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These are the user uploaded subtitles that are being translated: 1 00:00:46,113 --> 00:00:47,713 It'll be quick, I promise. 2 00:00:47,715 --> 00:00:49,148 Yeah, it better be. 3 00:00:53,721 --> 00:00:56,522 Do you think they'll crown me as prom queen in this? 4 00:00:59,827 --> 00:01:01,160 No. Never mind. 5 00:01:02,029 --> 00:01:03,228 They got to have something. 6 00:01:03,230 --> 00:01:04,530 I wouldn't count on it. 7 00:01:22,216 --> 00:01:23,216 Jeez. 8 00:01:24,018 --> 00:01:25,451 I don't see anything. 9 00:01:25,519 --> 00:01:26,852 Let's try the mall. 10 00:01:26,921 --> 00:01:29,221 - Vintage is overpriced anyway. - Okay. 11 00:01:29,223 --> 00:01:30,223 You'll find one. 12 00:01:30,524 --> 00:01:31,824 Come on. 13 00:01:40,201 --> 00:01:41,201 Wait. 14 00:01:41,435 --> 00:01:42,435 What? 15 00:01:56,517 --> 00:01:58,183 It's my size. 16 00:01:58,185 --> 00:02:00,052 And the lace is so pretty. 17 00:02:04,058 --> 00:02:06,458 Oh, but it's way too much. 18 00:02:07,928 --> 00:02:09,128 I really love it. 19 00:02:09,830 --> 00:02:11,864 Maybe you should try it on. 20 00:02:30,050 --> 00:02:31,416 Whoa! 21 00:02:31,418 --> 00:02:33,652 You look amazing! 22 00:02:33,754 --> 00:02:34,820 You think so? 23 00:02:34,822 --> 00:02:35,721 Are you kidding? 24 00:02:35,723 --> 00:02:36,723 It's stunning. 25 00:02:38,259 --> 00:02:40,926 Hey, I'm so sorry, I left my bag. 26 00:02:42,963 --> 00:02:44,429 Love the dress. 27 00:02:44,431 --> 00:02:45,764 Looks really good on you. 28 00:02:46,700 --> 00:02:47,700 Thanks. 29 00:02:48,836 --> 00:02:50,302 Come on. 30 00:02:50,304 --> 00:02:52,037 That was definitely a flirt. 31 00:03:03,350 --> 00:03:04,350 How much do you need? 32 00:03:06,754 --> 00:03:08,020 Double what I have. 33 00:03:11,125 --> 00:03:13,959 This better be the nicest dress ever. 34 00:03:14,061 --> 00:03:15,327 What about yours? 35 00:03:16,096 --> 00:03:18,964 It's only prom, I don't care. 36 00:03:18,966 --> 00:03:20,599 Really? Are you sure? 37 00:03:20,601 --> 00:03:22,501 Yeah, just pay me back over the summer. 38 00:03:23,237 --> 00:03:24,603 - Thank you, thank you. - Oh. Uh. 39 00:03:24,605 --> 00:03:26,939 Hmm, yeah, yeah. Okay, all right. 40 00:03:47,728 --> 00:03:48,728 Ugh. 41 00:04:29,737 --> 00:04:31,503 It's going to smell a bit weird. 42 00:04:31,505 --> 00:04:33,038 It's vintage. 43 00:04:33,107 --> 00:04:37,309 I know but I didn't notice it in the store, did you? 44 00:04:37,311 --> 00:04:38,711 I would've told you if it smelled. 45 00:04:40,347 --> 00:04:42,147 I think it's okay now. 46 00:04:43,250 --> 00:04:44,716 You decide on a dress yet? 47 00:04:46,120 --> 00:04:47,719 My mom pulled out the dress that I wore 48 00:04:47,721 --> 00:04:49,121 at my brother's graduation. 49 00:04:50,190 --> 00:04:51,723 Yes! Done it. 50 00:05:02,036 --> 00:05:03,902 Hey, hey, hey, what is that? 51 00:05:04,405 --> 00:05:05,604 It's a dress. 52 00:05:05,606 --> 00:05:06,705 For prom. 53 00:05:08,242 --> 00:05:09,408 How much did it cost? 54 00:05:11,145 --> 00:05:12,210 Nothing. 