Original subtitles

- So sorry man, thanks for holding my spot, though.

- I can't keep missing work holding yo spot

for auditions, man.

- I'm sorry.

- You stupid.

- Don't call me stupid, Dante, you stupid.

- No, you stupid.

- I will slap you in front of all these people.

See how many people there are

watching you cry like a little girl.

- You keep on, you keep on.

- Shut up, man.

This is the big one right here.

You know, there's no money like

that commercial money, dawg.

- Well then you better consider this

as an investment for Hollywood.

- And I'm taking you.

- You taking me?

- I'm taking you.

- You taking me over Travis?

- Who's Travis, I don't know no Travis.

- So you telling me you had one ticket,

you had to choose over me and Travis,

who you would choose?

- You.

- You ch?

- I'm telling you, I'm talking about red carpet events.

- Red carpet.

- I'm talking about industry parties.

- Industry parties.

- I'm talking about VIP.

- VIP.

- VVIP.

- That's me.

- I'm talking about them Oscars.

- Them Oscars.

- I'm talking about them Oscars.

- Them Oscars.

- I'm talking about them Oscars.

- Them Oscars.

- Them Oscars.

- Hollywood, Hollywood.

- Oscars.

- Hollywood.

- Next guy.

- I'm talking about them Oscars, hey.

Who's got them Oscars.

- You got got 'em.

- Oscars.

- You got 'em. - Next.

- Okay, that's me.

Gotta go.

- Okay, cool, calm down, back it up, okay.

Head shot, resume.

- Yeah, I got it right here.

- He got 'em, he got 'em.

- All right, cool.

Go down the hall, last room on your right.

- Oscars.

- Oscars.

- You're welcome.

Probably not gonna get the job anyway, all right.

- All right ladies and gentlemen, listen up.

My man just went in for the audition

and I'm pretty sure he already booked it,

so you just go home, thank you and have a blessed day.

- I just drove three hours,

I'm getting that part.

- Hollywood, Hollywood.

Hollywood.

- How are y'all doing?

- All right.

- Hey. - How you doing?

- Cool.

You just look at the camera for me.

- Okay, my name if Bailey Kingston and I'm 26.

- Great we didn't need your age, but thank you.

- I'm Phil and that's it.

- You have a last name Phil or are you like Madonna?

- Washington.

- Phil Washington.

- Yeah.

- Can you just say that in a row to me.

- Yeah, I'm Phil Washington.

- All right, we rolling.

- Let's roll.

- Whenever you're ready.

- Um.

We're the most reliable insurance company in the nation.

- So we can relate, uh, rename, re,

we can rely are you.

- Okay, it's not a question.

- I'm sorry, sorry, I'm sorry.

- Thank you for your time.

- All right.

- Thank you.

- Thank you, you can go.

- Bailey, Bailey, could you stay.

- Okay.

- Thanks.

- Can we get the next guy please.

- Hi.

- Mm.

- Hello.

- Hi, sorry, sorry.

Um, my name is Chance Crawford

and I'll be auditioning.

My name's Chance Crawford and I'll be

auditioning for the part of Jacob.

- That's great.

So we've had a long day and there's people waiting so

if you could get to it.

Oh, yeah, this is Bailey,

that's who you'll be reading with.

- It's nice to meet you Bailey.

- It's nice to meet you too, Chance.

- Hold on, is that a southern African

accent I'm detecting?

- Yes, it is.

- That is just darling.

This is really wonderful, but not on my time.

Are we rolling?

- We're rolling.

- Action.

- We're the most reliable insurance company in the nation.

- So I can rely on you.

- Great.

- Okay, we'll be in touch.

- Okay, thank you.

- Thank you.

- Yeah, mm-hmm.

- We're just gonna.

- What do you think he said?

Is that her hair?

- No, I don't think so.

- Yeah, but he's great.

- Hey.

Bailey.

- Hey.

Are you okay?

- Me?

- Yeah.

- Yeah, yeah, I'm, I just, I just wanted to say

that you did a really, really good job in there.

- Really?

- I, you know, I, I don't want to hold you up

or anything so.

I just wanted to say good luck.

- Thank you.

- Yeah, thank you.

Um, maybe, maybe I'll see you around sometime,

I don't know.

- I hope so.

Bye Chance.

- Oh, you hope so.

- Bye Chance.

- That'd be nice.

You said that'd be nice though.

- Bye.

- So you said maybe I'll see you around

and she said I hope so?

You ain't get the number.

- Man, why did you even chase her down?

- You might as well just shoulda told her

her shoe was untied.

- You guys don't understand anything

about the game.

That's why you stuck with fried brain Felicia.

You probably told her you don't want to be with her

but she can't understand you.

Hey, yo fine bae Felice.

It's me Dante, I don't want to be with you anymore,

you frustrating my life.

What are you saying?

You gotta annunciate, articulate,

use your words and consonants.

This is strategy guys, you know what I'm saying?

You got to be strategic.

I didn't want to come on too strong, you know.

- Too strong?

Man, you didn't come on at all.

Hey, you punked out man.

- Hey, yo Travis, I did not punk out.

Yes, you did punk out

and then you said she's from South Africa?

You know damn well you don't find

that often out here, hot enough.

- Hey, little man, did he punk out or what?

- Oh, yeah, you totally punked out

- I didn't punk out.

- See, I told you.

- I didn't punk out.

- See, the kids don't lie.

- Okay, I see what's going on here.

Okay, whatever man, I'll see you soon anyway.

- It's crooked.

It's crooked.

Your wig is crooked.

I don't even know why you wear those things,

like your hair is super gorgeous.

- It's just that you know I have to wear it

if I'm gonna be competing with other actresses.

- Mm-hm.

Um, why do you have so many pictures of your face?

Like this is a lot of pictures of your face.

- Well, the copies of my face is called head shots

and I know I've got a lot, but I need them.

- Okay, well, can you move them

because I need to get this place cleaned up

for my shift, you know how Sam is.

- Well, thank you for covering for me this morning.

- Absolutely girl, you know I got you.

So how did the audition go?

- It was good.

- Okay, well, what was it for?

- Some commercial and then I met a guy

who was also there, so.

- You met a guy?

- I didn't,

meet a guy, you know we just,

we auditioned together, that's it.

- Mm.

- Mm-hm.

- Was he cute?

- Yeah.

- Mm.

- Yes, yes, he is.

- Tell me more, give me more information.

- That's all I got.

- Okay, I'm gonna need more information from you.

I need to know more about-

- Okay, Sheena, who you stalking now?

- Girl, I am not stalking anybody.

How about Bailey met a man.

- Ooh, you met a man?

- Yeah.

- So I didn't meet a man.

I just auditioned with someone, that's it,

that's the end of the story.

- Let's see if he's on Facebook, what's his name.

- Chance Crawford.

- Ooh, Chance Crawford.

- Uh.

I think I got it.

Chance Colonic Crawford.

- What?

- Cuteness.

- Let me see that, let me see that.

- Chance Xolani Crawford, Sheena.

We spoke about this, about you pronouncing

South African names, can we just.

- I know but-

- Oh.

- If you look right over there Xolani, there's an X,

you see, so one stick and the other stick,

you put them together and then.

- I know I keep trying.

- You click.

- I can't get it. - They click, they meet.

Sleep on it and we'll work on you another day,

but it says there that he is single.

- Yes.

He's single girl.

- You know what you need to do if he's single,

you know what you need to do.

- Shake it. - Pop it.

- Uh, uh, work it. - Shake it.

- Zip it and do it.

- Well, well, well.

If it isn't disaster's child posing

as the Powderpuff Girls.

Sheena, what?

What'd I tell you about having your friends here

while you on the clock.

- You said to make sure they had drinks.

- Thank you, real good.

- Sorry.

- How's the auditioning coming?

- Well, you know you win some, you lose some.

Working it out.

- You're losing most.

No, no, I ain't trying to be funny.

I'm just saying, you been losing.

- That's not nice.

- Listen.

This might not be your thing.

Like see in here you excel, this is good for you

right in here.

I mean you can't even figure out which wig to wear.

Yeah.

I mean you caused me to start a movement called CAW.

- What is that?

- Caw Caw, C-A-W.

- Stop. - What is caw caw?

- Coalition Against Wigs.

- Okay.

- You know I'm just saying you gotta figure out

what you wanna do with your life and your hair.

- Listen, I'm figuring it out.

- And you, I fired your ass,

so you shouldn't even be here.

- You know you miss me.

Whatever Sam.

- I really miss you giving away all my money

to the customers by giving away my free drinks.

- That's because I'm trying to get all

these people into this dry ass bar.

Because she gives it all goodness and light.

You need me, okay.

- You ain't nobody's damn Rihanna.

Don't nobody need yo ass.

And you, you need to work, work, work, work.

You need to make them disappear.

- Okay, I'm a see you guys after my shift.

I love you.

- The man.

- Hey, hey, you know what?

Monica, Monica, give me the bottle.

- Bye Sam, love you.

- You know, get yo ass out my bar, go on.

- Okay, I don't even know.

- Don't come back.

