01:36:53,531 --> 01:36:55,775 I WENT OUT TO TAKE THE LAUNDRY IN. 1481 01:36:57,432 --> 01:36:59,020 JUST LAID DOWN HERE. 1482 01:36:59,883 --> 01:37:01,643 I BEEN WATCHING THE STORM. 1483 01:37:05,233 --> 01:37:06,372 DO YOU THINK IT'S OVER? 1484 01:37:10,686 --> 01:37:13,482 YOU KNOW, YOUR BOY, HE WOULDN'T SETTLE FOR A BOOK TONIGHT. 1485 01:37:13,517 --> 01:37:15,381 NO, HE WANTED A REAL STORY. 1486 01:37:17,452 --> 01:37:21,490 I TOLD HIM, "ALAN, YOU'RE GOING TO HAVE TO TELL ME ONE. I'M JUST OUT. 1487 01:37:22,940 --> 01:37:24,079 "MY BRAIN'S..." 1488 01:37:26,668 --> 01:37:29,464 SO HE STARTS RIGHT IN, "ONCE UPON A TIME..." 1489 01:37:32,225 --> 01:37:35,366 AND THE NEXT THING I KNOW, HE'S SHAKING ME. 1490 01:37:35,401 --> 01:37:37,990 HE SAYS, "YOU CAN'T FALL ASLEEP YET. IT'S NOT OVER." 1491 01:37:40,130 --> 01:37:41,407 I OPEN MY EYES. 1492 01:37:43,719 --> 01:37:46,653 THAT COWBOY LAMP. 1493 01:37:46,688 --> 01:37:50,485 THE SHADE'S RIPPED. I'M STARING RIGHT AT THE LIGHT BULB. 1494 01:37:51,900 --> 01:37:53,246 AND IT BLEW. 1495 01:37:55,697 --> 01:37:57,872 USUALLY IT'S WHEN YOU FLIP THE SWITCH, BUT... 1496 01:37:59,287 --> 01:38:02,497 I'D NEVER SEEN ONE JUST GIVE OUT LIKE THAT. 1497 01:38:04,844 --> 01:38:07,536 JUST A TINY LITTLE POP. 1498 01:38:09,435 --> 01:38:12,231 I COULD FEEL IT RIGHT DOWN MY SPINE, LEON. 1499 01:38:13,508 --> 01:38:15,303 INTO MY BONES. 1500 01:38:17,615 --> 01:38:19,790 IT'S LIKE THAT CARTOON LIGHT BULB, YOU KNOW? 1501 01:38:19,824 --> 01:38:23,552 ABOVE YOUR HEAD, ONLY THIS ONE WENT OFF. 1502 01:38:24,484 --> 01:38:26,417 NO IDEA. 1503 01:38:30,076 --> 01:38:32,423 NO IDEA I COULD BE THIS TIRED. 1504 01:38:35,564 --> 01:38:37,290 NO IDEA ABOUT ANYTHING. 1505 01:38:39,189 --> 01:38:43,676 I JUST SAT THERE, AND HE TOLD THE REST OF THE STORY IN THE DARK. 1506 01:38:43,710 --> 01:38:44,884 SOMETHING ABOUT... 1507 01:38:46,092 --> 01:38:48,612 OH, GOD, HE WORKED IT IN JUST THE WAY YOU... 1508 01:38:50,925 --> 01:38:53,755 THE ARMY SHOT OUT THE SUN WITH A BAZOOKA 1509 01:38:53,789 --> 01:38:56,447 OR SOME DAMN THING LIKE THAT. 1510 01:38:59,899 --> 01:39:02,212 JUST GOT UP AND CAME OUT HERE. 1511 01:39:05,180 --> 01:39:06,975 IT MUST BE LATE. 1512 01:39:07,010 --> 01:39:08,494 [Thunder claps] 1513 01:39:17,675 --> 01:39:19,746 I'LL LET YOU GO TO BED. 1514 01:39:21,369 --> 01:39:22,232 [Marilyn] WHY... 1515 01:39:23,958 --> 01:39:25,269 WHY'D YOU COME HERE? 1516 01:39:31,862 --> 01:39:32,690 [Sighs] 1517 01:39:34,899 --> 01:39:36,039 SOME... 1518 01:39:36,073 --> 01:39:38,386 SOMETHING HAPPENED TO ME, BUT, UH... 1519 01:39:41,320 --> 01:39:43,943 I FORGOT WHAT IT WAS. 1520 01:39:43,978 --> 01:39:45,462 [Thunder claps] 1521 01:39:50,260 --> 01:39:51,640 GOOD NIGHT. 