55 00:05:12,212 --> 00:05:13,712 Uh, I got it from Lea. 56 00:05:18,152 --> 00:05:19,318 Oh, suits you. 57 00:05:21,455 --> 00:05:22,954 Try not to spill anything on it. 58 00:05:22,990 --> 00:05:23,990 I won't. 59 00:10:23,824 --> 00:10:24,824 Mom? 60 00:10:32,366 --> 00:10:33,366 Mom? 61 00:10:54,054 --> 00:10:55,054 Mom? 62 00:11:00,927 --> 00:11:01,927 Mom? 63 00:11:04,831 --> 00:11:06,064 Rachel, what are you doing? 64 00:11:09,503 --> 00:11:10,702 No, wait. 65 00:11:17,611 --> 00:11:20,045 What is this doing on the floor? 66 00:11:20,047 --> 00:11:21,212 Uh... 67 00:11:21,214 --> 00:11:22,547 I, I don't know. 68 00:11:22,649 --> 00:11:24,115 Rachel, go back to bed. 69 00:11:25,318 --> 00:11:26,318 Okay. 70 00:13:50,330 --> 00:13:51,830 That's messed up. 71 00:13:51,832 --> 00:13:52,864 Is it too tight? 72 00:13:52,966 --> 00:13:54,165 No, it fits fine. 73 00:13:54,234 --> 00:13:56,401 Maybe you did sleepwalking or something. 74 00:13:56,403 --> 00:13:57,502 Does it still hurt? 75 00:13:57,504 --> 00:13:59,103 Yeah, kind of. 76 00:13:59,105 --> 00:14:00,105 Rachel. 77 00:14:00,707 --> 00:14:02,106 Here, you left this. 78 00:14:04,211 --> 00:14:06,044 - Thanks. - No problem. 79 00:14:06,145 --> 00:14:07,212 Are you guys excited for tomorrow? 80 00:14:07,214 --> 00:14:08,913 Ah, did you get that dress? 81 00:14:10,450 --> 00:14:12,417 - Couldn't resist. - Nice. 82 00:14:12,419 --> 00:14:13,852 Jenny. 83 00:14:14,821 --> 00:14:16,221 - See you later. - See you. 84 00:14:18,959 --> 00:14:20,925 Maybe you should forget your book every time. 85 00:14:20,927 --> 00:14:21,960 Uh. 86 00:14:24,264 --> 00:14:25,530 What the hell? 87 00:14:26,700 --> 00:14:27,700 What? 88 00:14:28,201 --> 00:14:29,400 That's my dress. 89 00:14:30,437 --> 00:14:31,636 Are you sure? 90 00:14:31,705 --> 00:14:33,238 Yeah, definitely. 91 00:14:33,840 --> 00:14:35,039 That's so weird. 92 00:14:36,910 --> 00:14:37,910 Do you know who that is? 93 00:14:39,112 --> 00:14:40,144 Yeah. 94 00:14:40,213 --> 00:14:41,913 She was a few grades above us. 95 00:14:42,916 --> 00:14:44,716 I think she died. 96 00:14:52,626 --> 00:14:54,158 Why don't you go back to the store? 97 00:14:54,227 --> 00:14:55,493 Get a refund. 98 00:14:55,495 --> 00:14:57,528 And wear what to prom? 99 00:14:57,530 --> 00:14:58,830 Find something else to wear. 100 00:15:27,027 --> 00:15:28,526 Hi, sorry about that. 101 00:15:29,262 --> 00:15:30,962 Can I help you? 102 00:15:30,964 --> 00:15:33,131 I'd like my money back for this, please. 103 00:15:33,133 --> 00:15:35,600 I'm sorry, we don't accept returns here. 104 00:15:35,602 --> 00:15:37,179 Um, if you check your receipt, you'll see... 105 00:15:37,203 --> 00:15:39,637 But there's something really wrong with this dress. 106 00:15:41,107 --> 00:15:42,440 Wrong, in what way? 107 00:15:43,109 --> 00:15:44,642 I'm covered in bruises. 108 00:15:47,047 --> 00:15:49,213 I'm really, really sorry but there's nothing I can do. 109 00:15:49,215 --> 00:15:50,515 Store policy. 110 00:15:51,952 --> 00:15:54,953 Well, can you, at least, tell me where it came from? 111 00:15:54,955 --> 00:15:56,854 Even if I knew, I can't give out names. 112 00:15:56,923 --> 00:15:58,022 I'm sorry. 113 00:16:00,327 --> 00:16:03,061 Give me a name or I'll break your... damn wrist. 