- I love you.

- Get your ass out my bar.

You can leave the ass,

you just don't come back.

- So, I guess we should just be patient.

- I knew I'd see you again.

- What are you doing here?

- Just you know, brushing up on my skills,

honing my craft, sharpening my tools.

- Yeah.

- Yeah.

- All of that.

- All of that.

- Me, too.

- So when's your next audition?

- Ooh.

Tomorrow.

- Tomorrow?

- Yeah.

- Tomorrow, tomorrow?

- Today's tomorrow, of course tomorrow.

- Mine, too.

Are you ready?

- I'll be ready.

You know your lines.

- I think so.

- Yeah.

- Yay, hello my class.

How is everyone?

Okay, so we are going to pick up where we

left off last week, but first, stand up.

Okay, we're gonna do some breathing exercises.

I want to loosen us up, so hand on your belly.

On your chest.

Okay, deep breath in, back out.

A little sound with it, in.

And out with sound.

Good now, up at the top, I want the string,

feel the string, all the way up to the heavens, got it.

Nice loose head, big breath in.

And down you go.

All right, now I want you loose, loose, loose,

shake it out.

And slowly begin to rise back up again.

Breathe.

You feel that, all right.

Okay, how's everybody feel.

- Good.

- Kind of loosey goosey.

Okay, let's do a little improv.

- Look at me.

These are the eyes of a man that seen the devil.

Hey, yo, yeah, you want to close the door behind you.

Nah, that's just Dante.

- Sorry.

I'm sorry we had.

- Can you recognize these eyes?

These are the eyes of a man that's seen the devil.

The devil.

- Trans.

Translator, elevator.

- See, you start here, yeah, you gonna start her.

You start her and then you go all the way over thar

and you tell me what to do thar.

- I was right here.

My man, Mr. Earl.

Good to see you.

You still at it.

- Yes, good luck.

- You, too, you, too.

Oh wow.

Wow.

- I'm so sorry.

I'm so sorry.

- With that yawn, you probably stayed up

about as late as I did.

- I probably did.

- Probably?

Wait, wait, so you think I went to bed before you?

- I know you did.

- Okay, check this out.

I went to bed at 2:15 this morning, now beat that.

- Not bad, not bad.

Me.

2:30.

- Oh, oh, dammit, okay, you win.

- Yeah, I do.

- Maybe, maybe we should get a drink.

- Mm, okay.

- Is that, is that, is that a yes?

- Yes.

- Yeah.

- Yes.

- Chance Crawford.

- Yeah, I'm, I'm Chance Crawford.

- All right, right this way.

- All the best Chance.

- Thanks, Bailey.

I'm just gonna, can I, all right.

- That's my pen.

- Well, he just took it out of my hand.

- It was my pen.

- I'm sorry.

- So you speak Afrikaans?

- Yes.

- Now do you speak Zulu or not?

- Mm-mm, no, none of that.

I speak English and Afrikaans, but I feel like

if I got a role that would require me to speak Zulu,

I could like easily learn it.

What about you?

Languages and why here?

Why this Hollywood?

- Well, I speak Hausa hence Xolani.

I speak Zulu, English clearly.

I speak southern Sethotho.

- Okay, carry on, the list is long.

- Oh, and I'm also learning to speak dirty south

from my friend Dante?

- Dirty south, what, I've never?

- Dirty south, you know what dirty?

- No.

- Girl, look at you sitting there look me in the eye,

make my jaw drop on the flow.

Look, just leave, just leave, you'll get it.

Anyway.

- Yeah.

- Why here?

I kind of figured if I want to do this,

I'm gonna do it big or not at all.

- Yeah, I feel the same way.

- Yeah.

- Yeah, I could totally agree with that.

- Mm.

Ooh, sure hope I'm getting a really, really huge tip

because you guys have been here for hours.

- Yeah.

We've been here for quite while.

- Well, time flies when you're in good company.

- Is this a date, I feel like this is a date.

- No, this is not a date.

- No?

- No.

- Yeah, we just talking.

Trading audition stories.

- Yeah.

- Nothing more, right?

- Right.

- Okay, well call it whatever you want.

All I know is I'm glad my friend is smiling,

'cause she hasn't smiled in a very long time, long time.

- Sheena shut up, shut up.

- I'm just saying, it's true, it's true.

I'm glad you're putting a smile on her face.

If you need anything, I'm right over here.

- Thank you Sheena.

- You're welcome.

- Yeah, okay, all right, all right.

- How you doing Sam?

- I'm fine, Monica, how are you?

- I'm good.

- What are you doing here Monica?

- Hanging out.

- You not supposed to be hanging out Monica,

I fired you.

- Sorry, I, there's something, let me get that,

let me blow that out your face.

Oh, there you go.

Sam, you looking good.

Smell good, too.

- Yeah, yeah, you know I been to the gym a little bit.

- Yeah, I could see your better stomach.

- Yeah, a little something, something.

So, again, I'm a need you to leave.

- Yeah, I'm a go.

- Okay.

- Okay, so good to see you.

- You too, you too.

Don't come back Monica.

- I always told you you look good though, Sam.

- She took my fries, didn't she?

- Okay, is that Chance Crawford.

- Girl, the one and only.

- Cute, he's cute.

- Where'd you get these fries from?

- Girl, you know they love me in the kitchen.

- What do you say we get out of here,

walk this food off?

- Good idea.

- Sam is gonna cut throat.

- Got a better idea.

- What?

- Let's not pay, let Sheena get it.

- What, not pay?

- Oh, and there goes your tip.

- Mellow Mushroom.

You know I trust you.

If you can't say

then you can give me a raise.

- Umbotee.

- What was that?

- Here you go, that's your last one.

- If there's a slice missing

I'm not gonna get fired, am I.

- You will definitely be fired.

- I'm on the move.

Mellow Mushroom's finest right here.

- Ah, man, that's weak.

That's weak man.

- Come on, I'm trying.

- You gotta do better than that dawg.

- I'm trying to do you a favor man.

- All right,

we gonna see what you talking about.

- You're moving balls.

- What's going on here?

- It's all good D.

- What is this man?

Dante!

Who are you?

This is crazy, what's going on.

What am I stepping on.

Y'all come, come on, yeah, because I live here.

You guys are sitting where I sit.

This is crazy man, guys.

This is ridiculous man.

Guys, really, come on.

- Man, where have you been?

- You don't know how to call nobody

when you know you coming to the house too late.

I know your mama done told you that.

- Yes, you know what time it is?

You had us worried man.

- I had them.

- Damn, put them in anyway.

- All right let me tell you, let me tell you.

All right.

I was with Bailey.

- Who's Bailey, man?

- You guys never listen to me, man.

- What you said Chance?

- No you just being stupid.

That's just stupid.

You remember Bailey.

The girl I told you about at the shop.

You and that little kid said I punked out

because I didn't get her number.

- Miss South Africa.

- There you go, man.

- Okay, what's up with her, talk to me.

- How you make that happen.

- Let me tell you.

I ran into her at an audition and then later

in acting class, then I said to, hey, yo bae,

you want to get some drinks.

- That's my boy.

Hey look, hey, he had all the girls growing up in SA,

I promise you.

- SA, what's SA?

- South Africa, stupid.

- Anyway, anyway.

So we ended up having dinner at the restaurant

that she and her friends work at.

It's called Sam's bar.

- Okay, she fine, she look good, nice ass, titties,

what's up with her?

- Sam's a guy Travis.

- Bro, you dumb.

I'm talking about the friend, Chance, the friend.

- Oh, Sheena.

- Yes.

- She was cute, yeah.

- Oh, she cute, that's right up my alley.

You might as well hook me up.

- No, are you insane?

Felicia's gonna try drowning you again.

- Come on, man, you know Felicia crazy.

She just had another bipolar spaz again yesterday.

Man, I'm done with that.

- Look, there she go right there bro.

- Come on man, why you always playing, man.

Why you always playing, shut up.

- So guys, two good things happened.

- Okay.

- You boy Chance booked the commercial he was up for.

- Commercial, what commercial?

- Dante, when, when I speak, what do you hear?

- You know what I hear.

- You know what I hear?

Y'all dat don't everybody, sound like a damn auctioneer.

Sold to the dummy.

- Both of y'all stupid.

Anyway, look, proud of you man, real proud of you.

But hey, the friend, hook me up, bro.

- Come on man.

- This is stupid, you guys wanna get.

I'm a loosen.

- What are you doing?

- Get these people outta here 'cause I'm tired.

- Well, go to bed then.

- This is ridiculous, man.

- Hey.

Bring me a slice of pizza back.

- Make that two.

- Either you give it you take

You give it or you take it

Gotta use your shoulders.

- I'm doing it.

- I knew her.

- I took ballet, I don't know how to do this.

- I don't know how.

- 'Cause you got schooled.

You got her on that one.

- I don't how to see, y'all know what.

How was your date?

Let's talk about that.

- Ooh.

- That's my mom's cake.

- I know.

- Unh.

Anyway, how was your day with Kokilani?

- Okay, stop Sheena.

- That's what you told me, you taught me that.