1522 01:40:11,074 --> 01:40:15,043 [Tom Waits] ♪ I'LL PUT FOOD ON THE TABLE 1523 01:40:15,078 --> 01:40:19,185 ♪ AND A ROOF OVERHEAD 1524 01:40:19,220 --> 01:40:22,016 ♪ BUT I'D TRADE IT ALL TOMORROW ♪ 1525 01:40:23,189 --> 01:40:26,572 ♪ FOR THE HIGHWAY INSTEAD 1526 01:40:27,883 --> 01:40:32,371 ♪ WATCH YOUR BACK, THE ASH IS MADE ♪ 1527 01:40:32,405 --> 01:40:34,959 ♪ AND LOVE'S THE ONLY THING I'VE EVER KNOWN ♪ 1528 01:40:36,513 --> 01:40:38,860 ♪ ONE THING'S FOR SURE, PRETTY BABY ♪ 1529 01:40:38,894 --> 01:40:42,001 ♪ I ALWAYS TAKE THE LONG WAY HOME ♪♪ 1530 01:40:58,052 --> 01:41:01,676 [Marilyn] HIS NAME WAS LEON, OR BARLOW, 1531 01:41:01,710 --> 01:41:03,678 OR ANY EPITHET THAT MIGHT APPLY. 1532 01:41:09,546 --> 01:41:12,825 LIKE A LOT OF WORDS, THE NAME DIDN'T MEAN MUCH. 1533 01:41:15,862 --> 01:41:18,624 HE COULDN'T GET ANYONE TO DO ANYTHING HE WANTED. 1534 01:41:20,557 --> 01:41:22,455 BUT AT LEAST HE KNEW WHAT HE WANTED. 1535 01:41:26,563 --> 01:41:30,946 HE REMEMBERED WIND, THE MUSIC IT MADE. 1536 01:41:30,981 --> 01:41:34,053 HE THOUGHT IT MUST SOUND THE SAME IN HIS OWN LUNGS 1537 01:41:34,088 --> 01:41:36,435 RUSHING THROUGH THE DARK CORRIDORS OF THE BODY. 1538 01:41:40,163 --> 01:41:42,234 HIS CURSE WAS REMEMBERING. 1539 01:41:43,027 --> 01:41:44,891 IT WAS ALSO A BLESSING. 1540 01:41:47,411 --> 01:41:49,344 THAT WAS EASY TO FORGET. 1541 01:41:54,384 --> 01:41:56,248 HE WAS SURE THAT WHATEVER IT WAS, 1542 01:41:56,282 --> 01:41:58,146 BACK THERE IN THE DISTANCE, 1543 01:41:58,181 --> 01:42:00,390 IT COULD CHASE ANYONE DOWN IN TIME. 1544 01:42:20,410 --> 01:42:22,446 NO ONE WOULD BE SPARED 1545 01:42:22,481 --> 01:42:24,276 AND FEW SPARED THE GRIEF 1546 01:42:24,310 --> 01:42:26,347 OF LOSING THOSE WHO WOULD GO BEFORE. 1547 01:42:37,392 --> 01:42:38,945 THERE WAS NO BLAME, THEN, 1548 01:42:38,980 --> 01:42:40,878 TO LAY AT THE FEET OF THE LIVING. 1549 01:42:49,508 --> 01:42:51,855 POINT TO YOURSELF, YOU GOT TO POINT TO YOURSELF, 1550 01:42:51,889 --> 01:42:53,995 SO HE KNOWS WHO YOU'RE TALKING ABOUT. 1551 01:42:54,029 --> 01:42:55,824 MONROE, WHY DO YOU CALL HIM BOBBY? 1552 01:42:56,618 --> 01:42:58,241 WHY DOES HE CALL YOU BOBBY? 1553 01:43:00,622 --> 01:43:02,624 I DON'T KNOW, SON. 1554 01:43:09,735 --> 01:43:11,392 [Marilyn] THERE WAS ONLY THE OLD STRUGGLE 1555 01:43:11,426 --> 01:43:13,014 TO HOLD ON OR TO LET GO. 1556 01:43:18,122 --> 01:43:20,504 THERE WAS ONLY THE STORY OF THE LOST FAMILY 1557 01:43:20,539 --> 01:43:22,989 RUNNING ALONG IN THE NIGHT STREETS, 1558 01:43:23,024 --> 01:43:24,474 RUNNING FOR HOME. 1559 01:43:26,717 --> 01:43:28,788 WHATEVER THEY WERE RUNNING FROM, 1560 01:43:28,823 --> 01:43:30,514 HE KNEW HE HAD TO SAVE THEM FROM IT 1561 01:43:32,516 --> 01:43:34,518 AND THAT HE WAS THE ONLY ONE WHO COULD. 1562 01:43:39,351 --> 01:43:40,662 [Train chugging] 1563 01:44:12,832 --> 01:44:13,868 THEY WERE RUNNING. 