114 00:16:03,063 --> 00:16:04,562 Okay, okay, jeez! 115 00:16:13,473 --> 00:16:15,039 Well, get out before I call the cops. 116 00:16:39,833 --> 00:16:41,599 Oh, hey, how did it go 117 00:16:42,002 --> 00:16:42,934 Not good. 118 00:16:43,003 --> 00:16:44,836 Something is really wrong. 119 00:16:45,205 --> 00:16:46,070 Wrong? 120 00:16:46,072 --> 00:16:47,338 What do you mean? 121 00:16:50,043 --> 00:16:51,142 Rachel? 122 00:16:52,412 --> 00:16:53,412 Rach? 123 00:16:53,913 --> 00:16:54,946 Did you find any... 124 00:16:55,015 --> 00:16:56,575 I'll text you later. 125 00:20:21,821 --> 00:20:22,821 Hello? 126 00:20:34,801 --> 00:20:35,801 Hello? 127 00:20:37,003 --> 00:20:38,003 Yes? 128 00:20:40,807 --> 00:20:43,441 I'm looking for Marcus Moore. 129 00:20:46,112 --> 00:20:47,612 Yes, I'm here. 130 00:21:06,065 --> 00:21:07,331 Mr. Moore? 131 00:21:09,102 --> 00:21:10,102 In here. 132 00:21:39,165 --> 00:21:41,032 What a pretty dress. 133 00:21:51,311 --> 00:21:53,411 Are you the mortician? 134 00:22:06,959 --> 00:22:08,059 What are you doing in here? 135 00:22:08,061 --> 00:22:09,427 I was speaking to... 136 00:22:09,429 --> 00:22:11,028 How did you get in here? You can't be in here. 137 00:22:11,030 --> 00:22:12,430 You need to leave immediately. 138 00:22:12,432 --> 00:22:13,631 Are you Mr. Moore? 139 00:22:13,633 --> 00:22:14,633 Yes. 140 00:22:15,301 --> 00:22:17,201 I need to know about this. 141 00:22:17,203 --> 00:22:18,502 Why did you sell it? 142 00:22:20,606 --> 00:22:21,639 I'm very sorry. 143 00:22:21,741 --> 00:22:22,540 I see lot of dresses, 144 00:22:22,641 --> 00:22:24,208 I've never seen that one before. 145 00:22:24,210 --> 00:22:26,210 Please, there's something wrong with this. 146 00:22:26,212 --> 00:22:27,645 I need your help. 147 00:22:27,747 --> 00:22:29,413 I need you to step outside. 148 00:22:29,415 --> 00:22:31,215 Can things like this be haunted? 149 00:22:32,318 --> 00:22:34,618 In all my years working with the deceased, 150 00:22:34,620 --> 00:22:35,720 I can assure you, 151 00:22:35,722 --> 00:22:38,122 I've never encountered a haunting. 152 00:22:38,124 --> 00:22:39,623 But why has mold been... 153 00:22:41,728 --> 00:22:45,062 Has anything been putting you under a lot of stress recently? 154 00:22:52,338 --> 00:22:54,605 I'm so sorry I couldn't be of any help. 155 00:23:25,204 --> 00:23:27,605 I don't think you'll be needing this anymore. 156 00:24:27,600 --> 00:24:29,400 Like, it is so out of character. 157 00:24:32,305 --> 00:24:33,938 Are you okay? Where have you been? 158 00:24:34,006 --> 00:24:35,406 Why is she here? 159 00:24:37,210 --> 00:24:39,543 I thought you wanted me to stay over tonight. 160 00:24:40,313 --> 00:24:41,545 Didn't you get my text? 161 00:24:41,614 --> 00:24:42,947 I have a huge headache. 162 00:24:42,949 --> 00:24:43,949 I need to go to bed. 163 00:24:44,750 --> 00:24:46,250 Are you going to tell me 164 00:24:46,319 --> 00:24:47,718 why the washing machine is broken? 165 00:24:56,963 --> 00:24:57,862 Oh, no, no, no. 166 00:24:57,930 --> 00:24:58,829 It's too late. 167 00:24:58,831 --> 00:25:00,130 You're going to take the couch. 168 00:25:00,933 --> 00:25:02,099 Thanks. 169 00:25:02,167 --> 00:25:04,167 Is there something going on between you and Rachel? 