You said.

- That's a double click.

- Y'all South African names are very, very difficult.

- Y'all South African names.

Says the ignorant American.

Have you heard your names.

- You just started, shut up.

Shaniqua.

- Kwazanza.

- Coranza.

- Side plate.

- Kareeka.

- Cupboard.

- Spill the tea honey.

What's up with the date.

- No tea, just, just black coffee.

- Did you kiss him?

You kissed him?

- You better have kissed him.

- You nasty, you kissed him.

- I'm not nasty, why would I be, okay,

I did not kiss him.

It was just.

It was a great conversation and I was just happy

to be talking to someone that understands.

He understands, he sees it, he hears me, he sees me.

- She loves him.

- Okay.

Okay, okay, okay, Bailey, we get it.

Chance Crawford is cute and understanding

and he has a huge penis, we get it, we get it, okay.

We get it, let's use the X, it's double take.

Ooh, you know what I would like to know Bailey?

- What?

- When is he gonna get it, honey.

I say that because you know it's been a while.

- What?

- Dust.

- Stop, just stop lying, sir.

We've got all the excellence, uh, the evidence

that we need on you.

- Okay, one more chance.

- From here?

- Yes.

- I need you to stop lying sir.

We've got all the ex, the evidence that we need on you

to prosecute you.

If you don't keep quiet right now.

- Okay, thank you.

- No, I've got it, I could just run it one more time.

- Thank you very much for your time.

- Thank you, uh, thank you very much.

- Crawford, come on man, let's go.

- All right, yeah, okay, okay, okay.

- Thank you, we gotta get this outta here.

- I've been working on my accents

but I'm not sure which one to use

for this audition that's coming up, you know.

I mean the line is get out of here,

don't you ever come back, right.

So I've been thinking, if I could go pretty sexy,

I was like get out of here, don't ever come back.

That's not intimidating, all right.

So like, so I'm an American like yo get outta here

and don't you ever come back.

- Take that thing off your head.

- No, Ma, I just got this one

and I'm feeling it, I feel fabulous, don't you like it?

- No.

I like your hair.

Your hair is so beautiful and big.

Be proud of it.

- Yeah, mom, well, you don't like any of my wigs

and you don't even understand the politics

here in America, so, with this hair

I'm more marketable and I might get a job.

- You know we will continue to

support you financially as long as it takes.

Just be who you are.

Bold and beautiful.

- Yeah, Ma, and I hear you, thank you,

but I want a job so I can make my own money, you know,

have some sense of responsibility.

I'm doing this for me, Ma, please.

- Tell me about him.

What's he like?

What's his name?

- His name os Xolani, but his stage name

is Chance Crawford.

And he's a gentleman, he's sweet and kind.

- Oh, he's South African?

- Yes.

- Is he handsome?

- Ma.

- What, I just want to know what he looks like.

- Well, you know, you now my taste in men

so yes, he's cute.

- I knew it.

I just want beautiful grandbabies.

- No, whoa, slow down, Ma.

- Okay, okay.

- Crazy Monica and I are going to visit

him on set later.

- Oh, Monica, you two go and have fun.

Be careful.

- Okay, will do.

I love you Ma.

- I love you, too, baby.

- Bye.

- Bye.

- I don't know, but I'm gonna figure out how

to get into this commercial.

- No, please don't do anything crazy.

- What.

- Please, do I look okay?

More, more, got it.

- Oh, hi Chance.

- Hey, hey.

- Chance, this is Monica, Monica, Chance.

- Oh, the one who steals, hi.

- Watch it.

- What?

- Who told you that Chance?

- Oh, look like there's some food.

I'm gonna go chow down.

- Oh, the food's for the actors.

- Well, I guess I'm gonna act

like I'm hood.

- Oh, okay.

- Oh, yeah.

What are you doing here?

- I just thought I should come by and you know,

cheer you on, I hope that's okay.

- Good how are you.

I'm good, I'm real good.

- I'm so nervous.

It's my first big set and we're working

with a real time director and look at this.

It's coming in on me and I'm claustrophobic.

- Remember that you've been training for this.

This is everything that you've wanted,

so you know just bring it back in.

- I'm Monica.

You're an actor?

- Yes.

- Mm.

Love your scarf.

- Hmm?

- Love your scarf.

- Oh, yes.

- They have these good cheese cracker things.

Oh, you should try one, you want?

- Yes, yes.

Yes.

- Here you go.

- Suddenly I don't feel as nervous anymore.

- I'm glad I could take your nerves away.

Okay?

- Yeah.

I just gotta keep breathing.

- Excuse me, Mr. Crawford, 10 minutes till set.

- Thank you, thank you.

- Ooh.

- What?

- Mr. Crawford, 10 minutes till set.

- Come on.

- It must be night being the star

of a commercial, right?

- No.

No, I'm no star, but I will enjoy

the star treatment while it lasts.

- You do that.

Just focus on nailing it.

- I really appreciate you coming through.

- It's my pleasure.

So, go knock 'em dead.

Now, go.

- I'll keep breathing.

- Yes, breathe, breathe, breathe, breathe.

I'll see you.

- So?

Grace nice.

- Hi.

- Oh, yeah.

Just met him.

- What's your name?

- Hmm?

- Okay, pleased to meet you.

- Yes.

- Yes.

- Yes.

- He's cute.

- He is cute.

- Yes.

- Okay, Chance, all right.

I got a date with my ex-wife tonight, all right.

So I'm gonna need you to bring it to me

in one take.

You got it?

- I got you.

- You sure.

- Yes, I've got you.

- All right, let's see what you've got.

Mr. Crawford.

- Yes.

- Remember what I said like 10 seconds ago?

- Oh, yeah, sorry.

- Still true.

- All right.

- Okay.

You ready?

To act.

Chance, what's up man.

Are we gonna do this?

- Sorry.

Just a little nervous.

- Okay, that's great.

You already got the job, right, so just.

- All right.

So that means I can rely on yoooooooouuuuu.

- Okay, listen to me right.

You're falling out of a plane.

You're about to die.

So you cannot be laughing.

But you have great insurance.

Are you with me?

- Yeah.

- Okay.

So let's see it.

- So that means I can rely on youuuuuuuuuuuuuu.

- And cut.

Perfect.

Thank you.

I've gotta go.

- Thank you, thank you, thank you.

Was it good news, did you get a role?

- It was another sorry you didn't get

the part phone call.

- It's their loss.

- Thank you.

- You'll get he next one.

- I hope so.

- Yeah.

I mean, you know how this industry goes, right.

- Yeah.

- You get a hundred no's, but you get that one yes.

I mean look, I'm living proof of that.

- So, do you have any family here?

- No, no, no it's just me.

The rest of my family's back in South Africa.

- Yeah.

- But there is my friend Travis, though.

- Okay.

- I met him in South Africa, but he's American.

Him and his cousin Dante let me sleep in their couch.

It's a pretty nice couch.

- Okay.

- Don't laugh, it's very comfortable.

- I believe you.

- How about you?

- Pretty much the same story.

My best friend is from South Africa.

Her name's Monica and then there is Sheena

and when I got here they pretty much just, you know,

took me in, so it's like sisters from another mother.

- You know Monica seems just about as crazy as Dante.

- I beg to differ.

You don't know Monica.

- You don't know Dante.

- That's a different type of crazy.

- Hey, look who we got.

Look who we got here.

What's up, what's up Hollywood, big time actor.

- Oh, shut up you guys.

You're always out here playing.

Do you never ever work.

- Cuz, man our shop getting renovated,

you know we got some new things coming.

- We glad you could come see the little people.

- Let me introduce you.

Dante, what you gonna do?

- Shut up?

- And this is Travis.

- Hey.

- So this is Bailey.

- This is Bailey.

- So you Miss Bailey?

Miss South Africa.

- Yes, I'm Bailey.

- Isn't that nice?

- Man, this kid right here used to get all the girls.

- I knew you was a player.

- That's, that's just stupid.

I'm not a player.

- I think when he's not busy being a ladies man,

you know, he's a pretty cool guy.

- Oh, I don't know about the cool guy.

I mean he aw-ight.

- He aw-igh, he aw, shut up.

You always underestimate the level of stupidity

that you reach.

You're always ascending.

Always.

Just shut up, listen.

- Yeah, whatever man.

- Really, I just need to make a quick phone call.

- Yeah.

- Good man, you want to play basketball?

- Okay, let me try, I could try.

- You don't have to if you don't want to.

- I'll be fine.

- We got her man, she's in good hands.

- Bailey, trust me.

- I'm with your f-f-f-friends.

- Bye-bye.

- Are you serious?

- Let her play, let her play.

- Whooo!

Oh, rebound.

- Hey, she got a better shot than you man.

- So what's up man, like?

- Yeah, man, so you like our friend,

you like him or something?

- Um, he's, he's okay.

- He's okay.

- He's okay.

- Oh, no, she likes him.

- She like him, she like him.

- He's okay.

- You enjoying yourself out here?

- Yeah.

- You have any friends out here?

- I've got a few friends.

- Um, cool, 12:00 first floor, next week.