1564 01:44:14,455 --> 01:44:15,559 RUNNING. 1565 01:44:15,594 --> 01:44:16,457 RUNNING. 1566 01:44:17,872 --> 01:44:19,667 THE WIND WAS BLOWING 1567 01:44:19,701 --> 01:44:21,496 AND HE COULD FEEL THE COLD NIGHT AIR. 1568 01:44:25,569 --> 01:44:27,122 HE COULD SEE THE ROAD. 1569 01:44:47,798 --> 01:44:51,630 TO FIND OUT WHERE IT LED, HE HAD ONLY TO GO THERE. 1570 01:44:51,664 --> 01:44:54,391 AND HE RAN AS FAST AS HE COULD, 1571 01:44:55,634 --> 01:44:58,292 NOT KNOWING HOW IT WOULD END, 1572 01:45:01,950 --> 01:45:03,711 KNOWING HE HAD TO KNOW. 1573 01:45:54,175 --> 01:45:56,280 ♪♪[Tom Waits singing Long Way Home] 1574 01:45:56,315 --> 01:45:58,352 ♪ MMM 1575 01:45:58,386 --> 01:45:59,939 ♪ MMM 1576 01:46:01,872 --> 01:46:03,667 ♪ MMM 1577 01:46:05,220 --> 01:46:07,533 ♪ MMM 1578 01:46:07,568 --> 01:46:10,156 ♪ YOU KNOW I LOVE YOU, BABY 1579 01:46:12,020 --> 01:46:14,920 ♪ MORE THAN THE WHOLE WIDE WORLD ♪ 1580 01:46:16,266 --> 01:46:19,269 ♪ YOU'RE MY WOMAN 1581 01:46:20,477 --> 01:46:24,688 ♪ YOU KNOW YOU WERE MY PEARL ♪ 1582 01:46:24,723 --> 01:46:28,865 ♪ LET'S GO OUT PAST THE PARTY LIGHTS ♪ 1583 01:46:28,899 --> 01:46:31,902 ♪ WHERE WE CAN FINALLY BE ALONE ♪ 1584 01:46:33,283 --> 01:46:35,527 ♪ COME WITH ME 1585 01:46:35,561 --> 01:46:38,219 ♪ AND WE CAN TAKE THE LONG WAY HOME ♪ 1586 01:46:38,253 --> 01:46:40,359 ♪ MMM 1587 01:46:40,394 --> 01:46:42,637 ♪ COME WITH ME, TOGETHER 1588 01:46:42,672 --> 01:46:45,088 ♪ WE CAN TAKE THE LONG WAY HOME ♪ 1589 01:46:45,122 --> 01:46:46,710 ♪ MMM 1590 01:46:46,745 --> 01:46:49,472 ♪ COME WITH ME, TOGETHER 1591 01:46:49,506 --> 01:46:52,854 ♪ WE CAN TAKE THE LONG WAY HOME ♪♪ 1592 01:47:28,269 --> 01:47:32,376 ♪ THE SKY HOLDS ALL OUR WISHES ♪ 1593 01:47:35,725 --> 01:47:39,556 ♪ THE DISH RAN AWAY WITH THE SPOON ♪ 1594 01:47:42,214 --> 01:47:47,737 ♪ CHIMNEY SMOKE TIES THE ROOFS TO THE SKY ♪ 1595 01:47:47,771 --> 01:47:51,257 ♪ THERE'S A HOLE OVERHEAD 1596 01:47:51,292 --> 01:47:54,053 ♪ BUT IT'S ONLY THE MOON 1597 01:47:54,985 --> 01:47:58,541 ♪ WILL THERE EVER BE 1598 01:47:58,575 --> 01:48:00,991 ♪ A TREE 1599 01:48:02,959 --> 01:48:05,755 ♪ GROWN FROM THE SEEDS 1600 01:48:05,789 --> 01:48:07,481 ♪ OF SONG 1601 01:48:09,897 --> 01:48:13,245 ♪ LIFE IS A PATH 1602 01:48:13,279 --> 01:48:17,007 ♪ LIT ONLY BY 1603 01:48:17,042 --> 01:48:21,253 ♪ THE LIGHT OF THOSE 1604 01:48:21,287 --> 01:48:23,807 ♪ I'VE LOVED 1605 01:48:25,499 --> 01:48:29,917 ♪ THE LIGHT OF THOSE 1606 01:48:29,951 --> 01:48:33,127 ♪ I'VE LOVED 1607 01:49:20,519 --> 01:49:22,901 ♪ LIFE'S A PATH 1608 01:49:23,867 --> 01:49:26,387 ♪ LIT ONLY BY 1609 01:49:27,561 --> 01:49:31,634 ♪ THE LIGHT OF THOSE 1610 01:49:31,668 --> 01:49:33,636 ♪ I'VE LOVED 1611 01:49:35,672 --> 01:49:39,883 ♪ THE LIGHT OF THOSE 1612 01:49:39,918 --> 01:49:43,162 ♪ I'VE LOVED ♪ 104400