170 00:25:04,670 --> 00:25:05,703 No. 171 00:25:05,705 --> 00:25:07,805 She's just nervous for prom. 172 00:25:07,807 --> 00:25:10,508 Listen, if there's anything, 173 00:25:10,510 --> 00:25:12,943 anything, you know that you can talk to me, right? 174 00:25:13,446 --> 00:25:14,812 Thanks. 175 00:25:14,814 --> 00:25:16,213 I'm going to go get you the sheets. 176 00:25:44,510 --> 00:25:46,644 Lea's staying on the couch. 177 00:25:46,745 --> 00:25:48,425 You should apologize to her in the morning. 178 00:25:48,948 --> 00:25:49,948 Mmm-hmm. 179 00:27:17,336 --> 00:27:18,235 Rachel? 180 00:27:19,572 --> 00:27:20,572 Rachel? 181 00:27:22,808 --> 00:27:23,807 Rachel? 182 00:27:23,809 --> 00:27:25,542 What is it? What's wrong? 183 00:27:27,213 --> 00:27:28,112 Are you okay? 184 00:27:28,114 --> 00:27:29,413 What's going on? 185 00:27:34,453 --> 00:27:35,886 Just breathe. 186 00:27:35,888 --> 00:27:37,154 You must've had a nightmare. 187 00:27:37,256 --> 00:27:38,956 It wasn't a nightmare. 188 00:27:40,459 --> 00:27:42,960 You really need to get rid of this dress, Rach. 189 00:27:43,029 --> 00:27:44,528 I'm worried about you. 190 00:27:45,064 --> 00:27:46,730 Get rid of it? 191 00:27:46,732 --> 00:27:48,732 Are you out of your freaking mind? 192 00:27:49,402 --> 00:27:50,501 Rach. 193 00:27:50,503 --> 00:27:51,835 You don't want me to look good. 194 00:27:52,505 --> 00:27:54,204 You're just a jealous bitch. 195 00:28:01,747 --> 00:28:03,347 Text me later, or don't. 196 00:28:03,416 --> 00:28:04,416 It's up to you. 197 00:28:05,051 --> 00:28:06,051 Ah. 198 00:28:20,066 --> 00:28:21,066 Lea. 199 00:28:24,737 --> 00:28:25,737 Lea. 200 00:29:04,543 --> 00:29:06,110 Rachel, come on. 201 00:29:06,112 --> 00:29:08,045 Lea's waiting, let's go. 202 00:29:08,514 --> 00:29:09,813 Okay. 203 00:29:23,529 --> 00:29:24,962 Are you sure you're okay? 204 00:29:24,964 --> 00:29:26,263 I'm fine. 205 00:29:32,438 --> 00:29:34,138 Want to go sit down for a minute? 206 00:29:39,411 --> 00:29:40,411 Let's go inside. 207 00:29:52,224 --> 00:29:53,224 Rachel? 208 00:29:55,060 --> 00:29:56,060 Rachel. 209 00:31:19,845 --> 00:31:20,944 Rachel? 210 00:31:57,816 --> 00:31:58,816 Lea? 211 00:32:04,323 --> 00:32:05,323 Lea. 212 00:32:07,293 --> 00:32:08,293 Lea. 213 00:32:32,952 --> 00:32:34,818 How exactly did she die? 214 00:32:34,820 --> 00:32:37,421 She was poisoned by embalming fluid. 215 00:32:37,423 --> 00:32:40,624 Coroner concluded that it soaked in through her skin. 216 00:32:40,626 --> 00:32:42,326 Soaked through from what? 217 00:32:42,328 --> 00:32:43,727 I'm unsure. 218 00:32:43,729 --> 00:32:45,963 But her death wouldn't have been pleasant. 219 00:32:45,965 --> 00:32:47,331 She would've likely experienced 220 00:32:47,333 --> 00:32:50,334 intense hallucinations as a result of the poisoning. 221 00:33:01,046 --> 00:33:02,813 All right, she's all ready for the cremation. 222 00:33:02,815 --> 00:33:04,214 Why don't you go take your break? 223 00:34:37,142 --> 00:34:38,041 Hi. 224 00:34:38,110 --> 00:34:39,810 Yes. 225 00:34:39,812 --> 00:34:42,512 I think I have a piece you'll be very interested in. 226 00:34:44,650 --> 00:34:45,816 Yes. 227 00:34:47,252 --> 00:34:48,518 One of a kind item. 228 00:35:02,601 --> 00:35:04,701 All right, that was The White Dress. 