Cool.

Thank you, thank you very much.

- It's her turn again, man.

- No, again, I can't do that twice in a row.

That's a lie.

- Did they, were they nice to you?

They didn't bother you did they?

- No, they were well behaved.

- We was real nice, man.

- Trust you for nothing.

- Our parents taught us right, yes.

- Are you ready to go, 'cause.

- Yeah, I'm ready to go.

- Sick of you guys.

- Sick of you too.

- I'm sick of you.

- We ain't gonna be here long.

- I'm sick of you.

- Shut up.

I see you later.

- Bye guys.

- Bye Bailey.

- Remember what I told you Bailey.

- Okay.

- Your friend, your friend.

We love African queens.

- I need to spread my wings.

Fly.

- You have to stop.

- You know that's physically impossible.

- Oh, my water just broke.

- This is what I'm talking about.

Whoa!

- I love this scary movie.

- Hey, Bailey, my name is Kelsey

from Star Casting here in Atlanta.

We received your submission, but at this time

unfortunately we are going to have to pass.

We'll be sure to keep you on file

for future consideration, though.

Thanks so much, we'll talk to you later, bye.

- Hey.

Hey man.

Get your punk ass up.

Ah, yum, yum, yum, yum, yum, yum, yum.

- Hey.

What's wrong with you.

- Get up!

What is this?

To be or not to be.

- Why you always messing with my stuff Dante, why?

- Man, I'm trying to get you to Hollywood.

You gotta help me help you, damn.

- This doesn't make any sense.

- Get up.

- You stupid.

I ought to call your mother again.

Man.

Hello?

Yes.

Okay.

I would love to.

Yes, yes, absolutely, really.

Yes, yes, thank you, thank you.

Oh, man, I booked another one.

- We booked another one.

- I, I, I booked another one.

- We're going to Hollywood.

- Hollywood baby.

To be or not to be.

- Say it loud.

- To be or not to be.

- Mas forente!

- To be or not to be.

- Baby, if you make it, we all make it.

- What?

- If you make it we all make it.

- No.

- What you mean, no.

- No.

Are you, are you, are you okay, no.

- We let you stay here.

- No, man.

- After we done invested in this couch to you

and you gonna act like that?

- You crazy.

- Boy you.

- Dante!

- I ain't crazy, you crazy.

- Are you kidding me?

- I can't believe you.

You about to get rich, you gonna act like that.

- Ah, come on.

- Wait till I tell Travis.

- You gonna tell Travis.

- Shut up.

- That's the stupidest thing.

- Just shut up.

- Dante.

- I don't want to hear it, just shut up.

- You.

- Can we, uh, bring in another, what do you think,

another two HMIs, another one, what are you feeling,

right, because she's got this,

she's got this going on.

- Yeah, one's a little easier,

but I mean whatever you want, you're the boss.

- Thank you Greg.

Can you stop blinking just a little.

Make that ready and I think we can fly

a number one.

Number one, she ready?

- Honey, I'm always ready.

Come on, you ready, how you going, girl move.

Look at me.

- What's up.

- I look good.

- You look great.

- You better stop, stop, didn't I tell you

to stop touching me.

We gotta get this going y'all,

I'm ready to go.

My girdle's about to expire, my feet hurt

and my face is melting off.

What do you want?

Oh, it's a little wet, but you all right.

Do I look good?

Say it.

- You look good.

- Louder.

- You look good.

- Thank you, Sal man, I need you.

I'll tuck my own damn wire.

Go away.

Bye.

I've arrived, didn't they tell you.

- Shh.

- No you didn't.

I know you enjoyed this as much as I did.

- Do it again.

- No you didn't.

I know you enjoyed this as much as I did.

- Okay, wow.

That was, Teldron that was great.

Good job.

- Hey, Bailey, where's Chance?

- Uh.

I don't know, I think something must have come up.

- Ah, well, that's a shame, okay, thanks.

Okay, who's next.

- Yeah, I think it's just been such a long day

and I just got home, and just put on Uggs

just to get comfortable, but I don't know.

I don't know what I'm doing anymore.

I don't know what I'm doing this for.

I'm just, I'm so tired.

Imagine, I'm all the way out here

with a whole degree in acting

and I still can book a job.

So, I can't, I'm just sick and tired.

I don't know what to do anymore.

And I think what makes it worse

is that they treat me like a fifth class citizen

because I'm just a stand-in.

That's all I'm good for, Ma, a stand in.

- Nothing good in life happens overnight.

You running and bother to not sprint.

Think of all this as preparation

and you must just know that you have our full support.

- Yeah, thank you.

- How are you and Chance doing?

- Uh, we're good.

We're really good.

You know Chance is booking job after job after job

and he's just living out his dream right in front of me.

- Bailey!

- Hold on, hold on.

I think.

Okay, no, Chance is here, he's about to walk in,

so we'll talk later, okay?

- Okay.

- Okay bye, bye-bye, love you, love you, love you bye.

- Bailey!

Bailey.

B-B-Bailey.

What would I do without my Bailey.

Baby, you will not believe who I got to work with

on set today.

I mean, oh, my God.

Oh, my God.

- Who?

I don't know who that would be.

- We took a picture together,

we put it on Instagram.

It got like 300 likes in under two minutes,

it got a hundred new followers.

I mean it was just an explosion.

- Gabby.

- Yeah, and I know how much you love her work, right.

And let me tell you something.

Gabby is so cool and she gave me the best advice, right.

She said Chance Crawford, you're smart,

you are talented and you are

very, very, very good looking.

Soon, you will be number one on the call sheet.

Oh, my God.

I mean oh, my God.

What's wrong?

- Nothing, just, forget about it.

Listen, so why have you stopped coming to acting classes?

- You know productions always run into overtime.

One day you'll understand.

You know, but I don't even think I need

those classes anymore.

I mean I'm working now.

- Oh, everything's not about you Chance.

- Oh, wow, I didn't even mean it like that Bailey.

I was just saying you used to come to my sets.

- Yes, I used to come to your set.

I didn't come to your set today.

In fact, I didn't feel like coming to your set today, okay.

- Okay.

- Okay.

- Fine.

- Fine.

- I'm gonna take a shower.

Wash off all this working actor makeup off.

- Go take your stupid shower.

- So you guys had your first big fight.

It's not a big deal.

- What do you mean?

It is a big deal.

I don't even know why I'm mad at him.

What?

- What?

- The face.

- What face?

- You just made a face.

- What face, no, I didn't.

- That face.

- What face?

- Sheena.

- Okay, listen, I'm just saying maybe,

I mean maybe you took your frustrations out on him

because he's a working actor and you're not.

- No, it's not.

- I'm just saying.

- It's not even that because I'm really happy for Chance.

I am.

- Well, you know you can be happy for someone

and jealous at the same time.

- I'm not jealous.

- Maybe you don't know you're jealous.

Just think about it.

I mean Chance has been booking honey.

Back to back to back to back to back to back to back.

- Okay, thank you, thank you.

- He's been booking honey.

I mean, you know, and maybe subconsciously,

you took your frustrations out on him.

- But I didn't mean to.

- Honey, I know you didn't mean to,

but you did it, so.

- What do I do now.

- Girl, you need to put on your wig

and wear something sexy and he will forget all about it.

Trust me.

- Man, just apologize.

- But I didn't do anything.

- Man, must apologize anyway.

- Why, is that what you do with funky Felicia.

- Why you always talking 'bout Felicia.

- And you damn right he does

if he don't want Felicia going off with her crazy ass.

- Man, whatever, man, but just apologize.

- Travis, you don't even have a girlfriend.

And Dante, yours is haunting and terrorizing your life.

And you want to give me advice?

I don't even know why I talk to you guys.

I'm out.

- Hey, man, keep her happy.

- Apologize.

- Happy wife, happy life.

- That boy gonna learn.

- That boy's stupid.

- Hey.

- Hey.

- Okay.

So.

You know Sheena, Sheena made me realize something

that I was just so frustrated with my career

and where it's going and I how, you know stagnated it is

that I took it out on you.

I'm sorry.

- Bailey, you are a beautiful actress

and soon enough you'll get your big break

and the rest will history.

- You really think so?

- Yeah, I really do.

- Thank you.

It means a lot.

- Ooh.

- Ooh, this is nice.

- You know what, these parties always make me

seem to make me nervous.

- Why?

- I just kind of feel like everybody's pretending.

- Just be you and be cool, okay.

- You think I'm cool.

- I think you're all right.

- Oh, my goodness.

Is that, is that Terri Vaughn?

- Who's Terri Vaughn.

- Who's Terri Vaughn?

You really got to start doing your homework, Bailey.

- Where is she, I can't see.

- Look.

- She's pretty.

Go over there.

- I don't do things like that.

- You know what, I will go.

- Mmm.

Okay, I'll go, I'll go, I'll do it.

Wish me luck.

- You don't need luck, just.

Just be you.

- Okay.

- Okay.

Oh, baby, no, no, no, no, not so much you.

Um, yeah, tone it down.

- Tone it down.

- Breathe.

Go.

- Go.

- I need to get that meeting with Meryl Streep.

I want her in this movie really badly.

And did you, oh, please.

- So hey.

Hi, oh, my gosh.

Oh, my goodness.

Oh, wow, hi.

My name is Chance Crawford.

- Hello Chance.

- She said my name.

She said my.

I just gotta say, I love you.

- Okay.

- That's how, that's how-

- He loves me.

- So, I am also an actor.

- No.

- Yes.

And I just wanted to show you coincidentally

I have, I have my reel on my phone.

- Of course you do.

- There you go.

- And you want me to look at this right now.

- I would love.

- In the middle of a club.

- I just thought because, you're so nice.

- Okay.

Then I'll be nice.

- Oh, yes, please.

- Let's do that.

- Look at that.

See, I'm just gonna press play.

- Chance, can you back up.

Um, Chance.

- Yes, yes, ma'am, yes, Miss Vaughn.

- You know I like your style.

I like your boldness.

And I really like your reel.

Um, we may have something for you.

- Really?

No, no, no.

- Monday.

- Monday.

- Monday.

1:00 Monday.

- 1:00 on Monday?

- Yeah.

- That's great.

Thank you so.

- Okay.

- Thank you so much.

I'll take those, thank you.

- You're welcome.

- Cheers.

- Cheers.

Okay, Chance, go.

- Miss Vaughn.

- Congratulations.

- Thank you very much.

- Congratulations.

- Thank you very, very much.

That's how I roll.

- Baby, baby, look, Terri.

- Oh, my goodness.

- Hi, Chance.

- Hi, this is my girlfriend Bailey.

Bailey, this is Terri Vaughn.

- Please to meet you Terri.

- Hi, Bailey.

Do you mind if I borrow him for just

a couple of minutes.

I want to introduce him to some people.

- Yeah.

Yeah, sure that'll be great.

You guys could just have, um, just bring it back

to me when you're done.

- Good luck man, nice to meet you Chance.

- Thank you, thank you so much.

Thank you, thank you so much.

- Love the accent by the way.

- It's, it's natural.

Oh.

Oh, my.

- Nope, nope.

- No, no.

Slower.

- No, no, come.

- Can I get a high five?

- See you Monday.

- Terri Vaughn.

That's Terri.

Bailey, there you are.

Goodness, where've you been?

- Here.

- Right here.

- The whole time.

- The whole time, are you serious?

I've been looking everywhere for you.

- Yeah, I can tell.

- What's wrong?

- Nothing.

I just want to go home.

- Okay.

Morning.

- Morning.

- How are you this morning?

- Fine, thanks.

- Uh, did you.

- I slept well, thank you very much.

- Bailey, look.

- Hey.

What's up?

Yeah, yeah, I'm good thank you.

Mm-hmm.

Yeah, that sounds like a plan.

No, no, no.

Okay.

I'll see you later.

Bye.

So, that was, that was Sheena.

She's having a dinner tonight at her house

and she said that Travis and Dante can come with,

that's if you want to come.

- Yeah.

- Great.

- Hello, my love.

Come on in.

How are you?

Muah.

I'm so glad you could come.

- Thank you.

- Muah.

Welcome Chance.

- Thank you, thank you for having us.

- Thank you.

- There you go.

- Thank you so much.

- Let me say that I love your Dashiki.

- Thank you, it's homage to Mama Marmalade.

- Thank you.

I appreciate it.

- Very well.

So excited.

- It smells amazing.

- Ooh, they got some money.

- Smells amazing.

- I'll get that, don't worry.

- So pretty.

- Okay, thank you.

- What did you cook.

- Girl, everything.

- Hey, what's up.

- Where dey get that.

Where dey get that.

Where dey get that.

- Oh, please, please, walk down in here,

like please don't embarrass me.

- You didn't tell me she was rich.

- Guys, guys, this is actually Sheena's mother's house.

Okay, so please.

- But dey over here.

Dey over here.

Dey over here.

Sheena, these are my very well behaved classy friends,

Dante and Travis.

- Oh, thank you for coming.

- Muah.

- Oh, okay.

- You know Bailey.

- It's so nice to meet you.

- Muah, thank you, thank you for coming.

Make yourselves at home.

- I'll get it.

- Chance.

I haven't understood anything he's said.

Could you just please translate.

- So?

- Hmm?

- What did he say?

- Him?

- Yeah.

- He said you look very beautiful tonight.

- Oh.

Oh, okay.

You so cute.

Good to see you.

Come on.

- It's gonna be a long night.

And guys this is my South African fellow actor.

It's Pamanja, but you can call him Aaron.

And he doesn't speak a word of English,

so I'll be translating for him.

- I must say I love the way you talk.

- Oh, thank you.

- And I love your hair, it's beautiful.

- Oh, thank you.

- Um.

Bailey.

- I'll get it.

- Bailey.

- Both of you are single, like.

- Baby single has a new track, baby.

That's me.

- Like a dollar bill man.

- Real single.

Okay.

- Guys, um, Felicia.

Felicia, guys.

- Oh, okay.

- Hi, Felicia.

- Baby.

- Dear God, oh, dear God.

Hi, I'm, this is my home.

Oh, okay.

- Oh, my God.

- Oh, Lord.

- You think you slick.

You left out last week and you left me.

Now you think you gonna come to a party without me.

This for better or worse, don't be going

to parties and not bringing me.

- You came at the right time,

we was fixin' to eat dinner.

- I will cut your blue black ass.

- I told you she had GPS on his phone, I told you that.

- She's tracking him?

- Yes.

- This is crazy.

- Never mind, I got this, I got this.

- You don't know her.

- Excuse me, um, Felicia.

- What?

- Ooh.

- Never mind.

- Fix my food.

- Baby, it's almost.

- Fix my food.

- Go fix your food.

- I would like to make a quick toast to new friendships

and lasting relationships.

I am really excited about this,

so I would like to toast to a future engagement,

marriage perhaps, this is like the perfect match.

You understand what I'm saying.

- Everybody drink up.

- A toast to love.

- So, how long have you guys been doing this hair thing.

- What?

Hold on, boo-boo.

Dante don't do hair.

He cut hair.

- Baby, baby.

So you an actor, right?

- Yes, he's an actor.

- Chance?

- Mm-Hmm.

- Yes.

- Y'all are crazy.

Okay, listen, I'm gonna go get the food.

- Hey, let me help you.

- Yes.

- No, no, no, no.

I'll help her, I got that.

- Oh, well thank you, I appreciate that, thank you so much.

- Chance.

- What did he say?

- He says that you look so beautiful tonight.

So beautiful.

- Really?

Beautiful.

You said that to me when we came in.

Give me something else.

Make a joke, I don't know, be funny, I don't know.

- Monica.

- Beautiful, Bailey, beautiful, really.

- Yes, Chance.

- Yes.

Bailey, please I am going insane over here.

I think we really need to talk.

- Maybe you should talk to your industry friends.

- Are you kidding me, what does that even,

why are you saying this.

You're making me feel awkward in front of everyone.

Please.

Sorry, sorry guys please, I need to take this, forgive me.

Sorry.

Hello?

- All right, dinner is ready.

- Guys, guys, hold on, hold on, my my goodness.

Guys, that was Terri Vaughn,

remember the director we met?

She says the producers all liked my screen test.

- Surely.

- Shut up.

- Now they're offering me the starring role

in her new movie, give me some love.

- One makes it, we all make it, you know that.

Let's toast, everybody, let's toast.

To Mr. Hollywood.

One made it, we all made it.

Baby, honey, are you.

Okay, okay, where did Bailey go?

Where's Bailey.

Where'd she go, we're celebrating.

- Please excuse me.

- We gonna let them handle that.

I'm already planning what I'm a do,

what I'm a wear to the premier.

- You going.

- Yeah, we going.

We going to Hollywood.

- If one make it, we all make it.

- How come you left.

- I just, I just needed space to think over it.

- Did you hear what I said?

Terri Vaughn confirmed me in her new film.

- Yeah.

Congratulations.

- You know what, actually, I'm just, I'm so sick of this.

- Excuse me?

Sick of what?

- Sick of what?

Sick of this attitude that you keep giving me.

- What attitude are you talking about?

- What?

I'm so sorry Bailey that my career is going

better than yours.

- You're funny.

- But you know actually what, I'm not sorry.

I'm not.

Because I have absolutely nothing to apologize for.

- I, I know it's hard to believe,

but the world does not revolve around you Chance.

- I never said it did Bailey.

- Okay, so, so that's why you're acting like this.

You're acting like hot shit because you are

now a working actor.

- Well, isn't that the point?

Isn't that what it's all about,

being a working actor as opposed to an inspiring actor.

You've never been happy for me Bailey, ever.

You just as fake as these wigs you put on your head.

- Just wait.

You need to wait with that.

Because I've always been there.

I've never left your side

and I've never hated on you.

I'm happy for you Chance.

- Well, I don't feel it.

I don't see it, which says a lot about your acting.

- You think you're the good actor.

- Well, obviously.

I'm booking all the jobs.

- I wonder how you're doing it?