229 00:35:04,703 --> 00:35:06,937 A classic, classic urban legend 230 00:35:07,038 --> 00:35:09,139 that goes back a number of years. 231 00:35:09,208 --> 00:35:11,808 I am here with the director now, Ethan Evans. 232 00:35:11,810 --> 00:35:13,410 Hey, thank you so much. 233 00:35:13,412 --> 00:35:15,011 Thank you. Thank you. 234 00:35:15,013 --> 00:35:17,414 We worked together on The Haunted Museum. 235 00:35:17,416 --> 00:35:21,818 And I absolutely love your episodes, love your direction. 236 00:35:21,820 --> 00:35:23,687 - You grew up in the UK? - Yes. 237 00:35:23,689 --> 00:35:25,822 Here in America, before the Internet, 238 00:35:25,824 --> 00:35:27,624 you grow up in a town, in high school, 239 00:35:27,626 --> 00:35:30,961 and someone's like, "Dude, this girl put on a white dress for prom, 240 00:35:31,062 --> 00:35:32,529 but it was a dead person's dress. 241 00:35:32,664 --> 00:35:33,930 And then she became possessed. 242 00:35:33,932 --> 00:35:35,465 The girl tried to kill her. 243 00:35:35,534 --> 00:35:37,200 And anyone who wore the dress died. 244 00:35:37,202 --> 00:35:38,301 That's a real dress." 245 00:35:38,303 --> 00:35:40,704 Like everybody swore that it was real. 246 00:35:40,706 --> 00:35:43,106 But they knew one person who knew someone. 247 00:35:43,108 --> 00:35:45,208 There was like one or two degrees removed. 248 00:35:45,210 --> 00:35:47,010 Did that happen in the UK? 249 00:35:47,012 --> 00:35:48,545 It was more ghost stories, you know. 250 00:35:48,647 --> 00:35:51,192 There's a lot of, like you were saying, people thinking they're true. 251 00:35:51,216 --> 00:35:53,016 It's kind of like a game of telephone where, 252 00:35:53,018 --> 00:35:54,550 you know, the best bits stick 253 00:35:54,552 --> 00:35:56,887 and everyone's going around the playground, sharing these stories. 254 00:35:56,889 --> 00:35:58,021 It feels like... 255 00:35:58,023 --> 00:36:00,490 Urban legends feel very American, I think. 256 00:36:00,492 --> 00:36:02,225 Obviously, in choosing the stories, 257 00:36:02,227 --> 00:36:03,860 there's so many to choose from, 258 00:36:03,929 --> 00:36:05,929 but one of the things I loved about The White Dress, 259 00:36:05,931 --> 00:36:10,600 is that it has, kind of, classic ghost story imagery. 260 00:36:10,602 --> 00:36:13,136 There's something about the mix of the urban legend 261 00:36:13,205 --> 00:36:16,406 and the classic ghost story that I absolutely love. 262 00:36:16,408 --> 00:36:19,109 Had you heard the story of The White Dress before? 263 00:36:19,111 --> 00:36:21,211 And what excited you about the story? 264 00:36:21,213 --> 00:36:23,313 And what were you most excited to shoot in it? 265 00:36:23,315 --> 00:36:24,648 I'd never heard the story before, 266 00:36:24,716 --> 00:36:26,416 but it's really interesting when you read into it. 267 00:36:26,418 --> 00:36:30,153 I think it's known as, like, one of the oldest American urban legends. 268 00:36:30,222 --> 00:36:33,590 And I think, for me, when I read it for the first time, 269 00:36:33,592 --> 00:36:36,059 the word that stood out to me was, "Mortician." 