Because you're never remember your lines,

you always look into camera,

you forget your mark.

I'm the one that helps you with that.

- This is ridiculous.

If I was so terrible, then why did Terri Vaughn

book me in her next film?

- I don't know, let's think about that for a second

how you actually got that job.

Because we all know how you are with the ladies, right,

and she must like you and we all know

how much you love couches.

- Oh, really.

Bailey, you need to think long and hard about your life.

You need to reconsider a few things.

You need to be brutally honest with yourself

because if you were, you'd understand

that it's not working out for you here.

So you need to pack all your things

and go back to South Africa.

Stop wasting your parents' money.

Stop wasting my time.

Because I'm tired.

You are weighing me down.

You know how much further I would be in my career

if I wasn't dragging your jealous hating,

wannabe self all the damn time?

Dammit man.

- Monica.

Monica and Sheena, take me home.

Take me home.

Take me home now.

Now.

- I'm, I'm gonna get the keys.

Move, boo.

- What's up on this food, though, we gonna eat?

- Yeah, I'm quite hungry.

- What?

- You speak English.

- You talk.

- It is what it is homey.

- And I'm your homey.

I'm your homey.

- Man, I done seen it all,

I done heard it all.

- You think if an African actor wants to make it

in Hollywood, then they can speak English.

- You what.

What it?

- So you understood every time we?

- You up for some fried chicken.

- And he want fried chicken.

- Go fix my plate, hurry up.

- I got some words to say to you.

- Man, what's fixin' to happen next.

- Dammit.

This makes no damn sense.

Good day, ma'am, how are you?

- Hi.

- My name's Chance Crawford.

And I have a meeting with Miss Terri Vaughn.

- Why don't you have a seat.

- Right here?

- Yes, right there.

- You look very nice today.

- Miss Vaughn would like to see you now.

- Oh, great, great.

Thank you.

- No, really, really, really,

it would be so great if we Meryl Street

with that actor that played Pooty Tang.

Do you remember?

I can't remember his name.

Yeah, no, it's Terri J. Vaughn, J. Terry J. Vaughn.

Yeah, okay.

Thank you.

I hate when people forger the J, hi.

- Hi.

- Thanks for coming.

- Thank you, thank you.

- How's your girlfriend?

Barbara?

Brittney?

Bianca, Bianca.

- Bailey.

- Bailey, B, I know it was a B.

- With a B, yeah.

- I knew it.

- She's, she's doing just fine.

She sends her regards.

- Really?

- Yeah.

- Tell her I said hi.

- I will do.

- Good.

- I will do.

I cannot explain to you how excited I am.

- See.

That right there.

- Hmm?

- That right there.

No, no, this.

Right there.

That is why you're perfect for the role.

You're hungry and humble.

That's what's missing in this business.

Now nobody, everybody's a fucking asshole.

And this is gonna be a grueling, grueling shoot.

It is.

So I need team players.

I need you to be focused.

- I am focused.

- You're skin a cat.

- No, no, no, no, I'm

- Skittles, Skittles, Skittles.

- Skillet.

- I mean you'll get it, you'll get it.

- Don't fuck with me.

- No, no, no, never.

- I mean we got great storytelling,

I mean great performance.

Poof.

So that's it.

- Okay.

- I'll see you on set.

You can pick up your script

from my secretary out front.

- Thank you so, so, I just want to.

- Mm-mm.

- I just can't.

- You can go get your script.

- I can't kiss you on-

- No.

- No.

I'm, I'm just, I'm just gonna go.

- Yes, just go.

- Oh, yeah.

Miss Vaughn said I could get my script

and schedule from you.

- Here you are Mr. Crawford.

- Thank you very much.

That's me.

Chance Crawford.

- That's you.

- No, no, no, no, you coming, send the card okay.

I have clients on NBC, ABC, CBS, so I know

there's money in the budget, okay.

125,000 an episode, minimum seven episodes.

Yeah.

And I will come to set if I have to.

Bye.

- Oh, my God, that's Frank Moreland.

Frankie.

Frank!

Oh, my goodness, oh.

Oh, my goodness.

Frank?

Aren't you Frank Moreland?

- Yes, and you are?

- I'm Chance Crawford.

You are one of the biggest agents in the business.

Oh, because I've read up on you,

I've searched you.

I'm an actor.

- I'm sure you are.

- And I've been looking for representation.

- I'm sure you have.

- But you know I've been moving up really, really slow.

You know, I've been doing some short films,

a few commercials, TV series, but the biggest thing,

Mr. Moreland is that I've just booked the lead role

in Terri Vaughn's new film.

- Terri Vaughn?

Actress turned award winning

director producer Terri Vaughn.

- We just literally come out of a meeting with her

right now out of her office.

- Frank Moreland.

Agent to the stars.

- Yeah.

Yes, Chance Crawford.

- Yeah, yeah.

You drink coffee?

- Yeah, I think coffee, yeah, absolutely.

- Let's grab a cup of coffee, you have time?

- Of course, yes, yes, sir, yes, sir, I've got time.

Get in.

- In this?

- Yeah.

Get in.

There are two doors.

- On the other, oh, you want me to jump in.

- Other side.

Oh, I mean, Frank, all right.

- Chance Crawford, I only have about 40 minutes

so please hurry up.

- I'm so sorry.

- You got balls.

- I've got balls.

- Yeah.

- I've got balls.

- That's how you get what you want

in this business.

Take it.

- Take it.

- Yes.

And that's what you did.

You don't have representation that's right?

- Right now?

- Right now.

- No, no sir.

Frank.

- Hmm.

- I do not, I don't have representation, no.

- Where are you from?

Where did you come from?

- Originally I'm from South Africa.

- South Africa.

- South.

South of the continent of Africa.

- The Gods Must Be Crazy.

- The Gods Must Be Crazy.

You got it.

- You funny.

- I'm funny.

- Yeah.

Well, now you have representation.

- No, are you kidding?

- No, I'm not kidding.

- Are you, are you serious?

- I'm always serious.

Let's make some money together.

Come by the office, I got paperwork for you.

Let's get started.

- You're not joking.

- I told you, I don't joke.

- Oh, my God, oh, my God, it's Chance Crawford.

Can I have your autograph.

Oh, my God, he looks so much cuter in person,

oh, my God.

- I seriously hate the both of you.

- What's up Mr. Hollywood.

- Man, we just playing with you, man,

how it go, man?

- Actually it went really well.

You know I got my script, my schedule, everything.

And that's not even the best part.

After my meeting with Terri Vaughn, Terri J. Vaughn,

I ran into Frank I always take care of my clients Moreland.

And guess what guys.

Your boy got an agent.

- Oh, you done came up on them boys.

- That mean I get full access to all

the groupies and parties.

- Now Felicia will kill you man.

That's why you gotta give them all to me

'cause you can have 'em anyway playboy.

- You talked to Bailey.

- No, no, I don't think she wants

to hear from me right now.

- Think you should give her a call anyway.

You got to put the past behind you man.

- I get you and I want to Travis,

but man, my future is looking bright right now.

I want to get some shades.

I need to focus on that for a moment, you know.

- You don't want to be about that dating life.

- For real, man, you finally got a girl that you like

and she cares about you.

All while you staying at our crib on a couch.

- I'm not even sure who you're with,

why are you giving me relationship advice.

And you is frog face Felicia still strangling you.

When did you become relationship gurus all of a sudden.

- You need us.

You need us.

- I don't need you.

- You need that couch.

- So how are you honey?

- I'm okay.

- Still haven't heard from Chance.

- No.

- Not even a text.

- No.

- Okay.

Is that him?

- Bailey Kingston, hello.

- Who is it?

- Yes.

Yes, I'm available.

Okay, thank you.

Thank you very much.

Bye.

- Who was that?

- Remember the Indie movie

that I auditioned for last month.

- Mm-hmm.

- So this was the director.

He rewatched my audition tape and

he wants me.

- Oh, God, girl shut up.

You got the lead role?

Oh, my Bailey, this is amazing.

I am so happy for you, do you understand?

- This is amazing.

I've got so much to do before next week.

Okay, so I need to collect my script,

I need to call my mother.

- You don't need to call Chance.

- Excuse me.

- Uh-uh.

You need to.

- Why the hell would you even bring that up.

Why would I call, why would I call Chance

of all people.

The same person who told me to quit

the very thing that I just got.

Chance, really.

- Listen.

- Stop.

- You deserve this, okay, you have worked your ass off

and sacrificed everything so I'm not gonna

let anything ruin my mood.

Girl, I am excited for you.

This is amazing.

Do you want something to drink?

Because whatever you want, it's on me.

What you want, what you want?

- Tequila.

- Tequila it is, whoo!

- I can't hear you.

Clown.

- You know what, wait, come on.

By the way make it three first class tickets.

She, uh, she wants to bring her little

plaything with her, so, who am I to complain.

I greatly appreciate you, too.

I got a client how just walked in,

but anyway, send me that, email me

and take care of it.

All right, bye bye.

Hey.

- Hey.

Frank.

- How you doing Chance?

- I'm good, I'm good.

- What can I do for you today?

- Well, you know, I just, I just wanted to come by

and see if you had any, you know,

auditions lined up for me.

- Auditions.

- Yes, yes.

- Well, look we're gonna, we're gonna hold off

on the auditions for right now.

I have a strategy I'm working on here.

- You're gonna hold off

on the auditions?

- Yes.

You're Chance Crawford.

- Yeah, I know.

- I'm working on something, okay,

see what we're doing is is we're gonna

be building you up, right?

And we're headed in the direction of offers only.

Yes.

Not auditions.

That's what Frank Moreland does.

- Offer only.

- Offer only.

- You serious.

All right, I know, okay, okay, okay,

you always serious.

Offer only.

- That's right.

Building you up, household name.

- Who's auditioning, huh.

- Yeah, and we're gonna start you off

by being featured on this new network's docu-series.

Stay camera ready, okay.

- Always.

- All the time because you gonna have

an entire crew following you around

everywhere you go, recording your whereabouts

and your life.

- Following me around.

- Oh, my God, you know how many people

are gonna see your face.

It's gonna get your face out there.

Bam, everywhere.

Then I'll do something for you,

I've provided a searcher for you.

- That's exactly, that's why you're Frank Moreland.

- I keep trying to tell you.

- Thank you players, Zackie.

- Yo, man, how are you doing today?

- Yo.

I got to holler at you for a second player.

- Yeah, what's going on man, you doing all right?

- Walk with me.

Come on, come on, come on.

Zack, we've got a bit of a problem.

- Yeah, what's wrong man, what can I do for you?

- I can't do a TV series, commercials

and movies and still deliver pizza.

So, I quit.

- I want to do a slow.

Pull into his eyes.

Those eyes say it all.

Those eyes, those eyes have told its own story

and that is the story we're telling here.

So, yeah, I want to come in slowly to his eyes

and guys, you guys, you've been hanging out,

you've been having fun,

you been with the girls,

you been like chilling, doing stuff and then, bam.

And you're not doing nothing.

Not doing nothing.

You just been having fun.

You got on your seat belts,

you're obeying the laws, you're not doing nothing.

Okay.

So just in your face, in your eyes.

Okay?

Let me get that.

Okay, we can get that.

And capture that.

- I can cover them from here.

And I can flip over in reverse

and I can cover them from over there,

then you have your flexibility in post.

- Okay, so as long as we can get that,

I am so good.

I'm so golden, yes.

So where's my lead actor,

he's still not here.

He's still not here.

I've been asking for him for the past hour,

he's not here, hasn't arrived?

Really?

I mean this kid, we've only been working

for a couple of weeks and he's already late.

Where have you been?

- Oh, sorry, we had to stop somewhere real quick

to get a few things, you know how it is.

- No, I don't know how it is.

I know you had a 7:00 call time

and we've been waiting here,

we're making a movie.

- Just a second.

Um, we need to probably have a conversation

about maybe having a later call time.

- First of all, who are you?

- This is my agent, Frank Moreland.

- Okay, agent, Frank Moreland.

You're client had a 7:00 call time

and he needs to be here.

He doesn't get to pick the call time.

7 a.m.

You know what maybe, maybe you and I can discuss

him having a later call time, you know.

Especially since you've been working him

consistently for 16 hours a day.

Not a proper turnaround time.

SAG, hmm.

My client needs to have all of his rest.

- Look, we are making a movie.

He is to show up when he is scheduled.

He knows what he signed up for.

I need you to show up.

And what is this fucking camera.

Get this out of my face.

- She's upset.

Let me just try, let me just try.

I'll explain that later.

It's more important, Terri, baby, we need to really talk

about this script right now.

- Yeah.

- Really.

- What's wrong with the script.

- What's wrong with the script, have you read it.

Come on, stop playing.

- You read the script.

You read the script didn't you.

- Walk with me Terri, walk with me.

- Walk, walk, walk with him sweetie.

- Sorry, sorry.

Do you think Chance Crawford could sit down maybe.

If it's not too much trouble.

So could we have some privacy please.

- Thank you so much.

- Thank you very much.

Right.

- Please.

- Thank you.

All right.

Terri baby.

All right listen.

I've got a few suggestions for a few of the scenes

to make them work a little bit better

because they're not, not gelling.

- Not gelling.

- Yeah.

I just tweaked.

I had a moment, I was like tweak it.

- Tweak.

- Small.

- Small, it's not a lot.

- Okay.

Uh, why don't you go get ready for this scene

so we can get this shot off

and then we can go over your, your tweaks.

- Are you ready for this.

- That's fair, that's fair.

- That is fair, I like that.

- That's fair.

- I like that.

- Yeah.

- I like that.

Okay, let me go get ready,

let me go change, all right.

- It is a pleasure to meet you.

- Frankie.

- What is happening?

- And welcome to your dressing room.

- Sorry, I was talking at the moment.

Thank you.

Ma, remember when we spoke about

my name being on the door and everything.

- Yes.

- I am looking at my name on the door

and they spelled it right and everything.

- Oh, that's fantastic.

- Yeah, so, I just got to get ready.

- We have glam squad here, hair and makeup

and wardrobe and they're gonna take good care of you.

- Okay, say hello Courtney.

- Hi, mom.

- Hi, Courtney.

- She's helping me today, thank you.

- Ladies, Miss Kingston.

- How you doing?

I'll be back to check on you when

they're ready for you on set.

- Okay, okay, thank you so much.

Hi ladies.

Uh, do I sit down.

- Please.

- Okay.

Yeah, yeah, so I'm in wardrobe right now

and they're about to get my hair and makeup done

so I'll talk to you in a minute, okay.

- Okay my love.

- Okay, I love you bye.

- Love you too.

- That's still plus dead.

No, you are funny.

- What the.

What?

What is this.

You, come here.

- Yes, Mr. Crawford.

- Now listen to me.

Didn't I specifically say that my character

would only wear black shoelaces

because he's very militant.

Didn't I say that?

- Yes, sir.

- Yes, I did.

So what color are these shoelaces?

- Uh, they're white.

- Which means they're not?

- Black.

- Which means we have a?

- Problem.

- A problem.

So?

- I'll go, I'll go check, uh, to see if they

have some black shoelaces in wardrobe.

- Hey, what's your name?

- John.

- Thanks Jack go.

Dammit.

- So, uh, you want to tell us what happened?

- I'll tell you what happened.

You see right there was blatant disrespect

because I specifically told them

my character would only wear black shoelaces

because he's very militant.

Now look around you, look around you.

I am the only one with a red trailer.

Do you know why that is?

Because I'm Chance Crawford.

Offer only, what does this say?

Celebrity Trailers by Big Boi.

Now all I'm asking for is what I deserve.

I deserve the best, now please.

Put some respect on it.

- Ms. Vaughn, we have a problem.

- Yes, we do because where's Chance.

- He won't come out of his trailer.

- What do you mean he won't come out of his trailer?

That's why you walked over there

so he could walk back with you.

- He won't wear the shoes.

- Why won't he wear the shoes?

- Because they have white shoelaces.

- Okay, this kid is so ridiculous, his.

- I can go get wardrobe.

- No, no, no, you cannot.

His shoes are not even seen in any

of the shots today.

None of them.

I got this, move, move, move, move, move, move, move.

- Okay.

- Stop talking.

- Terri, Terri, hey, hold on.

Wait, wait, wait, wait.

Are you kidding me?

You can't fire me.

- Yes, I can, I'm the director, you're fired.

- Do you know who I am?

- Yeah.

- I am Chance Crawford.

Okay, I'm the lead actor in this movie.

- No, you're not.

You are not the lead actor in this movie.

I will sacrifice my whole directing fee

to reshoot everything we shot

because you will not disrespect this set.

You will not disrespect my staff,

you will not disrespect me or my work.

You are fired.

- Okay, hold on.

Maybe you shouldn't do anything so irrational.

- Excuse me, um, Terri, my client.

- Mm-hmm.

- He has a contract.

- Yes, he does.

And in it it states that the main actor

can be replaced at the director's discretion

if he has unreasonable behavior

that disrupts the production schedule and he has.

- I'll have my office look into that contract.

- Great, oh, please do.

Oh, maybe Chance can tweak it.

- I could have had any actor in here.

There's several actors that would have loved this part.

Actors with names that would have been great.

But we gave you a shot.

We gave you a shot and you blew it.

- You're never gonna find an actor like Chance.

- And that would be the point now wouldn't it.

- Hold on, hold on, hold on.

Maybe, maybe we should all just calm down

and just rethink what's going on.

Please, Terri.

- I am so calm right now.

I'm so calm.

This is like, this is the best I've felt all day.

Now get your agent, get your camera

and get off of my set.

Oh, that felt so good.

Get off my set.

- Terri.

Terri.

All right, go then.

What?

- I got your black shoelaces.

It took a while, but I finally found them.

- Give me, just get out of here Jim.

Come on.

I don't need this movie Terri.

I'm Chance Crawford.

Offer only.

I take what I want.

I got big basketball balls.

Dammit.