270 00:36:41,633 --> 00:36:45,035 Just the idea that, it feel like a classic ghost tale. 271 00:36:45,136 --> 00:36:46,256 The idea that this mortician 272 00:36:46,338 --> 00:36:50,040 would steal dresses from corpses and sell them on. 273 00:36:50,108 --> 00:36:52,420 But at the same time, it feels like something that could actually happen. 274 00:36:52,444 --> 00:36:54,511 Which is, you know, are the best urban legends. 275 00:36:54,513 --> 00:36:56,213 Yeah, they live in that space of: 276 00:36:56,215 --> 00:36:59,115 it sounds so crazy, but is also still possible. 277 00:37:14,399 --> 00:37:17,334 I recently went to a true crime museum and I I saw this, 278 00:37:17,435 --> 00:37:20,036 it was this beautiful dress and I went up and read the description. 279 00:37:20,105 --> 00:37:23,840 And it told the story about how this was a British serial killer, 280 00:37:23,942 --> 00:37:26,443 wore this dress and murdered, like, 100 children. 281 00:37:26,511 --> 00:37:28,790 And suddenly, I got, you know, shivers going through my body. 282 00:37:28,814 --> 00:37:30,113 It was like, it was so interesting, 283 00:37:30,115 --> 00:37:34,117 the psychology of how such a beautiful but mundane object 284 00:37:34,119 --> 00:37:36,853 can, you know, hold so much power and energy. 285 00:37:36,922 --> 00:37:38,989 And that's exactly the first thing I thought of 286 00:37:38,991 --> 00:37:40,223 when I read this urban legend. 287 00:37:40,225 --> 00:37:42,859 It's, "We can have so much fun playing with this 288 00:37:42,927 --> 00:37:45,128 and crafting these ghostly scares 289 00:37:45,130 --> 00:37:46,770 and really getting under people's skin." 290 00:37:52,004 --> 00:37:55,138 Well, there is something about your clothing that is so your identity. 291 00:37:55,206 --> 00:37:57,207 Our clothing is how we express ourselves 292 00:37:57,209 --> 00:38:01,211 and telegraph to others who we are and what our intention is, 293 00:38:01,213 --> 00:38:03,213 or hide it or disguise it. 294 00:38:03,215 --> 00:38:06,516 And there is something, I think, people love buying vintage clothes, 295 00:38:06,518 --> 00:38:09,619 but every time you put on something that's 100 years old, 296 00:38:09,621 --> 00:38:12,756 you think, "Who else wore this and what was their life like? 297 00:38:12,824 --> 00:38:13,823 And how did they die?" 298 00:38:13,825 --> 00:38:15,224 You go into a vintage store, 299 00:38:15,226 --> 00:38:17,627 and you have no idea the history of what you're picking up. 300 00:38:17,629 --> 00:38:19,262 And like you say, for all we know, 301 00:38:19,364 --> 00:38:21,698 maybe someone, you know, has murdered someone in this, you know? 302 00:38:21,700 --> 00:38:22,932 That's a terrifying thought. 303 00:38:23,001 --> 00:38:24,401 And, I think, that's definitely 304 00:38:24,403 --> 00:38:26,603 something we wanted to get across through this episode, 305 00:38:26,605 --> 00:38:29,306 is that history and putting a lot of focus on the dress itself. 306 00:38:32,844 --> 00:38:35,845 What was the most challenging scene for you to shoot in this episode? 307 00:38:35,914 --> 00:38:37,914 I think perhaps the climax, 308 00:38:37,916 --> 00:38:39,616 which is this... 309 00:38:39,618 --> 00:38:41,918 It's quite a big scene set in a bathroom stall. 