What?

Get out of the way man.

Frank.

- Yeah, yeah, yeah, pull Chance Crawford's

file for me please.

- How could she fire me Frank, how?

- I checked the contract that you signed

before I had an opportunity

to negotiate for you.

And the clause was there.

It's a deal breaking clause.

They wouldn't have moved forward without that.

But, but don't worry.

Everything's gonna be all right.

- Don't worry?

What are you?

Don't worry Frank?

You're my agent.

Now I need you to justify your 10% to me

and fix this now.

Fix it.

- Boy.

I always take my lumps.

Trust me cowboy.

I'm the very last bridge you wanna burn.

Be back.

- Frank.

Spread my wings baby.

- That's too arrogant.

- I'll spread my wings, seriously?

- Yeah, you supposed to say like okay, you know what,

I can't stay anymore.

It's time for me to leave.

I need to spread my wings.

- That was good.

- I know.

Breathe.

Go.

- Go.

- I'm glad I could take your nerves away.

- I love you.

- I swear the only reason you come here

is to eat and drink for free.

- Why else am I here Sheena.

- You know he's keeping tabs on you right?

- Does he know I ain't paying for it?

Anyway, why is it so empty around here.

- Oh, who cares, listen, what's up with you and Aaron?

- You will not believe this.

So come to find out he actually speaks English.

- Shut up.

- He understands everything.

- What?

- Yeah, and on top of that

he was doing that because he was trying to get some.

If he only knew he didn't have to work so hard

to get in with this, but we are good now.

- So fierce, fierce.

- Oh, looky loo, if it ain't Mr. Driftwood himself

in the flesh.

- What are you doing here Chance?

- Guys, I need to see Bailey.

- Oh, why, so you can say some hurtful things

to her again.

- Look, I know I messed up and I'm really sorry.

I just need to know where she is.

- She is shooting today,

being a working actor.

- Shooting where, what are you talking about.

- I ain't gonna say nothing.

- Where are you from?

Sheena, Sheena.

- Don't.

- Do you know where she is.

Look I know that I've been an idiot.

- Ding!

- And I know that I've been a jerk.

- Ding!

- And I know that I don't deserve her.

- Ding, ding, ding, ding, ding, ding, ding.

- Please, I just want to see her and apologize.

- Let me tell you something.

If you hurt Bailey one more time

I swear I'm coming for you, do you understand?

Do you hear me?

Now she booked a fantastic role as the lead,

yes, the lead.

So she's on set starting today.

I will give you the address, but I'm not playing.

I'm not playing with you, okay.

- Thank you.

- Like for real.

- Got it, thank you so much.

- Uh, my phone.

Give me that.

- Thank you, thank you so much.

- What the hell is wrong with him.

- Still hasn't tipped you.

- You know what I'm saying?

- Aw, come on guys.

Let's go, let's go, come on.

- Ms. Kingston.

We'll be ready for you in 10 minutes.

- Okay, thank you.

- Come on baby, please, please.

Dammit.

- Some of you all have never worked with me before

and for me, time is money, you understand?

- Okay, superstar, you're all ready.

- Thank you.

- Hey, my baby.

- Hey, Ma.

- Are you ready?

- Just finished hair and makeup, so I'm just,

I'm waiting to go in.

- How are you feeling?

- Nervous.

Very nervous.

- Nerves are natural.

- Yeah, yeah, I know, I know, I know, I'm.

I'm just trying to stay calm.

- Courtney, bring number one

in right now.

- Copy that.

Miss Kingston, they're ready for you on set.

Miss Kingston, they're ready for you on set.

Miss Kingston.

- Where's the actress?

I'm shooting a damn movie in here.

- I was so stupid to think that I could

actually pull this off.

- Miss Kingston.

Unless you're dead in there

you really have to get to set, okay.

Miss Kingston.

- I don't care what you gotta do.

You gotta get her out of that dressing room.

- How am I supposed to do that.

- I don't give a damn how many times you

tweak the lights.

I'm trying to get a shot here.

You understand?

- Fine.

- No, it's not fine.

- I cannot get her out of her damn dressing room.

- Really.

Show me where her fucking room is.

- Right this way sir.

Hello.

Miss Kingston.

You are so late coming to set.

Will you please open the door.

This is very unprofessional.

Open the fucking door.

- Where do you think you're going.

This is a closed set.

- Okay, okay, I'm sorry.

I'm looking for Bailey Kingston.

- You know what?

I want her replaced, let's go.

- Here she is.

He says he knows Baily.

- Yes, do you know where she is?

- Yeah, maybe you can help me.

- I'm alone, Ma.

- You are not alone.

I'm right here with you.

- I quit, I'm gonna pack up and leave.

- Bailey, Bailey, it's me, it's Chance.

Bailey.

Bailey, please, I know I said some stupid stuff,

I'm really, really sorry.

Bailey please, don't do this.

- Go away.

- Bailey I'm not going anywhere.

Please open the door so we can talk.

- What do you want?

- Look, I'm never, ever going anywhere again.

I'm so, so sorry.

Okay, let me just make things right.

Just open up the door.

- Please, please just go away Chance.

- Bailey, I'm not going.

- I said go away.

- Bailey.

Bailey.

Now listen to me.

This is what you trained for, worked hard for.

Now I need you to pull yourself together

and go out there and step into your light and shine.

- Okay.

Okay.

Okay, I'll try.

I'll call you back Ma.

- Bailey, Bailey.

- What do you want?

- Look, I've been calling you.

- I know.

- All right, look, I just need to speak to you

for a second, okay, please.

- About what?

- I know you're probably not happy with me,

but I just wanted to see you.

- See me for what.

Because according to you I can't act, right.

I should just go back to South Africa

and stop wasting my parents' money.

- I didn't mean it.

- Move!

- Bailey!

- I'm here.

- Bailey look, hold on.

I didn't mean it like that, okay.

Just Bailey, hold on.

- Charles, what's going on?

Hold on, hold on, hold on.

- What are you scared of.

- Hold on a second.

- I just want to-

- You know this guy?

- I just want five minutes with you.

- Okay, okay, hold on.

I'm the director here, I'm going a movie.

- All right, I just want to speak to Bailey, man.

- Hold on.

We're doing a movie.

- Hold on, hold on, hold on now.

Bailey.

- Wait, yo man.

- Hold on.

- I'm doing a fucking movie.

This is my fucking movie set.

- Don't touch me.

- You can't just walk on my set.

- I came to speak to Bailey

and I'm not leaving until I do, okay.

If that means I have to knock you down

to get to her, I will.

- No, you're not gonna knock me down.

Get off my set.

Get off my set.

Don't you-

- Hold on, hold on.

- Let me go.

- Hold on.

- I love her.

Okay.

All I'm asking for is five minutes

and then I'll leave your set.

- What's your deal, bro?

- I love her.

- All right.

I'll give you five minutes.

You better make it count.

- Thank you.

Bailey.

What are you scared for?

Huh?

This isn't what, this is what we wanted, isn't it?

This is it.

Now I messed up.

I messed up everything, Bailey I messed up

and got fired from the Terri Vaughn set.

And most importantly I messed up with you.

You deserve all of this.

I believe in you.

Don't mess up this opportunity

the way I did mine, okay.

Baby, this industry got to my head

and it turned me into a selfish jerk

and I said some things that I shouldn't have and

I am deeply, deeply sorry.

I love you Bailey.

You're the best thing that's ever happened to me.

I can't believe I found my South African soul mate,

the love of my life, all the way here in America.

Lord knows I don't deserve your forgiveness,

but hell, I'm begging for it.

I wasn't sure how or when I would do this.

- What are you talking about?

- I'm talking about

being with you for the rest of my life.

- Wow.

Bailey Kingston.

Will you marry me?

- I'm not sure that we'll be working actors

in the industry every again because

we're gonna get blacklisted.

- I like it though.

- I'll marry you.

- Yeah.

Yes!

- Did you set this up Charles.

Wait, wait, wait, wait.

Is this real?

- Yes, sir.

- You just proposed to her.

- Yes.

- You set this up, is this like a prank

thing or something, is this real?

Wow.

I'm touched.

I'm really touched.

So you're an actor.

- Actually yes, yes, sir, I am.

- Wow.

Wow, you know what?

We're gonna script this.

This is epic.

I mean it was real, it was organic.

It's gotta be real to suck me in, I'll tell you.

Ah, man.

Do me a favor, Charles.

Walk this guy out here.

If he has any paperwork to be signed,

let him sign it, give him his check.

- I just started.

- You just finished.

- Congratulations.

You're my new lead actor.

- Oh, my goodness.

Oh, my goodness, thank you.

Thank you.

Thank you so much.

- You almost got our ass beat though.

It's all good.

Listen to me young lady.

Love is special, you hear me?

Now me and my producers saw you

and we hired you because you have something special.

Keep your heart in the right place

and know that it's a gift from God.

Do the work.

Okay.

Scripty, let's go get this down,

this is incredible.

Let's go.

I'm gonna deal with you, okay.

I might, I might like you.

Let's go, let's get this on paper, whoo!