310 00:38:41,920 --> 00:38:44,854 There's quite a lot of action, and there's stunts as well, 311 00:38:44,923 --> 00:38:47,290 and trying to suddenly flip. 312 00:38:47,292 --> 00:38:48,724 At that moment, 313 00:38:48,794 --> 00:38:51,361 she goes from being quite quiet, to herself within the scene, 314 00:38:51,430 --> 00:38:53,963 and then, suddenly, exploding and attacking someone, 315 00:38:53,965 --> 00:38:55,298 strangling and screaming. 316 00:39:03,241 --> 00:39:05,208 And I think there's so much that went into that 317 00:39:05,210 --> 00:39:07,410 and I think that was probably challenging 318 00:39:07,412 --> 00:39:09,612 just based on getting the performance there, 319 00:39:09,614 --> 00:39:13,616 and focus really heavily on safe stunts, you know. 320 00:39:13,618 --> 00:39:15,151 I think that was a lot for... 321 00:39:15,253 --> 00:39:17,487 This was Leslie's first film as well that she'd done, 322 00:39:17,489 --> 00:39:20,357 so she was so committed and gave it her all. 323 00:39:20,458 --> 00:39:21,958 And thanks to the team. 324 00:39:21,960 --> 00:39:23,760 We had such an amazing team. 325 00:39:23,829 --> 00:39:27,230 Such a daunting scene felt like such a joy to film. 326 00:39:27,232 --> 00:39:28,565 How much do you shot list? 327 00:39:28,633 --> 00:39:29,933 How much do you storyboard? 328 00:39:29,935 --> 00:39:32,102 How much do you just show up and figure it out? 329 00:39:32,104 --> 00:39:33,636 For me, I've got OCD. 330 00:39:33,705 --> 00:39:36,139 In the real sense, not the, kind of, cleaning sense. 331 00:39:36,241 --> 00:39:38,708 And so that means that feeds into my directing, 332 00:39:38,710 --> 00:39:40,610 and so I, just my mind works. 333 00:39:40,612 --> 00:39:42,912 I just have to be so specific about everything. 334 00:39:42,914 --> 00:39:44,325 Which can be really draining at times 335 00:39:44,349 --> 00:39:45,949 because I do multiple drafts for shot list, 336 00:39:45,951 --> 00:39:47,650 you know, storyboard everything. 337 00:39:47,719 --> 00:39:50,520 I'm a big believer of that your film or your episode 338 00:39:50,522 --> 00:39:52,055 is only as good as you're planning. 339 00:39:52,057 --> 00:39:53,122 Do you draw the storyboards? 340 00:39:53,124 --> 00:39:54,491 Do you have a storyboard artist you work with? 341 00:39:54,493 --> 00:39:55,725 I just do them myself. 342 00:39:55,727 --> 00:39:57,627 And my dad's an artist, 343 00:39:57,629 --> 00:40:00,430 and you'd never guess that looking at my storyboards, because they're all... 344 00:40:00,432 --> 00:40:02,932 Yeah, I've, like, my mom's an artist and it's like... 345 00:40:02,934 --> 00:40:04,801 - Yeah. - It's like caveman paintings. 346 00:40:04,803 --> 00:40:07,537 As long as you can get the idea across to like the DP 347 00:40:07,606 --> 00:40:09,739 and show, "This is what I'm, kind of, looking for. 348 00:40:09,808 --> 00:40:12,041 Maybe there's a push in here, a two shot..." 349 00:40:12,043 --> 00:40:14,389 Or, you know, as long as you can get that information across, I think. 350 00:40:14,413 --> 00:40:17,247 It really helps as well, on the day when you're pushed for time, 351 00:40:17,348 --> 00:40:19,193 you're just scanning through the shot list and you can see, 352 00:40:19,217 --> 00:40:21,618 you know, still of what you're trying to achieve 353 00:40:21,620 --> 00:40:22,652 just at a glance. 354 00:40:22,721 --> 00:40:25,155 Is there a formula you use for different, 355 00:40:25,223 --> 00:40:26,723 - for building tension and scare? - Yeah. 356 00:40:26,725 --> 00:40:29,559 It's more about showing the environment a character is in 357 00:40:29,628 --> 00:40:31,094 as opposed to their reaction, 358 00:40:31,096 --> 00:40:34,330 because that way, you place the audience as if they're really there. 359 00:40:34,332 --> 00:40:35,999 You know, it's almost becomes a documentary, 360 00:40:36,001 --> 00:40:38,401 you're experiencing it as the character is. 361 00:40:38,403 --> 00:40:41,938 And I think, at the same tim reactions are so important. 362 00:40:41,940 --> 00:40:43,373 So it's about spending the time, 363 00:40:43,375 --> 00:40:45,508 making sure you get the actor there as well 364 00:40:45,510 --> 00:40:47,977 so it's such a technical thing, 365 00:40:48,046 --> 00:40:49,846 and it's something I'm still learning about. 366 00:40:51,116 --> 00:40:53,216 Breaking down what makes a good scare? 367 00:41:03,295 --> 00:41:05,428 I've got like a 200-page document 368 00:41:05,430 --> 00:41:08,565 where I've just broken down various horror films. 369 00:41:08,600 --> 00:41:11,601 And, you know, "What's the key scares? And what happens? 370 00:41:11,603 --> 00:41:12,902 What techniques do they use? 371 00:41:12,904 --> 00:41:14,237 What works, what doesn't?" 372 00:41:14,339 --> 00:41:16,072 And then, like, a little conclusion about, 373 00:41:16,074 --> 00:41:18,041 basically, what my thoughts were. 374 00:41:18,109 --> 00:41:19,409 Was that successful, was it not? 375 00:41:27,118 --> 00:41:28,518 I'm such a fan of your work. 376 00:41:28,520 --> 00:41:30,653 I'm really excited to see where your career goes. 377 00:41:30,755 --> 00:41:32,021 Thank you so much. It means the world. 378 00:41:32,023 --> 00:41:33,701 Especially, coming from you because, you know, 379 00:41:33,725 --> 00:41:35,325 I've grown up watching all your films. 380 00:41:35,327 --> 00:41:36,693 Thank you, I feel really old now. 381 00:41:36,695 --> 00:41:38,428 No, it's okay. 382 00:41:38,430 --> 00:41:39,863 No, honestly, I think I'm still 383 00:41:39,964 --> 00:41:41,431 recovering from Hostel, to be honest. 384 00:41:41,433 --> 00:41:42,999 - Great. - Yeah, it was definitely one 385 00:41:43,001 --> 00:41:44,801 where I sat in the shower afterwards and thought, 386 00:41:44,803 --> 00:41:47,303 you know, "What is life? This is amazing." 387 00:41:47,305 --> 00:41:48,972 Well, that's well, you know, 388 00:41:48,974 --> 00:41:50,707 hopefully, your films are going to do that 389 00:41:50,709 --> 00:41:51,941 to someone else out there. 390 00:41:52,010 --> 00:41:54,611 Hopefully, some young viewer is completely traumatized 391 00:41:54,613 --> 00:41:56,613 in the shower now going, "Oh God." 392 00:41:56,615 --> 00:41:57,925 - I know. - "What am I going to do?" 393 00:41:57,949 --> 00:41:59,115 I hope so. I hope so.27928

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